1 00:00:23,660 --> 00:00:28,580 Hello and welcome to Strictly Come Dancing: The Results. 2 00:00:28,580 --> 00:00:30,500 On Saturday our couples reached the halfway point 3 00:00:30,500 --> 00:00:32,420 of the competition, and tonight one more must 4 00:00:32,420 --> 00:00:33,860 say goodbye to the ballroom. 5 00:00:33,860 --> 00:00:36,500 But first, it's Remembrance Sunday evening and we have a very 6 00:00:36,500 --> 00:00:39,420 special performance. 7 00:00:39,420 --> 00:00:41,340 With a routine dedicated to the invaluable contribution 8 00:00:41,340 --> 00:00:43,500 of millions of women throughout World War II, please 9 00:00:43,500 --> 00:00:51,460 welcome our professional dancers. 10 00:01:08,340 --> 00:01:16,300 # I, I wish I could swim 11 00:01:18,580 --> 00:01:30,020 # Like dolphins can swim 12 00:01:30,020 --> 00:01:33,420 # Oh, nothing 13 00:01:33,420 --> 00:01:39,220 # Will keep us together 14 00:01:39,220 --> 00:01:43,660 # We can beat them 15 00:01:43,660 --> 00:01:49,100 # For ever and ever 16 00:01:49,100 --> 00:01:54,460 # We can be heroes 17 00:01:54,460 --> 00:01:59,860 # Just for one day 18 00:01:59,860 --> 00:02:04,940 # We can be heroes 19 00:02:04,940 --> 00:02:12,060 # Just for one day 20 00:02:12,060 --> 00:02:15,780 # I... 21 00:02:15,780 --> 00:02:22,460 # I will be king 22 00:02:22,460 --> 00:02:26,380 # And you 23 00:02:26,380 --> 00:02:33,140 # You will be queen 24 00:02:33,140 --> 00:02:37,060 # And nothing 25 00:02:37,060 --> 00:02:38,460 # Will drive us away 26 00:02:38,460 --> 00:02:42,780 # Will drive us away 27 00:02:42,780 --> 00:02:46,540 # We can be heroes 28 00:02:46,540 --> 00:02:47,820 # We can beat them 29 00:02:47,820 --> 00:02:50,700 # Just for one day 30 00:02:50,700 --> 00:02:55,140 # Just for one day 31 00:02:55,140 --> 00:02:56,579 # Oh, we can be us 32 00:02:56,579 --> 00:02:58,380 # We can be heroes 33 00:02:58,380 --> 00:03:06,340 # Just for one day 34 00:03:11,020 --> 00:03:21,260 # I can remember 35 00:03:21,260 --> 00:03:25,420 # Standing 36 00:03:25,420 --> 00:03:31,820 # By the wall 37 00:03:31,820 --> 00:03:35,860 # And the guns 38 00:03:35,860 --> 00:03:42,700 # Shot above our heads 39 00:03:42,700 --> 00:03:46,660 # And we kissed 40 00:03:46,660 --> 00:03:53,620 # As though nothing could fall 41 00:03:53,620 --> 00:03:58,540 # And the shame 42 00:03:58,540 --> 00:04:03,940 # The shame was on the other side 43 00:04:03,940 --> 00:04:07,860 # We can beat them 44 00:04:07,860 --> 00:04:13,380 # For ever and ever 45 00:04:13,380 --> 00:04:18,620 # We can be heroes 46 00:04:18,620 --> 00:04:26,580 # Just for one day #. 47 00:04:32,060 --> 00:04:40,020 APPLAUSE. 48 00:04:46,659 --> 00:04:49,060 Thank you so much to our professional dancers 49 00:04:49,060 --> 00:04:53,380 and choreographer Lizzie Gough for that incredibly moving performance. 50 00:04:53,380 --> 00:04:55,300 Saturday once again showed us quite how difficult 51 00:04:55,300 --> 00:04:58,380 to predict this series has been. 52 00:04:58,380 --> 00:05:02,660 Every week has seen a brand new couple top the leaderboard, 53 00:05:02,660 --> 00:05:05,540 and yesterday was no different. 54 00:05:05,540 --> 00:05:09,060 And as the pressure mounts, tonight we will be saying goodbye to one 55 00:05:09,060 --> 00:05:10,260 more of our Strictly stars. 56 00:05:10,260 --> 00:05:11,460 Another dance-off is fast approaching. 57 00:05:11,460 --> 00:05:19,420 But first, here's how things unfolded on Saturday night. 58 00:05:24,420 --> 00:05:25,940 I'm very excited for today. 59 00:05:25,940 --> 00:05:27,220 Ready to go in salsa. 60 00:05:27,220 --> 00:05:29,460 It's Saturday morning, show day. 61 00:05:29,460 --> 00:05:31,580 We are halfway through the competition. 62 00:05:31,580 --> 00:05:32,900 Amazing! 63 00:05:32,900 --> 00:05:35,300 I cannot believe I've made it halfway through. 64 00:05:35,300 --> 00:05:37,700 Probably wouldn't have put much money on me being here 65 00:05:37,700 --> 00:05:39,620 at half-time, so I'm very pleased I am. 66 00:05:39,620 --> 00:05:41,820 Gorgeous, darling, look at them. 67 00:05:41,820 --> 00:05:43,740 I'm looking forward to hitting the floor tonight. 68 00:05:43,740 --> 00:05:44,780 Off we go. 69 00:05:44,780 --> 00:05:47,659 I'm excited to see who's improved, who's staying on the same level 70 00:05:47,659 --> 00:05:49,900 and has anybody dropped the level? 71 00:05:49,900 --> 00:05:51,420 This is tense now. 72 00:05:51,420 --> 00:05:53,780 I can feel it up and down the corridor. 73 00:05:53,780 --> 00:05:54,820 After you, madam. 74 00:05:54,820 --> 00:05:56,540 Thank you, my darling. 75 00:05:56,540 --> 00:05:57,980 I'm ready to shake this booty. 76 00:05:57,980 --> 00:05:59,700 Look at these! 77 00:05:59,700 --> 00:06:00,740 This is mine. 78 00:06:00,740 --> 00:06:01,940 I brought this from home. 79 00:06:01,940 --> 00:06:03,140 I wear this in competitions. 80 00:06:03,140 --> 00:06:04,820 I wore this in the Dutch Open. 81 00:06:04,820 --> 00:06:05,860 Did you? 82 00:06:05,860 --> 00:06:06,900 Yeah. 83 00:06:06,900 --> 00:06:08,100 I love the Dutch Open. 84 00:06:08,100 --> 00:06:09,140 It's my favourite. 85 00:06:09,140 --> 00:06:10,180 Is it? 86 00:06:10,180 --> 00:06:11,220 Yeah. 87 00:06:11,220 --> 00:06:13,140 This is my favourite outfit of the series. 88 00:06:13,140 --> 00:06:14,180 Ta-da-rat-tat-tat-da! 89 00:06:14,180 --> 00:06:15,220 Cheers! 90 00:06:15,220 --> 00:06:16,260 Ole! 91 00:06:16,260 --> 00:06:17,300 Ole! 92 00:06:17,300 --> 00:06:18,340 Final checks, please, guys. 93 00:06:18,340 --> 00:06:19,540 Final checks, everyone, final checks. 94 00:06:19,540 --> 00:06:21,460 I want to make sure they're all final-checked. 95 00:06:21,460 --> 00:06:22,500 Counting to on air. 96 00:06:22,500 --> 00:06:28,580 Three, two, one, zero. 97 00:06:28,580 --> 00:06:32,820 I'm all emotional after that, Graeme, thank you for sharing. 98 00:06:32,820 --> 00:06:36,980 It felt like you were bringing someone to life. 99 00:06:36,980 --> 00:06:38,659 If this dance helps somebody out there, 100 00:06:38,659 --> 00:06:40,300 then that's a lovely thing, isn't it? 101 00:06:40,300 --> 00:06:41,420 Absolutely. 102 00:06:41,420 --> 00:06:43,420 I've been mainly in tears tonight. 103 00:06:43,420 --> 00:06:45,140 Well, you've put me in tears, too, 104 00:06:45,140 --> 00:06:46,580 thanks, Graeme, with your beautiful performance. 105 00:06:46,580 --> 00:06:49,500 Everybody loves energy, and you have energy. 106 00:06:49,500 --> 00:06:54,820 And your performance is absolutely incredible. 107 00:06:54,820 --> 00:06:57,700 You were having your emotional week, and I was having a party. 108 00:06:57,700 --> 00:06:59,380 We'll meet in the middle somewhere, G. 109 00:06:59,380 --> 00:07:00,780 Yeah. 110 00:07:00,780 --> 00:07:02,580 This girl came back with a vengeance! 111 00:07:02,580 --> 00:07:09,940 You are back on form. 112 00:07:09,940 --> 00:07:10,980 We got two nines! 113 00:07:10,980 --> 00:07:13,100 I know. 114 00:07:13,100 --> 00:07:14,180 I'm so smiley. 115 00:07:14,180 --> 00:07:17,740 I was finding it hard to, like... 116 00:07:17,740 --> 00:07:20,620 The thing I enjoy about you the most is, you're so secure. 117 00:07:20,620 --> 00:07:22,780 You danced the lift - there's not a flinch. 118 00:07:22,780 --> 00:07:23,820 Oh, there he is. 119 00:07:23,820 --> 00:07:25,060 Did you like the wiggle? 120 00:07:25,060 --> 00:07:26,940 No, I didn't, as a matter of fact. 121 00:07:26,940 --> 00:07:28,460 BOOING. 