1 00:00:01,479 --> 00:00:03,394 - GOTTA CLEAR OUT THIS CABINET, PEOPLE. 2 00:00:03,438 --> 00:00:06,267 A LOT OF THESE ARE DEAD ACCOUNTS. 3 00:00:06,310 --> 00:00:08,182 "SCRANTON MIMEOGRAPH CORP"? 4 00:00:08,225 --> 00:00:10,053 I DON'T THINK WE'RE DOING BUSINESS WITH THEM ANYTIME SOON. 5 00:00:10,097 --> 00:00:12,708 THAT'S ODD. 6 00:00:12,751 --> 00:00:15,406 A LETTER FROM ROBERT DUNDER. 7 00:00:15,450 --> 00:00:17,321 "A VALUABLE ARTIFACT HAS COME INTO MY POSSESSION. 8 00:00:17,365 --> 00:00:19,976 "I HAVE HIDDEN IT UNTIL SUCH TIME AS A PERSON 9 00:00:20,020 --> 00:00:23,284 "OF STRONG INTELLECT MAY SAFELY RECOVER IT. 10 00:00:23,327 --> 00:00:25,547 "THIS GOLDEN CHALICE IS OF IMMEASURABLE HISTORICAL 11 00:00:25,590 --> 00:00:29,507 AND RELIGIOUS SIGNIFICANCE." 12 00:00:29,551 --> 00:00:31,509 THE HOLY GRAIL. 13 00:00:31,553 --> 00:00:34,077 - DID YOU SEND DWIGHT ON A QUEST FOR THE HOLY GRAIL? 14 00:00:34,121 --> 00:00:37,298 - I THINK I'M A LITTLE TOO BUSY THESE DAYS TO S-- 15 00:00:37,341 --> 00:00:39,648 OH, MY GOD. 16 00:00:39,691 --> 00:00:42,651 I DID SEND DWIGHT ON A QUEST FOR THE HOLY GRAIL. 17 00:00:42,694 --> 00:00:44,435 THE DUNDER CODE! 18 00:00:44,479 --> 00:00:47,395 I COMPLETELY FORGOT ABOUT THAT PRANK. 19 00:00:47,438 --> 00:00:49,658 THAT HAD TO BE, LIKE, SIX OR SEVEN YEARS AGO. 20 00:00:49,701 --> 00:00:51,834 STAYED LATE EVERY NIGHT FOR A MONTH. 21 00:00:51,877 --> 00:00:54,184 HAD A LOT MORE FREE TIME BACK THEN. 22 00:00:54,228 --> 00:00:55,359 - I DON'T GET IT. 23 00:00:55,403 --> 00:00:56,360 - AHA! 24 00:00:56,404 --> 00:00:58,232 A LIGHTBULB. 25 00:00:58,275 --> 00:00:59,972 - LIGHTBUL-- - A LIGHTBULB! 26 00:01:00,016 --> 00:01:02,323 OKAY. OKAY. 27 00:01:02,366 --> 00:01:05,065 INVISIBLE INK. 28 00:01:05,108 --> 00:01:06,675 - WHOA. 29 00:01:06,718 --> 00:01:09,417 - "HIGHER THAN NUMBERS GO." 30 00:01:09,460 --> 00:01:11,027 THE CEILING ABOVE ACCOUNTING! 31 00:01:11,071 --> 00:01:12,942 - DWIGHT! DOWN, DWIGHT! 32 00:01:12,985 --> 00:01:14,596 DWIGHT! 33 00:01:14,639 --> 00:01:17,033 - MAN, I WISH I WAS THERE TO SEE HIS FACE WHEN HE GETS TO THE END 34 00:01:17,077 --> 00:01:20,341 AND FINDS THE...FAKE GRAIL? 35 00:01:20,384 --> 00:01:22,125 NO GRAIL? 36 00:01:22,169 --> 00:01:23,213 - YOU DON'T REMEMBER? 37 00:01:23,257 --> 00:01:24,258 - I DON'T. 38 00:01:24,301 --> 00:01:26,216 - AN "X." 39 00:01:26,260 --> 00:01:27,565 - ANNEX. 40 00:01:27,609 --> 00:01:29,350 IT MUST OPEN SOMETHING IN THE ANNEX. 41 00:01:29,393 --> 00:01:31,308 - [gasps] - OH. 42 00:01:31,352 --> 00:01:34,181 - WHOA. 43 00:01:34,224 --> 00:01:37,314 - "SEDES INTROITI." 44 00:01:37,358 --> 00:01:39,316 SEAT OF ENTRANCE. 45 00:01:39,360 --> 00:01:41,579 [shouts] 46 00:01:43,407 --> 00:01:45,235 - [gasps] 47 00:01:45,279 --> 00:01:46,802 - WHAT? - WHAT? 48 00:01:46,845 --> 00:01:48,282 - THAT'S A FLUSH. 49 00:01:48,325 --> 00:01:52,199 [all murmuring] 50 00:01:52,242 --> 00:01:54,723 all: THE WAREHOUSE. 51 00:01:59,989 --> 00:02:02,165 - THERE'S NOTHING DOWN HERE. 52 00:02:02,209 --> 00:02:04,167 - OH, I EXPECTED MORE FROM YOUNG HALPERT. 53 00:02:04,211 --> 00:02:06,952 - LET'S JUST FORGET IT. 54 00:02:06,996 --> 00:02:09,477 FORGET IT. 55 00:02:13,002 --> 00:02:15,961 [cheerful music] 56 00:02:16,005 --> 00:02:22,185 ♪ 57 00:02:22,229 --> 00:02:24,361 - SO HOW ARE WE GETTING ON 58 00:02:24,405 --> 00:02:28,017 WITH OUR GRAND SOCIAL MEDIA INITIATIVE? 59 00:02:28,060 --> 00:02:31,368 - WELL, WE CREATED A FAKE PROFILE FOR A REALLY COOL GUY 60 00:02:31,412 --> 00:02:33,283 NAMED DEREK MCBLACK. - WOW. 61 00:02:33,327 --> 00:02:35,938 - IT'S JUST PETE IN SUNGLASSES. - OH. 62 00:02:35,981 --> 00:02:38,419 - AND THEN WE HAD HIM "LIKE" DUNDER MIFFLIN. 63 00:02:38,462 --> 00:02:41,204 - THEN WE CREATED A BUNCH OF FAKE FRIENDS FOR DEREK, 64 00:02:41,248 --> 00:02:43,946 AND WE HAD ALL OF THEM "LIKE" DEREK'S "LIKES." 65 00:02:43,989 --> 00:02:46,427 - SO FAR, WE'RE ONLY POPULAR WITH IMAGINARY PEOPLE, 66 00:02:46,470 --> 00:02:49,343 BUT WE THINK THIS IS THE START OF SOMETHING BIG. 67 00:02:49,386 --> 00:02:50,648 - YOU TWO ARE GENIUSES. 68 00:02:50,692 --> 00:02:53,477 AND I AM A GENIUS PUTTING YOU TWO TOGETHER. 69 00:02:53,521 --> 00:02:54,565 - ALL RIGHT. 70 00:02:54,609 --> 00:02:56,219 - PETE AND I WORK WELL TOGETHER-- 71 00:02:56,263 --> 00:02:58,526 NOT THAT THERE'S ANYTHING SPECIAL ABOUT PETE. 72 00:02:58,569 --> 00:03:01,137 IT COULD BE ANY GUY... OR GIRL-- 73 00:03:01,181 --> 00:03:02,486 NOT THAT I'M INTO GIRLS. 