1 00:00:03,655 --> 00:00:07,094 - YESTERDAY, ANGELA MAY OR MAY NOT HAVE FIGURED OUT 2 00:00:07,137 --> 00:00:09,835 THAT I'M HAVING AN AFFAIR WITH HER HUSBAND. 3 00:00:09,879 --> 00:00:12,055 SO I JUST HAVE TO WAIT AND SEE. 4 00:00:12,099 --> 00:00:14,362 WHEN SHE COMES IN, IF SHE'S COLD 5 00:00:14,405 --> 00:00:16,625 AND AWKWARD AND CRUEL TO ME, THEN GREAT, 6 00:00:16,668 --> 00:00:19,062 IT'S BUSINESS AS USUAL. 7 00:00:22,500 --> 00:00:25,025 GOOD MORNING. [clears throat] 8 00:00:29,855 --> 00:00:33,511 - OSCAR... 9 00:00:33,555 --> 00:00:35,687 [sighs] 10 00:00:35,731 --> 00:00:37,080 CAN I ASK YOU A QUESTION? 11 00:00:37,124 --> 00:00:40,388 - [whispering] OF COURSE, ASK ME A QUE-- 12 00:00:40,431 --> 00:00:42,477 QUESTIONS. 13 00:00:42,520 --> 00:00:45,045 - IS IT COOL IN HERE TO YOU? 14 00:00:48,265 --> 00:00:49,875 - [hoarsely] YES, A LITTLE BIT. 15 00:00:49,919 --> 00:00:51,094 [normal voice] YES. 16 00:00:51,138 --> 00:00:52,965 - I THINK THE THERMOSTAT IS ACTING UP AGAIN. 17 00:00:53,009 --> 00:00:56,273 - IT'S THE STUPID THERMOSTAT! THAT THING'S A CATASTROPHE. 18 00:00:56,317 --> 00:00:59,320 SO I'M GONNA, UM, ON YOUR SUGGESTION, 19 00:00:59,363 --> 00:01:00,364 GET SOMEONE TO FIX IT. 20 00:01:00,408 --> 00:01:01,974 I'LL JUST GO DOWNSTAIRS. 21 00:01:02,018 --> 00:01:04,281 - THANK YOU. - NO, THANK YOU, ANGELA. 22 00:01:04,325 --> 00:01:06,457 SHE DOESN'T KNOW. 23 00:01:06,501 --> 00:01:08,242 I SHOULDN'T BE SURPRISED. 24 00:01:08,285 --> 00:01:09,808 THIS IS A WOMAN WHO MARRIED A MAN 25 00:01:09,852 --> 00:01:11,593 WHO IS OBVIOUSLY A HOMOSEXUAL. 26 00:01:11,636 --> 00:01:14,335 BASICALLY, SHE HAS HER HEAD IN THE SAND. 27 00:01:14,378 --> 00:01:17,338 IN A WAY, I FEEL SORRY FOR HER. 28 00:01:17,381 --> 00:01:21,124 I GUESS THE UNIVERSE REWARDS TRUE LOVE. 29 00:01:21,168 --> 00:01:24,127 [cheerful music] 30 00:01:24,171 --> 00:01:30,264 ♪ 31 00:01:30,307 --> 00:01:33,180 - WELL, WELL, WELL, IT'S FINALLY HAPPENED-- 32 00:01:33,223 --> 00:01:35,051 PAM HAS CEASED CARING. 33 00:01:35,095 --> 00:01:38,750 - THESE ARE MY PAINTING CLOTHES. 34 00:01:38,794 --> 00:01:40,187 I THINK I'M GONNA DO IT. 35 00:01:40,230 --> 00:01:42,145 I AM REALLY GONNA START PAINTING 36 00:01:42,189 --> 00:01:43,538 THE WAREHOUSE MURAL TODAY. [Jim applauds] 37 00:01:43,581 --> 00:01:44,756 - SURE YOU DON'T WANT TO PUT ANOTHER COAT 38 00:01:44,800 --> 00:01:46,236 OF PRIMER ON THAT, PAM? 39 00:01:46,280 --> 00:01:47,498 QUEEN OF THE PRIMER, THAT ONE. 40 00:01:47,542 --> 00:01:49,848 - YOU GOT THIS, BEESLEY. 41 00:01:49,892 --> 00:01:51,154 ACTUALLY, DO YOU WANT ME TO COME DOWN 42 00:01:51,198 --> 00:01:52,329 AND HELP YOU GET STARTED? 43 00:01:52,373 --> 00:01:53,635 - ARE YOU AVOIDING YOUR PHONE CALL? 44 00:01:53,678 --> 00:01:55,637 - WHAT? NO. YEAH, RIGHT. 45 00:01:55,680 --> 00:01:57,334 AS IF. 46 00:01:57,378 --> 00:01:59,206 TODAY, I WILL BE ASKING DAVID WALLACE 47 00:01:59,249 --> 00:02:00,642 IF I CAN START WORKING PART-TIME, 48 00:02:00,685 --> 00:02:02,731 BECAUSE THE SPORTS MARKETING COMPANY THAT I STARTED 49 00:02:02,774 --> 00:02:04,602 REALLY NEEDS ME TO BE THERE. 50 00:02:04,646 --> 00:02:06,561 - LAST WEEK, JIM WASN'T THERE, 51 00:02:06,604 --> 00:02:09,477 AND THEY NAMED THE COMPANY ATHLEAD. 52 00:02:09,520 --> 00:02:11,305 - I COULD HAVE PREVENTED THAT. 53 00:02:11,348 --> 00:02:13,307 SO I HAVE TO TALK TO WALLACE. 54 00:02:13,350 --> 00:02:15,657 - TELL THEM YOUR OPENING LINE. - [sighs] 55 00:02:15,700 --> 00:02:18,181 HEY, DAVID, HOW WOULD YOU LIKE A GUY WHO'S NOT HERE AS MUCH, 56 00:02:18,225 --> 00:02:19,661 GETS PAID THE SAME AMOUNT OF SALARY, 57 00:02:19,704 --> 00:02:23,317 AND HAS BIGGER FISH TO FRY IN PHILADELPHIA? 58 00:02:23,360 --> 00:02:25,797 - I THINK IT'S GOOD. HE LIKES FISHING. 59 00:02:25,841 --> 00:02:28,322 - THIS IS GONNA BE AWFUL. 60 00:02:28,365 --> 00:02:31,542 - ONE OF MY JOBS IS TO INPUT CUSTOMER COMPLAINTS 61 00:02:31,586 --> 00:02:33,240 INTO THE COMPUTER. 62 00:02:33,283 --> 00:02:36,199 AND WHEN THEY'RE IN, I FILL OUT ONE OF THESE CARDS. 