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G'day.
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One of your favourite stories
from last year
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One of your favourite stories
featured the intrepid Gina Chick.
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featured the intrepid Gina Chick.
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featured the intrepid Gina Chick.
Gina spent 67 days
in the Tasmanian wilderness
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Gina spent 67 days
in the Tasmanian wilderness
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hunting and gathering
all her own food
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to become the first winner
of the TV show Alone Australia.
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to become the first winner
Well, after that story aired,
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Well, after that story aired,
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Gina and I sat down
in front of a live audience
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to talk more about her backstory,
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from her childhood, where she felt
to talk more about her backstory,
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from her childhood, where she felt
like she never quite fit in,
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from her childhood, where she felt
to her friendship with Hugh Jackman,
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to her friendship with Hugh Jackman,
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to the huge popularity she found
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after revealing her vulnerability
on national TV.
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GINA CHICK: Tonight is the barefoot
Logies moment on the red carpet.
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GINA CHICK: Tonight is the barefoot
And it's weird but fabulous.
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And it's weird but fabulous.
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I've always had this sense of,
"I'm too big. Too big."
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I felt like I've got
three people's personalities
I've always had this sense of,
"I'm too big. Too big."
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I felt like I've got
three people's personalities
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that got squeezed into one body,
three people's personalities
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that got squeezed into one body,
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and I've been having to figure out
how to be with that my whole life.
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and I've been having to figure out
how to be with that my whole life.
(GASPS) Wow.
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(GASPS) Wow.
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This is wild.
How does this even happen?
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Now I feel like
there is absolute space
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Now I feel like
for me to be as big as I am
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for me to be as big as I am
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and not feel like there's a culture
saying, "You must be small."
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Or, if there is...
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(LAUGHS) I'm not interested!
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(CHEERING AND APPLAUSE)
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Welcome to our very first
(CHEERING AND APPLAUSE)
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Welcome to our very first
Australian Story Live.
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We are so thrilled that
you could all come out tonight.
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We are so thrilled that
Would you please welcome Gina Chick?
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Would you please welcome Gina Chick?
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(CHEERING AND APPLAUSE)
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(LAUGHS)
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Thanks for having me.
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What's this journey been like, where
you've gone from Gina in the bush
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What's this journey been like, where
to Gina on the red carpet
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to Gina on the red carpet
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and, kind of, this environment
that's about as manufactured
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and far away from nature
as you could get?
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Yeah, it's wild.
But, you know, it's...
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I think there's a bit of
a Cinderella in me as well.
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I think there's a bit of
You know, there's...
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You know, there's...
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I love dressing up,
as you saw with the possum coat.
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Part of it was practical
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and part of it is 'cause I think
I do have a bit of an inner diva,
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and part of it is 'cause I think
even if it's a bush diva.
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even if it's a bush diva.
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Sleeping naked in the possum fur
is ridiculously fabulous!
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How glamorous is that? (LAUGHS)
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Like, there's something about me.
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It's probably from the '90s,
actually,
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from being a bit of a diva
on Oxford Street.
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So, I found that
the whole Alone journey
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is actually letting me express
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all of these different parts
of myself,
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and there's a context
where it's like, "OK. Red carpet.
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"Do the whole thing
but do it barefoot."
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You know? And I've managed
to get away with not wearing shoes
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for anything so far,
and now it's a brand.
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for anything so far,
(LAUGHS)
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(LAUGHS)
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But more seriously,
I feel like a wild person.
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I feel like a wild creature
in a human body.
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And for me, it's really important
to spend time in the wilderness,
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spend time connecting with nature.
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But it's also I'm in a body
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in this time, in this life,
in a modern world,
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and so I'm interested in survival
skills in all the jungles.
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So it's about being able
to stitch the worlds together.
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You probably want to see
what I'm doing, don't you?
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You probably want to see
Like, you want to see THAT.
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Like, you want to see THAT.
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MAN: I think the world is probably
finally ready for Gina.
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She's the icon of
being at home in the wild.
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She's the icon of
My family think I'm bonkers,
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My family think I'm bonkers,
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but they're not at all surprised
that I'm doing something like this.
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Alone Australia, it's the most legit
survival challenge out there.
but they're not at all surprised
that I'm doing something like this.
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Alone Australia, it's the most legit
survival challenge out there.
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Alone Australia, it's the most legit
It's the one where
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It's the one where
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It's the one where
the ten people go out into the bush
with ten items each
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the ten people go out into the bush
with ten items each
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and the last person to come back
wins it.
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and the last person to come back
Oh, this moss feels amazing!
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Oh, this moss feels amazing!
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WOMAN: Everyone was like,
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"As if that hippie lady
who dances on the moss
WOMAN: Everyone was like,
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"As if that hippie lady
who dances on the moss
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"and just goes around singing
and talking to the animals
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"and just goes around singing
"is gonna win."
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"is gonna win."
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"is gonna win."
I got a fish! I'm eating fish
for breakfast. Oh, my goodness!
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I got a fish! I'm eating fish
for breakfast. Oh, my goodness!
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MAN: Gina is probably the last
person to do a reality TV show...
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MAN: Gina is probably the last
Thank you, Mr Wallaby.
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Thank you, Mr Wallaby.
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..but it quickly became clear
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that she wasn't just surviving
to win the show.
..but it quickly became clear
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that she wasn't just surviving
to win the show.
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She was there. That was her life.
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She could have stayed years.
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So, how have Australians
responded to you
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when they see you in real life
after having watched Alone?
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when they see you in real life
It's the most gratifying thing.
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It's the most gratifying thing.
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I was expecting to get trolled.
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Like, that bully kid in me was like,
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"Really? Really?
Like, that bully kid in me was like,
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"Really? Really?
Are we gonna do this?"
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And then I found
the most staggering thing,
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which has been that
there has been zero trolling.
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which has been that
Like, none. Like, who gets that?
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Like, none. Like, who gets that?
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And so as a result,
Like, none. Like, who gets that?
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And so as a result,
when I walk down the street,
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people come up and they are, like,
so happy and so grateful
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people come up and they are, like,
and they want to connect and...
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and they want to connect and...
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Like, I want to connect. Like,
I'm making a stand for connection.
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So if someone comes up
and they're like,
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"Oh, my goodness!
My kids love watching you!"
