1 00:00:14,848 --> 00:00:16,750 WHOOP, THERE WE GO. 2 00:00:16,784 --> 00:00:18,786 GET YOUR MAMA. GET HER. 3 00:00:18,819 --> 00:00:20,354 OHH! 4 00:00:20,388 --> 00:00:22,490 DENIED. 5 00:00:23,157 --> 00:00:26,560 MOMMY, WAKE UP. IT'S TIME TO PLAY. 6 00:00:26,594 --> 00:00:28,462 OH, HENRY. 7 00:00:28,496 --> 00:00:29,830 I'M LATE FOR WORK AND YOU PROMISED. 8 00:00:29,863 --> 00:00:32,766 OK, BUDDY, GO GET YOUR SHOES. GO ON. 9 00:00:32,800 --> 00:00:33,767 YAY! 10 00:00:34,768 --> 00:00:38,606 WHEN WILL A DAY OFF EVER ACTUALLY BE A DAY OFF? 11 00:00:38,639 --> 00:00:40,174 IN ABOUT 14 YEARS. 12 00:00:40,208 --> 00:00:43,111 COME ON. 13 00:00:48,349 --> 00:00:51,685 OH, UH, SO, REMEMBER, WE HAVE THE PLAY DATE WITH CAMERON. 14 00:00:51,719 --> 00:00:54,122 SO...YOU'RE ON YOUR OWN FOR DINNER. 15 00:00:54,155 --> 00:00:55,856 OH, I'LL MANAGE SOMEHOW. 16 00:00:55,889 --> 00:00:56,524 MM. 17 00:00:56,557 --> 00:00:58,459 I LOVE YOU, TOO. I LOVE YOU. 18 00:00:58,492 --> 00:00:59,693 I LOVE YOU THREE. 19 00:00:59,727 --> 00:01:00,794 JUMP! COME ON. 20 00:01:00,828 --> 00:01:02,796 OHH! I LOVE YOU FOUR. 21 00:01:02,830 --> 00:01:05,533 YOU HAVE TO GO TO YOUR MAMA, OK? 22 00:01:05,566 --> 00:01:06,367 OK. 23 00:01:06,400 --> 00:01:07,568 YEAH! ARE YOU READY TO PLAY SOCCER? 24 00:01:07,601 --> 00:01:09,703 LET'S PLAY SOCCER. READY? 25 00:01:09,737 --> 00:01:11,805 ALL RIGHT, KICK IT TO MOMMY. 26 00:01:11,839 --> 00:01:12,740 KICK IT. 27 00:01:12,773 --> 00:01:15,109 WHOA! SCORE! 28 00:01:15,143 --> 00:01:16,544 SAY, BYE, DADDY! 29 00:01:16,577 --> 00:01:17,478 BYE, DADDY. 30 00:01:17,511 --> 00:01:20,748 ALL RIGHT. KICK IT AGAIN. 31 00:01:27,855 --> 00:01:29,123 GOOD MORNING. 32 00:01:29,157 --> 00:01:30,458 BREAKFAST IS SERVED. 33 00:01:30,491 --> 00:01:31,359 THANK YOU. 34 00:01:31,392 --> 00:01:32,092 MM. AM I EARLY? 35 00:01:32,126 --> 00:01:33,527 NO, NO, NO. WE'RE RUNNING LATE. 36 00:01:33,561 --> 00:01:35,229 WE'RE JUST HAVING TOO GOOD OF A TIME. 37 00:01:35,263 --> 00:01:36,164 HEY! BETH! 38 00:01:36,197 --> 00:01:37,898 COME AND LOOK AT OUR FORT. 39 00:01:37,931 --> 00:01:39,333 WOW! YOU GUYS! 40 00:01:39,367 --> 00:01:41,769 THIS IS INSPIRED. 41 00:01:41,802 --> 00:01:43,237 WHERE'S YOUR CAPE? 42 00:01:43,271 --> 00:01:45,173 I'M WEARING IT. 43 00:01:46,607 --> 00:01:48,776 YEAH! COME AND SEE INSIDE. 44 00:01:48,809 --> 00:01:50,144 WOW. OHH! 45 00:01:50,178 --> 00:01:51,279 WE SLEPT IN HERE ALL NIGHT. 46 00:01:51,312 --> 00:01:54,315 IT SOUNDS SO MUCH FUN. I'M JEALOUS. 47 00:01:54,348 --> 00:01:56,817 WE'RE GOING TO DO IT AGAIN TONIGHT, RIGHT, DAD? 48 00:01:56,850 --> 00:01:59,153 SURE, BUDDY. NO PROBLEM. 49 00:01:59,187 --> 00:02:02,156 COULD BETH SLEEP OVER? 50 00:02:03,191 --> 00:02:04,658 COULD SHE? 51 00:02:05,926 --> 00:02:07,828 I... 52 00:02:09,230 --> 00:02:11,665 I WANT TO SEE IT. IT'S SO COOL. 53 00:02:11,699 --> 00:02:14,902 00. 54 00:02:14,935 --> 00:02:16,404 ABSOLUTELY. CAN WE GO TO THAT? 55 00:02:16,437 --> 00:02:19,673 00? 56 00:02:19,707 --> 00:02:20,741 OBS. THANKS FOR COMING WITH ME. 57 00:02:20,774 --> 00:02:24,345 OF COURSE. I'VE BEEN KNITTING THIS SCARF FOR WEEKS. 58 00:02:24,378 --> 00:02:25,846 PENELOPE. 59 00:02:25,879 --> 00:02:27,548 KEVIN. HI. 60 00:02:27,581 --> 00:02:28,482 YOU CAME. 61 00:02:28,516 --> 00:02:29,783 AND YOU BROUGHT A FRIEND. 62 00:02:29,817 --> 00:02:32,586 CSU TECHNICIAN SHARP, HOW ARE YOU? 63 00:02:32,620 --> 00:02:33,754 FINE. YOU? 64 00:02:33,787 --> 00:02:34,855 I AM ALSO FINE. 65 00:02:34,888 --> 00:02:36,724 OK, WELL, SEE YA. 66 00:02:36,757 --> 00:02:37,758 YOU'RE NOT GONNA GO IN? 67 00:02:37,791 --> 00:02:40,661 NO. ACTUALLY, WE JUST WENT IN AND IT'S SUPER LAME, 68 00:02:40,694 --> 00:02:42,230 SO WE'RE LEAVING. 69 00:02:42,263 --> 00:02:43,631 OH, OK. 70 00:02:43,664 --> 00:02:45,633 OH, GREAT COSTUME. 71 00:02:45,666 --> 00:02:46,800 YEAH, YOU, TOO. 72 00:02:46,834 --> 00:02:47,668 THAT WAS AWKWARD. 73 00:02:47,701 --> 00:02:48,536 OH, MY GOD. WE USED TO COME EVERY YEAR. 74 00:02:48,569 --> 00:02:50,604 I CAN'T BELIEVE HE BROUGHT SOMEONE ELSE. 75 00:02:50,638 --> 00:02:51,839 WELL, YOU BROUGHT SOMEONE ELSE. 76 00:02:51,872 --> 00:02:55,576 YEAH. SOMEONE I COULDN'T POSSIBLY BE SEXUALLY ATTRACTED TO. 77 00:02:55,609 --> 00:02:58,346 YOU'RE WELCOME? 78 00:02:58,379 --> 00:03:00,448 WHOA, ROSSI! 79 00:03:01,715 --> 00:03:03,651 WHY DOESN'T THIS SURPRISE ME? 80 00:03:03,684 --> 00:03:05,253 ARE YOU HERE FOR THE CONVENTION? 81 00:03:05,286 --> 00:03:08,422 WHO SCHEDULES A CIGAR AFICIONADO EVENT 82 00:03:08,456 --> 00:03:11,392 BACK TO BACK WITH... THIS? 83 00:03:11,425 --> 00:03:13,761 I KNOW, RIGHT? IT'S THE GREATEST PARTY EVER. 84 00:03:13,794 --> 00:03:15,263 WELL, IT WAS GONNA BE. 85 00:03:15,296 --> 00:03:17,531 UNLESS IT INVOLVES GENTLEMAN JACK 86 00:03:17,565 --> 00:03:18,899 AND PRE-EMBARGO CUBAN CIGARS, 87 00:03:18,932 --> 00:03:22,470 I FIND THAT STATEMENT TO BE HIGHLY DUBIOUS. 88 00:03:22,503 --> 00:03:23,371 KEVIN BROUGHT ANOTHER WOMAN. 89 00:03:23,404 --> 00:03:26,340 I'M PLOTTING REVENGE. DO YOU WANT TO HELP? 90 00:03:27,541 --> 00:03:28,542 NO. 91 00:03:28,576 --> 00:03:29,977 NOW, YOU KNOW I LOVE YOU BOTH, 92 00:03:30,010 --> 00:03:32,980 BUT THIS IS SATURDAY AND IT IS MY DAY OFF, 93 00:03:33,013 --> 00:03:35,983 SO I'D PREFER TO LOVE YOU FROM AFAR. 94 00:03:36,016 --> 00:03:38,619 SO, HAVE FUN. 95 00:03:38,652 --> 00:03:40,354 IT'S MY BEDTIME. 96 00:03:40,388 --> 00:03:41,489 IT'S 9 A.M. 97 00:03:41,522 --> 00:03:43,824 YOU'RE JUDGING ME? 98 00:04:04,978 --> 00:04:06,314 THANK YOU. 99 00:04:06,347 --> 00:04:08,282 THANKS. 100 00:04:09,717 --> 00:04:11,552 I DON'T KNOW. 101 00:04:11,585 --> 00:04:13,321 EMILY, WHAT'S NOT TO KNOW? 102 00:04:13,354 --> 00:04:14,655 IT'S A BEAUTIFUL PLACE. 103 00:04:14,688 --> 00:04:18,459 THERE ARE CRACKS IN THE FOUNDATION. 104 00:04:18,492 --> 00:04:20,294 CRACKS CAN BE FIXED. 105 00:04:20,328 --> 00:04:22,996 NO, THEY CAN ONLY BE HIDDEN. 106 00:04:23,030 --> 00:04:24,031 THEY'RE STILL THERE. 107 00:04:24,064 --> 00:04:26,634 WHAT, ARE YOU AFRAID THE PLACE IS GONNA FALL DOWN? 108 00:04:26,667 --> 00:04:29,703 I'M AFRAID IT'S NEVER GONNA BE AS STRONG AS IT WAS. 109 00:04:29,737 --> 00:04:33,574 OK, SOMEBODY'S HEART IS NOT INTO IT. 110 00:04:33,607 --> 00:04:34,708 WHAT'S GOING ON? 111 00:04:34,742 --> 00:04:36,910 I DON'T KNOW. 112 00:04:36,944 --> 00:04:38,412 WHEN I FIRST CAME HERE, 113 00:04:38,446 --> 00:04:41,315 I FELT LIKE I WAS HOME. 114 00:04:41,349 --> 00:04:46,820 AND NOW, IT'S JUST AN UPHILL BATTLE. 115 00:04:48,822 --> 00:04:51,892 PEOPLE KILL FOR OPPORTUNITIES LIKE THIS. 116 00:04:51,925 --> 00:04:53,861 AM I CRAZY TO WALK AWAY? 117 00:04:53,894 --> 00:04:56,730 WELL, YOU GOTTA DO WHAT'S BEST FOR YOU. 118 00:04:56,764 --> 00:04:58,031 FOLLOW YOUR GUT. 119 00:04:58,065 --> 00:05:00,901 WHAT'S IT TRYING TO TELL YOU? 120 00:05:46,747 --> 00:05:48,782 THANK YOU. 121 00:05:57,458 --> 00:05:59,159 IT'S OK, MA'AM. GO AHEAD. 122 00:05:59,192 --> 00:06:01,662 DID YOU REMEMBER TO BRING YOUR KEY? 123 00:06:01,695 --> 00:06:02,830 YES. 124 00:06:02,863 --> 00:06:05,433 DID YOU REMEMBER YOUR GLASSES? 125 00:06:05,466 --> 00:06:08,436 YES. NAG, NAG, NAG. 126 00:06:10,438 --> 00:06:12,940 OVER HERE, SIR. 127 00:06:13,441 --> 00:06:15,543 I'M GONNA NEED TO SEE YOUR BAG. 128 00:06:15,576 --> 00:06:17,077 OK, SURE. 129 00:06:19,847 --> 00:06:20,948 OVER HERE, SIR. 130 00:06:20,981 --> 00:06:23,484 IT LOOKS LIKE EVERYONE'S SETTING THAT THING OFF TODAY. 131 00:06:23,517 --> 00:06:25,453 SIR, OVER HERE. 132 00:06:27,488 --> 00:06:29,089 HEY! 133 00:06:30,591 --> 00:06:31,892 OH, GOD. 134 00:06:31,925 --> 00:06:33,894 I WANT TO SEE HANDS IN THE SKY! 135 00:06:33,927 --> 00:06:34,995 NOW! 136 00:06:35,028 --> 00:06:37,765 TRY TO TRIGGER ANY ALARM OR GIVE ME ANY DAMN DYE PACKS 137 00:06:37,798 --> 00:06:40,734 AND YOU'RE DEAD. YOU UNDERSTAND ! 138 00:06:40,768 --> 00:06:42,603 YES! 139 00:06:42,636 --> 00:06:45,473 CASH IN HERE. 140 00:06:45,506 --> 00:06:46,874 CASH IN HERE. 141 00:06:46,907 --> 00:06:48,141 GO, BUDDY. 142 00:06:48,175 --> 00:06:50,444 COME ON! 143 00:06:50,478 --> 00:06:51,178 TIME! 144 00:06:51,211 --> 00:06:53,180 45. YES, LADIES AND GENTLEMEN, 145 00:06:53,213 --> 00:06:56,116 WE ARE THE FACE CARDS. MAYBE YOU'VE HEARD OF US. 146 00:07:00,253 --> 00:07:02,990 GET YOUR FACES ON THE FLOOR ALREADY. 147 00:07:03,023 --> 00:07:06,193 I SEE EYES, YOU SEE BULLETS. GET IT? 148 00:07:06,226 --> 00:07:08,228 GET DOWN ON THE GROUND! 149 00:07:08,261 --> 00:07:10,197 GET DOWN ON THE GROUND! 150 00:07:10,230 --> 00:07:11,999 30. 151 00:07:12,600 --> 00:07:14,134 WHAT THE HELL IS THAT?! 152 00:07:14,167 --> 00:07:16,870 I SAID NO DYE PACKS. 153 00:07:16,904 --> 00:07:18,506 WHAT THE HELL IS THIS? 154 00:07:18,539 --> 00:07:19,740 I'M SORRY. 155 00:07:19,773 --> 00:07:21,875 OH, SHE'S SORRY. SORRY? 156 00:07:21,909 --> 00:07:22,409 OHH! 157 00:07:22,442 --> 00:07:23,844 YOU'RE GONNA BE SORRY. 158 00:07:23,877 --> 00:07:25,979 PLEASE. WE'LL COOPERATE. 159 00:07:26,013 --> 00:07:27,848 JUST TELL ME WHAT YOU NEED. 160 00:07:27,881 --> 00:07:30,217 WHAT I NEED? 161 00:07:30,250 --> 00:07:33,186 WELL... 162 00:07:33,687 --> 00:07:34,855 LYNNE... 163 00:07:34,888 --> 00:07:38,926 THIS IS A BANK, RIGHT? 164 00:07:39,860 --> 00:07:43,030 WHAT DO YOU THINK I NEED? 165 00:07:43,897 --> 00:07:48,702 OH. TAKE ME TO THE VAULT, SWEETIE PIE. 166 00:07:48,736 --> 00:07:51,505 GO. GO! 167 00:07:55,709 --> 00:07:57,678 ONE MINUTE. 168 00:08:01,281 --> 00:08:03,684 ALL UNITS IN THE VICINITY OFF PENN AND SOUTHEAST, 169 00:08:03,717 --> 00:08:06,286 ROBBERY IN PROGRESS AT COLONIAL LIBERTY BANK. 170 00:08:06,319 --> 00:08:07,721 THAT'S ONE BLOCK OVER. 171 00:08:07,755 --> 00:08:11,592 SHOT FIRED. REPEAT, SHOTS FIRED AT THE COLONIAL LIBERTY BANK. ALL UNITS. 172 00:08:11,625 --> 00:08:14,795 426 RESPONDING. 173 00:08:22,570 --> 00:08:24,004 30 SECONDS, BOSS. 174 00:08:24,037 --> 00:08:25,072 ALL RIGHT, COMING. 175 00:08:25,105 --> 00:08:28,108 ON THE GROUND WITH THE OTHERS. 176 00:08:29,009 --> 00:08:31,178 WHAT DO YOU MEAN? WE GOT TROUBLE! 177 00:08:31,211 --> 00:08:32,245 BLACK-AND-WHITE. 178 00:08:32,279 --> 00:08:34,181 GET DOWN. DOWN! DOWN! 179 00:08:34,214 --> 00:08:36,283 SIDE DOOR. LET'S GO! 180 00:08:37,317 --> 00:08:39,052 FACES ON THE GROUND. 181 00:08:39,086 --> 00:08:44,157 COUNT TO 100. DON'T EVEN THINK OF MOVING. 182 00:08:44,191 --> 00:08:46,860 I SAID COUNT! 183 00:08:58,606 --> 00:09:02,009 BETTER PULL BACK AND SEE IF THEY RESPOND. 