1 00:00:01,740 --> 00:00:01,820 SCOTT CAM: Previously on The Block, with three weeks till the end 2 00:00:03,700 --> 00:00:05,300 and money drying up, 3 00:00:05,340 --> 00:00:08,420 the scale of landscaping suddenly hit... 4 00:00:08,460 --> 00:00:09,860 How do we pay for our landscaping 5 00:00:09,900 --> 00:00:11,820 if that budget doesn't get released till the last week 6 00:00:11,860 --> 00:00:13,780 and most of us are now in the red? 7 00:00:13,820 --> 00:00:15,500 ..and there was a wave of anger. 8 00:00:15,540 --> 00:00:17,260 How are we gonna finish? 9 00:00:17,300 --> 00:00:21,740 I paid $33,000 for last week, just my trades. 10 00:00:21,780 --> 00:00:24,100 So I came up with a solution. 11 00:00:24,140 --> 00:00:27,540 Tomorrow morning, out of your landscape budget, 12 00:00:27,580 --> 00:00:32,780 I will put into your landscapers' accounts $20,000. 13 00:00:32,820 --> 00:00:34,700 Oh, my god. That's huge! That's great. 14 00:00:34,740 --> 00:00:37,220 ANKUR: Thanks, Scotty. That's what I was hoping for. 15 00:00:37,260 --> 00:00:38,460 There we go. 16 00:00:38,500 --> 00:00:43,700 Tonight, a design challenge inspired by a top-secret location... 17 00:00:43,740 --> 00:00:47,420 The level of secrecy is ridiculous. FBI, mate. 18 00:00:47,460 --> 00:00:49,900 ..with the biggest take-home challenge prize ever. 19 00:00:49,940 --> 00:00:53,380 An $80,000 Ford Everest. 20 00:00:53,420 --> 00:00:55,300 The pressure is too much for some. 21 00:00:55,340 --> 00:00:56,900 Well, do you want to start again? 22 00:00:56,940 --> 00:01:00,700 But it's back on site where the pressure is about to blow. 23 00:01:00,740 --> 00:01:03,340 JO: Ankur and Sharon, they are thousands in debt. 24 00:01:03,380 --> 00:01:06,660 Since the audit, new information has come to hand. 25 00:01:06,700 --> 00:01:11,820 You have got, like, encyclopaedia of unpaid bills. 26 00:01:11,860 --> 00:01:14,540 You're an accountant. Like, how come you keep spending? 27 00:01:14,580 --> 00:01:17,500 I haven't done this since the Oslo. I'm cutting you guys off. 28 00:01:17,540 --> 00:01:18,660 You're gone. 29 00:01:20,820 --> 00:01:23,820 (THUNDER CRACKS) (DOG WHINES) 30 00:01:33,980 --> 00:01:36,940 It's a cold and gloomy morning on the block. 31 00:01:36,980 --> 00:01:39,900 The site is slowly coming to life... MAN: Stop! 32 00:01:39,940 --> 00:01:41,900 ..and our Blockheads are midway through completing 33 00:01:41,940 --> 00:01:44,100 their guest bedroom for Sunday's reveal. 34 00:01:44,140 --> 00:01:46,420 On track for delivery. Everything's going well. 35 00:01:46,460 --> 00:01:50,340 House One are doing a nursery and have already got their plaster up. 36 00:01:50,380 --> 00:01:51,460 Looking good. 37 00:01:51,500 --> 00:01:53,660 Also looking good are Dylan and Jenny, 38 00:01:53,700 --> 00:01:56,460 who put in a massive effort in their kids' room. 39 00:01:56,500 --> 00:01:58,580 We thought it was gonna be an easy week this week 40 00:01:58,620 --> 00:02:00,580 but this week has kind of blown out 41 00:02:00,620 --> 00:02:02,220 because we've just done it ourselves. Yeah. 42 00:02:02,260 --> 00:02:06,060 House Three's Laminex is going up in their gender-neutral kids' room... 43 00:02:06,100 --> 00:02:09,180 For our room this week, we are doing Laminex up to 1,200, 44 00:02:09,220 --> 00:02:11,060 which is consistent with the other rooms, 45 00:02:11,100 --> 00:02:12,740 but we'll do it all the way around 46 00:02:12,780 --> 00:02:14,860 and it'll be kind of like an enveloped room 47 00:02:14,900 --> 00:02:17,220 that's really nice, cosy. 48 00:02:17,260 --> 00:02:19,140 ..and House Five are turning their guest bedroom 49 00:02:19,180 --> 00:02:21,260 into a second living space. 50 00:02:21,300 --> 00:02:22,580 Yeah, we're definitely on track. 51 00:02:22,620 --> 00:02:25,820 Once it's all sanded and ready to go, we'll be painting tonight. 52 00:02:25,860 --> 00:02:28,700 And for Rachel and Ryan's kids' room today... 53 00:02:28,740 --> 00:02:32,540 Plasterers are coming back at 6:00 to sand. Kinsman are coming at 7:00. 54 00:02:32,580 --> 00:02:34,700 Carpet Court's coming to put the carpet down 55 00:02:34,740 --> 00:02:36,380 and Grafico's coming to put the walls up. 56 00:02:36,420 --> 00:02:38,220 We have lots happening today. 57 00:02:38,260 --> 00:02:41,180 Today is a bang, bang, bang, bang, all-systems-go day. 58 00:02:41,220 --> 00:02:44,460 Oh, they never learn! 59 00:02:44,500 --> 00:02:45,500 (KNOCK AT DOOR) 60 00:02:45,540 --> 00:02:47,140 We got a little knock on the door. 61 00:02:47,180 --> 00:02:48,940 Opened the door to find a little box. 62 00:02:48,980 --> 00:02:51,260 Hey. What have we got here? 63 00:02:52,540 --> 00:02:54,740 Rach? Yeah? 64 00:02:54,780 --> 00:02:55,980 Come here, darl. 65 00:02:56,020 --> 00:02:58,260 We've got a little present. 66 00:02:58,300 --> 00:03:00,700 Yeah. Except it's a challenge. 67 00:03:00,740 --> 00:03:03,540 SHARON: Present. Oh... Challenge. 68 00:03:03,580 --> 00:03:06,860 There was a little box that said number three 69 00:03:06,900 --> 00:03:09,700 that I had to smash open, which was a good start to the day. 70 00:03:12,820 --> 00:03:15,500 JENNY: And there was a car inside with a note saying... 71 00:03:15,540 --> 00:03:17,500 "Rise and shine, Blockheads. 72 00:03:17,540 --> 00:03:20,260 "It's time to get your ideas on the inspiration board." 73 00:03:20,300 --> 00:03:22,820 "Come get creative at Ford." 74 00:03:22,860 --> 00:03:24,340 Vroom. 75 00:03:24,380 --> 00:03:26,180 My god, what if we're designing a car? 76 00:03:26,220 --> 00:03:28,420 We're gonna design a race car. (GASPS) 77 00:03:28,460 --> 00:03:31,060 DYLAN: Oooh. 78 00:03:31,100 --> 00:03:35,940 These things never matter because it's never what it seems. (LAUGHS) 79 00:03:35,980 --> 00:03:38,380 We're probably shovelling dirt or something. I'm not sure. 80 00:03:38,420 --> 00:03:39,660 Alright. Go get ready. 81 00:03:41,260 --> 00:03:43,780 TOM: Vroom. (LAUGHS) 82 00:03:43,820 --> 00:03:45,660 Omar. Honestly... 83 00:03:45,700 --> 00:03:47,740 Challenge day. We love being out of the block. 84 00:03:47,780 --> 00:03:49,140 Let's go. Let's do it. 85 00:03:49,180 --> 00:03:51,060 Say let's, baby. Whoo! 86 00:03:51,100 --> 00:03:52,620 (LAUGHS) 87 00:03:52,660 --> 00:03:56,060 # Toot-toot, chugga-chugga Big red car 88 00:03:56,100 --> 00:03:59,420 # We'll travel near and we'll travel far 89 00:03:59,460 --> 00:04:02,420 # Toot-toot, chugga-chugga Big red car 90 00:04:02,460 --> 00:04:05,820 # We're gonna ride the whole day long... # 91 00:04:05,860 --> 00:04:07,020 JENNY: How exciting. 92 00:04:07,060 --> 00:04:09,100 (BEEPING) 93 00:04:12,700 --> 00:04:14,460 TOM: How good does this thing look! 94 00:04:16,780 --> 00:04:18,780 RYAN: We've made it to Ford headquarters. 95 00:04:18,820 --> 00:04:19,860 Hi. 96 00:04:19,900 --> 00:04:21,100 Hi. Good morning. 97 00:04:21,140 --> 00:04:24,180 Wow. The level of secrecy is ridiculous. 98 00:04:24,220 --> 00:04:25,940 OZ: FBI... FBI mode. 99 00:04:25,980 --> 00:04:29,220 So this means that you cannot say anything to anyone 100 00:04:29,260 --> 00:04:31,300 about what you see out the back. 101 00:04:31,340 --> 00:04:33,580 They got some really top-secret stuff there 102 00:04:33,620 --> 00:04:34,780 that no-one else can leak out. 103 00:04:34,820 --> 00:04:37,260 There's a lot at stake inside there. Yeah. 104 00:04:37,300 --> 00:04:39,380 They're coming up with the newest and brightest ideas. 105 00:04:39,420 --> 00:04:41,580 SARAH-JANE: I thought I was entering the Pentagon. 106 00:04:41,620 --> 00:04:44,900 We had to hand in our phones. It was very, you know, top-secret. 107 00:04:44,940 --> 00:04:48,300 Can I please have your phones now? Thank you very much. 108 00:04:48,340 --> 00:04:50,860 Do you know the best part that I absolutely loved? 109 00:04:50,900 --> 00:04:53,500 We all had to hand our phones in 110 00:04:53,540 --> 00:04:56,820 and this very strong-willed lady behind the desk was telling us, 111 00:04:56,860 --> 00:05:02,900 "Now, absolutely no cameras are to be allowed inside." 112 00:05:02,940 --> 00:05:05,820 We were all, like, "OK." 113 00:05:05,860 --> 00:05:10,100 There's, like, seven cameras all lined up filming us. 114 00:05:10,140 --> 00:05:12,460 We're, like, "OK." 115 00:05:12,500 --> 00:05:15,980 # Let's get down Let's get down to business... # 116 00:05:17,180 --> 00:05:19,860 SCOTT: G'day. MAN: G'day, guys. How are you? 117 00:05:19,900 --> 00:05:22,380 Hello, hello, hello, hello. RYAN: G'day. 118 00:05:22,420 --> 00:05:25,500 G'day, everybody. How are you, Scotty? JENNY: Hello. 119 00:05:25,540 --> 00:05:30,140 Welcome to what is a very exciting Block first. 120 00:05:30,180 --> 00:05:34,900 We have obviously been given access to the Ford Design Centre. 121 00:05:34,940 --> 00:05:36,900 It's incredible. That's right, Shell. 122 00:05:36,940 --> 00:05:41,060 This has been a secret facility here since the 1970s 123 00:05:41,100 --> 00:05:45,220 and cars like the next-generation Ford Everest and Ranger 124 00:05:45,260 --> 00:05:48,860 have been designed right here in the northern suburbs of Melbourne 125 00:05:48,900 --> 00:05:50,660 for right round the world. 126 00:05:50,700 --> 00:05:55,460 This is home to some of Ford's incredible designers. 127 00:05:55,500 --> 00:05:58,020 And to give you a few more clues, let's meet the design team. 128 00:05:58,060 --> 00:06:02,180 Blockheads, please make welcome design director Max Wolff 129 00:06:02,220 --> 00:06:05,860 and colour and material design manager Emily Lai. 130 00:06:05,900 --> 00:06:07,780 (APPLAUSE) 131 00:06:07,820 --> 00:06:10,700 Max and Emily, can you tell us a bit about the design process? 132 00:06:10,740 --> 00:06:14,260 So we'll start sketching using pen and paper, tablets, computers. 133 00:06:14,300 --> 00:06:16,620 We come up with lots of ideas 134 00:06:16,660 --> 00:06:18,740 and as we start to sort of work through the process, 135 00:06:18,780 --> 00:06:21,900 we refine them down, we do the little scale models. 136 00:06:21,940 --> 00:06:23,220 And then after we've got those, 137 00:06:23,260 --> 00:06:25,740 we start to look more at a full-sized model 138 00:06:25,780 --> 00:06:29,260 so we can really see what the property will look like at the end. 139 00:06:29,300 --> 00:06:31,980 And then, of course, Emily and her related teams 140 00:06:32,020 --> 00:06:35,620 work on the final appearance in terms of the paint colours. 141 00:06:35,660 --> 00:06:41,100 And today you're going to be working to create your perfect model. 142 00:06:41,140 --> 00:06:42,780 TOM: Cool. SARAH-JANE: Awesome. 143 00:06:42,820 --> 00:06:46,740 SHELLEY: So your challenge today is to create a sculpture 144 00:06:46,780 --> 00:06:48,900 that must be displayed in your homes. 145 00:06:48,940 --> 00:06:50,340 The most important part about this sculpture 146 00:06:50,380 --> 00:06:56,260 is it has to feature some automotive design aspects. 147 00:06:56,300 --> 00:07:00,220 You'll have four hours for your inspiration, your design 148 00:07:00,260 --> 00:07:03,340 and to create your clay masterpiece. 149 00:07:03,380 --> 00:07:05,420 SHARON: I feel like because it's a sculpture, 150 00:07:05,460 --> 00:07:06,700 it could be quite subjective. 151 00:07:06,740 --> 00:07:08,540 That's good. Everyone can win it. 152 00:07:08,580 --> 00:07:10,500 That means everybody's in with a chance. 153 00:07:10,540 --> 00:07:13,100 SCOTT: To give them some inspiration for their models, 154 00:07:13,140 --> 00:07:15,740 I've organised an exclusive behind-the-scenes tour 155 00:07:15,780 --> 00:07:17,660 of the Ford Design Centre 156 00:07:17,700 --> 00:07:20,140 and they better pay attention, 157 00:07:20,180 --> 00:07:23,660 as they'll need all the help they can get to win this challenge. 158 00:07:23,700 --> 00:07:26,460 This is obviously a full-sized clay model of the new Ranger. 