63 00:02:36,243 --> 00:02:39,594 BUT THE INFORMATION'S ALREADY ON THE COMPUTER, SO... 64 00:02:39,637 --> 00:02:41,465 WHY AM I FILLING OUT THE CARD? 65 00:02:41,509 --> 00:02:46,122 I ASKED ANDY, AND HE TOLD ME TO "CHILLAX," 66 00:02:46,166 --> 00:02:48,429 AND THEN WENT AWAY ON A BIG LONG BOAT RIDE. 67 00:02:48,472 --> 00:02:50,387 SO HERE WE ARE. 68 00:02:50,431 --> 00:02:52,346 DON'T GIVE ME A POINTLESS OFFICE CHORE, 69 00:02:52,389 --> 00:02:55,914 BECAUSE I WILL BUILD A LITTLE PAPER HOUSE. 70 00:02:55,958 --> 00:02:58,656 FIGHT THE POWER. 71 00:02:58,700 --> 00:03:03,226 [vending machine humming] 72 00:03:03,270 --> 00:03:05,576 - MEET ME IN THE OLD PLACE, FIVE MINUTES. 73 00:03:05,620 --> 00:03:09,189 I NEED YOU. 74 00:03:16,718 --> 00:03:17,762 UGH. 75 00:03:17,806 --> 00:03:19,155 - COME ON IN, THE WATER'S FINE. 76 00:03:19,199 --> 00:03:21,418 - DWIGHT, IT'S NOT THAT KIND OF MEETING. 77 00:03:21,462 --> 00:03:22,898 PUT YOUR CLOTHES BACK ON. 78 00:03:22,941 --> 00:03:24,552 - I KNOW. 79 00:03:24,595 --> 00:03:26,771 THAT'S NOT WHY I'M NAKED. 80 00:03:26,815 --> 00:03:28,817 I ALWAYS WORK OUT WITHOUT MY CLOTHES. 81 00:03:28,860 --> 00:03:32,168 - JUST PUT THEM ON! PUT ON YOUR CLOTHES. 82 00:03:32,212 --> 00:03:33,778 I NEED YOUR HELP. 83 00:03:33,822 --> 00:03:35,563 I NEED SOMEONE WHO CAN OPERATE OUTSIDE OF THE LAW. 84 00:03:35,606 --> 00:03:38,000 UGH. - OH, I'M SORRY, 85 00:03:38,043 --> 00:03:40,698 YOUR VIGILANTE PRIVILEGES ENDED WHEN YOU BROKE UP WITH ME. 86 00:03:40,742 --> 00:03:43,266 IF I'M NOT IN YOUR PANTIES, I DON'T GO VIGILANTES. 87 00:03:43,310 --> 00:03:44,920 WHY DON'T YOU ASK YOUR HUSBAND? 88 00:03:44,963 --> 00:03:47,139 - MY MARRIAGE IS IN DANGER. 89 00:03:47,183 --> 00:03:49,272 I DON'T KNOW WHO I CAN TRUST. 90 00:03:49,316 --> 00:03:51,753 I NEED SOMEONE TO BE THERE FOR ME. 91 00:03:51,796 --> 00:03:54,669 - [sighs] ALL RIGHT, WHAT ARE WE TALKING? 92 00:03:54,712 --> 00:03:56,801 SURVEILLANCE, WIRE-TAPPING? - SOMETHING LIKE THAT. 93 00:03:56,845 --> 00:03:59,151 - YEAH, THE LESS I KNOW, THE BETTER. 94 00:03:59,195 --> 00:04:00,631 I KNOW JUST THE GUY. 95 00:04:00,675 --> 00:04:02,981 HE WAS A VOLUNTEER SHERIFF TOO. KICKED OFF THE FORCE. 96 00:04:03,025 --> 00:04:06,550 - CAN YOU ARRANGE A MEETING? - I CAN TRY. 97 00:04:06,594 --> 00:04:11,338 I'M GONNA USE SMS TEXT. - OKAY. 98 00:04:11,381 --> 00:04:13,340 TEXT WENT THROUGH. - OKAY. 99 00:04:13,383 --> 00:04:14,776 - ALL WE CAN DO IS SIT AND WAIT. 100 00:04:14,819 --> 00:04:16,212 - OKAY. [phone vibrates] 101 00:04:16,256 --> 00:04:18,301 - OH. LOOK AT THAT. 102 00:04:18,345 --> 00:04:23,132 YEAH, HE'S FREE ANYTIME. NOT A PROBLEM. 103 00:04:23,175 --> 00:04:25,177 - I MEAN, I CAN HANDLE ANY CLIENT ISSUES FROM PHILLY. 104 00:04:25,221 --> 00:04:27,658 - YEAH, BUT I REALLY NEED SOMEONE IN THE OFFICE. 105 00:04:27,702 --> 00:04:30,313 IF THERE'S A CRISIS-- THE MORE I THINK ABOUT IT-- 106 00:04:30,357 --> 00:04:32,228 - OH, YOU MEAN HANDLE IT IN PERSON. 107 00:04:32,272 --> 00:04:35,536 OH, WELL, PHYLLIS AND STANLEY HAVE AGREED TO COVER FOR ME 108 00:04:35,579 --> 00:04:37,538 WHILE I'M GONE. - THEY DID? 109 00:04:37,581 --> 00:04:39,366 - YEP. 110 00:04:39,409 --> 00:04:40,976 - OH, OKAY. WELL, THAT IS DIFFERENT. 111 00:04:41,019 --> 00:04:43,283 IN THAT CASE, YES-- MAYBE THIS CAN WORK. 112 00:04:43,326 --> 00:04:44,632 - OH, GREAT. 113 00:04:44,675 --> 00:04:46,198 - WHY SHOULD WE HELP YOU? 114 00:04:46,242 --> 00:04:48,288 - BECAUSE WE'RE FRIENDS. 115 00:04:48,331 --> 00:04:49,463 - WHEN IS MY BIRTHDAY? 116 00:04:49,506 --> 00:04:51,421 - UNFAIR. WHEN'S MYBIRTHDAY? 117 00:04:51,465 --> 00:04:53,467 - I DON'T KNOW, BECAUSE WE'RE NOT FRIENDS. 118 00:04:53,510 --> 00:04:54,685 - HOW ABOUT THIS-- 119 00:04:54,729 --> 00:04:56,165 YOU LET ME TAKE YOU TO LUNCH, 120 00:04:56,208 --> 00:04:57,209 AND I MAKE MY CASE? 121 00:04:57,253 --> 00:04:59,255 - NOW WE'RE TALKIN'. - ALL RIGHT. 122 00:04:59,299 --> 00:05:01,344 - YEAH. 123 00:05:03,215 --> 00:05:04,869 - MAKE IT GO TALLER. 124 00:05:04,913 --> 00:05:06,654 - THAT'S THE IDEA. 125 00:05:06,697 --> 00:05:10,875 - NO, NOT TALLER THIS WAY, TALLER THIS WAY. 126 00:05:10,919 --> 00:05:12,790 - WELL, I'VE GOTTA BUILD A WIDER BASE FIRST 127 00:05:12,834 --> 00:05:14,270 BEFORE I CAN GO HIGHER. 