1 00:00:01,175 --> 00:00:03,046 - NO, YOU LIED TO ME, ANDY. 2 00:00:03,090 --> 00:00:04,439 YOU PRETENDED TO BE IN THIS OFFICE FOR THREE MONTHS, 3 00:00:04,482 --> 00:00:06,397 AND YOU WERE SAILING ON YOUR BOAT. 4 00:00:06,441 --> 00:00:09,618 - I RESENT THAT. I NEVER LIED TO YOU. 5 00:00:09,661 --> 00:00:10,836 - REALLY? 6 00:00:10,880 --> 00:00:14,666 "HEY, DAVID, ALL IS GOOD IN SCRANTON, P.A." 7 00:00:14,710 --> 00:00:17,408 - AND ALL WAS GOOD IN SCRANTON, P.A., THAT DAY. 8 00:00:17,452 --> 00:00:19,019 - "BY THE WAY, OSCAR SAYS HI." 9 00:00:19,062 --> 00:00:21,456 - OSCAR SAYS HI ALL THE TIME. 10 00:00:21,499 --> 00:00:23,414 HE SAYS ALL KINDS OF GREETINGS-- 11 00:00:23,458 --> 00:00:25,416 HI, HELLO, HOLA. 12 00:00:25,460 --> 00:00:27,244 YOU'RE TELLING ME YOU'VE NEVER HEARD OSCAR SAY HI? 13 00:00:27,288 --> 00:00:29,246 - ANDY-- - YOU'RE CALLING ME A LIAR? 14 00:00:29,290 --> 00:00:30,726 - ANDY-- - BY THE WAY, THAT REMINDS ME. 15 00:00:30,769 --> 00:00:32,162 I WANT TO ASK YOU ABOUT SOME OF THE LIES 16 00:00:32,206 --> 00:00:34,077 YOU'VE BEEN TELLING ME LATELY. - WATCH IT, ANDY. 17 00:00:34,121 --> 00:00:36,384 - OH, HERE WE GO. JANUARY 7, 2013. 18 00:00:36,427 --> 00:00:38,038 "HEY, ANDY, ALL'S WELL. 19 00:00:38,081 --> 00:00:40,214 BEEN MEANING TO MAKE IT DOWN THERE, BUT MY WIFE'S SICK." 20 00:00:40,257 --> 00:00:41,432 WELL, WHICH IS IT? 21 00:00:41,476 --> 00:00:43,434 IS ALL WELL, OR IS YOUR WIFE SICK? 22 00:00:43,478 --> 00:00:45,654 BUSTED! - MY WIFE? 23 00:00:47,482 --> 00:00:49,179 - THIS HAS BEEN A REALLY TOUGH TIME. 24 00:00:49,223 --> 00:00:50,267 - YEAH? - YEAH. 25 00:00:50,311 --> 00:00:51,964 - HAS IT? - ERIN JUST DUMPED ME, 26 00:00:52,008 --> 00:00:53,444 AND I CAN'T REMEMBER 27 00:00:53,488 --> 00:00:55,446 ANY OF THE "AHA" MOMENTS I HAD ON THE BOAT, 28 00:00:55,490 --> 00:00:57,100 AND I KNOW IT SOUNDS WEIRD TO SAY, 29 00:00:57,144 --> 00:00:59,450 BUT I REALLY MISS MY BEARD. - SHH. 30 00:00:59,494 --> 00:01:00,756 - IT WAS LIKE A SECURITY BLANKET. 31 00:01:00,799 --> 00:01:03,106 - ANDY, SHH. 32 00:01:05,152 --> 00:01:07,067 I'M NOT GONNA FIRE YOU. 33 00:01:08,764 --> 00:01:10,113 - YOU'RE NOT? 34 00:01:10,157 --> 00:01:12,289 - NO. - THAT'S AWESOME. 35 00:01:12,333 --> 00:01:14,117 - I WOULDN'T OWN THE COMPANY IF IT WASN'T FOR YOU. 36 00:01:14,161 --> 00:01:17,120 SO I OWE YOU THAT. 37 00:01:17,164 --> 00:01:20,384 - DAVID, I'LL BE THERE FOR YOU. 38 00:01:20,428 --> 00:01:22,995 THESE FIVE WORDS I SWEAR TO YOU. 39 00:01:23,039 --> 00:01:25,476 WHEN YOU BREATHE, I WANT TO BE THE AIR FOR YOU. 40 00:01:25,520 --> 00:01:27,522 I'LL BE THERE FOR YOU. 41 00:01:27,565 --> 00:01:29,567 THAT'S A POEM BY J.B. JOVI. 42 00:01:29,611 --> 00:01:31,439 I WANT YOU TO HAVE IT. 43 00:01:31,482 --> 00:01:33,136 - WE ARE EVEN NOW. 44 00:01:33,180 --> 00:01:34,442 UNDERSTAND? 45 00:01:34,485 --> 00:01:35,965 GOT IT? - CRYSTAL. 46 00:01:36,008 --> 00:01:39,316 - AND YOU ARE ON VERY-- HEY. 47 00:01:39,360 --> 00:01:40,317 VERY THIN ICE. 48 00:01:40,361 --> 00:01:42,363 - VANILLA. 49 00:01:46,018 --> 00:01:48,282 VANILLA ICE. HE WAS A BAND. 50 00:01:49,587 --> 00:01:52,634 [cheerful music] 51 00:01:52,677 --> 00:02:00,772 ♪ 52 00:02:25,232 --> 00:02:27,364 - GOOD MORNING. - GOOD MORNING. 53 00:02:27,408 --> 00:02:31,629 - AND HOW ARE YOU ON THIS FINE D... 54 00:02:31,673 --> 00:02:36,547 [weeps] 55 00:02:51,910 --> 00:02:54,130 OKAY. AHEM. 56 00:02:54,174 --> 00:02:55,218 WE READY? 57 00:02:55,262 --> 00:02:58,003 DON'T USE THAT PART. 58 00:02:58,047 --> 00:03:01,442 LAST WEEK, ERIN TOLD ME THAT OUR RELATIONSHIP 59 00:03:01,485 --> 00:03:05,446 WILL BE PROCEEDING WITHOUT ME. AHEM. 60 00:03:05,489 --> 00:03:07,970 NOW I HAVE TO SEE HER EVERY DAY AT WORK, 61 00:03:08,013 --> 00:03:12,757 WHICH IS BRUTAL. 