184 00:09:07,080 --> 00:09:09,016 10-13. OFFICER DOWN. 185 00:09:09,049 --> 00:09:12,552 SHOTS FIRED. REPEAT, SHOTS FIRED. 186 00:09:50,423 --> 00:09:54,194 "FEAR IS MET AND DESTROYED WITH COURAGE." 187 00:09:54,227 --> 00:09:56,764 JAMES F. BELL. 188 00:10:23,423 --> 00:10:24,424 YOU OK? 189 00:10:24,457 --> 00:10:26,727 YEAH. 190 00:10:26,760 --> 00:10:27,728 IT'S DEFINITELY THEM. 191 00:10:27,761 --> 00:10:29,296 I ONLY SAW THE KING AND THE JACK, 192 00:10:29,329 --> 00:10:30,731 BUT I FIGURE THE QUEEN'S INSIDE, TOO. 193 00:10:30,764 --> 00:10:32,866 THE MEDIA'S CALLING THEM THE FACE CARDS. 194 00:10:32,900 --> 00:10:33,767 7 BANK ROBBERIES IN 7 MONTHS. 195 00:10:33,801 --> 00:10:36,870 THEY'VE KILLED ONE PERSON AT EACH ROBBERY. 196 00:10:36,904 --> 00:10:38,038 M.O.? 197 00:10:38,071 --> 00:10:39,907 SINGLE GUNSHOT WOUND. EACH OF THE VICTIMS HAS BLED OUT. 198 00:10:39,940 --> 00:10:42,876 SERIAL KILLERS WITH A 30-DAY COOLING-OFF PERIOD 199 00:10:42,910 --> 00:10:44,277 AND WE'RE ONLY JUST HEARING ABOUT THIS NOW? 200 00:10:44,311 --> 00:10:46,213 WELL, HEADQUARTERS HAS ALWAYS CHARACTERIZED THEM 201 00:10:46,246 --> 00:10:47,480 ROBBERS FIRST AND KILLERS SECOND. 202 00:10:47,514 --> 00:10:50,818 NO ONE KILLS 7 PEOPLE WITHOUT SERIOUS PSYCHOPATHIC TENDENCIES. 203 00:10:50,851 --> 00:10:53,320 I DISAGREED WITH THE ORIGINAL ASSESSMENT. I WAS OVERRULED. 204 00:10:53,353 --> 00:10:54,722 SO WHY ARE WE HERE NOW? 205 00:10:54,755 --> 00:10:56,389 BECAUSE CRISIS NEGOTIATION IS OVERSEAS. 206 00:10:56,423 --> 00:10:57,791 WHAT MORE DO WE KNOW ABOUT THEM? 207 00:10:57,825 --> 00:11:01,094 THEY'RE ORGANIZED, THEY'RE EFFICIENT. EACH STRIKE LASTS ABOUT 2 MINUTES. 208 00:11:01,128 --> 00:11:03,296 THEY GOTTA BE SCOUTING THE BANKS IN ADVANCE. 209 00:11:03,330 --> 00:11:06,033 WHY HAVEN'T WE BEEN ABLE TO I.D. THEM OFF OF SURVEILLANCE FOOTAGE? 210 00:11:06,066 --> 00:11:07,801 THEY HACK THE SECURITY FEED AND TURN OFF THE CAMERAS, 211 00:11:07,835 --> 00:11:10,804 BOTH DURING THE INITIAL CANVASS AND DURING THE ROBBERY, 212 00:11:10,838 --> 00:11:13,907 UNTIL THE MASKS COME BACK ON, AND THEN WE'RE ALLOWED TO WATCH. 213 00:11:13,941 --> 00:11:16,810 I CAN'T FIND ANYTHING. NO DOORS, NO GRATES, NOTHING. 214 00:11:16,844 --> 00:11:20,347 YO! LYNNE! WHAT'S ANOTHER WAY OUT OF HERE? 215 00:11:20,380 --> 00:11:23,016 JUST THE MAIN ENTRANCE AND THE SIDE DOOR. IT'S FOR SECURITY. 216 00:11:23,050 --> 00:11:25,886 I KNOW THAT. YOU THINK I'M STUPID? 217 00:11:25,919 --> 00:11:28,321 WHAT WENT WRONG? WE WERE ON COUNT. 218 00:11:28,355 --> 00:11:29,422 I NEED A DOCTOR. 219 00:11:29,456 --> 00:11:31,158 IS ANYONE A DOCTOR?! 220 00:11:32,292 --> 00:11:33,160 WOULD YOU SHUT THAT KID UP! 221 00:11:33,193 --> 00:11:34,962 HE'S A BABY. WHAT DO YOU EXPECT HER TO DO? 222 00:11:34,995 --> 00:11:36,229 IT'S OK, BABY. IT'S OK. 223 00:11:36,263 --> 00:11:40,133 NO ONE ASKED FOR YOUR OPINION. 224 00:11:40,868 --> 00:11:44,838 IT'S NOT JUST THE COPS. WE'VE GOT THE FEDS NOW, TOO. WE'RE SCREWED. 225 00:11:44,872 --> 00:11:46,206 YOU HAVE TO APPLY PRESSURE. 226 00:11:46,239 --> 00:11:47,207 I CAN'T EVEN FEEL IT. 227 00:11:47,240 --> 00:11:48,842 YEAH, I KNOW. JUST PUSH DOWN AS HARD AS YOU CAN. 228 00:11:48,876 --> 00:11:51,078 WOULD YOU FOCUS ON WHAT'S IMPORTANT. 229 00:11:51,111 --> 00:11:53,814 SHUT THE HELL UP! HE'S BLEEDING OUT. 230 00:11:53,847 --> 00:11:55,248 IT'S HIS FAULT WE'RE IN THIS MESS. 231 00:11:55,282 --> 00:11:56,884 NICE HEADS-UP ON THE COPS, OLLY. 232 00:11:56,917 --> 00:12:00,253 MAYBE THINK IT WAS YOUR COUNT THAT WAS OFF, HUH? 233 00:12:00,287 --> 00:12:01,889 HOW BAD IS IT? 234 00:12:01,922 --> 00:12:03,824 YOU'RE GONNA BE FINE. 235 00:12:03,857 --> 00:12:05,125 I DON'T WANT TO DIE. 236 00:12:05,158 --> 00:12:09,196 WE'RE ALL GONNA DIE IF WE DON'T GET OUT OF HERE. YOU SHOT A COP. 237 00:12:09,229 --> 00:12:10,397 SHUT THE HELL UP! 238 00:12:10,430 --> 00:12:11,865 YOU'RE NOT GONNA DIE. 239 00:12:11,899 --> 00:12:13,533 WE'RE TRAPPED IN HERE, OK. 240 00:12:13,566 --> 00:12:16,303 BUT WE GOT ONE THING THEY WANT-- 241 00:12:16,336 --> 00:12:18,305 ALL THEM. 242 00:12:19,406 --> 00:12:21,975 THEY'RE USING THE HOSTAGES AS HUMAN SHIELDS. 243 00:12:22,009 --> 00:12:24,945 THIS IS THE FIRST TIME THEY'VE BEEN INTERRUPTED. WHAT WENT WRONG? 244 00:12:24,978 --> 00:12:25,813 IT'S A BIG BANK. IT'S POSSIBLE 245 00:12:25,846 --> 00:12:27,848 THEY WEREN'T ABOUT TO ROUND EVERYBODY UP 246 00:12:27,881 --> 00:12:29,216 BEFORE SOMEONE TRIGGERED AN ALARM. 247 00:12:29,249 --> 00:12:30,517 WHY HAVEN'T THEY CUT THE FEED 248 00:12:30,550 --> 00:12:31,618 NOW THAT THEY'VE BEEN CORNERED? 249 00:12:31,651 --> 00:12:33,987 LETTING US SEE INSIDE GIVES UP A TACTICAL ADVANTAGE. 250 00:12:34,021 --> 00:12:34,922 THEY GOTTA KNOW THAT. 251 00:12:34,955 --> 00:12:35,823 THEY DON'T SEEM TO CARE. 252 00:12:35,856 --> 00:12:37,858 THEY'RE OVERCONFIDENT. ARROGANT, EVEN. 253 00:12:37,891 --> 00:12:39,993 THE FACE CARD MASKS ADD TO THEIR NARCISSISM. 254 00:12:40,027 --> 00:12:42,129 THEIR PERSONAS ARE THE ROYALTY OF POKER. 255 00:12:42,162 --> 00:12:44,031 JJ, REID, AND PRENTISS, LOOK AT PAST ROBBERIES. 256 00:12:44,064 --> 00:12:44,832 THAT'S GONNA BE OUR VICTIMOLOGY. 257 00:12:44,865 --> 00:12:46,566 PULL ANOTHER ANALYST IF YOU NEED TO. 258 00:12:46,599 --> 00:12:48,101 DAVE, I WANT YOU TO HANDLE NEGOTIATIONS. 259 00:12:48,135 --> 00:12:52,072 AND, MORGAN, STRATEGIZE TACTICAL OPTIONS WITH MPD. 260 00:12:55,475 --> 00:12:56,509 CHIEF STRAUSS. 261 00:12:56,543 --> 00:13:00,280 THE DIRECTOR ORDERED ME TO SUPERVISE YOUR OPERATION. 262 00:13:00,313 --> 00:13:01,982 PUTS YOU RIGHT IN THE SPOTLIGHT. 263 00:13:02,015 --> 00:13:05,452 WELL, YOU'VE GOT GUNMEN WITH HOSTAGES IN THE CAPITAL. 264 00:13:05,485 --> 00:13:06,386 THE HILL'S CONCERNED. 265 00:13:06,419 --> 00:13:09,256 WE'RE ABOUT TO OPEN LINES OF COMMUNICATION. 266 00:13:09,289 --> 00:13:10,891 WHAT ABOUT A TACTICAL ASSAULT? 267 00:13:10,924 --> 00:13:11,992 I DON'T THINK IT'S A GOOD IDEA. 268 00:13:12,025 --> 00:13:14,094 THERE ARE HOSTAGES IN FRONT OF THE DOORS AND WINDOWS. 269 00:13:14,127 --> 00:13:16,296 WHAT'S YOUR NEGOTIATION STRATEGY? 270 00:13:16,329 --> 00:13:17,330 THE JACK'S BLEEDING OUT. 271 00:13:17,364 --> 00:13:18,598 THEY'LL ASK FOR MEDICAL ATTENTION. 272 00:13:18,631 --> 00:13:21,969 THE FEMALE UNSUB MIGHT HAVE SOMETHING TO SAY ABOUT THAT. 273 00:13:22,002 --> 00:13:22,970 LOOK AT HER BODY LANGUAGE. 274 00:13:23,003 --> 00:13:25,973 MM. SHE IS COLD AND DETACHED. 275 00:13:26,006 --> 00:13:30,610 THE KING SEEMS GENUINELY CONCERNED ABOUT HIS PARTNER'S WELFARE. 276 00:13:30,643 --> 00:13:32,545 BUT SHE COULDN'T GIVE A DAMN. 277 00:13:32,579 --> 00:13:34,915 THE MEN PROBABLY KNOW EACH OTHER. 278 00:13:34,948 --> 00:13:35,983 YES. GARCIA? 279 00:13:36,016 --> 00:13:38,451 SHUFFLING MY TECHNOFABULOUS DECK OF DATABASES, SIR. 280 00:13:38,485 --> 00:13:41,021 HEY, DON'T LOOK. 281 00:13:41,054 --> 00:13:41,955 IT'S GONNA BE OK. 282 00:13:41,989 --> 00:13:45,625 WE'RE ALL GONNA DIE, AREN'T WE? 283 00:13:45,658 --> 00:13:49,863 I'M SURE THE POLICE WILL GIVE THEM WHAT THEY WANT. 284 00:13:49,897 --> 00:13:52,099 STOP TALKING! 285 00:13:53,266 --> 00:13:54,601 IT'S GOTTA BE THE FEDS. 286 00:13:55,135 --> 00:13:57,570 I'LL BE RIGHT BACK. 287 00:13:58,105 --> 00:13:58,972 WHO THE HELL'S THIS? 288 00:13:59,006 --> 00:14:02,442 MY NAME IS DAVID ROSSI. I'M WITH THE FBI. 289 00:14:02,475 --> 00:14:03,243 TO WHOM AM I SPEAKING? 290 00:14:03,276 --> 00:14:06,113 ALL RIGHT, I WANT A DOCTOR SENT IN, 291 00:14:06,146 --> 00:14:07,547 AND THEN I WANT OUT OF HERE. 292 00:14:07,580 --> 00:14:10,217 WELL, WE CERTAINLY CAN DISCUSS THAT. 293 00:14:10,250 --> 00:14:12,352 LET THE HOSTAGES GO AND WE'LL GIVE YOU 294 00:14:12,385 --> 00:14:14,121 ALL THE MEDICAL HELP YOU NEED. 295 00:14:14,154 --> 00:14:17,324 I CAN'T DO THAT. I NEED THE LEVERAGE. 296 00:14:17,357 --> 00:14:19,492 HOW ABOUT A SIGN OF GOOD FAITH? 297 00:14:19,526 --> 00:14:20,994 SEND OUT THE WOMEN AND CHILDREN 298 00:14:21,028 --> 00:14:23,296 AND I'LL SEE WHAT I CAN DO. 299 00:14:24,297 --> 00:14:25,665 HE'S TRYING TO NEGOTIATE. 300 00:14:25,698 --> 00:14:30,070 NEGOTIATE? WE'RE NOT PLAYING GAMES. 301 00:14:40,147 --> 00:14:43,116 NO, NO, NO, PLEASE! DADDY! 302 00:14:43,150 --> 00:14:44,317 EITHER WE GET WHAT WE WANT 303 00:14:44,351 --> 00:14:47,354 OR EVERYONE IN THIS ROOM DIES. 304 00:14:47,387 --> 00:14:49,122 DO THAT AND YOU GET NOTHING. 305 00:14:49,156 --> 00:14:52,926 TAKE ME INSTEAD. PLEASE. 306 00:14:53,226 --> 00:14:56,096 TAKE ME. 307 00:15:02,002 --> 00:15:04,371 IT'S OK, BABY. 308 00:15:05,238 --> 00:15:07,207 OH! AAH! 309 00:15:07,240 --> 00:15:08,108 DADDY! 310 00:15:08,141 --> 00:15:09,309 YOU BETTER SEND IN SOME HELP 311 00:15:09,342 --> 00:15:12,279 OR MORE PEOPLE ARE GONNA DIE. 312 00:15:17,150 --> 00:15:18,551 WE'RE SENDING IN A MEDIC. 313 00:15:18,585 --> 00:15:20,553 THAT'S JUST GONNA GIVE THEM ANOTHER HOSTAGE. 314 00:15:20,587 --> 00:15:22,389 IF THEY STOP SHOOTING PEOPLE, IT'S WORTH IT. 315 00:15:22,422 --> 00:15:25,325 IF WE GIVE IN TO ONE DEMAND, WE'LL HAVE TO GIVE IN TO THEM ALL. 316 00:15:25,358 --> 00:15:26,326 THE DIRECTOR DISAGREES. 317 00:15:26,359 --> 00:15:27,527 AT LEAST MAKE IT AN AGENT WITH MEDICAL TRAINING. 318 00:15:27,560 --> 00:15:32,099 THAT WAY HE CAN TAKE ADVANTAGE OF AN OPPORTUNITY IF IT COMES. 319 00:15:32,132 --> 00:15:34,367 FINE. 320 00:15:34,401 --> 00:15:36,336 THE BRASS THINKS THEY'LL ACT RATIONALLY, 321 00:15:36,369 --> 00:15:38,171 BUT THERE'S NO EVIDENCE OF THAT. 322 00:15:38,205 --> 00:15:39,506 THIS IS PERSONAL FOR THE MEN. 323 00:15:39,539 --> 00:15:42,275 THE KING COULD HAVE RUN AFTER THE INITIAL GUNFIGHT, BUT HE DIDN'T. 324 00:15:42,309 --> 00:15:44,744 INSTEAD, HE PULLED THE PARTNER INSIDE OUT OF HARM'S WAY. 325 00:15:44,777 --> 00:15:47,214 AND STAYED WITH HIM, WHILE THE WOMAN SEARCHED THE BANK, 326 00:15:47,247 --> 00:15:48,615 PRESUMABLY FOR A WAY OUT. 327 00:15:48,648 --> 00:15:50,750 HE'S MORE WORRIED ABOUT THE PARTNER THAN HE IS ABOUT HER RUNNING AWAY. 328 00:15:50,783 --> 00:15:56,023 GARCIA, NARROW YOUR SEARCH. I THINK THE MALE UNSUBS MIGHT EVEN BE RELATED. 329 00:15:56,056 --> 00:15:57,090 ROGER THAT. 330 00:15:57,124 --> 00:15:59,259 IN 6 ROBBERIES NO ONE'S BEEN ABLE TO BUILD A SKETCH 331 00:15:59,292 --> 00:16:01,194 OF THE UNSUBS BEFORE THEY PUT THEIR MASKS ON. 332 00:16:01,228 --> 00:16:03,396 THESE WITNESS DESCRIPTIONS ARE ALL OVER THE MAP. 333 00:16:03,430 --> 00:16:05,732 PROBABLY BECAUSE OF THE TRAUMA SUFFERED INSIDE. 