1
00:00:07,374 --> 00:00:09,675
(theme music playing)
2
00:01:20,747 --> 00:01:23,315
- (phone ringing)
- OH, IT'S ARI AGAIN.
3
00:01:23,350 --> 00:01:25,162
ALL RIGHT, HOW
ABOUT I TAKE THIS?
4
00:01:25,186 --> 00:01:27,186
- WANNA TAKE THAT? OKAY.
- YEAH. THANK YOU.
5
00:01:28,689 --> 00:01:30,500
CAN'T YOU WAIT FOR A CALLBACK?
6
00:01:30,524 --> 00:01:34,226
AS THE FRENCH MIGHT
SAY, NO, I FUCKING CANNOT.
7
00:01:34,261 --> 00:01:35,828
You know why, Eric?
8
00:01:35,863 --> 00:01:37,830
IT'S BECAUSE I HAVE A
BOX OF RARE TRUFFLES
9
00:01:37,865 --> 00:01:39,832
SITTING ON MY DESK...
A GIFT FROM HARVEY.
10
00:01:39,867 --> 00:01:41,678
- DO YOU KNOW WHY?
- I CAN GUESS.
11
00:01:41,702 --> 00:01:43,668
IT'S BECAUSE YOU
SOLD HIM ON A MOVIE
12
00:01:43,704 --> 00:01:45,637
YOU'RE IN NO POSITION TO SELL.
13
00:01:45,672 --> 00:01:48,440
NOW HE THINKS WE'RE ALL
TRAVELING TO CANNES TOGETHER.
14
00:01:48,475 --> 00:01:50,653
DON'T WORRY ABOUT IT,
ARI. IT'S NOT YOUR PROBLEM.
15
00:01:50,677 --> 00:01:51,810
Not my problem?
16
00:01:51,846 --> 00:01:54,313
DID YOU KNOW THAT
HARVEY WAS A MARINE, ERIC?
17
00:01:54,348 --> 00:01:57,182
A MIDDLE-CLASS JEW WHO
GREW UP WITH EVERYTHING,
18
00:01:57,218 --> 00:01:59,617
YET HE CHOSE TO
JOIN THE MARINES.
19
00:01:59,653 --> 00:02:01,453
- Do you know why?
- NO. WHY?
20
00:02:01,488 --> 00:02:03,421
IT'S BECAUSE, AND I QUOTE,
21
00:02:03,457 --> 00:02:06,424
HE "WANTED TO KNOW WHAT
IT FELT LIKE TO KILL SOMEONE."
22
00:02:06,460 --> 00:02:08,360
- (harrumphs)
- HE WILL NOW KILL ME
23
00:02:08,395 --> 00:02:10,028
WHEN I TELL HIM WHAT YOU DID.
24
00:02:10,064 --> 00:02:12,742
I SET A DINNER. I'M TELLING
HIM TONIGHT, SO RELAX.
25
00:02:12,766 --> 00:02:14,610
- YOU'RE GONNA
TELL HIM IN PERSON?
- THAT'S RIGHT.
26
00:02:14,634 --> 00:02:16,869
WHAT I WOULDN'T PAY TO SEE THAT.
27
00:02:16,904 --> 00:02:18,949
WELL, SAVE YOUR
MONEY FOR BOTOX, ARI.
28
00:02:18,973 --> 00:02:20,917
ALL THAT NEGATIVITY'S
STARTING TO TAKE ITS TOLL.
29
00:02:20,941 --> 00:02:22,140
CALL WAITING. LATER, LOSER.
30
00:02:22,176 --> 00:02:24,142
LLOYD, I SEE DEAD PEOPLE. WHY?
31
00:02:24,178 --> 00:02:27,057
I DON'T KNOW, BUT M. NIGHT JUST
CALLED TO SAY HE DOESN'T SEE YOU.
32
00:02:27,081 --> 00:02:29,047
WELL, I'M AT THE
CEMETERY JUST LIKE HE SAID.
33
00:02:29,083 --> 00:02:31,283
Remind me again why
I put up with this shit.
34
00:02:31,318 --> 00:02:33,663
BECAUSE HIS MOVIES HAVE
GROSSED ALMOST $2 BILLION
35
00:02:33,687 --> 00:02:34,998
AND BECAUSE YOU'RE
SCARED OF HIM.
36
00:02:35,022 --> 00:02:37,489
THANK YOU, LLOYD,
BUT I FEAR NOTHING.
37
00:02:37,524 --> 00:02:39,992
ARGH! (chuckles)
38
00:02:40,027 --> 00:02:41,393
A LITTLE JUMPY, ARI?
39
00:02:41,428 --> 00:02:45,130
WE'RE IN A CEMETERY, NIGHT.
EVEN FOR YOU THIS IS BIZARRE.
40
00:02:45,165 --> 00:02:48,245
DON'T BE AN ASS. I'M SHOOTING
AN AMEX COMMERCIAL.
41
00:02:48,269 --> 00:02:50,035
OH, GREAT. AND YOU
WANT ME TO STAR IN IT.
42
00:02:50,070 --> 00:02:51,714
THAT'S WHY YOU'VE
SUMMONED ME TO THE VALLEY.
43
00:02:51,738 --> 00:02:54,239
NO, I FINISHED A NEW
DRAFT OF THE SCREENPLAY
44
00:02:54,275 --> 00:02:56,253
- AND I DON'T
TRUST MESSENGERS.
- WOW. YOU'RE, LIKE,
45
00:02:56,277 --> 00:02:58,221
SIX WEEKS AHEAD OF SCHEDULE.
ARE YOU GONNA PUT YOURSELF IN IT?
46
00:02:58,245 --> 00:03:00,656
- I'M GONNA IMPROV
A LITTLE SOMETHING.
- INDIANS AND IMPROV...
47
00:03:00,680 --> 00:03:02,080
NO GREATER MATCH.
48
00:03:04,285 --> 00:03:06,096
YOU'RE GONNA READ IT TONIGHT.
49
00:03:06,120 --> 00:03:08,765
- OF COURSE I WILL.
- DON'T TELL ME YOU WILL
IF YOU WON'T.
50
00:03:08,789 --> 00:03:11,656
MY NIGHT, M. NIGHT, WILL
BE DEDICATED TO NOTHING
51
00:03:11,691 --> 00:03:13,926
BUT ENJOYING YOUR
LATEST CREATION.
52
00:03:13,961 --> 00:03:15,671
I'M GONNA DRIVE BY YOUR
OFFICE IN THE MORNING,
53
00:03:15,695 --> 00:03:17,507
I'M GONNA PICK IT UP
AND I'M GONNA QUIZ YA.
54
00:03:17,531 --> 00:03:19,464
- AS ALWAYS.
- BYE, ARI.
55
00:03:19,499 --> 00:03:21,466
SEE YOU, NIGHT.
56
00:03:21,501 --> 00:03:24,281
ARI, YOU'VE GOT THE MISSUS'S
BEST FRIEND'S DINNER TONIGHT.
57
00:03:24,305 --> 00:03:26,271
OH, FUCK. LOOK AT THIS THING.
58
00:03:26,307 --> 00:03:28,473
IT'S LIKE, 200 PAGES.
FIND ME A FLASHLIGHT.
59
00:03:28,508 --> 00:03:30,675
I'M GONNA HAVE TO
READ THIS AT THE TABLE.
60
00:03:30,710 --> 00:03:32,923
WHY DO WE HAVE TO BRING
THIS GUY OUT WITH US, JOHNNY?
61
00:03:32,947 --> 00:03:34,846
'CAUSE HE'S THE MAYOR
OF BEVERLY HILLS.
62
00:03:34,881 --> 00:03:37,260
AND WHY DO YOU CARE IF YOU
DON'T LIVE IN BEVERLY HILLS?
63
00:03:37,284 --> 00:03:39,784
I CARE BECAUSE THE MAYOR
COULD USE HIS POLITICAL CLOUT
64
00:03:39,820 --> 00:03:41,786
TO ANNEX MY CONDO IN.
65
00:03:41,822 --> 00:03:44,556
HOW WOULD YOU LIKE TO SEE THIS
PLACE ROCKING A 90210 ZIP CODE?
66
00:03:44,591 --> 00:03:47,103
YOU'RE 40 FEET FROM THE BORDER
NOW. WHAT'S GONNA CHANGE?
67
00:03:47,127 --> 00:03:49,806
IT'S LIKE ASKING WHAT CHANGES BETWEEN
NORTH AND SOUTH KOREAN BORDERS.
