1 00:00:05,520 --> 00:00:08,040 This country, being the cradle of 2 00:00:08,080 --> 00:00:10,240 the Industrial Revolution that it was, 3 00:00:10,280 --> 00:00:15,680 is now littered with old industrial hulks, 4 00:00:15,720 --> 00:00:17,720 buildings that don't serve a purpose any more, 5 00:00:17,760 --> 00:00:19,520 but which are beautiful in the landscape. 6 00:00:19,560 --> 00:00:21,640 We admire them, we love them, and we visit them. 7 00:00:21,680 --> 00:00:23,440 The question is, what do we do with them? 8 00:00:23,480 --> 00:00:25,160 How do we look after them? 9 00:00:25,200 --> 00:00:28,640 Do we preserve, conserve, restore? 10 00:00:28,680 --> 00:00:32,520 Or do we just let them fall into the ground again? 11 00:00:32,560 --> 00:00:35,400 I mean, buildings like this old Cornish tin mine. 12 00:00:35,440 --> 00:00:38,040 What could they be? Five years ago, 13 00:00:38,080 --> 00:00:42,440 I met a couple who wanted to preserve their building, 14 00:00:42,480 --> 00:00:46,800 and keep it from disappearing into a pile of rubble, 15 00:00:46,840 --> 00:00:49,120 by turning it into a house. 16 00:00:50,960 --> 00:00:54,840 In 2017 Leigh and Richard went on holiday to Cornwall, 17 00:00:54,880 --> 00:00:56,720 and returned determined to become 18 00:00:56,760 --> 00:00:59,880 the proud owners of this derelict flour mill. 19 00:00:59,920 --> 00:01:01,360 We're complete novices. 20 00:01:01,400 --> 00:01:03,920 We just fell in love with it, it was instant. 21 00:01:03,960 --> 00:01:08,040 The old girl was in a far worse state then they'd feared. 22 00:01:08,080 --> 00:01:10,280 Part of the floor did collapse. 23 00:01:11,880 --> 00:01:13,800 More damage than we would have liked. 24 00:01:13,840 --> 00:01:17,440 It can tip clients over the edge financially. 25 00:01:17,480 --> 00:01:21,000 The listed building quickly hoovered up their spare change, 26 00:01:21,040 --> 00:01:24,680 leaving Richard and Leigh to provide the muscle on site. 27 00:01:24,720 --> 00:01:27,720 How are we going to lift them out? Magic. 28 00:01:27,760 --> 00:01:30,160 But in the absence of a magic wand, 29 00:01:30,200 --> 00:01:33,240 the demands of the build soon took their toll. 30 00:01:33,280 --> 00:01:36,000 I'm absolutely knackered. 31 00:01:36,040 --> 00:01:38,280 There isn't any money left. 32 00:01:39,440 --> 00:01:41,080 Two and a half years ago, 33 00:01:41,120 --> 00:01:44,640 Richard and Leigh had barely limped over the finish line. 34 00:01:45,840 --> 00:01:49,640 And I've come back to find out what life is like living in 35 00:01:49,680 --> 00:01:52,160 an old converted ruin. 36 00:01:52,200 --> 00:01:54,360 But first, here's their story. 37 00:02:24,240 --> 00:02:29,800 This is one of Blake's original dark satanic mills, isn't it? Whoa. 38 00:02:31,800 --> 00:02:36,400 This old flourmill has been left abandoned for almost 60 years 39 00:02:36,440 --> 00:02:40,680 but it was once a critical hub for this rural Cornish community. 40 00:02:40,720 --> 00:02:45,400 These are the mill races that fed the wheel I guess, 41 00:02:45,440 --> 00:02:48,520 or wheels, more than one. 42 00:02:48,560 --> 00:02:50,080 Holy Moley. 43 00:02:50,120 --> 00:02:54,080 There are now plans to convert this listed old hulk into a home. 44 00:02:55,840 --> 00:02:59,040 I mean this is... This ain't no domestic project, is it? 45 00:02:59,080 --> 00:03:01,520 This is an industrial building, 46 00:03:01,560 --> 00:03:03,480 probably never lived in, 47 00:03:03,520 --> 00:03:06,040 never designed to be lived in, 48 00:03:06,080 --> 00:03:10,080 and probably a building which is going to resist being lived in. 49 00:03:13,440 --> 00:03:14,840 Wait there, Luna. 50 00:03:14,880 --> 00:03:18,720 The two behind this high-risk project... Come on, Luna. 51 00:03:18,760 --> 00:03:22,360 ..Leigh and Richard, until recently, lived in Derbyshire, 52 00:03:22,400 --> 00:03:24,640 where they ran a small, rare plant nursery, 53 00:03:24,680 --> 00:03:28,080 and Richard was a part-time maths teacher. 54 00:03:28,120 --> 00:03:30,560 There's no trolley service on this train, is there? 55 00:03:30,600 --> 00:03:33,680 They don't seem like big risk-takers. Good girl, Luna. 56 00:03:33,720 --> 00:03:36,680 But oh, how looks can be deceptive. 57 00:03:42,120 --> 00:03:46,000 Because Leigh and Richard met 27 years ago, 58 00:03:46,040 --> 00:03:47,520 jumping out of an aircraft. 59 00:03:50,000 --> 00:03:52,120 Some of the things that we've done 60 00:03:52,160 --> 00:03:54,880 you might consider dangerous. 61 00:03:54,920 --> 00:03:57,880 We've both competed at national level, 62 00:03:57,920 --> 00:04:02,040 both been part of record attempts. 63 00:04:02,080 --> 00:04:05,120 We don't tend to take the easy option, 64 00:04:05,160 --> 00:04:06,560 you've got to push yourself. 65 00:04:06,600 --> 00:04:10,800 If you don't push yourself you don't know how far you can go. 66 00:04:15,280 --> 00:04:18,000 These former daredevils have now cut the ties 67 00:04:18,040 --> 00:04:19,880 with their old lives in Derbyshire, 68 00:04:19,920 --> 00:04:24,400 and have moved 250 miles away to the wilds of the Cornish coast. 69 00:04:25,960 --> 00:04:27,640 I just love being down here, 70 00:04:27,680 --> 00:04:30,480 I think we're so lucky to have a beach like this on 71 00:04:30,520 --> 00:04:32,320 the doorstep. 72 00:04:32,360 --> 00:04:36,040 Never lived by the sea, this has always been a dream. 73 00:04:36,080 --> 00:04:38,920 Having sold their house to finance this project, 74 00:04:38,960 --> 00:04:41,760 they're about to sink everything they've ever worked for, 75 00:04:41,800 --> 00:04:43,400 and their future happiness, 76 00:04:43,440 --> 00:04:46,640 into a building on the verge of collapse. 77 00:04:46,680 --> 00:04:49,000 The amount of work that needs to be done, 78 00:04:49,040 --> 00:04:51,280 there has to be an element of risk. 79 00:04:53,520 --> 00:04:56,840 The biggest concern is running out money 80 00:04:56,880 --> 00:04:59,080 and being Mrs Impatient, 81 00:04:59,120 --> 00:05:02,720 it not quite being ready when I want to move in. 82 00:05:02,760 --> 00:05:05,760 We've never done anything on this scale before. 83 00:05:05,800 --> 00:05:08,360 We're bound to make a few mistakes but... 84 00:05:08,400 --> 00:05:10,200 Hopefully not expensive ones. 85 00:05:14,480 --> 00:05:17,040 You've bitten off a big hunk of building here 86 00:05:17,080 --> 00:05:18,520 to work on, haven't you? 87 00:05:18,560 --> 00:05:20,880 It's a big project but one we're looking forward to. 88 00:05:20,920 --> 00:05:22,000 Have you done this before? 89 00:05:22,040 --> 00:05:25,080 No, complete novices. We just fell in love with it, 90 00:05:25,120 --> 00:05:28,240 it was instant. We were on our way home to Derby, 91 00:05:28,280 --> 00:05:30,960 I picked up a free newspaper outside an estate agent. 92 00:05:31,000 --> 00:05:32,480 You were supposed to be navigating. 93 00:05:32,520 --> 00:05:36,120 Yes, dear. I opened it up and went, "That's it." 94 00:05:36,160 --> 00:05:37,920 What are you hoping to do with it? 95 00:05:37,960 --> 00:05:40,600 Well, it's been here for several hundred years, 96 00:05:40,640 --> 00:05:42,920 and it's redundant as a mill, so it's never going to be 97 00:05:42,960 --> 00:05:45,080 a mill again. So we're make it, 98 00:05:45,120 --> 00:05:47,320 and convert it into a beautiful home. 99 00:05:47,360 --> 00:05:52,200 But, obviously, try and maintain some of its heritage 100 00:05:52,240 --> 00:05:55,400 and, you know, show people that it was a mill, 101 00:05:55,440 --> 00:05:57,760 you know, we're not going to rip everything out. 102 00:05:57,800 --> 00:06:00,160 Old buildings like this, you fall in love with them. 103 00:06:00,200 --> 00:06:01,520 They often don't repay that. 104 00:06:01,560 --> 00:06:03,520 She's old and tired and sad, 105 00:06:03,560 --> 00:06:06,280 and I think she's crying out for a little bit of help 106 00:06:06,320 --> 00:06:08,040 to nudge her into the future. 107 00:06:08,080 --> 00:06:10,720 We can't put off going in any longer, can we? Come on in, then. 108 00:06:10,760 --> 00:06:14,760 Is it safe? It depends on your assessment of risk, really. 