334 00:16:05,765 --> 00:16:07,367 THEY'VE BEEN ZIG-ZAGGING NORTH AND SOUTH 335 00:16:07,400 --> 00:16:10,503 BUT IN A RELATIVE STRAIGHT PATTERN FROM WASHINGTON, D.C. 336 00:16:10,537 --> 00:16:11,838 THIS IS THE LARGEST BANK THEY'VE HIT. 337 00:16:11,871 --> 00:16:14,674 BEFORE TODAY, IT'S JUST BEEN SMALL BRANCHES IN RURAL COMMUNITIES. 338 00:16:14,707 --> 00:16:17,144 SO TODAY WAS ALWAYS A PART OF THEIR PLAN. 339 00:16:17,177 --> 00:16:19,146 BUT WHY THE NATION'S CAPITAL? 340 00:16:19,179 --> 00:16:20,080 TO MAKE A STATEMENT? 341 00:16:20,113 --> 00:16:21,781 I PULLED SCHEMATICS FROM THE PREVIOUS BANKS. 342 00:16:21,814 --> 00:16:24,251 THIS IS THE FIRST ONE WITH METAL DETECTORS. 343 00:16:24,284 --> 00:16:25,485 MAYBE THAT'S WHAT WENT WRONG? 344 00:16:25,518 --> 00:16:28,088 NO, THEY CASED THE BRANCHES TOO WELL IN ADVANCE. 345 00:16:28,121 --> 00:16:30,257 THEY'D KNOW TO BE READY FOR THEM. 346 00:16:30,290 --> 00:16:31,724 THESE ARE TAKEOVER ROBBERIES. 347 00:16:31,758 --> 00:16:34,427 NO FACES, NO PASSING NOTES, NO PRINTS. 348 00:16:34,461 --> 00:16:35,662 THEY'RE PROFESSIONALS. 349 00:16:35,695 --> 00:16:39,332 HEY, THERE IS SOMETHING ALL THESE ROBBERIES HAVE IN COMMON. 350 00:16:39,366 --> 00:16:42,635 THE QUEEN'S THE ONLY ONE WHO PULLS THE TRIGGER. 351 00:16:43,470 --> 00:16:46,339 SIR, I FOUND A THING. SEE, I TOOK HEIGHT AND WEIGHT MEASUREMENTS 352 00:16:46,373 --> 00:16:48,708 AND I CROSSED WITH KNOWN RELATED OFFENDERS 353 00:16:48,741 --> 00:16:51,044 WHO SPECIALIZE IN BANK JOBS AND HOME BURGLARIES-- 354 00:16:51,078 --> 00:16:51,978 YES. SHOW ME. 355 00:16:52,011 --> 00:16:53,313 THESE ARE BROTHERS CHRIS AND OLIVER STRATTON. 356 00:16:53,346 --> 00:16:57,184 THEY ARE PETTY THIEVES FROM PHILLY, TURNED BANK ROBBERS IN JERSEY. 357 00:16:57,217 --> 00:16:58,418 THEY WERE PUT IN JAIL FOR TWO YEARS 358 00:16:58,451 --> 00:16:59,786 AFTER AN ATTEMPTED HEIST WENT SOUR, 359 00:16:59,819 --> 00:17:03,590 AND THEY WERE RELEASED TWO MONTHS BEFORE THE FIRST FACE CARD ROBBERY, 360 00:17:03,623 --> 00:17:04,491 AND THEIR MEASUREMENTS ARE A MATCH. 361 00:17:04,524 --> 00:17:06,393 WHEN DIDN'T THE NCIC DATABASE CONNECT THEM? 362 00:17:06,426 --> 00:17:08,495 BECAUSE THE BROTHERS HAVE NEVER USED A THIRD PARTNER, 363 00:17:08,528 --> 00:17:10,297 AND SHOOTING PEOPLE'S NOT PART OF THEIR M.O. 364 00:17:10,330 --> 00:17:12,399 IT LOOKS LIKE THEY WEREN'T VERY SUCCESSFUL CRIMINALS. 365 00:17:12,432 --> 00:17:14,501 MAYBE ADDING A WOMAN TO THEIR TEAM IMPROVED THEIR GAME. 366 00:17:14,534 --> 00:17:18,471 THE WOMAN CHOSE A DIFFERENT TYPE OF VICTIM EACH TIME. 367 00:17:18,505 --> 00:17:19,506 IT'S NOT JUST THE SECURITY GUARD. 368 00:17:19,539 --> 00:17:22,542 IT'S BEEN A MOTHER, A MANAGER, AND A YOUNG CHILD. 369 00:17:22,575 --> 00:17:23,710 SHE SHOOTS THEM IN THE GUT. 370 00:17:23,743 --> 00:17:24,777 THEY BLEED OUT WHILE THEY ROB THE BANK. 371 00:17:24,811 --> 00:17:27,780 SHE'S SADISTIC. SHE GETS OFF ON HER VICTIMS' PAIN 372 00:17:27,814 --> 00:17:30,650 AND THE FEAR IT INCITES IN THOSE AROUND HER. 373 00:17:30,683 --> 00:17:32,552 MOVE HIM OUT OF HERE. 374 00:17:34,621 --> 00:17:36,089 STAY WITH ME, OLLY. 375 00:17:36,123 --> 00:17:37,624 WHERE'S MY MEDIC? 376 00:17:37,657 --> 00:17:38,758 I DON'T SEE HIM. 377 00:17:38,791 --> 00:17:42,329 KILL SOMEONE ELSE, THEN. MAKE THEM LISTEN. 378 00:17:42,362 --> 00:17:44,797 IT ALSO APPEARS THE KING IS IN CHARGE OF THE MONEY-GRABBING OPERATION 379 00:17:44,831 --> 00:17:48,101 WHILE THE QUEEN KEEPS TRACK OF TIME, MAKING SURE THEY'RE IN AN OUT 380 00:17:48,135 --> 00:17:49,269 IN UNDER TWO MINUTES. 381 00:17:49,302 --> 00:17:51,471 SHE'S MORE IN CONTROL OF THE OPERATION THAN THEY LET ON. 382 00:17:51,504 --> 00:17:52,805 TURNING THE KING AND QUEEN AGAINST EACH OTHER 383 00:17:52,839 --> 00:17:54,374 COULD BE THE KEY TO DISARMING THEM. 384 00:17:54,407 --> 00:17:56,843 HE'S NOT A KILLER. THAT COULD BE OUR IN. 385 00:17:56,876 --> 00:17:58,878 ONLY IF THE JACK DOESN'T DIE. 386 00:17:58,911 --> 00:18:00,747 IF HE DOES... 387 00:18:03,383 --> 00:18:05,518 NO, NO, NO. I WANT YOU TO PUT THAT IN YOUR BAG. 388 00:18:05,552 --> 00:18:07,654 THE WOMAN'S PROBABLY GOING TO WANT TO SEARCH YOU. 389 00:18:07,687 --> 00:18:10,357 BUT CHRIS IS GONNA BE TOO FOCUSED ON GETTING AID TO HIS BROTHER 390 00:18:10,390 --> 00:18:13,493 TO DELAY LONG ENOUGH FOR HER TO CHECK THE BAG, TOO. 391 00:18:13,526 --> 00:18:14,461 ALL RIGHT. 392 00:18:14,494 --> 00:18:16,196 YOU'RE GOING IN TO PROVIDE MEDICAL ASSISTANCE. 393 00:18:16,229 --> 00:18:17,464 NO UNNECESSARY RISKS, YOU HEAR ME? 394 00:18:17,497 --> 00:18:21,501 ONCE YOU STABILIZE OLIVER, CHECK ON THE HOSTAGE THEY JUST SHOT. 395 00:18:21,534 --> 00:18:23,736 UNDERSTOOD. HE MIGHT STILL BE ALIVE. 396 00:18:23,770 --> 00:18:25,071 DO NOT DRAW YOUR WEAPON 397 00:18:25,104 --> 00:18:28,575 UNLESS YOU CAN SUBDUE THE UNSUBS WITHOUT ENDANGERING THE HOSTAGES. 398 00:18:28,608 --> 00:18:30,610 YES, SIR. 399 00:18:36,883 --> 00:18:38,251 WHY HASN'T ANYONE COME IN YET? 400 00:18:38,285 --> 00:18:42,555 WE'RE SENDING IN THE MEDIC NOW, CHRIS. TELL OLIVER HELP IS ON THE WAY. 401 00:18:42,589 --> 00:18:44,157 HURRY. 402 00:18:44,191 --> 00:18:47,460 THEY KNOW OUR NAMES. 403 00:18:50,797 --> 00:18:54,634 NOT ALL OUR NAMES. 404 00:18:59,872 --> 00:19:02,942 IS SHE PUTTING ON LIPSTICK? 405 00:19:02,975 --> 00:19:06,379 THEY'RE SENDING SOMEONE IN. 406 00:19:07,580 --> 00:19:08,548 CHRIS. 407 00:19:08,581 --> 00:19:10,683 OLLY, OLLY, NO. 408 00:19:10,717 --> 00:19:12,452 NO, NO, NO, STAY WITH ME. 409 00:19:12,485 --> 00:19:13,486 WHAT ARE YOU DOING? 410 00:19:13,520 --> 00:19:15,655 THEY'RE SENDING IN A MEDIC. YOU'RE GONNA BE FINE. 411 00:19:15,688 --> 00:19:16,956 I DON'T FEEL SO FINE. 412 00:19:16,989 --> 00:19:20,527 NO! NO! NO! 413 00:19:20,560 --> 00:19:22,662 GET OVER HERE! 414 00:19:23,963 --> 00:19:26,733 YOU'RE GONNA SAVE HIM, RIGHT? 415 00:19:26,766 --> 00:19:27,567 I'M GONNA TRY. 416 00:19:27,600 --> 00:19:30,570 OLIVER, CAN YOU HEAR ME? 417 00:19:33,973 --> 00:19:35,742 COME ON, OLLY. 418 00:19:35,775 --> 00:19:38,678 STAY WITH ME, OLIVER. 419 00:19:40,713 --> 00:19:42,749 THIS IS NOT GOOD, AARON. 420 00:19:42,782 --> 00:19:45,385 MORGAN, TELL GREEN TO MAKE A MOVE BEFORE CHRIS DOES. 421 00:19:45,418 --> 00:19:47,687 GREEN, YOU GOTTA GO. 422 00:19:47,720 --> 00:19:49,656 GREEN, GO. 423 00:20:00,300 --> 00:20:01,834 OH, MY GOD. 424 00:20:16,616 --> 00:20:18,351 TACTICAL'S BEEN DEPLOYED, 425 00:20:18,385 --> 00:20:19,519 SNIPERS ARE MOVING INTO POSITION. 426 00:20:19,552 --> 00:20:22,789 THE DIRECTOR'S ORDERED A FULL TACTICAL ASSAULT. 427 00:20:22,822 --> 00:20:24,524 HIS LAST ORDERS COST US AN AGENT. 428 00:20:24,557 --> 00:20:25,758 SWAT'S GETTING ITCHY FINGERS. 429 00:20:25,792 --> 00:20:28,461 YOU REMIND SWAT THAT BANK ROBBERIES ARE FEDERAL JURISDICTION. 430 00:20:28,495 --> 00:20:30,530 RIGHT. NO ONE FIRES UNTIL THEY'RE ORDERED TO. 431 00:20:30,563 --> 00:20:33,533 ALL RIGHT, WHEN THE CROSSFIRE STARTS, WHAT'S GONNA HAPPEN 432 00:20:33,566 --> 00:20:34,834 TO THE HOSTAGES CAUGHT IN THE MIDDLE? 433 00:20:34,867 --> 00:20:37,003 THAT'S THE WRONG CALL, ERIN, AND YOU KNOW IT. 434 00:20:37,036 --> 00:20:37,770 IT'S NOT MY CALL. 435 00:20:37,804 --> 00:20:39,372 YOU'RE HERE AND YOU'RE IN CHARGE. 436 00:20:39,406 --> 00:20:41,408 SO YOU WANT ME TO DISOBEY THE DIRECTOR? 437 00:20:41,441 --> 00:20:42,342 YES. 438 00:20:42,375 --> 00:20:44,411 NO, I JUST WANT YOU TO BUY US A LITTLE TIME. 439 00:20:44,444 --> 00:20:46,846 DON'T BE QUITE SO EFFICIENT. 440 00:20:47,614 --> 00:20:50,750 WHATEVER YOU'RE GONNA DO, DO IT FAST. 441 00:20:50,783 --> 00:20:53,820 ALL RIGHT. REASONING WITH THEM IS STILL OUR BEST OPTION. 442 00:20:53,853 --> 00:20:56,423 THAT'LL BE DIFFICULT. CHRIS JUST LOST HIS BROTHER 443 00:20:56,456 --> 00:20:58,358 AND MURDERED SOMEONE IN RETALIATION. 444 00:20:58,391 --> 00:21:00,460 WE'RE DEALING WITH TWO KILLERS NOW. 445 00:21:00,493 --> 00:21:01,794 WE HAVE PROBLEMS, SIRS. 446 00:21:01,828 --> 00:21:03,229 OUTSIDE NEFARIOUS SOURCES HAVE HACKED INTO THE SURVEILLANCE FEEDS. 447 00:21:03,262 --> 00:21:07,434 I'M TRYING TO I.D. THEM NOW. AT LEAST A COUPLE OF THEM ARE MEDIA OUTLETS. 448 00:21:07,467 --> 00:21:08,368 CAN YOU BLOCK THEM? 449 00:21:08,401 --> 00:21:11,571 NO, NOT WITHOUT BLOCKING OURSELVES, TOO, SIR. 450 00:21:13,940 --> 00:21:16,909 PUT HIM WITH THE OTHERS. 451 00:21:22,615 --> 00:21:24,517 HEY! EVERYBODY MOVE FORWARD 5 FEET. 452 00:21:24,551 --> 00:21:27,086 COME ON! MOVE FORWARD 5 FEET! 453 00:21:27,119 --> 00:21:30,490 LINE UP! 454 00:21:38,565 --> 00:21:39,966 I'M SORRY ABOUT OLLY. 455 00:21:39,999 --> 00:21:41,233 JUST SHUT UP, WOULD YOU. 456 00:21:41,267 --> 00:21:43,736 WE'VE GOT TO PULL OURSELVES TOGETHER, FIGURE A WAY OUT OF HERE. 457 00:21:43,770 --> 00:21:45,004 WHAT HAPPENED 458 00:21:45,037 --> 00:21:49,075 WHO TRIGGERED THE ALARM? 459 00:21:51,744 --> 00:21:52,612 WAS IT YOU? 460 00:21:52,645 --> 00:21:54,581 CALM DOWN. WE NEED TO FOCUS. 461 00:21:54,614 --> 00:21:58,618 CALL THEM BACK. DEMAND AN ARMORED TRUCK. 462 00:21:58,651 --> 00:22:02,489 WHAT, YOU THINK THEY'RE GONNA LET US GO? 463 00:22:02,522 --> 00:22:03,823 WE KILLED 4 PEOPLE. TWO COPS. 464 00:22:03,856 --> 00:22:08,528 SO WHAT THAT'S JUST GREAT. 465 00:22:08,561 --> 00:22:10,630 WHY DON'T YOU WALK OVER THERE. 466 00:22:10,663 --> 00:22:12,064 I GOTTA THINK FOR A MINUTE. 467 00:22:12,098 --> 00:22:15,468 WHATEVER YOU SAY... 468 00:22:15,502 --> 00:22:17,837 BOSS. 469 00:22:21,474 --> 00:22:23,009 OHH! OH! 470 00:22:27,680 --> 00:22:30,550 WHY'D YOU HAVE TO MAKE IT SO QUICK? 471 00:22:30,583 --> 00:22:33,686 IT'S BETTER WHEN THEY SUFFER. 472 00:22:33,720 --> 00:22:37,023 I DON'T GET OFF ON IT LIKE YOU DO. 473 00:22:37,056 --> 00:22:38,425 YOU WILL. 474 00:22:39,659 --> 00:22:41,761 LOOK. 475 00:22:41,794 --> 00:22:44,697 WE'RE GONNA BE FAMOUS. 476 00:22:45,765 --> 00:22:49,536 AGENT PRENTISS, THERE'S A CALL FOR YOU FROM INTERPOL. 477 00:22:49,569 --> 00:22:50,870 TAKE A MESSAGE, PLEASE. 478 00:22:50,903 --> 00:22:53,973 IT'S CLYDE EASTER. 479 00:22:54,941 --> 00:22:55,975 YOUR OLD UNIT CHIEF? 480 00:22:56,008 --> 00:22:57,477 HE SAYS HE HAS INFORMATION 481 00:22:57,510 --> 00:23:00,447 ABOUT THE QUEEN OF DIAMONDS. 482 00:23:05,785 --> 00:23:07,487 SORRY I MISSED YOUR FUNERAL, BY THE WAY. 483 00:23:07,520 --> 00:23:08,154 I WAS HELD UP IN PRAGUE. 484 00:23:08,187 --> 00:23:09,856 SO YOU'RE NOT SURPRISED. 