1
00:01:17,745 --> 00:01:21,012
Vince: NOT A BAD
NEIGHBORHOOD, E.

2
00:01:21,047 --> 00:01:23,248
AND YOU'RE RELATIVELY
CLOSE TO THE HOUSE OF WAX.

3
00:01:23,284 --> 00:01:25,161
Drama: YOU GOT A JIFFY LUBE
RIGHT ACROSS THE STREET.

4
00:01:25,185 --> 00:01:26,730
AND IF YOU HAD A HARD DAY,

5
00:01:26,754 --> 00:01:28,965
YOU'RE ONLY A FEW STEPS
AWAY FROM A $50 BLOW JOB.

6
00:01:28,989 --> 00:01:31,490
PLEASE, WE PASSED
$50 10 BLOCKS AGO.

7
00:01:31,525 --> 00:01:33,737
WHAT DO YOU NEED AN OFFICE
FOR ANYWAY? I DON'T GET IT.

8
00:01:33,761 --> 00:01:36,306
YOU DIDN'T GET THE CONCEPT OF
HAVING A JOB TILL YOU WERE 25, TURTLE,

9
00:01:36,330 --> 00:01:38,096
SO I WOULDN'T EXPECT YOU TO.

10
00:01:38,131 --> 00:01:39,709
IF IT'S MY PLACE THAT'S
NOT DOING IT FOR YOU, E,

11
00:01:39,733 --> 00:01:41,232
WE CAN MAKE SOME MODIFICATIONS,

12
00:01:41,268 --> 00:01:43,067
MAKE THE ENVIRONMENT
MORE WORK-FRIENDLY.

13
00:01:43,103 --> 00:01:44,947
I APPRECIATE THAT, DRAMA.
THE ONLY MODIFICATION

14
00:01:44,971 --> 00:01:46,683
THAT WOULD WORK WOULD
BE HAVING YOU GUYS MOVE OUT.

15
00:01:46,707 --> 00:01:48,239
WHY, ARE WE DISTRACTING?

16
00:01:48,275 --> 00:01:49,986
NO, HAVING TURTLE BLOW
BONG HITS IN MY FACE

17
00:01:50,010 --> 00:01:52,544
WHEN I'M TRYING TO READ
A SCRIPT IS MOTIVATING.

18
00:01:52,579 --> 00:01:54,780
- THIS IS THE BUILDING?
- SHUT UP AND GET IN THERE.

19
00:01:57,150 --> 00:01:59,685
- Turtle: JESUS CHRIST.
- Drama: WHAT THE HELL?

20
00:01:59,720 --> 00:02:01,386
I GUESS YOU DON'T LIKE IT?

21
00:02:01,422 --> 00:02:03,087
WELL, IT DOESN'T EXACTLY SCREAM

22
00:02:03,123 --> 00:02:04,856
"I'M VINCENT CHASE'S MANAGER."

23
00:02:04,891 --> 00:02:06,703
NO. IT SCREAMS "I'M
JOHNNY CHASE'S."

24
00:02:06,727 --> 00:02:08,538
Drama:<i> WHY DO I</i> GOTTA GET ABUSED

25
00:02:08,562 --> 00:02:10,173
WHEN WE'RE TRYING TO ABUSE HIM?

26
00:02:10,197 --> 00:02:11,797
IT'S JUST FOR A LAUGH.

27
00:02:11,832 --> 00:02:13,777
- THIS IS GONNA
BE YOUR DESK?
- YEAH, FOR NOW.

28
00:02:13,801 --> 00:02:16,279
NO NO NO. A WORKING
MAN NEEDS A REAL DESK,

29
00:02:16,303 --> 00:02:17,836
A STURDY DESK...

30
00:02:17,871 --> 00:02:19,683
ONE THAT CAN
SUPPORT A GOOD FUCK.

31
00:02:19,707 --> 00:02:21,551
WELL, THIS OFFICE
ISN'T FOR SHOW.

32
00:02:21,575 --> 00:02:24,275
AND IT'S NOT FOR FUCKING.
IT'S SO I CAN GET SHIT DONE.

33
00:02:24,311 --> 00:02:26,790
- Turtle:<i> LIKE WHAT?</i>
- YEAH, WHAT DO YOU GOT
TO DO THAT'S SO PRESSING?

34
00:02:26,814 --> 00:02:29,013
I AM KIND OF BOOKED TILL
WALSH HANDS IN HIS SCRIPT.

35
00:02:29,049 --> 00:02:31,093
SO WHAT DO YOU WANT TO DO? YOU
WANT TO SIT AROUND AND DO NOTHING?

36
00:02:31,117 --> 00:02:32,651
YOU HAVE SOMETHING ELSE IN MIND?

37
00:02:32,686 --> 00:02:34,964
PETER JACKSON'S STARTING
A NEW GAMING DIVISION.

38
00:02:34,988 --> 00:02:37,934
THEY'RE LOOKING TO MAKE SOME TALENT
DEALS... BIG DOUGH, LIMITED EXPOSURE.

39
00:02:37,958 --> 00:02:40,069
I'M GONNA CALL HIS DEVELOPMENT
GUY AND SET UP A MEETING.

40
00:02:40,093 --> 00:02:41,671
MAYBE I CAN LOCK US A
VIDEO GAME. SOUND GOOD?

41
00:02:41,695 --> 00:02:43,228
- SOUNDS GREAT.
- YEAH?

42
00:02:43,263 --> 00:02:45,074
- THE OFFICE STILL SUCKS.
- Turtle:<i> YEAH, IT'S TERRIBLE.</i>

43
00:02:45,098 --> 00:02:47,610
COME ON, GUYS. LET'S LEAVE
MY HIGH-POWERED MANAGER

44
00:02:47,634 --> 00:02:49,178
SO HE CAN EARN US SOME MONEY.

45
00:02:49,202 --> 00:02:51,280
- LATER, E.
- WHAT ARE WE
GONNA DO ALL DAY?

46
00:02:51,304 --> 00:02:53,171
WE'LL FIGURE IT OUT.

47
00:02:56,910 --> 00:02:58,610
BIG DAY TODAY, PEOPLE!

48
00:02:58,645 --> 00:03:00,390
THE GOLD STANDARD'S GOLDEN GIRL,

49
00:03:00,414 --> 00:03:02,681
MISS MARY J. BLIGE,

50
00:03:02,716 --> 00:03:04,883
IS COMING IN TODAY
FOR HER ANNUAL

51
00:03:04,918 --> 00:03:07,652
"MAKE-ME-UNDERSTAND-
WHAT-I-PAY-YOU-PEOPLE-FOR"

52
00:03:07,688 --> 00:03:09,688
MEETING, SO WE'D
BETTER BE READY.

53
00:03:09,723 --> 00:03:11,267
- CHRIS!
- UH, I'M READY, ARI.

54
00:03:11,291 --> 00:03:12,902
- BRADLEY!
- WEARING MY BEST TIE, ARI.

55
00:03:12,926 --> 00:03:14,760
GREAT, ZIP UP THAT FLY.

56
00:03:14,795 --> 00:03:16,628
- ARI...
- HEY, JIM.

57
00:03:16,663 --> 00:03:18,608
- IT'S JEFF.
- I'M SORRY. FROM THE SIDE,
YOU KNOW...

58
00:03:18,632 --> 00:03:21,077
- YEAH, DON'T WORRY ABOUT IT.
- YOU AND YOUR BRO READY
FOR MARY J.?

59
00:03:21,101 --> 00:03:23,101
WE ARE. BUT LISTEN,
JUST A HEADS UP...

60
00:03:23,136 --> 00:03:25,281
MY BROTHER AND I HAVE BEEN
HAVING SOME PERSONAL PROBLEMS.

61
00:03:25,305 --> 00:03:27,183
- DOES IT HAVE ANYTHING
TO DO WITH MARY J.?
- NO, IT DOES NOT.

62
00:03:27,207 --> 00:03:29,419
- THEN IT HAS NOTHING
TO DO WITH ME.
- YOU'RE ABSOLUTELY RIGHT.

63
00:03:29,443 --> 00:03:31,643
BUT YOU KNOW HOW
EMOTIONAL JIM CAN BE.

64
00:03:31,678 --> 00:03:34,379
SO, LOOK, IF HE COMES BUGGING
YOU WITH THIS, JUST IGNORE HIM.

65
00:03:34,415 --> 00:03:35,958
LET'S HOPE HE DOESN'T
COME BUGGING ME.

66
00:03:35,982 --> 00:03:38,049
YEAH. LET'S HOPE.

67
00:03:40,421 --> 00:03:41,820
DID MARY J. CONFIRM?

68
00:03:41,855 --> 00:03:43,955
SIX TIMES, ONE FOR EACH GRAMMY.

69
00:03:43,990 --> 00:03:46,803
- WHAT'S THAT SMELL?
- IT'S ISSEY MIYAKE,
HER FAVORITE SCENT.