159 00:07:26,500 --> 00:07:31,020 TOM: So, Max, does this start as somewhat a lump of clay 160 00:07:31,060 --> 00:07:32,980 and it's hand-shaped and machine-shaped? 161 00:07:33,020 --> 00:07:35,500 There's an armature underneath which is made out of aluminium, 162 00:07:35,540 --> 00:07:38,860 then that's covered in a sort of a wooden box, polystyrene foam 163 00:07:38,900 --> 00:07:41,580 and then we'll pack clay on top of that 164 00:07:41,620 --> 00:07:43,540 and then the machine will mill the clay back down. 165 00:07:43,580 --> 00:07:44,580 Wow. 166 00:07:44,620 --> 00:07:46,220 We usually start with a mill 167 00:07:46,260 --> 00:07:48,340 but then, like, you know, you saw Tim before, you know, 168 00:07:48,380 --> 00:07:50,020 hand-working the clay 169 00:07:50,060 --> 00:07:52,780 and that's where that mixing of technology 170 00:07:52,820 --> 00:07:54,860 but also just craftsmanship... TOM AND JENNY: Yeah. 171 00:07:54,900 --> 00:07:57,100 ..and sculptural skill. JENNY: Yeah. 172 00:07:57,140 --> 00:07:59,700 Some of the cars you'd see that were made of clay and painted, 173 00:07:59,740 --> 00:08:01,980 you would not think they were made of clay. 174 00:08:02,020 --> 00:08:03,740 Like, you'd think they were an actual car. 175 00:08:03,780 --> 00:08:06,820 MAX: Just as impressive, if not more impressive 176 00:08:06,860 --> 00:08:08,540 than the exteriors that look like real vehicles... 177 00:08:08,580 --> 00:08:09,620 Yeah. 178 00:08:09,660 --> 00:08:11,420 ..is the interior that looks like a real vehicle. 179 00:08:11,460 --> 00:08:13,380 What do you mean this is not... What's this, then? 180 00:08:13,420 --> 00:08:14,780 This is clay. Is it? 181 00:08:14,820 --> 00:08:16,140 Yes. Yes, it is. 182 00:08:16,180 --> 00:08:18,740 We look around and there's these amazing workstations, 183 00:08:18,780 --> 00:08:20,740 all different people doing different things, 184 00:08:20,780 --> 00:08:23,100 so people who are sketching, people who are... 185 00:08:23,140 --> 00:08:25,300 ANKUR: It's all cutting-edge stuff. Cutting-edge technology. 186 00:08:25,340 --> 00:08:26,380 So good. 187 00:08:26,420 --> 00:08:28,020 People doing stuff on their computers, 3-D... 188 00:08:28,060 --> 00:08:29,740 Virtual reality. Virtual... We went to Germany. 189 00:08:29,780 --> 00:08:31,380 We put, like, some glasses on... Yeah. 190 00:08:31,420 --> 00:08:32,820 ..and then we were sitting in Germany. 191 00:08:32,860 --> 00:08:35,020 Wow, we're in Germany. Yeah. That's unr... 192 00:08:35,060 --> 00:08:37,540 We are. I've been here. I've been here. 193 00:08:40,100 --> 00:08:42,140 OMAR: Yeah, I'm gonna get in. Cheers, mate. 194 00:08:43,340 --> 00:08:45,180 SARAH-JANE: Oh, my gosh. 195 00:08:45,220 --> 00:08:48,020 It's got it underneath and everything. 196 00:08:48,060 --> 00:08:49,660 MAX: Sarah-Jane, that's probably the first time 197 00:08:49,700 --> 00:08:51,020 I've ever seen anyone do that. 198 00:08:51,060 --> 00:08:52,860 I'm a first for a lot of people. 199 00:08:52,900 --> 00:08:55,500 TOM: And we're driving it. Yeah. 200 00:08:56,580 --> 00:08:58,740 RACHEL: Oh, whose hands are they? Yours? 201 00:08:58,780 --> 00:09:01,460 These should be your hands. No, they're your hands. 202 00:09:01,500 --> 00:09:03,620 But if you take the controller, they'll be your hands. 203 00:09:03,660 --> 00:09:05,060 (LAUGHS) There you go. 204 00:09:05,100 --> 00:09:07,380 And... Oh, my god. That's freaky. 205 00:09:07,420 --> 00:09:09,300 And with the Blockheads getting some inspiration 206 00:09:09,340 --> 00:09:11,700 from some of the very best designers, 207 00:09:11,740 --> 00:09:14,980 it's time to reveal what's up for grabs. 208 00:09:15,020 --> 00:09:17,740 Shell, it's a big challenge. SHELLEY: It is. 209 00:09:17,780 --> 00:09:20,300 But it comes with a big prize. OK. 210 00:09:20,340 --> 00:09:22,820 And what is that prize, Mr Cam? You want to do that now? 211 00:09:22,860 --> 00:09:23,860 Yeah, we'll do it now. 212 00:09:23,900 --> 00:09:25,620 Well, they need to know what they're playing for. 213 00:09:25,660 --> 00:09:28,100 OK. Sure. Well, it's this. 214 00:09:28,140 --> 00:09:31,340 # Oh, yeah... # 215 00:09:31,380 --> 00:09:33,860 Yeah, the car. Right there. CONTESTANTS: What? 216 00:09:33,900 --> 00:09:35,340 No way. 217 00:09:35,380 --> 00:09:39,980 You win this challenge today, you win that car. 218 00:09:40,020 --> 00:09:42,660 JENNY: You're not serious! (LAUGHS) 219 00:09:42,700 --> 00:09:44,580 I think we were all in shock. 220 00:09:44,620 --> 00:09:48,060 Like, I feel like that's the most shock we've ever been. 221 00:09:48,100 --> 00:09:52,380 You are winning $80,000 worth of car. 222 00:09:52,420 --> 00:09:55,300 That is the fully-loaded Ford Everest, 223 00:09:55,340 --> 00:09:57,140 with all the bells and whistles. 224 00:09:57,180 --> 00:09:58,420 Holy moly. Oh! 225 00:09:58,460 --> 00:09:59,900 This is huge. 226 00:09:59,940 --> 00:10:02,380 Like, you get 100 grand for winning The Block. 227 00:10:02,420 --> 00:10:05,540 We can get 80 grand today for winning this challenge. 228 00:10:05,580 --> 00:10:08,180 SARAH-JANE: I'm, like, in shock. That's, like, life-changing. 229 00:10:08,220 --> 00:10:10,580 $80,000 car is life-changing. Yeah, it is. 230 00:10:10,620 --> 00:10:14,260 You win today's challenge, you get the keys, you sign the rego papers... 231 00:10:14,300 --> 00:10:15,500 JENNY: Oh, my god. 232 00:10:15,540 --> 00:10:18,140 You get the car to take home and keep forever! 233 00:10:18,180 --> 00:10:22,380 Oh, my god! That's crazy! (LAUGHTER) 234 00:10:22,420 --> 00:10:24,940 Like, there's too much pressure. I feel like... Can we just... 235 00:10:24,980 --> 00:10:27,380 There is a lot of pressure. Can we lessen the prize? 236 00:10:27,420 --> 00:10:28,580 Yeah. (LAUGHS) 237 00:10:28,620 --> 00:10:31,100 OZ: We've got a problem. We gotta split it. 238 00:10:31,140 --> 00:10:33,460 How are we gonna split it? It's clay, so it'll be easy. 239 00:10:33,500 --> 00:10:34,860 (BOTH LAUGH) 240 00:10:34,900 --> 00:10:37,100 No, it's actually a real car. 241 00:10:37,140 --> 00:10:39,620 No, it's actually a real car. I know. I can't believe it. 242 00:10:39,660 --> 00:10:41,940 This is the first time you haven't run anywhere. 243 00:10:41,980 --> 00:10:43,020 You're just standing there... 244 00:10:43,060 --> 00:10:44,300 (LAUGHTER) ..and staring. 245 00:10:44,340 --> 00:10:46,340 I don't even know what to do. I'm, like, shocked. 246 00:10:46,380 --> 00:10:48,140 You should start moving now somewhere. 247 00:10:48,180 --> 00:10:49,220 (LAUGHTER) Go. 248 00:10:49,260 --> 00:10:50,260 Where do we go? 249 00:10:52,220 --> 00:10:54,620 Coming up... We're thinking abstract art. 250 00:10:54,660 --> 00:10:57,540 ..the $80,000 Ford challenge kicks off. 251 00:10:57,580 --> 00:10:59,660 Tom and Sarah's, didn't know what the hell was happening there. 252 00:10:59,700 --> 00:11:02,660 And for some, it's all too much. 253 00:11:02,700 --> 00:11:04,260 Well, do you want to start again? 254 00:11:04,300 --> 00:11:06,100 Let's scrap this and start again. 255 00:11:06,140 --> 00:11:07,780 One team will take home 256 00:11:07,820 --> 00:11:10,900 the biggest-ever challenge prize in Block history. 257 00:11:10,940 --> 00:11:13,300 WOMAN: The winner of the Everest Ford... 258 00:11:13,340 --> 00:11:14,620 God, I want that car. 259 00:11:14,660 --> 00:11:16,020 But then... 260 00:11:16,060 --> 00:11:17,820 I'm concerned how they're gonna finish the build. 261 00:11:17,860 --> 00:11:19,260 You're spending money as if you think 262 00:11:19,300 --> 00:11:20,820 Channel Nine's gonna give you some more money. 263 00:11:20,860 --> 00:11:22,980 It's not the same space. Ours is smaller. 264 00:11:23,020 --> 00:11:25,180 Sharon, I'm cutting you guys off. ANKUR: OK. 265 00:11:25,220 --> 00:11:26,820 You're gone. 266 00:11:26,860 --> 00:11:29,340 (THUNDER CRACKS) (DOG WHINES) 267 00:11:31,560 --> 00:11:31,680 # I'm ready! # 268 00:11:33,240 --> 00:11:34,640 Welcome back to The Block. 269 00:11:34,680 --> 00:11:36,320 It's guest bedroom week 270 00:11:36,360 --> 00:11:39,160 but today I've steered our Blockheads away from site 271 00:11:39,200 --> 00:11:41,640 for a massive creative challenge at Ford. 272 00:11:41,680 --> 00:11:44,800 We have to make a sculpture out of clay 273 00:11:44,840 --> 00:11:47,120 that's gonna be presented at our house. 274 00:11:47,160 --> 00:11:52,000 The contestants must take inspiration for their design from Ford cars 275 00:11:52,040 --> 00:11:53,600 and up for grabs is... 276 00:11:53,640 --> 00:12:00,400 An $80,000 2023 Ford Everest, brand-new. 277 00:12:00,440 --> 00:12:02,040 It's not for your house. You keep it. 278 00:12:02,080 --> 00:12:04,240 It's for you. (IMITATES EXPLOSION) 279 00:12:04,280 --> 00:12:06,960 You try and get that off your mind because that's just out of control. 280 00:12:07,000 --> 00:12:08,480 Yeah. I know. It's crazy, eh? 281 00:12:08,520 --> 00:12:10,600 This is gonna be the most hectic four hours. 282 00:12:10,640 --> 00:12:12,440 Oh, god. Ever. We're gonna be frazzled. 283 00:12:12,480 --> 00:12:15,840 Just as well Ford modeller Jack is here to guide them. 284 00:12:15,880 --> 00:12:17,200 Pleasure. Good luck. Yeah, thank you. 285 00:12:17,240 --> 00:12:18,280 Thank you. OK. 286 00:12:18,320 --> 00:12:19,800 So, essentially the idea here is 287 00:12:19,840 --> 00:12:21,920 you can look at any part of the car, obviously. Yeah. 288 00:12:21,960 --> 00:12:24,600 It can be a wheel arch, it could be the part of the tail-light... 289 00:12:25,640 --> 00:12:29,360 Lamp. 290 00:12:29,400 --> 00:12:31,320 Do you know Tom's actually more creative than I am? 291 00:12:31,360 --> 00:12:32,720 Yeah. Mmm. 292 00:12:32,760 --> 00:12:34,440 You are. Don't play it down. 293 00:12:34,480 --> 00:12:36,600 RACHEL: That part curves. RYAN: Yep. 294 00:12:36,640 --> 00:12:39,600 And that comes down. You know what I mean? 295 00:12:39,640 --> 00:12:41,120 Yeah. It's like a structure like that. 296 00:12:41,160 --> 00:12:43,120 Just that bit is enough for a shape. 297 00:12:43,160 --> 00:12:44,520 That's plenty. 298 00:12:44,560 --> 00:12:46,920 SHARON: Should put a whole... ANKUR: Like when you make a vase. 299 00:12:46,960 --> 00:12:50,320 Can you do that? We could make a vase. 300 00:12:50,360 --> 00:12:55,360 The game plan is to have the best idea to win this challenge. 301 00:12:55,400 --> 00:12:57,080 And we can do this. 302 00:12:57,120 --> 00:12:58,840 The one thing that every car did have 303 00:12:58,880 --> 00:13:02,120 was this indent in the side of the car which is the body movement... 304 00:13:02,160 --> 00:13:03,320 Body feature. Body feature. 305 00:13:03,360 --> 00:13:04,400 Contouring. Contouring. 306 00:13:04,440 --> 00:13:05,880 So your shape will come in here. 307 00:13:05,920 --> 00:13:10,800 So my idea was to create a sculpture but that was also a vase 308 00:13:10,840 --> 00:13:13,720 using the curvature and stuff of the cars 309 00:13:13,760 --> 00:13:14,920 to make something really beautiful. 310 00:13:14,960 --> 00:13:17,840 OK. So if I really want to achieve the vase bit at the top... 311 00:13:17,880 --> 00:13:19,080 You could use this. 312 00:13:19,120 --> 00:13:21,600 You can put a fair bit of clay on the outside of it 313 00:13:21,640 --> 00:13:22,960 and that is your basic support. 314 00:13:23,000 --> 00:13:25,480 We can both try to do it together if you want. Yeah. 315 00:13:25,520 --> 00:13:27,280 So we've just got to rub it in first. 316 00:13:27,320 --> 00:13:30,400 # Sometimes all I think about is you... # 317 00:13:30,440 --> 00:13:32,840 But the headlight's plenty... Yeah. 318 00:13:32,880 --> 00:13:34,840 If you can perfect the headlight... Yeah, mate. 319 00:13:34,880 --> 00:13:36,120 Just gotta do the sides. 