1 00:01:17,745 --> 00:01:19,444 - YOU FIND ANYTHING? - NOTHING. 2 00:01:19,479 --> 00:01:20,991 YOUR BROTHER'S TURNED INTO A HEALTH NUT. 3 00:01:21,015 --> 00:01:24,082 ALL HE'S GOT ARE WHOLE GRAINS AND A BOTTLE OF FLAXSEED OIL. 4 00:01:24,118 --> 00:01:26,718 YOU WANT TO DO A COUPLE OF COLON-CLEANSING SHOTS? 5 00:01:26,753 --> 00:01:28,153 NO, LET'S JUST ORDER IN. 6 00:01:28,189 --> 00:01:30,267 FROM WHERE? I DON'T EVEN KNOW WHAT ZIP CODE WE'RE IN. 7 00:01:30,291 --> 00:01:32,402 ARE YOU FEELING A LITTLE DISPLACED, TURTLE? 8 00:01:32,426 --> 00:01:34,771 - VERY. - WE'LL GET A NEW HOME SOON, I PROMISE. 9 00:01:34,795 --> 00:01:36,606 YEAH, THANKS, VIN. THAT MAKES ME ALMOST FEEL GOOD ENOUGH 10 00:01:36,630 --> 00:01:39,898 TO EAT SOME OF THIS SHIT. WHAT IS PSYLLIUM HUSK ANYWAY? 11 00:01:39,934 --> 00:01:41,633 - MORNING. - YO. 12 00:01:41,668 --> 00:01:44,436 - MORNING, E. HOW'D YOU SLEEP? - OH, FINE I'M SURE. 13 00:01:44,471 --> 00:01:47,483 SOMEONE GOT ALL COZY ON THE COUCH WHILE I WAS STUCK SLEEPING ON THE AIR MATTRESS. 14 00:01:47,507 --> 00:01:49,853 YEAH, IT WAS REAL COZY LISTENING TO YOU SNORE ALL NIGHT, TURTLE. 15 00:01:49,877 --> 00:01:52,122 AND PLEASE TELL ME I DIDN'T CATCH YOU WHACKING IT AT 4:00 A.M. 16 00:01:52,146 --> 00:01:54,691 FUCK, I GOT TO GET SOME PRIVACY, VIN. 17 00:01:54,715 --> 00:01:57,160 - YOU GOT TO GET PEOPLE TO SEE THIS MOVIE. - E DOESN'T THINK SO. 18 00:01:57,184 --> 00:02:00,185 - OH BOY, HERE WE GO. - E THOUGHT "ROCKY IV" SUCKED WHEN IT CAME OUT. 19 00:02:00,221 --> 00:02:02,966 - I MEAN, WHAT DOES HE KNOW? - Vince: E, I'M TELLING YOU, YOU'RE JUST TOO CLOSE TO IT. 20 00:02:02,990 --> 00:02:05,090 - "MEDELLIN" IS A GREAT FILM. - IT WILL BE. 21 00:02:05,125 --> 00:02:06,937 WILL BE? WHAT, DID YOU HAVE A CHANGE OF HEART? 22 00:02:06,961 --> 00:02:09,139 I THOUGHT ABOUT IT ALL NIGHT LONG. THERE'S GREATNESS IN IT. 23 00:02:09,163 --> 00:02:11,374 IT'S JUST TOO LONG. I GOT SOME IDEAS ON HOW TO CUT SOME STUFF. 24 00:02:11,398 --> 00:02:14,967 I THINK WE CAN CUT THE "CROOKED CUSTOMS COP" SEQUENCE IN HALF FOR STARTERS THOUGH, NO? 25 00:02:15,002 --> 00:02:16,969 YEAH, IT WAS A LITTLE LONG. 26 00:02:17,004 --> 00:02:19,271 CALL WALSH. RUN YOUR IDEAS BY HIM. 27 00:02:19,306 --> 00:02:21,184 I THINK I'M GONNA GO DOWN THERE, TALK TO HIM IN PERSON. 28 00:02:21,208 --> 00:02:23,053 BUT BE POSITIVE. YOU KNOW HOW SENSITIVE HE IS. 29 00:02:23,077 --> 00:02:24,642 NO, IS HE REALLY? 30 00:02:24,678 --> 00:02:27,212 NAMASTE, CAMPERS. RISE AND SHINE. 31 00:02:27,248 --> 00:02:30,615 - CAMPERS ARE UP, JOHNNY. - AND WE'RE DYING FOR SOME UNHEALTHY EATS, 32 00:02:30,650 --> 00:02:32,351 SO PLEASE TELL US YOU GOT SOMETHING. 33 00:02:32,386 --> 00:02:34,865 - FRIED EGG SANDWICHES FROM THE BAGEL BROKER. - NICE. 34 00:02:34,889 --> 00:02:37,589 - YES! - NOT THE KIND OF GARBAGE I LIKE TO PUT IN MY BODY, 35 00:02:37,624 --> 00:02:40,470 BUT YOU KNOW MY MOTTO... "WHEN YOU HAVE GUESTS, GIVE THEM WHAT THEY WANT." 36 00:02:40,494 --> 00:02:42,694 YEAH, YOU'RE RUNNING A REGULAR B&B OVER HERE, DRAMA. 37 00:02:42,729 --> 00:02:45,097 WE APPRECIATE YOU PUTTING US UP, JOHNNY. 38 00:02:45,132 --> 00:02:47,499 RIGHT, GUYS? 39 00:02:47,534 --> 00:02:49,079 NO NEED TO THANK ME, FELLAS. 40 00:02:49,103 --> 00:02:52,148 TO HOUSE MY KID BROTHER AND HIS FRIENDS GIVES ME NOTHING BUT PURE JOY. 41 00:02:52,172 --> 00:02:54,706 OR AS THEY SAY IN YIDDISH, NACHAS. 42 00:02:54,741 --> 00:02:57,553 BESIDES, GOD HAS ALREADY REWARDED ME FOR MY GOOD DEEDS. 43 00:02:57,577 --> 00:03:00,390 OH YEAH? WHAT DID HE DO? UN-RECEDE YOUR HAIRLINE? 44 00:03:00,414 --> 00:03:03,315 NO, DICKHEAD. WHAT HE DID WAS FINALLY ANSWER AN OLD PRAYER 45 00:03:03,350 --> 00:03:07,085 - AND DELIVER DONNA DEVENY TO ME. - WHO'S DONNA DEVENY? 46 00:03:07,121 --> 00:03:10,533 ONLY ONE OF THE FINEST PIECES OF PARTY-GIRL ASS THIS TOWN HAS EVER KNOWN. 47 00:03:10,557 --> 00:03:13,392 I USED TO KICK IT WITH HER BACK IN MY WHISKEY-BAR DAYS, 48 00:03:13,427 --> 00:03:15,627 BUT NEVER OFFICIALLY CLOSED IT. 49 00:03:15,662 --> 00:03:17,207 I'VE BEEN DREAMING OF FUCKING HER EVER SINCE. 50 00:03:17,231 --> 00:03:18,942 - WHEN ARE YOU SEEING HER? - Drama: TODAY, BRO. 51 00:03:18,966 --> 00:03:22,867 - AND TURTLE, SHE'S GOT A FRIEND. - WHAT KIND OF FRIEND? 52 00:03:22,903 --> 00:03:26,271 - A HOT ONE WITH A HOUSE IN MALIBU. - REALLY? 53 00:03:26,307 --> 00:03:30,075 PRECISELY THE KIND OF GIRLS WE WANT TO BE FRIENDS WITH COME JUNE AND JULY. 54 00:03:30,110 --> 00:03:32,444 WHAT, NO GIRL FOR ME AND E? 55 00:03:32,479 --> 00:03:35,013 I GOT WALSH TODAY. 56 00:03:35,049 --> 00:03:37,294 I'LL LET YOU AND TURTLE BATTLE IT OUT FOR THE FRIEND THOUGH. 57 00:03:37,318 --> 00:03:39,518 WHAT? IT'S ONLY FAIR, RIGHT? 58 00:03:41,055 --> 00:03:44,255 YOU WONDER WHY I'M WHACKING OFF LATE AT NIGHT. 59 00:03:45,459 --> 00:03:48,838 HEY, I JUST WANT YOU TO KNOW I APPRECIATE YOU GUYS NOT LEAVING ME HOME ALONE TODAY. 60 00:03:48,862 --> 00:03:51,964 AND DON'T WORRY, I'M GOING TO BE BASICALLY INVISIBLE. 61 00:03:51,999 --> 00:03:53,999 YOU WON'T EVEN KNOW I'M THERE. 