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or, you know, "My 90-year-old mother
thinks you're great,"
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or, "We've just built a fire
in the backyard,"
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or, "We've just built a fire
or, "We're going camping."
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or, "We're going camping."
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Many of the people
or, "We're going camping."
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Many of the people
who come to stop me are women,
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Many of the people
and especially postmenopausal women.
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and especially postmenopausal women.
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(CHEERING)
Yeah!
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(CHEERING)
And the story is,
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And the story is,
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"Thank you for showing
that we don't have to be invisible.
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"Thank you for showing that
we have wisdom in these bodies.
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"Thank you for showing that we earn
these bloody silver feathers."
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"Thank you for showing that we earn
And so, yeah, like, the...
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And so, yeah, like, the...
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So, I have been
so humbled and gratified
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by the response that I've received
from wherever I go in Australia.
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I'm just like, "Aw!"
I'm just really touched.
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I was an odd child.
I was a definitely a strangeling.
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And humans never made sense to me
when I was a kid,
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but nature always did.
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I'm the eldest of three girls.
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There was three of us
in three years.
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We were lucky enough to grow up
in Jervis Bay.
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It's a wild place
that's teeming with life.
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WOMAN: Our house became a menagerie.
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Her bedroom at one stage
had a massive...
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..almost, like,
a ten-foot-high bird's nest -
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..almost, like,
a bunch of, like, sticks -
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a bunch of, like, sticks -
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and some kind of animal
that's been rescued
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in her bedroom, like,
shitting all over the floor.
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Um... And it was hilarious.
It was brilliant.
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She often went to school with
some little creature in her pocket
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that there was something
sad and wrong about,
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that there was something
sad and wrong about,
and she'd have an eyedropper
and she'd feed it during the day.
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and she'd have an eyedropper
and she'd feed it during the day.
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I got known as the Crazy Bird Girl.
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I was, you know, chewing up seed
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and spitting it into birds' mouths
at school.
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"Ew! Gina's kissing birds!
She's vomiting in their mouths!"
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"Ew! Gina's kissing birds!
For me, that was just normal.
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For me, that was just normal.
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It felt like you always had
a strong sense of yourself,
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It felt like you always had
even from childhood,
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even from childhood,
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but did you, or is it
even from childhood,
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but did you, or is it
something you've learned?
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I can remember being in,
I think, fourth grade,
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and, uh...the PE teacher got us
to walk around in a circle.
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You know... You know,
it's a hot day, Aussie school,
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neh-neh-neh,
walk round in a circle.
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And I took a step
outside the circle
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And I took a step
and I walked the other way.
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and I walked the other way.
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(LAUGHTER)
At school. On purpose.
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Now, I didn't have any friends.
Do you know why?
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(LAUGHTER)
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Um, yeah, I always had a really,
really strong sense of myself
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and also had a really strong, um...
like, this drive not to change.
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Like, I just couldn't do the thing
where I would contort to be liked.
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Which is then why
I didn't have any friends.
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But that then has ended up
making sense,
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you know, in my 20s and 30s
and 40s and 50s.
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But, you know, at school,
it was a pretty rough ride.
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You said in the program that as
a child you didn't understand humans.
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Do you feel like you do now?
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Yeah. Yeah.
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It took me a long time
to learn how to be a human,
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but I figure I've kind of...
I've figured it out.
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Back then, there were no diagnoses.
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You know, we didn't get hauled along
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to find out what letters
would be after our name.
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And, you know, if I had,
it'd be an alphabet.
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And I've had to learn
how to be a human in a body
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where the world didn't make sense.
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But I've...like, I've spent
so long kind of going,
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"Well, what IS that?
What's actually going on?"
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And...I guess
healing the parts of me
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that didn't know how to be
vulnerable with people
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or didn't know how to be...
you know, have a conversation.
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And...and these days, I...
I love the fact that I'm a human,
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which, you know, I definitely
wouldn't have said when I was a kid.
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One of the moments in Alone that
I think most resonated with viewers
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was when you got to that point
where you said,
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"Actually, I really...I've tried
to tell myself I don't need people,
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"Actually, I really...I've tried
"but I actually really do,
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"but I actually really do,
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"and, my God, I'd really like a hug
right about now."
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What does it actually feel like
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to be without any human contact
for so long?
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to be without any human contact
Like, what does it feel like?
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Like, what does it feel like?
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Yeah, for me,
like, I'm an introvert,
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and I use extroversion
as a survival mechanism.
231
00:09:44,860 --> 00:09:46,420
I'm a bit like a puffer fish.
232
00:09:46,420 --> 00:09:49,780
You know, a puffer fish, when
it gets threatened, it goes poof?
233
00:09:49,780 --> 00:09:50,020
You know, a puffer fish, when
Basically, you cannot get near me.
234
00:09:50,020 --> 00:09:52,380
Basically, you cannot get near me.
235
00:09:52,380 --> 00:09:55,180
And so I learned very young
236
00:09:55,180 --> 00:10:00,220
to use my energetic size and
my personality to keep people away.
237
00:10:00,220 --> 00:10:02,460
Um, but, you know, for me,
238
00:10:02,460 --> 00:10:05,660
the definition of an introversion is
someone who is fuelled by solitude,
239
00:10:05,660 --> 00:10:07,260
and the definition of an extrovert
is someone
240
00:10:07,260 --> 00:10:12,020
who is fuelled and nourished
by connection with people.
241
00:10:12,020 --> 00:10:18,620
So for me, being alone for 67 days,
like, I was...I was not lonely.
242
00:10:18,620 --> 00:10:20,220
There were a couple of times
when I had,
243
00:10:20,220 --> 00:10:22,740
you know, moments of missing people,
but...
244
00:10:23,740 --> 00:10:27,740
..the world that I live in
is so connected
245
00:10:27,740 --> 00:10:30,060
to every single living thing.
246
00:10:30,060 --> 00:10:33,700
Like that platypus, Lady Larila,
she was my friend.
247
00:10:33,700 --> 00:10:37,340
I would chat with her every day,
and she would chat back in platypus.
248
00:10:37,340 --> 00:10:41,460
And when I'd go to harvest a...
you know, like, a little sapling,
249
00:10:41,460 --> 00:10:44,340
I'd say, "Hey, you know, do you
want to be part of my shelter
250
00:10:44,340 --> 00:10:46,940
"and, you know, do something
that none of your mates are doing?"
