1 00:00:04,134 --> 00:00:05,396 - I'VE BEEN MANAGER FOR A YEAR NOW. 2 00:00:05,440 --> 00:00:07,398 I'M GETTING MARRIED TOMORROW AFTERNOON. 3 00:00:07,442 --> 00:00:09,183 IT'S GONNA BE NICE TO SEE EVERYONE AGAIN. 4 00:00:09,226 --> 00:00:11,272 - DARRYL, HOW IS AUSTIN? 5 00:00:11,315 --> 00:00:12,273 HOW'S ATHLEAD? 6 00:00:12,316 --> 00:00:13,317 - I LOVE IT. 7 00:00:13,361 --> 00:00:14,449 AND IT'S ATHLEAP NOW. 8 00:00:14,492 --> 00:00:16,842 AND THE CITY IS AMAZING. 9 00:00:16,886 --> 00:00:19,628 - I SPOKE AT CORNELL DURING COMMENCEMENT WEEK. 10 00:00:19,671 --> 00:00:21,325 WELL, I MEAN, THE SENIORS INVITED ME AS A JOKE, 11 00:00:21,369 --> 00:00:23,893 BUT IT WAS A HUGE SUCCESS. 12 00:00:23,936 --> 00:00:25,416 - WELL, I BET IT WAS A SMASH. 13 00:00:25,460 --> 00:00:28,463 - ANGELA'S BEEN KIDNAPPED! - GOOD OLD MOSE. 14 00:00:28,506 --> 00:00:30,595 HE JUST PULLED OFF A CEREMONIAL BRIDAL KIDNAPPING. 15 00:00:30,639 --> 00:00:33,294 - WHAT THE [bleep] IS YOUR PROBLEM, 16 00:00:33,337 --> 00:00:35,818 YOU [bleep] [bleep] [bleep]? 17 00:00:35,861 --> 00:00:38,951 - ERIN, THE THING I FOUND MOST COMPELLING 18 00:00:38,995 --> 00:00:43,304 ABOUT THE DOCUMENTARY WAS YOUR SEARCH FOR YOUR BIRTH MOTHER. 19 00:00:45,219 --> 00:00:47,438 - MOM? 20 00:00:47,482 --> 00:00:49,484 [gasps] 21 00:00:49,527 --> 00:00:55,490 [applause] 22 00:00:55,533 --> 00:00:58,971 - DWIGHT, I CAN'T BE THERE FOR YOU. 23 00:01:01,017 --> 00:01:02,758 - I CAN'T BELIEVE YOU CAME. 24 00:01:02,801 --> 00:01:05,630 - THAT'S WHAT SHE SAID. [snickers] 25 00:01:05,674 --> 00:01:07,067 - [whimpers] 26 00:01:07,110 --> 00:01:08,459 [both laughing] 27 00:01:08,503 --> 00:01:11,462 [cheerful music] 28 00:01:11,506 --> 00:01:17,077 ♪ 29 00:01:18,165 --> 00:01:19,122 - UCK. 30 00:01:19,166 --> 00:01:20,471 LOOK AT THIS MUD. 31 00:01:20,515 --> 00:01:22,473 CAN YOU IMAGINE IF I HAD WORN MY JIMMY CHOOS? 32 00:01:22,517 --> 00:01:24,736 I JUST SAVED YOU 600 BUCKS, MISTER. 33 00:01:24,780 --> 00:01:25,737 - THANKS FOR HELPING OUT, SWEETIE. 34 00:01:25,781 --> 00:01:26,738 - MM. 35 00:01:26,782 --> 00:01:29,176 - KELLY. YOU'RE HERE. 36 00:01:29,219 --> 00:01:32,353 - HEY, RYAN! - HEY. 37 00:01:32,396 --> 00:01:34,311 - WHOSE BABY IS THIS? OH, ARE YOU, LIKE, A MANNY NOW? 38 00:01:34,355 --> 00:01:38,446 - NO, THIS LITTLE GUY IS MINE. 39 00:01:38,489 --> 00:01:40,056 SO I WAS DATING THIS GIRL, AND ONE DAY, 40 00:01:40,100 --> 00:01:41,666 SHE WENT OUT TO GET A NEW CHARGER 41 00:01:41,710 --> 00:01:43,277 FOR HER E-CIGARETTE. 42 00:01:43,320 --> 00:01:45,583 NEVER CAME BACK. 43 00:01:45,627 --> 00:01:47,237 OLDEST STORY IN THE BOOK. 44 00:01:47,281 --> 00:01:48,456 [baby squeals] 45 00:01:48,499 --> 00:01:50,632 - RAVI, CHECK OUT THIS CUTE BABY. 46 00:01:50,675 --> 00:01:51,850 - RAVI IS A PEDIATRICIAN, 47 00:01:51,894 --> 00:01:54,462 AND SOME OF HIS PATIENTS ARE TOTAL UGGOS. 48 00:01:54,505 --> 00:01:56,028 - THEY'RE CALLED PREMATURE, SWEETIE. 49 00:01:56,072 --> 00:01:57,421 - YEAH. 50 00:01:57,465 --> 00:01:59,815 - IT'S GOOD TO SEE YOU AGAIN, RYAN. 51 00:01:59,858 --> 00:02:01,947 - THANKS. - LET ME JUST HELP-- 52 00:02:01,991 --> 00:02:03,166 - OOH! OH! - OW! 53 00:02:03,210 --> 00:02:04,646 - OH, BOY, MAYBE YOUR HEELS ARE TOO HIGH. 54 00:02:04,689 --> 00:02:06,735 - NO, MY HEELS AREN'T TOO HIGH. 55 00:02:06,778 --> 00:02:09,346 IT'S BECAUSE I SPENT THREE HOURS IN A CAR TRUNK. 56 00:02:09,390 --> 00:02:10,521 THANKS FOR NOT LOCKING THE DOOR 57 00:02:10,565 --> 00:02:12,262 WHEN I ASKED YOU TO, PHYLLIS. 58 00:02:12,306 --> 00:02:14,917 - OHH. - [sighs] 59 00:02:14,960 --> 00:02:18,138 SORRY, PHYLLIS. YOU DIDN'T KNOW. 60 00:02:18,181 --> 00:02:20,140 AS LONG AS I CAN GET TO THE ALTAR. 61 00:02:20,183 --> 00:02:22,490 - OH, I'M GONNA GET YOU TO THAT ALTAR. 