68
00:03:49,830 --> 00:03:52,697
- YEAH, THAT'S
A GOOD ANALOGY.
- TURTLE, COME HERE.
69
00:03:52,732 --> 00:03:54,699
LOOK OUT THAT WINDOW.
70
00:03:54,734 --> 00:03:57,613
YOU SEE THAT BRAND-NEW FIRE
STATION OUT THERE? THAT'S BEVERLY HILLS.
71
00:03:57,637 --> 00:04:00,116
DO YOU KNOW, IF THEY WERE TO
LOOK IN HERE AND SEE ME BURNING,
72
00:04:00,140 --> 00:04:02,785
THEY COULDN'T DO ANYTHING ABOUT
IT? I WOULD HAVE TO WAIT HOURS
73
00:04:02,809 --> 00:04:05,410
FOR L.A. COUNTY TO
COME AND SAVE ME.
74
00:04:05,446 --> 00:04:08,080
I DON'T WANT TO WAIT,
VIN. I WANT TO BE SAVED.
75
00:04:08,115 --> 00:04:09,759
YOU ARE BEYOND SAVING, DRAMA.
76
00:04:09,783 --> 00:04:11,549
VINCE CAN SAVE ME.
77
00:04:11,585 --> 00:04:13,485
- HOW?
- THE GUY JUST WANTS
78
00:04:13,520 --> 00:04:16,232
TO ROLL WITH THE BIG-TIME CELEBRITY
FOR THE EVENING, HAVE A GOOD TIME.
79
00:04:16,256 --> 00:04:18,923
BUT YOU'RE A BIG-TIME CELEB,
JOHNNY. WHY DO I HAVE TO GO?
80
00:04:18,959 --> 00:04:21,338
WELL, APPARENTLY,
HE DOESN'T WATCH TV.
81
00:04:21,362 --> 00:04:23,328
- (chuckles)
- LOOK...
82
00:04:23,364 --> 00:04:25,541
THE ANNEXATION
VOTE IS ON WEDNESDAY.
83
00:04:25,565 --> 00:04:27,844
HE KNOWS WHAT I WANT
AND ALLUDED TO THE FACT
84
00:04:27,868 --> 00:04:29,846
THAT ONE HAND WASHES THE OTHER.
85
00:04:29,870 --> 00:04:32,404
I NEED MY HANDS
WASHED, BABY BRO,
86
00:04:32,439 --> 00:04:34,473
AND YOU ARE THE SOAP.
87
00:04:34,508 --> 00:04:36,953
- IT'S THURSDAY NIGHT, VINCE. FUCK HIS HANDS.
- SHUT UP, TURTLE.
88
00:04:36,977 --> 00:04:38,754
- IS HE A GOOD GUY, JOHNNY?
- HE'S A GREAT GUY.
89
00:04:38,778 --> 00:04:40,756
WE PUFF STOGIES AT THE
HAVANA ROOM ALL THE TIME.
90
00:04:40,780 --> 00:04:42,825
- OKAY, WE'LL BRING
HIM OUT.
- YES!
91
00:04:42,849 --> 00:04:44,227
- BRING WHO OUT WHERE?
- WE'RE ROLLING
92
00:04:44,251 --> 00:04:45,495
WITH THE MAYOR
OF BEVERLY HILLS, E.
93
00:04:45,519 --> 00:04:47,852
- TOO BAD YOU GOTTA MISS IT.
- OH YEAH, TOO BAD.
94
00:04:47,888 --> 00:04:49,966
- HARVEY SHOULD
BE FUN, THOUGH.
- SHUT UP, TURTLE.
95
00:04:49,990 --> 00:04:51,868
I DON'T KNOW WHY YOU CAN'T
JUST TELL HARVEY ON THE PHONE, E.
96
00:04:51,892 --> 00:04:53,503
(yelling) MAYBE HE WANTS
TO FEEL HARVEY'S SPIT
97
00:04:53,527 --> 00:04:55,494
WHEN HE LAUNCHES
IT AT HIM AGAIN!
98
00:04:55,529 --> 00:04:57,440
NO, I JUST WANT TO BE A MAN
AND OWN UP FACE TO FACE.
99
00:04:57,464 --> 00:04:59,431
YOU KNOW WHAT? E
WENT OUT ON HIS OWN
100
00:04:59,466 --> 00:05:02,600
AGAINST THE FAMILY ON THIS. HE
MAY HAVE TO TAKE A LITTLE SPIT.
101
00:05:02,636 --> 00:05:03,835
THANKS, VINCE.
102
00:05:03,870 --> 00:05:05,637
A LITTLE SCARED OF HARVEY, HUH?
103
00:05:05,672 --> 00:05:07,384
I'M NOT AFRAID OF HARVEY.
104
00:05:07,408 --> 00:05:09,307
BECAUSE I WILL GO WITH
YOU IF YOU ASK NICELY.
105
00:05:09,343 --> 00:05:11,376
- THE MAYOR, VINCE.
- I DON'T WANT YOU TO GO.
106
00:05:11,412 --> 00:05:13,390
I GOT MYSELF INTO THIS, I
CAN GET MYSELF OUT OF IT.
107
00:05:13,414 --> 00:05:15,825
- THAT'S THE SPIRIT, KID.
- AND I'M NOT AFRAID OF
HARVEY, ALL RIGHT?
108
00:05:15,849 --> 00:05:17,860
I'M TRYING TO BE PROFESSIONAL
AND COURTEOUS BY DOING THIS,
109
00:05:17,884 --> 00:05:20,130
BUT I'M NOT GONNA SIT THERE
WHILE HE YELLS IN MY FACE AGAIN.
110
00:05:20,154 --> 00:05:22,620
- YOU'RE GONNA FIGHT HARVEY?
- NO, DON'T FIGHT HARVEY, E.
111
00:05:22,656 --> 00:05:24,000
- HARVEY'S BIG, E.
- YEAH, E,
112
00:05:24,024 --> 00:05:25,768
I THINK HARVEY CAN
DEFINITELY TAKE YOU.
113
00:05:25,792 --> 00:05:27,992
(chuckles) YOU USED TO THINK
YOU COULD TAKE ME, TURTLE.
114
00:05:28,028 --> 00:05:30,262
- YOU WANNA GO?
- HA, I WOULD FUCKIN'...
115
00:05:30,297 --> 00:05:33,465
(all yelling, laughing)
116
00:05:38,238 --> 00:05:40,439
I'M SIMPLY ASKING YOU
117
00:05:40,474 --> 00:05:43,007
NOT TO DILLY-DALLY, THAT'S ALL.
118
00:05:43,043 --> 00:05:44,776
AND I AM NOT GONNA
RUSH THROUGH DINNER.
119
00:05:44,811 --> 00:05:46,545
THIS IS MY BEST
FRIEND'S ENGAGEMENT.
120
00:05:46,580 --> 00:05:48,224
COME ON, SHE'S BEEN
MARRIED TWICE BEFORE.
121
00:05:48,248 --> 00:05:49,625
I'M SURE WE'LL GET
ANOTHER RUN AT THIS.
122
00:05:49,649 --> 00:05:51,661
I ALREADY STOOD IN THE
DRIVEWAY WAITING FOR YOU, ARI.
123
00:05:51,685 --> 00:05:54,297
JUST CHEW FAST AND DON'T
ORDER AN APPETIZER OR A DESSERT.
124
00:05:54,321 --> 00:05:56,254
GIVE ME A BREAK.
125
00:05:56,290 --> 00:05:58,490
- HI.
- OH, JOYCE,
YOU LOOK BEAUTIFUL.
126
00:05:58,525 --> 00:06:00,836
- THANK YOU. YOU TOO, MUFFIN.
- I'M SO EXCITED.
127
00:06:00,860 --> 00:06:03,295
PERFECT TIMING. RON'S AT THE
BAR AND WE THOUGHT WE'D GET
128
00:06:03,330 --> 00:06:05,308
- A BEFORE-DINNER DRINK. WHAT DO YOU SAY?
- NO.
129
00:06:05,332 --> 00:06:06,798
- NO?
- NO, WE'RE STARVING.
130
00:06:06,833 --> 00:06:09,112
SO GRAB YOUR MAN AND
LET'S GET THIS THING ROLLING.
131
00:06:09,136 --> 00:06:11,403
HE'S KIDDING. WE WOULD
LOVE TO HAVE A DRINK...
132
00:06:11,438 --> 00:06:13,405
OR TWO.
133
00:06:15,942 --> 00:06:18,577
(reggae music playing)
134
00:06:18,612 --> 00:06:22,680
SLOW DOWN, TURTLE. IT'S THE
FRENCH COUNTRY ON THE RIGHT.