109 00:06:14,800 --> 00:06:19,600 Hey, hey, this is rather nice. I mean it's old. 110 00:06:19,640 --> 00:06:20,880 It's a big space, isn't it? 111 00:06:20,920 --> 00:06:22,960 Yeah, yeah, yeah. I like your floor. 112 00:06:23,000 --> 00:06:26,400 Yeah, these were laid down about 100 years ago. 113 00:06:26,440 --> 00:06:27,680 Were they? 114 00:06:27,720 --> 00:06:31,080 And I think it's things like that that, you know, reflect 115 00:06:31,120 --> 00:06:33,400 the use that it's had in its past. 116 00:06:33,440 --> 00:06:37,040 Yeah, do these remain in this place in situ? Not in this place. No. 117 00:06:37,080 --> 00:06:39,280 Because you've got very little head height here, 118 00:06:39,320 --> 00:06:41,360 we are going to dig out and go down. 119 00:06:41,400 --> 00:06:45,280 But the plan for these is to use two of them to make 120 00:06:45,320 --> 00:06:46,880 the dining room table. 121 00:06:46,920 --> 00:06:50,560 I still want to make it look like it's an industrial building. 122 00:06:50,600 --> 00:06:51,840 Yes. 123 00:06:51,880 --> 00:06:54,200 To me that's quite important. 124 00:06:54,240 --> 00:06:56,480 Looking at these beams, their condition, 125 00:06:56,520 --> 00:06:59,160 the fact that they haven't sagged too much or dropped at 126 00:06:59,200 --> 00:07:01,160 the ends, its... It's great. 127 00:07:01,200 --> 00:07:05,640 We're going to get them inspected as to what can be saved and re-used. 128 00:07:05,680 --> 00:07:09,000 But what's your gut feeling about how much you can save? 80%. 129 00:07:09,040 --> 00:07:11,800 I think you can save 80% at least. 130 00:07:11,840 --> 00:07:14,000 Oh, great big floor. 131 00:07:14,040 --> 00:07:16,480 This is what? A milling floor, presumably. Yes. 132 00:07:16,520 --> 00:07:17,800 Yeah. What's it going to be? 133 00:07:17,840 --> 00:07:20,640 It's going to be our living room. Wow. Lovely space. 134 00:07:20,680 --> 00:07:22,720 What stays here? So what about the hoppers? 135 00:07:22,760 --> 00:07:25,840 No, so the hoppers will be removed. 136 00:07:25,880 --> 00:07:28,120 And these posts supporting this beam? 137 00:07:28,160 --> 00:07:30,080 So the big beam's staying in. 138 00:07:30,120 --> 00:07:33,120 We're not disposing of any of the wood that's usable, 139 00:07:33,160 --> 00:07:35,440 it will be repurposed. 140 00:07:35,480 --> 00:07:38,760 I suppose my question here is, when you start removing the details, 141 00:07:38,800 --> 00:07:40,960 you start to remove the character. 142 00:07:41,000 --> 00:07:45,080 But everything moves forward it can't be stuck in the past. 143 00:07:45,120 --> 00:07:48,840 We've got to be realistic, because it has got to be... A home. 144 00:07:48,880 --> 00:07:52,120 A home. It's not going to be a mill again. 145 00:07:52,160 --> 00:07:53,520 And there's the rub. 146 00:07:53,560 --> 00:07:56,400 How to save every scrap of this precious place, 147 00:07:56,440 --> 00:07:58,440 repair it sensitively and yet, 148 00:07:58,480 --> 00:08:00,840 convert it to live in comfortably, 149 00:08:00,880 --> 00:08:02,320 without trashing it. 150 00:08:05,080 --> 00:08:07,080 For just over 400 years, 151 00:08:07,120 --> 00:08:10,200 this building was grinding flour and animal feed, 152 00:08:10,240 --> 00:08:12,480 and was still working in the 1960s. 153 00:08:12,520 --> 00:08:16,000 But for over half a century it's been left abandoned. 154 00:08:16,040 --> 00:08:19,240 Partial collapse has helped damp get into the masonry, 155 00:08:19,280 --> 00:08:23,960 the windows and window lintels have rotted out. 156 00:08:24,000 --> 00:08:27,800 Leigh and Richard 's most urgent job will be to tackle the stonework, 157 00:08:27,840 --> 00:08:30,520 rake out every inch of damp, rotten mortar, 158 00:08:30,560 --> 00:08:32,720 made from earth and lime, 159 00:08:32,760 --> 00:08:35,320 rebuild areas of wall near collapse, 160 00:08:35,360 --> 00:08:38,880 and restore some structural integrity. 161 00:08:38,920 --> 00:08:42,000 Inside, the old timber workings of the mill will 162 00:08:42,040 --> 00:08:44,560 need to be carefully treated, as they're still helping 163 00:08:44,600 --> 00:08:48,520 to brace the walls. Leigh and Richard want to keep them, 164 00:08:48,560 --> 00:08:53,480 but will jumble them up as they reorganise the layout. 165 00:08:53,520 --> 00:08:56,000 All the slates will need to come off, 166 00:08:56,040 --> 00:08:58,800 the trusses underneath carefully rebuilt, 167 00:08:58,840 --> 00:09:03,200 and the building re-roofed, to make it watertight again. 168 00:09:03,240 --> 00:09:06,640 An architect has helped them reconfigure the layout. 169 00:09:06,680 --> 00:09:11,800 In the roof, there'll be two en-suite guest bedrooms, 170 00:09:11,840 --> 00:09:15,760 and the second floor below will house their bedroom suite. 171 00:09:15,800 --> 00:09:18,360 On the first floor, their open-plan living room will 172 00:09:18,400 --> 00:09:20,200 retain some elements of the old mill, 173 00:09:20,240 --> 00:09:25,680 and give them access to the garden over the rear wheel pit. 174 00:09:25,720 --> 00:09:28,360 The ground floor will see the most radical change, 175 00:09:28,400 --> 00:09:30,840 those beautiful millstones get removed 176 00:09:30,880 --> 00:09:33,440 to be reused somewhere else, 177 00:09:33,480 --> 00:09:36,760 and a new concrete floor installed. 178 00:09:36,800 --> 00:09:40,280 A new kitchen and dining room will be lit by two new windows 179 00:09:40,320 --> 00:09:42,560 for which they have permission. 180 00:09:42,600 --> 00:09:45,800 And ground-mounted solar panels will help power this very 181 00:09:45,840 --> 00:09:48,720 21st century conversion. 182 00:09:48,760 --> 00:09:51,280 Leigh and Richard clearly have the passion 183 00:09:51,320 --> 00:09:54,280 to create something spellbinding here, 184 00:09:54,320 --> 00:09:57,520 but they have no experience. Not of ancient buildings, 185 00:09:57,560 --> 00:09:59,200 not even of building. 186 00:09:59,240 --> 00:10:01,960 You have got your work cut out here, I think, haven't you? 187 00:10:02,000 --> 00:10:05,640 I think so. How much did you pay for the site? 235,000. 188 00:10:05,680 --> 00:10:07,800 £235,000 for this. 189 00:10:07,840 --> 00:10:10,800 How much is the project going to cost? 250,000. 190 00:10:10,840 --> 00:10:16,880 I could put my money somewhere slightly sounder than this. 191 00:10:16,920 --> 00:10:20,240 £250,000 is not enough. 192 00:10:20,280 --> 00:10:23,600 Nor is their small contingency of 50,000. 193 00:10:23,640 --> 00:10:26,160 Old buildings aren't just smelly and damp. 194 00:10:26,200 --> 00:10:29,160 They're also greedy and ungrateful. 195 00:10:29,200 --> 00:10:32,760 You two met falling out of an aircraft, yeah? 196 00:10:32,800 --> 00:10:35,760 Which suggests that you are not risk-averse. 197 00:10:35,800 --> 00:10:38,760 You are... You are risk enthusiasts. 198 00:10:38,800 --> 00:10:40,720 Ah, we're risk managers. 199 00:10:40,760 --> 00:10:43,920 But you are taking a risk here? You are novices. 200 00:10:43,960 --> 00:10:47,840 But there isn't any reward without an element of risk. 201 00:10:47,880 --> 00:10:50,520 Leigh and Richard have given themselves a year 202 00:10:50,560 --> 00:10:54,280 to resurrect this broken building but, of course, 203 00:10:54,320 --> 00:10:57,440 if they move too quickly, they could destroy 204 00:10:57,480 --> 00:11:00,960 the very thing they've fallen in love with. 205 00:11:01,000 --> 00:11:05,240 This newel post and this handrail have been polished to a gloss by 206 00:11:05,280 --> 00:11:09,320 the action of thousands of hands grabbing hold of it over 207 00:11:09,360 --> 00:11:12,240 the centuries it's been here. The magic of the place, 208 00:11:12,280 --> 00:11:16,200 that magic lies in details like this, 209 00:11:16,240 --> 00:11:19,160 in tens of thousands of them around the place. 210 00:11:19,200 --> 00:11:23,360 Remove these, change, adapt and actually, quite quickly, you begin 211 00:11:23,400 --> 00:11:26,640 to chip away at that magic and that spirit of place. 212 00:11:26,680 --> 00:11:28,800 And there's a tremendous poignancy in that 213 00:11:28,840 --> 00:11:32,560 because, once this is gone, it's gone forever. 