62 00:02:22,533 --> 00:02:26,146 YOU CAN TAKE THAT TO THE BANK. 63 00:02:26,189 --> 00:02:29,149 [playing Sweet Child O' Mine] 64 00:02:29,192 --> 00:02:37,157 ♪ 65 00:02:52,563 --> 00:02:54,522 - AS IS TRADITIONAL TO THE SCHRUTES, 66 00:02:54,565 --> 00:02:57,873 THE LOVERS ARE STANDING IN THEIR OWN GRAVES 67 00:02:57,916 --> 00:03:02,225 AS A REMINDER THAT THIS IS THE ONLY ESCAPE 68 00:03:02,269 --> 00:03:04,749 FROM WHAT THEY ARE ABOUT TO DO. 69 00:03:04,793 --> 00:03:06,490 - SEE, I GET WHAT THEY'RE TRYING TO DO, 70 00:03:06,534 --> 00:03:08,623 BUT WHY ARE THE GRAVES SO SHALLOW? 71 00:03:08,666 --> 00:03:10,886 UGH. 72 00:03:16,761 --> 00:03:21,810 - "ARISE, MY LOVE, MY FAIR ONE, AND COME AWAY. 73 00:03:21,853 --> 00:03:24,595 "FOR LO, THE WINTER IS PASSED. 74 00:03:24,639 --> 00:03:28,512 "THE RAIN IS OVER AND GONE. 75 00:03:28,556 --> 00:03:32,342 "THE TIME OF SINGING HAS COME, 76 00:03:32,386 --> 00:03:34,953 "AND THE VOICE OF THE TURTLE DOVE 77 00:03:34,997 --> 00:03:37,434 "IS HEARD IN OUR LAND. 78 00:03:37,478 --> 00:03:41,699 "LET ME SEE YOUR FACE. LET ME HEAR YOUR VOICE. 79 00:03:41,743 --> 00:03:43,962 "FOR YOUR VOICE IS SWEET, 80 00:03:44,006 --> 00:03:48,358 AND YOUR FACE IS COMELY." 81 00:03:48,402 --> 00:03:51,666 - I NOW PRONOUNCE YOU MAN AND WIFE. 82 00:03:51,709 --> 00:03:56,453 [cheers and applause] 83 00:03:56,497 --> 00:03:59,021 - BRAVO! - BRAVO! 84 00:03:59,064 --> 00:04:01,458 - LADIES AND GENTLEMEN, THANK YOU SO MUCH FOR COMING. 85 00:04:01,502 --> 00:04:04,722 NOW, PLEASE TAKE YOUR HAY BALES TO THE RECEPTION. 86 00:04:04,766 --> 00:04:06,463 THEY'LL BE USED FOR SEATING. 87 00:04:06,507 --> 00:04:08,987 COMPLIMENTARY HAY HOOKS ARE PLACED ALONG THE AISLES. 88 00:04:09,031 --> 00:04:11,076 JUST STAB 'EM ON IN THERE. 89 00:04:13,165 --> 00:04:14,428 - [straining] 90 00:04:14,471 --> 00:04:16,343 [indistinct chatter] 91 00:04:16,386 --> 00:04:17,648 - AGH! - YOU GET IT? 92 00:04:20,303 --> 00:04:23,350 - ♪ NOW WHEN THE WINDS CRY ANGELA ♪ 93 00:04:23,393 --> 00:04:26,570 ♪ ANGELA, I'LL BE THERE FOR YA ♪ 94 00:04:26,614 --> 00:04:30,661 ♪ AND WHEN THE STORMS SCREAM ANGELA ♪ 95 00:04:30,705 --> 00:04:36,014 ♪ ANGELA, I'LL BE THERE, YEAH ♪ 96 00:04:36,058 --> 00:04:39,322 ♪ OH, ANGELA 97 00:04:39,366 --> 00:04:42,107 ♪ OH, ANGELA 98 00:04:42,151 --> 00:04:46,068 ♪ WHEN THE WINDS CRY ANGELA 99 00:04:46,111 --> 00:04:47,069 ♪ ANGELA 100 00:04:47,112 --> 00:04:49,114 - EVERYBODY. 101 00:04:49,158 --> 00:04:52,204 [The Cars' You Might Think] 102 00:04:52,248 --> 00:04:56,252 ♪ 103 00:04:56,296 --> 00:04:58,080 - WHERE'D YOU LEARN TO DANCE LIKE THAT? 104 00:04:58,123 --> 00:04:59,516 - I DON'T KNOW. 105 00:04:59,560 --> 00:05:03,346 I'VE JUST ALWAYS BEEN REALLY GOOD AT DANCING. 106 00:05:03,390 --> 00:05:04,739 - RAVI? 107 00:05:04,782 --> 00:05:06,349 RAVI? 108 00:05:06,393 --> 00:05:07,959 DRAKE HAS A BIT OF A RASH. 109 00:05:08,003 --> 00:05:09,613 AND HE'S HOT. - OH, NO. 110 00:05:09,657 --> 00:05:11,223 - I WAS WONDERING, 111 00:05:11,267 --> 00:05:12,616 COULD YOU MAYBE EXAMINE HIM FOR A SECOND? 112 00:05:12,660 --> 00:05:14,531 - OH, YEAH, YOU'RE NOT FEELING WELL, LITTLE GUY? 113 00:05:14,575 --> 00:05:16,316 OKAY, SURE. SHOULD WE GO INSIDE? 114 00:05:16,359 --> 00:05:18,230 - ACTUALLY, COULD YOU GO INSIDE? 115 00:05:18,274 --> 00:05:19,841 I'M FEELING A LITTLE DEHYDRATED. 116 00:05:19,884 --> 00:05:22,234 I COULD REALLY USE A LITTLE BREAK, HAVE SOME WATER. 117 00:05:22,278 --> 00:05:23,453 - ARE YOU SURE YOU DON'T WANNA GO IN? 118 00:05:23,497 --> 00:05:25,803 - RAVI, JUST DO IT. THAT BABY IS BURNING UP. 119 00:05:25,847 --> 00:05:27,109 ISN'T THIS, LIKE, WHAT YOU LIVE FOR? 120 00:05:27,152 --> 00:05:29,111 JUST GO, GO! - THANK YOU, RAVI. 121 00:05:29,154 --> 00:05:30,373 THANK YOU SO MUCH. 122 00:05:30,417 --> 00:05:31,722 THIS IS GREAT FOR ME AND FOR DRAKE. 