SCOTT: After six weeks of hard yakka renovating these 1950s cottages,
the Blockheads have finally reached the halfway mark of the build.
LEAH: Up, up, up. Everyone, up.
This week, they moved upstairs for the first time
and they're going all out in their master bedrooms and walk-in robes.
We are experimenting with something that I have wanted to do for years,
a curved ceiling.
ASH: Perfect. (DRILL WHINES)
While some build teams get busy making dreams come true,
the girls' relationship with their builder turned into a nightmare.
MARK: I didn't want to push you last night.
I feel like there was push.
We are zombies and we're now not, like, delivering.
Kristy played mind games with Steph.
KRISTY: So, Steph is very easy to get into her head.
I just feel like I would've probably utilised the pitch a little bit.
BRETT: You're clearly messing with her.
PRODUCER: Are you? Yeah.
SCOTT: And the challenge was fast and furious, with a surprise winner.
House one take home the biscuits.
(CHEERING)
KYLE: So, we won. 10K. And the gnome.
BRETT: How the eff is that possible?
Tonight...
Dan and Keith pulled me aside and they're, like, we can't put that in.
Why not? It's your house.
..the girls go head-to-head with their builder again.
What are our other options? Nothing.
And the race is on to finish their master bedrooms...
Wrong, wrong, wrong.
Where's the screw?
Lib?
..before the judges step in... Mmm.
What we're seeing here
is from really, really well-established architects
and designers.
That is art.
..and deliver some very big numbers.
Oooh! Oh!
STEPH: Oh, my god! A ten!
(GULL CRIES)
Tonight, it's master bedroom and walk-in robe reveal,
two very important rooms when it comes to the sale of the house,
so you want to dedicate a little bit of coin to this one.
I reckon it would cost 25 grand cash out of their CommBank accounts.
That should give you a fair bit of a bang for your buck.
So, for our master bedroom this week, you walk in
and we've got, like, a blade wall
that divides the main part of the room and the robe,
so we have chosen to build that wall out so it can feature an arch.
House one's secret weapon is their built-in arch,
which doubles as a bedhead.
It is rendered and will light up.
And towering above it all, the highest ceiling on the Block.
But right now, it's leaking.
It rained significantly last night, so we've got leaks.
Last week was tough for Kyle and Leslie
after they got slammed by the judges
for having a very small living and dining space.
A lounge room should not be 3m x 3m in a four-bedroom house.
"It's a beautifully styled disaster."
So, the leaky master bedroom
is just another blow for the Western Australian couple,
who, after a gruelling six weeks...
Alright. It'll be Melbourne time.
BOY: (ON PHONE) Oh.
..have been feeling the distance between them
and their two young children back home.
LESLIE: It's been a hard week personally, I think.
Yeah, our kids are struggling a bit...
(CRIES) ..us not being there.
(CRIES)
Like, I really am enjoying it...
but it's, like, the longest we've been away from them.
And I'm dealing with it
but maybe they're not.
(SAD MUSIC PLAYS)
After six weeks on the Block,
all our teams have struggled in their own way, like Eliza and Liberty,
who have battled with their lack of building knowledge
and their lack of sleep.
So we've done pretty much an all-nighter.
Had two hours sleep last night.
We're not having the fun that we were having at the start of this
because when you're having all-nighters
and all you want to do is sleep...
We're trying not to be killing ourselves
at reveal, like, tools down,
so instead we're killing ourselves the night before.
So we've done a base coat of our paint,
which is way further ahead of where we were this time last week
with living-dining.
The girls' secret weapons this week
are a fireplace surrounded by scalloped Porta timber
and an artwork that Liberty splurged on.
Then there's the walk-in robe,
a light and bright space
with enough storage to satisfy the Shaynna Blazes of this world.
They just have to get it all done.
Oh, who needs a McCafe pick-me-up!
Oh, my god! Yes!
I thought I'd hand-deliver them. Thank you!
They're a bit wet from the rain. (GASPS) Thanks so much.
I heard you had a late night again and an early morning.
Yeah. But we did that so that tonight's not so crazy.
Oh, good.
But we also thought we were gonna get two coats done
and we've only got one coat, base coat done.
Well, that's alright. You can have a pick-me-up and then you'll be good.
Thank you. Don't you think we look so fresh?
No, you look alright. (LAUGHS)
Next door in house four, I reckon Gian could do with a pick-me-up too.
GIAN: Basically, this is probably the biggest room
we're gonna deliver in The Block,
so we know that we're pushing a big ball up a hill at this point.
House four's not-so-secret weapon this week
is the sheer size of their space.
The giant 37-square-metre footprint
has cathedral ceilings with beam details towering over a huge bed
and parents' retreat area.
And the biggest master bedroom on The Block this year
also has one of the biggest walk-in robes in Block history.
Three walls of floor-to-ceiling cabinetry, a massive island bench
and a Hermes bag that house four won back in week two,
along with a 20-grand upgrade from Kinsman
make this impressive space possible.
PRODUCER: What have you got to get done today?
Oh, just a few things. Yeah, just a couple of things.
Yeah. Not that many.
We have to hang the door, finish the skirting boards,
hang the painting, style, we have to sand the whole room.
(LAUGHS) We have to sand the whole room.
And last but not least, paint the bloody thing.
(LAUGHS) Today is... Yeah...
It's laughable, how much we have to get done.
SCOTT: Well, next door, one element of Kristy and Brett's room this week
looks to be pretty much done.
The hero feature this week will be the Venetian plaster wall
as you enter through the hallway.
It's actually really warm and inviting, so...
Yeah. ..definitely the hero of this week.
House three's Venetian plaster wall sits behind the bedhead.
Another secret weapon this week is their lighting plan -
drop pendants over the bedside tables,
wall sconces and double downlights.
But this morning, they feel like they're running behind schedule.
I reckon by far this is the worst flowing week we've had to date
in our rooms.
Flowing week? Yep.
BRETT: We're waiting on electrical fit-off.
They've been held up elsewhere, I believe.
So, other than that, it's painting for us.
We're never late for curtains.
We're always the first ones to get cut-ins.
What's the bet we still will be first?
For curtains? Yeah.
(LAUGHS) Not this week.
Next door, last week's winners Leah and Ash's house
looks to be in a much better position to finish this week.
We're trying to get this room, like, next level.
Mickey Mouse. Have a good higher-standard finish.
So I didn't go to bed till 4:00am last night.
I did a primer on the whole room
and I got the ceiling with probably about three coats of ceiling white.
Ceiling's looking really, really good.
Looks good, mate. Looks really good.