485 00:23:09,889 --> 00:23:10,957 OF COURSE NOT. 486 00:23:10,990 --> 00:23:12,992 KEEPING TABS ON MY FORMER ASSETS 487 00:23:13,025 --> 00:23:15,127 IS A PARTICULAR SKILL OF MINE. 488 00:23:15,161 --> 00:23:17,730 OK, WHAT CAN YOU TELL ME ABOUT MY MYSTERY WOMAN? 489 00:23:17,764 --> 00:23:21,133 AH, YES. WELL, UM, IF SHE SEEMS FAMILIAR TO YOU, SHE SHOULD. 490 00:23:21,167 --> 00:23:24,036 WE DON'T KNOW HER IDENTITY, BUT WE'VE SEEN HER BEFORE. 491 00:23:24,070 --> 00:23:26,706 SHE'S STRUCK A NUMBER OF BANKS WORLDWIDE, INCLUDING-- 492 00:23:26,739 --> 00:23:30,810 PARIS! THERE WAS A ROBBERY WHEN I WAS RELOCATED THERE. 493 00:23:30,843 --> 00:23:31,744 SOMEONE DIED. 494 00:23:31,778 --> 00:23:33,813 OH, YES. THE BANK MANAGER, GLENN HARRISON. 495 00:23:33,846 --> 00:23:34,781 GUT SHOT? 496 00:23:34,814 --> 00:23:36,115 YES. HOW DID YOU KNOW? 497 00:23:36,148 --> 00:23:39,552 I DON'T REMEMBER HEARING ANYTHING ABOUT THE ROBBER WEARING A MASK. 498 00:23:39,586 --> 00:23:40,853 THAT'S BECAUSE SHE DIDN'T. 499 00:23:40,887 --> 00:23:42,254 SHE SEEMS TO BE WEARING DISGUISES. 500 00:23:42,288 --> 00:23:46,593 HER FACES HAS BEEN SEEN ON CAMERA BY 6 DIFFERENT INTELLIGENCE AGENCIES 501 00:23:46,626 --> 00:23:47,794 AND NO ONE CAN IDENTIFY HER. 502 00:23:47,827 --> 00:23:51,831 HOW IS THAT POSSIBLE 503 00:23:51,864 --> 00:23:53,466 SHE DIDN'T NEED ANY. 504 00:23:53,500 --> 00:23:56,836 THEN WHY WOULD SHE NOW? 505 00:23:57,136 --> 00:23:59,806 WHAT IF THE SMALLER BANKS WERE TRAINING RUNS 506 00:23:59,839 --> 00:24:01,541 FROM THE STRATTON BROTHERS? 507 00:24:01,574 --> 00:24:04,243 WELL, IT COULD BE. SHE TOOK TWO RELATIVELY AMATEUR THUGS 508 00:24:04,276 --> 00:24:07,547 AND TURNED THEM INTO AN ELITE TEAM OF EFFICIENT BANK ROBBERS. 509 00:24:07,580 --> 00:24:09,982 BUT WHY 510 00:24:10,016 --> 00:24:11,518 ALL RIGHT, OK, SO LET'S LOOK AT IT. 511 00:24:11,551 --> 00:24:13,152 UP UNTIL NOW THEY'VE BEEN HIGHLY ORGANIZED, 512 00:24:13,185 --> 00:24:14,487 STRIKING ONLY ON DEPOSIT DAYS, 513 00:24:14,521 --> 00:24:15,555 WHEN THE MOST AMOUNT OF CASH IS ON HAND. 514 00:24:15,588 --> 00:24:16,889 BUT TODAY'S DIFFERENT. IT'S THEIR FIRST SATURDAY HIT, 515 00:24:16,923 --> 00:24:21,093 WHERE FAMILIES ARE PRESENT, MORE FOOT TRAFFIC THROUGHOUT THE DAY. 516 00:24:21,127 --> 00:24:22,028 IT'S A RISKIER ATTACK. 517 00:24:22,061 --> 00:24:22,962 WE SHOULD CONSIDER THE MEDIA ATTENTION, TOO. 518 00:24:22,995 --> 00:24:24,931 IT'S THE FIRST TIME THEY'VE HAD AN AUDIENCE. 519 00:24:24,964 --> 00:24:28,535 THAT MIGHT BE WHY THE FEMALE UNSUB IS SO VAIN. 520 00:24:28,568 --> 00:24:29,936 SHE WANTS TO LOOK GOOD FOR THE CAMERAS. 521 00:24:29,969 --> 00:24:35,207 SHE SEARCHES THE BANK BUT DOESN'T ACTUALLY LOOK FOR A MEANS OF ESCAPE. 522 00:24:35,241 --> 00:24:38,745 SHE APPEARS TO BE ALMOST ENJOYING THE SITUATION. 523 00:24:38,778 --> 00:24:42,782 WE KNOW THE BROTHERS ARE IN IT FOR THE MONEY. WHAT'S SHE IN IT FOR? 524 00:24:45,785 --> 00:24:47,554 WHERE THE HELL HAVE YOU BEEN? 525 00:24:47,587 --> 00:24:49,088 I'VE BEEN LOOKING FOR AN ESCAPE ROUTE. 526 00:24:49,121 --> 00:24:50,422 THERE ISN'T ONE. 527 00:24:50,456 --> 00:24:54,126 SO MUCH FOR YOUR NO BACK DOORS, NO SURPRISES PLAN. YOU SCREWED US. 528 00:24:55,294 --> 00:24:58,598 THEN WHY DON'T YOU NEGOTIATE A WAY OUT OF HERE ALREADY? 529 00:25:02,101 --> 00:25:02,869 WHAT? 530 00:25:02,902 --> 00:25:05,137 HOW DO YOU WANT TO END THIS, CHRIS? 531 00:25:05,171 --> 00:25:06,172 I WANT OUT OF HERE. 532 00:25:06,205 --> 00:25:07,707 HOW DO YOU PROPOSE TO DO THAT? 533 00:25:07,740 --> 00:25:08,808 I WANT AN ARMORED TRUCK 534 00:25:08,841 --> 00:25:12,278 AND A PLANE WITH A CLEAR FLIGHT PATH TO SWITZERLAND. 535 00:25:12,311 --> 00:25:14,146 NO, NO, NO. CHAD. 536 00:25:14,180 --> 00:25:16,616 WE WANT TO GO TO CHAD. 537 00:25:16,649 --> 00:25:19,652 YEAH. NO AGENTS WITH GUNS THIS TIME. 538 00:25:19,686 --> 00:25:21,554 WE'LL FLY OURSELVES. 539 00:25:24,791 --> 00:25:27,594 DON'T DO THAT AGAIN. 540 00:25:27,627 --> 00:25:30,096 I'M IN CHARGE HERE. 541 00:25:34,166 --> 00:25:35,668 HUH. 542 00:25:35,702 --> 00:25:37,303 OK, SO WHAT'S THE SIGNIFICANCE OF CHAD? 543 00:25:37,336 --> 00:25:40,673 A 2008 COUP ATTEMPT PLUNGED THEM INTO POLITICAL INSTABILITY. 544 00:25:40,707 --> 00:25:42,842 THEY'RE CURRENTLY IN THE MIDDLE OF A CIVIL WAR. 545 00:25:42,875 --> 00:25:45,578 THERE'S GOTTA BE MORE TO IT THAN THAT. 546 00:25:45,612 --> 00:25:47,213 OUR GHOST WANTS TO GO TO CHAD. 547 00:25:47,246 --> 00:25:50,583 I'M FIGURING YOU'RE MY BEST CHANCE OF FINDING OUT WHY. 548 00:25:50,617 --> 00:25:51,618 CHAD? THAT'S AN ODD CHOICE. 549 00:25:51,651 --> 00:25:54,186 THEY'RE NOT EXACTLY HOSPITABLE THIS TIME OF YEAR. 550 00:25:54,220 --> 00:25:55,922 THEY SAID THEY COULD FLY THEMSELVES THERE. 551 00:25:55,955 --> 00:25:59,659 NOTHING SUGGESTS THAT CHRIS WOULD HAVE THAT ABILITY, SO SHE MUST. 552 00:25:59,692 --> 00:26:03,029 HMM. WELL, UNFORTUNATELY, INTERPOL DOESN'T HAVE MANY ASSETS 553 00:26:03,062 --> 00:26:04,396 IN THAT PARTICULAR REGION IN AFRICA. 554 00:26:04,430 --> 00:26:09,168 MAYBE THAT'S SOMETHING THAT YOU COULD HELP ME WITH WHEN THIS IS OVER. 555 00:26:09,201 --> 00:26:12,271 WORK FOR INTERPOL AGAIN? THAT'LL BE THE DAY. 556 00:26:12,304 --> 00:26:14,106 NOT WORK, DARLING. RUN. 557 00:26:14,140 --> 00:26:15,842 YOU SEE, I'VE BEEN PROMOTED. 558 00:26:15,875 --> 00:26:18,377 SO, THE TEAM'S YOURS WHENEVER YOU WANT IT. 559 00:26:18,410 --> 00:26:20,613 IT'S A HELL OF A TIME TO BRING THAT UP. 560 00:26:20,647 --> 00:26:24,350 WELL, YOU KNOW, IN OUR LINE OF WORK, THERE'S NEVER A GOOD TIME. 561 00:26:24,383 --> 00:26:26,152 THINK ABOUT IT. 562 00:26:26,185 --> 00:26:27,419 PLEASE? 563 00:26:27,453 --> 00:26:32,358 YOU FIND ME A CONNECTION I CAN USE AND MAYBE WE'LL DISCUSS IT. 564 00:26:49,341 --> 00:26:52,211 THE FBI's MAKING GOOD ON ITS PROMISE. 565 00:26:52,244 --> 00:26:53,780 WE'LL BE OUT OF HERE SOON. 566 00:26:53,813 --> 00:26:56,749 WE'RE TAKING HIM WITH US. 567 00:26:57,383 --> 00:26:59,652 THESE GUYS WERE TOO GOOD TO GET CAUGHT, 568 00:26:59,686 --> 00:27:00,887 SO WHY DID THEY? 569 00:27:00,920 --> 00:27:03,956 911 RECEIVED A CALL ALERTING THEM TO A ROBBERY IN PROGRESS. 570 00:27:03,990 --> 00:27:06,158 ACTUALLY, IT WAS A TEXT. 571 00:27:06,192 --> 00:27:10,362 D.C. ADD 911 MESSAGING AFTER THE VIRGINIA TECH STUDENTS TEXTS 572 00:27:10,396 --> 00:27:12,732 WENT UNANSWERED DURING THE MASSACRE. 573 00:27:12,765 --> 00:27:13,666 CAN YOU TRACE IT, GARCIA? 574 00:27:13,700 --> 00:27:16,435 YEAH. THE MESSAGE WAS SENT FROM A CELL PHONE 575 00:27:16,468 --> 00:27:17,336 THAT IS CURRENTLY INSIDE THE BANK 576 00:27:17,369 --> 00:27:20,306 AND WAS REGISTERED TO A LARRY PHILLIPS JR. 577 00:27:20,339 --> 00:27:21,908 WHY DOES THAT NAME SOUND FAMILIAR? 578 00:27:21,941 --> 00:27:23,042 THAT'S THE NAME OF ONE OF THE GUNMEN 579 00:27:23,075 --> 00:27:27,246 FROM THE '97 NORTH HOLLYWOOD BANK SHOOTOUT IN CALIFORNIA. 580 00:27:27,279 --> 00:27:28,614 SO IS THIS AN HOMAGE? 581 00:27:28,647 --> 00:27:31,117 GUYS, THAT TEXT WAS SENT 30 SECONDS BEFORE THEY BLACKED OUT 582 00:27:31,150 --> 00:27:32,852 THE SECURITY FEEDS FOR ENTRY. 583 00:27:32,885 --> 00:27:34,086 HOW IS THAT POSSIBLE? 584 00:27:34,120 --> 00:27:36,923 IT DIDN'T COME FROM A HOSTAGE. IT CAME FROM ONE OF THE ROBBERS. 585 00:27:36,956 --> 00:27:39,058 SHE WANTED US HERE. 586 00:27:47,366 --> 00:27:48,801 THERE'S NO LINE OF SIGHT TO THE VAULT. 587 00:27:48,835 --> 00:27:51,437 NO, BUT IF WE COME IN, THAT'S WHERE THEY'LL GO. WE NEED TO BE READY FOR IT. 588 00:27:51,470 --> 00:27:54,440 GARCIA CAUGHT US UP. WHY INSTIGATE A HOSTAGE SITUATION? 589 00:27:54,473 --> 00:27:57,443 WHAT'S A NARCISSIST WITHOUT ATTENTION? SHE THRIVES ON IT. 590 00:27:57,476 --> 00:27:59,345 SHE MUST HAVE SOMETHING BIGGER IN MIND. 591 00:27:59,378 --> 00:28:01,447 WE NEED TO SEPARATE CHRIS AND THE FEMALE 592 00:28:01,480 --> 00:28:02,481 TO FIND OUT WHAT THAT IS. 593 00:28:02,514 --> 00:28:04,984 IT'S NOT GOING TO BE HARD. THEY'RE ALREADY ON EDGE. 594 00:28:05,017 --> 00:28:06,252 IT'S MORE THAN THE MEDIA OUTLETS, SIR. 595 00:28:06,285 --> 00:28:10,289 ANONYMOUS INTERNATIONAL ENTITIES ARE HACKING THE FEEDS AS WELL. 596 00:28:16,362 --> 00:28:17,730 YOU WERE SAYING? 597 00:28:17,764 --> 00:28:19,065 I WAS TAGGING I.P. ADDRESSES 598 00:28:19,098 --> 00:28:22,001 AND SOMEONE HACKED THE SURVEILLANCE CAMERAS AT 7 A.M. THIS MORNING. 599 00:28:22,034 --> 00:28:23,970 WAS THAT HOW THEY SHUT DOWN THE CAMERAS FOR ENTRY? 600 00:28:24,003 --> 00:28:27,774 SO, SIR. THIS IS AN ENTIRELY DIFFERENT HACK, ONE THAT'S STILL RECEIVING. 601 00:28:27,807 --> 00:28:30,943 SOMEBODY ELSE IS WATCHING. WHO? 602 00:28:30,977 --> 00:28:32,912 WHOEVER IT IS SHE'S DRESSING UP FOR. 603 00:28:32,945 --> 00:28:33,913 I THOUGHT THAT WAS FOR THE MEDIA. 604 00:28:33,946 --> 00:28:36,315 THE MEDIA DIDN'T HAVE EYES INSIDE BEFORE TODAY. 605 00:28:36,348 --> 00:28:38,985 BUT SHE DRESSES UP EVERY TIME. 606 00:28:39,018 --> 00:28:42,188 BECAUSE SOMEONE IS ALWAYS WATCHING. 607 00:28:42,789 --> 00:28:44,523 HER REAL PARTNER, A FOURTH UNSUB. 608 00:28:44,556 --> 00:28:46,793 I DOUBT IF SHE WAS FORTHCOMING 609 00:28:46,826 --> 00:28:48,494 ABOUT THIS OTHER PARTNER TO CHRIS. 610 00:28:48,527 --> 00:28:53,065 I THINK IT'S TIME WE BRING CHRIS UP TO SPEED. 611 00:28:53,099 --> 00:28:56,202 YOU KNOW MY FAVORITE CARD IN POKER, CHRIS? 612 00:28:56,235 --> 00:28:57,770 WHAT'S THAT? 613 00:28:57,804 --> 00:28:58,470 THE WILD CARD. 614 00:28:58,504 --> 00:28:59,839 I DON'T BELIEVE IN WILD CARDS. 615 00:28:59,872 --> 00:29:00,639 THEY DUMB DOWN THE GAME. 616 00:29:00,672 --> 00:29:01,673 WELL, I COULDN'T AGREE WITH YOU MORE, 617 00:29:01,707 --> 00:29:05,077 BUT, UH, IN THIS CASE, YOU'RE THE ONE THAT'S DUMB. 618 00:29:05,111 --> 00:29:08,547 THIS YOUR NEW NEGOTIATION TACTIC, INSULTING ME? 619 00:29:08,580 --> 00:29:10,449 OH, IT'S NOT A TACTIC. 620 00:29:10,482 --> 00:29:11,550 IT'S A FACT. 621 00:29:11,583 --> 00:29:13,920 DIDN'T YOU WONDER WHY YOU GOT CAUGHT, 622 00:29:13,953 --> 00:29:17,089 WHAT WENT WRONG WHEN YOU DID EVERYTHING RIGHT? 623 00:29:17,123 --> 00:29:22,194 WE GOT A MESSAGE FROM SOMEONE IN THE BANK BEFORE YOU STARTED SHOOTING. 624 00:29:22,228 --> 00:29:23,029 IMPOSSIBLE. 625 00:29:23,062 --> 00:29:24,263 NOW, I KNOW IT WASN'T YOU, 626 00:29:24,296 --> 00:29:26,833 AND I'M HOPING IT WASN'T YOUR BROTHER. 627 00:29:26,866 --> 00:29:29,368 SO, WHO DOES THAT LEAVE? 628 00:29:29,401 --> 00:29:31,070 YOU'RE LYING. 629 00:29:31,103 --> 00:29:33,806 ASK HER. 630 00:29:33,840 --> 00:29:34,740 DID YOU CALL THE POLICE? 