74 00:03:02,530 --> 00:03:03,531 NOT THAT I'M INTO PETE. 75 00:03:03,574 --> 00:03:05,010 UGH, WHAT WAS THE QUESTION? 76 00:03:05,054 --> 00:03:06,490 [indistinct chatter] 77 00:03:06,534 --> 00:03:07,578 - HEY. - HEY, JIM. 78 00:03:07,622 --> 00:03:09,232 PETER ROWLEY AT BRIDGEPORT CAPITAL 79 00:03:09,276 --> 00:03:11,495 REQUESTED A MEETING AT LUNCH. - OKAY. 80 00:03:11,539 --> 00:03:13,280 CAN WE KEEP IT ON THE EARLY SIDE, THOUGH? 81 00:03:13,323 --> 00:03:14,672 I GOT THAT THING IN SCRANTON LATER. 82 00:03:14,716 --> 00:03:16,326 - OH, SURE. - NO PROBLEM. 83 00:03:16,370 --> 00:03:18,546 - CECE'S BALLET RECITAL IS TODAY. 84 00:03:18,589 --> 00:03:20,287 I CANNOT WAIT. 85 00:03:20,330 --> 00:03:21,810 I'VE BEEN WORKING WITH HER ON HER MOVE. 86 00:03:21,853 --> 00:03:23,246 IT'S CALLED THE CECE SPIN AND KISS. 87 00:03:23,290 --> 00:03:26,336 DO YOU WANT TO SEE IT? IT'S KIND OF LIKE THIS. 88 00:03:28,338 --> 00:03:31,994 IT'S PRETTY CUTE, RIGHT? 89 00:03:32,037 --> 00:03:35,302 - PFFT, "ATHLEAD"? 90 00:03:35,345 --> 00:03:36,738 PLEASE. 91 00:03:36,781 --> 00:03:39,567 THEY'RE TOO LAZY TO CALL IT ATHLETES LEAD? 92 00:03:39,610 --> 00:03:42,396 JIM SHOULD JUST CALL IT "STUMPANY," 93 00:03:42,439 --> 00:03:44,659 FOR "STUPID COMPANY." 94 00:03:44,702 --> 00:03:46,138 - NOTHING STUPID ABOUT WORKING FOR YOURSELF, 95 00:03:46,182 --> 00:03:47,749 HANGING OUT WITH PRO ATHLETES, 96 00:03:47,792 --> 00:03:49,054 GETTING FREE TICKETS TO THE GAMES. 97 00:03:49,098 --> 00:03:50,273 THAT'S WHY I'M DOING IT. 98 00:03:50,317 --> 00:03:52,232 - YOU'RE WORKING FOR "STUMPANY" TOO? 99 00:03:52,275 --> 00:03:53,320 - YEAH, JUST WEEKENDS FOR NOW, 100 00:03:53,363 --> 00:03:54,364 BUT PRETTY SOON I'M SWITCHING OVER. 101 00:03:54,408 --> 00:03:57,411 - WHAT? - YEP. 102 00:03:57,454 --> 00:03:59,064 - HEY, HALPERT, WHAT'S THE BIG IDEA? 103 00:03:59,108 --> 00:04:01,153 FIRST YOU JUMP SHIP. NOW YOU'RE STEALING DARRYL TOO. 104 00:04:01,197 --> 00:04:02,285 WHEN WILL IT END? 105 00:04:02,329 --> 00:04:03,721 - WELL, TAKE YOUR WORST FEAR 106 00:04:03,765 --> 00:04:05,288 AND MULTIPLY IT BY INFINITY. 107 00:04:05,332 --> 00:04:08,509 - YOU WON'T STOP UNTIL YOU'VE POACHED US ALL. 108 00:04:08,552 --> 00:04:10,859 - YEAH. EVEN YOU. - NO. 109 00:04:10,902 --> 00:04:13,383 I'LL BE DAMNED IF I'M GONNA LET US LOSE ME. 110 00:04:13,427 --> 00:04:15,907 - BYE, DWIGHT. 111 00:04:17,474 --> 00:04:19,259 HOW ARE YOU? GOOD TO SEE YOU. - THANK YOU. 112 00:04:19,302 --> 00:04:21,304 - HEY, ANGELA? 113 00:04:21,348 --> 00:04:22,610 DID YOU HEAR 114 00:04:22,653 --> 00:04:24,133 ABOUT THE IRISH-AMERICAN CULTURAL CENTER MURAL? 115 00:04:24,176 --> 00:04:26,222 - OOH, I HAVEN'T HEARD IT. 116 00:04:26,266 --> 00:04:29,399 SO WHAT ABOUT THE IRISH-AMERICAN CULTURAL CENTER MURAL? 117 00:04:29,443 --> 00:04:30,966 POTATO? 118 00:04:31,009 --> 00:04:33,185 - OH, NO, KEVIN, IT'S NOT A JOKE. 119 00:04:33,229 --> 00:04:36,711 ANGELA'S HUSBAND PUT ME UP FOR A--UM, JUST NEVER MIND. 120 00:04:36,754 --> 00:04:37,886 - I HAVE NO INFORMATION. 121 00:04:37,929 --> 00:04:39,322 BUT I'M SURE AS SOON AS THEY KNOW, 122 00:04:39,366 --> 00:04:40,976 THEY'LL CALL YOU. 123 00:04:41,019 --> 00:04:42,499 - SENATOR LIPTON HELPED ME SUBMIT MY DESIGN 124 00:04:42,543 --> 00:04:44,545 FOR A NEW MURAL ON A BUILDING DOWNTOWN. 125 00:04:44,588 --> 00:04:46,982 NOW I'M JUST WAITING TO HEAR FROM THE SELECTION COMMITTEE. 126 00:04:47,025 --> 00:04:48,984 BUT, YOU KNOW, LET'S BE REALISTIC. 127 00:04:49,027 --> 00:04:50,333 THERE ARE A TON OF GREAT ARTISTS IN SCRANTON 128 00:04:50,377 --> 00:04:52,509 WITH WAY MORE EXPERIENCE. 129 00:04:52,553 --> 00:04:54,294 I MEAN, WHO ARE THEY GONNA GO WITH-- 130 00:04:54,337 --> 00:04:58,254 SOME NOBODY LIKE ME OR A BIG NAME LIKE TRACY FLEEB? 131 00:04:58,298 --> 00:05:01,388 WELL, I'M HEADING OUT TO CECE'S DANCE RECITAL. 132 00:05:01,431 --> 00:05:04,521 - AW. 133 00:05:04,565 --> 00:05:06,958 - HEY, CECE, DADDY'S GONNA HAVE DINNER WITH US TONIGHT 134 00:05:07,002 --> 00:05:08,308 AFTER HE COMES TO YOUR RECITAL. 135 00:05:08,351 --> 00:05:10,222 ARE YOU EXCITED? - YEAH. 136 00:05:10,266 --> 00:05:11,833 - LET'S CALL HIM. 137 00:05:11,876 --> 00:05:14,836 [line trilling] 138 00:05:14,879 --> 00:05:17,447 - HEY. I WAS JUST ABOUT TO CALL YOU. 139 00:05:17,491 --> 00:05:19,362 - HEY, HON, ARE YOU CLOSE? 140 00:05:19,406 --> 00:05:21,712 - I AM STILL IN PHILLY, ACTUALLY. 141 00:05:21,756 --> 00:05:23,192 - WHAT? - IT'S INSANE. 