128 00:05:14,314 --> 00:05:16,316 - YOU'RE NOT GETTING THIS, PETER. 129 00:05:16,359 --> 00:05:19,319 MAKE IT GO WIDER...UP! 130 00:05:19,362 --> 00:05:22,626 - WILL DO. 131 00:05:22,670 --> 00:05:23,975 - WHAT ARE Y'ALL DOING? 132 00:05:24,019 --> 00:05:26,151 - ME AND PETE ARE BUILDING A TOWER. 133 00:05:26,195 --> 00:05:28,763 - COOL. IT SHOULD BE TALLER, THOUGH, RIGHT? 134 00:05:28,806 --> 00:05:30,547 - OBVIOUSLY. 135 00:05:30,591 --> 00:05:33,158 HE'S A SWEET KID, DARRYL, 136 00:05:33,202 --> 00:05:37,467 BUT HE'S NOT THE SHARPEST GUY IN THE DRAWER. 137 00:05:37,511 --> 00:05:40,078 - KEVIN, I CAN HEAR YOU. 138 00:05:40,122 --> 00:05:41,993 - HUH? 139 00:05:45,388 --> 00:05:46,346 - OW! DWIGHT! OW! 140 00:05:46,389 --> 00:05:52,134 - GET IN THE VAN. - GOD! 141 00:05:52,177 --> 00:05:53,527 - IS IT SAFE TO TALK? 142 00:05:53,570 --> 00:05:55,746 - WELL, THIS DOCUMENTARY CREW HAS BEEN FOLLOWING 143 00:05:55,790 --> 00:05:57,269 OUR EVERY MOVE FOR THE PAST NINE YEARS, 144 00:05:57,313 --> 00:06:00,447 BUT I DON'T SEE THEM SO I THINK WE'RE GOOD. 145 00:06:00,490 --> 00:06:04,581 - SO WHAT ARE YOUR CREDENTIALS? 146 00:06:04,625 --> 00:06:07,279 - I STARTED FOLLOWING PEOPLE AROUND TO GET EXERCISE. 147 00:06:07,323 --> 00:06:09,238 TURNS OUT I'M DAMN GOOD AT IT. 148 00:06:09,281 --> 00:06:11,327 - DO YOU HAVE A GUN? - [snickers] 149 00:06:11,371 --> 00:06:14,286 - DOES HE OWN A GUN? SHOW HER. 150 00:06:14,330 --> 00:06:18,073 - YOU TELL ME. 151 00:06:18,116 --> 00:06:19,509 - WHAT IS THIS? 152 00:06:19,553 --> 00:06:22,251 IT'S THE RECEIPT FOR MY GUN. 153 00:06:22,294 --> 00:06:24,079 - YOU DON'T CARRY IT WITH YOU? 154 00:06:24,122 --> 00:06:25,297 - READ THE RECEIPT. 155 00:06:25,341 --> 00:06:28,562 THAT'S A $300 GUN. SOMEONE COULD STEAL IT. 156 00:06:28,605 --> 00:06:30,085 - DO YOU HAVE ANY IDEA HOW MANY GUNS 157 00:06:30,128 --> 00:06:31,216 TREVOR'S HAD STOLEN FROM HIM? 158 00:06:31,260 --> 00:06:32,566 - NOW I KEEP IT IN A SAFE. 159 00:06:32,609 --> 00:06:35,830 - MM-HMM. GOOD SAFE? - OH, YOU TELL ME. 160 00:06:38,223 --> 00:06:40,051 - WOW! 161 00:06:53,456 --> 00:06:54,805 - I GUESS IF I MAKE A MISTAKE, 162 00:06:54,849 --> 00:06:58,069 I CAN JUST PAINT OVER IT WITH A SHRUB OR SOMETHING. 163 00:06:58,113 --> 00:06:59,636 IT'S JUST I THINK LESS OF PAINTINGS 164 00:06:59,680 --> 00:07:01,246 WITH A LOT OF SHRUBS. 165 00:07:01,290 --> 00:07:05,512 SO I'M GONNA LIMIT MYSELF TO ONE SHRUB. 166 00:07:05,555 --> 00:07:06,948 - YOU PAINT WALL NOW? 167 00:07:06,991 --> 00:07:10,473 - YEAH. PAINTING NOW. 168 00:07:10,517 --> 00:07:13,868 I JUST WANT TO MAKE SURE THAT... 169 00:07:13,911 --> 00:07:15,086 - YOU PAINT NOW. 170 00:07:15,130 --> 00:07:17,132 - IT'S PROBABLY GONNA BE A FEW MINUTES. 171 00:07:17,175 --> 00:07:21,832 SO YOU CAN JUST GO BACK TO DOING WHATEVER YOU WERE DOING. 172 00:07:21,876 --> 00:07:23,225 - I WAIT. 173 00:07:25,357 --> 00:07:26,794 - SWEET. - YAY! 174 00:07:26,837 --> 00:07:28,056 [applause] 175 00:07:28,099 --> 00:07:29,840 - THIS NEXT CARD COMES TO US 176 00:07:29,884 --> 00:07:31,799 THANKS TO MEREDITH PALMER, 177 00:07:31,842 --> 00:07:33,322 WHO CALLED EASTERN PENNSYLVANIA SEMINARY 178 00:07:33,365 --> 00:07:35,585 A, QUOTE, "SAUSAGE FACTORY." 179 00:07:35,629 --> 00:07:37,500 - OH-OOOOH! [approving cheers] 180 00:07:37,544 --> 00:07:39,328 BOOM! - BANG! 181 00:07:39,371 --> 00:07:41,765 - YEP, YEP, YEP. - ALL RIGHT. 182 00:07:41,809 --> 00:07:44,855 UP NEXT WE GOT A WHOLE LOTTA CREED. 183 00:07:44,899 --> 00:07:48,250 - LET'S FIND OUT WHAT I DID. - ALL RIGHT. 184 00:07:48,293 --> 00:07:49,860 - YOU GET HALF NOW, AND YOU GET HALF 185 00:07:49,904 --> 00:07:51,732 UPON COMPLETION OF SAID JOB. 186 00:07:51,775 --> 00:07:54,517 - AND THAT'S ALL OFF THE BOOKS? - OBVIOUSLY. 187 00:07:54,561 --> 00:07:56,650 - NICE. NO TAXES. 188 00:07:56,693 --> 00:07:59,174 - OKAY, SO EVERYTHING YOU NEED TO KNOW ABOUT THE TARGET 189 00:07:59,217 --> 00:08:00,175 IS IN HERE. 190 00:08:00,218 --> 00:08:02,307 - SO WHAT'S THE JOB? 191 00:08:02,351 --> 00:08:05,093 - MURDER. 