135
00:06:22,716 --> 00:06:26,184
Vince: WOW, NICE HOUSE.
136
00:06:26,220 --> 00:06:28,198
HE IS THE MAYOR OF
BEVERLY HILLS, BRO.
137
00:06:28,222 --> 00:06:31,189
- (whistles)
- PULL OVER THERE, TURTLE.
138
00:06:31,225 --> 00:06:32,957
- (honks)
- WHAT ARE YOU DOING?
139
00:06:32,993 --> 00:06:34,637
LETTING THE MAYOR
KNOW WE'RE HERE.
140
00:06:34,661 --> 00:06:36,628
YOU DON'T HONK, YOU NEANDERTHAL.
141
00:06:36,663 --> 00:06:39,409
YOU RING THE BELL LIKE AN UPSTANDING
BEVERLY HILLS CITIZEN WOULD DO.
142
00:06:39,433 --> 00:06:41,233
TOO LATE.
143
00:06:41,268 --> 00:06:43,034
HEY.
144
00:06:43,069 --> 00:06:46,749
DON'T FORGET YOUR
CORSAGE. (chuckles)
145
00:06:47,741 --> 00:06:49,774
MAYOR LAURIE.
146
00:06:49,809 --> 00:06:54,212
JOHN CHASE, IS THAT VINNIE
CHASE I SEE IN THAT CAR?
147
00:06:54,248 --> 00:06:56,214
- HI. HOW ARE YOU?
- I'M TURTLE.
148
00:06:56,250 --> 00:06:58,617
OH, VINNIE, I AM A
BIG FAN... BIG BIG FAN.
149
00:06:58,652 --> 00:07:01,153
MY KIDS... THEY'RE JUST
OBSESSED WITH AQUAMAN.
150
00:07:01,188 --> 00:07:03,766
MY DAUGHTER CRIED WHEN THEY
REPLACED YOU IN THE SEQUEL,
151
00:07:03,790 --> 00:07:06,824
SAID SHE WILL NOT SEE IT
NO MATTER HOW GOOD IT IS.
152
00:07:06,860 --> 00:07:09,561
- TELL HER, THANK YOU.
- I WILL. I WILL.
153
00:07:09,596 --> 00:07:11,563
- READY TO GO NOW?
- YEAH YEAH.
154
00:07:11,598 --> 00:07:13,998
UH... GOTTA GRAB A JACKET FIRST.
155
00:07:14,034 --> 00:07:15,333
WALK WITH ME, JOHN.
156
00:07:15,369 --> 00:07:17,569
YEAH, THIS GUY'S GONNA
FIT RIGHT IN WITH US.
157
00:07:17,604 --> 00:07:19,904
OH, I REALLY APPRECIATE THIS.
158
00:07:19,939 --> 00:07:21,917
MY WIFE'S BEEN GONE
FOR OVER A YEAR NOW
159
00:07:21,941 --> 00:07:23,919
AND I'VE BEEN REALLY LONELY.
160
00:07:23,943 --> 00:07:25,443
HEY, WHAT ARE FRIENDS FOR?
161
00:07:25,479 --> 00:07:28,413
YEAH, BUT I THINK I'M
GONNA TAKE MY OWN CAR.
162
00:07:28,448 --> 00:07:31,249
ARE YOU SURE YOU DON'T WANT
TO HAVE TURTLE CHAUFFEUR?
163
00:07:31,285 --> 00:07:33,685
THEN WE CAN GET HAMMERED
AND HAVE A REALLY GOOD NIGHT.
164
00:07:33,720 --> 00:07:36,621
YOU KNOW WHAT WOULD MAKE
IT A REALLY GREAT NIGHT, JOHN?
165
00:07:36,657 --> 00:07:39,257
IT'S IF THAT MOVIE
STAR BROTHER OF YOURS
166
00:07:39,293 --> 00:07:41,259
COULD HELP PROVIDE
ME SOME COMFORT
167
00:07:41,295 --> 00:07:43,861
OF A FOXY YOUNG THING
I DON'T HAVE TO PAY FOR?
168
00:07:43,897 --> 00:07:45,863
HE CAN DO THAT.
169
00:07:47,734 --> 00:07:49,267
YOU...
170
00:07:53,407 --> 00:07:55,707
(people conversing, laughing)
171
00:07:58,879 --> 00:08:00,712
(exhales)
172
00:08:00,747 --> 00:08:03,047
HI. HOW ARE YOU? I'M
HERE TO MEET HARVEY...
173
00:08:03,083 --> 00:08:04,327
- MR. MURPHY?
- YES.
174
00:08:04,351 --> 00:08:06,551
- RIGHT THIS WAY.
- THANK YOU.
175
00:08:06,587 --> 00:08:08,553
(exhales)
176
00:08:11,324 --> 00:08:14,192
- HOW ARE YOU, ERIC?
- HEY, HOW ARE YOU, HARVEY?
177
00:08:14,227 --> 00:08:16,327
GOOD GOOD. GREAT GREAT.
178
00:08:16,363 --> 00:08:18,329
I'M GREAT. SIT SIT.
179
00:08:18,365 --> 00:08:21,700
- TRY THAT WINE.
- OKAY.
180
00:08:24,872 --> 00:08:26,571
IT'S GOOD.
181
00:08:26,607 --> 00:08:28,573
GOOD? THAT'S A '53 MARGAUX.
182
00:08:28,609 --> 00:08:30,453
IT'S 3,300 BUCKS A BOTTLE.
183
00:08:30,477 --> 00:08:32,355
I ONLY DRINK IT ON
CELEBRATORY OCCASIONS.
184
00:08:32,379 --> 00:08:34,357
THIS BEING ONE, I
ORDERED TWO BOTTLES.
185
00:08:34,381 --> 00:08:36,080
LET'S CELEBRATE.
186
00:08:37,684 --> 00:08:39,863
- LISTEN, HARVEY...
- OH, WOULD YOU
LOOK AT THIS?
187
00:08:39,887 --> 00:08:41,920
SEE THAT LITTLE CUNT?
188
00:08:41,955 --> 00:08:43,833
THAT PRICK STOLE
MY VP OF PRODUCTION.
189
00:08:43,857 --> 00:08:45,167
HE'S LUCKY I DON'T GO OVER THERE
190
00:08:45,191 --> 00:08:47,003
AND CRACK THIS FUCKING
BOTTLE OVER HIS HEAD.
191
00:08:47,027 --> 00:08:49,271
I'M NOT GONNA DO THAT, THOUGH.
192
00:08:49,295 --> 00:08:51,240
MY DOCTOR SAYS I
CAN'T DO THAT ANYMORE
193
00:08:51,264 --> 00:08:52,842
'CAUSE MY BLOOD
PRESSURE'S OFF THE CHARTS.
194
00:08:52,866 --> 00:08:54,833
(sighs deeply)
195
00:08:54,868 --> 00:08:58,336
SO, YOU AND ME, E...
STRESS-FREE DINNER.
196
00:08:59,640 --> 00:09:02,206
- TO "MEDELLIN."
- "MEDELLIN."
197
00:09:03,944 --> 00:09:05,977
I'VE NEVER BEEN SO
EMBARRASSED IN MY LIFE.
198
00:09:06,013 --> 00:09:07,757
WHAT? LISTEN, WHAT'S SO BAD?
199
00:09:07,781 --> 00:09:10,749
UH, YOU GOT THE CHECK
BEFORE WE GOT OUR ENTREES.
200
00:09:10,784 --> 00:09:13,384
- AT LEAST I PAID, RIGHT?
- YOU ARE SUCH AN ASSHOLE.
201
00:09:13,420 --> 00:09:14,831
THAT MAY BE, BUT I'M AN ASSHOLE
202
00:09:14,855 --> 00:09:16,799
THAT'S GONNA BE HOME
AT 9:30, READY TO READ.
203
00:09:16,823 --> 00:09:18,668
YOU KNOW WHAT? LET'S
GET AN EARLY START ON THIS.
204
00:09:18,692 --> 00:09:20,336
GRAB MY BRIEFCASE,
YOU READ TO ME.
205
00:09:20,360 --> 00:09:21,459
SCREW YOU.
206
00:09:21,494 --> 00:09:23,072
COME ON, BABY, BE A TEAM PLAYER.
207
00:09:23,096 --> 00:09:25,564
IF NIGHT PULLS ANOTHER
HALF-BILLION-DOLLAR GROSSER
208
00:09:25,599 --> 00:09:29,039
OUT OF HIS HAT, I'LL GET
YOU SOME DIAMONDS.
