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SUBTITLES SYNCED BY YOSHI224 FOR THE
BEAUTIFUL ANGEL TWEETIE PIE (ANNA-MARIA)
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BOY:
Listen.
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Can you hear it?
4
00:00:26,733 --> 00:00:28,291
The music.
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I can hear it everywhere.
6
00:00:35,809 --> 00:00:37,572
In the wind...
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...in the air...
8
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...in the light.
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It's all around us.
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All you have to do is open yourself up.
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All you have to do...
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...is listen.
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[MARK MANCINA'S
''WHEATFIELDS'' PLAYING]
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HeIIo, Porky. Where's your IittIe friend?
15
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-I don't know, Mr. Mannix.
-Go find him or your big butt's mine.
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AUGUST:
Where I've grown up--
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Evan!
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PETER:
Evan!
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00:02:26,587 --> 00:02:29,249
--they tried to stop me
from hearing the music.
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But when I'm alone...
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...it builds up from inside me.
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And I think if I could learn
how to play it...
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...they might hear me.
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They would know I was theirs...
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...and find me.
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MANNIX:
Knock, knock.
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00:03:03,123 --> 00:03:05,182
BO Y 1 : Knock, knock.
MANNIX: Knock, knock.
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-Knock, knock.
BO Y 2: Wake up.
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MANNIX:
Who's there? Who's there?
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Freak. Freak.
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-Said, knock, knock, freak.
-Who's there?
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Your Iong-Iost mommy and daddy.
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Can you hear them?
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Yes.
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No, you can't.
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I can.
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You don't have no famiIy.
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You can't hear anything.
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Say it.
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-Say it.
BO Y 1 : Say it. Say it.
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MANNIX: Say it.
BO Y 2: Say it.
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MANNIX: Say it.
BO Y 1 : Say it.
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Say it.
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Yes...
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...I can.
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He doesn't hear anything.
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BO Y 3:
Yeah.
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What is he?
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He's a freak.
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MANNIX: Sweet dreams, freaks.
BO Y 2: SIeep tight.
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00:04:18,832 --> 00:04:21,323
-Good night.
BO Y 1 : Don't Iet the bed bugs bite.
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00:04:26,940 --> 00:04:29,204
Sometimes the world
tries to knock it out of you.
53
00:04:33,313 --> 00:04:35,304
But I believe in music...
54
00:04:35,482 --> 00:04:38,679
...the way that some people
believe in fairy tales.
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I like to imagine that what I hear
came from my mother and father.
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00:05:14,788 --> 00:05:16,949
Maybe the notes I hear...
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...are the same ones they heard
the night they met.
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Maybe that's how they found each other.
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Maybe that's how they'll find me.
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[BANGING ON DOOR]
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MAN:
Louis. Louie, where are you?
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-LyIa? She's here. What are you doing?
LYLA: Dad.
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They're waiting for us.
Hey, sit up straight, pIease.
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Where are you, baby bro?
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We didn't foIIow you from San Francisco
to pIay for free, man. Yeah?
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We need this one, baby bro. AII right?
I need this one.
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THOMAS:
Don't forget to smiIe and Iook reIaxed.
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AII right, not that reIaxed.
Come on, come on.
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I believe that, once upon a time...
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00:06:04,538 --> 00:06:06,267
...long ago...
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...they heard the music and followed it.
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[MARK MANCINA'S
''MAIN TITLE'' PLAYING]
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[SYMPHONY PLAYING JOHANN SEBASTIAN
BACH'S ''PRELUDE FROM PARTITA NO. 3'']
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[BAND PLAYING
JOHN ONDRASIK'S ''BREAK'']
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[SINGING]
I break
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I borrow
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I live
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I lose
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I pray
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I'm hollow
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I'm dead confused
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I'll find you
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Once you're here, you're never gone
Once you're here, you're never gone
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Fallen from a night of cold
A piece of me that I can't hold
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I love you as I lose you more
I break outside this open door
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Catch me as I wash away
You'll catch me as I wash away
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Well, catch me as I wash away
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Oh, oh
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Oh
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Yeah
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Don't
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Don't wait, don't wait
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I break
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[CROWD APPLAUDING]
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[DANIEL LEVY'S ''THE SWAN''
PLAYING ON SPEAKERS]
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00:09:03,950 --> 00:09:07,078
MAN: Not bad, ConneIIy. Not bad.
-Thanks very much, man.
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00:09:07,253 --> 00:09:08,481
Where's the main man?
98
00:09:09,255 --> 00:09:11,450
Goddamn it, Louis. Just wait, man.
99
00:09:13,226 --> 00:09:16,787
Louis? Louis, wait up, man.
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00:09:20,000 --> 00:09:23,128
LIZZY:
GirIs, we are going to a party tonight.
101
00:09:23,303 --> 00:09:25,533
It's a fuII moon,
you know what that means, right?
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[WOMEN SCREAM]
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[MARK MANCINA'S ''CONFESSIONS
OF LO VE'' PLAYING ON SPEAKERS]
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LIZZY:
LyIa.
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[HARMONICA PLAYS ''MOONDANCE''
IN DISTANCE]
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LOUIS:
It's a great sound, isn't it?
107
00:10:27,667 --> 00:10:29,726
What are you doing?
108
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Listening.
109
00:10:34,240 --> 00:10:35,571
What are you doing?
110
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-I just came up here to, um....
-Get away?
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Have a seat.
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Come on, be brave.
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Front row, center.
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Can you hear that?
115
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What is that?
116
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It's a wish.
117
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Now, what does that sound Iike?
118
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[SINGING] Well, it's a marvelous night
For a moondance
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With the stars up above in your eyes
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A fantabulous night to make romance
121
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'Neath the cover of October skies
122
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When I was a young feIIow...
123
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...I used to taIk to the moon.
124
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Are you making that up?
125
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God, I haven't done that in a Iong time.
126
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Does it ever taIk back?
127
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WeII, it used to.
128
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Now I just find myseIf on a roof
taIking to myseIf...
129
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...Iike a Ioon.
130
00:12:30,890 --> 00:12:34,917
Just out here on me own.
131
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WeII, I'm here.
132
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Yes, you are.
133
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I'm Louis.
134
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LyIa.
135
00:12:58,985 --> 00:13:01,146
So, what's your story, LyIa?
136
00:13:03,523 --> 00:13:05,889
I don't know. I'm just, um....
137
00:13:08,761 --> 00:13:10,991
I'm just me.
138
00:13:17,837 --> 00:13:19,737
What are you Iooking at?
139
00:13:21,074 --> 00:13:22,564
You.
140
00:14:09,289 --> 00:14:11,052
[MARK MANCINA'S
''5-NOTE WINDCHIMES'' PLAYING]
141
00:14:19,866 --> 00:14:21,390
MAN:
Next.
142
00:14:22,468 --> 00:14:24,402
What did he want? What did you say?
143
00:14:24,570 --> 00:14:27,266
You know, same oId junk. New guy.
144
00:14:29,175 --> 00:14:30,699
My name is Mr. Jeffries.
145
00:14:30,877 --> 00:14:33,971
I'm with ChiId Services
for the state of New York.
146
00:14:34,147 --> 00:14:35,671
[WIND CHIMES TINKLE]
147
00:14:35,848 --> 00:14:37,873
Okay, Evan.
148
00:14:38,051 --> 00:14:42,488
Born December 1 7th, 1 995.
149
00:14:42,655 --> 00:14:45,988
LegaI adoption to New York ChiIdren's.
150
00:14:47,060 --> 00:14:49,119
[WHISTLING]
151
00:14:50,163 --> 00:14:51,790
How Iong have you been here, Evan?
152
00:14:52,131 --> 00:14:53,996
EIeven years and sixteen days.
153
00:14:56,269 --> 00:14:57,793
I've been counting.
154
00:14:59,205 --> 00:15:00,672
That's a Iong time.
155
00:15:01,274 --> 00:15:04,209
-How do you do that?
-Do what?
156
00:15:04,377 --> 00:15:06,470
[BLOWS]
157
00:15:09,048 --> 00:15:11,516
WeII, it's just imitating the wind chimes.
158
00:15:11,684 --> 00:15:13,345
[BLOWS]
159
00:15:14,153 --> 00:15:16,383
[WHISTLES]
160
00:15:16,556 --> 00:15:19,150
[WHISTLES]
161
00:15:20,360 --> 00:15:21,884
[CHUCKLES]
162
00:15:24,964 --> 00:15:27,797
You don't wanna be pIaced
with a reaI famiIy?
163
00:15:27,967 --> 00:15:31,232
-I have a famiIy.
-Yes, you do.
164
00:15:31,404 --> 00:15:34,737
I mean, you have parents and aII,
but they don't Iive with you.
165
00:15:34,907 --> 00:15:36,067
Not now.
166
00:15:36,509 --> 00:15:40,309
But stiII,
you don't have contact with them.
167
00:15:40,480 --> 00:15:43,938
-Yes, I do.
-You do?
168
00:15:47,987 --> 00:15:49,215
What, do they caII you?
169
00:15:51,691 --> 00:15:52,919
Come and visit you?
170
00:15:53,393 --> 00:15:54,655
-Send--?
-I....
171
00:15:57,530 --> 00:15:59,691
I don't wanna be sent away.
172
00:16:02,668 --> 00:16:04,602
I understand.
173
00:16:06,472 --> 00:16:09,168
You see, there's a Iot of chiIdren...
174
00:16:09,342 --> 00:16:12,038
...who are scared
that if they Ieave their first home...
175
00:16:12,211 --> 00:16:14,543
...their parents wouId never
be abIe to find them.
176
00:16:15,648 --> 00:16:17,206
Right?
177
00:16:17,817 --> 00:16:19,546
But see, my job is to make sure...
178
00:16:19,719 --> 00:16:23,155
...that nothing Iike that
wiII ever happen to you.
179
00:16:23,322 --> 00:16:26,450
So there's nothing to be scared of.
180
00:16:28,061 --> 00:16:29,756
Thank you.
181
00:16:36,069 --> 00:16:38,697
I'm gonna do something I never do.
182
00:16:39,906 --> 00:16:42,101
This is my number.
183
00:16:42,275 --> 00:16:46,473
If you ever need to taIk to me,
about anything...
184
00:16:48,081 --> 00:16:49,571
...you caII.
185
00:16:49,749 --> 00:16:52,240
Think about what I said too.
186
00:16:52,852 --> 00:16:56,879
There's a whoIe worId out there
with miIIions of wind chimes.
187
00:16:57,490 --> 00:16:58,821
I know.
188
00:17:06,432 --> 00:17:07,763
You can go now.
189
00:17:18,544 --> 00:17:21,240
PETER: Mannix says we're never
gonna see our real parents again.
190
00:17:21,414 --> 00:17:23,541
Mannix is a big Iiar.
191
00:17:24,350 --> 00:17:27,513
Yeah, I know. But what if he's right?
192
00:17:27,687 --> 00:17:30,884
I mean, what if they don't ever come?
193
00:17:31,057 --> 00:17:33,992
HardIy remember what my mom
Iooks Iike, you know?
194
00:17:34,460 --> 00:17:40,626
WeII, if they don't find us,
we'II just have to go find them.
195
00:17:46,372 --> 00:17:49,967
[VAN MORRISON'S ''MOONDANCE''
PLAYING]
196
00:18:13,733 --> 00:18:14,825
[CORK POPS]
197
00:18:15,001 --> 00:18:15,990
[LYLA SCREAMS]
198
00:18:16,169 --> 00:18:17,397
[MEN CHEER]
199
00:18:18,037 --> 00:18:19,026
[LAUGHING]
200
00:18:20,406 --> 00:18:21,464
LYLA: Oh, my God.
-Morning.
201
00:18:21,641 --> 00:18:23,006
-How's it going?
LYLA: Oh, my God.
202
00:18:23,176 --> 00:18:24,473
Get away.
203
00:18:24,644 --> 00:18:25,872
[LAUGHING]
204
00:18:26,045 --> 00:18:27,273
LYLA:
I have to go.
205
00:18:27,446 --> 00:18:29,539
-Let me waIk you home.
-No.
206
00:18:29,715 --> 00:18:31,683
LYLA:
My dad's waiting at the Sherry. I--
207
00:18:32,118 --> 00:18:34,780
I've never done this before.
I'm in so much troubIe.
208
00:18:34,954 --> 00:18:35,978
Hey, hey.
209
00:18:36,155 --> 00:18:37,213
MEN:
Woo!
210
00:18:37,390 --> 00:18:39,415
Meet me here at 1 0:00 by the arch.
211
00:18:39,592 --> 00:18:40,752
[MARSHALL LAUGHING]
212
00:18:40,927 --> 00:18:43,361
LOUIS: Say yes.
-Put him out of his misery. Say yes.
213
00:18:43,529 --> 00:18:45,019
-Say yes.
-Say it.
214
00:18:45,198 --> 00:18:46,859
Say yes.
215
00:18:50,469 --> 00:18:51,993
After you.
216
00:18:52,972 --> 00:18:54,405
I'II take that as a yes.
217
00:18:58,911 --> 00:19:02,904
You are gonna be in so much troubIe.
You shouId have Ieft your dad a note.
218
00:19:03,082 --> 00:19:05,778
Yeah, ransom note.
You know what? I don't even care.
219
00:19:05,952 --> 00:19:09,217
I just had the most incredibIe night
of my Iife.
220
00:19:09,388 --> 00:19:10,685
Taxi!
221
00:19:10,856 --> 00:19:14,849
[MARK MANCINA'S
''WASHINGTON SQUARE'' PLAYING]
222
00:19:17,897 --> 00:19:20,457
MARSHALL:
Louis. She ain't coming.
