1
00:00:08,241 --> 00:00:10,709
(theme music playing)
2
00:01:17,745 --> 00:01:19,444
- YOU FIND ANYTHING?
- NOTHING.
3
00:01:19,479 --> 00:01:20,991
YOUR BROTHER'S TURNED
INTO A HEALTH NUT.
4
00:01:21,015 --> 00:01:24,082
ALL HE'S GOT ARE WHOLE GRAINS
AND A BOTTLE OF FLAXSEED OIL.
5
00:01:24,118 --> 00:01:26,718
YOU WANT TO DO A COUPLE
OF COLON-CLEANSING SHOTS?
6
00:01:26,753 --> 00:01:28,153
NO, LET'S JUST ORDER IN.
7
00:01:28,189 --> 00:01:30,267
FROM WHERE? I DON'T EVEN
KNOW WHAT ZIP CODE WE'RE IN.
8
00:01:30,291 --> 00:01:32,402
ARE YOU FEELING A
LITTLE DISPLACED, TURTLE?
9
00:01:32,426 --> 00:01:34,771
- VERY.
- WE'LL GET A NEW HOME
SOON, I PROMISE.
10
00:01:34,795 --> 00:01:36,606
YEAH, THANKS, VIN. THAT MAKES
ME ALMOST FEEL GOOD ENOUGH
11
00:01:36,630 --> 00:01:39,898
TO EAT SOME OF THIS SHIT.
WHAT IS PSYLLIUM HUSK ANYWAY?
12
00:01:39,934 --> 00:01:41,633
- MORNING.
- YO.
13
00:01:41,668 --> 00:01:44,436
- MORNING, E. HOW'D YOU SLEEP?
- OH, FINE I'M SURE.
14
00:01:44,471 --> 00:01:47,483
SOMEONE GOT ALL COZY ON THE COUCH WHILE
I WAS STUCK SLEEPING ON THE AIR MATTRESS.
15
00:01:47,507 --> 00:01:49,853
YEAH, IT WAS REAL COZY LISTENING
TO YOU SNORE ALL NIGHT, TURTLE.
16
00:01:49,877 --> 00:01:52,122
AND PLEASE TELL ME I DIDN'T
CATCH YOU WHACKING IT AT 4:00 A.M.
17
00:01:52,146 --> 00:01:54,691
- (chuckles)
- FUCK, I GOT TO GET
SOME PRIVACY, VIN.
18
00:01:54,715 --> 00:01:57,160
- YOU GOT TO GET
PEOPLE TO SEE THIS MOVIE.
- E DOESN'T THINK SO.
19
00:01:57,184 --> 00:02:00,185
- OH BOY, HERE WE GO.
- E THOUGHT "ROCKY IV" SUCKED
WHEN IT CAME OUT.
20
00:02:00,221 --> 00:02:02,966
- I MEAN, WHAT DOES HE KNOW?
- Vince: E, I'M TELLING YOU,
YOU'RE JUST TOO CLOSE TO IT.
21
00:02:02,990 --> 00:02:05,090
- "MEDELLIN" IS A GREAT FILM.
- IT WILL BE.
22
00:02:05,125 --> 00:02:06,937
WILL BE? WHAT, DID YOU
HAVE A CHANGE OF HEART?
23
00:02:06,961 --> 00:02:09,139
I THOUGHT ABOUT IT ALL NIGHT
LONG. THERE'S GREATNESS IN IT.
24
00:02:09,163 --> 00:02:11,374
IT'S JUST TOO LONG. I GOT SOME
IDEAS ON HOW TO CUT SOME STUFF.
25
00:02:11,398 --> 00:02:14,967
I THINK WE CAN CUT THE "CROOKED CUSTOMS COP"
SEQUENCE IN HALF FOR STARTERS THOUGH, NO?
26
00:02:15,002 --> 00:02:16,969
YEAH, IT WAS A LITTLE LONG.
27
00:02:17,004 --> 00:02:19,271
CALL WALSH. RUN
YOUR IDEAS BY HIM.
28
00:02:19,306 --> 00:02:21,184
I THINK I'M GONNA GO DOWN
THERE, TALK TO HIM IN PERSON.
29
00:02:21,208 --> 00:02:23,053
BUT BE POSITIVE. YOU
KNOW HOW SENSITIVE HE IS.
30
00:02:23,077 --> 00:02:24,642
NO, IS HE REALLY?
31
00:02:24,678 --> 00:02:27,212
NAMASTE, CAMPERS.
RISE AND SHINE.
32
00:02:27,248 --> 00:02:30,615
- CAMPERS ARE UP, JOHNNY.
- AND WE'RE DYING FOR
SOME UNHEALTHY EATS,
33
00:02:30,650 --> 00:02:32,351
SO PLEASE TELL US
YOU GOT SOMETHING.
34
00:02:32,386 --> 00:02:34,865
- FRIED EGG SANDWICHES
FROM THE BAGEL BROKER.
- NICE.
35
00:02:34,889 --> 00:02:37,589
- YES!
- NOT THE KIND OF GARBAGE
I LIKE TO PUT IN MY BODY,
36
00:02:37,624 --> 00:02:40,470
BUT YOU KNOW MY MOTTO... "WHEN YOU
HAVE GUESTS, GIVE THEM WHAT THEY WANT."
37
00:02:40,494 --> 00:02:42,694
YEAH, YOU'RE RUNNING A
REGULAR B&B OVER HERE, DRAMA.
38
00:02:42,729 --> 00:02:45,097
WE APPRECIATE YOU
PUTTING US UP, JOHNNY.
39
00:02:45,132 --> 00:02:47,499
RIGHT, GUYS?
40
00:02:47,534 --> 00:02:49,079
NO NEED TO THANK ME, FELLAS.
41
00:02:49,103 --> 00:02:52,148
TO HOUSE MY KID BROTHER AND HIS
FRIENDS GIVES ME NOTHING BUT PURE JOY.
42
00:02:52,172 --> 00:02:54,706
OR AS THEY SAY
IN YIDDISH, NACHAS.
43
00:02:54,741 --> 00:02:57,553
BESIDES, GOD HAS ALREADY
REWARDED ME FOR MY GOOD DEEDS.
44
00:02:57,577 --> 00:03:00,390
OH YEAH? WHAT DID HE DO?
UN-RECEDE YOUR HAIRLINE?
45
00:03:00,414 --> 00:03:03,315
NO, DICKHEAD. WHAT HE DID WAS
FINALLY ANSWER AN OLD PRAYER
46
00:03:03,350 --> 00:03:07,085
- AND DELIVER
DONNA DEVENY TO ME.
- WHO'S DONNA DEVENY?
47
00:03:07,121 --> 00:03:10,533
ONLY ONE OF THE FINEST PIECES OF
PARTY-GIRL ASS THIS TOWN HAS EVER KNOWN.
48
00:03:10,557 --> 00:03:13,392
I USED TO KICK IT WITH HER
BACK IN MY WHISKEY-BAR DAYS,
49
00:03:13,427 --> 00:03:15,627
BUT NEVER OFFICIALLY CLOSED IT.
50
00:03:15,662 --> 00:03:17,207
I'VE BEEN DREAMING OF
FUCKING HER EVER SINCE.
51
00:03:17,231 --> 00:03:18,942
- WHEN ARE YOU SEEING HER?
- Drama: TODAY, BRO.
52
00:03:18,966 --> 00:03:22,867
- AND TURTLE,
SHE'S GOT A FRIEND.
- WHAT KIND OF FRIEND?
53
00:03:22,903 --> 00:03:26,271
- A HOT ONE WITH
A HOUSE IN MALIBU.
- REALLY?
54
00:03:26,307 --> 00:03:30,075
PRECISELY THE KIND OF GIRLS WE WANT
TO BE FRIENDS WITH COME JUNE AND JULY.
55
00:03:30,110 --> 00:03:32,444
WHAT, NO GIRL FOR ME AND E?
56
00:03:32,479 --> 00:03:35,013
I GOT WALSH TODAY.
57
00:03:35,049 --> 00:03:37,294
I'LL LET YOU AND TURTLE BATTLE
IT OUT FOR THE FRIEND THOUGH.
58
00:03:37,318 --> 00:03:39,518
- WHAT? IT'S ONLY FAIR, RIGHT?
- (chuckles)
59
00:03:41,055 --> 00:03:44,255
YOU WONDER WHY I'M
WHACKING OFF LATE AT NIGHT.
60
00:03:45,459 --> 00:03:48,838
HEY, I JUST WANT YOU TO KNOW I APPRECIATE
YOU GUYS NOT LEAVING ME HOME ALONE TODAY.
61
00:03:48,862 --> 00:03:51,964
AND DON'T WORRY, I'M GOING
TO BE BASICALLY INVISIBLE.