70
00:03:46,827 --> 00:03:49,606
I'M WEARING IT AS A SUBTLE
SUBLIMINAL SHOW OF OUR SUPPORT.

71
00:03:49,630 --> 00:03:51,830
- WHAT ELSE YOU GOT?
- JIM JENSEN'S IN YOUR OFFICE.

72
00:03:51,865 --> 00:03:54,566
OH, JESUS CHRIST, HIS
BROTHER JUST AMBUSHED ME.

73
00:03:54,601 --> 00:03:56,880
YEAH, I GUESS THERE'S SOME
KIND OF RIFT WITH THE JENSEN BOYS.

74
00:03:56,904 --> 00:03:58,481
- BE CAREFUL IN THERE.
- CAREFUL?

75
00:03:58,505 --> 00:04:00,204
YOU KNOW MULTIPLES
FREAK ME OUT, ARI.

76
00:04:00,240 --> 00:04:01,785
CAN GAYS HAVE MULTIPLES, LLOYD?

77
00:04:01,809 --> 00:04:03,486
JIM! NOT THE DAY FOR THIS.

78
00:04:03,510 --> 00:04:05,254
HOW'S IT GOING
WITH THE BABY BRO?

79
00:04:05,278 --> 00:04:07,145
OKAY, HE'S 27 SECONDS
OLDER THAN ME, ARI.

80
00:04:07,180 --> 00:04:09,614
AND HE'S A LOWLIFE
SLIMY PIECE OF CUNT SHIT.

81
00:04:09,650 --> 00:04:11,628
YES, WELL, YOU KNOW HOW
SIBLINGS CAN BE, RIGHT?

82
00:04:11,652 --> 00:04:13,518
- <i>OH, YOU HAVE A BROTHER?</i>
- I DO.

83
00:04:13,554 --> 00:04:16,332
AND A WHORE OF A SISTER, SO I CAN
RELATE TO THE SIBLING SQUABBLINGS.

84
00:04:16,356 --> 00:04:18,222
I NEED YOU TO FIRE HIM, ARI.

85
00:04:18,258 --> 00:04:20,459
AHEM... I NEED
POSITIVITY TODAY, JIM.

86
00:04:20,494 --> 00:04:23,261
BUT, ARI, I CAN'T WORK IN
THE SAME BUILDING WITH HIM.

87
00:04:23,296 --> 00:04:25,742
JETER AND A-ROD LET THEIR DICKS
FLY IN THE SAME LOCKER ROOM

88
00:04:25,766 --> 00:04:27,310
- AND THEY HATE EACH OTHER.
- OKAY, ARI...

89
00:04:27,334 --> 00:04:29,033
JIM, LISTEN TO ME.

90
00:04:29,069 --> 00:04:30,802
JUST MAN THE FUCK UP, OKAY?

91
00:04:30,838 --> 00:04:32,749
WE GOT MARY J. COMING IN TODAY.

92
00:04:32,773 --> 00:04:36,274
IT'S TIME TO HEED THE WOMAN'S
LYRICS... "NO MORE DRAMA."

93
00:04:37,945 --> 00:04:40,657
- MATT DRAVITSKI'S
ON THE PHONE.
- WHO'S MATT DRAVITSKI?

94
00:04:40,681 --> 00:04:42,413
VP OF PETER JACKSON'S COMPANY.

95
00:04:42,449 --> 00:04:44,282
DO I TALK TO VPs?

96
00:04:44,317 --> 00:04:45,929
<i>HE SAYS HE'S CALLING
BECAUSE E CALLED HIM</i>

97
00:04:45,953 --> 00:04:49,020
AND SAID VINCE WANTS
TO WORK WITH PETER.

98
00:04:49,055 --> 00:04:51,756
JIM, GO BACK TO WORK.

99
00:04:51,792 --> 00:04:54,526
GO.

100
00:04:54,561 --> 00:04:58,029
AND DON'T ASK TO SEE HER
TATTS LIKE YOU DID WITH ANGELINA.

101
00:04:59,099 --> 00:05:00,510
HELLO.

102
00:05:00,534 --> 00:05:02,934
OOH, LOOK AT THIS
SWEET PIECE, VINCE.

103
00:05:02,970 --> 00:05:04,647
IT'S PERFECT. E WILL LOVE IT.

104
00:05:04,671 --> 00:05:06,248
CAN I GO ON RECORD AND
SAY THAT WHEN I GET AN OFFICE

105
00:05:06,272 --> 00:05:07,906
I WANT MY GIFT TO BE A PLASMA?

106
00:05:07,941 --> 00:05:10,286
CAN I GO ON THE RECORD AND
SAY BY THE TIME YOU GET AN OFFICE,

107
00:05:10,310 --> 00:05:12,555
PLASMAS WILL HAVE GONE
THE WAY OF THE EIGHT-TRACK?

108
00:05:12,579 --> 00:05:14,813
EXCUSE ME, MISS.

109
00:05:14,848 --> 00:05:16,926
CAN YOU TELL ME A LITTLE
SOMETHING ABOUT THIS DESK?

110
00:05:16,950 --> 00:05:19,484
OH, THAT'S AN AMAZING
PIECE WITH A LOT OF HISTORY.

111
00:05:19,520 --> 00:05:22,220
- YOU'VE GOT A GOOD EYE.
- WELL, THANK YOU.

112
00:05:22,255 --> 00:05:25,568
DO YOU KNOW WHAT KIND
OF WEIGHT THIS CAN SUPPORT?

113
00:05:25,592 --> 00:05:28,593
THIS IS A SIGNED
MAJORELL BUILT IN THE 1930s.

114
00:05:28,629 --> 00:05:31,429
MICKEY ROONEY SAT AT THIS
DESK IN "BREAKFAST AT TIFFANY'S."

115
00:05:31,464 --> 00:05:33,464
- MMM.
- HUH, THAT'S IRONIC.

116
00:05:33,500 --> 00:05:35,800
WE WANT IT SO ANOTHER
SMALL IRISHMAN CAN SIT AT IT.

117
00:05:35,836 --> 00:05:37,569
- Woman: OH, IS THIS A GIFT?
- YEAH.

118
00:05:37,604 --> 00:05:39,237
THAT'S VERY THOUGHTFUL.

119
00:05:39,272 --> 00:05:41,006
HOW THOUGHTFUL?

120
00:05:41,041 --> 00:05:42,407
$42,000.

121
00:05:42,442 --> 00:05:46,244
GET A 100-INCH
PLASMA FOR THAT, VIN.

122
00:05:46,279 --> 00:05:50,048
THIS IS AN INVESTMENT, THOUGH. THIS
DESK WILL APPRECIATE LIKE A PIECE OF ART.

123
00:05:50,083 --> 00:05:51,928
AND ROBERT DE NIRO
OWNED THAT DESK.

124
00:05:51,952 --> 00:05:53,418
REALLY?

125
00:05:53,453 --> 00:05:55,431
YEAH, SCORSESE
GAVE IT TO HIM AS A GIFT

126
00:05:55,455 --> 00:05:57,066
AFTER "NEW YORK,
NEW YORK" BOMBED.

127
00:05:57,090 --> 00:05:59,157
IT WAS THE ONLY
THING THAT SURVIVED

128
00:05:59,192 --> 00:06:01,626
AFTER HIS MALIBU HOME
WENT UP IN FLAMES.

129
00:06:01,662 --> 00:06:04,440
- IS THIS TRUE?
- CROSS MY HEART
AND HOPE TO DIE.

130
00:06:04,464 --> 00:06:06,565
HMM.

131
00:06:06,600 --> 00:06:08,166
I'M SOLD.

132
00:06:11,104 --> 00:06:13,572
I WONDER IF DE NIRO
EVER FUCKED ON THIS DESK.

133
00:06:13,607 --> 00:06:15,139
HMM, I DON'T KNOW, DRAMA.

134
00:06:15,175 --> 00:06:17,709
WHY DON'T YOU LEAN OVER
AND SNIFF IT FOR BALL WAX?

135
00:06:17,744 --> 00:06:19,789
TURTLE, COME ON. YOU HAVE
TO RUIN THE DESK FOR ME?

136
00:06:19,813 --> 00:06:22,413
- I'M SORRY, VIN.
- VINCE, I AM SO EMBARRASSED,

137
00:06:22,449 --> 00:06:24,248
BUT APPARENTLY A
BUYER CAME IN YESTERDAY

138
00:06:24,284 --> 00:06:26,150
AND SOMEONE FORGOT
TO PUT THE SOLD TAG OUT.

139
00:06:26,186 --> 00:06:29,054
- YOU'RE KIDDING?
- I FEEL AWFUL.

140
00:06:29,089 --> 00:06:31,155
WE HAVE ANOTHER GREAT
DESK THAT JUST CAME IN.