123 00:05:31,766 --> 00:05:34,638 THANK YOU. 124 00:05:34,682 --> 00:05:36,423 [sighs] 125 00:05:36,466 --> 00:05:39,730 - I DON'T KNOW, RYAN. BABY DRAKE DIDN'T LOOK SO GOOD. 126 00:05:39,774 --> 00:05:41,515 - HE'LL BE FINE. I LET HIM SUCK ON A STRAWBERRY. 127 00:05:41,558 --> 00:05:43,125 HE'S ALLERGIC, BUT HE'LL GET OVER IT FAST. 128 00:05:43,168 --> 00:05:44,344 I HAD TO TALK TO YOU. 129 00:05:44,387 --> 00:05:46,694 - YOU GAVE YOUR BABY AN ALLERGIC REACTION 130 00:05:46,737 --> 00:05:49,566 JUST TO TALK TO ME? 131 00:05:52,700 --> 00:05:54,658 - MM. MMM. 132 00:05:54,702 --> 00:05:57,705 - ♪ SARA SMILE 133 00:05:57,748 --> 00:05:59,924 - MICHAEL HAS SO MANY PICTURES OF HIS KIDS, 134 00:05:59,968 --> 00:06:02,013 HE HAD TO GET TWO PHONES WITH TWO NUMBERS, 135 00:06:02,057 --> 00:06:03,406 AND HE PAYS TWO BILLS. 136 00:06:03,450 --> 00:06:05,103 OH, MY GOSH, IT'S CHOREOGRAPHED! 137 00:06:05,147 --> 00:06:08,411 HE'S JUST SO HAPPY TO HAVE A FAMILY PLAN. 138 00:06:08,455 --> 00:06:09,543 - ♪ SO FREE AND EASY 139 00:06:09,586 --> 00:06:11,283 - I MISSED YOU. 140 00:06:11,327 --> 00:06:13,068 - I MISSED YOU TOO. 141 00:06:13,111 --> 00:06:15,287 - ♪ I'M EXCITED JUST BY TOUCHING YOUR HAND ♪ 142 00:06:15,331 --> 00:06:17,159 - LOTS OF PEOPLE THINK 143 00:06:17,202 --> 00:06:18,465 THAT STANLEY HUDSON'S A MEAN OLD GRUMP. 144 00:06:18,508 --> 00:06:19,988 [laughs] 145 00:06:20,031 --> 00:06:21,381 BUT... [crying] 146 00:06:21,424 --> 00:06:24,862 WOULD A GRUMP MAKE THIS? 147 00:06:24,906 --> 00:06:28,562 IT'S ME. 148 00:06:28,605 --> 00:06:31,478 IT'S ME. 149 00:06:31,521 --> 00:06:35,090 - ♪ I WANNA RUN WITH YOU, FAST AS I CAN ♪ 150 00:06:35,133 --> 00:06:36,787 - I LOVE YOU. - [laughing] I LOVE YOU TOO. 151 00:06:36,831 --> 00:06:38,354 - WE'RE GONNA BE TOGETHER FOREVER. 152 00:06:38,398 --> 00:06:39,529 - WE'RE RUNNING OFF INTO THE SUNSET. 153 00:06:39,573 --> 00:06:42,402 - I FINALLY MASTERED COMMITMENT. 154 00:06:42,445 --> 00:06:43,707 - WHAT WAS THAT STUFF? 155 00:06:43,751 --> 00:06:45,796 - HEY, HAS ANYONE SEEN RYAN... OR KELLY? 156 00:06:45,840 --> 00:06:47,450 - OOH! YES. 157 00:06:47,494 --> 00:06:50,018 UH, THEY LEFT TOGETHER A LITTLE WHILE AGO. 158 00:06:50,061 --> 00:06:53,369 KELLY WAS HOPING THAT YOU WOULD KEEP THE BABY, 159 00:06:53,413 --> 00:06:55,937 SO THEY CAN START A NEW LIFE TOGETHER. 160 00:06:55,980 --> 00:06:59,027 - OH, THAT'S IT. HERE. 161 00:06:59,070 --> 00:07:01,725 CALL CHILD SERVICES AND REPORT AN ABANDONED BABY. 162 00:07:01,769 --> 00:07:03,771 WE'LL FIND A BETTER PARENT THAN RYAN IN NO TIME. 163 00:07:03,814 --> 00:07:06,338 - OH, I DON'T KNOW. 164 00:07:06,382 --> 00:07:08,384 - UM, KEVIN? 165 00:07:08,428 --> 00:07:11,431 OH, I CAN HELP YOU WITH THAT. YEAH. 166 00:07:11,474 --> 00:07:13,433 I MEAN, I CAN FIND SOMEONE WHO WILL-- 167 00:07:13,476 --> 00:07:15,391 WHO WILL LOVE THAT... [baby cooing] 168 00:07:15,435 --> 00:07:17,393 BEAUTIFUL LITTLE BOY THE WAY HE DESERVES. 169 00:07:17,437 --> 00:07:20,570 - HEY. THIS IS BETTER. 170 00:07:20,614 --> 00:07:23,399 - YES! IT IS. - HI. 171 00:07:23,443 --> 00:07:25,053 - OH, YES. - HEY. 172 00:07:25,096 --> 00:07:27,142 - YES, IT IS. 173 00:07:27,185 --> 00:07:29,144 OH, YES, IT IS! 174 00:07:29,187 --> 00:07:30,493 IF RYAN WANTS HIS BABY BACK, 175 00:07:30,537 --> 00:07:32,930 PLEASE TELL HIM WHERE TO FIND ME. 176 00:07:32,974 --> 00:07:34,932 WE'LL BE SOMEWHERE IN EUROPE. 177 00:07:34,976 --> 00:07:36,368 [laughing] 178 00:07:36,412 --> 00:07:39,110 WON'T WE? [Drake laughing] 179 00:07:39,154 --> 00:07:42,157 [indistinct chatter] 180 00:07:45,421 --> 00:07:47,684 - [crying] I FEEL LIKE ALL MY KIDS GREW UP, 181 00:07:47,728 --> 00:07:51,645 AND THEN THEY MARRIED EACH OTHER. 182 00:07:51,688 --> 00:07:54,735 IT'S EVERY PARENT'S DREAM. 