62
00:03:51,999 --> 00:03:53,999
YOU WON'T EVEN KNOW I'M THERE.
63
00:03:54,034 --> 00:03:57,669
THAT'S GREAT, VIN, BUT JUST IN CASE
YOU WIND UP NOT BEING SO INVISIBLE,
64
00:03:57,704 --> 00:03:59,782
COULD YOU TRY AND AT LEAST
TAKE DRAMA'S GIRL AND NOT MINE?
65
00:03:59,806 --> 00:04:01,974
GO FUCK YOURSELF, TURTLE.
66
00:04:02,009 --> 00:04:04,054
YOU WOULDN'T EVEN HAVE A
GIRL TO GET TAKEN BY VINCE
67
00:04:04,078 --> 00:04:06,144
- IF IT WASN'T FOR ME.
- LIFE SUCKS.
68
00:04:06,180 --> 00:04:08,146
IT'S GONNA BE OKAY,
TURTLE. I PROMISE.
69
00:04:08,182 --> 00:04:10,915
(rap music playing)
70
00:04:10,951 --> 00:04:14,152
OH, SHIT. LOOK AT THIS ONE.
71
00:04:14,188 --> 00:04:17,789
HEY, VINCE. WHAT ARE YOU UP TO?
72
00:04:17,824 --> 00:04:21,159
NOT MUCH, JUST BEING A FIFTH
WHEEL ON MY BOYS' DOUBLE DATE.
73
00:04:21,195 --> 00:04:23,661
- THAT SOUNDS AWFUL.
- DOESN'T IT?
74
00:04:23,697 --> 00:04:26,343
WELL, I'M GONNA GO HANG OUT AT MY
FRIEND'S BEACH HOUSE. DO YOU WANT TO COME?
75
00:04:26,367 --> 00:04:29,934
YES, I THINK I DO. EXCUSE ME.
76
00:04:29,970 --> 00:04:31,903
YOU MIND, TURTLE?
77
00:04:31,938 --> 00:04:33,705
NO.
78
00:04:33,740 --> 00:04:35,660
I TOLD YOU IT
WOULD BE ALL RIGHT.
79
00:04:43,150 --> 00:04:45,717
I WOULD GIVE MY NUTS TO
BE THAT GUY FOR ONE DAY.
80
00:04:45,752 --> 00:04:48,720
WELL, IF YOU HAD NO NUTS,
WHAT WOULD BE THE USE?
81
00:04:48,755 --> 00:04:52,057
OR WOULD YOU THEN BE HOPING
THAT YOU HAD VINCE'S NUTS?
82
00:04:54,161 --> 00:04:55,660
WHAT, NO COMEBACK?
83
00:04:55,695 --> 00:04:58,863
YOU'RE TOO DUMB
TO EVEN RESPOND TO.
84
00:05:02,002 --> 00:05:05,303
- BUENOS DIAS.
- WHAT UP, DAWG?
85
00:05:05,339 --> 00:05:09,074
YOUR ENGLISH IS GETTING
BETTER, JUAN. OH, WHAT'S THIS?
86
00:05:09,109 --> 00:05:12,069
THE TRAILER BILLY HAD ME CUT TOGETHER
FOR NEXT YEAR'S AMERICAN FILM MARKET.
87
00:05:14,048 --> 00:05:16,614
Narrator: Behind the greed,
88
00:05:16,650 --> 00:05:18,550
behind the legend...
89
00:05:20,154 --> 00:05:22,887
was the man.
90
00:05:22,923 --> 00:05:25,723
(Latino music playing)
91
00:05:25,759 --> 00:05:28,060
- WOW, THIS LOOKS GREAT.
- YEAH.
92
00:05:28,095 --> 00:05:30,340
- IF ONLY THE MOVIE
LOOKED SO GOOD.
- WHAT?
93
00:05:30,364 --> 00:05:33,098
WHAT? NOTHING. I
DIDN'T SAY ANYTHING.
94
00:05:33,133 --> 00:05:36,568
THERE HE IS, FRESH
FROM THE DRY CLEANERS,
95
00:05:36,603 --> 00:05:38,370
MY ONE AND ONLY FAVORITE SUIT.
96
00:05:38,405 --> 00:05:41,125
- HOW ARE YOU DOING, BILLY?
- COME HERE, E, GIVE ME
SOME LOVE.
97
00:05:42,609 --> 00:05:44,142
WHAT DO YOU THINK
OF THE TRAILER?
98
00:05:44,178 --> 00:05:46,089
WHAT LITTLE I SAW
OF IT LOOKS AMAZING.
99
00:05:46,113 --> 00:05:47,979
IT LOOKS EVEN BETTER ON REPLAY.
100
00:05:48,014 --> 00:05:49,914
TAKE THIS HOME AND
FINGER YOURSELF TO IT, SUIT.
101
00:05:49,950 --> 00:05:52,050
FOR YOUR EYES ONLY.
CONSIDER IT A LITTLE GIFT
102
00:05:52,086 --> 00:05:54,052
FOR YOUR KIND WORDS LAST NIGHT.
103
00:05:54,088 --> 00:05:56,221
I KNOW WE HAVEN'T
ALWAYS SEEN EYE TO EYE,
104
00:05:56,256 --> 00:05:58,090
BUT YOUR SUPPORT FOR
MY VISION OF THIS FILM,
105
00:05:58,125 --> 00:05:59,958
FOR ALLOWING ME TO
MAKE IT THE RIGHT WAY,
106
00:05:59,993 --> 00:06:03,339
HAS TAUGHT ME THAT ARTISTS AND CAPITALIST
PIGS MIGHT BE ABLE TO WORK TOGETHER AFTER ALL.
107
00:06:03,363 --> 00:06:05,775
I'M MAKING VERY LITTLE MONEY
FOR A CAPITALIST PIG, BILLY.
108
00:06:05,799 --> 00:06:07,165
I DIDN'T SAY YOU'RE GOOD AT IT.
109
00:06:07,201 --> 00:06:09,201
SERIOUSLY, THROUGH
ALL THIS SHIT,
110
00:06:09,236 --> 00:06:11,114
ALL THAT MATTERS IS THAT
WE WENT OFF TO WAR TOGETHER
111
00:06:11,138 --> 00:06:12,770
AND CAME HOME
WITH OUR LIMBS INTACT
112
00:06:12,806 --> 00:06:14,573
AND A FUCKING MASTERPIECE
IN THE CAN, RIGHT?
113
00:06:14,608 --> 00:06:16,408
- RIGHT.
- WANT A BEER?
114
00:06:16,443 --> 00:06:19,611
SURE. AHEM...
115
00:06:19,646 --> 00:06:21,546
I DID HAVE A FEW
THOUGHTS THOUGH, BILLY.
116
00:06:21,582 --> 00:06:23,781
THOUGHTS?
117
00:06:23,817 --> 00:06:26,796
- JUST SOME IDEAS I WANTED
TO TALK TO YOU ABOUT.
- YOU MEAN LIKE NOTES?
118
00:06:26,820 --> 00:06:30,688
NO, JUST SOME SMALL CHANGES I THOUGHT
MIGHT HELP MAKE THE FILM PLAY BETTER.
119
00:06:30,724 --> 00:06:32,635
LAST NIGHT YOU SAID THAT YOU
LOVED IT. WHAT, YOU WERE LYING?
120
00:06:32,659 --> 00:06:34,926
- NO, I THINK IT'S GREAT.
- BUT?
121
00:06:34,961 --> 00:06:37,996
- BUT I THINK IT NEEDS WORK.
- WELL, FUCK WHAT YOU THINK,
122
00:06:38,031 --> 00:06:40,643
BECAUSE I LOVE IT AND VINNIE
LOVED IT, AND I KNOW HE AIN'T LYING.
123
00:06:40,667 --> 00:06:42,445
AND THE CANNES PEOPLE
ARE GOING TO LOVE IT TOO.
124
00:06:42,469 --> 00:06:44,514
- CANNES? WHO'S GOING TO CANNES?
- WE ARE.
125
00:06:44,538 --> 00:06:46,849
I FEDEXED A PRINT OFF TO THE
SELECTION COMMITTEE LAST WEEK.
126
00:06:46,873 --> 00:06:49,018
I'M JUST WAITING
TO HEAR IF WE'RE IN.
127
00:06:49,042 --> 00:06:51,309
I THOUGHT WE AGREED
TO WAIT FOR SUNDANCE.
128
00:06:51,345 --> 00:06:53,423
FUCK THE DANCE.
BEEN THERE DONE THAT.
129
00:06:53,447 --> 00:06:56,881
I'M GOING TO CANNES AND COMING HOME
WITH A PALME D'OR AND A COTE D'AZURE TAN.
