- MANAGER OF DUNDER MIFFLIN. CHECK!
OWNER OF A 1,600-ACRE BEET FARM. CHECK!
ENGAGED TO BE MARRIED TO AN ACTUAL MILKMAID.
CHECK...ON THAT LATER TODAY.
- BIG DAY TODAY.
AIRING OF THE DOCUMENTARY. WHO'S EXCITED?
- TIME TO BECOME THE NEXT AMERICAN IDOL
BY WINNING AMERICA'S NEXT A CAPPELLA SENSATION.
- DARRYL? - OH, HEY! HEY.
- YOU LEFT US WITHOUT SAYING GOOD-BYE!
- MY BAD. GOOD-BYE, EVERYBODY.
- GET UPSTAIRS, MISTER!
- HOLD MY PLACE IN LINE.
THEY WANT FEEL-GOOD STORIES?
WAIT TILL THEY GET A GOOD FEEL OF ME.
- WHAT'S GOING ON?
- DARRYL WAS TALKING ABOUT THE TRIP,
AND I JUST FEEL LIKE YOU'RE GIVING UP SO MUCH.
- PAM.
- AND I'M AFRAID THAT I'M NOT ENOUGH FOR YOU.
- I KNOW IT'S AGAINST THE RULES,
BUT I'M GONNA NEED A FAVOR FROM YOU GUYS.
- ALL DAY LONG, IT'S OINK THE PIGS.
- OINK THE PIGS, THAT IS VERY IMPORTANT.
- DWIGHT?
- THE WAY THAT BOY LOOKS AT THE GALACTICA
IS PRECISELY THE WAY I LOOK AT THE GALACTICA.
[cheerful music]
♪
- LISTEN, LISTEN. SHH, BUDDY.
STANLEY'S SLEEPING.
YOU DON'T WANT TO WAKE UP THE GRUMPY OLD WALRUS, DO YOU?
- I HEARD THAT.
- MAMA.
- HEY, YOU WANT ME TO TAKE THE LITTLE DIAPER BLASTER?
PAM CAN ATTEST, THERE'S NO ONE BETTER
AT GETTING BRATS TO SHUT THEIR YAPS.
- HE DOES HAVE A GIFT.
- WELL, HE'S CALLING FOR HIS MOM,
BUT, OKAY, HERE, HERE YOU GO.
CAREFUL, HE BITES. - MAMA.
- OKAY.
YOU EVER BEEN IN A MANAGER'S OFFICE BEFORE?
PHILLIP, YOU WANNA PLAY A LITTLE GAME?
IT'S CALLED "SCHRUTE OR CONSEQUENCES."
YOU'RE GONNA CHOOSE ONE OF THESE TWO THINGS,
A CHECK FOR A MILLION DOLLARS
OR THIS DIRTY OLD BEET.
YUCK, PEW!
WHICH WILL IT BE?
MONEY OR THE BEET?
- BEET. - YEAH.
- [babbles]
- ANY ORDINARY CHILD WOULD HAVE TAKEN THE MONEY,
BUT YOU'RE NO ORDINARY CHILD, ARE YOU?
NO.
I CAN TELL BY YOUR GORGEOUS, WIDELY-SET EYES.
- WELL, IT'S BEEN GREAT.
- 11 YEARS.
A GUY IS IN YOUR LIFE FOR 11 YEARS,
AND THEN HE'S GONE FOR WHO KNOWS HOW LONG.
- MAYBE FOREVER. ANYHOW--
- DID WE EVER HAVE LUNCH TOGETHER,
JUST--JUST THE TWO OF US?
YOU KNOW WHAT, I'M GONNA MAKE RESERVATIONS
RIGHT NOW AT CUGINO'S.
- QUESTION FOR DARRYL.
DID WE EVER GET LOADED
AND LISTEN TO ZEPPELIN IN MY VAN?
- OH, OH, I'M SURE WE DID.
- NAH, I CALL ONE HOUR VAN TIME WITH DARRYL.
- DARRYL, YOU KNOW, I WOULD LOVE
TO JUST RECORD SOME OF YOUR STORIES,
JUST LET THE TAPE ROLL
FOR SIX OR EIGHT OR TEN HOURS,
AND JUST SEE WHAT WE GET.
- LISTEN, GUYS, WE CAN DO IT ALL.
WE JUST HAVE TO DIVIDE DARRYL'S NEXT 12 HOURS
INTO 90-MINUTE SEGMENTS.