251
00:10:46,940 --> 00:10:48,860
And...
(LAUGHTER)
252
00:10:48,860 --> 00:10:54,580
So, the solitude part,
for my personality, was amazing.
253
00:10:55,860 --> 00:10:58,660
So, this was my preparation board.
254
00:10:58,660 --> 00:11:00,780
And I've written all over it,
"Get fat."
255
00:11:00,780 --> 00:11:01,020
And I've written all over it,
"Get fatter." "Fat is fabulous."
256
00:11:01,020 --> 00:11:02,660
"Get fatter." "Fat is fabulous."
257
00:11:03,660 --> 00:11:06,420
KRISTIN: The two things, really,
that take you out of Alone
258
00:11:06,420 --> 00:11:07,660
would be weight loss
259
00:11:07,660 --> 00:11:07,860
and malnutrition -
would be weight loss
260
00:11:07,860 --> 00:11:08,940
and malnutrition -
261
00:11:08,940 --> 00:11:11,740
or, you know, the psychological part
about being alone.
262
00:11:11,740 --> 00:11:13,580
Well, I knew she had
the psychological part
263
00:11:13,580 --> 00:11:13,820
Well, I knew she had
the psychological part
absolutely sorted.
264
00:11:13,820 --> 00:11:14,780
absolutely sorted.
265
00:11:14,780 --> 00:11:19,300
Yeah, I started out at 76 kilos
and I ended up at 94.
266
00:11:19,300 --> 00:11:21,540
This has got everything!
It's hilarious!
267
00:11:21,540 --> 00:11:24,220
I tell you what did actually hit
the cutting room floor
268
00:11:24,220 --> 00:11:24,460
I tell you what did actually hit
but it was a really lovely anecdote
269
00:11:24,460 --> 00:11:26,460
but it was a really lovely anecdote
270
00:11:26,460 --> 00:11:27,980
was your sister talking about
271
00:11:27,980 --> 00:11:30,020
how you never want to see
a sausage roll again,
272
00:11:30,020 --> 00:11:33,140
'cause you had to eat so many sausage
rolls in the lead-up to Alone.
273
00:11:33,140 --> 00:11:33,380
'cause you had to eat so many sausage
Oh! Yes.
274
00:11:33,380 --> 00:11:34,180
Oh! Yes.
275
00:11:34,180 --> 00:11:34,420
Gina usually eats
Oh! Yes.
276
00:11:34,420 --> 00:11:36,460
Gina usually eats
extremely healthily,
277
00:11:36,460 --> 00:11:38,660
like, beautiful, fresh,
you know, produce,
278
00:11:38,660 --> 00:11:38,900
like, beautiful, fresh,
and then going to...
279
00:11:38,900 --> 00:11:40,780
and then going to...
280
00:11:40,780 --> 00:11:43,260
..going and seeing her
shove, like, 20 sausage rolls,
281
00:11:43,260 --> 00:11:46,500
gagging, you know, down her throat
every day to try and put on weight.
282
00:11:46,500 --> 00:11:48,500
And she's shoving, like,
sausage rolls down her throat
283
00:11:48,500 --> 00:11:50,540
with little tears
coming out the corners of her eyes
284
00:11:50,540 --> 00:11:50,780
with little tears
going, "I can't eat any more!"
285
00:11:50,780 --> 00:11:52,180
going, "I can't eat any more!"
286
00:11:52,180 --> 00:11:55,180
Actually, no,
it's the licorice bullets.
287
00:11:55,180 --> 00:11:56,380
(LAUGHTER)
288
00:11:56,380 --> 00:12:00,660
I ate 460 grams of licorice bullets
289
00:12:00,660 --> 00:12:02,620
in a day.
290
00:12:02,620 --> 00:12:07,420
The first shart started
about three hours later.
291
00:12:07,420 --> 00:12:11,940
The last shart was about
three DAYS later.
292
00:12:11,940 --> 00:12:15,220
No more licorice bullets.
(LAUGHS)
293
00:12:15,220 --> 00:12:15,460
No more licorice bullets.
The day has come.
294
00:12:15,460 --> 00:12:16,700
The day has come.
295
00:12:17,860 --> 00:12:22,500
I am heading out
to actually look for food.
296
00:12:22,500 --> 00:12:24,540
KARINA: She doesn't even think
about food for three weeks,
297
00:12:24,540 --> 00:12:26,380
and then she's just like,
"OK, time to catch a fish."
298
00:12:26,380 --> 00:12:26,620
and then she's just like,
Holy shit! Got a fish!
299
00:12:26,620 --> 00:12:28,420
Holy shit! Got a fish!
300
00:12:29,700 --> 00:12:31,500
Here we go.
301
00:12:31,500 --> 00:12:32,940
Ha! Gotcha!
302
00:12:35,100 --> 00:12:37,300
It's a boy fish.
303
00:12:37,300 --> 00:12:39,340
And he's got spermy bits.
304
00:12:40,380 --> 00:12:42,060
Mmm!
305
00:12:43,500 --> 00:12:44,860
Mmm!
306
00:12:44,860 --> 00:12:47,260
That is life force.
307
00:12:48,740 --> 00:12:52,780
Your friend said he thought you could
have stayed out there forever.
308
00:12:52,780 --> 00:12:53,020
Your friend said he thought you could
Yeah.
309
00:12:53,020 --> 00:12:54,060
Yeah.
310
00:12:54,060 --> 00:12:55,900
Stevie, bless. Um...
311
00:12:55,900 --> 00:12:57,980
I mean, I could have stayed
out there forever.
312
00:12:57,980 --> 00:13:03,020
There was a point where, um,
I lost contact with base camp
313
00:13:03,020 --> 00:13:03,260
There was a point where, um,
from...for a satellite issue,
314
00:13:03,260 --> 00:13:05,060
from...for a satellite issue,
315
00:13:05,060 --> 00:13:08,460
and for a moment, I was like,
"Has there been a war?"
316
00:13:09,740 --> 00:13:12,060
Like, "Am I out here forever?"
317
00:13:12,060 --> 00:13:12,300
"Are they...
Like, "Am I out here forever?"
318
00:13:12,300 --> 00:13:13,420
"Are they...
Can they come and get...