320 00:13:36,160 --> 00:13:38,280 We took the idea of the headlight 321 00:13:38,320 --> 00:13:40,120 and then that's what our base was gonna be 322 00:13:40,160 --> 00:13:42,120 and then we were just gonna do something very abstract 323 00:13:42,160 --> 00:13:43,760 that we could put on the office desk. 324 00:13:45,240 --> 00:13:49,320 How good is this, Oms! Yeah, that's cracker. 325 00:13:49,360 --> 00:13:53,040 RACHEL: This is what we're going for. 326 00:13:53,080 --> 00:13:55,800 This section here. 327 00:13:55,840 --> 00:14:00,120 We took two sides of the beautiful Ford Ranger 328 00:14:00,160 --> 00:14:02,920 and we thought we were gonna spin it 329 00:14:02,960 --> 00:14:07,560 and make it almost like a V...U shape... 330 00:14:07,600 --> 00:14:09,920 Make some abstract art. 331 00:14:09,960 --> 00:14:12,480 Don't forget, you've gotta squish it into your holes... 332 00:14:12,520 --> 00:14:13,840 Yeah. ..so it holds. 333 00:14:15,240 --> 00:14:18,080 I said to Ryan, "I'm taking creative control on this challenge." 334 00:14:18,120 --> 00:14:19,440 Yep. I'm happy for that. 335 00:14:19,480 --> 00:14:23,400 Oh, love this. I love this feeling! 336 00:14:23,440 --> 00:14:28,360 I actually really think that I might go home and start doing pottery. 337 00:14:28,400 --> 00:14:30,680 I really think we've got this in the bag. 338 00:14:30,720 --> 00:14:34,400 I can see some of the objects that are coming up on either side. 339 00:14:34,440 --> 00:14:38,360 Some, you know, the mind can wander. 340 00:14:38,400 --> 00:14:43,400 (SMOKY JAZZ MUSIC) (LAUGHS) 341 00:14:43,440 --> 00:14:46,240 Tom and Sarah's, didn't know what the hell was happening there. 342 00:14:47,960 --> 00:14:50,040 JENNY: Oh, my gosh. 343 00:14:50,080 --> 00:14:51,960 I think they were making, like, handles of a car. 344 00:14:52,000 --> 00:14:53,320 Some sort of adult toy or something. 345 00:14:53,360 --> 00:14:56,800 (TOM AND SARAH-JANE LAUGH) 346 00:14:56,840 --> 00:14:58,800 Mmm. Hopefully we're not doing a bedroom 347 00:14:58,840 --> 00:15:00,800 the week that we've gotta put those objects in... 348 00:15:00,840 --> 00:15:01,880 (LAUGHS) ..you know. 349 00:15:01,920 --> 00:15:04,160 SARAH-JANE: Alright. Stop. That's... Don't! 350 00:15:04,200 --> 00:15:05,760 (LAUGHS) Why are you breaking it off? 351 00:15:05,800 --> 00:15:07,320 That's actually it. 352 00:15:07,360 --> 00:15:11,160 We just went, "Let's do a cool sculpture 353 00:15:11,200 --> 00:15:15,240 "using the door handles of the Wildtrak Ranger as inspo." 354 00:15:15,280 --> 00:15:17,000 So, see that? 355 00:15:17,040 --> 00:15:20,600 They're actually dead flat. Yeah. 356 00:15:20,640 --> 00:15:24,680 We've got it right over. OK. Yep. 357 00:15:24,720 --> 00:15:26,240 Does that make sense? Yeah. Yeah. 358 00:15:26,280 --> 00:15:28,360 See it looks like just like a jug handle? 359 00:15:28,400 --> 00:15:30,520 Yeah. Like, more like that. 360 00:15:30,560 --> 00:15:31,960 Yep. 361 00:15:32,000 --> 00:15:33,680 This is gonna be fantastic. 362 00:15:33,720 --> 00:15:36,040 OK. Why are we using this as the base? 363 00:15:36,080 --> 00:15:38,160 Because we're doing it like that. Yeah? 364 00:15:38,200 --> 00:15:39,480 So you're gonna build over that. 365 00:15:39,520 --> 00:15:43,320 Yeah, but does it not need to be bigger, like this... 366 00:15:45,040 --> 00:15:46,760 so then you can build up? 367 00:15:46,800 --> 00:15:50,000 I don't think we're artistic kind of people at all. 368 00:15:50,040 --> 00:15:53,880 Carving clay and making a sculpture is way out of our... 369 00:15:53,920 --> 00:15:57,840 Yeah, we can build a house, but get us to build a sculpture... 370 00:15:57,880 --> 00:16:00,480 Well, we just like the shape of in here, 371 00:16:00,520 --> 00:16:02,080 so maybe you could just do a sculpture 372 00:16:02,120 --> 00:16:03,600 of the shape of the console. 373 00:16:03,640 --> 00:16:08,080 We got our inspiration from the console shape and the window shape, 374 00:16:08,120 --> 00:16:10,600 so the curves of it we thought looked pretty cool. 375 00:16:10,640 --> 00:16:13,160 You're just drawing a wave. 376 00:16:13,200 --> 00:16:15,600 Yeah, well, it sort of almost is, isn't it? Yeah. 377 00:16:15,640 --> 00:16:17,400 SCOTT: Unleashing their inner Goldie, 378 00:16:17,440 --> 00:16:20,640 our Queensland couple are creating a wavelike model, 379 00:16:20,680 --> 00:16:25,080 taking inspiration from some of the curvy features from the Ford Ranger. 380 00:16:25,120 --> 00:16:29,160 Thinking what you can do and then putting it in action with clay 381 00:16:29,200 --> 00:16:31,680 is so different to what you imagine it will be. 382 00:16:31,720 --> 00:16:33,400 Is it thick enough, do you think? 383 00:16:33,440 --> 00:16:35,200 Yeah, you only create a little arch... 384 00:16:36,400 --> 00:16:38,040 No. 385 00:16:39,080 --> 00:16:42,280 I don't know if we're great with our hands and clay. 386 00:16:42,320 --> 00:16:43,720 It doesn't really... 387 00:16:43,760 --> 00:16:45,560 It's hard to mould. 388 00:16:45,600 --> 00:16:48,600 It's hard to get the form that you want, isn't it? 389 00:16:48,640 --> 00:16:51,560 Almost looks like a car. It kind of does look like a car. 390 00:16:51,600 --> 00:16:53,160 SHELLEY: What have we got here, then? 391 00:16:53,200 --> 00:16:56,000 So we got inspiration from the side of the console in the car. 392 00:16:56,040 --> 00:16:57,960 It's starting to turn out to look like a car. 393 00:16:58,000 --> 00:17:00,640 It kind of looks like a car. Looks like a car. It does. 394 00:17:00,680 --> 00:17:02,600 You know what, you should run with the car bit. 395 00:17:02,640 --> 00:17:04,160 Looks like a dodgem car. Or a clog. 396 00:17:04,200 --> 00:17:05,720 It's not supposed to look like a car. 397 00:17:05,760 --> 00:17:09,360 It's meant to look like the pattern of the inside of the console. 398 00:17:09,400 --> 00:17:11,800 It's the side of the console. Well, it's open for interpretation. 399 00:17:11,840 --> 00:17:12,880 It's art. Yeah. 400 00:17:12,920 --> 00:17:15,640 Uh, yeah. Let's go with that, Shell. 401 00:17:15,680 --> 00:17:17,920 You've got a long way to go, haven't you? 402 00:17:17,960 --> 00:17:18,960 (LAUGHS) 403 00:17:22,320 --> 00:17:23,640 Scotty. Hello, Scotty. 404 00:17:23,680 --> 00:17:25,960 So you don't like all the tools. You're using your fingers there? 405 00:17:26,000 --> 00:17:28,840 Oh, we're gonna do the base of it first and then start using the... 406 00:17:28,880 --> 00:17:31,280 The base of what? (LAUGHS) The base of it. What is it? 407 00:17:31,320 --> 00:17:33,400 Absolutely nothing. (ALL LAUGH) 408 00:17:33,440 --> 00:17:35,320 You've been through a few... We've been through a few... 409 00:17:35,360 --> 00:17:36,360 ..evolutions. ..ideas. 410 00:17:36,400 --> 00:17:37,400 Yeah. 411 00:17:37,440 --> 00:17:39,640 That is what the outside of the headlight looks like. 412 00:17:39,680 --> 00:17:41,680 Oh, yeah, yeah. Good work. It's just a nod. 413 00:17:41,720 --> 00:17:43,400 Absolutely. This is gonna be our base. 414 00:17:43,440 --> 00:17:44,920 And then we'll just shape it up. 415 00:17:44,960 --> 00:17:47,200 Like, it's gonna be a solid, solid sculpture, so... 416 00:17:47,240 --> 00:17:50,080 You know, when you see the ones over there, you go, "I could do this. 417 00:17:50,120 --> 00:17:52,240 "No worries." Then you get to this stage, you go, "Uh-oh." 418 00:17:52,280 --> 00:17:53,280 Yeah. "This is art." 419 00:17:53,320 --> 00:17:56,040 You've seen the clay over there in the oven. 420 00:17:56,080 --> 00:17:57,160 It comes out in cylinders. 421 00:17:57,200 --> 00:18:00,040 Why wouldn't you just put six of those in a row and it's an engine? 422 00:18:00,080 --> 00:18:03,040 Six cylinder. I like that one, Shelley. 423 00:18:03,080 --> 00:18:04,320 Boom, boom, boom, boom. 424 00:18:04,360 --> 00:18:07,400 All I need to say is we went to detail, so this is a 3-D pop. 425 00:18:07,440 --> 00:18:09,360 And looking at it this way, it has the meaning. 426 00:18:09,400 --> 00:18:11,120 Looking at it this way, it has the meaning. 427 00:18:11,160 --> 00:18:12,520 Looking at the top... Yeah, it's good. 428 00:18:12,560 --> 00:18:14,440 Looking at the top, it looks like the headlight. Yeah. 429 00:18:14,480 --> 00:18:16,640 SHARON: We need one more. ANKUR: Really? 430 00:18:16,680 --> 00:18:17,760 Yeah, just one more. 431 00:18:17,800 --> 00:18:20,320 We are very excited this is not a building challenge... 432 00:18:20,360 --> 00:18:21,360 You are very excited. 433 00:18:21,400 --> 00:18:24,320 And I'm very excited that this is a creative challenge... Yeah. 434 00:18:24,360 --> 00:18:27,280 ..where we can our use creative brains and do fun stuff. Yeah. 435 00:18:27,320 --> 00:18:30,520 So I have to then sit back and find a role for myself 436 00:18:30,560 --> 00:18:32,680 because creativity's not my vibe. 437 00:18:32,720 --> 00:18:34,080 We're good at this. 438 00:18:34,120 --> 00:18:36,760 You're good at this, darl. We are. 439 00:18:36,800 --> 00:18:39,360 My role was to smooth clay for four hours, 440 00:18:39,400 --> 00:18:41,400 which was very calming, to be honest. 441 00:18:41,440 --> 00:18:44,400 Keep going, 'cause it's starting to look good, hey? Yeah. 442 00:18:44,440 --> 00:18:46,960 Now, as with all the other models... Mm-hm. 443 00:18:47,000 --> 00:18:50,920 ..I was saying to them, you basically go down and you go across 444 00:18:50,960 --> 00:18:53,880 so we can get a bit of all these facets. 445 00:18:53,920 --> 00:18:56,040 Our local art critic, Sarah-Jane, 446 00:18:56,080 --> 00:18:59,000 has been busy analysing some of the competition. 447 00:18:59,040 --> 00:19:01,080 OK. Abstract, mate. Abstract. 448 00:19:01,120 --> 00:19:03,120 Gorgeous. Gorgeous. 449 00:19:03,160 --> 00:19:06,200 I've never seen a better ants' nest in my life. (LAUGHS) 450 00:19:06,240 --> 00:19:08,720 Alright. We're getting there. 451 00:19:08,760 --> 00:19:11,840 Rachel and Ryan are doing door handles, the same as ours. 452 00:19:11,880 --> 00:19:13,720 No, they're not. Yeah, they are. 453 00:19:13,760 --> 00:19:15,560 RACHEL: This is ours, babe, I reckon. 454 00:19:15,600 --> 00:19:17,440 I can feel it, this is ours. 455 00:19:17,480 --> 00:19:20,800 I was all systems go. We really wanted to win that car. 456 00:19:20,840 --> 00:19:22,000 We really wanted that car. 457 00:19:22,040 --> 00:19:23,920 We're going really, really, really well. 458 00:19:23,960 --> 00:19:26,560 We've got the structure. 459 00:19:26,600 --> 00:19:29,080 We started to build the curve. 460 00:19:29,120 --> 00:19:30,840 Once we start smoothing this out, 461 00:19:30,880 --> 00:19:33,200 then we're gonna start putting this beautiful detail in. 462 00:19:33,240 --> 00:19:35,000 We're going real well. 463 00:19:36,920 --> 00:19:40,360 Our Blockheads' final step is to select a colour palette 464 00:19:40,400 --> 00:19:44,960 which will be added to the sculptures after the challenge by the Ford team. 465 00:19:45,000 --> 00:19:47,560 Think about the colours, think about the environment it's gonna be in, 466 00:19:47,600 --> 00:19:49,120 the room it's gonna be in. 467 00:19:49,160 --> 00:19:52,160 We're kind of matching what is in our working-from-home space. 468 00:19:52,200 --> 00:19:54,760 We've got all-black Kinsman cabinetry. 469 00:19:54,800 --> 00:19:57,760 That's gonna be the solid base of our actual thing. 470 00:19:57,800 --> 00:20:01,240 And then we've got a lot of old rustic look. 471 00:20:01,280 --> 00:20:03,120 So we went for a nicer brown on the top. 472 00:20:03,160 --> 00:20:05,320 What you might want to do with the paint, you know. 473 00:20:05,360 --> 00:20:06,720 So we can have the high-gloss finishes. 474 00:20:06,760 --> 00:20:08,560 Obviously, this is metallic... Just examples. Yep. 475 00:20:08,600 --> 00:20:10,480 Colours changing and shifting. Yeah. 476 00:20:10,520 --> 00:20:11,880 I like that. Solid colours. 477 00:20:11,920 --> 00:20:14,320 Low gloss as well. Like a matte black finish. 