122 00:07:28,460 --> 00:07:31,940 Shut up! 123 00:07:31,940 --> 00:07:38,940 The storytelling in that was absolutely exceptional. 124 00:07:38,940 --> 00:07:40,620 You can be so proud of yourself. 125 00:07:40,620 --> 00:07:43,500 For me, this was the best dance of the night till now. 126 00:07:43,500 --> 00:07:44,900 Nine! 127 00:07:44,900 --> 00:07:46,100 This is a difficult dance. 128 00:07:46,100 --> 00:07:48,260 You're much better than you think, you know that? 129 00:07:48,260 --> 00:07:49,740 It was the most beautiful choreography. 130 00:07:49,740 --> 00:07:53,540 And it was a song that meant so much to me. 131 00:07:53,540 --> 00:07:55,420 The most wonderful rumba I have ever seen, 132 00:07:55,420 --> 00:07:57,659 and I loved it. 133 00:07:57,659 --> 00:07:59,580 Some parts need a little bit more work. 134 00:07:59,580 --> 00:08:00,620 Do not give up. 135 00:08:00,620 --> 00:08:03,940 I still think you're a frontrunner. 136 00:08:03,940 --> 00:08:07,740 It's old meets new, and I love this new. 137 00:08:07,740 --> 00:08:08,780 Still in the club! 138 00:08:08,780 --> 00:08:09,820 Yes! 139 00:08:09,820 --> 00:08:11,260 I want to join your club. 140 00:08:11,260 --> 00:08:13,180 I want to join the ballroom boys' club. 141 00:08:13,180 --> 00:08:14,220 The ballroom boys' club? 142 00:08:14,220 --> 00:08:15,260 Ballroom gals' club. 143 00:08:15,260 --> 00:08:17,180 I think tonight might be your lucky night. 144 00:08:17,180 --> 00:08:21,940 MUSIC: Careless Whisper by George Michael. 145 00:08:21,940 --> 00:08:25,460 I loved it, and I saw a bit of showmanship this time. 146 00:08:25,460 --> 00:08:28,020 You are on the right track. 147 00:08:28,020 --> 00:08:33,940 I'm definitely stealing your entrance for panto, darling. 148 00:08:33,940 --> 00:08:34,940 I loved it. 149 00:08:34,940 --> 00:08:36,020 A classic American smooth. 150 00:08:36,020 --> 00:08:37,059 Oh! 151 00:08:37,059 --> 00:08:39,580 Ten! 152 00:08:39,580 --> 00:08:43,580 I just never thought I'd get a ten. 153 00:08:43,580 --> 00:08:46,540 Everybody to the studio, please, for the results show. 154 00:08:46,540 --> 00:08:48,460 We are going into the results show now. 155 00:08:48,460 --> 00:08:50,620 There's nine of us, and you just never know 156 00:08:50,620 --> 00:08:52,540 who is going to be in the dance-off. 157 00:08:52,540 --> 00:08:53,980 There is no margin of error. 158 00:08:53,980 --> 00:08:56,860 You make any mistakes, and that could be enough to put you 159 00:08:56,860 --> 00:08:58,060 in the dance-off, for sure. 160 00:08:58,060 --> 00:08:59,740 I always feel the glitter butterflies beating 161 00:08:59,740 --> 00:09:01,980 away within my heart. 162 00:09:01,980 --> 00:09:03,900 I am at the bottom of the leaderboard 163 00:09:03,900 --> 00:09:05,580 and I don't know what to expect. 164 00:09:05,580 --> 00:09:08,020 I left everything on the dance floor. 165 00:09:08,020 --> 00:09:10,900 I want to stay so badly. 166 00:09:10,900 --> 00:09:13,100 I can't actually imagine not doing this. 167 00:09:13,100 --> 00:09:15,020 I can't really afford to make mistakes. 168 00:09:15,020 --> 00:09:20,620 This is the most nervous I've been going into a results show. 169 00:09:20,620 --> 00:09:22,820 Oh, gosh. 170 00:09:22,820 --> 00:09:24,340 As the weeks go on, 171 00:09:24,340 --> 00:09:26,220 it is just getting even more nail-biting. 172 00:09:26,220 --> 00:09:28,380 One wrong toe can put you in the dance-off. 173 00:09:28,380 --> 00:09:30,060 My heart is going to be thumping. 174 00:09:30,060 --> 00:09:31,100 The stakes are high. 175 00:09:31,100 --> 00:09:33,500 It's really hard to say who might be going home. 176 00:09:33,500 --> 00:09:35,180 There's no obvious choice. 177 00:09:35,180 --> 00:09:43,140 # So get out of my way.# 178 00:09:44,420 --> 00:09:47,980 It was another fantastic night of dancing, 179 00:09:47,980 --> 00:09:50,380 but it is time to find out what you think. 180 00:09:50,380 --> 00:09:54,980 Who's through to next week and whose time in the competition is up? 181 00:09:54,980 --> 00:10:01,100 The results are in. 182 00:10:01,100 --> 00:10:02,140 In no particular order, 183 00:10:02,140 --> 00:10:10,100 the first couple back next Saturday are... 184 00:10:11,780 --> 00:10:13,020 Delta and Kai. 185 00:10:13,020 --> 00:10:14,060 Yes! 186 00:10:14,060 --> 00:10:15,500 Come on. 187 00:10:15,500 --> 00:10:18,420 Yes. 188 00:10:18,420 --> 00:10:24,060 Thank you. Thank you. 189 00:10:24,060 --> 00:10:32,020 The next couple staying in the competition are... 190 00:10:33,100 --> 00:10:34,340 Dani and Nikita. 191 00:10:34,340 --> 00:10:35,380 Yes! Yes! 192 00:10:35,380 --> 00:10:36,420 Come on, partner. 193 00:10:36,420 --> 00:10:44,220 Thank you! 194 00:10:44,220 --> 00:10:52,180 Continuing their Strictly journey are... 195 00:10:54,660 --> 00:10:55,700 Tabby and Mark. 196 00:10:55,700 --> 00:11:03,660 Thank you! 197 00:11:05,460 --> 00:11:13,300 Joining them are... 198 00:11:13,300 --> 00:11:15,140 Lacey and Vito. 199 00:11:15,140 --> 00:11:17,100 Yes! Thank you so, so much! 200 00:11:17,100 --> 00:11:19,260 Thank you, thank you, thank you. We love you. 201 00:11:19,260 --> 00:11:26,020 Thank you so much. 202 00:11:26,020 --> 00:11:33,940 And the final couple with a guaranteed place next week are... 203 00:11:38,500 --> 00:11:39,540 Graeme and Lauren. 204 00:11:39,540 --> 00:11:46,580 Oh, thank you! 205 00:11:46,580 --> 00:11:49,940 Congratulations to all of you who are through. 206 00:11:49,940 --> 00:11:52,180 For those still waiting, 207 00:11:52,180 --> 00:11:59,740 you will find out your fate a little later on. 208 00:11:59,740 --> 00:12:03,660 You can feel and hear the sighs of relief, can't you? 209 00:12:03,660 --> 00:12:05,340 Anton, four couples remaining, four fantastic performances. 210 00:12:05,340 --> 00:12:10,260 I mean, it's making your job very hard. 211 00:12:10,260 --> 00:12:12,620 It is. 212 00:12:12,620 --> 00:12:14,780 I was looking at my marks from last night, 213 00:12:14,780 --> 00:12:16,300 and they're all really even. 214 00:12:16,300 --> 00:12:19,900 I just think this is the most even bunch that we've had ever, I think. 215 00:12:19,900 --> 00:12:21,340 I've never known it so close. 216 00:12:21,340 --> 00:12:23,500 Everybody's got their good bits and they've got bits 217 00:12:23,500 --> 00:12:24,700 they need to work on. 218 00:12:24,700 --> 00:12:26,860 You know, it's as close as it's ever been. 219 00:12:26,860 --> 00:12:31,980 Everybody's just got to do their best. 220 00:12:31,980 --> 00:12:33,260 Judges, thank you very much. 221 00:12:33,260 --> 00:12:40,700 Right, let's see how our couples are doing up with Josh and Jojo. 222 00:12:40,700 --> 00:12:44,660 I mean, the smiles on their faces show they're doing very well. 223 00:12:44,660 --> 00:12:46,180 Graeme, let's start with you. 224 00:12:46,180 --> 00:12:47,620 Second from bottom of the leaderboard, 225 00:12:47,620 --> 00:12:48,660 but here you are. 226 00:12:48,660 --> 00:12:50,580 What do you want to say to them? 227 00:12:50,580 --> 00:12:54,180 So, yeah, I just want to say thank you to the lovely people at home 228 00:12:54,180 --> 00:12:55,220 for voting for us. 229 00:12:55,220 --> 00:12:56,420 I mean, we like dancing. 230 00:12:56,420 --> 00:12:58,340 It turns out we weren't the only ones. 231 00:12:58,340 --> 00:13:01,020 Thank you. 232 00:13:01,020 --> 00:13:03,620 And how did it feel to tell your story this week? 233 00:13:03,620 --> 00:13:04,700 Oh, it's just amazing. 