319
00:13:13,420 --> 00:13:15,980
"Does anyone know that I'm here?"
(LAUGHTER)
320
00:13:15,980 --> 00:13:19,060
And it was real.
Like, for quite a few hours.
321
00:13:19,060 --> 00:13:22,660
I didn't know if I was
going to be out there.
322
00:13:22,660 --> 00:13:24,420
And then it got real really fast.
323
00:13:24,420 --> 00:13:27,740
I was like, "Oh, my goodness.
I could be out here on my own.
324
00:13:27,740 --> 00:13:31,220
"The crazy lady with the wild hair,
like, talking to the platypus,
325
00:13:31,220 --> 00:13:31,460
"The crazy lady with the wild hair,
"and, like, chewing on raw eels."
326
00:13:31,460 --> 00:13:33,500
"and, like, chewing on raw eels."
327
00:13:33,500 --> 00:13:36,820
And, uh, that was not
a good thought.
328
00:13:36,820 --> 00:13:40,900
I could do it, but the idea of not
having a village at that point
329
00:13:40,900 --> 00:13:43,420
would be...ooh,
that would be heartbreaking.
330
00:13:43,420 --> 00:13:46,020
So, one of the things that keeps
you going is, on some level,
331
00:13:46,020 --> 00:13:49,020
the knowledge that it's not forever,
that it will end at some point?
332
00:13:49,020 --> 00:13:50,660
Yeah. Yeah, absolutely.
333
00:13:50,660 --> 00:13:52,940
Um...because we're designed
to live in villages.
334
00:13:52,940 --> 00:13:53,180
Um...because we're designed
That's how we're designed.
335
00:13:53,180 --> 00:13:54,140
That's how we're designed.
336
00:13:54,140 --> 00:13:57,180
The human animal is designed
to live in packs.
337
00:13:57,180 --> 00:13:57,420
The human animal is designed
We're designed to live in groups.
338
00:13:57,420 --> 00:13:58,860
We're designed to live in groups.
339
00:13:58,860 --> 00:13:59,100
And in the...in our DNA, the 350,000
We're designed to live in groups.
340
00:13:59,100 --> 00:14:04,340
And in the...in our DNA, the 350,000
years that we've been Homo sapiens,
341
00:14:04,340 --> 00:14:09,820
for 340,000 of those years - ish -
we were hunter-gatherers,
342
00:14:09,820 --> 00:14:12,660
living in small bands,
moving through the landscape
343
00:14:12,660 --> 00:14:12,900
living in small bands,
to get our needs met from the land.
344
00:14:12,900 --> 00:14:15,140
to get our needs met from the land.
345
00:14:15,140 --> 00:14:18,900
Like, that is the predominant
information in our DNA.
346
00:14:18,900 --> 00:14:22,180
And so I think we all
resonate with that.
347
00:14:22,180 --> 00:14:22,420
And so I think we all
The last...
348
00:14:22,420 --> 00:14:23,780
The last...
349
00:14:25,060 --> 00:14:29,100
..probably week to 10 days
has been hard.
350
00:14:29,100 --> 00:14:29,380
I love being here, but I want
to hear someone else's stories.
..probably week to 10 days
has been hard.
351
00:14:29,380 --> 00:14:34,020
I love being here, but I want
to hear someone else's stories.
352
00:14:34,020 --> 00:14:34,260
I love being here, but I want
I want to hear someone else's life.
353
00:14:34,260 --> 00:14:35,700
I want to hear someone else's life.
354
00:14:35,700 --> 00:14:35,940
I want to hear someone else's life.
It's more that this place
is giving me a...
355
00:14:35,940 --> 00:14:38,220
It's more that this place
is giving me a...
356
00:14:38,220 --> 00:14:40,540
(GASPS) No fucking way!
357
00:14:41,660 --> 00:14:43,900
What the fuck?!
LEE: Yeah.
358
00:14:43,900 --> 00:14:46,300
Holy f... Oh, my...God!
359
00:14:46,300 --> 00:14:47,500
You did it.
360
00:14:49,300 --> 00:14:50,820
Ho...
361
00:14:50,820 --> 00:14:53,380
You're fuck... You're here...
Can I give you a hug?
362
00:14:53,380 --> 00:14:54,740
Yes.
Yay!
363
00:14:54,740 --> 00:14:56,860
No way!
Well fucking done.
364
00:14:56,860 --> 00:14:58,060
WOMAN: You've won, Gina.
You've won.
365
00:14:58,060 --> 00:14:59,980
Well fucking done.
Oh, my God!
366
00:14:59,980 --> 00:15:01,660
You did it.
Oh, my God!
367
00:15:01,660 --> 00:15:03,780
You're such a fucking legend.
Oh, my God!
368
00:15:04,780 --> 00:15:07,260
I didn't expect that I would win.
369
00:15:07,260 --> 00:15:10,860
I just knew that I was only gonna
come out if they pulled me out.
370
00:15:12,700 --> 00:15:18,300
And I didn't suffer out there.
I didn't suffer.
371
00:15:18,300 --> 00:15:19,740
So, this is the nest.
372
00:15:19,740 --> 00:15:21,580
It's beautiful.
This is my nest.
373
00:15:21,580 --> 00:15:26,180
Survival is about being at home
in wild nature.
374
00:15:29,260 --> 00:15:30,900
Thanks for coming.
Yeah.
375
00:15:30,900 --> 00:15:32,940
It had to be you.
Yeah.
376
00:15:32,940 --> 00:15:34,820
I want to ask you about Lee,
'cause I think
377
00:15:34,820 --> 00:15:38,900
people also really were so touched
by that moment at the end of Alone
378
00:15:38,900 --> 00:15:41,260
when you turned around
and Lee was there.
379
00:15:41,260 --> 00:15:43,580
To have that relationship
that you have now,
380
00:15:43,580 --> 00:15:47,220
how hard was it to consciously go,
"We can decide how this operates.
381
00:15:47,220 --> 00:15:49,900
"We don't have to be defined
by other people's expectations
382
00:15:49,900 --> 00:15:50,140
"We don't have to be defined
"of how exes are meant to be"?
383
00:15:50,140 --> 00:15:52,100
"of how exes are meant to be"?
384
00:15:52,100 --> 00:15:52,340
There was a transition period
that was very uncomfortable,
"of how exes are meant to be"?