478 00:20:14,360 --> 00:20:16,960 And different handles too. Think about that in our house. 479 00:20:17,000 --> 00:20:18,000 Oh, yeah. 480 00:20:18,040 --> 00:20:19,840 Because this is gonna be presented with our home. 481 00:20:19,880 --> 00:20:22,040 Yeah. Like, that is gorgeous. 482 00:20:22,080 --> 00:20:25,920 And on that note, let's check in on Dylan and Jenny's masterpiece. 483 00:20:25,960 --> 00:20:28,800 Is it what you thought... you were thinking? 484 00:20:28,840 --> 00:20:29,920 I'm not sure. 485 00:20:29,960 --> 00:20:32,560 We're not really good at, like, arty things, 486 00:20:32,600 --> 00:20:35,800 so when they said we were gonna do something out of clay, I was, like, 487 00:20:35,840 --> 00:20:38,320 "Oh, god. I'm not really that artistic." 488 00:20:38,360 --> 00:20:40,400 I wish it was my sister instead. But... (LAUGHS) 489 00:20:40,440 --> 00:20:44,040 If it was a five-grand prize, it would be such an easy day but... 490 00:20:44,080 --> 00:20:46,080 Oh... ..it's an 80-grand car. 491 00:20:46,120 --> 00:20:48,200 What do you reckon I do with this front, babe? 492 00:20:48,240 --> 00:20:50,120 I reckon... I reckon... 493 00:20:50,160 --> 00:20:52,960 Do I just create, like, a bit more of a thing there 494 00:20:53,000 --> 00:20:55,680 and then we start dressing it up? 495 00:20:55,720 --> 00:20:57,040 Yeah. 496 00:20:57,080 --> 00:20:59,200 It was just looking like a blob of clay. 497 00:20:59,240 --> 00:21:00,640 We were fighting over this. 498 00:21:00,680 --> 00:21:02,960 We were just fighting over it, weren't we? Yeah. The whole time. 499 00:21:03,000 --> 00:21:04,360 Huh? 500 00:21:06,120 --> 00:21:07,320 OK. 501 00:21:07,360 --> 00:21:09,640 Do you know what I mean? Are we doing the right thing? 502 00:21:09,680 --> 00:21:11,200 I'm not sure. OK. 503 00:21:18,960 --> 00:21:20,440 We're not even doing what we designed. 504 00:21:20,480 --> 00:21:22,000 I know. So, what does that look like? 505 00:21:22,040 --> 00:21:24,400 (SIGHS) Dyl... 506 00:21:24,440 --> 00:21:25,840 (BLEEP) 507 00:21:25,880 --> 00:21:27,400 Well, do you want to start again? 508 00:21:27,440 --> 00:21:29,200 How long have we got? 509 00:21:29,240 --> 00:21:30,920 What else could we do, though? 510 00:21:34,120 --> 00:21:36,600 (THUNDER CRACKS) (DOG WHINES) 511 00:21:40,580 --> 00:21:42,580 SCOTT: Welcome back to The Block. 512 00:21:42,620 --> 00:21:44,980 We're near the end of our Ford design challenge 513 00:21:45,020 --> 00:21:47,860 and some of our contestants are in their element. 514 00:21:53,020 --> 00:21:54,620 I did say some. 515 00:21:54,660 --> 00:21:57,500 If you focus on that side... 516 00:21:57,540 --> 00:22:00,020 But how can I focus on this side when your hand's there? 517 00:22:01,300 --> 00:22:03,700 Ow, it's hot. Can we start again? 518 00:22:03,740 --> 00:22:06,900 We were trying to sculpt something that we'd drawn out 519 00:22:06,940 --> 00:22:09,020 but what we thought it would look like 520 00:22:09,060 --> 00:22:10,900 and what it actually looked like in clay 521 00:22:10,940 --> 00:22:14,980 was so different, so let's scrap this and start again. 522 00:22:15,020 --> 00:22:17,700 So that's exactly what we did. 523 00:22:17,740 --> 00:22:19,940 Compared to their first design, 524 00:22:19,980 --> 00:22:22,820 Dylan and Jenny's sculpture will have a leaner footprint, 525 00:22:22,860 --> 00:22:26,220 still taking inspiration from the Ford Ranger's console. 526 00:22:26,260 --> 00:22:28,980 And then, once we've done it, then we can perfect it and do, like... 527 00:22:29,020 --> 00:22:30,340 Yeah. ..the lines of the car 528 00:22:30,380 --> 00:22:32,100 and then the pleats of the seat and stuff. 529 00:22:32,140 --> 00:22:33,460 But we're just making that shape... Yeah. 530 00:22:33,500 --> 00:22:34,660 ..aren't we? Yeah. Yeah. 531 00:22:34,700 --> 00:22:36,140 (WHISTLES) 532 00:22:36,180 --> 00:22:39,420 Ladies and gentlemen, I have the judges standing by 533 00:22:39,460 --> 00:22:41,180 and they're ready to go, 534 00:22:41,220 --> 00:22:43,860 including a judge you haven't met, Danni Winter, 535 00:22:43,900 --> 00:22:45,820 marketing director of Ford. 536 00:22:45,860 --> 00:22:49,980 No pressure. Just an $80,000 car on the line. 537 00:22:50,020 --> 00:22:53,500 I wish it wasn't a car on the line. It's so frustrating. 538 00:22:53,540 --> 00:22:57,340 Unlike Dylan and Jenny, Omar and Oz are tracking along nicely, 539 00:22:57,380 --> 00:23:00,340 even while making changes to their original design. 540 00:23:00,380 --> 00:23:02,340 Initially, it was a headlight. 541 00:23:02,380 --> 00:23:04,900 Turned into the heart of a headlight... 542 00:23:04,940 --> 00:23:05,980 was literally a piston. 543 00:23:06,020 --> 00:23:09,220 It's always important show the judges that, you know, 544 00:23:09,260 --> 00:23:10,340 whatever you're driving, 545 00:23:10,380 --> 00:23:11,740 you've gotta understand what's under the hood. 546 00:23:11,780 --> 00:23:12,940 (SCOTT WHISTLES) 547 00:23:12,980 --> 00:23:14,540 SHELLEY: You've got ten minutes to go. 548 00:23:14,580 --> 00:23:17,220 Make sure you've also got your colours in and registered. 549 00:23:17,260 --> 00:23:18,820 Ten minutes! 550 00:23:18,860 --> 00:23:20,980 Yeah, I'm happy to do blues. 551 00:23:23,860 --> 00:23:25,740 RYAN: It doesn't need to be any sharper. 552 00:23:25,780 --> 00:23:28,940 I'm gonna make more shape out of all of this. 553 00:23:28,980 --> 00:23:31,500 Put the tools away. You're banned from the tools. 554 00:23:31,540 --> 00:23:34,540 See how it goes from there and curves up to the top? 555 00:23:34,580 --> 00:23:36,020 And join it up. 556 00:23:37,100 --> 00:23:39,340 Yeah, like that. That looks cool. 557 00:23:39,380 --> 00:23:42,860 SHELLEY: One minute. This is it. One minute to go. 558 00:23:42,900 --> 00:23:46,020 Let's go. Let's go. Say let's. 559 00:23:46,060 --> 00:23:48,300 It's just about making it a straight line. 560 00:23:48,340 --> 00:23:50,820 I think we just keep on smoothing. 561 00:23:50,860 --> 00:23:53,140 TOM: Calm down. 562 00:23:53,180 --> 00:23:55,900 # Come on, come on Come on, come on... # 563 00:23:55,940 --> 00:24:01,460 Ten seconds to go before someone wins a life-changing prize from Ford. 564 00:24:01,500 --> 00:24:05,020 Eight, seven, six, five, 565 00:24:05,060 --> 00:24:08,340 four, three, two, one. 566 00:24:08,380 --> 00:24:10,220 SHELLEY: Tools down! 567 00:24:10,260 --> 00:24:12,260 OZ: Time is up. 568 00:24:13,500 --> 00:24:15,820 Well done. Well done, everyone. 569 00:24:15,860 --> 00:24:17,420 (LAUGHTER) 570 00:24:17,460 --> 00:24:19,940 It all came together, I reckon, in that last hour 571 00:24:19,980 --> 00:24:21,780 but Rach was shaping it really good 572 00:24:21,820 --> 00:24:23,740 and then, like, when you start cutting it all in, 573 00:24:23,780 --> 00:24:25,580 it just started showing all the nice details. 574 00:24:25,620 --> 00:24:26,940 We're super happy with it. 575 00:24:26,980 --> 00:24:28,380 SHELLEY: Can you believe it? 576 00:24:28,420 --> 00:24:31,060 Someone's won a car and they don't even know it. 577 00:24:31,100 --> 00:24:32,100 (LAUGHS) Yes. 578 00:24:32,140 --> 00:24:34,340 SHARON: That was our vision and we've created our vision... 579 00:24:34,380 --> 00:24:35,740 Yeah. ..so we're really happy with it. 580 00:24:35,780 --> 00:24:38,500 SARAH-JANE: Early on, some people thought 581 00:24:38,540 --> 00:24:42,900 that we were maybe taking the piss out of it a little bit 582 00:24:42,940 --> 00:24:45,260 'cause it looked like something that may urinate... 583 00:24:46,500 --> 00:24:48,500 The male anatomy. The male anatomy. 584 00:24:48,540 --> 00:24:51,460 But we knew where we were going with it. 585 00:24:51,500 --> 00:24:53,460 Yeah. And we think it looks awesome. 586 00:24:53,500 --> 00:24:56,940 Well, after this colourful description of their work, 587 00:24:56,980 --> 00:25:01,100 it's time for the judges to check out the Blockheads' latest creations. 588 00:25:01,140 --> 00:25:02,500 Here we go. 589 00:25:02,540 --> 00:25:05,740 Sculpture number one, Max, Emily and Danni. 590 00:25:05,780 --> 00:25:06,820 MAX: Mmm. 591 00:25:06,860 --> 00:25:08,780 Shelley and I will leave it in your hands. 592 00:25:08,820 --> 00:25:11,660 The idea of taking some of the sort of lines of the vehicle 593 00:25:11,700 --> 00:25:14,020 and putting them on a vase... Yes. 594 00:25:14,060 --> 00:25:15,140 ..is quite nice. 595 00:25:15,180 --> 00:25:18,340 I could see this being in a house, I suppose. 596 00:25:18,380 --> 00:25:20,140 Mm-hm. EMILY: Style and functionality. 597 00:25:20,180 --> 00:25:22,660 Colour's quite organic as well... Indeed. 598 00:25:22,700 --> 00:25:24,060 ..which is good. It's got everything. 599 00:25:24,100 --> 00:25:26,060 Fantastic. Well done. Onto the next one. 600 00:25:26,100 --> 00:25:28,820 Alright. SHELLEY: Number two. 601 00:25:28,860 --> 00:25:33,860 Very strong link to the car, so I love the sharp lines. 602 00:25:33,900 --> 00:25:37,100 Well, I think it's quite on trend with what they're doing. 603 00:25:37,140 --> 00:25:38,860 SCOTT: The olive-green. Yes indeed. Yeah. 604 00:25:38,900 --> 00:25:40,780 And the pitch. And the matte black. 605 00:25:40,820 --> 00:25:42,460 I really like the concept of it. 606 00:25:42,500 --> 00:25:45,500 I like the concept of the elements and the negative space. 607 00:25:45,540 --> 00:25:46,780 I do think they could've been 608 00:25:46,820 --> 00:25:48,900 a little bit crisper with their execution. 609 00:25:48,940 --> 00:25:50,900 SHELL: OK. Let's go to number three. Let's go. 610 00:25:50,940 --> 00:25:52,420 OK. The boys. 611 00:25:52,460 --> 00:25:53,940 Right. 612 00:25:53,980 --> 00:25:55,980 It's actually... It's fairly well executed. 613 00:25:56,020 --> 00:25:57,420 The surfaces are fairly smooth, 614 00:25:57,460 --> 00:25:59,420 the little details in there are really nice, 615 00:25:59,460 --> 00:26:02,100 so I think the boys have done a great job from that perspective. 616 00:26:02,140 --> 00:26:04,300 So that matches their cabinetry at the house. 617 00:26:04,340 --> 00:26:05,340 Mmm. 618 00:26:05,380 --> 00:26:07,180 And then that's the leather of the couches 619 00:26:07,220 --> 00:26:09,220 and a little bit of shine and shimmer. 620 00:26:09,260 --> 00:26:10,660 I like the finishes. 621 00:26:10,700 --> 00:26:12,900 I like the texture that they've selected. 622 00:26:12,940 --> 00:26:16,900 It's got a combination of matte, gloss and also some texturing. 623 00:26:16,940 --> 00:26:17,940 Mm-hm. 624 00:26:17,980 --> 00:26:21,180 So it'll be interesting to see when it all comes together. 625 00:26:21,220 --> 00:26:22,220 OK. Mmm. 626 00:26:22,260 --> 00:26:26,980 Now, this sculpture also has a name. 'Can You Handle It?' 627 00:26:27,020 --> 00:26:31,540 I certainly think the imagery really links to the car strongly. 628 00:26:31,580 --> 00:26:33,340 What do you think of the colours, Emily? 629 00:26:33,380 --> 00:26:36,380 EMILY: For me, it's probably a little bit subtle, 630 00:26:36,420 --> 00:26:37,860 you know, for what it is. 631 00:26:37,900 --> 00:26:41,460 But I think it's got potential. Mmm. Definitely. 632 00:26:41,500 --> 00:26:43,460 I think this team's done a great job as well. 633 00:26:43,500 --> 00:26:45,740 The base is very clean. Mmm. 634 00:26:45,780 --> 00:26:47,900 Yeah, they've done an OK job there. OK. 635 00:26:47,940 --> 00:26:51,580 OK, last but not least, Dylan and Jenny. 636 00:26:51,620 --> 00:26:53,820 We did have a second start on this one. 637 00:26:53,860 --> 00:26:55,340 Yeah, no... Mmm. 638 00:26:55,380 --> 00:26:57,860 Yeah. Again, very interpretive, I would suggest. 639 00:26:57,900 --> 00:27:02,300 (LAUGHS) Very Picasso. (LAUGHS) Yes. Very Picasso indeed. 640 00:27:02,340 --> 00:27:04,780 So, the colour again, I believe that's an ombre. 