234 00:13:04,700 --> 00:13:07,820 And if dancing a dance like that helps people at home to think 235 00:13:07,820 --> 00:13:09,700 if they're going through something, there is light 236 00:13:09,700 --> 00:13:11,180 at the end of the tunnel, 237 00:13:11,180 --> 00:13:14,020 because kind of look at me after what I went through, then 238 00:13:14,020 --> 00:13:15,100 great. 239 00:13:15,100 --> 00:13:17,220 Lauren, you've developed what I would call a Graeme-centric 240 00:13:17,220 --> 00:13:18,420 way of teaching this week. 241 00:13:18,420 --> 00:13:20,340 Yeah. So it started off with the boop. 242 00:13:20,340 --> 00:13:21,380 Boop! 243 00:13:21,380 --> 00:13:22,460 Oh, yeah. 244 00:13:22,460 --> 00:13:24,180 He inflates. 245 00:13:24,180 --> 00:13:26,100 If that doesn't work, I hold an imaginary 246 00:13:26,100 --> 00:13:28,740 giant custard cream up here and stand opposite him and say, 247 00:13:28,740 --> 00:13:30,660 "Reach for the custard cream with your heart". 248 00:13:30,660 --> 00:13:35,220 And he tries. And sometimes he does. 249 00:13:35,220 --> 00:13:36,420 I've never caught it yet. 250 00:13:36,420 --> 00:13:38,340 I'm beginning to think it doesn't actually exist. 251 00:13:38,340 --> 00:13:40,580 But I'm still doing that. 252 00:13:40,580 --> 00:13:41,620 Yeah. 253 00:13:41,620 --> 00:13:43,060 Tabby, second place on the leaderboard. 254 00:13:43,060 --> 00:13:44,100 Two nines. 255 00:13:44,100 --> 00:13:46,980 I mean, you came back with a vengeance this week, didn't you? 256 00:13:46,980 --> 00:13:48,420 Yeah. That felt really, really amazing 257 00:13:48,420 --> 00:13:50,820 and I think this week, I just wanted to show 258 00:13:50,820 --> 00:13:52,980 what I'm capable of after, you know, finding last 259 00:13:52,980 --> 00:13:54,020 week quite difficult. 260 00:13:54,020 --> 00:13:56,180 And, you know, Mark, like, you choreographed an amazing 261 00:13:56,180 --> 00:13:59,540 paso and I know it's your favourite and I just wanted to go out 262 00:13:59,540 --> 00:14:02,500 there and give it everything. 263 00:14:02,500 --> 00:14:03,700 Everything! Everything! 264 00:14:03,700 --> 00:14:08,140 Everything! 265 00:14:08,140 --> 00:14:11,700 But, I mean, I don't want to, you know, there 266 00:14:11,700 --> 00:14:14,580 is one part of dancing you're still having trouble with, isn't there? 267 00:14:14,580 --> 00:14:15,620 Yes. 268 00:14:15,620 --> 00:14:17,060 Would a custard cream fix this? 269 00:14:17,060 --> 00:14:18,420 You know, maybe. 270 00:14:18,420 --> 00:14:20,460 I still struggle with my lefts and rights. 271 00:14:20,460 --> 00:14:21,620 Your lefts and rights? 272 00:14:21,620 --> 00:14:23,620 Yeah, this is something we've been working on. 273 00:14:23,620 --> 00:14:25,460 Because they're both left! 274 00:14:25,460 --> 00:14:27,620 And he's like, "Turn right" and I go, "OK". 275 00:14:27,620 --> 00:14:35,580 And he's like, "No, your other right". 276 00:14:36,140 --> 00:14:37,780 What is going on? 277 00:14:37,780 --> 00:14:40,860 So none of you can tell your left from your right? 278 00:14:40,860 --> 00:14:42,420 They all dance beautiful. 279 00:14:42,420 --> 00:14:45,060 This is making it more complicated, Vito, what even is that? 280 00:14:45,060 --> 00:14:48,180 You put a bracelet or a watch, and you know that the one 281 00:14:48,180 --> 00:14:49,380 with the watch is left. 282 00:14:49,380 --> 00:14:51,060 But I wear it on my right! 283 00:14:51,060 --> 00:14:59,020 Put on the ankle. 284 00:15:00,340 --> 00:15:03,260 Mark, could you tell Tabby her style and song for next week? 285 00:15:03,260 --> 00:15:04,940 So luckily, we're going back to ballroom. 286 00:15:04,940 --> 00:15:07,060 We're dancing the Viennese waltz to this song. 287 00:15:07,060 --> 00:15:08,500 # It's a damn cold night. 288 00:15:08,500 --> 00:15:16,460 # Trying to figure out this life. 289 00:15:16,460 --> 00:15:22,420 JOSH: # Trying to tell your left from your right... 290 00:15:22,420 --> 00:15:23,460 There you go. 291 00:15:23,460 --> 00:15:26,180 That's how you do it. That's how you do it. 292 00:15:26,180 --> 00:15:28,340 Now, Dani, my darling, let's talk about your stats. 293 00:15:28,340 --> 00:15:31,180 Top of the leaderboard. 294 00:15:31,180 --> 00:15:34,500 Highest score of the series. 295 00:15:34,500 --> 00:15:36,180 Your first nines and your first tens. 296 00:15:36,180 --> 00:15:37,380 I'm just literally in shock. 297 00:15:37,380 --> 00:15:40,020 I never, ever thought in a million years that would happen. 298 00:15:40,020 --> 00:15:41,060 I'm just so happy. 299 00:15:41,060 --> 00:15:42,300 I'm beaming. 300 00:15:42,300 --> 00:15:43,740 Now you've caught the dancing bug. 301 00:15:43,740 --> 00:15:44,780 Yes. 302 00:15:44,780 --> 00:15:47,020 And I believe that Jarrod is a super fan. 303 00:15:47,020 --> 00:15:48,460 He is. 304 00:15:48,460 --> 00:15:49,660 And he's asking for lessons. 305 00:15:49,660 --> 00:15:50,700 Yes. 306 00:15:50,700 --> 00:15:53,820 We did a bit of ballroom in my living room the other day. 307 00:15:53,820 --> 00:15:56,460 Yeah, we did. I need to get a video of it. 308 00:15:56,460 --> 00:15:58,620 He was like, "How do I get into frame?" 309 00:15:58,620 --> 00:16:01,740 I'll teach him. 310 00:16:01,740 --> 00:16:04,620 Nikita, should we tell Dani what she'll be dancing to next week? 311 00:16:04,620 --> 00:16:07,460 Absolutely, Jojo. 312 00:16:07,460 --> 00:16:13,900 We are dancing the best Latin dance of all time, the paso doble, to 313 00:16:13,900 --> 00:16:18,540 Everybody Wants To Rule The world. 314 00:16:18,540 --> 00:16:24,140 # We will find you acting on your best behaviour 315 00:16:24,140 --> 00:16:28,420 # Turn your back on mother nature 316 00:16:28,420 --> 00:16:34,700 # Everybody wants to rule the world. 317 00:16:34,700 --> 00:16:40,660 CHEERING. 318 00:16:40,660 --> 00:16:45,540 Do you know what? Shirley, you've got competition. 319 00:16:45,540 --> 00:16:46,700 Delta, save me! 320 00:16:46,700 --> 00:16:48,100 Josh, take a moment. 321 00:16:48,100 --> 00:16:49,780 Such a close leaderboard on Saturday night. 322 00:16:49,780 --> 00:16:51,620 How does it feel to be safe? 323 00:16:51,620 --> 00:16:53,820 It was amazing this week, 324 00:16:53,820 --> 00:16:55,980 I think, just, like, merging worlds and being able 325 00:16:55,980 --> 00:16:58,380 to sort of share my world as well with Kai 326 00:16:58,380 --> 00:17:00,780 and the team and being able to sort of continue 327 00:17:00,780 --> 00:17:02,980 the path of just, like, having more energy step 328 00:17:02,980 --> 00:17:05,579 by step and Let's Get Loud is sort of a song 329 00:17:05,579 --> 00:17:07,740 that I always, like, when that song comes on, 330 00:17:07,740 --> 00:17:09,420 I want to get up and dance 331 00:17:09,420 --> 00:17:11,819 and it was nice to now learn choreography to it 332 00:17:11,819 --> 00:17:14,380 so I can bring that out. 333 00:17:14,380 --> 00:17:16,540 And what style are we doing next week, Kai? 334 00:17:16,540 --> 00:17:18,140 Do you want to tell Delta? 335 00:17:18,140 --> 00:17:20,540 Well, Joshi, it's my favourite style on Strictly Come Dancing. 336 00:17:20,540 --> 00:17:24,220 It is the Argentine tango. 337 00:17:24,220 --> 00:17:30,100 ALL: Oh! 338 00:17:30,100 --> 00:17:33,220 If there was a song playing, I'd get up and dance with you, 339 00:17:33,220 --> 00:17:34,660 but there isn't a song playing. 340 00:17:34,660 --> 00:17:36,100 We just have to imagine it. 341 00:17:36,100 --> 00:17:37,300 And that is a relief. 342 00:17:37,300 --> 00:17:38,340 You're welcome. 