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Hello.
2
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This year marks 50 years,
if you can believe it,
Hello.
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00:00:16,660 --> 00:00:19,340
This year marks 50 years,
if you can believe it,
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00:00:19,340 --> 00:00:22,100
since two incredible forces
collided.
5
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since two incredible forces
collided.
Bon Scott joined AC/DC.
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Bon Scott joined AC/DC.
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Two years ago, Australian Story
had a world exclusive
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00:00:28,180 --> 00:00:32,180
with Bon Scott's brother speaking
publicly for the first time,
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along with others in Bon's close
circle who'd kept quiet for decades.
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It's one of the most popular stories
in this program's history.
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It's one of the most popular stories
And to mark the 50th anniversary,
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And to mark the 50th anniversary,
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we're bringing you
an encore screening.
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('DIRTY DEEDS DONE DIRT CHEAP'
PLAYS)
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MAN: Mark it.
MAN: 32, one.
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MAN: Mark it.
MAN: 32, one.
Hello. This is Bon from AC/DC.
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Hello. This is Bon from AC/DC.
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And although we're overseas
at the moment,
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dining with the Queen, of course,
you know,
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we haven't forgotten about you.
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# Well
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# If you're having trouble
with your high school head
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He was the best rock'n'roll singer
I've ever seen.
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# You want to graduate
but not in his bed
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To this day, I don't think there's
a rock'n'roll singer in the world
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To this day, I don't think there's
that can hold their own against him.
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that can hold their own against him.
28
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# Pick up the phone, I'm all alone
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Bon was part poet, part pirate,
# Pick up the phone, I'm all alone
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Bon was part poet, part pirate,
part street fighter.
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Bon was part poet, part pirate,
WOMAN: He used to always say to me,
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WOMAN: He used to always say to me,
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"I'm not here for a long time,
I'm here for a good time."
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# Dirty deeds
# Done dirt cheap... #
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MAN: I said,
"Ron, you are gonna bloody...
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"You are gonna ------- kill
yourself.
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"You're ------- going mad, you know?
Do something about it."
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"You're ------- going mad, you know?
(MUMBLES INAUDIBLY)
39
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(MUMBLES INAUDIBLY)
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(GROANS, LAUGHS)
41
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He wanted to go home.
He wanted to be with his family.
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Unfortunately, he...
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..went for the bottle instead.
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(CHEERING AND APPLAUSE)
45
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# Done dirt cheap. #
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(CHEERING AND SCREAMING)
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MAN: When the band was
making it in London,
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MAN: When the band was
I lost my first name.
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I lost my first name.
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I became "Bon Scott's brother".
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I mean, it's nice
everyone's interested
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and I reckon that's fantastic.
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But...leave me out of it.
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That's his life, that's not my life.
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A lot of the stories that have been
written in the books are bullshit.
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A lot of what was written early
upset my mother. Greatly.
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This is the first interview
I've ever done
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and it will be the last one
I ever do.
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And I'm only doing it because I'm
the last person standing. (LAUGHS)
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The Scott family had a bakery
in Kirriemuir in Scotland.
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My father wanted a new start
and settled in Fremantle.
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Ron was about five.
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My mother used to call him Ronnie.
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So it was "Ronnie Scott
from Bonny Scotland".
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It wasn't until he started in the
band that they broke it down to Bon.
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But in the family,
we always called him Ron.
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But in the family,
(BAGPIPES SKIRL)
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(BAGPIPES SKIRL)
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WOMAN: He was very quiet
when you were with him by yourself.
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But when Bonny was around a lot
of people, he...he was a performer.
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He enjoyed the cheekiness of it all.
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He wanted to be
He enjoyed the cheekiness of it all.
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He wanted to be
the centre of attention a lot.
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He loved being
the centre of attention.
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I put it down to his size,
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because he was only five foot tall
at the time.
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You could not dare Ron to do
anything, because he would do it.
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You could not dare Ron to do
He would take the challenge up.
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He would take the challenge up.
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And I think that was because he was
trying to prove himself. Yeah.
81
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When Ron was 16,
he got mixed up with the law.
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He did 12 months
in the Riverbank institution.
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I don't know what went down.
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And my parents never
talked about that.
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Bonny had sex with a girl
that was 15.
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It was consensual, but in those
days, it was carnal knowledge.
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Bonny never spoke about it.
Bonny was very embarrassed.
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And the fact that his grandmother
died while he was in detention.
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He knew he let his parents down.
90
00:05:04,620 --> 00:05:04,860
But Ron's time in there,
He knew he let his parents down.
91
00:05:04,860 --> 00:05:06,780
But Ron's time in there,
the 12 months,
92
00:05:06,780 --> 00:05:09,540
was probably the best 12 months
he's ever spent.
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It not only taught him a little bit
of responsibility and everything else
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and settled him down,
95
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but while he was in there, the other
people in there were playing guitars,
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so they formed a band.
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And when he came out,
he had a direction.
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And when he came out,
(CHEERING AND SCREAMING)
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(CHEERING AND SCREAMING)
100
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# Whenever I feel blue
# Yeah-eah
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MAN: The minute he got out,
he knew what he wanted to do
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and he formed the Spektors.
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# That's why you're on my mind
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They would do covers of all their
favourites, like Chuck Berry...
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# You treat me cruel
# Yeah, yeah-eah
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# You treat me cruel
# And when I'm left behind
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# And when I'm left behind
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He was playing drums.
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# You gonna be on my mind... #
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But he also loved the spotlight
of being a singer,
# You gonna be on my mind... #
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But he also loved the spotlight
of being a singer,
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so he was a little bit torn
between drumming and singing.
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so he was a little bit torn
between drumming and singing.
(BAND PLAYS 'MY OLD MAN'S
A GROOVY OLD MAN')
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(BAND PLAYS 'MY OLD MAN'S
A GROOVY OLD MAN')
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(BAND PLAYS 'MY OLD MAN'S
MAN: I was in a band.
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MAN: I was in a band.
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We were opposition bands
MAN: I was in a band.
118
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We were opposition bands
in a very small club scene.
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We were opposition bands
(SINGS INDISTINCTLY)
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(SINGS INDISTINCTLY)
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I suggested to Bon that we join ranks
(SINGS INDISTINCTLY)
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I suggested to Bon that we join ranks
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and have...form one band
and have two lead singers.
I suggested to Bon that we join ranks
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and have...form one band
and have two lead singers.
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and have...form one band
and have two lead singers.
# He's a hip-hip, hippity-hip,
hip-hip, yeah... #
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# He's a hip-hip, hippity-hip,
hip-hip, yeah... #
127
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And we formed a band
called the Valentines.
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# Oh, my old man's
a groovy old man... #
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00:06:16,740 --> 00:06:20,100
MAN: Bonny was down the back
singing some harmonies
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and hardly noticeable, really,
in the Valentines.
131
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But he was definitely, on the live
gigs, he was the star of the show.
and hardly noticeable, really,
in the Valentines.
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But he was definitely, on the live
gigs, he was the star of the show.
