1 00:00:01,400 --> 00:00:03,320 # # 2 00:00:03,480 --> 00:00:06,280 It's the second challenge of Top 30 Week, 3 00:00:06,440 --> 00:00:11,480 and our idol hopefuls are about to be tested like never before. 4 00:00:11,640 --> 00:00:13,280 There's a lot of talent here and everyone's getting 5 00:00:13,440 --> 00:00:14,600 hungrier and hungrier. 6 00:00:14,760 --> 00:00:17,840 This is the overnight challenge. 7 00:00:18,000 --> 00:00:21,280 This challenge is not for the faint hearted. 8 00:00:21,440 --> 00:00:24,440 The pressure's on and only the strongest are going to survive. 9 00:00:25,480 --> 00:00:28,760 The overnight group challenge tests our singers to collaborate. 10 00:00:28,920 --> 00:00:31,360 You get to see who has drive, creativity, 11 00:00:31,520 --> 00:00:32,880 and who can do this under pressure. 12 00:00:33,040 --> 00:00:37,640 It feels daunting, but pressure makes diamonds. 13 00:00:37,800 --> 00:00:41,720 Singers who fail to sparkle will be put on notice, 14 00:00:41,880 --> 00:00:45,200 and ultimately, three more must go home. 15 00:00:45,360 --> 00:00:47,480 I cannot leave this competition. 16 00:00:47,640 --> 00:00:49,440 My future's on the line. 17 00:00:49,600 --> 00:00:51,120 I want this really bad. 18 00:00:52,320 --> 00:00:55,440 (SUSPENSEFUL MUSIC) 19 00:01:01,200 --> 00:01:02,160 Here we go. 20 00:01:02,320 --> 00:01:04,120 # # 21 00:01:04,280 --> 00:01:05,440 Welcome back. 22 00:01:05,600 --> 00:01:06,680 Thank you. 23 00:01:06,840 --> 00:01:08,840 Ooh! Whoa! 24 00:01:09,000 --> 00:01:10,440 # # 25 00:01:12,000 --> 00:01:17,320 Alright, everyone, it's time for the overnight challenge. 26 00:01:17,480 --> 00:01:19,280 (LOW-KEY CHEERING) 27 00:01:19,440 --> 00:01:22,720 You've all proven that you can shine with time to prepare. 28 00:01:22,880 --> 00:01:24,080 # # 29 00:01:24,240 --> 00:01:26,160 But in the real world, 30 00:01:26,320 --> 00:01:29,200 all the great artists shine under pressure. 31 00:01:29,360 --> 00:01:31,200 # # 32 00:01:31,360 --> 00:01:33,400 We're going to put you into groups of three. 33 00:01:33,560 --> 00:01:34,560 And your challenge is 34 00:01:34,720 --> 00:01:39,200 to work through the night to curate a performance. 35 00:01:39,360 --> 00:01:42,240 A performance you will need to execute for us all tomorrow morning. 36 00:01:44,200 --> 00:01:46,920 Some people make the mistake of working all night. 37 00:01:47,080 --> 00:01:48,160 And then tomorrow, 38 00:01:48,320 --> 00:01:51,880 no one's got a voice, so split the difference. 39 00:01:52,040 --> 00:01:53,320 And then, for goodness sake, 40 00:01:53,480 --> 00:01:55,080 get some sleep before we see you tomorrow. 41 00:01:55,240 --> 00:01:58,800 Because you want to be in tip top shape. 42 00:01:58,960 --> 00:02:02,000 You know, the challenge will test your abilities to work together, 43 00:02:02,160 --> 00:02:03,760 to work under stress. 44 00:02:03,920 --> 00:02:05,080 Please take note, 45 00:02:05,240 --> 00:02:07,680 it may be a group situation, 46 00:02:07,840 --> 00:02:09,960 but we're going to watch you individually. 47 00:02:10,120 --> 00:02:12,440 We want to see how you're going to cope with this. 48 00:02:14,600 --> 00:02:16,360 I love this challenge so much. 49 00:02:16,520 --> 00:02:19,920 You learn so much about these guys, not just as singers and artists, 50 00:02:20,080 --> 00:02:23,120 but as people, and it's fascinating. 51 00:02:23,280 --> 00:02:24,960 # # 52 00:02:25,120 --> 00:02:25,960 OK, listen up everyone. 53 00:02:26,120 --> 00:02:28,440 When we call your name, step forward. 54 00:02:30,720 --> 00:02:31,880 Simela. 55 00:02:32,040 --> 00:02:33,000 Charlie. 56 00:02:36,440 --> 00:02:37,480 Tre. 57 00:02:37,640 --> 00:02:38,800 # # 58 00:02:38,960 --> 00:02:40,320 That's the first group. 59 00:02:40,480 --> 00:02:42,400 I'm quite excited by this. 60 00:02:43,520 --> 00:02:46,320 OK, guys, off you go. Thank you. 61 00:02:46,480 --> 00:02:49,720 I cannot wait to hear these three sing together 62 00:02:49,880 --> 00:02:52,320 and I just hope they choose the right song. 63 00:02:54,400 --> 00:02:55,520 OK. Group two. 64 00:02:55,680 --> 00:02:59,920 Asher, Taiyo, and John. 65 00:03:00,080 --> 00:03:01,560 Oh, the young guns. 66 00:03:05,200 --> 00:03:06,600 I can see... This is good. 67 00:03:06,760 --> 00:03:09,080 ..the youngest of them all Taiyo taking control, 68 00:03:09,240 --> 00:03:10,560 going, "Alright we could do some looping here, 69 00:03:10,720 --> 00:03:13,040 we could do some piano here, a bit of rap there." 70 00:03:13,200 --> 00:03:14,760 Asher's like, "Keep it simple with the lyrics." 71 00:03:14,920 --> 00:03:15,960 Yeah. Keep it real. 72 00:03:16,120 --> 00:03:17,320 Can we do a song that's real repetitive. 73 00:03:18,440 --> 00:03:19,800 Kalani. 74 00:03:19,960 --> 00:03:22,000 # # 75 00:03:22,160 --> 00:03:23,160 Harriet. 76 00:03:23,320 --> 00:03:24,840 # # 77 00:03:25,000 --> 00:03:28,920 And let's put Kesha in this group. There you go. 78 00:03:29,080 --> 00:03:30,680 Uh-oh. (CHEERING) 79 00:03:30,840 --> 00:03:32,720 Uh-oh. Let's not muck around. 80 00:03:32,880 --> 00:03:34,040 Congrats, guys. Good luck. 81 00:03:34,200 --> 00:03:35,720 You are group number three. 82 00:03:35,880 --> 00:03:37,880 They're big, strong vocals. 83 00:03:38,040 --> 00:03:40,600 This is a good group. Yeah. 84 00:03:40,760 --> 00:03:42,080 Lily-Grace. 85 00:03:43,400 --> 00:03:44,920 Achille. 86 00:03:45,080 --> 00:03:47,400 Interesting. Country rock. 87 00:03:47,560 --> 00:03:48,960 # # 88 00:03:50,120 --> 00:03:53,000 Cody. HOSTS: And Cody. 89 00:03:53,160 --> 00:03:54,040 Put them all in a blender. 90 00:03:54,200 --> 00:03:55,320 What do we get? This is gonna be good. 91 00:03:55,480 --> 00:03:56,880 Jamie. 92 00:03:57,040 --> 00:03:58,720 Mat. 93 00:04:00,320 --> 00:04:01,960 And Alita. 94 00:04:02,120 --> 00:04:03,680 (LAUGHS) 95 00:04:03,840 --> 00:04:05,160 High hopes for these three. 96 00:04:06,520 --> 00:04:11,800 Natalie, Harlan and Vince. 97 00:04:11,960 --> 00:04:14,440 Group number six. 98 00:04:14,600 --> 00:04:15,560 Good luck, Guys. 99 00:04:15,720 --> 00:04:17,720 Thanks, guys. 100 00:04:17,880 --> 00:04:18,960 Riley. 101 00:04:19,120 --> 00:04:20,920 Sophie. 102 00:04:21,080 --> 00:04:23,400 Harry. 103 00:04:23,560 --> 00:04:24,880 Harry with the good hair. 104 00:04:25,040 --> 00:04:26,560 (LAUGHS) 105 00:04:26,720 --> 00:04:29,200 Group number eight, OK, Wanwue. 106 00:04:29,360 --> 00:04:30,400 # # 107 00:04:30,560 --> 00:04:32,040 Jacinta. 108 00:04:32,200 --> 00:04:33,200 And Eva. 109 00:04:33,360 --> 00:04:35,440 Eva. Whoo! 110 00:04:35,600 --> 00:04:38,880 Three very different female vocals in the one group. 111 00:04:39,040 --> 00:04:41,120 Which I think can be really, really interesting. 112 00:04:41,280 --> 00:04:42,120 Yeah. 113 00:04:42,280 --> 00:04:44,920 Lydia, Olivia, Lachie, group number nine. 114 00:04:45,080 --> 00:04:47,520 Hey, guys, have a great night. Enjoy. 115 00:04:47,680 --> 00:04:51,080 Don't stay up all night, OK? Best of luck. 116 00:04:51,240 --> 00:04:53,040 See you tomorrow. Kill it. 117 00:04:54,680 --> 00:04:55,640 OK, guys. 118 00:04:55,800 --> 00:04:57,240 # # 119 00:04:57,400 --> 00:05:00,800 They have their groups, now they need a song. 120 00:05:03,080 --> 00:05:05,200 Attention all singers. 121 00:05:06,920 --> 00:05:11,080 There are nine groups, and 12 songs to choose from. 122 00:05:11,240 --> 00:05:14,480 Now each group is allocated one person 123 00:05:14,640 --> 00:05:19,200 to race up here and choose one song on behalf of your entire group. 124 00:05:19,360 --> 00:05:24,440 And with great power comes great responsibility. 125 00:05:24,600 --> 00:05:27,760 So choose wisely. 126 00:05:29,240 --> 00:05:33,640 What am I like looking for? Just get one that's like... 127 00:05:33,800 --> 00:05:34,600 Well known? ..right now. 128 00:05:34,760 --> 00:05:36,680 Popular, well known, right now. 129 00:05:36,840 --> 00:05:39,360 I'm thinking more like R&B soul kind of thing. 130 00:05:39,520 --> 00:05:42,960 Definitely like upbeat pop dance like, you know. 131 00:05:43,120 --> 00:05:45,200 What are you thinking? What are we thinking? 132 00:05:45,360 --> 00:05:47,440 Well, obviously, like, we're both very... 133 00:05:47,600 --> 00:05:49,160 Pretty similar, hey. ..more modern pop. 134 00:05:49,320 --> 00:05:50,640 Give me some artists. 135 00:05:50,800 --> 00:05:53,880 Like, I like singing more Adele. I can do Adele. 136 00:05:54,040 --> 00:05:55,360 Yeah, the soul Whitney and stuff. 137 00:05:55,520 --> 00:05:59,360 If I have to get taken away from my comfort zone and country 138 00:05:59,520 --> 00:06:01,600 and I just make it a little bit country, 139 00:06:01,760 --> 00:06:03,080 I'm happy to do so. 140 00:06:03,240 --> 00:06:04,400 It depends on what the choices are. Options are. 141 00:06:04,560 --> 00:06:05,600 Yeah. Yeah. 142 00:06:05,760 --> 00:06:07,320 We can make any song anything. We can make any song fit us. 143 00:06:07,480 --> 00:06:08,880 We're here for a reason, because we're talented. 144 00:06:09,040 --> 00:06:10,520 I'm sure we can figure it out. We can figure it out. 145 00:06:10,680 --> 00:06:11,920 Who's getting it? 146 00:06:12,080 --> 00:06:13,040 Alright. I don't... 147 00:06:13,200 --> 00:06:14,640 Should we scissors, paper, rock it? 148 00:06:14,800 --> 00:06:15,880 Who runs to get it? Oh, yeah, yeah, yeah. 149 00:06:16,040 --> 00:06:17,240 All three of us, or just you two? OK, go. 150 00:06:17,400 --> 00:06:19,600 Paper. Paper, scissors, rock. 151 00:06:19,760 --> 00:06:21,760 Paper, scissors, rock. 152 00:06:21,920 --> 00:06:24,560 You're into it, darl. You got this. 153 00:06:24,720 --> 00:06:26,800 You're a skier. 154 00:06:26,960 --> 00:06:29,240 I lost. Yeah, so... 155 00:06:29,400 --> 00:06:31,400 That means you're running to get the thing. 156 00:06:31,560 --> 00:06:32,520 I got it. No, I've got it. 157 00:06:32,680 --> 00:06:34,360 # # 158 00:06:34,520 --> 00:06:37,360 LOUDSPEAKER: Everybody, can I have your attention, please? 159 00:06:37,520 --> 00:06:39,040 Can your selected runner 160 00:06:39,200 --> 00:06:42,160 make their way to the bottom of the stairs. 161 00:06:42,320 --> 00:06:43,640 You got this. Come on. 162 00:06:43,800 --> 00:06:45,960 We'll be here, we'll be here. Rock n roll. Rock it. Let's do it! 163 00:06:46,120 --> 00:06:48,080 Kesha. Have fun. 164 00:06:50,240 --> 00:06:51,920 Let this be a warning. 165 00:06:52,080 --> 00:06:57,080 This challenge will be your toughest challenge yet. 166 00:06:57,240 --> 00:06:58,760 Here we go. 167 00:06:58,920 --> 00:07:01,960 On your marks. Get set! Go! 168 00:07:02,120 --> 00:07:03,680 (LAUGHTER) 169 00:07:03,840 --> 00:07:06,240 Oh, my god, oh my god. (SHRIEKING) 170 00:07:06,400 --> 00:07:07,960 (CLAMOUR) 171 00:07:08,120 --> 00:07:10,440 Asher's first. 172 00:07:10,600 --> 00:07:12,280 Now they've gonna choose. 173 00:07:12,440 --> 00:07:14,120 As quick as they can, but the right song. 174 00:07:14,280 --> 00:07:16,680 Alright, Harry's grabbed the first song. 175 00:07:16,840 --> 00:07:18,680 OK, Harry got Can't Help Falling In Love. 176 00:07:19,840 --> 00:07:21,520 Yeah. It was the only one I could... 177 00:07:21,680 --> 00:07:23,240 Nah, we can do that. That's good we can do that. 178 00:07:23,400 --> 00:07:24,280 Is he coming? 179 00:07:24,440 --> 00:07:26,280 What did you get? Yes! What'd you get? 180 00:07:26,440 --> 00:07:28,760 Every Breath You Take? The Police. 181 00:07:28,920 --> 00:07:30,720 # Every Breath You Take. # Is that right? 182 00:07:30,880 --> 00:07:32,120 Yeah. What do you think? 183 00:07:32,280 --> 00:07:34,000 We could get Believe by Cher. 184 00:07:34,160 --> 00:07:35,760 What is it? Believe by Cher. 185 00:07:35,920 --> 00:07:37,080 # If you believe. # But we slow it down. 186 00:07:37,240 --> 00:07:38,440 # In life after love. # I'll see if it's there. 187 00:07:38,600 --> 00:07:40,600 Just get it. I reckon, I reckon, I reckon. 188 00:07:40,760 --> 00:07:41,680 Oh, my gosh. Oh, my gosh. 189 00:07:41,840 --> 00:07:44,080 Alright, we're going a different route this one. 190 00:07:44,240 --> 00:07:46,000 This is definitely not something I would sing. 191 00:07:46,160 --> 00:07:48,720 I think if I don't get this right, I'm out. 192 00:07:48,880 --> 00:07:52,160 On notice the first time, if I get put on second notice. 193 00:07:52,320 --> 00:07:54,880 Let's get something that I'm really good at. 194 00:07:55,040 --> 00:07:58,520 Guys, we've got 2 Be Loved by Lizzo. 195 00:07:58,680 --> 00:08:00,280 Do you guys know that song? I don't know this song. 196 00:08:00,440 --> 00:08:01,920 I don't know it. I don't know it either. 