130
00:06:56,916 --> 00:06:59,518
BILLY, YESTERDAY YOU WERE
SCARED TO DEATH TO SHOW US THE FILM.
131
00:06:59,553 --> 00:07:01,831
NOW IT'S READY FOR THE CANNES COMMITTEE
WITHOUT CHANGING A SINGLE FRAME?
132
00:07:01,855 --> 00:07:03,600
THAT'S RIGHT. YOU'RE NOT
AS SMART AS THE FROGS, SUIT.
133
00:07:03,624 --> 00:07:06,258
- I KNOW THEY'LL UNDERSTAND.
- THIS IS NOT YOUR DECISION.
134
00:07:06,293 --> 00:07:08,938
YES IT FUCKING IS. I HAVE
FINAL CUT. YOU AGREED TO IT.
135
00:07:08,962 --> 00:07:11,307
WHICH MEANS THAT I AGREED NOT TO
LISTEN TO A WORD YOU FUCKING SAY.
136
00:07:11,331 --> 00:07:13,610
SO NO NOTES, NOT
FROM YOU, NOT EVER.
137
00:07:13,634 --> 00:07:15,099
NOW IF YOU'LL EXCUSE ME,
138
00:07:15,135 --> 00:07:17,046
I'M GONNA GO DO SOME
PRANAYAMA BREATHING EXERCISES
139
00:07:17,070 --> 00:07:19,003
AND TRY TO FORGET
THIS VISIT EVER HAPPENED.
140
00:07:19,039 --> 00:07:21,039
(sniffs)
141
00:07:25,445 --> 00:07:27,011
YOUR FRIEND LIVES HERE?
142
00:07:27,046 --> 00:07:28,924
ACTUALLY, HE'S A FAMILY FRIEND.
143
00:07:28,948 --> 00:07:31,427
BUT HE LETS ME COME USE HIS
PRIVATE BEACH WHENEVER I WANT.
144
00:07:31,451 --> 00:07:34,218
- OH, NICE FOR YOU.
- YEAH, HE'S A GREAT GUY.
145
00:07:34,254 --> 00:07:35,920
AND HE'S INCREDIBLY COOL,
146
00:07:35,955 --> 00:07:37,867
SO DON'T GET ALL CHARMED BY HIM
147
00:07:37,891 --> 00:07:39,369
AND FORGET THAT YOU
CAME HERE TO HANG WITH ME.
148
00:07:39,393 --> 00:07:41,259
HOW COOL COULD HE BE?
149
00:07:41,294 --> 00:07:43,038
DO YOU THINK DENNIS
HOPPER'S COOL?
150
00:07:43,062 --> 00:07:44,763
YOUR FRIEND IS DENNIS HOPPER?
151
00:07:44,798 --> 00:07:46,942
YEAH, MY DAD'S BEEN HIS
LAWYER FOR, LIKE, 20 YEARS.
152
00:07:46,966 --> 00:07:49,467
I LOVE DENNIS HOPPER.
153
00:07:49,503 --> 00:07:52,783
I'M ALSO EXCITED TO HANG
OUT WITH YOU OF COURSE.
154
00:07:55,341 --> 00:07:57,208
YOU SHOULD BE.
155
00:07:58,678 --> 00:08:01,446
(phone ringing)
156
00:08:01,481 --> 00:08:04,348
YO, E. I'M AT DENNIS
HOPPER'S HOUSE.
157
00:08:04,384 --> 00:08:06,984
YEAH, WELL, ENJOY IT NOW, VINCE,
BECAUSE WE GOT BIG PROBLEMS.
158
00:08:07,020 --> 00:08:10,065
- WHAT ARE YOU TALKING ABOUT?
- WALSH SUBMITTED THE MOVIE TO
CANNES WITHOUT TELLING US.
159
00:08:10,089 --> 00:08:12,524
CANNES? WHAT
HAPPENED TO SUNDANCE?
160
00:08:12,559 --> 00:08:15,860
I DON'T KNOW. HE WANTS A PALME
D'OR OR WHATEVER THE FUCK IT'S CALLED.
161
00:08:15,896 --> 00:08:17,995
FRANCE COULD BE FUN.
162
00:08:18,031 --> 00:08:19,831
THE MOVIE'S NOT GONNA
GET INTO CANNES, VINCE.
163
00:08:19,866 --> 00:08:21,878
- IT'S NOT READY.
- DID YOU TELL BILLY
WHAT YOU THOUGHT?
164
00:08:21,902 --> 00:08:23,802
YEAH, I TRIED TO
GIVE HIM MY NOTES.
165
00:08:23,837 --> 00:08:26,516
- HE BASICALLY TOLD
ME TO GO FUCK MYSELF.
- I TOLD YOU NOT TO UPSET HIM.
166
00:08:26,540 --> 00:08:29,073
UPSET HIM? I'M THE
ONE WHO'S UPSET.
167
00:08:29,108 --> 00:08:31,821
WE HIRED THE GUY FOR HIS VISION. WHAT
DO YOU SAY WE JUST LET HIM DO HIS THING?
168
00:08:31,845 --> 00:08:34,156
Let him do his thing. The French
have the biggest mouths in the world.
169
00:08:34,180 --> 00:08:35,947
IF THIS MOVIE GETS
REJECTED FROM CANNES,
170
00:08:35,982 --> 00:08:37,882
THE WHOLE WORLD IS GONNA
KNOW THE MOVIE SUCKS.
171
00:08:37,918 --> 00:08:39,918
IT DOESN'T SUCK. WOULD
YOU STOP SAYING THAT?
172
00:08:39,953 --> 00:08:42,720
- SAMMY.
- HI.
173
00:08:42,756 --> 00:08:44,500
- SWEETHEART.
- I GOT TO GO.
174
00:08:44,524 --> 00:08:46,491
- AND AQUAMAN.
- VINCE.
175
00:08:46,526 --> 00:08:48,604
- IT'S DENNIS HOPPER, E! I GOT TO GO!
- HEY!
176
00:08:48,628 --> 00:08:52,330
VINCE, DON'T HANG
UP ON ME. VINCE! FUCK.
177
00:08:52,365 --> 00:08:55,765
- HI, HOW ARE YOU, DENNIS?
- HEY, GREAT TO MEET YOU. COME ON IN, COME ON IN.
178
00:08:57,337 --> 00:08:59,437
YO, HOW DOES MY BREATH SMELL?
179
00:08:59,473 --> 00:09:02,340
- (exhales)
- LIKE AHNOLD'S ASS.
180
00:09:02,375 --> 00:09:04,208
DON'T DO THAT SHIT AGAIN.
181
00:09:04,243 --> 00:09:05,888
DON'T MAKE ME INSECURE
RIGHT NOW, TURTLE.
182
00:09:05,912 --> 00:09:08,212
GOD MADE YOU THAT
WAY. DON'T BLAME ME.
183
00:09:08,247 --> 00:09:09,814
RING THE DOORBELL, ASSHOLE.
184
00:09:09,850 --> 00:09:13,217
- (doorbell rings)
- (exhales)
185
00:09:13,252 --> 00:09:15,531
- YOU GOT GUM?
- GUM AIN'T GONNA
HELP WHAT YOU GOT.
186
00:09:15,555 --> 00:09:17,800
- YOU NEED
A STOMACH SPECIALIST.
- (door opens)
187
00:09:17,824 --> 00:09:21,092
- (pop music playing)
- WELL, HELLO.
188
00:09:23,597 --> 00:09:26,531
MOM, THERE'S SOME
GUYS HERE TO SEE YOU.
189
00:09:31,805 --> 00:09:34,806
MOM? JUST HOW OLD ARE
THESE BROADS, DRAMA?
190
00:09:34,841 --> 00:09:37,341
DON'T BE AN AGEIST, TURTLE.
191
00:09:37,377 --> 00:09:40,945
BESIDES, RUMOR HAD IT YOUR
GIRL GAVE THE BEST RIM JOB IN L.A.
192
00:09:40,981 --> 00:09:43,815
TRUST ME, YOU PLAY
YOUR CARDS RIGHT, BY 4:00
193
00:09:43,850 --> 00:09:47,485
YOU'LL BE SITTING ON
HER FACE LIKE A BIDET.
194
00:09:47,521 --> 00:09:48,987
HEY, JOHNNY.
195
00:09:49,022 --> 00:09:51,890
HEY, GORGEOUS, HOW ARE YOU?
196
00:09:51,925 --> 00:09:55,226
- MMM.
- (growls)
197
00:09:55,261 --> 00:09:58,307
TURTLE, SAY HELLO TO THE
ONE AND ONLY LOVE OF MY 20s,
198
00:09:58,331 --> 00:10:00,464
- MISS DONNA DEVENEY.