142 00:05:23,235 --> 00:05:25,281 THIS HUGE INVESTOR GOT COLD FEET, 143 00:05:25,325 --> 00:05:27,327 SO I'M STUCK HERE TRYING TO KEEP HIM ON BOARD. 144 00:05:27,370 --> 00:05:29,851 - HON, I WISH YOU WOULD HAVE TOLD ME AN HOUR AGO, 145 00:05:29,894 --> 00:05:31,331 WHEN YOU KNEW YOU WEREN'T GONNA MAKE IT. 146 00:05:31,374 --> 00:05:32,767 - PAM, I COULDN'T GET OUT. 147 00:05:32,810 --> 00:05:34,812 I BARELY MADE IT OUT JUST TO MAKE THIS PHONE CALL. 148 00:05:34,856 --> 00:05:37,859 - I WANT DADDY. - YOU'RE GONNA DO GREAT. 149 00:05:37,902 --> 00:05:39,208 AND YOU KNOW WHAT? MOMMY'S GONNA RECORD IT. 150 00:05:39,251 --> 00:05:40,644 SO WE'LL WATCH IT TOGETHER. 151 00:05:40,688 --> 00:05:42,733 DO YOU MIND DOING THAT, PAM? - OF COURSE. 152 00:05:42,777 --> 00:05:45,954 - OKAY. ARE YOU SURE YOU KNOW HOW TO DO VIDEO ON THE PHONE? 153 00:05:45,997 --> 00:05:47,782 - YES, JIM, I THINK I KNOW 154 00:05:47,825 --> 00:05:49,958 HOW TO POINT A RECTANGLE AT SOMETHING. 155 00:05:50,001 --> 00:05:51,394 - OKAY, OKAY, YOU KNOW, JUST SOMETIMES 156 00:05:51,438 --> 00:05:52,917 YOU'RE NOT THE BEST WITH THE PHONE. 157 00:05:52,961 --> 00:05:54,528 - I KNOW HOW TO OPERATE MY PHONE, OKAY? 158 00:05:54,571 --> 00:05:56,007 LISTEN, WE'RE GETTING CLOSE. 159 00:05:56,051 --> 00:05:57,705 WE WILL TALK TO YOU LATER. 160 00:05:57,748 --> 00:05:59,271 SAY, "BYE, DADDY." 161 00:05:59,315 --> 00:06:02,144 - BYE, DADDY. - BYE. 162 00:06:02,187 --> 00:06:05,190 YEP. SEE, YOU STILL GOT TO PRESS "END," PAM. 163 00:06:05,234 --> 00:06:07,932 - PRESS "END." 164 00:06:07,976 --> 00:06:10,195 - OH, CHECK IT OUT. THIS IS OUR FIRST REAL "LIKE." 165 00:06:10,239 --> 00:06:11,501 - OH, MY GOSH. - OH! 166 00:06:11,545 --> 00:06:13,329 - ALL RIGHT, ALAN OLIFSON FROM NORTH DAKOTA. 167 00:06:13,373 --> 00:06:16,463 HE ALSO LIKES HAMMERMILL AND GEORGIA PACIFIC. 168 00:06:16,506 --> 00:06:18,116 - WOW. THAT GUY'S REALLY INTO PAPER. 169 00:06:18,160 --> 00:06:20,815 - YEAH. - WELL DONE, YOU TWO. 170 00:06:20,858 --> 00:06:21,859 - WE DID IT. 171 00:06:21,903 --> 00:06:23,339 YOUTH TASK FORCE FOREVER. - YES. 172 00:06:23,383 --> 00:06:25,123 BUP, BUP, BUP, BAP. 173 00:06:25,167 --> 00:06:26,734 AND THEN--OH, WAIT. 174 00:06:26,777 --> 00:06:28,431 - NO, YOU GO-- - DID I--IS THAT YOU? 175 00:06:28,475 --> 00:06:29,954 - YOU GO FIRST, AND THEN IT'S A LEFT TURN. 176 00:06:29,998 --> 00:06:31,521 - NO, YOU GO--OKAY. ALL RIGHT, ALL RIGHT. 177 00:06:31,565 --> 00:06:33,697 OKAY, START OVER. - OH, NO, NO, NO, NO. 178 00:06:33,741 --> 00:06:36,918 OH, GOD. ANDY HAS JUST STARTED TO BE NICE TO ME, 179 00:06:36,961 --> 00:06:39,573 AND NOW I'VE SENT HIS GIRLFRIEND INTO THE ARMS OF A YOUNGER MAN. 180 00:06:39,616 --> 00:06:43,011 AND I CC'D HIM ON EVERY INCRIMINATING MEMO. 181 00:06:43,054 --> 00:06:45,361 "PETE AND ERIN, DON'T HOLD BACK. 182 00:06:45,405 --> 00:06:48,059 "OUR SOCIAL MEDIA PRESENCE SHOULD BE HOT, HOT, HOT. 183 00:06:48,103 --> 00:06:49,365 GO AT IT VIGOROUSLY." 184 00:06:49,409 --> 00:06:52,063 I DID EVERYTHING BUT UNZIP THEIR PANTS FOR THEM. 185 00:06:52,107 --> 00:06:55,197 OH, GOD, NELLIE. 186 00:06:55,240 --> 00:06:56,590 - HEY, EVERYBODY. 187 00:06:56,633 --> 00:06:59,288 UH, COFFEE ORDER IS GOING AROUND--ON ME. 188 00:06:59,331 --> 00:07:01,333 JUST SIGN YOUR NAME BELOW. [all murmur] 189 00:07:01,377 --> 00:07:02,552 YOU'RE WELCOME. - WAIT. 190 00:07:02,596 --> 00:07:05,425 THIS SAYS "DUNDER MIFFLIN LOYALTY PLEDGE"? 191 00:07:05,468 --> 00:07:07,557 - THIS--UH, WHAT? DOUBLE MOCHA LATTE, PLEASE? 192 00:07:07,601 --> 00:07:09,080 YOU GOT IT. JUST SIGN YOUR NAME BELOW. 193 00:07:09,124 --> 00:07:11,431 WHATEVER YOU WANT. - "LOYALTY PLEDGE"? 194 00:07:11,474 --> 00:07:12,954 - COME ON, DWIGHT, STOP OVERREACTING. 195 00:07:12,997 --> 00:07:14,346 I'M GETTING ALL MY WORK DONE HERE. 196 00:07:14,390 --> 00:07:16,958 NO CUSTOMERS HAVE COMPLAINED. NOBODY EVEN KNOWS. 197 00:07:17,001 --> 00:07:20,135 - YEAH, WE'LL SEE ABOUT THAT. 198 00:07:20,178 --> 00:07:21,528 BUST OUT YOUR COMPLAINT FILES. 199 00:07:21,571 --> 00:07:23,138 I NEED EVERYTHING YOU GOT ON DARRYL 200 00:07:23,181 --> 00:07:25,140 SINCE HE STARTED WORKING FOR JIM IN THE LAST FEW WEEKS. 201 00:07:25,183 --> 00:07:27,403 BREAK IT DOWN BY KEYWORD, OKAY? 202 00:07:27,447 --> 00:07:29,449 "INFURIATING, IRRESPONSIBLE"... 