209
00:09:30,537 --> 00:09:32,671
- THE BRIEFCASE ISN'T HERE.
- WHAT DO YOU MEAN?
210
00:09:32,706 --> 00:09:35,406
JUST WHAT I SAID. ARE YOU SURE
YOU DIDN'T LEAVE IT IN THE OFFICE?
211
00:09:35,442 --> 00:09:37,742
(tires screech)
212
00:09:37,778 --> 00:09:39,744
WHAT, YOU DON'T BELIEVE ME?
213
00:09:39,780 --> 00:09:42,213
(horns honking)
214
00:09:42,248 --> 00:09:45,494
JESUS CHRIST, THE
VALET PROBABLY STOLE IT.
215
00:09:45,518 --> 00:09:48,887
- DON'T BE RACIST.
- VALETS STEAL SHIT,
ALL RIGHT?
216
00:09:48,922 --> 00:09:51,267
JUST BECAUSE THEY'RE MOSTLY
HISPANIC DOESN'T MAKE ME A RACIST.
217
00:09:51,291 --> 00:09:53,269
YOU KNOW WHAT
HAPPENS IF THIS GETS OUT?
218
00:09:53,293 --> 00:09:56,105
IF SOMEONE PUTS NIGHT'S NEW ENDING
ON THE INTERNET, MY LIFE IS OVER!
219
00:09:56,129 --> 00:09:57,629
NOBODY'S GONNA KNOW YOU DID IT.
220
00:09:57,664 --> 00:10:00,209
YES, THEY WILL, BECAUSE
NIGHT, THAT LITTLE SICK FUCK,
221
00:10:00,233 --> 00:10:02,834
PRINTED MY NAME ON
EVERY FUCKING PAGE!
222
00:10:02,869 --> 00:10:04,970
SO MAYBE THE VALETS
PUT IT IN THE TRUNK.
223
00:10:09,375 --> 00:10:11,442
IT'S GONE. NOT FUCKING HERE.
224
00:10:11,478 --> 00:10:14,145
THEY FUCKING STOLE IT. THE
MOTHERFUCKERS STOLE IT.
225
00:10:14,180 --> 00:10:17,448
WH... DID THEY
REPLACE IT WITH THIS?
226
00:10:17,484 --> 00:10:20,151
- WHAT THE FUCK IS THAT?
- YOU TELL ME, FREAK.
227
00:10:20,186 --> 00:10:22,186
I HAVE NO IDEA!
228
00:10:22,222 --> 00:10:24,856
WELL, THERE'S A WHOLE BAG.
229
00:10:24,891 --> 00:10:27,003
- THE SEATS AREN'T AS DARK
AS THEY'RE SUPPOSED TO BE.
- WHAT?
230
00:10:27,027 --> 00:10:28,871
- THEY GAVE US
THE WRONG CAR.
- SHUT UP.
231
00:10:28,895 --> 00:10:30,862
GET IN THERE. WHAT,
ARE YOU FUCKING BLIND?
232
00:10:30,897 --> 00:10:32,341
YOU'RE THE ONE WHO
DROVE IT HOME, SCHMUCK.
233
00:10:32,365 --> 00:10:34,845
WHY WOULD I BUY A BLACK COCK?
234
00:10:38,071 --> 00:10:39,704
(tires screech)
235
00:10:39,740 --> 00:10:42,473
WHERE THE FUCK ARE OUR SALADS?
236
00:10:42,509 --> 00:10:44,876
HEY, PAL, PAL.
237
00:10:46,579 --> 00:10:49,447
HOW LONG WE GOTTA WAIT
FOR A LOUSY ICEBERG WEDGE?
238
00:10:49,482 --> 00:10:51,494
YOU SLICE THE FUCKING
THING, YOU PUT IT ON A PLATE
239
00:10:51,518 --> 00:10:53,838
AND YOU BRING IT OVER HERE.
240
00:10:54,587 --> 00:10:57,000
ANYWAY, E, WHAT
WAS I TALKING ABOUT?
241
00:10:57,024 --> 00:10:59,357
YOU WERE SAYING
THAT YOU WERE, UH...
242
00:10:59,392 --> 00:11:01,960
YOU WERE PISSED OFF AT US AFTER
WE FUCKED YOU OVER AT SUNDANCE.
243
00:11:01,995 --> 00:11:04,007
OH, YEAH YEAH. OH, I WAS RAGING.
244
00:11:04,031 --> 00:11:06,597
SURE, YOU LITTLE PRICKS LET
ME CALL A PRESS CONFERENCE
245
00:11:06,633 --> 00:11:08,745
TO ANNOUNCE I'M IN BUSINESS
WITH YOU AND THEN YOU BAIL ON ME?
246
00:11:08,769 --> 00:11:11,903
I KNOW. THAT WAS... THAT
WAS A BIG MISTAKE, HARVEY.
247
00:11:11,938 --> 00:11:13,905
IT'S A MISTAKE?
248
00:11:15,108 --> 00:11:17,020
THAT WAS SOME
MISTAKE. DON'T YOU EVER
249
00:11:17,044 --> 00:11:19,644
MAKE A MISTAKE LIKE
THAT WITH ME AGAIN,
250
00:11:19,680 --> 00:11:22,413
BECAUSE NEXT TIME I'M
NOT GONNA BE SO KIND.
251
00:11:22,448 --> 00:11:24,415
I'LL KILL PEOPLE.
252
00:11:24,450 --> 00:11:26,551
YOU MIND IF I USE THE
BATHROOM, HARVEY?
253
00:11:26,586 --> 00:11:29,821
SURE, GO AHEAD.
OH OH, HEY, E, E,
254
00:11:29,856 --> 00:11:32,201
ON YOUR WAY OVER THERE
WALK BY THAT CUNT'S TABLE
255
00:11:32,225 --> 00:11:34,665
AND GIVE HIM A LITTLE
ELBOW IN THE HEAD.
256
00:11:35,762 --> 00:11:37,729
IF YOU FEEL LIKE IT.
257
00:11:43,636 --> 00:11:46,382
HOW AM I GONNA GET THIS
GUY LAID, JOHNNY, SERIOUSLY?
258
00:11:46,406 --> 00:11:47,972
TELL GIRLS
259
00:11:48,008 --> 00:11:50,075
THAT IF THEY FUCK HIM,
YOU'LL FUCK 'EM AFTER.
260
00:11:50,110 --> 00:11:52,088
(chuckles) THAT SOUNDS
LIKE A GOOD DEAL FOR VINCE.
261
00:11:52,112 --> 00:11:54,079
- HE'D BE LYING.
- (crowd clamoring)
262
00:11:54,114 --> 00:11:58,549
- OH, JESUS.
- Vince: HOW DID HE
BEAT US HERE?
263
00:12:00,620 --> 00:12:02,921
(hip-hop music playing)
264
00:12:06,559 --> 00:12:09,393
- HEY, WHAT'S UP, VINCE?
- (phone rings)
265
00:12:09,429 --> 00:12:11,196
HEY, E.
266
00:12:11,231 --> 00:12:13,009
- How is it going
over there?
- IT'S NOT.
267
00:12:13,033 --> 00:12:14,811
THIS GUY'S NUTS. HE'S
TEETERING ON THE EDGE.
268
00:12:14,835 --> 00:12:16,400
DID HE YELL AT YOU?
269
00:12:16,436 --> 00:12:18,447
NO, HE DIDN'T YELL AT ME
'CAUSE I DIDN'T TELL HIM YET.
270
00:12:18,471 --> 00:12:20,249
I THOUGHT YOU SAID YOU
WEREN'T AFRAID OF HARVEY.
271
00:12:20,273 --> 00:12:22,518
I'M NOT SCARED OF HIM, BUT IT WOULDN'T
BE GOOD FOR ANYBODY IF I END UP
272
00:12:22,542 --> 00:12:25,321
ROLLING AROUND IN THE PARKING LOT WITH
ONE OF THE MOST POWERFUL MEN IN HOLLYWOOD.
273
00:12:25,345 --> 00:12:27,623
- SO WHAT DO YOU WANT ME TO DO?
- I WANT YOU TO COME DOWN HERE.
274
00:12:27,647 --> 00:12:29,792
- I'M WITH THE MAYOR, E.
- Fuck the mayor, Vince.
275
00:12:29,816 --> 00:12:32,350
HARVEY'S NOT GONNA MAKE THE
SAME KIND OF SCENE IF YOU'RE HERE.