192 00:08:05,136 --> 00:08:07,835 - OKAY, THAT'S THE BIG ONE. THAT'S THE BIG "M." 193 00:08:09,837 --> 00:08:11,316 - YOU CAN'T HAVE SOMEONE MURDERED. 194 00:08:11,360 --> 00:08:12,883 - WHAT IF THEY DESERVED IT? 195 00:08:12,927 --> 00:08:13,971 - WHAT DID THEY DO TO YOU, ANGELA? 196 00:08:14,015 --> 00:08:16,060 - THEY'RE SLEEPING WITH MY HUSBAND. 197 00:08:16,104 --> 00:08:19,150 - OH, MONKEY. OH, I FEEL FOR YOU. 198 00:08:19,194 --> 00:08:21,326 - THIS SEEMS A LITTLE CRAZY. - YES. CRAZY. 199 00:08:21,370 --> 00:08:23,285 - THANK YOU. - BUT I THINK I'M UP FOR IT. 200 00:08:23,328 --> 00:08:24,721 - NO! NO! - THANK YOU. 201 00:08:24,765 --> 00:08:26,244 - ABSOLUTELY NOT. THERE ARE A LOT OF DIFFERENT WAYS 202 00:08:26,288 --> 00:08:27,419 TO GET REVENGE. 203 00:08:27,463 --> 00:08:28,551 I'VE HAD GREAT SUCCESS BY DEFECATING 204 00:08:28,595 --> 00:08:29,857 IN A PAPER BAG, PUT IT ON THE PORCH-- 205 00:08:29,900 --> 00:08:31,423 - THAT'S VERY EFFECTIVE. 206 00:08:31,467 --> 00:08:33,600 I'VE BEEN ON THE RECEIVING END OF THAT QUITE A FEW TIMES. 207 00:08:33,643 --> 00:08:35,384 IT'S DEVASTATING. - NO, NO, NO. 208 00:08:35,427 --> 00:08:37,995 IT HAS TO BE PHYSICAL. I WANT THIS PERSON TO SUFFER. 209 00:08:38,039 --> 00:08:39,214 - WHAT ABOUT A KNEE-CAPPING? 210 00:08:39,257 --> 00:08:40,563 - NO! YOU'RE NOT HELPING, TREVOR! 211 00:08:40,607 --> 00:08:43,305 - YES, A KNEE-CAPPING COULD WORK. 212 00:08:43,348 --> 00:08:46,221 - NO. ANGELA! WHAT ARE YOU SAYING? 213 00:08:46,264 --> 00:08:48,049 - YOU SAID YOU WOULD BE THERE FOR ME. 214 00:08:48,092 --> 00:08:50,312 - I'M TRYING, BUT WHAT YOU'RE ASKING IS-- 215 00:08:50,355 --> 00:08:53,533 - IT'S THE ONLY THING THAT WILL MAKE THIS RIGHT. 216 00:08:53,576 --> 00:08:57,058 - OKAY. 217 00:08:57,101 --> 00:09:00,061 BUT IT'S CRUEL, BECAUSE A WOMAN WITH DAMAGED KNEES 218 00:09:00,104 --> 00:09:01,236 CAN'T SCRUB WORTH A DAMN. 219 00:09:01,279 --> 00:09:04,021 - ALL RIGHT, THEN IT'S SETTLED. 220 00:09:04,065 --> 00:09:05,545 ONE KNEE-CAPPING. 221 00:09:05,588 --> 00:09:07,808 NOW, THE HIT GOES DOWN AT 4:00. 222 00:09:07,851 --> 00:09:10,941 KEEP IN MIND, ONCE I LEAVE, THERE'S NO TURNING BACK. 223 00:09:10,985 --> 00:09:13,509 - YOU KNOW, TRUTH BE TOLD, 224 00:09:13,553 --> 00:09:15,206 I THINK ALL YOU'LL REALLY BE DOING IS 225 00:09:15,250 --> 00:09:17,295 ACCEPTING CALLS FROM MY CLIENTS WHILE I'M GONE. 226 00:09:17,339 --> 00:09:19,907 - WE'VE GOT ALL AFTERNOON TO TALK ABOUT THAT. 227 00:09:19,950 --> 00:09:22,823 - MORNING, FOLKS. - I'LL HAVE THE SURF AND TURF 228 00:09:22,866 --> 00:09:24,520 WITH A SIDE ORDER OF LOBSTER. 229 00:09:24,564 --> 00:09:26,957 - ACTUALLY, THE SURF AND TURF DOES COME WITH LOB-- 230 00:09:27,001 --> 00:09:28,872 - NOT ENOUGH LOBSTER. SIDE ORDER. 231 00:09:28,916 --> 00:09:32,310 - HOW MUCH WINE DO YOU HAVE? 232 00:09:32,354 --> 00:09:33,964 - I BROUGHT YOU A COOKIE. 233 00:09:34,008 --> 00:09:36,576 - OH, THANKS, OSCAR. 234 00:09:36,619 --> 00:09:37,794 YOU'RE SUCH AN ANGEL. 235 00:09:51,286 --> 00:09:53,941 - I JUST GAVE HER A COOKIE, AND SHE CALLED ME AN ANGEL, 236 00:09:53,984 --> 00:09:59,207 SO...YEAH, WE'RE GOOD. YEAH. [exhales] 237 00:09:59,250 --> 00:10:01,296 WE DODGED A BULLET, YES. OKAY. 238 00:10:01,339 --> 00:10:04,299 YEAH. YEAH, YEAH-- WELL, I GOTTA GO NOW, BUT-- 239 00:10:04,342 --> 00:10:06,170 OKAY, BYE. BYE. 240 00:10:06,214 --> 00:10:08,172 - THERE WE GO. [cheers and applause] 241 00:10:08,216 --> 00:10:11,132 - NICELY DONE. VERY NICELY DONE. 242 00:10:11,175 --> 00:10:13,395 - ALL RIGHT, THIS NEXT ONE GOES TO DARRYL 243 00:10:13,438 --> 00:10:16,833 FOR POCKET DIALING A CUSTOMER WHILE HAVING SEX. 244 00:10:16,877 --> 00:10:20,358 - OOOHH...YOU SALTY DOG. 245 00:10:20,402 --> 00:10:22,883 - WELL, YEAH, WHAT CAN I SAY, A PLAYER'S GOTTA PLAY. 246 00:10:22,926 --> 00:10:24,362 - THERE YOU GO. 247 00:10:24,406 --> 00:10:27,714 - ACTUALLY, THAT WAS THE SOUND OF ME EATING SPAGHETTI. 248 00:10:27,757 --> 00:10:30,281 BUT I'M GONNA LET THEM THINK THE OTHER THING. 249 00:10:30,325 --> 00:10:32,327 - OKAY, I GOT THIS ONE. - OH, BE CAREFUL. 