1
00:01:14,341 --> 00:01:16,452
Eric: I'M ASKING IF YOU THINK I
SHOULD WORK WITH THIS GIRL.
2
00:01:16,476 --> 00:01:19,155
I'M ASKING IF YOU THINK YOU COULD WORK
WITH HER WITHOUT TRYING TO BANG HER.
3
00:01:19,179 --> 00:01:21,224
- SHE HAS A BOYFRIEND.
- I DON'T THINK E COULD
WORK WITH HER
4
00:01:21,248 --> 00:01:23,426
- WITHOUT TRYING TO BANG HER.
- I NEVER SEEM TO BE ABLE TO.
5
00:01:23,450 --> 00:01:25,262
YEAH, BUT THE
GIRLS YOU WORK WITH
6
00:01:25,286 --> 00:01:27,097
WANT TO BANG YOU, VIN.
SHE DOESN'T WANNA BANG HIM.
7
00:01:27,121 --> 00:01:29,933
- OR DO YOU STILL
THINK SHE DOES, E?
- SHE HAS A BOYFRIEND, TURTLE!
8
00:01:29,957 --> 00:01:31,756
SO? IT'S NOT A HUSBAND.
9
00:01:31,792 --> 00:01:33,203
AND IF YOU THINK SHE'D
WANT TO BANG YOU
10
00:01:33,227 --> 00:01:35,193
IF SHE DIDN'T HAVE A
BOYFRIEND, YOU'D LIE IN WAIT.
11
00:01:35,229 --> 00:01:36,428
EVENTUALLY THAT WOULD END.
12
00:01:36,463 --> 00:01:38,008
- YOU'D BE IN LIKE FLYNN.
- TOTALLY.
13
00:01:38,032 --> 00:01:39,809
Eric: IS THAT WHY YOU
GUYS NEVER GET LAID?
14
00:01:39,833 --> 00:01:42,012
ALWAYS WAITING FOR
RELATIONSHIPS TO END?
15
00:01:42,036 --> 00:01:44,214
LOOK, E, LAST NIGHT YOU THOUGHT
YOU WERE ON A DATE WITH THE GIRL.
16
00:01:44,238 --> 00:01:46,582
I'M JUST NOT SURE YOU CAN LET
THAT GO AND BE PROFESSIONAL.
17
00:01:46,606 --> 00:01:48,551
- YEAH WELL, I AM SURE.
- SO WHY ARE YOU ASKING?
18
00:01:48,575 --> 00:01:51,321
- I'M JUST MAKING SURE
YOU'RE OKAY WITH IT.
- ARE YOU OKAY WITH IT?
19
00:01:51,345 --> 00:01:53,423
LOOK, NOT ALL CLIENTS
ARE AS EASY AS ME.
20
00:01:53,447 --> 00:01:55,058
AND ACTRESSES... FORGET IT.
21
00:01:55,082 --> 00:01:57,460
- OH YEAH.
- LOOK, THE GIRL'S
A TALENT, ALL RIGHT?
22
00:01:57,484 --> 00:01:59,651
IT'S A GREAT WAY TO
EXPAND OUR BUSINESS.
23
00:01:59,686 --> 00:02:01,686
- OUR BUSINESS?
- YEAH. I'VE BEEN THINKING...
24
00:02:01,721 --> 00:02:03,566
YOU AND I, 50/50 ON
EVERY CLIENT I HIT.
25
00:02:03,590 --> 00:02:05,068
- WHERE DO I FIT IN?
- YOU DON'T.
26
00:02:05,092 --> 00:02:07,103
YOU KNOW, THAT'S SWEET,
BUT NOT NECESSARY.
27
00:02:07,127 --> 00:02:09,406
COME ON, VINCE. LOOK, I KNOW
WHERE I'D BE WITHOUT YOU.
28
00:02:09,430 --> 00:02:10,840
NOWHERE.
29
00:02:10,864 --> 00:02:12,409
DON'T YOU HAVE A
JOB TO GO TO, DRAMA?
30
00:02:12,433 --> 00:02:14,544
THAT'S THE BEAUTY
OF AN ENSEMBLE CAST...
31
00:02:14,568 --> 00:02:16,034
TWO-DAY WORK WEEKS.
32
00:02:16,070 --> 00:02:17,869
- VINCE.
- E, IT IS NOT NECESSARY.
33
00:02:17,904 --> 00:02:20,616
IT'S GREAT THAT OTHER PEOPLE ARE
RECOGNIZING WHAT YOU DO FOR ME,
34
00:02:20,640 --> 00:02:22,152
AND I WISH YOU
NOTHING BUT SUCCESS.
35
00:02:22,176 --> 00:02:23,753
I ONLY ASK THAT YOU MAKE SURE
36
00:02:23,777 --> 00:02:25,721
THAT MY CAREER
ATTENTION DOES NOT SUFFER.
37
00:02:25,745 --> 00:02:28,313
YEAH, E. LOOK OUT
FOR NUMERO UNO.
38
00:02:28,349 --> 00:02:30,682
YEAH. ALWAYS ALWAYS ALWAYS.
39
00:02:30,717 --> 00:02:32,317
All: OOH!
40
00:02:34,421 --> 00:02:36,154
I HAVE DANA GORDON.
41
00:02:36,190 --> 00:02:38,668
WEIRD, I USED TO PUSH UP ON
TOP OF DANA GORDON LIKE THIS.
42
00:02:38,692 --> 00:02:40,558
TRUE STORY.
43
00:02:42,463 --> 00:02:44,496
DANA, I WAS JUST
THINKING ABOUT YOU.
44
00:02:44,531 --> 00:02:46,564
DID YOU READ BILLY
WALSH'S SCRIPT?
45
00:02:46,600 --> 00:02:49,734
- Did I get
Billy Walsh's script?
- I GOT IT THIS MORNING.
46
00:02:49,769 --> 00:02:52,004
LLOYD! DO I HAVE
BILLY WALSH'S SCRIPT?
47
00:02:52,039 --> 00:02:53,416
MIRIAM JUST BROUGHT IT UP.
48
00:02:53,440 --> 00:02:55,507
CALL WALSH AND FIND OUT
WHY I DIDN'T GET A CHANCE
49
00:02:55,542 --> 00:02:57,242
TO COMMENT ON IT
BEFORE HE TURNED IT IN.
50
00:02:57,277 --> 00:02:59,044
JUST GOT IT. HOW'S IT FEELING?
51
00:02:59,079 --> 00:03:02,914
I'M ON PAGE 12 AND I DO NOT
UNDERSTAND WHAT I'M READING.
52
00:03:02,949 --> 00:03:05,362
WELL, YOU DIDN'T UNDERSTAND
"TITANIC" AFTER 12 PAGES EITHER, DANA.
53
00:03:05,386 --> 00:03:07,685
ARI, THIS IS TOTALLY
FUCKED, OKAY?
54
00:03:07,721 --> 00:03:10,100
- THIS IS NOT WHAT
WE BOUGHT AND I DO...
- WHAT DO YOU MEAN?
55
00:03:10,124 --> 00:03:12,491
READ THE THING, ARI.
56
00:03:12,526 --> 00:03:14,993
- LLOYD!
- LEFT WORD FOR WALSH.
57
00:03:15,029 --> 00:03:18,397
KEEP TRYING HIM AND CALL E, AND MAKE
SURE THAT VINCE IS READING THIS AS WELL.
58
00:03:20,834 --> 00:03:22,678
I CAN'T HEAR YOU,
LLOYD. I'M IN THE HILLS.
59
00:03:22,702 --> 00:03:24,614
DID YOU GET THE
BILLY WALSH SCRIPT?
60
00:03:24,638 --> 00:03:26,771
LLOYD, I CAN'T HEAR YOU.
61
00:03:28,175 --> 00:03:30,042
DID YOU GET...
62
00:03:30,077 --> 00:03:32,477
THE BILLY WALSH SCRIPT?
63
00:03:32,513 --> 00:03:35,080
SHUT THE FUCK UP, LLOYD!
64
00:03:35,115 --> 00:03:37,582
LLOYD? HELLO? HELLO HELLO HELLO?
65
00:03:37,617 --> 00:03:39,762
- THERE'S NO
CELL RECEPTION UP HERE.
- YEAH, I'M GETTING THAT.
66
00:03:39,786 --> 00:03:41,764
DO YOU GUYS HAVE A HARDLINE
AROUND HERE, BY CHANCE?
67
00:03:41,788 --> 00:03:43,500
- I DON'T... I DON'T KNOW.
- THANKS, MAN.
68
00:03:43,524 --> 00:03:45,424
- THERE'S MY GUY!
- HEY!
69
00:03:45,459 --> 00:03:46,802
- HEY.
- HOW ARE YOU?
70
00:03:46,826 --> 00:03:49,906
OH, SO VINCE IS OKAY WITH THIS?
71
00:03:49,930 --> 00:03:51,841
- OH YEAH, HE WAS COOL. TOTALLY COOL.
- SMART MOVE.
72
00:03:51,865 --> 00:03:54,144
I WOULD'VE FOUGHT HIM FOR
YOU, AND I'M FREAKISHLY STRONG.
73
00:03:54,168 --> 00:03:56,246
- I'M GLAD IT
DIDN'T COME TO THAT.
- YEAH, ME TOO.