- OH, JOHNNY,
199
00:10:00,500 --> 00:10:02,500
YOU'RE STILL AS
SWEET AS EVER. (growls)
200
00:10:02,536 --> 00:10:03,846
- (laughs)
- (growls)
201
00:10:03,870 --> 00:10:05,469
HEY, TURTLE. HOW'S IT HANGING?
202
00:10:05,505 --> 00:10:08,272
YOU KNOW, IT'S HANGING.
203
00:10:08,307 --> 00:10:10,474
HEY, MARGERY, GET OUT
HERE, YOU FAT WHORE!
204
00:10:10,510 --> 00:10:14,412
- THE BOYS ARE HERE!
- CALM YOUR HORSES,
YOU FAT WHORE!
205
00:10:14,447 --> 00:10:17,314
- WE ALWAYS CALL
EACH OTHER THAT.
- HEY, BOYS!
206
00:10:17,350 --> 00:10:21,285
- (giggling)
- Donna: YOU REMEMBER
JOHNNY, RIGHT?
207
00:10:21,320 --> 00:10:24,455
SURE I DO, FROM THE OLD DAYS.
YOU SOLD ME COKE AT BAR ONE.
208
00:10:24,490 --> 00:10:27,525
YOU MUST HAVE ME
MISTAKEN. I NEVER SOLD BLOW.
209
00:10:27,561 --> 00:10:29,271
MAYBE I JUST BLEW YOU.
WHO CAN REMEMBER?
210
00:10:29,295 --> 00:10:31,829
- THE '90s ARE SUCH A BLUR.
- (all laughing)
211
00:10:31,865 --> 00:10:34,032
Donna: THIS IS HIS FRIEND
TURTLE. HE'S CUTE, HUH?
212
00:10:34,067 --> 00:10:37,301
HEY, WHAT DO YOU GUYS SAY WE
TAKE A COUPLE SHOTS BEFORE LUNCH?
213
00:10:37,336 --> 00:10:39,114
- WHOO WHOO WHOO.
- GET A LITTLE LOOSE.
214
00:10:39,138 --> 00:10:42,018
ARE YOU KIDDING? LOOSE IS
OUR MIDDLE NAME. RIGHT, TURTLE?
215
00:10:42,042 --> 00:10:45,076
LET'S GO. LET'S GO.
216
00:10:45,111 --> 00:10:47,445
THAT'S THE BEST RIM JOB IN L.A.?
217
00:10:47,480 --> 00:10:49,681
YEAH, JUST ASK CHUCK SHEEN.
218
00:10:51,685 --> 00:10:54,719
YES, E, I WOULD SAY
BEING REJECTED BY CANNES
219
00:10:54,754 --> 00:10:57,594
BEFORE WE HAVE A DISTRIBUTOR
WOULD BE A DISASTER...
220
00:10:57,624 --> 00:11:00,758
ONE IN A SERIES OF DISASTERS
ORCHESTRATED BY YOU
221
00:11:00,794 --> 00:11:02,872
SINCE YOU TOOK THE
REINS OF VINCE'S CAREER.
222
00:11:02,896 --> 00:11:04,929
- SO WHAT CAN WE DO, ARI?
- Well, let's see.
223
00:11:04,965 --> 00:11:06,764
A... I COULD GIVE YOU A HUG
224
00:11:06,800 --> 00:11:09,045
AND SAY IT'S OKAY THAT YOU
DESTROYED YOUR BEST FRIEND'S CAREER.
225
00:11:09,069 --> 00:11:11,803
OR B... I COULD HAVE
YOU COME IN HERE
226
00:11:11,838 --> 00:11:13,950
AND WRITE ON THE
DRY-ERASE BOARD 500 TIMES,
227
00:11:13,974 --> 00:11:15,551
"I DESTROYED MY
BEST FRIEND'S CAREER,
228
00:11:15,575 --> 00:11:17,152
I DESTROYED MY BEST
FRIEND'S CAREER." I'D GO WITH B.
229
00:11:17,176 --> 00:11:20,411
- ARI, THERE'S GENIUS
IN THIS MOVIE.
- IS THERE?
230
00:11:20,446 --> 00:11:22,157
YEAH, WELL, WALSH WON'T CHANGE A
FUCKING THING. I GOT TO GET RID OF HIM.
231
00:11:22,181 --> 00:11:23,926
RID OF HIM? THAT'S YOUR BOY.
232
00:11:23,950 --> 00:11:26,818
YOU GAVE HIM FINAL CUT EVEN
THOUGH I BEGGED YOU NOT TO.
233
00:11:26,853 --> 00:11:30,088
Now you're going to have
to live with it or kill him.
234
00:11:30,123 --> 00:11:32,456
ACTUALLY, THAT'S A GOOD
IDEA. WHY DON'T YOU KILL HIM,
235
00:11:32,492 --> 00:11:34,726
THEN KILL YOURSELF?
236
00:11:34,761 --> 00:11:36,505
Could you imagine the
outpouring of love and sympathy
237
00:11:36,529 --> 00:11:38,596
WHEN VINCE LOSES BOTH OF YOU?
238
00:11:38,632 --> 00:11:41,510
I CAN HAVE HIM BACK ON TOP IN THREE
MONTHS. YOU OWE HIM THAT MUCH, E.
239
00:11:41,534 --> 00:11:43,267
- ARI.
- ALL RIGHT, LOOK,
240
00:11:43,302 --> 00:11:45,402
THE ONLY WAY TO GET RID OF WALSH
241
00:11:45,438 --> 00:11:48,539
is to sell the movie to someone
who won't release his cut.
242
00:11:48,574 --> 00:11:51,976
BUT NO ONE COULD SELL A
SHITTY MOVIE. WELL, MAYBE I COULD.
243
00:11:52,012 --> 00:11:54,123
BUT NO ONE COULD SELL A SHITTY
MOVIE NO ONE'S SEEN A FUCKING FRAME OF.
244
00:11:54,147 --> 00:11:57,581
WHAT ABOUT A GREAT TRAILER?
COULD YOU SELL A GREAT TRAILER, ARI?
245
00:11:57,617 --> 00:11:59,550
HOW GREAT?
246
00:11:59,585 --> 00:12:02,286
- GREAT HOUSE.
- OH, THANKS.
247
00:12:02,321 --> 00:12:04,889
I'M SURE YOU HAVE
A FEW JUST LIKE IT.
248
00:12:04,924 --> 00:12:07,670
NO ACTUALLY, RIGHT NOW
I'M SORT OF HOMELESS.
249
00:12:07,694 --> 00:12:09,727
- YEAH?
- YEAH.
250
00:12:09,763 --> 00:12:13,464
WELL, THERE'S NO BETTER WAY TO FIND OUT
WHO YOU ARE AND WHAT YOU'RE MADE OUT OF
251
00:12:13,499 --> 00:12:15,177
THAN LIVING IN THE
GREAT OUTDOORS.
252
00:12:15,201 --> 00:12:19,070
I DID 16 MONTHS IN A
CAVE ON "APOCALYPSE,"
253
00:12:19,105 --> 00:12:21,773
AND LET ME JUST TELL YOU
254
00:12:21,808 --> 00:12:25,342
THAT GOD IS THE FINEST
DECORATOR I'VE EVER HAD.
255
00:12:27,513 --> 00:12:29,280
SO WHAT'S THE SCORE, GUYS?
256
00:12:29,315 --> 00:12:30,915
STILL 0-0.
257
00:12:30,950 --> 00:12:33,818
WE CALL IT NIL-NIL,
CHUCKY, IN SOCCER.
258
00:12:33,853 --> 00:12:36,487
(chuckles) YOU FOLLOW
SOCCER, AQUAMAN?
259
00:12:36,522 --> 00:12:39,223
- NOT REALLY.
- OH, GREAT SPORT.
260
00:12:39,258 --> 00:12:41,525
PELE TURNED ME ON
TO IT BACK IN THE DAY
261
00:12:41,561 --> 00:12:43,394
WHEN WE WERE CHASING
HONEYS TOGETHER.
262
00:12:43,429 --> 00:12:45,396
THE GREAT THING IS,
263
00:12:45,431 --> 00:12:48,666
NO AMERICAN BOOKIE KNOWS
SHIT ABOUT HANDICAPPING.
264
00:12:48,702 --> 00:12:51,669
WE'VE GOT A MILLION BUCKS
RIDING ON MANCHESTER UNITED.
265
00:12:51,705 --> 00:12:53,482
- WOW.
- YOU WANT A PART
OF THE BET?
266
00:12:53,506 --> 00:12:55,106
YOU CAN HAVE 100K OF MINE.
267
00:12:55,141 --> 00:12:57,575
IT MAKES WATCHING THE
GAME A LOT MORE INTERESTING.
268
00:12:57,610 --> 00:12:59,610
AND IT'S A LOCK.