197 00:08:02,080 --> 00:08:04,120 But there weren't any other songs that I knew. 198 00:08:04,280 --> 00:08:05,720 There's not many left. 199 00:08:05,880 --> 00:08:07,640 There was one by someone called The Police 200 00:08:07,800 --> 00:08:10,320 and it was called Every Breath I Take. 201 00:08:10,480 --> 00:08:12,760 I think that one's still up there. 202 00:08:12,920 --> 00:08:13,840 (HUMS) 203 00:08:14,000 --> 00:08:15,520 Go and get that. Just for now. Go get that one. 204 00:08:15,680 --> 00:08:17,280 Since you don't know this song. Yeah, do that one. 205 00:08:17,440 --> 00:08:19,360 I'm checking if there's another song still there. 206 00:08:19,520 --> 00:08:21,760 Come back. Hurry up. 207 00:08:21,920 --> 00:08:23,440 Come on, Wanwue. Let's go, Wanwue! 208 00:08:23,600 --> 00:08:25,000 BOTH: Go Asher! 209 00:08:25,160 --> 00:08:26,520 You got this. 210 00:08:26,680 --> 00:08:28,880 Oh, there could be a trade going on. 211 00:08:29,040 --> 00:08:30,360 Oh. 212 00:08:30,520 --> 00:08:31,480 They did a trade. 213 00:08:31,640 --> 00:08:35,440 My jewellery came off, my earrings came off, and I sprinted. 214 00:08:35,600 --> 00:08:37,040 (CHEERING) 215 00:08:37,200 --> 00:08:38,600 (LAUGHTER) 216 00:08:38,760 --> 00:08:42,880 THEY SING: # I just can't get you out of my head. # 217 00:08:44,800 --> 00:08:46,320 What'd you get? Yes. What'd you get? 218 00:08:46,480 --> 00:08:49,000 Ordinary. OK, OK. OK, OK. 219 00:08:49,160 --> 00:08:51,120 I feel like this was genuinely our best bet... 220 00:08:51,280 --> 00:08:52,760 OK, high five. ..out of the ones I saw. Yes. 221 00:08:52,920 --> 00:08:54,400 Yes, high five. Let's go. 222 00:08:54,560 --> 00:08:56,560 This is not a bad song. 223 00:08:56,720 --> 00:08:57,720 We can make this work. We can make this work. 224 00:08:57,880 --> 00:08:59,960 I can play this on the guitar. OK. 225 00:09:00,120 --> 00:09:01,880 Yeah, whoo! Let's go. 226 00:09:02,040 --> 00:09:03,280 # # 227 00:09:03,440 --> 00:09:05,680 Where is Harlan? Harlan? 228 00:09:05,840 --> 00:09:07,560 (LAUGHTER) 229 00:09:07,720 --> 00:09:08,960 Yes, Harlan. 230 00:09:11,040 --> 00:09:13,400 He's so happy. The plastic flying everywhere. 231 00:09:13,560 --> 00:09:15,120 And what do you want? 232 00:09:15,280 --> 00:09:16,840 This one. 233 00:09:17,000 --> 00:09:18,080 Police. Yeah. 234 00:09:18,240 --> 00:09:19,640 Let's see if we can do something with this. 235 00:09:19,800 --> 00:09:20,880 Every Breath You Take, nice. 236 00:09:22,000 --> 00:09:23,440 I can definitely hear a rap with that one. 237 00:09:25,000 --> 00:09:26,120 I reckon, I reckon. Are you happy? 238 00:09:26,280 --> 00:09:28,240 Yeah, I think so. I think it's got that emotion. 239 00:09:28,400 --> 00:09:29,160 Yep, yep. Yeah. 240 00:09:29,320 --> 00:09:30,840 Yes. 241 00:09:31,000 --> 00:09:32,440 It was very intense. 242 00:09:32,600 --> 00:09:34,160 I haven't run that fast for quite a while. 243 00:09:34,320 --> 00:09:35,600 What were the options like...? I didn't know. 244 00:09:35,760 --> 00:09:37,040 Like half the things I didn't know, like... 245 00:09:37,200 --> 00:09:38,960 So there's not any country or anything? 246 00:09:39,120 --> 00:09:40,920 No, I haven't - they're older. 247 00:09:41,080 --> 00:09:43,560 # # 248 00:09:43,720 --> 00:09:45,280 Believe by Cher. 249 00:09:45,440 --> 00:09:48,720 Very different styles of what I'm used to. 250 00:09:48,880 --> 00:09:51,400 This is definitely out of my comfort zone. 251 00:09:51,560 --> 00:09:53,240 This is the toughest challenge yet. 252 00:09:53,400 --> 00:09:54,840 And if you don't have this right, you're out. 253 00:09:55,000 --> 00:09:56,280 # # 254 00:09:56,440 --> 00:09:57,680 But I'm happy with this. So good. 255 00:09:57,840 --> 00:09:59,360 # # 256 00:09:59,520 --> 00:10:02,160 Alright, yes, much better choice now. 257 00:10:02,320 --> 00:10:03,520 Do we know The Police? 258 00:10:03,680 --> 00:10:04,800 You probably know Sting. 259 00:10:04,960 --> 00:10:08,000 Sting's like the lead singer and bassist. 260 00:10:08,160 --> 00:10:09,200 Is he? I never knew that. 261 00:10:09,360 --> 00:10:11,960 What we have to kind of think of now is get the right key. 262 00:10:12,120 --> 00:10:13,120 (BOTH AGREE) 263 00:10:13,280 --> 00:10:15,320 So because you're high, I'm a bit lower than you. 264 00:10:15,480 --> 00:10:18,040 And you can just do it. I'll try, yeah. 265 00:10:18,200 --> 00:10:19,520 As soon as I listen to it, we'll see what we can do. 266 00:10:19,680 --> 00:10:22,080 Obviously I haven't done much collaboration in our lives, 267 00:10:22,240 --> 00:10:24,880 and it's also hard weaving in and working in a rapper 268 00:10:25,040 --> 00:10:28,120 into our young, unexperienced group. 269 00:10:28,280 --> 00:10:30,360 I can't even remember the name of the song that I picked, 270 00:10:30,520 --> 00:10:32,640 but it's definitely not something that I'm too familiar with. 271 00:10:32,800 --> 00:10:34,440 After that first audition, 272 00:10:34,600 --> 00:10:37,400 I'm always just stressing out about lyrics all the time. 273 00:10:37,560 --> 00:10:39,960 So that's definitely one big thing on my mind. 274 00:10:40,120 --> 00:10:41,680 # # 275 00:10:41,840 --> 00:10:43,040 # Now here we go. # 276 00:10:43,200 --> 00:10:45,560 And then just change the arrangement of the chorus 277 00:10:45,720 --> 00:10:47,920 for one of them. I reckon. 278 00:10:48,080 --> 00:10:50,800 Each of the nine groups must work through the night 279 00:10:50,960 --> 00:10:52,480 to collaborate and prepare, 280 00:10:52,640 --> 00:10:56,640 before performing their chosen song for the judges in the morning. 281 00:10:56,800 --> 00:11:00,600 Behind us, our teams are working overtime on their arrangements. 282 00:11:00,760 --> 00:11:04,080 Yeah, they know that even though this is a team challenge, 283 00:11:04,240 --> 00:11:05,880 they're still competing as individuals. 284 00:11:06,040 --> 00:11:07,640 So when they step out on that stage, 285 00:11:07,800 --> 00:11:09,840 they know they have to make their mark. 286 00:11:10,000 --> 00:11:11,720 Nobody wants to go home. 287 00:11:11,880 --> 00:11:14,840 And I'm predicting a very late night. 288 00:11:15,000 --> 00:11:17,240 (VOCALISES) 289 00:11:17,400 --> 00:11:19,280 Oh, that's nice man. 290 00:11:19,440 --> 00:11:21,560 That's nice dude. Far out. 291 00:11:21,720 --> 00:11:25,200 The trio of carer Charlie, mum and teacher Simela, 292 00:11:25,360 --> 00:11:27,040 and doting dad Trey 293 00:11:27,200 --> 00:11:30,400 who have drawn on their soulful roots to craft their own take 294 00:11:30,560 --> 00:11:32,400 on Rihanna's We Found Love. 295 00:11:32,560 --> 00:11:35,960 And with each of them blowing the judges away at auditions, 296 00:11:36,120 --> 00:11:39,000 expectations couldn't be higher. 297 00:11:39,160 --> 00:11:41,760 Yeah, I think that our song choice is amazing. 298 00:11:41,920 --> 00:11:44,760 We're all quite soulful R&B inspired singers, 299 00:11:44,920 --> 00:11:48,440 so it's cool to be able to put that twist on such a big pop record. 300 00:11:48,600 --> 00:11:52,600 ALL: # We found love in a hopeless place. # 301 00:11:52,760 --> 00:11:54,240 And wrong and wrong. 302 00:11:54,400 --> 00:11:55,600 I don't know what it is. 303 00:11:55,760 --> 00:11:57,440 My, my - I'm wrong. 304 00:11:57,600 --> 00:11:59,360 The judges are really hard markers 305 00:11:59,520 --> 00:12:02,120 and they're going to judge us individually. 306 00:12:02,280 --> 00:12:05,760 We got to bring it individually as well as a collective. 307 00:12:06,880 --> 00:12:12,520 Doesn't it go like - in the track, doesn't it strip back to that verse? 308 00:12:12,680 --> 00:12:14,840 Or am I making that up in my head? 309 00:12:15,000 --> 00:12:18,800 I think the problems we might face in this group challenge are 310 00:12:18,960 --> 00:12:21,320 definitely picking the right key. # Less place. # 311 00:12:21,480 --> 00:12:22,880 I don't know if that's the right harmony. 312 00:12:23,040 --> 00:12:25,320 But did that work at all or is that weird? 313 00:12:25,480 --> 00:12:30,560 I'm with two male vocalists, so it's ideal for them to shine. 314 00:12:30,720 --> 00:12:33,360 But as well as me being able to 315 00:12:33,520 --> 00:12:36,360 shine in the right key is a bit tricky. 316 00:12:36,520 --> 00:12:37,680 Is that too high for you? 317 00:12:37,840 --> 00:12:39,120 It's there, but like, I could get it. 318 00:12:40,480 --> 00:12:43,960 OK, singers, can I have your attention, please? 319 00:12:44,120 --> 00:12:45,960 All singers, come on over here. 320 00:12:46,120 --> 00:12:47,920 Gather round. We've got something to tell you. 321 00:12:48,080 --> 00:12:52,720 Come on down. Get on down here, guys. Come on down. Come on across. 322 00:12:52,880 --> 00:12:54,120 Oh, man. 323 00:12:54,280 --> 00:12:57,360 Get on in here, everybody. We want to interrupt you all. 324 00:12:57,520 --> 00:12:59,160 # # 325 00:13:01,840 --> 00:13:04,440 So you're in the middle of your challenge, 326 00:13:04,600 --> 00:13:07,040 but for Top 30 Week, there's always a twist. 327 00:13:07,200 --> 00:13:09,440 And this next one is a big one. 328 00:13:09,600 --> 00:13:11,760 # I'm only human, after all. # 329 00:13:11,920 --> 00:13:14,000 We know how hard this challenge is, 330 00:13:14,160 --> 00:13:15,760 so we just thought we would bring somebody in 331 00:13:15,920 --> 00:13:17,720 to help you guys out a little bit. 332 00:13:17,880 --> 00:13:20,000 # # 333 00:13:20,160 --> 00:13:21,800 She's an icon. 334 00:13:21,960 --> 00:13:24,080 She is Idol royalty. 335 00:13:24,240 --> 00:13:25,640 # # 336 00:13:25,800 --> 00:13:31,000 And she did this very challenge 20 years ago. 337 00:13:31,160 --> 00:13:33,200 # # 338 00:13:33,360 --> 00:13:35,480 It's Jess Mauboy. (CHEERING) 339 00:13:35,640 --> 00:13:37,040 Oh, my god. # # 340 00:13:37,200 --> 00:13:38,600 Hi! 341 00:13:38,760 --> 00:13:40,000 # # 342 00:13:41,480 --> 00:13:45,600 Oh, my god, I can't even - I can't even think right now. 343 00:13:45,760 --> 00:13:48,720 I can't believe Jessica Mauboy is here. 344 00:13:48,880 --> 00:13:50,680 I was like, I was freaking out. Hi. 345 00:13:50,840 --> 00:13:52,400 She's so little. 346 00:13:52,560 --> 00:13:54,400 I didn't realise how little she was, but, yeah, she's incredible. 347 00:13:54,560 --> 00:13:55,960 Hello. 348 00:13:56,120 --> 00:13:58,960 I love her music. She's such a diva. 349 00:13:59,120 --> 00:14:01,400 Hello, beauty. How are ya? 350 00:14:01,560 --> 00:14:03,040 Welcome. Mwah. 351 00:14:04,360 --> 00:14:05,960 So good to see you. 352 00:14:06,120 --> 00:14:08,200 How exciting is this? Oh, my gosh. 353 00:14:09,320 --> 00:14:11,280 She's one of my biggest idols. 354 00:14:11,440 --> 00:14:14,120 Just hearing anything that comes out of her mouth really 355 00:14:14,280 --> 00:14:15,520 motivates me to do better. 356 00:14:15,680 --> 00:14:17,560 Alright, I won't take up much of your time. 357 00:14:17,720 --> 00:14:18,640 I'll see you out there. 358 00:14:18,800 --> 00:14:20,440 Alright, let's get it. 359 00:14:20,600 --> 00:14:21,800 {\an8}Awesome. (CHEERING) 360 00:14:21,960 --> 00:14:23,600 {\an8}How good? That's so exciting. 361 00:14:23,760 --> 00:14:26,120 Alright, get back to work, everybody. Get back to your groups. 362 00:14:26,280 --> 00:14:27,640 Get it! Let's go, let's go. 363 00:14:27,800 --> 00:14:29,040 (IMITATES WHIP CRACKING) (LAUGHTER) 364 00:14:29,200 --> 00:14:31,120 How good, how exciting. 365 00:14:31,280 --> 00:14:34,680 This is probably the hardest challenge. 366 00:14:34,840 --> 00:14:36,960 So they're going to really have to adapt 367 00:14:37,120 --> 00:14:38,960 and learn really quickly. 368 00:14:39,120 --> 00:14:42,920 # Some things are meant to be. # 369 00:14:43,080 --> 00:14:44,000 Like that? 370 00:14:44,160 --> 00:14:47,360 I can hear some really dodgy harmonies in the background. 371 00:14:47,520 --> 00:14:51,840 Um, see some tired eyes and I can feel the tension. 372 00:14:54,000 --> 00:14:57,520 I reckon bringing in the harmonies is a good idea. 373 00:14:57,680 --> 00:14:58,800 OK. 374 00:14:58,960 --> 00:15:00,640 (STRUMS) 375 00:15:00,800 --> 00:15:02,000 # I won't let 376 00:15:02,160 --> 00:15:03,360 # I won't let 377 00:15:03,520 --> 00:15:06,640 # But, I won't let...# See, it's weird. 378 00:15:06,800 --> 00:15:09,760 OK, I know this sounds really trashy of me, 379 00:15:09,920 --> 00:15:13,240 but would I be able to just do it by myself? That part? 380 00:15:13,400 --> 00:15:15,360 (MUSIC STING) 381 00:15:15,520 --> 00:15:17,040 I feel like I'm underestimated a bit. 382 00:15:17,200 --> 00:15:18,280 # # 383 00:15:18,440 --> 00:15:20,400 And I do like my part first and then your part. 384 00:15:20,560 --> 00:15:21,840 Because I don't want it to clash. 385 00:15:22,880 --> 00:15:24,040 So after being on notice, like, 386 00:15:24,200 --> 00:15:26,240 it's really important for me to shine. 