183 00:07:54,778 --> 00:07:56,040 - THANK YOU SO MUCH. - GOOD NIGHT. 184 00:07:56,084 --> 00:07:57,433 - GOOD LUCK. - GOOD EVENING. 185 00:07:57,477 --> 00:07:58,521 - THE DOC CREW'S THROWING A BIG AFTER PARTY 186 00:07:58,565 --> 00:07:59,914 IN THE WAREHOUSE TONIGHT. 187 00:07:59,957 --> 00:08:01,742 - YEAH, I HEARD. IT SOUNDS KINDA LAME. 188 00:08:01,785 --> 00:08:04,396 NO OFFENSE. YOU GOING, TOBY? 189 00:08:04,440 --> 00:08:06,311 - OH, I DON'T KNOW. I MIGHT TURN IN EARLY. 190 00:08:06,355 --> 00:08:08,139 - IT'S ONLY 6:00. 191 00:08:08,183 --> 00:08:10,011 COME ON, EVERYBODY'S GOING. - YOU HAVE TO GO, TOBY. 192 00:08:10,054 --> 00:08:11,491 - YEAH, COME ON, TOBES. - COME ON, TOBY. 193 00:08:11,534 --> 00:08:13,493 - COME ON! - YEAH, I'LL STOP BY. 194 00:08:13,536 --> 00:08:15,886 [all cheering] - THERE HE IS. 195 00:08:21,631 --> 00:08:23,503 - [sighs] 196 00:08:23,546 --> 00:08:26,636 I NEED TO GET OUT OF THIS DRESS. - I GOTTA GET OUT OF THIS DRESS. 197 00:08:28,508 --> 00:08:30,553 - OH, I'M SORRY, PAM. 198 00:08:30,597 --> 00:08:32,120 - WHAT'S GOING ON? 199 00:08:32,163 --> 00:08:33,600 - [sighs] 200 00:08:33,643 --> 00:08:35,384 [whispering] WHY ARE YOU STILL HERE? 201 00:08:35,427 --> 00:08:37,560 - I'M SO SORRY. THEY WERE AN HOUR LATE. 202 00:08:37,604 --> 00:08:39,170 - NO, REALLY, WHAT'S GOING ON? 203 00:08:39,214 --> 00:08:41,216 - OKAY, OKAY. UM... 204 00:08:41,259 --> 00:08:46,177 SO...THIS PAST YEAR HAS BEEN REALLY GREAT, 205 00:08:46,221 --> 00:08:49,529 AND YOU'VE BEEN GREAT, AND... 206 00:08:49,572 --> 00:08:52,096 I JUST--I KNOW THAT YOU HAD TO MAKE THIS CHOICE, 207 00:08:52,140 --> 00:08:54,534 AND YOU HAD TO GIVE SOMETHING UP FOR ME. 208 00:08:54,577 --> 00:08:56,579 BUT I NEVER WANT YOU TO HAVE TO GIVE UP ANYTHING. 209 00:08:56,623 --> 00:08:59,321 I JUST THOUGHT IF I COULD GET US AN OFFER, 210 00:08:59,364 --> 00:09:01,497 THEN THERE WOULDN'T BE ANYTHING STANDING IN OUR WAY, 211 00:09:01,541 --> 00:09:05,501 AND I COULD COME TO YOU WITH THIS BIG JIM GESTURE... 212 00:09:05,545 --> 00:09:09,287 AND SHOW YOU ALL AT ONCE JUST HOW MUCH I LOVE YOU, 213 00:09:09,331 --> 00:09:12,508 AND HOW MUCH I REALLY DO BELIEVE IN YOUR FUTURE. 214 00:09:12,552 --> 00:09:14,684 - SORRY, HOW LONG HAVE YOU BEEN SHOWING THE HOUSE? 215 00:09:14,728 --> 00:09:17,600 - ABOUT TWO MONTHS. - THAT'S WHY IT'S SO CLEAN. 216 00:09:17,644 --> 00:09:18,949 - YEAH. 217 00:09:18,993 --> 00:09:21,256 - I MEAN, YOU WERE GONNA DO THIS WITHOUT ME? 218 00:09:21,299 --> 00:09:24,476 - WELL, YOU--YOU BOUGHT THE HOUSE WITHOUT TELLING ME, 219 00:09:24,520 --> 00:09:28,045 SO I THOUGHT I COULD SELL IT WITHOUT TELLING YOU. 220 00:09:28,089 --> 00:09:30,961 - OH...OKAY. - [laughs] 221 00:09:31,005 --> 00:09:32,528 - WHERE WOULD WE GO? 222 00:09:32,572 --> 00:09:36,619 - AUSTIN? MAYBE. 223 00:09:36,663 --> 00:09:38,578 - I PROMISE YOU... 224 00:09:38,621 --> 00:09:40,144 YOU DON'T HAVE TO DO THIS FOR ME. 225 00:09:40,188 --> 00:09:42,190 - I'M DOING IT FOR US. 226 00:09:42,233 --> 00:09:44,148 - OKAY. - THE LAST-- 227 00:09:44,192 --> 00:09:45,933 - WE'LL TAKE IT. - HOLD ON ONE SECOND. 228 00:09:45,976 --> 00:09:48,500 THE LAST FEW MONTHS HAVE MEANT THE WORLD TO ME. 229 00:09:48,544 --> 00:09:49,850 AND ALL I CARE ABOUT-- - HOLD ON A SECOND. 230 00:09:49,893 --> 00:09:51,373 WAIT, WHAT DID YOU JUST SAY? 231 00:09:51,416 --> 00:09:54,071 - WE WANNA BUY YOUR HOUSE. 232 00:09:54,115 --> 00:09:57,814 - [laughing] 233 00:09:57,858 --> 00:10:00,556 - YOU WANNA DO THIS? - I WANNA DO THIS. 234 00:10:00,600 --> 00:10:03,254 - YOU REALLY WANNA DO THIS? - I REALLY WANNA DO THIS! 235 00:10:03,298 --> 00:10:06,649 [both laughing] 236 00:10:06,693 --> 00:10:08,433 - OH, MY GOD. 237 00:10:08,477 --> 00:10:10,653 [rap music playing] 238 00:10:10,697 --> 00:10:12,524 - HEY, DARRYL. 