74
00:03:56,270 --> 00:03:58,381
SO I'M SORRY FOR PUTTING
YOU TO WORK DAY ONE.
75
00:03:58,405 --> 00:04:00,850
IT'S JUST I'VE GOT TO SUMMON UP MY INNER
SUPERMODEL AND I'VE GOT THESE PEOPLE
76
00:04:00,874 --> 00:04:04,020
COMING AT ME WITH CONCEPTS AND
INTERVIEWS AND WARDROBE AND...
77
00:04:04,044 --> 00:04:05,988
I'M SO THANKFUL
YOU'RE HERE TO HELP.
78
00:04:06,012 --> 00:04:08,291
YEAH WELL, I'M GLAD TO DO IT, EVEN
THOUGH FASHION ISN'T MY THING.
79
00:04:08,315 --> 00:04:09,892
BUT IF YOU REALLY
WANT MY OPINION,
80
00:04:09,916 --> 00:04:11,961
I LIKE THE BLACK OUTFIT YOU
WORE IN THE FIRST "SCARY MOVIE."
81
00:04:11,985 --> 00:04:13,563
IT MADE YOU LOOK SMART,
BUT STILL KIND OF HOT.
82
00:04:13,587 --> 00:04:15,353
- YOU REMEMBER THAT?
- YEAH.
83
00:04:15,389 --> 00:04:18,656
IT WAS ON... CABLE
LIKE... LIKE A YEAR AGO.
84
00:04:18,692 --> 00:04:21,337
AND I MIGHT HAVE BOUGHT THE DVD.
85
00:04:21,361 --> 00:04:24,162
- I WAS JUST TRYING
TO CATCH UP, YOU KNOW?
- RIGHT. YEAH.
86
00:04:24,198 --> 00:04:27,765
RIGHT. OH, WE ARE GONNA
BE GREAT TOGETHER, E.
87
00:04:27,801 --> 00:04:30,521
- REALLY GREAT. I'M SO EXCITED.
- YEAH, ME TOO.
88
00:04:30,937 --> 00:04:33,271
- YO, WHAT UP, GIRL?
- HEY, DAVE!
89
00:04:33,307 --> 00:04:34,872
HEY, BABY.
90
00:04:34,908 --> 00:04:36,286
- MMM.
- OH.
91
00:04:36,310 --> 00:04:38,254
THIS IS THE GUY I WAS
TELLING YOU ABOUT... E.
92
00:04:38,278 --> 00:04:39,511
THIS IS MY BOYFRIEND DAVE.
93
00:04:39,546 --> 00:04:41,257
HEY, DAVE, HOW ARE YOU?
94
00:04:41,281 --> 00:04:43,381
- YOU'RE THE NEW MANAGER, DAWG?
- YEAH.
95
00:04:43,417 --> 00:04:46,351
I JUST, YOU KNOW... I JUST
THOUGHT YOU'D BE A LITTLE OLDER.
96
00:04:46,386 --> 00:04:48,320
- I'M OLDER THAN I LOOK.
- Dave: MMM.
97
00:04:48,355 --> 00:04:50,222
A'IGHT... YEAH...
98
00:04:51,358 --> 00:04:53,458
- SO?
- SO...
99
00:04:53,494 --> 00:04:56,595
UH, SO, WHY DON'T YOU
ASK THE NEW MANAGER
100
00:04:56,630 --> 00:04:58,130
WHAT HE THINKS OF MY IDEA?
101
00:04:58,165 --> 00:04:59,731
DAVE, I...
102
00:04:59,766 --> 00:05:02,000
WHAT? YO YO, CHECK THIS, OKAY?
103
00:05:02,035 --> 00:05:05,670
I WANT THEM TO SHOOT ANNA IN
A SERIES OF ANIMAL POSES, OKAY?
104
00:05:05,705 --> 00:05:08,140
LIKE ONE WHERE SHE STICKS
HER NECK OUT LIKE THIS, A'IGHT?
105
00:05:08,175 --> 00:05:09,541
IT'S LIKE A GIRAFFE, ALL RIGHT?
106
00:05:09,576 --> 00:05:11,876
ANOTHER ONE WHERE WE MAKE
HER HAIR REALLY REALLY BIG...
107
00:05:11,911 --> 00:05:13,545
SHE'LL BE, LIKE, A LION, HUH?
108
00:05:13,580 --> 00:05:15,680
- WHAT DO YOU THINK?
- IT'S INTERESTING.
109
00:05:15,715 --> 00:05:17,715
WHAT DO YOU REALLY THINK?
110
00:05:17,751 --> 00:05:19,791
UH, I THINK IT'S A LITTLE WEIRD.
111
00:05:19,819 --> 00:05:21,264
AND NO OFFENSE, DAVE, BUT IT IS.
112
00:05:21,288 --> 00:05:23,366
- IT'S... A LITTLE WEIRD.
- IT IS A LITTLE WEIRD, BABE.
113
00:05:23,390 --> 00:05:25,401
OKAY. WELL, I THOUGHT
IT'D BE HOT, OKAY?
114
00:05:25,425 --> 00:05:28,493
YOU THINK EVERYTHING I DO IS
HOT AND THAT'S WHY I LOVE YOU.
115
00:05:28,529 --> 00:05:32,063
BUT THIS IS A LITTLE WEIRD,
SO LET'S LET IT GO, PLEASE.
116
00:05:32,098 --> 00:05:33,865
- OKAY, BABY.
- OKAY.
117
00:05:33,900 --> 00:05:36,034
I'M GONNA GO GET READY.
118
00:05:36,069 --> 00:05:38,170
UM... YO, DAWG,
119
00:05:38,205 --> 00:05:41,173
I'M GONNA GO WATCH
MY GIRL GET READY, OKAY?
120
00:05:41,208 --> 00:05:44,676
SO WHY DON'T YOU GRAB ME A COKE
AND BRING IT OVER TO THE TRAILER, A'IGHT?
121
00:05:44,711 --> 00:05:47,345
YEAH, THEY'RE, UM... THEY'RE
RIGHT THERE. THANKS, DAWG.
122
00:05:48,482 --> 00:05:50,215
BRING THAT RIGHT OVER.
123
00:05:56,823 --> 00:05:58,000
- YEAH?
- HELLO?
124
00:05:58,024 --> 00:05:59,369
- TURTLE?
- DRAMA?
125
00:05:59,393 --> 00:06:01,137
- HEY, ARI! WHAT'S UP?
- WHAT'S UP, LLOYD?
126
00:06:01,161 --> 00:06:03,072
- I'M LOOKING FOR VINCE.
- DO YOU KNOW WHERE VINCE IS?
127
00:06:03,096 --> 00:06:05,441
- AREN'T YOU SUPPOSED TO
GO THROUGH E FOR VINCE?
- DID YOU TRY E?
128
00:06:05,465 --> 00:06:07,377
IF HE'S THERE, PUT HIM ON
THE FUCKING PHONE, TURTLE.
129
00:06:07,401 --> 00:06:08,733
I CALLED E AND E-MAILED HIM TOO.
130
00:06:08,768 --> 00:06:09,779
LET ME SEE IF HE'S
HERE. HANG ON.
131
00:06:09,803 --> 00:06:11,548
I'LL SEE IF I CAN LOCATE HIM.
132
00:06:11,572 --> 00:06:13,449
- YO, VINCE,
YOU'RE HERE FOR ARI?
- WHY WOULDN'T I BE?
133
00:06:13,473 --> 00:06:14,850
LLOYD SAYS HE CAN'T FIND E.
134
00:06:14,874 --> 00:06:17,108
OH, IT'S FINE. HEY, LLOYD.
135
00:06:17,143 --> 00:06:18,788
- HEY, VINCE. HOLD FOR ARI.
- Okay.
136
00:06:18,812 --> 00:06:21,379
- I GOT ARI, VINCE.
- OH.
137
00:06:21,415 --> 00:06:22,458
- Ari.
- VINCE!
138
00:06:22,482 --> 00:06:23,615
I'VE GOT VINCE.
139
00:06:23,650 --> 00:06:25,550
I GOT FUCKING VINCE.
140
00:06:25,586 --> 00:06:26,929
- Vince!
- ARI?
141
00:06:26,953 --> 00:06:28,853
DID YOU READ WALSH'S SCRIPT?
142
00:06:28,888 --> 00:06:30,455
DID I GET WALSH'S SCRIPT?
143
00:06:30,490 --> 00:06:32,569
IT WAS DROPPED OFF TO ME
AND THE STUDIO THIS MORNING.
144
00:06:32,593 --> 00:06:34,003
ANY SCRIPTS COME
FOR US THIS MORNING?
145
00:06:34,027 --> 00:06:35,560
UH, YEAH, I PUT 'EM IN THE PILE.
146
00:06:35,596 --> 00:06:37,307
YEAH, I'VE GOT IT.
WHAT'S THE PROBLEM?
147
00:06:37,331 --> 00:06:40,210
The problem is he took your
snow-on-a-mountain movie
148
00:06:40,234 --> 00:06:42,212
and turned it into
a futuristic thriller
149
00:06:42,236 --> 00:06:45,704
SET ON A FARM, CIRCA 2075.
150
00:06:45,739 --> 00:06:48,640
- I DON'T UNDERSTAND.