141
00:06:31,191 --> 00:06:32,691
IT'S A RUSTIC PIECE.

142
00:06:32,726 --> 00:06:35,827
- YEAH, DE NIRO OWN THAT ONE?
- I'M REALLY SORRY.

143
00:06:35,862 --> 00:06:38,841
IS THERE ANY WAY WE CAN CALL THE
BUYER AND MAYBE OFFER HIM A LITTLE MORE?

144
00:06:38,865 --> 00:06:41,532
- WE REALLY WANT THE DESK.
- I'M SORRY, I COULDN'T.

145
00:06:41,568 --> 00:06:44,168
WE'RE SUPPOSED TO RESPECT
THE PRIVACY OF OUR CLIENTS.

146
00:06:44,204 --> 00:06:45,682
CAN YOU RESPECT
MY POOR LITTLE FRIEND

147
00:06:45,706 --> 00:06:47,987
SITTING AT A FOLD-UP TABLE
IN HIS SAD LITTLE OFFICE?

148
00:06:50,744 --> 00:06:52,711
IT WAS GARY BUSEY.

149
00:06:54,314 --> 00:06:55,580
AHEM...

150
00:06:57,818 --> 00:06:59,383
HEY.

151
00:07:04,725 --> 00:07:06,725
SHIT!

152
00:07:06,760 --> 00:07:08,493
ERIC MURPHY.

153
00:07:08,528 --> 00:07:09,973
LIKE THE NEW OFFICE NUMBER, E.

154
00:07:09,997 --> 00:07:12,163
YOU KNOW IT SPELLS 274-COCK.

155
00:07:12,198 --> 00:07:15,000
- IT DOES NOT.
- <i>No, it doesn't,</i>
but I made you look.

156
00:07:15,035 --> 00:07:18,737
WHY ARE YOU SO OUT OF BREATH? ARE YOU
CHRISTENING THE PLACE WITH A NICE MIDDAY JERK?

157
00:07:18,772 --> 00:07:20,483
STOP FANTASIZING,
ARI. WHAT DO YOU WANT?

158
00:07:20,507 --> 00:07:22,085
YOU CALL PETER
JACKSON'S COMPANY?

159
00:07:22,109 --> 00:07:24,020
- YEAH, HOW'D YOU KNOW?
- 'CAUSE THEY CALLED ME.

160
00:07:24,044 --> 00:07:27,156
- WHY'D THEY CALL YOU?
- BECAUSE THEY DON'T KNOW
WHO THE FUCK YOU ARE.

161
00:07:27,180 --> 00:07:29,280
I TOLD THEM I WAS
VINCENT CHASE'S MANAGER.

162
00:07:29,315 --> 00:07:31,494
WELL, THERE ARE PEOPLE
OUTSIDE YOUR OFFICE RIGHT NOW

163
00:07:31,518 --> 00:07:33,863
THAT WILL CLAIM TO BE LADY
DI. THAT DON'T MAKE IT TRUE.

164
00:07:33,887 --> 00:07:35,665
WHATEVER. THIS IS
TRUE, YOU JERK-OFF.

165
00:07:35,689 --> 00:07:37,889
YOUR STAFF IS READY, ARI.

166
00:07:37,924 --> 00:07:40,391
LISTEN, WE GOT A
GREAT SYSTEM GOING.

167
00:07:40,426 --> 00:07:42,304
JUST 'CAUSE YOU GOT 80
SQUARE FEET OF OFFICE SPACE

168
00:07:42,328 --> 00:07:43,873
DOESN'T MEAN YOU
CAN GO AND FUCK IT UP.

169
00:07:43,897 --> 00:07:46,330
AND WHAT SYSTEM IS
THAT, ARI? JUST SO I'M CLEAR.

170
00:07:46,366 --> 00:07:48,432
WELL, LET'S SEE, PEOPLE CALL ME,

171
00:07:48,468 --> 00:07:51,536
THEN I CALL YOU. YOU
TELL VINCE WHAT I TELL YOU.

172
00:07:51,571 --> 00:07:54,105
VINCE TELLS YOU WHAT TO TELL ME.

173
00:07:54,141 --> 00:07:57,441
YOU'RE LIKE A... A
VENTRILOQUIST IN A DUMMY'S BODY.

174
00:07:57,477 --> 00:07:59,188
WHATEVER. I CAN MAKE
AND TAKE MY OWN MEETINGS.

175
00:07:59,212 --> 00:08:01,746
WELL, LISTEN, IF YOU WANT
PEOPLE TO CALL YOU BACK,

176
00:08:01,782 --> 00:08:03,660
MAY I SUGGEST THAT YOU GET A VAN

177
00:08:03,684 --> 00:08:05,717
WITH A LARGE
BULLHORN ON THE TOP,

178
00:08:05,752 --> 00:08:07,552
DRIVE AROUND HOLLYWOOD

179
00:08:07,587 --> 00:08:10,499
ANNOUNCING THAT AFTER THREE YEARS
OF HIBERNATING IN VINCENT CHASE'S ASS,

180
00:08:10,523 --> 00:08:13,925
ERIC MURPHY HAS COME
OUT TO PLAY-EE-AY?

181
00:08:13,960 --> 00:08:15,705
ALL RIGHT! LET'S
DO THIS, EVERYBODY!

182
00:08:15,729 --> 00:08:17,996
- EVERYONE FEELING GOOD?
- All: YES! YEAH! GREAT!

183
00:08:18,031 --> 00:08:19,898
NOT EVERYONE.

184
00:08:21,001 --> 00:08:22,533
ALL RIGHT!

185
00:08:22,569 --> 00:08:25,837
I AM NOT ARI GOLD TODAY, I
AM THE QUEEN OF HIP-HOP SOUL.

186
00:08:25,872 --> 00:08:28,406
I HAVE SOLD 65
MILLION MORE RECORDS

187
00:08:28,441 --> 00:08:29,974
THAN ALL OF YOU COMBINED.

188
00:08:30,010 --> 00:08:32,476
IMPRESS ME. GO.

189
00:08:32,512 --> 00:08:34,946
A BROADWAY MUSICAL BASED
ON HER ALTER-EGO, BROOK LYNN.

190
00:08:34,981 --> 00:08:38,083
MISS BLIGE COULD
PRODUCE, STAR AND DIRECT.

191
00:08:38,118 --> 00:08:41,119
UH, SO YOU WANT TO KEEP HER
ON THE STAGE FOR NINE MONTHS

192
00:08:41,154 --> 00:08:42,699
AND OUT OF THE RECORDING STUDIO?

193
00:08:42,723 --> 00:08:44,322
IT'S A REALLY GOOD IDEA.

194
00:08:44,357 --> 00:08:46,268
MENTION THAT TO HER
AND I'LL KILL BOTH OF YOU.

195
00:08:46,292 --> 00:08:49,994
- Ari:<i> NEXT.</i>
- PARAMOUNT HAS A MOVIE
ABOUT CON ARTISTS.

196
00:08:50,030 --> 00:08:52,363
IT'S AN EXCELLENT
SCRIPT, VERY REALISTIC.

197
00:08:52,398 --> 00:08:54,833
YEAH, HE'D KNOW SINCE HE'S A
PRETTY BIG CON ARTIST HIMSELF.

198
00:08:54,868 --> 00:08:56,612
YOU HAVE SOMETHING
PRODUCTIVE TO SAY?

199
00:08:56,636 --> 00:08:58,937
I'M SORRY, ARI, I'M JUST HAVING
TROUBLE CONCENTRATING.

200
00:08:58,972 --> 00:09:01,184
- WELL, JIM, THIS
ISN'T THE PLACE.
- OH, WHAT?

201
00:09:01,208 --> 00:09:03,652
- AM I EMBARRASSING YOU?
- Jeff:<i> NO, YOU'RE</i>
EMBARRASSING YOURSELF.

202
00:09:03,676 --> 00:09:06,122
ACTUALLY, NO ONE CAN TELL YOU TWO
APART, SO YOU'RE BOTH BEING EMBARRASSED.

203
00:09:06,146 --> 00:09:09,114
ARI, ARI, I TOLD YOU, I
CAN'T WORK WITH HIM.

204
00:09:09,149 --> 00:09:11,460
- WHAT ARE YOU GONNA DO? ARE YOU GONNA QUIT?
- NO, I TOLD HIM TO FIRE YOU.

205
00:09:11,484 --> 00:09:13,785
- WHAT?
- YEAH, THAT'S RIGHT, SCUMBAG.

206
00:09:13,820 --> 00:09:16,254
OKAY, YOU KNOW WHAT?
I APOLOGIZED TO YOU.

207
00:09:16,289 --> 00:09:18,534
- <i>BUT WHEN YOU GO</i>
AFTER MY LIVELIHOOD...
- HEY, ASSHOLES!