62 00:03:54,034 --> 00:03:57,669 THAT'S GREAT, VIN, BUT JUST IN CASE YOU WIND UP NOT BEING SO INVISIBLE, 63 00:03:57,704 --> 00:03:59,782 COULD YOU TRY AND AT LEAST TAKE DRAMA'S GIRL AND NOT MINE? 64 00:03:59,806 --> 00:04:01,974 GO FUCK YOURSELF, TURTLE. 65 00:04:02,009 --> 00:04:04,054 YOU WOULDN'T EVEN HAVE A GIRL TO GET TAKEN BY VINCE 66 00:04:04,078 --> 00:04:06,144 - IF IT WASN'T FOR ME. - LIFE SUCKS. 67 00:04:06,180 --> 00:04:08,146 IT'S GONNA BE OKAY, TURTLE. I PROMISE. 68 00:04:10,951 --> 00:04:14,152 OH, SHIT. LOOK AT THIS ONE. 69 00:04:14,188 --> 00:04:17,789 HEY, VINCE. WHAT ARE YOU UP TO? 70 00:04:17,824 --> 00:04:21,159 NOT MUCH, JUST BEING A FIFTH WHEEL ON MY BOYS' DOUBLE DATE. 71 00:04:21,195 --> 00:04:23,661 - THAT SOUNDS AWFUL. - DOESN'T IT? 72 00:04:23,697 --> 00:04:26,343 WELL, I'M GONNA GO HANG OUT AT MY FRIEND'S BEACH HOUSE. DO YOU WANT TO COME? 73 00:04:26,367 --> 00:04:29,934 YES, I THINK I DO. EXCUSE ME. 74 00:04:29,970 --> 00:04:31,903 YOU MIND, TURTLE? 75 00:04:31,938 --> 00:04:33,705 NO. 76 00:04:33,740 --> 00:04:35,660 I TOLD YOU IT WOULD BE ALL RIGHT. 77 00:04:43,150 --> 00:04:45,717 I WOULD GIVE MY NUTS TO BE THAT GUY FOR ONE DAY. 78 00:04:45,752 --> 00:04:48,720 WELL, IF YOU HAD NO NUTS, WHAT WOULD BE THE USE? 79 00:04:48,755 --> 00:04:52,057 OR WOULD YOU THEN BE HOPING THAT YOU HAD VINCE'S NUTS? 80 00:04:54,161 --> 00:04:55,660 WHAT, NO COMEBACK? 81 00:04:55,695 --> 00:04:58,863 YOU'RE TOO DUMB TO EVEN RESPOND TO. 82 00:05:02,002 --> 00:05:05,303 - BUENOS DIAS. - WHAT UP, DAWG? 83 00:05:05,339 --> 00:05:09,074 YOUR ENGLISH IS GETTING BETTER, JUAN. OH, WHAT'S THIS? 84 00:05:09,109 --> 00:05:12,069 THE TRAILER BILLY HAD ME CUT TOGETHER FOR NEXT YEAR'S AMERICAN FILM MARKET. 85 00:05:14,048 --> 00:05:16,614 Narrator: Behind the greed, 86 00:05:16,650 --> 00:05:18,550 behind the legend... 87 00:05:20,154 --> 00:05:22,887 was the man. 88 00:05:25,759 --> 00:05:28,060 - WOW, THIS LOOKS GREAT. - YEAH. 89 00:05:28,095 --> 00:05:30,340 - IF ONLY THE MOVIE LOOKED SO GOOD. - WHAT? 90 00:05:30,364 --> 00:05:33,098 WHAT? NOTHING. I DIDN'T SAY ANYTHING. 91 00:05:33,133 --> 00:05:36,568 THERE HE IS, FRESH FROM THE DRY CLEANERS, 92 00:05:36,603 --> 00:05:38,370 MY ONE AND ONLY FAVORITE SUIT. 93 00:05:38,405 --> 00:05:41,125 - HOW ARE YOU DOING, BILLY? - COME HERE, E, GIVE ME SOME LOVE. 94 00:05:42,609 --> 00:05:44,142 WHAT DO YOU THINK OF THE TRAILER? 95 00:05:44,178 --> 00:05:46,089 WHAT LITTLE I SAW OF IT LOOKS AMAZING. 96 00:05:46,113 --> 00:05:47,979 IT LOOKS EVEN BETTER ON REPLAY. 97 00:05:48,014 --> 00:05:49,914 TAKE THIS HOME AND FINGER YOURSELF TO IT, SUIT. 98 00:05:49,950 --> 00:05:52,050 FOR YOUR EYES ONLY. CONSIDER IT A LITTLE GIFT 99 00:05:52,086 --> 00:05:54,052 FOR YOUR KIND WORDS LAST NIGHT. 100 00:05:54,088 --> 00:05:56,221 I KNOW WE HAVEN'T ALWAYS SEEN EYE TO EYE, 101 00:05:56,256 --> 00:05:58,090 BUT YOUR SUPPORT FOR MY VISION OF THIS FILM, 102 00:05:58,125 --> 00:05:59,958 FOR ALLOWING ME TO MAKE IT THE RIGHT WAY, 103 00:05:59,993 --> 00:06:03,339 HAS TAUGHT ME THAT ARTISTS AND CAPITALIST PIGS MIGHT BE ABLE TO WORK TOGETHER AFTER ALL. 104 00:06:03,363 --> 00:06:05,775 I'M MAKING VERY LITTLE MONEY FOR A CAPITALIST PIG, BILLY. 105 00:06:05,799 --> 00:06:07,165 I DIDN'T SAY YOU'RE GOOD AT IT. 106 00:06:07,201 --> 00:06:09,201 SERIOUSLY, THROUGH ALL THIS SHIT, 107 00:06:09,236 --> 00:06:11,114 ALL THAT MATTERS IS THAT WE WENT OFF TO WAR TOGETHER 108 00:06:11,138 --> 00:06:12,770 AND CAME HOME WITH OUR LIMBS INTACT 109 00:06:12,806 --> 00:06:14,573 AND A FUCKING MASTERPIECE IN THE CAN, RIGHT? 110 00:06:14,608 --> 00:06:16,408 - RIGHT. - WANT A BEER? 111 00:06:16,443 --> 00:06:19,611 SURE. AHEM... 112 00:06:19,646 --> 00:06:21,546 I DID HAVE A FEW THOUGHTS THOUGH, BILLY. 113 00:06:21,582 --> 00:06:23,781 THOUGHTS? 114 00:06:23,817 --> 00:06:26,796 - JUST SOME IDEAS I WANTED TO TALK TO YOU ABOUT. - YOU MEAN LIKE NOTES? 115 00:06:26,820 --> 00:06:30,688 NO, JUST SOME SMALL CHANGES I THOUGHT MIGHT HELP MAKE THE FILM PLAY BETTER. 116 00:06:30,724 --> 00:06:32,635 LAST NIGHT YOU SAID THAT YOU LOVED IT. WHAT, YOU WERE LYING? 117 00:06:32,659 --> 00:06:34,926 - NO, I THINK IT'S GREAT. - BUT? 118 00:06:34,961 --> 00:06:37,996 - BUT I THINK IT NEEDS WORK. - WELL, FUCK WHAT YOU THINK, 119 00:06:38,031 --> 00:06:40,643 BECAUSE I LOVE IT AND VINNIE LOVED IT, AND I KNOW HE AIN'T LYING. 120 00:06:40,667 --> 00:06:42,445 AND THE CANNES PEOPLE ARE GOING TO LOVE IT TOO. 121 00:06:42,469 --> 00:06:44,514 - CANNES? WHO'S GOING TO CANNES? - WE ARE. 122 00:06:44,538 --> 00:06:46,849 I FEDEXED A PRINT OFF TO THE SELECTION COMMITTEE LAST WEEK. 123 00:06:46,873 --> 00:06:49,018 I'M JUST WAITING TO HEAR IF WE'RE IN. 124 00:06:49,042 --> 00:06:51,309 I THOUGHT WE AGREED TO WAIT FOR SUNDANCE. 125 00:06:51,345 --> 00:06:53,423 FUCK THE DANCE. BEEN THERE DONE THAT. 126 00:06:53,447 --> 00:06:56,881 I'M GOING TO CANNES AND COMING HOME WITH A PALME D'OR AND A COTE D'AZURE TAN. 127 00:06:56,916 --> 00:06:59,518 BILLY, YESTERDAY YOU WERE SCARED TO DEATH TO SHOW US THE FILM. 128 00:06:59,553 --> 00:07:01,831 NOW IT'S READY FOR THE CANNES COMMITTEE WITHOUT CHANGING A SINGLE FRAME? 