- He tossed the book away,
151
00:06:48,675 --> 00:06:50,908
THE BOOK THEY PAID
HIM $3 MILLION TO WRITE,
152
00:06:50,944 --> 00:06:52,755
AND DECIDED JUST TO
MAKE UP HIS OWN STORY.
153
00:06:52,779 --> 00:06:55,380
HUH, THAT'S ODD. CALL WALSH.
154
00:06:55,415 --> 00:06:57,960
- DANA GORDON ON ONE.
- DID E KNOW ANYTHING
ABOUT THIS?
155
00:06:57,984 --> 00:07:00,084
- NO, OF COURSE NOT.
- THEN WHY IS HE IN HIDING?
156
00:07:00,120 --> 00:07:02,398
HE'S NOT IN HIDING. HE'S AT A
PHOTO SHOOT WITH HIS NEW CLIENT.
157
00:07:02,422 --> 00:07:04,989
- E'S GOT A NEW CLIENT?
- YEAH, ANNA FARIS.
158
00:07:06,226 --> 00:07:08,560
- COME ON!
- YEP.
159
00:07:08,595 --> 00:07:10,695
JESUS! THE WORLD
IS FALLING APART.
160
00:07:10,731 --> 00:07:12,808
IT'S ALWAYS DARKEST
BEFORE DAWN, ARI.
161
00:07:12,832 --> 00:07:14,098
I GOT BILLY'S VOICEMAIL.
162
00:07:14,134 --> 00:07:16,468
BILLY WALSH JUST SAID IN
RESPONSE TO YOUR QUESTION
163
00:07:16,503 --> 00:07:18,314
OF WHY DID HE GIVE THE
SCRIPT TO THE STUDIO
164
00:07:18,338 --> 00:07:20,283
BEFORE YOU HAD A
CHANCE TO COMMENT ON IT...
165
00:07:20,307 --> 00:07:23,253
AND I'M QUOTING HIM HERE... "'CAUSE
I DON'T GIVE A FUCK WHAT YOU THINK."
166
00:07:23,277 --> 00:07:24,809
GET HIS ADDRESS.
167
00:07:24,844 --> 00:07:28,346
VINNIE, SIT TIGHT. I WILL
GET RIGHT BACK TO YOU.
168
00:07:28,382 --> 00:07:29,914
OKAY. BYE, ARI.
169
00:07:29,949 --> 00:07:31,949
BOY, HE'S STRESSED.
170
00:07:31,985 --> 00:07:34,686
- DO YOU WANT ME TO CALL E?
- NO. I'M THE PRODUCER.
171
00:07:34,721 --> 00:07:37,922
I CAN HANDLE IT. LET'S JUST
SEE WHAT CRAZY BILLY DID, HUH?
172
00:07:37,957 --> 00:07:39,658
HEY, HOW ABOUT I READ E'S COPY?
173
00:07:39,693 --> 00:07:41,653
YEAH. I LIKE THE
INITIATIVE, TURTLE.
174
00:07:42,729 --> 00:07:46,164
- WHAT SHOULD I DO?
- WHY DON'T YOU MAKE US
A SNACK?
175
00:07:47,267 --> 00:07:49,801
I LIKE BEING E.
176
00:07:49,836 --> 00:07:51,536
HUH.
177
00:07:53,773 --> 00:07:55,684
OH, THAT'S SO HOT. PERFECT.
178
00:07:55,708 --> 00:07:57,375
TURN INTO IT. TURN INTO IT.
179
00:08:00,713 --> 00:08:02,247
SHIT.
180
00:08:02,282 --> 00:08:04,627
HEY, YOU CAN GET A SIGNAL
RIGHT AT THE BOTTOM OF THE HILL.
181
00:08:04,651 --> 00:08:07,029
OR IF YOU WANT, WE HAVE A RUNNER
WE CAN SEND TO MAKE A CALL FOR YOU.
182
00:08:07,053 --> 00:08:08,964
NO, THANKS ANYWAY. I'LL GO
DOWN THERE AND MAKE THE CALL.
183
00:08:08,988 --> 00:08:11,708
- THANK YOU VERY MUCH. I APPRECIATE IT.
- NO PROBLEM.
184
00:08:12,592 --> 00:08:13,836
- SHE LOOKS GOOD, HUH?
- NO NO.
185
00:08:13,860 --> 00:08:15,760
I'M NOT FEELING THIS
SHIT AT ALL, OKAY?
186
00:08:15,795 --> 00:08:19,364
BABY, BABY, OKAY? DO
ONE LIKE A CAT, OKAY?
187
00:08:19,399 --> 00:08:21,399
A FIERCE CAT... SS-SS, MEOW...
188
00:08:21,434 --> 00:08:22,800
JUST JUMP OUT.
189
00:08:22,835 --> 00:08:25,181
BABY, TRUST ME ON THIS,
OKAY? PLEASE PLEASE?
190
00:08:25,205 --> 00:08:28,072
BIG EYES LIKE AN OWL AND
THIS SHIT IS GONNA POP!
191
00:08:28,107 --> 00:08:30,208
COME ON, DAVE. I...
192
00:08:30,243 --> 00:08:32,043
OKAY, AM I WRONG, DAWG?
193
00:08:32,078 --> 00:08:33,956
HUH? A LITTLE RECKLESS
ABANDONMENT HERE.
194
00:08:33,980 --> 00:08:35,090
IT WOULD STAMP
THIS THING UNIQUE.
195
00:08:35,114 --> 00:08:36,847
I THINK SHE LOOKS BEAUTIFUL.
196
00:08:38,951 --> 00:08:40,563
FUCKING HACK.
197
00:08:40,587 --> 00:08:42,598
ANNA, ARE YOU COOL IF I RUN
DOWN TO THE BOTTOM OF THE HILL
198
00:08:42,622 --> 00:08:44,322
- TO MAKE A CALL?
- YEAH.
199
00:08:44,357 --> 00:08:46,191
OKAY. I'LL BE RIGHT BACK.
200
00:08:46,226 --> 00:08:48,546
ALL RIGHT, EVERYONE,
LET'S TAKE FIVE.
201
00:08:50,230 --> 00:08:52,508
- ALL RIGHT, SO... IT'S ERIC, RIGHT?
- YEAH.
202
00:08:52,532 --> 00:08:54,265
- LOOK, YOU CAN'T LEAVE NOW.
- WHY NOT?
203
00:08:54,301 --> 00:08:57,213
I'M NOT GETTING WHAT I NEED
OUT OF ANNA. SHE'S NOT FOCUSED.
204
00:08:57,237 --> 00:08:59,136
ALL RIGHT, I'LL TALK TO HER.
205
00:08:59,172 --> 00:09:01,717
NO NO NO, SHE'S NOT THE
PROBLEM. THE BOYFRIEND IS.
206
00:09:01,741 --> 00:09:03,653
AS LONG AS HE'S HANGING
AROUND CRITICIZING HER,
207
00:09:03,677 --> 00:09:04,853
SHE'S JUST NOT GONNA BRING IT.
208
00:09:04,877 --> 00:09:06,511
YOU DON'T WANT TO
SAY SOMETHING TO HIM?
209
00:09:06,546 --> 00:09:08,957
I TAKE PICTURES. I DON'T
INTERFERE WITH DOMESTICITY.
210
00:09:08,981 --> 00:09:10,648
ALL RIGHT, I'LL SAY
SOMETHING TO HIM.
211
00:09:12,219 --> 00:09:14,118
Anna: DON'T TOUCH THE CAMERA.
212
00:09:14,153 --> 00:09:15,598
- HEY, DAVE.
- YO, DAWG, WHAT'S UP?
213
00:09:15,622 --> 00:09:17,466
- CAN I TALK
TO YOU FOR A SECOND?
- YEAH.
214
00:09:17,490 --> 00:09:20,825
LISTEN, I THINK YOU'RE MAKING
ANNA A LITTLE UNCOMFORTABLE.
215
00:09:20,860 --> 00:09:23,194
WOW, YOU'VE BEEN
WORKING WITH HER,
216
00:09:23,230 --> 00:09:25,763
WHAT, ONE DAY? HOW DO YOU
KNOW WHAT I'M MAKING HER?
217
00:09:25,798 --> 00:09:27,876
MAYBE YOU'RE MAKING THE
PHOTOGRAPHER UNCOMFORTABLE.
218
00:09:27,900 --> 00:09:30,513
EITHER WAY, IF YOU'RE GONNA HANG
AROUND, TRY TO BE A LITTLE LESS CRITICAL.
219
00:09:30,537 --> 00:09:33,015
NO NO, THIS IS NOT GOOD,
OKAY? I'M NOT FEELING THIS.
220
00:09:33,039 --> 00:09:34,706
OKAY? ANNA, BABY?
221
00:09:34,741 --> 00:09:36,874
ANNA? OKAY, BABY?
222
00:09:36,909 --> 00:09:39,577
LOOK, I NEED TO TALK TO
YOU FOR A SECOND, OKAY?
223
00:09:39,613 --> 00:09:40,989
- IN THE TRAILER.
- OKAY.
224
00:09:41,013 --> 00:09:42,747
EXCUSE ME.
225
00:10:01,534 --> 00:10:02,712
- HI.
- HI.
226
00:10:02,736 --> 00:10:03,779
IS BILLY WALSH HERE?