203 00:07:29,492 --> 00:07:31,233 - THEY GOT US SET UP WITH WINDOWS 95, 204 00:07:31,276 --> 00:07:33,496 SO YOU'RE KIND OF DREAMING HERE. 205 00:07:33,540 --> 00:07:37,631 - OKAY, I'M GONNA NEED YOU TO PRINT IT OUT. 206 00:07:40,242 --> 00:07:43,724 [printer beeping] 207 00:07:43,767 --> 00:07:49,860 [printer whirring loudly] 208 00:07:52,994 --> 00:07:55,605 - "CUSTOMER LOYALTY." 209 00:07:55,649 --> 00:07:58,303 WHAT IS IT? 210 00:07:58,347 --> 00:08:00,349 CAN YOU HOLD IT IN YOUR HAND? 211 00:08:00,392 --> 00:08:02,220 CAN YOU NUDGE IT WITH YOUR FINGER? 212 00:08:02,264 --> 00:08:04,005 CAN YOU DUMP IT ON A WOMAN? 213 00:08:04,048 --> 00:08:05,006 NO. 214 00:08:05,049 --> 00:08:06,921 WHY? BECAUSE IT'S AN IDEA. 215 00:08:06,964 --> 00:08:09,010 BUT WHAT DOES IT MEAN? 216 00:08:09,053 --> 00:08:11,055 - OOH, IT'S WHEN YOU GET A FREE SANDWICH 217 00:08:11,099 --> 00:08:14,102 AFTER YOU'VE ALREADY EATEN TEN SANDWICHES. 218 00:08:14,145 --> 00:08:15,364 - NOT EVEN CLOSE. 219 00:08:15,407 --> 00:08:18,149 MR. ROMANKO HAS BEEN A CLIENT FOR 20 YEARS. 220 00:08:18,193 --> 00:08:20,021 HE CAME IN TODAY IN A RAGE. 221 00:08:20,064 --> 00:08:21,718 WHY? BECAUSE OF DARRYL. 222 00:08:21,762 --> 00:08:26,157 BECAUSE DARRYL WAS FOCUSING ON OUTSIDE PROJECTS 223 00:08:26,201 --> 00:08:29,291 AND NEEDS TO REMEMBER HIS FIRST PRIORITY-- 224 00:08:29,334 --> 00:08:30,945 THE CLIENT. 225 00:08:30,988 --> 00:08:32,555 - I WOULDN'T SAY A RAGE. 226 00:08:32,599 --> 00:08:35,123 - MR. ROMANKO, WE WERE A DAY LATE ON ONE OF YOUR DELIVERIES, 227 00:08:35,166 --> 00:08:37,125 BUT TWO OF OUR TRUCKS WERE DOWN FOR REPAIRS. 228 00:08:37,168 --> 00:08:38,561 IT'S VERY UNLIKELY IT WOULD HAPPEN AGAIN. 229 00:08:38,605 --> 00:08:40,389 - THANK YOU. THANK YOU. 230 00:08:40,432 --> 00:08:42,565 - NO, YOU'RE NOT GOING ANYWHERE, OKAY? 231 00:08:42,609 --> 00:08:46,134 YOU ARE ANGRY, AND WE ARE GONNA HEAR YOU OUT, ALL RIGHT? 232 00:08:46,177 --> 00:08:48,266 BECAUSE BUSINESS IS ABOUT RELATIONSHIPS, 233 00:08:48,310 --> 00:08:52,140 AND THE KEY TO RELATIONSHIPS IS WHAT, DARRYL? 234 00:08:52,183 --> 00:08:53,141 L-- 235 00:08:53,184 --> 00:08:54,795 - LOYALTY. - LOYALTY. 236 00:08:54,838 --> 00:08:57,232 - LOYALTY IS EXACTLY RIGHT. - THANK YOU. 237 00:08:57,275 --> 00:08:59,321 - YES. I MEAN, IT IS EVERYTHING. 238 00:08:59,364 --> 00:09:01,018 LET'S ALL ASK OURSELVES, 239 00:09:01,062 --> 00:09:04,108 HAVE WE BEEN FAITHFUL IN OUR RELATIONSHIPS? 240 00:09:04,152 --> 00:09:05,588 - THAT'S NONE OF YOUR DAMN BUSINESS. 241 00:09:05,632 --> 00:09:10,201 - DARRYL IS "DATING" DUNDER MIFFLIN. 242 00:09:10,245 --> 00:09:11,681 - DARRYL IS DATING VAL... 243 00:09:11,725 --> 00:09:13,204 STILL. 244 00:09:13,248 --> 00:09:15,946 - BUT HE'S FLIRTING 245 00:09:15,990 --> 00:09:18,732 WITH JIM'S COMPANY ON THE SIDE. 246 00:09:18,775 --> 00:09:22,170 AND WE ALL KNOW WHAT FLIRTING CAN LEAD TO. 247 00:09:22,213 --> 00:09:23,301 - I'M SORRY. 248 00:09:23,345 --> 00:09:24,564 DO I STILL NEED TO BE HERE? - YES. 249 00:09:24,607 --> 00:09:26,478 - I'M STILL HAVING A BIT OF TROUBLE 250 00:09:26,522 --> 00:09:29,177 UNDERSTANDING THE IMPORTANCE OF LOYALTY. 251 00:09:29,220 --> 00:09:31,048 SO LET'S-- LET'S USE AN EXAMPLE. 252 00:09:31,092 --> 00:09:32,615 TAKE ERIN. 253 00:09:32,659 --> 00:09:35,749 ERIN'S BOYFRIEND, ANDY, IS AWAY ACROSS THE OCEAN. 254 00:09:35,792 --> 00:09:37,968 - YEAH. - SO IS IT ALL RIGHT 255 00:09:38,012 --> 00:09:41,581 FOR HER TO FLIRT WITH CREED, FOR EXAMPLE? 256 00:09:41,624 --> 00:09:43,060 - LET'S TRY IT OUT. 257 00:09:43,104 --> 00:09:45,062 - NO, LET'S--LET'S-- LET'S NOT SAY CREED. 258 00:09:45,106 --> 00:09:46,586 LET'S SAY MR. "X." 259 00:09:46,629 --> 00:09:48,022 - WELL, I THINK IT WOULD BE IMMORAL 260 00:09:48,065 --> 00:09:49,763 FOR ERIN TO CHEAT ON ANDY. 261 00:09:49,806 --> 00:09:51,765 - OH, I'M SORRY. DIDN'T YOU CHEAT ON ANDY? 262 00:09:51,808 --> 00:09:54,071 - YES. AND HE DIDN'T LIKE IT. 263 00:09:54,115 --> 00:09:56,683 - DOES MR. "X" KNOW THAT ERIN HAS A BOYFRIEND, 264 00:09:56,726 --> 00:10:00,208 OR DID ERIN KEEP THAT FROM MR. "X"? 265 00:10:00,251 --> 00:10:02,689 - OKAY, THIS IS REALLY HARD TO FOLLOW. 266 00:10:02,732 --> 00:10:04,081 CAN WE JUST SAY PETE 267 00:10:04,125 --> 00:10:06,040 BECAUSE THAT'S THE GUY THAT ERIN'S FLIRTING WITH? 268 00:10:06,083 --> 00:10:08,738 - [clears throat] 269 00:10:11,045 --> 00:10:16,964 - LADIES AND GENTLEMEN, THE LITTLE LADYBUG BALLERINAS. 270 00:10:17,007 --> 00:10:19,967 [Twinkle, Twinkle, Little Star plays] 271 00:10:20,010 --> 00:10:21,882 ♪ 272 00:10:21,925 --> 00:10:23,753 all: ONE, TWO, THREE. 