641 00:27:04,820 --> 00:27:08,060 It'll go from light down to the dark of the bronze at the bottom. 642 00:27:08,100 --> 00:27:10,660 Same colour family. Same colour family. Yes. 643 00:27:10,700 --> 00:27:11,700 Yep. OK. 644 00:27:11,740 --> 00:27:13,500 And you can lighten that, can you, that colour? 645 00:27:13,540 --> 00:27:15,740 You can go from lighter to darker? You can do anything. 646 00:27:15,780 --> 00:27:17,460 You can do anything. Yes. Yep. Yep. 647 00:27:17,500 --> 00:27:19,940 OK. Now, what we're gonna do is... 648 00:27:19,980 --> 00:27:24,380 'Cause this is a huge decision for one of our contestants, 649 00:27:24,420 --> 00:27:26,780 an $80,000 Ford motor car. 650 00:27:26,820 --> 00:27:27,900 Incredible. 651 00:27:27,940 --> 00:27:30,100 It's the biggest prize for a challenge 652 00:27:30,140 --> 00:27:33,620 that we have ever, ever had the opportunity to award someone. 653 00:27:33,660 --> 00:27:34,660 So... (LAUGHS) 654 00:27:34,700 --> 00:27:37,500 we want nothing to do with it. We want nothing to do with it. 655 00:27:37,540 --> 00:27:40,100 So we'll find out when you tell everybody. 656 00:27:40,140 --> 00:27:41,300 Good luck. Alright. 657 00:27:41,340 --> 00:27:42,340 Alright. Thank you. 658 00:27:42,380 --> 00:27:43,980 Thank you. Thank you. 659 00:27:44,020 --> 00:27:46,460 OZ: Mate, we would love to win a new Ford, to be honest. 660 00:27:46,500 --> 00:27:48,580 That car's been playing on my mind all day. 661 00:27:48,620 --> 00:27:49,700 Oh, god. (LAUGHS) 662 00:27:49,740 --> 00:27:51,580 I want to win this car! Good teamwork. 663 00:27:51,620 --> 00:27:52,780 We want to win this car. 664 00:27:52,820 --> 00:27:55,140 (DRAMATIC MUSIC) SHELLEY: Oh, here they come. 665 00:27:55,180 --> 00:27:56,580 Here they come. Here they come. 666 00:27:56,620 --> 00:27:58,420 Oh. Oh. 667 00:27:58,460 --> 00:28:00,980 I actually feel sick. I feel sick. Yeah, I feel sick too. 668 00:28:01,020 --> 00:28:02,380 Hello. Hello. 669 00:28:02,420 --> 00:28:04,340 Better you than me. Come in. Well done. 670 00:28:04,380 --> 00:28:06,100 Thank you. Thank you very much. Thank you. 671 00:28:06,140 --> 00:28:07,260 Ladies and gentlemen... 672 00:28:07,300 --> 00:28:10,340 Well, congratulations, everybody, 673 00:28:10,380 --> 00:28:13,900 because you are now true Ford design apprentices, all of you. 674 00:28:13,940 --> 00:28:18,420 Your brief today was to copy the Ford design process 675 00:28:18,460 --> 00:28:23,260 with your own automotive-inspired sculpture. 676 00:28:23,300 --> 00:28:25,860 Max, Emily, how did they go? 677 00:28:25,900 --> 00:28:28,180 I thought they all did very well. 678 00:28:28,220 --> 00:28:29,420 Loved the colours. 679 00:28:29,460 --> 00:28:32,980 I think a lot of you have got a lot of colour sense 680 00:28:33,020 --> 00:28:34,580 and the texturing in the colours... 681 00:28:34,620 --> 00:28:37,380 Well done. I thought it was pretty good too. 682 00:28:37,420 --> 00:28:40,140 I thought it was really interesting the way some of the contestants 683 00:28:40,180 --> 00:28:42,020 sort of took more of a literal approach. 684 00:28:42,060 --> 00:28:45,860 It was very interesting to see them learn to use the tools as well 685 00:28:45,900 --> 00:28:47,820 and the clay. 686 00:28:47,860 --> 00:28:50,140 It takes a while to sort of get used to that. Mmm. 687 00:28:50,180 --> 00:28:52,220 But overall, great, great work 688 00:28:52,260 --> 00:28:55,020 and some really, really inspiring pieces there, so well done. 689 00:28:55,060 --> 00:28:58,140 Terrific. Tell them the prize, Shell. Oh, my god. 690 00:28:58,180 --> 00:28:59,500 The stakes are so high. 691 00:29:01,700 --> 00:29:03,340 The winner of this challenge 692 00:29:03,380 --> 00:29:07,340 will be driving away in the Ford Everest Sport 693 00:29:07,380 --> 00:29:11,260 worth $80,000. (LAUGHS) 694 00:29:11,300 --> 00:29:12,580 SHARON: Wow. Crazy. 695 00:29:12,620 --> 00:29:15,780 I don't have a car, so we actually really do need a car, 696 00:29:15,820 --> 00:29:17,020 so it would be amazing. 697 00:29:17,060 --> 00:29:19,020 I'd probably just drive straight home. 698 00:29:19,060 --> 00:29:20,740 (BOTH LAUGH) 699 00:29:20,780 --> 00:29:24,900 SHELLEY: Thank you so much for this opportunity to be in this facility. 700 00:29:24,940 --> 00:29:28,140 But there can be only one winner. 701 00:29:28,180 --> 00:29:31,900 Danni, who's taking out the prize today? 702 00:29:31,940 --> 00:29:35,340 TOM: Oh, strewth. I'm nervous. 703 00:29:35,380 --> 00:29:39,540 It's a great pleasure to announce the winner of the Everest Ford... 704 00:29:43,420 --> 00:29:44,700 God, I want that car. 705 00:29:45,820 --> 00:29:47,020 ..is Sharon and Ankur. 706 00:29:47,060 --> 00:29:50,060 (CHEERING AND APPLAUSE) 707 00:29:54,060 --> 00:29:56,060 She's crying. SHELLEY: Oh, we've got tears! 708 00:29:56,100 --> 00:29:57,540 Oh, there's tears! 709 00:29:57,580 --> 00:29:59,540 (SHARON CRIES) 710 00:29:59,580 --> 00:30:01,860 Oh, we won a car! 711 00:30:01,900 --> 00:30:05,100 In shock and will be for a while. I'm in shock. 712 00:30:05,140 --> 00:30:07,820 Like, I can't... I usually have lots to say. 713 00:30:07,860 --> 00:30:09,220 I've got nothing to say, like... Yeah. 714 00:30:09,260 --> 00:30:12,340 Sharon, Ankur, would you like to come and collect the keys? 715 00:30:12,380 --> 00:30:13,780 Yeah. SCOTT: Come and get the keys! 716 00:30:13,820 --> 00:30:15,860 (APPLAUSE) Yeah. 717 00:30:15,900 --> 00:30:19,020 Thank you so much. That's amazing. 718 00:30:20,100 --> 00:30:21,300 Scotty... Please, jump in. 719 00:30:21,340 --> 00:30:22,780 Well done. Thank you. 720 00:30:22,820 --> 00:30:25,500 Oh, my god. We won a car! 721 00:30:25,540 --> 00:30:27,860 That's ridiculous. (LAUGHS) We won a car! 722 00:30:27,900 --> 00:30:29,900 Well done. How good is that! 723 00:30:29,940 --> 00:30:31,300 That is unreal. 724 00:30:31,340 --> 00:30:32,900 Oh, this is... Look at it! 725 00:30:32,940 --> 00:30:35,780 It's too nice for me to even touch. 726 00:30:35,820 --> 00:30:38,580 (HORN HONKS) (CHEERING AND APPLAUSE) 727 00:30:38,620 --> 00:30:40,260 Hey. (LAUGHTER) 728 00:30:40,300 --> 00:30:43,460 We won! We won a car! We won a car. 729 00:30:43,500 --> 00:30:45,860 That is unreal. 730 00:30:45,900 --> 00:30:48,380 Take it to the block to get trashed now. 731 00:30:48,420 --> 00:30:53,900 Coming up, Ankur and Sharon go from the highest of highs to rock bottom. 732 00:30:53,940 --> 00:30:56,060 At the moment, they are thousands in debt. 733 00:30:56,100 --> 00:30:57,500 You're spending money as if you think 734 00:30:57,540 --> 00:30:59,140 Channel Nine's gonna give you some more money. 735 00:30:59,180 --> 00:31:00,620 I haven't done this since the Oslo. 736 00:31:00,660 --> 00:31:02,620 I'm cutting you guys off. You're gone. 737 00:31:04,940 --> 00:31:07,700 (THUNDER CRACKS) (DOG WHINES) 738 00:31:09,540 --> 00:31:10,860 (ALARM RINGS) 739 00:31:10,900 --> 00:31:13,340 SCOTT: It's guest bedroom week on The Block 740 00:31:13,380 --> 00:31:16,140 and another cold and wet morning on site. 741 00:31:16,180 --> 00:31:17,740 (ALARM RINGS) 742 00:31:17,780 --> 00:31:18,940 And while some Blockheads 743 00:31:18,980 --> 00:31:21,140 are still recovering from yesterday's challenge... 744 00:31:21,180 --> 00:31:22,180 (ALARM RINGS) 745 00:31:22,220 --> 00:31:24,900 ..others are waking up to an ocean of water damage. 746 00:31:24,940 --> 00:31:27,940 (DRAMATIC CLASSICAL MUSIC) 747 00:31:34,220 --> 00:31:37,180 At the moment, it looks alright 748 00:31:37,220 --> 00:31:39,540 but if it keeps raining, it could get a lot worse. 749 00:31:40,860 --> 00:31:43,140 Despite being on a high after their big win... 750 00:31:43,180 --> 00:31:45,860 Well, the fact that we won anything is amazing. 751 00:31:45,900 --> 00:31:47,380 Like, we are so grateful... 752 00:31:47,420 --> 00:31:50,220 ..House Three have now been brought back down to earth. 753 00:31:50,260 --> 00:31:52,140 DAN: Morning, Shaz. Oh, hey, Dan. 754 00:31:52,180 --> 00:31:53,700 How you doing? What's happening? 755 00:31:53,740 --> 00:31:55,740 We've got a little bit of a disaster, mate. 756 00:31:55,780 --> 00:31:59,660 We came back last night to puddles and puddles of just water 757 00:31:59,700 --> 00:32:02,740 all congregated in our breezeway that we just finished last week. 758 00:32:02,780 --> 00:32:06,100 It does look very... Balloony? 759 00:32:06,140 --> 00:32:07,380 It does look balloony. 760 00:32:11,500 --> 00:32:14,700 (WATER TRICKLES) 761 00:32:14,740 --> 00:32:15,940 There's a lot of water. 762 00:32:15,980 --> 00:32:17,900 Yeah. (LAUGHS) 763 00:32:17,940 --> 00:32:20,900 Well, Shaz, I can actually see the roof bowing badly up here, 764 00:32:20,940 --> 00:32:22,340 so there is quite a bit of water. 765 00:32:22,380 --> 00:32:23,380 Yeah. 766 00:32:23,420 --> 00:32:25,780 I wouldn't be surprised if we have to replace all the insulation. 767 00:32:25,820 --> 00:32:29,140 Because the external side of the house is not really caught up with 768 00:32:29,180 --> 00:32:30,700 the internal side of the house, 769 00:32:30,740 --> 00:32:32,660 we had a tarp put over the top of it. 770 00:32:32,700 --> 00:32:35,140 Our overarching builders' responsibility, I suppose, 771 00:32:35,180 --> 00:32:36,700 and they did put the tarp over it 772 00:32:36,740 --> 00:32:38,260 but for some reason it was taken off. 773 00:32:38,300 --> 00:32:39,460 I'm not sure why. 774 00:32:39,500 --> 00:32:40,620 I spoke to Aidan... Yeah. 775 00:32:40,660 --> 00:32:43,380 ..the builder and he did tell me yesterday that in the morning, 776 00:32:43,420 --> 00:32:44,980 the guys took the tarp off... Yep. 777 00:32:45,020 --> 00:32:47,340 ..'cause they were gonna have to do some more flashings. Yes. 778 00:32:47,380 --> 00:32:49,340 And then, that storm did come through 779 00:32:49,380 --> 00:32:50,780 and they had to go elsewhere... 780 00:32:50,820 --> 00:32:52,700 There was other major problems everywhere... 781 00:32:52,740 --> 00:32:54,620 Yeah. Of course. ..and then were short-staffed... 782 00:32:54,660 --> 00:32:55,700 Yep. 783 00:32:55,740 --> 00:32:57,860 All this water come on and I believe they just... 784 00:32:57,900 --> 00:32:59,580 They missed... Forgot about it. 785 00:32:59,620 --> 00:33:00,820 Yeah. They missed their line... Yeah. 786 00:33:00,860 --> 00:33:04,820 ..unfortunately, so now we're left with a big pool in your ceiling. 787 00:33:04,860 --> 00:33:06,340 Yeah. It's not your fault. 788 00:33:06,380 --> 00:33:07,940 Yep. You don't have to fix it. 789 00:33:07,980 --> 00:33:08,980 It's all on us. Yeah. 790 00:33:09,020 --> 00:33:10,060 Let it dry out... Yeah. 791 00:33:10,100 --> 00:33:12,180 ..and any painting or if there is any mould... Yeah. 792 00:33:12,220 --> 00:33:13,740 ..it's all on the boys, Nine In Six. 793 00:33:13,780 --> 00:33:16,540 They'll fix it. Happy to hear it's not my problem. 794 00:33:16,580 --> 00:33:17,620 (LAUGHS) Yes. 795 00:33:17,660 --> 00:33:20,620 But still, yeah, it's just disappointing but (BLEEP) happens. 796 00:33:20,660 --> 00:33:24,260 But Sharon has more important things on her mind today, 797 00:33:24,300 --> 00:33:26,180 like the state of her budget. 798 00:33:26,220 --> 00:33:29,420 At the moment, like, the budget still doesn't look great 799 00:33:29,460 --> 00:33:32,420 but the way we've had to solve that towards the end of the game 800 00:33:32,460 --> 00:33:35,500 is by removing those ambitious ideas. 801 00:33:35,540 --> 00:33:37,900 We did think about potentially, like, 802 00:33:37,940 --> 00:33:40,380 what would happen if we sold the Everest 803 00:33:40,420 --> 00:33:42,060 and put the money towards the house 804 00:33:42,100 --> 00:33:44,260 'cause we are so passionate and invested in this house, 805 00:33:44,300 --> 00:33:45,860 but I'd never do that to Ford. 806 00:33:45,900 --> 00:33:49,780 And on that note, it's back to business with their kids' room build. 