385
00:15:52,340 --> 00:15:56,140
There was a transition period
that was very uncomfortable,
386
00:15:56,140 --> 00:16:00,540
but what I found is
that when I love, I love.
387
00:16:00,540 --> 00:16:00,780
but what I found is
that when I love, I love.
I can't just turn it off.
388
00:16:00,780 --> 00:16:02,540
I can't just turn it off.
389
00:16:02,540 --> 00:16:08,460
Like, if I love someone, I only want
them to flower and blossom.
390
00:16:08,460 --> 00:16:13,020
And to me, it's like, I can't say
what someone's journey is
391
00:16:13,020 --> 00:16:13,260
And to me, it's like, I can't say
or what their soul's purpose is.
392
00:16:13,260 --> 00:16:14,860
or what their soul's purpose is.
393
00:16:14,860 --> 00:16:15,100
That's... That's actually
or what their soul's purpose is.
394
00:16:15,100 --> 00:16:17,140
That's... That's actually
nothing to do with me.
395
00:16:17,140 --> 00:16:22,020
So, when we made
our...our separation,
396
00:16:22,020 --> 00:16:25,780
we pretty quickly found
a shape together
397
00:16:25,780 --> 00:16:27,700
where we could still
facilitate together,
398
00:16:27,700 --> 00:16:27,940
where we could still
where we could still be friends,
399
00:16:27,940 --> 00:16:28,860
where we could still be friends,
400
00:16:28,860 --> 00:16:29,100
where we could still
where we could still be friends,
401
00:16:29,100 --> 00:16:30,740
where we could still
totally piss each other off
402
00:16:30,740 --> 00:16:30,980
where we could still
and have SCREAMING arguments.
403
00:16:30,980 --> 00:16:34,140
and have SCREAMING arguments.
404
00:16:34,140 --> 00:16:37,780
Lee has the ability to press
my buttons like no-one.
405
00:16:37,780 --> 00:16:38,020
Lee has the ability to press
He turns me into a banshee.
406
00:16:38,020 --> 00:16:40,060
He turns me into a banshee.
407
00:16:40,060 --> 00:16:42,420
And, um...and I'm grateful to that,
408
00:16:42,420 --> 00:16:45,300
because, like, you know, that's...
it's not a normal state.
409
00:16:45,300 --> 00:16:45,540
because, like, you know, that's...
So, I get to explore my rage.
410
00:16:45,540 --> 00:16:47,140
So, I get to explore my rage.
411
00:16:47,140 --> 00:16:50,260
I get to explore the part of me
that completely loses my shit.
412
00:16:50,260 --> 00:16:53,860
And it's been a bit of a journey,
but it's a good one.
413
00:16:53,860 --> 00:16:57,740
GIRL: Hey, Dad, I can...I can...
I can throw...
414
00:16:57,740 --> 00:17:01,580
You and Lee separated so he could
make the choice to be a father,
415
00:17:01,580 --> 00:17:04,340
but because of your age
and so forth,
416
00:17:04,340 --> 00:17:06,860
you didn't have the choice
to be a mother.
417
00:17:06,860 --> 00:17:08,460
To an outsider, that looks like
418
00:17:08,460 --> 00:17:11,220
an almost superhuman level
of selflessness
419
00:17:11,220 --> 00:17:11,460
an almost superhuman level
to allow him to make that choice
420
00:17:11,460 --> 00:17:13,140
to allow him to make that choice
421
00:17:13,140 --> 00:17:15,620
when you weren't going to have
that choice yourself.
422
00:17:15,620 --> 00:17:19,900
I tend to try to live my life
423
00:17:19,900 --> 00:17:20,140
in relationship
I tend to try to live my life
424
00:17:20,140 --> 00:17:22,060
in relationship
with capital R reality,
425
00:17:22,060 --> 00:17:26,260
not the reality I think should be
or that I want or I think is fair,
426
00:17:26,260 --> 00:17:26,500
not the reality I think should be
because life isn't like that.
427
00:17:26,500 --> 00:17:27,940
because life isn't like that.
428
00:17:27,940 --> 00:17:30,100
And this is just
what was actually there.
429
00:17:30,100 --> 00:17:32,820
So, he had a whole bunch of desire
to be a dad.
430
00:17:32,820 --> 00:17:37,180
I was done with being a mum.
That's... Like, there it is.
431
00:17:37,180 --> 00:17:39,460
Like, you can't argue.
Well, I couldn't argue with that.
432
00:17:43,300 --> 00:17:45,100
What's it been like post Alone
433
00:17:45,100 --> 00:17:45,340
to have so many more people
What's it been like post Alone
434
00:17:45,340 --> 00:17:48,020
to have so many more people
know who Blaise is
435
00:17:48,020 --> 00:17:48,260
to have so many more people
and to be invested in her story?
436
00:17:48,260 --> 00:17:49,940
and to be invested in her story?
437
00:17:49,940 --> 00:17:51,260
Beautiful.
438
00:17:51,260 --> 00:17:54,300
I think anyone who's lost
not just a child
439
00:17:54,300 --> 00:17:56,660
but anyone close to them,
440
00:17:56,660 --> 00:18:00,220
one of the things that happens is
people don't know what to say,
441
00:18:00,220 --> 00:18:03,460
and so they say,
"I'm sorry for your loss."
442
00:18:03,460 --> 00:18:05,420
How many times do you hear that?
"I'm sorry for your loss."
443
00:18:05,420 --> 00:18:09,820
Which just means, "I've got no idea
and I've got to say something."
444
00:18:09,820 --> 00:18:12,060
And, like, we live in a culture
445
00:18:12,060 --> 00:18:15,540
that, for me, doesn't have
healthy rituals of grief.
446
00:18:15,540 --> 00:18:15,780
that, for me, doesn't have
It doesn't have...
447
00:18:15,780 --> 00:18:16,900
It doesn't have...
448
00:18:16,900 --> 00:18:20,260
You know, when you look at
First Nations cultures,
449
00:18:20,260 --> 00:18:22,500
like, there's beautiful
ceremonies and rituals.
450
00:18:22,500 --> 00:18:25,500
There's ways of holding us
in our grief.
451
00:18:25,500 --> 00:18:29,660
It just means that for anyone
walking around after a loss,
452
00:18:29,660 --> 00:18:29,900
It just means that for anyone
we're not supported by our culture.
