1 00:00:02,001 --> 00:00:04,086 Yeah. Everything. It's all good. It's all good. Phyllis. 2 00:00:04,170 --> 00:00:05,212 Dancing babies. 3 00:00:05,296 --> 00:00:06,797 Dancing babies. I love it. I love it. 4 00:00:06,881 --> 00:00:10,009 We are making a commercial for Dunder Mifflin today, 5 00:00:10,092 --> 00:00:11,426 our first ad ever. 6 00:00:11,802 --> 00:00:14,012 Corporate purchased some airtime in local markets 7 00:00:14,096 --> 00:00:15,889 to spread the word about Dunder Mifflin Infinity, 8 00:00:15,973 --> 00:00:19,476 and they are even sending up a professional ad company 9 00:00:19,560 --> 00:00:23,897 to help us make it later. So it's not too shabby. 10 00:00:24,482 --> 00:00:25,983 Best ad ever? 11 00:00:26,067 --> 00:00:29,153 Give me a break, give me a break 12 00:00:29,237 --> 00:00:31,530 Break me off a piece of that 13 00:00:34,492 --> 00:00:37,495 I am totally blanking. What is the thing? 14 00:00:37,578 --> 00:00:38,745 Nobody tell him. 15 00:00:38,829 --> 00:00:40,539 What? No. Why? 16 00:00:40,623 --> 00:00:41,957 You got it. You're so close. 17 00:00:42,041 --> 00:00:44,043 Break me off a piece of that 18 00:00:47,004 --> 00:00:48,296 Applesauce 19 00:00:48,381 --> 00:00:50,883 "Break me off a piece of that applesauce." I don't think so. 20 00:00:50,967 --> 00:00:52,760 A piece of that Chrysler car 21 00:00:52,843 --> 00:00:53,885 Nope. 22 00:00:53,970 --> 00:00:55,137 Football cream 23 00:00:55,221 --> 00:00:56,764 Okay. It's football cream. 24 00:00:56,847 --> 00:00:59,558 It's football cream. All right, so, anybody else? 25 00:00:59,642 --> 00:01:02,936 I'm taking a computer animation class, so I can try to do a logo. 26 00:01:03,020 --> 00:01:04,062 Look at that. 27 00:01:04,146 --> 00:01:07,524 Even the receptionist is getting in on the creativity. Very good. Very good. 28 00:01:07,692 --> 00:01:08,859 Hello. Hello. 29 00:01:08,943 --> 00:01:10,194 Hey. How you doing? Michael Scott. 30 00:01:10,278 --> 00:01:11,445 Hey, Michael. Regional manager. 31 00:01:11,529 --> 00:01:13,239 Hi, Michael. Nice to meet you. Excited to talk ideas. 32 00:01:13,322 --> 00:01:14,406 Us, too, man. You know what, 33 00:01:14,490 --> 00:01:17,701 I want this to be cutting edge. I want it to be fast. 34 00:01:17,785 --> 00:01:21,246 Quick cuts, you know? Youthful, sort of a 35 00:01:21,330 --> 00:01:22,581 MTV-on-crack kind of thing. 36 00:01:22,665 --> 00:01:23,707 That sounds great. 37 00:01:23,791 --> 00:01:26,210 All right. Good. Well, this is what we have to work with. 38 00:01:26,294 --> 00:01:29,964 I would like you to meet Andrew Bernard, the Nard Dog. 39 00:01:30,047 --> 00:01:31,631 Who let the Nard dog out? 40 00:01:33,301 --> 00:01:35,344 He gives the best back rubs in the office. 41 00:01:35,428 --> 00:01:38,347 That's true, I give a mean back rub. Also do good aromatherapy. 42 00:01:40,308 --> 00:01:42,184 You just got Nard-dogged! 43 00:01:42,268 --> 00:01:46,768 Now, this gentleman right here is the key to our urban vibe. 44 00:01:47,857 --> 00:01:50,651 Urban? I grew up in a small town. 45 00:01:50,735 --> 00:01:52,945 What about me seems urban to you? 46 00:01:53,029 --> 00:01:54,113 Stanley is hilarious. 47 00:01:54,196 --> 00:01:56,990 Phyllis is like our Mrs. Butterworth. 48 00:01:57,074 --> 00:01:59,159 Kind of a less urban Aunt Jemima. 49 00:02:00,620 --> 00:02:02,747 These are our accountants. 