62 00:03:12,801 --> 00:03:14,629 WHEN PEOPLE SAY OFFICE RELATIONSHIPS ARE A GOOD IDEA, 63 00:03:14,672 --> 00:03:17,849 THEY NEVER TALK ABOUT WHAT MIGHT HAPPEN IF YOU BREAK UP. 64 00:03:17,893 --> 00:03:21,636 [moaning] 65 00:03:21,679 --> 00:03:25,683 [wailing] 66 00:03:25,727 --> 00:03:28,425 - HE SOUNDS LIKE A WOUNDED ANIMAL. 67 00:03:28,469 --> 00:03:31,515 - SHOULD HAVE PUT HIM OUT OF HIS MISERY AND JUST FIRED HIM. 68 00:03:31,559 --> 00:03:34,518 - I CAN'T BE AROUND SAD PEOPLE. IT MAKES ME SAD. 69 00:03:34,562 --> 00:03:36,694 - I'M THE SAME WAY WITH HORNY PEOPLE. 70 00:03:36,738 --> 00:03:38,653 - OKAY. 71 00:03:38,696 --> 00:03:41,438 - [moaning] 72 00:03:41,482 --> 00:03:45,225 - YES, PETE AND I HAVE STARTED SEEING EACH OTHER, 73 00:03:45,268 --> 00:03:46,400 AND ANDY STILL DOESN'T KNOW. 74 00:03:46,443 --> 00:03:49,054 WE THOUGHT THAT KEEPING IT SECRET 75 00:03:49,098 --> 00:03:52,014 WAS MORE CONSIDERATE TO HIM. [Andy sobbing] 76 00:03:52,057 --> 00:03:55,235 AND HOT FOR US. 77 00:03:55,278 --> 00:03:58,063 I MEAN, I SAW PETE'S BUTT. 78 00:03:58,107 --> 00:03:59,500 IT'S SICK. 79 00:04:03,504 --> 00:04:05,332 - OH, THAT'S MINE. 80 00:04:05,375 --> 00:04:07,334 I'LL JUST--I'LL GET IT OUT OF THE WAY FOR YOU. 81 00:04:07,377 --> 00:04:10,162 - JIM SET UP A JOB INTERVIEW FOR ME TODAY IN PHILLY. 82 00:04:10,206 --> 00:04:11,773 IT'S WITH A REAL ESTATE COMPANY, 83 00:04:11,816 --> 00:04:14,428 WHICH IS A GREAT FIT FOR ME, 84 00:04:14,471 --> 00:04:17,213 BECAUSE I LIVE IN A HOUSE, 85 00:04:17,257 --> 00:04:19,476 AND I KNOW WHAT A BATHROOM IS. 86 00:04:19,520 --> 00:04:22,436 I'M SORRY. I AM JUST VERY NERVOUS 87 00:04:22,479 --> 00:04:26,483 BECAUSE, HONESTLY, THIS IS ALL MOVING A LOT FASTER 88 00:04:26,527 --> 00:04:28,659 THAN I EXPECTED AND--AND BECAUSE 89 00:04:28,703 --> 00:04:32,924 MY RESUME CAN FIT ON A POST-IT NOTE. 90 00:04:32,968 --> 00:04:34,796 - NO, DON'T JUST LET HER EAT THE GRASS. 91 00:04:34,839 --> 00:04:36,014 SHE'LL PUKE IT RIGHT UP. 92 00:04:36,058 --> 00:04:37,755 OKAY, JUST PUT OUT TWO BOWLS 93 00:04:37,799 --> 00:04:40,323 AND SEE WHICH FEED SHE PREFERS. 94 00:04:40,367 --> 00:04:41,846 I'M SORRY TO BE TAKING UP 95 00:04:41,890 --> 00:04:43,544 SO MUCH OF YOUR PRECIOUS TIME, MOSE, 96 00:04:43,587 --> 00:04:45,502 BUT SHE'S YOUR AUNT TOO. 97 00:04:45,546 --> 00:04:48,592 FINE. I'LL SEE WHAT I CAN DO. 98 00:04:50,986 --> 00:04:53,336 [coin dropping] 99 00:04:53,380 --> 00:04:56,034 - I NEED YOU. - DAH! DWIGHT. 100 00:04:56,078 --> 00:04:57,253 - AND YOU SHOULD TAKE BREAKS MORE OFTEN. 101 00:04:57,297 --> 00:04:58,559 I'VE BEEN WAITING THERE FOR 45 MINUTES. 102 00:04:58,602 --> 00:05:00,474 - WHAT? WHAT IS IT? 103 00:05:00,517 --> 00:05:01,605 - IT'S MY AUNT SHIRLEY. 104 00:05:01,649 --> 00:05:03,346 SHE'S ON HER LAST LEGS. 105 00:05:03,390 --> 00:05:05,522 - DWIGHT, THAT'S AWFUL. - YOU HAVE NO IDEA. 106 00:05:05,566 --> 00:05:09,134 I MEAN, HER HAIR, HER CLOTHES, IT'S ALL FALLING OFF 107 00:05:09,178 --> 00:05:11,049 IN GREAT, BIG CLUMPS. 108 00:05:11,093 --> 00:05:13,617 AND WE NEED SOMEONE TO GO OUT THERE AND CLEAN HER UP. 109 00:05:13,661 --> 00:05:15,227 WE HAD A NURSE, BUT SHE QUIT 110 00:05:15,271 --> 00:05:17,969 BECAUSE SHE WAS "POISONED" BY AUNT SHIRLEY. 111 00:05:18,013 --> 00:05:19,971 - WHAT DO YOU MEAN BY "POISON"? 112 00:05:20,015 --> 00:05:21,321 - PROBABLY NOTHING. 113 00:05:21,364 --> 00:05:23,845 OR STRYCHNINE. 114 00:05:23,888 --> 00:05:26,064 OR LEMONADE AND STRYCHNINE, WHICH IS ACTUALLY WHAT IT WAS. 115 00:05:26,108 --> 00:05:28,197 - OKAY, WELL, I'M VERY SORRY ABOUT YOUR AUNT. 116 00:05:28,240 --> 00:05:29,720 - THANK YOU. - BUT I DON'T SEE 117 00:05:29,764 --> 00:05:31,200 HOW THIS IS MY PROBLEM. 118 00:05:31,243 --> 00:05:33,594 - ANGELA, YOU OWE ME ONE. REMEMBER? 119 00:05:33,637 --> 00:05:35,509 NOW, PLEASE. 120 00:05:35,552 --> 00:05:37,206 SHE'S AN OLD WOMAN, ANGELA. 121 00:05:37,249 --> 00:05:38,642 SHE NEEDS A WOMAN'S TOUCH. 122 00:05:38,686 --> 00:05:40,514 IT'S ALL HANGING OUT... - UGH. 123 00:05:40,557 --> 00:05:42,559 - AND THERE'S PARTS OF HER I DON'T EVEN RECOGNIZE. 