453
00:18:29,900 --> 00:18:31,900
we're not supported by our culture.
454
00:18:31,900 --> 00:18:35,860
And then what happens is that
we don't get to hear their name.
455
00:18:35,860 --> 00:18:37,820
I mean, does anyone relate to that?
456
00:18:37,820 --> 00:18:40,380
Like, you've...you've lost someone
and then, where do you get...
457
00:18:40,380 --> 00:18:42,460
..when do you get
to hear their name?
458
00:18:42,460 --> 00:18:48,060
And so for me, you know,
I lost my daughter ten years ago,
459
00:18:48,060 --> 00:18:51,180
and all of a sudden,
she's alive again
460
00:18:51,180 --> 00:18:52,980
in all of these people
who are coming up
461
00:18:52,980 --> 00:18:55,100
to tell their stories
of loss or grief
462
00:18:55,100 --> 00:18:56,860
or telling me
that they loved a photo
463
00:18:56,860 --> 00:18:59,180
or that they...
you know, they resonated
464
00:18:59,180 --> 00:19:03,260
with me keening next to a fire
and, you know, wailing,
465
00:19:03,260 --> 00:19:03,500
with me keening next to a fire
and feeling a resonance for that.
466
00:19:03,500 --> 00:19:05,540
and feeling a resonance for that.
467
00:19:05,540 --> 00:19:08,500
And that, for me, is
now we're telling the truth.
468
00:19:08,500 --> 00:19:12,580
And that - that is what I live for,
the "telling the truth" part.
469
00:19:12,580 --> 00:19:13,740
I'd rather we all
just told the truth
470
00:19:13,740 --> 00:19:15,940
because now we're actually
having a conversation.
471
00:19:15,940 --> 00:19:18,460
So, I'm really grateful
that she gets to be a part of it.
472
00:19:18,460 --> 00:19:20,820
(GENTLE PIANO MELODY PLAYS)
473
00:19:23,940 --> 00:19:25,380
I've howled and I've wailed
474
00:19:25,380 --> 00:19:27,660
and I've screamed at the sky
to give her back,
475
00:19:27,660 --> 00:19:30,900
and I've done whatever it is
that grief has demanded of me,
476
00:19:30,900 --> 00:19:33,180
which has meant that
I have let her go.
477
00:19:34,620 --> 00:19:38,260
I've let her go. I've let her go
over and over and over.
478
00:19:42,820 --> 00:19:46,500
I'm so much more as a human because
of her and because of losing her.
479
00:19:47,620 --> 00:19:49,460
I'm not afraid of a single feeling
480
00:19:49,460 --> 00:19:49,700
that might turn up
I'm not afraid of a single feeling
481
00:19:49,700 --> 00:19:52,020
that might turn up
in me or anyone else.
482
00:19:53,700 --> 00:19:57,700
That's all her gift
moving through me in the world.
483
00:19:59,300 --> 00:20:00,860
Let me ask you about one more thing
484
00:20:00,860 --> 00:20:03,100
before I go to the audience
to take some questions.
485
00:20:03,100 --> 00:20:05,620
When the Alone finale
was about to air,
486
00:20:05,620 --> 00:20:09,020
up on social media, out of the blue,
pops a video of Hugh Jackman
487
00:20:09,020 --> 00:20:12,460
going, "Oh, I just want to wish
my very, very good friend Gina Chick
488
00:20:12,460 --> 00:20:14,740
"all the best, and I'm rooting
for her to win the finale of Alone."
489
00:20:14,740 --> 00:20:14,980
"all the best, and I'm rooting
It's like, "What?!
490
00:20:14,980 --> 00:20:16,100
It's like, "What?!
491
00:20:16,100 --> 00:20:18,300
"This extraordinary woman who's got
the whole nation transfixed
492
00:20:18,300 --> 00:20:20,340
"also is best friends
with Hugh Jackman?!
493
00:20:20,340 --> 00:20:22,300
"How on earth is this possible?"
(LAUGHS)
494
00:20:22,300 --> 00:20:22,580
She is incredible,
the most creative, the most hardcore
"How on earth is this possible?"
(LAUGHS)
495
00:20:22,580 --> 00:20:26,260
She is incredible,
the most creative, the most hardcore
496
00:20:26,260 --> 00:20:29,860
and the most connected to nature,
beautiful person that I know,
497
00:20:29,860 --> 00:20:30,100
and I am so proud of her.
beautiful person that I know,
498
00:20:30,100 --> 00:20:32,140
and I am so proud of her.
499
00:20:32,140 --> 00:20:32,380
To my soul sister Gina Chick,
and I am so proud of her.
you rock.
500
00:20:32,380 --> 00:20:35,260
To my soul sister Gina Chick,
you rock.
501
00:20:35,260 --> 00:20:35,540
To my soul sister Gina Chick,
you rock.
Oh, my Hubie! Um...
(LAUGHTER)
502
00:20:35,540 --> 00:20:37,860
Oh, my Hubie! Um...
(LAUGHTER)
503
00:20:37,860 --> 00:20:42,500
Aw! So, Hugh and I met on day one
504
00:20:42,500 --> 00:20:47,020
around the corner here at the Uni
of Technology, doing communications,
505
00:20:47,020 --> 00:20:52,420
and we sort of collided
in the very unglamorous cafeteria
506
00:20:52,420 --> 00:20:55,260
with the fluorescent orange chairs
and the RSL spew carpet
507
00:20:55,260 --> 00:20:55,500
with the fluorescent orange chairs
and the $2 fried rice,
508
00:20:55,500 --> 00:20:57,220
and the $2 fried rice,
509
00:20:57,220 --> 00:20:59,620
and...and we started talking,
510
00:20:59,620 --> 00:21:01,420
and then we didn't stop
pretty much for the whole day.
511
00:21:01,420 --> 00:21:03,940
We missed the whole first day
of classes.
512
00:21:03,940 --> 00:21:07,140
And...I don't know,
there's people in your...
513
00:21:07,140 --> 00:21:09,060
There's people, I think,
in all of our lives
514
00:21:09,060 --> 00:21:10,820
who there's just
an instant recognition,
515
00:21:10,820 --> 00:21:11,060
who there's just
and that was what it was.
516
00:21:11,060 --> 00:21:12,780
and that was what it was.