50 00:02:02,830 --> 00:02:07,330 And as you can see, they are very different sizes. 51 00:02:07,752 --> 00:02:10,379 What you might want to do is kind of 52 00:02:10,463 --> 00:02:13,466 a Papa Bear, Mama Bear, Baby Bear thing. 53 00:02:13,549 --> 00:02:14,633 That might be kind of fun. 54 00:02:14,717 --> 00:02:15,843 Mama Bear. 55 00:02:15,926 --> 00:02:16,927 Who else? 56 00:02:17,053 --> 00:02:19,346 I think it's great that the company's making a commercial, 57 00:02:19,430 --> 00:02:22,558 because not very many people have heard of us. 58 00:02:22,642 --> 00:02:24,935 I mean, when I tell people that I work at Dunder Mifflin, 59 00:02:25,019 --> 00:02:29,519 they think that we sell mufflers or muffins or mittens or... 60 00:02:31,817 --> 00:02:35,445 And frankly all of those sound better than paper, so I let it slide. 61 00:03:14,360 --> 00:03:15,736 You playing that game again? 62 00:03:15,820 --> 00:03:20,241 Second Life is not a game. It is a multi-user virtual environment. 63 00:03:20,324 --> 00:03:22,117 It doesn't have points or scores. 64 00:03:22,201 --> 00:03:23,869 It doesn't have winners or losers. 65 00:03:23,953 --> 00:03:25,329 Oh, it has losers. 66 00:03:25,579 --> 00:03:28,498 I signed up for Second Life about a year ago. 67 00:03:28,582 --> 00:03:31,918 Back then, my life was so great that I literally wanted a second one. 68 00:03:32,002 --> 00:03:34,879 In my second life, I was also a paper salesman 69 00:03:34,964 --> 00:03:36,799 and I was also named Dwight. 70 00:03:36,882 --> 00:03:38,675 Absolutely everything was the same. 71 00:03:39,427 --> 00:03:41,178 Except I could fly. 72 00:03:41,554 --> 00:03:45,307 Little girl in a field holding a flower. 73 00:03:45,433 --> 00:03:49,061 We zoom back to find that she's in the desert 74 00:03:50,062 --> 00:03:51,813 and the field IS an oasis. 75 00:03:51,897 --> 00:03:53,899 We zoom back further, 76 00:03:53,983 --> 00:03:58,483 the desert is a sandbox in the world's largest resort hotel. 77 00:03:58,904 --> 00:04:03,404 Zoom back further, the hotel is actually the playground 78 00:04:04,577 --> 00:04:06,829 of the world's largest prison. 79 00:04:07,288 --> 00:04:08,998 But we zoom back further... Okay, 80 00:04:09,081 --> 00:04:10,457 I can tell that your time is valuable... 81 00:04:10,541 --> 00:04:11,959 Actually, 82 00:04:12,126 --> 00:04:14,253 I don't get paid by the hour anymore, but thank you. 83 00:04:14,336 --> 00:04:16,046 I get paid by the year. 84 00:04:16,130 --> 00:04:18,215 That all sounds really, really ambitious. So... 85 00:04:18,299 --> 00:04:19,550 Yeah. I know. 86 00:04:19,633 --> 00:04:22,010 Why don't we show you what we did with the Nashua branch? 87 00:04:22,094 --> 00:04:23,095 Mmm... 88 00:04:23,721 --> 00:04:24,805 Okay. 89 00:04:56,378 --> 00:04:58,046 That's what Nashua came up with? 90 00:04:58,130 --> 00:05:00,173 That sucks. Wow. 91 00:05:01,008 --> 00:05:02,676 That's what we came up with. 92 00:05:02,760 --> 00:05:04,178 Well, we can do better than that. 93 00:05:04,261 --> 00:05:06,471 Well, the main part of the ad has to stay the same, actually. 94 00:05:06,555 --> 00:05:09,849 Yeah, it's the last five seconds where we have some leeway. 95 00:05:11,310 --> 00:05:12,811 The waving? 