807 00:33:49,820 --> 00:33:52,260 We love the room that we created this week. 808 00:33:52,300 --> 00:33:55,980 We feel like it's a really calming, beautiful space for kids or a guest. 809 00:33:56,020 --> 00:33:59,140 Yeah. It's like a sweet... sort of cute vibes. 810 00:33:59,180 --> 00:34:03,220 Ankur and Sharon have selected a soft colour palette of blues and pinks 811 00:34:03,260 --> 00:34:06,500 which will offset their dark blue Kinsman wardrobe 812 00:34:06,540 --> 00:34:08,740 with walls of white Laminex panelling 813 00:34:08,780 --> 00:34:11,020 and blue and white wildflower wallpaper 814 00:34:11,060 --> 00:34:14,260 and flower wall sconces beside a double bed. 815 00:34:14,300 --> 00:34:17,060 Let me measure the height of that because I want to see... 816 00:34:17,100 --> 00:34:19,140 Just if you keep that there... 817 00:34:20,140 --> 00:34:21,700 Plenty of space. 818 00:34:21,740 --> 00:34:23,180 So you're happy with that height, then? 819 00:34:23,220 --> 00:34:24,220 Yeah. 820 00:34:24,260 --> 00:34:26,740 As long as it's equal on both sides, everything's gonna be cool. 821 00:34:26,780 --> 00:34:28,500 They're very pretty, aren't they? 822 00:34:28,540 --> 00:34:31,780 In House Five, Carpet Court has arrived to install carpet 823 00:34:31,820 --> 00:34:35,900 in Omar and Oz's second living/TV room. 824 00:34:35,940 --> 00:34:38,900 The boys have opted out for doing a kids' room this week, 825 00:34:38,940 --> 00:34:42,700 instead creating a calm second living room. 826 00:34:42,740 --> 00:34:45,260 But Steve has arrived to a rude shock. 827 00:34:45,300 --> 00:34:47,540 The floor we laid last week's almost destroyed. 828 00:34:47,580 --> 00:34:50,300 There's water everywhere over here. 829 00:34:50,340 --> 00:34:53,420 You know, the boys had to empty a bucket this morning 830 00:34:53,460 --> 00:34:54,820 because there's water all over the joint. 831 00:34:54,860 --> 00:34:56,020 That's all destroyed. 832 00:34:56,060 --> 00:34:57,620 You know, that's a disgrace. 833 00:34:57,660 --> 00:34:59,780 And they shouldn't have left what they left. 834 00:34:59,820 --> 00:35:01,940 They left paint tins... What else is in here, Nick? 835 00:35:05,700 --> 00:35:07,540 Well, Kinsman's laying on the ground here. 836 00:35:07,580 --> 00:35:08,700 And he's got cardboard down 837 00:35:08,740 --> 00:35:10,460 'cause he doesn't want to lie in the paint. 838 00:35:10,500 --> 00:35:13,140 Guys, we painted last night and we finished at 4:00am. 839 00:35:13,180 --> 00:35:14,220 Yeah. 840 00:35:14,260 --> 00:35:16,540 We thought we would wake up for pre-start. We did. 841 00:35:16,580 --> 00:35:18,500 But we just didn't have time. 842 00:35:18,540 --> 00:35:20,820 I told Omar to clean it. He didn't clean it. 843 00:35:22,620 --> 00:35:25,740 Dude, you've been an absolute legend. 844 00:35:25,780 --> 00:35:28,340 (LAUGHS) Honestly, thank you so much. 845 00:35:28,380 --> 00:35:29,980 It's alright. Sorry about the mess. 846 00:35:30,020 --> 00:35:33,180 We finished up so late last night. 847 00:35:33,220 --> 00:35:34,700 No, of course he's fed up. 848 00:35:34,740 --> 00:35:37,100 You can understand, this is the biggest The Block has ever been. 849 00:35:37,140 --> 00:35:38,140 Mmm. 850 00:35:38,180 --> 00:35:41,220 And, mate, just the time and coming to install stuff, 851 00:35:41,260 --> 00:35:44,100 you literally need to get out of the way for these guys to come in. 852 00:35:44,140 --> 00:35:46,220 And Steve literally has had so much patience. 853 00:35:46,260 --> 00:35:51,060 Love you. (LAUGHS) Alright. 854 00:35:51,100 --> 00:35:53,540 Don't get any mud on this today. 855 00:35:53,580 --> 00:35:55,060 Oh, man. The mud. 856 00:35:55,100 --> 00:35:56,780 The mud. The mud, the mud. 857 00:35:56,820 --> 00:35:57,820 The mud. 858 00:35:57,860 --> 00:35:59,580 The mud is the worst part of this job. 859 00:35:59,620 --> 00:36:04,940 # I've got a dirty, dirty feeling Dirty feelings going on... # 860 00:36:04,980 --> 00:36:06,060 The mud is just everywhere. 861 00:36:06,100 --> 00:36:07,900 It's been everywhere for two weeks and I just... 862 00:36:07,940 --> 00:36:10,260 The mud has me at breaking point. Not the block, the mud. 863 00:36:10,300 --> 00:36:13,180 # I've got a dirty, dirty feeling... # 864 00:36:15,580 --> 00:36:17,780 Jeez... # I almost hit the ceiling... # 865 00:36:19,180 --> 00:36:21,220 # When I woke up and you were gone... # 866 00:36:24,180 --> 00:36:26,260 Also battling the tough muddy conditions 867 00:36:26,300 --> 00:36:29,100 is House Four's landscaper Inge. 868 00:36:29,140 --> 00:36:32,700 This is absolutely by far the toughest conditions 869 00:36:32,740 --> 00:36:34,020 that I've had to work in. 870 00:36:34,060 --> 00:36:35,100 This is hell on earth. 871 00:36:35,140 --> 00:36:37,900 It is wet, cold, muddy. DYLAN: Yeah. 872 00:36:37,940 --> 00:36:42,340 We do really appreciate Inge hopping on board with us. Yeah. 873 00:36:42,380 --> 00:36:46,180 We are in an area that has its own microclimate from Mount Macedon, 874 00:36:46,220 --> 00:36:48,660 so we're getting rain every single day. 875 00:36:48,700 --> 00:36:50,460 There is so much mud. 876 00:36:50,500 --> 00:36:54,700 Like, behind me, the water doesn't just go down 100mm. 877 00:36:54,740 --> 00:36:56,380 It goes down half a metre. 878 00:36:56,420 --> 00:36:59,580 And there's rivers starting at the back of the property. 879 00:36:59,620 --> 00:37:01,300 I've never seen anything like it. 880 00:37:01,340 --> 00:37:06,020 As well as a pool and spa, House Four have planned a large vegie garden, 881 00:37:06,060 --> 00:37:09,060 a beehive area and an outside dining area 882 00:37:09,100 --> 00:37:12,220 to take in the amazing views of Mount Macedon. 883 00:37:12,260 --> 00:37:15,060 At this point in time, I've lost a few weeks 884 00:37:15,100 --> 00:37:17,260 because the weather has just been so bad. 885 00:37:17,300 --> 00:37:22,020 We've had delay after delay. We've had to rebook concrete trucks. 886 00:37:22,060 --> 00:37:24,980 I am facing the reality now that I will have to remove some elements 887 00:37:25,020 --> 00:37:26,340 and I also don't think 888 00:37:26,380 --> 00:37:28,060 my contestants have the budget for them anyway. 889 00:37:28,100 --> 00:37:32,620 But what Jenny can do is keep Inge warm and fuzzy. 890 00:37:32,660 --> 00:37:38,620 Hello. Inge, I've brought you tea. Oh, my gosh! I love you! 891 00:37:38,660 --> 00:37:40,620 Oh, there you go. Is it hot? 892 00:37:40,660 --> 00:37:43,260 Yeah, it's nice and hot. Oh, my god. Thank you so much. 893 00:37:43,300 --> 00:37:45,340 Oh, that's OK. Do you want some milk? 894 00:37:45,380 --> 00:37:47,500 I'd love some milk. Thank you. Alright. How much? 895 00:37:47,540 --> 00:37:49,620 Oh, my gosh. You take care of your trades. 896 00:37:49,660 --> 00:37:51,500 I do, darl. It is so cold. 897 00:37:51,540 --> 00:37:53,540 Oooh. Was that enough? Yep, that's it. Good. 898 00:37:53,580 --> 00:37:55,980 Oh, we love our landscape team so much 899 00:37:56,020 --> 00:37:58,940 and it's so incredible just to see everything come together 900 00:37:58,980 --> 00:38:01,780 and I can't wait to see the end result, hey? 901 00:38:01,820 --> 00:38:04,220 She does. She takes control, Inge, and she gets (BLEEP)... 902 00:38:04,260 --> 00:38:05,340 She does. ..done. 903 00:38:05,380 --> 00:38:09,380 On the other side of the mud, in House Five, Christian Jenkins, 904 00:38:09,420 --> 00:38:12,100 winning landscaper for Mitch and Mark last year, 905 00:38:12,140 --> 00:38:15,700 is digging out a footing for Oz and Omar's retaining wall. 906 00:38:15,740 --> 00:38:18,820 But Dan has spotted something odd with the trench. 907 00:38:18,860 --> 00:38:20,620 Jenko? Yeah? 908 00:38:21,660 --> 00:38:23,860 Concrete. Blinding. 909 00:38:23,900 --> 00:38:28,460 Blinding. A base layer of concrete laid above hard surfaces. 910 00:38:28,500 --> 00:38:30,620 Blinding? Blinding. 911 00:38:30,660 --> 00:38:34,820 Into? How deep? The stiff clay and rock. 912 00:38:34,860 --> 00:38:36,180 Who's inspected it? 913 00:38:36,220 --> 00:38:37,860 (CRICKETS CHIRP) 914 00:38:37,900 --> 00:38:41,420 I've just caught Christian Jenkins pouring a footing. 915 00:38:41,460 --> 00:38:45,020 No-one's really inspected it, so this is a hard one 916 00:38:45,060 --> 00:38:47,420 because we are on the biggest block we've ever done. 917 00:38:47,460 --> 00:38:48,700 This site's so massive. 918 00:38:48,740 --> 00:38:50,860 There's so much going on, 919 00:38:50,900 --> 00:38:53,180 so the only thing we can rely on is process 920 00:38:53,220 --> 00:38:55,380 and making sure everyone follows that process. 921 00:38:55,420 --> 00:38:57,260 What Christian is aiming to build 922 00:38:57,300 --> 00:38:59,620 is a series of grey-stone retaining walls 923 00:38:59,660 --> 00:39:01,340 to create a step-down garden 924 00:39:01,380 --> 00:39:03,500 at the front of the boys' original house. 925 00:39:03,540 --> 00:39:08,140 The perennial garden will feature a generous lawn, lavender, camellias 926 00:39:08,180 --> 00:39:11,500 and crepe myrtle trees, which will surround the old house. 927 00:39:11,540 --> 00:39:15,500 Oh, come on, Dan. Look. Not even flat or clean. 928 00:39:15,540 --> 00:39:17,380 It's blinding. 929 00:39:17,420 --> 00:39:20,060 The footing only needs to be 300 deep. 930 00:39:20,100 --> 00:39:22,100 Mate, you know the rules. What rules? 931 00:39:22,140 --> 00:39:25,540 You come to Keith or I for these things before you pour. 932 00:39:25,580 --> 00:39:27,140 He hasn't done that here. 933 00:39:27,180 --> 00:39:30,260 He's just gone ahead, dug a footing, no-one's checked it 934 00:39:30,300 --> 00:39:31,700 and he's started pouring it. 935 00:39:31,740 --> 00:39:33,980 Is it to the depth? Is it to the width? 936 00:39:34,020 --> 00:39:37,060 Has it been cleaned out? Is it to the founding depth? 937 00:39:37,100 --> 00:39:38,180 I don't know. 938 00:39:38,220 --> 00:39:41,020 We've gotta warrant these things for ten years. 939 00:39:41,060 --> 00:39:43,260 Hopefully it's gonna pass. 940 00:39:43,300 --> 00:39:46,100 Dan is worried Christian hasn't dug down far enough 941 00:39:46,140 --> 00:39:49,020 to solid rock and clay before pouring the concrete. 942 00:39:49,060 --> 00:39:52,580 But now Simmo, from the Nine In Six building team, 943 00:39:52,620 --> 00:39:57,300 wants them to dig down 2m to the bedrock before laying the concrete. 944 00:39:57,340 --> 00:40:00,860 OZ: So you're telling me the rock is at 2m, you've gotta dig for 2m? 945 00:40:00,900 --> 00:40:02,340 Yeah, well, that's right. That's the question. 946 00:40:02,380 --> 00:40:04,380 CHRISTIAN: And we have been digging it 2m everywhere. 947 00:40:04,420 --> 00:40:06,540 Yeah, I know, but for the structure of the house... 948 00:40:06,580 --> 00:40:09,180 Mate, even for retaining walls, we're (BLEEP). 949 00:40:09,220 --> 00:40:12,220 OMAR: Simmo, but how we gonna do that in the time we have? 950 00:40:12,260 --> 00:40:14,540 It's gonna take forever. 951 00:40:14,580 --> 00:40:17,220 Honestly, it's just a 400mm wall, mate. 952 00:40:17,260 --> 00:40:19,260 Hey, goodwill. These digs are always... 953 00:40:19,300 --> 00:40:20,300 It's just the edges, mate. 954 00:40:20,340 --> 00:40:21,940 Honestly, the edges, we'll dig that out and... 955 00:40:21,980 --> 00:40:24,220 DAN: No. We don't inspect off goodwill. 956 00:40:24,260 --> 00:40:25,700 No. That's not how we work. 957 00:40:25,740 --> 00:40:27,300 I won't put the retaining wall in. 958 00:40:27,340 --> 00:40:32,300 We'll just bail it and come up with a different concept 959 00:40:32,340 --> 00:40:34,820 because there's no point digging to 2m to find rock. 960 00:40:34,860 --> 00:40:36,780 Simmo, tell us what we can do to fix it. 961 00:40:36,820 --> 00:40:38,180 You're not gonna be far from rock. 962 00:40:38,220 --> 00:40:40,540 I can get the excavator and have a go now. 963 00:40:40,580 --> 00:40:43,100 Yeah. And then just keep digging. 