124 00:05:42,603 --> 00:05:45,214 THERE'S THIS ONE HANGING PART IN PARTICULAR 125 00:05:45,257 --> 00:05:48,696 THAT'S SOME SORT OF FLAP. - IT'S FINE. 126 00:05:48,739 --> 00:05:50,654 - IT'S LIKE A PREHENSILE WING OR SOMETHING. 127 00:05:50,698 --> 00:05:52,743 I DON'T KNOW, BUT IT'S-- - OH, GOD. ALL RIGHT. 128 00:05:52,787 --> 00:05:54,049 I CAN'T--OKAY. 129 00:05:54,092 --> 00:05:56,834 I'LL HELP YOU. - THERE'S A DIVOT WHERE IT WAS, 130 00:05:56,878 --> 00:05:58,793 AND IT NEEDS-- IT NEEDS... 131 00:06:03,580 --> 00:06:05,277 - WHERE ARE YOU GOING? 132 00:06:05,321 --> 00:06:08,280 - NOT ON A THREE-MONTH BOAT TRIP. 133 00:06:08,324 --> 00:06:12,154 - OH, BURN. HA. UH, EXCUSE ME. 134 00:06:12,197 --> 00:06:13,416 WHAT, EVERYONE CAN JUST LEAVE WHENEVER THEY WANT NOW? 135 00:06:13,460 --> 00:06:16,201 - HOW DARE YOU? 136 00:06:16,245 --> 00:06:19,117 - I'M STILL THE BOSS. 137 00:06:23,600 --> 00:06:25,602 [inhales] 138 00:06:36,483 --> 00:06:37,527 THE ANSWER IS YES. 139 00:06:37,571 --> 00:06:38,789 - I JUST HAVE SOME MESSAGES FOR YOU. 140 00:06:38,833 --> 00:06:40,225 - ARE THEY FROM YOU? 141 00:06:40,269 --> 00:06:41,662 - WELL, NO, THEY'RE FROM CLIENTS. 142 00:06:41,705 --> 00:06:43,490 - WELL, THEN I DON'T WANT THEM. 143 00:06:43,533 --> 00:06:45,187 YOU CAN KEEP 'EM. 144 00:06:45,230 --> 00:06:49,278 IN FACT, YOU CAN KEEP THAT BIG, BLUE NAUTICA SWEATER. 145 00:06:49,321 --> 00:06:51,236 I KNOW HOW MUCH YOU LOVE IT. - I CAN'T. 146 00:06:51,280 --> 00:06:53,891 - NO, I INSIST UPON IT. IT'S AN AWESOME SWEATER. 147 00:06:53,935 --> 00:06:56,024 SOME GREAT MEMORIES TIED UP IN THAT THING. 148 00:06:56,067 --> 00:06:57,112 - THESE ARE MESSAGES 149 00:06:57,155 --> 00:06:58,679 FROM CLIENTS WHO WANT TO BUY PAPER. 150 00:06:58,722 --> 00:07:00,463 - I DON'T WANT TO TALK ABOUT WORK RIGHT NOW. 151 00:07:00,507 --> 00:07:02,422 - WELL, I ONLY WANT TO TALK ABOUT WORK RIGHT NOW. 152 00:07:02,465 --> 00:07:04,424 - THEN I WANT MY BIG, BLUE SWEATER BACK. 153 00:07:04,467 --> 00:07:07,427 - WELL, I GAVE IT TO THE SALVATION ARMY. 154 00:07:12,301 --> 00:07:13,868 - I'VE GOT THIS SEAT ADJUSTED RIGHT... 155 00:07:13,911 --> 00:07:16,436 - PERFECT--YEAH. - SO I CAN PUT THIS... 156 00:07:17,785 --> 00:07:19,482 - SHE GOT RID OF IT. 157 00:07:19,526 --> 00:07:21,049 MY BLUE SWEATER. 158 00:07:21,092 --> 00:07:22,790 WHAT IS THAT ABOUT? 159 00:07:22,833 --> 00:07:25,488 - I WAS JUST LEAVING. - STAY. 160 00:07:25,532 --> 00:07:27,359 WE ARE IN THE BRO ZONE LAYER. 161 00:07:27,403 --> 00:07:29,710 OKAY, NARD DOG, PLOP, AND CLARKER POSEY, 162 00:07:29,753 --> 00:07:31,363 A.K.A. CLARKWORK ORANGE. 163 00:07:31,407 --> 00:07:35,324 HERE'S THE SITCH. ERIN DUMPED ME, NATCH, 164 00:07:35,367 --> 00:07:37,326 BUT SHE GOT RID OF MY BLUE SWEATER, 165 00:07:37,369 --> 00:07:39,154 WHICH WAS HER FAVORITE. 166 00:07:39,197 --> 00:07:41,461 IS SHE MOVING ON A LITTLE FAST, 167 00:07:41,504 --> 00:07:44,812 OR AM I BEING A TOTAL PSYCHO? 168 00:07:44,855 --> 00:07:46,074 PLOP, YOU GO FIRST. 169 00:07:46,117 --> 00:07:48,380 - I DON'T KNOW. WOMEN DO TEND TO MOVE ON 170 00:07:48,424 --> 00:07:50,513 QUICKER THAN MEN. 171 00:07:50,557 --> 00:07:53,298 - SURVEY SAYS... [makes buzzer sound] 172 00:07:53,342 --> 00:07:55,039 DOESN'T MAKE ME FEEL BETTER AT ALL. 173 00:07:55,083 --> 00:07:56,127 - SORRY. 174 00:07:56,171 --> 00:07:57,520 - ZERO CLARK THIRTY, WHAT DO YOU GOT? 175 00:07:57,564 --> 00:07:58,695 - WELL, LOOK AT IT THIS WAY. 176 00:07:58,739 --> 00:08:00,262 BEING A BACHELOR IS NOT ALL BAD. 177 00:08:00,305 --> 00:08:03,352 I MEAN, YOU GOT YOUR FREEDOM NOW. 178 00:08:03,395 --> 00:08:05,615 - LAST NIGHT I ORDERED A PIZZA BY MYSELF, 179 00:08:05,659 --> 00:08:07,704 AND I ATE IT OVER THE SINK LIKE A RAT. 180 00:08:07,748 --> 00:08:08,923 - THERE YOU GO. GOOD FOR YOU. 181 00:08:08,966 --> 00:08:11,273 - NO. 182 00:08:11,316 --> 00:08:12,274 - YOU'RE JUST LETTING IT ALL HANG OUT. 183 00:08:12,317 --> 00:08:13,754 THAT'S WHAT... 184 00:08:13,797 --> 00:08:15,843 - IT MAY NOT SEEM LIKE IT, BUT THIS REALLY HELPED, 185 00:08:15,886 --> 00:08:18,976 SO THANK YOU. - COOL. 186 00:08:21,979 --> 00:08:25,940 I'LL GIVE YOU $100 TO WEAR THAT SWEATER TO WORK TOMORROW. 