227
00:10:03,803 --> 00:10:05,803
OH, HEY, NO. BILLY'S NOT HERE.
228
00:10:07,006 --> 00:10:09,406
I SEE HIM SITTING
ON THE COUCH THERE.
229
00:10:10,477 --> 00:10:12,176
SHE MEANS I'M NOT
HERE FOR YOU, ARI.
230
00:10:12,211 --> 00:10:13,745
CAN I PLEASE COME IN?
231
00:10:13,780 --> 00:10:15,146
NOT IF YOU'RE
GONNA CRITICIZE ME.
232
00:10:15,181 --> 00:10:17,025
WHY WOULD I CRITICIZE YOU?
233
00:10:17,049 --> 00:10:19,016
LET HIM IN.
234
00:10:22,455 --> 00:10:24,333
SO EVERYONE HATES THE SCRIPT.
235
00:10:24,357 --> 00:10:27,525
YOU GOT PAID A HALF A MILLION
DOLLARS TO ADAPT A BOOK
236
00:10:27,560 --> 00:10:28,926
AND YOU DIDN'T DO IT.
237
00:10:28,961 --> 00:10:30,506
I DECIDED TO GO IN A
DIFFERENT DIRECTION.
238
00:10:30,530 --> 00:10:32,664
THEY DIDN'T PAY YOU
FOR THAT DIRECTION.
239
00:10:32,699 --> 00:10:35,767
HEY, THE SCRIPT THAT HE
WROTE IS REALLY HOT, MAN.
240
00:10:37,003 --> 00:10:38,536
AHEM!
241
00:10:38,571 --> 00:10:40,949
YOU DON'T WANT TO GIVE THE STUDIO
BACK THEIR MONEY, DO YOU, BILLY?
242
00:10:40,973 --> 00:10:42,652
- THE MONEY'S BEEN SPENT, ARI.
- ON WHAT?
243
00:10:42,676 --> 00:10:45,677
- HOME IMPROVEMENTS.
- WE PUT IN A STEAM SHOWER.
244
00:10:45,712 --> 00:10:48,346
HOW LONG WILL IT TAKE YOU TO
DO WHAT THEY PAID YOU TO DO?
245
00:10:48,381 --> 00:10:50,293
INFINITY, 'CAUSE
I'M NOT GONNA DO IT!
246
00:10:50,317 --> 00:10:53,584
- YOU HAVE TO DO IT!
- I'VE TRIED TO DO IT, ARI!
247
00:10:53,620 --> 00:10:55,986
I DID, BUT EVERY TIME I
STARTED TO WRITE A SCENE
248
00:10:56,022 --> 00:10:58,823
I GOT THESE TWO GUYS
LOCKED ALONE ON A MOUNTAIN
249
00:10:58,858 --> 00:11:00,891
AND IT FELT REALLY GAY.
250
00:11:00,927 --> 00:11:02,805
AND IT WAS MY IDEA
TO ADD THE CHICKS.
251
00:11:02,829 --> 00:11:05,797
- SEE, BILLY WRITES
CHICKS REALLY GOOD.
- THANKS, BABE.
252
00:11:05,832 --> 00:11:07,799
VINCE STUCK HIS NECK OUT FOR YOU
253
00:11:07,834 --> 00:11:10,234
AND NOW YOU ARE
FUCKING HIM AND THE STUDIO.
254
00:11:10,269 --> 00:11:12,337
THEY ARE GOING TO
FUCK YOU RIGHT BACK.
255
00:11:12,372 --> 00:11:14,839
- THEY CAN'T TOUCH ME.
- THEY CAN SUE YOU
256
00:11:14,874 --> 00:11:18,242
AND MAKE SURE THAT YOU NEVER
MAKE A MOVIE IN THIS TOWN AGAIN.
257
00:11:18,277 --> 00:11:20,357
WELL, GOOD THING I PAINT.
258
00:11:21,448 --> 00:11:23,314
YOU'RE NOT GONNA
DO THIS, ARE YOU?
259
00:11:23,350 --> 00:11:24,749
NO, I'M NOT.
260
00:11:24,784 --> 00:11:26,851
THEN I'VE GOT NOTHING
ELSE TO SAY TO YOU.
261
00:11:28,254 --> 00:11:31,556
YEAH WELL, I'VE GOT
SOMETHING TO SAY TO YOU...
262
00:11:31,591 --> 00:11:34,892
YOU ARE NO LONGER MY AGENT!
263
00:11:34,927 --> 00:11:37,928
YEAH, LLOYD?
264
00:11:37,964 --> 00:11:40,576
- IT'S YOUR WIFE. SHE SAYS IT'S URGENT.
- Put her through, Lloyd.
265
00:11:40,600 --> 00:11:42,600
- Here she is.
- WHAT'S WRONG, BABY?
266
00:11:42,635 --> 00:11:44,602
YOU'RE AVOIDING
MY FUCKING CALLS.
267
00:11:44,637 --> 00:11:47,705
DOES THAT SOUND
LIKE MY WIFE, LLOYD?
268
00:11:47,741 --> 00:11:50,285
IT DID, YES. BUT NOW
IT DOESN'T. SORRY.
269
00:11:50,309 --> 00:11:53,222
- WHAT'S UP, DANA?
- I HAVEN'T WALKED
OUT OF MY OFFICE...
270
00:11:53,246 --> 00:11:55,713
NOT EVEN TO PEE...
IN THREE HOURS.
271
00:11:55,749 --> 00:11:57,025
WHAT ARE YOU, AGORAPHOBIC?
272
00:11:57,049 --> 00:11:58,889
NO, I'M SCARED TO SEE MY BOSS
273
00:11:58,918 --> 00:12:01,285
BECAUSE I HAVE NO
IDEA WHAT TO TELL HIM.
274
00:12:01,320 --> 00:12:03,098
Well, that is the
beauty of me, Dana.
275
00:12:03,122 --> 00:12:04,967
I TELL PEOPLE WHAT
TO TELL OTHER PEOPLE.
276
00:12:04,991 --> 00:12:07,458
- SO TELL ME SOMETHING!
- FIRE WALSH.
277
00:12:07,494 --> 00:12:09,394
- Fire him?
- Yes. I just did.
278
00:12:09,429 --> 00:12:12,341
SO HE HAS NO INTENTION OF WRITING
WHAT HE WAS SUPPOSED TO WRITE?
279
00:12:12,365 --> 00:12:14,565
None, but I have
intentions of finding you
280
00:12:14,601 --> 00:12:18,002
AN A-LIST WRITER/DIRECTOR
TO REPLACE HIM BY SUNDOWN.
281
00:12:18,037 --> 00:12:20,438
AND I WILL BRING HIM IN AT COST.
282
00:12:20,473 --> 00:12:22,973
- Lloyd, get a list together.
- I can't believe this.
283
00:12:23,009 --> 00:12:24,876
Wake up, Dana. It's real.
284
00:12:24,911 --> 00:12:27,322
THE FIRST BIG PROJECT YOU
BROUGHT INTO YOUR NEW STUDIO
285
00:12:27,346 --> 00:12:28,979
IS IN SHAMBLES.
286
00:12:29,015 --> 00:12:31,148
THANKS TO YOUR
WRITER/DIRECTOR, ASSHOLE!
287
00:12:31,183 --> 00:12:33,851
YOU KNOW, IF YOU THINK MY
LAST BOSS WAS VINDICTIVE,
288
00:12:33,887 --> 00:12:35,286
YOU HAVEN'T SEEN SHIT!
289
00:12:35,321 --> 00:12:37,422
You'd better find me
someone approvable
290
00:12:37,457 --> 00:12:39,167
AND YOU'D BETTER MAKE
SURE VINCE IS ONBOARD.
291
00:12:39,191 --> 00:12:41,859
BECAUSE IF I HAVE TO GO IN
AND TELL RICHARD WIMMER
292
00:12:41,895 --> 00:12:45,730
THAT WE LOST A SCRIPT, A
DIRECTOR AND A STAR TODAY...
293
00:12:45,765 --> 00:12:47,998
ALL OF WHOM ARE
YOUR FUCKING CLIENTS...
294
00:12:48,034 --> 00:12:51,201
YOU CAN BET YOUR ASS THAT
NOBODY WHO HAS EVER BEEN
295
00:12:51,237 --> 00:12:52,848
CLOSE ENOUGH TO
SMELL YOUR BREATH
296
00:12:52,872 --> 00:12:55,540
WILL EVER BE WELCOME
AT THIS STUDIO AGAIN!
297
00:13:01,414 --> 00:13:03,881
VINCE, IT'S ARI.
298
00:13:03,917 --> 00:13:05,616
EH, I'LL CALL HIM
WHEN I'M FINISHED.
299
00:13:06,853 --> 00:13:08,986
HEY, SOME HELP THIS GUY IS.
300
00:13:09,021 --> 00:13:10,499
I'M NOT SLEEPING, JERK-OFF.
301
00:13:10,523 --> 00:13:11,923
I'M PACING MYSELF.
302
00:13:11,958 --> 00:13:13,469
YEAH? WERE YOU
ENJOYING IT, TURTLE?
303
00:13:13,493 --> 00:13:15,003
YEAH WELL, DON'T GET MAD, VIN,
304
00:13:15,027 --> 00:13:16,839
BUT I WAS KIND OF JUST
SCANNING IT FOR THE SEX SCENES.