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But he was definitely, on the live
gigs, he was the star of the show.
And Vince knew it too.
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And Vince knew it too.
135
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The Valentines reached
a pretty big height
136
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The Valentines reached
and then there was nowhere to go.
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and then there was nowhere to go.
138
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Like, our music wasn't
up there anymore.
139
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As it turns out, there was a vacancy
in a band called Fraternity
140
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and the bass player, Bruce Howe,
invited Bon to join the band.
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(PLAY 'SEASONS OF CHANGE')
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MAN: He seemed to me
to be much happier
143
00:06:58,900 --> 00:07:01,380
in his new role
where he was the man.
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in his new role
# I try... #
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# I try... #
146
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There was no question that Bon
wanted to be a rock star
# I try... #
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00:07:05,300 --> 00:07:09,620
There was no question that Bon
wanted to be a rock star
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00:07:09,620 --> 00:07:12,420
and go as far
as he could possibly go.
149
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and go as far
as he could possibly go.
He lived for it. He lived for it.
150
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He lived for it. He lived for it.
151
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# And it makes me cry... #
152
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MC: First prize, $2,000 in cash...
153
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(GIRLS SCREAM)
154
00:07:27,660 --> 00:07:30,140
..a return trip to Los Angeles
by P&O...
155
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..from Adelaide, Fraternity!
156
00:07:34,220 --> 00:07:36,700
(ALL SCREAM WILDLY)
157
00:07:43,300 --> 00:07:44,900
All the very best.
158
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We did it for Adelaide too.
We really did it for you.
159
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(SCREAMING)
Thank you.
160
00:07:52,900 --> 00:07:55,820
VICTOR MARSHALL: The band was really
interested in going to America,
161
00:07:55,820 --> 00:07:57,740
but Bon's past had
caught up with him,
162
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and now his misdemeanours prevented
him from getting a green card.
163
00:08:01,780 --> 00:08:05,060
So it was decided that the band
would go to England.
164
00:08:07,780 --> 00:08:10,020
BRUCE HOWE: Towards the end of '71,
165
00:08:10,020 --> 00:08:13,100
Bon met Irene and she...
she sort of moved in.
166
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The management decided that
167
00:08:16,500 --> 00:08:18,820
only wives would get a free trip
to England,
168
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only wives would get a free trip
girlfriends had to pay.
169
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girlfriends had to pay.
170
00:08:20,980 --> 00:08:24,020
Four months later,
they were married.
171
00:08:27,340 --> 00:08:30,060
DEREK SCOTT: London was a disaster,
I think, for the band.
172
00:08:30,060 --> 00:08:30,300
DEREK SCOTT: London was a disaster,
They found it very hard to get work.
173
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They found it very hard to get work.
174
00:08:32,540 --> 00:08:35,180
We went to England
and we got a house.
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Like, 20 people in one house,
a three-bedroom house.
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And we played gigs that cost us
twice as much money to play
177
00:08:41,500 --> 00:08:43,540
as it did to get paid for them,
you know?
178
00:08:43,540 --> 00:08:46,180
It wasn't a waste of time, because
I learned so much there, you know?
179
00:08:46,180 --> 00:08:47,980
But it was a...
(SLAP!)
180
00:08:47,980 --> 00:08:50,100
..bashing your head against
a brick wall type thing.
181
00:08:51,860 --> 00:08:55,740
Bon's performance style
at that time was...
182
00:08:55,740 --> 00:08:58,580
..well, basically was
there was no style.
183
00:08:58,580 --> 00:08:58,860
..well, basically was
there was no style.
He would just stand there
and sometimes with his head down.
184
00:08:58,860 --> 00:09:01,820
He would just stand there
and sometimes with his head down.
185
00:09:03,660 --> 00:09:07,300
He stuck to the microphone stand
like a security blanket,
186
00:09:07,300 --> 00:09:09,780
and he didn't...
didn't use the stage.
187
00:09:09,780 --> 00:09:10,020
and he didn't...
And I'd say, you know,
188
00:09:10,020 --> 00:09:11,500
And I'd say, you know,
189
00:09:11,500 --> 00:09:14,180
you've got to reach the audience
at the back of the room
190
00:09:14,180 --> 00:09:16,820
rather than sort of just the people
that are down the front.
191
00:09:17,980 --> 00:09:20,820
And we would talk about
how to use television, you know,
192
00:09:20,820 --> 00:09:23,460
look down, straight down the barrel,
follow the camera.
193
00:09:23,460 --> 00:09:23,700
look down, straight down the barrel,
# You don't know where you are... #
194
00:09:23,700 --> 00:09:26,940
# You don't know where you are... #
195
00:09:26,940 --> 00:09:27,180
Bon was like a sponge, and he was
learning and taking and grabbing,
# You don't know where you are... #
196
00:09:27,180 --> 00:09:30,780
Bon was like a sponge, and he was
learning and taking and grabbing,
197
00:09:30,780 --> 00:09:35,580
you know, bits to make
his...his craft better.
198
00:09:36,740 --> 00:09:40,300
And Fraternity was where
Bon learnt to sing,
199
00:09:40,300 --> 00:09:42,380
was where Bon learnt
to be a frontman.
200
00:09:43,900 --> 00:09:48,220
I think...I think it was
a really great place for him
201
00:09:48,220 --> 00:09:48,460
I think...I think it was
to launch out of.
202
00:09:48,460 --> 00:09:49,700
to launch out of.
203
00:09:53,180 --> 00:09:55,420
VICTOR MARSHALL: But after a couple
of years of struggle,
204
00:09:55,420 --> 00:09:57,660
Fraternity had to admit defeat
in England
205
00:09:57,660 --> 00:10:00,660
and they came back to Australia
and they basically fell apart.
206
00:10:00,660 --> 00:10:03,420
And that put a strain
on all their relationships.
207
00:10:05,420 --> 00:10:08,220
Bon and Irene
basically had separated.
208
00:10:08,220 --> 00:10:11,020
He's not in a band for
the first time in ten years.
209
00:10:11,020 --> 00:10:11,300
He had to get a day job
at the Wallaroo fertiliser plant
He's not in a band for
the first time in ten years.
210
00:10:11,300 --> 00:10:15,660
He had to get a day job
at the Wallaroo fertiliser plant
211
00:10:15,660 --> 00:10:16,980
on the Port Adelaide docks,
212
00:10:16,980 --> 00:10:17,180
on the Port Adelaide docks,
and he thought his dreams were over.
213
00:10:17,180 --> 00:10:19,100
and he thought his dreams were over.
214
00:10:22,900 --> 00:10:25,300
If we didn't work
for a week or so...
215
00:10:26,900 --> 00:10:28,900
..that's it, he would go nuts.
216
00:10:33,820 --> 00:10:36,300
There was no future.
There was only now.
217
00:10:36,300 --> 00:10:38,820
And he would take risks
on his motorbike.
218
00:10:40,700 --> 00:10:43,780
He didn't give a bugger whether
he lived or died the next day.