631 00:29:34,773 --> 00:29:37,543 IS THAT WHAT THEY'RE TELLING YOU? 632 00:29:37,576 --> 00:29:38,945 THAT'S NOT AN ANSWER. 633 00:29:38,978 --> 00:29:40,479 OF COURSE NOT. WHAT DO YOU THINK? 634 00:29:40,512 --> 00:29:42,915 THEY'RE TRYING TO TURN US AGAINST ONE ANOTHER. 635 00:29:42,949 --> 00:29:46,185 WHY WOULD YOU EVEN DO THAT? OLLY'S DEAD 'CAUSE OF THAT. 636 00:29:46,218 --> 00:29:49,822 I WOULDN'T. I'M TRAPPED HERE, TOO. 637 00:29:49,856 --> 00:29:51,557 ARE YOU LYING TO ME? 638 00:29:51,590 --> 00:29:55,027 WE'VE COME TO FAR FOR YOU TO START DOUBTING ME NOW. 639 00:29:55,061 --> 00:29:57,997 LOST TOO MUCH. 640 00:29:58,030 --> 00:29:58,965 HEY. 641 00:29:58,998 --> 00:30:01,267 HEY... 642 00:30:01,300 --> 00:30:03,836 DON'T LET THEM TEAR US APART 643 00:30:03,870 --> 00:30:07,874 RIGHT AS WE'RE ABOUT TO WIN. 644 00:30:08,908 --> 00:30:10,476 IF YOU DO THAT, 645 00:30:10,509 --> 00:30:15,948 OLLY'S DEATH WON'T MEAN ANYTHING. 646 00:30:19,118 --> 00:30:20,386 ENOUGH. I'M DONE TALKING TO YOU. 647 00:30:20,419 --> 00:30:24,891 I WANT TO TALK TO SOMEONE WHO WON'T JERK ME AROUND FACE TO FACE. 648 00:30:24,924 --> 00:30:25,858 NO MORE FEDS. 649 00:30:25,892 --> 00:30:29,428 I WANT TO TALK TO THE COP WHO SHOT MY BROTHER. 650 00:30:31,663 --> 00:30:33,866 NO. NO, FORGET IT. 651 00:30:33,900 --> 00:30:36,135 JJ, IF IT MEANS WE CAN END THIS... 652 00:30:36,168 --> 00:30:38,137 WHAT MAKES YOU THINK HE WON'T SHOOT YOU 653 00:30:38,170 --> 00:30:39,338 THE MINUTE YOU WALK INSIDE? 654 00:30:39,371 --> 00:30:42,975 LOOK, HE WANTS OUT OF THERE JUST AS MUCH AS WE WANT HIM OUT. 655 00:30:43,009 --> 00:30:44,343 IT'S NOT HAPPENING. FORGET IT. 656 00:30:44,376 --> 00:30:47,379 THERE'S NO GUARANTEE HE WON'T RETALIATE FOR THE DEATH OF HIS BROTHER. 657 00:30:47,413 --> 00:30:50,249 I KNOW YOU'D DO IT IF YOU WERE ME. 658 00:30:50,282 --> 00:30:51,350 WILL, I GET WHAT YOU'RE FEELING, 659 00:30:51,383 --> 00:30:54,086 BUT YOU ARE TOO CLOSE TO THIS CASE TO MAKE THAT CALL. 660 00:30:54,120 --> 00:30:55,654 YOU'RE DAMN RIGHT I'M CLOSE. 661 00:30:55,687 --> 00:30:58,424 4 PEOPLE ARE DEAD BECAUSE I SHOT HIS BROTHER. 662 00:30:58,457 --> 00:31:01,460 AND NO ONE ELSE NEEDS TO DIE 'CAUSE OF WHAT I DID. 663 00:31:01,493 --> 00:31:02,328 THIS ISN'T ABOUT YOU. 664 00:31:02,361 --> 00:31:04,897 RISKING YOUR LIFE WON'T BRING THEM BACK. 665 00:31:04,931 --> 00:31:06,665 SORRY, WILL. 666 00:31:06,698 --> 00:31:09,401 WHERE'S THAT COP, HUH? I AIN'T GOT ALL DAY. 667 00:31:09,435 --> 00:31:11,971 WHAT YOU'RE ASKING IS DIFFICULT. 668 00:31:12,004 --> 00:31:13,439 WELL, I'LL MAKE IT EASY. 669 00:31:13,472 --> 00:31:14,406 SEND IN THE COP, 670 00:31:14,440 --> 00:31:16,242 I'LL LET A COUPLE HOSTAGES GO. 671 00:31:16,275 --> 00:31:18,044 A SIGN OF GOOD FAITH. ISN'T THAT WHAT YOU SAID? 672 00:31:18,077 --> 00:31:20,947 RELEASING THE HOSTAGES IS A GREAT FIRST STEP 673 00:31:20,980 --> 00:31:25,484 IN RESOLVING THIS CONFLICT, BUT WE CAN'T SEND SOMEONE ELSE IN TO BE KILLED. 674 00:31:25,517 --> 00:31:28,988 THIS AIN'T A FRIGGIN' DEBATE. 675 00:31:31,623 --> 00:31:34,693 COME ON, BUD. LET'S GO! 676 00:31:34,726 --> 00:31:36,395 PICK UP THE PHONE. 677 00:31:36,428 --> 00:31:37,596 WHY? 678 00:31:37,629 --> 00:31:39,665 PICK UP THE PHONE! 679 00:31:43,035 --> 00:31:43,936 HELLO? 680 00:31:43,970 --> 00:31:46,705 TELL HIM YOUR NAME. 681 00:31:46,738 --> 00:31:49,008 IT'S... 682 00:31:49,041 --> 00:31:50,676 IT'S SHAWN HARPER. 683 00:31:53,345 --> 00:31:58,017 UCCH. YOU JUST KILLED SHAWN HARPER. NOT ME, YOU. 684 00:31:58,050 --> 00:32:01,053 I'M GONNA SHOOT ANOTHER HOSTAGE EVERY 60 SECONDS 685 00:32:01,087 --> 00:32:03,555 UNTIL YOU SEND IN THE COP. 686 00:32:03,589 --> 00:32:05,557 EVERY 60 SECONDS. 687 00:32:09,095 --> 00:32:10,496 WHO'S NEXT 688 00:32:10,529 --> 00:32:14,033 HE'S THREATENING TO SHOOT MORE HOSTAGES UNLESS HE HAS WILL. 689 00:32:14,066 --> 00:32:15,667 SCREW THIS. I'M GOING IN. 690 00:32:15,701 --> 00:32:17,069 NO, YOU'RE NOT. 691 00:32:17,103 --> 00:32:18,170 WE ARE. 692 00:32:18,204 --> 00:32:21,573 WHO'S THE LUCKY ONE? 693 00:32:23,109 --> 00:32:28,981 NAH. NAH. NAH. NAH. NAH. 694 00:32:30,382 --> 00:32:31,350 YOU! 695 00:32:31,383 --> 00:32:32,985 NO! 696 00:32:33,685 --> 00:32:37,289 NO. 697 00:32:37,323 --> 00:32:38,390 PICK IT UP. 698 00:32:38,424 --> 00:32:40,692 COME ON. 699 00:32:40,726 --> 00:32:42,061 WHAT'S YOUR NAME? 700 00:32:42,094 --> 00:32:42,728 NO, PLEASE. 701 00:32:42,761 --> 00:32:44,630 TELL HIM YOUR NAME! 702 00:32:44,663 --> 00:32:45,731 ANNIE. 703 00:32:45,764 --> 00:32:46,698 IT'S ANNIE. 704 00:32:46,732 --> 00:32:49,601 YOU HANG IN THERE, ANNIE. HELP IS ON THE WAY. 705 00:32:49,635 --> 00:32:51,737 YOU GOT ABOUT 30 SECONDS, ANNIE. 706 00:32:51,770 --> 00:32:56,142 I HOPE AGENT ROSSI DOESN'T MAKE ME SHOOT YOU, TOO. 707 00:33:01,313 --> 00:33:02,348 YOU OK? 708 00:33:02,381 --> 00:33:03,415 YES. 709 00:33:03,449 --> 00:33:05,151 HEY, YOU. 710 00:33:05,184 --> 00:33:06,352 COME OVER HERE. 711 00:33:06,385 --> 00:33:09,188 IT'S OK. NO, I-- 712 00:33:11,790 --> 00:33:14,693 JUST LET THE WOMEN AND CHILDREN GO. 713 00:33:14,726 --> 00:33:17,129 THEY DON'T NEED TO SEE THIS. 714 00:33:18,464 --> 00:33:21,200 PRETTY SOON THEY'RE GONNA BE DOING A LOT MORE THAN JUST SEEING. 715 00:33:21,233 --> 00:33:25,037 ANNIE! YOU JUST GOT YOURSELF A REPRIEVE. 716 00:33:25,071 --> 00:33:27,673 GET IN LINE OVER THERE. 717 00:33:29,608 --> 00:33:32,111 LOOK AT OUR NEW CONTENDER. 718 00:33:32,144 --> 00:33:34,413 LET'S GO! 719 00:33:35,714 --> 00:33:37,416 GO, GO, GO! 720 00:33:45,757 --> 00:33:47,093 WHAT IS HE DOING? 721 00:33:47,126 --> 00:33:47,793 NO. NO, NO, NO. 722 00:33:47,826 --> 00:33:49,328 NO, NO. MORGAN-- 723 00:33:49,361 --> 00:33:50,329 LET ME GO, PLEASE! 724 00:33:50,362 --> 00:33:51,363 I CAN'T DO THAT. 725 00:33:51,397 --> 00:33:54,800 WILL! WILL! WILL! 726 00:33:54,833 --> 00:33:58,370 WILL...STOP. 727 00:33:58,570 --> 00:34:00,172 MY NAME IS MATTHEW DOWNS. 728 00:34:00,206 --> 00:34:03,209 LOOK. 729 00:34:09,881 --> 00:34:12,151 LET THOSE PEOPLE GO. 730 00:34:12,184 --> 00:34:16,722 ALL RIGHT, YOU, YOU, YOU. THE KIDS. GET OUT. 731 00:34:19,225 --> 00:34:22,561 GOT 3 COMING OUT. HOLD YOUR FIRE. 732 00:34:24,496 --> 00:34:26,232 THANK YOU. 733 00:34:29,135 --> 00:34:30,102 HEY. 734 00:34:30,136 --> 00:34:32,204 WHAT'S YOUR NAME? 735 00:34:32,471 --> 00:34:36,175 WILLIAM LAMONTAGNE JR. 736 00:34:36,208 --> 00:34:38,344 MPD. 737 00:34:44,383 --> 00:34:46,852 OHH! OH! 738 00:35:03,902 --> 00:35:08,407 DID YOU SEE WHERE HE WAS SHOT? 739 00:35:09,541 --> 00:35:12,478 IS HE ALIVE OR DEAD, GARCIA? 740 00:35:12,511 --> 00:35:13,412 I DON'T KNOW. 741 00:35:13,445 --> 00:35:14,913 HE WAS WEARING A VEST. 742 00:35:14,946 --> 00:35:16,915 HE MIGHT BE OK. 743 00:35:16,948 --> 00:35:19,685 MIGHT BE. 744 00:35:19,718 --> 00:35:21,653 THEY'RE NOT ANSWERING. 745 00:35:21,687 --> 00:35:23,289 ALL RIGHT, WE NEED TO GET INSIDE. 746 00:35:23,322 --> 00:35:24,089 JJ, IT'S TOO RISKY. 747 00:35:24,122 --> 00:35:26,758 WE DON'T HAVE EYES IN THERE ANYMORE. 748 00:35:27,893 --> 00:35:30,562 AARON... 749 00:35:30,596 --> 00:35:33,165 LET'S GO IN. 750 00:35:42,541 --> 00:35:45,544 HOLD YOUR HANDS RIGHT THERE. 751 00:35:45,577 --> 00:35:48,447 WHAT ARE YOU DOING? 752 00:35:48,480 --> 00:35:53,185 A DEAD COP ISN'T GOING TO BE MUCH OF A NEGOTIATION TOOL. 753 00:35:53,219 --> 00:35:53,919 HUH. 754 00:35:53,952 --> 00:35:58,557 BOSS, ARE YOU GOOD WITH THIS? 755 00:35:58,590 --> 00:36:01,793 WHAT? YEAH, FINE. 756 00:36:06,598 --> 00:36:07,866 YOU OK? 757 00:36:07,899 --> 00:36:09,301 I SHOULDN'T HAVE DONE THAT. 758 00:36:09,335 --> 00:36:11,637 THEY'RE NEVER GONNA LET US OUT OF HERE NOW. 759 00:36:11,670 --> 00:36:13,572 WHO KNOWS? MAYBE THEY'LL SAVE HIM 760 00:36:13,605 --> 00:36:17,343 AND HE'LL BE OUR TICKET OUT OF HERE. 761 00:36:17,376 --> 00:36:19,545 YOU TOOK MY ADVICE. 762 00:36:20,512 --> 00:36:22,581 HOW'S THAT? 763 00:36:22,614 --> 00:36:26,352 YOU DIDN'T GO FOR THE KILL SHOT. 764 00:36:26,385 --> 00:36:27,353 HMM. 765 00:36:27,386 --> 00:36:28,920 RIGHT. 766 00:36:28,954 --> 00:36:32,824 I NEED TO CHECK THE BACK AGAIN. THERE'S GOTTA BE AN ESCAPE WE HAVEN'T THOUGHT OF. 767 00:36:32,858 --> 00:36:33,525 OK. 768 00:36:33,559 --> 00:36:36,628 HIS BLOOD PRESSURE'S DROPPING. 769 00:36:36,662 --> 00:36:39,565 HOLD THAT. ARE YOU HOLDING IT AS TIGHT AS YOU CAN? 770 00:36:39,598 --> 00:36:41,199 YEAH. 771 00:36:41,900 --> 00:36:43,302 HOW'S JJ? 772 00:36:43,335 --> 00:36:44,503 IT'S BAD, REID. 773 00:36:44,536 --> 00:36:45,404 I SHOULD BE THERE. 774 00:36:45,437 --> 00:36:46,672 WE'VE LEARNED EVERYTHING WE CAN FROM HERE. 775 00:36:46,705 --> 00:36:47,973 NO, YOU CAN HELP MORE BY HELPING ME. 776 00:36:48,006 --> 00:36:49,107 THERE'S A LOT TO GOT OVER AND YOUR BRAIN WORKS FASTER THAN MINE. 777 00:36:49,140 --> 00:36:54,613 SEEING WHAT'S GOING ON OUTSIDE DOESN'T HELP US INSIDE. 778 00:36:55,481 --> 00:36:58,517 KEVIN, CAN YOU POSSIBLY PULL UP EACH OF THE SURVEILLANCE FEEDS 779 00:36:58,550 --> 00:36:59,751 PRIOR TO WILL BEING SHOT? 780 00:36:59,785 --> 00:37:01,019 SURE. WHAT ARE WE LOOKING FOR? 781 00:37:01,052 --> 00:37:02,654 THE FEMALE UNSUB DISAPPEARED ONCE BEFORE. 782 00:37:02,688 --> 00:37:05,023 IF SHE WAS LOOKING FOR AN ESCAPE, 783 00:37:05,056 --> 00:37:07,826 WHAT WAS SHE DOING? 784 00:37:11,730 --> 00:37:12,931 I'M SORRY. 785 00:37:12,964 --> 00:37:15,667 KEEP THE PRESSURE. KEEP THE PRESSURE. THE PAIN WON'T KILL HIM, 786 00:37:15,701 --> 00:37:17,436 BUT THE LOSS OF BLOOD COULD. 787 00:37:17,469 --> 00:37:20,739 JUST HANG IN THERE, BUDDY. 788 00:37:20,772 --> 00:37:23,275 ARE YOU ARMED? 789 00:37:23,309 --> 00:37:24,042 NO. 790 00:37:24,075 --> 00:37:25,076 DAMN. 791 00:37:25,110 --> 00:37:27,713 I THINK WE MIGHT HAVE SOMETHING OF A CHANCE HERE. 792 00:37:27,746 --> 00:37:28,647 WHAT? 793 00:37:28,680 --> 00:37:31,450 THE GIRL'S GONE, AND THE GUY'S OFF HIS HEAD. 794 00:37:31,483 --> 00:37:33,051 HE DOESN'T KNOW WHO TO TRUST. 795 00:37:33,084 --> 00:37:34,786 WE CAN WORK THEM AGAINST EACH OTHER. 796 00:37:34,820 --> 00:37:37,756 WAIT, ARE YOU A COP? 797 00:37:37,789 --> 00:37:39,591 A FORMER MARINE. 798 00:37:41,092 --> 00:37:42,661 YOU GOTTA LISTEN TO ME. 799 00:37:42,694 --> 00:37:45,297 I NEED YOU TO GET A MESSAGE TO MY GIRLFRIEND. 800 00:37:45,331 --> 00:37:48,367 ALL RIGHT, YOU CAN TELL HER YOURSELF WHEN WE GET YOU OUT OF HERE. 801 00:37:48,400 --> 00:37:50,436 ONLY I'M NOT GETTING OUT. 802 00:37:50,469 --> 00:37:53,572 YOU NEED SOMEONE TO CAUSE A DISTRACTION. 