305
00:13:16,863 --> 00:13:18,574
THERE ARE TWO GOOD
ONES, BY THE WAY.
306
00:13:18,598 --> 00:13:20,543
THERE'S A LOT OF
PARTS IN HERE, VINCE.
307
00:13:20,567 --> 00:13:23,167
BILLY LIKED WHAT I DID
IN "MEDELLIN," RIGHT?
308
00:13:23,202 --> 00:13:26,871
NO. I REALLY DO NEED
E. CALL HIM, TURTLE.
309
00:13:26,906 --> 00:13:28,806
- I COULD FINISH, MAN.
- CALL HIM.
310
00:13:28,842 --> 00:13:30,775
CALL HIM, TURTLE.
311
00:13:35,114 --> 00:13:36,848
STRAIGHT TO VOICEMAIL.
312
00:13:37,884 --> 00:13:39,984
NICE. VERY NICE.
313
00:13:45,191 --> 00:13:47,436
EXCUSE ME, MISS. CAN YOU GET
THAT RUNNER TO MAKE A CALL FOR ME?
314
00:13:47,460 --> 00:13:48,793
SURE, WHO'S THE CALL TO?
315
00:13:48,828 --> 00:13:51,328
OKAY, THE CALL IS TO ARI GOLD
AT THE MILLER GOLD AGENCY.
316
00:13:51,364 --> 00:13:53,063
AND YOU'RE GOING
TO ASK FOR LLOYD
317
00:13:53,099 --> 00:13:55,065
AND SEE IF THERE'S ANYTHING
IMPORTANT GOING ON.
318
00:13:55,101 --> 00:13:56,445
ALL RIGHT, YOU GOT IT.
319
00:13:56,469 --> 00:13:58,629
- GREAT. THANK YOU VERY MUCH.
- MM-HMM.
320
00:13:59,005 --> 00:14:00,115
- HEY, GUY.
- YEAH?
321
00:14:00,139 --> 00:14:01,350
- YOU ANNA'S MANAGER?
- YEAH.
322
00:14:01,374 --> 00:14:03,051
CAN YOU MANAGE HER?
WE'RE READY TO SHOOT.
323
00:14:03,075 --> 00:14:04,152
SHE'S NOT COMING
OUT OF HER TRAILER.
324
00:14:04,176 --> 00:14:05,476
SHE'S TALKING TO HER BOYFRIEND.
325
00:14:05,512 --> 00:14:06,922
LOOK, ONCE THE SUN
IS OVER THAT TREE,
326
00:14:06,946 --> 00:14:08,813
WE'RE DONE. WE CAN'T SHOOT.
327
00:14:08,848 --> 00:14:10,381
OKAY. OKAY, I'LL
TAKE CARE OF IT.
328
00:14:10,416 --> 00:14:11,549
ALL RIGHT.
329
00:14:14,621 --> 00:14:15,798
Dave: NO, I'M HELPING YOU!
330
00:14:15,822 --> 00:14:17,232
WHY ARE YOU FIGHTING ME ON THIS?
331
00:14:17,256 --> 00:14:19,067
I'M TRYING TO HELP YOU.
THE CAT'S GONNA HELP.
332
00:14:19,091 --> 00:14:20,791
Anna: THEN MAYBE IT
WOULD BE APPROPRIATE.
333
00:14:20,827 --> 00:14:23,238
Dave: IT'S THE INNER ANIMAL!
IT'S YOUR INNER ANIMAL!
334
00:14:24,864 --> 00:14:27,498
WHAT DO YOU WANT, DAWG?
335
00:14:27,534 --> 00:14:29,478
SORRY TO BOTHER YOU, DAVE...
I DON'T MEAN TO INTERRUPT...
336
00:14:29,502 --> 00:14:31,580
BUT THEY'RE READY
FOR ANNA ON SET.
337
00:14:31,604 --> 00:14:33,616
- WE'RE IN THE
MIDDLE OF SOMETHING.
- I REALLY HAVE TO GO.
338
00:14:33,640 --> 00:14:35,951
- WE NEED TO TALK
ABOUT THIS LATER.
- WHAT'S MORE IMPORTANT TO YOU,
339
00:14:35,975 --> 00:14:37,386
THIS RELATIONSHIP
OR THIS PHOTO SHOOT?
340
00:14:37,410 --> 00:14:39,410
DON'T DO THAT! I HAVE TO WORK!
341
00:14:39,445 --> 00:14:41,078
OH, AND I'M SORRY I DON'T!
342
00:14:41,113 --> 00:14:43,247
OH MY GOD.
343
00:14:43,282 --> 00:14:44,815
FUCK THIS.
344
00:14:44,851 --> 00:14:46,717
- DAVE!
- I'M OUT.
345
00:14:46,753 --> 00:14:49,020
I'M REALLY SORRY.
346
00:14:49,055 --> 00:14:50,688
HE NEVER USED TO BE LIKE THIS,
347
00:14:50,723 --> 00:14:52,456
BUT SINCE THE CW
PASSED ON HIS PILOT,
348
00:14:52,491 --> 00:14:55,292
HE'S BEEN HANGING AROUND MY
WORK BEING ALL HYPERCRITICAL.
349
00:14:57,664 --> 00:14:59,196
GOD, YOU MUST THINK I'M A MESS.
350
00:14:59,231 --> 00:15:00,976
NO NO NO. LOOK,
RELATIONSHIPS ARE TOUGH.
351
00:15:01,000 --> 00:15:02,711
I'M SURE YOU GUYS
WILL GET THROUGH IT.
352
00:15:02,735 --> 00:15:04,713
- DOES THE CREW
TOTALLY HATE ME?
- NO, NOT AT ALL.
353
00:15:04,737 --> 00:15:06,481
EVERYTHING'S...
EVERYTHING'S FINE.
354
00:15:06,505 --> 00:15:08,417
- YOU'RE GOOD? YOU NEED A MINUTE?
- NO NO NO, I'M GOOD.
355
00:15:08,441 --> 00:15:10,385
- OKAY, HERE. COME ON.
- OKAY, THANK YOU.
356
00:15:10,409 --> 00:15:12,649
- HOW'S THAT DRESS FEEL?
- IT'S REALLY UNCOMFORTABLE.
357
00:15:12,679 --> 00:15:15,145
NOT GREAT, RIGHT?
358
00:15:15,181 --> 00:15:17,514
HEY, YOU NEEDED ME TO GO
MAKE A PHONE CALL FOR YOU.
359
00:15:17,550 --> 00:15:19,294
I'M JUST CONFIRMING, WHO
WAS I SUPPOSED TO CALL?
360
00:15:19,318 --> 00:15:21,229
YOU WANT TO TALK TO
LLOYD IN ARI GOLD'S OFFICE.
361
00:15:21,253 --> 00:15:23,365
ERIC, IF YOU NEED TO GO MAKE
SOME PHONE CALLS, THAT'S FINE.
362
00:15:23,389 --> 00:15:24,800
- YOU SURE?
- TOTALLY.
363
00:15:24,824 --> 00:15:26,368
- I'LL BE BACK
IN FIVE MINUTES.
- OKAY.
364
00:15:26,392 --> 00:15:28,325
- ALL RIGHT?
- HEY, AND E?
365
00:15:28,360 --> 00:15:31,462
- YEAH?
- I SWEAR I'M NOT AS HIGH
MAINTENANCE AS IT SEEMS.
366
00:15:31,497 --> 00:15:33,809
DON'T WORRY ABOUT IT. AS FAR AS
MY EASIEST CLIENTS ARE CONCERNED,
367
00:15:33,833 --> 00:15:35,299
YOU'RE IN THE TOP TWO. NOT BAD.
368
00:15:35,334 --> 00:15:37,735
- ALL RIGHT, BYE.
- I'LL BE BACK IN TWO SECONDS.
369
00:15:37,770 --> 00:15:38,948
- I'M SORRY.
- ALL RIGHT.
370
00:15:38,972 --> 00:15:40,182
- SO SORRY, GUYS.
- OKAY.
371
00:15:40,206 --> 00:15:42,873
ARI, MAKING HOUSE CALLS.
372
00:15:42,909 --> 00:15:44,820
- I LOVE IT!
- HEH-HEH, TODAY
IS NOT THE DAY
373
00:15:44,844 --> 00:15:46,243
TO NOT PICK UP YOUR PHONE, VIN.
374
00:15:46,278 --> 00:15:48,445
I WAS READING. COME
ON, YOU SHOULD BE PROUD.
375
00:15:48,481 --> 00:15:50,081
NORMALLY YOU CAN'T
GET ME TO DO THAT.
376
00:15:50,116 --> 00:15:52,327
WELL, TODAY I ACTUALLY
DON'T NEED YOU TO DO THAT.
377
00:15:52,351 --> 00:15:54,763
I MADE SOME LAMB KEBABS,
ARI. YOU WANT SOME?
378
00:15:54,787 --> 00:15:56,164
- NO, THANK YOU.
- THEY'RE GOOD.
379
00:15:56,188 --> 00:15:58,455
NO, THANK YOU. YOU
KNOW RICHARD KELLY?
380
00:15:58,491 --> 00:16:00,936
- DIRECTOR?
- YEAH, THE GUY WHO DID
"DONNIE DARKO."