276
00:12:32,385 --> 00:12:35,932
SWALLOW YOUR PRIDE AND ADMIT
YOU'RE AFRAID OF HIM AND I'M THERE.
277
00:12:35,956 --> 00:12:37,922
LOOK, I'M NOT SCARED OF HARVEY.
278
00:12:37,958 --> 00:12:39,624
HOW LONG YOU THINK
YOU CAN KEEP ME
279
00:12:39,659 --> 00:12:41,370
WAITING AT THE TABLE
WITHOUT ME GETTING ANTSY?
280
00:12:41,394 --> 00:12:43,339
SORRY ABOUT THAT, HARVEY.
I'M ACTUALLY TALKING TO VINCE.
281
00:12:43,363 --> 00:12:44,829
(yells) HEY!
282
00:12:44,865 --> 00:12:47,065
HEY, VINCE. HOW
THE FUCK ARE YOU?
283
00:12:47,100 --> 00:12:49,067
- HEY, HARVEY.
- Where are you, pal?
284
00:12:49,102 --> 00:12:51,569
I JUST WALKED INTO A
PLACE CALLED WINSTON'S.
285
00:12:51,604 --> 00:12:54,639
I LOVE WINSTON'S! WE'LL COME OVER
THERE FOR A CELEBRATORY TOAST.
286
00:12:54,674 --> 00:12:56,307
- Okay.
- WALK THE OTHER WAY, DAVID,
287
00:12:56,342 --> 00:12:59,077
OR I'LL PULL OUT YOUR FUCKING
EYEBALLS. YEAH, WE'LL SEE YOU SOON.
288
00:12:59,112 --> 00:13:01,345
- See you.
- COME ON, EAT.
289
00:13:03,150 --> 00:13:05,950
VINCE, NEL REALLY LIKES
THIS ONE OVER HERE.
290
00:13:05,986 --> 00:13:08,086
CAN YOU GO TALK TO HER?
291
00:13:14,560 --> 00:13:16,961
IT'S A BLACK LS HYBRID,
292
00:13:16,997 --> 00:13:19,642
SO DON'T BE AFRAID TO STEP
ON THE GAS AND GET IT UP HERE.
293
00:13:19,666 --> 00:13:21,699
THIS IS A BLACK LS.
294
00:13:21,734 --> 00:13:24,046
THAT'S THE WRONG
BLACK LS, OBVIOUSLY.
295
00:13:24,070 --> 00:13:25,870
(speaks Spanish)
296
00:13:25,906 --> 00:13:28,306
OKAY, IS THERE A MANAGER?
297
00:13:29,776 --> 00:13:32,521
- (Spanish accent) I AM THE MANAGER.
- AN ENGLISH-SPEAKING MANAGER.
298
00:13:32,545 --> 00:13:35,124
- I SPEAK ENGLISH.
- FIRST-LANGUAGE
ENGLISH-SPEAKING...
299
00:13:35,148 --> 00:13:36,893
IT'S OKAY. YOU
SWITCHED CARS ON US.
300
00:13:36,917 --> 00:13:40,484
- OH SHIT, THAT'S NOT
YOUR CAR?
- NO.
301
00:13:40,520 --> 00:13:42,553
BECAUSE THE GUY WHO
JUST LEFT IN THE SAME CAR
302
00:13:42,588 --> 00:13:43,988
ACCUSED US OF
STEALING HIS GLASSES.
303
00:13:44,024 --> 00:13:46,891
HERE THEY ARE.
WRONGFULLY ACCUSED AGAIN.
304
00:13:46,927 --> 00:13:48,526
SO HE'S GONE?
305
00:13:48,561 --> 00:13:51,062
YES, BUT I'M SURE HE'S GONNA
COME BACK AS SOON AS HE REALIZES.
306
00:13:51,097 --> 00:13:52,675
I DON'T HAVE TIME
TO WAIT FOR THAT.
307
00:13:52,699 --> 00:13:54,677
I HAVE SOMETHING I NEED TO
GET OUT OF THE CAR TONIGHT.
308
00:13:54,701 --> 00:13:56,979
- THERE'S NOTHING
YOU CAN DO ABOUT THAT.
- THERE'S ALWAYS SOMETHING
309
00:13:57,003 --> 00:14:00,649
THAT CAN BE DONE, BABY. SOMETIMES YOU
JUST HAVE TO THINK REALLY REALLY HARD.
310
00:14:00,673 --> 00:14:02,640
SO EVERYBODY THINK.
311
00:14:05,611 --> 00:14:08,090
- ANYONE GOT SOMETHING? YOU GOT SOMETHING?
- NO, ARI.
312
00:14:08,114 --> 00:14:11,216
YOU COULD ALWAYS GO TO HIS
HOUSE AND HOPE THAT HE'S HOME.
313
00:14:11,251 --> 00:14:13,029
- WHAT, YOU KNOW
WHERE HE LIVES?
- NO,
314
00:14:13,053 --> 00:14:15,186
BUT HAS IT EVER OCCURRED
TO YOU RICH PEOPLE
315
00:14:15,222 --> 00:14:16,855
THAT WHEN YOU ARE
ENJOYING A NICE DINNER,
316
00:14:16,890 --> 00:14:19,623
WE HAVE YOUR KEYS AND
YOUR FANCY NAVIGATION SYSTEM
317
00:14:19,659 --> 00:14:21,259
TO LEAD US STRAIGHT
TO YOUR EMPTY HOUSE?
318
00:14:21,294 --> 00:14:23,828
I LIKE YOUR STYLE, PAL.
319
00:14:29,970 --> 00:14:32,114
- Female voice:
Setting home...
- OXNARD... HOW FAR IS THAT?
320
00:14:32,138 --> 00:14:34,105
ABOUT 50 MILES.
321
00:14:34,140 --> 00:14:36,107
UH, YOU'RE TAKING ME HOME FIRST.
322
00:14:37,143 --> 00:14:39,077
THANK YOU, SIR.
323
00:14:39,112 --> 00:14:41,779
5532.
324
00:14:43,350 --> 00:14:45,461
COOL. SO I'LL CALL
YOU AT, LIKE, 2:00?
325
00:14:45,485 --> 00:14:48,619
MAKE IT 2:30. THE BOYS AND I
USUALLY GRAB A BITE LATE-NIGHT.
326
00:14:48,654 --> 00:14:50,221
OKAY.
327
00:14:51,791 --> 00:14:54,370
I THOUGHT WE WERE SUPPOSED TO BE
PULLING FOR THE MAYOR, NOT OURSELVES.
328
00:14:54,394 --> 00:14:56,705
- I'M JUST NOT
A GOOD WRANGLER.
- YEAH, WELL, I AM,
329
00:14:56,729 --> 00:14:58,674
AND I'VE BEEN WASTING MY
SKILLS ON DRAMA'S CAUSE.
330
00:14:58,698 --> 00:15:01,043
YOU'RE TELLING ME YOU'D BE
PULLING IF IT WAS FOR YOUR CAUSE?
331
00:15:01,067 --> 00:15:04,369
OF COURSE I WOULD BE. WHAT
KIND OF QUESTION IS THAT?
332
00:15:04,404 --> 00:15:07,338
FELLAS, GUESS
WHO'S INTO POLITICS.
333
00:15:07,374 --> 00:15:09,340
- THIS IS ANEEKA.
- ANIKA.
334
00:15:09,376 --> 00:15:11,354
ANIKA. ANIKA, THE BOYS.
335
00:15:11,378 --> 00:15:14,212
- HELLO, BOYS.
- ANIKA'S FROM PRAGUE.
336
00:15:14,247 --> 00:15:17,059
I TOLD HER A LITTLE ABOUT OUR
MAN AND SHE WAS VERY IMPRESSED.
337
00:15:17,083 --> 00:15:19,061
GOTTA LOVE THE EASTERN BLOC.
338
00:15:19,085 --> 00:15:20,952
BACK IN A FLASH.
339
00:15:24,524 --> 00:15:27,392
NEL, SAY HELLO TO ANIKA.
340
00:15:27,427 --> 00:15:31,629
ANIKA, THE ONE AND ONLY MAYOR
OF BEVERLY HILLS, NEL LAURIE.
341
00:15:31,664 --> 00:15:34,132
JOHNNY HAS TOLD ME OF
YOUR DEDICATION TO THE CITY
342
00:15:34,167 --> 00:15:37,001
AND OF YOUR KINDNESS.
IT IS SO NICE TO MEET YOU.
343
00:15:37,037 --> 00:15:40,504
YOU TOO, YOU TOO.
WOULD YOU LIKE TO SIT?