187 00:08:33,425 --> 00:08:36,385 - AUNT SHIRLEY, HELLO, IT'S ME, DWIGHT. 188 00:08:36,428 --> 00:08:39,344 - OH, LOOKY HERE. IT'S BIG CITY DWIGHT. 189 00:08:39,388 --> 00:08:41,608 CAREFUL YOU DON'T GET MUD ON THOSE FANCY TOWN SHOES, 190 00:08:41,651 --> 00:08:42,783 BIG CITY DWIGHT. 191 00:08:42,826 --> 00:08:44,045 - HELLO, AUNT SHIRLEY. 192 00:08:44,088 --> 00:08:45,525 - WHO'S THIS LITTLE KITCHEN WITCH? 193 00:08:45,568 --> 00:08:47,701 SHE'S SO TINY, LIKE A LITTLE KITCHEN WITCH. 194 00:08:47,744 --> 00:08:51,574 - THIS IS ANGELA, AND WE BROUGHT YOU SOME NEW CLOTHES. 195 00:08:51,618 --> 00:08:53,358 - NEW CLOTHES? WHAT FOR? 196 00:08:53,402 --> 00:08:54,751 - OH, DEAR GOD. OKAY. - OH. OH, MY GOD. 197 00:08:54,795 --> 00:08:59,364 - YOU KNOW WHAT, BEFORE YOU PUT THE NEW CLOTHES ON, 198 00:08:59,408 --> 00:09:01,976 ANGELA'S GONNA GET YOU CLEANED UP A LITTLE BIT. 199 00:09:02,019 --> 00:09:06,981 - YES. HOW WOULD YOU LIKE A NICE, WARM BATH? 200 00:09:07,024 --> 00:09:08,504 - HOW WOULD YOU LIKE A MEAN, COLD SLAP? 201 00:09:08,548 --> 00:09:09,897 - OW! 202 00:09:09,940 --> 00:09:11,420 - OKAY, AUNT SHIRLEY, DEAR, 203 00:09:11,463 --> 00:09:15,555 CAN I GET YOU A NICE, CRISP LITER OF SCHNAPPS? 204 00:09:15,598 --> 00:09:17,557 - I COULD DO THAT. - OKAY. 205 00:09:17,600 --> 00:09:18,819 - NO. NO. - YEAH, TRUST ME. 206 00:09:18,862 --> 00:09:20,385 - NO. - IT KEEPS HER DOCILE. 207 00:09:20,429 --> 00:09:25,565 GO TO THE KITCHEN, GET THE LARGEST RECEPTACLE YOU CAN FIND. 208 00:09:25,608 --> 00:09:27,436 - STEP ON IT. 209 00:09:27,479 --> 00:09:29,046 - WHY DOESN'T ERIN SEEM SAD? 210 00:09:29,090 --> 00:09:30,744 - [giggles] [phone chimes] 211 00:09:30,787 --> 00:09:34,138 - HAS SHE FOUND SOMEONE NEW OR SOMETHING? 212 00:09:34,182 --> 00:09:36,010 AND IF SO, WHY HASN'T SHE TOLD ME? 213 00:09:36,053 --> 00:09:40,014 IS SHE TRYING TO SPARE MY FEELINGS? 214 00:09:40,057 --> 00:09:44,322 DURING BREAKUPS, THE MIND GOES TO SOME CRAZY, DARK PLACES. 215 00:09:55,072 --> 00:09:56,552 - ANDY, DON'T. 216 00:09:56,596 --> 00:09:58,598 NO GOOD CAN COME FROM SNOOPING. 217 00:09:58,641 --> 00:09:59,729 - I'M NOT SNOOPING. 218 00:09:59,773 --> 00:10:01,078 THERE'S JUST SOME CRUD ON HER SCREEN. 219 00:10:01,122 --> 00:10:02,340 - YOU'RE CLEARLY SNOOPING. 220 00:10:02,384 --> 00:10:03,733 - THAT'S KIND OF UNCOOL, MAN. - ANDY. 221 00:10:03,777 --> 00:10:05,517 - AW, COME ON. - THAT'S HER PRIVATE PROPERTY. 222 00:10:05,561 --> 00:10:07,519 - BOO! - UH, HELLO? 223 00:10:07,563 --> 00:10:09,652 WHO'S SNOOPING ON WHO NOW? 224 00:10:09,696 --> 00:10:11,698 - WHAT DOES THAT EVEN MEAN? 225 00:10:11,741 --> 00:10:12,786 - EVERYONE, JUST... - WHAT'S IT SAY? 226 00:10:12,829 --> 00:10:13,874 - PLEASE STOP. - PUT IT DOWN. 227 00:10:13,917 --> 00:10:15,919 - COME ON, ANDY. - YEAH, PUT IT DOWN. 228 00:10:15,963 --> 00:10:18,400 - THAT'S HER PRIVATE PROPERTY. 229 00:10:18,443 --> 00:10:19,880 - OH, MY GOD. 230 00:10:19,923 --> 00:10:21,621 - SEE? - THAT'S WHAT NOSY'LL GET YOU. 231 00:10:21,664 --> 00:10:22,709 - TOLD YOU SO. 232 00:10:22,752 --> 00:10:25,363 - IT JUST DOESN'T MAKE ANY SENSE. 233 00:10:25,407 --> 00:10:27,061 - DARRYL, CLARK, KEVIN, TOBY, PLOP, 234 00:10:27,104 --> 00:10:29,411 TAKE A KNEE. 235 00:10:29,454 --> 00:10:32,936 ALL RIGHT, YOU GUYS ARE GONNA THINK I'M PSYCHO AGAIN. 236 00:10:32,980 --> 00:10:34,503 COULDN'T SHAKE THIS FEELING 237 00:10:34,546 --> 00:10:36,853 THAT ERIN'S DATING SOMEONE, SO I LOOKED AT HER PHONE. 238 00:10:36,897 --> 00:10:38,594 - MAN, YOU CAN'T DO THAT STUFF. 