381
00:16:00,960 --> 00:16:02,760
I KNOW HIM. I LIKE HIM. WHY?
382
00:16:02,795 --> 00:16:04,907
I REPRESENT HIM. I CAN
GET HIM ON "CLOUDS."
383
00:16:04,931 --> 00:16:07,876
PLUS, I CAN GET THE STUDIO ONBOARD
SO WE CAN KEEP THIS TRAIN ROLLING.
384
00:16:07,900 --> 00:16:09,667
WHAT ABOUT BILLY?
385
00:16:09,702 --> 00:16:11,780
BILLY IS A DEAD
MAN. HE'S A CORPSE.
386
00:16:11,804 --> 00:16:15,339
YOU CAN'T PULL THAT KIND OF SHIT
WHEN YOU GET PAID THAT KIND OF MONEY.
387
00:16:15,374 --> 00:16:18,053
- DID YOU READ HIS SCRIPT?
- I UNDERSTAND THAT YOU'RE
LOYAL TO THE GUY.
388
00:16:18,077 --> 00:16:20,544
- BUT DID YOU READ IT?
- I READ THE FIRST 10 PAGES.
389
00:16:20,579 --> 00:16:23,014
THERE'S NO MOUNTAIN. WITHOUT
A MOUNTAIN, THERE'S NO MOVIE.
390
00:16:23,049 --> 00:16:25,415
NO, THERE IS A MOVIE,
A GREAT MOVIE...
391
00:16:25,451 --> 00:16:26,829
BETTER THAN "CLOUDS," I THINK.
392
00:16:26,853 --> 00:16:28,853
ARE YOU FUCKING WITH ME?
393
00:16:28,888 --> 00:16:30,354
WHY WOULD I DO THAT, ARI?
394
00:16:30,389 --> 00:16:32,556
IS HE FUCKING WITH ME?
395
00:16:32,591 --> 00:16:35,237
"CLOUDS" WAS LACKING IN TITS,
ARI. THIS ONE'S GOT AT LEAST FOUR.
396
00:16:35,261 --> 00:16:37,405
YEAH, THERE'S A COUPLE
THINGS IN THERE FOR ME TOO, ARI.
397
00:16:37,429 --> 00:16:39,141
SO YOU AND LLOYD
SHOULD GET ON IT ASAP.
398
00:16:39,165 --> 00:16:41,699
AHEM... WHERE THE HELL IS E?
399
00:16:41,734 --> 00:16:43,801
M.I.A.
400
00:16:43,836 --> 00:16:47,237
WELL, WE NEED HIM. 'CAUSE
MAYBE THAT NEUROTIC LITTLE ELF
401
00:16:47,273 --> 00:16:49,974
NIPPING AT YOUR HEELS
WILL MAKE YOU UNDERSTAND
402
00:16:50,009 --> 00:16:52,910
THAT WE ARE IN A MAJOR
CRISIS SITUATION HERE.
403
00:16:52,945 --> 00:16:55,658
I THINK IF YOU READ THE SCRIPT,
ARI, YOU'D FIND THAT WE'RE NOT.
404
00:16:55,682 --> 00:16:59,050
COME ON, ARI. THE TIDE IS
TURNING FOR US, YOU KNOW THAT.
405
00:16:59,085 --> 00:17:01,786
AND THE HYPE OF "MEDELLIN" IS
GROWING AS CANNES APPROACHES.
406
00:17:01,821 --> 00:17:05,267
I LIKE THIS SCRIPT. I WANT TO
MAKE THIS MOVIE WITH BILLY.
407
00:17:05,291 --> 00:17:08,159
WE CAN'T DO THAT.
THERE IS NO WAY.
408
00:17:08,194 --> 00:17:11,162
THERE IS ALWAYS A WAY,
ARI. COME ON, BUBALA.
409
00:17:11,197 --> 00:17:12,663
MAKE IT HAPPEN, HUH?
410
00:17:21,740 --> 00:17:23,907
YOU FOLLOWING ME, DAWG?
411
00:17:23,942 --> 00:17:25,754
NO, I WAS TRYING TO
MAKE A PHONE CALL.
412
00:17:25,778 --> 00:17:27,411
THEN WHY ARE YOU
RIDING UP MY ASS?
413
00:17:27,446 --> 00:17:29,324
I'M NOT RIDING UP YOUR ASS. I
DIDN'T EVEN KNOW IT WAS YOU.
414
00:17:29,348 --> 00:17:30,814
OH, YOU DIDN'T. OKAY.
415
00:17:30,849 --> 00:17:32,383
YOU GOT A THING FOR MY GIRL?
416
00:17:32,418 --> 00:17:34,463
NO, DAVE, WE WORK TOGETHER.
WHAT ARE YOU TALKING ABOUT?
417
00:17:34,487 --> 00:17:35,897
- OKAY, YOU GOT A GIRLFRIEND?
- NO.
418
00:17:35,921 --> 00:17:37,132
- YOU GAY?
- NO!
419
00:17:37,156 --> 00:17:39,000
THEN HOW ARE YOU GONNA
LOOK AT ME IN MY FACE RIGHT NOW
420
00:17:39,024 --> 00:17:40,802
AND TELL ME YOU AIN'T
GOT A THING FOR MY GIRL?
421
00:17:40,826 --> 00:17:42,593
- DAVE, YOU'VE GOT TO CHILL.
- WHOA WHOA!
422
00:17:42,628 --> 00:17:44,662
DON'T TELL ME TO CHILL, OKAY?
423
00:17:44,697 --> 00:17:47,042
MY GIRLFRIEND, SHE COMES AND
TELLS ME SHE'S GOT A NEW MANAGER
424
00:17:47,066 --> 00:17:50,267
AND I'M THINKING IT'S GONNA BE SOME
GRAYBEARD BERNIE BRILLSTEIN-TYPE GUY.
425
00:17:50,303 --> 00:17:53,437
NOT SOME YOUNG NON-GAY
GUY WHO AIN'T GOT NO GIRL.
426
00:17:53,472 --> 00:17:56,084
LOOK, I PROMISE YOU THIS RELATIONSHIP
IS GONNA BE NOTHING BUT PROFESSIONAL.
427
00:17:56,108 --> 00:17:58,342
PROFESSIONAL? HOW ARE YOU
GONNA HELP HER PROFESSIONALLY?
428
00:17:58,377 --> 00:18:00,611
WHY DON'T YOU SELL ME
HOWEVER YOU SOLD HER?
429
00:18:00,646 --> 00:18:03,425
I DIDN'T SELL HER, OKAY? I TOLD HER I
DIDN'T LIKE A MOVIE SHE WAS GONNA DO
430
00:18:03,449 --> 00:18:05,260
AND SHE AGREED WITH
MY OPINION. THAT'S IT.
431
00:18:05,284 --> 00:18:07,050
OKAY.
432
00:18:07,086 --> 00:18:09,531
- SO YOU'RE THE REASON
SHE DIDN'T DO IT?
- YEAH.
433
00:18:09,555 --> 00:18:11,121
THAT'S FUNNY.
THAT'S REALLY FUNNY
434
00:18:11,156 --> 00:18:13,302
BECAUSE I WAS THE REASON SHE
WAS GONNA DO IT IN THE FIRST PLACE.
435
00:18:13,326 --> 00:18:16,271
WHAT CAN I SAY ABOUT THAT? I'M JUST
TRYING TO DO MY JOB. THAT'S WHAT I DO.
436
00:18:16,295 --> 00:18:18,229
YOUR JOB'S FUCKING
WITH MY LIFE, OKAY?
437
00:18:18,264 --> 00:18:21,332
- AND YOU NEVER
GOT ME THAT COKE!
- DAVE!
438
00:18:23,869 --> 00:18:25,502
THIS IS NOT HAPPENING.
439
00:18:32,010 --> 00:18:33,410
DAVE!
440
00:18:37,015 --> 00:18:39,182
ARE YOU OUT OF
YOUR FUCKING MIND?
441
00:18:39,218 --> 00:18:41,685
DID YOU EVEN READ
WALSH'S SCRIPT, DANA?
442
00:18:41,721 --> 00:18:44,622
I READ 15 PAGES AND I WILL
NOT READ ANOTHER PAGE,
443
00:18:44,657 --> 00:18:47,190
NOR ANOTHER PAGE OF
ANY CLIENT YOU EVER HAVE.
444
00:18:47,226 --> 00:18:49,037
I NEED TO GET YOU BEHIND THIS.
445
00:18:49,061 --> 00:18:50,905
I'M NOT BEHIND THIS
AND I NEVER WILL BE.
446
00:18:50,929 --> 00:18:54,197
WELL, LISTEN... YOU'D BETTER GET
BEHIND THIS IF YOU WANT TO SAVE YOUR ASS.
447
00:18:54,233 --> 00:18:56,367
Save my ass? People
love "Clouds," Ari.
448
00:18:56,402 --> 00:18:59,870
I WILL REPLACE YOU AND YOUR WHOLE
FUCKING CREW WITH THREE PHONE CALLS.
449
00:18:59,905 --> 00:19:02,784
After this town hears how you
tried to bait and switch this studio,
450
00:19:02,808 --> 00:19:05,208
IT WILL BE YOUR ASS
THAT NEEDS THE SAVING.