KEITH: Oooh, yeah.
It was hard to envisage at the start of the week, forming it up.
We weren't really sure how it was gonna look, but I like it.
Underneath their stately curved ceiling is a huge space,
with a bench seat nestled along a curved wall.
And the room is filled with Leah's signature eclectic styling.
I could finish this.
I could finish this at lunchtime today
and walk away and go to the pub. Yeah.
But it wouldn't be up to my standard, you know.
Got my gyprocker actually coming back to do some things
that I'm not 100% happy with.
Good, mate. You've noticed the problem.
Now you're gonna sort it out. Yep.
It's all about the one-percenters. That's it, mate.
While Keith and Dan are impressed with house two,
they are severely unimpressed with a prominent feature in house five
and are wanting Eliza to please explain.
DAN: Hello, mate. ELIZA: Hello.
KEITH: G'day.
PRODUCER: Explain what happened with the timber top.
SCOTT: Made by the girls' builder, Mark,
the timber top is the bench that will feature above the fireplace.
The timber top, we were of the understanding,
was still a very reasonable alternative
to, like, the expensive stone top,
but Keith and Dan came around and said it's not luxe enough
and it is very urgent that we address that.
KEITH: Whose idea was it to make that timber finger-jointed benchtop?
Oh, yeah. It was Mark's.
We said, "What are our other options financially?"
The builder? Yeah.
Oh, god. (LAUGHS)
You guys aren't aware, that's actually framing timber. Right.
We don't use that as a benchtop or something like that.
OK. Finger-join pieces slapped together.
It's just low-end. OK. It's really low-end.
(BLEEP). OK.
Keith and Dan explained to us
that the timber we're using is structural.
It's not expensive and it's not attractive
and there was something called finger joins,
which apparently is, like, a big no-no.
We wanted, like, stone.
Mark, our builder, is in a hard spot because we did discuss stone.
It's not within our budget and we also couldn't find anything on time.
Earlier, Keith and Dan questioned the builder, Mark,
about getting stone for the benchtop.
Hey, do you blokes have a stonemason you work with?
MARK: The girls enquired through someone privately...
What, one person? ..and it was a cost...
They just weren't interested.
Mate, there's hundreds of stonemasons out there
with factories of offcuts of stone.
Yeah, it just depends.
Then the girls were paying us to ring around
and call multiple stonemasons,
trying to find out if they've got offcuts.
There's so many stonemasons out here in Melbourne.
ELIZA: Yeah, OK.
So many people have offcuts of stone... Yeah.
..that normally just gets thrown out... Yeah.
..or stays in the yard for years on end. OK.
You pay a couple of hundred bucks, get it done.
Like, you go above and beyond for your clients,
always you do that, especially on The Block.
Mmm. Like, this doesn't make sense.
I rang... I made one call... Yeah.
..in five minutes... Yeah. Oh, is that what you...
Cut a bit of stone like that for 300 bucks,
would've been installed if they... Right.
This is what we're saying about the network
and just going above and beyond for your client.
OK, yes, our builder, he should've tried harder
and also maybe he should've explained to us
that the alternative is not what's classified as luxe.
Like, are you alluding to the fact that that's still an option for us?
He can't today, he said. OK.
We asked. Yeah.
If you had have asked earlier in the week... Yep.
The timber top, that seemed to be a decision we all came to.
That was the solution...
which was not a good enough solution.
(GULL CRIES) (THUNDER CRACKS)
# My sanity, it comes to question... #
SCOTT: It's Saturday,
so tomorrow morning our Blockheads will reveal their master bedroom
and walk-in robes.
And with only 20 hours or so to go,
to say the houses are frantic is an understatement.
In house one, Kyle and Leslie's leak has stopped
and the room is pretty much dry, so they're playing catch-up.
LESLIE: You need to go to the plaster line. Yep.
But in house five, the girls need to have a serious talk to their builder
about the quality of the timber top he's built for over their fireplace.
LIBERTY: Keith and Dan, on a Saturday, before reveal,
have been, like, "You absolutely cannot have that in your room.
"This doesn't belong in a luxe house."
Hey, Mark. Yeah?
Can I talk to you two secs? Yeah.
We don't actually know what luxe is.
And, yes, our builder has to give us guidance
but the guidance was, "This is luxe."
Dan's saying we can't...
Dan and Keith pulled me aside and they're, like, we can't put that in.
What? They're, like... The bench top.
Whatever... Why not? It's your house.
'Cause what they're saying is they're, like,
"You can't present it with finger joins and, like..."
I just...
You're trying to...
You said to me the other day you're trying to save budget here.
But they're telling me that 300 bucks we could've got...
Did you call around? Did you end up calling around?
We didn't make calls, but then I was of the understanding that this was,
like, a nice still plan B
but they're, like, "You can't put that in a luxe bedroom."
What are our other options? Nothing.
It was frustrating not to have a collaborative vibe
around a solution of the timber top
but also, I truly understand the annoyance from our builder
because they need to get so much done by tools down.
But then, in order to make a decision,
we need to have that advice and guidance.
Well, we need to come up with something
because they're, like, "You've been misled about what it looks like."
There are other budget options that we should've explored.
And he was trying to say to me,
"Your builder should be helping you..." thing...
And then you said, "They can't afford to pay me"
and they're trying to say to me now
that that's something you guys should be doing,
like, off your own bat, kind of thing.
So, during days, do you want me to stop building?
No, but they're saying, after hours,
you should be spending time off your own bat.
You're not gonna have any trades
that will pick up their phone after hours.
(BEEP)
Hi, Christian. My name is Eliza. I'm calling from The Block.
I am urgently trying to seek some black leather.
I just thought I'd give you a buzz.
We're kind of at our, like, wits' end.
Is it something you think we're capable of achieving?
MAN: (ON PHONE) Um...
We looked at covering the timber top in leather,
painting it, Grafico-ing it.
Given it's, you know, 1:00pm and we have tools down at 3:00pm,
the solution is...
I'm gonna get a stain, just test it,
see what it looks like with the shelf.
We're going to Mitre 10 and we're really gonna try and revive it...
(LAUGHS) somehow.
Meanwhile, at the other houses,
build teams are doing everything they can
to get their teams across the line.
('FEELS LIKE A DIFFERENT THING' BY CONFIDENCE MAN)
# It feels like a different thing # It feels like a different thing. #
And as the power tools turn off for the week,
in house two, Ash has only positive things to say about his builder.
Rob hung back this afternoon before reveal tomorrow.
Just fiddly little bits to do.