964 00:40:43,140 --> 00:40:44,740 (ENGINE HUMS) 965 00:40:50,300 --> 00:40:52,140 Yeah, we can hear it there. We can hear it. 966 00:40:54,460 --> 00:40:56,780 That's alright. As long as it's hitting the rock. 967 00:40:56,820 --> 00:40:59,020 It hits rock and then just give it a good... 968 00:40:59,060 --> 00:41:01,700 I couldn't believe that hitting rock could be music to my ears. 969 00:41:01,740 --> 00:41:02,980 I know. 970 00:41:03,020 --> 00:41:05,220 It was like... # Ding-a-ling-a-ling-ling... # 971 00:41:05,260 --> 00:41:08,340 (MEN LAUGH) 972 00:41:08,380 --> 00:41:13,300 Why didn't you do it the first time? Oh, man, seriously... 973 00:41:13,340 --> 00:41:14,700 Have a look. 974 00:41:14,740 --> 00:41:16,780 (MEN LAUGH) 975 00:41:16,820 --> 00:41:18,100 That'd be, like, 1.5. 976 00:41:18,140 --> 00:41:20,020 It's perfect. Retaining wall, though. 977 00:41:20,060 --> 00:41:21,660 Retaining wall. 400. 978 00:41:21,700 --> 00:41:23,940 Well, it's still a retaining wall. Yeah, yeah. 979 00:41:23,980 --> 00:41:26,060 We don't want it going up and down in the seasons. 980 00:41:26,100 --> 00:41:28,260 No. Cracks and... Yeah, yeah. No, that's right. 981 00:41:28,300 --> 00:41:29,340 Yeah. It's perfect now. 982 00:41:29,380 --> 00:41:30,500 Yeah. 983 00:41:31,820 --> 00:41:34,180 We're gonna call it the Great Wall of Gisborne. 984 00:41:34,220 --> 00:41:37,220 (MEN LAUGH) 985 00:41:38,820 --> 00:41:41,500 (BIRDSONG) (DOG BARKS) 986 00:41:48,860 --> 00:41:50,820 Welcome back to The Block. 987 00:41:50,860 --> 00:41:52,260 It's Friday afternoon 988 00:41:52,300 --> 00:41:55,180 and I'm on my way to site for this week's walk-arounds. 989 00:41:55,220 --> 00:41:57,700 # Bring me a dream # Bom-bom-bom-bom 990 00:41:57,740 --> 00:42:01,420 # Make him the cutest that I've ever seen 991 00:42:01,460 --> 00:42:03,940 # Bom-bom-bom-bom # Give him two lips... # 992 00:42:03,980 --> 00:42:06,340 (TYRES SCREECH) 993 00:42:06,380 --> 00:42:09,060 Hang on a minute. (KNOCKING) 994 00:42:09,100 --> 00:42:11,780 Hello. Hi. How you going? 995 00:42:11,820 --> 00:42:14,980 Hello. My name's Scott. Nice to meet you. 996 00:42:15,020 --> 00:42:16,300 What's your name? Vanessa. 997 00:42:16,340 --> 00:42:17,340 Vanessa. 998 00:42:17,380 --> 00:42:20,980 I don't want to seem presumptuous but I was driving past 999 00:42:21,020 --> 00:42:24,300 and there were some round hay bales that looked a lot like me. 1000 00:42:24,340 --> 00:42:26,340 Because it is you. Is it really? 1001 00:42:26,380 --> 00:42:29,900 Yeah. I just wanted to come in and meet you and say thank you very much. 1002 00:42:29,940 --> 00:42:31,740 It's not often that you're driving past... 1003 00:42:31,780 --> 00:42:35,780 And it's quite a good look of me. Like, it looks like me. 1004 00:42:35,820 --> 00:42:38,580 Well, we actually pinched it off the Block website... 1005 00:42:38,620 --> 00:42:41,580 Did you? ..of you standing exactly like that. 1006 00:42:41,620 --> 00:42:43,420 With my arms folded? Yes. 1007 00:42:43,460 --> 00:42:45,980 And a friend of ours, who is an artist... 1008 00:42:46,020 --> 00:42:47,220 Really? 1009 00:42:47,260 --> 00:42:49,820 ..turned it into a caricature for us. 1010 00:42:49,860 --> 00:42:52,300 Oh, my goodness me. Can we have a photo out the front, please? 1011 00:42:52,340 --> 00:42:53,380 Absolutely. 1012 00:42:53,420 --> 00:42:55,700 And perfect timing 'cause I just made hot sausage rolls. 1013 00:42:55,740 --> 00:42:56,740 Oh... 1014 00:42:56,780 --> 00:42:59,780 I've also got Dean here, who's the artist. Oh! 1015 00:42:59,820 --> 00:43:01,860 He's popped over as well for sausage rolls. 1016 00:43:01,900 --> 00:43:03,940 (BARKS) 1017 00:43:03,980 --> 00:43:07,940 What a privilege this is. It's absolutely outstanding. 1018 00:43:07,980 --> 00:43:09,860 I wish I had my blue shirt on. 1019 00:43:09,900 --> 00:43:11,580 Just here. I'll just stand here like this. 1020 00:43:11,620 --> 00:43:14,180 Just like that. It's a one-to-one likeness. 1021 00:43:14,220 --> 00:43:16,860 And who have we got here? Hello, mate. 1022 00:43:16,900 --> 00:43:18,620 This is Alistair. Alistair. 1023 00:43:18,660 --> 00:43:21,340 How are you, buddy? Would you like a biscuit? 1024 00:43:21,380 --> 00:43:23,500 Oh, I'd love a biscuit, thanks, buddy. 1025 00:43:23,540 --> 00:43:25,780 This is the best morning of my life! (LAUGHS) 1026 00:43:25,820 --> 00:43:29,540 I've got a hay bale statue of myself, hot bickies and hot sausage rolls. 1027 00:43:29,580 --> 00:43:32,380 # Bring me a dream # Bom-bom-bom-bom-bom-bom-bom... # 1028 00:43:35,180 --> 00:43:38,340 # Come and roll with me We'll rock them body moves... # 1029 00:43:38,380 --> 00:43:40,220 It's all happening back at the block 1030 00:43:40,260 --> 00:43:43,900 as contestants power through getting their guest bedrooms ready 1031 00:43:43,940 --> 00:43:45,460 for Sunday's reveals. 1032 00:43:45,500 --> 00:43:47,180 And in House One, 1033 00:43:47,220 --> 00:43:50,620 Kinsman have arrived to fit out Tom and Sarah-Jane's wardrobe. 1034 00:43:51,780 --> 00:43:54,660 Today, we have got some painting touch-ups to do, 1035 00:43:54,700 --> 00:43:59,420 Carpet Court to lay carpet, Carpet Court to do the blinds. 1036 00:43:59,460 --> 00:44:02,180 We've got Grafico wallpaper to go... On the roof. 1037 00:44:02,220 --> 00:44:04,780 ..up on the ceiling and electrical fit-off. Yes. 1038 00:44:04,820 --> 00:44:06,420 House One are doing a nursery 1039 00:44:06,460 --> 00:44:08,540 and because it's in the old part of their house, 1040 00:44:08,580 --> 00:44:10,860 they've decided to add heritage touches, 1041 00:44:10,900 --> 00:44:13,900 including a spearmint-green wainscoting. 1042 00:44:13,940 --> 00:44:16,940 The hero of the room will be a bold wallpaper on the ceiling 1043 00:44:16,980 --> 00:44:18,260 from Grafico. 1044 00:44:18,300 --> 00:44:20,340 It's a nursery. And what do babies do? 1045 00:44:20,380 --> 00:44:24,380 They lay on their back 24-sevs, staring like this. 1046 00:44:24,420 --> 00:44:26,300 So now they get to stare at beautiful magnolia flowers 1047 00:44:26,340 --> 00:44:28,140 and that's why I put it on the roof. 1048 00:44:28,180 --> 00:44:30,700 And Tom and Sarah-Jane aren't the only ones 1049 00:44:30,740 --> 00:44:33,460 going for bold wallpaper this week. 1050 00:44:33,500 --> 00:44:35,100 Over at House Four, 1051 00:44:35,140 --> 00:44:38,740 Jenny's showcasing her Grafico to her real estate team. 1052 00:44:38,780 --> 00:44:40,620 Check out that wallpaper. Oh, yeah! 1053 00:44:40,660 --> 00:44:42,500 So this is the kids' room. 1054 00:44:42,540 --> 00:44:44,260 # Do you believe in magic? # 1055 00:44:44,300 --> 00:44:45,620 House Four's kids' room 1056 00:44:45,660 --> 00:44:50,140 will feature an amazing forest-scene wallpaper designed by Jenny, 1057 00:44:50,180 --> 00:44:51,820 along with white wainscoting, 1058 00:44:51,860 --> 00:44:54,060 a combination double and single bed, 1059 00:44:54,100 --> 00:44:56,860 plus a magnificent suspended swing chair 1060 00:44:56,900 --> 00:44:58,940 which has just arrived from the Block Shop. 1061 00:45:00,060 --> 00:45:01,860 It's getting dirty. (LAUGHS) 1062 00:45:01,900 --> 00:45:05,420 There we go. Throw it on top of that... 1063 00:45:05,460 --> 00:45:06,860 Oh, on that? Yep. 1064 00:45:06,900 --> 00:45:09,100 Look how it'll sit... How cute is that! 1065 00:45:09,140 --> 00:45:10,980 So now we just have to play around 1066 00:45:11,020 --> 00:45:12,260 with where we're gonna put everything. 1067 00:45:14,580 --> 00:45:18,340 Kids' room this week. This is, like, you know, what... 1068 00:45:18,380 --> 00:45:22,500 If I could make any kind of room for my three kids, this is it. 1069 00:45:22,540 --> 00:45:24,620 House Two's room will be a kids' paradise, 1070 00:45:24,660 --> 00:45:26,380 with plenty of toys and games, 1071 00:45:26,420 --> 00:45:31,300 plus Rachel's own designed Grafico wallpaper of trees and stars 1072 00:45:31,340 --> 00:45:34,620 and a moon-ball light to add to the cosmos feel. 1073 00:45:34,660 --> 00:45:37,620 The finishing touches will be a hand-painted artwork 1074 00:45:37,660 --> 00:45:39,740 from Ryan and Rachel's three children, 1075 00:45:39,780 --> 00:45:42,820 as well as a special artwork from a Sydney artist. 1076 00:45:42,860 --> 00:45:44,420 Hey, hey. Hello! 1077 00:45:44,460 --> 00:45:45,780 How are you? How are you? 1078 00:45:45,820 --> 00:45:48,100 Yeah, we're good. Oh, my gosh! I'm so excited! 1079 00:45:48,140 --> 00:45:50,460 Nathan is an artist under the name Blacklist, 1080 00:45:50,500 --> 00:45:55,140 who is from the Shire, in Sydney, where Ryan and I are from. 1081 00:45:55,180 --> 00:45:57,260 So, thank you very much for doing this. 1082 00:45:57,300 --> 00:45:58,900 It's a pleasure. Custom artwork. I know. 1083 00:45:58,940 --> 00:46:01,340 I obviously have your piece in my house at home. 1084 00:46:01,380 --> 00:46:02,860 Yeah. It's a good connection. Shire. 1085 00:46:02,900 --> 00:46:04,900 We gotta stick together. The Shire's gotta stick together. 1086 00:46:04,940 --> 00:46:07,340 When I saw this, I knew straight away we needed it. 1087 00:46:07,380 --> 00:46:09,380 Yeah. It's gonna work well, I think. Yeah. Yeah. 1088 00:46:09,420 --> 00:46:10,740 It's a perfect fit. Yeah. 1089 00:46:10,780 --> 00:46:12,140 "Look at you, you're beautiful." 1090 00:46:12,180 --> 00:46:14,700 We say that to our kids all the time. 1091 00:46:14,740 --> 00:46:16,460 OK, I'm gonna get emotional. I miss my kids. 1092 00:46:16,500 --> 00:46:18,900 (LAUGHS) The reveal. # Dun-dun-dun! # 1093 00:46:18,940 --> 00:46:20,940 Oh, my god! "Look at you! You're beautiful!" 1094 00:46:20,980 --> 00:46:22,340 Oh, I love that. Here we go. 1095 00:46:22,380 --> 00:46:23,860 Yay! Here we go. 1096 00:46:23,900 --> 00:46:25,620 It's gonna be a good fit for you guys. 1097 00:46:25,660 --> 00:46:28,100 It's amazing. It's a perfect fit. 1098 00:46:28,140 --> 00:46:31,980 Just to see that art that's going into a room that we have built 1099 00:46:32,020 --> 00:46:33,380 based on what our kids love 1100 00:46:33,420 --> 00:46:35,100 made me emotional. 1101 00:46:35,140 --> 00:46:38,020 I'm trying really hard to not cry over the last few weeks. 1102 00:46:38,060 --> 00:46:41,340 Yep, The Block is an emotional rollercoaster, 1103 00:46:41,380 --> 00:46:44,140 up one day, down the next. 1104 00:46:44,180 --> 00:46:45,500 House Three is on a high today, 1105 00:46:45,540 --> 00:46:48,020 celebrating their massive personal win 1106 00:46:48,060 --> 00:46:50,620 of the fully kitted out Ford Everest. 1107 00:46:50,660 --> 00:46:52,940 We won the challenge. Yep. That's definitely the peak. 1108 00:46:52,980 --> 00:46:55,900 And winning, like, an $80,000 car is quite insane. 1109 00:46:55,940 --> 00:46:58,580 Unfortunately, what's really insane 1110 00:46:58,620 --> 00:47:00,900 is the state of Ankur and Sharon's budget. 1111 00:47:00,940 --> 00:47:02,340 Oh, hello, Jo. 1112 00:47:02,380 --> 00:47:06,100 Block accountant Jo has discovered they are massively in debt. 1113 00:47:06,140 --> 00:47:07,740 So we've got the Xero app up... Yes. 1114 00:47:07,780 --> 00:47:09,780 That worries me. Yes, we do. 1115 00:47:09,820 --> 00:47:14,140 So, Ankur and Sharon. House Three. 1116 00:47:14,180 --> 00:47:16,340 I'm really concerned about where their budget is going. 1117 00:47:16,380 --> 00:47:17,380 Really? 1118 00:47:17,420 --> 00:47:19,540 At the moment, they are thousands in debt. 1119 00:47:19,580 --> 00:47:21,700 That's not their debt, is it? No. 1120 00:47:21,740 --> 00:47:23,500 That's what they're over now? Yeah. 1121 00:47:24,700 --> 00:47:30,180 Ankur and Sharon are over budget to the tune of $53,000. 1122 00:47:32,300 --> 00:47:33,700 How did that happen? 