269
00:12:59,645 --> 00:13:02,113
ACTUALLY, I WAS GONNA TAKE
VINCE DOWN TO THE BEACH.
270
00:13:02,148 --> 00:13:04,626
OH, IF YOU WOULD RATHER LAY
ON THE BEACH WITH THE GIRLS
271
00:13:04,650 --> 00:13:07,518
THAN GAMBLE WITH THE
MEN, I GUESS THAT'S OKAY.
272
00:13:07,553 --> 00:13:09,631
YOU KNOW, MAYBE WE
CAN HANG WITH THE GUYS
273
00:13:09,655 --> 00:13:11,333
FOR A LITTLE BIT, IF
THAT'S ALL RIGHT WITH YOU.
274
00:13:11,357 --> 00:13:15,026
BESIDES, WE DO HAVE ALL
NIGHT TOGETHER, DON'T WE?
275
00:13:15,061 --> 00:13:17,729
IS THAT YOUR WAY OF SAYING
YOU'LL MAKE IT UP TO ME?
276
00:13:17,764 --> 00:13:19,897
I'LL CERTAINLY TRY.
277
00:13:19,933 --> 00:13:23,034
- ALL RIGHT,
LET'S WATCH THE GAME.
- I'M IN.
278
00:13:23,069 --> 00:13:25,380
NOW THAT'S THE SPIRIT
THAT I'M TALKING ABOUT.
279
00:13:25,404 --> 00:13:27,516
NOW IF SOMEBODY
WOULD GET THEIR ASS UP
280
00:13:27,540 --> 00:13:29,685
AND GIVE OUR SUPER FRIEND
HERE A COUPLE OF SEATS...
281
00:13:29,709 --> 00:13:33,144
THERE YOU GO. THANK YOU.
282
00:13:33,179 --> 00:13:34,779
ALL RIGHT.
283
00:13:34,814 --> 00:13:37,381
- (Latino music playing)
- Narrator: Vincent Chase.
284
00:13:37,416 --> 00:13:40,517
"Medellin."
285
00:13:44,891 --> 00:13:47,158
I LOVE LATIN MEN IN UNIFORM.
286
00:13:47,193 --> 00:13:49,727
- SEE? GAY JOE PUBLIC.
- I RESENT THAT.
287
00:13:49,763 --> 00:13:51,395
WHO CARES WHAT
THE MOVIE LOOKS LIKE?
288
00:13:51,430 --> 00:13:55,133
- GOOD TRAILER,
SEXY CAST, BOOM!
- SO WHAT DO YOU THINK?
289
00:13:55,168 --> 00:13:57,079
- I THINK I CAN SELL IT. I CAN SELL IT FOR A LOT.
- TO WHO?
290
00:13:57,103 --> 00:13:58,903
- HARVEY.
- HARVEY?
291
00:13:58,938 --> 00:14:02,140
- HE'S BEEN TRACKING
THIS THING SINCE DAY ONE.
- HE HATES US.
292
00:14:02,175 --> 00:14:04,675
HE'S A BUSINESSMAN,
ERIC, NOT YOUR PROM DATE
293
00:14:04,710 --> 00:14:06,488
WHO STILL HOLDS A GRUDGE
BECAUSE YOU DIDN'T FUCK HER RIGHT.
294
00:14:06,512 --> 00:14:09,225
WE'LL BE FINE. WE'LL GO IN
THERE WITH OUR HAT IN OUR HANDS.
295
00:14:09,249 --> 00:14:12,416
VINCE WILL SHOW HIM HIS
$50-MILLION SMILE. HARVEY WILL BITE.
296
00:14:12,451 --> 00:14:15,653
- I DON'T THINK VINCE
IS GONNA WANNA GO, ARI.
- WHY NOT?
297
00:14:15,688 --> 00:14:17,666
WELL, HE AND I KIND OF HAVE
DIFFERING VIEWS ON THE MOVIE.
298
00:14:17,690 --> 00:14:19,924
- DIFFERING HOW?
- WELL, HE LIKES IT.
299
00:14:19,959 --> 00:14:22,226
HE LIKES IT?
300
00:14:22,262 --> 00:14:25,930
VINCE LIKES THE MOVIE? THEN
WHY THE FUCK ARE YOU HERE?
301
00:14:25,965 --> 00:14:28,343
BECAUSE HE'S WRONG. LOOK, I
DON'T KNOW IF HE'S BRAINWASHED
302
00:14:28,367 --> 00:14:30,379
OR HE'S SCARED TO NOT BACK HIS
DIRECTOR. I DON'T KNOW, BUT HE'S WRONG.
303
00:14:30,403 --> 00:14:32,748
- DID YOU TALK
TO HIM ABOUT THIS?
- NO, I SPOKE TO HIM.
304
00:14:32,772 --> 00:14:35,039
- HE HUNG UP ON ME.
- HE HUNG UP ON YOU?
305
00:14:35,074 --> 00:14:37,108
WELL, I'M HANGING
UP ON YOU IN PERSON.
306
00:14:37,143 --> 00:14:39,321
LET ME EXPLAIN SOMETHING TO
YOU. I HAVE TWO PHILOSOPHIES:
307
00:14:39,345 --> 00:14:40,912
A: MY CLIENT IS ALWAYS RIGHT,
308
00:14:40,947 --> 00:14:43,047
AND B: HIS MANAGER IS ALWAYS
309
00:14:43,082 --> 00:14:45,449
AN OVERPAID USELESS
PAIN IN THE ASS.
310
00:14:45,484 --> 00:14:47,830
YEAH, MY TWO PHILOSOPHIES
ARE ONE: YOU'RE A DICK,
311
00:14:47,854 --> 00:14:50,299
AND TWO: WHEN YOU REALIZE I'M RIGHT,
YOU'RE GONNA KNOW YOU'RE A DICK.
312
00:14:50,323 --> 00:14:51,934
YOU KNOW WHAT, ARI? FORGET
IT, I'LL TAKE CARE OF THIS MYSELF.
313
00:14:51,958 --> 00:14:54,158
I'LL SEE YOU LATER. BYE, LLOYD.
314
00:14:54,194 --> 00:14:57,394
JEEZ, THERE WAS
SUCH POSITIVE ENERGY
315
00:14:57,430 --> 00:14:59,831
IN THIS ROOM JUST
A FEW MOMENTS AGO.
316
00:15:03,970 --> 00:15:06,470
TURTLE, YOU REMIND ME
OF ONE OF MY SON'S FRIENDS.
317
00:15:06,505 --> 00:15:09,040
YEAH, I GOT A FAMILIAR FACE.
318
00:15:09,075 --> 00:15:11,275
WELL, IT'S NOT YOUR
FACE I'M INTERESTED IN.
319
00:15:11,311 --> 00:15:13,044
WHY DON'T YOU WALK
AHEAD OF ME SO I CAN SEE
320
00:15:13,079 --> 00:15:15,146
WHAT KIND OF JUNK
YOU GOT IN YOUR TRUNK?
321
00:15:15,181 --> 00:15:16,613
(laughs)
322
00:15:16,649 --> 00:15:18,360
ACTUALLY, MY MOTHER
ALWAYS TAUGHT ME
323
00:15:18,384 --> 00:15:20,196
IT'S IMPOLITE TO WALK
IN FRONT OF A WOMAN.
324
00:15:20,220 --> 00:15:23,120
OH! WE GOT A SHY
ONE HERE, DONNA!
325
00:15:23,156 --> 00:15:25,667
WELL, HE'S A TURTLE. HE'LL
COME OUT OF HIS SHELL.
326
00:15:25,691 --> 00:15:27,937
- GOOD ONE, DONNA.
- Margery: I'LL TELL
YOU WHAT, TURTLE,
327
00:15:27,961 --> 00:15:30,061
YOU CAN CHECK OUT
MY HEINIE FOR NOW
328
00:15:30,096 --> 00:15:33,164
AND SHOW ME YOURS LATER. (hums)
329
00:15:35,134 --> 00:15:37,601
YOU ARE IN FOR ONE
WILD AFTERNOON, PAL.
330
00:15:37,636 --> 00:15:40,571
(groaning)
331
00:15:40,606 --> 00:15:44,108
SO WHEN YOU SAY I HAVE NO MONEY,
MARVIN, WHAT DO YOU REALLY MEAN?
332
00:15:44,143 --> 00:15:46,383
I MEAN YOU ARE BUSTED, VINCE.
333
00:15:46,412 --> 00:15:48,179
YOUR BALANCE IS ZERO.
334
00:15:48,214 --> 00:15:50,926
You're living off of your
American Express card, got it?
335
00:15:50,950 --> 00:15:52,816
- HMM.
- "HMM"?
336
00:15:52,852 --> 00:15:55,030
WHAT THE FUCK DOES "HMM" MEAN?