239 00:10:38,638 --> 00:10:40,204 YOU'LL ONLY FIND PAIN. 240 00:10:40,248 --> 00:10:42,337 WHEN MY EX-WIFE GOT INTO MY EMAIL ACCOUNT, 241 00:10:42,380 --> 00:10:43,338 SHE WAS DEVASTATED. 242 00:10:43,381 --> 00:10:45,296 - TOO LATE. 243 00:10:45,340 --> 00:10:47,342 I FOUND OUT SHE'S BEEN TEXTING A GUY NAMED PETE. 244 00:10:47,385 --> 00:10:50,301 DOES ANYBODY KNOW A PETE? 245 00:10:53,653 --> 00:10:55,306 - PETE. - HMM. 246 00:10:55,350 --> 00:10:56,786 - PETE WHAT? 247 00:10:56,830 --> 00:10:58,483 - IT JUST OCCURRED TO ME THAT ANDY 248 00:10:58,527 --> 00:10:59,920 HAS BEEN CALLING ME PLOP FOR SO LONG, 249 00:10:59,963 --> 00:11:03,663 HE FORGOT MY REAL NAME... WHICH IS PETE. 250 00:11:30,733 --> 00:11:31,734 - HELLO. 251 00:11:31,778 --> 00:11:33,214 - HEY. THERE SHE IS. 252 00:11:33,257 --> 00:11:34,737 - [chuckles] 253 00:11:34,781 --> 00:11:36,913 - HOW YOU DOING? - HI. 254 00:11:36,957 --> 00:11:38,393 HEY, DO I LOOK OKAY? 255 00:11:38,436 --> 00:11:39,437 - YOU LOOK GREAT. - OKAY. 256 00:11:39,481 --> 00:11:42,397 - YEAH. - WHAT'S THAT? 257 00:11:42,440 --> 00:11:43,964 IS THAT A-- - OKAY, I KNOW 258 00:11:44,007 --> 00:11:45,617 WHERE YOU'RE GOING WITH THIS, AND THIS IS WHO I AM NOW. 259 00:11:45,661 --> 00:11:46,749 I'M A DOUCHE. 260 00:11:46,793 --> 00:11:48,011 BUT LOOK WHAT I CAN DO WITH MY HANDS. 261 00:11:48,055 --> 00:11:49,839 - [giggles] - GOTTA GO. 262 00:11:49,883 --> 00:11:51,406 VIP JUST WALKED THROUGH THE DOOR. 263 00:11:51,449 --> 00:11:53,756 - HOW ARE YOU, ISAAC? YOU HAVE SOMETHING IN YOUR EAR. 264 00:11:53,800 --> 00:11:55,802 - IT'S A PHONE. 265 00:11:55,845 --> 00:11:58,369 - YES, IT IS, AND THANK YOU SO MUCH 266 00:11:58,413 --> 00:11:59,762 FOR SETTING UP THIS OPPORTUNITY. 267 00:11:59,806 --> 00:12:01,285 I REALLY APPRECIATE IT. - OF COURSE. 268 00:12:01,329 --> 00:12:02,460 ANYTHING FOR TEAM HALPERT. 269 00:12:02,504 --> 00:12:03,505 YOU'RE GONNA CRUSH IT, PAM. 270 00:12:03,548 --> 00:12:04,811 - THANKS. 271 00:12:04,854 --> 00:12:07,030 - YOU ARE GONNA CRUSH IT. - MM. 272 00:12:07,074 --> 00:12:08,466 - WOW, I MISSED YOU. 273 00:12:08,510 --> 00:12:09,946 - WAIT, ARE YOU SAYING THAT INTO THE PHONE, 274 00:12:09,990 --> 00:12:11,556 OR ARE YOU SAYING THAT TO ME? - CALL YOU RIGHT BACK. 275 00:12:11,600 --> 00:12:12,427 WHAT WERE YOU SAYING? 276 00:12:12,470 --> 00:12:14,124 - HA-HA. 277 00:12:14,168 --> 00:12:15,952 - AW. - HEY, JIM. 278 00:12:15,996 --> 00:12:17,432 WE GOT TRENT EDWARDS ON THE LINE. 279 00:12:17,475 --> 00:12:18,650 - I'VE GOTTA GO. - OKAY. 280 00:12:18,694 --> 00:12:20,870 - BUT YOU KNOW WHAT, TEAM HALPERT, OKAY? 281 00:12:20,914 --> 00:12:22,089 YOU'RE GONNA CRUSH IT. 282 00:12:22,132 --> 00:12:23,612 YOU'RE GONNA SMASH IT. 283 00:12:23,655 --> 00:12:25,005 OKAY. 284 00:12:25,048 --> 00:12:27,485 GOOD LUCK. - BYE. 285 00:12:27,529 --> 00:12:29,574 - GOD, SHE DRANK SO MUCH. 286 00:12:29,618 --> 00:12:31,141 AND SO QUICKLY. 287 00:12:31,185 --> 00:12:34,579 - MM. IN HER PRIME, SHIRLS COULD PUT AWAY HOMEMADE SCHNAPPS 288 00:12:34,623 --> 00:12:39,454 MORNING, NOON, AND NIGHT. - [coughs and laughs] 289 00:12:39,497 --> 00:12:42,152 - NOW ALL IT TAKES IS 1/2 LITER. 290 00:12:42,196 --> 00:12:44,111 SHE'S DREAMING. ALL RIGHT. 291 00:12:44,154 --> 00:12:46,113 LET'S GET HER OUT TO THE YARD, SO YOU CAN SPRAY HER DOWN. 292 00:12:46,156 --> 00:12:47,549 - SPRAY HER DOWN? 293 00:12:47,592 --> 00:12:49,725 - NO, IT'S A LOT BETTER THAN IT SOUNDS. 294 00:12:49,769 --> 00:12:52,728 THERE'S A PRIVATE SHOWER AREA, 295 00:12:52,772 --> 00:12:55,557 VERY TASTEFUL, VERY RUSTIC. 296 00:12:58,560 --> 00:12:59,735 - HEY. 297 00:12:59,779 --> 00:13:04,392 - COME ON IN. HAVE A SEAT. 298 00:13:04,435 --> 00:13:05,610 UH, THANKS FOR COMING IN. 299 00:13:05,654 --> 00:13:08,744 I JUST GOT TO GET SOMETHING OFF MY CHEST. 300 00:13:08,788 --> 00:13:13,618 I JUST GOT SOME REALLY WEIRD NEWS, AND, UH, 301 00:13:13,662 --> 00:13:15,795 I'M JUST GONNA COME OUT AND SAY IT. 302 00:13:15,838 --> 00:13:18,058 I JUST GOT OFF THE PHONE WITH MY DOCTOR, 303 00:13:18,101 --> 00:13:23,933 AND TURNS OUT I CONTRACTED CH-LAMYDIA FROM ERIN. 304 00:13:23,977 --> 00:13:26,414 AND IT'S INCURABLE. 