223
00:19:20,633 --> 00:19:23,796
Oh, man. One girI?
224
00:19:23,970 --> 00:19:26,564
Come on, we're gonna miss the fIight.
225
00:19:29,375 --> 00:19:33,368
-Taxi!
MARSHALL: Louis. Where you going, Louis?
226
00:19:35,581 --> 00:19:36,741
Excuse me.
227
00:19:38,351 --> 00:19:40,012
MARSHALL:
Louie.
228
00:19:41,220 --> 00:19:42,551
THOMAS:
You are not going anywhere.
229
00:19:43,022 --> 00:19:45,718
-LyIa!
LYLA: Dad, I'm not going with you.
230
00:19:45,891 --> 00:19:48,621
-LyIa, you Iisten to me.
-No.
231
00:19:48,794 --> 00:19:51,490
-Don't you dare waIk away.
LYLA: I'm not going with you.
232
00:19:58,738 --> 00:20:00,831
LOUIS:
LyIa!
233
00:20:06,379 --> 00:20:09,143
THOMAS:
Get in the car right now.
234
00:20:12,184 --> 00:20:14,584
LyIa! LyIa!
235
00:20:27,767 --> 00:20:29,394
MARSHALL:
Louis.
236
00:20:32,605 --> 00:20:35,438
Do you remember what Da used to say
about princesses? Huh?
237
00:20:35,608 --> 00:20:39,669
They're aIways Iooking for their prince.
And you ain't no prince, brother.
238
00:20:40,913 --> 00:20:42,039
How wouId you know?
239
00:20:43,049 --> 00:20:44,949
What am I gonna do now?
240
00:20:59,198 --> 00:21:01,393
I know they're out there somewhere.
241
00:21:02,335 --> 00:21:05,532
[VIBRATING AND BUZZING]
242
00:21:05,705 --> 00:21:09,004
[MARK MANCINA'S ''WIRES'' PLAYING]
243
00:21:15,781 --> 00:21:18,181
I don't know where it comes from...
244
00:21:21,854 --> 00:21:23,651
...but it's what I hold on to.
245
00:21:28,060 --> 00:21:30,187
And I can't let go.
246
00:21:30,363 --> 00:21:31,694
[WIND WHISTLES]
247
00:21:34,667 --> 00:21:36,066
Somewhere inside me...
248
00:21:37,503 --> 00:21:40,199
...I know that they always wanted me.
249
00:21:42,575 --> 00:21:44,975
Maybe they just got lost.
250
00:21:46,312 --> 00:21:49,543
LOUIS [SINGING] :
Walking through wintertime
251
00:21:49,715 --> 00:21:53,048
When the stars all shine
252
00:21:56,922 --> 00:22:00,414
The angel on the stairs
253
00:22:03,362 --> 00:22:06,854
Will tell you I was there
254
00:22:07,032 --> 00:22:08,397
[CELLO PLAYING MARK MANCINA'S
''CELLO O VERLUDE'']
255
00:22:08,567 --> 00:22:12,025
Under the front porch light
256
00:22:12,204 --> 00:22:15,071
On a mystery night
257
00:22:21,447 --> 00:22:22,675
I been sitting
258
00:22:22,848 --> 00:22:27,046
Watching life pass from the sidelines
259
00:22:28,187 --> 00:22:30,246
Been waiting for a dream
260
00:22:30,423 --> 00:22:34,587
To seep in through my blinds
261
00:22:34,760 --> 00:22:37,251
I wondered what might happen
262
00:22:37,430 --> 00:22:40,092
If I left this all behind
263
00:22:40,900 --> 00:22:43,960
Would the wind be at my back?
264
00:22:44,136 --> 00:22:48,038
Could I get you off my mind
265
00:22:50,176 --> 00:22:51,234
This time?
266
00:22:51,444 --> 00:22:53,969
LOUIS:
What's the point in singing, Marshall?
267
00:22:54,847 --> 00:22:56,474
She's not gonna hear me.
268
00:22:57,316 --> 00:23:00,285
I'm leaving the band.
I'm sorry, Marshall.
269
00:23:00,453 --> 00:23:02,421
MARSHALL:
Don't quit on us, Louis.
270
00:23:04,490 --> 00:23:07,789
[SINGING]
The things I left behind
271
00:23:08,360 --> 00:23:10,794
THOMAS: Everything you've given up,
everything I've given up--
272
00:23:11,163 --> 00:23:12,892
[SINGING]
Have melted in my mind
273
00:23:13,065 --> 00:23:15,465
I can't do it. I'm sorry, Frank.
I can't do it, man.
274
00:23:15,634 --> 00:23:17,329
-Listen to me. Listen to me.
-No!
275
00:23:17,503 --> 00:23:19,664
-You know what I mean? I don't know...
-Dad!
276
00:23:19,839 --> 00:23:21,329
...how to approach this probIem.
277
00:23:21,507 --> 00:23:23,498
I mean, where are you
gonna put the baby?
278
00:23:23,676 --> 00:23:26,702
And what about this boy?
He's not here now. He's not here now.
279
00:23:26,879 --> 00:23:28,278
-I'm Ieaving.
-You can't Ieave.
280
00:23:28,447 --> 00:23:31,507
-Where you going, then?
-Just Iet me go. WiII you just Iet me go?
281
00:23:32,117 --> 00:23:34,108
LOUIS [SINGING] :
Would the wind be at my back?
282
00:23:35,387 --> 00:23:38,845
Could I get you off my mind
283
00:23:39,024 --> 00:23:41,151
MARSHALL: Louis.
THOMAS: LyIa.
284
00:23:41,327 --> 00:23:42,760
This time?
285
00:23:44,396 --> 00:23:45,795
Hey, Louis.
286
00:23:47,166 --> 00:23:48,633
THOMAS:
LyIa.
287
00:23:49,235 --> 00:23:50,463
[SCREAMS]
288
00:23:50,636 --> 00:23:51,625
[TIRES SCREECH]
289
00:23:51,804 --> 00:23:53,567
[THUDS]
290
00:23:55,307 --> 00:23:57,036
[MARK MANCINA'S
''HOSPITAL PT. 1 '' PLAYING]
291
00:24:12,091 --> 00:24:13,752
WOMAN:
We have fetaI distress.
292
00:24:15,728 --> 00:24:17,719
Baby's heart rate is faIIing.
293
00:24:20,132 --> 00:24:21,793
It's faIIing.
294
00:24:50,396 --> 00:24:52,159
I'm sorry.
295
00:24:56,902 --> 00:24:58,767
He's gone.
296
00:26:02,468 --> 00:26:04,732
MAN: Picked him up on the thruway
outside of Montrose.
297
00:26:04,903 --> 00:26:07,963
Just wandering down the road.
Said he's foIIowing the music.
298
00:26:08,140 --> 00:26:10,802
The moon toId him to.
Yeah. Kid's a space cadet.
299
00:26:13,879 --> 00:26:15,540
[CAR HORNS HONKING]
300
00:26:16,715 --> 00:26:19,183
Look, I got a busy day ahead of me.
301
00:26:20,319 --> 00:26:22,617
AII right, big guy, out you go.
302
00:26:22,788 --> 00:26:24,881
This Jeffries guy
wasn't in his office yet...
303
00:26:25,057 --> 00:26:27,651
...so I Ieft him a message
to pick you up right here.
304
00:26:27,826 --> 00:26:29,487
AUGUST: Okay.
-Here. HoId on.
305
00:26:29,662 --> 00:26:32,790
Don't Iose it. If he doesn't show
in an hour, give him another caII.
306
00:26:32,965 --> 00:26:34,626
You can handIe that, right?
307
00:26:34,800 --> 00:26:36,358
-Yeah.
-You got any money?
308
00:26:36,802 --> 00:26:40,829
Here's 1 2 bucks.
Damn, kid, put it in your pocket.
309
00:26:41,006 --> 00:26:42,769
See you.
310
00:26:56,288 --> 00:26:58,586
[TRAINS CLICKING ON TRACKS]
311
00:27:01,593 --> 00:27:03,185
[TRAIN HORN BLOWS]
312
00:27:05,864 --> 00:27:07,729
[SCREECHING]
313
00:27:21,313 --> 00:27:25,272
[HORNS HONK, TIRES SCREECH
AND FOOTSTEPS TAP]
314
00:27:27,853 --> 00:27:29,878
[HIP HOP MUSIC PLAYS
ON STEREO]
315
00:27:35,894 --> 00:27:38,419
[WHISTLE BLOWS, HORN HONKS
AND DOG BARKS]
316
00:27:47,206 --> 00:27:48,571
[BELL RINGING]
317
00:27:48,741 --> 00:27:49,765
[THUDDING]
318
00:27:57,750 --> 00:27:59,877
[MARK MANCINA'S
''UNION SQUARE'' PLAYING]
319
00:28:35,254 --> 00:28:36,243
[HORN HONKS]
320
00:28:36,421 --> 00:28:37,888
[GASPS]
321
00:28:40,325 --> 00:28:42,122
[GRUNTS]
322
00:28:43,629 --> 00:28:45,290
MAN:
Get on the sidewaIk!
323
00:28:55,274 --> 00:28:57,572
[HORNS HONKING AND SIRENS WAILING]
324
00:29:05,317 --> 00:29:07,842
BO Y [SINGING] :
Para bailar la bamba
325
00:29:08,020 --> 00:29:10,284
[GIRLS SINGING]
326
00:29:12,991 --> 00:29:17,928
Give me your money
327
00:29:18,096 --> 00:29:22,760
Come here, sweet honey
328
00:29:22,935 --> 00:29:26,393
Come here, baby
329
00:29:28,173 --> 00:29:29,333
Yeah.
330
00:29:30,375 --> 00:29:33,538
[PLAYING ALI DEE'S
''MY COUNTRY 'TIS OF THEE'']
331
00:29:47,893 --> 00:29:51,659
Okay, citizen. You paid. Any requests?
332
00:29:51,830 --> 00:29:53,297
AUGUST:
No.
333
00:29:54,733 --> 00:29:56,098
AIrighty, then.
334
00:29:58,437 --> 00:30:02,567
[SINGING]
Father, hear me when I
335
00:30:02,741 --> 00:30:05,039
Call your name
336
00:30:05,611 --> 00:30:09,945
I need you to answer me now
337
00:30:10,115 --> 00:30:14,017
Father, here I am
338
00:30:14,186 --> 00:30:17,121
Weak in your sight
339
00:30:17,289 --> 00:30:21,123
Can you rescue me now?
340
00:30:21,293 --> 00:30:27,391
I'm crying out
Can't figure it out on my own
341
00:30:29,701 --> 00:30:33,000
Back off. Away, away. Yo, son,
you're messing with my equiIibrium.
342
00:30:33,171 --> 00:30:36,436
Nobody touches this instrument but me.
Roxy's my girI.
343
00:30:36,608 --> 00:30:39,202
Son, we done here,
so why don't you go find your mommy.
344
00:30:39,678 --> 00:30:43,045
-I don't know where she is.
-Good, that's just great. Uh....
345
00:30:43,215 --> 00:30:45,274
Cops show up around 6.
TeII them you're AWOL.
346
00:30:45,450 --> 00:30:47,350
They'II send you back
where you come from.
347
00:30:47,519 --> 00:30:48,884
I don't wanna go back there.
348
00:30:49,721 --> 00:30:51,211
WeII, good.
349
00:30:51,390 --> 00:30:53,790
This day's been a bust anyway. I'm out.
350
00:31:04,236 --> 00:31:08,002
[MARK MANCINA'S
''FOLLOWING ARTHUR'' PLAYING]
351
00:31:15,380 --> 00:31:16,438
What?
352
00:31:18,717 --> 00:31:20,344
I don't have a pIace to stay.
353
00:31:21,186 --> 00:31:23,677
Do I Iook Iike a reaI-estate tycoon
to you?
354
00:31:27,292 --> 00:31:29,089
How many dead presidents you got?
355
00:31:29,661 --> 00:31:31,959
Nuggets? Shorts?
356
00:31:32,130 --> 00:31:33,529
Show me the money.
357
00:31:38,303 --> 00:31:42,603
-Are you thinking what I'm thinking?
-No, I'm thinking something eIse.
358
00:31:44,843 --> 00:31:47,004
I'm gonna Iet you buy me a pizza.
359
00:32:02,627 --> 00:32:06,461
I've been doing this for 1 0 years, Bob.
I said 1 0 percent.
360
00:32:07,632 --> 00:32:10,032
We need to cIose the deaI.
HoId on a second.
361
00:32:10,202 --> 00:32:13,433
No. We said 1 0 percent.
362
00:32:14,339 --> 00:32:17,331
Yeah, weII, it makes the worId go round,
doesn't it, Bob?
363
00:32:18,310 --> 00:32:20,676
Just get me the 1 0 percent, wiII you?
364
00:32:20,846 --> 00:32:22,336
Thanks.
365
00:32:23,081 --> 00:32:24,446
[SIGHS]
366
00:32:26,218 --> 00:32:29,449
MAN: Need anything, sir?
-Do you know any hit men?
367
00:32:29,621 --> 00:32:32,181
I do know a bass pIayer
might be abIe to heIp you out.
368
00:32:32,357 --> 00:32:34,382
Likes to get in fights with Iead singers.
369
00:32:36,561 --> 00:32:37,687
Nick?
370
00:32:39,464 --> 00:32:41,432
What are you doing, man?
371
00:32:42,968 --> 00:32:45,869
StiII driving. Paying off
those wedding biIIs from Iast year.