250 00:10:32,370 --> 00:10:34,198 BE CAREFUL, BE CAREFUL. - NO, I GOT IT. 251 00:10:34,242 --> 00:10:36,200 EASY DOES IT, EVERYONE. 252 00:10:36,244 --> 00:10:41,075 NOBODY EVEN TAKE A BREATH. 253 00:10:41,118 --> 00:10:42,293 [overlapping shouts] 254 00:10:42,337 --> 00:10:43,904 - KEVIN! 255 00:10:43,947 --> 00:10:45,383 [overlapping chatter] - WHAT DID I SAY? 256 00:10:45,427 --> 00:10:46,733 WHAT DID I JUST SAY? 257 00:10:46,776 --> 00:10:49,387 - HEY, HEY, HEY, IT'S JUST A MISTAKE. 258 00:10:49,431 --> 00:10:51,563 JUST A MISTAKE. THAT'S WHAT THIS TOWER'S ALL ABOUT-- 259 00:10:51,607 --> 00:10:52,956 MISTAKES. 260 00:10:53,000 --> 00:10:55,306 OKAY, IF YOU'RE AFRAID OF SCREWING UP, 261 00:10:55,350 --> 00:10:56,699 THE TOWER'S NOT FOR YOU. 262 00:10:56,743 --> 00:10:59,963 SHOW OF HANDS--WHO HERE HAS NEVER HAD A COMPLAINT? 263 00:11:00,007 --> 00:11:03,097 THAT'S RIGHT. NOBODY. 264 00:11:03,140 --> 00:11:06,753 SEE THAT? NOBODY. OKAY? 265 00:11:06,796 --> 00:11:08,624 LET'S GET BACK TO WORK, HUH? 266 00:11:08,668 --> 00:11:11,627 COME ON, YOU IN? 267 00:11:11,671 --> 00:11:14,804 YEAH. THERE WE GO. ALL RIGHT, LET'S DO IT. 268 00:11:16,806 --> 00:11:18,112 - YOU KNOW, AT THE END OF THE DAY 269 00:11:18,155 --> 00:11:19,766 IT'S REALLY ONLY TWO DAYS, REMEMBER. 270 00:11:19,809 --> 00:11:21,289 I MEAN, I'LL BE BACK IN THE OFFICE. 271 00:11:21,332 --> 00:11:23,595 IF YOU NEED ME FOR AN EMERGENCY, CALL ME. 272 00:11:23,639 --> 00:11:24,640 I'LL BE THERE-- - YOU KNOW WHAT? 273 00:11:24,684 --> 00:11:27,077 I DON'T KNOW WHERE THE YEARS WENT. 274 00:11:27,121 --> 00:11:28,992 'CAUSE SOMETIMES WHEN I LOOK AT MY HANDS, 275 00:11:29,036 --> 00:11:30,820 I DON'T EVEN RECOGNIZE THEM. 276 00:11:30,864 --> 00:11:33,257 - TELL ME ABOUT IT. - WHOSE HANDS ARE THESE? 277 00:11:33,301 --> 00:11:35,346 THEY'RE NOT MY HANDS. I DON'T KNOW. 278 00:11:35,390 --> 00:11:37,218 - ALL RIGHT. YOU KNOW WHAT? 279 00:11:37,261 --> 00:11:38,219 MAYBE WE'LL JUST-- - UHH-- 280 00:11:38,262 --> 00:11:39,786 - WE'LL GO SLOW. - NO. JIM... 281 00:11:39,829 --> 00:11:41,439 [bottle clangs] 282 00:11:41,483 --> 00:11:42,440 - ALL RIGHT, CHECK IT OUT, HUH? 283 00:11:42,484 --> 00:11:43,572 [cheers and applause] 284 00:11:43,615 --> 00:11:46,401 LIKE A PHOENIX FROM THE ASHES. KSSHHHH! 285 00:11:46,444 --> 00:11:47,968 - NICE. 286 00:11:48,011 --> 00:11:50,492 - PRETTY SOON, WE'RE GONNA BE AT THE CEILING. 287 00:11:50,535 --> 00:11:53,974 - WHOO! - CAN YOU HAND ME A CARD? 288 00:11:54,017 --> 00:11:55,584 - UM, IT'S EMPTY. 289 00:11:55,627 --> 00:11:57,717 - WHAT? - OH, COME ON. 290 00:11:57,760 --> 00:11:58,718 WE COULD USE A BLANK CARD. 291 00:11:58,761 --> 00:12:01,198 all: NO! - THAT'S CHEATING. 292 00:12:01,242 --> 00:12:02,330 - I COULD GET US A COMPLAINT. 293 00:12:02,373 --> 00:12:05,637 - YOU? LITTLE MISS PRISS? 294 00:12:05,681 --> 00:12:07,248 YOU WOULDN'T FART ON A BUTTERFLY. 295 00:12:07,291 --> 00:12:08,466 - NO, I WOULDN'T. 296 00:12:08,510 --> 00:12:10,773 I CAN'T EVEN RELATE TO THAT IMPULSE. 297 00:12:10,817 --> 00:12:12,949 BUT I BET I COULD GET US A CUSTOMER COMPLAINT. 298 00:12:12,993 --> 00:12:14,429 I'D LIKE TO TRY. 299 00:12:14,472 --> 00:12:17,214 - HMM. YEAH. - ALL RIGHT. 300 00:12:17,258 --> 00:12:19,260 - YEAH, GO, PAM! PAM... 301 00:12:19,303 --> 00:12:25,309 [all chanting "Pam"] 302 00:12:28,138 --> 00:12:30,271 - WHAT? WHY DID YOU CALL ME OUT HERE? 303 00:12:30,314 --> 00:12:34,318 - THE TARGET-- IT'S OSCAR, ISN'T IT? 304 00:12:34,362 --> 00:12:35,885 HE AND THE SENATOR ARE GAYING EACH OTHER. 305 00:12:35,929 --> 00:12:38,105 - I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 306 00:12:38,148 --> 00:12:39,933 - YOUR NOSTRILS TELL A DIFFERENT STORY. 307 00:12:39,976 --> 00:12:42,544 THEY FLARE LIKE THAT EVERY TIME YOU'RE ENGAGING IN DECEPTION. 308 00:12:42,587 --> 00:12:44,372 HELLO AGAIN, NAUGHTY NOSTRILS. 309 00:12:44,415 --> 00:12:47,331 - FINE! IT'S OSCAR. SO WHAT? 310 00:12:47,375 --> 00:12:48,768 - WELL, I COULD UNDERSTAND YOU WANTING 311 00:12:48,811 --> 00:12:50,595 TO GET A STRANGER'S KNEES WHACKED. 312 00:12:50,639 --> 00:12:52,946 BUT A CO-WORKER-- DARE I SAY A FRIEND? 