One by one, we need to glue in these Porta timber singles
because we've got a curved daybed and that's the only way.
I've pre-cut them all before tools down
so now I'm able to just take my time and get them right.
I never wanted to say on a Saturday afternoon,
"Hey, mate, can you stay back?"
But I didn't even actually ask him.
I said, "Oh, what are you doing?"
Hey, like, "Oh, I want to get this done.
"We gotta get it done."
I feel lucky that I've got Rob as our builder...
Yeah. ..and the boys from Dash.
They're like a well-oiled machine. Yeah.
Everything just works. It's pretty good.
Yeah.
And as the day turns into night in house three...
MAN: Hello. KRISTY: Hello.
We're here. We made it.
..another well-oiled machine, the Block sparkies,
arrive to finish Kristy and Brett's lighting fit-off.
The judges said that I didn't have enough lighting last week,
so this week lighting is critical.
Like, actual critical.
So, where are we at?
The light switch and the power point, yep.
Then this here is for the pendant lights to come out of the roof.
That's about middle. Cool.
Nice. Let's roll with that.
So, with the lights under control
and desperate for their first win,
Kristy got another secret weapon this week.
Steph won a bag a couple of weeks ago
and it's not in her colour tone...
so this will be the prize of my wardrobe.
PRODUCER: So is that bag purely for Steph?
Mmm, it's, like, a little bit of both.
One, it was to mess with Steph and secondly, it was for styling.
And then I put it in here and I was, like "It actually goes really well."
If you do win this week, obviously there's a prize. Mm-hm.
SCOTT: Earlier this week, at the challenge, I dropped this purler.
Whoever wins this week's room
will, with one other couple of their choice,
join myself and Tom heading to the famous Phillip Island race track...
(CONTESTANTS EXCLAIM) ..to drive the track yourselves...
Oh!
But you'll also get a hot lap with Ford's Penrite race team.
Yes!
Trip to Phillip Island for hot laps on the track there...
Mmm.
..which is an experience we would both absolutely love,
so we are desperate to win that one.
Mmm. PRODUCER: Thought about who you'd take?
Everybody thinks if I win, we're taking Ash and Leah.
But who knows your luck in a big city, right?
No, just jokes. I'm just messing with you.
Of course we're taking Ash and Leah.
That's because their next door neighbours in house two
are their Block besties, who they share everything with.
Next delivery coming in hot.
(HUMS McDONALD'S THEME) Whoo-hoo!
LEAH: Oh!
So, we got Cokes and we got coffees.
(LAUGHS) Oi!
Looks like everyone is perking up for the night ahead in house two,
but in house five, the vibe is anything but up...
MAN: You'll be right. Yeah, we'll be fine.
Right. Thanks, team.
Alright. Enjoy. MAN: Good luck.
Thank you.
SCOTT: ..because their build team are not hanging around
to help the girls tonight.
Thank you. Cheers.
They're leaving just as Eliza's getting started
on staining the timber top.
LIBERTY: In talking to other contestants and things, like,
their builders are sort of, like, available 24/7.
With our builders, at the beginning,
it was kind of 'whatever it takes', like, attitude
which is kind of what The Block is
and that's kind of what you sign up for.
I think what's hard is that's kind of, as the weeks have gone on,
dwindled a little bit, which is...
Exhaustion.
That is also what they signed up for.
I know.
But, Lib, do you think any of us had any idea
quite what was involved, because I think...
I know that. OK.
So, then, if that's the case, then they need to flag with us,
"OK, well, this is too much" or "This isn't what we thought it was."
Like, let's, like, move on now.
Incredible.
Labour-intensive.
We've gone from 'whatever it takes' to now, like,
if we were in dire straits,
you'd be happy to just leave us kind of in the lurch and not...
PRODUCER: But they kind of have. Mmm.
So I think we need to address that.
(GULL CRIES) (THUNDER CRACKS)
SCOTT: It's midnight on the Block.
I reckon if I can get these quite chromatised in...
Our Blockheads have just nine hours to pull off a miracle
and finish these master bedrooms and walk-in robes.
It's a big ask, because in house one,
they're only just prepping for painting.
Usually this happens on a Friday night in house one.
We're just living by what everyone else does
and painting on a Saturday night.
In house four, at least,
the spraying is underway on their gigantic ceilings.
('MOLOTOV' BY KIRA PURU PLAYS) # M-m-m-m molotov... #
Something tells me there won't be much shut-eye tonight.
(POP MUSIC PLAYS)
(KOOKABURRAS LAUGH)
And I was right.
So over it. We're so over this.
So over this room. So over this week.
PRODUCER: Have you guys had sleep?
Two hours. A little nap.
Stop saying two hours!
Oh, sorry, we had an hour and 50 minutes.
Another team that have also pulled some long hours overnight
are the legends from DIY Blinds.
One curtain to go.
What time did we get here? About 4:00 yesterday?
WOMAN: It's 7:00am now.
Yeah, we've been here, like, 15 hours.
And we're nearly done.
It's good to see that they are still functioning, as opposed to the girls.
Lib, what are your thoughts?
Lib?
It's, like, essentially haven't slept in three days.
I don't know, we literally can't talk.
Well, Kristy can and she's not happy.
I was a little bit disheartened this morning.
A lot of things went wrong in that room.
So I've got my pendant lights
positioned completely in the wrong place.
Additionally to that, you'll see the white power points
definitely stand out like a sore thumb.
These pendant lights, the sparkies can't connect them,
so they won't be done for reveal.
So, wrong, wrong, wrong.
Hang on a minute.
I seem to recall Kristy was there
for the measuring of the power points and pendants.
Then this here, light switch and the power point.
Cool. Nice.
Let's roll with that. Good job.
And the sparkies had a good explanation
for what happened to the wall sconces.
It's just somewhere in the wall and we don't know where it is.
Yep, understandable, so... Yeah.
It's a bummer.
It's happening a bit with plasterers.
We're gonna have to go around and have a word to everyone.
Every house it's the same. (BLEEP)
They're just pushing it out of the way, putting plaster up... Yep.
So, putting up the plaster has dislodged the electrical wiring
and it will require a hole in the wall to find it,
not something I think Kristy and Brett would want for reveal.
I was almost at the point of saying "I don't even want to finish it"
because it looked better unfinished
and I will have people back this week.
It will be finished by Wednesday.
With just an hour to go,
paintbrushes are down and the furniture is going in.
That just goes there.
And the styling.
Our Blockheads certainly are cutting it fine today.
What's the time? 8:59.