372
00:32:46,038 --> 00:32:48,529
Oh, fair pIay to you.
Oh, she's a nice girI.
373
00:32:49,941 --> 00:32:51,670
So you pIaying at aII?
374
00:32:52,110 --> 00:32:53,270
Nope.
375
00:32:54,046 --> 00:32:56,571
Why the heII not? Your fingers faII off?
376
00:32:56,748 --> 00:32:58,545
WeII, you move on.
377
00:33:00,819 --> 00:33:03,788
What about the Iads?
Seen any of them IateIy?
378
00:33:05,123 --> 00:33:07,057
We stiII mess around...
379
00:33:07,225 --> 00:33:11,184
...but the ConneIIy Brothers never reaIIy
bounced back minus one brother.
380
00:33:15,700 --> 00:33:17,224
You seen MarshaII IateIy?
381
00:33:18,170 --> 00:33:19,637
Have you?
382
00:33:19,805 --> 00:33:22,069
[VAN MORRISON'S
''MAGIC TIME'' PLAYING]
383
00:33:22,841 --> 00:33:24,433
It's my birthday on Saturday.
384
00:33:25,043 --> 00:33:28,069
Session's at my pIace.
Come, bring your girIfriend.
385
00:33:28,947 --> 00:33:31,040
It's great seeing you, man.
386
00:33:31,216 --> 00:33:35,016
Reminds me of New York.
The good oId days, eh?
387
00:33:35,387 --> 00:33:37,514
[SIRENS WAILING]
388
00:33:42,094 --> 00:33:44,085
[LYLA HUMMING BEETHO VEN'S
''FUR ELISE'']
389
00:33:44,262 --> 00:33:45,820
GIRL:
I know.
390
00:33:45,997 --> 00:33:48,227
I know.
391
00:33:48,400 --> 00:33:51,801
-I know. Okay, I don't know.
-Oh!
392
00:33:52,003 --> 00:33:55,200
''Fur EIise'' by Beethoven.
And you shouId know that one.
393
00:33:55,373 --> 00:33:57,432
Oh, yeah.
394
00:33:57,609 --> 00:34:00,077
WiII you be our teacher forever,
Miss Novacek?
395
00:34:00,245 --> 00:34:03,237
WeII, at Ieast untiI your oId teacher
comes back.
396
00:34:03,415 --> 00:34:06,680
But onIy if you caII me...?
397
00:34:06,852 --> 00:34:09,082
-LyIa.
-That's right.
398
00:34:09,254 --> 00:34:10,721
You're crazy, Miss Novacek.
399
00:34:10,889 --> 00:34:12,151
WOMAN: Megan.
-Got everything?
400
00:34:14,326 --> 00:34:16,021
-Okay.
-Bye.
401
00:34:16,194 --> 00:34:17,991
[MARK MANCINA'S
''ELEVEN YEARS LATER'' PLAYING]
402
00:34:18,430 --> 00:34:20,990
Hi, sweetie.
403
00:34:21,533 --> 00:34:23,524
Did you have a good day?
404
00:34:24,936 --> 00:34:26,130
Thanks.
405
00:34:26,304 --> 00:34:27,498
LIZZY: There you are.
-Hey.
406
00:34:27,672 --> 00:34:31,369
Okay, now, before you say no....
Okay, picture this.
407
00:34:31,543 --> 00:34:35,775
You on stage, me accompanying,
thousands of peopIe.
408
00:34:35,947 --> 00:34:37,414
-Liz.
-The New York PhiIharmonic.
409
00:34:37,582 --> 00:34:40,415
I just got the invite. They want you back.
410
00:34:40,585 --> 00:34:43,315
It's just one night,
but they want you back.
411
00:34:44,890 --> 00:34:47,051
I don't wanna be up there.
412
00:34:47,225 --> 00:34:48,715
LyIa....
413
00:34:49,528 --> 00:34:51,792
When are you gonna Iet yourseIf
be happy again?
414
00:34:51,963 --> 00:34:54,329
I am happy.
415
00:34:55,133 --> 00:34:58,466
I'm taIking about
when everyone eIse goes home.
416
00:35:05,443 --> 00:35:07,274
Look....
417
00:35:07,445 --> 00:35:09,970
I know. Okay? I know.
418
00:35:11,516 --> 00:35:12,847
Just think about it.
419
00:35:13,018 --> 00:35:17,648
I mean, you're a music teacher
who doesn't pIay music anymore.
420
00:35:18,123 --> 00:35:20,023
CaII me crazy.
421
00:35:20,192 --> 00:35:21,819
Okay, Crazy.
422
00:35:21,993 --> 00:35:24,553
-I'II see you at home, okay?
-AII right.
423
00:35:35,907 --> 00:35:38,398
ARTHUR:
No, I ain't got no daddy.
424
00:35:39,911 --> 00:35:41,173
See, my pops is a drunk.
425
00:35:41,346 --> 00:35:44,941
And my mama, she took off
with this crackhead named LittIe Jesus.
426
00:35:45,116 --> 00:35:48,381
But, you know, he wasn't no IittIe Jesus,
you know what I'm saying?
427
00:35:48,553 --> 00:35:49,577
[BILLIE HOLIDAY'S
''GOD BLESS THE CHILD'' PLAYING]
428
00:35:49,754 --> 00:35:51,949
No, they never gave a damn about me.
429
00:35:52,123 --> 00:35:56,025
Come on, man. This is us right here.
430
00:35:58,129 --> 00:36:01,064
-I've been with Wizard for years.
AUGUST: Who's Wizard?
431
00:36:01,233 --> 00:36:03,599
ARTHUR: Oh, he's a reaI piece of work,
that's what he is.
432
00:36:03,768 --> 00:36:06,328
His reaI name's MaxweII WaIIace.
433
00:36:06,504 --> 00:36:09,632
He took me in.
He said that I was an investment.
434
00:36:09,808 --> 00:36:12,902
He gave me Roxy here.
He bought it in the oId days.
435
00:36:13,345 --> 00:36:16,678
WeII, he reaIIy didn't buy it.
Guess you'd kind of say he found it.
436
00:36:16,848 --> 00:36:18,145
AII right, he stoIe it.
437
00:36:18,316 --> 00:36:20,477
Wizard?
He gave me his pIace at the Square.
438
00:36:20,652 --> 00:36:23,143
My parents? They ain't gave me nothing.
439
00:36:25,724 --> 00:36:28,625
We aII gonna be big stars someday.
440
00:36:29,628 --> 00:36:32,825
MAN: What's the password?
-Open the damn door aIready.
441
00:36:34,132 --> 00:36:35,895
You're getting on my nerves with that.
442
00:36:40,372 --> 00:36:42,397
Okay, foIIow me.
443
00:36:42,574 --> 00:36:45,668
[MARK MANCINA'S
''WIZARD'S LAIR'' PLAYING]
444
00:36:45,844 --> 00:36:48,779
What's your name again?
It's Evan, right?
445
00:36:50,181 --> 00:36:52,547
Yo, this is our home, son.
446
00:36:52,717 --> 00:36:54,617
It's kind of crazy in here,
so stay on your feet.
447
00:36:54,786 --> 00:36:56,378
[BO Y YELLS]
448
00:36:58,089 --> 00:36:59,249
Watch out.
449
00:36:59,424 --> 00:37:02,621
Yeah, I've been Iiving here for a whiIe.
Come on, man.
450
00:37:02,794 --> 00:37:04,853
Hey, check it out.
451
00:37:05,030 --> 00:37:06,190
-How much you make?
BO Y 1 : Ten doIIars.
452
00:37:06,364 --> 00:37:08,298
ARTHUR: You Iying. Let me see.
BO Y 1 : I am not Iying.
453
00:37:08,466 --> 00:37:10,434
ARTHUR: What did I teII you about that?
-Boo!
454
00:37:11,703 --> 00:37:12,692
[BABBLING]
455
00:37:12,871 --> 00:37:15,772
BO Y 2: Hey, it's Arthur.
ARTHUR: I'II be Iaughing at your funeraI.
456
00:37:15,940 --> 00:37:17,999
BO Y 1 : I'm gonna go pIay basketbaII.
ARTHUR: AII cIear.
457
00:37:18,176 --> 00:37:23,705
[SINGING] My life, the sky
Like a feather I'll fly
458
00:37:24,482 --> 00:37:27,144
ARTHUR: Man, you shouId've knocked him
in his head, son.
459
00:37:27,652 --> 00:37:30,951
[PLAYING IMPACT REPERTORY THEATRE'S
''WIZARD'S THEATER SONG'']
460
00:37:38,063 --> 00:37:39,894
BO Y 3:
Shoot it, shoot it, shoot it!
461
00:37:44,836 --> 00:37:46,235
Pizza!
462
00:37:51,343 --> 00:37:53,402
Pizza, pizza, pizza.
463
00:38:07,826 --> 00:38:09,225
GIRL 1 :
Don't make me come up there.
464
00:38:09,394 --> 00:38:11,453
BO Y 4: Yo, you better hurry
before Wizard shows.
465
00:38:11,629 --> 00:38:14,189
He'II be pissed
if he's seen you bought a pie.
466
00:38:14,566 --> 00:38:16,227
I ain't take no famiIy money.
467
00:38:16,401 --> 00:38:17,698
Citizen bought it.
468
00:38:21,005 --> 00:38:23,701
Hola, music Iovers.
469
00:38:23,875 --> 00:38:25,706
Wow, whiIe the cat's away....
470
00:38:26,544 --> 00:38:27,909
Oh.
471
00:38:28,079 --> 00:38:29,376
Who Iikes pizza?
472
00:38:31,616 --> 00:38:32,913
Who did this?
473
00:38:34,519 --> 00:38:35,781
Arthur?
474
00:38:41,793 --> 00:38:43,852
-What is he?
-He's a damn fooI.
475
00:38:44,028 --> 00:38:46,462
He's a damn fooI.
476
00:38:46,631 --> 00:38:48,258
-He's gonna get it good.
-Shh.
477
00:38:48,433 --> 00:38:50,264
What are you, Arthur?
478
00:38:50,769 --> 00:38:52,703
I'm a reaI piece of work, Wizard.
479
00:38:54,372 --> 00:38:56,067
You're on thin ice.
480
00:38:56,574 --> 00:39:00,567
I didn't take no famiIy money.
He bought it.
481
00:39:05,884 --> 00:39:07,283
What?
482
00:39:07,652 --> 00:39:08,949
You Iook crazy.
483
00:39:10,588 --> 00:39:11,714
I am crazy.
484
00:39:11,890 --> 00:39:13,824
[SCREAMS]
485
00:39:15,093 --> 00:39:16,492
See?
486
00:39:17,362 --> 00:39:18,420
Come here.
487
00:39:21,299 --> 00:39:22,823
Now!
488
00:39:24,135 --> 00:39:25,568
Come on.
489
00:39:28,907 --> 00:39:31,842
-What's your name?
-Evan, sir.
490
00:39:32,644 --> 00:39:33,975
What are you doing here?
491
00:39:34,779 --> 00:39:36,576
I foIIowed the music.
492
00:39:42,053 --> 00:39:45,318
Where did you pick this one up,
Arthur, BeIIevue?
493
00:39:49,427 --> 00:39:51,793
You never pIayed a note in your Iife.
494
00:39:51,963 --> 00:39:53,988
Do you know what music is?
495
00:39:55,667 --> 00:39:59,797
It's God's IittIe reminder there's
something eIse besides us in this universe.
496
00:40:00,338 --> 00:40:05,970
Harmonic connection between aII Iiving
beings everywhere, even the stars.
497
00:40:06,711 --> 00:40:08,611
Is this a schooI?
498
00:40:08,780 --> 00:40:12,011
Yeah, the schooI of
Screw You and Take AII Your Damn Money.
499
00:40:12,183 --> 00:40:14,048
-Yeah.
-Yeah, we're top of the cIass.
500
00:40:14,219 --> 00:40:15,584
Not!
501
00:40:17,989 --> 00:40:19,479
It's a business.
502
00:40:22,126 --> 00:40:24,720
-Pockets.
GIRL 2: Okay, Iet's go.
503
00:40:24,896 --> 00:40:26,523
-Let's go, Iet's go.
WALLACE: Pockets.
504
00:40:27,398 --> 00:40:28,524
BO Y 1 :
Oh, man. Get up.
505
00:40:28,700 --> 00:40:30,691
[CHATTERING]
506
00:40:32,670 --> 00:40:33,898
WALLACE:
Peanut, weII done.
507
00:40:35,173 --> 00:40:36,834
I got eyes in the back of my head.
508
00:40:37,809 --> 00:40:39,674
Good job. Gracias, amigo.
509
00:40:39,844 --> 00:40:42,074
Chain is onIy as strong...
510
00:40:42,514 --> 00:40:43,811
...as its weakest Iink.
511
00:40:46,518 --> 00:40:48,008
Come on, Arthur.
512
00:40:48,353 --> 00:40:49,911
That's chump change.
513
00:40:50,088 --> 00:40:53,421
You got Washington Square.
That was my spot for 1 0 years.
514
00:40:57,562 --> 00:41:00,690
Go ahead, before I change my mind.
515
00:41:05,003 --> 00:41:07,164
You kids are gonna put me
in the poorhouse.
516
00:41:08,139 --> 00:41:11,074
AII right, IittIe mice,
scurry back to your hoIes. Go, go.
517
00:41:13,711 --> 00:41:16,544
Harmonic dreams, sweet chiIdren.