208
00:09:18,558 --> 00:09:20,236
- FUCK YOUR LIVELIHOOD!
- FUCK YOU!

209
00:09:20,260 --> 00:09:21,771
- FUCK YOU!
- FUCK ME?!

210
00:09:21,795 --> 00:09:23,895
YOU WANT SOME?

211
00:09:29,069 --> 00:09:30,947
PUT THEM BOTH IN MY
OFFICE WHEN IT'S DONE.

212
00:09:30,971 --> 00:09:32,982
REMIND ME TO SELL
THIS AS A REALITY SHOW.

213
00:09:37,944 --> 00:09:39,621
SOUNDS TOO EASY
IS ALL I'M SAYING.

214
00:09:39,645 --> 00:09:41,324
THE GUY SAID HE'D BE
HAPPY TO SELL ME THE DESK.

215
00:09:41,348 --> 00:09:43,692
LET'S JUST GET IN AND
OUT. NO SMALL TALK.

216
00:09:43,716 --> 00:09:46,295
BUSEY SCARES ME, VIN. YOU
SURE THERE'S NOT ANOTHER DESK?

217
00:09:46,319 --> 00:09:49,031
THIS IS THE DESK WE'RE GETTING,
TURTLE. JUST DON'T SMALL TALK, OKAY?

218
00:09:49,055 --> 00:09:50,532
JOHNNY?

219
00:09:50,556 --> 00:09:52,323
I LIKE TALKING TO BUSEY.

220
00:09:52,359 --> 00:09:54,859
THE TORTOISE, THE HARE
AND THE MILLIONAIRE.

221
00:09:54,894 --> 00:09:58,229
IT IS SO GOOD TO SEE YOU GUYS.

222
00:09:58,264 --> 00:10:00,564
I'VE HAD WALKING PNEUMONIA
FOR THE PAST COUPLE OF WEEKS.

223
00:10:00,600 --> 00:10:03,067
<i>HAVEN'T HAD ANY GUESTS.</i>

224
00:10:03,103 --> 00:10:06,070
BUT FOR THE BEGINNING OF
NEW GUESTS, YOU ARE THE BEST.

225
00:10:07,607 --> 00:10:09,240
COME ON IN.

226
00:10:10,343 --> 00:10:13,077
Gary: <i>COME ON. COME ON.</i>

227
00:10:13,113 --> 00:10:15,480
SO, YOU'VE COME TO ACQUIRE
MY NEWLY-ACQUIRED DESK.

228
00:10:15,515 --> 00:10:17,048
IT'S FOR E AS A GIFT.

229
00:10:17,083 --> 00:10:18,694
YEAH, HE'S GOT A
SWEET NEW OFFICE

230
00:10:18,718 --> 00:10:21,278
AND IT'LL COMPLEMENT
THE PLACE PERFECTLY.

231
00:10:21,888 --> 00:10:24,033
THERE'S NO WAY I'M GONNA
PART WITH THAT DESK.

232
00:10:24,057 --> 00:10:25,656
BUT, GARY, YOU
SAID ON THE PHONE...

233
00:10:25,691 --> 00:10:28,092
THAT PHONE CALL WAS
TWO YEARS AGO, MR. VINCE.

234
00:10:29,695 --> 00:10:31,673
GARY, MY BROTHER
IS PREPARED TO PAY

235
00:10:31,697 --> 00:10:33,742
WHATEVER HE'S GOT TO PAY TO
GET THAT DESK. NAME YOUR PRICE.

236
00:10:33,766 --> 00:10:35,533
EASY, JOHNNY, EASY.

237
00:10:35,568 --> 00:10:37,113
UH, YES, I AM
WILLING TO PAY, GARY,

238
00:10:37,137 --> 00:10:38,669
BUT LET'S BE REASONABLE.

239
00:10:38,704 --> 00:10:41,039
YOU PAID 42, I'LL GIVE YOU 50.

240
00:10:41,074 --> 00:10:43,174
MONEY WILL BURY YOU, VINCE.

241
00:10:43,209 --> 00:10:44,920
- OKAY, ALL RIGHT.
- HERE, SIT DOWN.

242
00:10:44,944 --> 00:10:47,225
LET'S FIND HARMONY
IN THIS CIRCLE.

243
00:10:50,216 --> 00:10:51,960
Gary: <i>GOOD.</i>

244
00:10:51,984 --> 00:10:53,984
WHY ARE YOU SO QUIET?

245
00:10:54,020 --> 00:10:55,553
YOU SCARE ME, GARY.

246
00:10:55,588 --> 00:10:57,655
IT'S YOUR REFLECTION
IN THE MIRROR

247
00:10:57,690 --> 00:10:59,290
THAT SCARES YOU, TURTLE.

248
00:10:59,325 --> 00:11:01,570
Vince: <i>GARY, WHAT
EXACTLY DO YOU WANT?</i>

249
00:11:01,594 --> 00:11:03,039
I'M PLANNING A
SERIES OF PORTRAITS

250
00:11:03,063 --> 00:11:04,573
AND I'VE CHOSEN MY NEXT SUBJECT.

251
00:11:04,597 --> 00:11:08,499
- YOU WANT TO PAINT ME?
- NO. YOU DON'T KNOW PAIN.

252
00:11:08,535 --> 00:11:10,234
I... I DON'T FOLLOW.

253
00:11:10,270 --> 00:11:13,337
DRAMA, I'VE CHOSEN YOU.

254
00:11:14,507 --> 00:11:17,041
YOU WANT TO PAINT ME?

255
00:11:17,077 --> 00:11:19,677
NO, I WANT TO PAINT ON YOU.

256
00:11:20,980 --> 00:11:22,480
NOW I DON'T FOLLOW.

257
00:11:22,515 --> 00:11:25,749
THIS IS A STATEMENT OF
ENLIGHTENED PHOTOGRAPHY...

258
00:11:25,785 --> 00:11:29,753
THE UNSEEN FACES
OF THE FAMILIAR.

259
00:11:29,789 --> 00:11:32,856
I PAINTED GEORGE HAMILTON WHITE.

260
00:11:32,892 --> 00:11:35,859
I'VE TAKEN 230 LBS
OFF DOM DELUISE

261
00:11:35,895 --> 00:11:38,896
BY PAINTING HIM WITH
VERTICAL STRIPES.

262
00:11:38,931 --> 00:11:41,532
WITH YOU, I WILL PAINT YOU

263
00:11:41,568 --> 00:11:43,679
TO BRING OUT YOUR
BEAUTY AND YOUR TRUTH.

264
00:11:43,703 --> 00:11:46,048
- PSS... GOOD LUCK.
- SO WHAT DO YOU SAY,
JOHNNY?

265
00:11:46,072 --> 00:11:49,407
I DON'T KNOW, BRO.
I GOT TINY PORES.

266
00:11:49,442 --> 00:11:51,875
- IT COULD SUFFOCATE ME.
- HEY!

267
00:11:51,911 --> 00:11:54,245
ONLY DENIAL WILL SUFFOCATE YOU.

268
00:11:54,280 --> 00:11:57,582
- COME ON, DRAMA. IT'S FOR E.
- IT'S FOR E.

269
00:11:57,617 --> 00:12:00,351
AND FOR IMMORTALITY.

270
00:12:02,054 --> 00:12:04,200
Woman on phone: <i>"Daily
Variety" Ad Sales, can I help you?</i>

271
00:12:04,224 --> 00:12:06,768
HI. I'D LIKE TO TAKE OUT AN AD IN
TOMORROW'S PAPER ANNOUNCING MY COMPANY.

272
00:12:06,792 --> 00:12:09,171
OKAY, NO PROBLEM. I NEED
THE NAME OF YOUR BUSINESS.

273
00:12:09,195 --> 00:12:10,761
THE MURPHY GROUP.

274
00:12:10,796 --> 00:12:12,530
THE MURPHY GROUP.

275
00:12:12,565 --> 00:12:14,165
YEAH, YOU LIKE THAT?

276
00:12:14,200 --> 00:12:16,534
IT'S OKAY. WHAT DO YOU DO?

277
00:12:16,569 --> 00:12:18,035
I REPRESENT VINCENT CHASE.

278
00:12:18,070 --> 00:12:19,715
OOH! I LIKED "AQUAMAN."

279
00:12:19,739 --> 00:12:21,783
- COOL.
- <i>But according</i>
to the SAG database,

280
00:12:21,807 --> 00:12:23,774
ARI GOLD REPRESENTS
VINCENT CHASE.

281
00:12:23,809 --> 00:12:25,276
WELL, I'M HIS MANAGER.

282
00:12:25,311 --> 00:12:27,545
OH, THAT'S NICE. WHO
ELSE DO YOU REPRESENT?

283
00:12:29,115 --> 00:12:31,682
- JUST VINCE.
- SO WHY THE "GROUP"?