239 00:10:12,568 --> 00:10:14,962 [whispers indistinctly] 240 00:10:15,005 --> 00:10:17,181 - WHAT? 241 00:10:20,489 --> 00:10:21,664 - COOL. 242 00:10:21,708 --> 00:10:23,579 - OH, THAT'S FOR PBS EXECUTIVES ONLY. 243 00:10:23,623 --> 00:10:26,538 - I HAD TO PLEDGE $50 TO MY LOCAL PBS STATION 244 00:10:26,582 --> 00:10:29,672 JUST TO GET THIS. 245 00:10:29,716 --> 00:10:33,676 - UH, COULD I PLEASE HAVE YOUR ATTENTION? 246 00:10:33,720 --> 00:10:37,027 SO A YEAR AGO, I GOT MY FIRST ART COMMISSION 247 00:10:37,071 --> 00:10:39,813 TO PAINT A MURAL FOR DUNDER MIFFLIN. 248 00:10:39,856 --> 00:10:42,554 AND I DECIDED TO PAINT THE HISTORY OF PAPER. 249 00:10:42,598 --> 00:10:45,688 AND THEN SOMEONE SPRAY PAINTED A BUNCH OF BUTTS ON IT, 250 00:10:45,732 --> 00:10:47,864 AND I HAD TO START FROM THE BEGINNING. 251 00:10:47,908 --> 00:10:50,737 BUT IT ALL WORKED OUT FOR THE BEST, 252 00:10:50,780 --> 00:10:53,957 BECAUSE I THINK THAT I'VE PAINTED THE PERFECT THING, 253 00:10:54,001 --> 00:10:56,394 WHICH IS THE HISTORY OF US. 254 00:10:56,438 --> 00:10:58,658 ALL OF US. 255 00:10:58,701 --> 00:11:00,616 AND THIS IS FOR YOU, JIM. 256 00:11:00,660 --> 00:11:03,358 [applause] AND GO AHEAD! 257 00:11:04,751 --> 00:11:07,144 [all cheering] 258 00:11:11,496 --> 00:11:14,935 EVERYONE, LET'S TAKE OUR PICTURE IN FRONT OF THE MURAL. 259 00:11:23,770 --> 00:11:25,119 OH, UM, I JUST-- 260 00:11:25,162 --> 00:11:26,773 I KIND OF MEANT JUST EVERYBODY FROM THE OFFICE. 261 00:11:26,816 --> 00:11:29,689 [laughter] 262 00:11:29,732 --> 00:11:33,780 [shutter clicking] 263 00:11:33,823 --> 00:11:34,694 - VERY NICE. 264 00:11:34,737 --> 00:11:37,697 JUST A COUPLE DOZEN MORE. 265 00:11:37,740 --> 00:11:41,526 SMILES, EVERYBODY, SMILES. 266 00:11:41,570 --> 00:11:43,311 ALL RIGHT, THAT'S GREAT. I GOT ENOUGH. 267 00:11:43,354 --> 00:11:46,227 THANK YOU, EVERYBODY. 268 00:11:46,270 --> 00:11:48,098 - LET'S GO OUTSIDE. - OKAY. 269 00:11:48,142 --> 00:11:49,796 [indistinct chatter] 270 00:11:53,103 --> 00:11:55,497 - OKAY, I NEED A DRINK. 271 00:11:55,540 --> 00:11:57,934 - YEAH, WE ALL NEED A DRINK. 272 00:11:57,978 --> 00:12:00,807 [phone ringing] 273 00:12:00,850 --> 00:12:02,112 - OH, SO... - MM-HMM. 274 00:12:02,156 --> 00:12:04,419 - RIGHT. 275 00:12:09,206 --> 00:12:11,774 - DUNDER MIFFLIN, THIS IS PAM. 276 00:12:11,818 --> 00:12:14,777 OH, I'M SORRY. 277 00:12:14,821 --> 00:12:19,347 JIM HALPERT DOESN'T WORK HERE ANYMORE. 278 00:12:21,305 --> 00:12:24,352 I DIDN'T WATCH THE WHOLE DOCUMENTARY. 279 00:12:24,395 --> 00:12:25,788 AFTER A FEW EPISODES, IT WAS TOO PAINFUL. 280 00:12:25,832 --> 00:12:28,443 I KEPT WANTING TO SCREAM AT PAM. 281 00:12:28,486 --> 00:12:31,968 IT TOOK ME SO LONG TO DO SO MANY IMPORTANT THINGS. 282 00:12:32,012 --> 00:12:34,710 IT'S JUST HARD TO ACCEPT THAT I SPENT SO MANY YEARS 283 00:12:34,754 --> 00:12:36,712 BEING LESS HAPPY THAN I COULD'VE BEEN. 284 00:12:36,756 --> 00:12:40,585 JIM WAS 5 FEET FROM MY DESK, 285 00:12:40,629 --> 00:12:42,936 AND IT TOOK ME FOUR YEARS TO GET TO HIM. 286 00:12:42,979 --> 00:12:45,242 IT'D BE GREAT IF PEOPLE SAW THIS DOCUMENTARY 287 00:12:45,286 --> 00:12:47,244 AND LEARNED FROM MY MISTAKES. 288 00:12:47,288 --> 00:12:50,682 NOT THAT I'M A TRAGIC PERSON. I'M REALLY HAPPY NOW. 289 00:12:50,726 --> 00:12:53,207 BUT... 290 00:12:53,250 --> 00:12:55,992 IT WOULD JUST-- JUST MAKE MY HEART SOAR 291 00:12:56,036 --> 00:12:58,255 IF SOMEONE OUT THERE SAW THIS 292 00:12:58,299 --> 00:13:00,605 AND SHE SAID TO HERSELF, 293 00:13:00,649 --> 00:13:02,303 "BE STRONG. 294 00:13:02,346 --> 00:13:04,261 "TRUST YOURSELF, LOVE YOURSELF. 295 00:13:04,305 --> 00:13:06,350 "CONQUER YOUR FEARS. 