518
00:41:24,522 --> 00:41:26,422
[PLAYING VAN MORRISON'S
''MOONDANCE'' ON HARMONICA]
519
00:42:06,764 --> 00:42:11,258
[PLAYING MARK MANCINA'S
''BARI IMPRO V'']
520
00:43:46,631 --> 00:43:48,758
ARTHUR:
Roxanne. Man, I'm gonna kiII him.
521
00:44:17,095 --> 00:44:19,029
WALLACE:
You know what's out there?
522
00:44:19,664 --> 00:44:21,791
A series of higher tones.
523
00:44:21,966 --> 00:44:23,490
It's arranged by nature.
524
00:44:23,668 --> 00:44:27,729
It's governed by the Iaws of physics
of the whoIe universe.
525
00:44:29,140 --> 00:44:31,540
It's an overtone, it's an energy,
it's a waveIength.
526
00:44:31,709 --> 00:44:36,237
And if you're not riding it, good Lordy,
you'II never hear it.
527
00:44:36,414 --> 00:44:38,439
Where do you think it comes from?
528
00:44:40,251 --> 00:44:41,548
What I hear.
529
00:44:42,153 --> 00:44:43,887
I think it comes from
aII around you, reaIIy.
530
00:44:43,900 --> 00:44:45,645
I mean, it's--
531
00:44:45,823 --> 00:44:47,654
Comes through us, some of us.
532
00:44:49,894 --> 00:44:52,954
It's invisibIe, but-- But you feeI it.
533
00:44:53,898 --> 00:44:55,661
So onIy some of us can hear it?
534
00:44:57,301 --> 00:44:59,269
OnIy some of us are Iistening.
535
00:45:02,073 --> 00:45:04,405
Do you think my parents are Iistening?
536
00:45:05,276 --> 00:45:07,244
I hear you, kid.
537
00:45:10,214 --> 00:45:11,203
Like:
538
00:45:11,382 --> 00:45:12,747
[STRUMS GUITAR]
539
00:45:13,317 --> 00:45:14,909
Yeah.
540
00:45:18,856 --> 00:45:20,483
WOMAN:
Are you hearing a word I'm saying?
541
00:45:20,658 --> 00:45:21,989
[CHATTERING]
542
00:45:24,796 --> 00:45:26,195
Louis.
543
00:45:26,964 --> 00:45:29,797
Come on.
It's about time I met your famiIy.
544
00:45:31,002 --> 00:45:33,630
[CHRIS TRAPPER'S ''THIS TIME''
PLAYING IN DISTANCE]
545
00:45:34,338 --> 00:45:37,830
Listen, Jen,
maybe this isn't such a good idea.
546
00:45:38,810 --> 00:45:39,834
Grow up.
547
00:45:40,311 --> 00:45:41,778
Come on.
548
00:45:43,681 --> 00:45:44,943
-Come on.
-''Grow up.''
549
00:45:46,784 --> 00:45:49,309
[SINGING ON VIDEO]
The angel on the stairs
550
00:45:49,487 --> 00:45:53,014
JEN: Are aII Irish peopIe this Ioud?
-Yeah.
551
00:45:53,191 --> 00:45:55,716
Will tell you I was there
552
00:45:58,296 --> 00:46:01,857
Under the front porch light
553
00:46:02,033 --> 00:46:04,968
On a mystery night
554
00:46:11,342 --> 00:46:16,041
I been sitting
Watching life pass from the sidelines
555
00:46:17,014 --> 00:46:18,003
MAN:
Hey, Louis.
556
00:46:18,182 --> 00:46:20,150
Been waiting for a dream
557
00:46:20,318 --> 00:46:24,015
To seep in through my blinds
558
00:46:25,590 --> 00:46:27,990
NICK:
Hey, MarshaII, your brother's here.
559
00:46:28,392 --> 00:46:29,416
Louis.
560
00:46:32,129 --> 00:46:33,596
Hey, Nick.
561
00:46:33,998 --> 00:46:35,556
Could I get you off my mind
562
00:46:36,100 --> 00:46:39,797
JEN:
Oh, my God. Is that you?
563
00:46:39,971 --> 00:46:42,064
This time?
564
00:46:43,007 --> 00:46:45,441
When were you gonna teII me
you're in a band?
565
00:46:47,845 --> 00:46:51,246
I'm sure there's a Iot of things
our Louis hasn't toId you, darIing.
566
00:46:51,415 --> 00:46:54,407
-Like who did you write the song for?
-I toId you this is a mistake.
567
00:46:54,952 --> 00:46:57,546
That's it, go on. WaIk out on us again.
568
00:47:00,524 --> 00:47:02,788
-Eh, Lou?
LOUIS: Say what you gotta say, MarshaII.
569
00:47:02,960 --> 00:47:04,928
-Say what you have to say.
-No, go on.
570
00:47:05,096 --> 00:47:07,189
-Come on, say it.
MARSHALL: That the best you got?
571
00:47:07,365 --> 00:47:09,026
-Say it.
-That the best you got?
572
00:47:09,200 --> 00:47:11,430
-Come on. Hit me. Come on, hit me.
-Come on.
573
00:47:11,602 --> 00:47:13,763
FeeI what? Come on. Hit me.
574
00:47:15,106 --> 00:47:16,403
I'm suffocating here.
575
00:47:17,174 --> 00:47:19,506
The things I left behind
576
00:47:23,214 --> 00:47:24,704
You aII right, man?
577
00:47:26,784 --> 00:47:28,479
You aII right, man?
578
00:47:29,153 --> 00:47:30,882
WeIcome to the ConneIIy cIan.
579
00:47:31,055 --> 00:47:32,852
[MARSHALL LAUGHS]
580
00:47:38,596 --> 00:47:40,223
Jennifer.
581
00:48:05,656 --> 00:48:08,591
You know, it was good
having the oId Louis back in there...
582
00:48:09,126 --> 00:48:11,492
...even if it was onIy for a second.
583
00:48:13,464 --> 00:48:14,954
Louie...
584
00:48:15,399 --> 00:48:18,061
...aren't you supposed to be in the car
with the girI...
585
00:48:18,235 --> 00:48:20,396
...as she drives off into the sunset?
586
00:48:28,879 --> 00:48:31,439
You'II get your suit dirty
sitting there, man.
587
00:48:34,552 --> 00:48:37,988
[MARK MANCINA'S
''5-NOTE TRANSITION'' PLAYING]
588
00:48:39,924 --> 00:48:42,154
[PHONE RINGING]
589
00:48:44,562 --> 00:48:45,551
[ANSWERING MACHINE BEEPS]
590
00:48:45,730 --> 00:48:47,857
WOMAN [O VER PHONE] :
This is a message for Lyla Novacek.
591
00:48:48,032 --> 00:48:50,159
Please call Good Samaritan Hospital.
592
00:48:50,334 --> 00:48:53,792
I'm calling about your father,
Thomas Novacek.
593
00:49:03,414 --> 00:49:05,746
THOMAS:
I wasn't sure you were going to come.
594
00:49:06,884 --> 00:49:09,318
My wiII is in the top drawer
of the desk in my study.
595
00:49:09,487 --> 00:49:12,012
Dad, stop, come on.
596
00:49:12,189 --> 00:49:14,350
THOMAS:
LyIa, pIease.
597
00:49:14,525 --> 00:49:16,322
There's more.
598
00:49:23,100 --> 00:49:28,834
AII I ever wanted was for you
to have aII that promise, aII that Iife.
599
00:49:29,340 --> 00:49:31,274
But you were so young.
600
00:49:31,709 --> 00:49:33,802
We had so much work to do.
601
00:49:33,978 --> 00:49:37,243
-You weren't ready.
-That's pIenty, Dad. ReaIIy.
602
00:49:38,049 --> 00:49:40,108
I mean, a baby.
603
00:49:40,284 --> 00:49:42,115
That baby, he couId have hurt you.
604
00:49:42,286 --> 00:49:44,754
[MARK MANCINA'S
''HOSPITAL PT. 2'' PLAYING]
605
00:49:45,222 --> 00:49:49,522
He couId've hurt you, and I--
I wasn't gonna Iet that happen, LyIa.
606
00:49:54,999 --> 00:49:57,092
I made a choice for us.
607
00:50:00,938 --> 00:50:02,803
Oh, my God.
608
00:50:04,842 --> 00:50:06,070
THOMAS:
A choice for us.
609
00:50:08,045 --> 00:50:09,603
Wait....
610
00:50:14,752 --> 00:50:16,447
THOMAS:
I'm sorry.
611
00:50:21,325 --> 00:50:22,622
Where?
612
00:50:25,696 --> 00:50:27,527
Where is he?
613
00:50:28,332 --> 00:50:31,893
-I didn't mean--
-Where is he?
614
00:50:32,336 --> 00:50:33,564
I don't know.
615
00:50:35,606 --> 00:50:37,267
I don't.
616
00:50:39,310 --> 00:50:42,404
[PLAYING MICHAEL HEDGES'
''RITUAL DANCE'']
617
00:50:46,250 --> 00:50:48,912
WALLACE: You gotta love music
more than you love food.
618
00:50:49,854 --> 00:50:53,517
More than Iife. More than yourseIf.
619
00:50:59,930 --> 00:51:01,158
You feeI it?
620
00:51:04,768 --> 00:51:05,792
Then show me.
621
00:51:06,537 --> 00:51:08,505
PIay it for your parents.
622
00:51:58,055 --> 00:51:59,579
You're fIying, kid.
623
00:51:59,757 --> 00:52:02,351
[CROWD CLAPPING]
624
00:52:09,633 --> 00:52:11,191
WALLACE:
Yeah!
625
00:52:11,368 --> 00:52:13,495
You know what I'm thinking?
626
00:52:14,371 --> 00:52:16,931
You're supposed to say,
''What are you thinking, Wizard?''
627
00:52:17,107 --> 00:52:19,405
''What are you thinking, Wizard?''
628
00:52:19,577 --> 00:52:22,011
I teach you everything I know for free.
629
00:52:22,179 --> 00:52:25,080
You get Roxanne.
You get my corner of the park.
630
00:52:25,516 --> 00:52:28,917
You get to keep haIf your tips.
We're Iike a team.
631
00:52:30,454 --> 00:52:32,422
There's something wrong
with that picture.
632
00:52:32,856 --> 00:52:33,914
What?
633
00:52:34,692 --> 00:52:38,025
I don't think performing in parks
and street corners is gonna be enough.
634
00:52:38,195 --> 00:52:39,423
It won't?
635
00:52:42,600 --> 00:52:45,933
Evan, we're gonna need
to get you a new name.
636
00:52:46,103 --> 00:52:47,866
Something with a IittIe more pop.
637
00:52:48,305 --> 00:52:51,900
What do you wanna be in the worId?
In the whoIe worId, what do you wanna be?
638
00:52:52,076 --> 00:52:54,203
CIose your eyes and think about that.
639
00:52:56,380 --> 00:52:57,870
Found.
640
00:53:03,120 --> 00:53:04,485
Doesn't have enough yin.
641
00:53:05,256 --> 00:53:07,383
-LittIe more yang, you know?
-Yeah.
642
00:53:07,558 --> 00:53:08,718
Yeah, Iet's....
643
00:53:08,892 --> 00:53:10,450
[TRUCK HORN HONKING]
644
00:53:10,628 --> 00:53:14,587
TaIk about wishfuI thinking. Look at that.
645
00:53:17,735 --> 00:53:19,794
What name stands out to you
on that, huh?
646
00:53:19,970 --> 00:53:20,994
Beach?
647
00:53:21,171 --> 00:53:23,605
It's a good name for a band,
but not for a performer.
648
00:53:23,774 --> 00:53:26,709
You can't say, ''PIease weIcome Beach.''
No, no.
649
00:53:26,877 --> 00:53:31,177
August Rush. August Rush.
Doesn't that warm you up a IittIe bit?
650
00:53:31,615 --> 00:53:34,948
I can see it.
''Wizard Productions presents...
651
00:53:35,119 --> 00:53:37,986
...the number-one heat wave:
652
00:53:38,155 --> 00:53:41,613
August Rush!''
653
00:53:41,792 --> 00:53:44,352
-Yeah.
-Yeah. Me!
654
00:53:44,528 --> 00:53:47,190
-August, August, August.
-It gives me a rush.
655
00:53:47,364 --> 00:53:50,663
That gives me chiIIs. The hair
on the back of my neck's standing up.
656
00:53:50,834 --> 00:53:52,301
-ReaIIy?
-Yeah, Iook at that.
657
00:53:52,469 --> 00:53:53,902
Quick, check it out. Yeah.
658
00:53:54,071 --> 00:53:57,700
-I'm fIying! I'm fIying!
-Yeah. August! August Rush.
659
00:53:57,875 --> 00:54:00,173
-August.
-August Rush. August Rush.
660
00:54:00,344 --> 00:54:01,368
That's you.
661
00:54:01,745 --> 00:54:04,145
WALLACE: August. August.
AUGUST: August Rush, August Rush.
662
00:54:06,183 --> 00:54:08,845
[LUCAS REYNOLDS'
''SOMETHING INSIDE'' PLAYING]
663
00:54:48,525 --> 00:54:49,651
[THUNDER CRASHES]
664
00:54:49,827 --> 00:54:52,125
LIZZY: New York, Lyla?
What are you doing in New York?
665
00:54:52,296 --> 00:54:55,060
Lizzy, I mean,
I've aIways feIt that he was aIive.
666
00:54:55,232 --> 00:55:00,534
I'd see kids that wouId be his age
and I'd imagine what he'd Iook Iike.
667
00:55:00,704 --> 00:55:03,468
-Big bIue eyes Iike his dad and--
-Oh, my God, Lyla.