219
00:10:46,580 --> 00:10:48,820
DEREK SCOTT: There was a pattern
with Ron, yeah.
220
00:10:48,820 --> 00:10:50,860
He did get bored very quickly.
221
00:10:52,140 --> 00:10:54,980
He never worried about tomorrow.
Tomorrow's another day.
222
00:10:54,980 --> 00:10:55,220
He never worried about tomorrow.
Tomorrow's another day.
(ENGINE REVS)
223
00:10:55,220 --> 00:10:57,060
(ENGINE REVS)
224
00:10:57,060 --> 00:10:59,100
WOMAN: Bon's life was about fun.
225
00:11:00,460 --> 00:11:02,380
I think he used to push
the envelope.
226
00:11:03,820 --> 00:11:06,020
It was just in his nature.
227
00:11:09,580 --> 00:11:11,460
My mother always told him off.
228
00:11:11,460 --> 00:11:13,620
"You're drinking so much."
229
00:11:13,620 --> 00:11:16,340
And that was from 16, 17.
230
00:11:17,420 --> 00:11:21,380
But you could say it once,
maybe twice. After that...
231
00:11:21,380 --> 00:11:21,620
But you could say it once,
..he argued.
232
00:11:21,620 --> 00:11:22,940
..he argued.
233
00:11:27,820 --> 00:11:31,260
Things took a turn for the worse
when Bon had an argument.
234
00:11:31,260 --> 00:11:31,500
Things took a turn for the worse
Bon was upset. He had a bit to drink.
235
00:11:31,500 --> 00:11:34,380
Bon was upset. He had a bit to drink.
236
00:11:34,380 --> 00:11:34,620
And against all advice, he roared off
Bon was upset. He had a bit to drink.
237
00:11:34,620 --> 00:11:38,540
And against all advice, he roared off
on his motorbike into the night.
238
00:11:41,020 --> 00:11:44,820
MAN: On 3 May 1974, we were
heading back from Port Adelaide
239
00:11:44,820 --> 00:11:45,060
MAN: On 3 May 1974, we were
after going to the Findon Hotel.
240
00:11:45,060 --> 00:11:46,500
after going to the Findon Hotel.
241
00:11:48,100 --> 00:11:50,340
A motorcycle came out from nowhere.
242
00:11:52,180 --> 00:11:55,060
The motorcycle hit the car.
243
00:11:55,060 --> 00:11:56,380
(ENGINE RUMBLES)
244
00:11:56,380 --> 00:11:57,860
(CRASH!)
245
00:11:57,860 --> 00:11:58,100
The rider came
(CRASH!)
246
00:11:58,100 --> 00:11:59,980
The rider came
half through the windscreen
247
00:11:59,980 --> 00:12:04,580
and his helmet hit the head...
hit the roof of the vehicle.
248
00:12:06,460 --> 00:12:09,660
It was a shocking set of injuries.
249
00:12:11,340 --> 00:12:15,220
He had blood coming down
from his helmet.
250
00:12:17,220 --> 00:12:20,700
It was about 36 hours later
on Sunday morning
251
00:12:20,700 --> 00:12:20,940
It was about 36 hours later
we opened up the Sunday Mail
252
00:12:20,940 --> 00:12:22,540
we opened up the Sunday Mail
253
00:12:22,540 --> 00:12:22,780
we opened up the Sunday Mail
and we learnt then that Bon Scott
from Fraternity...
254
00:12:22,780 --> 00:12:26,420
and we learnt then that Bon Scott
from Fraternity...
255
00:12:28,020 --> 00:12:29,980
..was the victim of the accident.
256
00:12:31,940 --> 00:12:34,340
He had a fractured skull.
257
00:12:34,340 --> 00:12:37,300
He had crushed ribs.
All his...his teeth were missing.
258
00:12:37,300 --> 00:12:37,580
He had crushed ribs.
All his...his teeth were missing.
His jaw was wired up,
and he was a mess.
259
00:12:37,580 --> 00:12:39,380
His jaw was wired up,
and he was a mess.
260
00:12:41,100 --> 00:12:44,020
He found it very difficult to walk.
He had a walking stick.
261
00:12:44,020 --> 00:12:49,580
And he was worried that he would not
be able to get up and sing again.
262
00:12:51,420 --> 00:12:54,620
Although the crash was tragic,
it was also serendipitous -
263
00:12:54,620 --> 00:12:57,620
but for the crash,
Bon mightn't have been in town
264
00:12:57,620 --> 00:13:01,260
when a new, young hot-shot band
called AC/DC came to Adelaide
265
00:13:01,260 --> 00:13:01,500
when a new, young hot-shot band
a couple of months later.
266
00:13:01,500 --> 00:13:03,060
a couple of months later.
267
00:13:03,060 --> 00:13:07,340
# I met this girl for the first time
on Saturday night... #
268
00:13:07,340 --> 00:13:10,180
AC/DC weren't happy
with their lead singer, Dave Evans.
269
00:13:10,180 --> 00:13:14,860
# Standing in the queue
at the Odeon, alright... #
270
00:13:14,860 --> 00:13:15,140
At the time, the guy we had doing,
churning out the vocals,
# Standing in the queue
at the Odeon, alright... #
271
00:13:15,140 --> 00:13:18,380
At the time, the guy we had doing,
churning out the vocals,
272
00:13:18,380 --> 00:13:21,780
you know, we felt, well,
we wanted more a rock'n'roll...
273
00:13:21,780 --> 00:13:22,020
you know, we felt, well,
we wanted more a rock'n'roll...
# Can I sit next to you, girl?
274
00:13:22,020 --> 00:13:25,420
# Can I sit next to you, girl?
275
00:13:25,420 --> 00:13:28,300
# Can I sit next to you, girl? #
276
00:13:30,460 --> 00:13:32,300
Bon's old friend Vince Lovegrove
277
00:13:32,300 --> 00:13:35,420
suggested that AC/DC
take a look at Bon.
278
00:13:35,420 --> 00:13:37,540
They said, "Oh, he's a bit old,
isn't he?"
279
00:13:37,540 --> 00:13:40,660
And I said, "Mate, he'll
rock the arse off you guys.
280
00:13:40,660 --> 00:13:41,940
"Make no mistake about that."
281
00:13:43,300 --> 00:13:47,140
Bon came to see AC/DC right here
at the Bridgeway Hotel in Adelaide.
282
00:13:47,140 --> 00:13:49,660
He got up and sang a few songs
that night with them.
283
00:13:51,420 --> 00:13:52,820
BON: I was really shitting myself.
284
00:13:52,820 --> 00:13:55,740
Here's me, a man of 27 years old,
285
00:13:55,740 --> 00:13:59,700
there was him about 18 at the time,
you know, 16 or whatever he was.
286
00:13:59,700 --> 00:14:02,260
And I thought, "Can I keep up
with this guy?" You know?
287
00:14:02,260 --> 00:14:02,500
And I thought, "Can I keep up
"My God, he's gonna kill me."
288
00:14:02,500 --> 00:14:04,780
"My God, he's gonna kill me."