296 00:13:06,394 --> 00:13:08,570 "JUST GO AFTER WHAT YOU WANT. 297 00:13:08,613 --> 00:13:13,270 AND ACT FAST, BECAUSE LIFE JUST ISN'T THAT LONG." 298 00:13:13,314 --> 00:13:15,838 - IF THERE IS ONE THING THAT I HAVE LEARNED 299 00:13:15,882 --> 00:13:18,232 THROUGH THIS WHOLE EXPERIENCE... 300 00:13:18,275 --> 00:13:20,016 [cheering] IT'S THAT... 301 00:13:20,060 --> 00:13:24,238 IF YOU FILM ANYBODY LONG ENOUGH, 302 00:13:24,281 --> 00:13:27,850 THEY'RE GOING TO DO SOMETHING STUPID. 303 00:13:27,894 --> 00:13:32,376 [all whooping] IT'S ONLY HUMAN NATURAL. 304 00:13:32,420 --> 00:13:33,334 - HEY, GUYS. 305 00:13:33,377 --> 00:13:36,728 - HI. all: HEY! 306 00:13:36,772 --> 00:13:38,339 - WHAT ABOUT THE HONEYMOON? 307 00:13:38,382 --> 00:13:40,210 - OH, THE HONEYMOON CAN WAIT TILL TOMORROW. 308 00:13:40,254 --> 00:13:41,951 WE WANTED TO HANG OUT WITH YOU GUYS. 309 00:13:41,995 --> 00:13:45,128 I MEAN, WHEN ARE WE ALL GOING TO BE HERE TOGETHER AGAIN? 310 00:13:45,172 --> 00:13:46,695 - AW. 311 00:13:46,738 --> 00:13:48,262 J, P, AND D. THE THREE AMIGOS. 312 00:13:48,305 --> 00:13:49,654 AH, IT WARMS MY HEART. 313 00:13:49,698 --> 00:13:51,091 HEY, WHAT DO YOU SAY, 314 00:13:51,134 --> 00:13:52,440 WHEN I GET BACK FROM OUR HONEYMOON, 315 00:13:52,483 --> 00:13:54,094 THE THREE OF US HAVE A CONFERENCE ROOM MEETING 316 00:13:54,137 --> 00:13:56,444 JUST FOR FUN? 317 00:13:56,487 --> 00:13:59,273 WHAT IS THAT MEANINGFUL LOOK? 318 00:13:59,316 --> 00:14:02,232 - YOU KNOW WHAT? MAYBE WE SHOULD TALK. 319 00:14:02,276 --> 00:14:05,366 - HEY, COME HERE. YOU GUYS NEED TO SEE THIS. 320 00:14:05,409 --> 00:14:06,715 - WHAT IS IT? 321 00:14:06,758 --> 00:14:08,456 - YOU'RE PROBABLY SITTING THERE WONDERING 322 00:14:08,499 --> 00:14:12,025 WHAT WILL BE YOUR MARK, WHAT WILL YOU BE KNOWN FOR? 323 00:14:12,068 --> 00:14:13,896 IT MIGHT SURPRISE YOU TO LEARN-- 324 00:14:13,940 --> 00:14:16,507 - I FINALLY FEEL READY. ATHLEAD IS GROWING. 325 00:14:16,551 --> 00:14:18,161 - ATHLEAP. 326 00:14:18,205 --> 00:14:20,294 - AND JIM CAN JUMP BACK IN WITHOUT SKIPPING A BEAT. 327 00:14:20,337 --> 00:14:22,078 WE'LL COME BACK TO VISIT. 328 00:14:22,122 --> 00:14:24,341 BUT I THINK IT'S TIME FOR US TO OFFICIALLY-- 329 00:14:24,385 --> 00:14:25,908 - NO, DON'T SAY IT. YOU'RE FIRED! 330 00:14:25,952 --> 00:14:27,344 YOU'RE BOTH FIRED! - DWIGHT, COME ON. 331 00:14:27,388 --> 00:14:28,911 DON'T END ON A BAD NOTE. 332 00:14:28,955 --> 00:14:30,521 - DON'T BE AN IDIOT. IT'S FOR THE SEVERANCE. 333 00:14:30,565 --> 00:14:32,306 THE BEST THAT I CAN DO 334 00:14:32,349 --> 00:14:33,568 IS ONE MONTH FOR EVERY YEAR YOU'VE BEEN HERE. 335 00:14:33,611 --> 00:14:36,092 THAT'S THE MAX. 336 00:14:36,136 --> 00:14:38,312 - THANKS, DWIGHT. 337 00:14:38,355 --> 00:14:41,097 - HEY, AND IF YOU'RE EVER IN AUSTIN-- 338 00:14:41,141 --> 00:14:43,012 - WHOA. RIGHT. FOR WHAT, THE ART? 339 00:14:43,056 --> 00:14:45,362 THE MUSIC? THE INCREDIBLE NIGHTLIFE? 340 00:14:45,406 --> 00:14:46,929 NO, THANK YOU. 341 00:14:46,973 --> 00:14:48,278 BUT IF YOU'RE EVER IN THE AREA, 342 00:14:48,322 --> 00:14:50,367 YOU'LL ALWAYS HAVE A PLACE TO STAY. 343 00:14:50,411 --> 00:14:51,716 IN MY BARN. 344 00:14:51,760 --> 00:14:53,631 - THERE IT IS. 345 00:14:53,675 --> 00:14:55,938 - DO I GET ALONG WITH MY CO-WORKERS? 346 00:14:55,982 --> 00:14:58,767 WELL, FIRST OF ALL, I DON'T HAVE CO-WORKERS ANYMORE. 347 00:14:58,810 --> 00:15:00,464 I HAVE SUBORDINATES. 348 00:15:00,508 --> 00:15:01,857 SO... 349 00:15:01,901 --> 00:15:03,641 HAVE I GOTTEN ALONG WITH MY SUBORDINATES? 350 00:15:03,685 --> 00:15:05,556 LET'S SEE. 351 00:15:05,600 --> 00:15:08,298 MY SUPPLIER RELATIONS REP, MEREDITH PALMER, 352 00:15:08,342 --> 00:15:10,344 IS THE ONLY PERSON I KNOW WHO KNOWS HOW TO PROPERLY HEAD BANG 353 00:15:10,387 --> 00:15:13,477 TO MOTORHEAD. 