668
00:55:03,640 --> 00:55:08,077
Lizzy, I used to Iie in bed at night
and I swear I couId hear him.
669
00:55:08,245 --> 00:55:11,214
-I swear I couId hear him.
-Lyla, calm down.
670
00:55:11,382 --> 00:55:15,045
CaIm down? How can I be caIm?
How can I be caIm?
671
00:55:15,219 --> 00:55:18,484
I've been caIm for over 1 0 years
and Iook where it's gotten me.
672
00:55:18,655 --> 00:55:21,146
Lyla, you're losing it.
673
00:55:21,392 --> 00:55:24,623
You're right. And maybe it's about time.
674
00:55:24,795 --> 00:55:26,490
Don't do anything crazy, okay?
675
00:55:26,663 --> 00:55:30,997
We're on our honeymoon, but we're leaving.
We'll get there as soon as we can, okay?
676
00:55:50,421 --> 00:55:53,288
Okay, Jack, he's worth three times
what you're offering him.
677
00:55:53,457 --> 00:55:55,254
-WaIIace--
-You heard him in the park!
678
00:55:55,426 --> 00:55:56,688
You're a pain in the ass.
679
00:55:56,860 --> 00:56:00,261
-Two-fifty if he can pIay for two hours.
-No, five or he waIks.
680
00:56:00,431 --> 00:56:05,232
-Five hundred? I'II give him 250--
-Five hundred or he waIks, aII right?
681
00:56:05,402 --> 00:56:06,391
JACK:
He waIks?
682
00:56:06,570 --> 00:56:08,800
WALLACE:
We have Iightning in a bottIe, Jack.
683
00:56:08,972 --> 00:56:11,497
No, there's no parents. I'm his guardian.
684
00:56:11,675 --> 00:56:14,872
No, I'm his representation,
that's why I'm making the deaI.
685
00:56:15,045 --> 00:56:16,774
WOMAN:
May I heIp you?
686
00:56:17,181 --> 00:56:19,411
-I'm trying to find my son.
WOMAN: HoId on a second.
687
00:56:20,150 --> 00:56:21,811
Name?
688
00:56:27,124 --> 00:56:29,115
GIRL 1 :
Mommy.
689
00:56:30,093 --> 00:56:33,028
[MARK MANCINA'S
''PLAYGROUND'' PLAYING]
690
00:56:34,932 --> 00:56:36,866
Mommy.
691
00:56:39,703 --> 00:56:41,170
I don't know.
692
00:56:42,606 --> 00:56:45,166
GIRL 2: Mom.
GIRL 3: Mommy.
693
00:56:55,219 --> 00:56:57,346
Mommy, Iook at me.
694
00:56:57,521 --> 00:57:00,012
I'm sorry, ma'am, we're cIosing.
695
00:57:01,358 --> 00:57:05,158
PIease, I just-- I wanna know his name.
696
00:57:05,929 --> 00:57:11,128
To even consider re-estabIishing contact
with a chiId, there is a detaiIed process.
697
00:57:11,301 --> 00:57:15,965
I don't care about your process! Okay?
698
00:57:32,155 --> 00:57:36,649
WOMAN: Ma'am, we're cIosed.
Come back tomorrow.
699
00:57:40,197 --> 00:57:41,926
LOUIS:
Lyla.
700
00:57:42,966 --> 00:57:44,433
Novacek.
701
00:57:47,271 --> 00:57:50,104
LYLA [ON RECORDING] : Hi, this is Lyla--
LIZZY [ON RECORDING] : And Lizzy.
702
00:57:50,274 --> 00:57:52,902
LYLA & LIZZY: And we're not here
right now, so leave a message.
703
00:57:53,076 --> 00:57:54,668
[MACHINE BEEPS]
704
00:58:13,297 --> 00:58:14,821
WALLACE:
Arthur!
705
00:58:15,699 --> 00:58:17,929
What'd I teII you
about taIking to strangers?
706
00:58:18,101 --> 00:58:21,559
-Yeah, what's your name?
-My name is Mr. Jeffries, and yours?
707
00:58:22,072 --> 00:58:24,302
Arthur. We ain't strangers now.
708
00:58:24,841 --> 00:58:29,039
Look, Mr. WaIIace,
I'm here making my normaI rounds.
709
00:58:29,212 --> 00:58:30,770
I'm trying to find these kids.
710
00:58:30,948 --> 00:58:34,179
This girI, her name is GeraIda.
She shouId be about 1 4 now.
711
00:58:34,351 --> 00:58:35,784
Don't know her, Mr. Jeffries.
712
00:58:35,953 --> 00:58:38,979
Okay, weII, maybe you can heIp me
with this young man.
713
00:58:39,156 --> 00:58:43,058
LittIe boy that came up missing recentIy
and his name is Evan TayIor.
714
00:58:43,894 --> 00:58:46,055
He's about 1 2.
715
00:58:48,198 --> 00:58:51,827
And what if I find this Evan
and I turn him over to you?
716
00:58:52,402 --> 00:58:56,304
What then? You don't care about a kid
after he's in the system.
717
00:58:56,473 --> 00:59:00,068
-It's not Iike that--
-Oh, I know exactIy what it's Iike.
718
00:59:00,243 --> 00:59:04,236
You don't foIIow up.
And you throw him from pIace to pIace.
719
00:59:04,414 --> 00:59:08,009
EventuaIIy, you end up in a pIace
where they kick the crap out of you.
720
00:59:08,452 --> 00:59:13,082
Go to bed at night
and he tries to cIose his eyes, ears.
721
00:59:13,256 --> 00:59:14,951
Shut out the worId.
722
00:59:15,125 --> 00:59:18,652
What happens to that kid?
What do you think he hears?
723
00:59:19,262 --> 00:59:20,957
What do you think he hears?
724
00:59:22,699 --> 00:59:24,826
-Nothing.
-Nothing. Nothing at aII.
725
00:59:28,572 --> 00:59:29,698
Are you aII right?
726
00:59:30,307 --> 00:59:31,865
-Yeah, I'm cooI.
-He's good.
727
00:59:40,784 --> 00:59:42,843
MAN:
Fourteenth Precinct, Sergeant O'Malley.
728
00:59:43,654 --> 00:59:46,214
WALLACE:
No. That doesn't cut it.
729
00:59:46,390 --> 00:59:48,620
[PLAYING MARK MANCINA'S
''WIND UP'']
730
00:59:48,792 --> 00:59:51,852
No! Oh, is that finaI?
731
00:59:52,029 --> 00:59:55,430
Okay, weII, here's my finaI offer:
we're history!
732
00:59:56,466 --> 00:59:58,593
-DeaI's off.
-But I wanna pIay.
733
00:59:58,769 --> 01:00:01,738
You pIay when I say pIay.
You breathe when I say breathe.
734
01:00:01,905 --> 01:00:04,533
-You got that, boy?
-But I have to pIay.
735
01:00:04,708 --> 01:00:06,835
Wizard, I need them to hear.
736
01:00:07,010 --> 01:00:11,970
You forget about your parents!
They were pretty quick to forget about you.
737
01:00:13,050 --> 01:00:16,019
[MARK MANCINA'S
''AGAINST THE GATE'' PLAYING]
738
01:00:17,821 --> 01:00:20,255
You don't know how it couId be for you.
739
01:00:20,424 --> 01:00:23,257
You do not know how precious
your gift is.
740
01:00:23,427 --> 01:00:26,157
You're just a kid, you don't know.
741
01:00:30,901 --> 01:00:33,131
I do, August.
742
01:00:44,514 --> 01:00:46,744
[SIRENS WAILING]
743
01:00:48,085 --> 01:00:50,485
BOY: Wizard. Wizard.
WALLACE: Shh! Talk to me. What happened?
744
01:00:50,654 --> 01:00:54,090
-It's Arthur. The cops chased him here.
-Okay, spIit up. You know the driII.
745
01:00:54,257 --> 01:00:56,748
-We gotta heIp Arty.
-Forget Arty. Arty's on his own.
746
01:00:56,927 --> 01:00:58,918
-That's the book.
-No.
747
01:00:59,096 --> 01:01:01,394
WALLACE: August!
COP 1 : Grab him. Grab him. There he goes.
748
01:01:02,399 --> 01:01:03,889
COP 2:
He went outside over there.
749
01:01:04,067 --> 01:01:06,695
[MARK MANCINA'S
''THE RAID'' PLAYING]
750
01:01:17,047 --> 01:01:20,380
Up there. You see him?
See him? Look, over there.
751
01:01:20,550 --> 01:01:22,381
COP 2: Hey, kid, don't move.
-Hey, you!
752
01:01:22,552 --> 01:01:25,112
Cops. Cops.
753
01:01:25,756 --> 01:01:27,815
Cops. Over here.
754
01:01:30,460 --> 01:01:33,190
COP 2: Grab that kid over there.
Grab him, grab him.
755
01:01:39,870 --> 01:01:42,065
Listen, you can't Iet the cops catch you.
756
01:01:42,239 --> 01:01:44,639
If they do,
you don't teII them your reaI name...
757
01:01:44,808 --> 01:01:48,244
...because they'II send you right back
where you came from, you got that?
758
01:01:49,112 --> 01:01:50,477
I don't wanna Iose you...
759
01:01:50,647 --> 01:01:53,013
...but if we get separated,
we meet at the arch.
760
01:01:54,985 --> 01:01:56,782
Do not teII them your name.
761
01:01:56,953 --> 01:02:02,016
Hey, when I say run, you run, okay?
762
01:02:08,832 --> 01:02:10,026
COP 1 :
Let me see your hands.
763
01:02:10,200 --> 01:02:11,792
[SCREAMS]
764
01:02:13,036 --> 01:02:17,268
WALLACE: Run, August. Run, August. Run!
COP 2: Hey, kid.
765
01:02:28,084 --> 01:02:29,108
Hey, kid, stop.
766
01:02:35,458 --> 01:02:36,516
Open the door.
767
01:02:36,693 --> 01:02:37,682
[BUZZES]
768
01:02:49,139 --> 01:02:51,972
[JAMAL JOSEPH'S ''HARLEM STREETZ''
PLAYING ON CAR STEREO IN DISTANCE]
769
01:03:08,558 --> 01:03:13,120
MAN [SINGING] : How I don't need that man
But they don't understand
770
01:03:13,296 --> 01:03:15,821
There's far too many pressures in reality
771
01:03:16,967 --> 01:03:20,061
Dealing with the pain of stress and poverty
772
01:03:20,237 --> 01:03:26,801
And I gotta be myself because
There's nobody else for me, no
773
01:03:26,977 --> 01:03:28,706
Hang in there with me
774
01:03:28,879 --> 01:03:31,746
Sometimes it takes a different kind of love
To raise a child
775
01:03:31,915 --> 01:03:34,008
-So don't give up
-So don't give up
776
01:03:34,184 --> 01:03:35,446
When pressures come down
777
01:03:35,619 --> 01:03:38,952
Sometimes it takes a different
kind of dream To make you smile
778
01:03:39,122 --> 01:03:40,589
-So raise it up
-So raise
779
01:03:40,757 --> 01:03:42,384
Hang in there with me
780
01:03:42,559 --> 01:03:45,619
Sometimes we need another helping hand
To show the way
781
01:03:45,795 --> 01:03:47,524
-So don't give up
-So don't give up
782
01:03:47,697 --> 01:03:49,255
When pressures come down
783
01:03:49,432 --> 01:03:52,333
Sometimes it seems impossible
And that's why we pray
784
01:03:52,502 --> 01:03:54,470
-So raise it up
-We pray
785
01:03:54,638 --> 01:03:57,766
Seems to be nothing left for me
786
01:03:57,941 --> 01:04:00,535
Mama's gone, Daddy didn't wanna be
787
01:04:01,478 --> 01:04:05,141
Now I'm all by myself
Wondering where is love
788
01:04:05,315 --> 01:04:07,306
Or should I just give up, you know
789
01:04:07,484 --> 01:04:11,420
Life falls down on me
Cuts into my soul
790
01:04:11,588 --> 01:04:15,046
But I know I got the strength
To make it through it all
791
01:04:15,225 --> 01:04:18,717
Cause I'm still standing tall
Breaking through these walls
792
01:04:18,895 --> 01:04:22,296
I'm gonna give my all, hey
793
01:04:22,465 --> 01:04:25,161
I'm feeling like a motherless child
794
01:04:25,502 --> 01:04:28,027
Pain cuts into my soul
795
01:04:28,738 --> 01:04:30,069
It's beaten me down
796
01:04:30,240 --> 01:04:34,802
Can't find a smile
On the face of a motherless child
797
01:04:34,978 --> 01:04:38,072
Gonna break down these walls
Gonna give my all
798
01:04:38,248 --> 01:04:42,548
You know
Yeah, yeah, yeah, yeah
799
01:04:42,719 --> 01:04:44,243
Hang in there with me
800
01:04:44,421 --> 01:04:47,447
Sometimes it takes a different kind of love
To raise a child
801
01:04:47,624 --> 01:04:49,421
-So don't give up
-So don't give up
802
01:04:49,592 --> 01:04:50,786
When pressures come down
803
01:04:50,961 --> 01:04:54,453
Sometimes it takes a different
kind of dream To make you smile
804
01:04:54,631 --> 01:04:56,189
-So raise it up
-So raise it up
805
01:04:56,366 --> 01:04:58,357
-Hang in there with me
-Raise it up
806
01:04:58,535 --> 01:05:01,368
Sometimes it takes another's helping hand
To show you the way
807
01:05:01,538 --> 01:05:02,527
So don't give up
808
01:05:02,706 --> 01:05:04,799
-Oh, no, yeah
-When pressures come down
809
01:05:04,975 --> 01:05:07,808
Sometimes it seems impossible
That's why we pray
810
01:05:07,978 --> 01:05:08,967
So raise it up
811
01:05:16,353 --> 01:05:18,446
LYLA: Hi.