(ROCK MUSIC PLAYS)
# Take me down to the paradise city
# Where the grass is green and the girls are pretty... #
Karate-chop that green pillow.
Kah!
# Please take me home, yeah, yeah. #
Where's the screw?
Got one. Annoying.
# Take me down to the Paradise city
# Where the grass is green and the girls are pretty
# Oh, won't you please take me home? #
(WHISTLES) Tools down!
That was good. Oh...
That was a big push.
KYLE: Well done. Good job, honey.
KRISTY: I'm not happy with it.
I'm not gonna be, like, "Yay!"
LEAH: Yay!
Didn't get everything done. No.
The reason we came down to the wire
is because I think we've done probably the impossible.
We've done two all-nighters again
and it's, like, we still can't even finish, doing that.
It's, like, what's it gonna take?
But now the Blockheads have made their way to HQ
to find out if this week's hard slog was worth it.
G'day. Hello.
WOMEN: Hello.
Guess what. You're halfway through The Block!
Oh! Good job, everyone.
Are you having fun? CONTESTANTS: Yes.
Sometimes. Fantastic.
Because you think about the downs
and then you've just gotta think about what's happening tonight.
Someone's gonna walk away with 10,000 bucks
and then, in a couple of days, you're jumping on a chopper with me and Tom
and you're heading down to Phillip Island
and you're gonna drive actual race cars round the track.
Not your usual day at the office. WOMAN: Sounds good.
LEAH: Oooh, Phillip Island sounds so exciting.
That would be, like, a once-in-a-lifetime opportunity.
I'd love to go straight... It's right down my alley.
ELIZA AND LIBERTY: Please take us.
(LAUGHTER)
Oh, by the way, you'll also win a night out,
a date with my two sons that are here tonight.
(LAUGHTER) That's a real prize, Scotty.
I did say to the girls that you had partners
and they said "We can take care of that."
No, we did not say that!
(LAUGHS) They did.
Oh, how awkward for her.
Jesus. Big winnings.
Oh, god.
Let's find out who it's gonna be, shall we, with some feedback.
('WET DREAM' BY WET LEG PLAYS) # Beam me up # Beam me up
# Count me in # Count me in
# Three, two, one # Three, two, one
# Let's begin
# Here we go # Here we go
Let's begin. #
OK. House one. Kyle and Leslie.
LESLIE: Yeah, this week has...
Yeah, it started off a bit of a ride,
coming off the back of judging.
This just feels really tiny.
On the plans, house one's master bedroom and robe fell into this area
up the back of their first floor
and after last week's judging,
they went into the week worried about its small size.
We deleted a wall, so there's no longer a rumpus upstairs.
There'll just be a landing when you come in
and we've actually extended the master 'cause it was small.
And this is the wall they removed, making their master bedroom bigger.
Today was fricking awesome. Yeah. It was exhilarating.
Brake. Brake!
SHELLEY: Oh! (LAUGHTER)
An obstacle race track challenge.
Oooh. Stop! Oh! Oh, my god.
I honestly thought that was it.
We've got 20 seconds of penalties
and then they announced who was fastest.
House one take home the biscuits.
(CHEERING) So we won.
10K and the gnome.
(IMPISH LAUGH)
I always love our Friday walkaround with Scott and Shell.
We spoke about the arch we chose as the bedhead.
Is that a feature plaster there? Yeah, it's a render.
So, just got one more coat and we'll paint that the same.
Put an LED strip-light in it, so...
Oh, so that's gonna be lit up? Yeah, that'll be lit up.
Unreal. Yeah, nice.
The feature of our room is the rendered archway.
I think it's quite a statement.
But that seating area, you know, first thing in the morning,
with that sun coming through,
you can see how that space would really be utilised.
And I put a cup of tea there and some slippers.
# What if we fall
# In love?
# The way you make me feel now, baby
# What if we fall
# In love, yeah
# Oh... #
Mmm.
I love that. MARTY: The arch.
That texture is heaven!
But you know what, if that was my bedhead
and I was sort of yawning in the middle of the night,
wouldn't you graze all the skin off your knuckles?
Oh... It's pretty rough.
Imagine the silk pillows getting plucked.
That would kill.
So I love the texture. I love the way the light catches it.
But really, on a bedhead, you kind of want something
that's gently tactile, not really aggressive.
"We have praised the aesthetic and consistency
"throughout this house every week,
"but a bedroom is supposed to be a place of comfort."
I walk into here and straight away I see everything I don't want to see.
I don't want to see an LED behind my head,
I don't want to see bedside tables
that can hardly hold a live candle that's about to fall off.
You couldn't even put a book on that with a cup.
I'm gonna be Neale and say,
"Well, you need bedside lamps because an LED's not gonna do it."
And then you have some really ugly downlights
that does a disservice to the ceiling.
Marty agreed, saying "This is a room that could've done more."
He thinks the seating area could've been more enticing.
This space here was a massive opportunity
to create that jewellery and watch section and make-up area.
I think sitting here and staring out the window doesn't really do much.
You could've had a bench seat. You could've had a big ottoman.
You could've actually had a dressing table.
You could've had some sort of great function.
You have decided to take space from another room
to add to this week's room
and while they get why you would do that,
the execution of it doesn't really add a lot of oomph to this room.
They need to think about what is liveable, not Instagram-able.
Mmm. It's as simple as that.
Exactly.
# Sometimes all I think about is you Late nights in the middle of June
# Heat waves been fakin' me out Can't make you happier now... #
Oooh.
"Your walk-in robe is fantastic, with lots of storage too.
"The laminate is really beautiful and the handles are excellent."
These look fantastic. Beautiful.
This is a beautiful robe set-up and look how much storage there is.
Kinsman have done the most beautiful job.
The quality here and also, like, this...
This is beautiful. Love it.
This is new. I love that. Against the timber...
But it does feel a bit tight.
Not a lot of room for a couple to use at the same time.
Oooh. Hey.
That's a bit interesting.
Oh. That's tight. (LAUGHS)
A buyer will walk in here and I'm telling you right now, this...
No. ..is a no-go.
This needs to go in the other area and this all needs to be sliding.
You're right. Yeah.
Put more cabinetry within the space. Yeah.
Take these doors away, even if they need to be open.
"The buyer won't be blinded by the aesthetic.
"They have to be able to see themselves living in the space
"before they will open their chequebook."
Tough one. But that's it.
I don't know. It's quite a hard, like, thing to want to fix.
Like, obviously, we can add some stuff to there
but then I would think that you'd have two make-up spots.
Then what would you use the table in the...
Yeah, I wouldn't... ..cupboard for?