289
00:14:04,780 --> 00:14:05,020
I think from the moment he got
"My God, he's gonna kill me."
290
00:14:05,020 --> 00:14:09,540
I think from the moment he got
on stage, he was just, you know...
291
00:14:09,540 --> 00:14:12,380
..you know, just one of those people
that had that presence.
292
00:14:12,380 --> 00:14:16,020
So we more or less asked him if
he was looking for a gig, you know?
293
00:14:17,380 --> 00:14:21,140
That was it. Bon didn't hesitate.
He packed his bags
294
00:14:21,140 --> 00:14:21,380
That was it. Bon didn't hesitate.
and he was off with AC/DC.
295
00:14:21,380 --> 00:14:23,620
and he was off with AC/DC.
296
00:14:23,620 --> 00:14:25,820
(THUMPING GUITAR RIFF)
297
00:14:27,420 --> 00:14:30,180
JIMMY BARNES: Word got around -
it went around like wildfire -
298
00:14:30,180 --> 00:14:30,420
JIMMY BARNES: Word got around -
that Bon was asked to join the band.
299
00:14:30,420 --> 00:14:32,660
that Bon was asked to join the band.
300
00:14:33,860 --> 00:14:36,340
It did not surprise me one bit.
301
00:14:36,340 --> 00:14:38,060
I just thought it was
a match made in heaven.
302
00:14:41,340 --> 00:14:43,260
FIFA RICCOBONO:
He had a tooth missing.
303
00:14:43,260 --> 00:14:43,500
FIFA RICCOBONO:
He had tattoos all over him.
304
00:14:43,500 --> 00:14:44,860
He had tattoos all over him.
305
00:14:44,860 --> 00:14:47,540
He was loud, he was cussing,
306
00:14:47,540 --> 00:14:51,460
but he just fitted in so well
with the band, it was ridiculous.
307
00:14:54,740 --> 00:14:56,980
PHILIP MORRIS: Bon was totally
more extroverted.
308
00:14:58,540 --> 00:15:03,780
I couldn't believe the change
from Fraternity to AC/DC.
309
00:15:03,780 --> 00:15:04,020
I couldn't believe the change
from Fraternity to AC/DC.
It was just like a different person.
310
00:15:04,020 --> 00:15:05,780
It was just like a different person.
311
00:15:08,300 --> 00:15:11,900
I remember sitting in the studio
watching them record.
312
00:15:11,900 --> 00:15:12,140
I remember sitting in the studio
And it was just... They were just on.
313
00:15:12,140 --> 00:15:15,380
And it was just... They were just on.
314
00:15:15,380 --> 00:15:17,300
They were fuckin' on.
315
00:15:17,300 --> 00:15:17,540
And it was...you know, it was...
They were fuckin' on.
316
00:15:17,540 --> 00:15:20,540
And it was...you know, it was...
it was frightening to watch.
317
00:15:20,540 --> 00:15:25,500
MAN: All the while, Bon had his
notebook of phrases and lyrics,
318
00:15:25,500 --> 00:15:28,620
and it was light-heartedly
called "toilet poetry".
319
00:15:28,620 --> 00:15:28,900
Lines he thought were appealing,
potential lyrics.
and it was light-heartedly
called "toilet poetry".
320
00:15:28,900 --> 00:15:32,100
Lines he thought were appealing,
potential lyrics.
321
00:15:34,140 --> 00:15:36,460
VINCE LOVEGROVE: He wrote poetry
from the street.
322
00:15:36,460 --> 00:15:40,660
It wasn't pretty, but it was real,
it was working class.
323
00:15:40,660 --> 00:15:44,820
This is how the people who bought
AC/DC records talked.
324
00:15:44,820 --> 00:15:45,060
This is how the people who bought
They related to Bon's words.
325
00:15:45,060 --> 00:15:46,460
They related to Bon's words.
326
00:15:46,460 --> 00:15:49,900
You gotta keep your eyes and ears
open for...
327
00:15:49,900 --> 00:15:53,100
..lines and words, you know? And
ideas and just pictures, you know?
328
00:15:53,100 --> 00:15:55,620
And sort of...
And kangaroos.
329
00:15:55,620 --> 00:15:57,340
Kangaroos. And you write around,
you know?
330
00:15:57,340 --> 00:15:57,580
They were definitely ribald.
Kangaroos. And you write around,
you know?
331
00:15:57,580 --> 00:15:58,860
They were definitely ribald.
332
00:15:58,860 --> 00:16:02,260
I mean, just about every song
had something to do with sex.
333
00:16:02,260 --> 00:16:03,940
But very clever.
334
00:16:03,940 --> 00:16:04,180
But very clever.
INTERVIEWER: Many people see your
use of indecent language in your...
335
00:16:04,180 --> 00:16:07,980
INTERVIEWER: Many people see your
use of indecent language in your...
336
00:16:07,980 --> 00:16:08,220
INTERVIEWER: Many people see your
..act as, well, outrageous.
337
00:16:08,220 --> 00:16:10,460
..act as, well, outrageous.
338
00:16:10,460 --> 00:16:12,740
Do you see it as an essential part
of your act?
339
00:16:12,740 --> 00:16:15,500
(LAUGHS) I've never said 'fuck'
onstage yet.
340
00:16:16,780 --> 00:16:19,380
MAN: Just said it then! (LAUGHS)
341
00:16:19,380 --> 00:16:23,300
MAN: Five, four, three, two, one.
342
00:16:23,300 --> 00:16:27,100
Fade up.
# Countdown... #
343
00:16:27,100 --> 00:16:29,620
MAN: When Countdown began
on ABC TV...
344
00:16:29,620 --> 00:16:30,940
Go!
345
00:16:30,940 --> 00:16:34,060
..that was sort of almost
tailor-made for AC/DC.
346
00:16:34,060 --> 00:16:37,980
Colour television,
this explosive band.
347
00:16:37,980 --> 00:16:41,340
And over the next few years,
AC/DC would appear on Countdown
348
00:16:41,340 --> 00:16:41,580
And over the next few years,
nearly 40 times.
349
00:16:41,580 --> 00:16:43,340
nearly 40 times.
350
00:16:43,340 --> 00:16:45,660
# Baby, please don't go
351
00:16:45,660 --> 00:16:47,780
# Baby, don't go down
to New Orleans
352
00:16:47,780 --> 00:16:50,660
# You know I love you so,
baby, please don't go... #
353
00:16:50,660 --> 00:16:50,940
They would absolutely thrive
on the atmosphere
# You know I love you so,
baby, please don't go... #
354
00:16:50,940 --> 00:16:54,500
They would absolutely thrive
on the atmosphere
355
00:16:54,500 --> 00:16:57,020
of having the audience there,
touchable.
356
00:16:57,020 --> 00:16:57,260
of having the audience there,
touchable.
# Babe
357
00:16:57,260 --> 00:16:58,980
# Babe
358
00:17:00,740 --> 00:17:02,660
# Babe... #
359
00:17:04,260 --> 00:17:09,540
It really gave him the opportunity
of working the stage.