96 00:05:12,895 --> 00:05:15,272 Well, no, no. You don't have to be waving. That was just what they did. 97 00:05:15,356 --> 00:05:17,107 You guys can be clapping 98 00:05:17,191 --> 00:05:20,110 or sitting, standing outside, inside, whatever. 99 00:05:20,194 --> 00:05:22,696 And this is where you really get to be creative. 100 00:05:23,447 --> 00:05:27,947 I need some advice. I've been spending a lot of time making out with Angela lately. 101 00:05:28,536 --> 00:05:32,081 We've been necking. But only necking. Right? 102 00:05:32,164 --> 00:05:36,418 Not actually kissing our mouths. 103 00:05:36,502 --> 00:05:38,378 Just neck on neck. 104 00:05:38,462 --> 00:05:42,799 It's just like rubbing/nuzzling our necks together. 105 00:05:42,883 --> 00:05:46,219 It's hot. I'm not gonna lie to you, but it's a little weird. 106 00:05:46,303 --> 00:05:48,471 But you seem like a guy with answers. 107 00:05:48,556 --> 00:05:51,850 So how do I fast track this, get to first base? 108 00:05:51,934 --> 00:05:54,227 We cannot talk about this, 109 00:05:55,396 --> 00:05:58,941 because someone might hear us. 110 00:06:00,276 --> 00:06:02,152 We'll use code names. 111 00:06:03,237 --> 00:06:07,737 Angela can stay the same, but we'll change Andy to Dwight. 112 00:06:09,910 --> 00:06:12,037 That's not different enough. 113 00:06:13,247 --> 00:06:14,414 Dwike? 114 00:06:17,835 --> 00:06:19,962 You have a call from Eddie Murphy. 115 00:06:25,175 --> 00:06:26,259 Hello. 116 00:06:26,343 --> 00:06:28,803 MICHAEL IMITATING EDDIE MURPHY ON SPEAKERPHONE: Shrek. Shrek. I'm a donkey. 117 00:06:28,888 --> 00:06:30,306 I'm a donkey, Shrek. 118 00:06:31,849 --> 00:06:35,018 I'm just kidding. It's me. Hello, Ry. 119 00:06:35,519 --> 00:06:37,646 What? Okay, calm down. 120 00:06:37,730 --> 00:06:39,022 I just have a small problem. 121 00:06:39,106 --> 00:06:40,816 I told you not to call about small problems. 122 00:06:40,900 --> 00:06:43,277 Yeah. Well, when I call about big problems, 123 00:06:43,360 --> 00:06:46,654 you don't like that either, so make up your mind, kiddo. 124 00:06:46,739 --> 00:06:51,239 Here is the deal, the ad guys that you sent are locking me in a creative box 125 00:06:52,703 --> 00:06:54,746 and sort of ignoring my ideas. 126 00:06:54,830 --> 00:06:56,748 That's good. They're creative. You're not. 127 00:06:57,541 --> 00:06:59,251 I'm creative, Ryan. 128 00:06:59,335 --> 00:07:00,794 It's not part of your job. 129 00:07:00,878 --> 00:07:02,379 It's, like, maybe you can COOK, 130 00:07:02,463 --> 00:07:04,923 but that doesn't mean you should start a restaurant. 131 00:07:05,007 --> 00:07:07,426 Well, actually I can't cook and I am starting a restaurant, 132 00:07:07,509 --> 00:07:09,135 Mike's Cereal Shack. 133 00:07:09,595 --> 00:07:13,140 I'm thinking we'll have as many varieties as you can buy in the store. 134 00:07:13,223 --> 00:07:14,974 Okay. I'm not really interested in that right now. 135 00:07:15,225 --> 00:07:17,894 I'm delegating creativity to creative professionals. 136 00:07:17,978 --> 00:07:19,145 It's a different skill set. 137 00:07:19,229 --> 00:07:21,147 Look, I wasn't good at sales, right? Yeah! 138 00:07:21,231 --> 00:07:23,191 But I'm good at managing people who do sales. 139 00:07:23,275 --> 00:07:26,528 Are you? I don't think you're doing such a great job here, 140 00:07:26,612 --> 00:07:28,989 suppressing ideas and creativity. 141 00:07:29,782 --> 00:07:32,743 All right, let me ask you this. Tell me if you think this is creative. 