I don't think I would be making any changes to that room.
(GULL CRIES) (THUNDER CRACKS)
SHELLEY: How would you like to win $30,000?
Yep, 30 grand, thanks to Disney+.
Head to the Block website now
and vote for the couple you think has created this week's best room.
The results later in the show.
# That don't impress me much... #
SCOTT: Welcome back to HQ,
where the judging of the master bedrooms and walk-in robes
is underway.
OK. House two.
This week is like where dreams come true.
(LAUGHS)
House two's master bedroom and walk-in robe
takes up the front third of the curvy top level.
We are experimenting with something that I've wanted to do for years
and Ash has always said no.
I just want to accentuate this. Yeah.
So I've gone to Rob and he has said yes,
so we're doing a very large curved...
It's like a fluted ceiling. It's hard to explain.
Yeah. Just as hard as it is to build.
I think a few people were worried whether we could curve the gyprock
and whether it was gonna work.
Perfect. I like it.
I knew it would work. (LAUGHS)
We had five guys up there and they had to hand-sand it.
They can't use a machine because the machine doesn't have that curve.
This sort of job, you need to get it right,
otherwise there's no point in doing it.
Like, that ceiling is incredible
and to do that in the time frame is a miracle.
Yeah. I think people are gonna love it when they see it.
# Can somebody show me the love?
# Oooh-oooh-oooh Oooh-oooh-oooh
# Somebody show me the love
# Oooh-oooh-oooh Oooh-oooh-oooh
# Somebody show me the love... #
It was all good news today as they looked up when they walked in.
Whoa! Oh! How good is that!
Scalloped ceiling! In a week! In a week!
(LEAH LAUGHS)
Look at this curve.
That exterior curve on the outside of the building... Yeah.
..how that's expressed here in that corner
and then how it comes through
and they resolved that scallop over there in that corner like experts.
I mean, that is art.
And not a single light in the ceiling.
Thank goodness. How calm do you feel in here?
Yeah. Thank goodness.
I love how they've done the wall washes up high
to just get that curvature
so at night it would be absolutely stunning
and then the light over the artwork and then two lamps.
And then they've got lamps over there.
They have a real vibe walking in here...
Mmm. ..to finish the day.
Last week, all of the judges were big fans of your eclectic styling
but not so much this week.
This chair, that rug, this bed cover, the stripes...
it's in an argument with itself.
I think last week in their lounge room,
they sold the dream of that beautiful modernist Palm Springs,
eclectic, whereas this is not so much selling the dream,
it's saying "We are eclectic."
Then you've got this.
Now, when I first saw it, I thought, "Oh, my god. That bench seat.
"It's amazing." It's got the curve, everything about it.
But the way this is done, it's inserted here...
This is what I can do.
This should almost be, like, a bit of a lounge area for...
Yeah. ..a room of this size.
Yeah.
"The whole room could use some more furniture,
"something at the end of the bed, perhaps,
"or a console under that very striking artwork."
Even if they just want to do a couple of big ottomans
and put the chair over this way,
make a little bit of a conversation escape.
Because where do you relax, as you said.
I mean, how was your day, honey? Yeah.
Oh, it was good...
(OTHERS LAUGH)
Now we're relaxed. Yeah.
Into the robe.
('TRANQUILIZE' BY TELENOVA PLAYS)
# Tranquilize
# Oh, you tranquilize me
# Tranquilize
# Oh, you tranquilize me... #
They could immediately see that you ran out of time.
Oh, dear. This is where all the work came unstuck.
Oh...
Looks like you needed about 20 more minutes.
Yeah. Yep. Yep.
MARTY: Does it feel a bit dated, though?
Did it need to be this burgundy colour?
Well, there is a polarising colour. It feels a bit oppressive to me.
Functionality-wise and the wardrobe works quite well for Shaynna.
"There's definitely a good amount of hanging space."
There's a lot of cabinetry. There is.
Like, I love these. These are beautiful.
I like everything I see in here.
I love the colour, I love the wallpaper.
I think this bevelled edge is gorgeous.
And, oh, wow, there's a texture to that.
Is that the same thing? Oh!
Leathery. That's cool.
Quite different. It is nice.
Yeah. I really like the light placement here and the choice.
They're really delicate, cute little lights.
It feels dramatic and it feels expensive
and this is the eclecticism that I expect to see.
They've been given this gift of a massive room,
and then I think they've done it justice with that ceiling.
It is divine.
But I just feel, the fact that you've made this part
feel claustrophobic compared to that space...
I agree.
And the longer that I stand in here,
the more I'm excited to get to the next house.
That's it. WOMAN: Awesome.
Up and down.
Good.
I was expecting that kind of feedback,
so very happy, like, they love the ceiling.
That was our big wow factor this week, so...
Yeah. ..we're pretty happy with that.
(GULLS CRY)
# Should I stay or should I go now... #
SCOTT: We're at HQ,
at the business end of the master bedroom and walk-in robe week.
OK. House three. Kristy and Brett.
(LAUGHTER)
This week, props to us for sticking it out.
Yeah.
At times, yeah, probably haven't wanted to.
House three's master bedroom and walk-in robe
sits at the back of the top floor.
So, after the criticism we got from the judging...
I think it's a very basic lighting layout.
..Anton came through from Beacon.
He's a light specialist.
Double downlights are really nice because you can adjust them,
so you can choose if you want one lighting up a feature wall
or one straight down.
I personally hate double lights but apparently that's what you gotta do,
so we just filled that bitch up.
Also, for this week, we kind of played with the other contestants.
I enjoy it. I'm enjoying it.
STEPH: Kristy, would you have done timber beams in here?
So, Steph is very easy to get into her head.
I would've probably utilised the pitch a little bit.
And I knew it was too late in the week,
but I just said something like,
"You should've really implemented some form of beams."
This is great, because you're clearly messing with her.
PRODUCER: Are you?
Yeah.
Upstairs, we're in Truecore. That's a breeze.
Our main priority is, weirdly, downstairs.
So, earlier this week, we were told
that you can now stump and subfloor in advance for future weeks.
They've gone past 100 stumps now. It's a massive amount of work.
It's all looking pretty good. Beautiful.
Light switch and the power point. Yep.
The judges said that I didn't have enough lighting last week.
Pendant lights come out of the roof. MAN: That's about middle.
Cool.
So, this week, lighting is critical. Like, actual critical.
I guess I'm proud of it does have that warm, inviting feeling...
Mmm. ..which is exactly what we wanted.
(POP MUSIC PLAYS)
# As it was
# You know it's not the same as it was
# As it was As it was... #
Oh, wow. Bright.