214 00:11:36,840 --> 00:11:39,280 By Spring, Leigh and Richard have moved into 215 00:11:39,320 --> 00:11:43,120 a small holiday let just across the road from their site. 216 00:11:45,720 --> 00:11:47,240 Where the scaffold is up, 217 00:11:47,280 --> 00:11:51,680 and the work of saving this listed local landmark can begin. 218 00:11:54,280 --> 00:11:57,800 A quarter of the total budget, £60,000, 219 00:11:57,840 --> 00:12:01,240 is being spent on a team of conservation builders, who'll repair 220 00:12:01,280 --> 00:12:03,880 and rebuild the stonework. 221 00:12:03,920 --> 00:12:06,600 They start by removing the old and broken pointing, 222 00:12:06,640 --> 00:12:08,680 and any hard cement repairs. 223 00:12:10,440 --> 00:12:13,720 Some people will look at this and think, "Knock it down." 224 00:12:13,760 --> 00:12:21,040 Leigh and Richard have undertaken quite an extensive amount of work. 225 00:12:21,080 --> 00:12:23,720 This is hard manual labour, 226 00:12:23,760 --> 00:12:25,520 but it needs to be judicious, 227 00:12:25,560 --> 00:12:30,040 so as not to disturb loose and dangerous stonework. 228 00:12:30,080 --> 00:12:32,840 Only when these walls are secure can they start on 229 00:12:32,880 --> 00:12:34,600 the timber structure inside. 230 00:12:36,400 --> 00:12:40,760 Which it seems is in far worse shape than anyone thought. 231 00:12:40,800 --> 00:12:43,720 Part of the floor did collapse, 232 00:12:43,760 --> 00:12:45,960 one of the big joists just dropped out. 233 00:12:46,000 --> 00:12:50,160 In places, the floor really is quite unsafe. 234 00:12:50,200 --> 00:12:54,440 And these ancient timbers seem to be suffering new stresses. 235 00:12:54,480 --> 00:12:59,320 Three days ago, the split in this joist was a millimetre, 236 00:12:59,360 --> 00:13:03,120 we've now got cracks in it that you can put your hand in. 237 00:13:03,160 --> 00:13:06,760 Every new problem discovered means a new cost. 238 00:13:06,800 --> 00:13:09,280 We're only a short while into the project, 239 00:13:09,320 --> 00:13:12,680 and I can see that it is already going to run over 240 00:13:12,720 --> 00:13:16,440 the figure that we had in mind. So somehow, 241 00:13:16,480 --> 00:13:19,080 we've got to claw that back from other areas. 242 00:13:19,120 --> 00:13:23,280 Leigh is already projecting an overspend of £15,000. 243 00:13:23,320 --> 00:13:25,200 They're only two weeks in, 244 00:13:25,240 --> 00:13:29,280 and there could be plenty of nasty surprises yet to come. 245 00:13:39,760 --> 00:13:43,560 Leigh and Richard are three weeks into their mill conversion, 246 00:13:43,600 --> 00:13:46,800 and the repair of the crumbling stonework has gobbled 247 00:13:46,840 --> 00:13:49,520 a quarter of all their cash. However, 248 00:13:49,560 --> 00:13:51,920 the work is beginning to bear fruit. 249 00:13:54,320 --> 00:13:58,080 It's good to see the old beauty being brought back to life. 250 00:14:00,480 --> 00:14:02,160 The restoration contractors have found 251 00:14:02,200 --> 00:14:05,120 so many areas of serious damage, 252 00:14:05,160 --> 00:14:07,880 as well as some temporary remediations 253 00:14:07,920 --> 00:14:10,040 made by previous custodians. 254 00:14:10,080 --> 00:14:12,680 I daren't actually touch a single stone in this 255 00:14:12,720 --> 00:14:16,640 for fear that the entire section will fall out. 256 00:14:16,680 --> 00:14:18,720 It must have been like this for the past 50 years, 257 00:14:18,760 --> 00:14:21,080 judging by the moss but, look, it's sitting on a lintel 258 00:14:21,120 --> 00:14:22,760 which almost isn't doing a job at all. 259 00:14:22,800 --> 00:14:25,000 And the best thing of all is that someone has tried 260 00:14:25,040 --> 00:14:28,520 to affect a repair previously up here, which is even better. 261 00:14:30,520 --> 00:14:35,320 So it's a two-part preventive measure involving 262 00:14:35,360 --> 00:14:39,200 an old hinge and, above it, gas pipe. 263 00:14:39,240 --> 00:14:43,240 What a fantastic piece of improvisation that is. 264 00:14:43,280 --> 00:14:47,600 There will be no gas pipe lintels in this renovation. 265 00:14:47,640 --> 00:14:51,360 48 new solid oak lintels are now being fitted over 266 00:14:51,400 --> 00:14:53,800 the window and door openings. 267 00:14:53,840 --> 00:14:56,560 Presumably you're prepared to sacrifice, you know, 268 00:14:56,600 --> 00:14:58,640 the beautiful kitchen and the expensive fixtures 269 00:14:58,680 --> 00:15:01,680 and fittings in order to be able to get the building sorted. 270 00:15:01,720 --> 00:15:05,320 The building being sorted is the absolute priority, 271 00:15:05,360 --> 00:15:08,880 but there'll be no sacrificial kitchens. 272 00:15:08,920 --> 00:15:10,280 Well, good luck with that. 273 00:15:13,600 --> 00:15:17,880 Leigh and Richard's 250 grand is ebbing away fast, 274 00:15:17,920 --> 00:15:21,840 and they haven't even begun on the decaying interior. 275 00:15:21,880 --> 00:15:24,920 A job entrusted to their highly-experienced 276 00:15:24,960 --> 00:15:28,920 conservation joiner, James. 277 00:15:28,960 --> 00:15:34,680 And his less-experienced jobbing assistant, Richard. 278 00:15:36,360 --> 00:15:39,960 Richard is like my helper, my apprentice, 279 00:15:40,000 --> 00:15:42,080 he's an extra pair of hands. 280 00:15:42,120 --> 00:15:46,680 It's unusual to have a client assisting you in this way. 281 00:15:46,720 --> 00:15:49,920 The first task for this crack team is to dismantle 282 00:15:49,960 --> 00:15:51,960 the charming ancient staircase. 283 00:15:52,000 --> 00:15:54,480 Ready, steady, go. You all right? Yeah. 284 00:15:54,520 --> 00:15:57,600 Yeah, we'll see how he is at the end, you know what I mean? 285 00:15:57,640 --> 00:16:01,240 He's learning a lot as he goes but we've had no problems so far. 286 00:16:03,280 --> 00:16:04,880 I suggest you come down now. 287 00:16:08,120 --> 00:16:10,440 I wouldn't give him a job yet. 288 00:16:10,480 --> 00:16:13,800 Even my precious newel post isn't safe... 289 00:16:13,840 --> 00:16:14,960 It's a nice bit of wood. 290 00:16:15,000 --> 00:16:17,440 ..from the exuberance of Richard's crowbar. 291 00:16:17,480 --> 00:16:19,200 There we go. 292 00:16:21,400 --> 00:16:25,080 They had hoped to keep 80% of these timbers in situ. 293 00:16:25,120 --> 00:16:30,360 But the building hadn't told Leigh and Richard the full story. 294 00:16:30,400 --> 00:16:33,360 Even though this beam, on the whole, may look good and solid, 295 00:16:33,400 --> 00:16:37,080 the critical area of it is where it goes into the wall. 296 00:16:37,120 --> 00:16:40,520 That's rotted away and, as you can see, 297 00:16:40,560 --> 00:16:42,720 it's just turning to dust. 298 00:16:42,760 --> 00:16:44,160 So you can't use that. 299 00:16:46,480 --> 00:16:47,960 In the following month, 300 00:16:48,000 --> 00:16:51,040 there is at least some good news about the stonework. 301 00:16:51,080 --> 00:16:53,880 All the structural repairs have been made 302 00:16:53,920 --> 00:16:56,480 and the restoration contractors have begun repointing 303 00:16:56,520 --> 00:16:59,960 the walls with a traditional lime mortar. 304 00:17:00,000 --> 00:17:03,160 Protecting it from sun wind rain, 305 00:17:03,200 --> 00:17:05,640 you know, everything,, all the elements. 306 00:17:05,680 --> 00:17:08,560 Yeah, good for another hundred years. 307 00:17:08,600 --> 00:17:13,400 But this careful approach of gentle, slow repair and conservation 308 00:17:13,440 --> 00:17:15,760 won't now be replicated inside. 309 00:17:15,800 --> 00:17:19,080 Leigh and Richard have now decided that almost every single beam 310 00:17:19,120 --> 00:17:22,640 and joist will be replaced with new timber. 311 00:17:22,680 --> 00:17:25,320 It's a German softwood apparently, 312 00:17:25,360 --> 00:17:27,960 it's come from a local timber yard. 313 00:17:28,000 --> 00:17:31,360 The new, straight and somewhat characterless timber 314 00:17:31,400 --> 00:17:35,000 goes in quickly. They use steel tension ties to help strengthen 315 00:17:35,040 --> 00:17:37,520 the floors and lock the building together. 316 00:17:37,560 --> 00:17:39,400 This helps the structure, 317 00:17:39,440 --> 00:17:43,240 and the choice of softwood helps the somewhat stressed budget. 