142 00:07:32,826 --> 00:07:34,452 When I was five, 143 00:07:34,995 --> 00:07:39,040 I imagined that there was such a thing as a unicorn. 144 00:07:39,625 --> 00:07:44,004 And this was before I had even heard of one or seen one. 145 00:07:44,088 --> 00:07:47,841 I just drew a picture of a horse 146 00:07:47,925 --> 00:07:52,304 that could fly over rainbows and had a huge spike in its head. 147 00:07:53,347 --> 00:07:55,724 I was five, five years old. 148 00:07:57,309 --> 00:07:58,893 Couldn't even talk yet. 149 00:08:00,980 --> 00:08:05,480 Hey, guys. You know what? We cannot shoot this ad today. 150 00:08:06,819 --> 00:08:08,111 Okay, when should we come back? 151 00:08:08,195 --> 00:08:11,281 How about never-hundred hours, sir? 152 00:08:12,199 --> 00:08:13,408 Wait, we were sent here to help... 153 00:08:13,492 --> 00:08:15,160 I'm not gonna argue with this guy. 154 00:08:15,244 --> 00:08:16,411 Let's go. 155 00:08:16,495 --> 00:08:17,746 Good luck, dude. Hey, thanks. 156 00:08:17,830 --> 00:08:19,039 Thank you. Thank you. 157 00:08:19,123 --> 00:08:20,541 Michael, David Wallace. 158 00:08:20,624 --> 00:08:23,001 What is this about dismissing the ad people? 159 00:08:23,085 --> 00:08:26,838 Yeah. I'm glad you called. Ryan is being a little bitch again. 160 00:08:26,922 --> 00:08:28,048 I'm on, Michael. 161 00:08:28,132 --> 00:08:30,008 What's up, my brother? 162 00:08:30,259 --> 00:08:34,759 Listen, David, I would like to do this ad in-house. 163 00:08:34,847 --> 00:08:39,347 I want to use only the creativity that we have right here in the office, 164 00:08:39,893 --> 00:08:42,103 and I will send it to you tomorrow morning. 165 00:08:42,187 --> 00:08:45,440 Take a look at it. If you do not think that it's ready to air, 166 00:08:45,524 --> 00:08:48,109 send the ad agency back down here 167 00:08:48,193 --> 00:08:50,528 and we'll do it on my dime. 168 00:08:51,989 --> 00:08:53,281 This is weird. 169 00:08:53,365 --> 00:08:56,493 I'm willing to stake my entire reputation on it. 170 00:08:57,202 --> 00:08:59,996 Okay. I'll see you tomorrow. 171 00:09:00,080 --> 00:09:01,289 Okay. -. 172 00:09:03,083 --> 00:09:07,087 And thus Michael Scott sealed his own destiny. 173 00:09:09,757 --> 00:09:11,258 In a good way. 174 00:09:12,634 --> 00:09:16,721 Has anyone ever come up to you and said, "You're not creative"? 175 00:09:17,598 --> 00:09:18,640 Yes. 176 00:09:18,724 --> 00:09:21,393 Well, they're wrong. You are creative. 177 00:09:21,477 --> 00:09:24,396 You are damn creative, each and every one of you. 178 00:09:24,480 --> 00:09:26,690 You are so much more creative 179 00:09:26,774 --> 00:09:30,486 than all of the other dry, boring morons that you work with. 180 00:09:31,695 --> 00:09:33,154 Who are you talking to, specifically? 181 00:09:33,322 --> 00:09:36,867 I kind of know what it's like to be in commercials. 182 00:09:36,950 --> 00:09:40,370 My nickname in high school used to be Kool-Aid Man. 183 00:09:42,623 --> 00:09:45,000 When I was younger I always wanted to be an actor in commercials, 184 00:09:45,084 --> 00:09:47,002 then I realized I had a brain. 185 00:09:47,294 --> 00:09:51,172 I'm excited about doing the ad, but I'm not really used to doing videos 186 00:09:51,256 --> 00:09:53,258 with so many people around. 187 00:09:53,759 --> 00:09:56,303 We have three scenes to film, big scenes. 