803 00:37:54,773 --> 00:37:56,508 HER NAME IS JENNIFER, 804 00:37:56,542 --> 00:38:00,846 AND SHE'S A FEDERAL AGENT. 805 00:38:00,879 --> 00:38:03,449 YOU TELL HER I'M SORRY. 806 00:38:03,482 --> 00:38:04,516 SORRY? 807 00:38:04,550 --> 00:38:06,685 DON'T YOU WANT TO TELL HER YOU LOVE HER OR SOMETHING? 808 00:38:06,718 --> 00:38:10,722 SHE ALREADY KNOWS THAT. 809 00:38:14,660 --> 00:38:17,496 THE WOMAN. 810 00:38:17,529 --> 00:38:19,598 WHAT HAPPENED TO HER? 811 00:38:19,631 --> 00:38:21,700 AREN'T YOU DEAD YET? 812 00:38:21,733 --> 00:38:22,868 YOU CAN'T TRUST HER. 813 00:38:22,901 --> 00:38:25,604 SHE'S TAKING ORDERS FROM SOMEONE ELSE. 814 00:38:25,637 --> 00:38:28,407 NO, SHE TAKES ORDERS FROM ME. 815 00:38:28,440 --> 00:38:29,708 LOOK AROUND. 816 00:38:29,741 --> 00:38:33,044 ANY SECOND AGENTS ARE GONNA STORM INTO THIS PLACE, 817 00:38:33,078 --> 00:38:34,846 AND THE ONLY BAD GUY I SEE IS YOU. 818 00:38:34,880 --> 00:38:38,950 SHE'S SETTING YOU UP TO TAKE THE FALL FOR THIS, BOY. 819 00:38:38,984 --> 00:38:40,752 THAT'S NOT TRUE. 820 00:38:40,786 --> 00:38:42,854 THEN WHERE IS SHE? 821 00:38:42,888 --> 00:38:44,856 SHE'S BACK THERE. 822 00:38:44,890 --> 00:38:46,592 HUH. 823 00:38:46,625 --> 00:38:48,760 ALL RIGHT. YOU. 824 00:38:48,794 --> 00:38:49,895 COME HERE. 825 00:38:49,928 --> 00:38:51,830 I'LL SHOW YOU. 826 00:38:51,863 --> 00:38:54,065 GO ON. 827 00:38:55,467 --> 00:38:57,369 COME ON! 828 00:38:58,737 --> 00:38:59,971 WHERE ARE THEY GOING? 829 00:39:00,005 --> 00:39:03,375 HE'S GIVING US OUR CHANCE. 830 00:39:05,944 --> 00:39:07,379 WE'VE GOT MOVEMENT. 831 00:39:07,413 --> 00:39:10,382 SOMEBODY'S COMING OUT. BE READY. 832 00:39:10,416 --> 00:39:11,049 IT'S HOSTAGES. 833 00:39:11,082 --> 00:39:13,652 COPY. STANDING BY FOR ENTRY. 834 00:39:29,701 --> 00:39:31,503 WHAT THE HELL ARE YOU DOING DOWN HERE? 835 00:39:31,537 --> 00:39:34,172 CALM DOWN. YOU'LL FIND OUT SOON. 836 00:39:34,205 --> 00:39:36,408 TELL ME. 837 00:39:37,843 --> 00:39:39,945 WE'RE GOING IN. 838 00:39:57,963 --> 00:40:01,066 SHE WAS FOLLOWING THE ELECTRICAL LINES... 839 00:40:01,099 --> 00:40:02,501 GAS MAINS. OH, NO. 840 00:40:02,534 --> 00:40:04,836 GARCIA, GET THEM OUT OF THERE! 841 00:40:04,870 --> 00:40:05,871 ABORT! ABORT! 842 00:40:50,582 --> 00:40:52,951 JJ! 843 00:40:52,984 --> 00:40:56,555 JJ, ARE YOU ALL RIGHT? 844 00:40:56,588 --> 00:40:57,489 ARE YOU OK? 845 00:40:57,523 --> 00:40:58,824 WHERE'S WILL? 846 00:40:58,857 --> 00:41:02,928 WHERE IS WILL 847 00:41:07,799 --> 00:41:09,801 WHERE'S EMILY? 848 00:41:10,602 --> 00:41:12,538 JJ! 849 00:41:19,277 --> 00:41:21,647 HERE I COME! POLICE! 850 00:41:23,682 --> 00:41:24,850 WILL! 851 00:41:24,883 --> 00:41:27,185 EMILY! 852 00:41:44,803 --> 00:41:48,139 THERE'S BEEN AN EXPLOSION AT COLONIAL LIBERTY BANK IN THE JUDICIAL DISTRICT. 853 00:41:48,173 --> 00:41:51,276 AUTHORITIES RIGHT NOW AT THE SCENE SAY THEY DON'T YET HAVE A CASUALTY... 854 00:41:51,309 --> 00:41:54,045 I CAN'T GET THROUGH. EVEN THE SAT PHONE'S GOT A BUSY SIGNAL. 855 00:41:54,079 --> 00:41:56,047 WHAT DO WE DO 856 00:41:56,081 --> 00:41:57,816 I'M GONNA GET OVER THERE. 857 00:41:57,849 --> 00:42:00,752 AGAIN, BREAKING NEWS-- AN EXPLOSION AT COLONIAL LIBERTY BANK, 858 00:42:00,786 --> 00:42:06,124 KILLING A POSSIBLE 24 HOSTAGES AND AN UNKNOWN NUMBER OF LAW ENFORCEMENT AGENTS. 859 00:42:06,858 --> 00:42:07,793 WHAT IS GOING ON HERE? 860 00:42:07,826 --> 00:42:10,629 YOU DIDN'T PROFILE THIS AS A SUICIDE MISSION. 861 00:42:10,662 --> 00:42:12,864 BECAUSE IT WASN'T. THEY'D NEVER KILL THEMSELVES. 862 00:42:12,898 --> 00:42:14,165 WHAT THE HELL DO YOU CALL THAT, THEN? 863 00:42:14,199 --> 00:42:15,667 THEY DIDN'T IMPROVISE A WAY OUT. 864 00:42:15,701 --> 00:42:17,769 THEY'VE HAD AN EXIT STRATEGY IN PLACE. 865 00:42:17,803 --> 00:42:20,038 YOU DON'T LEARN EXPLOSIVES OVERNIGHT. 866 00:42:20,071 --> 00:42:21,907 WE'RE LOOKING FOR SIGNATURES ON THE BOMBS. 867 00:42:21,940 --> 00:42:24,275 I NEED EVERY FRAGMENT OF EVERY DEVICE THAT YOU CAN FIND, 868 00:42:24,309 --> 00:42:25,510 NO MATTER HOW SMALL OR DESTROYED IT LOOKS. 869 00:42:25,543 --> 00:42:29,080 I ALSO NEED EYES ON EVERY ANGLE IN, OUT, AND AROUND THE BANK. 870 00:42:29,114 --> 00:42:30,015 YOU HAVE PHOTOS OF THE SUSPECTS. 871 00:42:30,048 --> 00:42:31,917 WE'RE GOING TO CONTINUE TO CROSS-CHECK THOSE 872 00:42:31,950 --> 00:42:33,585 AGAINST INTERNATIONAL CONNECTIONS. 873 00:42:33,619 --> 00:42:34,853 DO YOU HAVE A POSITIVE I.D. ON THE WOMAN YET? 874 00:42:34,886 --> 00:42:36,822 WE NEED MORE AGENTS. NO. NOT YET. 875 00:42:36,855 --> 00:42:38,189 WHERE'S HOMELAND SECURITY? 876 00:42:38,223 --> 00:42:39,791 THEY JUST GOT HERE. 877 00:42:40,926 --> 00:42:43,662 SIR, I'VE SEE MORGAN AND JJ, BUT I HAVEN'T SEEN EMILY. 878 00:42:43,695 --> 00:42:45,063 EMILY? 879 00:42:45,096 --> 00:42:47,933 OVER HERE! 880 00:42:48,767 --> 00:42:49,500 YOU ALL RIGHT? 881 00:42:49,534 --> 00:42:52,370 YEAH. THEY WERE HIDING BACK HERE. 882 00:42:52,403 --> 00:42:53,739 CAN WE MOVE THEM? 883 00:42:53,772 --> 00:42:55,841 YEAH, WITH HELP. HE'S UNCONSCIOUS. 884 00:42:55,874 --> 00:42:58,744 JUST LET ME STAY WITH HIM. 885 00:42:58,777 --> 00:43:01,179 PLEASE. 886 00:43:01,379 --> 00:43:03,949 I CAN'T FIND WILL. HAVE YOU SEEN HIM? 887 00:43:03,982 --> 00:43:05,751 HE MIGHT BE DOWN BELOW. 888 00:43:05,784 --> 00:43:08,854 WE'RE GONNA GET YOU OUT OF HERE. 889 00:43:08,887 --> 00:43:14,626 HE'S MY LOVE OF 66 YEARS. 890 00:43:14,660 --> 00:43:18,930 MY STORY. 891 00:43:25,837 --> 00:43:28,674 YEAH. NO, IT'S BAD, BUT I'M ALL RIGHT. 892 00:43:28,707 --> 00:43:30,909 YEAH, JUST DON'T COME INTO THE CITY. 893 00:43:30,942 --> 00:43:33,812 AND CAN YOU TAKE JACK ON THE BIKE RIDE TODAY? 894 00:43:33,845 --> 00:43:36,948 RIGHT. AND CAN YOU PUT HIM ON? 895 00:43:36,982 --> 00:43:38,750 HEY, BUDDY, LISTEN, UM, I GOTTA WORK, 896 00:43:38,784 --> 00:43:41,419 SO BETH'S GONNA TAKE YOU ON THE BIKE RIDE, OK? 897 00:43:41,452 --> 00:43:44,723 ALL RIGHT, I'LL SEE YOU LATER. 898 00:43:44,756 --> 00:43:46,124 CAN YOU KEEP THE MEDIA BUSY? 899 00:43:46,157 --> 00:43:47,793 FOR NOW. IS THAT ALL? 900 00:43:47,826 --> 00:43:48,960 YEAH. YOU? YOU ALL RIGHT. 901 00:43:48,994 --> 00:43:52,898 DO ME A FAVOR. HAVE THAT EAR LOOKED AT. 902 00:44:22,260 --> 00:44:24,329 IF THIS ONE'S PARALLEL TO SOME METRO TUNNEL, 903 00:44:24,362 --> 00:44:26,064 THERE'S A GOOD CHANCE IT BRANCHES OFF. 904 00:44:26,097 --> 00:44:27,899 ALL RIGHT, THEN WE SPLIT UP. 905 00:44:27,933 --> 00:44:28,934 UNLESS IT'S A TRICK. 906 00:44:28,967 --> 00:44:31,803 WELL, THEN WE'RE SCREWED. 907 00:44:58,764 --> 00:44:59,965 IS THIS THE WORK OF A TERRORIST CELL? 908 00:44:59,998 --> 00:45:04,369 WE DO NOT BELIEVE THAT THEY ARE PART OF ANY TERRORIST CELLS. 909 00:45:04,402 --> 00:45:08,907 THE BANK HEISTS POINT TO THEM BEING INDEPENDENT ANARCHISTS 910 00:45:08,940 --> 00:45:09,707 WITH HOMICIDAL TENDENCIES. 911 00:45:09,741 --> 00:45:12,143 DO YOU CONSIDER THEM SERIAL KILLERS? 912 00:45:12,177 --> 00:45:12,978 WHAT WAS THAT? 913 00:45:13,011 --> 00:45:14,112 ARE THEY SERIAL KILLERS? 914 00:45:14,145 --> 00:45:16,882 YES. WITHOUT A DOUBT, THE SUSPECTS ARE SERIAL KILLERS. 915 00:45:16,915 --> 00:45:19,785 AS AGENT HOTCHNER TOLD YOU, THEY WANT YOU TO ADMIRE THEM. 916 00:45:19,818 --> 00:45:22,087 LEAVING THE CAMERAS ON WAS THEIR WAY TO BRAG 917 00:45:22,120 --> 00:45:24,155 ABOUT HOW MUCH FEAR THEY WERE CREATING. 918 00:45:24,189 --> 00:45:27,893 WE NEED TO KNOW WHAT HAPPENED, SPECIFICALLY THE UNSUBS' BEHAVIOR 919 00:45:27,926 --> 00:45:29,828 IN THE MINUTES LEADING UP TO THE BLAST. 920 00:45:29,861 --> 00:45:31,462 YOU'LL BE INTERVIEWING THE SURVIVORS. 921 00:45:31,496 --> 00:45:33,431 THEY'LL BE IN VARIOUS STAGES OF SHOCK, 922 00:45:33,464 --> 00:45:35,266 BUT ANY INFORMATION YOU MIGHT GET 923 00:45:35,300 --> 00:45:39,170 COULD BE THE KEY TO APPREHENDING THESE SUSPECTS. 924 00:45:41,472 --> 00:45:45,276 AGENT HOTCHNER HAS COMPILED A SERIES OF QUESTIONS FOR YOU TO ASK THEM. 925 00:45:45,310 --> 00:45:47,345 THESE QUESTIONS ARE ON YOUR PHONES NOW. 926 00:45:47,378 --> 00:45:49,114 THANK YOU. 927 00:45:49,147 --> 00:45:49,948 YOU'RE ALL RIGHT. 928 00:45:49,981 --> 00:45:52,183 WHAT ARE YOU DOING HERE? IT ISN'T SAFE. 929 00:45:52,217 --> 00:45:53,885 I DIDN'T WANT YOU TO BE ALONE. 930 00:45:53,919 --> 00:45:56,021 I'M NOT. YOU KNOW, THEY SEPARATE THE PRESIDENT 931 00:45:56,054 --> 00:45:58,223 AND THE VICE PRESIDENT AT TIMES LIKE THIS. 932 00:45:58,256 --> 00:46:00,792 WHAT...ARE YOU COMPARING US TO POTUS? 933 00:46:00,826 --> 00:46:04,262 I'M SAYING THAT YOU SHOULD BE AT QUANTICO RUNNING POINT. 934 00:46:04,295 --> 00:46:05,931 WELL, I'M HERE RIGHT NOW. 935 00:46:05,964 --> 00:46:06,932 WHAT CAN I DO? 936 00:46:06,965 --> 00:46:08,834 OK. I NEED TO ANALYZE EVERY FRAME OF THIS VIDEO. 937 00:46:08,867 --> 00:46:10,936 MORGAN AND JJ SAID THAT THE BLAST CREATED A HOLE 938 00:46:10,969 --> 00:46:13,004 BETWEEN THE UNDERGROUND VAULTS AND THESE TUNNELS. 939 00:46:13,038 --> 00:46:14,239 YOU KNOW, MOST OF THESE OLDER BANKS 940 00:46:14,272 --> 00:46:16,141 ARE MADE OF GRANITE OR LIMESTONE FOR LONGEVITY. 941 00:46:16,174 --> 00:46:19,210 SO SHE KNEW TO USE A COMBINATION OF C-4 AND SEMTEX 942 00:46:19,244 --> 00:46:20,311 TO OPEN HER ESCAPE ROUTE. 943 00:46:20,345 --> 00:46:22,213 THE TUNNELS LET OUT AT MULTIPLE POINTS RUNNING WEST. 944 00:46:22,247 --> 00:46:23,915 SHE COULD STILL BE UNDERGROUND. 945 00:46:23,949 --> 00:46:25,516 I KNOW. THIS IS WHAT SHE DOES. 946 00:46:25,550 --> 00:46:28,820 SHE PROBABLY WAITED TILL THE LAST MINUTE TO EXIT. SHE WANTS TO SEE ALL THIS CHAOS. 947 00:46:28,854 --> 00:46:30,421 WE NEED TO FIND THE TUNNEL EXIT CLOSEST TO THE BANK. 948 00:46:30,455 --> 00:46:35,994 LOOKS LIKE IT'S TWO BLOCKS HERE, JUST OUTSIDE THE PERIMETER. 949 00:46:45,603 --> 00:46:46,671 WHAT YOU GOT? 950 00:46:46,704 --> 00:46:49,040 WILL ALWAYS SAY, IF YOU CAN, YOU LEAVE A BREAD CRUMB. 951 00:46:49,074 --> 00:46:51,409 OK, SO HE WAS HERE, AND CLEARHEADED ENOUGH TO LEAVE US A CLUE. 952 00:46:51,442 --> 00:46:53,444 THEY SHOT HIM, MORGAN. WHY WOULD THEY TAKE HIM? 953 00:46:53,478 --> 00:46:56,447 JJ, I DON'T KNOW, BUT WE DIDN'T SEE ANY BLOOD DOWN THERE 954 00:46:56,481 --> 00:46:57,815 AND HE'S NOT HERE. BOTH ARE GOOD SIGNS. 955 00:46:57,849 --> 00:47:03,955 YEAH, BUT THEY HAVE HIM, GOD ONLY KNOWS WHERE OR WHY. HOW'S NOT GOOD? 956 00:47:09,360 --> 00:47:13,431 WHAT THE HELL IS THAT 957 00:47:13,464 --> 00:47:17,168 I'M TALKING TO YOU, IZZY! 958 00:47:17,202 --> 00:47:18,937 YOU PLANNED THIS WHOLE THING. 