I WILL GO WATCH AN EHOW VIDEO ON HOW TO USE EXCEL,
AND THEN WE'LL GET THIS STARTED.
- WHOA, WHOA, WHOA, WHOA, WAIT A MINUTE.
OKAY, I MADE THE MISTAKE OF SNEAKING OUT OF HERE,
AND THAT'S ON ME.
BUT I'M NOT GONNA SPEND THE REST OF THE DAY HERE
DOING STUFF WITH YOU 'CAUSE YOU'RE FEELING SENTIMENTAL.
- YOU HAVE TO! - COME ON!
- HEY, HEY, HEY. I'LL DO ONE THING WITH Y'ALL.
- WHICH THING?
- I DON'T CARE. CHOOSE AMONGST YOURSELVES.
NOT THE VAN THOUGH.
- HEY, WHAT'S GOING ON OVER HERE,
SOME SORT OF SINGING COMPETITION FOR THE YOUNG'UNS?
- YOU'RE BACK.
- NO, IT'S ME, ANDY.
- NO, I KNOW.
- NO, NO, NO, I'M WEARING MAKEUP.
- YOU DID A REALLY GREAT JOB.
- THANK YOU. - YOU EVEN LOOK SHORTER.
- OH, I TOOK OUT MY LIFTS. - OH.
- YEAH, UNLIKE ANDY BERNARD,
THIS CHARACTER IS MY REAL HEIGHT.
- OH.
- HEY.
DID YOU MANAGE TO FEED HIM?
I DON'T KNOW WHAT IT IS.
HE JUST KEEPS SPITTING OUT THE NIPPLE.
- THAT'S BECAUSE THIS BABY IS OF SUPERIOR INTELLIGENCE.
HE CAN TELL WHEN HE'S BEING TRICKED
OUT OF THE EXPERIENCE OF A REAL HUMAN BREAST.
- COME ON.
- HE'S NOT THAT SMART.
HE DOESN'T KNOW WHERE I HID HIS DUCK.
- SORRY, FOLKS, THE JUDGES ARE TOTALLY SWAMPED.
WE ARE ALL DONE TAKING AUDITIONS.
- OH, COME ON. - HEY!
- WHOA, WHOA, WHOA, WHOA, WHAT?
- BUT THANKS FOR COMING OUT AND PLEASE BE SURE
TO WATCH AMERICA'S NEXT A CAPPELLA SENSA--
- WHOA, WHOA, WHOA, WHOA. YOU CAN'T DO THAT.
- YEAH-- - YOU CAN'T DO THAT.
WE'VE ALL BEEN WAITING! - OKAY.
- I AM GOING IN THERE. DON'T--
- NO, YOU'RE NOT, SIR. - DON'T--DON'T--
- PLEASE DON'T. - DON'T TOUCH ME.
- I'M NOT TOUCHING YOU. OKAY.
- NO!
RUN, OLD MAN! RUN! - OW.
- RUN! RUN FOR YOUR LIFE!
GET--OH, DON'T YOU DARE. DON'T GET--I COULD--
YOU WERE GONNA GET HANDSY WITH ME.
NOT INTERESTED.
I'M CASEY DEAN!
YOU'LL BE SEEING THE LAST OF ME!
OR--I MEANT YOU WON'T BE SEEING THE LAST OF ME!
- THANK YOU.
- ♪ I AM BEAUTIFUL
♪ NO MATTER WHAT THEY SAY ♪
♪ YES, WORDS CAN'T BRING ME DOWN ♪
[thudding]
♪ WHOA
- HI. - ♪ WHOA-OH-NO
- YOU'RE STILL HERE. OH, THANK GOD.
- ♪ I AM BEAUTIFUL
- CLAY AIKEN, SANTIGOLD, AARON RODGERS.
YOU'RE, LIKE, MY THREE FAVORITE PEOPLE EVER.
- EXCUSE ME, WHAT IS THIS?
- SWEETHEART, YOU'RE AMAZING, OKAY?
YOU'RE OBVIOUSLY GONNA BE ON THE SHOW.
SO IT'S SOMEONE ELSE'S TURN NOW.
YEAH. GO AHEAD, ALL RIGHT?
UM... [clears throat]
[old man voice] MY NAME IS EZRA CORNELL
AND I'M JUST A KINDLY OLD FELLOW WITH A SONG IN MY HEART.
- NO, YOU'RE A MIDDLE-AGED MAN WITH A LOT OF MAKEUP ON.