451
00:19:05,244 --> 00:19:07,456
- SO, DANA, YOU'RE NOT GONNA
TAKE THIS TO YOUR BOSS?
- No!
452
00:19:07,480 --> 00:19:09,913
- THEN I WILL.
- REALLY?
453
00:19:09,948 --> 00:19:12,394
HI. ARI GOLD TO SEE
RICHARD WIMMER. REALLY.
454
00:19:12,418 --> 00:19:15,719
YOU MOTHERFUCKING COCKSUCKER!
455
00:19:15,755 --> 00:19:17,621
HE'S LEAVING FOR NEW
YORK IN 30 MINUTES.
456
00:19:17,657 --> 00:19:19,990
- I'LL ONLY BE A MINUTE.
- NO, HE'S IN THE SHOWER!
457
00:19:21,427 --> 00:19:23,727
Dana: ARI! ARI!
458
00:19:37,610 --> 00:19:40,143
DAVE.
459
00:19:40,179 --> 00:19:42,879
- DAVE!
- I'M NOT A FIGHTER,
DAWG, OKAY?
460
00:19:42,915 --> 00:19:45,394
BUT WHEN IT COMES TO MY GIRL, I
WILL MAN UP. SO BACK OFF, OKAY?
461
00:19:45,418 --> 00:19:47,729
YOU'RE NOT FIGHTING ME, MAN.
YOU'RE FIGHTING YOURSELF HERE.
462
00:19:47,753 --> 00:19:49,798
DON'T USE THAT WEIRD
EXISTENTIAL SHIT WITH ME.
463
00:19:49,822 --> 00:19:51,566
DAVE, WILL YOU JUST TALK
TO ME FOR ONE SECOND
464
00:19:51,590 --> 00:19:53,123
BEFORE YOU GO BACK OVER TO HER?
465
00:19:53,158 --> 00:19:54,269
- ONE...
- LISTEN...
466
00:19:54,293 --> 00:19:55,470
- ONE...
- DAVE.
467
00:19:55,494 --> 00:19:56,938
ONE... THAT WAS
THREE SECONDS, DAWG.
468
00:19:56,962 --> 00:19:59,697
WHAT ARE YOU, SIX? LOOK, YOU
WANT TO LOSE YOUR GIRL, DAVE?
469
00:19:59,732 --> 00:20:02,177
I'M TELLING YOU RIGHT NOW, YOU GO
BACK OVER THERE WITH THAT ATTITUDE,
470
00:20:02,201 --> 00:20:04,846
- THAT'S EXACTLY
WHAT'S GONNA HAPPEN.
- YOU'D LIKE THAT, WOULDN'T YOU?
471
00:20:04,870 --> 00:20:07,282
WHAT THE FUCK, DAVE? YOU'VE
COME TO CAUSE MORE PROBLEMS?
472
00:20:07,306 --> 00:20:09,017
GIRL, I HAVEN'T CAUSED
SHIT, OKAY? IT'S THIS GUY.
473
00:20:09,041 --> 00:20:11,041
THE ONLY REASON HE'S
HERE IS TO TRY AND FUCK YOU.
474
00:20:11,076 --> 00:20:12,987
- WHAT?
- I'M JUST TRYING
TO DO MY JOB, DAVE.
475
00:20:13,011 --> 00:20:14,656
- YOU NEED TO GET RID
OF HIM, OKAY?
- DAVE!
476
00:20:14,680 --> 00:20:16,825
BABY, I'M JUST KEEPING IT REAL.
ASK HIM. ASK HIM RIGHT NOW.
477
00:20:16,849 --> 00:20:18,493
ASK HIM TO LOOK YOU IN
THE FACE AND SAY IT ISN'T SO.
478
00:20:18,517 --> 00:20:20,417
- DO IT, COME ON.
- DAVE, STOP IT.
479
00:20:20,453 --> 00:20:22,698
- MAYBE I SHOULD LEAVE.
- YEAH, DAWG, WHY DON'T YOU
DO THAT, PLEASE?
480
00:20:22,722 --> 00:20:24,199
NO, DAWG, WHY DON'T YOU?
481
00:20:24,223 --> 00:20:26,490
I CAN'T TAKE IT ANYMORE!
482
00:20:26,525 --> 00:20:28,525
- I'M DONE.
- THAT SHIT AIN'T RIGHT.
483
00:20:28,561 --> 00:20:30,961
STOP FUCKING TALKING
LIKE RANDY JACKSON!
484
00:20:32,898 --> 00:20:34,631
WHOA, OKAY.
485
00:20:34,667 --> 00:20:36,400
WHATEVER, MOVIE STAR.
486
00:20:36,435 --> 00:20:38,869
I HOPE YOU TWO ARE REALLY
HAPPY TOGETHER, ALL RIGHT?
487
00:20:47,580 --> 00:20:50,381
WELL, THAT WAS AWKWARD.
488
00:20:50,416 --> 00:20:51,749
YEAH. YOU ALL RIGHT?
489
00:20:51,784 --> 00:20:53,584
NO, I MEANT FOR YOU.
490
00:20:55,153 --> 00:20:58,789
OKAY, COME ON. LET'S
GET BACK TO WORK.
491
00:20:58,824 --> 00:21:00,384
- OKAY.
- JESUS.
492
00:21:06,131 --> 00:21:09,266
- IT'S WALSH.
- FINALLY.
493
00:21:09,301 --> 00:21:11,668
YO, BILLY! WHERE'VE
YOU BEEN ALL DAY?
494
00:21:11,704 --> 00:21:13,415
IT'S NOT BILLY, VINCE. IT'S KAT.
495
00:21:13,439 --> 00:21:15,384
BILLY'S LOCKED HIMSELF
IN THE BATHROOM
496
00:21:15,408 --> 00:21:16,852
WITH A BOTTLE OF
WHISKEY AND A GUN.
497
00:21:16,876 --> 00:21:18,742
WHAT ARE YOU TALKING ABOUT?
498
00:21:18,778 --> 00:21:21,289
He thinks he let you down,
Vince. He feels terrible.
499
00:21:21,313 --> 00:21:22,924
NO NO NO, HE DIDN'T LET ME DOWN.
500
00:21:22,948 --> 00:21:25,248
VINCE, E.
501
00:21:25,284 --> 00:21:27,418
SHH-SHH! LET ME TALK TO HIM.
502
00:21:27,453 --> 00:21:30,654
BILLY? BABY, IT'S VINCE.
HE WANTS TO TALK TO YOU.
503
00:21:30,689 --> 00:21:33,123
WHAT'S TO SAY?
I'VE RUINED US ALL!
504
00:21:33,158 --> 00:21:35,203
NO, BABY, HE SAYS
THAT IT'S ALL GOOD.
505
00:21:35,227 --> 00:21:37,694
WHAT'S ALL GOOD?
HE LIKED THE SCRIPT?
506
00:21:37,730 --> 00:21:39,307
TELL HIM I LOVED THE SCRIPT.
507
00:21:39,331 --> 00:21:41,811
HE LOVED THE SCRIPT!
BABY, HE LOVED IT.
508
00:21:44,837 --> 00:21:46,837
- YOU LOVED IT?
- It's unbelievable.
509
00:21:46,872 --> 00:21:50,273
- DO YOU REALLY HAVE A GUN?
- YEAH, BUT THE BITCH HID
THE BULLETS, SO...
510
00:21:50,309 --> 00:21:53,610
JESUS, BILLY. THE SCRIPT IS
AMAZING. I WANT TO MAKE THIS MOVIE.
511
00:21:53,646 --> 00:21:55,123
- YOU DO?
- Yes.
512
00:21:55,147 --> 00:21:56,713
WE'RE GOING TO MAKE THIS MOVIE.
513
00:21:56,749 --> 00:21:58,982
- HOW?
- ARI'S TAKING CARE OF IT. DON'T WORRY.
514
00:21:59,017 --> 00:22:01,051
ARI? WHAT CAN HE DO?
515
00:22:04,056 --> 00:22:06,222
WOW, IT'S LIKE FINDING
JIM MORRISON ALIVE.
516
00:22:06,258 --> 00:22:09,370
YEAH, I HAD NO CELL ALL DAY. I GOT,
LIKE, 25 MESSAGES. WHAT'S GOING ON?
517
00:22:09,394 --> 00:22:12,340
NOTHING THAT EXCITING. JUST HAVE AN
EMERGENCY MEETING WITH THE HEAD OF THE STUDIO
518
00:22:12,364 --> 00:22:14,342
on the Billy Walsh/
Vinnie Chase project.
519
00:22:14,366 --> 00:22:16,645
- WHY, WHAT'S THE PROBLEM?
- Wouldn't you like to know?
520
00:22:16,669 --> 00:22:18,480
- ARI?
- LISTEN, YOU SNOOZE,
YOU LOSE.
521
00:22:18,504 --> 00:22:20,303
- I'VE GOT TO GO.
- ARI?
522
00:22:24,343 --> 00:22:25,776
WHAT THE HELL IS GOING ON?
523
00:22:25,811 --> 00:22:27,878
DESPERATE TIMES CALL FOR
DESPERATE MEASURES HERE.
524
00:22:27,913 --> 00:22:29,580
THANK GOD I'M IN A ROBE.
525
00:22:29,615 --> 00:22:31,615
AND MAY I COMMENT ON WHAT
LOVELY ANKLES YOU HAVE?