343 00:17:38,340 --> 00:17:39,380 I'm all danced out. 344 00:17:39,380 --> 00:17:42,500 Now, Lacey, my darling, Shirley said you are much better than you think. 345 00:17:42,500 --> 00:17:43,940 How did you find that compliment? 346 00:17:43,940 --> 00:17:44,980 Isn't that so lovely? 347 00:17:44,980 --> 00:17:46,740 Beautiful, coming from the rumba queen. 348 00:17:46,740 --> 00:17:47,780 I know! 349 00:17:47,780 --> 00:17:49,700 I mean, I've been watching her all week. 350 00:17:49,700 --> 00:17:51,300 I've been watching all her videos. 351 00:17:51,300 --> 00:17:52,740 Did he make you watch it? 352 00:17:52,740 --> 00:17:54,180 I mean, he sent me lots, 353 00:17:54,180 --> 00:17:56,340 yeah, but then I fell down a rabbit hole 354 00:17:56,340 --> 00:17:58,740 of Shirley and her spins, and she's spinning a lot. 355 00:17:58,740 --> 00:18:01,620 And then she comes up and then she spins around and then... 356 00:18:01,620 --> 00:18:05,580 Oh, my word. Oh, I loved it. 357 00:18:05,580 --> 00:18:07,220 There you go. 358 00:18:07,220 --> 00:18:09,900 Should we reveal to Lacey what she'll be dancing to? 359 00:18:09,900 --> 00:18:10,940 Yes. 360 00:18:10,940 --> 00:18:14,060 So, next week, we are going to dance the foxtrot to the song, 361 00:18:14,060 --> 00:18:15,500 can I say it? 362 00:18:15,500 --> 00:18:17,020 Yeah. 363 00:18:17,020 --> 00:18:21,820 Let me introduce you, Mrs Jones. 364 00:18:21,820 --> 00:18:23,660 # Have you met Miss Jones? 365 00:18:23,660 --> 00:18:26,020 Have you met Miss Jones, sorry! 366 00:18:26,020 --> 00:18:30,100 # Someone said as we shook hands. 367 00:18:30,100 --> 00:18:36,620 # She was just Miss Jones to me...# 368 00:18:36,620 --> 00:18:40,540 Well done, everyone. We'll see you all next week. 369 00:18:40,540 --> 00:18:43,420 Now, BBC Children In Need is back on our screens next week 370 00:18:43,420 --> 00:18:45,340 and we decided to join forces with Pudsey 371 00:18:45,340 --> 00:18:47,980 to help make one remarkable young girl's Strictly dream come true. 372 00:18:47,980 --> 00:18:55,540 Have a look at this. 373 00:18:55,540 --> 00:18:57,420 Hi, I'm Fliss and I'm 14 years old. 374 00:18:57,420 --> 00:19:04,540 I live with my mum, my dad, my brother and my cats. 375 00:19:04,540 --> 00:19:06,220 Felicity's very energetic. She likes creating things. 376 00:19:06,220 --> 00:19:10,180 She likes making things. 377 00:19:10,180 --> 00:19:11,220 She is so strong. 378 00:19:11,220 --> 00:19:16,100 She just lights up a room when she enters. 379 00:19:16,100 --> 00:19:18,260 We found out that Felicity had a heart condition 380 00:19:18,260 --> 00:19:21,660 at the 20-week scan. It was very tough. 381 00:19:21,660 --> 00:19:23,820 Felicity's had four pacemakers from birth up until now. 382 00:19:23,820 --> 00:19:26,940 I wanted to give Felicity my heart when she was having her surgery. 383 00:19:26,940 --> 00:19:34,900 She's my everything. She really is. 384 00:19:35,380 --> 00:19:39,220 I knew I was different. 385 00:19:39,220 --> 00:19:44,140 All my other friends, they were doing races, 386 00:19:44,140 --> 00:19:47,260 playing tag, and, like, I had to catch my breath quite a bit. 387 00:19:47,260 --> 00:19:50,060 I was always going to be, like, three steps behind. 388 00:19:50,060 --> 00:19:52,220 Heart Heroes is a charity that supports children living 389 00:19:52,220 --> 00:19:53,900 with heart conditions. 390 00:19:53,900 --> 00:19:56,780 They've helped me make loads of friends, like, I can relate to, 391 00:19:56,780 --> 00:19:59,900 and make me feel like I'm not the only one on the earth 392 00:19:59,900 --> 00:20:01,060 with a heart condition. 393 00:20:01,060 --> 00:20:03,500 And it's all about celebrating what the children can do, 394 00:20:03,500 --> 00:20:05,380 not what they can't do. 395 00:20:05,380 --> 00:20:09,660 Felicity, she comes alive when it comes to Strictly. 396 00:20:09,660 --> 00:20:11,540 I just love, like, the dancing, the hair, 397 00:20:11,540 --> 00:20:16,340 the makeup, everything about Strictly. 398 00:20:16,340 --> 00:20:20,940 Every Saturday, the family have got to be ready to watch it live. 399 00:20:20,940 --> 00:20:23,100 "We would love to invite you and your family 400 00:20:23,100 --> 00:20:25,940 for a tour of the studio this Saturday"? 401 00:20:25,940 --> 00:20:31,660 No words. Just no words. 402 00:20:31,660 --> 00:20:37,060 We're heading into the studio now. We're here at Strictly Come Dancing. 403 00:20:37,060 --> 00:20:39,020 Fliss! 404 00:20:39,020 --> 00:20:41,180 Hello! 405 00:20:41,180 --> 00:20:43,100 Nice to meet you. 406 00:20:43,100 --> 00:20:44,900 Shall we go have a look? 407 00:20:44,900 --> 00:20:46,580 Come on, let's go. Come on, family. 408 00:20:46,580 --> 00:20:48,020 I love the costumes in Strictly. 409 00:20:48,020 --> 00:20:49,940 All of Vicky Gill's designs are absolutely gorgeous. 410 00:20:49,940 --> 00:20:54,100 Wow! 411 00:20:54,100 --> 00:20:57,980 This is the magic room, and there's Vicky. 412 00:20:57,980 --> 00:20:59,660 We've been so excited to meet you. 413 00:20:59,660 --> 00:21:01,580 Costume designing, I've done since a young age. 414 00:21:01,580 --> 00:21:04,780 It's one of my favourite things to do. 415 00:21:04,780 --> 00:21:06,300 Wow, look at this. 416 00:21:06,300 --> 00:21:08,700 I like the way that you're thinking about the songs 417 00:21:08,700 --> 00:21:12,060 and the dance style and all of that, because I have to do that. 418 00:21:12,060 --> 00:21:14,500 You're Vicky in the making. 419 00:21:14,500 --> 00:21:18,300 We thought that this was fantastic. So if you come around here... 420 00:21:18,300 --> 00:21:21,460 Wow. It's absolutely gorgeous! 421 00:21:21,460 --> 00:21:27,620 I never imagined I'd see any of my designs come alive here. 422 00:21:27,620 --> 00:21:29,740 I'm so proud of Felicity. 423 00:21:29,740 --> 00:21:34,700 You designed it, and Vicky made it? It's gorgeous. 424 00:21:34,700 --> 00:21:40,300 And the way that she has built and grown. 425 00:21:40,300 --> 00:21:42,660 She can replace you in the opening link, Emma. 426 00:21:42,660 --> 00:21:45,300 Oh, you can do it. Do you want to do it? 427 00:21:45,300 --> 00:21:46,980 Dancing the salsa, it's Dani and Nikita. 428 00:21:46,980 --> 00:21:48,020 Woo hoo! 429 00:21:48,020 --> 00:21:52,740 There we go. 430 00:21:52,740 --> 00:21:56,540 To see her as a little girl watching Strictly at home 431 00:21:56,540 --> 00:22:00,620 to being here today, 432 00:22:00,620 --> 00:22:03,860 it's just been the dream for her. 433 00:22:03,860 --> 00:22:06,500 When she was younger, she said, "One day, I'll be there". 434 00:22:06,500 --> 00:22:09,140 We are so grateful to Heart Heroes and the funding from 435 00:22:09,140 --> 00:22:12,020 Children In Need makes sure that they're able to continue to help 436 00:22:12,020 --> 00:22:13,060 children like Fliss. 437 00:22:13,060 --> 00:22:16,220 And what are you? Fab-u-lous, darling. 438 00:22:16,220 --> 00:22:19,460 I cannot believe the day I've had. It was beyond my wildest dreams. 439 00:22:19,460 --> 00:22:26,580 ALL: Keep dancing! 440 00:22:26,580 --> 00:22:28,260 Fliss, you are amazing. 441 00:22:28,260 --> 00:22:30,420 Thank you so much for coming to see us. 442 00:22:30,420 --> 00:22:33,060 Children In Need is back on Friday the 13th of November, 443 00:22:33,060 --> 00:22:35,460 and we're going to be giving you all the details 444 00:22:35,460 --> 00:22:37,860 about how you can enter a very special prize draw 445 00:22:37,860 --> 00:22:42,180 at the end of the show. 446 00:22:42,180 --> 00:22:46,060 Now, time for four people who are fun, feisty and fabulous. 