959 00:47:18,970 --> 00:47:19,737 YOU DIDN'T TELL US ANY OF IT. 960 00:47:19,770 --> 00:47:22,340 YOU SET US UP. YOU KILLED MY BROTHER. 961 00:47:22,373 --> 00:47:23,141 NO, THAT WOULD BE HIM. 962 00:47:23,174 --> 00:47:27,012 HOW DO I KNOW HE ISN'T YOUR PARTNER? 963 00:47:27,045 --> 00:47:28,546 WHY WOULD I WORK WITH THIS GUY? 964 00:47:28,579 --> 00:47:32,617 WHY WOULD YOU DO ANY OF THIS? 965 00:47:33,118 --> 00:47:36,654 FBI SAID YOU GOT SOMEBODY ELSE. 966 00:47:36,687 --> 00:47:39,257 YOU SOUND JEALOUS. 967 00:47:39,290 --> 00:47:40,191 WHO IS IT? 968 00:47:40,225 --> 00:47:41,159 PUT THAT AWAY. 969 00:47:41,192 --> 00:47:44,062 THIS ISN'T ABOUT REVENGE, IT'S ABOUT SURVIVAL. 970 00:47:44,095 --> 00:47:45,563 IF YOU HAVEN'T FIGURED IT OUT BY NOW, 971 00:47:45,596 --> 00:47:48,633 I'M YOUR ONLY WAY OUT OF THIS MESS. 972 00:47:48,666 --> 00:47:50,568 ALL RIGHT. 973 00:47:50,601 --> 00:47:53,038 LET ME KILL HIM SO WE CAN GET ON WITH IT. 974 00:47:53,071 --> 00:47:54,072 WE NEED HIM. 975 00:47:54,105 --> 00:47:54,839 FOR WHAT? 976 00:47:54,872 --> 00:47:55,740 LEVERAGE. WE HAVE TO PATCH HIM UP. 977 00:47:55,773 --> 00:47:59,077 WHAT, ARE YOU GONNA WALK HIM INTO AN E.R.? 978 00:48:03,148 --> 00:48:08,153 JJ AND MORGAN SAID THE UNSUBS WERE IN AN ALLEY NORTHWEST OF THE PERIMETER. 979 00:48:08,186 --> 00:48:08,987 YEAH, THIS FOOTAGE CONFIRMS IT. 980 00:48:09,020 --> 00:48:12,090 OK, I CAN SEE TWO FIGURES IN THE CAR. 981 00:48:12,123 --> 00:48:13,658 PLEASE TELL ME ONE OF THEM IS WILL. 982 00:48:13,691 --> 00:48:14,792 SEE HOW SHE'S TURNED. 983 00:48:14,825 --> 00:48:16,995 IT'S LIKE SHE'S KEEPING AN EYE ON SOMEONE IN THE BACK. 984 00:48:17,028 --> 00:48:18,096 DOES THIS MEAN WILL'S IN THE CAR? 985 00:48:18,129 --> 00:48:21,166 THERE'S SOMEBODY BACK THERE. WHAT'S THE LICENSE PLATE? 986 00:48:21,199 --> 00:48:24,135 THAT'S WEIRD. THEY'RE GOVERNMENT TAGS. 987 00:48:24,169 --> 00:48:26,204 FEDERAL OR DISTRICT? 988 00:48:26,237 --> 00:48:27,973 WELL, THEY'RE EITHER STOLEN OR FORGED. 989 00:48:28,006 --> 00:48:29,140 WHO THE HELL ARE THESE PEOPLE? 990 00:48:29,174 --> 00:48:31,709 THEY SET UP ROADBLOCKS IN THE DISTRICT FROM 66 TO DULLES. 991 00:48:31,742 --> 00:48:35,413 WAIT. SO WE'RE LOOKING FOR A BLACK SUV WITH ITS SIRENS ON. 992 00:48:35,446 --> 00:48:37,315 THAT'S GONNA STAND OUT. 993 00:48:37,348 --> 00:48:40,285 WILL'S WITH THEM. I FOUND HIS WALLET. 994 00:48:40,318 --> 00:48:42,320 IT BENEFITS THEM TO KEEP WILL ALIVE. 995 00:48:42,353 --> 00:48:43,588 THEY MUST HAVE A SAFE HOUSE SET UP. 996 00:48:43,621 --> 00:48:47,192 WHOEVER THEIR OUTSIDE MAN IS, THAT'S WHERE THEY'RE HEADING NOW. 997 00:48:47,225 --> 00:48:48,526 BUT WHERE 998 00:48:48,559 --> 00:48:51,529 THERE'S NO LOGICAL REASON. THEY WANT TO CREATE PANIC. 999 00:48:51,562 --> 00:48:52,998 SHE'S STRUCK ALL OVER THE WORLD, 1000 00:48:53,031 --> 00:48:54,332 WHICH SAYS SHE MIGHT NOT BE AMERICAN, 1001 00:48:54,365 --> 00:48:56,334 BUT HER IDEOLOGY CERTAINLY SPEAKS TO WASHINGTON. 1002 00:48:56,367 --> 00:48:58,203 WHATEVER POINT SHE AND HER PARTNER ARE MAKING, 1003 00:48:58,236 --> 00:48:59,637 IT'S IMPORTANT THAT D.C.'s THE SETTING. 1004 00:48:59,670 --> 00:49:01,306 THE BROTHERS WERE FROM PHILADELPHIA. 1005 00:49:01,339 --> 00:49:03,274 THE OTHER PARTNER MIGHT BE HOMEGROWN AS WELL. 1006 00:49:03,308 --> 00:49:05,276 HOMELAND'S SENDING OVER A LIST OF POSSIBILITIES. 1007 00:49:05,310 --> 00:49:06,644 THEY'RE NOT ON ANYONE'S LIST. 1008 00:49:06,677 --> 00:49:08,179 THEN HOW DO WE FIND THEM? 1009 00:49:08,213 --> 00:49:12,017 WE FIND THE COMMON DENOMINATORS BETWEEN ALL 14 ROBBERIES AND WE GO FROM THERE. 1010 00:49:12,050 --> 00:49:14,119 SO SHE'S OUR ONLY ANSWER. 1011 00:49:14,152 --> 00:49:14,885 FOR NOW. 1012 00:49:14,919 --> 00:49:16,121 I'LL CALL EASTER AT INTERPOL AGAIN. 1013 00:49:16,154 --> 00:49:21,092 NOW THAT THERE'S BEEN AN EXPLOSION, HE MIGHT HAVE SOME IDEAS. 1014 00:49:27,198 --> 00:49:30,535 I'M SO SORRY ABOUT WHAT HAPPENED. IS YOUR TEAM ALL RIGHT? 1015 00:49:30,568 --> 00:49:34,005 NO. ONE OF OUR OWN WAS TAKEN HOSTAGE DURING THE ESCAPE. 1016 00:49:34,039 --> 00:49:35,740 THEY MADE IT OUT OF THAT? 1017 00:49:35,773 --> 00:49:37,775 YEAH. IN A STOLEN GOVERNMENT VEHICLE. 1018 00:49:37,808 --> 00:49:40,378 AH. WE'VE SEEN THAT BEFORE. 1019 00:49:40,411 --> 00:49:42,180 REMEMBER SCOTLAND YARD '04? 1020 00:49:42,213 --> 00:49:44,115 A SEDAN WAS STOLEN FROM THE IMPOUND LOT. 1021 00:49:44,149 --> 00:49:47,285 YEAH, UH, SECURITY FOOTAGE VERIFIED IT WAS A WOMAN, 1022 00:49:47,318 --> 00:49:48,619 EVEN THOUGH SHE WAS NEVER CAUGHT. 1023 00:49:48,653 --> 00:49:49,554 NO, BUT THEY FOUND THE CAR. 1024 00:49:49,587 --> 00:49:51,389 SHE LEFT BEHIND SOME FAKE I.D.s AND WEAPONS, 1025 00:49:51,422 --> 00:49:53,224 AND THAT'S WHERE SHE GOT HER MONIKER, LADY X. 1026 00:49:53,258 --> 00:49:56,661 RIGHT. EVERYBODY FIGURED WITH THAT ARSENAL AND HER ABILITY TO EVADE, 1027 00:49:56,694 --> 00:49:59,564 SHE WAS TRAINED, PROBABLY AN ASSASSIN. 1028 00:49:59,597 --> 00:50:01,632 TWO DAYS LATER AN AMBASSADOR WAS KILLED. 1029 00:50:01,666 --> 00:50:03,768 SHOT IN THE STOMACH. THE QUESTION IS, 1030 00:50:03,801 --> 00:50:06,137 WHAT ASSASSIN DOESN'T GO FOR THE KILL SHOT? 1031 00:50:06,171 --> 00:50:07,338 THIS ONE. SHE'S SADISTIC. 1032 00:50:07,372 --> 00:50:08,606 YEAH. FITS YOUR PROFILE, I TAKE IT. 1033 00:50:08,639 --> 00:50:11,109 WELL, YEAH, IT'S GOTTA BE THE SAME WOMAN. 1034 00:50:11,142 --> 00:50:12,243 SHE KILLED AT EACH ROBBERY. 1035 00:50:12,277 --> 00:50:17,282 THE BANKS WERE SIMPLY A MEANS TO FUND TODAY'S EXPLOSION. 1036 00:50:17,315 --> 00:50:18,416 HMM. EVEN IF SHE WEARS WIGS, 1037 00:50:18,449 --> 00:50:19,784 SHE DOESN'T MIND SHOWING HER FACE, 1038 00:50:19,817 --> 00:50:21,052 BECAUSE SHE KNOWS WE WON'T FIND IT. 1039 00:50:21,086 --> 00:50:23,754 WE'VE ONLY GOT ONE OTHER THING TO GO ON-- WHAT SHE LEFT BEHIND. 1040 00:50:23,788 --> 00:50:26,224 WHAT ABOUT CHAD 1041 00:50:26,257 --> 00:50:27,625 NO, NO, NOTHING YET. 1042 00:50:27,658 --> 00:50:29,794 BUT, UM, IF I HAD MORE HELP, 1043 00:50:29,827 --> 00:50:32,263 SAY, RUNNING THE LONDON GATEWAY OFFICE, 1044 00:50:32,297 --> 00:50:34,432 YOU'D HAVE YOUR ANSWER MUCH QUICKER. 1045 00:50:34,465 --> 00:50:35,800 YES, YOU SHOULD FIX THAT. 1046 00:50:35,833 --> 00:50:37,335 WELL, I'M TRYING. 1047 00:50:37,368 --> 00:50:40,671 YOU HAVE ALWAYS HAD BAD TIMING. 1048 00:50:40,705 --> 00:50:42,307 OH, COME ON, EMILY. 1049 00:50:42,340 --> 00:50:44,542 DON'T YOU MISS THIS? 1050 00:50:44,575 --> 00:50:46,511 THINK ABOUT IT. 1051 00:50:47,145 --> 00:50:50,448 YEAH, I WILL. 1052 00:50:51,449 --> 00:50:53,284 ALL RIGHT. YEAH, I GOT IT. 1053 00:50:53,318 --> 00:50:56,287 THAT WAS THE LAB. SEMTEX AND C-4 LIKE WE THOUGHT. 1054 00:50:56,321 --> 00:50:58,423 RED, BLUE, AND YELLOW WIRES IN EACH, 1055 00:50:58,456 --> 00:51:00,258 OLD CELL PHONE USED AS A DETONATOR. 1056 00:51:00,291 --> 00:51:01,759 10 YEARS. HOW OLD IS THE PHONE? 1057 00:51:01,792 --> 00:51:04,362 THAT'S SPECIFIC AND RARE. 1058 00:51:04,395 --> 00:51:05,463 RIDICULOUSLY. 1059 00:51:05,496 --> 00:51:06,497 WELL, HAS ANYONE SEEN IT BEFORE? 1060 00:51:06,531 --> 00:51:08,866 IT WAS LAST SEEN IN A NUMBER OF BOMBINGS IN CHAD. 1061 00:51:08,899 --> 00:51:10,268 FOR A SIGNATURE THAT SPECIFIC, 1062 00:51:10,301 --> 00:51:11,702 THEY MUST HAVE BEEN THERE TO LEARN IT. 1063 00:51:11,736 --> 00:51:13,104 DID EASTER HAVE ANY INSIGHT? 1064 00:51:13,138 --> 00:51:16,507 A WOMAN THEY CALLED LADY X STOLE A SEDAN FROM SCOTLAND YARD 8 YEARS AGO. 1065 00:51:16,541 --> 00:51:21,179 THE INVESTIGATION CONCLUDED SHE WAS A TRAINED ASSASSIN. SHE DISAPPEARED. 1066 00:51:21,212 --> 00:51:24,182 SO LADY X AND QUEEN OF DIAMONDS IS THE SAME PERSON? 1067 00:51:24,215 --> 00:51:25,015 IT SOUNDS LIKE IT. 1068 00:51:25,049 --> 00:51:26,817 GARCIA, LOOK AT ASSASSINATION ATTEMPTS 1069 00:51:26,851 --> 00:51:28,153 AROUND THE CIVIL UNREST IN CHAD. 1070 00:51:28,186 --> 00:51:31,156 IF SHE WAS A HIRED GUN, SHE WAS LIKELY TAKING ORDERS FROM SOMEONE. 1071 00:51:31,189 --> 00:51:32,690 MAYBE SHE'S STILL WORKING FOR THE SAME GUY NOW 1072 00:51:32,723 --> 00:51:34,359 AND HE'S STILL PULLING THE STRINGS. 1073 00:51:34,392 --> 00:51:35,760 OR MAYBE SHE'S FOUND HER EQUAL. 1074 00:51:35,793 --> 00:51:37,728 THEIR OBSESSION WITH KILLING AND DOMINATION 1075 00:51:37,762 --> 00:51:39,096 HAS CULMINATED IN WHAT WE'VE SEEN TODAY. 1076 00:51:39,130 --> 00:51:42,600 GETTING OFF ON THE DISASTER THEY'VE CREATED. CLASSIC SYMPHORPHILIACS. 1077 00:51:42,633 --> 00:51:44,101 THEN THIS ISN'T OVER. FAR FROM IT. 1078 00:51:44,135 --> 00:51:49,274 NO. NOW THAT THEY'VE GOTTEN AWAY WITH THIS, WHERE ARE THEY GONNA STRIKE NEXT? 1079 00:52:00,551 --> 00:52:01,519 MORNING. 1080 00:52:01,552 --> 00:52:02,253 WE NEED HELP. YEAH? 1081 00:52:02,287 --> 00:52:03,521 OBVIOUSLY. OH, IS THAT A GUNSHOT? 1082 00:52:03,554 --> 00:52:07,792 HE'S GONNA NEED FLUIDS. THERE'S A HOSPITAL 3 BLOCKS FROM HERE. 1083 00:52:07,825 --> 00:52:09,494 THERE'S NO TIME. 1084 00:52:09,527 --> 00:52:11,562 FIX HIM. 1085 00:52:17,902 --> 00:52:20,738 WILL'S DEFINITELY WITH THEM, AND IT LOOKS LIKE HE CAN MOVE WITHOUT A PROBLEM. 1086 00:52:20,771 --> 00:52:22,607 CAMERAS CAUGHT EVERYTHING? 1087 00:52:22,640 --> 00:52:24,675 YEAH. THE WOMAN KILLED THE MEDIC. 1088 00:52:24,709 --> 00:52:25,943 HEY, AT LEAST WILL'S OK. 1089 00:52:25,976 --> 00:52:27,478 YEAH, FOR NOW. 1090 00:52:27,512 --> 00:52:29,247 DID THEY LEAVE IN THE SAME VEHICLE? 1091 00:52:29,280 --> 00:52:32,283 YEAH, BUT IT'S BEEN AN HOUR SINCE THE EXPLOSION. 1092 00:52:32,317 --> 00:52:34,352 WHY HAVEN'T THEY LEFT THE CITY? 1093 00:52:34,385 --> 00:52:37,755 THE NEXT ATTACK COULD BE HERE. 1094 00:52:38,723 --> 00:52:40,425 KEVIN, WHAT HAVE YOU GOT? 1095 00:52:40,458 --> 00:52:41,792 JUST GOING THROUGH... 1096 00:52:41,826 --> 00:52:43,528 THEY DID THAT ON PURPOSE, RIGHT? 1097 00:52:43,561 --> 00:52:45,663 AND YOU SAW EVERYTHING UNTIL THEY HAD WILL. 1098 00:52:45,696 --> 00:52:47,097 WELL, THEY MADE A MISTAKE. 1099 00:52:47,131 --> 00:52:49,567 LEAVING THE CAMERAS ON GAVE US MUCH MORE INFORMATION THAN THEY REALIZED. 1100 00:52:49,600 --> 00:52:51,702 WHAT TIME DID THE 911 TEXT COME IN? 1101 00:52:51,736 --> 00:52:52,670 23. 1102 00:52:52,703 --> 00:52:53,804 00. 1103 00:52:53,838 --> 00:52:56,241 LET'S GO BACK TO THE BEGINNING. I NEED YOU BOTH ON THIS. 1104 00:52:56,274 --> 00:52:58,676 YES, SIR. 1105 00:52:58,709 --> 00:53:00,711 HE SAID HE'D CALL BY NOW. 1106 00:53:05,015 --> 00:53:07,252 HEY. 1107 00:53:07,285 --> 00:53:08,586 YEAH. 1108 00:53:08,619 --> 00:53:10,688 GOT IT. 1109 00:53:10,721 --> 00:53:11,689 THAT WAS FAST. 1110 00:53:11,722 --> 00:53:13,624 CHANGE IN LOCATION. 