-Hi.
812
01:05:18,955 --> 01:05:23,358
I know how this Iooks, you know.
I'm not crazy.
813
01:05:23,526 --> 01:05:26,620
Nobody thinks you're crazy.
What's your name?
814
01:05:26,796 --> 01:05:29,026
LyIa Novacek.
815
01:05:29,199 --> 01:05:31,167
WeII, it's Iike
the woman expIained to you.
816
01:05:31,334 --> 01:05:33,894
-You fiII out a coupIe forms--
-Six months, they said.
817
01:05:34,070 --> 01:05:37,437
I don't have six months for forms.
818
01:05:37,607 --> 01:05:39,700
Then I can't heIp you, then.
819
01:05:40,310 --> 01:05:43,370
ExpIain something to me now. Why now?
820
01:05:44,147 --> 01:05:47,844
Why not before? Why is it so important
that you want him now?
821
01:05:49,052 --> 01:05:51,247
I've aIways wanted him.
822
01:05:53,623 --> 01:05:57,525
I've waited 1 1 years, two months,
and 1 5 days...
823
01:05:58,461 --> 01:06:01,089
...to find out that he's aIive.
824
01:06:04,167 --> 01:06:05,998
I've been counting.
825
01:06:07,637 --> 01:06:09,969
[LUCAS REYNOLDS'
''SOMETHING INSIDE'' PLAYING]
826
01:06:18,014 --> 01:06:20,141
[PHONE DIALING]
827
01:06:22,852 --> 01:06:25,286
- [ON RECORDING] Hi, this is Lyla--
-And Lizzy.
828
01:06:25,455 --> 01:06:27,923
And we're not here right now,
so leave a message.
829
01:06:28,091 --> 01:06:30,025
[MACHINE BEEPS]
830
01:06:33,363 --> 01:06:35,957
MAN [SINGING] :
When the one thing you're looking for
831
01:06:36,132 --> 01:06:37,292
[PHONE DIALING]
832
01:06:37,467 --> 01:06:39,992
Is nowhere to be found
833
01:06:43,106 --> 01:06:46,234
And you're back-stepping
All of your moves
834
01:06:46,409 --> 01:06:48,434
Trying to figure it out
835
01:06:48,611 --> 01:06:49,873
MAN:
What are you waiting for?
836
01:06:50,046 --> 01:06:52,776
You see, I know this girI
that Iives across the street.
837
01:06:52,949 --> 01:06:53,973
LyIa Novacek.
838
01:06:54,150 --> 01:06:56,243
I've been standing outside here waiting.
839
01:06:56,419 --> 01:06:57,784
I wrote her a song.
840
01:06:57,954 --> 01:07:01,412
WOMAN: Oh, the musician.
She keeps me up haIf the night.
841
01:07:01,591 --> 01:07:05,789
WeII, I haven't seen her in a few days.
She's off on her honeymoon.
842
01:07:08,198 --> 01:07:09,927
Thanks.
843
01:07:10,100 --> 01:07:15,470
MAN [SINGING] : And you wanna give out
You wanna give in
844
01:07:15,638 --> 01:07:20,439
Your head's wrapped around
What's around the next bend
845
01:07:20,910 --> 01:07:24,346
You wish you could find
Something warm
846
01:07:24,514 --> 01:07:28,006
'Cause you're shivering cold
847
01:07:33,523 --> 01:07:38,654
It's the first thing you see
As you open your eyes
848
01:07:38,828 --> 01:07:43,561
The last thing you say
As you're saying goodbye
849
01:07:43,733 --> 01:07:50,002
But something inside you
Is crying and driving you on
850
01:07:50,740 --> 01:07:52,867
RICHARD:
And this isn't your signature?
851
01:07:54,310 --> 01:07:59,179
You do reaIize that he's probabIy
aIready been pIaced with a famiIy, correct?
852
01:07:59,349 --> 01:08:01,783
Do you have chiIdren, Mr. Jeffries?
853
01:08:09,592 --> 01:08:11,958
Yeah, I did.
854
01:08:13,830 --> 01:08:15,354
Then you know.
855
01:08:23,206 --> 01:08:24,468
What's his birthday?
856
01:08:25,108 --> 01:08:27,474
December 1 7th, 1 995.
857
01:08:29,179 --> 01:08:30,339
Yeah, I know.
858
01:08:42,959 --> 01:08:45,120
Excuse me a minute.
859
01:09:03,313 --> 01:09:06,009
[MARK MANCINA'S
''PHOTO OF EVAN'' PLAYING]
860
01:09:13,356 --> 01:09:15,051
This is him.
861
01:09:19,729 --> 01:09:21,253
Yeah.
862
01:09:22,799 --> 01:09:25,700
[BELLS TOLLING]
863
01:09:39,782 --> 01:09:41,909
[PEOPLE CHATTERING]
864
01:09:42,085 --> 01:09:44,383
[MARK MANCINA'S ''PIANO LESSON''
PLAYING ON PIANO]
865
01:10:01,004 --> 01:10:03,063
You the one sIept under my bed?
866
01:10:08,378 --> 01:10:09,436
Do you Iive here?
867
01:10:10,046 --> 01:10:12,241
Me and my grandma do,
tiII our boat comes in.
868
01:10:15,451 --> 01:10:16,679
Do you Iike music?
869
01:10:18,221 --> 01:10:19,279
More than food.
870
01:10:22,458 --> 01:10:24,187
Do you know your notes?
871
01:10:25,528 --> 01:10:27,428
I've never seen them Iike that before.
872
01:10:27,597 --> 01:10:29,189
See here:
873
01:10:30,033 --> 01:10:34,936
''Every Good Boy Does Fine''
on the Iines.
874
01:10:35,104 --> 01:10:40,508
And ''F, A, C, E'' in between.
875
01:10:40,677 --> 01:10:44,204
And ''Great Big Dogs Fight AnimaIs.''
876
01:10:44,380 --> 01:10:49,340
And ''AII Cars Eat Gas.'' Get it?
877
01:10:50,286 --> 01:10:51,776
You're Iike an angeI.
878
01:10:52,622 --> 01:10:54,351
Okay. I gotta go.
879
01:10:54,824 --> 01:10:56,519
Gotta go to schooI.
880
01:11:01,831 --> 01:11:03,560
Can I borrow this?
881
01:11:04,300 --> 01:11:05,961
Later.
882
01:11:12,942 --> 01:11:15,274
[THUDS]
883
01:11:27,857 --> 01:11:30,553
[PLAYING MARK MANCINA'S
''BASKETBALL'']
884
01:12:33,489 --> 01:12:35,150
HoIy....
885
01:12:38,428 --> 01:12:40,623
Reverend J.!
886
01:13:06,722 --> 01:13:08,747
[ORGAN SOUNDS]
887
01:13:08,925 --> 01:13:11,758
You're not gonna beIieve this,
Reverend J. Come quick.
888
01:13:11,928 --> 01:13:14,829
-Whoa. SIow down, Hope.
-You've gotta see what's happened.
889
01:13:14,997 --> 01:13:18,990
[PLAYING MARK MANCINA'S
''3 NOTE THEME'']
890
01:13:35,818 --> 01:13:38,446
Remember in Music Appreciation
we had a cIass on Mozart?
891
01:13:38,621 --> 01:13:39,645
Yes.
892
01:13:39,822 --> 01:13:41,847
Remember you said
he was Iike a musicaI pod?
893
01:13:42,024 --> 01:13:43,958
-Prodigy.
-ExactIy.
894
01:13:44,126 --> 01:13:47,027
WeII, I have one of those,
and he's Iiving under my bed.
895
01:13:55,304 --> 01:13:58,933
So I showed him the scaIes
and when I came home, he was....
896
01:14:31,641 --> 01:14:35,077
LYLA:
Mr. Jeffries, hi, it's Lyla Novacek again.
897
01:14:35,244 --> 01:14:38,077
I was just checking in.
898
01:14:40,550 --> 01:14:41,949
Right, I understand.
899
01:14:42,118 --> 01:14:45,246
You know,
if there's any more information or--
900
01:14:45,421 --> 01:14:47,252
Yeah, just call.
901
01:15:00,970 --> 01:15:02,631
I'II take it.
902
01:15:02,805 --> 01:15:05,399
WOMAN:
How Iong do you think you'II be staying?
903
01:15:06,442 --> 01:15:08,933
LYLA:
As long as it takes.
904
01:15:29,932 --> 01:15:31,490
Sorry.
905
01:15:31,667 --> 01:15:34,363
LYLA:
I don't know, Lizzy, it's like...
906
01:15:34,737 --> 01:15:36,568
...I just woke up...
907
01:15:36,739 --> 01:15:39,071
...and I should start playing again.
908
01:15:39,241 --> 01:15:41,141
I should play.
909
01:15:41,611 --> 01:15:44,944
I know it sounds crazy,
but maybe he'll hear me.
910
01:16:01,063 --> 01:16:03,930
LOUIS:
Hey, Marshall. It's me.
911
01:16:05,534 --> 01:16:07,399
I'm in New York.
912
01:16:09,105 --> 01:16:11,630
Is the band still minus
one mad Connelly brother?
913
01:16:12,675 --> 01:16:15,439
Having you guys here,
it'd be great, you know?
914
01:16:16,846 --> 01:16:18,211
Just an idea.
915
01:16:18,381 --> 01:16:21,179
Hey, Frank. It's Louis.
916
01:16:21,550 --> 01:16:23,381
Louis ConneIIy.
917
01:16:23,552 --> 01:16:24,985
And?
918
01:16:25,154 --> 01:16:27,645
I pIayed here with me band
a coupIe of years ago.
919
01:16:27,823 --> 01:16:29,814
WeII, about 1 0 years ago.
920
01:16:32,395 --> 01:16:34,761
Hey, hey, Iisten, Frank.
921
01:16:35,297 --> 01:16:38,789
I'm gonna pIay you one song, aII right?
Just one song.
922
01:16:38,968 --> 01:16:42,597
And if you don't Iike it,
you can throw me out.
923
01:16:44,173 --> 01:16:47,006
[MARK MANCINA'S
''AUGUST TO JUILLIARD'' PLAYING]
924
01:16:59,455 --> 01:17:01,753
WOMAN:
You brought us a prodigy, Reverend.
925
01:17:01,924 --> 01:17:04,620
-He is a mystery. MAN: Here in the
''WeII-Tempered CIavier'' ....
926
01:17:04,794 --> 01:17:07,490
Dean, I thought he was an angeI.
927
01:17:08,397 --> 01:17:11,662
There's no record of
an August Rush anywhere.
928
01:17:11,834 --> 01:17:16,271
MAN: It's about foundation,
starting with a very simpIe, orderIy chord.
929
01:17:16,439 --> 01:17:19,169
LOUIS [SINGING] :
As you open your eyes
930
01:17:19,341 --> 01:17:23,971
The last thing you say
As you're saying goodbye
931
01:17:24,146 --> 01:17:26,512
But something inside you
932
01:17:26,682 --> 01:17:31,016
Is crying and driving you on
933
01:17:31,554 --> 01:17:34,421
[CELLO PLAYING DAVE METZGER'S
''CELLO CONCERTO IN E MINOR'']
934
01:17:40,262 --> 01:17:42,856
LIZZY:
LyIa, just reIax.
935
01:17:43,032 --> 01:17:45,364
LYLA: This piece.
LIZZY: You're pushing yourseIf too hard.
936
01:17:45,534 --> 01:17:47,798
I don't know if I can do this.
937
01:17:47,970 --> 01:17:50,495
LIZZY:
You're pIaying with the PhiIharmonic.
938
01:17:50,673 --> 01:17:52,607
That's great.
939
01:17:54,510 --> 01:17:56,808
Okay, Iet's keep going.
940
01:18:04,120 --> 01:18:07,783
MAN: Start with a C-major chord,
then a moduIation to G.
941
01:18:07,957 --> 01:18:10,949
Once we get to G,
we go back to C, very simpIe.
942
01:18:11,127 --> 01:18:13,891
And we have C, G, C.
943
01:18:21,604 --> 01:18:23,504
At the very beginning, C-major chord.
944
01:18:23,672 --> 01:18:28,268
We have this chaotic evolution
into a remote G-major.
945
01:18:31,614 --> 01:18:33,605
C-major chord, then move into a G.
946
01:18:42,424 --> 01:18:44,892
What's this, August?
947
01:18:45,194 --> 01:18:47,389
The diminished fifth, sir.
948
01:18:47,763 --> 01:18:49,196
Key change here.
949
01:18:49,365 --> 01:18:52,129
And then the rise
with those round horns...
950
01:18:52,301 --> 01:18:56,362
...the oboes,
into the aIIegro staccato strings.
951
01:18:57,773 --> 01:18:59,673
[KNOCKING]
952
01:19:01,977 --> 01:19:04,502
Ah. Mr. Rush.
953
01:19:07,983 --> 01:19:11,350
-I'm sorry.
-Why are you apoIogizing, August?
954
01:19:12,555 --> 01:19:14,022
Sometimes I don't Iisten weII...
955
01:19:14,190 --> 01:19:16,658
...and I don't do the homework
Iike I'm supposed to.
956
01:19:16,826 --> 01:19:19,124
WeII, I'm sure you'II do better
in the future.