129 00:07:01,855 --> 00:07:03,600 THAT'S RIGHT. YOU'RE NOT AS SMART AS THE FROGS, SUIT. 130 00:07:03,624 --> 00:07:06,258 - I KNOW THEY'LL UNDERSTAND. - THIS IS NOT YOUR DECISION. 131 00:07:06,293 --> 00:07:08,938 YES IT FUCKING IS. I HAVE FINAL CUT. YOU AGREED TO IT. 132 00:07:08,962 --> 00:07:11,307 WHICH MEANS THAT I AGREED NOT TO LISTEN TO A WORD YOU FUCKING SAY. 133 00:07:11,331 --> 00:07:13,610 SO NO NOTES, NOT FROM YOU, NOT EVER. 134 00:07:13,634 --> 00:07:15,099 NOW IF YOU'LL EXCUSE ME, 135 00:07:15,135 --> 00:07:17,046 I'M GONNA GO DO SOME PRANAYAMA BREATHING EXERCISES 136 00:07:17,070 --> 00:07:19,003 AND TRY TO FORGET THIS VISIT EVER HAPPENED. 137 00:07:25,445 --> 00:07:27,011 YOUR FRIEND LIVES HERE? 138 00:07:27,046 --> 00:07:28,924 ACTUALLY, HE'S A FAMILY FRIEND. 139 00:07:28,948 --> 00:07:31,427 BUT HE LETS ME COME USE HIS PRIVATE BEACH WHENEVER I WANT. 140 00:07:31,451 --> 00:07:34,218 - OH, NICE FOR YOU. - YEAH, HE'S A GREAT GUY. 141 00:07:34,254 --> 00:07:35,920 AND HE'S INCREDIBLY COOL, 142 00:07:35,955 --> 00:07:37,867 SO DON'T GET ALL CHARMED BY HIM 143 00:07:37,891 --> 00:07:39,369 AND FORGET THAT YOU CAME HERE TO HANG WITH ME. 144 00:07:39,393 --> 00:07:41,259 HOW COOL COULD HE BE? 145 00:07:41,294 --> 00:07:43,038 DO YOU THINK DENNIS HOPPER'S COOL? 146 00:07:43,062 --> 00:07:44,763 YOUR FRIEND IS DENNIS HOPPER? 147 00:07:44,798 --> 00:07:46,942 YEAH, MY DAD'S BEEN HIS LAWYER FOR, LIKE, 20 YEARS. 148 00:07:46,966 --> 00:07:49,467 I LOVE DENNIS HOPPER. 149 00:07:49,503 --> 00:07:52,783 I'M ALSO EXCITED TO HANG OUT WITH YOU OF COURSE. 150 00:07:55,341 --> 00:07:57,208 YOU SHOULD BE. 151 00:08:01,481 --> 00:08:04,348 YO, E. I'M AT DENNIS HOPPER'S HOUSE. 152 00:08:04,384 --> 00:08:06,984 YEAH, WELL, ENJOY IT NOW, VINCE, BECAUSE WE GOT BIG PROBLEMS. 153 00:08:07,020 --> 00:08:10,065 - WHAT ARE YOU TALKING ABOUT? - WALSH SUBMITTED THE MOVIE TO CANNES WITHOUT TELLING US. 154 00:08:10,089 --> 00:08:12,524 CANNES? WHAT HAPPENED TO SUNDANCE? 155 00:08:12,559 --> 00:08:15,860 I DON'T KNOW. HE WANTS A PALME D'OR OR WHATEVER THE FUCK IT'S CALLED. 156 00:08:15,896 --> 00:08:17,995 FRANCE COULD BE FUN. 157 00:08:18,031 --> 00:08:19,831 THE MOVIE'S NOT GONNA GET INTO CANNES, VINCE. 158 00:08:19,866 --> 00:08:21,878 - IT'S NOT READY. - DID YOU TELL BILLY WHAT YOU THOUGHT? 159 00:08:21,902 --> 00:08:23,802 YEAH, I TRIED TO GIVE HIM MY NOTES. 160 00:08:23,837 --> 00:08:26,516 - HE BASICALLY TOLD ME TO GO FUCK MYSELF. - I TOLD YOU NOT TO UPSET HIM. 161 00:08:26,540 --> 00:08:29,073 UPSET HIM? I'M THE ONE WHO'S UPSET. 162 00:08:29,108 --> 00:08:31,821 WE HIRED THE GUY FOR HIS VISION. WHAT DO YOU SAY WE JUST LET HIM DO HIS THING? 163 00:08:31,845 --> 00:08:34,156 Let him do his thing. The French have the biggest mouths in the world. 164 00:08:34,180 --> 00:08:35,947 IF THIS MOVIE GETS REJECTED FROM CANNES, 165 00:08:35,982 --> 00:08:37,882 THE WHOLE WORLD IS GONNA KNOW THE MOVIE SUCKS. 166 00:08:37,918 --> 00:08:39,918 IT DOESN'T SUCK. WOULD YOU STOP SAYING THAT? 167 00:08:39,953 --> 00:08:42,720 - SAMMY. - HI. 168 00:08:42,756 --> 00:08:44,500 - SWEETHEART. - I GOT TO GO. 169 00:08:44,524 --> 00:08:46,491 - AND AQUAMAN. - VINCE. 170 00:08:46,526 --> 00:08:48,604 - IT'S DENNIS HOPPER, E! I GOT TO GO! - HEY! 171 00:08:48,628 --> 00:08:52,330 VINCE, DON'T HANG UP ON ME. VINCE! FUCK. 172 00:08:52,365 --> 00:08:55,765 - HI, HOW ARE YOU, DENNIS? - HEY, GREAT TO MEET YOU. COME ON IN, COME ON IN. 173 00:08:57,337 --> 00:08:59,437 YO, HOW DOES MY BREATH SMELL? 174 00:08:59,473 --> 00:09:02,340 LIKE AHNOLD'S ASS. 175 00:09:02,375 --> 00:09:04,208 DON'T DO THAT SHIT AGAIN. 176 00:09:04,243 --> 00:09:05,888 DON'T MAKE ME INSECURE RIGHT NOW, TURTLE. 177 00:09:05,912 --> 00:09:08,212 GOD MADE YOU THAT WAY. DON'T BLAME ME. 178 00:09:08,247 --> 00:09:09,814 RING THE DOORBELL, ASSHOLE. 179 00:09:13,252 --> 00:09:15,531 - YOU GOT GUM? - GUM AIN'T GONNA HELP WHAT YOU GOT. 180 00:09:15,555 --> 00:09:17,800 YOU NEED A STOMACH SPECIALIST. 181 00:09:17,824 --> 00:09:21,092 WELL, HELLO. 182 00:09:23,597 --> 00:09:26,531 MOM, THERE'S SOME GUYS HERE TO SEE YOU. 183 00:09:31,805 --> 00:09:34,806 MOM? JUST HOW OLD ARE THESE BROADS, DRAMA? 184 00:09:34,841 --> 00:09:37,341 DON'T BE AN AGEIST, TURTLE. 185 00:09:37,377 --> 00:09:40,945 BESIDES, RUMOR HAD IT YOUR GIRL GAVE THE BEST RIM JOB IN L.A. 186 00:09:40,981 --> 00:09:43,815 TRUST ME, YOU PLAY YOUR CARDS RIGHT, BY 4:00 187 00:09:43,850 --> 00:09:47,485 YOU'LL BE SITTING ON HER FACE LIKE A BIDET. 188 00:09:47,521 --> 00:09:48,987 HEY, JOHNNY. 189 00:09:49,022 --> 00:09:51,890 HEY, GORGEOUS, HOW ARE YOU? 190 00:09:51,925 --> 00:09:55,226 MMM. 191 00:09:55,261 --> 00:09:58,307 TURTLE, SAY HELLO TO THE ONE AND ONLY LOVE OF MY 20s, 192 00:09:58,331 --> 00:10:00,464 - MISS DONNA DEVENEY. - OH, JOHNNY, 193 00:10:00,500 --> 00:10:02,500 YOU'RE STILL AS SWEET AS EVER. 194 00:10:03,870 --> 00:10:05,469 HEY, TURTLE. HOW'S IT HANGING? 195 00:10:05,505 --> 00:10:08,272 YOU KNOW, IT'S HANGING. 