360
00:17:09,540 --> 00:17:09,780
It really gave him the opportunity
# Baby, please don't go... #
361
00:17:09,780 --> 00:17:11,660
# Baby, please don't go... #
362
00:17:11,660 --> 00:17:11,900
He just ate up television.
# Baby, please don't go... #
363
00:17:11,900 --> 00:17:15,140
He just ate up television.
He was made for it.
364
00:17:15,140 --> 00:17:15,380
He just ate up television.
# Ow!
365
00:17:15,380 --> 00:17:16,180
# Ow!
366
00:17:17,420 --> 00:17:19,020
# Oh, no
367
00:17:19,020 --> 00:17:20,540
# Babe... #
368
00:17:22,140 --> 00:17:24,460
(PLAYS 'LONG WAY TO THE TOP' RHYTHM)
369
00:17:31,420 --> 00:17:34,460
And then Bon had that little
scribble on the back of his book,
370
00:17:34,460 --> 00:17:37,860
you know, "It's a long way to the
top if you wanna rock'n'roll,"
371
00:17:37,860 --> 00:17:40,900
which, you know, I think
said it all, you know,
372
00:17:40,900 --> 00:17:41,140
which, you know, I think
especially for a band like us.
373
00:17:41,140 --> 00:17:42,780
especially for a band like us.
374
00:17:42,780 --> 00:17:46,500
You know, we felt, "We're gonna just
be playing rock'n'roll music.
375
00:17:46,500 --> 00:17:49,980
"You know, it will be, you know,
a long way to the top."
376
00:17:49,980 --> 00:17:50,220
"You know, it will be, you know,
# Ridin' down the highway
377
00:17:50,220 --> 00:17:52,660
# Ridin' down the highway
378
00:17:54,060 --> 00:17:56,380
# Goin' to a show... #
379
00:17:56,380 --> 00:17:59,180
PAUL DRANE: When Molly said to me,
"OK, Long Way To The Top,
380
00:17:59,180 --> 00:18:01,740
"I think this is gonna be a number
one hit, it's gonna be massive.
381
00:18:01,740 --> 00:18:05,860
"So Bon wants to be able
to include the bagpipes
382
00:18:05,860 --> 00:18:08,100
"in any sort of clip
that we might do."
383
00:18:08,100 --> 00:18:10,780
# Gettin' beat up, broken bones... #
384
00:18:10,780 --> 00:18:15,420
So my thought was, how about we put
AC/DC on the back of a truck
385
00:18:15,420 --> 00:18:18,620
and have them sing the song as
they're going down Swanston Street?
386
00:18:18,620 --> 00:18:23,260
# It's a long way to the top
if you wanna rock'n'roll... #
387
00:18:24,300 --> 00:18:27,060
(BAGPIPES SKIRL)
388
00:18:27,060 --> 00:18:29,260
Bon was rapt, he loved the idea.
389
00:18:29,260 --> 00:18:31,500
Angus, everybody
thought it was great.
390
00:18:31,500 --> 00:18:31,740
Angus, everybody
I was recently amazed to hear
391
00:18:31,740 --> 00:18:33,980
I was recently amazed to hear
392
00:18:33,980 --> 00:18:39,540
that there has been over
35 million viewings of that clip.
393
00:18:39,540 --> 00:18:44,100
# It's a long way to the top
if you wanna rock'n'roll... #
394
00:18:44,100 --> 00:18:46,620
And the whole clip was made
for about 300 bucks.
395
00:18:46,620 --> 00:18:50,580
# It's a long way to the top
if you wanna rock'n'roll... #
396
00:18:50,580 --> 00:18:53,100
So, this could only happen
on Countdown.
397
00:18:53,100 --> 00:18:54,420
Whoa. Hey!
398
00:18:54,420 --> 00:18:58,460
MOLLY MELDRUM: Here we are at Mascot
Airport to say farewell to AC/DC.
399
00:18:58,460 --> 00:18:58,740
Their vision was they were going
to go out and conquer the world.
MOLLY MELDRUM: Here we are at Mascot
Airport to say farewell to AC/DC.
400
00:18:58,740 --> 00:19:01,980
Their vision was they were going
to go out and conquer the world.
401
00:19:01,980 --> 00:19:03,540
Nothing was going to stop them.
402
00:19:05,220 --> 00:19:07,740
ANGUS YOUNG: Probably from
the beginning, you know,
403
00:19:07,740 --> 00:19:11,820
we had that arrogance that we could
do it, you know, we had no fear.
404
00:19:14,300 --> 00:19:18,740
I always thought as a band,
you know, we could go out
405
00:19:18,740 --> 00:19:23,300
and stand up with any band
in the world, you know.
406
00:19:23,300 --> 00:19:25,460
Mwah.
Oh!
407
00:19:25,460 --> 00:19:27,780
MURRAY ENGLEHEART:
By 1976, AC/DC had gone
408
00:19:27,780 --> 00:19:28,020
MURRAY ENGLEHEART:
as far as they could in Australia.
409
00:19:28,020 --> 00:19:29,340
as far as they could in Australia.
410
00:19:29,340 --> 00:19:31,780
(ALL CHATTER)
411
00:19:33,020 --> 00:19:34,540
They were hugely popular.
412
00:19:34,540 --> 00:19:34,780
So in April '76,
They were hugely popular.
413
00:19:34,780 --> 00:19:37,220
So in April '76,
they went to London,
414
00:19:37,220 --> 00:19:40,980
and Bon was probably thinking,
"Well, this is my second chance.
415
00:19:40,980 --> 00:19:44,380
"It didn't work for Fraternity.
This has to work this time."
416
00:19:45,500 --> 00:19:48,140
MOLLY MELDRUM: Well, here we are.
Welcome to Countdown in London.
417
00:19:48,140 --> 00:19:49,580
And we've been searching around,
418
00:19:49,580 --> 00:19:51,460
and what better group to
start off with in London
419
00:19:51,460 --> 00:19:54,220
than our own Australian group,
and it's AC/DC.
420
00:19:54,220 --> 00:19:57,220
Fancy meeting you here, mate.
Yeah, isn't it marvellous?
421
00:19:57,220 --> 00:19:57,500
Bon absolutely knew
that he was in a band
Fancy meeting you here, mate.
Yeah, isn't it marvellous?
422
00:19:57,500 --> 00:19:59,820
Bon absolutely knew
that he was in a band
423
00:19:59,820 --> 00:20:02,100
that was going to take over
the world, he really did.
424
00:20:02,100 --> 00:20:02,380
that was going to take over
the world, he really did.
You look more at home here than I've
ever seen anywhere in my life.
425
00:20:02,380 --> 00:20:05,460
You look more at home here than I've
ever seen anywhere in my life.
426
00:20:05,460 --> 00:20:07,620
Yeah, Piccadilly Square is
the place where people come
427
00:20:07,620 --> 00:20:10,620
to sit and look at other people
sitting and looking at other people.