1123 00:47:33,740 --> 00:47:36,140 I think that... That's outrageous. 1124 00:47:36,180 --> 00:47:39,060 ..their outgoing costs have just not been... 1125 00:47:39,100 --> 00:47:41,660 There's been no regard for the actual budget. 1126 00:47:41,700 --> 00:47:43,940 So you reckon they haven't even looked at the budget? 1127 00:47:43,980 --> 00:47:45,220 They've just been spending willy-nilly? 1128 00:47:45,260 --> 00:47:48,860 I find it hard to believe that they are spending... 1129 00:47:48,900 --> 00:47:51,180 That much over? Yep. 1130 00:47:51,220 --> 00:47:53,780 That's so unfair for everyone else, because you spend that much more, 1131 00:47:53,820 --> 00:47:55,780 then you've got a massive advantage, haven't you? 1132 00:47:55,820 --> 00:47:57,420 Oh, gosh, yeah. We've gotta pull that in. 1133 00:47:57,460 --> 00:47:58,460 Yeah, definitely. 1134 00:47:58,500 --> 00:48:02,500 I don't even know if we're gonna pull that back with what budget's left. 1135 00:48:02,540 --> 00:48:04,980 It's going to be tight to pull it back, Scotty. Honestly. 1136 00:48:05,020 --> 00:48:07,540 We'll have to sell a few things. Maybe they could sell that wine. 1137 00:48:07,580 --> 00:48:09,580 I'm concerned how they're gonna finish the build. 1138 00:48:09,620 --> 00:48:12,500 Well, I am going to see them very shortly. 1139 00:48:12,540 --> 00:48:14,980 I'll have to shut them down. 1140 00:48:16,060 --> 00:48:17,980 Can we cancel their credit cards right now? 1141 00:48:18,020 --> 00:48:19,740 I can do that. It's not gonna be pretty. 1142 00:48:19,780 --> 00:48:21,220 Good luck. Thank you. 1143 00:48:22,220 --> 00:48:24,660 (THUNDER CRACKS) (DOG WHINES) 1144 00:48:26,700 --> 00:48:26,820 (BIRDS CAW) 1145 00:48:32,220 --> 00:48:35,980 (TENSE MUSIC) 1146 00:48:36,020 --> 00:48:37,700 SCOTT: It's Friday afternoon 1147 00:48:37,740 --> 00:48:40,980 and Shell and I are on our way to check out this week's rooms. 1148 00:48:41,020 --> 00:48:42,020 Hey, Jonno. 1149 00:48:42,900 --> 00:48:44,500 But I was informed earlier 1150 00:48:44,540 --> 00:48:48,820 that Ankur and Sharon have spent $53,000 over budget. 1151 00:48:48,860 --> 00:48:51,740 Their spending... Plastering bills are ridiculous. 1152 00:48:51,780 --> 00:48:55,940 Their plasterer was 24,000 and Tom and Sarah-Jane's was 13. 1153 00:48:55,980 --> 00:48:57,100 Yeah. 1154 00:48:57,140 --> 00:48:59,020 So I'm on the way to House Three 1155 00:48:59,060 --> 00:49:02,460 to do something I haven't done for many years. 1156 00:49:02,500 --> 00:49:05,220 Are you right there? Yep. Absolutely. Thank you. 1157 00:49:12,900 --> 00:49:15,260 Hello. Hello. Hello. 1158 00:49:15,300 --> 00:49:17,020 Hi. G'day. 1159 00:49:17,060 --> 00:49:18,580 WOMEN: Hi. 1160 00:49:18,620 --> 00:49:20,460 How are you? Good. How are you? 1161 00:49:20,500 --> 00:49:22,020 Good, thank you. I come bearing gifts. 1162 00:49:22,060 --> 00:49:24,500 Oh, thank you so much. Everything's wearing out. 1163 00:49:24,540 --> 00:49:27,220 Everyone's wearing thin. But you get some new boots. 1164 00:49:27,260 --> 00:49:30,220 Thank you so much. We've gone to our gumboots now. 1165 00:49:30,260 --> 00:49:33,060 Hey, what a ride yesterday was. I know. 1166 00:49:33,100 --> 00:49:34,260 Oh, god. I know. 1167 00:49:34,300 --> 00:49:36,340 We're still in shock, to be honest. Yeah. 1168 00:49:36,380 --> 00:49:37,460 It's, like, so... Unbelievable. 1169 00:49:37,500 --> 00:49:39,220 We've never won anything before, 1170 00:49:39,260 --> 00:49:40,980 so we still don't know how to process it. 1171 00:49:41,020 --> 00:49:42,740 But so grateful. It's a big win. 80 grand. 1172 00:49:42,780 --> 00:49:44,620 Oh, mate. I couldn't believe that was the prize. 1173 00:49:44,660 --> 00:49:45,980 Yeah. That was amazing. 1174 00:49:46,020 --> 00:49:47,940 Alright. How are we going in here for a win? 1175 00:49:47,980 --> 00:49:48,980 What do you think? 1176 00:49:49,020 --> 00:49:50,580 Well, this is our kids' bedroom 1177 00:49:50,620 --> 00:49:53,340 but we don't want to, like, lock it in exactly a kids' bedroom, 1178 00:49:53,380 --> 00:49:55,220 so it's a second guest room space. 1179 00:49:55,260 --> 00:49:58,380 Shelley and Scotty came in and we talked about our room. 1180 00:49:58,420 --> 00:49:59,540 It's really weird - 1181 00:49:59,580 --> 00:50:02,820 before walk-arounds, Anks tends to have feelings. 1182 00:50:02,860 --> 00:50:05,580 And this one, he was, like, "Oh, this feels a bit weird." 1183 00:50:05,620 --> 00:50:06,900 But I just went with it. 1184 00:50:06,940 --> 00:50:08,300 ANKUR: I just had a vibe. 1185 00:50:08,340 --> 00:50:10,260 The biggest thing that we had this week 1186 00:50:10,300 --> 00:50:13,580 was the colour of the wallpaper, so initially we went with this... 1187 00:50:13,620 --> 00:50:14,940 Yep. And then... 1188 00:50:14,980 --> 00:50:16,420 And then I freaked out and... Oh! 1189 00:50:16,460 --> 00:50:17,540 ..we changed it. To what? 1190 00:50:17,580 --> 00:50:19,460 To a lighter, brighter one. 1191 00:50:19,500 --> 00:50:21,420 Time-wise, you're looking alright this week. 1192 00:50:21,460 --> 00:50:22,820 Yeah. Well, the plastering's done. Yeah. 1193 00:50:22,860 --> 00:50:24,620 Plastering done. Yeah, plastering... So that'll be... 1194 00:50:24,660 --> 00:50:25,900 There's a lot of wallpaper. 1195 00:50:25,940 --> 00:50:29,180 And then obviously ceiling to paint and then this... 1196 00:50:29,220 --> 00:50:31,660 Laminex. Is that Grafico coming in? 1197 00:50:31,700 --> 00:50:33,540 Yeah. Is that Block Bucks? 1198 00:50:33,580 --> 00:50:34,820 Yeah. Block Bucks. 1199 00:50:34,860 --> 00:50:37,620 Yep. All in Block Bucks. All in Block Bucks? Yeah. 1200 00:50:37,660 --> 00:50:39,100 Obviously Kinsman are doing the wardrobes... 1201 00:50:39,140 --> 00:50:40,140 Yeah. So it's Block Bucks... 1202 00:50:40,180 --> 00:50:42,020 Furniture, everything. Block Bucks. Furniture, everything. 1203 00:50:42,060 --> 00:50:43,500 Not installation, though, Shell. 1204 00:50:43,540 --> 00:50:44,980 Yeah, installation isn't Block Bucks. 1205 00:50:45,020 --> 00:50:46,940 You've gotta pay for that. So, yeah. It's a lot. 1206 00:50:46,980 --> 00:50:50,420 (TENSE MUSIC) 1207 00:50:50,460 --> 00:50:54,460 Yeah. The Block's a rollercoaster, isn't it? 1208 00:50:54,500 --> 00:50:55,780 Yeah. It's crazy. 1209 00:50:55,820 --> 00:50:56,900 Yes. 1210 00:50:56,940 --> 00:50:59,220 And then I noticed that there was a, like, shift in energy. 1211 00:50:59,260 --> 00:51:01,580 And I was, like, "We're gonna get pantsed." 1212 00:51:01,620 --> 00:51:04,780 I know you're down one minute, you're up winning a car the next. 1213 00:51:04,820 --> 00:51:06,340 Yeah. Yeah. 1214 00:51:06,380 --> 00:51:07,620 (CLEARS THROAT) 1215 00:51:07,660 --> 00:51:09,540 Then I said, 1216 00:51:09,580 --> 00:51:12,860 "Well, that 80 grand would've been great towards the budget" 1217 00:51:12,900 --> 00:51:14,740 and he's, like, "Well, now you bring up the budget..." 1218 00:51:14,780 --> 00:51:17,420 Well, it's interesting that you mention that... 1219 00:51:17,460 --> 00:51:18,460 Yes. 1220 00:51:18,500 --> 00:51:20,500 ..because, as I said, The Block's a rollercoaster. 1221 00:51:20,540 --> 00:51:22,180 We did ask for an audit. Yes. 1222 00:51:22,220 --> 00:51:24,580 We were asked to do an audit... Yes. ..which we did. Yeah. 1223 00:51:24,620 --> 00:51:27,900 And that was basically to find out if anybody was really cheating... 1224 00:51:27,940 --> 00:51:28,980 Yeah. Yes. 1225 00:51:29,020 --> 00:51:30,740 ..really, which we found it was a fair game... 1226 00:51:30,780 --> 00:51:31,820 Yeah. ..which was good. 1227 00:51:31,860 --> 00:51:33,020 But what we did find... Yeah. 1228 00:51:33,060 --> 00:51:35,980 ..'cause we asked for everybody's invoices to come in... Yes. Yep. 1229 00:51:36,020 --> 00:51:39,020 ..and all the receipts and everything and unpaid stuff... 1230 00:51:39,060 --> 00:51:40,780 Mm-hm. ..and you... 1231 00:51:40,820 --> 00:51:41,820 Mm-hm. 1232 00:51:41,860 --> 00:51:45,060 ..have got, like, an encyclopaedia of unpaid bills. 1233 00:51:45,100 --> 00:51:46,100 Mm-hm. 1234 00:51:46,140 --> 00:51:47,820 The language that was used, 1235 00:51:47,860 --> 00:51:50,420 it was, like, straight on, like, pretty aggressive 1236 00:51:50,460 --> 00:51:51,540 with that fact, 1237 00:51:51,580 --> 00:51:55,300 saying that "You guys are just spending without thinking." 1238 00:51:56,580 --> 00:51:58,340 You're spending money as if you think 1239 00:51:58,380 --> 00:52:00,500 Channel Nine's gonna give you some more money. 1240 00:52:00,540 --> 00:52:02,500 It's just on our trades, Scotty, basically. 1241 00:52:02,540 --> 00:52:04,340 (CLEARS THROAT) Mate, you guys... You're an accountant. 1242 00:52:04,380 --> 00:52:05,420 Yeah, I know. 1243 00:52:05,460 --> 00:52:08,380 You guys are tens of thousands of dollars over... 1244 00:52:08,420 --> 00:52:09,780 In the red. I know. Yeah. 1245 00:52:09,820 --> 00:52:10,820 Yeah. 1246 00:52:10,860 --> 00:52:13,900 What do you mean you know? Well, how come you keep spending? Well... 1247 00:52:13,940 --> 00:52:16,460 I don't understand where you think you're gonna pay for it. We're not... 1248 00:52:16,500 --> 00:52:17,740 We've got three weeks to go. 1249 00:52:17,780 --> 00:52:20,380 Yeah, we haven't been spending on anything other than trades, so... 1250 00:52:20,420 --> 00:52:23,860 You've been... Well, your plastering bill was $24,000. 1251 00:52:23,900 --> 00:52:25,500 House One's was 13 for the same space. 1252 00:52:25,540 --> 00:52:27,980 It's not the same space. Ours is smaller... 1253 00:52:28,020 --> 00:52:30,420 Sharon, just listen to what I'm saying. 1254 00:52:30,460 --> 00:52:32,500 Yeah. OK. 1255 00:52:32,540 --> 00:52:35,740 I haven't done this since the Oslo. I'm cutting you guys off. 1256 00:52:35,780 --> 00:52:36,820 OK. You're gone. 1257 00:52:36,860 --> 00:52:39,860 (DRAMATIC MUSIC) 1258 00:52:45,700 --> 00:52:47,180 SCOTTY: I've already cancelled your cards. 1259 00:52:47,220 --> 00:52:50,700 You don't make any decisions with trades, purchases or anything 1260 00:52:50,740 --> 00:52:51,900 unless it goes through me. 1261 00:52:51,940 --> 00:52:52,940 VOICEOVER: Never... 1262 00:52:52,980 --> 00:52:54,180 I'm cutting you guys off. 1263 00:52:54,220 --> 00:52:55,380 You're gone. 1264 00:52:55,420 --> 00:52:56,700 ..has it come... 1265 00:52:56,740 --> 00:52:57,820 You've got no more money. 1266 00:52:57,860 --> 00:52:59,220 ..to this. 1267 00:52:59,700 --> 00:53:01,100 What's the point? 1268 00:53:01,140 --> 00:53:03,500 On a blockbuster Sunday. 1269 00:53:03,540 --> 00:53:04,620 I've just shut them down. 1270 00:53:05,300 --> 00:53:06,580 The fallout... 1271 00:53:06,620 --> 00:53:07,860 They're not gonna finish. 1272 00:53:07,900 --> 00:53:09,260 ..shockwave. 1273 00:53:09,300 --> 00:53:12,380 I heard they were $80k in the rent. 1274 00:53:12,420 --> 00:53:14,180 It wasn't that. Owed $100,000. 1275 00:53:14,220 --> 00:53:15,340 It might be more. 1276 00:53:15,380 --> 00:53:16,420 We can just leave. 1277 00:53:17,980 --> 00:53:19,140 There's no empathy, no sympathy. 1278 00:53:20,420 --> 00:53:22,820 I think we'll just leave. We've embarrassed ourselves. 1279 00:53:22,860 --> 00:53:24,140 We've embarrassed the show. 1280 00:53:24,180 --> 00:53:25,900 Block walkout? 1281 00:53:25,940 --> 00:53:27,180 (SCREECHES) 1282 00:53:28,260 --> 00:53:30,300 It's time. 1283 00:53:30,340 --> 00:53:31,380 The reveals. 1284 00:53:31,420 --> 00:53:32,660 Tools down. 1285 00:53:32,700 --> 00:53:33,700 Ahhh. 1286 00:53:33,740 --> 00:53:34,740 You will have to see.. 1287 00:53:34,780 --> 00:53:35,780 I'm feeling the love. 1288 00:53:35,820 --> 00:53:38,260 I reckon there'd be a lot of emotion in this room. 1289 00:53:38,300 --> 00:53:39,580 ..to believe... 1290 00:53:39,620 --> 00:53:41,020 Oh, I'm in love. 1291 00:53:41,580 --> 00:53:43,780 Sunday, 7 o'Block on Nine.