344
00:15:40,540 --> 00:15:42,473
YES, I WOULD LOVE TO.
345
00:15:47,380 --> 00:15:50,681
MY GOD, YOU HAVE GORGEOUS FEET.
346
00:15:52,452 --> 00:15:54,986
HOW ABOUT THAT?
347
00:15:55,021 --> 00:15:57,855
HOW ABOUT THIS?
348
00:15:57,890 --> 00:16:01,192
HE LOOKS LIKE A P.O.W.
349
00:16:13,406 --> 00:16:15,373
(exhales)
350
00:16:18,845 --> 00:16:21,512
- (dog barking)
- Woman: WHO IS IT?
351
00:16:21,547 --> 00:16:24,215
HI, MY NAME IS ARI GOLD.
I THINK YOU HAVE MY CAR.
352
00:16:24,250 --> 00:16:26,517
WHAT? WHAT ARE
YOU TALKING ABOUT?
353
00:16:26,552 --> 00:16:28,030
UH, WOULD YOU OPEN THE DOOR?
354
00:16:28,054 --> 00:16:30,021
NO. AND I HAVE A DOG.
355
00:16:30,056 --> 00:16:32,501
THAT'S GREAT. I THINK
YOU ALSO HAVE MY CAR.
356
00:16:32,525 --> 00:16:34,692
DO YOU DRIVE A BLACK LEXUS?
357
00:16:34,727 --> 00:16:36,461
MY HUSBAND DOES.
358
00:16:36,496 --> 00:16:39,364
WELL, I THINK THE VALET
GAVE HIM THE WRONG CAR,
359
00:16:39,399 --> 00:16:41,366
'CAUSE I'M DRIVING HIS.
360
00:16:41,401 --> 00:16:42,800
VALET? WHAT VALET?
361
00:16:42,835 --> 00:16:44,875
THE VALET AT MORTON'S TONIGHT.
362
00:16:46,373 --> 00:16:48,839
MORTON'S IN L.A.?
363
00:16:48,875 --> 00:16:50,686
- YEAH.
- WHAT WAS MY
HUSBAND DOING
364
00:16:50,710 --> 00:16:53,044
- AT MORTON'S IN L.A. TONIGHT?
- UH...
365
00:17:00,453 --> 00:17:01,952
WHAT THE FUCK WERE YOU DOING
366
00:17:01,988 --> 00:17:03,754
- AT MORTON'S TONIGHT?
- WHAT?
367
00:17:03,789 --> 00:17:06,090
- THE VALET SWITCHED
OUR CARS.
- WHAT?
368
00:17:06,126 --> 00:17:08,659
- ANSWER ME, WHO THE FUCK
WERE YOU WITH?
- WHAT?
369
00:17:08,694 --> 00:17:10,761
SEE, THAT'S MY
BRIEFCASE. THANK YOU, GOD.
370
00:17:10,796 --> 00:17:13,898
- ANSWER ME,
YOU PIECE OF SHIT!
- WHAT?
371
00:17:13,933 --> 00:17:16,012
LISTEN, HERE ARE YOUR
KEYS. CAN I GET MINE?
372
00:17:16,036 --> 00:17:18,736
I AM FUCKING WAITING
FOR A FUCKING ANSWER!
373
00:17:18,771 --> 00:17:21,072
DENY TILL YOU DIE, PAL.
374
00:17:23,943 --> 00:17:27,244
I TELL YOU WHAT... JUST ADMIT
THAT YOU'RE SCARED OF HIM
375
00:17:27,279 --> 00:17:28,958
AND I'LL APOLOGIZE FOR YOU.
376
00:17:28,982 --> 00:17:31,727
I DON'T NEED YOU TO APOLOGIZE. I JUST
WANT YOU TO BE HERE WHEN IT GOES DOWN.
377
00:17:31,751 --> 00:17:33,462
I'M RIGHT HERE. WHAT
ARE YOU WAITING FOR?
378
00:17:33,486 --> 00:17:36,587
THE RIGHT MOMENT.
379
00:17:36,623 --> 00:17:38,856
AM I THE CHUCK WOOLERY
OF WINSTON'S OR WHAT?
380
00:17:38,892 --> 00:17:40,536
Turtle: YEAH, ONLY
MINUS THE GOOD LOOKS
381
00:17:40,560 --> 00:17:42,527
THE TAN AND THE BOTANY 500 SUIT.
382
00:17:42,562 --> 00:17:44,529
I GOT ONE OF THOSE SUITS, BRO.
383
00:17:44,564 --> 00:17:46,797
- YO, VINCE.
- YO, RAY.
384
00:17:46,833 --> 00:17:49,534
- MAN, THIS IS DELICATE.
- WHAT'S THAT?
385
00:17:49,569 --> 00:17:51,547
YOU KNOW YOUR BOY
YOU CAME IN WITH?
386
00:17:51,571 --> 00:17:52,837
YEAH, WHAT ABOUT HIM?
387
00:17:52,872 --> 00:17:54,717
WELL, HE'S ABOUT TO
SUCK FACE WITH A TRANNY.
388
00:17:54,741 --> 00:17:56,073
WHAT? COME ON.
389
00:17:56,108 --> 00:17:58,475
THAT'S NO TRANNY,
RAY. THAT'S ANIKA.
390
00:17:58,511 --> 00:18:00,723
ANIKA'S GOT A BIGGER
STUMP THAN YOU DO, DRAMA.
391
00:18:00,747 --> 00:18:04,448
JESUS, IF DRAMA KNEW THAT, HE
WOULD HAVE KEPT HER FOR HIMSELF.
392
00:18:04,483 --> 00:18:06,450
- RAY, ARE YOU SURE?
- TRUST ME.
393
00:18:06,485 --> 00:18:08,631
THE ONLY REASON THAT
WE LET THAT HE-SHE IN HERE
394
00:18:08,655 --> 00:18:10,966
IS BECAUSE SHE GOES ON
HOWARD STERN ALL THE TIME
395
00:18:10,990 --> 00:18:12,801
AND WE DON'T NEED THE
BAD INK. I'M SORRY, BRO.
396
00:18:12,825 --> 00:18:14,792
- COME ON.
- I CAN'T BELIEVE IT.
397
00:18:14,827 --> 00:18:16,794
BELIEVE IT, DRAMA.
398
00:18:16,829 --> 00:18:19,931
- THANKS, MAN. I APPRECIATE IT.
- NO DOUBT, MAN.
399
00:18:19,966 --> 00:18:22,967
- WHAT DO WE DO?
- I AIN'T SAYING SHIT.
400
00:18:23,002 --> 00:18:25,570
NOBODY'S SAYING
NOTHING UNTIL I'M 90210.
401
00:18:25,605 --> 00:18:27,516
JOHNNY, HE'LL FIND
OUT EVENTUALLY
402
00:18:27,540 --> 00:18:30,740
AND THEN YOU'D BETTER PRAY HE'S
NOT YOUR MAYOR. DO THE RIGHT THING.
403
00:18:32,378 --> 00:18:34,178
- FINE, I'LL TELL HIM - E?
404
00:18:35,615 --> 00:18:38,683
- I'M GOING.
- COUPLE OF SHOTS FIRST
TO RELAX?
405
00:18:38,718 --> 00:18:41,251
All: DEFINITELY.
406
00:18:46,559 --> 00:18:48,525
(car horn honks)
407
00:18:51,998 --> 00:18:53,965
(phone rings)
408
00:18:54,000 --> 00:18:56,901
- YEAH, LLOYD.
- Just wanna make sure
you're up and reading.
409
00:18:56,936 --> 00:18:59,481
WELL, I'M UP AND I AM
NOT FUCKING READING.
410
00:18:59,505 --> 00:19:01,349
GOD, YOU'RE EVEN
ANGRY IN THE EVENING.
411
00:19:01,373 --> 00:19:03,674
- FUCK OFF, LLOYD.
- GOOD NIGHT, ARI.
412
00:19:03,710 --> 00:19:05,187
- Lloyd?
- YES, ARI.
413
00:19:05,211 --> 00:19:07,723
TALK TO ME WHILE I DRIVE
SO I DON'T FALL ASLEEP.
414
00:19:07,747 --> 00:19:09,714
- Okay, Ari.
- (siren wailing)
415
00:19:09,749 --> 00:19:11,482
OH, FUCK.
416
00:19:11,517 --> 00:19:13,751
- WHAT?
- I'M GETTING PULLED OVER.
417
00:19:13,786 --> 00:19:16,320
- How fast are you going?
- ABOUT 140.