318 00:17:43,280 --> 00:17:45,800 In a desperate attempt to save even more cash, 319 00:17:45,840 --> 00:17:49,640 Leigh and Richard have now moved out of the holiday let and into.. 320 00:17:49,680 --> 00:17:51,960 Lily, come on. 321 00:17:52,000 --> 00:17:54,000 ..the world's tiniest caravan. 322 00:17:55,400 --> 00:17:58,160 It's a little cramped and cosy. Luna! 323 00:17:58,200 --> 00:18:00,400 Normally, I like accommodation with stars, 324 00:18:00,440 --> 00:18:03,440 and the more of them the better. 325 00:18:03,480 --> 00:18:07,320 I've no idea how long they'll call this minute space home, 326 00:18:07,360 --> 00:18:09,320 that's up to the mill. 327 00:18:11,360 --> 00:18:14,280 A little over two months since work began, 328 00:18:14,320 --> 00:18:15,960 the roofers are on site to tackle 329 00:18:16,000 --> 00:18:19,960 the last big structural element of this building's salvation. 330 00:18:20,000 --> 00:18:22,480 I'm not sure I'm brave enough to do it. 331 00:18:22,520 --> 00:18:27,000 When they said it was coming off in a day I thought, "No." 332 00:18:28,480 --> 00:18:31,080 Fingers crossed that, underneath these slates, 333 00:18:31,120 --> 00:18:34,240 they don't find another nasty surprise. 334 00:18:38,680 --> 00:18:43,560 Yeah, so, it's probably more damage than we would have liked. 335 00:18:43,600 --> 00:18:46,640 We've got to see what it... How deep it goes. 336 00:18:46,680 --> 00:18:50,760 If these seven A-frame roof trusses can be salvaged, 337 00:18:50,800 --> 00:18:53,040 they'll probably be the only original timbers 338 00:18:53,080 --> 00:18:56,360 to survive Richard and Leigh's renovation. 339 00:19:00,960 --> 00:19:05,400 Oh, goodness me, bits of building, 340 00:19:05,440 --> 00:19:07,320 bits of building out in the rain. 341 00:19:08,640 --> 00:19:12,160 Bits of building that maybe, in some cases, 342 00:19:12,200 --> 00:19:14,000 should have stayed in the building. 343 00:19:15,120 --> 00:19:19,320 Thousands of bits that made it what it was. 344 00:19:21,320 --> 00:19:27,120 The speed of change on this project brings undesirable impacts for me. 345 00:19:27,160 --> 00:19:29,960 All my life I have loved old things, 346 00:19:30,000 --> 00:19:32,400 and loved them for their cantankerousness, 347 00:19:32,440 --> 00:19:35,040 and their wonkiness, and their history, 348 00:19:35,080 --> 00:19:38,520 and the stories they tell, and the narratives they weave, 349 00:19:38,560 --> 00:19:40,840 and here it's just been ripped apart. 350 00:19:40,880 --> 00:19:43,200 I'm not sure what means anything any more here. 351 00:19:45,800 --> 00:19:49,800 The stonework showed just how conservation repair work can be 352 00:19:49,840 --> 00:19:53,160 considerate and respectful. 353 00:19:53,200 --> 00:19:56,280 Inside, I think there's been too much change, 354 00:19:56,320 --> 00:19:58,800 that's happened too quickly. 355 00:20:11,760 --> 00:20:14,360 Balancing a modest £250,000 budget 356 00:20:14,400 --> 00:20:18,720 with the authentic restoration of an old Cornish flour mill 357 00:20:18,760 --> 00:20:21,720 has not been easy for Leigh and Richard. 358 00:20:21,760 --> 00:20:23,200 Can you hold the window? 359 00:20:23,240 --> 00:20:24,520 I've got the screw now. 360 00:20:27,680 --> 00:20:31,840 They're now fitting 18 new beautifully-made timber windows. 361 00:20:33,560 --> 00:20:37,640 It's cost 14,000 to repair and clad the entire roof, 362 00:20:37,680 --> 00:20:40,160 and an extra eight grand in the end to retain 363 00:20:40,200 --> 00:20:43,320 the old timber A-frame trusses. 364 00:20:43,360 --> 00:20:45,920 Now, after a frantic six months, 365 00:20:45,960 --> 00:20:49,640 this building is watertight for the first time in 60 years, 366 00:20:49,680 --> 00:20:53,280 and the shroud of scaffolding can begin to come down. 367 00:20:53,320 --> 00:20:56,440 I suppose it's like the butterfly coming from the chrysalis, isn't it? 368 00:20:56,480 --> 00:20:59,240 Just beautiful. Bloody amazing. 369 00:21:01,320 --> 00:21:04,000 Hiya. Brilliant, isn't it? Looking good. 370 00:21:04,040 --> 00:21:06,960 Over the years you've just watched it slowly crumble away, 371 00:21:07,000 --> 00:21:08,360 and now it's lovely. 372 00:21:09,960 --> 00:21:14,280 A positive reaction from the community and, three weeks later, 373 00:21:14,320 --> 00:21:17,680 even the hardline conservationists are changing their tune. 374 00:21:17,720 --> 00:21:20,600 Well, how picturesque is that? 375 00:21:22,080 --> 00:21:24,120 What a lovely thing. 376 00:21:24,160 --> 00:21:26,840 They've really used their judgment with this pointing, 377 00:21:26,880 --> 00:21:28,880 they haven't tried to rebuild these walls 378 00:21:28,920 --> 00:21:31,880 to make them straight, they're still wonky and wobbly. 379 00:21:31,920 --> 00:21:36,000 And it's lovely. It's got loads of personality. 380 00:21:36,040 --> 00:21:39,080 But these restored walls are only a shell 381 00:21:39,120 --> 00:21:42,360 and now all the professional craftsmen have left, 382 00:21:42,400 --> 00:21:45,160 the completion of this project rests solely 383 00:21:45,200 --> 00:21:47,200 with its inexperienced owners. 384 00:21:47,240 --> 00:21:50,200 You've been by yourselves, on your tod, for how long? 385 00:21:50,240 --> 00:21:53,080 About three weeks now we've been on our own. Yeah, about three weeks. 386 00:21:53,120 --> 00:21:55,240 Was that... It must have been something of a shock? 387 00:21:55,280 --> 00:21:57,120 Yeah, I think the first morning you wake up 388 00:21:57,160 --> 00:22:00,320 and realise no-one's coming to hold your hand, 389 00:22:00,360 --> 00:22:02,760 it's like, "Blimey what do we do next?" 390 00:22:02,800 --> 00:22:06,520 Now £30,000 over budget, 391 00:22:06,560 --> 00:22:10,240 Leigh and Richard take on the rest of the work themselves. 392 00:22:10,280 --> 00:22:13,520 Within the month, Richard makes a start on the internal stonework, 393 00:22:13,560 --> 00:22:18,120 using skills he's picked up from working with the contractors. 394 00:22:18,160 --> 00:22:20,920 But that still leaves the insulation, rendering, 395 00:22:20,960 --> 00:22:23,000 plastering and underfloor heating, 396 00:22:23,040 --> 00:22:26,120 all jobs that rest in their unpractised hands. 397 00:22:28,640 --> 00:22:35,520 You have so many jobs sometimes you actually don't know where to start. 398 00:22:35,560 --> 00:22:39,200 The first monumental challenge they tackle alone is 399 00:22:39,240 --> 00:22:41,480 the millstone floor. 400 00:22:41,520 --> 00:22:45,200 These stones need to be exhumed, since they need to dig down 401 00:22:45,240 --> 00:22:47,680 to form more height in the dining room. 402 00:22:47,720 --> 00:22:49,320 How are we going to lift them out? 403 00:22:49,360 --> 00:22:52,200 Magic. You know, if we'd got 404 00:22:52,240 --> 00:22:54,800 a team of people in here now you'd probably get this floor out in 405 00:22:54,840 --> 00:22:58,600 a day, whereas it's going to take me... 406 00:22:58,640 --> 00:23:00,760 Probably take me a week. 407 00:23:00,800 --> 00:23:05,000 Progress moving the stone floor is going very, very slow. 408 00:23:05,040 --> 00:23:08,200 A lot slower than I anticipated. 409 00:23:08,240 --> 00:23:11,720 I think Richard thought that it would be quite simple. 410 00:23:11,760 --> 00:23:13,280 They're really, really heavy 411 00:23:13,320 --> 00:23:16,680 and I think that we're going to have to get people in to help us which, 412 00:23:16,720 --> 00:23:19,520 you know, is another expense that we hadn't budgeted for. 413 00:23:19,560 --> 00:23:22,760 You know, there's no way that's going to move, 414 00:23:22,800 --> 00:23:24,680 not much we can do about it. 415 00:23:29,640 --> 00:23:34,200 It's now four weeks since Richard began excavating the ground floor 416 00:23:34,240 --> 00:23:36,960 and the cavalry have been called in to help. 417 00:23:38,720 --> 00:23:42,440 By the looks of it this one is the main one, the heavy one. 418 00:23:42,480 --> 00:23:45,400 Attaching a block and tackle to a second-floor beam means 419 00:23:45,440 --> 00:23:48,960 Richard's new timbers are given a real test. 420 00:23:50,040 --> 00:23:52,040 Yes, a very heavy piece of kit. 421 00:23:52,080 --> 00:23:54,280 The planning conditions 422 00:23:54,320 --> 00:23:56,480 for this listed landmark mean that two of 423 00:23:56,520 --> 00:23:59,360 the millstones have to be retained within the building. 