957
01:19:30,306 --> 01:19:33,298
The New York PhiIharmonic Orchestra
is having a concert.
958
01:19:33,943 --> 01:19:35,996
In the history of this
schooI we have never
959
01:19:36,009 --> 01:19:38,073
performed the work of a
first-year student...
960
01:19:38,247 --> 01:19:41,148
...and certainIy no one of your age.
961
01:19:41,317 --> 01:19:45,413
But now, we've asked them
if they couId perform your rhapsody.
962
01:19:45,588 --> 01:19:47,146
WouId you Iike that?
963
01:19:48,057 --> 01:19:50,525
WeII, good. Good.
964
01:19:50,693 --> 01:19:52,354
How many peopIe wiII hear it?
965
01:19:55,130 --> 01:19:58,896
WeII, it wouId be performed in
CentraI Park, on the Great Lawn.
966
01:19:59,068 --> 01:20:00,092
A hundred?
967
01:20:01,270 --> 01:20:03,170
Much more. Thousands.
968
01:20:04,006 --> 01:20:08,568
Okay. Because I need to pIay it
to a Iot of peopIe. Lots and Iots.
969
01:20:08,744 --> 01:20:10,006
[PEOPLE CHUCKLING]
970
01:20:10,179 --> 01:20:11,874
We'II see what we can do to heIp.
971
01:20:14,383 --> 01:20:20,413
DEAN: August, three artists wiII be
performing, and you wiII be featured Iast.
972
01:20:21,023 --> 01:20:23,389
[MARK MANCINA'S
''JUILLIARD MONTAGE'' PLAYING]
973
01:20:31,634 --> 01:20:33,431
How do you do it?
974
01:20:33,836 --> 01:20:37,203
How does the music come to you?
975
01:20:39,341 --> 01:20:41,104
AUGUST:
I just hear it.
976
01:20:45,047 --> 01:20:46,878
Sometimes I wake up and it's there...
977
01:20:47,049 --> 01:20:49,882
...or I hear it
when I'm waIking down the street.
978
01:20:51,253 --> 01:20:55,883
[MARK MANCINA'S
''JUILLIARD MONTAGE'' PLAYING]
979
01:20:56,992 --> 01:20:59,552
It's like someone's calling out to me.
980
01:21:00,462 --> 01:21:03,124
Writing it aII down
is Iike I'm caIIing back to them.
981
01:21:03,299 --> 01:21:04,561
Who?
982
01:21:06,068 --> 01:21:08,263
The ones who gave me the music.
983
01:21:15,611 --> 01:21:17,545
MARSHALL:
You sure you're ready for this, Louis?
984
01:21:17,713 --> 01:21:19,010
Are you?
985
01:21:45,841 --> 01:21:49,174
[ORCHESTRA PLAYING MARK MANCINA'S
''RHAPSOD Y REHEARSAL'']
986
01:22:19,308 --> 01:22:21,003
Bravo, August!
987
01:22:23,545 --> 01:22:25,012
Good one!
988
01:22:28,450 --> 01:22:32,648
August, boy, you're a hard guy to find.
989
01:22:34,990 --> 01:22:36,480
Been Iooking everywhere for you.
990
01:22:36,658 --> 01:22:40,094
Excuse me.
You're interrupting a rehearsaI here.
991
01:22:40,262 --> 01:22:42,822
WALLACE: Yeah, rehearsaI, right.
MAN: And you are...?
992
01:22:42,998 --> 01:22:44,590
Come here to me, son.
993
01:22:54,376 --> 01:22:55,934
Come here.
994
01:22:59,048 --> 01:23:00,913
What'd they do to you?
995
01:23:02,518 --> 01:23:04,008
Nothing.
996
01:23:06,522 --> 01:23:08,513
These peopIe can steaI your souI.
997
01:23:09,358 --> 01:23:11,588
Sir, whomever you are,
you don't have the right.
998
01:23:11,760 --> 01:23:14,695
I'm his father, aII right?
I have every right.
999
01:23:18,801 --> 01:23:21,565
I'II take you home now. Come on.
1000
01:23:22,171 --> 01:23:25,265
But I have a concert. I Iike it here.
1001
01:23:25,441 --> 01:23:27,966
-He's a remarkabIe boy--
WALLACE: You don't think I know that?
1002
01:23:28,143 --> 01:23:31,909
What'd you do, you just snatched him up
off the street? That gives you the right?
1003
01:23:32,514 --> 01:23:34,778
Wait a moment,
we've been teaching him here.
1004
01:23:34,950 --> 01:23:36,178
What are you gonna do?
1005
01:23:36,351 --> 01:23:40,048
FiII his head with cIassicaI theory
and ruIes?
1006
01:23:40,222 --> 01:23:43,191
You can't Iearn music from books.
1007
01:23:43,358 --> 01:23:44,916
It's out there.
1008
01:23:46,328 --> 01:23:48,694
You teach him? Ha!
1009
01:23:49,131 --> 01:23:50,598
He teaches you.
1010
01:23:50,766 --> 01:23:52,495
You Iearn from him.
1011
01:23:52,668 --> 01:23:55,159
We are.
I assure you, Mr. Rush, every day.
1012
01:23:56,305 --> 01:23:58,068
You shouId be with famiIy. Come on.
1013
01:24:01,477 --> 01:24:03,069
Mr. Rush, pIease.
1014
01:24:03,245 --> 01:24:07,306
Do you have any idea of the importance
of the concert tomorrow night, for August?
1015
01:24:08,117 --> 01:24:09,641
August. Wait, Iisten.
1016
01:24:10,119 --> 01:24:12,986
You gotta teII me right now,
is this man reaIIy your father?
1017
01:24:17,459 --> 01:24:19,290
You can teII me the truth.
1018
01:24:20,462 --> 01:24:22,692
WALLACE:
I know your reaI name.
1019
01:24:23,866 --> 01:24:25,265
Evan.
1020
01:24:25,868 --> 01:24:27,768
MAN:
August.
1021
01:24:27,936 --> 01:24:29,369
Evan.
1022
01:24:31,773 --> 01:24:33,604
Is he your father?
1023
01:24:33,775 --> 01:24:36,972
[MARK MANCINA'S
''WIZARD RETURNS'' PLAYING]
1024
01:24:38,113 --> 01:24:40,308
He taught me everything I know.
1025
01:24:50,792 --> 01:24:52,726
[STRUMS GUITAR]
1026
01:24:52,895 --> 01:24:54,556
ARTHUR:
And we are back, we are back.
1027
01:24:58,400 --> 01:25:00,732
Don't make it harder for yourseIf, Aug.
1028
01:25:00,903 --> 01:25:03,133
Wizard's not so bad.
1029
01:25:04,406 --> 01:25:06,840
You saw the kid, right?
He's a freak of nature. Yeah.
1030
01:25:07,009 --> 01:25:10,740
Here's the deaI. Thousand a night, two
weeks minimum, three cities guaranteed.
1031
01:25:10,913 --> 01:25:13,973
Then we ship him out to your partner
on the West Coast. No.
1032
01:25:14,149 --> 01:25:16,014
ARTHUR:
He just ain't feeIing weII.
1033
01:25:17,019 --> 01:25:20,318
He said you the onIy one
who gonna make him feeI better.
1034
01:25:27,429 --> 01:25:30,330
Competition. AII right, I'II be back.
You do what you do.
1035
01:25:34,236 --> 01:25:36,170
Yo, yo.
1036
01:25:42,010 --> 01:25:44,672
I'm his representation.
That's why I'm making the deaI.
1037
01:25:45,514 --> 01:25:47,948
Come on. No, there's no parents.
1038
01:26:18,213 --> 01:26:19,771
Great sounds, kid.
1039
01:26:22,551 --> 01:26:24,143
Gibson J-200?
1040
01:26:25,687 --> 01:26:27,154
It's beautifuI.
1041
01:26:27,756 --> 01:26:29,053
Can I see her?
1042
01:26:32,494 --> 01:26:35,463
Hey. It's okay.
1043
01:26:35,931 --> 01:26:37,990
I'm a musician too.
1044
01:26:43,171 --> 01:26:44,695
Yeah.
1045
01:26:48,777 --> 01:26:50,472
Oh, yeah.
1046
01:26:55,751 --> 01:26:59,016
[PLAYING HEITOR PERIERA'S
''DUELING GUITARS'']
1047
01:27:04,092 --> 01:27:05,423
Nice action.
1048
01:27:06,461 --> 01:27:07,792
You're pretty good.
1049
01:27:08,997 --> 01:27:10,624
Thanks.
1050
01:27:11,566 --> 01:27:13,557
See what you can do with mine.
1051
01:29:08,049 --> 01:29:09,448
How Iong you been pIaying?
1052
01:29:09,885 --> 01:29:11,284
Six months.
1053
01:29:11,920 --> 01:29:13,717
Six months?
1054
01:29:13,889 --> 01:29:16,380
How'd you Iearn how to pIay Iike that
in six months?
1055
01:29:16,558 --> 01:29:17,616
JuiIIiard.
1056
01:29:19,261 --> 01:29:20,421
JuiIIiard?
1057
01:29:20,929 --> 01:29:22,157
Yes, sir.
1058
01:29:22,330 --> 01:29:24,298
I have my own concert tonight.
1059
01:29:25,300 --> 01:29:26,961
Do you reckon I shouId beIieve you?
1060
01:29:28,069 --> 01:29:30,731
Yeah. But I can't go.
1061
01:29:31,173 --> 01:29:32,401
Why's that?
1062
01:29:33,141 --> 01:29:35,507
It's kind of a Iong story.
1063
01:29:37,846 --> 01:29:42,374
WeII, if I went to JuiIIiard
and I had a concert tonight...
1064
01:29:42,551 --> 01:29:44,451
...I wouIdn't miss it for the worId.
1065
01:29:45,754 --> 01:29:47,187
Yeah.
1066
01:29:52,360 --> 01:29:54,920
But what if something bad
wouId happen if you did it?
1067
01:29:56,598 --> 01:29:58,793
You never quit on your music.
1068
01:29:59,568 --> 01:30:01,661
No matter what happens.
1069
01:30:02,270 --> 01:30:05,967
Because anytime
something bad happens to you...
1070
01:30:06,374 --> 01:30:09,673
...it's the one pIace you can escape to
and just, psh, Iet it go.
1071
01:30:11,813 --> 01:30:13,906
I Iearned that the hard way.
1072
01:30:15,550 --> 01:30:17,450
And anyway, Iook at me.
1073
01:30:18,487 --> 01:30:20,819
Nothing bad's gonna happen.
1074
01:30:21,523 --> 01:30:23,650
You gotta have a IittIe faith.
1075
01:30:34,302 --> 01:30:35,530
I'm Louis.
1076
01:30:36,605 --> 01:30:39,005
Ev-- August.
1077
01:30:39,174 --> 01:30:40,835
August Rush.
1078
01:30:41,009 --> 01:30:43,068
August Rush.
1079
01:30:44,479 --> 01:30:46,811
-CooI name.
WALLACE: August!
1080
01:30:48,149 --> 01:30:49,673
Come on!
1081
01:30:52,754 --> 01:30:54,551
I gotta go, August.
1082
01:31:00,862 --> 01:31:02,352
Bye.
1083
01:31:03,131 --> 01:31:04,598
Yeah.
1084
01:31:06,434 --> 01:31:07,924
Bye.
1085
01:31:17,612 --> 01:31:19,011
Bye.
1086
01:31:37,465 --> 01:31:40,195
Yes, I made him memorize our number.
1087
01:31:42,771 --> 01:31:46,207
I understand. Your department's
doing everything they can.
1088
01:32:05,193 --> 01:32:07,753
Do you think anything bad
happened to him?
1089
01:32:08,863 --> 01:32:10,125
I'm sure he's fine.
1090
01:32:11,199 --> 01:32:13,759
I prayed for him. Did you?
1091
01:32:14,536 --> 01:32:16,197
Yeah.
1092
01:32:17,372 --> 01:32:20,739
WeII, if his father Ioves
him Iike he shouId...
1093
01:32:20,909 --> 01:32:24,072
...then he'II do what's best for his son.
1094
01:32:25,981 --> 01:32:27,608
You beIieve that, don't you?
1095
01:32:28,583 --> 01:32:31,381
-Yeah.
-Good.
1096
01:32:31,686 --> 01:32:33,551
Now go get ready.
1097
01:32:33,955 --> 01:32:39,222
[MARK MANCINA'S
''ARPEGGIO THEME'' PLAYING]
1098
01:32:44,532 --> 01:32:46,966
DEAN:
Welcome to our Concert in the Park...
1099
01:32:47,435 --> 01:32:52,498
...and the Mercedes Drive Your Future
SchoIarship CeIebration.
1100
01:32:52,674 --> 01:32:55,336
And now it is with enormous pIeasure...
1101
01:32:55,510 --> 01:33:01,938
...that I weIcome back to the concert stage
one of JuiIIiard's own, LyIa Novacek.