196 00:10:08,307 --> 00:10:10,474 HEY, MARGERY, GET OUT HERE, YOU FAT WHORE! 197 00:10:10,510 --> 00:10:14,412 - THE BOYS ARE HERE! - CALM YOUR HORSES, YOU FAT WHORE! 198 00:10:14,447 --> 00:10:17,314 - WE ALWAYS CALL EACH OTHER THAT. - HEY, BOYS! 199 00:10:17,350 --> 00:10:21,285 Donna: YOU REMEMBER JOHNNY, RIGHT? 200 00:10:21,320 --> 00:10:24,455 SURE I DO, FROM THE OLD DAYS. YOU SOLD ME COKE AT BAR ONE. 201 00:10:24,490 --> 00:10:27,525 YOU MUST HAVE ME MISTAKEN. I NEVER SOLD BLOW. 202 00:10:27,561 --> 00:10:29,271 MAYBE I JUST BLEW YOU. WHO CAN REMEMBER? 203 00:10:29,295 --> 00:10:31,829 THE '90s ARE SUCH A BLUR. 204 00:10:31,865 --> 00:10:34,032 Donna: THIS IS HIS FRIEND TURTLE. HE'S CUTE, HUH? 205 00:10:34,067 --> 00:10:37,301 HEY, WHAT DO YOU GUYS SAY WE TAKE A COUPLE SHOTS BEFORE LUNCH? 206 00:10:37,336 --> 00:10:39,114 - WHOO WHOO WHOO. - GET A LITTLE LOOSE. 207 00:10:39,138 --> 00:10:42,018 ARE YOU KIDDING? LOOSE IS OUR MIDDLE NAME. RIGHT, TURTLE? 208 00:10:42,042 --> 00:10:45,076 LET'S GO. LET'S GO. 209 00:10:45,111 --> 00:10:47,445 THAT'S THE BEST RIM JOB IN L.A.? 210 00:10:47,480 --> 00:10:49,681 YEAH, JUST ASK CHUCK SHEEN. 211 00:10:51,685 --> 00:10:54,719 YES, E, I WOULD SAY BEING REJECTED BY CANNES 212 00:10:54,754 --> 00:10:57,594 BEFORE WE HAVE A DISTRIBUTOR WOULD BE A DISASTER... 213 00:10:57,624 --> 00:11:00,758 ONE IN A SERIES OF DISASTERS ORCHESTRATED BY YOU 214 00:11:00,794 --> 00:11:02,872 SINCE YOU TOOK THE REINS OF VINCE'S CAREER. 215 00:11:02,896 --> 00:11:04,929 - SO WHAT CAN WE DO, ARI? - Well, let's see. 216 00:11:04,965 --> 00:11:06,764 A... I COULD GIVE YOU A HUG 217 00:11:06,800 --> 00:11:09,045 AND SAY IT'S OKAY THAT YOU DESTROYED YOUR BEST FRIEND'S CAREER. 218 00:11:09,069 --> 00:11:11,803 OR B... I COULD HAVE YOU COME IN HERE 219 00:11:11,838 --> 00:11:13,950 AND WRITE ON THE DRY-ERASE BOARD 500 TIMES, 220 00:11:13,974 --> 00:11:15,551 "I DESTROYED MY BEST FRIEND'S CAREER, 221 00:11:15,575 --> 00:11:17,152 I DESTROYED MY BEST FRIEND'S CAREER." I'D GO WITH B. 222 00:11:17,176 --> 00:11:20,411 - ARI, THERE'S GENIUS IN THIS MOVIE. - IS THERE? 223 00:11:20,446 --> 00:11:22,157 YEAH, WELL, WALSH WON'T CHANGE A FUCKING THING. I GOT TO GET RID OF HIM. 224 00:11:22,181 --> 00:11:23,926 RID OF HIM? THAT'S YOUR BOY. 225 00:11:23,950 --> 00:11:26,818 YOU GAVE HIM FINAL CUT EVEN THOUGH I BEGGED YOU NOT TO. 226 00:11:26,853 --> 00:11:30,088 Now you're going to have to live with it or kill him. 227 00:11:30,123 --> 00:11:32,456 ACTUALLY, THAT'S A GOOD IDEA. WHY DON'T YOU KILL HIM, 228 00:11:32,492 --> 00:11:34,726 THEN KILL YOURSELF? 229 00:11:34,761 --> 00:11:36,505 Could you imagine the outpouring of love and sympathy 230 00:11:36,529 --> 00:11:38,596 WHEN VINCE LOSES BOTH OF YOU? 231 00:11:38,632 --> 00:11:41,510 I CAN HAVE HIM BACK ON TOP IN THREE MONTHS. YOU OWE HIM THAT MUCH, E. 232 00:11:41,534 --> 00:11:43,267 - ARI. - ALL RIGHT, LOOK, 233 00:11:43,302 --> 00:11:45,402 THE ONLY WAY TO GET RID OF WALSH 234 00:11:45,438 --> 00:11:48,539 is to sell the movie to someone who won't release his cut. 235 00:11:48,574 --> 00:11:51,976 BUT NO ONE COULD SELL A SHITTY MOVIE. WELL, MAYBE I COULD. 236 00:11:52,012 --> 00:11:54,123 BUT NO ONE COULD SELL A SHITTY MOVIE NO ONE'S SEEN A FUCKING FRAME OF. 237 00:11:54,147 --> 00:11:57,581 WHAT ABOUT A GREAT TRAILER? COULD YOU SELL A GREAT TRAILER, ARI? 238 00:11:57,617 --> 00:11:59,550 HOW GREAT? 239 00:11:59,585 --> 00:12:02,286 - GREAT HOUSE. - OH, THANKS. 240 00:12:02,321 --> 00:12:04,889 I'M SURE YOU HAVE A FEW JUST LIKE IT. 241 00:12:04,924 --> 00:12:07,670 NO ACTUALLY, RIGHT NOW I'M SORT OF HOMELESS. 242 00:12:07,694 --> 00:12:09,727 - YEAH? - YEAH. 243 00:12:09,763 --> 00:12:13,464 WELL, THERE'S NO BETTER WAY TO FIND OUT WHO YOU ARE AND WHAT YOU'RE MADE OUT OF 244 00:12:13,499 --> 00:12:15,177 THAN LIVING IN THE GREAT OUTDOORS. 245 00:12:15,201 --> 00:12:19,070 I DID 16 MONTHS IN A CAVE ON "APOCALYPSE," 246 00:12:19,105 --> 00:12:21,773 AND LET ME JUST TELL YOU 247 00:12:21,808 --> 00:12:25,342 THAT GOD IS THE FINEST DECORATOR I'VE EVER HAD. 248 00:12:27,513 --> 00:12:29,280 SO WHAT'S THE SCORE, GUYS? 249 00:12:29,315 --> 00:12:30,915 STILL 0-0. 250 00:12:30,950 --> 00:12:33,818 WE CALL IT NIL-NIL, CHUCKY, IN SOCCER. 251 00:12:33,853 --> 00:12:36,487 YOU FOLLOW SOCCER, AQUAMAN? 252 00:12:36,522 --> 00:12:39,223 - NOT REALLY. - OH, GREAT SPORT. 253 00:12:39,258 --> 00:12:41,525 PELE TURNED ME ON TO IT BACK IN THE DAY 254 00:12:41,561 --> 00:12:43,394 WHEN WE WERE CHASING HONEYS TOGETHER. 255 00:12:43,429 --> 00:12:45,396 THE GREAT THING IS, 256 00:12:45,431 --> 00:12:48,666 NO AMERICAN BOOKIE KNOWS SHIT ABOUT HANDICAPPING. 257 00:12:48,702 --> 00:12:51,669 WE'VE GOT A MILLION BUCKS RIDING ON MANCHESTER UNITED. 258 00:12:51,705 --> 00:12:53,482 - WOW. - YOU WANT A PART OF THE BET? 259 00:12:53,506 --> 00:12:55,106 YOU CAN HAVE 100K OF MINE. 260 00:12:55,141 --> 00:12:57,575 IT MAKES WATCHING THE GAME A LOT MORE INTERESTING. 261 00:12:57,610 --> 00:12:59,610 AND IT'S A LOCK. 262 00:12:59,645 --> 00:13:02,113 ACTUALLY, I WAS GONNA TAKE VINCE DOWN TO THE BEACH. 