313 00:12:52,989 --> 00:12:54,643 - EXACTLY, A FRIEND. 314 00:12:54,686 --> 00:12:56,906 SOMEONE WHO SITS NEXT TO YOU YEAR AFTER YEAR, 315 00:12:56,950 --> 00:12:58,516 MAKING CHITCHAT AND SMILING, 316 00:12:58,560 --> 00:13:00,388 AND ALL THE WHILE RUNNING BEHIND YOUR BACK 317 00:13:00,431 --> 00:13:03,391 AND DEFILING YOUR MARRIAGE AND SEDUCING YOUR HUSBAND. 318 00:13:03,434 --> 00:13:08,352 - I CAN'T EVEN IMAGINE HOW PAINFUL THIS MUST BE FOR YOU. 319 00:13:08,396 --> 00:13:10,180 BUT THE FIRST ONES TO BREAK YOUR MARRIAGE VOWS 320 00:13:10,224 --> 00:13:12,182 WERE YOU AND ME. 321 00:13:12,226 --> 00:13:16,796 - WELL, YOU MIGHT BE RIGHT, BUT IT'S TOO LATE NOW. 322 00:13:16,839 --> 00:13:20,800 - WHAT DO YOU MEAN? - HE'S HERE. 323 00:13:20,843 --> 00:13:25,630 - NO! NO, NO! [groans] 324 00:13:28,372 --> 00:13:29,634 - OSCAR? 325 00:13:29,678 --> 00:13:31,723 OSCAR. OSCAR. GOOD. LISTEN. 326 00:13:31,767 --> 00:13:33,029 HEY, COME WITH ME. - WHAT? 327 00:13:33,073 --> 00:13:34,291 - COME--COME WITH ME. - WHAT ARE YOU DOING? 328 00:13:34,335 --> 00:13:36,163 - THERE ARE A BUNCH OF CONSTRUCTION WORKERS 329 00:13:36,206 --> 00:13:37,773 IN THE WAREHOUSE WITHOUT THEIR TROUSERS, 330 00:13:37,817 --> 00:13:39,557 DRINKING DIET SODAS. 331 00:13:39,601 --> 00:13:41,733 YOU HAVE GOT TO SEE THIS. THEY'RE EXTRAORDINARY. 332 00:13:41,777 --> 00:13:45,520 - YAHTZEE. 333 00:13:50,264 --> 00:13:53,963 - SANDWICH DELIVERY FOR MR. OSCAR MARTINEZ. 334 00:13:56,705 --> 00:14:00,274 - I AM OSCAR MARTINEZ. 335 00:14:00,317 --> 00:14:02,189 - NO, NOT HIM, NOT HIM. OUTSIDE. 336 00:14:02,232 --> 00:14:05,932 OUTSIDE. 337 00:14:05,975 --> 00:14:07,324 - WHA-WH-- 338 00:14:07,368 --> 00:14:09,022 - YOU KNOW, THERE'S DOUGHNUTS IN THE BREAK ROOM. 339 00:14:09,065 --> 00:14:12,112 - NICE! - YEAH. 340 00:14:12,155 --> 00:14:13,765 - LISTEN, I WAS REALLY WONDERING 341 00:14:13,809 --> 00:14:15,855 IF MAYBE WE COULD LOCK THIS DOWN BEFORE LUNCH IS OVER. 342 00:14:15,898 --> 00:14:17,813 - DON'T BE PUSHY, JIM. IT'S TACKY. 343 00:14:17,857 --> 00:14:19,771 - ALL RIGHT. PHYLLIS! 344 00:14:19,815 --> 00:14:21,991 PHYLLIS, THAT'S-- THAT'S DECORATIVE. 345 00:14:22,035 --> 00:14:23,210 - NO, THERE'S WINE IN HERE. 346 00:14:23,253 --> 00:14:25,603 - STILL DECORATIVE. - IS IT WHITE WINE? 347 00:14:25,647 --> 00:14:27,344 - NO. MAYBE STOP WITH THE-- 348 00:14:27,388 --> 00:14:29,172 DON'T POKE PEOPLE WITH KNIVES. 349 00:14:29,216 --> 00:14:30,957 - [groans] HA HA! - PHYLLIS! 350 00:14:31,000 --> 00:14:32,088 - WOW. 351 00:14:32,132 --> 00:14:33,873 - BRING IT OVER. - GOT IT. 352 00:14:33,916 --> 00:14:36,876 - THERE'S NO TIME TO EXPLAIN. 353 00:14:40,531 --> 00:14:42,185 OKAY, ACTUALLY, THERE IS TIME TO EXPLAIN. 354 00:14:42,229 --> 00:14:44,274 WHEN ANGELA FOUND OUT THAT YOU SEDUCED HER HUSBAND, 355 00:14:44,318 --> 00:14:46,059 WE HIRED A GUY TO BREAK YOUR KNEECAPS. 356 00:14:46,102 --> 00:14:48,278 - OH, MY GOD! WHAT IS WRONG WITH YOU? 357 00:14:48,322 --> 00:14:50,150 - WHAT IS WRONG WITH YOU? 358 00:14:50,193 --> 00:14:51,891 THERE ARE A MILLION GORGEOUS GUYS 359 00:14:51,934 --> 00:14:53,370 IN THE SCRANTON WILKES-BARRE AREA, 360 00:14:53,414 --> 00:14:55,720 AND YOU CHOOSE THE MAN WHO'S THE FATHER OF HER CHILD? 361 00:14:55,764 --> 00:14:56,983 - I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 362 00:14:57,026 --> 00:14:58,767 - OH, DON'T LIE. I'M TRYING TO SAVE 363 00:14:58,810 --> 00:15:00,334 THOSE PRECIOUS KNEES YOU'RE ALWAYS BRAGGING ABOUT. 364 00:15:00,377 --> 00:15:03,859 NOW, LET'S GET OUT OF HERE. HE COULD BE RIGHT BEHIND US. 365 00:15:03,903 --> 00:15:07,950 AAH! ACTUALLY, HE'S RIGHT IN FRONT OF US. 366 00:15:07,994 --> 00:15:09,734 - LET'S GET IT ON. I'M GONNA DO THIS. 367 00:15:09,778 --> 00:15:12,215 I MIGHT--I MIGHT PUKE, BUT I'M GONNA DO THIS. 368 00:15:12,259 --> 00:15:13,956 - NO, TREVOR, I AM NOT GONNA LET YOU. 369 00:15:14,000 --> 00:15:16,306 HE'S A DUNDER MIFFLIN MAN. HE'S MY TRIBE. 