447 00:22:46,060 --> 00:22:47,100 Please welcome... 448 00:22:47,100 --> 00:22:51,420 BOTH: The judges! 449 00:22:51,420 --> 00:22:53,980 # Oh, yes, sir, I can boogie 450 00:22:53,980 --> 00:22:56,940 # But I need a certain song 451 00:22:57,460 --> 00:22:59,340 # I can boogie 452 00:22:59,340 --> 00:23:01,700 # Boogie woogie 453 00:23:01,700 --> 00:23:07,180 # All night long...# 454 00:23:07,180 --> 00:23:13,140 Oh, dear! 455 00:23:13,140 --> 00:23:14,180 Not just dancing! 456 00:23:14,180 --> 00:23:15,580 Well, except for Motsi. 457 00:23:15,580 --> 00:23:18,500 We also got singing from Motsi there as well, which I love. 458 00:23:18,500 --> 00:23:19,900 I love it when you sing. 459 00:23:19,900 --> 00:23:21,340 Whether you want it or not. 460 00:23:21,340 --> 00:23:22,380 He's jealous. 461 00:23:22,380 --> 00:23:23,420 He's jealous! 462 00:23:23,420 --> 00:23:24,460 We all know it. 463 00:23:24,460 --> 00:23:25,540 You go, girl. 464 00:23:25,540 --> 00:23:28,620 Right, Craig, let's talk about Tabby. 465 00:23:28,620 --> 00:23:30,700 So you and Motsi disagreed on how much power. 466 00:23:30,700 --> 00:23:32,900 Well, that is the thing. 467 00:23:32,900 --> 00:23:37,700 Yes, we did disagree, but actually it was an agreement 468 00:23:37,700 --> 00:23:41,220 because I was really talking about the amount of power 469 00:23:41,220 --> 00:23:45,540 that is controlled, you see. 470 00:23:45,540 --> 00:23:47,460 Well, you were talking about was the power 471 00:23:47,460 --> 00:23:48,660 that was out of control. 472 00:23:48,660 --> 00:23:49,700 Yes. 473 00:23:49,700 --> 00:23:51,140 Do you see what I'm saying? 474 00:23:51,140 --> 00:23:52,340 You have to focus it. 475 00:23:52,340 --> 00:23:54,260 And I think she did a brilliant job. 476 00:23:54,260 --> 00:23:56,180 Well, that's what I was going to say. 477 00:23:56,180 --> 00:23:57,380 You both said she's back. 478 00:23:57,380 --> 00:23:58,420 Yeah. 479 00:23:58,420 --> 00:24:00,100 And completely and understandably, she was great. 480 00:24:00,100 --> 00:24:01,300 She did a fantastic job. 481 00:24:01,300 --> 00:24:02,500 Very, very proud of her. 482 00:24:02,500 --> 00:24:05,380 He's in a better mood tonight, isn't he? 483 00:24:05,380 --> 00:24:10,580 I am, it takes me a sleep. 484 00:24:10,580 --> 00:24:12,020 Motsi, we need to discuss Will. 485 00:24:12,020 --> 00:24:13,180 Yes. 486 00:24:13,180 --> 00:24:15,820 Now I know how important technique is to all of you. 487 00:24:15,820 --> 00:24:17,740 But you picked up on his showmanship, right? 488 00:24:17,740 --> 00:24:20,380 How important is it to marry those two at this point 489 00:24:20,380 --> 00:24:21,420 of the competition? 490 00:24:21,420 --> 00:24:24,060 Well, I think they're always going to work on their technique. 491 00:24:24,060 --> 00:24:28,140 It's something that's about growth and development. 492 00:24:28,140 --> 00:24:30,540 But when it's showtime, it's too late to be working 493 00:24:30,540 --> 00:24:31,980 on technique on the dance floor. 494 00:24:31,980 --> 00:24:33,660 You need to sell what you've got. 495 00:24:33,660 --> 00:24:34,700 And that means entertainment. 496 00:24:34,700 --> 00:24:36,860 That means being aware of the people around you, 497 00:24:36,860 --> 00:24:40,060 being aware of your partner, your arms, your legs. 498 00:24:40,060 --> 00:24:43,740 Every sense should be switched on, and you give your best. 499 00:24:43,740 --> 00:24:46,140 So I think he did that and he will progress. 500 00:24:46,140 --> 00:24:48,700 But at this point, I want it from everybody. 501 00:24:48,700 --> 00:24:50,500 And it's absolutely sensationally important to sell 502 00:24:50,500 --> 00:24:54,540 what you are selling. 503 00:24:54,540 --> 00:24:56,100 Sensationally important! 504 00:24:56,100 --> 00:24:59,700 I love it! 505 00:24:59,700 --> 00:25:01,140 LAUGHTER 506 00:25:01,140 --> 00:25:02,380 She's on fire! 507 00:25:02,380 --> 00:25:04,900 LAUGHTER 508 00:25:04,900 --> 00:25:08,380 Wow! 509 00:25:08,380 --> 00:25:11,060 What's in the water tonight, guys? 510 00:25:11,060 --> 00:25:12,060 So funny! 511 00:25:12,060 --> 00:25:13,100 Anton? 512 00:25:13,100 --> 00:25:14,140 Yes! 513 00:25:14,140 --> 00:25:15,180 Bethany. 514 00:25:15,180 --> 00:25:16,860 You said she was beautiful in hold. 515 00:25:16,860 --> 00:25:21,020 Yes. 516 00:25:21,020 --> 00:25:22,940 Then you picked up on her perfect three-step. 517 00:25:22,940 --> 00:25:23,980 Ah, yes. 518 00:25:23,980 --> 00:25:25,020 What is that? 519 00:25:25,020 --> 00:25:27,780 Well, it's a little bit technical. 520 00:25:27,780 --> 00:25:30,660 I'll just give you a little rundown of what the three-step is. 521 00:25:30,660 --> 00:25:32,820 It's fundamentally just three steps in a straight line. 522 00:25:32,820 --> 00:25:34,020 I know it doesn't sound... 523 00:25:34,020 --> 00:25:35,060 It's highly technical. 524 00:25:35,060 --> 00:25:36,260 I'll give you a demonstration. 525 00:25:36,260 --> 00:25:37,300 It goes like that. 526 00:25:37,300 --> 00:25:38,340 One. 527 00:25:38,340 --> 00:25:39,380 Two. 528 00:25:39,380 --> 00:25:40,420 Three. 529 00:25:40,420 --> 00:25:41,460 Now it's very difficult. 530 00:25:41,460 --> 00:25:43,620 But the thing about it is there's a specific 531 00:25:43,620 --> 00:25:44,820 footwork that goes with it. 532 00:25:44,820 --> 00:25:47,220 Because we're dancing in line with the partner as opposed 533 00:25:47,220 --> 00:25:53,820 to outside of partner. 534 00:25:53,820 --> 00:25:56,900 I'll start with a heel with my left foot, if I'm going forwards. 535 00:25:56,900 --> 00:25:59,060 I then do a heel with my right foot. 536 00:25:59,060 --> 00:26:02,900 But I rise out of that flat foot onto a toe before I place the left 537 00:26:02,900 --> 00:26:04,340 foot down on a toe lower. 538 00:26:04,340 --> 00:26:06,980 This footwork is unique to that step and only that step. 539 00:26:06,980 --> 00:26:08,020 It's very nuanced. 540 00:26:08,020 --> 00:26:09,460 It's the beauty of ballroom dancing. 541 00:26:09,460 --> 00:26:10,900 But when you do it right.. 542 00:26:10,900 --> 00:26:11,940 Can you tell? 543 00:26:11,940 --> 00:26:15,940 Yeah, I'm sort of speaking at you rather than to you. 544 00:26:15,940 --> 00:26:17,380 And you just carry on going. 545 00:26:17,380 --> 00:26:19,460 So this is not amateur footwork. 546 00:26:19,460 --> 00:26:22,700 Because I can't understand a word of it. 547 00:26:22,700 --> 00:26:25,860 This is high level, sensational, articulate footwork, 548 00:26:25,860 --> 00:26:28,260 which is very important for the flow of the foxtrot. 549 00:26:28,260 --> 00:26:30,020 It's unique. 550 00:26:30,020 --> 00:26:31,060 Well done, Bethany. 551 00:26:31,060 --> 00:26:34,300 All in all, I'm delighted. 552 00:26:34,300 --> 00:26:37,220 Now, Shirley, my darling, let's talk about Dani Dyer. 553 00:26:37,220 --> 00:26:41,780 Craig wants to steal her opening and put it in a panto. 554 00:26:41,780 --> 00:26:42,820 I do! 555 00:26:42,820 --> 00:26:44,020 Motsi gave her a ten. 556 00:26:44,020 --> 00:26:45,940 And you gave that dance a standing ovation. 557 00:26:45,940 --> 00:26:46,980 She was absolutely fantastic. 558 00:26:46,980 --> 00:26:49,620 Who would have thought at the very beginning of the run, 559 00:26:49,620 --> 00:26:52,500 that this young lady would shine in the middle of the competition. 560 00:26:52,500 --> 00:26:53,540 She was synchronised. 