273 00:10:23,797 --> 00:10:25,668 [cell phone ringing] 274 00:10:25,712 --> 00:10:26,974 - REALLY? 275 00:10:27,017 --> 00:10:28,497 - OH, I'M SORRY. SORRY. 276 00:10:28,540 --> 00:10:30,673 ballerinas: ONE, TWO, THREE. 277 00:10:30,717 --> 00:10:32,675 - [whispering] HELLO? 278 00:10:32,719 --> 00:10:34,198 YES, THIS IS PAM HALPERT. 279 00:10:34,242 --> 00:10:35,286 I GOT THE MURAL? OH, MY GOD! 280 00:10:35,330 --> 00:10:36,897 all: SHH! 281 00:10:36,940 --> 00:10:39,160 - [whispering] UM, I'M SORRY. I HAVE TO GO. 282 00:10:39,203 --> 00:10:40,901 MY DAUGHTER'S A LADYBUG. 283 00:10:40,944 --> 00:10:42,511 I KNOW THAT DOESN'T MAKE ANY SENSE. 284 00:10:42,554 --> 00:10:44,426 UM, THANK YOU, THANK YOU. 285 00:10:44,469 --> 00:10:45,993 - YOU'RE VERY RUDE. 286 00:10:46,036 --> 00:10:47,951 - YES, VERY RUDE. - SHH! 287 00:10:47,995 --> 00:10:50,737 KIDS ARE DANCING. 288 00:10:53,740 --> 00:10:55,350 - THANK YOU SO MUCH FOR COMING. 289 00:10:55,393 --> 00:10:58,179 DARRYL AND I WILL BE HERE TO SERVE YOU FOR YEARS 290 00:10:58,222 --> 00:11:02,400 AND YEARS AND YEARS AND YEARS. 291 00:11:02,444 --> 00:11:04,881 [chuckles] SO SHOULD WE GO CALL JIM 292 00:11:04,925 --> 00:11:06,709 AND GO TELL HIM TO GO SCREW HIMSELF? 293 00:11:06,753 --> 00:11:08,145 - DWIGHT, LOOK, 294 00:11:08,189 --> 00:11:10,452 I'M SORRY YOU'RE HAVING A HARD TIME WITH THIS, OKAY? 295 00:11:10,495 --> 00:11:12,889 ATHLEAD IS MY FUTURE. 296 00:11:12,933 --> 00:11:14,586 NO DISRESPECT TO DUNDER MIFFLIN, 297 00:11:14,630 --> 00:11:16,850 BUT IF I CAN HAVE FUN AT WORK, I WANT THAT. 298 00:11:16,893 --> 00:11:18,068 - IT CAN'T BE MORE FUN 299 00:11:18,112 --> 00:11:19,461 THAN SELLING PAPER AND PAPER PRODUCTS. 300 00:11:19,504 --> 00:11:20,636 - IT CAN. 301 00:11:20,680 --> 00:11:23,421 - ARE YOU PRETENDING TO BE CRAZY, HUH? 302 00:11:23,465 --> 00:11:26,076 - WELL, ANDY'S CUTE, BUT HE'S TOO VANILLA, 303 00:11:26,120 --> 00:11:27,904 WHEREAS PETE-- HE'S JUST ONE SICK DUDE. 304 00:11:27,948 --> 00:11:30,211 I MEAN, YOU KNOW THIS GUY LIKES TO GET WEIRD. 305 00:11:30,254 --> 00:11:31,995 - I'M JUST GONNA SAY THIS ONE MORE TIME. 306 00:11:32,039 --> 00:11:34,171 PETE AND I HAVEN'T DONE ANYTHING. 307 00:11:34,215 --> 00:11:35,782 - IT'S TRUE. - YEAH, RIGHT. 308 00:11:35,825 --> 00:11:38,219 WITH SLAMMIN' BODS LIKE THAT, THEY AIN'T PLAYING CHECKERS. 309 00:11:38,262 --> 00:11:39,699 - PEOPLE, IT'S 2013. 310 00:11:39,742 --> 00:11:42,179 ERIN IS A STRONG, INDEPENDENT WOMAN. 311 00:11:42,223 --> 00:11:45,182 WHO SAYS SHE HAS TO END UP WITH ANY MAN? 312 00:11:47,097 --> 00:11:50,013 - OKAY, CAN EVERYONE PLEASE STOP SPEAKING FOR ME? 313 00:11:50,057 --> 00:11:53,147 ANDY IS MY BOYFRIEND. PETE AND I ARE JUST FRIENDS. 314 00:11:53,190 --> 00:11:54,670 AND THAT'S THE END OF IT. RIGHT, PETE? 315 00:11:54,714 --> 00:11:56,150 - THAT IS CORRECT. 316 00:11:56,193 --> 00:11:59,022 COME ON, GUYS, WHERE IS THIS EVEN COMING FROM? 317 00:11:59,066 --> 00:12:00,807 - YOUR FEELINGS FOR ERIN? 318 00:12:00,850 --> 00:12:02,896 PROBABLY YOUR HEART... 319 00:12:02,939 --> 00:12:04,680 AND A LITTLE BIT YOUR PENIS. 320 00:12:04,724 --> 00:12:06,638 [all groan] 321 00:12:06,682 --> 00:12:08,858 - NELLIE, YOU HAVE TO SHUT DOWN YOUTH TASK FORCE. 322 00:12:08,902 --> 00:12:10,033 I'M NOT SURE IF YOU NEED 323 00:12:10,077 --> 00:12:12,079 TO START A NEW TASK FORCE TO DO THAT, 324 00:12:12,122 --> 00:12:13,689 BUT PLEASE JUST DO WHATEVER IT TAKES. 325 00:12:13,733 --> 00:12:18,215 - I SUPPOSE THAT WILL-- THAT WILL BE ALL RIGHT, YEAH. 326 00:12:18,259 --> 00:12:21,044 MOST RELATIONSHIPS EVENTUALLY DIE ON THEIR OWN, 327 00:12:21,088 --> 00:12:24,439 BUT SOMETIMES THEY JUST NEED A LITTLE PILLOW OVER THE FACE. 328 00:12:24,482 --> 00:12:26,615 YOU'RE WELCOME, ANDY. 329 00:12:26,658 --> 00:12:29,183 AND YOU'RE WELCOME, MY OWN ASS. 330 00:12:29,226 --> 00:12:33,013 - LISTEN, I APPRECIATE YOU TAKING THE TIME WITH ME. 331 00:12:33,056 --> 00:12:34,275 - PETER, PLEASE, 332 00:12:34,318 --> 00:12:36,059 WE COMPLETELY UNDERSTAND YOUR CONCERNS HERE. 333 00:12:36,103 --> 00:12:37,800 LET US JUST SHOW YOU THE LATEST PROJECTIONS. 334 00:12:37,844 --> 00:12:39,062 JIM? 335 00:12:39,106 --> 00:12:40,672 - UH, WADE ACTUALLY HAS THOSE ON THE ROAD, 336 00:12:40,716 --> 00:12:42,152 BUT HE'S GONNA BE CALLING IN WITH THOSE NUMBERS ANY SECOND. 337 00:12:42,196 --> 00:12:44,198 SO JUST HOLD ON ONE S-- [cell phone vibrates] 338 00:12:44,241 --> 00:12:45,590 OH, ACTUALLY... 