284
00:12:31,717 --> 00:12:33,884
I THOUGHT IT SOUNDED
GOOD. WHAT, IT DOESN'T?

285
00:12:33,919 --> 00:12:35,520
IF THERE WAS A GROUP IT MIGHT.

286
00:12:35,555 --> 00:12:37,888
WELL, WHATEVER. I'M
GONNA GO WITH THE GROUP.

287
00:12:37,923 --> 00:12:39,557
WHAT DO YOU WANT THE AD TO SAY?

288
00:12:39,592 --> 00:12:41,792
"THE MURPHY GROUP

289
00:12:41,827 --> 00:12:43,961
IS PROUD TO BE
REPRESENTING VINCENT CHASE."

290
00:12:43,996 --> 00:12:46,030
OKAY, BUT WE NEED CONFIRMATION

291
00:12:46,065 --> 00:12:48,577
THAT YOU ACTUALLY MANAGE VINCENT
CHASE BEFORE WE CAN USE HIS NAME.

292
00:12:48,601 --> 00:12:51,247
- <i>What kind of confirmation?</i>
- CLIENT MANAGEMENT
PAPERS, PERHAPS.

293
00:12:51,271 --> 00:12:54,071
- I DON'T HAVE THOSE.
- YOU REPRESENT VINCENT CHASE
WITH NO PAPERS?

294
00:12:54,106 --> 00:12:56,174
- YES.
- DO YOU THINK THAT'S SMART?

295
00:12:57,477 --> 00:12:59,544
LOOK, WHAT ELSE
CAN I DO TO CONFIRM?

296
00:12:59,579 --> 00:13:02,813
<i>You can have Ari Gold's office
call us, 'cause we know who he is.</i>

297
00:13:03,883 --> 00:13:05,749
<i>Hello?</i>

298
00:13:05,785 --> 00:13:07,363
UH, LOOK, WHATEVER.
YOU KNOW WHAT?

299
00:13:07,387 --> 00:13:09,547
I'LL GET SOME PAPERS
OR SOMETHING, THANK YOU.

300
00:13:10,623 --> 00:13:12,156
FREAK.

301
00:13:16,362 --> 00:13:17,906
- Both: HEY, ARI!
- SHUT THE FUCK UP!

302
00:13:17,930 --> 00:13:21,499
I'VE HEARD ENOUGH OUT OF
BOTH OF YOU TODAY. LLOYD, GO.

303
00:13:21,534 --> 00:13:23,279
YOU GUYS SHOULD'VE HAD
THIS OUT IN THE CARPOOL IN.

304
00:13:23,303 --> 00:13:25,781
WE DON'T CARPOOL, ARI. WE
LIVE ON OPPOSITE SIDES OF TOWN.

305
00:13:25,805 --> 00:13:28,105
REALLY? 'CAUSE I WOULD'VE
PICTURED YOU TWO

306
00:13:28,140 --> 00:13:31,119
LIVING IN THE SAME CONDO TOGETHER IN,
LIKE, BUNK BEDS WITH A LITTLE RACECAR...

307
00:13:31,143 --> 00:13:34,011
- ARI...
- SHUT UP! DON'T SAY
ANOTHER WORD!

308
00:13:34,046 --> 00:13:36,080
PRETEND LIKE YOU'RE
AFRAID OF ME, OKAY?

309
00:13:36,115 --> 00:13:38,316
BECAUSE I'M FEELING A
LITTLE INSECURE RIGHT NOW,

310
00:13:38,351 --> 00:13:40,551
BECAUSE I'M WONDERING
WHAT I'M DOING WRONG

311
00:13:40,587 --> 00:13:43,454
THAT WOULD ALLOW YOU
TWO TO FUCK WITH MY FOCUS

312
00:13:43,489 --> 00:13:46,123
ON A DAY WHEN I NEED
TO BE ON MY A GAME.

313
00:13:46,158 --> 00:13:47,925
ON A DAY, WHEN, IF I'M NOT,

314
00:13:47,960 --> 00:13:50,828
WE COULD SEE M.J.
HIP AND HOP HER WAY

315
00:13:50,863 --> 00:13:52,530
BACK TO I.C.M.

316
00:13:52,565 --> 00:13:54,532
AND IF THAT WERE TO
HAPPEN, BEST CASE,

317
00:13:54,567 --> 00:13:56,334
YOU TWO ARE
MANAGERS IN THE VALLEY.

318
00:13:56,369 --> 00:13:58,336
WORST CASE, YOU'RE A FREAK SHOW

319
00:13:58,371 --> 00:14:00,271
PERFORMING AT THE
SANTA MONICA PIER.

320
00:14:00,306 --> 00:14:03,173
NOW, WITH THAT IN MIND, TELL ME

321
00:14:03,209 --> 00:14:05,109
WHY IN GOD'S NAME

322
00:14:05,144 --> 00:14:06,977
IS THIS HAPPENING?!

323
00:14:10,683 --> 00:14:12,883
HE FUCKED MY WIFE, ARI.

324
00:14:14,820 --> 00:14:16,854
HE DID NOT!

325
00:14:16,889 --> 00:14:18,589
YOU... YOU DID?

326
00:14:18,625 --> 00:14:20,491
YOU FUCKED HIS<i> WIFE?</i>

327
00:14:22,928 --> 00:14:25,263
- AS<i> YOU?</i>
- WHAT?

328
00:14:25,298 --> 00:14:27,665
DID YOU PRETEND TO BE HIM?

329
00:14:27,700 --> 00:14:30,668
OR DID SHE ACTUALLY FUCK
YOU THINKING YOU WERE YOU?

330
00:14:30,703 --> 00:14:33,971
- YOU THINK THIS IS FUNNY?
- NO! I THINK
IT'S DISGUSTING.

331
00:14:34,006 --> 00:14:36,206
I'M JUST... I'M TRYING
TO FIGURE OUT

332
00:14:36,242 --> 00:14:37,775
WHY SHE DID THAT.

333
00:14:37,810 --> 00:14:39,677
<i>I MEAN, IF I WERE
TO CHEAT ON MY WIFE</i>

334
00:14:39,712 --> 00:14:41,490
IT WOULD BE WITH LIKE A,
YOU KNOW, BUSTY BLONDE

335
00:14:41,514 --> 00:14:43,058
OR AN ASIAN WITH POINTY NIPPLES.

336
00:14:43,082 --> 00:14:45,115
BUT AN EXACT FUCKING REPLICA...

337
00:14:45,151 --> 00:14:46,784
STOP, ARI. ARI, WE GET IT, OKAY?

338
00:14:46,819 --> 00:14:49,019
WE'RE SORRY AND
WE WILL WORK IT OUT.

339
00:14:49,054 --> 00:14:51,066
- THERE'S NOTHING TO WORK OUT.
- SEE WHAT I'M DEALING WITH?

340
00:14:51,090 --> 00:14:53,123
- YOU SEE THIS?
- <i>SHUT UP, SHUT UP.</i> LLOYD!

341
00:14:54,694 --> 00:14:56,405
- ACCOUNTING JUST
BROUGHT THIS UP.
- ALL RIGHT.

342
00:14:56,429 --> 00:14:58,629
LOOK, AS REPULSED AS I AM

343
00:14:58,665 --> 00:15:01,399
<i>BY THE FACT THAT YOU FUCKED
YOUR TWIN BROTHER'S WIFE,</i>

344
00:15:01,434 --> 00:15:02,966
<i>IT'S NOT MY PROBLEM.</i>

345
00:15:03,002 --> 00:15:05,202
FUCKING YOUR COWORKER'S WIFE...

346
00:15:05,237 --> 00:15:07,204
THAT IS.

347
00:15:07,239 --> 00:15:09,173
BUT NOW I'VE GOT
A BIGGER PROBLEM.

348
00:15:09,208 --> 00:15:12,610
- PLEASE TELL ME
THAT YOU ARE JEFF.
- I'M JIM.

349
00:15:12,645 --> 00:15:15,045
HOW CAN ANYONE
TELL YOU TWO APART?

350
00:15:15,080 --> 00:15:17,481
- I WEAR A WINDSOR KNOT.
- WHAT DOES IT MATTER?!

351
00:15:17,517 --> 00:15:19,550
JEFF...

352
00:15:19,585 --> 00:15:21,452
HAS OUTEARNED YOU...

353
00:15:21,487 --> 00:15:24,154
SIGNIFICANTLY FOR
THE PAST THREE YEARS.

354
00:15:24,190 --> 00:15:26,957
- SO YOU WON'T FIRE HIM?
- BUDDY, LISTEN TO ME.

355
00:15:26,992 --> 00:15:28,870
I RUN A BUSINESS
HERE, NOT THE U.N.

356
00:15:28,894 --> 00:15:31,674
CLEARLY, YOU TWO WILL NEVER
BE ABLE TO WORK TOGETHER AGAIN.