- BUSTED.
GOT IT. YES, ALL RIGHT.
TRIED TO GET YOUR ATTENTION WITH TRICKS,
BUT YOU JUST WANT TO HEAR ME SING.
I RESPECT THAT.
- [laughs] WE DO NOT WANT TO HEAR YOU SING.
- GABRIELLA WAS OUR LAST AUDITION.
THANK YOU. GOOD-BYE. - NOPE! CAN'T END LIKE THIS.
SLEPT IN MY CAR LAST NIGHT.
QUIT MY JOB, BURNED ALL MY BRIDGES.
I WENT TO THE BATHROOM ON MY BOSS'S CAR.
AND I DID UNSPEAKABLE THINGS WITH CARLA FERN.
- UGH, FLAG ON THE PLAY. - THAT'S--THAT'S WHAT--YEAH.
OKAY, ALL RIGHT, WELL, HERE'S THE SONG.
[clears throat]
♪ FAR ABOVE CAYUGA'S WATERS
♪ WITH HER WAVES SO BLUE
♪ STANDS OUR NOBLE ALMA MATER ♪
- WHAT IS THIS SONG?
- ARE YOU INSANE? IT'S THE CORNELL FIGHT SONG.
- LISTEN, ALL RIGHT, THANK YOU VERY MUCH.
WE'RE NOT INTERESTED.
- YOU DIDN'T LET ME FINISH. THAT'S NOT FAIR.
- LOOK, MAN, YOU'RE NOT TERRIBLE BUT WE'VE HEARD A LOT
OF REALLY GOOD SINGERS TODAY, AND YOU'RE JUST NOT GOOD ENOUGH.
- WOW, YOU GUYS ARE REALLY MEAN.
[chuckles] I GUESS THAT'S THE SHOW.
LET ME TRY A DIFFERENT SONG, OKAY?
- CAN HE DO THIS?
- ♪ HEY, HOBO MAN, HEY, DAPPER DAN ♪
♪ YOU BOTH GOT YOUR STYLE
♪ BUT, BROTHER, YOU'RE NEVER FULLY DRESSED ♪
♪ WITHOUT A SMILE
YEAH. [sniffles]
♪ YOUR CLOTHES MAY BE BEAU BRUMMELLY ♪
- LOOK, YOU GOTTA GO.
- [sobbing]
- YOU CAN'T JUST SIT HERE AND CRY.
- OH, I CAN SO JUST SIT HERE AND CRY!
[sobbing]
- HEY, KEV, HOW YOU DOING, BUDDY?
- CAN'T HEAR YOU.
I'M GIVING YOU THE SILENCE TREATMENT.
HOW DOES IT FEEL BEING IGNORED?
- OKAY, I GUESS, IT'S JUST THAT PHILLIP GOT YOU SOMETHING.
- YEAH, A $25 GIFT CARD. iTUNES.
- I THINK THERE'S, LIKE, $7 LEFT.
- IT'S JUST HIS WAY OF SAYING,
"THANKS FOR LETTING ME HANG OUT IN ACCOUNTING."
- PHILLIP GOT THIS FOR ME? - SURE.
- THAT WAS A REALLY COOL MOVE.
- WOULD YOU LIKE TO HOLD PHILLIP?
YEAH.
THAT'S KEVIN.
- WHOA. - EASY.
- WHAT A CHUBBERS. [chuckles] WHOA.
- OKAY. - WATCH IT.
- I'M LOSING MY BALANCE. - NOW, KEVIN--NO.
- HEY, NO. - WHOA.
- NO HORSEPLAY. - STOP IT.
- YOU WANT TO PLAY WITH THE CACTUS?
- NO. - NO, NO.
- SO, ME AND PHILLIP WERE JUST TALKING
AND WE'VE DECIDED WE'RE GONNA BE BEST FRIENDS.
HE'S A LITTLE STANDOFFISH AT FIRST.
BUT ONCE HE STARTS BUYING YOU THINGS,
MAN, YOU CAN TELL HE LIKES YOU.
- WE HAVE OUR DECISION.
- YOU CHOSE ONETHING.
- WE WANT TO DANCE WITH YOU.
- YOU WANT TO DANCE? - ONE DANCE. ALL OF US TOGETHER.
- THIS IS WHAT YOU WANT?
- YEAH. - ABSOLUTELY.