339 00:12:45,634 --> 00:12:49,681 UH, NOPE. THAT IS MY WIFE. 340 00:12:49,725 --> 00:12:51,814 AGAIN, HE'LL BE CALLING IN ANY SECOND. 341 00:12:51,858 --> 00:12:54,338 - HEY, UH, GIVE ME A CALL BACK WHEN YOU GET A CHANCE. 342 00:12:54,382 --> 00:12:57,646 CECE DID GREAT, AND I WANT TO TELL YOU SOMETHING. 343 00:12:57,689 --> 00:13:00,040 - HEY, BOSS, YOU GOTTA JUMP ON A DELIVERY. 344 00:13:00,083 --> 00:13:02,825 - I DON'T DO THAT ANYMORE. - THAT'S WHAT THEY TOLD ME. 345 00:13:04,087 --> 00:13:06,220 - [sighs] 346 00:13:07,787 --> 00:13:09,353 ALL RIGHT, LET'S GET THIS OVER WITH. 347 00:13:09,397 --> 00:13:10,485 - YOU LOOKING FOR FUN? 348 00:13:10,528 --> 00:13:12,052 IT JUST FOUND YOU! 349 00:13:12,095 --> 00:13:14,489 WHOO! [laughs] 350 00:13:14,532 --> 00:13:15,882 [engine turning] 351 00:13:15,925 --> 00:13:18,319 HERE WE GO! YEAH! 352 00:13:20,800 --> 00:13:22,671 - YES, WE WILL BE DELIVERING A SHIPMENT OF PAPER TODAY, 353 00:13:22,714 --> 00:13:28,372 BUT I WILL ALSO BE DELIVERING YOU A BIG SHIPMENT OF FUN.! 354 00:13:28,416 --> 00:13:31,506 [Fun.'s We Are Youngplays] - ♪ TONIGHT 355 00:13:31,549 --> 00:13:33,334 - HOW FAR IS THIS PLACE? [turns off radio] 356 00:13:33,377 --> 00:13:35,858 - UH, NOT FAR AT ALL, 357 00:13:35,902 --> 00:13:39,862 BUT I THOUGHT ALONG THE WAY, WE COULD PLAY SOME SPORTS. 358 00:13:41,472 --> 00:13:42,822 - FUN. 359 00:13:42,865 --> 00:13:45,694 - HEY, REALLY NICE JOB IN THAT MEETING IN THERE. 360 00:13:45,737 --> 00:13:46,869 - OH, THANK YOU. 361 00:13:46,913 --> 00:13:48,349 I DON'T KNOW. I SORT OF THOUGHT I-- 362 00:13:48,392 --> 00:13:50,177 - SO PROUD OF YOU, HON. 363 00:13:50,220 --> 00:13:51,526 - OH, I DON'T KNOW. 364 00:13:51,569 --> 00:13:52,832 OKAY. 365 00:13:52,875 --> 00:13:54,094 - I'M JUST CURIOUS, THOUGH-- 366 00:13:54,137 --> 00:13:55,660 WHAT DO YOU HAVE AGAINST PETE AND ERIN? 367 00:13:55,704 --> 00:13:57,662 - WELL, ANDY WROTE ME A REALLY NICE RECOMMENDATION LETTER 368 00:13:57,706 --> 00:13:59,403 FOR THE ADOPTION AGENCY, 369 00:13:59,447 --> 00:14:01,492 AND I-I JUST SORT OF FELT I OWED HIM ONE. 370 00:14:01,536 --> 00:14:03,103 - PETE'S A PRETTY COOL GUY, THOUGH, 371 00:14:03,146 --> 00:14:06,933 AND ANDY WAS A TERRIBLE LOVER TO ERIN. 372 00:14:06,976 --> 00:14:10,632 HE BASICALLY IGNORED HER AND LEFT ON A BOAT. 373 00:14:10,675 --> 00:14:12,939 - I DIDN'T REALLY THINK ABOUT IT LIKE THAT. 374 00:14:12,982 --> 00:14:14,375 - YEAH, WELL... 375 00:14:14,418 --> 00:14:19,162 NOT EVERYBODY HAS WHAT WE HAVE. 376 00:14:19,206 --> 00:14:21,686 - "WHAT WE HAVE"? - MM-HMM. 377 00:14:21,730 --> 00:14:24,602 - I JUST REMEMBERED... 378 00:14:24,646 --> 00:14:26,822 I KISSED THAT MAN. 379 00:14:28,998 --> 00:14:31,958 OH, NO. OH, NO. 380 00:14:32,001 --> 00:14:35,004 - YES. FAST FOOD. 381 00:14:35,048 --> 00:14:38,616 I'LL TAKE A BURGER OVER A GROSS PHILLY CHEESESTEAK ANY DAY. 382 00:14:38,660 --> 00:14:40,053 - THEY HAVE FAST FOOD IN PHILLY. 383 00:14:40,096 --> 00:14:42,664 - NOT LIKE THIS. - EXACTLY LIKE THIS. 384 00:14:42,707 --> 00:14:44,187 - AND YOUR MILKSHAKE. 385 00:14:44,231 --> 00:14:45,797 - THANK YOU. - IT'S 30 DEGREES OUT. 386 00:14:45,841 --> 00:14:47,625 YOU'RE DRINKING A MILKSHAKE? 387 00:14:47,669 --> 00:14:49,105 - NOPE. 388 00:14:49,149 --> 00:14:50,802 FIRE IN THE HOLE! 389 00:14:50,846 --> 00:14:53,022 [laughs] OH, YEAH! 390 00:14:53,066 --> 00:14:56,199 NOW, THAT'S WHAT WORKING AT A PAPER COMPANY'S ALL ABOUT! 391 00:14:56,243 --> 00:14:57,505 [keys jingle] WAIT. WHAT ARE YOU DOING? 392 00:14:57,548 --> 00:14:58,767 NO, I NEED THE K-- WE HAVE TO GO. 393 00:14:58,810 --> 00:15:00,073 - YOU JUST THREW A MILKSHAKE 394 00:15:00,116 --> 00:15:01,683 IN A RESTAURANT WHERE THEY MAKE MINIMUM WAGE. 395 00:15:01,726 --> 00:15:02,945 - IT'S A YOUTUBE THING. 396 00:15:02,989 --> 00:15:04,642 LET'S GO. LET'S GO. COME ON, THEY'RE COMING. 397 00:15:04,686 --> 00:15:06,949 - ANYONE WANT TO SEE THE VIDEO FROM CECE'S RECITAL? 398 00:15:06,993 --> 00:15:08,603 - OH, I WOULD LOVE TO, 399 00:15:08,646 --> 00:15:11,432 BUT I AM SWAMPED... 400 00:15:11,475 --> 00:15:12,781 WITH THAT. 401 00:15:12,824 --> 00:15:13,825 - I'LL WATCH IT. 402 00:15:13,869 --> 00:15:16,263 LET'S GET THIS OVER WITH. 403 00:15:16,306 --> 00:15:17,873 - ALL RIGHT, YOU DON'T HAVE TO. 404 00:15:17,917 --> 00:15:20,876 - LET'S GET THIS OVER WITH, PAM. 405 00:15:20,920 --> 00:15:22,008 - OKAY. 406 00:15:22,051 --> 00:15:25,011 [applause] 407 00:15:25,054 --> 00:15:26,882 - OH. - WAIT. WHAT? 408 00:15:26,926 --> 00:15:27,970 EXCUSE ME. SORRY. 