188 00:09:56,386 --> 00:09:58,513 We have a song to write, so let's get cracking. 189 00:09:58,597 --> 00:10:00,473 Kelly, I want you to do makeup. 190 00:10:00,557 --> 00:10:04,435 Oscar, I would like you to do costume design, obviously. 191 00:10:04,520 --> 00:10:05,979 Phyllis, I'd like you to look around town 192 00:10:06,063 --> 00:10:09,191 and see if we have any celebrities in our local area. 193 00:10:10,442 --> 00:10:12,193 Sue Grafton is at the Steamtown Mall. 194 00:10:12,277 --> 00:10:13,820 She's doing a book signing right now. 195 00:10:13,904 --> 00:10:15,697 Okay, okay. Phyllis, this is what I want you to do. 196 00:10:15,781 --> 00:10:18,825 I want you to go down to the mall. I want you to get in line. 197 00:10:18,909 --> 00:10:21,995 I want you to get her to be in this commercial. 198 00:10:23,122 --> 00:10:26,625 This would be a huge coup, people. All right? 199 00:10:26,708 --> 00:10:28,876 Do not take no for an answer. Okay. 200 00:10:28,961 --> 00:10:31,171 Does anyone actually know what Sue Grafton looks like? 201 00:10:31,255 --> 00:10:32,547 I mean is she hot, or... 202 00:10:32,631 --> 00:10:34,299 She's crazy hot. 203 00:10:34,383 --> 00:10:37,928 Well, then maybe we should just use Angela and say she's Sue Grafton. 204 00:10:38,011 --> 00:10:39,178 Would anyone notice? 205 00:10:39,263 --> 00:10:40,305 That's not happening. 206 00:10:40,597 --> 00:10:43,182 I find the mystery genre disgusting. 207 00:10:43,433 --> 00:10:45,309 I hate being titillated. 208 00:10:45,769 --> 00:10:46,811 Bye, everyone. 209 00:10:46,895 --> 00:10:48,146 Light it up, Phyllis. Get her, Phyl. 210 00:10:57,322 --> 00:11:00,241 Out of paper, out of stock 211 00:11:00,325 --> 00:11:03,369 Those friendly faces around the block 212 00:11:03,453 --> 00:11:05,746 Break loose from the chains 213 00:11:05,831 --> 00:11:08,041 That are causing you pain 214 00:11:08,125 --> 00:11:11,294 Call Michael and Stanley, Jim, Dwight, Creed 215 00:11:11,378 --> 00:11:14,756 Call Andy and Kelly For your business paper needs 216 00:11:14,840 --> 00:11:16,216 Dunder Mifflin 217 00:11:16,300 --> 00:11:17,968 The people person's paper people 218 00:11:18,051 --> 00:11:19,343 Dunder Mifflin 219 00:11:19,428 --> 00:11:20,679 The people person's paper people 220 00:11:20,762 --> 00:11:23,973 Time out. Time out. Time out. I thought... 221 00:11:24,057 --> 00:11:27,769 I was under the impression that this was going to be a rap. 222 00:11:27,978 --> 00:11:29,145 What's rap? 223 00:11:29,521 --> 00:11:31,689 Okay, Darryl, wow. 224 00:11:31,773 --> 00:11:33,608 You need to learn a lot about your own culture. 225 00:11:33,692 --> 00:11:34,818 I'll make you a mix. 226 00:11:34,902 --> 00:11:36,194 Great. 227 00:11:40,991 --> 00:11:45,491 News flash. I got some juicy updates on Operation Fallen Angel. 228 00:11:46,622 --> 00:11:48,749 Remind me to tell you later. 229 00:11:54,421 --> 00:11:55,505 Hey. 230 00:11:55,589 --> 00:11:57,340 No talk. I'm animating. 231 00:11:57,424 --> 00:11:59,801 Why don't we take a quick 10-second break from that 232 00:11:59,885 --> 00:12:01,761 so I can show you what's going on here. 233 00:12:01,887 --> 00:12:05,515 Okay, this is Dwight's Second Life. He's on it all the time. 234 00:12:06,016 --> 00:12:09,561 So much so that his little guy here has created his own world. 