263 00:13:02,148 --> 00:13:04,626 OH, IF YOU WOULD RATHER LAY ON THE BEACH WITH THE GIRLS 264 00:13:04,650 --> 00:13:07,518 THAN GAMBLE WITH THE MEN, I GUESS THAT'S OKAY. 265 00:13:07,553 --> 00:13:09,631 YOU KNOW, MAYBE WE CAN HANG WITH THE GUYS 266 00:13:09,655 --> 00:13:11,333 FOR A LITTLE BIT, IF THAT'S ALL RIGHT WITH YOU. 267 00:13:11,357 --> 00:13:15,026 BESIDES, WE DO HAVE ALL NIGHT TOGETHER, DON'T WE? 268 00:13:15,061 --> 00:13:17,729 IS THAT YOUR WAY OF SAYING YOU'LL MAKE IT UP TO ME? 269 00:13:17,764 --> 00:13:19,897 I'LL CERTAINLY TRY. 270 00:13:19,933 --> 00:13:23,034 - ALL RIGHT, LET'S WATCH THE GAME. - I'M IN. 271 00:13:23,069 --> 00:13:25,380 NOW THAT'S THE SPIRIT THAT I'M TALKING ABOUT. 272 00:13:25,404 --> 00:13:27,516 NOW IF SOMEBODY WOULD GET THEIR ASS UP 273 00:13:27,540 --> 00:13:29,685 AND GIVE OUR SUPER FRIEND HERE A COUPLE OF SEATS... 274 00:13:29,709 --> 00:13:33,144 THERE YOU GO. THANK YOU. 275 00:13:33,179 --> 00:13:34,779 ALL RIGHT. 276 00:13:34,814 --> 00:13:37,381 Narrator: Vincent Chase. 277 00:13:37,416 --> 00:13:40,517 "Medellin." 278 00:13:44,891 --> 00:13:47,158 I LOVE LATIN MEN IN UNIFORM. 279 00:13:47,193 --> 00:13:49,727 - SEE? GAY JOE PUBLIC. - I RESENT THAT. 280 00:13:49,763 --> 00:13:51,395 WHO CARES WHAT THE MOVIE LOOKS LIKE? 281 00:13:51,430 --> 00:13:55,133 - GOOD TRAILER, SEXY CAST, BOOM! - SO WHAT DO YOU THINK? 282 00:13:55,168 --> 00:13:57,079 - I THINK I CAN SELL IT. I CAN SELL IT FOR A LOT. - TO WHO? 283 00:13:57,103 --> 00:13:58,903 - HARVEY. - HARVEY? 284 00:13:58,938 --> 00:14:02,140 - HE'S BEEN TRACKING THIS THING SINCE DAY ONE. - HE HATES US. 285 00:14:02,175 --> 00:14:04,675 HE'S A BUSINESSMAN, ERIC, NOT YOUR PROM DATE 286 00:14:04,710 --> 00:14:06,488 WHO STILL HOLDS A GRUDGE BECAUSE YOU DIDN'T FUCK HER RIGHT. 287 00:14:06,512 --> 00:14:09,225 WE'LL BE FINE. WE'LL GO IN THERE WITH OUR HAT IN OUR HANDS. 288 00:14:09,249 --> 00:14:12,416 VINCE WILL SHOW HIM HIS $50-MILLION SMILE. HARVEY WILL BITE. 289 00:14:12,451 --> 00:14:15,653 - I DON'T THINK VINCE IS GONNA WANNA GO, ARI. - WHY NOT? 290 00:14:15,688 --> 00:14:17,666 WELL, HE AND I KIND OF HAVE DIFFERING VIEWS ON THE MOVIE. 291 00:14:17,690 --> 00:14:19,924 - DIFFERING HOW? - WELL, HE LIKES IT. 292 00:14:19,959 --> 00:14:22,226 HE LIKES IT? 293 00:14:22,262 --> 00:14:25,930 VINCE LIKES THE MOVIE? THEN WHY THE FUCK ARE YOU HERE? 294 00:14:25,965 --> 00:14:28,343 BECAUSE HE'S WRONG. LOOK, I DON'T KNOW IF HE'S BRAINWASHED 295 00:14:28,367 --> 00:14:30,379 OR HE'S SCARED TO NOT BACK HIS DIRECTOR. I DON'T KNOW, BUT HE'S WRONG. 296 00:14:30,403 --> 00:14:32,748 - DID YOU TALK TO HIM ABOUT THIS? - NO, I SPOKE TO HIM. 297 00:14:32,772 --> 00:14:35,039 - HE HUNG UP ON ME. - HE HUNG UP ON YOU? 298 00:14:35,074 --> 00:14:37,108 WELL, I'M HANGING UP ON YOU IN PERSON. 299 00:14:37,143 --> 00:14:39,321 LET ME EXPLAIN SOMETHING TO YOU. I HAVE TWO PHILOSOPHIES: 300 00:14:39,345 --> 00:14:40,912 MY CLIENT IS ALWAYS RIGHT, 301 00:14:40,947 --> 00:14:43,047 HIS MANAGER IS ALWAYS 302 00:14:43,082 --> 00:14:45,449 AN OVERPAID USELESS PAIN IN THE ASS. 303 00:14:45,484 --> 00:14:47,830 YEAH, MY TWO PHILOSOPHIES ARE ONE: YOU'RE A DICK, 304 00:14:47,854 --> 00:14:50,299 WHEN YOU REALIZE I'M RIGHT, YOU'RE GONNA KNOW YOU'RE A DICK. 305 00:14:50,323 --> 00:14:51,934 YOU KNOW WHAT, ARI? FORGET IT, I'LL TAKE CARE OF THIS MYSELF. 306 00:14:51,958 --> 00:14:54,158 I'LL SEE YOU LATER. BYE, LLOYD. 307 00:14:54,194 --> 00:14:57,394 JEEZ, THERE WAS SUCH POSITIVE ENERGY 308 00:14:57,430 --> 00:14:59,831 IN THIS ROOM JUST A FEW MOMENTS AGO. 309 00:15:03,970 --> 00:15:06,470 TURTLE, YOU REMIND ME OF ONE OF MY SON'S FRIENDS. 310 00:15:06,505 --> 00:15:09,040 YEAH, I GOT A FAMILIAR FACE. 311 00:15:09,075 --> 00:15:11,275 WELL, IT'S NOT YOUR FACE I'M INTERESTED IN. 312 00:15:11,311 --> 00:15:13,044 WHY DON'T YOU WALK AHEAD OF ME SO I CAN SEE 313 00:15:13,079 --> 00:15:15,146 WHAT KIND OF JUNK YOU GOT IN YOUR TRUNK? 314 00:15:16,649 --> 00:15:18,360 ACTUALLY, MY MOTHER ALWAYS TAUGHT ME 315 00:15:18,384 --> 00:15:20,196 IT'S IMPOLITE TO WALK IN FRONT OF A WOMAN. 316 00:15:20,220 --> 00:15:23,120 OH! WE GOT A SHY ONE HERE, DONNA! 317 00:15:23,156 --> 00:15:25,667 WELL, HE'S A TURTLE. HE'LL COME OUT OF HIS SHELL. 318 00:15:25,691 --> 00:15:27,937 - GOOD ONE, DONNA. - Margery: I'LL TELL YOU WHAT, TURTLE, 319 00:15:27,961 --> 00:15:30,061 YOU CAN CHECK OUT MY HEINIE FOR NOW 320 00:15:30,096 --> 00:15:33,164 AND SHOW ME YOURS LATER. 321 00:15:35,134 --> 00:15:37,601 YOU ARE IN FOR ONE WILD AFTERNOON, PAL. 322 00:15:40,606 --> 00:15:44,108 SO WHEN YOU SAY I HAVE NO MONEY, MARVIN, WHAT DO YOU REALLY MEAN? 323 00:15:44,143 --> 00:15:46,383 I MEAN YOU ARE BUSTED, VINCE. 324 00:15:46,412 --> 00:15:48,179 YOUR BALANCE IS ZERO. 325 00:15:48,214 --> 00:15:50,926 You're living off of your American Express card, got it? 326 00:15:50,950 --> 00:15:52,816 - HMM. - "HMM"? 327 00:15:52,852 --> 00:15:55,030 WHAT THE FUCK DOES "HMM" MEAN? 328 00:15:55,054 --> 00:15:57,432 - WELL, I... - HEY, WANT TO TAKE A WALK? 329 00:15:57,456 --> 00:15:59,357 JUST ONE MOMENT PLEASE. 