409 00:15:28,014 --> 00:15:29,232 I'M IN A RUSH TO GET BACK TO WORK. 410 00:15:29,276 --> 00:15:30,973 OH, NO. 411 00:15:31,017 --> 00:15:33,671 I TOOK A PHONE CALL IN THE MIDDLE OF TAPING, 412 00:15:33,715 --> 00:15:35,543 AND THEN WHEN I WENT TO TURN IT BACK ON, 413 00:15:35,586 --> 00:15:36,761 I MUST HAVE TURNED IT OFF. 414 00:15:36,805 --> 00:15:37,849 - USER ERROR. 415 00:15:37,893 --> 00:15:39,373 I HEARD IT HAPPENED TO OTHER PEOPLE. 416 00:15:39,416 --> 00:15:40,504 - OSCAR, DON'T RUB IT IN. 417 00:15:40,548 --> 00:15:42,289 I'M SURE PAM IS ALREADY KICKING HERSELF 418 00:15:42,332 --> 00:15:44,682 FOR CHOOSING A PHONE CALL OVER HER CHILD. 419 00:15:44,726 --> 00:15:47,033 - WELL, IT WAS AN IMPORTANT PHONE CALL. 420 00:15:47,076 --> 00:15:49,687 I HAVEN'T TOLD ANYONE HERE ABOUT THE MURAL YET. 421 00:15:49,731 --> 00:15:52,821 I WANT JIM TO BE THE FIRST TO KNOW. 422 00:15:52,864 --> 00:15:54,823 WHENEVER I TELL HIM GOOD NEWS, 423 00:15:54,866 --> 00:15:57,826 HE'S ALWAYS LIKE, "BEESLY!" 424 00:15:57,869 --> 00:15:59,262 I LOVE THAT. 425 00:15:59,306 --> 00:16:01,395 ONLY THING BETTER THAN GETTING THE JOB-- 426 00:16:01,438 --> 00:16:03,571 "BEESLY!" [chuckles] 427 00:16:08,402 --> 00:16:10,839 - HEY. - HELLO, PETER. 428 00:16:16,105 --> 00:16:22,198 [copier whirring] 429 00:16:23,591 --> 00:16:27,551 - IT BARELY EVEN FEELS LIKE A PRANK ANYMORE. 430 00:16:27,595 --> 00:16:28,683 - YOU MISSED A SPOT. 431 00:16:28,726 --> 00:16:29,727 - FIRE IN THE HOLE! 432 00:16:29,771 --> 00:16:32,034 - GO, GO, GO, GO! [tires screech] 433 00:16:32,078 --> 00:16:33,644 - HA HA! 434 00:16:33,688 --> 00:16:35,907 YEAH, JOKE'S ON YOU, BUDDY! 435 00:16:35,951 --> 00:16:39,694 THEY MAKE YOU COME BACK AND CLEAN IT UP! 436 00:16:39,737 --> 00:16:41,652 - I AM SORRY THAT THAT WAS SO AWKWARD 437 00:16:41,696 --> 00:16:43,219 FOR YOU TWO IN THAT MEETING. 438 00:16:43,263 --> 00:16:46,788 BUT I AM GOING TO HAVE TO REASSEMBLE THE YOUTH TASK FORCE. 439 00:16:46,831 --> 00:16:49,095 - OH, NO, I REALLY DON'T THINK THAT'S A GOOD IDEA. 440 00:16:49,138 --> 00:16:51,880 - WELL, THAT IS NOT YOUR CALL. I MADE THE DECISION. 441 00:16:51,923 --> 00:16:53,925 YOU HAVE NO CHOICE IN THE MATTER, 442 00:16:53,969 --> 00:16:57,059 AND EVERYBODY KNOWS IT. 443 00:16:57,103 --> 00:16:59,322 - WELL, OKAY, THEN. 444 00:16:59,366 --> 00:17:00,758 - I GUESS WE DON'T HAVE A CHOICE. 445 00:17:00,802 --> 00:17:01,672 - NOPE. 446 00:17:01,716 --> 00:17:05,763 - YEAH. - YEAH. 447 00:17:15,686 --> 00:17:18,037 - LADY... 448 00:17:21,562 --> 00:17:24,695 YOU NEVER STOP SURPRISING ME. 449 00:17:27,611 --> 00:17:29,135 - [sighs] 450 00:17:29,178 --> 00:17:31,311 [clears throat] 451 00:17:31,354 --> 00:17:34,183 - WHAT? WHAT WAS THAT? 452 00:17:34,227 --> 00:17:37,317 DID I JUST HEAR YOU LAUGHING WITH GLEE? 453 00:17:37,360 --> 00:17:38,448 - NO. 454 00:17:38,492 --> 00:17:40,842 I WAS CLEARING MY THROAT. 455 00:17:40,885 --> 00:17:43,062 - [sighs] 456 00:17:43,105 --> 00:17:46,108 - GOOD NIGHT. - NIGHT. 457 00:17:46,152 --> 00:17:49,285 - NIGHT. - NIGHT, CREED. 458 00:17:53,811 --> 00:17:57,554 [cell phone rings] 459 00:17:57,598 --> 00:18:00,688 HEY. - HEY. 460 00:18:00,731 --> 00:18:01,863 - SO HOW'S IT GOING? 461 00:18:01,906 --> 00:18:04,170 - WE LOST BRIDGEPORT CAPITAL. 462 00:18:04,213 --> 00:18:05,867 I HAVE NO IDEA WHAT HAPPENED. 463 00:18:05,910 --> 00:18:07,825 IT'S LIKE EVERYTHING I DID, HE JUST WOULDN'T GO FOR IT. 464 00:18:07,869 --> 00:18:09,436 - I'M SO SORRY. 465 00:18:09,479 --> 00:18:11,655 - I HAVE NO IDEA WHERE WE'RE GONNA COME UP WITH THIS MONEY, 466 00:18:11,699 --> 00:18:14,310 AND WE HAVE TO WORK INSANELY HARD OVER THE NEXT FEW WEEKS. 467 00:18:14,354 --> 00:18:15,964 - OH. I'M SORRY. 468 00:18:16,007 --> 00:18:18,358 I FEEL LIKE YOU'VE ALREADY BEEN WORKING INSANELY HARD. 469 00:18:18,401 --> 00:18:21,839 - CAN YOU FIGURE OUT HOW TO UPLOAD CECE'S DANCE RECITAL? 470 00:18:21,883 --> 00:18:25,626 I DEFINITELY COULD USE A PICK-ME-UP. 471 00:18:25,669 --> 00:18:27,715 - UM, ACTUALLY, FUNNY STORY-- I DIDN'T GET IT. 472 00:18:27,758 --> 00:18:29,325 I SHOULDN'T HAVE BEEN SO COCKY 473 00:18:29,369 --> 00:18:30,935 ABOUT MY RECTANGLE-HOLDING SKILLS AFTER ALL. 474 00:18:30,979 --> 00:18:33,155 - YOU'RE NOT SERIOUS, ARE YOU? 475 00:18:33,199 --> 00:18:35,810 YOU DIDN'T GET ANY OF THE RECITAL? 476 00:18:35,853 --> 00:18:37,942 - NO, I GOT THE TEACHER INTRODUCING THEM 477 00:18:37,986 --> 00:18:39,727 AND THEN THE APPLAUSE AFTERWARDS. 