Oh, and warm! Look at this! Mmm.
So light and airy and warm and cosy
and it sort of gives you a big hug, doesn't it? It does. Mmm.
CONTESTANTS: Aw!
Oh, what a sook he is. (LAUGHTER)
A couple of huggers right here. Yeah, we don't like hugging, so...
(LAUGHS)
Shaynna added, "This feels like it has just the right floor plan."
Everything's in the right position.
I feel like the bed's in the right spot,
I feel like we've walked past the wardrobe,
we've got this beautiful fireplace, we've got these plinths here...
A TV. Floor plan... Yeah. Perfect.
That Venetian plaster looks really beautiful here
and I'm not that into Venetian plaster, generally speaking.
But he loves the colour.
He also thinks the bedhead and the rug are sensational.
Shaynna really likes your lighting plan this week.
I think the fact that they've done the double lights,
that they're in their walking areas, they're not over the bed,
they're not over the furniture, it's on the sides there,
we've got those wall sconces,
I think the basic lighting plan's really good.
But what's with the bedsides today, Darren asked,
noting that once again they were in a room with very small bedsides.
Seriously. Mmm.
What's going on with people?
Oh, like, they don't live in bedrooms, apparently.
And why would the switches be so high?
I mean, get them low.
You go to the trouble of a beautiful Venetian wall
and then just wreck it with those switches.
I like these bedside pendants. I really...
What? You don't like them? (LAUGHS) Um...
I think you'll hit your head.
No, they'd be fine, if there was a bedside there...
Yeah. ..and you couldn't hit it.
KRISTY: Another note. BRETT: Yep.
(LAUGHS) Also another note there, guys.
Darren thinks if you get bigger bedsides with drawers in them,
this will be one of the hero shots of your home.
That shot, that is heaven. SHAYNNA: Mmm.
That is what you put on your marketing brochure, right?
I really, really like this room.
Into the walk-in robe...
# Come here, mama, and dig this crazy scene
# He ain't no drag
# Papa's got a brand-new bag... #
Now, that is the right width.
Look how spacious it feels.
Well, we can get ready
and not have any moments of bumping into each other.
Drawers opening...
And a really great choice of laminate from Kinsman.
Same cabinetry that we saw in the previous house
but against the timber, it really lightens it,
gives it that sense of just being in a room
that you want to get ready in.
And everyone agrees, this is where the Velux really works well.
This adds so much to this space.
You get such a sense of relief that you can connect to the sky here.
Particularly with this dark, you know, cabinetry.
Yeah. It works well.
Shaynna then clocked the fake Birkin bag.
(LAUGHS)
She knew it was fake... KRISTY: Yep.
..because a real crocodile Birkin
is going for as much as I gave you for the whole house.
(LAUGHTER)
Oooh. Well, you'd hope it's not real.
Well, it won't be, because you couldn't afford that.
What would that be worth if it was real?
A couple of hundred thousand.
That can't be right. KRISTY: Yeah.
Is a crocodile Birkin 250K? Close to.
What a load of bull...patty. (LAUGHTER)
Eight bucks? It was eight bucks.
This one was $8 from the op shop. $8?
Yeah.
SHAYNNA: I feel really uplifted.
For the first time, I've felt really uplifted today,
so I'm so excited to see what house four and five can bring.
Well done, Kristy and Brett. That's it.
We were nervous for that one, weren't we?
Kristy was kind of second-guessing herself
and it's come out that she hit the nail on the head perfectly
and, yeah, the whole styling was unreal.
(GULLS CRY)
# All the people in between us... #
SCOTT: We're in HQ.
Next in the firing line,
the biggest master bedroom and walk-in robe in Block history.
OK. House four. Steph and Gian.
This week was a lot. Yeah.
This week was a lot.
And that might be because their master bedroom and walk-in robe
takes up a huge chunk of their upstairs floor plan
and it was bigger than anybody else's.
I just don't know how we can incorporate the beams
without bringing the ceiling down
and do we want to compromise on ceiling?
And on Monday, I wanted to really get my beam details sorted,
but it was just...
I was getting the too-hard-basket from a lot of people.
Tuesday, I was out of whack. I was not motivated.
There was all these things that were going wrong.
Today, I was gonna go kick butt
and I said, "You know what, I need to do this detail.
"And I know it's a bit difficult but we have to get it done."
So I called Peter from Truecore...
Yeah.
I called him at 9:00am and they were there at 12:00.
Good end result.
SHELLEY: Look at this. You got your Hafele and your Hermes.
Yes. And Kinsman.
And Kinsman. Where is that gonna go? There, there, there...
We've got $20,000 worth of upgrades in the master robe.
You can actually hang the bag. No!
Uh-oh. Oh...
Shelley wants this. Our master robe will be very grand.
Well, if you get it finished, painted and done, it'll be a miracle.
Yep. Again.
(LAUGHS) We'll get it done. We'll get there.
The judges will probably see the space
and really appreciate, I think, the ceiling heights. Yes.
The way that you feel when you walk into that space, it's very grand,
it's very luxe and we have designed it as a place to relax as a bedroom.
('RECOVER' BY CHVRCHES PLAYS) # And if I recover
# Will you be my comfort?
# Or it can be over or we can just leave it here
# I'll give you one more chance to say
# And you know you don't need me... #
There were a couple of big words being thrown around today
when they stepped into your wardrobe, words like...
Whoa! Oh!
MARTY: My gosh!
Some people don't have kitchen island benches as big as this.
Or kitchens this big.
Sorry, can I do the creepy thing and just be, like, "Oh!"
Look at that! Beautiful colour too.
This is glorious.
They all think you have delivered a room
that definitely suits a genuine Hermes bag.
Luxury, luxury, luxury,
from the size, the scale, the vintage bag,
the Salice extras, this marble... Oh...
..which they've had downstairs in their bathroom.
They've nailed it with this stone. Wow.
STEPH: I really am genuinely blown away by the product
that Kinsman was able to deliver up.
GIAN: Even throughout the whole process,
like, working with the team there,
they were super open to all of our ideas and...
It's stunning.
..it was great to collaborate with them on it. It's stunning.
Marty then turned his attention to the detail in the ceiling
and kind of wondered why.
MARTY: I mean, we get it downstairs.
SHAYNNA: Downstairs, it looked like real beams boxed in,
whereas these look like proper trusses.
And it's too high.
Looks like there's another level above them that they've cut into.
Apart from that, an excellent space.
Yeah.
This could be put into any home at 20 million-plus.