424 00:23:59,400 --> 00:24:03,800 They're clearly reluctant to leave their ancient home. 425 00:24:03,840 --> 00:24:07,640 We're all a little bit surprised about the size of this millstone. 426 00:24:07,680 --> 00:24:09,440 It is a bit heavy. 427 00:24:09,480 --> 00:24:12,320 Four men take four hours to remove 428 00:24:12,360 --> 00:24:16,720 the largest of these granite beasts from the floor. 429 00:24:16,760 --> 00:24:20,480 I was dreading moving them, if I'm being honest, 430 00:24:20,520 --> 00:24:24,400 but now they're out it's... Yeah, you know, 431 00:24:24,440 --> 00:24:27,120 I think this bit will go quite quickly. 432 00:24:31,680 --> 00:24:34,440 As this project creeps towards winter, 433 00:24:34,480 --> 00:24:37,200 Leigh and Richard have given themselves just four months 434 00:24:37,240 --> 00:24:41,080 to complete the interior, and escape the dreaded caravan, 435 00:24:41,120 --> 00:24:44,200 which has now been moved into the garage to offer 436 00:24:44,240 --> 00:24:46,880 a little more protection from the elements. 437 00:24:46,920 --> 00:24:50,320 Life in the caravan, generally chaotic. 438 00:24:50,360 --> 00:24:53,320 It would have been nice to have had a bigger caravan. 439 00:24:53,360 --> 00:24:55,240 Hopefully, just a few more months 440 00:24:55,280 --> 00:24:56,800 and we'll be in the mill. 441 00:24:56,840 --> 00:25:01,160 And I'm never, ever staying in a caravan again, ever. 442 00:25:01,200 --> 00:25:03,960 And Leigh isn't the only one feeling confined. 443 00:25:04,000 --> 00:25:06,680 Luna, come here, sweetie. Lily. Come here, Lily. 444 00:25:06,720 --> 00:25:08,200 Lily, I can't believe you did that. 445 00:25:11,120 --> 00:25:13,600 Oh, you silly... Lily! 446 00:25:15,560 --> 00:25:17,080 The dog's very independent. 447 00:25:17,120 --> 00:25:20,320 Lily! Lily! Lily! 448 00:25:20,360 --> 00:25:21,520 Right now! 449 00:25:24,200 --> 00:25:27,240 While Leigh manages the schedule and the budget, 450 00:25:27,280 --> 00:25:30,880 it's left to Richard to labour on site. 451 00:25:30,920 --> 00:25:34,160 He's installing the latest low-profile 452 00:25:34,200 --> 00:25:36,520 underfloor heating boards. 453 00:25:36,560 --> 00:25:41,160 It's a welcome relief from digging out almost 25 tonnes of rubble from 454 00:25:41,200 --> 00:25:43,920 the ground floor, but the demands 455 00:25:43,960 --> 00:25:46,840 of this building are taking their toll. 456 00:25:46,880 --> 00:25:50,040 I'm absolutely knackered. 457 00:25:50,080 --> 00:25:54,840 Just... tired. 458 00:25:54,880 --> 00:25:57,920 The word I would choose to use would be... 459 00:26:00,000 --> 00:26:02,360 Yeah, I'd say exhausted, 460 00:26:02,400 --> 00:26:05,160 but he has finally got the ground floor lowered. 461 00:26:05,200 --> 00:26:08,520 Richard thought that might take two weeks, 462 00:26:08,560 --> 00:26:10,880 but getting ready for today's concrete pour 463 00:26:10,920 --> 00:26:12,400 has taken two months. 464 00:26:16,480 --> 00:26:18,680 I'll let the guys do the heavy shovelling, 465 00:26:18,720 --> 00:26:21,520 I'll make them a cup of tea in a minute. 466 00:26:21,560 --> 00:26:23,680 All right? Terrific. 467 00:26:26,240 --> 00:26:30,040 But now this monster of a job is complete. 468 00:26:35,640 --> 00:26:39,440 Progress on this project has been so slow. 469 00:26:39,480 --> 00:26:40,640 By the new year, 470 00:26:40,680 --> 00:26:44,640 Leigh's moving-in date of March is becoming more uncertain. 471 00:26:44,680 --> 00:26:48,480 Hello, hello. Hello. Hi, Kevin. Good to see you again. 472 00:26:48,520 --> 00:26:51,120 And you, how are you? Fine, thank you. Good to see you. 473 00:26:51,160 --> 00:26:54,080 I still can't get used to this idea. Winter residence. 474 00:26:54,120 --> 00:26:55,600 Yeah, it's our winter retreat. 475 00:26:55,640 --> 00:26:57,880 It's one thing to live in a caravan, quite another 476 00:26:57,920 --> 00:26:59,880 to live in a caravan in a box with no views. 477 00:26:59,920 --> 00:27:04,120 It's been quite tedious at times, with all the rain, 478 00:27:04,160 --> 00:27:08,000 and hopefully it won't have to be there that long. 479 00:27:08,040 --> 00:27:09,880 When's that, then? Well. 480 00:27:09,920 --> 00:27:13,680 I reckon we're about three months late. 481 00:27:13,720 --> 00:27:16,920 So that's June, July time then. 482 00:27:16,960 --> 00:27:18,400 Outside, you can read 483 00:27:18,440 --> 00:27:21,720 the narrative history of this building. 484 00:27:21,760 --> 00:27:25,640 Inside, however, it's a work of fiction. 485 00:27:25,680 --> 00:27:29,640 New floor, new ceiling, new joists and beams, 486 00:27:29,680 --> 00:27:33,120 new walls because you're plastering them all, and new windows. 487 00:27:33,160 --> 00:27:35,680 I mean, internally it's going to be a new building. 488 00:27:35,720 --> 00:27:38,720 If you look at some of the posts here, 489 00:27:38,760 --> 00:27:40,480 these were original floor joists. 490 00:27:40,520 --> 00:27:42,840 The ones we've actually put back into the wall. 491 00:27:42,880 --> 00:27:44,520 Has a floor joist become a post? Yeah. 492 00:27:44,560 --> 00:27:46,240 The purists will be horrified 493 00:27:46,280 --> 00:27:49,040 but, actually, when you look at them, they weren't usable. 494 00:27:49,080 --> 00:27:53,920 You know which camp I fit into, don't you? It begins with a P. 495 00:27:53,960 --> 00:27:55,360 He's a purist. Purist. 496 00:27:55,400 --> 00:27:56,720 There is, of course, one part 497 00:27:56,760 --> 00:27:58,520 of this building that is more in line 498 00:27:58,560 --> 00:28:01,480 with my conservation stance, the roof. 499 00:28:01,520 --> 00:28:03,440 This is all going to be underfloor heating. 500 00:28:03,480 --> 00:28:05,960 Yep. You've laid your boards in readiness for it. 501 00:28:06,000 --> 00:28:09,520 Originally it was meant to be two definite bedrooms, 502 00:28:09,560 --> 00:28:11,200 but we loved it so much we're actually 503 00:28:11,240 --> 00:28:13,440 going to leave it as one big open-plan room. 504 00:28:13,480 --> 00:28:15,520 You like this beautifully conserved roof. 505 00:28:15,560 --> 00:28:17,960 I love it. This is one of my favourite places. 506 00:28:18,000 --> 00:28:20,520 It's the best timber in the building, by a long way. 507 00:28:20,560 --> 00:28:22,360 I think it's the best timber in the building 508 00:28:22,400 --> 00:28:24,760 because it's the old timber. 509 00:28:24,800 --> 00:28:28,480 Most of that old timber is now piled up in the garden, 510 00:28:28,520 --> 00:28:33,360 its final purpose, to keep all those new timbers warm. 511 00:28:39,160 --> 00:28:42,440 But as Leigh and Richard struggle on, they're 512 00:28:42,480 --> 00:28:45,240 suddenly given their biggest test yet, 513 00:28:45,280 --> 00:28:47,320 not by schedule or budget, 514 00:28:47,360 --> 00:28:50,440 but rather an event so huge not even remote corners 515 00:28:50,480 --> 00:28:54,680 of Cornwall can hide from the impact, the pandemic. 516 00:29:02,520 --> 00:29:05,920 And so, after months of disruption and chaos, 517 00:29:05,960 --> 00:29:07,800 I paid them my last visit, 518 00:29:07,840 --> 00:29:09,800 at the height of the second lockdown, 519 00:29:09,840 --> 00:29:12,200 with a sense of trepidation. 520 00:29:12,240 --> 00:29:15,560 Had they managed to fashion a home from the rubble, 521 00:29:15,600 --> 00:29:18,200 and had their blind optimism paid off? 522 00:29:27,360 --> 00:29:29,640 Well, I can't fault the outside. 523 00:29:32,560 --> 00:29:34,920 The outward appearance of the mill had undergone 524 00:29:34,960 --> 00:29:37,720 the most spectacular transformation. 525 00:29:37,760 --> 00:29:40,920 But despite Richard and Leigh's green fingers, 526 00:29:40,960 --> 00:29:42,920 they hadn't begun to landscape 527 00:29:42,960 --> 00:29:47,560 the thicket of weeds that might one day become a garden. 528 00:29:47,600 --> 00:29:50,840 And opposite the handsome frontage of the house sat 529 00:29:50,880 --> 00:29:54,080 the ugliest of breeze block garages. 530 00:29:54,120 --> 00:29:58,040 Hello. Hello, Kevin. Hi, Kevin, how are you? 531 00:29:58,080 --> 00:30:00,000 I'm really well, thank you 532 00:30:00,040 --> 00:30:03,640 but, more importantly, how are you both? Tired. Busy. Tired. 