387 00:15:26,400 --> 00:15:29,200 If I don't turn it around for my next performance, 388 00:15:29,360 --> 00:15:30,360 that could mean I could go home. 389 00:15:30,520 --> 00:15:32,000 So I'm gonna put all my effort into it 390 00:15:32,160 --> 00:15:34,040 and really just focus and knuckle down. 391 00:15:35,400 --> 00:15:36,440 When do I come in? 392 00:15:36,600 --> 00:15:38,640 'Cause I want to cut anyone off. Yeah, exactly, true. 393 00:15:38,800 --> 00:15:42,440 So I feel like I've been working my whole life to shake off that... 394 00:15:42,600 --> 00:15:44,000 that lack of confidence. 395 00:15:44,160 --> 00:15:46,280 Cut me off. No, I don't want to cut you off. 396 00:15:47,400 --> 00:15:49,120 We've just hit a little bump where it's like... 397 00:15:49,280 --> 00:15:53,440 Oh, like Eva's doing an adlib there, and she's doing an adlib here. 398 00:15:53,600 --> 00:15:55,440 I just want to make sure it's a space 399 00:15:55,600 --> 00:15:57,800 where everyone's voices are heard and everyone feels seen, 400 00:15:57,960 --> 00:16:00,240 because it's a group work, and I know it's a competition 401 00:16:00,400 --> 00:16:02,040 and we all want to showcase our talents, 402 00:16:02,200 --> 00:16:03,680 but I just want to make sure at the end of the day, 403 00:16:03,840 --> 00:16:05,440 we have each other's support. 404 00:16:05,600 --> 00:16:09,240 Um, I don't I don't know if I'm stepping out of line. 405 00:16:09,400 --> 00:16:10,480 No, please... 406 00:16:10,640 --> 00:16:12,040 I feel like this is your time to shine, 407 00:16:12,200 --> 00:16:13,720 and I really think you should hone into it, 408 00:16:13,880 --> 00:16:14,760 especially at the start. 409 00:16:14,920 --> 00:16:16,400 Go in as hard as you want and, like, 410 00:16:16,560 --> 00:16:18,440 don't be afraid to, like, outdo anyone else. 411 00:16:18,600 --> 00:16:21,040 But I want to make sure you have your moment as well. 412 00:16:21,200 --> 00:16:23,720 I feel like I can have enough of my own on my own. 413 00:16:23,880 --> 00:16:24,920 Like this is a group thing, 414 00:16:25,080 --> 00:16:26,960 and you have to know when and where it's your time 415 00:16:27,120 --> 00:16:28,360 and when and where it's someone else's time. 416 00:16:28,520 --> 00:16:30,600 Yeah, but I don't want to be a show off and I don't want it to... 417 00:16:30,760 --> 00:16:32,400 I don't want to... It's a competition. 418 00:16:32,560 --> 00:16:33,880 I know. Be a show off. 419 00:16:34,040 --> 00:16:35,480 But we're a group. It's a group. 420 00:16:35,640 --> 00:16:36,880 But we...we...we... 421 00:16:37,040 --> 00:16:40,120 shine each other's light already, we've done the harmonising. 422 00:16:40,280 --> 00:16:41,160 Show off. 423 00:16:41,320 --> 00:16:42,560 Yeah. Always show off. 424 00:16:42,720 --> 00:16:44,840 You don't want to be regretting, I could have done this then. 425 00:16:46,360 --> 00:16:50,360 Coming up, as the night unfolds... 426 00:16:50,520 --> 00:16:52,360 You guys are risking it all. 427 00:16:52,520 --> 00:16:56,800 ..the groups start to unravel in the toughest challenge yet. 428 00:16:56,960 --> 00:16:58,560 (THEY SING) 429 00:16:58,720 --> 00:17:00,520 You're doing my part. I'm so sorry. 430 00:17:00,680 --> 00:17:02,960 Some are pushed to breaking point. 431 00:17:03,120 --> 00:17:05,840 If other people forget their lyrics, it's not on me. 432 00:17:06,000 --> 00:17:11,920 And in just minutes, the performances begin. 433 00:17:12,080 --> 00:17:15,240 Let's do it. One group sets the bar sky high. 434 00:17:15,400 --> 00:17:19,040 You guys were like the top of the game here with vocals. 435 00:17:19,200 --> 00:17:22,320 But for some, a harsh reality awaits. 436 00:17:22,480 --> 00:17:24,640 # # 437 00:17:27,280 --> 00:17:32,640 That was one of the worst group performances I have ever seen. 438 00:17:32,800 --> 00:17:34,440 (EPIC MUSIC) 439 00:17:47,080 --> 00:17:48,400 No, no, yeah, so that's the slow bit. 440 00:17:48,560 --> 00:17:50,640 Rehearsals are well underway... 441 00:17:50,800 --> 00:17:51,800 # But it takes two. # 442 00:17:51,960 --> 00:17:53,200 There shouldn't have been another break there. 443 00:17:53,360 --> 00:17:54,280 Get it a bit stripped back. 444 00:17:54,440 --> 00:17:56,840 ..with most groups working on their arrangements. 445 00:17:57,000 --> 00:17:58,360 That's nice, that's nice. I'm excited. 446 00:17:58,520 --> 00:17:59,720 I was really feeling that part. 447 00:17:59,880 --> 00:18:01,360 I love this, guys. 448 00:18:01,520 --> 00:18:04,040 Put the three dancers together. I know. 449 00:18:04,200 --> 00:18:06,240 We gotta diva it up. 450 00:18:06,400 --> 00:18:08,440 I'm so excited. For real. 451 00:18:08,600 --> 00:18:11,160 For cheerleader Olivia, dancer Lachie, 452 00:18:11,320 --> 00:18:13,360 and all round performer Lydia, 453 00:18:13,520 --> 00:18:17,040 they are hoping to stand out from the rest of the crowd 454 00:18:17,200 --> 00:18:19,600 by adding movement to their performance of Kylie's, 455 00:18:19,760 --> 00:18:22,040 Can't Get You Out of My Head. 456 00:18:22,200 --> 00:18:23,080 And just have like... 457 00:18:23,240 --> 00:18:24,640 Yeah, yeah. 458 00:18:26,760 --> 00:18:29,600 I started dancing when I was about five. 459 00:18:29,760 --> 00:18:32,200 Singing and dancing is something that I do quite often, 460 00:18:32,360 --> 00:18:36,520 so I'm excited to kind of combine those two elements together. 461 00:18:36,680 --> 00:18:40,360 Have you guys had like an experience on stage singing, dancing? 462 00:18:40,520 --> 00:18:42,560 I've done quite a few gigs and performances 463 00:18:42,720 --> 00:18:44,000 where I've had to sing. 464 00:18:44,160 --> 00:18:49,080 I haven't done many gigs before, like dancing, singing thing, 465 00:18:49,240 --> 00:18:53,360 but yeah, I'm beginning to, I guess with that sense. 466 00:18:53,520 --> 00:18:56,800 I don't have experience singing and dancing at the same time, 467 00:18:56,960 --> 00:18:58,440 so it is a bit nerve wracking. 468 00:18:58,600 --> 00:19:00,760 (THEY VOCALISE) 469 00:19:00,920 --> 00:19:04,320 # Can't get you out of my head. # 470 00:19:04,480 --> 00:19:06,440 Hey, guys. 471 00:19:06,600 --> 00:19:07,680 TRIO: Hello! What's going on here? 472 00:19:07,840 --> 00:19:10,400 I see movement. Yes, bit of dancing. 473 00:19:10,560 --> 00:19:13,120 Yes, dancing. Yeah. 474 00:19:13,280 --> 00:19:14,400 And what's the plan? 475 00:19:14,560 --> 00:19:18,880 So we're doing, um, Can't Get You Out of My Head by Kylie Minogue. 476 00:19:19,040 --> 00:19:20,720 Ah. Very iconic song. 477 00:19:20,880 --> 00:19:22,640 We're all dancers. Yes. 478 00:19:22,800 --> 00:19:26,280 What's better than dancing together when you've got the chance? 479 00:19:26,440 --> 00:19:28,120 You guys are risking it all. 480 00:19:28,280 --> 00:19:29,760 # # 481 00:19:29,920 --> 00:19:33,080 I mean, with very little time putting it all together. 482 00:19:33,240 --> 00:19:37,400 Movement, harmonies, vocals, uh, being in sync. 483 00:19:37,560 --> 00:19:38,840 There's a lot there. Yeah. 484 00:19:39,000 --> 00:19:42,840 Being able to sing and sing in the right key. 485 00:19:43,000 --> 00:19:45,000 (THEY LAUGH) The balance. 486 00:19:45,160 --> 00:19:50,280 Moving to your note or your lyric. Good luck. 487 00:19:50,440 --> 00:19:52,480 ALL: Thank you. Good luck. 488 00:19:52,640 --> 00:19:54,080 Thanks so much. Thank you. 489 00:19:56,000 --> 00:19:57,000 We don't have that much time, 490 00:19:57,160 --> 00:19:59,800 so we need to focus on the singing part 491 00:19:59,960 --> 00:20:02,960 and come back to the dancing later. 492 00:20:03,120 --> 00:20:05,760 We've just got so many ideas that we haven't, like, knuckled down yet. 493 00:20:05,920 --> 00:20:06,920 We need to lock in. 494 00:20:07,080 --> 00:20:10,320 I think the worst thing that could happen is us just being 495 00:20:10,480 --> 00:20:13,280 under-rehearsed and then presenting something that we're not proud of. 496 00:20:13,440 --> 00:20:16,000 Let's lock in, guys. Let's go from the start. 497 00:20:17,360 --> 00:20:19,880 # Wondering if I could sneak out the back 498 00:20:20,040 --> 00:20:21,320 # Nobody's even looking me 499 00:20:21,480 --> 00:20:22,800 # In my eyes 500 00:20:22,960 --> 00:20:26,440 # Can you take my hand, finish my drink? 501 00:20:26,600 --> 00:20:28,400 # Saying shall we dance? 502 00:20:28,560 --> 00:20:30,120 I'm really happy with my group. 503 00:20:30,280 --> 00:20:33,000 We've already, like, got the song kind of by its handles. 504 00:20:33,160 --> 00:20:36,800 If we're going to go down the harmony route, 505 00:20:36,960 --> 00:20:39,360 I reckon we really focus on like connecting with each other, 506 00:20:39,520 --> 00:20:42,760 like, and making eye contact with each other and stuff, 507 00:20:42,920 --> 00:20:45,240 because it's such an intimate type of version of the song 508 00:20:45,400 --> 00:20:46,080 that we're going to do. 509 00:20:46,240 --> 00:20:47,880 Our vibes aren't trying to overrule each other, you know, 510 00:20:48,040 --> 00:20:50,320 like we're all just feeding off each other and like, 511 00:20:50,480 --> 00:20:52,200 it's not competitive in any way. 512 00:20:52,360 --> 00:20:53,320 We're just wanting to, like, 513 00:20:53,480 --> 00:20:55,560 showcase each other's strongest abilities. 514 00:20:55,720 --> 00:20:58,240 How are you feeling about being on notice? 515 00:21:00,560 --> 00:21:02,560 I'm feeling right now we got through, we made it happen. 516 00:21:02,720 --> 00:21:06,000 So, you know, like, yeah, it shocked me in the moment. 517 00:21:06,160 --> 00:21:09,000 # You'll remember me. # 518 00:21:09,160 --> 00:21:11,840 Oh, (BLEEP). 519 00:21:12,000 --> 00:21:14,040 Kalani... 520 00:21:14,200 --> 00:21:15,560 You're on notice. 521 00:21:17,360 --> 00:21:18,480 You are a talent. 522 00:21:18,640 --> 00:21:21,560 But you can't do that. Yeah. 523 00:21:23,880 --> 00:21:26,760 Being put on notice humbled me and taught me some lessons. 524 00:21:26,920 --> 00:21:28,400 Definitely a dangerous approach to be 525 00:21:28,560 --> 00:21:30,280 too relaxed in something like this. 526 00:21:30,440 --> 00:21:34,400 It's making me realise I definitely don't want to half ass this. 527 00:21:34,560 --> 00:21:38,680 I'm here to impress these three amazing judges. 528 00:21:38,840 --> 00:21:39,840 It's just remembering. 529 00:21:40,000 --> 00:21:40,960 That's all it is. 530 00:21:41,120 --> 00:21:43,720 Let's do it a couple more times with lyrics and then flip it over. 531 00:21:43,880 --> 00:21:46,320 Let's go, we got this. One, two, come on, guys. 532 00:21:46,480 --> 00:21:48,480 Yew! 533 00:21:48,640 --> 00:21:51,040 One, two, three... 534 00:21:51,200 --> 00:21:56,120 # ALL: 'Cause I don't care when I'm with my baby, yeah. # 535 00:21:56,280 --> 00:22:00,640 # Find something so out of the ordinary 536 00:22:00,800 --> 00:22:02,640 # You got me laying me down 537 00:22:02,800 --> 00:22:04,960 # Dead and buried 538 00:22:05,120 --> 00:22:07,280 # I'm on the edge of your knife 539 00:22:07,440 --> 00:22:11,400 Another group worried about the challenge is R&B princess Alita, 540 00:22:11,560 --> 00:22:15,840 Melbourne teenager Mat, and 70s singer Jamie. 541 00:22:16,000 --> 00:22:17,360 # # 542 00:22:17,520 --> 00:22:20,520 How are you feeling with this? Melody I know. 543 00:22:20,680 --> 00:22:22,440 I think the words I will know after this. 544 00:22:22,600 --> 00:22:24,960 Yeah, OK. Hopefully. 545 00:22:25,120 --> 00:22:26,920 So Jamie chose Ordinary. 546 00:22:27,080 --> 00:22:28,200 If I, like, ran up, 547 00:22:28,360 --> 00:22:30,040 I don't think I would choose Ordinary 548 00:22:30,200 --> 00:22:32,040 because that's not really my vibe. 549 00:22:32,200 --> 00:22:34,880 I'm more like a modern version of R&B. 550 00:22:35,040 --> 00:22:37,960 OK, so what are we thinking? Like piano? Guitar? 551 00:22:38,120 --> 00:22:39,400 Or both? 552 00:22:39,560 --> 00:22:41,480 She's like a powerful belter. 553 00:22:41,640 --> 00:22:42,960 So it will be... 554 00:22:43,120 --> 00:22:44,200 it will be good for her. 555 00:22:44,360 --> 00:22:47,240 Um, but for me, it's something different. 556 00:22:47,400 --> 00:22:48,360 Out of my comfort zone. 557 00:22:48,520 --> 00:22:50,440 You're happy with the song? 558 00:22:50,600 --> 00:22:53,080 We still happy with the song? # # 559 00:22:53,240 --> 00:22:54,680 We still good? Yeah. 560 00:22:54,840 --> 00:22:56,520 We can't really change it now. 561 00:22:56,680 --> 00:22:58,320 I'm a bit, like, nervous 562 00:22:58,480 --> 00:23:01,760 because I have never sang this song before in my life. 563 00:23:01,920 --> 00:23:07,280 I feel like it just naturally probably suits you two more. 564 00:23:07,440 --> 00:23:08,600 Yeah. OK. 565 00:23:08,760 --> 00:23:11,960 The only thing I'm thinking about is I need to learn the words. 