478 00:18:39,770 --> 00:18:41,076 BUT NOT SO MUCH OF THE MIDDLE PART. 479 00:18:41,120 --> 00:18:42,773 - COME ON, PAM. 480 00:18:42,817 --> 00:18:45,036 PAM, I ASKED YOU IF YOU COULD USE THE PHONE, 481 00:18:45,080 --> 00:18:46,864 AND YOU SWORE THAT YOU KNEW HOW. 482 00:18:46,908 --> 00:18:48,431 - YEAH, OKAY, I'M SORRY. 483 00:18:48,475 --> 00:18:50,955 I'M SURE WE CAN GET A COPY. A LOT OF PEOPLE WERE TAPING IT. 484 00:18:50,999 --> 00:18:52,653 - OH, GREAT. 485 00:18:52,696 --> 00:18:54,742 SO WE'LL SEE SOMEBODY ELSE'S KID WITH CECE IN THE BACKGROUND? 486 00:18:54,785 --> 00:18:57,745 I MEAN, IT'S REALLY NOT THAT HARD TO FILM A VIDEO. 487 00:18:57,788 --> 00:18:59,790 - IS THERE--UM... 488 00:18:59,834 --> 00:19:02,010 YOU WANT TO EASE UP A LITTLE BIT? 489 00:19:02,053 --> 00:19:03,751 - LOOK, PAM, I DON'T KNOW WHAT TO TELL YOU. 490 00:19:03,794 --> 00:19:06,014 I MEAN, WHAT DO I DO? IT'S GONE. 491 00:19:06,057 --> 00:19:07,798 THAT MOMENT'S JUST GONE. I MISSED IT. 492 00:19:07,842 --> 00:19:10,192 - I DON'T KNOW, JIM--MAYBE YOU SHOULD HAVE BEEN THERE. 493 00:19:10,236 --> 00:19:12,194 - YOU'RE NOT SERIOUS, RIGHT? 494 00:19:12,238 --> 00:19:14,283 I MEAN, HOW IS THAT FAIR? 495 00:19:14,327 --> 00:19:16,590 I'M IN PHILLY. THESE ARE MY DAYS IN PHILLY. 496 00:19:16,633 --> 00:19:17,852 YOU'VE AGREED TO THIS. 497 00:19:17,895 --> 00:19:18,896 - YOU KNOW WHAT? 498 00:19:18,940 --> 00:19:20,202 I DON'T THINK YOU WANT TO START 499 00:19:20,246 --> 00:19:22,291 A CONVERSATION WITH ME ABOUT WHAT'S FAIR, OKAY? 500 00:19:22,335 --> 00:19:25,642 THIS IS WAY MORE INTENSE THAN I EVER-- 501 00:19:25,686 --> 00:19:26,687 - PAM, I'M NOT EXPLAINING THIS TO YOU-- 502 00:19:26,730 --> 00:19:28,210 PAM, I'M NOT GOING OVER THIS AGAIN. 503 00:19:28,254 --> 00:19:30,256 I DON'T KNOW HOW ELSE-- - JIM, WE--WE NEED YOU. 504 00:19:30,299 --> 00:19:31,822 - I DON'T KNOW HOW ELSE TO TELL YOU, OKAY? 505 00:19:31,866 --> 00:19:34,564 I'M DOING EVERYTHING I CAN EVERY WEEK 506 00:19:34,608 --> 00:19:36,218 TO BRING HOME SOMETHING... - I AM--I AM-- 507 00:19:36,262 --> 00:19:37,741 - FOR OUR FAM-- - I AM TRYING TO MAKE EVERYTHING 508 00:19:37,785 --> 00:19:39,090 PERFECT HERE, OKAY? 509 00:19:39,134 --> 00:19:41,745 SO THAT YOU CAN HAVE EVERYTHING THAT YOU WANT. 510 00:19:41,789 --> 00:19:43,225 - I'M DOING THIS JUST FOR ME? 511 00:19:43,269 --> 00:19:45,227 IS THAT WHAT I'M DOING? I'M DOING IT JUST FOR ME. 512 00:19:45,271 --> 00:19:48,622 IF THAT'S WHAT YOU THINK, THEN THIS IS A REALLY SAD NIGHT. 513 00:19:48,665 --> 00:19:50,754 BUT YOU KNOW WHAT? I GOT TO GO. 514 00:19:50,798 --> 00:19:53,409 OKAY? - YEP. 515 00:19:53,453 --> 00:19:55,803 - WE'LL TALK TOMORROW? 516 00:19:55,846 --> 00:19:58,675 - YEP. I'LL TALK TO YOU TOMORROW. 517 00:19:58,719 --> 00:20:00,329 - ALL RIGHT. GREAT. 518 00:20:00,373 --> 00:20:01,983 I'LL TALK TO YOU TOMORROW. 519 00:20:02,026 --> 00:20:05,116 - BYE. 520 00:20:15,301 --> 00:20:18,652 [sniffles, cries] 521 00:20:18,695 --> 00:20:21,698 - HEY, YOU OKAY? 522 00:20:23,091 --> 00:20:25,659 - WHAT AM I DOING WRONG, BRIAN? 523 00:20:25,702 --> 00:20:27,313 - NOTHING. YOU'RE DOING THE BEST YOU CAN. 524 00:20:27,356 --> 00:20:28,618 - BRIAN. 525 00:20:28,662 --> 00:20:31,752 - GIVE HER A MINUTE. GIVE HER A MINUTE. 526 00:20:31,795 --> 00:20:35,190 - [crying] 527 00:20:35,234 --> 00:20:38,672 - HEY, IT'S JUST A TOUGH SITUATION, ALL RIGHT? 528 00:20:38,715 --> 00:20:40,717 - IT'S GETTING TOUGHER. 529 00:20:40,761 --> 00:20:44,243 I JUST DIDN'T KNOW THAT IT WAS GONNA BE THIS HARD. 530 00:20:44,286 --> 00:20:46,767 - YEAH. LET'S TURN THE CAMERAS OFF. 531 00:20:46,810 --> 00:20:47,942 SERIOUSLY, GUYS. 532 00:20:47,985 --> 00:20:50,510 ENOUGH. ENOUGH. 533 00:20:51,815 --> 00:20:53,556 - THANK YOU. 534 00:20:56,298 --> 00:20:57,386 - FIRE IN THE HOLE! 535 00:20:57,430 --> 00:21:00,433 - [screams] 536 00:21:00,476 --> 00:21:02,261 - GO, GO, GO, GO! 537 00:21:02,304 --> 00:21:05,655 [laughter] 538 00:21:05,699 --> 00:21:08,136 - I NAILED THAT GUY, DUDE. - OH, YEAH. 539 00:21:08,179 --> 00:21:10,660 - AND REPLAY. 540 00:21:10,704 --> 00:21:12,314 - THANK YOU. 541 00:21:12,358 --> 00:21:15,665 FIRE IN THE HOLE! - [screams] 542 00:21:15,709 --> 00:21:17,319 - GO, GO, GO, GO! [laughter] 543 00:21:17,363 --> 00:21:19,365 - I NAILED THAT GUY, DUDE. 544 00:21:19,408 --> 00:21:21,671 - [sighs] 545 00:21:21,715 --> 00:21:24,805 I'M GONNA MISS THE PAPER BUSINESS.