533 00:30:03,680 --> 00:30:06,360 I bet you are. I'm sorry about this social distancing, 534 00:30:06,400 --> 00:30:09,160 we're now filming at four metres which is kind of... It's crazy. 535 00:30:09,200 --> 00:30:11,080 Are you living in it? Not quite, no. 536 00:30:11,120 --> 00:30:14,000 Still in the caravan still in the shed? Yes, yeah. 537 00:30:14,040 --> 00:30:18,160 And how have you found lockdown? How have you found the isolation? 538 00:30:18,200 --> 00:30:22,080 Yeah, it's been tough, hasn't it? There's been a lot of challenges. 539 00:30:22,120 --> 00:30:25,600 We've had shortages of materials, that sort of stuff. 540 00:30:25,640 --> 00:30:27,920 Do you mind if I look around it by myself? No, no. 541 00:30:27,960 --> 00:30:32,360 Is that all right? I'm looking forward to this. Just want to say. 542 00:30:32,400 --> 00:30:36,680 Touring a house solo, a Covid-inspired first for me. 543 00:30:38,360 --> 00:30:39,760 Nice. 544 00:30:39,800 --> 00:30:43,280 Inside it wasn't so much a new chapter for the building, 545 00:30:43,320 --> 00:30:45,760 as an entirely new story. 546 00:30:45,800 --> 00:30:48,480 Although some traces remained. 547 00:30:48,520 --> 00:30:54,000 What an amazing dining table, it's bonkers. 548 00:30:54,040 --> 00:30:56,800 And, up in the first floor living room, 549 00:30:56,840 --> 00:31:02,120 they'd managed to make a crafted, home-spun, even cosy, space. 550 00:31:04,200 --> 00:31:07,240 It's a really nice job. 551 00:31:07,280 --> 00:31:10,960 But further up, it was a different story. 552 00:31:11,000 --> 00:31:12,680 The guest bedrooms were still 553 00:31:12,720 --> 00:31:16,240 a pile of building materials. And up top, 554 00:31:16,280 --> 00:31:19,800 the main bedroom was still empty and unoccupied. 555 00:31:22,640 --> 00:31:26,840 Leigh and Richard came here in search of adventure, 556 00:31:26,880 --> 00:31:30,720 and were thus far £50,000 over budget. 557 00:31:30,760 --> 00:31:33,240 With much still to do, 558 00:31:33,280 --> 00:31:36,880 I wondered how much drive they still had left in them. 559 00:31:36,920 --> 00:31:39,320 You moved from the other end of the country to do this, 560 00:31:39,360 --> 00:31:40,760 you changed your lives to do this, 561 00:31:40,800 --> 00:31:43,280 you put everything you had into this one thing. 562 00:31:43,320 --> 00:31:45,040 It is everything, 563 00:31:45,080 --> 00:31:47,640 it's taken every penny of 564 00:31:47,680 --> 00:31:52,000 the resources and time and energy, hasn't it? Yeah. 565 00:31:52,040 --> 00:31:54,720 You seem quite, both of you, quite emotional about it? 566 00:31:59,040 --> 00:32:00,480 Go on, you can answer that. 567 00:32:08,720 --> 00:32:10,080 OK? 568 00:32:10,120 --> 00:32:12,280 Hmm. Pillock. 569 00:32:14,000 --> 00:32:18,200 This project had clearly taken an emotional toll. 570 00:32:18,240 --> 00:32:22,680 The heartbeat was again palpable in these ancient walls, 571 00:32:22,720 --> 00:32:25,920 but the site wasn't yet fully born. 572 00:32:25,960 --> 00:32:31,080 It felt wrong leaving their epic renovation prematurely, 573 00:32:31,120 --> 00:32:33,240 I had to come back. 574 00:32:33,280 --> 00:32:36,240 I last saw Leigh and Richard two and a half years ago, 575 00:32:36,280 --> 00:32:38,600 in the teeth of the second COVID lockdown. 576 00:32:38,640 --> 00:32:40,400 Yeah, they'd almost finished, 577 00:32:40,440 --> 00:32:42,960 but there were still bedrooms and bathrooms to do. 578 00:32:43,000 --> 00:32:46,640 They were green-fingered, but they had this mud bath of a landscape 579 00:32:46,680 --> 00:32:48,640 to convert into a garden. 580 00:32:48,680 --> 00:32:51,080 And they were still living in the caravan, 581 00:32:51,120 --> 00:32:54,240 which was inside the garden shed. I mean, goodness me, 582 00:32:54,280 --> 00:32:57,240 life must have improved since then, surely? 583 00:33:08,800 --> 00:33:12,160 It was in 2018 that Richard and Leigh set out to renovate 584 00:33:12,200 --> 00:33:17,120 an old watermill in Cornwall. But on my last visit here, 585 00:33:17,160 --> 00:33:20,120 plans had been kiboshed by the pandemic. 586 00:33:20,160 --> 00:33:23,560 They hadn't moved in yet, and were exhausted. 587 00:33:23,600 --> 00:33:27,680 I'm back to see if, at last, they have a finished home. 588 00:33:27,720 --> 00:33:31,800 Yes, that's what this building needed. 589 00:33:31,840 --> 00:33:33,920 It needed the healing effects of 590 00:33:33,960 --> 00:33:37,600 the one thing that had kept it going all these centuries. 591 00:33:37,640 --> 00:33:39,960 It needed the passage of time. 592 00:33:42,760 --> 00:33:44,560 I was always impressed with the love 593 00:33:44,600 --> 00:33:46,960 and attention lavished on the faithful repair of 594 00:33:47,000 --> 00:33:48,440 the exterior stonework. 595 00:33:48,480 --> 00:33:52,440 And how Leigh and Richard risked everything to try 596 00:33:52,480 --> 00:33:55,600 and save this wonderful old workhorse of a building. 597 00:33:57,200 --> 00:33:58,560 When I last visited, 598 00:33:58,600 --> 00:34:01,320 it was adrift in a sea of building materials, 599 00:34:01,360 --> 00:34:06,800 brambles and collapsed out-buildings. But now... 600 00:34:06,840 --> 00:34:12,280 All the smelly garages have gone, and lo, there's a landscape. 601 00:34:13,480 --> 00:34:17,200 Well. This is all as it should be, 602 00:34:17,240 --> 00:34:21,280 surrounded by beauty and gardens. 603 00:34:21,320 --> 00:34:23,760 A Cornish cornucopia. 604 00:34:23,800 --> 00:34:27,800 Even the solar panels are nestled among flowers. 605 00:34:27,840 --> 00:34:30,840 The mill is finally rooted in its surroundings, 606 00:34:30,880 --> 00:34:35,520 and looks like it's flourishing against this backdrop of abundance. 607 00:34:35,560 --> 00:34:40,200 I wonder if its occupants are too. Hello. Hello! 608 00:34:40,240 --> 00:34:42,760 How are you? We're good, thank you. Good to see you. 609 00:34:42,800 --> 00:34:45,920 Good to see you. And you. And you, hey. Hey, Kevin, how are you? 610 00:34:45,960 --> 00:34:48,720 Yeah, very well. Look at these two. Now, this is a new addition. 611 00:34:48,760 --> 00:34:51,640 Yeah, this is Lola. We lost Lily, didn't we? Earlier in the year. 612 00:34:51,680 --> 00:34:52,720 Oh, did you? I'm sorry. 613 00:34:52,760 --> 00:34:55,040 Introduced some chaos into our lives. Why not? 614 00:34:55,080 --> 00:34:58,320 Not that life is chaotic for you, it seems, 615 00:34:58,360 --> 00:35:01,000 because look at this. It's all exquisite. 616 00:35:01,040 --> 00:35:04,120 Thank you. This is not overnight quick trickery. 617 00:35:04,160 --> 00:35:05,640 This is mature planting. 618 00:35:05,680 --> 00:35:09,400 This is... It's taken a while. ..two years of heavy work. 619 00:35:09,440 --> 00:35:12,680 That looks like a drystone wall behind that caging. It's beautiful. 620 00:35:12,720 --> 00:35:14,360 So I moved 30 ton of stone. 621 00:35:14,400 --> 00:35:17,800 Wow. I think it works really nicely with the mill as well. 622 00:35:17,840 --> 00:35:20,600 Of course. Yeah... Yeah. It's industrial. 623 00:35:20,640 --> 00:35:23,200 So you've got a car parking space where the old garage was. Yeah. 624 00:35:23,240 --> 00:35:25,560 We managed to buy the old garage and knock it down, 625 00:35:25,600 --> 00:35:27,720 and that was my best Christmas present, that was, 626 00:35:27,760 --> 00:35:29,880 knocking that down. And the shipping container, 627 00:35:29,920 --> 00:35:32,440 which I think is a work of total majesty. 