566 00:23:12,120 --> 00:23:14,040 Yeah. Yeah. 567 00:23:14,200 --> 00:23:15,720 My biggest concern right now, to be honest, 568 00:23:15,880 --> 00:23:17,160 is learning the lyrics. 569 00:23:17,320 --> 00:23:19,720 I'm so tired. 570 00:23:19,880 --> 00:23:22,800 (LAUGHS) Is just hard to work when you're tired? 571 00:23:22,960 --> 00:23:24,040 (TENSE MUSIC) 572 00:23:24,200 --> 00:23:26,720 That's going to be a big challenge, yeah. 573 00:23:31,720 --> 00:23:33,240 That's impactful. I like that. 574 00:23:33,400 --> 00:23:34,560 (VOCALISES) 575 00:23:34,720 --> 00:23:35,760 Let's do it again. Let's do it again. 576 00:23:35,920 --> 00:23:37,480 It's almost midnight, 577 00:23:37,640 --> 00:23:41,120 and as you can see, there's no sign of anyone slowing down. 578 00:23:41,280 --> 00:23:42,400 Let's just focus on the vocals. 579 00:23:42,560 --> 00:23:43,520 Like we got it. Don't worry. 580 00:23:45,120 --> 00:23:48,000 Tomorrow these guys are going to be singing for survival, 581 00:23:48,160 --> 00:23:51,080 so fatigue is not an option. 582 00:23:51,240 --> 00:23:52,480 Yeah. (LAUGHTER) 583 00:23:52,640 --> 00:23:55,000 You guys. Let's go. Love it. 584 00:23:55,160 --> 00:23:56,760 We've got to work out who's doing what. 585 00:23:56,920 --> 00:23:59,560 Melbourne vocalist Sophie, barber Harry, 586 00:23:59,720 --> 00:24:00,880 and country singer Riley 587 00:24:01,040 --> 00:24:03,680 have been grouped together for the overnight challenge, 588 00:24:03,840 --> 00:24:06,320 and they're hoping to put their own spin 589 00:24:06,480 --> 00:24:09,320 on Elvis Presley's Can't Help Falling in Love. 590 00:24:09,480 --> 00:24:10,880 # # 591 00:24:12,120 --> 00:24:13,280 Biggest challenge at the moment is 592 00:24:13,440 --> 00:24:14,720 make this go from a 593 00:24:14,880 --> 00:24:18,600 kind of boring song that can be dragged and slow. 594 00:24:18,760 --> 00:24:20,360 How can we pick it up? 595 00:24:20,520 --> 00:24:22,080 You know, make it a bit more interesting? 596 00:24:22,240 --> 00:24:24,240 What would double time sound like, do you reckon? 597 00:24:24,400 --> 00:24:26,080 One, two, three, four... 598 00:24:26,240 --> 00:24:28,880 # Take my hand. # Yeah, yeah. 599 00:24:29,040 --> 00:24:30,560 We decided to sort of speed it up a little bit 600 00:24:30,720 --> 00:24:31,680 and that was Soph's idea. 601 00:24:31,840 --> 00:24:34,080 So just to kind of give us more energy, I suppose, 602 00:24:34,240 --> 00:24:35,680 in that second half of the song. 603 00:24:35,840 --> 00:24:38,600 That sounds cool. I reckon speed it up at that point. 604 00:24:38,760 --> 00:24:40,360 I completely agree. 605 00:24:40,520 --> 00:24:41,960 Does that sound good to you, man? 606 00:24:42,120 --> 00:24:43,880 Yep, bloody oath. 607 00:24:44,040 --> 00:24:45,840 Stone wall over there. Yeah. 608 00:24:46,000 --> 00:24:48,440 I'm already knackered as it is. I need to go to bed now. 609 00:24:48,600 --> 00:24:50,400 I'm tired. It's been a long day. 610 00:24:50,560 --> 00:24:56,160 ALL: # Falling in love with you. # 611 00:24:59,440 --> 00:25:00,440 Howdy do. Hi. 612 00:25:00,600 --> 00:25:02,280 How are you? Hello, how are we? 613 00:25:02,440 --> 00:25:03,600 I'm good. 614 00:25:03,760 --> 00:25:05,280 How are you coping with the fatigue? 615 00:25:05,440 --> 00:25:07,040 Are you...? I'm tired. 616 00:25:07,200 --> 00:25:08,840 I think, I think that's the worst bit. 617 00:25:09,000 --> 00:25:10,840 Honestly, I think that's like... 100%. 618 00:25:11,000 --> 00:25:14,040 I was tired ten hours ago. Yeah, right. 619 00:25:14,200 --> 00:25:17,480 Putting in those hours makes it a major, major difference. 620 00:25:17,640 --> 00:25:22,000 The tiredness, um, rolls over into knowingness. 621 00:25:22,160 --> 00:25:23,360 Yeah. 622 00:25:24,760 --> 00:25:26,000 Think we've done enough? 623 00:25:26,160 --> 00:25:28,440 I reckon we keep practising, but maybe at the hotel. 624 00:25:28,600 --> 00:25:29,960 Yeah, yeah, for sure. Let's go. 625 00:25:32,320 --> 00:25:33,960 It's good. I'm stoked. 626 00:25:36,920 --> 00:25:39,840 # I've been awake for a while now 627 00:25:40,000 --> 00:25:40,920 # # 628 00:25:41,080 --> 00:25:43,800 # You got me feeling like a child now. # 629 00:25:43,960 --> 00:25:45,280 Magic. Oh. 630 00:25:45,440 --> 00:25:46,640 # # 631 00:25:46,800 --> 00:25:48,640 Hello. Hey. 632 00:25:48,800 --> 00:25:50,440 Come into the party. 633 00:25:50,600 --> 00:25:52,440 # # 634 00:25:52,600 --> 00:25:55,960 After everyone has migrated back to their hotel rooms, 635 00:25:56,120 --> 00:25:58,520 plenty of groups are still rehearsing, 636 00:26:00,320 --> 00:26:02,600 while others are calling it a night. 637 00:26:04,520 --> 00:26:05,800 It's time for bed. 638 00:26:05,960 --> 00:26:08,880 Catch youse on the flip. Bye, have a good sleep. 639 00:26:09,040 --> 00:26:10,640 See you in the AM. I'm not going to the gym, but. 640 00:26:10,800 --> 00:26:12,320 Oh, it is the AM. 641 00:26:12,480 --> 00:26:14,160 Au revoir. Night, night. 642 00:26:14,320 --> 00:26:16,160 Get out of my room, please. 643 00:26:16,320 --> 00:26:17,720 Bye. See ya. 644 00:26:17,880 --> 00:26:19,840 # # 645 00:26:20,000 --> 00:26:21,040 Another day, another dollar. 646 00:26:21,200 --> 00:26:22,320 # # 647 00:26:22,480 --> 00:26:25,720 Oh my gosh, it has been the longest day ever. 648 00:26:25,880 --> 00:26:27,160 I don't know what the time is. 649 00:26:27,320 --> 00:26:28,920 I don't want to know what the time is. 650 00:26:29,080 --> 00:26:31,440 It is 2:30 in the morning. 651 00:26:31,600 --> 00:26:33,320 Probably tell from my eye bags. 652 00:26:33,480 --> 00:26:36,200 I'm ready to hit the hay. 653 00:26:36,360 --> 00:26:38,360 I'm signing off for tonight. 654 00:26:38,520 --> 00:26:39,560 Night, guys. 655 00:26:39,720 --> 00:26:41,000 Bye. 656 00:26:41,160 --> 00:26:42,960 One, we're out. 657 00:26:43,120 --> 00:26:45,160 # # 658 00:26:47,080 --> 00:26:49,080 While most teams have decided to go to bed 659 00:26:49,240 --> 00:26:51,240 and rest up ahead of tomorrow's performance, 660 00:26:51,400 --> 00:26:54,080 two groups have decided to push through. 661 00:26:54,240 --> 00:26:57,880 For dancing trio Lydia, Lachie, and Olivia, 662 00:26:58,040 --> 00:27:00,960 the huge task of incorporating dance in their performance 663 00:27:01,120 --> 00:27:02,400 is proving difficult. 664 00:27:02,560 --> 00:27:04,880 Almost been awake for 24 hours. 665 00:27:05,040 --> 00:27:06,240 That's really scary. 666 00:27:06,400 --> 00:27:10,880 ALL: # To be there in your arms. # 667 00:27:11,040 --> 00:27:12,680 You're doing my part. I'm so sorry. 668 00:27:12,840 --> 00:27:14,680 Yeah, so we've still got plenty to work on. 669 00:27:15,920 --> 00:27:17,600 The middle bit. Alright. 670 00:27:17,760 --> 00:27:19,560 We're still off, won't you stay. Stay. 671 00:27:19,720 --> 00:27:22,520 We're all getting tired. Everyone's, like, got sore throats. 672 00:27:22,680 --> 00:27:23,960 (COUGHS) # Won't you stay. # 673 00:27:24,120 --> 00:27:24,960 I'm pretty tired. 674 00:27:25,120 --> 00:27:27,160 I'm sorry, guys. 675 00:27:27,320 --> 00:27:29,040 (SINGING CONTINUES) 676 00:27:29,200 --> 00:27:30,120 That was really good. 677 00:27:30,280 --> 00:27:33,320 Um, my biggest concern is just that we're going to be tired onstage, 678 00:27:33,480 --> 00:27:37,800 so hopefully we can rest up and still bring that energy. 679 00:27:37,960 --> 00:27:40,520 (VOCALISING) 680 00:27:40,680 --> 00:27:44,760 # I just can't get you out of my head. 681 00:27:48,320 --> 00:27:50,480 (SINGING FROM ROOM) 682 00:27:51,840 --> 00:27:56,520 Time is quickly slipping away for Jamie, Alita, and Mat, 683 00:27:56,680 --> 00:27:58,960 who are still struggling to learn the lyrics 684 00:27:59,120 --> 00:28:01,800 to the song Ordinary by Alex Warren. 685 00:28:01,960 --> 00:28:03,280 # Sanctuary 686 00:28:03,440 --> 00:28:05,720 # Shatter me with your time. # 687 00:28:05,880 --> 00:28:08,360 We're feeling a bit delirious at the moment. 688 00:28:08,520 --> 00:28:10,480 Because we're not.. 689 00:28:10,640 --> 00:28:12,880 We're staying up because we need to practice. 690 00:28:13,040 --> 00:28:14,760 I have to, like, keep reading the lyrics 691 00:28:14,920 --> 00:28:17,200 and keep singing and then keep looking. 692 00:28:17,360 --> 00:28:20,240 I'm a little bit there, but not there, there. 693 00:28:20,400 --> 00:28:23,880 ALL: # Ordinary (HUMS) 694 00:28:24,040 --> 00:28:25,440 # Til we're dead and buried 695 00:28:25,600 --> 00:28:28,120 # This town's lost its faith 696 00:28:28,280 --> 00:28:30,080 # Covered...ah 697 00:28:30,240 --> 00:28:31,880 I would ideally like to go to bed 698 00:28:32,040 --> 00:28:33,640 all of us knowing the lyrics. 699 00:28:33,800 --> 00:28:37,040 I guess I thought maybe we'd have a little bit more down pat. 700 00:28:38,720 --> 00:28:41,840 But I know I've done all the work that I can, um... 701 00:28:42,000 --> 00:28:44,480 I'm going for a shower. This is getting full on. 702 00:28:44,640 --> 00:28:46,560 If other people forget the lyrics... 703 00:28:46,720 --> 00:28:48,360 it's not on me. 704 00:28:48,520 --> 00:28:49,400 # # 705 00:28:50,960 --> 00:28:52,120 After the break, 706 00:28:52,280 --> 00:28:54,000 the performances begin. 707 00:28:55,600 --> 00:28:58,720 As one group will get the perfect reaction... 708 00:28:58,880 --> 00:29:00,200 Well, damn. That was good. 709 00:29:01,440 --> 00:29:03,560 I think you'll sing the shit out of that song. 710 00:29:03,720 --> 00:29:05,800 ..but at what cost? 711 00:29:05,960 --> 00:29:08,600 Just remember to not be complacent, you know? 712 00:29:09,960 --> 00:29:13,440 Then time has run out for one struggling group... 713 00:29:13,600 --> 00:29:14,440 To be honest 714 00:29:14,600 --> 00:29:16,320 the biggest concern is probably forgetting lyrics. 715 00:29:16,480 --> 00:29:18,840 If I forget to come in, then we're all cooked. 716 00:29:19,000 --> 00:29:22,040 ..as the pressure to perform builds. 717 00:29:22,200 --> 00:29:23,960 I mean, the song is definitely not in my genre 718 00:29:24,120 --> 00:29:26,080 so inside I'm screaming. 719 00:29:26,240 --> 00:29:29,360 And the cracks within the team open up. 720 00:29:29,520 --> 00:29:32,480 You know, I feel ready to go on stage now and perform it. 721 00:29:32,640 --> 00:29:33,720 That's me. 722 00:29:33,880 --> 00:29:38,120 And later, will shy Jacinta find her voice? 723 00:29:38,280 --> 00:29:40,480 I'm not feeling great, to be honest. Why not? 724 00:29:40,640 --> 00:29:42,160 There's still parts of the arrangement 725 00:29:42,320 --> 00:29:44,440 that I'm not really so sure about. 726 00:29:44,600 --> 00:29:49,200 As Eva will stop at nothing to secure her place in the competition. 727 00:29:49,360 --> 00:29:56,040 It's a competition, and I need to, like, just really focus on myself. 728 00:30:01,720 --> 00:30:02,760 # Five, six, seven, eight. 729 00:30:02,920 --> 00:30:08,920 # H-O-T-T-O-G-O You can take me hot to go 730 00:30:09,080 --> 00:30:11,200 # H-O-T-T-O-G-O 731 00:30:11,360 --> 00:30:12,400 Hello? 732 00:30:12,560 --> 00:30:14,080 Hello. 733 00:30:16,200 --> 00:30:18,240 (LAUGHS) 734 00:30:19,760 --> 00:30:21,360 Oh my Lord, 735 00:30:21,520 --> 00:30:24,440 I just literally put my PJs on back to front. 736 00:30:24,600 --> 00:30:26,280 Morning! 737 00:30:26,440 --> 00:30:28,480 I'm definitely not a morning person. 738 00:30:28,640 --> 00:30:30,400 Ah! 739 00:30:30,560 --> 00:30:31,880 (LAUGHTER) 740 00:30:32,040 --> 00:30:33,240 Good morning. 741 00:30:34,560 --> 00:30:37,080 As the singers muster up the energy to get ready 742 00:30:37,240 --> 00:30:38,800 for the massive day ahead... 743 00:30:38,960 --> 00:30:40,240 I was tired. 744 00:30:40,400 --> 00:30:41,480 I was dead. 745 00:30:42,760 --> 00:30:44,720 Well, we still got to practice. 746 00:30:44,880 --> 00:30:49,040 ..they've got just 30 minutes before the first performance, 747 00:30:49,200 --> 00:30:51,720 so it's time to get moving to Idol HQ. 748 00:30:54,240 --> 00:30:56,280 # # 749 00:30:59,600 --> 00:31:01,840 (CONTESTANTS CHATTER) 750 00:31:03,560 --> 00:31:05,200 # # 751 00:31:05,360 --> 00:31:08,080 Good morning, Ricky Lee. We are back. 752 00:31:08,240 --> 00:31:11,320 Good morning, Scotty. It feels honestly like we never left. 753 00:31:11,480 --> 00:31:12,720 And by taking a look around, 754 00:31:12,880 --> 00:31:15,640 it looks like not a lot of these guys got a lot of sleep. 