337
00:15:55,054 --> 00:15:57,432
- WELL, I...
- HEY, WANT TO
TAKE A WALK?
338
00:15:57,456 --> 00:15:59,357
JUST ONE MOMENT PLEASE.
339
00:15:59,392 --> 00:16:02,360
THANK YOU.
340
00:16:02,395 --> 00:16:06,063
ALL RIGHT, DON'T TELL ERIC,
BECAUSE I DON'T WANT HIM NAGGING ME,
341
00:16:06,099 --> 00:16:09,633
- BUT I MAY NEED YOU
TO STAKE ME 100 GRAND.
- 100 GRAND? FOR WHAT?
342
00:16:09,668 --> 00:16:11,969
WELL, I KIND OF WENT IN ON
A BET WITH DENNIS HOPPER
343
00:16:12,005 --> 00:16:13,604
ON MANCHESTER
UNITED AND WE'RE DOWN.
344
00:16:13,639 --> 00:16:16,207
ARE YOU OUT OF YOUR MIND, VINCE?
WHAT DO YOU KNOW ABOUT SOCCER?
345
00:16:16,242 --> 00:16:17,686
GET THE FUCK OUT OF THERE!
346
00:16:17,710 --> 00:16:19,554
I ALREADY PLACED THE BET,
MARVIN, I CAN'T JUST WALK OUT.
347
00:16:19,578 --> 00:16:21,891
BULLSHIT! YOU PUT ONE
FOOT IN FRONT OF THE OTHER
348
00:16:21,915 --> 00:16:23,547
- and move them.
- (beeps)
349
00:16:23,582 --> 00:16:25,460
HOLD ON, MARVIN. I'M GETTING A
CALL THAT MAY MAKE ME SOME MONEY.
350
00:16:25,484 --> 00:16:27,051
- VINCE!
- HEY, ARI, WHAT'S UP?
351
00:16:27,086 --> 00:16:29,498
DO YOU KNOW THAT YOUR MAN BROKE
OUT OF THE OOMPA LOOMPA FACTORY
352
00:16:29,522 --> 00:16:32,023
- AND IS UP TO NO GOOD?
- WHAT DO YOU MEAN?
353
00:16:35,328 --> 00:16:37,328
HI, ERIC MURPHY FOR HARVEY.
354
00:16:37,363 --> 00:16:39,741
OH, YOU CAN HAVE A SEAT.
I'LL LET HIM KNOW YOU'RE HERE.
355
00:16:39,765 --> 00:16:41,865
THANK YOU.
356
00:16:41,901 --> 00:16:45,769
(phone ringing)
357
00:16:45,805 --> 00:16:48,839
- HEY.
- DID YOU TELL ARI
THE MOVIE SUCKED?
358
00:16:48,874 --> 00:16:51,842
- YEAH, I DID.
- E, I'M HAVING A HARD
ENOUGH DAY AS IT IS.
359
00:16:51,877 --> 00:16:53,655
I THOUGHT WE AGREED YOU
WEREN'T GONNA BE NEGATIVE.
360
00:16:53,679 --> 00:16:56,058
LOOK, I DIDN'T AGREE TO ANYTHING,
ALL RIGHT? YOU HUNG UP ON ME.
361
00:16:56,082 --> 00:16:57,859
I'M NOT BEING NEGATIVE.
I'M BEING REALISTIC.
362
00:16:57,883 --> 00:17:00,396
- THE MOVIE NEEDS WORK.
- SINCE WHEN DID YOU BECOME
A FILMMAKER?
363
00:17:00,420 --> 00:17:02,398
- WHAT'S THAT SUPPOSED TO MEAN?
- It means you're
new to this.
364
00:17:02,422 --> 00:17:04,333
YOU DON'T KNOW WHAT
TO LOOK FOR IN A FIRST CUT,
365
00:17:04,357 --> 00:17:06,768
- MUCH LESS HOW TO FIX ONE.
- OH, WHAT, SO MY OPINION
DOESN'T COUNT?
366
00:17:06,792 --> 00:17:09,126
E, WHEN YOU WERE
MANAGING YOUR RESTAURANT,
367
00:17:09,162 --> 00:17:11,206
WHAT DID YOU THINK WHEN A CUSTOMER
TOLD YOU HOW TO DO YOUR JOB?
368
00:17:11,230 --> 00:17:13,764
OH, PLEASE. YOU DID NOT
SERIOUSLY JUST FUCKING SAY THAT.
369
00:17:13,799 --> 00:17:16,478
VINCE, I'M THE PRODUCER OF
THIS MOVIE. I DESERVE TO BE HEARD.
370
00:17:16,502 --> 00:17:19,203
IS THAT WHAT THIS IS ABOUT? YOUR
EGO? YOU'RE NOT FEELING HEARD?
371
00:17:19,238 --> 00:17:21,750
- FUCK YOU. I PUT MY OWN MONEY INTO THIS.
- Yeah, and now what?
372
00:17:21,774 --> 00:17:24,942
YOU'RE PANICKING. I'LL BUY YOU OUT
RIGHT NOW IF YOU DON'T BELIEVE IN IT.
373
00:17:24,978 --> 00:17:28,012
- YOU'RE BROKE, BIG SHOT.
- Man: YEAH!
374
00:17:28,047 --> 00:17:30,081
I GOT SOMETHING IN THE WORKS.
375
00:17:30,116 --> 00:17:32,416
ERIC, HARVEY WILL SEE YOU NOW.
376
00:17:32,452 --> 00:17:35,252
YEAH, ME TOO.
377
00:17:35,288 --> 00:17:37,221
E, DON'T HANG UP ON ME.
378
00:17:37,256 --> 00:17:39,290
- ARE YOU READY?
- YES, HOW ARE YOU TODAY?
379
00:17:39,325 --> 00:17:42,426
- I'M OKAY. HOW ARE YOU?
- NICE TO MEET YOU.
380
00:17:42,462 --> 00:17:44,528
CHECK OUT HOW LONG MY TONGUE IS.
381
00:17:46,466 --> 00:17:48,765
WE MIGHT HAVE A
RECORD HOLDER HERE.
382
00:17:48,801 --> 00:17:50,612
WELL, IT'S GOOD FOR THOSE
HARD-TO-REACH PLACES.
383
00:17:50,636 --> 00:17:53,382
YEAH, WELL IF ANYONE'S GOT
HARD-TO-REACH PLACES, IT'S TURTLE.
384
00:17:53,406 --> 00:17:55,873
- WHOO-WHOO.
- HE'S KIDDING.
385
00:17:55,908 --> 00:17:57,774
OH, TOO BAD.
386
00:17:57,810 --> 00:18:00,378
WHAT DO YOU GUYS SAY WE
GET OUT OF HERE AND GO FUCK?
387
00:18:00,413 --> 00:18:02,546
I SAY "CHECK PLEASE!"
388
00:18:02,581 --> 00:18:04,893
- WHAT...
- I'M GONNA GO
FRESHEN UP.
389
00:18:04,917 --> 00:18:07,485
- OKAY.
- I'LL GO WITH YOU.
390
00:18:07,520 --> 00:18:10,954
I'M OUT OF HERE, DRAMA. THERE'S
NO WAY I'M FUCKING THAT OLD LADY.
391
00:18:10,990 --> 00:18:14,269
JESUS, TURTLE, HOW WOULD YOU LIKE IT IF
SOMEONE TALKED ABOUT YOUR MOTHER LIKE THAT?
392
00:18:14,293 --> 00:18:16,327
IF MY MOTHER WAS OUT
CHASING GUYS HALF HER AGE
393
00:18:16,362 --> 00:18:17,995
OR TWO-THIRDS HER
AGE, SHE'D DESERVE IT.
394
00:18:18,031 --> 00:18:20,531
LOOK, YOU CAN'T BAIL
ON ME. I NEED YOU HERE.
395
00:18:20,566 --> 00:18:23,312
THE ONLY WAY I'M GONNA GET DONNA
ALONE IS IF YOU KEEP MARGERY BUSY.
396
00:18:23,336 --> 00:18:24,868
WELL, GET HER A DECK OF CARDS
397
00:18:24,904 --> 00:18:26,515
AND SOME FRIENDS TO PLAY MAH
JONGG WITH BECAUSE I'M GONE.
398
00:18:26,539 --> 00:18:29,485
COME ON, TURTLE! 16 YEARS I'VE
BEEN DYING TO BANG THIS BROAD.
399
00:18:29,509 --> 00:18:31,075
TAKE ONE FOR THE TEAM,
400
00:18:31,110 --> 00:18:34,289
LIKE I DID FOR YOU THAT TIME YOU SET
ME UP WITH A GIRL WITH THE CLUBFOOT.