354 00:15:13,521 --> 00:15:17,438 OSCAR MARTINEZ, MY ACCOUNTANT, IS NOW GODFATHER TO MY SON. 355 00:15:17,481 --> 00:15:19,353 ANGELA SCHRUTE, MY FORMER ACCOUNTANT, 356 00:15:19,396 --> 00:15:21,485 IS NOW MY WIFE. 357 00:15:21,529 --> 00:15:23,618 MY TOP SALESMAN JIM HALPERT WAS BEST MAN AT MY WEDDING. 358 00:15:23,661 --> 00:15:26,926 AND OFFICE ADMINISTRATOR PAMELA BEESLY HALPERT 359 00:15:26,969 --> 00:15:28,405 IS MY BEST FRIEND. 360 00:15:28,449 --> 00:15:29,841 SO... 361 00:15:29,885 --> 00:15:31,495 YES. 362 00:15:31,539 --> 00:15:35,064 I'D SAY I HAVE GOTTEN ALONG WITH MY SUBORDINATES. 363 00:15:35,108 --> 00:15:37,327 - YOU MIGHT FEEL SORRY FOR ME. 364 00:15:37,371 --> 00:15:39,634 BUT I ACTUALLY FEEL SORRY FOR YOU. 365 00:15:39,677 --> 00:15:42,506 BECAUSE YOU'RE ABOUT TO LEAVE CORNELL. 366 00:15:42,550 --> 00:15:43,943 SO SAY IT WITH ME. 367 00:15:43,986 --> 00:15:47,729 all: OH, I CAN SO JUST SIT HERE AND CRY. 368 00:15:47,772 --> 00:15:48,730 [cheers and applause] 369 00:15:48,773 --> 00:15:51,515 - OH, YES! 370 00:15:51,559 --> 00:15:53,996 - YOU DID GOOD. REAL GOOD. 371 00:15:54,040 --> 00:15:56,216 - THANKS, DAD-- DARRYL. 372 00:15:56,259 --> 00:16:00,002 I SPENT SO MUCH OF MY TIME HERE AT DUNDER MIFFLIN 373 00:16:00,046 --> 00:16:01,438 THINKING ABOUT MY OLD PALS, 374 00:16:01,482 --> 00:16:03,353 MY COLLEGE A CAPPELLA GROUP. 375 00:16:03,397 --> 00:16:06,139 THE WEIRD THING IS... 376 00:16:06,182 --> 00:16:08,141 NOW, I'M EXACTLY WHERE I WANNA BE. 377 00:16:08,184 --> 00:16:11,448 I GOT MY DREAM JOB AT CORNELL, 378 00:16:11,492 --> 00:16:14,582 AND I'M STILL JUST THINKING ABOUT MY OLD PALS. 379 00:16:14,625 --> 00:16:18,194 ONLY NOW THEY'RE THE ONES I MADE HERE. 380 00:16:18,238 --> 00:16:22,546 I WISH THERE WAS A WAY TO KNOW YOU'RE IN THE GOOD OLD DAYS 381 00:16:22,590 --> 00:16:25,593 BEFORE YOU'VE ACTUALLY LEFT THEM. 382 00:16:28,726 --> 00:16:32,165 SOMEONE SHOULD WRITE A SONG ABOUT THAT. 383 00:16:32,208 --> 00:16:33,818 [laughter] 384 00:16:33,862 --> 00:16:37,822 [overlapping chatter] 385 00:16:37,866 --> 00:16:41,435 UH-- OHH! 386 00:16:43,959 --> 00:16:46,918 [soft ballad] 387 00:16:46,962 --> 00:16:53,273 ♪ 388 00:16:53,316 --> 00:16:58,582 ♪ I SAW A FRIEND TODAY, IT HAD BEEN A WHILE ♪ 389 00:16:58,626 --> 00:17:02,499 ♪ AND WE FORGOT EACH OTHER'S NAMES ♪ 390 00:17:02,543 --> 00:17:07,852 ♪ BUT IT DIDN'T MATTER 'CAUSE DEEP INSIDE ♪ 391 00:17:07,896 --> 00:17:12,596 ♪ THE FEELING STILL REMAINED THE SAME ♪ 392 00:17:12,640 --> 00:17:14,424 - IMAGINE GOING BACK AND WATCHING A TAPE 393 00:17:14,468 --> 00:17:16,600 OF YOUR LIFE. 394 00:17:16,644 --> 00:17:18,820 YOU COULD SEE YOURSELF... 395 00:17:18,863 --> 00:17:23,216 CHANGE AND MAKE MISTAKES... 396 00:17:23,259 --> 00:17:25,653 AND GROW UP. 397 00:17:25,696 --> 00:17:29,613 YOU COULD WATCH YOURSELF FALL IN LOVE, 398 00:17:29,657 --> 00:17:31,920 WATCH YOURSELF BECOME A HUSBAND... 399 00:17:31,963 --> 00:17:35,576 BECOME A FATHER. 400 00:17:35,619 --> 00:17:38,970 YOU GUYS GAVE THAT TO ME. 401 00:17:39,014 --> 00:17:44,019 AND THAT'S AN AMAZING GIFT. 402 00:17:44,063 --> 00:17:48,632 - HEY, JIM, REMEMBER FLONKERTON WHEN YOU DID OFFICE OLYMPICS? 403 00:17:48,676 --> 00:17:50,591 IT WAS AWESOME. - THANKS, PHYL. 404 00:17:50,634 --> 00:17:52,680 - I STILL HAVE MY MEDAL FROM THAT. 405 00:17:52,723 --> 00:17:54,247 - DO YOU EVEN HAVE A MATTRESS? 406 00:17:54,290 --> 00:17:57,641 - NO, BUT I STILL HAVE MY MEDAL FROM THAT. 407 00:18:01,428 --> 00:18:03,691 - OSCAR. 408 00:18:03,734 --> 00:18:06,172 OSCAR. 409 00:18:06,215 --> 00:18:09,784 [crying] I THINK I'M GAY. 410 00:18:09,827 --> 00:18:12,047 - WHY DO YOU SAY THAT? - [sniffles] 411 00:18:12,091 --> 00:18:14,919 IT'S JUST THAT I'M SO EMOTIONAL. 