428
00:20:10,620 --> 00:20:13,620
He wasn't big-noting himself
or the band,
429
00:20:13,620 --> 00:20:16,140
he just saw the whole...the future.
430
00:20:16,140 --> 00:20:18,700
So when did this build-up
sort of first start occurring?
431
00:20:18,700 --> 00:20:20,500
We sort of played around here
pretty regular,
432
00:20:20,500 --> 00:20:22,580
we got a really good following
in London, you know.
433
00:20:22,580 --> 00:20:24,540
Like, even the first gig
we ever played,
434
00:20:24,540 --> 00:20:25,900
at a little pub called The Red Cow,
435
00:20:25,900 --> 00:20:28,780
the next night, half that pub
was in The Nashville Room,
436
00:20:28,780 --> 00:20:29,020
the next night, half that pub
another place we played, you know.
437
00:20:29,020 --> 00:20:30,380
another place we played, you know.
438
00:20:30,380 --> 00:20:32,980
And they'd just sort of tell their
friends and they all come along.
439
00:20:32,980 --> 00:20:33,220
And they'd just sort of tell their
So, it's good.
440
00:20:33,220 --> 00:20:34,180
So, it's good.
441
00:20:35,820 --> 00:20:38,140
FIFA RICCOBONO: They were probably
the hardest-working band
442
00:20:38,140 --> 00:20:38,380
FIFA RICCOBONO: They were probably
on the planet at that stage.
443
00:20:38,380 --> 00:20:39,540
on the planet at that stage.
444
00:20:39,540 --> 00:20:41,580
I mean, they toured relentlessly.
445
00:20:42,860 --> 00:20:45,100
That started in the UK,
then it spread out to Europe.
446
00:20:49,900 --> 00:20:52,620
Hello. This is Bon from AC/DC
telling you to stick around,
447
00:20:52,620 --> 00:20:52,860
Hello. This is Bon from AC/DC
because really soon,
448
00:20:52,860 --> 00:20:54,020
because really soon,
449
00:20:54,020 --> 00:20:56,500
we've got our brand-new single,
Jailbreak, coming up.
450
00:20:56,500 --> 00:20:59,780
# I said, I ain't
spending my life here
451
00:21:01,020 --> 00:21:03,620
# I ain't living alone... #
452
00:21:03,620 --> 00:21:05,580
MAN: As AC/DC became
more successful,
453
00:21:05,580 --> 00:21:10,900
that gave Bon more of a platform
to live life to the fullest.
454
00:21:10,900 --> 00:21:11,140
that gave Bon more of a platform
# Gonna make a jailbreak... #
455
00:21:11,140 --> 00:21:13,900
# Gonna make a jailbreak... #
456
00:21:13,900 --> 00:21:15,060
He was becoming famous...
457
00:21:15,060 --> 00:21:17,060
# And I'm looking
towards the sky... #
458
00:21:17,060 --> 00:21:21,940
..and his standing allowed him
to party, almost an excuse to party.
459
00:21:22,900 --> 00:21:26,060
PHILIP MORRIS: I think he was
living his dream as a rock'n'roller.
460
00:21:26,060 --> 00:21:28,500
The girls, the drink, the drugs.
461
00:21:28,500 --> 00:21:31,900
He was on stage, he was performing.
You know, he was in his element.
462
00:21:36,620 --> 00:21:37,980
# Spotlights
463
00:21:39,380 --> 00:21:41,140
# Sirens
464
00:21:42,860 --> 00:21:45,860
But when they came back
in the late '70s,
465
00:21:45,860 --> 00:21:49,300
he was drinking
more excessively then.
466
00:21:49,300 --> 00:21:53,980
It was a bit of a worry
to see him going that way.
467
00:21:53,980 --> 00:21:54,260
He could drink like a fish,
of course, but...
It was a bit of a worry
to see him going that way.
468
00:21:54,260 --> 00:21:56,300
He could drink like a fish,
of course, but...
469
00:21:56,300 --> 00:21:58,540
And when, you know, when
you look at where I came from,
470
00:21:58,540 --> 00:22:00,820
that's saying something, you know.
471
00:22:04,180 --> 00:22:06,380
BRUCE HOWE: The last time I saw him
472
00:22:06,380 --> 00:22:09,060
was getting close
towards the end of '79.
473
00:22:11,220 --> 00:22:14,260
He bought a 40-ounce bottle
of Scotch...
474
00:22:15,900 --> 00:22:19,860
..and he started asking me questions
about bloody love and having a kid,
475
00:22:19,860 --> 00:22:26,260
and why did I put that
in front of going for it,
476
00:22:26,260 --> 00:22:26,500
and why did I put that
in front of going for it,
you know, like he did, you know.
477
00:22:26,500 --> 00:22:28,780
you know, like he did, you know.
478
00:22:29,980 --> 00:22:32,340
His Holy Grail had always been
479
00:22:32,340 --> 00:22:32,580
to get to the top
His Holy Grail had always been
480
00:22:32,580 --> 00:22:35,620
to get to the top
in the rock'n'roll business.
481
00:22:35,620 --> 00:22:40,740
And maybe he'd come to the stage
where he'd achieved his dream,
482
00:22:40,740 --> 00:22:40,980
And maybe he'd come to the stage
you know, he'd found his Holy Grail.
483
00:22:40,980 --> 00:22:42,660
you know, he'd found his Holy Grail.
484
00:22:42,660 --> 00:22:42,900
But the Holy Grail was...
you know, he'd found his Holy Grail.
485
00:22:42,900 --> 00:22:46,460
But the Holy Grail was...
I don't know,
486
00:22:46,460 --> 00:22:49,060
just might have just looked
like an empty goblet,
487
00:22:49,060 --> 00:22:49,300
just might have just looked
and what was it all about?
488
00:22:49,300 --> 00:22:50,460
and what was it all about?
489
00:22:52,220 --> 00:22:55,100
VINCE LOVEGROVE: He said,
"I really am getting sick of this.
490
00:22:55,100 --> 00:22:56,660
"You know, I'm sick of
being on the road.
491
00:22:56,660 --> 00:22:59,620
"All I want to do is go out
into the country somewhere.
492
00:22:59,620 --> 00:23:03,060
"I'd like to settle down
and live an ordinary life
493
00:23:03,060 --> 00:23:05,300
"like anyone else
and just play guitar."
494
00:23:07,900 --> 00:23:12,780
Somewhere there, I believe
there was a deep core of unhappiness.
495
00:23:12,780 --> 00:23:16,940
He was lonely.
He was lonely for companionship.
496
00:23:16,940 --> 00:23:17,180
He was lonely.
He was lonely for companionship.
And I think he was now looking
497
00:23:17,180 --> 00:23:19,900
And I think he was now looking
498
00:23:19,900 --> 00:23:23,140
for someone to spend
the rest of his life with.
499
00:23:24,580 --> 00:23:28,860
He was talking about wanting
to return to Perth,
500
00:23:28,860 --> 00:23:31,660
because that's where
he felt the most comfortable,
501
00:23:31,660 --> 00:23:31,900
because that's where
and buying a property here.