- BETTER GET SOME DECENT SPEAKERS UP HERE THEN,
'CAUSE WE'RE GONNA DO THIS RIGHT.
- YES! - [laughs]
- YEAH!
- WHOO! - WHOO-HOO!
- HEY. YOU WANTED TO SEE ME?
- DOOR. CHAIR.
IT'S ABOUT PHILLIP. - I'M SORRY HE'S HERE TODAY.
BUT I HAD--
- I BELIEVE THAT THAT BOY MAY BE A SCHRUTE.
AND IF HE IS, THAT CHILD NEEDS TO BE ACCORDED WHAT IS HIS.
AN ENORMOUS FARM, AN INHERITANCE,
AND THE RIGHT TO BE RAISED
UNDER RIGOROUS SCHRUTE TRADITIONS.
YOU WILL, OF COURSE, BE COMPENSATED
WITH A MARRIAGE PROPOSAL.
- HOW THOUGHTFUL.
- THEN THE TWO OF YOU WOULD MOVE
TO MY 1,600-ACRE ESTATE, WHICH, LET'S FACE IT,
IS A BIG STEP UP FROM LIVING IN A GAY MAN'S CLOSET.
- IF HE IS YOUR SON,
THAT'S A GREAT PLAN.
BUT HE'S NOT.
HE'S NOT YOUR SON.
- VERY WELL.
- CAN I GO BACK TO MY DESK NOW?
- YES.
- WHAT'S THIS?
- WELL, I'VE BEEN TRYING TO TELL YOU HOW I FEEL,
AND YOU WOULDN'T BELIEVE ME,
SO... I NEEDED A LITTLE HELP.
- JIM, I NEED MY ASSISTANT TO THE REGIONAL MANAGER, CODE RED.
- OKAY, I DON'T HAVE MY POCKET CODE CHART
ON ME RIGHT NOW, SO...
- NOW.
- I HAVE AN ASSISTANT NOW WHO CAN HELP YOU
WITH WHATEVER YOU NEED.
HE IS LAZY, SO CRACK THE WHIP.
- JIM, I'M NOT KIDDING. I NEED YOU.
- GO AHEAD.
- OKAY, UM, THIS IS-- I'LL BE RIGHT BACK.
WHAT DO WE GOT?
- I WAS THINKING OF PROPOSING TO ESTHER TODAY.
- WOW! OKAY, CONGRATULATIONS. THAT'S A REALLY BIG STEP, MAN.
- SHE'S GOT A TON OF GREAT QUALITIES.
SHE'S YOUNG, SHE'S BEAUTIFUL.
GENES SO PURE YOU COULD LICK THEM.
HER FAMILY ADMIRES ME. MY FAMILY TOLERATES HERS.
A LOT OF THEM ARE THE SAME PEOPLE
BECAUSE WE'RE THIRD COUSINS,
WHICH IS GREAT FOR BLOODLINES, AND ISN'T TECHNICALLY INCEST.
- RIGHT IN THE SWEET SPOT.
I THINK YOU'RE GONNA BE REALLY HAPPY.
- PLUS HER DOWRY CONTAINS A WALK-IN FREEZER
FULL OF FROZEN, PREMIUM CATTLE SPERM.
- [whistles] THAT'S A LOT OF PROS.
- AND DID I MENTION THAT SHE WEAVES?
COLORFUL, DURABLE BLANKETS AND RUGS.
IT ALL ADDS UP.
- SO WHAT IS THE PROBLEM?
- [whispers] ANGELA.
- I DON'T KNOW WHAT YOU WANT ME TO TELL YOU, MAN.
ALL I KNOW IS THAT EVERY TIME I'VE BEEN FACED
WITH A TOUGH DECISION,
THERE'S ONLY ONE THING THAT OUTWEIGHS
EVERY OTHER CONCERN.
ONE THING THAT WILL MAKE YOU GIVE UP ON EVERYTHING
YOU THOUGHT YOU KNEW.
EVERY INSTINCT, EVERY RATIONAL CALCULATION.
- SOME SORT OF VIRUS?
- LOVE.
- OH.
[Snow Patrol's Open Your Eyes]
♪
- ♪ THE ANGER SWELLS IN MY GUTS ♪
♪ AND I WON'T FEEL THESE SLICES AND CUTS ♪
♪
♪ I WANT SO MUCH TO OPEN YOUR EYES ♪
♪ 'CAUSE I NEED YOU
♪ TO LOOK INTO MINE
♪
♪ TELL ME THAT YOU'LL OPEN YOUR EYES ♪
♪
♪ TELL ME THAT YOU'LL OPEN YOUR EYES ♪
- I'M IN LOVE WITH YOU.