628 00:35:32,480 --> 00:35:34,960 It's makes it look better, doesn't it? 629 00:35:35,000 --> 00:35:36,880 We're using up all the materials on site. 630 00:35:36,920 --> 00:35:41,360 It's just brilliant. It's a kind of object lesson on how to do it. 631 00:35:41,400 --> 00:35:44,080 It just worked nice didn't it? With what we'd got. Yeah. 632 00:35:44,120 --> 00:35:46,640 Right. I'll bet you'd like to come in, and... I'd love to, 633 00:35:46,680 --> 00:35:48,880 because the last time I looked around your house, 634 00:35:48,920 --> 00:35:51,520 it was in the teeth of lockdown. I was by myself, on my tod. 635 00:35:51,560 --> 00:35:52,640 Yeah. I'll get the door. 636 00:35:52,680 --> 00:35:54,600 Come on, let's go in. 637 00:35:54,640 --> 00:35:56,000 On the ground floor, 638 00:35:56,040 --> 00:35:59,080 the Fred Flintstone dining tables still hint at 639 00:35:59,120 --> 00:36:02,120 the history of this place. And the simple, 640 00:36:02,160 --> 00:36:05,240 unfussy kitchen has remained surprisingly cosy for 641 00:36:05,280 --> 00:36:06,920 an old stone building, 642 00:36:06,960 --> 00:36:10,200 I'd have thought it prone to cold and damp. 643 00:36:10,240 --> 00:36:12,800 Talking of which, how are you now heating it? 644 00:36:12,840 --> 00:36:16,200 There's a biomass boiler in the back of the dining room. 645 00:36:16,240 --> 00:36:18,880 Underfloor heating on every floor. 646 00:36:18,920 --> 00:36:22,720 It's actually a low-cost building to run. It's very energy efficient. 647 00:36:22,760 --> 00:36:26,560 The big thing for us is the insulating lime render. 648 00:36:26,600 --> 00:36:30,440 Yeah, it's a Cornish product... Yeah, made from Bodmin. 649 00:36:30,480 --> 00:36:32,600 It's on an inch thick on the walls. 650 00:36:32,640 --> 00:36:34,640 So you've got some fibre in it, 651 00:36:34,680 --> 00:36:36,360 and some foam glass beads, 652 00:36:36,400 --> 00:36:40,120 and a lime product and that effectively insulates. 653 00:36:40,160 --> 00:36:43,600 But any moisture that is in this old stone building, it dissipates it, 654 00:36:43,640 --> 00:36:45,800 and it's breathing, it's breathing all the time. 655 00:36:45,840 --> 00:36:48,640 It can still breathe. What have your energy bills been roughly? 656 00:36:48,680 --> 00:36:53,160 We pay about £60 a month for electricity 657 00:36:53,200 --> 00:36:55,480 and that includes running an electric car as well. 658 00:36:55,520 --> 00:36:56,920 So I have no fuel costs. 659 00:36:56,960 --> 00:36:59,600 OK. That's... Congratulations. 660 00:36:59,640 --> 00:37:00,840 That's very cool. 661 00:37:00,880 --> 00:37:05,200 But what we're really saying is huge stone building, really thick walls. 662 00:37:05,240 --> 00:37:07,760 And the right choices of heating technologies here, 663 00:37:07,800 --> 00:37:09,600 using a combination of underfloor, 664 00:37:09,640 --> 00:37:12,240 which is low temperature, pellet boiler. 665 00:37:12,280 --> 00:37:13,960 Solar panels, a key component here 666 00:37:14,000 --> 00:37:16,240 and that keeps your living costs manageable. 667 00:37:16,280 --> 00:37:20,560 I'm surprised, I don't think we thought it'd be this good. 668 00:37:23,240 --> 00:37:25,360 Up a level, the generous living room, 669 00:37:25,400 --> 00:37:28,320 as busy and open plan as it would have been when it was 670 00:37:28,360 --> 00:37:33,080 the milling area, is still as cosy as I remember it. 671 00:37:33,120 --> 00:37:36,280 This wall here, this is ancient. Is that right? 672 00:37:36,320 --> 00:37:41,720 Yeah. The archaeologists dated it late 1400s, early 1500s. 673 00:37:41,760 --> 00:37:45,560 Last time, I could see a few traces of the past here in 674 00:37:45,600 --> 00:37:48,080 the old exposed timbers, 675 00:37:48,120 --> 00:37:50,920 but the stickler for conservation in me still wants 676 00:37:50,960 --> 00:37:54,400 to ask them how much of it is for real. 677 00:37:54,440 --> 00:38:00,000 So tell me, how much of this space here is where it was? 678 00:38:00,040 --> 00:38:02,280 Not that post, but a similar one was. 679 00:38:02,320 --> 00:38:04,600 So this rail, did this connect to this post? 680 00:38:04,640 --> 00:38:06,560 Is this all new joinery? 681 00:38:06,600 --> 00:38:07,840 It's new joinery, 682 00:38:07,880 --> 00:38:10,320 but with existing wood that was in the mill. 683 00:38:10,360 --> 00:38:14,040 OK. It's that kind of thing about puzzling over what's... 684 00:38:14,080 --> 00:38:15,120 What's new and what's... 685 00:38:15,160 --> 00:38:17,400 Yeah, but what was working in the mill and what wasn't, 686 00:38:17,440 --> 00:38:19,080 and how it was doing it, you know. 687 00:38:19,120 --> 00:38:23,200 We totally, totally understand that, but the state of the timbers in 688 00:38:23,240 --> 00:38:26,120 the building was shocking. 689 00:38:26,160 --> 00:38:31,080 So, to make the building survive. I just likened it to, 690 00:38:31,120 --> 00:38:33,720 it's like somebody having a major organ transplant, 691 00:38:33,760 --> 00:38:35,520 and that's what we had to do 692 00:38:35,560 --> 00:38:39,000 to make sure she survived. 693 00:38:39,040 --> 00:38:41,880 I mean the building has always evolved, hasn't it? 694 00:38:41,920 --> 00:38:44,280 It's... It's evolved masses, hasn't it? 695 00:38:44,320 --> 00:38:47,320 How they used to add bits on and floors and things. 696 00:38:47,360 --> 00:38:50,320 The wheel originally was on the roadside. 697 00:38:50,360 --> 00:38:52,160 And then when it got busier, 698 00:38:52,200 --> 00:38:55,040 they put a second wheel on this end, 699 00:38:55,080 --> 00:38:57,240 so it has changed an awful lot. 700 00:38:57,280 --> 00:38:59,760 Right. So we're saying, 701 00:38:59,800 --> 00:39:02,120 there's been so much in the way of alteration over 702 00:39:02,160 --> 00:39:04,600 the centuries, hasn't there? Because it was industrial. 703 00:39:04,640 --> 00:39:07,440 I guess it's impossible to know exactly what's always been where. 704 00:39:07,480 --> 00:39:09,800 Yeah. We saved what we could. 705 00:39:09,840 --> 00:39:11,440 And gave it a new purpose. Yeah. 706 00:39:11,480 --> 00:39:13,840 Good, good. 707 00:39:13,880 --> 00:39:15,520 Two and a half years on, 708 00:39:15,560 --> 00:39:19,080 I almost take Richard and Leigh's point that they are merely 709 00:39:19,120 --> 00:39:22,080 the most recent in a long line of occupants, 710 00:39:22,120 --> 00:39:26,360 to have tinkered, tweaked and rebuilt this mill. 711 00:39:26,400 --> 00:39:29,400 There's one big improvement since my last visit. 712 00:39:29,440 --> 00:39:31,480 The bedrooms are finished. 713 00:39:31,520 --> 00:39:36,240 Two guest rooms occupy the second floor, each with an en-suite. 714 00:39:36,280 --> 00:39:39,080 And up top, Leigh and Richard's bedroom, 715 00:39:39,120 --> 00:39:43,120 nestled under the beautiful old trusses they managed to retain, 716 00:39:43,160 --> 00:39:45,600 complete with the original grain pulleys. 717 00:39:45,640 --> 00:39:48,840 Gosh. This floor just benefits so much, 718 00:39:48,880 --> 00:39:51,600 doesn't it, from these hexagonal shapes? 719 00:39:51,640 --> 00:39:56,240 You know, each truss is a repetition of the next, 720 00:39:56,280 --> 00:39:59,640 and so nicely done and properly repaired. 721 00:39:59,680 --> 00:40:01,840 The beams provide the appropriate framing for 722 00:40:01,880 --> 00:40:04,560 the views out to the valley beyond. 723 00:40:04,600 --> 00:40:07,360 It's really nice. 724 00:40:07,400 --> 00:40:08,880 There's a bathroom too, 725 00:40:08,920 --> 00:40:11,440 with a surprisingly appropriate bath, 726 00:40:11,480 --> 00:40:13,120 like an industrial tub. 727 00:40:13,160 --> 00:40:15,560 I get the sense that these two are beginning to feel 728 00:40:15,600 --> 00:40:16,800 a strong connection to 729 00:40:16,840 --> 00:40:20,760 the long lineage of this mill's inhabitants. 730 00:40:20,800 --> 00:40:23,840 Oh, I want to show you something, Kevin, a lovely photo of the mill. 731 00:40:23,880 --> 00:40:25,200 The miller! Is that him? 732 00:40:25,240 --> 00:40:27,600 Yeah, that's him. That's him. And that's his wagon. 733 00:40:27,640 --> 00:40:29,680 I think about that every day. 734 00:40:29,720 --> 00:40:32,640 You know, what's happened here, what it's seen. 735 00:40:32,680 --> 00:40:34,120 An old guy came to see us 736 00:40:34,160 --> 00:40:36,440 and he remembers playing here as a child. 737 00:40:36,480 --> 00:40:40,320 He said the millers used to chase us and put flour sacks over our heads. 738 00:40:40,360 --> 00:40:43,680 Perhaps not nowadays. Perhaps not nowadays. 739 00:40:43,720 --> 00:40:46,960 So you're beginning to kind of feel that you're 740 00:40:47,000 --> 00:40:49,440 part of something bigger, longer? 