370 00:15:16,350 --> 00:15:18,743 - I'M SORRY, DWIGHT, BUT FOR ONCE IN MY STUPID, 371 00:15:18,787 --> 00:15:20,397 STUPID LIFE, I'M GONNA FOLLOW THROUGH ON SOMETHING, 372 00:15:20,441 --> 00:15:22,704 ALL RIGHT? I HAVE MASCULINITY ISSUES-- 373 00:15:22,747 --> 00:15:25,272 - STOP! NO! - I GOT IT. 374 00:15:25,315 --> 00:15:26,447 - DISARM! - YOU DON'T-- 375 00:15:26,490 --> 00:15:29,276 [all grunting] 376 00:15:29,319 --> 00:15:31,060 - DON'T MOVE. 377 00:15:31,104 --> 00:15:32,888 - AND DISARM NOW! 378 00:15:32,932 --> 00:15:35,282 - OKAY. OKAY, OKAY... 379 00:15:35,325 --> 00:15:37,066 - NO, OSCAR, NO. NO, HE'S A FRIEND. 380 00:15:37,110 --> 00:15:38,763 HE'S A FRIEND. 381 00:15:38,807 --> 00:15:41,897 - OKAY, THE CLIENT IS HEYMONT BRAKE AND TIRE. 382 00:15:41,941 --> 00:15:44,508 THEY'RE FAMILY-OWNED, BUT DON'T LET THAT TAKE AWAY YOUR EDGE! 383 00:15:44,552 --> 00:15:46,510 - COME ON, PAM, I KNOW YOU CAN FAIL. 384 00:15:46,554 --> 00:15:48,164 I SEE FAILURE IN YOU. 385 00:15:48,208 --> 00:15:49,949 - REMEMBER, YOU'RE A SCUMBAG, 386 00:15:49,992 --> 00:15:53,778 SO YOU THINK SCUMMY THOUGHTS. LIKE THIS. 387 00:15:53,822 --> 00:15:57,173 - HELLO, THIS IS PAM HALPERT. 388 00:15:57,217 --> 00:15:58,783 I'M CALLING FROM DUNDER MIFFLIN. 389 00:15:58,827 --> 00:16:01,047 YES, YOUR PAPER PROVIDER. 390 00:16:01,090 --> 00:16:04,615 AND I JUST CALLED TO SAY... 391 00:16:04,659 --> 00:16:07,009 YOUR MAMA IS SO FAT, WHEN SHE WEARS RED, 392 00:16:07,053 --> 00:16:08,489 PEOPLE YELL, "HEY, KOOL-AID." 393 00:16:08,532 --> 00:16:12,406 YEAH, YOUR MAMA'S FAT. THIS IS PAM HALPERT. 394 00:16:12,449 --> 00:16:14,974 - DID SHE BUY IT? - DID THEY SAY ANYTHING? 395 00:16:15,017 --> 00:16:16,149 - I DON'T KNOW. I COULDN'T TELL. I DON'T-- 396 00:16:16,192 --> 00:16:17,454 - WERE THEY ANGRY? 397 00:16:17,498 --> 00:16:19,108 - I--I FELT LIKE THEY WERE CONFUSED, AT LEAST. 398 00:16:19,152 --> 00:16:22,372 - OKAY. [phone rings] 399 00:16:26,159 --> 00:16:28,204 - DUNDER MIFFLIN. THIS IS ERIN. 400 00:16:28,248 --> 00:16:32,165 - YES, YOU CAN. OKAY. 401 00:16:32,208 --> 00:16:35,124 I WILL MAKE SURE THAT GOES ON FILE. 402 00:16:35,168 --> 00:16:38,736 LADIES AND GENTLEMEN, WE JUST LOST A CLIENT! 403 00:16:38,780 --> 00:16:41,783 [all cheer] - NICE. NICE. 404 00:16:41,826 --> 00:16:45,134 - YOU DID GOOD. YOU DID GOOD. - SEE YA LATER, HEYMONT. 405 00:16:45,178 --> 00:16:48,833 - NO. - OH. OH... 406 00:16:48,877 --> 00:16:51,445 - IF YOU CHASE ME, I WILL RUN SO FAST. 407 00:16:51,488 --> 00:16:53,447 IF YOU CATCH ME, I WILL BITE SO HARD. 408 00:16:53,490 --> 00:16:56,406 - GOT IT? GOOD-BYE, MY FRIEND. 409 00:16:56,450 --> 00:16:58,887 - WHAT THE HELL, DWIGHT? - SEE YOU LATER, TREVOR. 410 00:16:58,930 --> 00:17:00,628 - YOU ARE INCORRIGIBLE! 411 00:17:00,671 --> 00:17:03,022 - I JUST SAVED YOUR LIFE. YOU'RE WELCOME! 412 00:17:06,112 --> 00:17:09,289 - YOU HIRED SOMEONE TO HIT ME WITH A PIPE! 413 00:17:09,332 --> 00:17:11,595 - YOU DESERVED EVERY BIT OF IT! 414 00:17:11,639 --> 00:17:14,381 YOU MADE MY HUSBAND GAY. 415 00:17:14,424 --> 00:17:16,339 - WHAT--WHAT I DID WAS WRONG, 416 00:17:16,383 --> 00:17:18,124 AND I HAVE TO LIVE WITH THAT EVERY DAY. 417 00:17:18,167 --> 00:17:23,129 BUT YOUR HUSBAND ISGAY. HE WAS GAY WHEN YOU MARRIED HIM! 418 00:17:23,172 --> 00:17:25,218 - NO. NO. - ANGELA, UNTIL YOU FACE THAT, 419 00:17:25,261 --> 00:17:27,611 YOU'RE GONNA BE CONFUSED AND ANGRY FOR ALL THE WRONG REASONS. 420 00:17:27,655 --> 00:17:30,571 BUT IF YOU WANT TO BLAME ME FOR THE WHOLE THING, 421 00:17:30,614 --> 00:17:32,921 GO AHEAD-- I WON'T STOP YOU. 422 00:17:32,964 --> 00:17:35,228 HIT ME. YOU HAVE MY BLESSING. HIT ME. 423 00:17:35,271 --> 00:17:37,839 - WELL, ARE YOU GONNA LET GO OF IT? 424 00:17:37,882 --> 00:17:40,102 BECAUSE PART OF THE BLAME IS DEFINITELY ON YOU. 425 00:17:40,146 --> 00:17:42,148 - ANGELA, IT'S A LEAD FREAKING PIPE. 426 00:17:42,191 --> 00:17:43,453 - GOD! - AAH! 427 00:17:43,497 --> 00:17:45,281 - YOU WERE SUPPOSED TO BE MY FRIEND. 428 00:17:45,325 --> 00:17:48,023 - I'M SO SORRY. ANGELA-- - OSCAR. 429 00:17:51,940 --> 00:17:54,116 - OUR CROWNING COMPLAINT CARD COMES TO US 430 00:17:54,160 --> 00:17:56,510 THANKS TO PAMELA HALPERT... 431 00:17:56,553 --> 00:17:59,252 [cheers and applause] 432 00:17:59,295 --> 00:18:02,951 FOR INSULTING A CLIENT'S RECENTLY DECEASED MOTHER. 