526
00:22:31,650 --> 00:22:33,862
- TALK FAST, ARI.
- YOU DON'T HAVE
YOUR SUMMER MOVIE.
527
00:22:33,886 --> 00:22:36,687
- COME AGAIN?
- A TENT POLE... YOU DON'T HAVE ONE.
528
00:22:36,722 --> 00:22:40,256
- I HAVE "CLOUDS."
- BILLY WALSH AND VINNIE CHASE
DON'T WANNA DO IT.
529
00:22:40,292 --> 00:22:42,003
WHERE THE HELL IS DANA GORDON?
530
00:22:42,027 --> 00:22:43,872
I'M RIGHT OUTSIDE
THE DOOR, RICHARD!
531
00:22:43,896 --> 00:22:45,106
ARI LOCKED ME OUT.
532
00:22:45,130 --> 00:22:46,597
LET HER IN!
533
00:22:49,334 --> 00:22:51,101
- HEY, DANA.
- FUCK YOU, ARI.
534
00:22:51,136 --> 00:22:52,881
DANA, WHAT THE HELL IS
GOING ON WITH "CLOUDS"?
535
00:22:52,905 --> 00:22:55,083
I AM WORKING ON IT, RICHARD. AND
WHEN YOU RETURN FROM NEW YORK,
536
00:22:55,107 --> 00:22:56,874
I WILL HAVE A COMPLETELY
NEW TEAM IN PLACE.
537
00:22:56,909 --> 00:22:59,855
THAT'S IMPOSSIBLE. BILLY BURNED
SIX WEEKS WRITING THE WRONG SCRIPT.
538
00:22:59,879 --> 00:23:01,845
AND YOU DO NOT HAVE
ENOUGH TIME TO PUT "CLOUDS"
539
00:23:01,881 --> 00:23:03,914
BACK ONBOARD FOR
YOUR JULY RELEASE.
540
00:23:03,949 --> 00:23:06,517
YOU AND YOUR FRIEND
BILLY WALSH ARE DEAD, ARI!
541
00:23:06,552 --> 00:23:08,463
WE ARE NOT DEAD. WE
ARE VERY MUCH ALIVE.
542
00:23:08,487 --> 00:23:10,131
YOU WITH YOUR
FADING STOCK PRICES
543
00:23:10,155 --> 00:23:12,400
AND YOUR THREE STRAIGHT
QUARTERS IN THE RED ARE DEAD
544
00:23:12,424 --> 00:23:14,736
IF YOU HAVE TO GO TO YOUR
BOARD OF DIRECTORS AND TELL THEM
545
00:23:14,760 --> 00:23:16,638
THAT THIS SUMMER MAY BE
YOUR WORST QUARTER YET.
546
00:23:16,662 --> 00:23:18,239
I'M GONNA TEAR
YOUR HEAD OFF, ARI.
547
00:23:18,263 --> 00:23:20,909
PLEASE, DON'T, BECAUSE I
HAVE YOUR SUMMER MOVIE.
548
00:23:20,933 --> 00:23:23,600
FROM THE DIRECTOR OF "MEDELLIN"
549
00:23:23,636 --> 00:23:25,714
AND "QUEENS
BOULEVARD" COMES "SILO."
550
00:23:25,738 --> 00:23:29,372
IT IS A STORY OF A GROUP
OF NON-UNIONIZED FARMHANDS
551
00:23:29,408 --> 00:23:32,543
WHO BAND TOGETHER TO
SURVIVE A NUCLEAR ATTACK
552
00:23:32,578 --> 00:23:35,679
AFTER DISCOVERING AN
UNDERGROUND SOCIETY.
553
00:23:35,714 --> 00:23:38,314
IT IS READY TO SHOOT.
BILLY WALSH IS ONBOARD,
554
00:23:38,350 --> 00:23:40,228
VINNIE CHASE IS ONBOARD,
AND IF YOU'RE NOT,
555
00:23:40,252 --> 00:23:43,319
FOX, UNIVERSAL AND SONY ARE.
556
00:23:43,355 --> 00:23:45,199
- HE'S BLUFFING.
- WHAT DOES IT MATTER?
557
00:23:45,223 --> 00:23:46,601
THERE'S A SUMMER MOVIE IN THERE,
558
00:23:46,625 --> 00:23:48,036
OR WE PACK UP OUR
SHIT AND GO HOME.
559
00:23:48,060 --> 00:23:49,838
TELL HIM HOW GOOD IT IS, DANA.
560
00:23:49,862 --> 00:23:51,828
ALL PERSONAL BULLSHIT ASIDE.
561
00:23:51,864 --> 00:23:53,730
DANA?
562
00:23:55,267 --> 00:23:58,869
- IT'S AN EXCELLENT SCRIPT.
- CAN WE MARKET IT?!
563
00:23:58,904 --> 00:24:02,505
THINK "BLADE RUNNER"
MEETS "FIELD OF DREAMS."
564
00:24:02,541 --> 00:24:04,407
TWO CLASSICS... BOOM!
565
00:24:04,443 --> 00:24:06,543
YOU MAKE THIS GOOD, DANA.
566
00:24:06,579 --> 00:24:08,612
AND YOU, ARI, THIS I
DON'T SOON FORGET.
567
00:24:11,316 --> 00:24:14,084
THAT WAS UNBELIEVABLE... "BLADE
RUNNER" MEETS "FIELD OF DREAMS"?
568
00:24:14,119 --> 00:24:16,330
- NOT BAD, HUH?
- THAT WAS... DID YOU
ACTUALLY READ IT?
569
00:24:16,354 --> 00:24:18,700
WHAT DO I NEED TO READ IT FOR?
I HAVE A GO MOVIE, DOUCHEBAG.
570
00:24:18,724 --> 00:24:20,301
- WE HAVE A GO MOVIE.
- DIE, ARI.
571
00:24:20,325 --> 00:24:22,993
I TRULY HOPE YOU DIE.
572
00:24:23,028 --> 00:24:26,663
- DID I DO IT, VINNIE?
- YES, YOU DID, AND THANK YOU.
573
00:24:26,699 --> 00:24:29,210
Turtle: SO ANY POSSIBILITY
OF SHOOTING THIS ONE
574
00:24:29,234 --> 00:24:31,401
A LITTLE CLOSER TO
CIVILIZATION, BILL, PLEASE?
575
00:24:31,436 --> 00:24:33,904
IT TAKES PLACE ON A FARM
IN NOVA SCOTIA, TURTLE.
576
00:24:33,939 --> 00:24:36,372
IGNORE HIM, BILLY. HE
READ EVERY THIRD PAGE.
577
00:24:36,408 --> 00:24:38,374
I, ON THE OTHER
HAND, WAS RIVETED,
578
00:24:38,410 --> 00:24:41,478
ESPECIALLY BY THE CHARACTER
OF KELTON THE FARMHAND.
579
00:24:41,513 --> 00:24:44,547
- YEAH, I WAS THINKING
OF YOU WHEN I WROTE THAT.
- REALLY?
580
00:24:44,583 --> 00:24:46,182
NO.
581
00:24:46,218 --> 00:24:48,585
HOW ABOUT A TOAST TO
A GROUNDBREAKING DAY
582
00:24:48,621 --> 00:24:50,721
AND A POSSIBLY
GROUNDBREAKING MOVIE?
583
00:24:50,756 --> 00:24:53,189
ARE YOU KISSING MY
ASS NOW, SNAKE SUIT?
584
00:24:53,225 --> 00:24:54,803
OH, COME ON, BILLY.
HE CAME THROUGH.
585
00:24:54,827 --> 00:24:56,137
YOU CAN'T STAY MAD AT HIM.
586
00:24:56,161 --> 00:24:58,729
I'M NO LONGER PLANNING ON
USING YOUR CAR AS A TOILET,
587
00:24:58,764 --> 00:25:00,775
BUT I'LL GET BACK TO YOU
ABOUT BEING MY AGENT AGAIN.
588
00:25:00,799 --> 00:25:02,310
I WAIT WITH BATED BREATH, SIRE.
589
00:25:02,334 --> 00:25:03,967
YEAH!
590
00:25:04,003 --> 00:25:05,647
WHY DOES NOBODY
ANSWER THEIR CELL PHONES?
591
00:25:05,671 --> 00:25:07,203
LOOK WHO'S TALKING!
592
00:25:07,239 --> 00:25:09,640
WHERE'VE YOU BEEN, E? TOO
BUSY BEING PROFESSIONAL
593
00:25:09,675 --> 00:25:11,285
WITH YOUR GIRLFRIEND
TO PICK UP THE PHONE?
594
00:25:11,309 --> 00:25:12,854
WILL SOMEBODY PLEASE
TELL ME WHAT'S GOING ON?
595
00:25:12,878 --> 00:25:14,889
DON'T STRESS YOUR
PRETTY LITTLE HEAD ABOUT IT.
596
00:25:14,913 --> 00:25:16,925
- IT'S ALL BEEN HANDLED.
- WHAT'S BEEN HANDLED?
597
00:25:16,949 --> 00:25:19,269
WE'RE MAKING BILLY'S MOVIE.
598
00:25:19,652 --> 00:25:21,551
"SILO"?
599
00:25:23,689 --> 00:25:28,224
WHERE'S THE SNOW?