412 00:18:14,963 --> 00:18:17,139 - YEAH, BUT YOU'RE NOT GAY. YOU'RE NOT GAY. 413 00:18:17,183 --> 00:18:20,838 - NO, BUT MAYBE THE REASON-- - YOU'RE NOT GAY. 414 00:18:20,882 --> 00:18:25,713 - ♪ AND ALL THE FACES THAT I KNOW ♪ 415 00:18:25,756 --> 00:18:30,109 ♪ HAVE THAT SAME FAMILIAR GLOW ♪ 416 00:18:30,152 --> 00:18:33,721 ♪ I THINK I MUST HAVE KNOWN THEM SOMEWHERE ONCE BEFORE ♪ 417 00:18:33,764 --> 00:18:35,723 - HOW DID YOU DO IT? 418 00:18:35,766 --> 00:18:38,160 HOW DID YOU CAPTURE WHAT IT WAS REALLY LIKE? 419 00:18:38,204 --> 00:18:41,337 HOW WE FELT AND HOW WE MADE EACH OTHER LAUGH 420 00:18:41,381 --> 00:18:43,557 AND HOW WE GOT THROUGH THE DAY? 421 00:18:43,600 --> 00:18:45,428 HOW DID YOU DO IT? 422 00:18:45,472 --> 00:18:47,561 ALSO, HOW DO CAMERAS WORK? 423 00:18:47,604 --> 00:18:50,259 - IT ALL SEEMS SO VERY ARBITRARY. 424 00:18:50,303 --> 00:18:52,957 I APPLIED FOR A JOB AT THIS COMPANY 425 00:18:53,001 --> 00:18:54,785 BECAUSE THEY WERE HIRING. 426 00:18:54,829 --> 00:18:56,613 I TOOK A DESK AT THE BACK 427 00:18:56,657 --> 00:18:58,572 BECAUSE IT WAS EMPTY. 428 00:18:58,615 --> 00:19:00,661 BUT... [chuckles] 429 00:19:00,704 --> 00:19:04,055 NO MATTER HOW YOU GET THERE OR WHERE YOU END UP, 430 00:19:04,099 --> 00:19:06,971 HUMAN BEINGS HAVE THIS MIRACULOUS GIFT 431 00:19:07,015 --> 00:19:10,627 TO MAKE THAT PLACE HOME. 432 00:19:17,939 --> 00:19:20,246 LET'S DO THIS. 433 00:19:21,856 --> 00:19:24,380 - I JUST FEEL LUCKY THAT I GOT A CHANCE TO SHARE 434 00:19:24,424 --> 00:19:26,687 MY CRUMMY STORY WITH ANYONE OUT THERE 435 00:19:26,730 --> 00:19:28,515 WHO THINKS THEY'RE THE ONLY ONE 436 00:19:28,558 --> 00:19:30,952 TO TAKE A DUMP IN A PAPER SHREDDER. 437 00:19:30,995 --> 00:19:33,259 YOU'RE NOT ALONE, SISTER. 438 00:19:33,302 --> 00:19:35,174 LET'S GET A BEER SOMETIME. 439 00:19:35,217 --> 00:19:38,220 [indistinct chatter] 440 00:19:40,788 --> 00:19:42,964 - I'M HAPPY THAT THIS WAS ALL FILMED, 441 00:19:43,007 --> 00:19:45,140 SO I CAN REMEMBER EVERYONE AND WHAT WE DID. 442 00:19:45,184 --> 00:19:48,796 I WORKED FOR A PAPER COMPANY ALL THESE YEARS, 443 00:19:48,839 --> 00:19:52,756 AND I NEVER WROTE ANYTHING DOWN. 444 00:19:52,800 --> 00:19:54,715 - THAT WAS SO MUCH FUN. 445 00:19:54,758 --> 00:19:55,803 [indistinct chatter] 446 00:19:55,846 --> 00:19:57,152 - BYE, KEV! 447 00:19:57,196 --> 00:19:59,241 - I SOLD PAPER AT THIS COMPANY FOR 12 YEARS. 448 00:19:59,285 --> 00:20:01,635 MY JOB WAS TO SPEAK TO CLIENTS ON THE PHONE 449 00:20:01,678 --> 00:20:04,855 ABOUT QUANTITIES AND TYPES OF COPIER PAPER. 450 00:20:04,899 --> 00:20:08,903 EVEN IF I DIDN'T LOVE EVERY MINUTE OF IT, 451 00:20:08,946 --> 00:20:14,691 EVERYTHING I HAVE, I OWE TO THIS JOB. 452 00:20:14,735 --> 00:20:16,780 THIS STUPID... 453 00:20:16,824 --> 00:20:19,435 WONDERFUL... 454 00:20:19,479 --> 00:20:21,698 BORING... 455 00:20:21,742 --> 00:20:24,527 AMAZING JOB. 456 00:20:24,571 --> 00:20:28,096 - I THOUGHT IT WAS WEIRD WHEN YOU PICKED US 457 00:20:28,139 --> 00:20:30,533 TO MAKE A DOCUMENTARY. 458 00:20:30,577 --> 00:20:33,493 BUT ALL IN ALL... 459 00:20:33,536 --> 00:20:36,844 I THINK AN ORDINARY PAPER COMPANY LIKE DUNDER MIFFLIN 460 00:20:36,887 --> 00:20:40,848 WAS A GREAT SUBJECT FOR A DOCUMENTARY. 461 00:20:40,891 --> 00:20:44,721 THERE'S A LOT OF BEAUTY IN ORDINARY THINGS. 462 00:20:44,765 --> 00:20:47,768 ISN'T THAT KIND OF THE POINT? 463 00:20:56,690 --> 00:20:58,822 - ♪ ROSALITA, JUMP A LITTLE HIGHER ♪ 464 00:20:58,866 --> 00:21:01,303 ♪ SENORITA, COME SIT BY MY FIRE ♪ 465 00:21:01,347 --> 00:21:04,350 ♪ I JUST WANNA BE YOUR LOVER, AIN'T NO LIAR ♪ 466 00:21:04,393 --> 00:21:07,004 ♪ ROSALITA, YOU'RE MY STONE DESIRE ♪ 467 00:21:07,048 --> 00:21:08,092 ♪ OH, YEAH 468 00:21:08,136 --> 00:21:16,144 ♪ 469 00:21:19,626 --> 00:21:22,759 ♪ HUP, HUP, HUP, HUP, HUP, HUP, HUP, HUP ♪ 470 00:21:22,803 --> 00:21:24,979 ♪ HUP, HUP, HUP, HUP, HUP, HUP, HO! ♪