401
00:18:34,313 --> 00:18:36,813
AT LEAST THAT GIRL WAS A
NINE FROM THE ANKLES UP.
402
00:18:36,849 --> 00:18:39,783
COME ON, TURTLE, DON'T
LEAVE. I'M BEGGING YOU, PLEASE.
403
00:18:39,818 --> 00:18:42,920
FINE, ALL RIGHT, BUT
YOU OWE ME FOR LIFE.
404
00:18:42,955 --> 00:18:45,389
- YES, I OWE YOU
FOR LIFE.
- MM-HMM.
405
00:18:49,095 --> 00:18:51,535
ARE WE STILL GONNA SPLIT
THIS DOWN THE MIDDLE?
406
00:18:54,800 --> 00:18:56,867
OUR LAST MEETING AT
SUNDANCE WAS UNPLEASANT.
407
00:18:56,902 --> 00:18:58,769
YEAH, A LITTLE BIT.
408
00:18:58,804 --> 00:19:00,971
WELL, I TEND TO GET
OVEREXCITED SOMETIMES.
409
00:19:02,675 --> 00:19:04,175
YOU DID FUCK ME THOUGH.
410
00:19:04,210 --> 00:19:06,444
AND I HAVE TO
APOLOGIZE FOR THAT.
411
00:19:06,479 --> 00:19:08,623
YEAH, NO, YOU REALLY FUCKED
ME. I THOUGHT WE HAD A DEAL.
412
00:19:08,647 --> 00:19:10,681
- AGAIN, I'M SORRY.
- I FUCK PEOPLE.
413
00:19:10,716 --> 00:19:13,951
- I DON'T LIKE
GETTING FUCKED.
- NO ONE DOES.
414
00:19:13,986 --> 00:19:17,688
YOU'RE NOT TRYING TO
FUCK ME AGAIN HERE?
415
00:19:17,723 --> 00:19:19,623
NO NO. NO NO NO.
416
00:19:19,658 --> 00:19:22,993
BECAUSE I'VE BEEN
FOLLOWING "MEDELLIN"
417
00:19:23,028 --> 00:19:24,661
FOR A LONG TIME
418
00:19:24,697 --> 00:19:27,931
AND I'VE HEARD SOME NOT-SUCH-GREAT
THINGS FROM INSIDE SOURCES.
419
00:19:27,967 --> 00:19:30,546
WELL, I DON'T KNOW WHAT INSIDE
SOURCES YOU HAVE, HARVEY, BUT...
420
00:19:30,570 --> 00:19:32,214
YOU'LL NEVER KNOW. THAT'S WHY
THEY CALL THEM INSIDE SOURCES.
421
00:19:32,238 --> 00:19:33,915
LOOK, HARVEY, I KNOW
THERE'S A GREAT MOVIE IN HERE.
422
00:19:33,939 --> 00:19:35,551
I WAS THERE. I
KNOW WHAT WE SHOT.
423
00:19:35,575 --> 00:19:37,553
BUT THIS GUY WALSH
NEEDS TO BE RECUT.
424
00:19:37,577 --> 00:19:39,988
I KNOW YOU'RE THE GUY THAT CAN
BRING THE BRILLIANCE OUT OF THIS MOVIE.
425
00:19:40,012 --> 00:19:41,778
I WANT YOU TO LOOK AT THIS.
426
00:19:41,814 --> 00:19:43,692
I THINK YOU'LL GET A BETTER IDEA
OF WHAT WE'RE TALKING ABOUT.
427
00:19:43,716 --> 00:19:46,950
- YOU WANNA GET RID
OF YOUR DIRECTOR?
- I DO.
428
00:19:46,986 --> 00:19:49,386
MY KIND OF PRODUCER. (chuckles)
429
00:19:49,422 --> 00:19:53,023
CAROL, PUT THAT UP
ON THE BIG SCREEN.
430
00:19:53,058 --> 00:19:54,898
WE'LL LOOK AT IT TOGETHER NOW.
431
00:19:57,896 --> 00:20:00,309
Dennis: WE'RE LOOKING GOOD,
AQUAMAN. WE'RE LOOKING GOOD.
432
00:20:00,333 --> 00:20:02,877
I DON'T KNOW. WE'RE DOWN BY
ONE WITH LESS THAN A MINUTE TO GO.
433
00:20:02,901 --> 00:20:04,801
YEAH, BUT WE GOT A
PENALTY KICK COMING UP.
434
00:20:04,837 --> 00:20:07,438
MAN U'S GOT THE BEST
PENALTY KICKERS IN THE GAME.
435
00:20:07,473 --> 00:20:09,773
- BEST IN THE GAME.
- WE'RE GOING INTO OVERTIME.
436
00:20:09,808 --> 00:20:12,543
TRUST ME, I AM NEVER WRONG.
AM I EVER WRONG, GUYS?
437
00:20:12,578 --> 00:20:15,078
NEVER WRONG. NOT ABOUT SOCCER.
438
00:20:15,114 --> 00:20:17,214
- NOT ABOUT MOVIES.
- NOT ABOUT FINANCIAL SERVICES.
439
00:20:17,250 --> 00:20:18,760
OKAY, NOW SHUT THE FUCK UP.
440
00:20:18,784 --> 00:20:20,951
EVERYBODY QUIET. HERE IT COMES.
441
00:20:22,622 --> 00:20:24,421
(groaning)
442
00:20:24,457 --> 00:20:28,425
- FUCK!
- OH MAN,
HE GUESSED RIGHT.
443
00:20:28,461 --> 00:20:31,428
- Man: MAN, SEE THAT?
- Woman: JEEZ.
444
00:20:31,464 --> 00:20:35,232
WELL, IT'S ONLY MONEY,
RIGHT, AQUAMAN?
445
00:20:35,268 --> 00:20:38,269
YEAH, DENNIS, ABOUT THAT.
446
00:20:38,304 --> 00:20:39,748
WHEN ARE YOU GONNA
NEED THE MONEY?
447
00:20:39,772 --> 00:20:41,383
BECAUSE I DIDN'T
BRING ANY CASH...
448
00:20:41,407 --> 00:20:44,052
WHAT'S WITH ALL THE
NOISE? YOU GUYS WOKE ME UP.
449
00:20:44,076 --> 00:20:46,810
MANCHESTER JUST FUCKING LOST.
450
00:20:46,845 --> 00:20:49,046
- THEY DID?
- Dennis: YEAH.
451
00:20:49,081 --> 00:20:51,549
- OH, SHIT.
- YEAH, SHIT'S RIGHT.
452
00:20:51,584 --> 00:20:54,885
NO, DENNIS. I FORGOT
TO CALL IN THE BETS.
453
00:20:54,920 --> 00:20:56,453
REALLY?
454
00:20:56,489 --> 00:20:58,600
THEN I GUESS WE ALL JUST
CAUGHT A LUCKY BREAK!
455
00:20:58,624 --> 00:21:01,124
YES, ALL RIGHT!
456
00:21:01,160 --> 00:21:03,160
ALL RIGHT! WHOO!
457
00:21:03,196 --> 00:21:06,263
SO YOU WANT TO TAKE A WALK
DOWN TO THE BEACH NOW, VINCE?
458
00:21:06,299 --> 00:21:09,433
I WOULD LOVE TO TAKE A
WALK DOWN TO THE BEACH.
459
00:21:09,468 --> 00:21:12,236
HEY, AQUAMAN,
BRAZIL IS PLAYING NEXT.
460
00:21:12,271 --> 00:21:14,938
THEY ARE A LOCK. NOW ARE YOU IN?
461
00:21:14,973 --> 00:21:17,841
DEFINITELY.
462
00:21:17,876 --> 00:21:20,311
ALL RIGHT, THAT'S MY MAN.
463
00:21:20,346 --> 00:21:24,114
LORDY LORDY, SHE
HASN'T AGED AN INCH.
464
00:21:24,149 --> 00:21:27,184
HEY, BOYS.
465
00:21:27,220 --> 00:21:29,587
YOU KNOW THERE'S NO WAY I
CAN DO THIS, RIGHT, DRAMA?
466
00:21:29,622 --> 00:21:32,356
YEAH, I GET IT, TURTLE.
YOU DON'T HAVE TO.
467
00:21:32,391 --> 00:21:35,326
JUST SIT THERE AND HOLD YOUR
DICK AND DON'T FUCK IT UP FOR ME.
468
00:21:35,361 --> 00:21:37,361
ALL RIGHT.
469
00:21:37,396 --> 00:21:39,763
OH YEAH, YOU SEXY THING.
470
00:21:45,037 --> 00:21:47,371
ACTUALLY, JOHNNY,
MARGERY AND I WERE TALKING,
471
00:21:47,406 --> 00:21:49,351
AND WE THOUGHT WE'D
MIX THINGS UP A BIT.