755 00:31:15,800 --> 00:31:17,360 Yeah, a lot of them were burning the midnight oil 756 00:31:17,520 --> 00:31:19,600 to nail their group performances. Yes. 757 00:31:19,760 --> 00:31:23,560 And we are about to find out if all the hard work paid off. 758 00:31:23,720 --> 00:31:26,200 It's time for the challenge to begin. 759 00:31:31,080 --> 00:31:32,560 (SUSPENSEFUL MUSIC BUILDS) 760 00:31:41,880 --> 00:31:43,080 And here we go. 761 00:31:46,080 --> 00:31:47,360 (EPIC MUSIC) 762 00:31:59,280 --> 00:32:00,520 Good morning, everyone. 763 00:32:00,680 --> 00:32:02,960 CONTESTANTS: Morning. (LAUGHTER) 764 00:32:03,120 --> 00:32:03,920 Feels like school. 765 00:32:04,080 --> 00:32:04,960 (LAUGHTER) 766 00:32:05,120 --> 00:32:06,920 Alright, well, it's time to see how you went 767 00:32:07,080 --> 00:32:09,360 with the overnight challenge. 768 00:32:09,520 --> 00:32:11,760 Yeah. 769 00:32:11,920 --> 00:32:13,320 Lots of blurry looking eyes up there. 770 00:32:13,480 --> 00:32:18,760 So you're probably wondering why there's a empty chair just there. 771 00:32:20,360 --> 00:32:22,760 (LAUGHTER) 772 00:32:22,920 --> 00:32:23,840 Are you ready? 773 00:32:24,000 --> 00:32:25,200 ALL: Yes. 774 00:32:25,360 --> 00:32:27,320 So, Kyle isn't here today. 775 00:32:27,480 --> 00:32:31,680 But last night we had a spy to be our eyes and ears 776 00:32:31,840 --> 00:32:34,160 to see how well you guys work together. 777 00:32:34,320 --> 00:32:37,480 She joined you as a mentor last night, 778 00:32:37,640 --> 00:32:41,560 but she's joining us as a guest judge today. 779 00:32:42,760 --> 00:32:46,720 Please welcome to the desk, Jessica Mauboy. 780 00:32:46,880 --> 00:32:49,720 (CHEERING AND APPLAUSE) 781 00:32:49,880 --> 00:32:52,000 # # 782 00:32:54,440 --> 00:32:55,280 Come on, darling. 783 00:32:55,440 --> 00:32:56,800 Yeah, we're going to get all the goss. 784 00:32:56,960 --> 00:32:58,480 Yes we are. Yeah. 785 00:32:58,640 --> 00:33:00,280 # Never gonna be the same. # 786 00:33:03,000 --> 00:33:06,200 Today we're testing you on your ability for collaboration 787 00:33:06,360 --> 00:33:08,640 and how it feels to work under pressure. 788 00:33:08,800 --> 00:33:11,480 Jess will let us know how you all went last night. 789 00:33:11,640 --> 00:33:12,920 # # 790 00:33:13,080 --> 00:33:15,080 The warts and all. 791 00:33:15,240 --> 00:33:16,760 # # 792 00:33:16,920 --> 00:33:18,840 OK, so as you each perform, 793 00:33:19,000 --> 00:33:21,680 we will decide who's going to go through to the next round 794 00:33:21,840 --> 00:33:23,760 and who will be put on notice. 795 00:33:25,320 --> 00:33:29,720 After each group has sung, everyone who has been put on notice 796 00:33:29,880 --> 00:33:30,960 will come back to the stage, 797 00:33:31,120 --> 00:33:34,800 and three people will be eliminated from the competition today. 798 00:33:34,960 --> 00:33:36,240 (MUSIC STING) 799 00:33:38,520 --> 00:33:42,360 OK, best of luck. Take your seats. ALL: Thank you. 800 00:33:42,520 --> 00:33:44,000 # # 801 00:33:44,160 --> 00:33:45,240 Welcome to the theatre. 802 00:33:47,640 --> 00:33:49,320 # # 803 00:33:50,880 --> 00:33:54,320 First to take to the Idol stage is doting dad Trey, 804 00:33:54,480 --> 00:33:57,120 mum Simela, and carer Charlie, 805 00:33:57,280 --> 00:34:00,120 who worked late into the night on their performance. 806 00:34:00,280 --> 00:34:02,280 The group have taken a huge risk, 807 00:34:02,440 --> 00:34:04,480 stripping back a well-known dance track 808 00:34:04,640 --> 00:34:08,720 and working together to find the right balance of their voices. 809 00:34:08,880 --> 00:34:11,760 The level of talent has actually blown my mind. 810 00:34:11,920 --> 00:34:14,800 There's definitely challenges being with really incredible vocalists. 811 00:34:14,960 --> 00:34:16,440 I need to be on my game. 812 00:34:16,600 --> 00:34:21,440 I need to be the best I can be because these people are amazing. 813 00:34:21,600 --> 00:34:23,040 # # 814 00:34:23,200 --> 00:34:25,600 Did that work at all? Try again. 815 00:34:27,280 --> 00:34:29,120 Um, there's a lot of pressure, and I know that people, 816 00:34:29,280 --> 00:34:30,640 more people will go home. 817 00:34:30,800 --> 00:34:33,160 Yeah, one more time. One more time and then bed time. 818 00:34:33,320 --> 00:34:34,960 Yeah, absolutely. 819 00:34:35,120 --> 00:34:39,120 I'm extremely nervous and scared, to be honest. 820 00:34:40,960 --> 00:34:41,920 Let's kill it. 821 00:34:42,080 --> 00:34:44,480 # # 822 00:34:46,560 --> 00:34:51,760 Simela, Charlie, Trey, how y'all doing? 823 00:34:51,920 --> 00:34:53,720 How are you? Good how are you? 824 00:34:53,880 --> 00:34:56,320 How'd it go last night? 825 00:34:56,480 --> 00:34:57,760 As much as I would like to say, 826 00:34:57,920 --> 00:35:01,240 it was a deliberate decision to get We Found Love by Rihanna. 827 00:35:01,400 --> 00:35:03,760 It was complete luck, but I think, yeah, 828 00:35:03,920 --> 00:35:05,880 we're all happy with the decision. Yeah, yeah. 829 00:35:06,040 --> 00:35:07,360 Charlie, you're happy with the song? 830 00:35:07,520 --> 00:35:09,680 Oh, very happy with the song. 831 00:35:09,840 --> 00:35:11,960 I mean, this is a really good challenge 832 00:35:12,120 --> 00:35:15,360 to try and take, like, a dance record and strip it back. 833 00:35:15,520 --> 00:35:18,440 We thought we could really come together and make something special. 834 00:35:18,600 --> 00:35:21,240 OK, right. Let's do it. 835 00:35:21,400 --> 00:35:22,280 Let's do it. 836 00:35:24,680 --> 00:35:27,120 (PIANO) 837 00:35:27,280 --> 00:35:30,600 (VOCALISING) 838 00:35:30,760 --> 00:35:34,160 # Yellow diamonds in the light 839 00:35:35,280 --> 00:35:40,280 # And we're standing side by side 840 00:35:40,440 --> 00:35:43,720 # As your shadow crosses mine 841 00:35:45,280 --> 00:35:49,720 ALL: # What it takes to come alive 842 00:35:53,640 --> 00:35:59,320 # It's the way I'm feelin', I just can't deny 843 00:35:59,480 --> 00:36:01,680 # Deny 844 00:36:01,840 --> 00:36:02,880 Yes. 845 00:36:03,040 --> 00:36:07,240 # But I gotta let it go, let it go 846 00:36:07,400 --> 00:36:11,800 ALL: # We found love in a hopeless place 847 00:36:11,960 --> 00:36:17,640 # We found love in a hopeless place 848 00:36:17,800 --> 00:36:21,280 # We found love in a hopeless place 849 00:36:21,440 --> 00:36:26,800 # We found love in a hopeless place 850 00:36:26,960 --> 00:36:30,360 # Yellow diamonds in the light 851 00:36:31,880 --> 00:36:36,200 # And I'm standing side by side 852 00:36:36,360 --> 00:36:39,480 # As your shadow crosses mine 853 00:36:41,080 --> 00:36:44,320 ALL: # What it takes to come alive 854 00:36:45,600 --> 00:36:48,840 # We found love in a hopeless place 855 00:36:49,000 --> 00:36:50,000 # Yeah, yeah 856 00:36:50,160 --> 00:36:54,560 # We found love in a hopeless place # We found love 857 00:36:54,720 --> 00:36:59,360 # We found love in a hopeless place # Yes we did 858 00:36:59,520 --> 00:37:03,280 # We found love in a hopeless place. # 859 00:37:05,880 --> 00:37:09,040 (SIGHS FROM CONTESTANTS) 860 00:37:09,200 --> 00:37:10,520 Did you guys like that one? 861 00:37:10,680 --> 00:37:12,280 ALL: Yes! 862 00:37:13,520 --> 00:37:14,760 You guys were, like, 863 00:37:14,920 --> 00:37:16,960 at the top of the game here with vocals. 864 00:37:17,120 --> 00:37:20,480 All three are so impressive. Thank you. 865 00:37:20,640 --> 00:37:22,960 Thank you. # # 866 00:37:23,120 --> 00:37:24,840 I think y'all sang the shit out of that song. 867 00:37:25,000 --> 00:37:26,040 # # 868 00:37:26,200 --> 00:37:31,280 You chose a great song that is so popular and so well known. 869 00:37:31,440 --> 00:37:34,320 It was dangerous, but I'm with that, you know? 870 00:37:34,480 --> 00:37:38,280 I have to say, I felt it was really, really good. 871 00:37:38,440 --> 00:37:40,960 Just remember to not be complacent, you know? 872 00:37:41,120 --> 00:37:43,960 Correct. Cause you are so great vocally. 873 00:37:44,120 --> 00:37:47,680 Do not get too comfortable. Whatever you do. 874 00:37:47,840 --> 00:37:49,560 Because you're only as good as your last gig. 875 00:37:49,720 --> 00:37:52,560 Remember I said that. Yeah? OK. 876 00:37:52,720 --> 00:37:55,040 Thank you so much. Thank you. 877 00:37:55,200 --> 00:37:56,440 Trey, 878 00:37:56,600 --> 00:37:58,720 Charlie, Simela, 879 00:38:00,000 --> 00:38:01,840 you are all through to the next round. 880 00:38:02,000 --> 00:38:06,000 ALL: Thank you. You're welcome. 881 00:38:06,160 --> 00:38:08,560 # # 882 00:38:08,720 --> 00:38:10,360 Thank you. Thank you so much. 883 00:38:10,520 --> 00:38:11,600 # # 884 00:38:11,760 --> 00:38:12,800 Good job, guys. Well done. 885 00:38:15,320 --> 00:38:16,520 Still to come... 886 00:38:16,680 --> 00:38:19,520 It's our Idol's toughest challenge yet. 887 00:38:19,680 --> 00:38:22,200 And the judges aren't holding back. 888 00:38:22,360 --> 00:38:24,520 There was no part of you feeling that. 889 00:38:24,680 --> 00:38:27,680 Singing with someone you need to look at what their mouth is doing. 890 00:38:27,840 --> 00:38:28,960 The dynamics were all over the place. 891 00:38:29,120 --> 00:38:30,680 You weren't reading each other. 892 00:38:30,840 --> 00:38:32,920 The best part of that was the end. 893 00:38:34,080 --> 00:38:38,120 So it takes something truly special to break through. 894 00:38:38,280 --> 00:38:39,680 Damn. That was good. 895 00:38:39,840 --> 00:38:41,120 That was really good. 896 00:38:41,280 --> 00:38:42,320 Yes. 897 00:38:42,480 --> 00:38:45,480 That's team-manship and that's what it's about. 898 00:38:45,640 --> 00:38:46,960 # # 899 00:38:50,680 --> 00:38:52,600 # The angels up in the clouds are jealous 900 00:38:52,760 --> 00:38:56,400 # Knowing we found something so out of the ordinary. # 901 00:38:57,840 --> 00:39:00,440 After only a few hours of sleep, 902 00:39:00,600 --> 00:39:04,280 up next to perform is Melbourne teenager Mat, 903 00:39:04,440 --> 00:39:06,440 R&B princess Alita, 904 00:39:06,600 --> 00:39:09,120 and 70s inspired Jamie, 905 00:39:09,280 --> 00:39:12,880 who were one of the last groups to go to bed last night. 906 00:39:13,040 --> 00:39:15,080 I am a little bit concerned. 907 00:39:15,240 --> 00:39:17,520 There's always the risk of going on notice at the end of the day, 908 00:39:17,680 --> 00:39:20,840 but, um, I'm confident in myself. 909 00:39:21,000 --> 00:39:23,560 I think I'll be nailing this performance 910 00:39:23,720 --> 00:39:25,960 and I won't go on notice. 911 00:39:26,120 --> 00:39:29,480 You know, I feel ready to go on stage now and perform it. 912 00:39:29,640 --> 00:39:30,920 Yeah, same. That's me. Like I'm ready. 913 00:39:31,080 --> 00:39:32,920 Like I'm actually confident. Yeah. 914 00:39:33,080 --> 00:39:35,000 I was so nervous last night I could barely sleep, 915 00:39:35,160 --> 00:39:38,000 because I had a bit of trouble learning lyrics. 916 00:39:38,160 --> 00:39:39,720 Yeah, so, um, nervous. 917 00:39:39,880 --> 00:39:42,080 Like, I think I'm always nervous before I perform. 918 00:39:42,240 --> 00:39:45,200 To be honest, the biggest concern is probably forgetting lyrics. 919 00:39:45,360 --> 00:39:47,160 If I forget to come in, then... 920 00:39:47,320 --> 00:39:48,360 I mean, we'll just pick it up. 921 00:39:48,520 --> 00:39:49,960 ..on the verse, yeah. 922 00:39:50,120 --> 00:39:51,640 I'm too nervous to eat a little bit. 923 00:39:51,800 --> 00:39:54,200 Like I'm, like, confident outside, 924 00:39:54,360 --> 00:39:57,720 but inside I'm screaming and my voice is like... 925 00:39:58,880 --> 00:40:00,560 Ah. 926 00:40:00,720 --> 00:40:03,520 I mean, the song is definitely not in my genre, so... 927 00:40:05,520 --> 00:40:07,600 I'm putting myself out of my comfort zone, 928 00:40:07,760 --> 00:40:09,480 and I hope the judges can see that. 929 00:40:14,240 --> 00:40:16,920 Alright. Good luck, guys. Smash it. 930 00:40:17,080 --> 00:40:18,160 (EPIC MUSIC) 931 00:40:20,600 --> 00:40:24,000 OK, Jamie. Mat, Alita. 932 00:40:25,520 --> 00:40:26,720 Hit us with it, guys. 933 00:40:26,880 --> 00:40:29,000 How was it last night? 934 00:40:29,160 --> 00:40:30,520 It was very long. 935 00:40:30,680 --> 00:40:31,680 Talk us through it. 936 00:40:31,840 --> 00:40:34,880 We have got the Ordinary by Alex Warren. 937 00:40:35,040 --> 00:40:38,040 I was the runner, so I picked this song. 938 00:40:38,200 --> 00:40:41,200 Um, but, you know, we've made it our own, and, um... 939 00:40:41,360 --> 00:40:43,560 yeah, I think after a few rehearsals this morning, 940 00:40:43,720 --> 00:40:45,360 we're all feeling pretty good about it. 941 00:40:45,520 --> 00:40:47,080 OK. Mat, how are you feeling? 