418
00:19:16,355 --> 00:19:20,057
- THAT'S NOT GOOD.
- NO.
419
00:19:22,829 --> 00:19:24,795
CHEERS.
420
00:19:27,399 --> 00:19:29,634
I'M GOING IN.
421
00:19:29,669 --> 00:19:32,169
AND E, WHY AREN'T
YOUR FEET MOVING?
422
00:19:32,204 --> 00:19:34,371
ALL RIGHT, I'M SCARED.
423
00:19:34,406 --> 00:19:36,373
HA HA HA! PUSSY.
424
00:19:36,408 --> 00:19:38,275
COME ON. I'LL TALK TO HIM.
425
00:19:38,310 --> 00:19:40,277
I'LL STAND RIGHT NEXT TO YOU.
426
00:19:40,312 --> 00:19:43,592
YEAH, I'LL BE HANGING
BACK, HAVING FUN.
427
00:19:43,616 --> 00:19:46,583
HI.
428
00:19:46,619 --> 00:19:48,585
OR NOT.
429
00:19:48,621 --> 00:19:50,599
CAN I GET YOU SOMETHING?
430
00:19:50,623 --> 00:19:52,823
- HEY, JOHNNY.
- HEY...
431
00:19:52,859 --> 00:19:56,226
ANIKA, WOULD YOU
EXCUSE US FOR A SECOND?
432
00:19:56,262 --> 00:19:58,262
UM, YEAH, SURE.
433
00:19:58,297 --> 00:20:01,932
WELL, YOU'D BETTER HURRY
BACK OR I'M GONNA COME CHASIN'.
434
00:20:01,968 --> 00:20:04,702
I WILL.
435
00:20:04,737 --> 00:20:07,905
(sighs)
436
00:20:07,940 --> 00:20:10,221
HEY, JOHN, WHAT'S HAPPENING?
437
00:20:11,944 --> 00:20:13,844
- IT'S ABOUT ANIKA.
- YEAH?
438
00:20:13,880 --> 00:20:16,458
YOU KNOW, WE DIDN'T EVEN
NEED VINNIE'S INTRO, HUH?
439
00:20:16,482 --> 00:20:18,949
THANK YOU.
440
00:20:18,985 --> 00:20:22,086
I TELL YOU, SHE IS ONE DOLL.
441
00:20:22,121 --> 00:20:24,922
YEAH, WELL, ACCORDING TO SOME,
442
00:20:24,957 --> 00:20:27,391
- THAT BARBIE
MIGHT BE A KEN.
- EH?
443
00:20:27,426 --> 00:20:29,960
- SHE MIGHT HAVE BALLS,
YOUR HONOR.
- WHAT?
444
00:20:29,996 --> 00:20:31,962
SHE'S A HE, A TRANSFORMER,
445
00:20:31,998 --> 00:20:33,942
A HERMAPHRODITE, SOMETHING
THAT JUST AIN'T RIGHT.
446
00:20:33,966 --> 00:20:36,567
OH, I DON'T BELIEVE
THAT. LOOK AT HER.
447
00:20:36,602 --> 00:20:38,569
SHE'S BEAUTIFUL.
448
00:20:40,239 --> 00:20:43,540
I GOT ONLY REASONS TO LIE
TO YOU, NEL, BUT IT'S TRUE.
449
00:20:43,576 --> 00:20:46,010
I'M SORRY.
450
00:20:46,045 --> 00:20:48,445
I AM TOO.
451
00:20:48,480 --> 00:20:50,600
I APPRECIATE YOUR HONESTY...
452
00:20:54,754 --> 00:20:57,021
AND...
453
00:20:57,056 --> 00:20:59,134
I WOULD APPRECIATE
YOUR POSSE'S DISCRETION
454
00:20:59,158 --> 00:21:01,804
'CAUSE I DON'T CARE WHAT
SHE'S GOT UNDER THAT DRESS.
455
00:21:01,828 --> 00:21:03,105
- NO?
- NO.
456
00:21:03,129 --> 00:21:05,896
WE HAVE A CONNECTION.
SHE GETS ME.
457
00:21:08,134 --> 00:21:10,312
HEY, BABE, YOU READY
TO GET OUT OF HERE?
458
00:21:10,336 --> 00:21:11,501
OKAY.
459
00:21:11,537 --> 00:21:13,548
I GOT A BLUE MERCEDES,
TINTED WINDOWS.
460
00:21:13,572 --> 00:21:15,784
- SEE YOU OUT THERE
IN 10 MINUTES.
- OKAY.
461
00:21:15,808 --> 00:21:18,442
(laughs)
462
00:21:18,477 --> 00:21:19,844
OKAY.
463
00:21:19,879 --> 00:21:21,757
NEL, WHAT ABOUT MY ANNEXATION?
464
00:21:21,781 --> 00:21:24,348
LOOKING GOOD.
465
00:21:24,383 --> 00:21:26,784
- EH?
- (laughs)
466
00:21:26,819 --> 00:21:28,619
SWEET.
467
00:21:28,654 --> 00:21:30,621
- AH!
- HARVEY.
468
00:21:30,656 --> 00:21:32,723
HA HA HA! I LOVE YOU.
469
00:21:32,759 --> 00:21:34,524
SIT DOWN.
470
00:21:34,560 --> 00:21:38,028
SO, SO, WHAT'S ON
YOUR MIND, VINCE?
471
00:21:38,064 --> 00:21:40,030
WELL, HARVEY, IT'S
ABOUT "MEDELLIN."
472
00:21:40,066 --> 00:21:41,543
- WHAT ABOUT IT?
- WE...
473
00:21:41,567 --> 00:21:43,645
- VODKA,
SPLASH OF CRANBERRY.
- I ORDERED TONIC.
474
00:21:43,669 --> 00:21:45,480
NO, YOU DIDN'T. YOU
ORDERED CRANBERRY.
475
00:21:45,504 --> 00:21:48,050
WHY WOULD I ORDER CRANBERRY
IF I DON'T DRINK CRANBERRY?
476
00:21:48,074 --> 00:21:49,218
I DON'T KNOW, BUT YOU DID.
477
00:21:49,242 --> 00:21:51,120
YOU BELIEVE THIS FUCKING GUY?
478
00:21:51,144 --> 00:21:53,677
- (laughing)
- I'LL GET YOU YOUR TONIC.
479
00:21:53,712 --> 00:21:55,690
NO NO NO, DON'T GET ME TONIC.
480
00:21:55,714 --> 00:21:57,860
- TELL ME I DIDN'T
ORDER CRANBERRY.
- BUT YOU DID.
481
00:21:57,884 --> 00:21:59,327
ARE YOU OUT OF
YOUR FUCKING MIND?
482
00:21:59,351 --> 00:22:02,019
- JUST GET THE TONIC, GUY.
- NO NO NO, GUY,
483
00:22:02,054 --> 00:22:04,499
- NO, GUY,
DON'T GO ANYWHERE.
- I'M GOING TO THE BATHROOM.
484
00:22:04,523 --> 00:22:07,324
WHOA WHOA WHOA, VINCE,
WHAT ARE YOU DOING?
485
00:22:07,359 --> 00:22:09,626
I'M NOT TELLING HIM.
HE'S OUT OF HIS MIND.
486
00:22:09,662 --> 00:22:12,102
YOU KNOW WHAT? I'LL DO IT.
487
00:22:14,000 --> 00:22:15,966
- HARVEY, LOOK...
- NO NO,
488
00:22:16,002 --> 00:22:19,014
YOU LOOK ME IN THE FUCKING
FACE AND YOU TELL ME WHY,
489
00:22:19,038 --> 00:22:21,005
AFTER 50 YEARS OF LIFE
490
00:22:21,040 --> 00:22:24,241
AND NEVER HAVING EVEN
SIPPED CRANBERRY JUICE,
491
00:22:24,277 --> 00:22:26,710
FOR SOME REASON I COME IN HERE
492
00:22:26,745 --> 00:22:28,257
AND I ORDER CRANBERRY JUICE.
493
00:22:28,281 --> 00:22:30,580
CAN YOU ANSWER THAT,
YOU FUCKING SCUMBAG?!
494
00:22:30,616 --> 00:22:32,749
NO, I CAN'T, BUT YOU DID.
495
00:22:32,785 --> 00:22:34,930
- HARVEY.
- I'M GONNA FUCKING
KILL HIM!
496
00:22:34,954 --> 00:22:37,199
- TAKE IT EASY, SIR.
- DON'T TELL ME
TO TAKE IT EASY.