235 00:12:09,645 --> 00:12:11,271 It's called Second Second Life 236 00:12:11,355 --> 00:12:14,316 for those people who want to be removed even further from reality. 237 00:12:14,399 --> 00:12:15,691 Are you serious? Yeah. 238 00:12:15,776 --> 00:12:18,111 Oh, my God. He's really in pain. 239 00:12:18,987 --> 00:12:20,154 Who's that? 240 00:12:20,239 --> 00:12:22,741 Oh, it's just my avatar guy. Whatever. 241 00:12:22,824 --> 00:12:24,826 He looks a lot like you. 242 00:12:25,244 --> 00:12:27,162 Yeah. How much time did you spend on that? 243 00:12:27,246 --> 00:12:30,540 Not much. It's just for tracking Dwight, so... 244 00:12:30,624 --> 00:12:33,668 Right. You're a sports writer in Philadelphia? 245 00:12:34,461 --> 00:12:36,087 Nice build, too. 246 00:12:36,838 --> 00:12:37,839 Yep. 247 00:12:37,923 --> 00:12:39,591 You have a guitar slung on your back. 248 00:12:39,675 --> 00:12:41,760 I did not know you played guitar. 249 00:12:42,970 --> 00:12:44,096 I... 250 00:12:45,180 --> 00:12:47,765 Why don't we go back to the animation? No, no, no. 251 00:12:47,849 --> 00:12:49,559 I want to see more of Philly Jim. No, show me how this... 252 00:12:49,643 --> 00:12:50,769 I want Philly Jim. 253 00:12:50,852 --> 00:12:52,061 Show me how this works. 254 00:12:52,145 --> 00:12:53,271 Oh, boy. 255 00:12:59,361 --> 00:13:02,655 Out of paper, out of stock 256 00:13:02,906 --> 00:13:07,160 Those friendly faces around the block 257 00:13:07,244 --> 00:13:09,287 Break loose from the chains 258 00:13:09,371 --> 00:13:11,873 That are causing you pain 259 00:13:11,957 --> 00:13:14,042 Call Michael, Stanley, Jim, Dwight and Creed 260 00:13:14,126 --> 00:13:16,294 Call Andy and Kelly for your business paper needs 261 00:13:16,378 --> 00:13:18,671 Call Dunder Mifflin 262 00:13:18,755 --> 00:13:21,174 People person's paper people 263 00:13:21,258 --> 00:13:23,093 Dunder Mifflin 264 00:13:23,176 --> 00:13:24,343 It's the people person's paper people 265 00:13:24,428 --> 00:13:26,888 Stop, stop, stop. 266 00:13:27,180 --> 00:13:29,974 This is not me. This is not... It's not my music. 267 00:13:30,058 --> 00:13:32,810 You're right. It's better than you. It's us. 268 00:13:32,894 --> 00:13:34,812 Dunder Mifflin 269 00:13:34,896 --> 00:13:35,938 The people person's paper people 270 00:13:36,023 --> 00:13:38,108 No, no, no. I hate it! I hate it. 271 00:13:39,609 --> 00:13:43,487 I don't hate it. I just don't like it at all, and it's terrible. 272 00:13:45,949 --> 00:13:47,200 You're on your own, Mike. 273 00:13:47,284 --> 00:13:49,828 Okay, you know what? Hold on, hold on, Darryl. 274 00:13:49,911 --> 00:13:51,454 You just said you hated it. 275 00:13:51,538 --> 00:13:54,040 You said you hated it. I said I hate the style. 276 00:13:54,124 --> 00:13:57,377 Break me off a piece of that lumber tar 277 00:13:57,586 --> 00:13:58,878 Snickers bar 278 00:13:58,962 --> 00:14:02,465 Okay. Wow. Wow. This looks terrible. 279 00:14:02,549 --> 00:14:04,092 Break me off a piece of that Grey Poupon 280 00:14:04,176 --> 00:14:06,761 Andy. Andy. This is a pivotal scene in the ad. 281 00:14:06,845 --> 00:14:09,138 And if we don't get this, if we don't nail it, 282 00:14:09,222 --> 00:14:11,641 we're gonna lose the whole triumph of the moment. 283 00:14:11,725 --> 00:14:16,225 The triumph of the will. Now, God, what? What, Phyllis? 