- WHAT?
- ♪ TELL ME THAT YOU'LL OPEN YOUR EYES ♪
♪
♪ TELL ME THAT YOU'LL OPEN YOUR EYES ♪
♪
♪ GET UP, GET OUT
- DWIGHT, LISTEN, NO MATTER WHAT HAPPENS,
YOU GOT TO FORGET ABOUT ALL THE OTHER STUFF.
YOU GOTTA FORGET ABOUT LOGIC
AND FEAR AND DOUBT.
YOU JUST GOTTA DO EVERYTHING YOU CAN
TO GET TO THE ONE WOMAN
WHO'S GONNA MAKE ALL THIS WORTH IT.
AT THE END OF THE DAY,
YOU GOTTA JUMP.
YOU LOVE ANGELA, DWIGHT.
I THINK YOU ALWAYS HAVE.
- YOU'RE A GOOD ASSISTANT, JIM.
- NOT AS GOOD AS YOU.
- THAT'S VERY TRUE.
GET THE HELL OUT OF HERE.
- YOU GOT IT.
- I WAS JUST, UM, CHECKING OUT MY PRESENT.
- THIS IS AN AMAZING GIFT BECAUSE IT COMES WITH
BONUS GIFTS.
LOOK INSIDE.
- OH, MY GOD!
THE YEARBOOK PICTURE!
- YES. - THAT'S INCREDIBLE.
IS THIS THE BOGGLE TIMER?
- I DIDN'T THINK YOU WERE GONNA GET THAT ONE.
I REALLY DIDN'T. - OH, NO!
THIS IS, LIKE, THE BEST PRESENT EVER.
OKAY, WAIT. WHAT IS THIS?
- A MINI GOLF PENCIL THAT YOU THREW AT ME.
- LIKE, THREE YEARS AGO. YOU SAVED THIS?
- YES, I DID. - OH, MY GOD.
- ♪ AND I WON'T WASTE A MINUTE WITHOUT YOU ♪
- [sniffles]
- YOU WATCHED IT.
- YEAH.
- WELL, THEN I GUESS YOU'RE READY FOR THIS.
- WHAT'S THAT?
- IT'S FROM THE TEAPOT.
EVERYTHING YOU'LL EVER NEED TO KNOW
IS IN THAT NOTE.
NOT "ENOUGH" FOR ME?
YOU ARE EVERYTHING.
- THANK YOU.
- OKAY. READY, EVERYBODY? - HIT IT, RED!
[Erin claps and flips switch]
[Boogie Wonderland by Earth, Wind & Fire]
♪
- ♪ DANCE
♪ BOOGIE WONDERLAND
♪ DANCE
♪ BOOGIE WONDERLAND
♪ MIDNIGHT CREEPS SO SLOWLY ♪
♪ INTO HEARTS
♪ OF MEN WHO NEED MORE THAN THEY GET ♪
♪ DAYLIGHT DEALS A BAD HAND ♪
♪ TO A WOMAN
♪ WHO HAS MADE TOO MANY BETS ♪
♪ THE MIRROR STARES YOU IN THE FACE ♪
♪ AND SAYS, BABY, UH-UH, IT DON'T WORK ♪
♪ YOU SAY YOUR PRAYERS
♪ THOUGH YOU DON'T CARE
♪ YOU DANCE AND SHAKE THE HURT ♪
♪ DANCE
♪ BOOGIE WONDERLAND
♪ DANCE
♪ BOOGIE WONDERLAND
- I WANTED TO LEAVE QUIETLY.
IT SEEMED DIGNIFIED.
BUT HAVING KEVIN GRIND UP ON MY FRONT
WHILE ERIN PRETENDS TO HUMP ME FROM BEHIND
IS A MORE ACCURATE TRIBUTE TO MY YEARS HERE.
[exhales]
I'M GONNA MISS THESE GUYS.
- SEE YOU GUYS AT POOR RICHARD'S, ALL RIGHT?
- ALL RIGHT, MEREDITH. - ALL RIGHT.
- OKAY, BYE. - SEE YOU THERE.
- BYE, PHILLIP. - LISTEN, I--
- HIGH FIVE. - YAY!
I AM GONNA DROP PHILLIP OFF AT MY MOTHER'S,
AND I'LL MEET YOU AT POOR RICHARD'S IN AN HOUR.