357
00:15:31,698 --> 00:15:33,542
SO, WHAT? YOU'RE GONNA FIRE ME?

358
00:15:33,566 --> 00:15:36,033
YOU'RE LEAVING ME NO CHOICE.

359
00:15:39,706 --> 00:15:41,717
YOU KNOW WHAT? FUCK YOU!

360
00:15:41,741 --> 00:15:43,607
AND<i> FUCK YOU!</i>

361
00:15:46,713 --> 00:15:48,256
HEY, YOU DID WHAT YOU HAD TO DO.

362
00:15:48,280 --> 00:15:50,326
- IT'S ABOUT THE NUMBERS...
- GET OUT OF MY FACE.

363
00:15:50,350 --> 00:15:53,417
GO BACK TO WORK.
YOU MAKE ME SICK.

364
00:15:53,453 --> 00:15:54,985
LLOYD!

365
00:15:55,020 --> 00:15:56,821
THE CURSE OF THE
MULTIPLES IS OVER.

366
00:16:13,072 --> 00:16:15,351
PLEASE, GARY, DO YOU
HAVE TO THROW IT AT ME?

367
00:16:15,375 --> 00:16:18,242
HEY, YOU WANT HIM IN CLOSE,
WORKING YOU OVER WITH BRUSHES?

368
00:16:18,277 --> 00:16:20,745
WE'LL GET TO THE DETAILS LATER.

369
00:16:25,117 --> 00:16:27,028
KEEP YOUR EYES STRAIGHT,
PLEASE. DON'T LOOK AT THE PAINT.

370
00:16:27,052 --> 00:16:29,754
<i>THE PAINT WILL BE ON YOU SOON.</i>

371
00:16:35,495 --> 00:16:37,695
- LOOKING GOOD, JOHNNY.
- Gary: WHEE! WHA!

372
00:16:37,730 --> 00:16:40,075
WHOA! I JUST TALKED
TO THE STORE,

373
00:16:40,099 --> 00:16:41,977
E WILL HAVE THE
DESK THIS AFTERNOON.

374
00:16:42,001 --> 00:16:45,335
- WHOA!
- YEAH, GREAT. WELL, HE BETTER LOVE IT

375
00:16:45,371 --> 00:16:47,315
OR YOU'RE PAYING FOR MY THERAPY.

376
00:16:47,339 --> 00:16:49,172
Gary: <i>THERAPY WILL LET YOU DOWN.</i>

377
00:16:49,208 --> 00:16:51,475
THIS...

378
00:16:51,511 --> 00:16:53,210
IS YOUR THERAPY.

379
00:16:55,014 --> 00:16:57,359
WHAT DO YOU MEAN YOU NEED
CONFIRMATION? YOU<i> ARE</i> THE CONFIRMATION.

380
00:16:57,383 --> 00:16:59,995
WELL, YOU NEED TO TELL MR. CHASE
THAT THE SCREEN ACTORS GUILD

381
00:17:00,019 --> 00:17:02,286
REQUIRES HIM TO
UPDATE HIS FORMS.

382
00:17:02,321 --> 00:17:04,700
UPDATE HIS FORMS? HE
DOESN'T OPEN HIS MAIL!

383
00:17:04,724 --> 00:17:06,268
Woman: <i>Sir, please calm down.</i>

384
00:17:06,292 --> 00:17:08,926
YOU KNOW WHAT?
FORGET IT. I'LL CALL BACK.

385
00:17:08,961 --> 00:17:11,440
- HELLO?
- PLEASE TELL ME
YOU'RE NOT THE IDIOT

386
00:17:11,464 --> 00:17:14,704
- THAT'S BEEN CALLING "VARIETY"
TRYING TO TAKE OUT AN AD.
- THIS ISN'T HAPPENING.

387
00:17:14,734 --> 00:17:17,479
DO YOU REALLY THINK IF SOMEONE CALLS
THE PRESS AND THROWS VINCE'S NAME AROUND

388
00:17:17,503 --> 00:17:19,981
- I'M NOT GONNA HEAR ABOUT IT?
- Eric:<i> I'm not trying</i>
to keep it a secret.

389
00:17:20,005 --> 00:17:22,484
- <i>I'm just trying to get my name</i>
out there a little bit.
- BY TAKING OUT AN AD?

390
00:17:22,508 --> 00:17:24,019
WHO ARE YOU, THE
FUCKING ROTO-ROOTER MAN?

391
00:17:24,043 --> 00:17:25,587
YOU WANT YOUR NAME
OUT THERE, YOU CALL ME.

392
00:17:25,611 --> 00:17:27,355
ALL RIGHT, SHAUNA. NOW
THAT I HAVE YOU ON THE PHONE,

393
00:17:27,379 --> 00:17:28,724
I'D LIKE MY NAME OUT
THERE A LITTLE BIT.

394
00:17:28,748 --> 00:17:31,214
- ASK ME NICELY.
- <i>Shauna...</i>

395
00:17:31,250 --> 00:17:34,919
GO TO "VARIETY," E. ASK FOR JACKIE STONE.
- 00.

396
00:17:34,954 --> 00:17:36,665
<i>She'll do a press
release on you,</i>

397
00:17:36,689 --> 00:17:38,233
<i>ask you a couple of questions,</i>

398
00:17:38,257 --> 00:17:40,402
<i>write a few sentences. Will
take you 20 minutes tops</i>

399
00:17:40,426 --> 00:17:41,970
<i>and it won't cost you a dime.</i>

400
00:17:41,994 --> 00:17:44,862
- WOW. THANKS, SHAUNA.
- WHERE'S MY FUCKING KID?

401
00:17:47,700 --> 00:17:49,399
HE THREW UP ON ME.

402
00:17:49,435 --> 00:17:51,134
OH, RELAX, CHRISTY.

403
00:17:51,170 --> 00:17:53,250
I'M SURE HE'S NOT THE
FIRST GUY TO PUKE ON YOU.

404
00:17:56,108 --> 00:17:58,187
- IT'S TIME, ARI! IT'S TIME!
- CALM, LLOYD.

405
00:17:58,211 --> 00:18:00,544
MISS MARY J. BLIGE JUST
GOT OFF THE ELEVATOR.

406
00:18:00,580 --> 00:18:02,558
- BE COOL, LLOYD, BE COOL.
- I CAN'T BE COOL.

407
00:18:02,582 --> 00:18:04,348
OH! FEEL MY BEATING HEART.

408
00:18:04,383 --> 00:18:06,850
SHE'S A CHICK, LLOYD. THERE
MAY BE HOPE FOR YOU YET.

409
00:18:06,885 --> 00:18:08,330
- Mary: HEY.
- Ari: THERE SHE IS.

410
00:18:08,354 --> 00:18:09,831
- HOW ARE YOU?
- GOOD, HOW ARE YOU?

411
00:18:09,855 --> 00:18:11,333
- I'M GREAT.
- YOU LOOK STUNNING.

412
00:18:11,357 --> 00:18:13,235
THANK YOU. YOU PICK OUT
THAT SUIT JUST FOR ME?

413
00:18:13,259 --> 00:18:15,299
ACTUALLY, MY WIFE DID. YOU LIKE?

414
00:18:16,662 --> 00:18:18,502
YOU SMELL NICE.

415
00:18:18,531 --> 00:18:21,343
- EVERYONE, THIS IS
MISS MARY J. BLIGE!
- Mary: HEY! THANK YOU.

416
00:18:21,367 --> 00:18:22,944
I'M EXCITED TO BE HERE.

417
00:18:22,968 --> 00:18:26,270
- THANK YOU.
- Ari: LET'S GET STARTED.

418
00:18:26,305 --> 00:18:28,439
LET'S DO IT.

419
00:18:29,742 --> 00:18:32,743
ARI, WHERE'S JIM?

420
00:18:38,784 --> 00:18:40,551
HEY, FELLAS. WE JUST
GOT THE MESSAGE.

421
00:18:40,586 --> 00:18:43,398
- WHAT'S THE PROBLEM?
- THIS THING WILL NEVER
GET UP TO THAT OFFICE.

422
00:18:43,422 --> 00:18:47,124
NO WAY. THE STAIRWELL IS TOO
NARROW AND IT WON'T FIT IN THE ELEVATOR.

423
00:18:47,159 --> 00:18:49,426
YOU CAN'T JUST JACK IT
UP THROUGH THE WINDOW?

424
00:18:50,963 --> 00:18:53,497
TURTLE, WE COULDN'T FIT
YOU THROUGH THAT WINDOW.

425
00:18:53,532 --> 00:18:55,098
WHAT ARE YOU, A SMURF?

426
00:18:55,134 --> 00:18:57,000
THAT'S FUNNY, WISEASS.

427
00:18:57,035 --> 00:18:58,869
I THOUGHT SO.