It hits that brief. Wow. 20 million-plus.
Oh, it's really blown me away.
STEPH: Oh, thanks. (LAUGHS)
Into the bedroom...
('STRONG' BY LONDON GRAMMAR PLAYS) # Yeah, I might seem so strong
# Yeah, I might speak so long
# I've never been so wrong
# Yeah, I might seem so strong I've never been so wrong... #
Oh!
Look at the size of this.
(EXHALES) Whoa.
Cathedral-like.
(STEPH LAUGHS)
Isn't this what we were asking for in house two, is a lounge room?
Like, sell the dream.
(EXHALES) Like, that is an awesome chair.
I love the kidney shape of this.
I love the fact we've got an ottoman and a coffee table.
This is hot.
"It's not over the top.
"It's simplistic but it feels like a high-end luxury hotel."
This could be 2,500, $3,000 a night. That's the level that this is at.
"This week's rooms deliver the feeling
"that only great architecture can give you."
Judges all want to praise the lighting layout.
Halle-fricken-lujah.
You're seeing light as sculpture, not just light as function.
We have lamps, we have bedside lamps and we've got wall sconces,
you have a play of light and shade,
it's making shapes on each of the different surfaces.
Steph's eye is incredible.
She is 27.
The fact they got that beautiful marble
and have utilised it in so many spaces with that light,
with the cotton there, it's stunning.
Yeah, she's a talent.
STEPH: It was so nice to hear them say that.
Yeah. I'm... I'm...
Yeah. Really flattered.
She's gonna have an incredible career
because what we're seeing here
is from really, really well-established architects
and designers,
so this is stunning.
MARTY: I'm excited for the buyer, who gets to come into this house
and spend somewhere between 2 million and $3 million,
I'd imagine,
and have a finish and a quality and a style
that could be in a 10 million to $20 million home.
It really is here.
That's it. Well done.
STEPH: Thank you. (APPLAUSE)
We're chuffed. We're chuffed.
Like, I'm buzzing.
The hard, long hours, the deliberation...
It was worth it.
Like, you know, the kind of stresses we put our builder under...
It was worth it. ..this makes it all worth it.
(GULLS CRY)
# What do you want from me... #
SCOTT: We're nearly through the judging.
Just one more house to go.
OK. House five, Eliza and Liberty.
This week has been confronting.
Just every aspect was confronting.
The girls' master bedroom and walk-in robe
is located at the front of their first floor.
For us, it's really about the orientation
and just nothing's working.
You couldn't put the bed there, could you,
'cause it's weird to have a window, like, above the...
So, for our planning for our master bedroom,
we've asked Mark, our builder...
A window there, it might be a little bit odd.
..Mandy from Beacon Lighting...
Can you put the TV there?
We've asked J-Mac, the plumber...
Well, where would your bed be? I'm thinking, honestly, here.
Literally, everyone we asked was, like, "I don't know what to do..."
"With this space, yeah."
So the only solution that we could come to was to shrink the window.
MAN: Exactly 1000.
Hate making the window smaller but it was all we could do. Yeah.
This is where things became a little bit fractured with our builders.
It's, like, just so you know, I know you're headed towards the cliff.
When you start falling, we're not grabbing you.
Just so you know.
That night, Scotty Cam hosted a barbecue.
It's judge Marty Fox!
We have made it very clear
that Marty Fox is not our favourite person. He's not for us.
I've got this as one of my tables in one of the offices.
No way. I do, I love this table.
It was annoying that I kind of, as a person, sort of liked Marty.
Like, he's very charismatic and he's also semi-attractive.
And he smelt good.
Anyone who comes in and smells fresh is for me.
PRODUCER: What's happening on a Wednesday?
We're, like, insulating for hours and hours and hours.
I truly, truly despise every second of this.
The way that we manage our budget this week is that we do more,
so I put up my hand to do some of the hard labour.
A hell of a lot of my frustration out. Yeah.
I actually loved that we were able to turn around the timber shelf.
I think that looks really nice.
I love it with the fire and I love the artwork.
The bones of everything is there.
# Yeah, well, this mad world made me crazy
# Might just turn around, do 180
# I ain't politickin' I ain't kissin' no babies
# The devil on my doorstep bein' so shady
# Mmm, don't trip... #
Shaynna was delighted to see a lovely fireplace.
Oh!
I'm loving the fireplace.
I'm just going to judge from here.
Marty was immediately impressed.
"No map of Melbourne, no bright blue feature wall."
This makes me so happy.
They've gone away from the feature walls.
Must've really connected on Tuesday when I met them.
Love-hate relationship.
If only he'd known what you've said. ELIZA: Yeah, we schmoozed.
Did they tell you about this paint finish?
Is that a deliberate thing?
So, you didn't finish the painting? No, no.
Really cooked it.
Did you know that you cut in first? Yep.
MARTY: So they could've easily just rolled it out, had have they...
Mmm. ..you know, cut it in first.
If you don't know how to paint a wall coming into The Block,
there is an issue.
Yes.
One thing Shaynna thought really stood out well this week
in your room...
That artwork. Mmm.
That's hot!
Like, you walk in and you go, "Oh, that's a bit sexy."
I love the pendant lights, even though they're crooked.
I love the boucle.
We've got these timber bedsides.
But what are the bedsides missing? BOTH: Drawers.
Drawers. MARTY: Five from five.
Five from five. Not one single drawer.
(LAUGHTER)
There's consistency with other rooms you have delivered,
but every room doesn't have to have the same colour palette.
They do actually need to think outside of the palette
of neutral, white, rust and blue... Yeah.
..'cause that's literally in every single room
that we've seen thus far. Yeah.
Like, there are other colours in the palette.
And why, he asked, the chocolate coloured stain on the benchtop?
There's no harm in mixing timbers,
except that they don't have anything to refer to.
These two, side by side,
without a relationship to another tone of this brown, it's weird.
Why, what happened? What happened? We got crucified for...
It wasn't luxe enough, the timber we chose. Anyways...
Marty thinks you've nailed the floor plan
and that's really the key for him as a real estate expert.
MARTY: Buyers will look at this floor plan
and I don't think they're gonna be able to fault it.
That, for me, is the key with these guys.
What they do with linen and rugs and so forth, they may not win a room
but it doesn't mean that they cannot win The Block.
The fact that Marty said, yep, we may not win a room
but we may win The Block, like, that's kind of been our model...
Huge. ..motto the whole way along. Yeah.
We feel like we've got an unbelievable floor plan,
one of the best
and at the end of the day, like, that's gonna sell a house
over bits and pieces of styling,
so I feel really good about that.