- ARE YOU SURE YOU DON'T WANT ME TO DROP HIM OFF?
- SHE DOESN'T KNOW I'M LIVING WITH A STRAIGHT WOMAN.
I DON'T WANT TO GET HER HOPES UP.
- ALL RIGHT. BYE, BUDDY. BYE, BYE, BYE.
- OH, MY GOODNESS.
- [sighs]
- PULL OVER!
- DWIGHT?
- MOVE TO THE SIDE OF THE ROAD!
- WHY?
- PULL OVER!
- WHAT DO YOU--DWIGHT! [tires squeal]
[brakes screech]
DWIGHT, WHAT THE [bleep] IS YOUR PROBLEM?
- SILENCE, WOMAN! - WHO DRIVES LIKE THAT?
- LISTEN TO ME! I LOVE YOU!
AND I DON'T CARE THAT PHILLIP'S NOT MY SON!
I WILL RAISE 100 CHILDREN WITH 100 OF YOUR LOVERS
IF IT MEANS I CAN BE WITH YOU!
- CAN YOU PUT THAT DOWN?
- THIS EXPRESSES HOW LOUDLY I LOVE YOU!
- [whispers] IT'S TOO LOUD.
- THIS IS A RING
TAKEN FROM THE BUTTOCKS OF MY GRANDMOTHER,
PUT THERE BY THE GANGSTER PATRIARCH OF THE COORS DYNASTY,
MELTED IN A FOUNDRY RUN BY MENNONITES.
- OKAY. YES. YES, I WILL!
- [gasps] - I LOVE YOU.
- I LOVE YOU! [panting]
- AND I LIED TO YOU. - WHAT?
- PHILLIP'S YOUR SON.
- WHAT? WHY WOULD YOU SAY THAT--
- I JUST NEEDED YOU TO WANT TO MARRY ME
BECAUSE YOU WANTED TO MARRY ME.
- GET OUT!
I'M A DAD! - YOU'RE A DAD!
- [laughs]
[overlapping chatter]
- HEY, GRAB A SEAT.
WE HAVE THAT TABLE AND THAT TABLE,
BUT NOT THAT TABLE OR THAT TABLE OR THAT TABLE.
FLOOR'S UP FOR GRABS.
MEREDITH HAS BEEN HOGGING THE CAN.
[kiss] OH!
- YOU HAVE TO CHANGE THE CHANNEL TO PBS.
- YEAH. - COLLEGE BASEBALL IS ON.
- BUT THERE'S A DOCUMENTARY COMING UP.
EVERYONE IN THE BAR WILL LOVE IT.
- WHAT'S IT ABOUT? - A PAPER COMPANY.
- [laughs]
- HOW MANY PEOPLE WANT THE GAME?
- YEAH! - YES!
- WHO WANTS PBS?
- WHOO! - YES!
- SORRY. A TIE MEANS I DO NOTHING.
- SIR, PLEASE.
THIS SHOW IS ABOUT ME
AND MY ATTEMPTS TO FIND LOVE IN ALL THE WRONG PLACES.
- ONE MORE FOR THE DOC.
- HEY! [applause]
[overlapping chatter] - YAY, ANDY!
- ALL RIGHT. - YES!
- HEY, HOW WAS THE SINGING SHOW AUDITION?
- OH. EH, WHATEVER. NO BIG DEAL.
- OKAY. 30 SECONDS TO SHOW TIME.
- I FEEL SCARED A LITTLE.
- YEAH, I'M NOT READY FOR THIS.
- NO ONE IS READY FOR THIS. YOU CAN'T BE READY FOR THIS.
WE DON'T EVEN KNOW WHAT THIS IS.
- ONE THING WE DO KNOW. NOTHING WILL EVER BE THE SAME.
- HERE WE GO.
[upbeat music]
- ALL RIGHT, JIM, YOUR QUARTERLIES LOOK VERY GOOD.
HOW ARE THINGS GOING AT THE LIBRARY?
- OH, I TOLD YOU. I COULDN'T CLOSE IT, SO--
- SO, YOU'VE COME TO THE MASTER FOR GUIDANCE?
IS THIS WHAT YOU'RE SAYING, GRASSHOPPER?
- UH, ACTUALLY, YOU CALLED ME IN HERE.
- ALL RIGHT. WELL, LET ME SHOW YOU HOW IT'S DONE.