561 00:26:53,540 --> 00:26:55,060 She was coordinated. 562 00:26:55,060 --> 00:26:57,460 I even see that beautiful smile taking over and embracing 563 00:26:57,460 --> 00:27:00,540 the whole of her body. 564 00:27:00,540 --> 00:27:03,300 So the energy is absolutely exquisite. 565 00:27:03,300 --> 00:27:06,380 I think she just might be one to watch. 566 00:27:06,380 --> 00:27:07,980 Ooh! 567 00:27:07,980 --> 00:27:13,500 Dani has arrived! 568 00:27:13,500 --> 00:27:17,100 Let's hear it for the judges, everybody! 569 00:27:17,100 --> 00:27:18,140 CHEERING 570 00:27:18,140 --> 00:27:20,460 Right, time now for some music. 571 00:27:20,460 --> 00:27:22,620 Please welcome the man with the most spellbinding voice. 572 00:27:22,620 --> 00:27:23,660 It's Gregory Porter. 573 00:27:23,660 --> 00:27:26,620 CHEERING AND APPLAUSE 574 00:27:41,900 --> 00:27:45,620 # Somebody told me 575 00:27:45,620 --> 00:27:48,500 # "Get over it" 576 00:27:48,500 --> 00:27:52,140 # It's like water under bridges 577 00:27:52,140 --> 00:27:58,020 # That have already burned 578 00:27:58,020 --> 00:27:59,660 # They say 579 00:27:59,660 --> 00:28:06,020 # "It gets better, it gets easier" 580 00:28:06,020 --> 00:28:08,940 # The memories start to fade 581 00:28:08,940 --> 00:28:12,860 # And sad songs that always play 582 00:28:12,860 --> 00:28:14,980 # You start to hate 583 00:28:14,980 --> 00:28:18,740 # Do you remember 584 00:28:18,740 --> 00:28:21,140 # The days we used to spend? 585 00:28:21,140 --> 00:28:23,060 # Memories so strong 586 00:28:23,060 --> 00:28:30,900 # It keeps me from moving on 587 00:28:30,900 --> 00:28:33,980 # If I could go back 588 00:28:33,980 --> 00:28:38,500 # I'd take our worst days 589 00:28:38,500 --> 00:28:40,940 # Even our worst days are better 590 00:28:40,940 --> 00:28:46,740 # Than loneliness 591 00:28:46,740 --> 00:28:50,500 # Somebody told me 592 00:28:50,500 --> 00:28:53,020 # "Get over it" 593 00:28:53,020 --> 00:28:57,100 # It's like water under bridges 594 00:28:57,100 --> 00:29:03,420 # That have already burned 595 00:29:07,060 --> 00:29:08,060 # Water under bridges 596 00:29:08,060 --> 00:29:10,020 # That have already burned 597 00:29:18,260 --> 00:29:20,100 # They say 598 00:29:20,100 --> 00:29:21,900 # They say 599 00:29:30,540 --> 00:29:31,540 # Do you remember 600 00:29:31,540 --> 00:29:33,220 # The days we used to spend? 601 00:29:33,220 --> 00:29:34,260 # Memories so strong 602 00:29:34,260 --> 00:29:38,940 # It keeps me from moving on 603 00:29:38,940 --> 00:29:41,980 # If I could go back 604 00:29:41,980 --> 00:29:46,020 # I'd take our worst days 605 00:29:46,020 --> 00:29:48,620 # Even our worst days are better 606 00:29:48,620 --> 00:29:54,460 # Than loneliness 607 00:29:54,460 --> 00:29:57,780 # Somebody told me 608 00:29:57,780 --> 00:30:00,100 # "Get over it" 609 00:30:00,100 --> 00:30:04,140 # It's like water under bridges 610 00:30:04,140 --> 00:30:10,140 # That have already burned 611 00:30:10,140 --> 00:30:11,580 # It's like water under bridges 612 00:30:11,580 --> 00:30:17,300 # That have already burned 613 00:30:17,300 --> 00:30:18,860 # It's like water under bridges 614 00:30:18,860 --> 00:30:25,460 # That have already burned 615 00:30:26,900 --> 00:30:29,020 # They say 616 00:30:29,020 --> 00:30:31,980 # They say 617 00:30:33,180 --> 00:30:36,140 # They say 618 00:30:36,980 --> 00:30:43,300 # It's like water under bridges 619 00:30:43,300 --> 00:30:51,260 # That have already burned.# 620 00:30:56,420 --> 00:30:58,260 CHEERING AND APPLAUSE 621 00:31:11,660 --> 00:31:14,620 CHEERING AND APPLAUSE 622 00:31:18,220 --> 00:31:21,340 A huge thank you to the incredible Gregory Porter and to our pros, 623 00:31:21,340 --> 00:31:22,780 Alexis and Aljaz, for that performance. 624 00:31:22,780 --> 00:31:25,420 It's time now to find out which two couples must dance 625 00:31:25,420 --> 00:31:26,860 for their place in the competition. 626 00:31:26,860 --> 00:31:27,900 Emma? 627 00:31:27,900 --> 00:31:30,540 There are a lot of nerves down here on the floor. 628 00:31:30,540 --> 00:31:32,700 Four couples remain, but who is in the Dance-Off? 629 00:31:32,700 --> 00:31:38,020 Let's find out. 630 00:31:38,020 --> 00:31:43,620 Will and Diane, Bethany and Nancy, 631 00:31:43,620 --> 00:31:45,020 Cach and Maddie, John and Katya. 632 00:31:45,020 --> 00:31:46,220 Two of you are safe. 633 00:31:46,220 --> 00:31:48,180 Two of you are in the Dance-Off. 634 00:31:48,180 --> 00:31:54,180 Best of luck to all of you. 635 00:31:55,380 --> 00:32:03,340 The first couple in the Dance-Off is... 636 00:32:08,220 --> 00:32:11,180 ..Bethany and Nancy. 637 00:32:15,580 --> 00:32:21,820 Also in tonight's Dance-Off is... 638 00:32:21,820 --> 00:32:29,780 ..Cach and Maddie. 639 00:32:35,700 --> 00:32:38,260 So, Will and Diamne, John and Katya, congratulations. 640 00:32:38,260 --> 00:32:41,220 You dance again next week. 641 00:32:43,420 --> 00:32:46,980 APPLAUSE 642 00:32:46,980 --> 00:32:48,020 Bethany, Nancy. 643 00:32:48,020 --> 00:32:49,060 Cach, Maddie. 644 00:32:49,060 --> 00:32:53,540 Come on over. 645 00:32:53,540 --> 00:32:59,300 CHEERING AND APPLAUSE 646 00:32:59,300 --> 00:33:00,300 Thank you. 647 00:33:00,300 --> 00:33:01,380 How you feeling? 648 00:33:01,380 --> 00:33:02,380 Alright. 649 00:33:02,380 --> 00:33:03,420 Tough. 650 00:33:03,420 --> 00:33:04,460 Yeah. 651 00:33:04,460 --> 00:33:05,580 Really, really tough. 652 00:33:05,580 --> 00:33:07,860 Cach, how you doing? 653 00:33:07,860 --> 00:33:09,500 I feel OK. 654 00:33:09,500 --> 00:33:13,540 Um... 655 00:33:13,540 --> 00:33:14,620 ..yeah. 656 00:33:14,620 --> 00:33:16,500 It's not the nicest position to be in. 657 00:33:16,500 --> 00:33:19,180 No. 658 00:33:19,180 --> 00:33:21,140 No, it's hard. 659 00:33:21,140 --> 00:33:22,820 Motsi, one couple have been here before. 660 00:33:22,820 --> 00:33:24,260 One couple never been here before. 661 00:33:24,260 --> 00:33:25,460 It's never easy either way. 662 00:33:25,460 --> 00:33:26,900 What is your advice to them? 663 00:33:26,900 --> 00:33:28,820 The advice is to do your utter best. 664 00:33:28,820 --> 00:33:31,780 Whatever you have, leave it on the dance floor. 665 00:33:31,780 --> 00:33:36,180 It's a competition. 666 00:33:36,180 --> 00:33:42,140 We all know how it works. 667 00:33:42,140 --> 00:33:44,780 The question is, who wants to be in the next round? 668 00:33:44,780 --> 00:33:46,220 And you give it your best. 669 00:33:46,220 --> 00:33:48,620 And Shirley, it all comes down to this next dance. 670 00:33:48,620 --> 00:33:50,060 You have the casting vote tonight. 671 00:33:50,060 --> 00:33:51,500 What do you want to see? 672 00:33:51,500 --> 00:33:54,860 Well, if there's a few minutes in between, I'd like to see a little 673 00:33:54,860 --> 00:33:55,900 bit more from Bethany. 674 00:33:55,900 --> 00:33:58,060 And the power and the feeling of the shape. 675 00:33:58,060 --> 00:33:59,100 And from you, Cach, 676 00:33:59,100 --> 00:34:01,740 if you can get any little bit of rise and fall 677 00:34:01,740 --> 00:34:03,660 with the correct footwork, that would be marvellous. 678 00:34:03,660 --> 00:34:06,300 But both couples are extremely gifted and talented, and you mean 679 00:34:06,300 --> 00:34:07,500 a lot to this competition. 680 00:34:07,500 --> 00:34:08,940 And it comes down to this. 681 00:34:08,940 --> 00:34:10,620 Like Motsi said, give it your all. 682 00:34:10,620 --> 00:34:13,260 Whatever you can do to make a little improvement from Saturday 683 00:34:13,260 --> 00:34:14,300 night will be amazing. 