I guess we haven't seen in here. Let's have a look.
# But your mama always said look up into the sky
# Find the sun on a cloudy day On a cloudy...
# But your mama always said look up into the sky
# Find the sun on a cloudy day... #
And the wardrobe literally ticks all the boxes for functionality.
Good size. Lot of storage.
We've got hanging, we've got drawers.
I mean, we've got beautiful details in here, you know, trousers, hang...
The combination of drawers and the dressing table is in the right spot.
Phew.
MARTY: This is ticking boxes, it's meeting a market.
They're renovating for the first time
and they are starting to listen
because the rooms are getting a bit better and better and better.
It's just their styling and colour choices here and there
and a little bit of, you know, their painting jobs,
but I'm really liking what they're doing.
That is it, girls. ELIZA: OK, thanks.
We'll take it. We're happy with that.
They were good comments too.
I was hoping that they could see our space for what it was meant to be
and acknowledge the work and the thought process and the layout
because we worked hard on that layout,
so I was really happy with that.
(GULLS CRY)
# Come here, girl Go ahead, be gone with it... #
SCOTT: We've had judges' feedback on all five houses and the marks are in.
So let's get some scores.
OK. Darren Palmer. Kyle and Leslie.
DARREN: That texture is heaven!
But wouldn't you graze all the skin off your knuckles?
Leah and Ash.
Look at this curve. That is art.
Kristy and Brett.
That shot, that is what you put on your marketing brochure.
Oooh, yeah. Nice.
Steph and Gian.
Oh! This is glorious. Beautiful colour too.
Eliza and Liberty.
There's no harm in mixing timbers,
except they don't have anything to refer to.
OK. Marty Fox. Kyle and Leslie.
MARTY: They need to think about what is liveable, not Instagram-able.
Leah and Ash.
You have a real vibe walking in here to finish the day.
Yeah.
Kristy and Brett.
Warm and cosy and it sort of gives you a big hug, doesn't it?
Oh, I thought he was going half then.
I was, like... (BLEEP) .."Damn!" (LAUGHS)
Steph and Gian.
MARTY: I'm excited for the buyer, who gets to have a quality
that could be in a 10 million to $20 million home.
(CONTESTANTS EXCLAIM)
Wow! We got a ten!
(LAUGHS) So good!
I'm chuffed that we got a ten from Marty, which is awesome.
Eliza and Liberty.
MARTY: This makes me so happy.
Must've really connected on Tuesday when I met them.
OK. A ten. Well done. I'll see you in a bit.
(DRAMATIC MUSIC)
Shaynna Blaze. Kyle and Leslie.
SHAYNNA: You have some really ugly downlights
that does a disservice to the ceiling.
Leah and Ash.
I love how they've done the wall washes
so at night it would be absolutely stunning.
Kristy and Brett.
Everything's in the right position. I feel really uplifted.
Steph and Gian.
Isn't this what we were asking for? Luxury, luxury, luxury.
And Eliza and Liberty.
I love the pendant lights. That artwork, that's hot!
OK.
Winner of week six on The Block, bedroom and walk-in robe week
and taking home 10,000 bucks from Ford is...
(DRAMATIC MUSIC)
Here it comes.
It's Steph and Gian! (APPLAUSE)
# Tell them all I said hi Hope you've been well
# You've been asleep while I've been... #
Congratulations.
Another big win in the first half of the series and a ten from Marty Fox,
so that means some Big Bikkies coming your way from Arnott's.
We're just glad they felt what we wanted them to feel... Yeah.
..when they walked in that room, saw the big island bench...
Yeah. It's beautiful.
The judges certainly did feel it
and awarded house four a total winning score of 29 points.
Coming in second place on 27.5
was Kristy and Brett's bright and cosy space.
In third, Leah and Ash's curvy room scored 23.5 points.
Fourth place on 22.5 points went to the girls' unfinished space.
And in last place, house one, with a total of 21 points.
And the prizes keep on coming.
Tomorrow night, you'll join me at the Crown Metropol
and you'll be pampered like royalty.
And then you'll be getting on a chopper with me and Tom
the next morning
and heading to Charity Drive Days at Phillip Island
and as I said, you could bring another couple.
Have you decided who you'd like to bring?
Go. We're gonna take the girls.
You beauty!
(STEPH LAUGHS) Thank you.
OK. We may never go in.
(LAUGHS) Yeah, I'm excited. I don't even know what we're gonna do.
I think the girls will like it as well.
I think they really need it
after the last few weeks they've had, yeah.
Yeah, it'll be good for them to get away.
BRETT: I am devastated that the cars at Phillip Island
are just not gonna be driven properly by Kristy, Ash and myself.
That kills me.
Alright, as for everybody else,
it's my favourite room in the house - kitchen week.
You beauty. Kitchens sell houses.
Good luck, everybody. Thanks, Scotty.
Get stuck into the second half. See you later.
Thanks, Scotty.
(DANCE POP PLAYS)
KRISTY: So, I go to Steph... And she goes,
"Oh, I just think it would be really good to have, like, the girls."
I'm so sorry for her not picking me and Brett
and we're, like, "No, we always knew you were gonna win
"and you were gonna take the girls and it was a waste
"and we just didn't want it to be a waste."
Steph goes, "The girls are never gonna win a room,
"so they're never gonna be able to go away."
(BLEEP) that!
Don't fall for their (BLEEP) sympathy trip
that they do every (BLEEP) day of the week.
Don't give them your prize because they need a night away!
It's an experience that I feel like
the people that are going won't utilise to the full extent.
So, I'm actual shattered. Like, genuinely shattered.
Yeah. That sucks.
It boiled over so for me and I think they were quite shocked to,
have someone take them on at a level they take other people on.
VOICEOVER: Australia..
I think, she's a straight up..
VOICEOVER:..this..
This is not OK, so you need to talk about it now.
VOICEOVER:..is everything.
You're in no position to be giving us direction.
VOICEOVER:..you've been waiting for.
We've got nothin' to loose, let's just burn it down.
Oooh.. my.. dramatic.. god!
VOICEOVER CONTINUES: The most explosive two-weeks..
That, wasn't worth a 10.
..in years.
Everyone gets little things, like you got..
We don't, we don't..
Well I'm kind to people, so they're kind back to me.
Yeah, special treatment.
SHELLEY: The path to kitchen glory has never been rockier.
Um, Scotty..
Yes?
VOICEOVER: ..and it all starts:
SHELLEY: Our room reveal galleries are now open for your inspection
exclusively at the Block website.