942 00:40:48,200 --> 00:40:51,360 Um, to be honest, I'm a bit tired because I don't usually, um, 943 00:40:51,520 --> 00:40:54,200 I need a lot of sleep to perform well, but, you know. 944 00:40:54,360 --> 00:40:56,560 OK. Who took the lead here? 945 00:40:56,720 --> 00:40:59,440 Jamie, I think. Yeah, I think Jamie, too. 946 00:40:59,600 --> 00:41:01,320 OK. There you go. 947 00:41:01,480 --> 00:41:03,680 Alright, you don't feel that way? 948 00:41:03,840 --> 00:41:05,480 Ah, kind of. 949 00:41:05,640 --> 00:41:08,440 I guess I'm used to kind of, um, leading, 950 00:41:08,600 --> 00:41:11,960 but I always intend for it to be a guiding, um, 951 00:41:12,120 --> 00:41:16,440 and yeah, a helpful way, so... OK. Amazing. 952 00:41:16,600 --> 00:41:18,360 Are you ladies ready for this? We are. 953 00:41:18,520 --> 00:41:19,560 Absolutely. 954 00:41:22,160 --> 00:41:23,960 (PIANO) 955 00:41:25,440 --> 00:41:28,880 # They say, "The holy water's haunted" 956 00:41:30,200 --> 00:41:32,040 # I got you out of the night 957 00:41:32,200 --> 00:41:33,360 (MUMBLES) 958 00:41:34,600 --> 00:41:36,200 # I'm on the edge of the night 959 00:41:36,360 --> 00:41:38,440 ALL: # Oh, my, my 960 00:41:38,600 --> 00:41:40,880 # Oh my love 961 00:41:42,280 --> 00:41:43,800 # I'll take one look at you 962 00:41:43,960 --> 00:41:47,560 # You're taking me out of the ordinary 963 00:41:47,720 --> 00:41:51,800 # I want you layin' me down 'til ALL: # We're dead and buried 964 00:41:51,960 --> 00:41:54,480 # On the edge of the night 965 00:41:54,640 --> 00:41:57,120 # Staying up on your side 966 00:41:57,280 --> 00:42:01,480 # The angels up in the clouds and turning them into night 967 00:42:03,240 --> 00:42:05,000 # Something so ALL: # Heavenly 968 00:42:05,160 --> 00:42:07,480 # Higher than ecstasy 969 00:42:07,640 --> 00:42:11,280 # You're only, oh, my, my. # 970 00:42:11,440 --> 00:42:14,040 Wow, Jamie's really going for it. 971 00:42:14,200 --> 00:42:16,240 # Until I saw your light 972 00:42:16,400 --> 00:42:19,280 # Thought I would have to die to find 973 00:42:19,440 --> 00:42:22,760 # Something so out of the ordinary 974 00:42:22,920 --> 00:42:27,000 # I want you laying me down 'til we're dead and buried 975 00:42:30,280 --> 00:42:31,880 # Staying drunk on your vine 976 00:42:35,120 --> 00:42:37,080 # They're jealous knowin' we found 977 00:42:37,240 --> 00:42:40,320 # Something so out of the ordinary 978 00:42:40,480 --> 00:42:44,520 # You got me layin' me down 'til we're dead and buried 979 00:42:44,680 --> 00:42:49,600 # Shatter me with your touch, Lord, return me to dust 980 00:42:49,720 --> 00:42:52,120 ALL: # The angels up in the clouds are jealous knowin' we found. # 981 00:43:03,440 --> 00:43:04,520 Mat, how do you think that went? 982 00:43:06,880 --> 00:43:10,960 Um, I forgot the lyrics for the first part, but, um, 983 00:43:11,120 --> 00:43:13,840 yeah, I tried to recover, so. 984 00:43:14,000 --> 00:43:18,520 Yeah, I'm going to be honest, um, I feel like it was the Jamie show. 985 00:43:18,680 --> 00:43:22,120 (TENSE MUSIC) 986 00:43:22,280 --> 00:43:23,280 Um... 987 00:43:24,720 --> 00:43:26,360 That was very disconnected for me. 988 00:43:27,880 --> 00:43:31,000 And, yeah, I think, you know, 989 00:43:31,160 --> 00:43:35,280 not everyone's style came together in this case. 990 00:43:40,800 --> 00:43:42,360 The best part of that was the end. 991 00:43:44,680 --> 00:43:46,200 Oh, OK. 992 00:43:46,360 --> 00:43:51,000 And you guys knew the end was coming and you went for it. 993 00:43:51,160 --> 00:43:52,360 110%. 994 00:43:56,920 --> 00:43:59,240 You all sang so individually. 995 00:43:59,400 --> 00:44:00,840 When you're singing with somebody, 996 00:44:01,000 --> 00:44:03,120 you need to look at what their mouth is doing. 997 00:44:03,280 --> 00:44:05,640 You know, you have to sort of, like, 998 00:44:05,800 --> 00:44:07,640 clock into the person that you're singing with. 999 00:44:09,080 --> 00:44:12,000 And you guys didn't even clock one another. 1000 00:44:12,160 --> 00:44:13,600 # # 1001 00:44:13,760 --> 00:44:17,920 I mean, Mat, you were just thinking about the words, obviously, 1002 00:44:18,080 --> 00:44:20,840 like there was no part of you feeling that. 1003 00:44:21,000 --> 00:44:23,240 There was no relaxed Mat there. 1004 00:44:23,400 --> 00:44:26,600 Um, Alita, I feel like you gave it everything. 1005 00:44:26,760 --> 00:44:28,640 You got such a beautiful voice, but I just, like, 1006 00:44:28,800 --> 00:44:31,120 I felt you weren't really connected. You didn't really - 1007 00:44:31,280 --> 00:44:33,040 wasn't really in your wheelhouse. 1008 00:44:33,200 --> 00:44:34,680 I felt that. 1009 00:44:34,840 --> 00:44:36,520 (MUSIC STING) 1010 00:44:36,680 --> 00:44:38,720 You know, and Jamie, you did your thing. 1011 00:44:38,880 --> 00:44:39,760 Sure. 1012 00:44:39,920 --> 00:44:42,840 But you didn't do your thing with the rest of your team. 1013 00:44:43,000 --> 00:44:43,960 No worries, yep. 1014 00:44:47,680 --> 00:44:50,800 Yeah, alright, well, we're going to have a little chat, 1015 00:44:50,960 --> 00:44:52,680 so just hang there for a minute. 1016 00:44:53,880 --> 00:44:57,440 (TENSE MUSIC) 1017 00:45:02,680 --> 00:45:04,640 (TALKING QUIETLY) 1018 00:45:06,480 --> 00:45:08,480 I'm sorry. That's fine. 1019 00:45:08,640 --> 00:45:10,720 I don't think I'd change anything now. 1020 00:45:10,880 --> 00:45:13,120 Yeah. What's done is done. 1021 00:45:13,280 --> 00:45:14,640 My mind just went completely blank. 1022 00:45:14,800 --> 00:45:15,880 Yeah. And I was like... 1023 00:45:16,040 --> 00:45:18,560 What are the lyrics? I was like, oh! 1024 00:45:18,720 --> 00:45:19,800 (LAUGHS) 1025 00:45:19,960 --> 00:45:21,800 You were fine. You did great. 1026 00:45:21,960 --> 00:45:23,840 You were good as well. 1027 00:45:24,000 --> 00:45:25,320 OK. 1028 00:45:26,560 --> 00:45:30,960 OK, um, the challenge was to work together, 1029 00:45:31,120 --> 00:45:33,560 and you didn't do that. 1030 00:45:33,720 --> 00:45:37,680 Um, and for that, you're all going to be on notice. 1031 00:45:37,840 --> 00:45:39,880 # # 1032 00:45:40,040 --> 00:45:42,920 And this means you face elimination. 1033 00:45:44,400 --> 00:45:45,720 OK. 1034 00:45:52,840 --> 00:45:57,920 I would be lying if I said I wasn't a little bit frustrated. 1035 00:45:59,640 --> 00:46:00,840 It's a shame, because we, uh, 1036 00:46:01,000 --> 00:46:03,920 were all sounding great in rehearsal. 1037 00:46:04,080 --> 00:46:05,920 Um, we were really connecting with each other, 1038 00:46:06,080 --> 00:46:09,400 connecting with the song, um, and, 1039 00:46:09,560 --> 00:46:10,840 yeah, it's - 1040 00:46:11,000 --> 00:46:12,600 we went out there and didn't do 1041 00:46:12,760 --> 00:46:14,400 what we did in rehearsals. 1042 00:46:14,560 --> 00:46:17,480 Mat, forgetting the lyrics at the beginning of the song 1043 00:46:17,640 --> 00:46:20,600 is definitely something that threw us all off. 1044 00:46:20,760 --> 00:46:22,200 I don't think I've ever been more bummed about 1045 00:46:22,360 --> 00:46:23,840 a performance in my life. 1046 00:46:24,000 --> 00:46:25,800 I just - my mind went blank and then I was like, 1047 00:46:25,960 --> 00:46:27,800 nervous because I forgot the lyrics. 1048 00:46:27,960 --> 00:46:29,280 Then it sort of just sent me down a spiral, 1049 00:46:29,440 --> 00:46:31,320 and I was trying to figure out what the next line was, 1050 00:46:31,480 --> 00:46:33,160 instead of trying to connect with other people. 1051 00:46:33,320 --> 00:46:37,760 I'm really disappointed in myself and for the group as well. 1052 00:46:37,920 --> 00:46:39,760 And this is a lesson to everyone, 1053 00:46:39,920 --> 00:46:43,560 but you must you must work together. 1054 00:46:43,720 --> 00:46:48,400 As individuals, yeah, cool, but this is what this challenge is. 1055 00:46:48,560 --> 00:46:51,680 You know, you guys have to sort of have each other's backs. 1056 00:46:51,840 --> 00:46:54,280 I don't think we need to say anything else, OK? 1057 00:46:59,200 --> 00:47:00,240 After the break... 1058 00:47:00,400 --> 00:47:01,920 I actually am, like, a little bit nervous. 1059 00:47:02,080 --> 00:47:04,240 ..with the judges demanding so much more... 1060 00:47:04,400 --> 00:47:07,200 Fingers crossed it's going to get better from here on in, OK. 1061 00:47:07,360 --> 00:47:10,240 ..one performance pushes Jess... I have to say. 1062 00:47:10,400 --> 00:47:11,760 ..over the edge. 1063 00:47:11,920 --> 00:47:13,600 This is a performance. 1064 00:47:13,760 --> 00:47:15,600 You must bring it. 1065 00:47:15,760 --> 00:47:16,640 And later... 1066 00:47:18,320 --> 00:47:20,160 I just hope we all just get our moments to shine. 1067 00:47:20,320 --> 00:47:21,440 But at the same time, 1068 00:47:21,600 --> 00:47:24,400 it's a competition and I need to like, 1069 00:47:24,560 --> 00:47:25,560 just really focus on myself. 1070 00:47:25,720 --> 00:47:28,200 The group everyone has been waiting for. 1071 00:47:28,360 --> 00:47:30,680 A lot is riding on this group challenge, 1072 00:47:30,840 --> 00:47:34,760 and I'm worried that Eva might do even more than what we've practised, 1073 00:47:36,080 --> 00:47:38,040 and I feel like that might put me off a bit. 1074 00:47:46,040 --> 00:47:50,600 # You shoot me down, but I won't fall I am titanium. # 1075 00:47:52,240 --> 00:47:56,360 Today marks one of the toughest tests of the competition - 1076 00:47:56,520 --> 00:47:58,920 the group challenge. 1077 00:47:59,080 --> 00:48:04,720 Jamie, Mat and Alita were the first three singers to be put on notice 1078 00:48:04,880 --> 00:48:08,000 and are now in danger of going home. 1079 00:48:08,160 --> 00:48:12,080 Our next group, desperate to be the spark the judges are looking for, 1080 00:48:12,240 --> 00:48:14,640 includes Melbourne vocalist Sophie, 1081 00:48:14,800 --> 00:48:16,760 Ballarat barber Harry, 1082 00:48:16,920 --> 00:48:19,120 and confident country singer Riley, 1083 00:48:19,280 --> 00:48:23,480 who struggled the most with fatigue during last night's rehearsals. 1084 00:48:23,640 --> 00:48:26,200 I reckon Riley should hit the low octave. 1085 00:48:26,360 --> 00:48:28,120 Yeah, yeah, I think we did it just before. 1086 00:48:28,280 --> 00:48:29,160 And then you can... 1087 00:48:29,320 --> 00:48:30,400 Yeah, yeah. ..falsetto on that. 1088 00:48:30,560 --> 00:48:32,280 Mm-hm. Yeah, we did it just before. 1089 00:48:32,440 --> 00:48:34,680 I'm already knackered as it is, I need to go to bed now. 1090 00:48:34,840 --> 00:48:37,440 I'm tired. I think that's the worst bit. 1091 00:48:37,600 --> 00:48:39,360 Honestly. I was tired ten hours ago. 1092 00:48:39,520 --> 00:48:41,200 So we're still here, you know? 1093 00:48:41,360 --> 00:48:42,560 How are you feeling? 1094 00:48:42,720 --> 00:48:44,400 About getting up there? I'm actually a little bit nervous. 1095 00:48:44,560 --> 00:48:45,600 I'm not nervous. 1096 00:48:45,760 --> 00:48:47,160 A little bit more than I thought I'd be. 1097 00:48:47,320 --> 00:48:48,600 Go out there. Make yourselves proud. 1098 00:48:48,760 --> 00:48:50,120 Have fun, you guys. 1099 00:48:50,280 --> 00:48:52,080 (TENSE MUSIC) 1100 00:48:54,880 --> 00:48:58,080 OK. Harry, Riley, Sophie. 1101 00:48:59,360 --> 00:49:00,720 How are we all? 1102 00:49:00,880 --> 00:49:01,960 A little bit tired, but feeling good. 1103 00:49:02,120 --> 00:49:03,000 Yeah. 1104 00:49:03,160 --> 00:49:04,200 OK, good. 1105 00:49:04,360 --> 00:49:07,400 So you got some sleep and... A little bit. 1106 00:49:07,560 --> 00:49:10,360 Some, key word some. OK. Alright. 1107 00:49:10,520 --> 00:49:11,880 What song are you singing? 1108 00:49:12,040 --> 00:49:14,160 We're singing Can't Help Falling In Love by Elvis Presley. 1109 00:49:14,320 --> 00:49:16,120 Oh, beautiful. Yeah. 1110 00:49:16,280 --> 00:49:19,040 So, Jess, give us the real tea. 1111 00:49:19,200 --> 00:49:21,080 Look, I noticed when I met the group 1112 00:49:21,240 --> 00:49:25,640 that you were all extremely tired, but I felt, Riley, 1113 00:49:25,800 --> 00:49:29,440 you particularly felt fatigued and struggling. 1114 00:49:29,600 --> 00:49:31,640 Yeah, just tired, hey. Tired. 1115 00:49:31,800 --> 00:49:36,480 But I'm excited to witness and see what you've come up with. 1116 00:49:36,640 --> 00:49:39,600 OK, guys, in your own time. 1117 00:49:42,560 --> 00:49:46,360 # Wise men say 1118 00:49:48,280 --> 00:49:52,640 # Only fools rush in 1119 00:49:54,520 --> 00:49:58,880 # But I can't help 1120 00:49:59,040 --> 00:50:04,280 HARMONY: # Falling in love with you 1121 00:50:06,360 --> 00:50:09,760 # Shall I stay? 1122 00:50:09,920 --> 00:50:11,800 # Shall I stay? 1123 00:50:11,960 --> 00:50:15,400 # Would it be a sin? 1124 00:50:15,560 --> 00:50:18,280 # Would it be a sin? 1125 00:50:18,440 --> 00:50:21,480 # If I can't help 1126 00:50:21,640 --> 00:50:27,400 HARMONY: # Falling in love with you? 1127 00:50:29,960 --> 00:50:33,080 # Like a river flows 1128 00:50:33,240 --> 00:50:36,600 # Surely to the sea 1129 00:50:38,000 --> 00:50:41,040 # Darling, so it goes 1130 00:50:41,200 --> 00:50:45,400 # Some things are meant to be 1131 00:50:47,920 --> 00:50:50,200 Two, three, four. 1132 00:50:50,360 --> 00:50:53,240 # Take my hand 1133 00:50:53,400 --> 00:50:54,640 # Take my hand 1134 00:50:54,800 --> 00:50:58,640 HARMONY: # Take my whole life too 1135 00:51:01,120 --> 00:51:05,160 # I can't help 1136 00:51:05,320 --> 00:51:10,200 # Falling in love with you 1137 00:51:10,280 --> 00:51:15,040 # But I can't help 1138 00:51:15,200 --> 00:51:21,800 # Falling in love with you. # 1139 00:51:27,960 --> 00:51:29,080 Mm. 1140 00:51:32,720 --> 00:51:34,040 I think it sounded messy. 