433 00:18:02,994 --> 00:18:05,301 - YES! - I DID NOT KNOW THAT. 434 00:18:05,345 --> 00:18:08,913 - WELL, A WOMAN WHO STRUGGLED WITH OBESITY ALL HER LIFE. 435 00:18:08,957 --> 00:18:10,524 - I'M SO SORRY. - WOW. 436 00:18:10,567 --> 00:18:15,572 - YEAH, THAT'S-- THAT IS TERRIBLE. 437 00:18:15,616 --> 00:18:18,227 [cheers and applause] 438 00:18:18,271 --> 00:18:21,143 - YOU DID IT. - YEAH! 439 00:18:28,846 --> 00:18:31,022 - I FEEL SO STUPID 440 00:18:31,066 --> 00:18:34,243 I SIT NEXT TO HIM EVERY DAY. 441 00:18:34,287 --> 00:18:37,986 - YOU'RE NOT STUPID. JAZZ IS STUPID. 442 00:18:38,029 --> 00:18:42,033 - JAZZ IS STUPID! 443 00:18:42,077 --> 00:18:44,340 I MEAN, JUST PLAY THE RIGHT NOTES! 444 00:18:44,384 --> 00:18:48,910 - I KNOW. 445 00:18:48,953 --> 00:18:50,346 YOU'RE GONNA BE OKAY, MONKEY. 446 00:18:58,485 --> 00:19:01,183 - I DON'T LIKE YOUR FRIEND TREVOR. 447 00:19:01,227 --> 00:19:06,449 - I DON'T LIKE HIM EITHER. 448 00:19:06,493 --> 00:19:08,451 AND YET, I REALLY LIKE HIM. 449 00:19:14,675 --> 00:19:18,244 - WELL, WE'RE HERE. 450 00:19:18,287 --> 00:19:20,855 PERFECT. 451 00:19:27,296 --> 00:19:29,211 - WE'RE GONNA COVER FOR YOU, YOU KNOW. 452 00:19:29,255 --> 00:19:30,691 [Stanley chuckles] 453 00:19:30,734 --> 00:19:32,345 - PHYLLIS, WHAT WAS THAT? 454 00:19:32,388 --> 00:19:34,390 PHYLLIS, ARE YOU DREAMING, OR-- 455 00:19:34,434 --> 00:19:38,351 - I DID ENJOY GRINDING YOUR BEANS, SON. 456 00:19:38,394 --> 00:19:41,354 - YEAH, WE REALLY DID PEEL YOUR GRAPES. 457 00:19:41,397 --> 00:19:44,226 - THIS IS HILARIOUS, BUT WE'RE GONNA STOP WITH ALL-- 458 00:19:44,270 --> 00:19:47,098 - SHUCKIN' YOUR PEAS. - SHUCKIN' THE PEAS. 459 00:19:47,142 --> 00:19:48,622 YOU SHOULD GO BACK TO THE FIRST PART, THOUGH. 460 00:19:48,665 --> 00:19:50,101 YOU ARE GONNA COVER FOR ME? 461 00:19:50,145 --> 00:19:53,017 - YEAH. - OF COURSE WE ARE, JIMMY. 462 00:19:53,061 --> 00:19:54,149 WE LOVE YOU GUYS. 463 00:19:54,193 --> 00:19:57,587 - OH, MY GOD, THANK YOU. THANK YOU. 464 00:19:57,631 --> 00:20:00,938 - IF YOU'RE AN ARTIST, YOU HAVE TO BE OKAY WITH THE IDEA 465 00:20:00,982 --> 00:20:03,245 THAT YOU CAN'T PLEASE EVERYBODY ALL THE TIME. 466 00:20:03,289 --> 00:20:06,640 - YOU PAINT VERY BAD-- - SHUT UP, HIDE! 467 00:20:06,683 --> 00:20:08,207 I MEAN, DO YOU THINK KEVIN CARES 468 00:20:08,250 --> 00:20:10,687 WHAT PEOPLE THINK ABOUT HIM-- OR CREED OR MEREDITH? 469 00:20:10,731 --> 00:20:12,211 [all cheering] 470 00:20:12,254 --> 00:20:15,779 OH, MY GOSH, THESE ARE MY ROLE MODELS NOW. 471 00:20:15,823 --> 00:20:19,261 YOU KNOW WHAT? I'M OKAY WITH THAT. 472 00:20:23,396 --> 00:20:24,788 - WHERE DOES GAYNESS COME FROM, 473 00:20:24,832 --> 00:20:26,747 AND HOW IS IT TRANSMITTED? 474 00:20:26,790 --> 00:20:29,837 - THAT IS-- THAT IS A LOADED QUESTION. 475 00:20:29,880 --> 00:20:32,666 - MY PASTOR SAID IT CAN COME FROM BREAST FEEDING. 476 00:20:32,709 --> 00:20:34,885 - HE SAID THAT? 477 00:20:34,929 --> 00:20:36,322 - WELL, HE DIDN'T FIGHT ME HARD ON IT. 478 00:20:36,365 --> 00:20:41,109 - I--I DON'T KNOW IF THERE'S TRUTH TO--TO, UH, THAT. 479 00:20:41,152 --> 00:20:43,198 - WHAT IS IT CALLED WHEN TWO MEN 480 00:20:43,242 --> 00:20:44,852 INTERTWINE THEIR PENISES 481 00:20:44,895 --> 00:20:47,550 LIKE THE SNAKES ON THE MEDIC-ALERT BRACELET? 482 00:20:47,594 --> 00:20:49,857 - OH...UH... 483 00:20:49,900 --> 00:20:52,947 - IS IT CALLED RED-VINING? - IS IT CALLED RED-VINING? 484 00:20:52,990 --> 00:20:54,035 - I--I DON'T-- 485 00:20:54,078 --> 00:20:54,949 - WE HEARD IT WAS CALLED RED-VINING. 486 00:20:54,992 --> 00:20:56,907 - PEOPLE RED-VINE. 487 00:20:56,951 --> 00:21:01,869 - WHERE ARE GAY MEN'S VAGINAS? 488 00:21:01,912 --> 00:21:04,306 - THEY DON'T HAVE VAGINAS. 489 00:21:04,350 --> 00:21:05,829 - WHAT? 490 00:21:05,873 --> 00:21:10,138 - NO. THEY'RE JUST REGULAR MEN 491 00:21:10,181 --> 00:21:12,793 - WHEN TWO GAY MEN HAVE SEX, 492 00:21:12,836 --> 00:21:15,709 HOW DO THEY KNOW WHOSE PENIS WILL OPEN UP 493 00:21:15,752 --> 00:21:18,320 TO ACCEPT THE OTHER PERSON'S PENIS? 494 00:21:18,364 --> 00:21:22,498 - UH...WOW.