741 00:40:49,480 --> 00:40:52,480 We can trace the people that have leased it 742 00:40:52,520 --> 00:40:55,880 and owned it back to 1610. So really, 743 00:40:55,920 --> 00:40:58,280 we're just another name at the bottom of the list, 744 00:40:58,320 --> 00:41:00,640 and there will be names after us. 745 00:41:01,760 --> 00:41:04,600 The spirit of the ancestors has infused 746 00:41:04,640 --> 00:41:06,640 the current inhabitants, 747 00:41:06,680 --> 00:41:08,040 a spell only a building 748 00:41:08,080 --> 00:41:11,640 with such deep roots has the power to perform. 749 00:41:11,680 --> 00:41:13,320 And under their influence, 750 00:41:13,360 --> 00:41:17,320 Richard and Leigh have transformed the garden to the rear, 751 00:41:17,360 --> 00:41:18,760 with a pond for fish, 752 00:41:18,800 --> 00:41:21,240 landscaping that sensitively traces 753 00:41:21,280 --> 00:41:23,680 the original water channels, 754 00:41:23,720 --> 00:41:27,160 and a clever means of connecting back to the house. 755 00:41:28,800 --> 00:41:30,000 Eh! 756 00:41:30,040 --> 00:41:32,880 I thought I might fall into the water, but no. 757 00:41:32,920 --> 00:41:36,600 No, no. Dog safe. Big grill and, yeah, love this. 758 00:41:36,640 --> 00:41:39,880 It's clearly a piece of modern industrial language, 759 00:41:39,920 --> 00:41:44,000 and it just suits a mill. It fits it. Yeah, absolutely bang-on. 760 00:41:44,040 --> 00:41:47,920 Richard's sweat and toil has transformed this old mill. 761 00:41:47,960 --> 00:41:51,920 I wonder if it, in turn, has transformed him. 762 00:41:53,160 --> 00:41:55,800 Are you through the emotional roller-coaster yet? 763 00:41:55,840 --> 00:41:58,160 When we spoke last, 764 00:41:58,200 --> 00:42:00,920 you said you were sort of emotionally overwhelmed by it. 765 00:42:00,960 --> 00:42:02,440 It's changed me a lot, I think. 766 00:42:02,480 --> 00:42:04,560 Has it? Yeah. 767 00:42:04,600 --> 00:42:08,000 We had a wedding anniversary. I cried. 768 00:42:08,040 --> 00:42:10,000 We lost Lily. I cried. 769 00:42:10,040 --> 00:42:12,000 Yeah... Yeah. 770 00:42:12,040 --> 00:42:13,640 Yeah. I don't know whether I find it 771 00:42:13,680 --> 00:42:15,480 a bit overwhelming at times, but, yeah, 772 00:42:15,520 --> 00:42:17,320 just everything about, I just love it here. 773 00:42:17,360 --> 00:42:20,960 Do you see it as an admission of strength almost, 774 00:42:21,000 --> 00:42:23,320 that you're able to be in touch with your emotions more? 775 00:42:23,360 --> 00:42:25,000 An improvement, I reckon. Yeah. 776 00:42:25,040 --> 00:42:26,480 An improvement. 777 00:42:26,520 --> 00:42:28,880 It's just getting used to it because I'm not... 778 00:42:28,920 --> 00:42:30,960 That's not what I was. Mm. 779 00:42:31,000 --> 00:42:32,720 Being involved with the building was, 780 00:42:32,760 --> 00:42:35,040 it's got to be one of the best things I've ever done. 781 00:42:35,080 --> 00:42:38,800 We saved her but, at the same time, she... 782 00:42:38,840 --> 00:42:40,560 She's given us so much back. 783 00:42:43,080 --> 00:42:47,320 And for Leigh, who's now chairwoman of the local gardening club, 784 00:42:47,360 --> 00:42:51,360 has saving the old building helped to build wider connections? 785 00:42:51,400 --> 00:42:54,600 People have welcomed us with open arms 786 00:42:54,640 --> 00:42:58,040 and made us feel very welcome. Because of what you've done. 787 00:42:58,080 --> 00:43:01,040 Yeah, I think because of what we've done and because, you know, 788 00:43:01,080 --> 00:43:06,840 for 60 years, they saw a significant building deteriorate 789 00:43:06,880 --> 00:43:10,240 and, you know, at least someone's put something back. 790 00:43:10,280 --> 00:43:14,280 The reanimating of this old mill has been 791 00:43:14,320 --> 00:43:16,360 a sort of lightning rod, 792 00:43:16,400 --> 00:43:17,680 jolting its occupants 793 00:43:17,720 --> 00:43:20,880 and all that surrounds it back to life. 794 00:43:22,520 --> 00:43:24,280 I get the feeling, Richard, that you... 795 00:43:24,320 --> 00:43:29,240 Although, actually, you love the zen, the flow of the work here, 796 00:43:29,280 --> 00:43:31,400 and that was something you particularly enjoyed, 797 00:43:31,440 --> 00:43:33,680 what emerged from that is an emotional relationship 798 00:43:33,720 --> 00:43:35,880 with this place, which I can't imagine 799 00:43:35,920 --> 00:43:38,160 you quickly wanting to give up. 800 00:43:38,200 --> 00:43:39,960 That physical contact, 801 00:43:40,000 --> 00:43:42,280 even if it was just sweeping the floor, 802 00:43:42,320 --> 00:43:44,320 because we were involved in it... 803 00:43:46,040 --> 00:43:48,840 ..it was a much more rewarding experience. I think if you'd have 804 00:43:48,880 --> 00:43:51,080 just handed over the cash and let somebody get... 805 00:43:51,120 --> 00:43:52,600 Well, you begin to own it. 806 00:43:52,640 --> 00:43:53,880 It wouldn't be the same. 807 00:43:53,920 --> 00:43:55,000 Yeah, I understand that. 808 00:43:55,040 --> 00:43:59,040 These are moments when you feel physically, emotionally, 809 00:43:59,080 --> 00:44:04,160 spiritually, connected to something other than just the everyday. 810 00:44:04,200 --> 00:44:07,400 Yeah, it's not just four walls and a roof, is it? No, it's not, 811 00:44:07,440 --> 00:44:09,400 it's definitely a home now, isn't it? 812 00:44:09,440 --> 00:44:11,480 I just think she's looking after us. 813 00:44:11,520 --> 00:44:14,160 Yeah, we're happy. That's all that matters. 814 00:44:18,040 --> 00:44:20,240 The mill may have struggled to get used 815 00:44:20,280 --> 00:44:22,840 to its new incarnation as a home, 816 00:44:22,880 --> 00:44:26,400 but it has embraced its new role. 817 00:44:26,440 --> 00:44:28,320 Always a place of industry, 818 00:44:28,360 --> 00:44:31,600 it has gone to work on its latest occupants. 819 00:44:31,640 --> 00:44:36,360 Revitalising and embracing them with warmth and comfort 820 00:44:36,400 --> 00:44:39,760 and the resonance of its history. 821 00:44:39,800 --> 00:44:41,000 So I know I've given Leigh 822 00:44:41,040 --> 00:44:43,240 and Richard a hard time over the course of this project, 823 00:44:43,280 --> 00:44:46,600 but only because I was interested in the best possible outcome. 824 00:44:46,640 --> 00:44:50,680 And actually, I think the outcomes here are pretty darn good. 825 00:44:50,720 --> 00:44:52,880 And what I thoroughly respect them for is 826 00:44:52,920 --> 00:44:55,440 an approach which really respects 827 00:44:55,480 --> 00:44:57,200 the history of this place, 828 00:44:57,240 --> 00:44:59,760 the fact that they are just custodians. 829 00:44:59,800 --> 00:45:03,000 The magic that, for centuries, has flowed through 830 00:45:03,040 --> 00:45:06,040 the waters around this site, 831 00:45:06,080 --> 00:45:09,720 I think now courses through their veins. 832 00:45:09,760 --> 00:45:13,680 They are romantically attached to this place. 833 00:45:13,720 --> 00:45:15,200 They've been seduced by it. 834 00:45:15,240 --> 00:45:21,400 And that cuts to the very essence of what it is we do when we connect 835 00:45:21,440 --> 00:45:24,000 to old buildings and want to repair them. 836 00:45:24,040 --> 00:45:28,160 You know, we love them rather like children or pets, 837 00:45:28,200 --> 00:45:29,440 unconditionally. 838 00:45:29,480 --> 00:45:33,160 We continue to love them unconditionally. 839 00:45:33,200 --> 00:45:35,600 They do not thank us, 840 00:45:35,640 --> 00:45:38,720 and yet we continue to love them still. 841 00:45:38,760 --> 00:45:40,960 That is the nature of the relationship. 842 00:45:51,320 --> 00:45:52,520 Three years ago, 843 00:45:52,560 --> 00:45:55,120 Olaf and Fritha took on a crazy triangular plot. 844 00:45:55,160 --> 00:45:57,840 This is just our dream. We can do whatever we want here. 845 00:45:57,880 --> 00:46:00,320 Olaf's carpentry skills were tested to the max. 846 00:46:00,360 --> 00:46:02,360 Can't fit that window in. 847 00:46:02,400 --> 00:46:05,280 With successful IVF spurring him on. 848 00:46:05,320 --> 00:46:07,120 But in the end, after the baby arrived, 849 00:46:07,160 --> 00:46:09,920 money had run out to fully finish the house, 850 00:46:09,960 --> 00:46:12,920 as well as their mad double decker bus workshop experiment. 851 00:46:12,960 --> 00:46:16,120 Oh, Christ. Now, I'm back. Whoa. 852 00:46:17,800 --> 00:46:21,240 Subtitles by Red Bee Media