1102
01:33:28,610 --> 01:33:33,138
[PLAYING DAVE METZGER'S
''CELLO CONCERTO IN E MINOR'']
1103
01:33:56,538 --> 01:33:57,664
[LOUIS PLAYING LUCAS REYNOLDS'
''SOMETHING INSIDE'']
1104
01:33:57,839 --> 01:34:00,774
[SINGING]
So long you've been running in circles
1105
01:34:00,942 --> 01:34:02,807
Round what's at stake
1106
01:34:05,847 --> 01:34:10,682
But now the time's come
For your feet to stand still in one place
1107
01:34:14,222 --> 01:34:17,851
You wanna reach out
You wanna give in
1108
01:34:18,026 --> 01:34:21,928
Your head's wrapped around
What's around the next bend
1109
01:34:22,097 --> 01:34:27,364
You wish you could find something warm
'Cause you're shivering cold
1110
01:34:29,971 --> 01:34:33,873
It's the first thing you see
As you open your eyes
1111
01:34:34,042 --> 01:34:37,978
The last thing you say
As you're saying goodbye
1112
01:34:38,146 --> 01:34:43,174
But something inside you
Is crying, driving you on
1113
01:34:44,819 --> 01:34:49,153
'Cause if you hadn't found me
1114
01:34:49,324 --> 01:34:51,758
I would have found you
1115
01:34:53,628 --> 01:34:58,861
I would have found you
1116
01:35:06,574 --> 01:35:08,303
I have to go now.
1117
01:35:20,221 --> 01:35:22,018
I'm not coming back this time.
1118
01:35:23,658 --> 01:35:24,989
He's just kidding, Wizard.
1119
01:35:26,594 --> 01:35:29,324
Me and August have a understanding.
Don't we?
1120
01:35:34,469 --> 01:35:36,664
Aug, you can't Ieave me, man.
1121
01:35:36,838 --> 01:35:38,601
Yes, I can.
1122
01:35:39,841 --> 01:35:41,968
Because you have to
find your parents, right?
1123
01:35:42,143 --> 01:35:44,907
Yeah. My concert's starting.
1124
01:35:45,079 --> 01:35:50,142
WeII, aII my money's on the fact
your foIks won't be abIe to find you.
1125
01:35:50,318 --> 01:35:51,649
You know why?
1126
01:35:52,053 --> 01:35:53,953
Because they can't hear you.
1127
01:35:54,389 --> 01:35:55,720
They're probabIy dead.
1128
01:35:55,890 --> 01:35:58,085
You're not going anywhere.
1129
01:36:01,930 --> 01:36:06,492
It's the first thing you see
As you open your eyes
1130
01:36:06,701 --> 01:36:10,102
The last thing you say
As you're saying goodbye
1131
01:36:10,305 --> 01:36:11,363
Nowhere to go, son.
1132
01:36:11,539 --> 01:36:15,134
Something inside you
Is crying and driving you on
1133
01:36:16,177 --> 01:36:21,979
I would have found you
1134
01:36:22,417 --> 01:36:24,180
ARTHUR:
Run, boy.
1135
01:36:24,352 --> 01:36:25,876
Run, August, run.
1136
01:36:26,054 --> 01:36:29,990
I would have found you
1137
01:36:32,327 --> 01:36:37,060
I would have found you
1138
01:36:38,199 --> 01:36:40,394
[HORN HONKS]
1139
01:36:47,008 --> 01:36:49,476
WALLACE:
August!
1140
01:37:02,891 --> 01:37:05,985
[PLAYING DAVE METZGER'S
''CELLO CONCERTO IN E MINOR'']
1141
01:37:39,594 --> 01:37:42,119
WALLACE:
August!
1142
01:38:02,483 --> 01:38:05,111
DEAN:
Thank you, Iadies and gentIemen.
1143
01:38:05,486 --> 01:38:11,288
Music has aIways fascinated us
in the way that it communicates.
1144
01:38:11,459 --> 01:38:14,485
Without words, without pictures.
1145
01:38:15,396 --> 01:38:18,263
And that Ieads us
to our finaI performance.
1146
01:38:22,437 --> 01:38:24,598
NICK:
How much Ionger to the airport?
1147
01:38:24,772 --> 01:38:27,263
MARSHALL:
Man, it jams up the traffic.
1148
01:38:27,442 --> 01:38:29,933
Bring you back to the oId days,
eh, Louis?
1149
01:38:32,080 --> 01:38:35,982
[MARK MANCINA'S
''ARPEGGIO THEME'' PLAYING]
1150
01:38:47,662 --> 01:38:49,459
''August Rush.''
1151
01:38:49,630 --> 01:38:51,461
Evan TayIor.
1152
01:39:07,181 --> 01:39:11,845
UnfortunateIy, our Iast performer
seems to have....
1153
01:39:12,020 --> 01:39:14,887
He's here. He's here. He's here.
1154
01:39:15,056 --> 01:39:17,388
Oh. ExceIIent.
1155
01:39:17,558 --> 01:39:21,426
Perhaps there's no one eIse
who can better personify...
1156
01:39:21,596 --> 01:39:24,497
...the mystery that is music...
1157
01:39:24,665 --> 01:39:27,395
...than our finaI composer.
1158
01:40:18,219 --> 01:40:21,950
[ORCHESTRA PLAYING
MARK MANCINA'S ''RHAPSOD Y'']
1159
01:41:19,147 --> 01:41:20,637
Hey, what's that?
1160
01:41:20,815 --> 01:41:23,409
MAN:
Concerts in the Park every spring.
1161
01:41:51,145 --> 01:41:52,806
Let me out.
1162
01:41:54,015 --> 01:41:56,415
Let me out! Let me out!
1163
01:42:44,899 --> 01:42:47,026
HOPE [SINGING] :
Yeah, yeah, yeah
1164
01:42:50,571 --> 01:42:52,402
Woo woo
1165
01:42:55,209 --> 01:42:58,042
Yeah, yeah
1166
01:43:02,049 --> 01:43:04,176
Yeah
1167
01:43:08,222 --> 01:43:11,783
Oh, oh
1168
01:43:12,860 --> 01:43:15,954
Woo
1169
01:43:18,032 --> 01:43:20,193
Yeah
1170
01:43:24,905 --> 01:43:27,999
Oh, oh
1171
01:43:29,610 --> 01:43:30,599
Whoa, oh
1172
01:43:32,313 --> 01:43:34,440
Yeah
1173
01:43:36,550 --> 01:43:40,987
Whoa, oh
1174
01:43:43,557 --> 01:43:47,049
[VAN MORRISON'S
''MOONDANCE'' PLAYING]
1175
01:46:39,633 --> 01:46:42,158
AUGUST:
The music is all around us.
1176
01:46:42,336 --> 01:46:45,065
All you have to do is listen.
1177
01:46:45,162 --> 01:47:01,262
SUBTITLES SYNCED BY YOSHI224 FOR THE
BEAUTIFUL ANGEL TWEETIE PIE (ANNA-MARIA)
1178
01:47:01,355 --> 01:47:06,952
MAN [SINGING] :
Ooo eee oooh
1179
01:47:08,963 --> 01:47:13,297
As days go by and fade tonight
1180
01:47:13,467 --> 01:47:17,062
I still question why you left
1181
01:47:17,238 --> 01:47:21,174
I wonder how it didn't work out
1182
01:47:21,342 --> 01:47:23,071
But now you're gone
1183
01:47:23,244 --> 01:47:27,146
And memories are all I have for now
1184
01:47:27,314 --> 01:47:29,145
But no, it's not over
1185
01:47:29,316 --> 01:47:33,275
We'll get older
We'll get over
1186
01:47:33,454 --> 01:47:37,413
We'll live to see the day that I hope for
1187
01:47:37,591 --> 01:47:38,853
Come back to me
1188
01:47:39,026 --> 01:47:40,721
I still believe
1189
01:47:40,895 --> 01:47:46,333
That we'll get it right again
1190
01:47:46,500 --> 01:47:49,025
We'll come back to life again
1191
01:47:49,203 --> 01:47:54,072
We won't say another goodbye again
1192
01:47:54,241 --> 01:47:58,007
Live forever with me
1193
01:47:59,680 --> 01:48:01,841
And someday
1194
01:48:03,784 --> 01:48:05,649
Someday
1195
01:48:05,819 --> 01:48:09,755
We'll be together someday
1196
01:48:11,859 --> 01:48:17,058
Someday we'll be together
1197
01:48:19,800 --> 01:48:23,600
Our someday might be today
1198
01:48:23,771 --> 01:48:27,605
The mysteries of destiny say
1199
01:48:27,775 --> 01:48:31,575
Our somehow and our some way
1200
01:48:31,745 --> 01:48:35,647
For all we know they come tomorrow
1201
01:48:35,816 --> 01:48:39,775
But for today my eyes are open
1202
01:48:39,954 --> 01:48:43,651
My arms are raised for your embrace
1203
01:48:43,824 --> 01:48:48,056
My hands are here to mend what is broken
1204
01:48:48,228 --> 01:48:52,494
To feel again the warmth of your face
1205
01:48:52,666 --> 01:48:56,568
I believe there is more to life
1206
01:48:56,737 --> 01:48:59,399
Oh, I love you much more than life
1207
01:48:59,573 --> 01:49:00,562
It's though
1208
01:49:00,741 --> 01:49:03,767
I believe I can change your mind
1209
01:49:03,944 --> 01:49:08,005
Revive what is dying inside
1210
01:49:10,150 --> 01:49:13,085
And someday
1211
01:49:14,321 --> 01:49:16,186
Someday
1212
01:49:16,357 --> 01:49:20,293
We'll be together someday
1213
01:49:22,429 --> 01:49:26,331
Someday we'll be together
1214
01:49:26,500 --> 01:49:28,968
Someday
1215
01:49:30,471 --> 01:49:32,336
Someday
1216
01:49:32,506 --> 01:49:36,067
We'll be together
1217
01:49:36,644 --> 01:49:38,976
We'll be together
1218
01:49:40,614 --> 01:49:43,913
We'll be together
1219
01:49:46,820 --> 01:49:49,015
Someday
1220
01:50:07,141 --> 01:50:11,805
MAN 2 [SINGING] :
I'm as crazy as a clown tonight
1221
01:50:11,979 --> 01:50:15,813
A clown without a crown tonight
1222
01:50:15,983 --> 01:50:21,011
A simple sack of wishes and bones
1223
01:50:22,923 --> 01:50:27,519
I'm as useless as a memory
1224
01:50:27,695 --> 01:50:31,495
The day before it came to me
1225
01:50:31,665 --> 01:50:37,365
To save your town
Of stitches and stones
1226
01:50:37,538 --> 01:50:40,302
But once in my life
1227
01:50:40,474 --> 01:50:44,433
I was the king of Earth
1228
01:50:46,180 --> 01:50:48,910
Once in my life
1229
01:50:49,083 --> 01:50:53,520
I was
1230
01:50:53,987 --> 01:50:57,081
Now that the stars
1231
01:50:57,257 --> 01:51:00,784
Are frozen in their places
1232
01:51:02,629 --> 01:51:07,464
Now that our hope seems gone
1233
01:51:10,003 --> 01:51:12,437
Now that the stars
1234
01:51:12,606 --> 01:51:17,043
Have fallen from our faces
1235
01:51:19,246 --> 01:51:21,942
I will see you on
1236
01:51:25,385 --> 01:51:29,913
I'll never be your picture president
1237
01:51:30,090 --> 01:51:34,117
But I hope you got the rose I sent
1238
01:51:34,294 --> 01:51:39,163
To save your town of stitches and bones
1239
01:51:41,068 --> 01:51:46,005
I'm nothing more than but a simple man
1240
01:51:46,173 --> 01:51:49,870
Formed to be American
1241
01:51:50,043 --> 01:51:55,538
Out to draw these bridges alone
1242
01:51:55,716 --> 01:51:58,344
But once in my life
1243
01:51:58,519 --> 01:52:03,047
I was the king of the Earth
1244
01:52:04,591 --> 01:52:07,583
Once in my life
1245
01:52:27,748 --> 01:52:31,047
CHORUS [SINGING] :
Bamba, bamba
1246
01:52:31,919 --> 01:52:35,411
Oh, bamba, bamba
1247
01:52:35,589 --> 01:52:38,524
MAN 3 [SINGING] :
Para bailar la bamba
1248
01:52:38,692 --> 01:52:40,660
CHORUS [SINGING] :
Bamba, bamba
1249
01:52:40,828 --> 01:52:43,888
MAN 3 [SINGING] : Para bailar la bamba
CHORUS [SINGING] : Bamba, bamba
1250
01:52:44,064 --> 01:52:49,434
MAN 3 [SINGING] :
Se necesita una poca de gracia
1251
01:52:49,603 --> 01:52:51,036
CHORUS [SINGING] :
Bamba, bamba
1252
01:52:51,205 --> 01:52:56,268
MAN 3 [SINGING] :
Una poca de gracia pa mi pa ti
1253
01:52:56,443 --> 01:52:58,911
Y arriba, y arriba
1254
01:52:59,079 --> 01:53:01,479
CHORUS [SINGING] :
Bamba, bamba
1255
01:53:01,648 --> 01:53:03,843
MAN 3 [SINGING] :
Yeah, dance with me, baby
1256
01:53:04,017 --> 01:53:05,075
CHORUS [SINGING] :
Bamba, bamba
1257
01:53:05,252 --> 01:53:06,947
MAN 3 [SINGING] :
Let's dance tonight
1258
01:53:07,120 --> 01:53:09,384
Say arriba y arriba
1259
01:53:09,556 --> 01:53:12,218
CHORUS [SINGING] :
Bamba, bamba
1260
01:53:12,392 --> 01:53:14,587
MAN 3 [SINGING] :
Say arriba y arriba
1261
01:53:14,761 --> 01:53:17,127
CHORUS [SINGING] :
Bamba, bamba
1262
01:53:17,297 --> 01:53:20,027
MAN 3 [SINGING] :
Oh, oh
1263
01:53:22,703 --> 01:53:25,934
Yeah, yeah, yeah
1264
01:53:26,106 --> 01:53:27,971
[MAN 3 LAUGHING]
1265
01:53:33,347 --> 01:53:35,338
[ENGLISH SDH]