428
00:18:58,904 --> 00:19:00,649
SORRY, VINCE. IT'S
A ONE-PIECE DESK.

429
00:19:00,673 --> 00:19:02,217
THE ONLY WAY YOU GETTING
THAT BAD BOY UP THERE

430
00:19:02,241 --> 00:19:04,720
IS IF YOU CUT A HOLE IN THE
ROOF AND HELICOPTER IT IN.

431
00:19:04,744 --> 00:19:06,343
HOW MUCH WOULD THAT COST?

432
00:19:06,379 --> 00:19:08,412
IT'S A JOKE, SMURF.

433
00:19:08,447 --> 00:19:11,181
- ANY OTHER SUGGESTIONS?
- YEAH.

434
00:19:11,216 --> 00:19:13,250
RETURN THE DESK AND
GET YOUR MONEY BACK.

435
00:19:13,286 --> 00:19:15,552
MAN, IT'S TOO NICE FOR
THIS SHITHOLE, ANYWAY.

436
00:19:16,722 --> 00:19:18,656
SO YOU HAVEN'T HAD
AN OFFICE UNTIL NOW?

437
00:19:18,691 --> 00:19:20,235
WELL, I REALLY
HAVEN'T NEEDED ONE.

438
00:19:20,259 --> 00:19:21,870
I MEAN, WE'VE HAD SO MUCH
SPACE AT VINCE'S HOUSE,

439
00:19:21,894 --> 00:19:23,938
BUT NOW WE'RE ALL LIVING
IN A SMALL CONDO, SO...

440
00:19:23,962 --> 00:19:26,062
- YOU GUYS LIVE TOGETHER?
- YEAH.

441
00:19:26,098 --> 00:19:28,343
I MEAN, BUT IT'S NOT LIKE THAT. WE'VE
BEEN FRIENDS SINCE WE WERE KIDS.

442
00:19:28,367 --> 00:19:31,079
WE'RE LIKE BROTHERS. PROBABLY
DON'T NEED TO WRITE THAT DOWN THOUGH.

443
00:19:31,103 --> 00:19:32,969
<i>OH NO, IT'S AN
INTERESTING STORY.</i>

444
00:19:33,005 --> 00:19:35,272
MAYBE WE COULD DO
SOMETHING BIGGER...

445
00:19:35,308 --> 00:19:38,008
A LITTLE PROFILE. DO YOU
HAVE TIME FOR A PHOTO?

446
00:19:38,043 --> 00:19:39,576
YEAH, SURE.

447
00:19:39,612 --> 00:19:41,645
I DIDN'T EVEN KNOW
THAT YOU KNEW JIM.

448
00:19:41,681 --> 00:19:44,881
I KNOW ALL MY PEOPLE,
ARI. AND JIM'S REALLY SWEET.

449
00:19:44,917 --> 00:19:47,462
DID YOU KNOW HE SENDS A PERSONAL
HANDWRITTEN NOTE OUT WITH EVERY SCRIPT?

450
00:19:47,486 --> 00:19:49,019
I DID NOT KNOW THAT, NO.

451
00:19:49,054 --> 00:19:50,587
IT'S A NICE TOUCH.

452
00:19:50,623 --> 00:19:52,155
HMM. YOU KNOW WHAT?

453
00:19:52,191 --> 00:19:54,057
WE'RE GONNA GET JEFF
CALLIGRAPHY LESSONS

454
00:19:54,092 --> 00:19:55,970
AND NOW HE'S GONNA BE
THE ONE THAT'S SWEET TO YOU.

455
00:19:55,994 --> 00:19:57,939
NO, PLEASE. KEEP
JEFF AWAY FROM ME.

456
00:19:57,963 --> 00:19:59,808
HE'S WEIRD AND HE'S
ALWAYS STARING AT MY ASS.

457
00:19:59,832 --> 00:20:02,566
JEFF? NO, HE HAS A LAZY EYE.

458
00:20:02,601 --> 00:20:05,902
- THAT'S PROBABLY
WHAT YOU'RE SEEING.
- EITHER WAY, I LIKE JIM.

459
00:20:05,938 --> 00:20:08,706
- DID YOU REALLY
HAVE TO FIRE HIM?
- UNFORTUNATELY, I DID, YEAH.

460
00:20:08,741 --> 00:20:11,074
- WHY? WHAT HAPPENED?
- UH, YOU, UH...

461
00:20:11,109 --> 00:20:13,377
THE LESS YOU KNOW,
THE BETTER, BELIEVE ME.

462
00:20:13,412 --> 00:20:15,624
IF I WERE TO TELL YOU ALL THE
DETAILS, IT WOULD SICKEN YOU.

463
00:20:15,648 --> 00:20:17,514
- SOUNDS BAD.
- IT IS, IT IS.

464
00:20:17,550 --> 00:20:20,150
BELIEVE ME, I TAKE
NO GREAT PLEASURE

465
00:20:20,185 --> 00:20:22,386
IN FIRING ANYONE, BUT...
ESPECIALLY SOMEONE

466
00:20:22,421 --> 00:20:24,788
THAT'S HAD SUCH A
POSITIVE IMPACT ON YOU.

467
00:20:24,824 --> 00:20:26,890
ANYWAY, ARI, THANK YOU.

468
00:20:26,925 --> 00:20:28,370
- GOOD STUFF IN THERE TODAY.
- YES, YOU TOO...

469
00:20:28,394 --> 00:20:30,238
- OH, HEY, MARY J.
- HEY, JIM, HOW YOU DOING?

470
00:20:30,262 --> 00:20:32,863
- LET'S GO BACK TO THE OFFICE.
- <i>WAIT WAIT WAIT.</i> NO NO NO NO!

471
00:20:32,898 --> 00:20:35,544
- DID HE TELL YOU
THAT HE FIRED ME?
- LISTEN, HEY,

472
00:20:35,568 --> 00:20:37,379
YOU DON'T HAVE TO AIR OUT
YOUR DIRTY LAUNDRY HERE.

473
00:20:37,403 --> 00:20:39,403
OH, WOULD THAT BE THE
"MY-BROTHER-FUCKS-MY-WIFE-

474
00:20:39,438 --> 00:20:42,706
AND-BECAUSE-HE-EARNS MORE-FOR-YOU-YOU-FIRE-ME"
DIRTY LAUNDRY, ASSHOLE?

475
00:20:42,742 --> 00:20:44,775
ONE LOVE, MARY.

476
00:20:45,845 --> 00:20:48,479
YOU'RE AN ANIMAL, ARI.

477
00:20:52,184 --> 00:20:54,396
- DID YOU SEE M.J. OFF?
- I SAW HER OFF,
ALL RIGHT, LLOYD.

478
00:20:54,420 --> 00:20:56,453
OFF TO I.C.M.

479
00:20:56,489 --> 00:20:59,923
- JEFF!
- HEY, ARI,
YOU GOT IT RIGHT.

480
00:21:00,993 --> 00:21:02,526
WHAT THE HELL?

481
00:21:02,561 --> 00:21:05,763
HOW CAN ONE EMBRYO
PRODUCE TWO FUCKING LOSERS?

482
00:21:05,798 --> 00:21:08,331
- ARI, WHAT'S THE PROBLEM?
- THE PROBLEM IS...

483
00:21:08,367 --> 00:21:10,066
YOU'RE A DISGUSTING MUTANT.

484
00:21:10,102 --> 00:21:12,302
NOW GO RECONJOIN
WITH YOUR BROTHER

485
00:21:12,337 --> 00:21:14,337
ON THE UNEMPLOYMENT LINE!

486
00:21:20,546 --> 00:21:23,079
I DON'T KNOW WHAT YOU'RE
FREAKING OUT ABOUT, E.

487
00:21:23,115 --> 00:21:24,626
I WENT IN THERE TO
WRITE A FEW SENTENCES,

488
00:21:24,650 --> 00:21:26,617
AND THEY AMBUSHED
ME WITH A WHOLE EXPOSÉ.

489
00:21:26,652 --> 00:21:28,652
I WASN'T READY FOR IT.
HIT "REFRESH," TURTLE.

490
00:21:30,155 --> 00:21:32,801
- NOTHING.
- WELL, THE NEW "VARIETY"
COMES UP AT 10:00 P.M.

491
00:21:32,825 --> 00:21:34,936
Turtle: <i>YEAH, WELL, IT'S
9:59 AND IT'S NOT UP YET.</i>

492
00:21:34,960 --> 00:21:36,671
- HIT "REFRESH."
- RELAX, E.

493
00:21:36,695 --> 00:21:38,495
IT'S JUST A LITTLE PRESS.

494
00:21:38,531 --> 00:21:40,864
IT'S HIS FIRST REAL
PRESS. HE'S NERVOUS.

495
00:21:40,900 --> 00:21:44,112
YEAH, I REMEMBER MY FIRST PIECE
OF PRESS... "BACK STAGE WEST."