305 00:13:26,457 --> 00:13:28,808 PRETTY LAME, HUH? 306 00:13:28,851 --> 00:13:31,027 - YEAH. 307 00:13:40,776 --> 00:13:43,300 YOU WERE GONE... 308 00:13:43,344 --> 00:13:45,085 - I KNEW IT! 309 00:13:45,128 --> 00:13:49,524 - FOR A LONG TIME, ANDY. - YOU AND ERIN ARE F... 310 00:13:49,567 --> 00:13:51,047 - ANDY, JUST SO YOU KNOW, 311 00:13:51,091 --> 00:13:52,614 THERE WAS NO OVERLAP. 312 00:13:52,657 --> 00:13:54,572 - NO OVERLAP? GREAT. 313 00:13:54,616 --> 00:13:55,747 GOOD. WOW. 314 00:13:55,791 --> 00:13:57,532 THIS IS SUDDENLY SO EASY. 315 00:13:57,575 --> 00:13:59,621 GUESS WHAT. YOU'RE FIRED. 316 00:13:59,664 --> 00:14:00,622 - WHAT? - YEAH. 317 00:14:00,665 --> 00:14:02,754 YOU ARE FIRED. 318 00:14:02,798 --> 00:14:04,800 ONE OF THE PERKS OF BEING BOSS. 319 00:14:04,844 --> 00:14:07,107 I CAN FIRE ANYONE WHO STEALS MY GIRLFRIEND. 320 00:14:07,150 --> 00:14:10,110 AND, WOW, THAT TURNS OUT TO BE YOU. 321 00:14:10,153 --> 00:14:11,198 YUP, SORRY. 322 00:14:11,241 --> 00:14:13,504 ♪ SO YOU HAD A BAD DAY - ANDY. 323 00:14:13,548 --> 00:14:15,724 - ♪ THE CAMERA DON'T LIE - ANDY. 324 00:14:15,767 --> 00:14:18,422 - ♪ YOU'RE A BIG IDIOT, GET OUT OF MY OFFICE ♪ 325 00:14:18,466 --> 00:14:20,424 - ANDY. - ♪ TURNS OUT YOU'RE FIRED 326 00:14:20,468 --> 00:14:23,601 ♪ BECAUSE YOU SUCK AND YOU'RE FIRED ♪ 327 00:14:23,645 --> 00:14:25,386 - IF YOU WANT TO TALK TO ME... - ♪ YOU HAD A BAD DAY 328 00:14:25,429 --> 00:14:27,344 - I'LL BE IN THE ANNEX, ALL RIGHT? 329 00:14:27,388 --> 00:14:28,955 I'M GONNA BE IN THE ANNEX. 330 00:14:28,998 --> 00:14:30,957 - [scatting] - TOBY. 331 00:14:31,000 --> 00:14:32,915 - [scatting] - TOBY. 332 00:14:32,959 --> 00:14:34,525 - YOU CAN'T FIRE PETE. 333 00:14:34,569 --> 00:14:38,268 YOU UNDERSTAND WHY, RIGHT? - NO. 334 00:14:38,312 --> 00:14:41,489 - ANDY, WE HAD THIS EXACT SAME CONVERSATION 335 00:14:41,532 --> 00:14:42,925 WHEN YOU WANTED TO GET RID OF NELLIE. 336 00:14:42,969 --> 00:14:46,886 YOU CAN'T JUST GET RID OF PEOPLE OVER GRUDGES. 337 00:14:46,929 --> 00:14:48,931 - NELLIE WAS A PROFESSIONAL GRUDGE. 338 00:14:48,975 --> 00:14:51,368 THIS IS A PURELY PERSONAL GRUDGE. 339 00:14:51,412 --> 00:14:54,371 - ALL RIGHT, WELL, LOOK, WHILE I HAVE YOU, 340 00:14:54,415 --> 00:14:56,983 THIS IS A RELATIONSHIP DISCLOSURE FORM 341 00:14:57,026 --> 00:14:59,811 FOR PETE AND ERIN. 342 00:14:59,855 --> 00:15:02,858 - THEY ALREADY HAVE A CONTRACT? 343 00:15:05,948 --> 00:15:08,429 "MUTUALLY AGREE TO..." 344 00:15:08,472 --> 00:15:11,954 EVERY PHRASE IS LIKE A DAGGER IN MY CROTCH. 345 00:15:11,998 --> 00:15:13,913 - IT'S JUST BOILERPLATE. YOU DON'T HAVE TO READ IT. 346 00:15:13,956 --> 00:15:15,088 - WELL, I'M NOT SIGNING AWAY MY RIGHTS. 347 00:15:15,131 --> 00:15:16,959 - I ALREADY SIGNED IT. 348 00:15:17,003 --> 00:15:19,788 I WAS JUST SHOWING YOU. 349 00:15:19,831 --> 00:15:21,790 - OKAY, WELL, WE'LL SEE ABOUT THAT. 350 00:15:21,833 --> 00:15:23,139 - ANDY, THAT'S NOT THE ORIGINAL. 351 00:15:23,183 --> 00:15:28,492 AND DESTROYING IT WILL NOT STOP THEM FROM DATING. 352 00:15:28,536 --> 00:15:30,233 ANDY. 353 00:15:39,895 --> 00:15:43,246 IT'S THE ORIGINAL. 354 00:15:43,290 --> 00:15:45,988 - ♪ IF THEY'RE TALKING CHESTER AVENUE ♪ 355 00:15:46,032 --> 00:15:47,337 ♪ TALKING TRIPLEX 356 00:15:47,381 --> 00:15:48,904 ♪ TALKING CONVERTING 357 00:15:48,948 --> 00:15:50,166 IS THAT HER? 358 00:15:50,210 --> 00:15:51,776 HEY, GUYS. 359 00:15:51,820 --> 00:15:52,864 SAY SOMETHING. I SAID-- - HELLO. 360 00:15:52,908 --> 00:15:55,041 - HI, I'M MARK. - HI. PAM. HELLO. 361 00:15:55,084 --> 00:15:57,086 - I'M THE HORRIBLE BOSS AROUND HERE, 362 00:15:57,130 --> 00:16:00,611 BUT PLEASE DON'T HIRE JAMIE FOXX TO KILL ME. 363 00:16:00,655 --> 00:16:03,832 ♪ DJANGO 364 00:16:03,875 --> 00:16:07,270 I DON'T AGREE WITH THE USE OF THE N-WORD IN THAT MOVIE. 