517
00:21:12,780 --> 00:21:13,020
You know, 35 years,
and that was what it was.
518
00:21:13,020 --> 00:21:15,580
You know, 35 years,
we've been friends.
519
00:21:15,580 --> 00:21:19,180
So, yeah, he's just...he's my buddy.
(LAUGHS)
520
00:21:19,180 --> 00:21:22,540
My name is Penny,
and I watched your show,
521
00:21:22,540 --> 00:21:24,420
and I have to admit...
I watched it with my children,
522
00:21:24,420 --> 00:21:28,180
and the first episode,
I thought...we all said,
523
00:21:28,180 --> 00:21:29,740
"Oh, my God, you're nuts."
524
00:21:29,740 --> 00:21:33,700
And by the end of the ten weeks,
we all just fell in love with you
525
00:21:33,700 --> 00:21:36,620
and your story and everything
about you and your genuineness.
526
00:21:36,620 --> 00:21:36,860
and your story and everything
So, I guess my question to you is,
527
00:21:36,860 --> 00:21:38,740
So, I guess my question to you is,
528
00:21:38,740 --> 00:21:38,980
what is your advice for people
So, I guess my question to you is,
529
00:21:38,980 --> 00:21:41,740
what is your advice for people
who are a little bit different
530
00:21:41,740 --> 00:21:45,020
to make connections quicker when
they're not necessarily the normal?
531
00:21:45,020 --> 00:21:47,540
Yeah, that's a really good
question, Penny.
532
00:21:47,540 --> 00:21:50,660
The thing that I've found
through Alone was
533
00:21:50,660 --> 00:21:53,180
the first time...the first time
you saw me dancing in the moss,
534
00:21:53,180 --> 00:21:56,340
it's, like, "Oh, my God.
She's loco. She's loopy."
535
00:21:56,340 --> 00:21:58,860
And then the second time,
it's like,
536
00:21:58,860 --> 00:22:00,820
"Oh, maybe there's
a little bit more there."
537
00:22:00,820 --> 00:22:05,180
And then it actually didn't take
long for people to drop in.
538
00:22:05,180 --> 00:22:09,260
So, what I think
people connect with is real.
539
00:22:09,260 --> 00:22:09,500
So, what I think
It's when we're real.
540
00:22:09,500 --> 00:22:11,220
It's when we're real.
541
00:22:11,220 --> 00:22:16,980
And to be a bit different,
it can feel very unsafe to be real,
542
00:22:16,980 --> 00:22:19,820
because the feedback that we get
from the world is...
543
00:22:19,820 --> 00:22:20,060
because the feedback that we get
..is that it isn't safe.
544
00:22:20,060 --> 00:22:21,540
..is that it isn't safe.
545
00:22:21,540 --> 00:22:24,380
And what I've found through Alone
546
00:22:24,380 --> 00:22:28,900
is that by allowing that
authenticity to shine through,
547
00:22:28,900 --> 00:22:30,580
it may not be for everyone,
548
00:22:30,580 --> 00:22:36,100
but for the people who are willing
to engage with...with real,
549
00:22:36,100 --> 00:22:39,420
there is...the doors are now open,
550
00:22:39,420 --> 00:22:44,300
and what that looks like, I think
is different for everyone.
551
00:22:44,300 --> 00:22:44,540
and what that looks like, I think
Hi, Gina. I'm Prue.
552
00:22:44,540 --> 00:22:46,500
Hi, Gina. I'm Prue.
553
00:22:46,500 --> 00:22:49,140
I was thinking about your writing.
554
00:22:49,140 --> 00:22:53,100
You write with an amazing capture
of language
555
00:22:53,100 --> 00:22:55,820
and such beautiful expression
on your socials and in your blog.
556
00:22:55,820 --> 00:22:57,980
What was it like for you
when you found out
557
00:22:57,980 --> 00:22:59,980
that Charmian Clift
was your grandmother?
558
00:22:59,980 --> 00:23:02,780
Was that an epiphany, and did it
connect you to something?
559
00:23:05,740 --> 00:23:07,980
KRISTIN: Charmian Clift
was a journalist.
560
00:23:07,980 --> 00:23:08,260
She married an author
called George Johnston,
KRISTIN: Charmian Clift
was a journalist.
561
00:23:08,260 --> 00:23:11,420
She married an author
called George Johnston,
562
00:23:11,420 --> 00:23:13,940
and one of their most famous books
is My Brother Jack.
563
00:23:13,940 --> 00:23:16,380
WOMAN: And that was her
in the early time
564
00:23:16,380 --> 00:23:20,060
when she was starting to write
with George Johnston.
565
00:23:20,060 --> 00:23:23,300
She was this sort of, like,
wild, bohemian trailblazer.
566
00:23:24,300 --> 00:23:26,340
I mean, the first thing
when I found out
567
00:23:26,340 --> 00:23:30,140
that Charmian was this sort of
wild, trailblazing woman,
568
00:23:30,140 --> 00:23:33,580
I think I was, like, 20
when I found out about Charm
569
00:23:33,580 --> 00:23:36,100
at the, you know,
height of my own wildness.
570
00:23:36,100 --> 00:23:39,700
And my first thing was, "Oh, my God.
Thank goodness. I make sense."
571
00:23:39,700 --> 00:23:41,580
Because I hadn't really
made sense anywhere,
572
00:23:41,580 --> 00:23:45,420
but now it's like there's
this direct line of...of wildness.
573
00:23:45,420 --> 00:23:47,220
So that was...that was incredible.
574
00:23:47,220 --> 00:23:49,300
And finding out that
she was a writer also,
575
00:23:49,300 --> 00:23:51,300
because I've been writing
and I've been loving writing
576
00:23:51,300 --> 00:23:51,540
because I've been writing
since I was a kid,
577
00:23:51,540 --> 00:23:52,620
since I was a kid,
578
00:23:52,620 --> 00:23:52,860
and I could feel
since I was a kid,
579
00:23:52,860 --> 00:23:57,620
and I could feel
the river of words, you know,
580
00:23:57,620 --> 00:23:57,860
and I could feel
almost coming from her into me.
581
00:23:57,860 --> 00:24:01,340
almost coming from her into me.
582
00:24:01,340 --> 00:24:05,140
But here's something really
interesting - I don't read her work.