684 00:34:14,300 --> 00:34:15,340 APPLAUSE 685 00:34:15,340 --> 00:34:16,380 Listen, good luck. 686 00:34:16,380 --> 00:34:17,659 Go and get ready. 687 00:34:17,659 --> 00:34:18,699 Go smash it. 688 00:34:18,699 --> 00:34:19,739 Give it your all. 689 00:34:19,739 --> 00:34:22,980 Thank you. 690 00:34:22,980 --> 00:34:29,620 APPLAUSE 691 00:34:33,380 --> 00:34:36,500 So for Bethany and Nancy, and Cach and Maddie, 692 00:34:36,500 --> 00:34:38,460 it all comes down to this next performance. 693 00:34:38,460 --> 00:34:41,060 Dancing first with their foxtrot, it's Bethany and Nancy. 694 00:34:41,060 --> 00:34:47,940 APPLAUSE 695 00:35:03,020 --> 00:35:05,140 # Closed off from love 696 00:35:05,140 --> 00:35:07,500 # I didn't need the pain 697 00:35:07,500 --> 00:35:10,740 # Once or twice was enough 698 00:35:10,740 --> 00:35:12,780 # But it was all in vain 699 00:35:12,780 --> 00:35:15,060 # Time starts to pass 700 00:35:15,060 --> 00:35:18,020 # Before you know it, you're frozen 701 00:35:18,980 --> 00:35:20,780 # Mmmmm 702 00:35:21,500 --> 00:35:23,420 # But I don't care what they say 703 00:35:23,420 --> 00:35:25,100 # I'm in love with you 704 00:35:25,100 --> 00:35:27,140 # They try to pull me away 705 00:35:27,140 --> 00:35:31,380 # But they don't know the truth 706 00:35:31,380 --> 00:35:33,060 # My heart's crippled by the vein 707 00:35:33,060 --> 00:35:36,100 # That I keep on closing 708 00:35:36,100 --> 00:35:39,580 # You cut me open and I 709 00:35:39,580 --> 00:35:40,900 # (Bleeding) Keep bleeding 710 00:35:40,900 --> 00:35:46,580 # I keep, keep bleeding love 711 00:35:46,580 --> 00:35:49,340 # You cut me open and I 712 00:35:49,340 --> 00:35:52,900 # And it's draining all of me 713 00:35:52,900 --> 00:35:56,580 # Though they find it hard to believe 714 00:35:56,580 --> 00:35:59,460 # I'll be wearing these scars 715 00:35:59,460 --> 00:36:04,980 # For everyone to see 716 00:36:04,980 --> 00:36:07,820 # You cut me open and I 717 00:36:07,820 --> 00:36:09,900 # (Bleeding) Keep bleeding 718 00:36:09,900 --> 00:36:11,380 # Keep, keep bleeding love 719 00:36:11,380 --> 00:36:13,580 # (Bleeding) Keep bleeding 720 00:36:13,580 --> 00:36:19,420 # I keep, keep bleeding love (love) 721 00:36:19,420 --> 00:36:20,980 # (Bleeding) Keep bleeding 722 00:36:20,980 --> 00:36:23,100 # I keep, keep bleeding love (love) 723 00:36:23,100 --> 00:36:27,100 # You cut me open and I... 724 00:36:27,100 --> 00:36:33,660 CHEERING AND APPLAUSE 725 00:36:45,340 --> 00:36:47,220 Bethany and Nancy have given it their all. 726 00:36:47,220 --> 00:36:50,500 Their fate is now in the hands of the judges. 727 00:36:50,500 --> 00:36:53,460 Performing next with their waltz, it's Cach and Maddie. 728 00:37:00,660 --> 00:37:04,620 # Mmmmm 729 00:37:04,620 --> 00:37:11,340 # You're talking, but I haven't heard a word all night 730 00:37:11,340 --> 00:37:19,300 # My mind's been drifting, all you think about's your life 731 00:37:19,980 --> 00:37:24,620 # And I don't know how anyone could deal 732 00:37:24,620 --> 00:37:32,580 # With a guy who's insecure, but thinks he's made of steel 733 00:37:35,020 --> 00:37:40,340 # So I'm cutting, it's over, I'm out 734 00:37:40,340 --> 00:37:48,300 # Mm, I'm sorry, if this comes off loud 735 00:37:52,540 --> 00:37:59,620 # There'll be a day, when man comes through 736 00:37:59,620 --> 00:38:02,860 # We'll find a place Cash Avenue (ooh) 737 00:38:02,860 --> 00:38:07,980 # And there'll be somebody, makes me wanna say I do (aahhh) 738 00:38:07,980 --> 00:38:12,100 # Oh, but that ain't now, that ain't here 739 00:38:12,100 --> 00:38:15,940 # And that ain't you 740 00:38:15,940 --> 00:38:22,980 # That ain't now, that ain't here, and that ain't you 741 00:38:22,980 --> 00:38:30,460 # That ain't now, that ain't here, and that ain't you! 742 00:38:30,460 --> 00:38:37,060 CHEERING AND APPLAUSE 743 00:38:43,020 --> 00:38:45,900 Huge well done to both of our couples. 744 00:38:45,900 --> 00:38:48,540 They can do no more. 745 00:38:48,540 --> 00:38:51,500 Judges, it's decision time. 746 00:38:53,860 --> 00:38:56,780 Based on that Dance-Off alone, 747 00:38:56,780 --> 00:38:59,900 I'll ask each of you the name of the couple you think deserves 748 00:38:59,900 --> 00:39:00,940 to stay and why. 749 00:39:00,940 --> 00:39:02,860 The couple with the most votes will remain 750 00:39:02,860 --> 00:39:05,020 in the competition, meaning the other couple is out 751 00:39:05,020 --> 00:39:09,820 of Strictly Come Dancing. 752 00:39:09,820 --> 00:39:15,060 In the event of a tie, our judge with the casting vote, 753 00:39:15,060 --> 00:39:17,660 which is you this week, Shirley, will have the final say. 754 00:39:17,660 --> 00:39:19,100 Bethany and Nancy, Cach and Maddie. 755 00:39:19,100 --> 00:39:20,340 This is it. 756 00:39:20,340 --> 00:39:21,540 Anton, we'll start with you. 757 00:39:21,540 --> 00:39:29,500 Who do you want to see stay in the competition and why? 758 00:39:30,060 --> 00:39:31,940 Well, everybody's good. 759 00:39:31,940 --> 00:39:33,860 That's the problem we've got at the moment. 760 00:39:33,860 --> 00:39:41,820 Everybody's good. 761 00:39:43,380 --> 00:39:45,300 And I thought both couples danced very well. 762 00:39:45,300 --> 00:39:47,460 I marked them exactly the same on Saturday night. 763 00:39:47,460 --> 00:39:48,900 So they're a very even standard. 764 00:39:48,900 --> 00:39:50,580 So we're talking about very small things. 765 00:39:50,580 --> 00:39:52,740 The thing that I liked about this particular couple, 766 00:39:52,740 --> 00:39:55,620 slightly more than the couple I didn't vote for, is that they 767 00:39:55,620 --> 00:39:58,020 moved across the floor more powerfully and covered more space. 768 00:39:58,020 --> 00:39:59,940 And I like that about a ballroom dance. 769 00:39:59,940 --> 00:40:03,300 So the couple I'm going to save is Cach and Maddie. 770 00:40:03,300 --> 00:40:11,260 APPLAUSE 771 00:40:16,580 --> 00:40:18,980 Craig, who do you think deserves to stay and why? 772 00:40:18,980 --> 00:40:22,860 Well, for the whole haunted commitment to technique 773 00:40:22,860 --> 00:40:25,260 and artistry, I would like to save Bethany and Nancy. 774 00:40:25,260 --> 00:40:30,420 APPLAUSE. 775 00:40:30,420 --> 00:40:34,660 Motsi, who secured your vote and why? 776 00:40:34,660 --> 00:40:39,020 Well, both couples in my books do not belong here in this Dance-Off. 777 00:40:39,020 --> 00:40:43,340 And I think you're both extremely talented people. 778 00:40:43,340 --> 00:40:49,260 For me, one of the best dances of the night, 779 00:40:49,260 --> 00:40:51,620 and really music is the number one in my books. 780 00:40:51,620 --> 00:40:57,780 And that is why I will save Bethany and Nancy. 781 00:40:57,780 --> 00:40:59,700 OK, so two votes to Bethany and Nancy. 782 00:40:59,700 --> 00:41:04,660 One vote for Cach and Maddie. 783 00:41:04,660 --> 00:41:06,340 Shirley, you have this week's casting vote, 784 00:41:06,340 --> 00:41:09,300 so whoever gets your vote will be staying in the competition. 785 00:41:09,300 --> 00:41:13,380 Who do you think should stay and why? 786 00:41:13,380 --> 00:41:16,700 Well, this was a difficult choice for me, but I always have sort 787 00:41:16,700 --> 00:41:19,380 of like a list that I go down. 788 00:41:19,380 --> 00:41:24,420 One couple had extremely good footwork and some very nice flow. 789 00:41:24,420 --> 00:41:28,460 And the other couple had more shift across the floor, 790 00:41:28,460 --> 00:41:31,620 some swing, and sway, and shape through the upper half of the body. 791 00:41:31,620 --> 00:41:34,460 The footwork changed from Saturday night to tonight and I could see 792 00:41:34,460 --> 00:41:37,620 a difference in the chain step. 793 00:41:37,620 --> 00:41:40,060 So for skill, shape, line and an improvement on footwork 794 00:41:40,060 --> 00:41:46,980 I'm going to save Cach and Maddie. 