365 00:16:07,314 --> 00:16:08,402 IT'S TOO SOON. 366 00:16:08,445 --> 00:16:11,274 - I'M PAM HALPERT. - OH. HI. 367 00:16:11,318 --> 00:16:13,189 - THEY CALL ME MARKY MARK AROUND HERE, 368 00:16:13,233 --> 00:16:14,408 BECAUSE HERE AT SIMON REALTY, 369 00:16:14,451 --> 00:16:17,106 WE ARE ONE FUNKY BUNCH. 370 00:16:17,150 --> 00:16:18,586 COME ON, YOU GUYS. 371 00:16:18,629 --> 00:16:21,023 RAISE THE ROOF WHEN I SAY THAT. 372 00:16:21,067 --> 00:16:23,025 WHAT ARE YOU, ALL TEMPS AGAIN TODAY? 373 00:16:23,069 --> 00:16:26,028 [whistles] LET'S GO, GANGNAM STYLE. 374 00:16:26,072 --> 00:16:28,030 [laughs] HE'S HEARD GANGNAM STYLE. 375 00:16:28,074 --> 00:16:29,118 HE KNOWS IT. RIGHT? 376 00:16:29,162 --> 00:16:31,033 THAT'S 'CAUSE HE'S AMERICAN. 377 00:16:31,077 --> 00:16:33,166 THIS IS CARL. 378 00:16:33,209 --> 00:16:34,471 HE'S, UH, FROM HERE. 379 00:16:34,515 --> 00:16:37,822 HE'S FROM... OUR NECK OF THE WOODS. 380 00:16:37,866 --> 00:16:40,869 BUT GANGNAM STYLE IS GREAT, ISN'T IT? 381 00:16:40,912 --> 00:16:44,046 - OH, MY GOD. HE'S MICHAEL SCOTT. 382 00:16:46,222 --> 00:16:48,094 - THIS IS NOT SO MUCH AN OFFICE 383 00:16:48,137 --> 00:16:50,270 AS IT IS A REC ROOM WITH A BUNCH OF COMPUTERS IN IT. 384 00:16:50,313 --> 00:16:52,011 AND FRANKLY, IF I HAD MY WAY, 385 00:16:52,054 --> 00:16:55,101 I'D TOSS THE COMPUTERS IN THE "GAR-BAHGE," 386 00:16:55,144 --> 00:16:57,059 BUT UNFORTUNATELY, WE USE THEM 387 00:16:57,103 --> 00:17:00,193 FOR PRACTICALLY EVERYTHING WE DO, SO... 388 00:17:00,236 --> 00:17:01,759 THAT AIN'T GONNA HAPPEN. 389 00:17:01,803 --> 00:17:04,153 HE'S A TEMP. DON'T WORRY ABOUT HIM. 390 00:17:04,197 --> 00:17:05,154 ALICE! 391 00:17:05,198 --> 00:17:09,028 ALL RIGHT. STAY AWAKE, OKAY? 392 00:17:09,071 --> 00:17:10,551 MY AUNT JOAN. 393 00:17:10,594 --> 00:17:13,597 OH, WELL, SHE--SHE WORKED HERE BEFORE I DID, 394 00:17:13,641 --> 00:17:15,556 SO THERE'S NO NEPOTISM INVOLVED. 395 00:17:15,599 --> 00:17:18,124 IN FACT, TO BE HONEST WITH YOU, I'M PROBABLY A LITTLE HARDER 396 00:17:18,167 --> 00:17:21,779 ON HER THAN I AM ON THE REST OF THESE PEOPLE. 397 00:17:21,823 --> 00:17:23,999 CAN YOU NOT WORK ON THIS? 398 00:17:24,043 --> 00:17:26,349 WORK ON THIS MONTH'S. 399 00:17:26,393 --> 00:17:28,177 OKAY, NANA? 400 00:17:29,178 --> 00:17:30,962 KIEFER? 401 00:17:31,006 --> 00:17:33,356 HI. I, UH-- 402 00:17:33,400 --> 00:17:35,097 DID YOU HEAR WHAT I SAID ABOUT DJANGOEARLIER? 403 00:17:35,141 --> 00:17:38,753 'CAUSE I'M WITH SPIKE LEE ON THAT. 404 00:17:38,796 --> 00:17:42,887 WHEN I SAY, "CHILLAX," PEOPLE CHILLAX. 405 00:17:42,931 --> 00:17:45,499 WATCH THIS. HEY, ROGER, CHILLAX. 406 00:17:47,370 --> 00:17:50,069 HE MUST NOT HAVE HEARD ME. 407 00:17:50,112 --> 00:17:52,723 - NO. I HEARD YOU. 408 00:17:52,767 --> 00:17:57,380 - STEP THIS WAY FOR THE SPANISH INQUISITION. 409 00:17:57,424 --> 00:17:59,687 KIDS IN THE HALL. 410 00:17:59,730 --> 00:18:02,211 JUST-- IT'S NOT HIGH PRESSURE. 411 00:18:02,255 --> 00:18:04,344 IT'S JUST A LITTLE [Brooklyn accent] CAWFEE TALK. 412 00:18:04,387 --> 00:18:06,302 OKAY? LIKE BUTTAH. 413 00:18:06,346 --> 00:18:07,390 COME ON IN HERE. 414 00:18:07,434 --> 00:18:10,698 MIKE MYERS. - [mouthing] OH, MY GOD. 415 00:18:17,008 --> 00:18:20,099 - THANK YOU. 416 00:18:20,142 --> 00:18:21,143 THANKS. THANKS A LOT. 417 00:18:21,187 --> 00:18:22,405 REALLY APPRECIATE IT. 418 00:18:22,449 --> 00:18:24,755 YOU GUYS WERE SUPPOSED TO HAVE MY BACK, OKAY? 419 00:18:24,799 --> 00:18:27,889 INSTEAD, YOU LET A GUY NAMED PLOP STEAL MY GIRLFRIEND. 420 00:18:27,932 --> 00:18:29,760 - HEY, BOSS, I DID EVERYTHING I COULD. 421 00:18:29,804 --> 00:18:31,371 I INVITED PETE OUT FOR DRINKS. 422 00:18:31,414 --> 00:18:34,200 I EMAILED HIM SHOTS OF MY JUNK. - UGH. 423 00:18:34,243 --> 00:18:36,115 - KID DOESN'T HAVE A ROMANTIC BONE IN HIS BODY. 424 00:18:36,158 --> 00:18:38,073 - COME ON, ANDY. THEY'RE A GOOD MATCH. 