502
00:23:31,900 --> 00:23:33,420
and buying a property here.
503
00:23:34,860 --> 00:23:38,940
He was looking in Spearwood,
which was near his mum and dad.
504
00:23:41,220 --> 00:23:43,620
DEREK SCOTT: I think he was lonely.
505
00:23:43,620 --> 00:23:46,980
A lot of the guys in AC/DC,
or most of them, were married then,
506
00:23:46,980 --> 00:23:47,220
A lot of the guys in AC/DC,
and he wasn't.
507
00:23:47,220 --> 00:23:48,540
and he wasn't.
508
00:23:52,380 --> 00:23:54,260
You know, I think he...
509
00:23:54,260 --> 00:23:57,340
..he was starting to feel it
at the end, I think, yes.
510
00:23:57,340 --> 00:23:57,620
..he was starting to feel it
at the end, I think, yes.
# Whoo! I'm on the highway
to hell... #
511
00:23:57,620 --> 00:24:02,260
# Whoo! I'm on the highway
to hell... #
512
00:24:02,260 --> 00:24:04,940
MURRAY ENGLEHART: By the time
the Highway To Hell album came out,
513
00:24:04,940 --> 00:24:07,100
everything was just
falling into place.
514
00:24:07,100 --> 00:24:10,980
All their hard work, building up an
audience tour by tour in America.
515
00:24:10,980 --> 00:24:11,220
All their hard work, building up an
# Don't stop me! #
516
00:24:11,220 --> 00:24:13,260
# Don't stop me! #
517
00:24:13,260 --> 00:24:15,300
Within the next 12 months,
518
00:24:15,300 --> 00:24:17,780
they were expected to be one of
the biggest acts on the planet.
519
00:24:17,780 --> 00:24:18,020
they were expected to be one of
The next album was gonna be
520
00:24:18,020 --> 00:24:19,460
The next album was gonna be
521
00:24:19,460 --> 00:24:19,700
the one that was really gonna
The next album was gonna be
522
00:24:19,700 --> 00:24:22,180
the one that was really gonna
kick them over the posts.
523
00:24:22,180 --> 00:24:22,420
the one that was really gonna
# Highway to hell... #
524
00:24:22,420 --> 00:24:23,860
# Highway to hell... #
525
00:24:23,860 --> 00:24:27,500
And it is the first time
in his life that he had...
526
00:24:27,500 --> 00:24:30,660
..you know, he'd actually felt
he was accomplishing something.
527
00:24:30,660 --> 00:24:30,900
..you know, he'd actually felt
He got to be who he wanted to be.
528
00:24:30,900 --> 00:24:32,780
He got to be who he wanted to be.
529
00:24:32,780 --> 00:24:33,020
And the more we work,
the more we tour,
He got to be who he wanted to be.
530
00:24:33,020 --> 00:24:35,300
And the more we work,
the more we tour,
531
00:24:35,300 --> 00:24:37,660
we're getting more ideas
and we're getting more...you know?
532
00:24:37,660 --> 00:24:39,900
Just, it's gonna get
better and better.
533
00:24:39,900 --> 00:24:40,140
I can't see an end to it, you know?
better and better.
534
00:24:40,140 --> 00:24:41,860
I can't see an end to it, you know?
535
00:24:41,860 --> 00:24:43,980
It's like infinity rock'n'roll.
536
00:24:45,740 --> 00:24:47,580
BRIAN JOHNSON:
Certainly inspired me.
537
00:24:47,580 --> 00:24:51,220
I think that's what he was to me
more than anything - an inspiration.
538
00:24:51,220 --> 00:24:55,780
Even when I hear him talking
in old interviews, I still laugh.
539
00:24:55,780 --> 00:24:58,540
Even if I've seen it 20 times,
I still laugh.
540
00:24:58,540 --> 00:24:58,780
Even if I've seen it 20 times,
And chuckle along with him.
541
00:24:58,780 --> 00:25:01,620
And chuckle along with him.
542
00:25:01,620 --> 00:25:01,820
And chuckle along with him.
And, er, it's, uh...
543
00:25:01,820 --> 00:25:03,420
And, er, it's, uh...
544
00:25:03,420 --> 00:25:05,380
He was a special guy.
545
00:25:05,380 --> 00:25:07,420
He really was.
546
00:25:07,420 --> 00:25:09,980
I wish I had've got
to know him more.
547
00:25:11,660 --> 00:25:13,020
But I didn't.
548
00:25:14,100 --> 00:25:15,460
That's life.
549
00:25:23,220 --> 00:25:28,260
Over the years, there's been all
sorts of theories and beliefs
550
00:25:28,260 --> 00:25:30,300
of what really happened to Bon.
551
00:25:31,540 --> 00:25:34,180
The band were in London.
552
00:25:34,180 --> 00:25:35,860
Malcolm and Angus were in the studio
553
00:25:35,860 --> 00:25:37,980
putting some rough ideas down
for the next album.
554
00:25:39,100 --> 00:25:40,700
But Bon wasn't required
at that point,
555
00:25:40,700 --> 00:25:42,820
so he sort of had some time
to himself.
556
00:25:46,740 --> 00:25:48,140
FIFA RICCOBONO: My understanding is
557
00:25:48,140 --> 00:25:48,380
that he went out
FIFA RICCOBONO: My understanding is
558
00:25:48,380 --> 00:25:50,620
that he went out
and met up with friends
559
00:25:50,620 --> 00:25:54,580
and drank way too much
and he came back with a friend.
560
00:25:56,140 --> 00:25:58,380
Alistair drove Bon back
to Bon's place,
561
00:25:58,380 --> 00:25:58,620
Alistair drove Bon back
but Bon had passed out on the way.
562
00:25:58,620 --> 00:26:00,860
but Bon had passed out on the way.
563
00:26:00,860 --> 00:26:02,660
He couldn't lift him, so he thought,
564
00:26:02,660 --> 00:26:05,700
"Well, I'll take him back
to my place," which he did.
565
00:26:05,700 --> 00:26:05,940
"Well, I'll take him back
Bon was sound asleep.
566
00:26:05,940 --> 00:26:07,580
Bon was sound asleep.
567
00:26:07,580 --> 00:26:10,380
And Alistair went upstairs
568
00:26:10,380 --> 00:26:13,300
and made Bon as comfortable
as he could in the car.
569
00:26:13,300 --> 00:26:16,580
They came down, apparently,
and threw a blanket over him
570
00:26:16,580 --> 00:26:16,820
so he wouldn't be cold.
They came down, apparently,
and threw a blanket over him
571
00:26:16,820 --> 00:26:18,260
so he wouldn't be cold.
572
00:26:18,260 --> 00:26:21,100
And then the rest is history -
that he died the next morning.
573
00:26:28,260 --> 00:26:31,300
The coroner found that Bon had died
of acute alcohol poisoning
574
00:26:31,300 --> 00:26:31,540
The coroner found that Bon had died
and death by misadventure.