284 00:14:16,646 --> 00:14:19,940 Well, I got in line to buy Sue Grafton's book 285 00:14:20,025 --> 00:14:21,359 and when it came to my turn, 286 00:14:21,443 --> 00:14:24,529 I asked her if she wanted to be in the ad, and she said, "No, thank you." 287 00:14:24,613 --> 00:14:26,573 But I wasn't supposed to take no for an answer... 288 00:14:26,656 --> 00:14:28,157 Attagirl. ...so I kept on asking, 289 00:14:28,241 --> 00:14:32,036 and they finally threw me out of the store in front of all my friends. 290 00:14:32,329 --> 00:14:33,330 Okay. 291 00:14:35,332 --> 00:14:37,709 Did you or did you not get Sue Grafton? 292 00:14:39,669 --> 00:14:40,670 No. 293 00:14:40,754 --> 00:14:43,047 Oh, you're... 294 00:14:43,131 --> 00:14:45,591 Can somebody give her a tissue? Please? 295 00:14:48,512 --> 00:14:51,223 I hope you're not killing yourself on this, because I'm sure it's good enough 296 00:14:51,306 --> 00:14:54,809 for Michael's ad that will probably be seen by no one. 297 00:14:54,893 --> 00:14:57,604 Maybe. But it's not good enough for me yet. 298 00:14:57,687 --> 00:14:59,605 Okay. Do you want me to stay? 299 00:14:59,689 --> 00:15:02,191 No, no, you can go home. I'm good. 300 00:15:02,692 --> 00:15:06,278 Pam is staying late tonight to achieve her dreams, 301 00:15:06,363 --> 00:15:08,490 so I'm pretty proud of her. 302 00:15:08,573 --> 00:15:09,782 Unfortunately, she was my ride home. 303 00:15:09,866 --> 00:15:11,742 You coming? 304 00:15:12,994 --> 00:15:14,245 I... 305 00:15:14,329 --> 00:15:16,289 Piss or get off the pot! 306 00:15:23,422 --> 00:15:24,589 Dunder Mifflin. This is Pam. 307 00:15:24,673 --> 00:15:26,549 Good morning. 308 00:15:29,928 --> 00:15:31,638 Yeah, I'm sorry. I looked away for a second, 309 00:15:31,721 --> 00:15:33,973 and Creed snatched your hash browns. 310 00:15:34,057 --> 00:15:35,558 Thank you. You're welcome. 311 00:15:35,809 --> 00:15:38,269 I worked until about 2:45 a.m., 312 00:15:38,353 --> 00:15:41,856 and then I had to decide if I wanted to spend the night with Michael 313 00:15:41,940 --> 00:15:46,277 editing in his office and Dwight watching Michael edit in his office, 314 00:15:46,361 --> 00:15:48,738 or drive home and probably fall asleep at the wheel 315 00:15:48,822 --> 00:15:50,156 and die in a fiery car wreck. 316 00:15:50,657 --> 00:15:53,409 I passed out on my keyboard trying to decide. 317 00:15:55,454 --> 00:15:56,788 Let me pour you some bubbly, 318 00:15:56,872 --> 00:16:00,375 because somebody got to a whole new level last night. 319 00:16:00,459 --> 00:16:02,043 Andy, I can't hear this right now. 320 00:16:02,127 --> 00:16:03,878 No. No. No. This is good. 321 00:16:03,962 --> 00:16:05,463 You know how we haven't really gotten anywhere 322 00:16:05,547 --> 00:16:07,715 that I want to get to physically yet? 323 00:16:07,799 --> 00:16:11,010 Well, last night, that changed. 324 00:16:11,094 --> 00:16:14,514 We're making out. I'm kissing her neck and her cheek 325 00:16:14,598 --> 00:16:18,143 and her ear lobe, and she's not really kissing me back, 326 00:16:18,226 --> 00:16:21,896 but she closes her eyes and she's like, 327 00:16:21,980 --> 00:16:25,024 "Oh, D. Oh, D." 328 00:16:27,611 --> 00:16:29,821 She called you D? 329 00:16:30,322 --> 00:16:32,949 Yeah. D for Andy. 330 00:16:34,451 --> 00:16:36,161 Oh, D. 331 00:16:37,287 --> 00:16:38,413 Oh, D. 332 00:16:38,497 --> 00:16:40,373 Oh, D. 333 00:16:40,457 --> 00:16:42,709 Oh, D. 334 00:16:42,792 --> 00:16:44,960 Oh, D! Oh, D! 335 00:16:48,173 --> 00:16:50,633 Oh, D! Oh, D! 336 00:16:53,094 --> 00:16:57,594 I'm about to send the ad to corporate. And it is sent. 337 00:16:59,643 --> 00:17:02,729 They'll probably watch it right away. I would. 