1141 00:51:34,200 --> 00:51:37,040 (MUSIC STING) 1142 00:51:37,200 --> 00:51:39,040 Yeah, it wasn't schmick. 1143 00:51:39,200 --> 00:51:41,680 Yeah, sure. It was OK. 1144 00:51:41,840 --> 00:51:43,320 Sure. 1145 00:51:43,480 --> 00:51:46,440 Microphone technique is a really important part of this. 1146 00:51:46,600 --> 00:51:48,360 You've got a very loud voice. 1147 00:51:48,520 --> 00:51:50,000 Very loud voice. 1148 00:51:50,160 --> 00:51:52,360 I'm glad you brought that up. 1149 00:51:52,520 --> 00:51:53,600 The dynamics were all over the place. 1150 00:51:53,760 --> 00:51:55,160 You weren't reading each other, 1151 00:51:55,320 --> 00:51:57,360 so you were loud, you were loud, could barely hear you. 1152 00:51:57,520 --> 00:52:01,800 Soph, you didn't stand out as much as you normally do. 1153 00:52:01,960 --> 00:52:03,680 Yeah. 1154 00:52:03,840 --> 00:52:06,080 Did you hear that, Sophie? 1155 00:52:06,240 --> 00:52:08,440 I just think that was maybe the vibe of the song. 1156 00:52:08,600 --> 00:52:10,680 And I think we connected, personally. 1157 00:52:10,840 --> 00:52:13,120 But it wasn't our best take of it probably as well. 1158 00:52:13,280 --> 00:52:14,720 Yeah, it didn't look it. 1159 00:52:14,880 --> 00:52:17,280 It didn't look connected. 1160 00:52:17,440 --> 00:52:19,840 I could see the fatigue crept in. 1161 00:52:22,040 --> 00:52:27,600 And I have to say, no matter how tired you are, 1162 00:52:29,520 --> 00:52:32,640 you must bring energy, OK? 1163 00:52:32,800 --> 00:52:34,960 This is a performance. 1164 00:52:36,360 --> 00:52:37,920 You must bring it. 1165 00:52:38,080 --> 00:52:40,360 You cannot let the audience know that you're tired. 1166 00:52:40,520 --> 00:52:42,280 You know, like, yeah, you can be tired, 1167 00:52:42,440 --> 00:52:43,840 but, you know, people pay to come see you. 1168 00:52:44,000 --> 00:52:46,920 Remember that. I'm talking to you all too. 1169 00:52:47,080 --> 00:52:49,720 OK? You're not allowed. Just not allowed. 1170 00:52:49,880 --> 00:52:51,360 You worry about it later. 1171 00:52:51,520 --> 00:52:56,080 But when you're on stage, that audience has paid to see you. 1172 00:52:56,240 --> 00:52:57,920 Soph, you don't look happy. 1173 00:52:59,280 --> 00:53:00,480 Yeah, I don't know. 1174 00:53:00,640 --> 00:53:02,640 I just think I had such a positive experience, so... 1175 00:53:02,800 --> 00:53:04,360 I'll tell you what it is. 1176 00:53:04,520 --> 00:53:08,560 You as an artist, you've got a cool girl vibe and I like it. 1177 00:53:08,720 --> 00:53:11,280 But when you are on television, 1178 00:53:11,440 --> 00:53:13,360 you actually need to lift a little more, 1179 00:53:13,520 --> 00:53:15,560 even if it's a chill song. Yeah. 1180 00:53:15,720 --> 00:53:19,280 It's crazy what the cameras and the lights and the audience reads. 1181 00:53:19,440 --> 00:53:21,120 I struggled with it myself. 1182 00:53:21,280 --> 00:53:23,440 You'll be surprised when you watch this back 1183 00:53:23,600 --> 00:53:26,320 about just the level of like, eugh. 1184 00:53:26,480 --> 00:53:28,440 You'll be disappointed is what it is. 1185 00:53:28,600 --> 00:53:29,480 Yeah. 1186 00:53:29,640 --> 00:53:32,120 You don't want to look back and feel like you were disappointed. 1187 00:53:32,280 --> 00:53:35,480 You want to look back and you say, "I gave it all I got." 1188 00:53:35,640 --> 00:53:38,640 I wasn't chill, I was emotionally invested. 1189 00:53:38,800 --> 00:53:41,720 You don't need to overcook it, but you do need to lift it. 1190 00:53:41,880 --> 00:53:43,600 Yeah. Alright? Find that balance. 1191 00:53:43,760 --> 00:53:44,960 OK, cool, we're gonna chat. 1192 00:53:47,960 --> 00:53:50,280 Thought we did a good job. Yeah, we did what we can do. 1193 00:53:50,440 --> 00:53:53,040 I don't know, I mean, 1194 00:53:53,200 --> 00:53:54,640 the start was great. 1195 00:53:54,800 --> 00:53:55,960 She just needed to lift. 1196 00:53:56,120 --> 00:53:59,200 He - just it was just a mess. 1197 00:53:59,360 --> 00:54:00,800 I don't know. I would agree. 1198 00:54:00,960 --> 00:54:02,720 They don't know how to project. They don't know how to project. 1199 00:54:02,880 --> 00:54:04,320 OK. 1200 00:54:04,480 --> 00:54:07,720 Alright. So we've had a bit of a chat. 1201 00:54:07,880 --> 00:54:08,880 (MUSIC STING) 1202 00:54:09,040 --> 00:54:13,640 And despite all the issues that we've had in this performance, 1203 00:54:13,800 --> 00:54:16,400 Harry, you were the best out of the bunch. 1204 00:54:16,560 --> 00:54:18,600 So you are through to the next round. 1205 00:54:18,760 --> 00:54:19,800 Thank you, guys. 1206 00:54:24,760 --> 00:54:27,920 OK, Sophie and Riley. 1207 00:54:29,400 --> 00:54:31,920 Soph, you were just drowned out by the dynamics 1208 00:54:32,080 --> 00:54:34,800 and we felt the fatigue. 1209 00:54:34,960 --> 00:54:37,640 Riley really felt the fatigue. 1210 00:54:37,800 --> 00:54:39,680 Just could read through it. 1211 00:54:39,840 --> 00:54:43,280 Fatigue and nerves just didn't help the performance. 1212 00:54:43,440 --> 00:54:45,720 And if you didn't have Harry, he was like your anchor. 1213 00:54:45,880 --> 00:54:46,960 # # 1214 00:54:47,120 --> 00:54:49,640 So you're both on notice. 1215 00:54:51,400 --> 00:54:52,600 Thank you. 1216 00:54:55,000 --> 00:54:56,920 A little bit surprised, but yeah, that's up to the judges. 1217 00:54:57,080 --> 00:54:59,160 You know, if they thought we didn't mesh well together, 1218 00:54:59,320 --> 00:55:00,680 thought it was a bit messy, 1219 00:55:00,840 --> 00:55:02,640 well, that's, yeah, that's their decision to make. 1220 00:55:02,800 --> 00:55:06,600 I don't know really where the judges were coming from. 1221 00:55:06,760 --> 00:55:09,520 Yeah, I just don't think we really went wrong anywhere. 1222 00:55:09,680 --> 00:55:12,640 I'm nervous being on notice for sure. 1223 00:55:12,800 --> 00:55:14,440 Not feeling the most comfortable right now. 1224 00:55:18,800 --> 00:55:22,120 Next, with the judges standing by, 1225 00:55:23,240 --> 00:55:26,560 it's the most anticipated group. 1226 00:55:26,720 --> 00:55:28,920 I feel like it's not really working at the moment, and um... 1227 00:55:29,080 --> 00:55:31,920 yeah, I'm a bit worried about that. 1228 00:55:33,360 --> 00:55:35,200 Don't look down. 1229 00:55:35,360 --> 00:55:40,360 Will Wanwue, Eva, and Jacinta 1230 00:55:40,520 --> 00:55:43,240 all be on the same page with their performance? 1231 00:55:43,400 --> 00:55:44,400 (SINGS) 1232 00:55:44,560 --> 00:55:45,560 No, am I wrong? 1233 00:55:47,120 --> 00:55:48,520 That's not right. 1234 00:55:53,610 --> 00:55:55,160 GOOD EVENING 1235 00:55:55,240 --> 00:55:57,640 # # 1236 00:55:57,800 --> 00:56:01,360 Session one of the overnight group challenge is coming to an end 1237 00:56:01,520 --> 00:56:04,480 with just one group left to perform. 1238 00:56:04,640 --> 00:56:06,200 It's been a night of highs... 1239 00:56:06,360 --> 00:56:08,440 ALL: # Hopeless place. # 1240 00:56:08,600 --> 00:56:10,080 ..and lows... 1241 00:56:10,240 --> 00:56:13,800 # Oh, my, my, oh, my, my. # 1242 00:56:13,960 --> 00:56:19,080 ..resulting in five singers now on notice and in danger of going home. 1243 00:56:26,280 --> 00:56:27,800 That was a really rough start. You know? 1244 00:56:27,960 --> 00:56:30,720 It's really obvious when they don't work together. 1245 00:56:30,880 --> 00:56:33,720 It really shows. It's really obvious. 1246 00:56:33,880 --> 00:56:35,400 Well, the great thing is they saw it, 1247 00:56:35,560 --> 00:56:38,160 so fingers crossed it's going to get better from here on in. 1248 00:56:38,320 --> 00:56:40,880 OK. Yes, yes, yes. 1249 00:56:41,040 --> 00:56:43,560 Now the groups are seeing just how tough this 1250 00:56:43,720 --> 00:56:47,400 competition really is and what the judges expect. 1251 00:56:47,560 --> 00:56:49,560 The group challenge. It's intense. 1252 00:56:49,720 --> 00:56:51,880 The long hours, the long days. 1253 00:56:52,040 --> 00:56:53,200 It's so tough. 1254 00:56:53,360 --> 00:56:55,760 Some of these people in the group performances - 1255 00:56:55,920 --> 00:56:56,840 next level. 1256 00:56:57,000 --> 00:57:00,040 You've got all night basically to 1257 00:57:00,200 --> 00:57:01,960 make this song work and make it your own, 1258 00:57:02,120 --> 00:57:05,400 and impress the judges, which is hard. 1259 00:57:05,560 --> 00:57:09,440 And they, those judges, they are not playing about. 1260 00:57:09,600 --> 00:57:12,040 But I do feel the pressure 1261 00:57:12,200 --> 00:57:15,520 in terms of judging and how harsh they're being, 1262 00:57:15,680 --> 00:57:19,880 especially today when we were watching, it was a lot. 1263 00:57:23,400 --> 00:57:26,840 With the judges demanding a standout performance 1264 00:57:27,000 --> 00:57:29,800 the pressure is on for our final group. 1265 00:57:29,960 --> 00:57:31,360 (THEY VOCALISE) 1266 00:57:31,520 --> 00:57:34,440 ALL: # One less problem. # 1267 00:57:34,600 --> 00:57:38,640 Can confident Wanwue, powerhouse vocalist Eva, 1268 00:57:38,800 --> 00:57:42,000 and shy Jacinta meet their expectations? 1269 00:57:42,160 --> 00:57:43,920 Right from the start 1270 00:57:44,080 --> 00:57:46,920 the challenge has tested the group at every turn. 1271 00:57:47,080 --> 00:57:51,440 I reckon bringing in the harmonies is a good a good idea. 1272 00:57:51,600 --> 00:57:53,840 OK. 1273 00:57:54,000 --> 00:57:55,920 # I won't let 1274 00:57:56,080 --> 00:57:57,280 # I won't let 1275 00:57:57,440 --> 00:58:00,560 # But, I won't let...# See, it's weird. 1276 00:58:00,720 --> 00:58:04,280 OK, I know this sounds really trashy of me, 1277 00:58:04,440 --> 00:58:06,840 but would I be able to just do it by myself, that part? 1278 00:58:09,840 --> 00:58:11,840 And I do like my part first and then your part. 1279 00:58:12,000 --> 00:58:13,360 Only because I don't want it to clash. 1280 00:58:14,960 --> 00:58:18,320 And with only minutes before they step out in front of the judges, 1281 00:58:18,480 --> 00:58:20,440 Eva is making some last minute changes 1282 00:58:20,600 --> 00:58:24,640 to the arrangement they settled on during last night's rehearsals. 1283 00:58:24,800 --> 00:58:27,160 I reckon we should try, like, more of a scoop at the beginning, 1284 00:58:27,320 --> 00:58:28,680 though, too, when we go um, 1285 00:58:28,840 --> 00:58:32,160 # Problem # Problem 1286 00:58:34,480 --> 00:58:36,440 Singing the song is already a challenge in itself. 1287 00:58:36,600 --> 00:58:38,240 We just have to be careful because we're in our harmonies 1288 00:58:38,400 --> 00:58:40,320 to not make it dissonant. 1289 00:58:41,880 --> 00:58:44,360 I reckon we just give it a go and see how it works. 1290 00:58:46,560 --> 00:58:48,000 We just need to workshop more, I think, 1291 00:58:48,160 --> 00:58:50,840 because I could not get on notice again. 1292 00:58:51,000 --> 00:58:53,840 I feel like it's not really working at the moment. 1293 00:58:54,000 --> 00:58:56,680 And, um, yeah, I'm a bit worried about that. 1294 00:58:59,520 --> 00:59:02,280 Yeah, I don't know, it might just be in my head. 1295 00:59:02,440 --> 00:59:05,920 Yeah, we'll work it out if we have, like, a little sort of thing. 1296 00:59:08,720 --> 00:59:11,760 Yeah, I just, I really just want to speak up. 1297 00:59:11,920 --> 00:59:15,280 We just need to make sure we blend and... 1298 00:59:15,440 --> 00:59:16,440 Yeah. 1299 00:59:16,600 --> 00:59:18,480 I'm not feeling great, to be honest. 1300 00:59:19,640 --> 00:59:22,120 I'm just - there's still parts of the arrangement 1301 00:59:22,280 --> 00:59:26,040 that I'm not really so sure about, but yeah. 1302 00:59:26,200 --> 00:59:30,000 It's really hard for me to like to step up and, like, 1303 00:59:30,160 --> 00:59:32,280 really put myself out there. 1304 00:59:32,440 --> 00:59:35,240 What do you need from us to support you in that? 1305 00:59:37,000 --> 00:59:38,920 Um. Uh, I don't know. 1306 00:59:39,080 --> 00:59:43,480 I mean, I just, I know as long as we listen to each other and, and, um, 1307 00:59:43,640 --> 00:59:46,280 take on each other's, you know, feedback and stuff, 1308 00:59:46,440 --> 00:59:48,280 I think that's important. 