497
00:22:37,223 --> 00:22:39,824
YOU KNOW WHO THE FUCK I
AM? I WAS ROLLING MY BONES
498
00:22:39,859 --> 00:22:41,536
WHEN YOU WERE SUCKING
YOUR MOTHER'S TITTIE.
499
00:22:41,560 --> 00:22:44,039
- LET'S LEAVE
MY MOTHER OUT OF THIS.
- FUCK YOU AND FUCK HIM!
500
00:22:44,063 --> 00:22:46,897
ALL RIGHT, PAL, YOU'RE
OUT OF HERE. COME ON!
501
00:22:46,933 --> 00:22:49,066
GET YOUR FUCKING HANDS OFF ME!
502
00:22:49,101 --> 00:22:51,568
SO YOU LET VINCE DO
YOUR DIRTY WORK, HUH, E?
503
00:22:51,603 --> 00:22:53,248
NO, HE COULDN'T DO IT.
504
00:22:53,272 --> 00:22:55,039
HEY, E HAD IT IN HIM AFTER ALL.
505
00:22:55,074 --> 00:22:57,452
NO, I DIDN'T GET A CHANCE TO
EITHER, BUT I'LL TRY TOMORROW.
506
00:22:57,476 --> 00:22:59,877
TOMORROW? WHAT?
507
00:22:59,912 --> 00:23:02,379
YOU WEAK WEAK
MAN. HEY, HARVEY...
508
00:23:03,482 --> 00:23:05,449
WE'RE NOT SELLING YOU THE MOVIE.
509
00:23:05,484 --> 00:23:08,297
SORRY, BRO. WE'RE GONNA PUT IT
ON THE OPEN MARKET AT CANNES.
510
00:23:08,321 --> 00:23:10,065
YOU'RE GONNA HAVE TO
BID LIKE EVERYONE ELSE.
511
00:23:10,089 --> 00:23:11,956
I'LL EAT YOU ALIVE!
512
00:23:11,991 --> 00:23:14,524
I'LL EAT YOU ALIVE AND
CRAP YOU OUT OF MY TUCHUS
513
00:23:14,560 --> 00:23:16,526
AND FLUSH YOU DOWN THE TOILET!
514
00:23:16,562 --> 00:23:18,795
YOU'LL NEVER WORK AGAIN, NEVER,
515
00:23:18,831 --> 00:23:21,043
YOU UNDERSTAND ME?
YOUR CAREER IS OVER!
516
00:23:21,067 --> 00:23:23,033
IT'S OVER!
517
00:23:23,069 --> 00:23:25,169
HE WAS TALKING
ABOUT E, NOT ME, RIGHT?
518
00:23:28,440 --> 00:23:30,407
MORNING, ARI.
519
00:23:33,012 --> 00:23:34,656
DONE. NIGHT IN THE OFFICE?
520
00:23:34,680 --> 00:23:36,892
- YES, ARI. HE JUST GOT HERE.
- PERFECT TIMING.
521
00:23:36,916 --> 00:23:38,493
ARE YOU WEARING THE
SAME SUIT AS YESTERDAY?
522
00:23:38,517 --> 00:23:40,028
SPENT THE NIGHT IN JAIL.
523
00:23:40,052 --> 00:23:41,785
OH MY GOD, ARI. WHY
DIDN'T YOU CALL ME?
524
00:23:41,820 --> 00:23:43,498
'CAUSE YOU GET ONE CALL
AND I WANTED TO USE IT
525
00:23:43,522 --> 00:23:45,500
ON SOMEONE I LIKE TO HAVE
SEX WITH. NIGHT, GENIUS.
526
00:23:45,524 --> 00:23:49,059
BEST SCRIPT YET.
ASK ME ANYTHING.
527
00:23:49,095 --> 00:23:51,495
HOW COULD YOU POSSIBLY
LIKE THAT THIRD ACT?
528
00:23:51,530 --> 00:23:53,942
ARE YOU KIDDING? THE TWIST
WITH THE DOVE? I LOVED IT.
529
00:23:53,966 --> 00:23:55,543
- IT WAS PERFECT.
- NO, IT'S FUCKED.
530
00:23:55,567 --> 00:23:57,935
WHAT YOU READ IS TOTALLY FUCKED.
531
00:23:57,970 --> 00:24:00,537
I TRIED TO CALL YOU LAST
NIGHT. I DIDN'T HAVE YOUR CELL.
532
00:24:00,572 --> 00:24:02,384
- I DON'T UNDERSTAND.
- AFTER YOU LEFT,
IT HIT ME...
533
00:24:02,408 --> 00:24:04,942
THE WHOLE THIRD ACT'S
A MESS, MAN. IT'S A MESS.
534
00:24:04,977 --> 00:24:07,811
I CHANGED IT. IT
REALLY WORKS NOW.
535
00:24:07,846 --> 00:24:09,479
OH.
536
00:24:09,515 --> 00:24:13,117
HERE, READ IT.
537
00:24:13,152 --> 00:24:14,985
I'LL WAIT.
538
00:24:16,022 --> 00:24:17,788
START FROM THE TOP
SO YOU GET THE FLOW.
539
00:24:31,170 --> 00:24:33,137
MORNING, FELLAS.
540
00:24:33,172 --> 00:24:35,150
GET 'EM WHILE THEY'RE HOT.
541
00:24:35,174 --> 00:24:36,851
YOU JUST SAVED E'S ASS, JOHNNY.
542
00:24:36,875 --> 00:24:38,820
HE'S BEEN WRESTLING WITH YOUR
ESPRESSO MAKER FOR AN HOUR.
543
00:24:38,844 --> 00:24:42,179
WRESTLE NO MORE, E. I GOT YOUR
FAVORITE... CARAMEL MACCHIATO.
544
00:24:42,214 --> 00:24:44,026
I HATE CARAMEL, BUT VERY
THOUGHTFUL NONETHELESS.
545
00:24:44,050 --> 00:24:46,583
INDEED IT WAS, BUT
EVER MORE THOUGHTFUL
546
00:24:46,618 --> 00:24:48,997
WERE THE COFFEES I BROUGHT
OVER TO THE BEVERLY HILLS FIREHOUSE
547
00:24:49,021 --> 00:24:50,854
WHEN I WENT OVER
TO INTRODUCE MYSELF.
548
00:24:50,889 --> 00:24:52,801
ARE YOU EXPECTING A FIRE
OR ARE YOU JUST HOPING
549
00:24:52,825 --> 00:24:56,393
TO SLIDE UP AND
DOWN ON THEIR POLE?
550
00:24:56,429 --> 00:24:58,395
YOU SLAY ME, E.
551
00:24:58,431 --> 00:25:00,397
NO, REALLY I'M JUST PROUD TO BE
552
00:25:00,433 --> 00:25:02,311
A SOON-TO-BE-ANNEXED
RESIDENT OF THE QUAINT CITY
553
00:25:02,335 --> 00:25:04,468
KNOWN THROUGHOUT THE
WORLD AS BEVERLY HILLS.
554
00:25:04,503 --> 00:25:07,438
YEAH, WELL, I WOULDN'T BE
TOO PROUD TOO FAST, DRAMA.
555
00:25:07,473 --> 00:25:09,673
I DON'T KNOW HOW MUCH LONGER
YOUR BOY'S GONNA BE MAYOR.
556
00:25:09,708 --> 00:25:10,919
WHAT ARE YOU TALKING ABOUT?
557
00:25:10,943 --> 00:25:12,909
I'M TALKING ABOUT
THE ALL-SEEING,
558
00:25:12,945 --> 00:25:15,479
ALL-KNOWING LENSES OF TMZ.com.
559
00:25:15,514 --> 00:25:17,481
LOOK AT THIS.
560
00:25:19,385 --> 00:25:21,463
Man: Hey, Mayor, I'm from TMZ.
561
00:25:21,487 --> 00:25:23,465
How about saying
a little something?
562
00:25:23,489 --> 00:25:25,822
Howdy, folks.
563
00:25:25,858 --> 00:25:27,836
Man: Hey, why are you
sneaking out in the alley?
564
00:25:27,860 --> 00:25:30,100
Hey hey, I'm not sneaking.
There's no sneaking
565
00:25:30,129 --> 00:25:32,096
going on here. Hustle
into the car, baby.
566
00:25:33,966 --> 00:25:37,034
(all laughing)
567
00:25:38,270 --> 00:25:40,537
OH NO. NO!
568
00:25:40,572 --> 00:25:42,706
- THAT'S NUTS.
- NO!
569
00:25:44,743 --> 00:25:47,043
(hip-hop music playing)