330 00:15:59,392 --> 00:16:02,360 THANK YOU. 331 00:16:02,395 --> 00:16:06,063 ALL RIGHT, DON'T TELL ERIC, BECAUSE I DON'T WANT HIM NAGGING ME, 332 00:16:06,099 --> 00:16:09,633 - BUT I MAY NEED YOU TO STAKE ME 100 GRAND. - 100 GRAND? FOR WHAT? 333 00:16:09,668 --> 00:16:11,969 WELL, I KIND OF WENT IN ON A BET WITH DENNIS HOPPER 334 00:16:12,005 --> 00:16:13,604 ON MANCHESTER UNITED AND WE'RE DOWN. 335 00:16:13,639 --> 00:16:16,207 ARE YOU OUT OF YOUR MIND, VINCE? WHAT DO YOU KNOW ABOUT SOCCER? 336 00:16:16,242 --> 00:16:17,686 GET THE FUCK OUT OF THERE! 337 00:16:17,710 --> 00:16:19,554 I ALREADY PLACED THE BET, MARVIN, I CAN'T JUST WALK OUT. 338 00:16:19,578 --> 00:16:21,891 BULLSHIT! YOU PUT ONE FOOT IN FRONT OF THE OTHER 339 00:16:21,915 --> 00:16:23,547 and move them. 340 00:16:23,582 --> 00:16:25,460 HOLD ON, MARVIN. I'M GETTING A CALL THAT MAY MAKE ME SOME MONEY. 341 00:16:25,484 --> 00:16:27,051 - VINCE! - HEY, ARI, WHAT'S UP? 342 00:16:27,086 --> 00:16:29,498 DO YOU KNOW THAT YOUR MAN BROKE OUT OF THE OOMPA LOOMPA FACTORY 343 00:16:29,522 --> 00:16:32,023 - AND IS UP TO NO GOOD? - WHAT DO YOU MEAN? 344 00:16:35,328 --> 00:16:37,328 HI, ERIC MURPHY FOR HARVEY. 345 00:16:37,363 --> 00:16:39,741 OH, YOU CAN HAVE A SEAT. I'LL LET HIM KNOW YOU'RE HERE. 346 00:16:39,765 --> 00:16:41,865 THANK YOU. 347 00:16:45,805 --> 00:16:48,839 - HEY. - DID YOU TELL ARI THE MOVIE SUCKED? 348 00:16:48,874 --> 00:16:51,842 - YEAH, I DID. - E, I'M HAVING A HARD ENOUGH DAY AS IT IS. 349 00:16:51,877 --> 00:16:53,655 I THOUGHT WE AGREED YOU WEREN'T GONNA BE NEGATIVE. 350 00:16:53,679 --> 00:16:56,058 LOOK, I DIDN'T AGREE TO ANYTHING, ALL RIGHT? YOU HUNG UP ON ME. 351 00:16:56,082 --> 00:16:57,859 I'M NOT BEING NEGATIVE. I'M BEING REALISTIC. 352 00:16:57,883 --> 00:17:00,396 - THE MOVIE NEEDS WORK. - SINCE WHEN DID YOU BECOME A FILMMAKER? 353 00:17:00,420 --> 00:17:02,398 - WHAT'S THAT SUPPOSED TO MEAN? - It means you're new to this. 354 00:17:02,422 --> 00:17:04,333 YOU DON'T KNOW WHAT TO LOOK FOR IN A FIRST CUT, 355 00:17:04,357 --> 00:17:06,768 - MUCH LESS HOW TO FIX ONE. - OH, WHAT, SO MY OPINION DOESN'T COUNT? 356 00:17:06,792 --> 00:17:09,126 E, WHEN YOU WERE MANAGING YOUR RESTAURANT, 357 00:17:09,162 --> 00:17:11,206 WHAT DID YOU THINK WHEN A CUSTOMER TOLD YOU HOW TO DO YOUR JOB? 358 00:17:11,230 --> 00:17:13,764 OH, PLEASE. YOU DID NOT SERIOUSLY JUST FUCKING SAY THAT. 359 00:17:13,799 --> 00:17:16,478 VINCE, I'M THE PRODUCER OF THIS MOVIE. I DESERVE TO BE HEARD. 360 00:17:16,502 --> 00:17:19,203 IS THAT WHAT THIS IS ABOUT? YOUR EGO? YOU'RE NOT FEELING HEARD? 361 00:17:19,238 --> 00:17:21,750 - FUCK YOU. I PUT MY OWN MONEY INTO THIS. - Yeah, and now what? 362 00:17:21,774 --> 00:17:24,942 YOU'RE PANICKING. I'LL BUY YOU OUT RIGHT NOW IF YOU DON'T BELIEVE IN IT. 363 00:17:24,978 --> 00:17:28,012 - YOU'RE BROKE, BIG SHOT. - Man: YEAH! 364 00:17:28,047 --> 00:17:30,081 I GOT SOMETHING IN THE WORKS. 365 00:17:30,116 --> 00:17:32,416 ERIC, HARVEY WILL SEE YOU NOW. 366 00:17:32,452 --> 00:17:35,252 YEAH, ME TOO. 367 00:17:35,288 --> 00:17:37,221 E, DON'T HANG UP ON ME. 368 00:17:37,256 --> 00:17:39,290 - ARE YOU READY? - YES, HOW ARE YOU TODAY? 369 00:17:39,325 --> 00:17:42,426 - I'M OKAY. HOW ARE YOU? - NICE TO MEET YOU. 370 00:17:42,462 --> 00:17:44,528 CHECK OUT HOW LONG MY TONGUE IS. 371 00:17:46,466 --> 00:17:48,765 WE MIGHT HAVE A RECORD HOLDER HERE. 372 00:17:48,801 --> 00:17:50,612 WELL, IT'S GOOD FOR THOSE HARD-TO-REACH PLACES. 373 00:17:50,636 --> 00:17:53,382 YEAH, WELL IF ANYONE'S GOT HARD-TO-REACH PLACES, IT'S TURTLE. 374 00:17:53,406 --> 00:17:55,873 - WHOO-WHOO. - HE'S KIDDING. 375 00:17:55,908 --> 00:17:57,774 OH, TOO BAD. 376 00:17:57,810 --> 00:18:00,378 WHAT DO YOU GUYS SAY WE GET OUT OF HERE AND GO FUCK? 377 00:18:00,413 --> 00:18:02,546 I SAY "CHECK PLEASE!" 378 00:18:02,581 --> 00:18:04,893 - WHAT... - I'M GONNA GO FRESHEN UP. 379 00:18:04,917 --> 00:18:07,485 - OKAY. - I'LL GO WITH YOU. 380 00:18:07,520 --> 00:18:10,954 I'M OUT OF HERE, DRAMA. THERE'S NO WAY I'M FUCKING THAT OLD LADY. 381 00:18:10,990 --> 00:18:14,269 JESUS, TURTLE, HOW WOULD YOU LIKE IT IF SOMEONE TALKED ABOUT YOUR MOTHER LIKE THAT? 382 00:18:14,293 --> 00:18:16,327 IF MY MOTHER WAS OUT CHASING GUYS HALF HER AGE 383 00:18:16,362 --> 00:18:17,995 OR TWO-THIRDS HER AGE, SHE'D DESERVE IT. 384 00:18:18,031 --> 00:18:20,531 LOOK, YOU CAN'T BAIL ON ME. I NEED YOU HERE. 385 00:18:20,566 --> 00:18:23,312 THE ONLY WAY I'M GONNA GET DONNA ALONE IS IF YOU KEEP MARGERY BUSY. 386 00:18:23,336 --> 00:18:24,868 WELL, GET HER A DECK OF CARDS 387 00:18:24,904 --> 00:18:26,515 AND SOME FRIENDS TO PLAY MAH JONGG WITH BECAUSE I'M GONE. 388 00:18:26,539 --> 00:18:29,485 COME ON, TURTLE! 16 YEARS I'VE BEEN DYING TO BANG THIS BROAD. 389 00:18:29,509 --> 00:18:31,075 TAKE ONE FOR THE TEAM, 390 00:18:31,110 --> 00:18:34,289 LIKE I DID FOR YOU THAT TIME YOU SET ME UP WITH A GIRL WITH THE CLUBFOOT. 