1309 00:59:48,440 --> 00:59:51,080 Yeah, it's like I'm fighting against myself 1310 00:59:51,240 --> 00:59:54,440 when I'm voicing, you know, how I feel. 1311 00:59:55,960 --> 01:00:00,200 And now waiting in the wings just moments before they perform, 1312 01:00:00,360 --> 01:00:02,400 the tension is real. 1313 01:00:02,560 --> 01:00:04,800 I'm nervous for them. 1314 01:00:04,960 --> 01:00:06,120 # Got one less 1315 01:00:06,280 --> 01:00:09,200 # Got one less got one less problem. # 1316 01:00:09,360 --> 01:00:10,560 No. Am I wrong? 1317 01:00:12,360 --> 01:00:13,840 That's not right. 1318 01:00:14,000 --> 01:00:15,720 HARMONY: # One less problem. # 1319 01:00:17,440 --> 01:00:18,320 I feel like it's too low. 1320 01:00:18,480 --> 01:00:22,240 I just hope we all just get our moments to shine. 1321 01:00:22,400 --> 01:00:24,680 But at the same time, like, it's a competition. 1322 01:00:24,840 --> 01:00:28,280 And I need to, like, just really focus on myself, 1323 01:00:28,440 --> 01:00:29,720 and that's about it. 1324 01:00:29,880 --> 01:00:31,720 (MUSIC STING) 1325 01:00:33,440 --> 01:00:36,160 # # 1326 01:00:36,320 --> 01:00:37,840 A lot is riding on this group challenge, 1327 01:00:38,000 --> 01:00:41,960 and I'm worried that we'll get out on stage 1328 01:00:42,120 --> 01:00:45,920 and Eva might do even more than what we've practised. 1329 01:00:46,080 --> 01:00:48,000 and I feel like that might put me off a bit. 1330 01:00:48,160 --> 01:00:49,200 # # 1331 01:00:49,360 --> 01:00:52,480 Wanwue, Jacinta, Eva. 1332 01:00:52,640 --> 01:00:54,360 # # 1333 01:00:57,720 --> 01:00:59,400 (TENSE MUSIC) 1334 01:01:01,840 --> 01:01:03,520 A lot is riding on this group challenge, 1335 01:01:03,680 --> 01:01:07,360 and I'm worried that we'll get out on stage 1336 01:01:07,520 --> 01:01:10,800 and Eva might do even more than what we've practised. 1337 01:01:10,960 --> 01:01:13,000 And I feel like that might put me off a bit. 1338 01:01:13,160 --> 01:01:16,320 Wanwue, Jacinta, Eva. 1339 01:01:18,000 --> 01:01:19,320 How y'all doing? 1340 01:01:19,480 --> 01:01:21,320 We're good, thank you. Good? 1341 01:01:22,480 --> 01:01:25,960 Look, talk us through how it went last night, please. 1342 01:01:27,320 --> 01:01:30,920 Uh, last night was, uh, pretty intense. 1343 01:01:31,080 --> 01:01:33,560 Um, because Ariana Grande is a big task. 1344 01:01:33,720 --> 01:01:34,720 # # 1345 01:01:34,880 --> 01:01:40,120 Eva, um, you're on notice last time, how are you feeling? 1346 01:01:40,280 --> 01:01:42,520 You got swallowed up in the whole performance last time. 1347 01:01:42,680 --> 01:01:45,160 I know, yeah. What have you done? 1348 01:01:45,320 --> 01:01:46,640 I think I need to just, you know, 1349 01:01:46,800 --> 01:01:48,400 get rid of the whole Little Mix thing, 1350 01:01:48,560 --> 01:01:50,800 bring back Eva, and that's what I've done today. 1351 01:01:50,960 --> 01:01:52,320 Um, and I'm really, yeah, 1352 01:01:52,480 --> 01:01:55,480 I'm ready to bring back authenticity and show who I am. 1353 01:01:55,640 --> 01:01:59,160 OK, ladies, when you're ready. 1354 01:02:04,240 --> 01:02:05,640 # I got one less 1355 01:02:05,800 --> 01:02:08,320 # I got one less # I got one less 1356 01:02:08,480 --> 01:02:11,400 ALL: # One less problem 1357 01:02:11,560 --> 01:02:14,200 Ooh! Ooh. 1358 01:02:16,120 --> 01:02:17,880 (VOCALISES) 1359 01:02:18,040 --> 01:02:19,400 # Oh, baby, even though I hate you, 1360 01:02:19,560 --> 01:02:22,760 # I wanna love you, I want you 1361 01:02:22,920 --> 01:02:25,720 # And even though I can't forgive you, I really want to 1362 01:02:25,880 --> 01:02:27,520 # I want you 1363 01:02:27,680 --> 01:02:32,520 ALL: # To tell me, tell me, baby, why can't you leave me? 1364 01:02:32,680 --> 01:02:34,680 # Cause even though I shouldn't want it 1365 01:02:34,840 --> 01:02:37,800 # I gotta have it, I want you 1366 01:02:37,960 --> 01:02:39,360 # Head in the clouds 1367 01:02:39,520 --> 01:02:42,280 # Got no weight on my shoulder 1368 01:02:42,440 --> 01:02:47,720 # I should be wiser and realise that I've got 1369 01:02:47,880 --> 01:02:50,000 # Smart money betting I'll be getting on without you 1370 01:02:50,160 --> 01:02:52,440 # In no time I'll be forgetting all about you 1371 01:02:52,600 --> 01:02:53,440 # You're saying that you know 1372 01:02:53,600 --> 01:02:54,800 # But I really, really doubt you 1373 01:02:54,960 --> 01:02:56,640 # Understand that it's easy 1374 01:02:56,800 --> 01:02:57,760 ALL: # When I ain't around ya 1375 01:02:57,920 --> 01:02:58,800 Alright, girl. 1376 01:02:58,960 --> 01:03:00,200 # Iggy, Iggy, too biggie to be here stressin' 1377 01:03:00,360 --> 01:03:02,720 # And I'm thinkin I love the thought of you more than I like your presence 1378 01:03:02,880 --> 01:03:04,840 # Best thing now probably for you to exit 1379 01:03:05,000 --> 01:03:06,000 # I'll let you go, let you back 1380 01:03:06,160 --> 01:03:07,720 # I finally learned my lesson 1381 01:03:07,880 --> 01:03:09,400 # One less problem without ya 1382 01:03:09,560 --> 01:03:12,200 # I got one less problem without ya 1383 01:03:12,360 --> 01:03:14,400 ALL: # I got one less problem without ya 1384 01:03:14,560 --> 01:03:17,120 # I got one less, one less problem 1385 01:03:17,280 --> 01:03:19,480 # One less problem without ya 1386 01:03:19,640 --> 01:03:21,560 # I got one less problem without ya 1387 01:03:21,720 --> 01:03:24,600 # I got one less problem without you 1388 01:03:24,760 --> 01:03:27,240 ALL: # I got one less, one less problem. # 1389 01:03:30,200 --> 01:03:32,440 Yes. (LAUGHTER) 1390 01:03:32,600 --> 01:03:34,560 # # 1391 01:03:34,720 --> 01:03:36,800 Represent, ladies. Represent. 1392 01:03:36,960 --> 01:03:39,240 Represent, ladies. 1393 01:03:39,400 --> 01:03:40,800 Oh, damn. That was good. 1394 01:03:40,960 --> 01:03:43,400 That was really good. Yeah. 1395 01:03:43,560 --> 01:03:46,640 Thank you, thank you. 1396 01:03:46,800 --> 01:03:48,960 Yes. 1397 01:03:49,120 --> 01:03:50,880 That's team-manship. 1398 01:03:51,040 --> 01:03:52,480 That's what it's about. 1399 01:03:52,640 --> 01:03:57,640 You sort of like, you also have to mend it together. 1400 01:03:57,800 --> 01:03:59,560 Jacinta, what's happened to you? You're like... 1401 01:03:59,720 --> 01:04:00,960 You're like talking a lot. 1402 01:04:01,120 --> 01:04:04,120 And I'm like, yes, OK, here she is. 1403 01:04:04,280 --> 01:04:07,720 And that was just, you're like, I don't know. 1404 01:04:07,880 --> 01:04:09,760 You're like a different person today. 1405 01:04:09,920 --> 01:04:12,200 Now it feels, I don't know, 1406 01:04:12,360 --> 01:04:14,520 I feel like I'm seeing your personality for the first time. 1407 01:04:14,680 --> 01:04:17,280 Jacinta's feeling good. Yeah. 1408 01:04:17,440 --> 01:04:19,480 I feel like as I was saying to the girls, 1409 01:04:19,640 --> 01:04:22,800 I'm so used to putting myself in the background 1410 01:04:22,960 --> 01:04:26,120 and just being in the back and not really believing in myself. 1411 01:04:26,280 --> 01:04:30,120 I get that, you know, you're amongst big voices, 1412 01:04:30,280 --> 01:04:34,280 and the key is to finding your way, 1413 01:04:34,440 --> 01:04:36,920 finding your place and moving. Yeah. 1414 01:04:37,080 --> 01:04:40,160 Moving into it and shining. 1415 01:04:40,320 --> 01:04:43,440 Yeah, like I know my voice is definitely not one of the biggest. 1416 01:04:43,600 --> 01:04:44,640 It never will be. 1417 01:04:44,800 --> 01:04:48,040 But I think just making sure I have that emotional connection, 1418 01:04:48,200 --> 01:04:49,960 that's what I bring with my voice. 1419 01:04:50,120 --> 01:04:52,680 And knowing your strengths. Yeah, knowing my strengths, yeah. 1420 01:04:52,840 --> 01:04:55,120 And you know, after yesterday, 1421 01:04:55,280 --> 01:04:57,200 I was like, I really need to back myself. 1422 01:04:57,360 --> 01:05:00,960 So it was, it was really, it was really good to have that support. 1423 01:05:01,120 --> 01:05:02,560 Eva, how did that feel for you? 1424 01:05:02,720 --> 01:05:04,600 Did you feel...? So much better, yeah. 1425 01:05:04,760 --> 01:05:07,480 And I'm so grateful for these two, yeah. 1426 01:05:07,640 --> 01:05:09,920 Yeah, you made it work. It was awesome. 1427 01:05:11,280 --> 01:05:13,800 We talk. We talk. 1428 01:05:13,960 --> 01:05:15,920 OK, so, yeah. 1429 01:05:16,080 --> 01:05:17,760 Well, to me, everybody shone. 1430 01:05:20,000 --> 01:05:21,080 We did so well. 1431 01:05:25,000 --> 01:05:27,280 We aced that, like... 1432 01:05:27,440 --> 01:05:29,280 I'm really - no matter what happens 1433 01:05:29,440 --> 01:05:31,160 I'm so proud of the work we did. 1434 01:05:31,320 --> 01:05:32,800 And you for shining. 1435 01:05:32,960 --> 01:05:36,640 Thanks to you two for pulling me out. Thank you. 1436 01:05:36,800 --> 01:05:37,880 # # 1437 01:05:39,800 --> 01:05:43,320 The challenge was to work under pressure. 1438 01:05:43,480 --> 01:05:46,200 # # 1439 01:05:46,360 --> 01:05:47,800 To work together. 1440 01:05:49,760 --> 01:05:53,440 Ladies, you nailed it. Congrats. Thank you so much. 1441 01:05:53,600 --> 01:05:54,960 Well done. You're through to the next round. 1442 01:05:55,120 --> 01:05:57,040 Thank you, thank you. Thank you. 1443 01:05:57,200 --> 01:05:59,000 Well done, well done. Well done. 1444 01:05:59,160 --> 01:06:00,960 (LAUGHTER) 1445 01:06:02,600 --> 01:06:04,040 Yes. 1446 01:06:04,200 --> 01:06:05,520 Girl power. 1447 01:06:05,680 --> 01:06:07,320 Yes, honey, girl power. 1448 01:06:07,480 --> 01:06:09,080 (CHEERING) 1449 01:06:13,840 --> 01:06:15,480 Just feeling really grateful. 1450 01:06:15,640 --> 01:06:18,440 Sort of still buzzing because, yeah, it was crazy, yeah. 1451 01:06:18,600 --> 01:06:19,960 I'm really proud of us. 1452 01:06:20,120 --> 01:06:21,400 Well, we did it. 1453 01:06:21,560 --> 01:06:22,960 We did it. Oh, my gosh. 1454 01:06:23,120 --> 01:06:24,480 We couldn't have done it. Girl, what? 1455 01:06:24,640 --> 01:06:26,360 Girl power. 1456 01:06:26,520 --> 01:06:28,000 (CHEERING) 1457 01:06:28,160 --> 01:06:30,000 LAUGHTER) Oh, my god, we're safe. 1458 01:06:36,520 --> 01:06:37,480 Oh, my god. 1459 01:06:40,480 --> 01:06:42,320 Sunday on Australian Idol. 1460 01:06:42,480 --> 01:06:45,320 Jessie do the - sing next group, please. 1461 01:06:45,480 --> 01:06:47,640 # Next group. Please. # 1462 01:06:47,800 --> 01:06:48,720 Oh! Oh, yeah. 1463 01:06:48,880 --> 01:06:50,240 Stop it! 1464 01:06:50,400 --> 01:06:53,280 The remaining groups sing for their lives. 1465 01:06:53,440 --> 01:06:56,280 As the days go on, it gets more and more important to be here. 1466 01:06:56,440 --> 01:06:58,320 I'm not going to stand back and be the quiet guy. 1467 01:06:58,480 --> 01:06:59,560 Like, I need to show off. 1468 01:06:59,720 --> 01:07:01,600 This is the toughest challenge yet. 1469 01:07:01,760 --> 01:07:02,960 I've got something to prove. 1470 01:07:03,120 --> 01:07:05,560 As the overnight challenge concludes. 1471 01:07:05,720 --> 01:07:08,040 # Bang, bang won't stop till we're legend. # 1472 01:07:08,200 --> 01:07:11,120 Go out there and smash it. 1473 01:07:11,280 --> 01:07:14,360 Some take a giant leap towards the top 21. 1474 01:07:14,520 --> 01:07:16,160 You're a great trio. 1475 01:07:16,320 --> 01:07:17,560 Can you hear that? 1476 01:07:17,720 --> 01:07:19,240 Now that's what I'm talking about. 1477 01:07:19,400 --> 01:07:21,640 Oh, haven't heard that all season. 1478 01:07:21,800 --> 01:07:24,480 But when performances fall flat... 1479 01:07:24,640 --> 01:07:26,000 Oh, no. 1480 01:07:27,160 --> 01:07:31,160 That was one of the worst group performances I have ever seen. 1481 01:07:31,320 --> 01:07:34,480 Others have their Idol dreams crushed. 1482 01:07:34,640 --> 01:07:37,120 That was truly a car crash. 1483 01:07:38,480 --> 01:07:39,760 That was a three car pileup. 1484 01:07:41,200 --> 01:07:42,440 Who will go? 1485 01:07:42,600 --> 01:07:44,040 I so want to stay. 1486 01:07:44,200 --> 01:07:46,720 I just want to prove that I can do this. 1487 01:07:46,880 --> 01:07:48,560 I hope they give me another chance. 1488 01:07:48,720 --> 01:07:49,680 # # 1489 01:07:49,840 --> 01:07:53,480 Will your favourite get to sing in next week's solo challenge? 1490 01:07:53,640 --> 01:07:55,320 We believe you still have more to show. 1491 01:07:55,480 --> 01:07:57,800 You live to sing another day. 1492 01:07:57,960 --> 01:07:59,800 Or will they get the chop? 1493 01:07:59,960 --> 01:08:01,560 You're only as good as your last performance. 1494 01:08:01,720 --> 01:08:04,320 Your Idol journey is over today. 1495 01:08:08,080 --> 01:08:10,960 Captioned by AI-Media ai-media.tv