795 00:41:49,420 --> 00:41:50,460 CHEERING. 796 00:41:50,460 --> 00:41:51,500 Cach and Maddie, congratulations. 797 00:41:51,500 --> 00:41:55,100 You'll be back in the ballroom next week. 798 00:41:55,100 --> 00:41:57,460 That means, of course, we do have to say goodbye 799 00:41:57,460 --> 00:42:02,580 to Bethany and Nancy. 800 00:42:02,580 --> 00:42:04,380 I love you. 801 00:42:04,380 --> 00:42:05,660 Love you, too. 802 00:42:05,660 --> 00:42:08,340 Bethany, Nancy, come on over. 803 00:42:08,340 --> 00:42:10,700 Oh... 804 00:42:10,700 --> 00:42:13,660 CHEERING AND APPLAUSE 805 00:42:17,180 --> 00:42:20,300 I mean, 806 00:42:20,300 --> 00:42:23,180 your strength is on a different level. 807 00:42:23,180 --> 00:42:26,060 Three times you've been in the Dance-Off and you have come back 808 00:42:26,060 --> 00:42:27,500 fighting every single time. 809 00:42:27,500 --> 00:42:29,580 Thank you so, so much. 810 00:42:29,580 --> 00:42:32,860 Thank you. 811 00:42:32,860 --> 00:42:35,180 And you're our Strictly super fan. 812 00:42:35,180 --> 00:42:38,540 You have so wanted to dance in this ballroom for such a long time. 813 00:42:38,540 --> 00:42:40,460 Was it everything you wanted it to be? 814 00:42:40,460 --> 00:42:41,500 It honestly was. 815 00:42:41,500 --> 00:42:44,260 I've had the most amazing time. 816 00:42:44,260 --> 00:42:48,100 It was our time and this week to go out on this dance and to feel 817 00:42:48,100 --> 00:42:51,220 the magic of getting to do that kind of routine and what it 818 00:42:51,220 --> 00:42:54,300 means and what it stands for on the night that we go out, 819 00:42:54,300 --> 00:42:55,780 it just means everything to me. 820 00:42:55,780 --> 00:42:59,380 And to get to do it with Nancy has just been a dream come true. 821 00:42:59,380 --> 00:43:01,380 CHEERING AND APPLAUSE 822 00:43:01,380 --> 00:43:03,540 It's been a really, really special partnership, hasn't it? 823 00:43:03,540 --> 00:43:05,460 What would you like to say to her? 824 00:43:05,460 --> 00:43:06,500 Oh, she's just... 825 00:43:06,500 --> 00:43:09,620 You have brought out a side of me that I didn't ever 826 00:43:09,620 --> 00:43:10,700 Oh, she's just... 827 00:43:10,700 --> 00:43:13,580 You have brought out a side of me that I didn't ever 828 00:43:13,580 --> 00:43:15,020 think I would get to see. 829 00:43:15,020 --> 00:43:16,940 And I'm going to miss you so much. 830 00:43:16,940 --> 00:43:18,860 I'm so grateful for everything you've taught me. 831 00:43:18,860 --> 00:43:19,900 APPLAUSE 832 00:43:19,900 --> 00:43:24,900 What has Bethany been like as a partner, Nancy? 833 00:43:24,900 --> 00:43:29,500 Everything. 834 00:43:29,500 --> 00:43:33,340 Nobody knows that day one I met her, the girl I saw from afraid to put 835 00:43:33,340 --> 00:43:35,740 herself in the high heels till we nailed the Argentine 836 00:43:35,740 --> 00:43:36,940 tango on the dance floor. 837 00:43:36,940 --> 00:43:39,180 Now she's wearing her heels. 838 00:43:39,180 --> 00:43:42,260 She's doing all the hard work, I know. 839 00:43:42,260 --> 00:43:45,140 And I saw this girl growing in front of me, growing her 840 00:43:45,140 --> 00:43:46,180 strength, her confidence. 841 00:43:46,180 --> 00:43:52,580 She took all the criticism on board, but showed no fear. 842 00:43:52,580 --> 00:43:55,940 One thing I would love to tell you is do not say to yourself 843 00:43:55,940 --> 00:43:58,420 you can't do it, because you can. 844 00:43:58,420 --> 00:44:01,020 You made a lot of girls proud of you, watching 845 00:44:01,020 --> 00:44:04,140 you dance, you know? 846 00:44:04,140 --> 00:44:07,820 CHEERING AND APPLAUSE 847 00:44:07,820 --> 00:44:09,140 Thank you so much. 848 00:44:09,140 --> 00:44:13,300 You've been a really special partnership. 849 00:44:13,300 --> 00:44:15,540 To see you both together has been so beautiful. 850 00:44:15,540 --> 00:44:18,740 And thank you so much for embracing it so wholeheartedly. 851 00:44:18,740 --> 00:44:21,060 I mean, you really did. 852 00:44:21,060 --> 00:44:25,380 Well, you have one more twirl around the floor. 853 00:44:25,380 --> 00:44:26,820 And there's one thing before that. 854 00:44:26,820 --> 00:44:28,100 Yes? 855 00:44:28,100 --> 00:44:30,740 I always say to you, do not forget to tell yourself 856 00:44:30,740 --> 00:44:32,100 that you are amazing. 857 00:44:32,100 --> 00:44:38,580 Thank you. 858 00:44:38,580 --> 00:44:40,460 You are amazing and we've loved having you. 859 00:44:40,460 --> 00:44:41,500 Thank you so much. 860 00:44:41,500 --> 00:44:42,540 Bethany and Nancy, everyone! 861 00:44:42,540 --> 00:44:46,860 Thank you so much. 862 00:44:46,860 --> 00:44:49,700 Sadly, Bethany and Nancy are the next couple to leave 863 00:44:49,700 --> 00:44:52,900 Strictly Come Dancing. 864 00:44:52,900 --> 00:44:58,140 You can join them on Monday's It Takes Two 865 00:44:58,140 --> 00:45:00,060 with Ellie Taylor at 6:30 on BBC Two. 866 00:45:00,060 --> 00:45:03,180 We'll be back next Saturday at 6:25, when our remaining couples will be 867 00:45:03,180 --> 00:45:05,940 dancing for a place in the mighty Blackpool. 868 00:45:05,940 --> 00:45:09,300 To hear more from Bethany and Nancy on their exit, and get the judges' 869 00:45:09,300 --> 00:45:11,940 reasoning behind tonight's decision, you can switch it over to iPlayer 870 00:45:11,940 --> 00:45:14,740 right now for Lights Up. 871 00:45:14,740 --> 00:45:18,900 Taking to the floor one final time, please show them loads of love. 872 00:45:18,900 --> 00:45:21,860 It's Bethany and Nancy! 873 00:45:23,060 --> 00:45:31,020 # A star so bright you blind me 874 00:45:33,020 --> 00:45:37,820 # Don't close your eyes 875 00:45:37,820 --> 00:45:40,660 # Don't fade away 876 00:45:40,660 --> 00:45:44,740 # Don't fade away 877 00:45:44,740 --> 00:45:48,340 # Yeah, you and me, we can ride on a star 878 00:45:48,340 --> 00:45:54,420 # If you stay with me girl, we can rule the world 879 00:45:54,420 --> 00:45:57,380 # All the stars are coming out tonight 880 00:45:57,380 --> 00:46:01,340 # They're lighting up the sky tonight 881 00:46:01,340 --> 00:46:09,300 # For you, for you.# 882 00:46:13,540 --> 00:46:16,500 APPLAUSE 883 00:46:21,140 --> 00:46:26,060 Strictly fans, we have got an amazing prize up for grabs 884 00:46:26,060 --> 00:46:29,660 in our BBC Children in Need prize draw - a chance to win two tickets 885 00:46:29,660 --> 00:46:32,300 to the Strictly Come Dancing final at Elstree Studios on Saturday 886 00:46:32,300 --> 00:46:35,660 the 19th of December. 887 00:46:35,660 --> 00:46:37,100 Plus an exclusive VIP backstage experience 888 00:46:37,100 --> 00:46:39,300 and It Takes Two the day before. 889 00:46:39,300 --> 00:46:42,660 You'll also be treated to a two night stay in a five star hotel 890 00:46:42,660 --> 00:46:45,060 which includes your meals, two spa treatments, plus all travel 891 00:46:45,060 --> 00:46:47,100 related to the prize. 892 00:46:47,100 --> 00:46:50,740 If you want to be in with a chance of winning, you can find 893 00:46:50,740 --> 00:46:53,700 details on how to enter on our website bbc.co.uk/strictly.