496
00:21:44,136 --> 00:21:46,147
<i>I COULDN'T GET AN
AUDITION TO SAVE MY LIFE</i>

497
00:21:46,171 --> 00:21:49,740
UNTIL MY GROUNDBREAKING
ROLE AS LENNY.

498
00:21:49,775 --> 00:21:51,575
HEADLINE ON PAGE 14 READ

499
00:21:51,610 --> 00:21:54,878
"OF MICE AND THE MAN
KNOWN AS JOHNNY CHASE."

500
00:21:54,914 --> 00:21:57,626
DID THEY DUB YOU "CANDLELIGHT DINNER
THEATER'S BIGGEST AND BEST RETARD"?

501
00:21:57,650 --> 00:21:59,650
Eric:<i> "REFRESH," TURTLE.</i>

502
00:22:00,853 --> 00:22:03,186
- WHOA, IT'S UP.
- HUH.

503
00:22:03,221 --> 00:22:04,721
THEY GOT A PICTURE, E.

504
00:22:04,757 --> 00:22:06,367
- GOOD PHOTO.
- YOU LOOK CUTE.

505
00:22:06,391 --> 00:22:08,725
WHAT'S THE HEADLINE SAY?

506
00:22:08,761 --> 00:22:11,628
"THE NEW NEPOTISM IN HOLLYWOOD."

507
00:22:11,664 --> 00:22:13,274
OH, JESUS CHRIST.
YOU KNOW, I KNEW IT!

508
00:22:13,298 --> 00:22:16,032
I KNEW IT! I'M SO... I'M
SO PISSED RIGHT NOW.

509
00:22:16,068 --> 00:22:18,112
- SORRY, E.
- WHAT'S WRONG
WITH NEPOTISM?

510
00:22:18,136 --> 00:22:20,471
HEY, VINCE, ARE YOU COMING?

511
00:22:27,045 --> 00:22:28,512
WHO'S THAT?

512
00:22:31,350 --> 00:22:35,051
"A NEW TREND IS INFILTRATING THE
ALREADY-IMPENETRABLE POPULAR TABLE OF HOLLYWOOD."

513
00:22:35,087 --> 00:22:37,966
- YOU ALREADY READ THIS.
- WELL, IT SOUNDS WORSE
ON REAL PAPER.

514
00:22:37,990 --> 00:22:39,868
NOW THE WHOLE CITY'S READING IT.

515
00:22:39,892 --> 00:22:42,526
"ERIC MURPHY HAS PAVED THE
WAY FOR THOSE LIKE CASEY COBB,

516
00:22:42,561 --> 00:22:44,439
CHILDHOOD FRIEND
OF JESSICA SIMPSON,

517
00:22:44,463 --> 00:22:46,007
TO COME AND SURF
THE WAVE OF CELEBRITY

518
00:22:46,031 --> 00:22:47,976
IN HOPES OF BECOMING
A PERMANENT FIXTURE

519
00:22:48,000 --> 00:22:49,644
IN THE BUSINESS
OF THE BUSINESS."

520
00:22:49,668 --> 00:22:51,568
YOU'RE PAVING THE
WAY, THAT'S A PLUS.

521
00:22:51,604 --> 00:22:53,548
- WHO CARES, E, HUH?
- YEAH, WHO CARES?

522
00:22:53,572 --> 00:22:55,906
NO PRESS IS BAD PRESS.

523
00:22:55,941 --> 00:22:58,408
- WHERE ARE WE GOING?
- TO CHEER YOU UP.

524
00:22:58,443 --> 00:23:01,222
I JUST WANT TO GET BACK IN THE OFFICE,
FIGURE OUT A WAY TO REPAIR THE DAMAGE.

525
00:23:01,246 --> 00:23:04,593
YOU'RE GONNA NEED A NEW DESK TO
REPAIR THE DAMAGES. WE GOT YOU A NEW DESK.

526
00:23:04,617 --> 00:23:07,250
- YOU GOT ME A DESK?
- Vince:<i> UH-HUH.</i>

527
00:23:07,285 --> 00:23:09,352
Vince: THIS IS IT.

528
00:23:10,656 --> 00:23:12,188
- WOW.
- Vince: YOU LIKE?

529
00:23:12,224 --> 00:23:14,925
YEAH, I LOVE IT. IT'S NEVER
GONNA FIT IN MY OFFICE.

530
00:23:14,960 --> 00:23:17,494
ACTUALLY, E, IT ALREADY DOES.

531
00:23:17,530 --> 00:23:20,597
- HUH?
- THIS IS YOUR OFFICE, E.

532
00:23:20,633 --> 00:23:22,933
- AND THAT'S MINE OVER THERE.
- AND MINE'S OVER THERE.

533
00:23:22,968 --> 00:23:24,946
Vince: <i>AND I GOT ONE TOO,
JUST IN CASE WE MISS YOU.</i>

534
00:23:24,970 --> 00:23:27,771
- Vince:<i> WE CAN ALL HANG.</i>
- BUILDING A SICK
LOUNGE OUT THERE

535
00:23:27,806 --> 00:23:30,874
- WITH A HUGE, HUGE PLASMA.
- HOW MUCH WAS THIS PLACE,
VINCE?

536
00:23:30,910 --> 00:23:33,110
E, YOU CAN'T PUT A
PRICE ON COMFORT.

537
00:23:33,145 --> 00:23:35,211
JUST ENJOY IT.

538
00:23:35,247 --> 00:23:37,280
THANKS, VINCE. NOW I
FEEL REALLY WORTHLESS.

539
00:23:40,753 --> 00:23:42,452
- HELLO.
- Man:<i> Hello, Eric Murphy?</i>

540
00:23:42,487 --> 00:23:45,622
- SPEAKING.
- HEY, PETER JACKSON
CALLING FROM NEW ZEALAND.

541
00:23:47,225 --> 00:23:49,070
HI. THANKS FOR
GETTING BACK TO ME.

542
00:23:49,094 --> 00:23:50,727
WOULD HAVE CALLED YOU YESTERDAY,

543
00:23:50,763 --> 00:23:52,829
BUT NO ONE DOWN HERE
KNEW WHO THE HELL YOU WERE.

544
00:23:52,865 --> 00:23:55,777
<i>Eric Murphy... now you're not
related to Eddie by any chance?</i>

545
00:23:55,801 --> 00:23:58,134
- WELL, I'M NOT.
- JUST A LITTLE WIND-UP, MATE.

546
00:23:58,170 --> 00:23:59,836
LOOK, I SAW THE
"VARIETY" ARTICLE.

547
00:23:59,872 --> 00:24:01,872
- YEAH?
- HEY, DON'T WORRY.

548
00:24:01,907 --> 00:24:03,919
A LITTLE MEDIA BASHING
EVERY NOW AND AGAIN

549
00:24:03,943 --> 00:24:05,609
KEEPS US ALL HONEST.

550
00:24:05,644 --> 00:24:07,656
BUT I'LL TELL YOU
SOMETHING ABOUT ARI GOLD...

551
00:24:07,680 --> 00:24:10,146
<i>There's only one thing a
cretin like that understands</i>

552
00:24:10,182 --> 00:24:12,827
<i>AND THAT'S AN AIRBORNE
TELEPHONE RIGHT BETWEEN THE EYES.</i>

553
00:24:12,851 --> 00:24:15,351
<i>Anyway, it's good to
know that those of us</i>

554
00:24:15,387 --> 00:24:16,865
THAT WANT TO BE IN THE
VINCENT CHASE BUSINESS

555
00:24:16,889 --> 00:24:19,189
HAVE GOT A LEGITIMATE
MANAGER TO TALK TO.

556
00:24:19,224 --> 00:24:22,559
- WELL, THANK YOU.
- SO, LOOK, I'M... I'M
ACTUALLY KIND OF BUSY.

557
00:24:22,595 --> 00:24:25,774
- SO WHAT EXACTLY DO YOU WANT?
- I WANTED TO TALK TO YOU ABOUT
YOUR GAMING COMPANY.

558
00:24:25,798 --> 00:24:28,999
WELL, I'M ACTUALLY GONNA
BE IN THE STATES NEXT WEEK.

559
00:24:29,034 --> 00:24:32,836
SO WHY DON'T WE DO THIS... WHY DON'T WE
HAVE YOUR ASSISTANT CALL MY ASSISTANT

560
00:24:32,871 --> 00:24:34,816
<i>and then decide
what to do from there?</i>

561
00:24:34,840 --> 00:24:36,740
- <i>How does that sound?</i>
- GREAT.

562
00:24:36,775 --> 00:24:38,475
- THANK YOU.
- <i>Cheers.</i>

563
00:24:38,510 --> 00:24:41,430
- WHAT WAS THAT?
- I THINK I'M GONNA
NEED AN ASSISTANT.