472
00:21:49,375 --> 00:21:51,174
MIX THINGS UP A BIT HOW?
473
00:21:53,946 --> 00:21:56,024
I THOUGHT I REMINDED
YOU OF YOUR SON'S FRIEND.
474
00:21:56,048 --> 00:21:58,382
YEAH, THE ONE I
ALWAYS WANTED TO FUCK.
475
00:21:58,417 --> 00:22:00,384
YOU GOT TO BE SHITTING ME.
476
00:22:00,419 --> 00:22:02,564
OH, I'M SORRY, JOHNNY. YOU
KNOW I LIKE MY BOYS YOUNG.
477
00:22:02,588 --> 00:22:04,600
AND YOU JUST AREN'T SO ANYMORE.
478
00:22:04,624 --> 00:22:08,392
OH, LET THEM GO, HONEY. (moans)
479
00:22:08,427 --> 00:22:12,062
YOU'RE IN FOR THE BEST
AFTERNOON OF YOUR LIFE!
480
00:22:19,739 --> 00:22:22,083
Drama: WE HAVE
ALMOST THE SAME BLOOD.
481
00:22:22,107 --> 00:22:24,508
HOW DID MY LIFE GO SO WRONG?
482
00:22:24,543 --> 00:22:27,244
GENETIC MUTATIONS
CAN BE SO CRUEL.
483
00:22:30,149 --> 00:22:32,149
- HEY.
- HEY, E.
484
00:22:32,184 --> 00:22:33,417
THIS IS SAM.
485
00:22:33,452 --> 00:22:34,696
- Eric: HEY SAM.
- HI.
486
00:22:34,720 --> 00:22:36,831
- WHEN YOU GET A SECOND,
CAN WE TALK?
- SURE.
487
00:22:36,855 --> 00:22:38,289
THANKS.
488
00:22:38,324 --> 00:22:40,791
UH-OH, I THINK I'M IN TROUBLE.
489
00:22:40,826 --> 00:22:43,927
- I'LL BE RIGHT BACK.
- ALL RIGHT.
490
00:22:43,962 --> 00:22:45,641
SO HOW WAS THE DAY, BOYS?
491
00:22:45,665 --> 00:22:47,709
WELL, DRAMA'S GOT THE
CLEANEST ASSHOLE IN AMERICA
492
00:22:47,733 --> 00:22:50,267
AND I LEARNED THAT
PASSION BEGINS AFTER 40.
493
00:22:50,303 --> 00:22:52,447
- I'D SAY IT WAS
A PRETTY GOOD DAY.
- IT SOUNDS LIKE IT.
494
00:22:52,471 --> 00:22:54,838
YO, WHAT'S UP?
495
00:22:54,873 --> 00:22:56,985
CAN YOU GUYS GIVE US A MINUTE?
496
00:22:57,009 --> 00:23:00,010
- IT'S MY HOUSE, E.
- JOHNNY.
497
00:23:00,045 --> 00:23:02,613
- YEAH, SURE, BRO.
- YEAH, WHO KNOWS?
498
00:23:02,648 --> 00:23:04,593
MAYBE I'LL EVEN TAKE A GIRL
FROM YOU THIS TIME, VINCE.
499
00:23:04,617 --> 00:23:06,628
- BECAUSE AFTER ALL,
I AM ON A HOT STREAK.
- SHUT UP, TURTLE.
500
00:23:06,652 --> 00:23:09,520
YEAH, THIS AIN'T A HOUSE. IT'S
A CONDO AND IT AIN'T A BIG ONE.
501
00:23:09,555 --> 00:23:11,822
SO YOU'RE MAD AT ME?
502
00:23:11,857 --> 00:23:14,625
- YOU CALLED ME PIZZA BOY.
- NO, I DIDN'T.
503
00:23:14,660 --> 00:23:16,993
YEAH, YOU DID. YOU CALLED
ME PIZZA BOY JUST LIKE ARI.
504
00:23:17,029 --> 00:23:20,175
I WAS PISSED. I WAS DOWN
100 GRAND ON A SOCCER GAME.
505
00:23:20,199 --> 00:23:22,411
- WHAT?
- YEAH, DON'T WORRY. I GOT IT ALL BACK.
506
00:23:22,435 --> 00:23:25,836
- AND I WON
$100,000 ON BRAZIL.
- ARE YOU FUCKING KIDDING ME?
507
00:23:25,871 --> 00:23:29,172
NO, COME ON. YOU WANNA
HIT THE PALM FOR LOBBIES?
508
00:23:30,643 --> 00:23:32,576
COME ON, IT'S A GOOD DAY.
509
00:23:32,611 --> 00:23:34,956
- NO IT'S NOT. I'M PISSED.
- I'M SORRY.
510
00:23:34,980 --> 00:23:37,025
YOU KNOW WHAT?
DON'T GIVE ME THAT SHIT.
511
00:23:37,049 --> 00:23:39,428
YOU KNOW, YOU TELL ME I'M NOT
A FILMMAKER, AND THAT'S FINE.
512
00:23:39,452 --> 00:23:41,596
BUT YOU KNOW WHAT?
I FOUND THE SCRIPT.
513
00:23:41,620 --> 00:23:44,020
YOU DIDN'T AND ARI DIDN'T.
I PICKED THE DIRECTOR.
514
00:23:44,056 --> 00:23:46,390
AND I GOT SOMEBODY
TO BUY THIS MOVIE
515
00:23:46,425 --> 00:23:48,036
AND BAIL US OUT OF
OUR FINANCIAL PROBLEMS.
516
00:23:48,060 --> 00:23:50,661
- WHAT DO YOU MEAN?
- I BROUGHT IT TO HARVEY.
517
00:23:50,696 --> 00:23:54,565
HE WANTS IT, VINCE. I GOT
HIM TO MAKE US AN OFFER.
518
00:23:54,600 --> 00:23:57,178
$25 MILLION. IT TAKES
FINAL CUT AWAY FROM BILLY.
519
00:23:57,202 --> 00:23:58,947
IT'S WHAT'S BEST FOR US AND
IT'S WHAT'S BEST FOR THE MOVIE.
520
00:23:58,971 --> 00:24:00,871
- YOU GOT AN OFFER?
- YEAH.
521
00:24:00,906 --> 00:24:03,051
AND IF WE GET REJECTED FROM
CANNES AND THAT GOES PUBLIC
522
00:24:03,075 --> 00:24:04,586
WE MAY NEVER GET AN
OFFER LIKE THAT AGAIN.
523
00:24:04,610 --> 00:24:06,844
YOU GOT AN OFFER OFF A TRAILER?
524
00:24:06,879 --> 00:24:10,247
THAT IS AMAZING.
525
00:24:10,282 --> 00:24:12,783
YEAH, I CAN SPIN
SOME DOUGH, HUH?
526
00:24:12,818 --> 00:24:15,819
LOOK, E, I KNOW YOU'RE
DOING WHAT YOU THINK IS BEST,
527
00:24:15,855 --> 00:24:17,799
AND I WAS WRONG
ABOUT WHAT I SAID TODAY.
528
00:24:17,823 --> 00:24:20,702
AND I DO APPRECIATE HOW MUCH
YOU REALLY HAVE DONE. I REALLY DO.
529
00:24:20,726 --> 00:24:24,027
- BUT IS IT POSSIBLE
YOU'RE WRONG TOO?
- HOW?
530
00:24:24,062 --> 00:24:26,074
ABOUT THE MOVIE. MAYBE
YOU REALLY ARE TOO CLOSE.
531
00:24:26,098 --> 00:24:29,065
- IS THAT POSSIBLE?
- WELL YEAH, MAYBE,
532
00:24:29,101 --> 00:24:31,112
BUT I'D LIKE TO BE PROTECTED IN
CASE WE DON'T GET INTO CANNES.
533
00:24:31,136 --> 00:24:34,104
- WE DID GET INTO CANNES.
- WHAT?
534
00:24:34,139 --> 00:24:36,485
THE MOVIE GOT INTO CANNES. I
JUST TALKED TO WALSH AN HOUR AGO.
535
00:24:36,509 --> 00:24:38,275
I DON'T BELIEVE IT.
536
00:24:38,310 --> 00:24:41,590
WELL, BELIEVE IT, BECAUSE YOU
MADE... WE MADE A GREAT FILM.
537
00:24:41,614 --> 00:24:43,925
A FILM I DON'T THINK WE SHOULD
SELL UNTIL WE GET TO THE FESTIVAL.
538
00:24:43,949 --> 00:24:47,150
- WE GOT INTO CANNES?
- MAYBE YOU SHOULD
WATCH IT AGAIN.
539
00:24:47,185 --> 00:24:49,486
MAYBE.
540
00:24:49,522 --> 00:24:52,088
(hip-hop music playing)