338 00:17:04,105 --> 00:17:05,189 Okay. 339 00:17:09,611 --> 00:17:11,988 Yes? Pam, please clear my phone lines. 340 00:17:12,072 --> 00:17:13,239 Certainly. 341 00:17:17,160 --> 00:17:18,578 Okay, clear. 342 00:17:19,913 --> 00:17:21,915 They could call any second now. 343 00:17:25,585 --> 00:17:26,961 Oh, God. 344 00:17:34,594 --> 00:17:36,095 I better call. 345 00:17:40,892 --> 00:17:42,977 Well, it's been tough. 346 00:17:43,061 --> 00:17:46,230 The geniuses at corporate rejected my commercial, 347 00:17:46,314 --> 00:17:48,733 and tonight they are airing the brain-dead version. 348 00:17:48,817 --> 00:17:50,860 So welcome one and all 349 00:17:51,278 --> 00:17:54,155 to the world premiere of corporate crap fest. 350 00:18:14,092 --> 00:18:15,218 Hey, seemed like a big hit. 351 00:18:15,302 --> 00:18:16,720 No. People are stupid. 352 00:18:16,803 --> 00:18:20,973 People like waving. Waving sells, not art. 353 00:18:22,142 --> 00:18:25,436 The ad we made, our ad, the real one, 354 00:18:25,520 --> 00:18:30,020 was full of humor and full of depth and full of heart, and it was real. 355 00:18:32,485 --> 00:18:36,322 Hey, could you do me a favor? Could you put that in the DVD player? 356 00:18:36,406 --> 00:18:38,282 Hey, everybody, I just want to welcome you all 357 00:18:38,366 --> 00:18:42,244 to the premiere of the real Dunder Mifflin commercial. 358 00:18:42,329 --> 00:18:45,832 The Michael Scott director's cut. Hope you like it. 359 00:18:48,752 --> 00:18:50,837 It all starts with an idea. 360 00:18:52,255 --> 00:18:55,299 But you can never tell where an idea will end up. 361 00:19:00,388 --> 00:19:02,264 Because ideas spread. 362 00:19:02,682 --> 00:19:04,475 They change, grow. 363 00:19:06,186 --> 00:19:08,479 They connect us with the world. 364 00:19:13,902 --> 00:19:17,155 And in a fast-moving world, 365 00:19:17,238 --> 00:19:20,115 where good news moves at the speed of time, 366 00:19:26,122 --> 00:19:29,667 and bad news isn't always what it seems. 367 00:19:41,513 --> 00:19:43,932 Because when push comes to shove, 368 00:19:50,188 --> 00:19:52,398 we all deserve a second chance 369 00:19:57,028 --> 00:19:58,279 lo score. 370 00:20:05,495 --> 00:20:09,624 Dunder Mifflin. Limitless paper in a paperless world. 371 00:20:21,428 --> 00:20:23,721 Animation, all her, by the way. Really? 372 00:20:23,805 --> 00:20:25,640 Yeah, I just thought... The animation was cool. 373 00:20:25,724 --> 00:20:26,808 Thanks. 374 00:20:26,891 --> 00:20:29,476 Hey, listen, you ever been on a motorcycle because... 375 00:20:29,561 --> 00:20:31,396 Michael, that was fun. 376 00:20:32,272 --> 00:20:33,731 That was fun. 377 00:20:34,441 --> 00:20:36,568 Next round of drinks IS on me, people. 378 00:20:41,072 --> 00:20:42,823 Claude Van Damme 379 00:20:45,577 --> 00:20:47,036 Hair for men 380 00:20:47,412 --> 00:20:49,580 Poison gas, NutraSweet 381 00:20:50,039 --> 00:20:52,207 It's got to rhyme with "piece." 382 00:20:52,292 --> 00:20:53,584 Fancy Feast. 383 00:20:53,668 --> 00:20:56,420 Break me off a piece of that Fancy Feast 384 00:20:57,130 --> 00:20:59,340 It's the cat food. Nailed it.