391 00:18:34,313 --> 00:18:36,813 AT LEAST THAT GIRL WAS A NINE FROM THE ANKLES UP. 392 00:18:36,849 --> 00:18:39,783 COME ON, TURTLE, DON'T LEAVE. I'M BEGGING YOU, PLEASE. 393 00:18:39,818 --> 00:18:42,920 FINE, ALL RIGHT, BUT YOU OWE ME FOR LIFE. 394 00:18:42,955 --> 00:18:45,389 - YES, I OWE YOU FOR LIFE. - MM-HMM. 395 00:18:49,095 --> 00:18:51,535 ARE WE STILL GONNA SPLIT THIS DOWN THE MIDDLE? 396 00:18:54,800 --> 00:18:56,867 OUR LAST MEETING AT SUNDANCE WAS UNPLEASANT. 397 00:18:56,902 --> 00:18:58,769 YEAH, A LITTLE BIT. 398 00:18:58,804 --> 00:19:00,971 WELL, I TEND TO GET OVEREXCITED SOMETIMES. 399 00:19:02,675 --> 00:19:04,175 YOU DID FUCK ME THOUGH. 400 00:19:04,210 --> 00:19:06,444 AND I HAVE TO APOLOGIZE FOR THAT. 401 00:19:06,479 --> 00:19:08,623 YEAH, NO, YOU REALLY FUCKED ME. I THOUGHT WE HAD A DEAL. 402 00:19:08,647 --> 00:19:10,681 - AGAIN, I'M SORRY. - I FUCK PEOPLE. 403 00:19:10,716 --> 00:19:13,951 - I DON'T LIKE GETTING FUCKED. - NO ONE DOES. 404 00:19:13,986 --> 00:19:17,688 YOU'RE NOT TRYING TO FUCK ME AGAIN HERE? 405 00:19:17,723 --> 00:19:19,623 NO NO. NO NO NO. 406 00:19:19,658 --> 00:19:22,993 BECAUSE I'VE BEEN FOLLOWING "MEDELLIN" 407 00:19:23,028 --> 00:19:24,661 FOR A LONG TIME 408 00:19:24,697 --> 00:19:27,931 AND I'VE HEARD SOME NOT-SUCH-GREAT THINGS FROM INSIDE SOURCES. 409 00:19:27,967 --> 00:19:30,546 WELL, I DON'T KNOW WHAT INSIDE SOURCES YOU HAVE, HARVEY, BUT... 410 00:19:30,570 --> 00:19:32,214 YOU'LL NEVER KNOW. THAT'S WHY THEY CALL THEM INSIDE SOURCES. 411 00:19:32,238 --> 00:19:33,915 LOOK, HARVEY, I KNOW THERE'S A GREAT MOVIE IN HERE. 412 00:19:33,939 --> 00:19:35,551 I WAS THERE. I KNOW WHAT WE SHOT. 413 00:19:35,575 --> 00:19:37,553 BUT THIS GUY WALSH NEEDS TO BE RECUT. 414 00:19:37,577 --> 00:19:39,988 I KNOW YOU'RE THE GUY THAT CAN BRING THE BRILLIANCE OUT OF THIS MOVIE. 415 00:19:40,012 --> 00:19:41,778 I WANT YOU TO LOOK AT THIS. 416 00:19:41,814 --> 00:19:43,692 I THINK YOU'LL GET A BETTER IDEA OF WHAT WE'RE TALKING ABOUT. 417 00:19:43,716 --> 00:19:46,950 - YOU WANNA GET RID OF YOUR DIRECTOR? - I DO. 418 00:19:46,986 --> 00:19:49,386 MY KIND OF PRODUCER. 419 00:19:49,422 --> 00:19:53,023 CAROL, PUT THAT UP ON THE BIG SCREEN. 420 00:19:53,058 --> 00:19:54,898 WE'LL LOOK AT IT TOGETHER NOW. 421 00:19:57,896 --> 00:20:00,309 Dennis: WE'RE LOOKING GOOD, AQUAMAN. WE'RE LOOKING GOOD. 422 00:20:00,333 --> 00:20:02,877 I DON'T KNOW. WE'RE DOWN BY ONE WITH LESS THAN A MINUTE TO GO. 423 00:20:02,901 --> 00:20:04,801 YEAH, BUT WE GOT A PENALTY KICK COMING UP. 424 00:20:04,837 --> 00:20:07,438 MAN U'S GOT THE BEST PENALTY KICKERS IN THE GAME. 425 00:20:07,473 --> 00:20:09,773 - BEST IN THE GAME. - WE'RE GOING INTO OVERTIME. 426 00:20:09,808 --> 00:20:12,543 TRUST ME, I AM NEVER WRONG. AM I EVER WRONG, GUYS? 427 00:20:12,578 --> 00:20:15,078 NEVER WRONG. NOT ABOUT SOCCER. 428 00:20:15,114 --> 00:20:17,214 - NOT ABOUT MOVIES. - NOT ABOUT FINANCIAL SERVICES. 429 00:20:17,250 --> 00:20:18,760 OKAY, NOW SHUT THE FUCK UP. 430 00:20:18,784 --> 00:20:20,951 EVERYBODY QUIET. HERE IT COMES. 431 00:20:24,457 --> 00:20:28,425 - FUCK! - OH MAN, HE GUESSED RIGHT. 432 00:20:28,461 --> 00:20:31,428 - Man: MAN, SEE THAT? - Woman: JEEZ. 433 00:20:31,464 --> 00:20:35,232 WELL, IT'S ONLY MONEY, RIGHT, AQUAMAN? 434 00:20:35,268 --> 00:20:38,269 YEAH, DENNIS, ABOUT THAT. 435 00:20:38,304 --> 00:20:39,748 WHEN ARE YOU GONNA NEED THE MONEY? 436 00:20:39,772 --> 00:20:41,383 BECAUSE I DIDN'T BRING ANY CASH... 437 00:20:41,407 --> 00:20:44,052 WHAT'S WITH ALL THE NOISE? YOU GUYS WOKE ME UP. 438 00:20:44,076 --> 00:20:46,810 MANCHESTER JUST FUCKING LOST. 439 00:20:46,845 --> 00:20:49,046 - THEY DID? - Dennis: YEAH. 440 00:20:49,081 --> 00:20:51,549 - OH, SHIT. - YEAH, SHIT'S RIGHT. 441 00:20:51,584 --> 00:20:54,885 NO, DENNIS. I FORGOT TO CALL IN THE BETS. 442 00:20:54,920 --> 00:20:56,453 REALLY? 443 00:20:56,489 --> 00:20:58,600 THEN I GUESS WE ALL JUST CAUGHT A LUCKY BREAK! 444 00:20:58,624 --> 00:21:01,124 YES, ALL RIGHT! 445 00:21:01,160 --> 00:21:03,160 ALL RIGHT! WHOO! 446 00:21:03,196 --> 00:21:06,263 SO YOU WANT TO TAKE A WALK DOWN TO THE BEACH NOW, VINCE? 447 00:21:06,299 --> 00:21:09,433 I WOULD LOVE TO TAKE A WALK DOWN TO THE BEACH. 448 00:21:09,468 --> 00:21:12,236 HEY, AQUAMAN, BRAZIL IS PLAYING NEXT. 449 00:21:12,271 --> 00:21:14,938 THEY ARE A LOCK. NOW ARE YOU IN? 450 00:21:14,973 --> 00:21:17,841 DEFINITELY. 451 00:21:17,876 --> 00:21:20,311 ALL RIGHT, THAT'S MY MAN. 452 00:21:20,346 --> 00:21:24,114 LORDY LORDY, SHE HASN'T AGED AN INCH. 453 00:21:24,149 --> 00:21:27,184 HEY, BOYS. 454 00:21:27,220 --> 00:21:29,587 YOU KNOW THERE'S NO WAY I CAN DO THIS, RIGHT, DRAMA? 455 00:21:29,622 --> 00:21:32,356 YEAH, I GET IT, TURTLE. YOU DON'T HAVE TO. 456 00:21:32,391 --> 00:21:35,326 JUST SIT THERE AND HOLD YOUR DICK AND DON'T FUCK IT UP FOR ME. 457 00:21:35,361 --> 00:21:37,361 ALL RIGHT. 458 00:21:37,396 --> 00:21:39,763 OH YEAH, YOU SEXY THING. 459 00:21:45,037 --> 00:21:47,371 ACTUALLY, JOHNNY, MARGERY AND I WERE TALKING, 460 00:21:47,406 --> 00:21:49,351 AND WE THOUGHT WE'D MIX THINGS UP A BIT. 461 00:21:49,375 --> 00:21:51,174 MIX THINGS UP A BIT HOW? 462 00:21:53,946 --> 00:21:56,024 I THOUGHT I REMINDED YOU OF YOUR SON'S FRIEND. 