575
00:26:31,540 --> 00:26:33,140
and death by misadventure.
576
00:26:35,700 --> 00:26:40,660
Bon passing as he did, on his own,
in a car in the freezing cold,
577
00:26:40,660 --> 00:26:44,260
after all his hard work, and
all his heartbreak getting there,
578
00:26:44,260 --> 00:26:44,500
after all his hard work, and
was just an incredibly...
579
00:26:44,500 --> 00:26:46,740
was just an incredibly...
580
00:26:48,940 --> 00:26:54,140
..sad, lonely and unglamorous way
to go out.
581
00:26:57,020 --> 00:26:58,980
BRUCE HOWE: I hate to say this,
582
00:26:58,980 --> 00:27:04,580
but, unfortunately, when Ron died
and I heard the circumstances,
583
00:27:04,580 --> 00:27:04,820
but, unfortunately, when Ron died
I wasn't surprised.
584
00:27:04,820 --> 00:27:06,980
I wasn't surprised.
585
00:27:06,980 --> 00:27:08,260
MAN: 33, one.
586
00:27:08,260 --> 00:27:11,460
That pattern of getting bored
and...and restless.
587
00:27:11,460 --> 00:27:14,900
He was only away from the studio
for a few days in London,
588
00:27:14,900 --> 00:27:15,140
He was only away from the studio
but his boredom that he faced here,
589
00:27:15,140 --> 00:27:17,860
but his boredom that he faced here,
590
00:27:17,860 --> 00:27:19,820
for him, that was excruciating.
591
00:27:21,260 --> 00:27:23,260
He drank far, far too much.
592
00:27:24,940 --> 00:27:28,700
I did wonder if he would push
it too far one day.
593
00:27:28,700 --> 00:27:28,940
I did wonder if he would push
And, sadly, he obviously did.
594
00:27:28,940 --> 00:27:32,140
And, sadly, he obviously did.
595
00:27:38,380 --> 00:27:41,740
It was a terrible time for the band.
596
00:27:41,740 --> 00:27:45,580
They were devastated and didn't know
whether to continue or not.
597
00:27:45,580 --> 00:27:49,060
But it was Bon's parents
that were very much behind...
598
00:27:49,060 --> 00:27:52,340
You know, they said Bon would never
have wanted them to stop.
599
00:27:52,340 --> 00:27:55,820
So we decided we'd go ahead,
you know?
600
00:27:55,820 --> 00:27:56,060
So we decided we'd go ahead,
INTERVIEWER: Yeah.
601
00:27:56,060 --> 00:27:56,940
INTERVIEWER: Yeah.
602
00:27:56,940 --> 00:28:00,220
And Bon always...I always remembered
Bon telling...telling us
603
00:28:00,220 --> 00:28:00,460
And Bon always...I always remembered
how good a vocalist was, Brian was.
604
00:28:00,460 --> 00:28:02,700
how good a vocalist was, Brian was.
605
00:28:02,700 --> 00:28:05,380
BRIAN JOHNSON: As soon as
they started playing
606
00:28:05,380 --> 00:28:06,820
and I was singing with them
and everything,
607
00:28:06,820 --> 00:28:07,060
and I was singing with them
my hairs were standing on end.
608
00:28:07,060 --> 00:28:08,820
my hairs were standing on end.
609
00:28:08,820 --> 00:28:09,060
And, you know, it was just...
it was...it was fantastic.
my hairs were standing on end.
610
00:28:09,060 --> 00:28:13,740
And, you know, it was just...
it was...it was fantastic.
611
00:28:13,740 --> 00:28:14,980
It was...it was wonderful.
612
00:28:14,980 --> 00:28:18,740
I'd never thought... I'd never
sang with a band this good.
613
00:28:20,900 --> 00:28:23,660
MURRAY ENGLEHART: With Brian Johnson
and the Back In Black Album,
614
00:28:23,660 --> 00:28:23,900
MURRAY ENGLEHART: With Brian Johnson
AC/DC just really, really took off.
615
00:28:23,900 --> 00:28:26,260
AC/DC just really, really took off.
616
00:28:27,860 --> 00:28:29,460
And to this day, decades on,
617
00:28:29,460 --> 00:28:32,940
they're still the biggest rock act
in the world,
618
00:28:32,940 --> 00:28:36,740
which was bittersweet, because
it was where Bon was going to be.
619
00:28:36,740 --> 00:28:40,900
REPORTER: Thousands upon thousands
of Acca/Dacca fans
620
00:28:40,900 --> 00:28:41,140
REPORTER: Thousands upon thousands
have come down here to Fremantle
621
00:28:41,140 --> 00:28:42,940
have come down here to Fremantle
622
00:28:42,940 --> 00:28:47,460
to pay tribute to the band
and the former frontman Bon Scott.
623
00:28:47,460 --> 00:28:51,340
The thing about Bon Scott is that,
as time has gone by,
624
00:28:51,340 --> 00:28:52,780
his legend has become bigger.
625
00:28:54,340 --> 00:28:58,860
He is now considered by millions
of people around the world
626
00:28:58,860 --> 00:29:02,060
THE rock'n'roll singer,
THE rock'n'roll frontman.
627
00:29:02,060 --> 00:29:05,220
FIFA RICCOBONO: There's an
astounding global legacy
628
00:29:05,220 --> 00:29:06,900
that he's left
all these years later.
629
00:29:06,900 --> 00:29:07,140
that he's left
Those songs just live on.
630
00:29:07,140 --> 00:29:08,780
Those songs just live on.
631
00:29:11,300 --> 00:29:14,180
DEREK SCOTT: You know,
I wish he was here to know that,
632
00:29:14,180 --> 00:29:16,740
that he'd made it.
He really did make it.
633
00:29:20,500 --> 00:29:24,420
If Ron could see what was happening
in the world today over himself,
634
00:29:24,420 --> 00:29:26,940
I think he'd have a good laugh.
He really would.
635
00:29:26,940 --> 00:29:29,580
He'd be surprised,
but he'd have a good laugh.
636
00:29:29,580 --> 00:29:29,820
He'd be surprised,
And a drink.
637
00:29:29,820 --> 00:29:31,220
And a drink.
638
00:29:32,620 --> 00:29:35,540
(CHEERING AND APPLAUSE)
639
00:29:42,740 --> 00:29:44,180
# Rifles
640
00:29:44,180 --> 00:29:46,140
# Firing
641
00:29:46,140 --> 00:29:48,340
# But he made it out
642
00:29:51,700 --> 00:29:54,340
# With a bullet
in his back!
643
00:29:54,340 --> 00:29:54,580
# With a bullet
# Jailbreak
644
00:29:54,580 --> 00:29:56,580
# Jailbreak
645
00:30:01,300 --> 00:30:03,300
# Jailbreak
646
00:30:08,500 --> 00:30:11,020
# Jailbreak... #
647
00:30:13,460 --> 00:30:15,820
Captions by Red Bee Media
648
00:30:15,820 --> 00:30:18,300
Copyright Australian
Broadcasting Corporation