583
00:24:05,140 --> 00:24:08,900
Because I'm so, sort of, ferociously
defensive of my own voice,
584
00:24:08,900 --> 00:24:14,780
I don't want to be, um...
influenced by her style.
585
00:24:14,780 --> 00:24:16,780
And...and so it's like...
586
00:24:16,780 --> 00:24:20,540
Because I can feel there is
so much of her in me.
587
00:24:20,540 --> 00:24:20,780
Because I can feel there is
WOMAN: Uh, Jane. Hello.
588
00:24:20,780 --> 00:24:22,100
WOMAN: Uh, Jane. Hello.
589
00:24:22,100 --> 00:24:26,140
Um, Gina, do you still feel
you're too big for the world,
590
00:24:26,140 --> 00:24:27,740
or do you think
it's ready for you now?
591
00:24:27,740 --> 00:24:29,380
Aha!
(LAUGHTER)
592
00:24:29,380 --> 00:24:32,340
I don't feel like I'm too big
for the world anymore.
593
00:24:32,340 --> 00:24:32,580
I don't feel like I'm too big
And I'm so, so super grateful
594
00:24:32,580 --> 00:24:36,060
And I'm so, so super grateful
595
00:24:36,060 --> 00:24:40,620
to have this whole experience
happening when I'm in my 50s,
596
00:24:40,620 --> 00:24:42,140
rather than in my 20s or my 30s,
597
00:24:42,140 --> 00:24:43,860
because I think
I probably would have,
598
00:24:43,860 --> 00:24:45,980
with all of that bigness
and wildness,
599
00:24:45,980 --> 00:24:49,140
probably blown up
in destructive ways.
600
00:24:49,140 --> 00:24:54,660
Now I feel like I can dance
with my own bigness
601
00:24:54,660 --> 00:24:59,460
and find a way
to fit that into the world.
602
00:24:59,460 --> 00:25:05,380
And I feel that increasingly
there is room for women to be,
603
00:25:05,380 --> 00:25:09,260
you know, not obedient,
not good girls, to have a voice.
604
00:25:09,260 --> 00:25:14,260
You know, we're still bashing away
on that ceiling, but I, um...
605
00:25:14,260 --> 00:25:18,820
..I don't feel like there are
ligatures and strictures
606
00:25:18,820 --> 00:25:20,340
around my size anymore,
607
00:25:20,340 --> 00:25:22,220
and it's really nice
to be able to breathe.
608
00:25:22,220 --> 00:25:24,420
It's like taking your bra off
and going, "Ohhh!"
609
00:25:24,420 --> 00:25:26,740
(LAUGHTER)
Let the girls free.
610
00:25:26,740 --> 00:25:28,660
(LAUGHS)
Thank you.
611
00:25:28,660 --> 00:25:31,340
Gina, let me ask you
one question to finish.
612
00:25:31,340 --> 00:25:31,580
Gina, let me ask you
On Australian Story, Lee said
613
00:25:31,580 --> 00:25:33,580
On Australian Story, Lee said
614
00:25:33,580 --> 00:25:38,100
that on Alone there's a philosophy
that relates to the whole of life.
615
00:25:38,100 --> 00:25:40,340
Do you agree?
And what is that philosophy?
616
00:25:40,340 --> 00:25:45,820
I think that we live in a culture
that pathologises discomfort.
617
00:25:45,820 --> 00:25:48,100
Anything that makes us feel
slightly uncomfortable,
618
00:25:48,100 --> 00:25:48,340
Anything that makes us feel
it's like, "Oh, quick," you know?
619
00:25:48,340 --> 00:25:50,020
it's like, "Oh, quick," you know?
620
00:25:50,020 --> 00:25:52,500
Reach for a durry,
or reach for the TV,
621
00:25:52,500 --> 00:25:54,740
or doom-scroll, or go get laid,
622
00:25:54,740 --> 00:25:59,020
or go smoke a spliff, or, you know,
go for a run, whatever.
623
00:25:59,020 --> 00:25:59,260
or go smoke a spliff, or, you know,
Anything to not feel discomfort.
624
00:25:59,260 --> 00:26:02,180
Anything to not feel discomfort.
625
00:26:02,180 --> 00:26:06,260
Whereas we only grow
when we're uncomfortable.
626
00:26:06,260 --> 00:26:10,620
And so being able to have tools
to be in that discomfort
627
00:26:10,620 --> 00:26:11,940
and hold ourselves there,
628
00:26:11,940 --> 00:26:13,860
that's when we start to metabolise
629
00:26:13,860 --> 00:26:17,580
the edges of that fear
of whatever it's going to be
630
00:26:17,580 --> 00:26:17,820
the edges of that fear
and realise it ain't gonna kill us.
631
00:26:17,820 --> 00:26:19,740
and realise it ain't gonna kill us.
632
00:26:19,740 --> 00:26:19,980
And then our world gets bigger
and realise it ain't gonna kill us.
633
00:26:19,980 --> 00:26:23,660
And then our world gets bigger
and bigger and bigger,
634
00:26:23,660 --> 00:26:27,060
and we can find what the discomfort
is teaching us,
635
00:26:27,060 --> 00:26:27,300
and we can find what the discomfort
and then we can rely on ourselves,
636
00:26:27,300 --> 00:26:29,300
and then we can rely on ourselves,
637
00:26:29,300 --> 00:26:33,540
and that self-reliance becomes
the ground that we stand on,
638
00:26:33,540 --> 00:26:37,140
so then every step that we take
is in our own rightness.
639
00:26:37,140 --> 00:26:38,620
So, if that's a philosophy,
640
00:26:38,620 --> 00:26:41,540
I have no idea what I just said,
but that would probably be it!
641
00:26:41,540 --> 00:26:41,780
I have no idea what I just said,
(LAUGHTER)
642
00:26:41,780 --> 00:26:43,020
(LAUGHTER)
643
00:26:43,020 --> 00:26:43,260
Please thank Gina.
Aww!
(LAUGHTER)
644
00:26:43,260 --> 00:26:45,540
Please thank Gina.
Aww!
645
00:26:49,740 --> 00:26:52,300
That was wonderful.
Thank you so much.
646
00:26:53,260 --> 00:26:54,740
Captions by Red Bee Media
647
00:26:54,740 --> 00:26:56,700
Copyright Australian
Broadcasting Corporation