425 00:18:38,117 --> 00:18:39,422 - THAT DOESN'T MATTER, OKAY? 426 00:18:39,466 --> 00:18:43,383 WHAT MATTERS IS THAT I AM HURT. 427 00:18:43,426 --> 00:18:45,559 DEEP HURT INSIDE OF ME. 428 00:18:45,602 --> 00:18:48,649 I DON'T CARE IF THEY'RE ROMEO AND FREAKING JULIET. 429 00:18:48,692 --> 00:18:52,435 I FEEL LIKE THE GUY THAT JULIET DATED BEFORE ROMEO. 430 00:18:52,479 --> 00:18:54,350 PROBABLY HER BOSS. 431 00:18:54,394 --> 00:18:55,612 AND GUESS WHAT, 432 00:18:55,656 --> 00:18:57,745 JULIET'S BOSS ALSO HAD FEELINGS. 433 00:18:57,788 --> 00:19:00,313 - HEY, ANDY. - WHAT? 434 00:19:00,356 --> 00:19:03,403 - YOU GOT A BOOGER BUBBLE GOING ON THERE. 435 00:19:05,361 --> 00:19:07,929 - SORRY. 436 00:19:07,972 --> 00:19:09,060 - THAT'S OKAY. 437 00:19:09,104 --> 00:19:12,151 - MY WHOLE LIFE IS A BOOGER BUBBLE. 438 00:19:18,244 --> 00:19:20,463 - THIS IS A TINY RESUME. 439 00:19:20,507 --> 00:19:23,901 [inhales] PAPA SMURF. 440 00:19:23,945 --> 00:19:26,469 COME BACK TO THE MUSHROOM. 441 00:19:26,513 --> 00:19:27,862 - [chuckles] 442 00:19:27,905 --> 00:19:29,298 - FROM THE SMURFSMOVIE. - YEAH. 443 00:19:29,342 --> 00:19:32,083 I'VE SEEN THAT WITH MY KIDS. IT IS TINY. 444 00:19:32,127 --> 00:19:34,042 BUT I'VE ACTUALLY BEEN COMMISSIONED 445 00:19:34,085 --> 00:19:36,392 BY THE CITY OF SCRANTON TO PAINT A MURAL-- 446 00:19:36,436 --> 00:19:40,222 - WHAT DOES THIS SAY HERE? [speaking gibberish] 447 00:19:40,266 --> 00:19:41,789 WHAT LANGUAGE IS THIS? 448 00:19:41,832 --> 00:19:43,878 SWAHILI? OH, WAIT A SECOND. 449 00:19:43,921 --> 00:19:46,794 NOW I CAN READ IT. - OH, 'CAUSE IT WAS UPSIDE-DOWN. 450 00:19:46,837 --> 00:19:49,797 - YOU'RE A GOOD AUDIENCE. 451 00:19:49,840 --> 00:19:51,668 - SO-- 452 00:19:51,712 --> 00:19:53,235 - UNLIKE SOME OF THESE PEOPLE AROUND HERE. 453 00:19:53,279 --> 00:19:56,282 - YEAH. THE CITY COMMISSIONED ME TO DO-- 454 00:19:56,325 --> 00:19:58,545 - YEAH, WE DON'T HAVE A LOT OF CALL FOR DOODLING AROUND HERE. 455 00:19:58,588 --> 00:20:01,765 BUT I LIKE THIS RESUME, AND HERE'S WHY. 456 00:20:01,809 --> 00:20:04,464 IT SHOWS THAT YOU STICK AROUND. 457 00:20:06,379 --> 00:20:09,295 YEAH, YOU DON'T JUMP SHIP EASILY 458 00:20:09,338 --> 00:20:12,254 LIKE A LOT OF THESE PEOPLE. [sighs] 459 00:20:12,298 --> 00:20:15,431 I MEAN, THEY-- THEY WORSHIP ME, YOU KNOW, 460 00:20:15,475 --> 00:20:19,566 BUT DO THEY LIKE ME? 461 00:20:19,609 --> 00:20:24,135 I MEAN, DO YOU THINK THEY LIKE ME, PAM? 462 00:20:26,442 --> 00:20:28,357 - YES. 463 00:20:28,401 --> 00:20:31,012 - WHAT IF BOB DYLAN WAS YOUR BOSS? 464 00:20:31,055 --> 00:20:33,536 I'M GONNA DO DYLAN. 465 00:20:33,580 --> 00:20:36,147 ♪ 466 00:20:36,191 --> 00:20:38,802 ♪ PAM HALPERT IS MY NAME 467 00:20:38,846 --> 00:20:41,892 ♪ I'VE BEEN AT DUNDER MIFFLIN FOR... ♪ 468 00:20:41,936 --> 00:20:44,460 SEVEN YEARS? EIGHT YEARS. 469 00:20:44,504 --> 00:20:46,549 ♪ EIGHT YEARS, MAN 470 00:20:46,593 --> 00:20:48,682 ♪ GOT THE DUNDER MIFFLIN BLUES 471 00:20:48,725 --> 00:20:50,336 ♪ GOT THE PAM HALPERT BLUES 472 00:20:50,379 --> 00:20:53,513 ♪ GOT PRATT-- WENT TO PRATT INSTITUTE ♪ 473 00:20:53,556 --> 00:20:55,471 YOU HAVE CHILDREN? - TWO CHILDREN, YES. 474 00:20:55,515 --> 00:20:57,691 - AND YOU DO ART AND PAINTING? - MM-HMM. 475 00:20:57,734 --> 00:20:59,954 - KIND OF THE SAME THING. ♪ KIND OF THE SAME THING 476 00:20:59,997 --> 00:21:03,262 ♪ SOMETIMES I REPEAT MYSELF ♪ 477 00:21:03,305 --> 00:21:05,481 ♪ BUT THAT'S JUST BEING PAM ♪ 478 00:21:05,525 --> 00:21:07,353 ♪ 479 00:21:07,396 --> 00:21:09,355 ♪ WELL, I'M KINDA CUTE 480 00:21:09,398 --> 00:21:14,534 ♪ AND I'M... BUT I'M MARRIED, SO... ♪ 481 00:21:14,577 --> 00:21:17,232 ♪ LEAVE THAT BE 482 00:21:17,276 --> 00:21:19,887 ♪ LOOKING FOR-- L-LOOK ♪ 483 00:21:19,930 --> 00:21:21,323 HOW DOES DYLAN DO IT? 484 00:21:21,367 --> 00:21:23,891 WHAT IF BRUCE SPRINGSTEEN WAS YOUR BOSS? HEY!