463 00:21:56,048 --> 00:21:58,382 YEAH, THE ONE I ALWAYS WANTED TO FUCK. 464 00:21:58,417 --> 00:22:00,384 YOU GOT TO BE SHITTING ME. 465 00:22:00,419 --> 00:22:02,564 OH, I'M SORRY, JOHNNY. YOU KNOW I LIKE MY BOYS YOUNG. 466 00:22:02,588 --> 00:22:04,600 AND YOU JUST AREN'T SO ANYMORE. 467 00:22:04,624 --> 00:22:08,392 OH, LET THEM GO, HONEY. 468 00:22:08,427 --> 00:22:12,062 YOU'RE IN FOR THE BEST AFTERNOON OF YOUR LIFE! 469 00:22:19,739 --> 00:22:22,083 Drama: WE HAVE ALMOST THE SAME BLOOD. 470 00:22:22,107 --> 00:22:24,508 HOW DID MY LIFE GO SO WRONG? 471 00:22:24,543 --> 00:22:27,244 GENETIC MUTATIONS CAN BE SO CRUEL. 472 00:22:30,149 --> 00:22:32,149 - HEY. - HEY, E. 473 00:22:32,184 --> 00:22:33,417 THIS IS SAM. 474 00:22:33,452 --> 00:22:34,696 - Eric: HEY SAM. - HI. 475 00:22:34,720 --> 00:22:36,831 - WHEN YOU GET A SECOND, CAN WE TALK? - SURE. 476 00:22:36,855 --> 00:22:38,289 THANKS. 477 00:22:38,324 --> 00:22:40,791 UH-OH, I THINK I'M IN TROUBLE. 478 00:22:40,826 --> 00:22:43,927 - I'LL BE RIGHT BACK. - ALL RIGHT. 479 00:22:43,962 --> 00:22:45,641 SO HOW WAS THE DAY, BOYS? 480 00:22:45,665 --> 00:22:47,709 WELL, DRAMA'S GOT THE CLEANEST ASSHOLE IN AMERICA 481 00:22:47,733 --> 00:22:50,267 AND I LEARNED THAT PASSION BEGINS AFTER 40. 482 00:22:50,303 --> 00:22:52,447 - I'D SAY IT WAS A PRETTY GOOD DAY. - IT SOUNDS LIKE IT. 483 00:22:52,471 --> 00:22:54,838 YO, WHAT'S UP? 484 00:22:54,873 --> 00:22:56,985 CAN YOU GUYS GIVE US A MINUTE? 485 00:22:57,009 --> 00:23:00,010 - IT'S MY HOUSE, E. - JOHNNY. 486 00:23:00,045 --> 00:23:02,613 - YEAH, SURE, BRO. - YEAH, WHO KNOWS? 487 00:23:02,648 --> 00:23:04,593 MAYBE I'LL EVEN TAKE A GIRL FROM YOU THIS TIME, VINCE. 488 00:23:04,617 --> 00:23:06,628 - BECAUSE AFTER ALL, I AM ON A HOT STREAK. - SHUT UP, TURTLE. 489 00:23:06,652 --> 00:23:09,520 YEAH, THIS AIN'T A HOUSE. IT'S A CONDO AND IT AIN'T A BIG ONE. 490 00:23:09,555 --> 00:23:11,822 SO YOU'RE MAD AT ME? 491 00:23:11,857 --> 00:23:14,625 - YOU CALLED ME PIZZA BOY. - NO, I DIDN'T. 492 00:23:14,660 --> 00:23:16,993 YEAH, YOU DID. YOU CALLED ME PIZZA BOY JUST LIKE ARI. 493 00:23:17,029 --> 00:23:20,175 I WAS PISSED. I WAS DOWN 100 GRAND ON A SOCCER GAME. 494 00:23:20,199 --> 00:23:22,411 - WHAT? - YEAH, DON'T WORRY. I GOT IT ALL BACK. 495 00:23:22,435 --> 00:23:25,836 - AND I WON $100,000 ON BRAZIL. - ARE YOU FUCKING KIDDING ME? 496 00:23:25,871 --> 00:23:29,172 NO, COME ON. YOU WANNA HIT THE PALM FOR LOBBIES? 497 00:23:30,643 --> 00:23:32,576 COME ON, IT'S A GOOD DAY. 498 00:23:32,611 --> 00:23:34,956 - NO IT'S NOT. I'M PISSED. - I'M SORRY. 499 00:23:34,980 --> 00:23:37,025 YOU KNOW WHAT? DON'T GIVE ME THAT SHIT. 500 00:23:37,049 --> 00:23:39,428 YOU KNOW, YOU TELL ME I'M NOT A FILMMAKER, AND THAT'S FINE. 501 00:23:39,452 --> 00:23:41,596 BUT YOU KNOW WHAT? I FOUND THE SCRIPT. 502 00:23:41,620 --> 00:23:44,020 YOU DIDN'T AND ARI DIDN'T. I PICKED THE DIRECTOR. 503 00:23:44,056 --> 00:23:46,390 AND I GOT SOMEBODY TO BUY THIS MOVIE 504 00:23:46,425 --> 00:23:48,036 AND BAIL US OUT OF OUR FINANCIAL PROBLEMS. 505 00:23:48,060 --> 00:23:50,661 - WHAT DO YOU MEAN? - I BROUGHT IT TO HARVEY. 506 00:23:50,696 --> 00:23:54,565 HE WANTS IT, VINCE. I GOT HIM TO MAKE US AN OFFER. 507 00:23:54,600 --> 00:23:57,178 $25 MILLION. IT TAKES FINAL CUT AWAY FROM BILLY. 508 00:23:57,202 --> 00:23:58,947 IT'S WHAT'S BEST FOR US AND IT'S WHAT'S BEST FOR THE MOVIE. 509 00:23:58,971 --> 00:24:00,871 - YOU GOT AN OFFER? - YEAH. 510 00:24:00,906 --> 00:24:03,051 AND IF WE GET REJECTED FROM CANNES AND THAT GOES PUBLIC 511 00:24:03,075 --> 00:24:04,586 WE MAY NEVER GET AN OFFER LIKE THAT AGAIN. 512 00:24:04,610 --> 00:24:06,844 YOU GOT AN OFFER OFF A TRAILER? 513 00:24:06,879 --> 00:24:10,247 THAT IS AMAZING. 514 00:24:10,282 --> 00:24:12,783 YEAH, I CAN SPIN SOME DOUGH, HUH? 515 00:24:12,818 --> 00:24:15,819 LOOK, E, I KNOW YOU'RE DOING WHAT YOU THINK IS BEST, 516 00:24:15,855 --> 00:24:17,799 AND I WAS WRONG ABOUT WHAT I SAID TODAY. 517 00:24:17,823 --> 00:24:20,702 AND I DO APPRECIATE HOW MUCH YOU REALLY HAVE DONE. I REALLY DO. 518 00:24:20,726 --> 00:24:24,027 - BUT IS IT POSSIBLE YOU'RE WRONG TOO? - HOW? 519 00:24:24,062 --> 00:24:26,074 ABOUT THE MOVIE. MAYBE YOU REALLY ARE TOO CLOSE. 520 00:24:26,098 --> 00:24:29,065 - IS THAT POSSIBLE? - WELL YEAH, MAYBE, 521 00:24:29,101 --> 00:24:31,112 BUT I'D LIKE TO BE PROTECTED IN CASE WE DON'T GET INTO CANNES. 522 00:24:31,136 --> 00:24:34,104 - WE DID GET INTO CANNES. - WHAT? 523 00:24:34,139 --> 00:24:36,485 THE MOVIE GOT INTO CANNES. I JUST TALKED TO WALSH AN HOUR AGO. 524 00:24:36,509 --> 00:24:38,275 I DON'T BELIEVE IT. 525 00:24:38,310 --> 00:24:41,590 WELL, BELIEVE IT, BECAUSE YOU MADE... WE MADE A GREAT FILM. 526 00:24:41,614 --> 00:24:43,925 A FILM I DON'T THINK WE SHOULD SELL UNTIL WE GET TO THE FESTIVAL. 527 00:24:43,949 --> 00:24:47,150 - WE GOT INTO CANNES? - MAYBE YOU SHOULD WATCH IT AGAIN. 528 00:24:47,185 --> 00:24:49,486 MAYBE.