1111 00:53:13,658 --> 00:53:15,960 GET BACK ON PENNSYLVANIA AV. 1112 00:53:21,932 --> 00:53:27,338 I'M NOT GOING ANYWHERE TILL YOU TELL ME THE PLAN. 1113 00:53:30,375 --> 00:53:32,410 WHAT ARE YOU DOING? 1114 00:53:32,443 --> 00:53:33,478 HE TALKS TOO MUCH. 1115 00:53:33,511 --> 00:53:36,614 GO AHEAD, OFFICER, GET HIM OUT. 1116 00:53:36,647 --> 00:53:38,549 AND DO WHAT, JUST LEAVE HIM HERE? 1117 00:53:38,583 --> 00:53:41,252 YES, PLEASE. 1118 00:53:53,831 --> 00:53:56,967 SORRY FOR THE MESS. 1119 00:54:00,805 --> 00:54:04,409 GO AHEAD. DRIVE. 1120 00:54:06,877 --> 00:54:10,348 THE EXPLOSION WAS A DISTRACTION SO THEY COULD ESCAPE. WATCH. 1121 00:54:10,381 --> 00:54:12,717 ALLOW ME TO FAST-FORWARD. 1122 00:54:12,750 --> 00:54:17,655 ALL RIGHT, HERE'S WHERE CHRIS STARTED SHOOTING HOSTAGES. 1123 00:54:18,756 --> 00:54:21,792 THE FELLA NEXT TO HIM DIDN'T EVEN FLINCH. 1124 00:54:21,826 --> 00:54:23,761 DOESN'T EVEN BREAK A SWEAT. 1125 00:54:23,794 --> 00:54:25,763 WE KNOW HE'S EX-MILITARY, BUT STILL... 1126 00:54:25,796 --> 00:54:27,798 HIS NAME IS MATTHEW DOWNS. 1127 00:54:27,832 --> 00:54:30,668 THAT'S WHAT HE TOLD ROSSI AND HE WASN'T LYING. 1128 00:54:30,701 --> 00:54:35,806 HISTORY SHOWS DISHONORABLE DISCHARGE FROM USMC IN '04. 1129 00:54:36,574 --> 00:54:37,908 HI, WILL. 1130 00:54:38,509 --> 00:54:39,644 YOU SEE THAT? 1131 00:54:39,677 --> 00:54:40,845 I WANT TO DO IT AGAIN. 1132 00:54:40,878 --> 00:54:42,613 WE WILL. 1133 00:54:44,749 --> 00:54:46,083 DRIVE. 1134 00:54:46,116 --> 00:54:48,553 YOU KNOW THE WAY. 1135 00:54:48,586 --> 00:54:50,888 DRIVE. 1136 00:54:52,022 --> 00:54:53,991 OK, DO ME A FAVOR. 1137 00:54:54,024 --> 00:54:54,992 KEEP GOING. 1138 00:54:55,025 --> 00:54:58,729 TO WHERE WILL WALKS IN. 1139 00:54:58,763 --> 00:55:01,799 OK, NOW WATCH HIM. 1140 00:55:01,832 --> 00:55:03,868 AND THEN... 1141 00:55:03,901 --> 00:55:05,770 LOOK AT HER. 1142 00:55:06,136 --> 00:55:08,038 HER PARTNER WAS IN THERE THE WHOLE TIME, 1143 00:55:08,072 --> 00:55:09,740 JUST NOT IN THE WAY THAT WE THOUGHT. 1144 00:55:09,774 --> 00:55:12,042 THEY SHOT THIS WHOLE THING LIKE A HOME MOVIE. 1145 00:55:12,076 --> 00:55:13,478 HE COULD HAVE BEEN KILLED. 1146 00:55:13,511 --> 00:55:14,745 NO, SHE WOULDN'T LET THAT HAPPEN. 1147 00:55:14,779 --> 00:55:16,447 WHAT THE HELL ARE THEY DOING? 1148 00:55:16,481 --> 00:55:17,815 IT'S ALL PART OF THEIR PLAN. 1149 00:55:17,848 --> 00:55:20,718 THEY'VE CREATED SCENARIOS THAT ARE PRACTICALLY IMPOSSIBLE TO SURVIVE. 1150 00:55:20,751 --> 00:55:22,720 WHEN THEY MAKE IT, IT'S THE ULTIMATE HIGH. 1151 00:55:22,753 --> 00:55:24,722 LIKE AN ADRENALINE JUNKIE. 1152 00:55:24,755 --> 00:55:25,756 NOBODY CAN FIND MATTHEW DOWNS. 1153 00:55:25,790 --> 00:55:27,725 ERT SAID THAT HE HELPED THEM, THEN HE DISAPPEARED. 1154 00:55:27,758 --> 00:55:29,694 SEE YOU LATER? 1155 00:55:29,727 --> 00:55:31,929 YOU BETTER. 1156 00:55:34,999 --> 00:55:37,568 COME ON, OFFICER. 1157 00:55:37,602 --> 00:55:39,604 HE'S A DETECTIVE. 1158 00:55:39,637 --> 00:55:42,373 I'M SORRY, DICK. 1159 00:55:50,748 --> 00:55:54,852 YOU BETTER PLAY NICE, JUST LIKE WE TALKED ABOUT. 1160 00:55:55,920 --> 00:55:57,121 CLOSE THE GATE. 1161 00:55:57,154 --> 00:55:58,823 DADDY. 1162 00:55:59,757 --> 00:56:01,526 HEY, PAL. 1163 00:56:01,559 --> 00:56:02,493 HEY, WILL. 1164 00:56:02,527 --> 00:56:03,628 HOW ARE YOU? 1165 00:56:03,661 --> 00:56:06,030 THANKS FOR TAKING CARE OF THE LITTLE MAN. 1166 00:56:06,063 --> 00:56:08,899 LET ME PUT YOU DOWN WHILE I TALK TO MISS KATE. 1167 00:56:08,933 --> 00:56:09,700 OK, DADDY. 1168 00:56:09,734 --> 00:56:11,101 YOU HAVEN'T BEEN WATCHING THE NEWS? 1169 00:56:11,135 --> 00:56:15,406 I HEARD ABOUT WHAT HAPPENED, BUT NO, I DIDN'T WANT THE KIDS TO SEE IT. 1170 00:56:15,440 --> 00:56:17,107 YOU GUYS WORKING THE CASE? 1171 00:56:17,141 --> 00:56:18,208 IN SHIFTS, YEAH. 1172 00:56:18,242 --> 00:56:21,011 OK, WELL, IF YOU NEED HENRY TO STAY, IT'S NO PROBLEM. 1173 00:56:21,045 --> 00:56:21,812 WELL, UH-- 1174 00:56:21,846 --> 00:56:22,613 I'M IZZY, WILL'S COUSIN. 1175 00:56:22,647 --> 00:56:25,716 OH, HI. I'M KATE. NICE TO MEET YOU. 1176 00:56:27,017 --> 00:56:27,985 SHE JUST--SHE JUST FLEW IN. 1177 00:56:28,018 --> 00:56:31,856 SHE'S GONNA TAKE CARE OF HIM, SO IT'S ALL GOOD. 1178 00:56:31,889 --> 00:56:34,124 ALL RIGHT, WELL, IF YOU NEED ANYTHING, LET ME KNOW. 1179 00:56:34,158 --> 00:56:36,794 OK. SURE THING. 1180 00:56:37,227 --> 00:56:39,630 HEY, WILL. GET SOME SLEEP. 1181 00:56:39,664 --> 00:56:41,899 YOU LOOK LIKE HELL. 1182 00:56:44,201 --> 00:56:46,003 HE'S STILL IN DIAPERS? 1183 00:56:46,036 --> 00:56:47,438 I DON'T REALLY DO THOSE. 1184 00:56:47,472 --> 00:56:51,642 YOU TOUCH MY KID, I SWEAR TO GOD I'LL KILL YOU. 1185 00:56:51,676 --> 00:56:53,110 I ALREADY TOLD YOU, 1186 00:56:53,143 --> 00:56:54,612 YOU TOUCH ME, 1187 00:56:54,645 --> 00:56:55,513 HE KILLS HER, THEN YOU. 1188 00:56:55,546 --> 00:56:57,615 DO YOU REALLY WANT TO DO THAT TO YOUR KID, 1189 00:56:57,648 --> 00:57:00,017 BE THE REASON HE'S AN ORPHAN? 1190 00:57:00,050 --> 00:57:03,688 DADDY, LET'S PLAY. 1191 00:57:03,721 --> 00:57:05,923 DADDY CAN'T PLAY RIGHT NOW. 1192 00:57:05,956 --> 00:57:07,925 I GOTTA GO TO WORK. 1193 00:57:07,958 --> 00:57:09,660 BUT THIS IS, UH-- 1194 00:57:09,694 --> 00:57:10,861 IZZY. 1195 00:57:10,895 --> 00:57:11,729 IZZY. 1196 00:57:11,762 --> 00:57:13,931 CAN YOU SAY HI TO IZZY? 1197 00:57:13,964 --> 00:57:14,999 HI, IZZY. 1198 00:57:15,032 --> 00:57:18,736 SHE'S GONNA STAY WITH YOU TILL MAMA COMES HOME, OK? 1199 00:57:18,769 --> 00:57:20,070 OK. 1200 00:57:20,104 --> 00:57:21,539 HEY. 1201 00:57:21,572 --> 00:57:24,174 I LOVE YOU. 1202 00:57:24,208 --> 00:57:26,844 I LOVE YOU. 1203 00:57:26,877 --> 00:57:28,946 COME HERE. 1204 00:57:29,880 --> 00:57:30,981 IT'S GONNA BE OK. 1205 00:57:31,015 --> 00:57:32,983 IT'S GONNA BE OK. 1206 00:57:33,017 --> 00:57:35,720 ALL RIGHT. I LOVE YOU. 1207 00:57:35,753 --> 00:57:38,589 GO PLAY BACK THERE. 1208 00:57:47,164 --> 00:57:51,235 OF COURSE WILL THOUGHT MATTHEW WAS A HOSTAGE. WHY WOULDN'T HE? 1209 00:57:51,268 --> 00:57:54,038 THERE'S A GOOD CHANCE WILL TRIED TO HELP HIM OUT. 1210 00:57:54,071 --> 00:57:55,239 HE TOLD HIM WHEN TO GO FOR THE DOORS 1211 00:57:55,272 --> 00:57:57,908 OR OFFERED TO BE A HOSTAGE TO SAVE THE OTHERS. 1212 00:57:57,942 --> 00:57:58,676 I'M SURE HE DID. 1213 00:57:58,709 --> 00:57:59,610 WELL, THERE'S A FLIP SIDE TO THIS. 1214 00:57:59,644 --> 00:58:01,045 THIS GUY COULD HAVE GOTTEN INTO WILL'S HEAD. 1215 00:58:01,078 --> 00:58:04,281 IS THERE ANYTHING YOU WANT TO TELL YOUR FAMILY IN CASE YOU DON'T MAKE IT? 1216 00:58:04,314 --> 00:58:06,651 YOU THINK WILL TOLD THEM ABOUT JJ AND HENRY? 1217 00:58:06,684 --> 00:58:08,819 UNKNOWINGLY. 1218 00:58:08,853 --> 00:58:10,888 WHAT'S WRONG? 1219 00:58:10,921 --> 00:58:13,558 WILL'S LICENSE IS GONE. 1220 00:58:13,591 --> 00:58:15,893 THEY KNOW WHERE WE LIVE. 1221 00:58:25,603 --> 00:58:27,605 HEY, CHECK IT OUT, WILL. MINE LOOKS... 1222 00:58:27,638 --> 00:58:30,040 IT LOOKS ALMOST AS GOOD AS YOURS, HUH? 1223 00:58:30,074 --> 00:58:32,577 I WASN'T SURE IF I WAS GONNA NEED YOU AT ALL, 1224 00:58:32,610 --> 00:58:35,813 BUT THIS WAY, IT'S MORE FUN. 1225 00:58:35,846 --> 00:58:37,915 WHAT DO YOU WANT? 1226 00:58:37,948 --> 00:58:38,583 WELL, IT'S SIMPLE. 1227 00:58:38,616 --> 00:58:40,918 YOU DO EVERYTHING I TELL YOU 1228 00:58:40,951 --> 00:58:43,821 OR IZZY KILLS YOUR BOY. 1229 00:58:43,854 --> 00:58:45,623 THERE IS NO WAY OUT. 1230 00:58:45,656 --> 00:58:48,759 LET'S DON'T BELIEVE THE HYPE YOU'RE THE HERO. 1231 00:58:48,793 --> 00:58:51,829 TODAY'S NOT THE DAY FOR THAT, WILL. 1232 00:58:51,862 --> 00:58:55,099 COME ON, WE'RE LATE. 1233 00:59:10,981 --> 00:59:12,116 DON'T DO THAT. 1234 00:59:12,149 --> 00:59:13,718 WHAT? 1235 00:59:13,751 --> 00:59:15,185 GO ALL QUIET. 1236 00:59:15,219 --> 00:59:18,723 WHAT AM I SUPPOSED TO DO? 1237 00:59:18,756 --> 00:59:21,158 YELL. 1238 00:59:21,191 --> 00:59:22,627 I CAN'T. 1239 00:59:22,660 --> 00:59:24,629 YOU CAN'T BLAME YOURSELF. 1240 00:59:24,662 --> 00:59:26,997 WANT TO BET? 1241 00:59:27,031 --> 00:59:29,667 I SHOULD HAVE NEVER LEFT HENRY TODAY. 1242 00:59:29,700 --> 00:59:31,068 YOU WERE DOING YOUR JOB. 1243 00:59:31,101 --> 00:59:31,969 I'M A MOM. 1244 00:59:32,002 --> 00:59:32,970 AND A FEDERAL AGENT. 1245 00:59:33,003 --> 00:59:34,171 I'M A MOM FIRST. 1246 00:59:34,204 --> 00:59:39,744 WHO HAD NO POSSIBLE WAY OF KNOWING HOW THIS THING WOULD GO. 1247 00:59:43,080 --> 00:59:45,716 WE MADE THIS DEAL, 1248 00:59:45,750 --> 00:59:46,416 WILL AND I. 1249 00:59:46,450 --> 00:59:49,353 THAT HENRY WOULD NEVER BE ALONE 1250 00:59:49,386 --> 00:59:52,222 WITHOUT EITHER OF US. 1251 00:59:52,256 --> 00:59:55,059 I BROKE THAT. 1252 00:59:56,293 --> 00:59:59,697 HE'LL FORGIVE YOU. 1253 01:00:02,166 --> 01:00:05,269 WHY ARE YOU DOING THIS? 1254 01:00:05,302 --> 01:00:08,372 WHY AM I DOING THIS? 1255 01:00:08,405 --> 01:00:11,742 YOU EVER BEEN IN COMBAT? 1256 01:00:11,776 --> 01:00:12,877 NO. 1257 01:00:12,910 --> 01:00:14,945 BUT YOU THINK YOU KNOW WHAT HAPPENS TO THE SOULS OF MEN? 1258 01:00:14,979 --> 01:00:17,014 I NEVER SAID THAT. YOU HAVE NO IDEA. 1259 01:00:17,047 --> 01:00:21,185 SOLDIERS DON'T COME BACK AND KILL INNOCENT PEOPLE. 1260 01:00:21,218 --> 01:00:24,221 YOU WERE SICK BEFORE YOU EVER WENT TO WAR. 1261 01:00:24,254 --> 01:00:27,191 YOU'VE NEVER BEEN. 1262 01:00:27,858 --> 01:00:31,128 IT WASN'T THE SAME AFTER. 1263 01:00:31,161 --> 01:00:33,831 THEY JUST CUT YOU OFF, YOU KNOW? 1264 01:00:33,864 --> 01:00:38,035 EVERYONE. YOUR FAMILY. THE CORPS. THE COUNTRY. 1265 01:00:38,068 --> 01:00:39,303 GOODBYE. 1266 01:00:39,336 --> 01:00:40,237 WE USED YOU. 1267 01:00:40,270 --> 01:00:41,438 IT'S A BETRAYAL. 1268 01:00:41,471 --> 01:00:42,707 SO WHAT DID I DO? 1269 01:00:42,740 --> 01:00:46,176 I FOUND A NEW HOME. 1270 01:00:50,380 --> 01:00:52,349 DETECTIVE. 1271 01:00:52,382 --> 01:00:53,517 YOU ON LOCKDOWN? 1272 01:00:53,550 --> 01:00:56,320 NO. WE'RE DIVERTING ALL TRAFFIC. OFFICIAL VEHICLES ONLY. 1273 01:00:56,353 --> 01:00:59,089 WE'RE JUST HERE TO DO A SWEEP. 1274 01:01:01,959 --> 01:01:05,229 YES, SIR. GO ON THROUGH. 1275 01:01:25,415 --> 01:01:28,352 I THIRSTY. 1276 01:01:41,365 --> 01:01:43,400 YOU NEED TO DRAW IT. 1277 01:01:43,433 --> 01:01:46,837 * RING AROUND THE ROSEY 1278 01:01:46,871 --> 01:01:50,440 * POCKETFUL OF POSIES 1279 01:01:50,474 --> 01:01:54,211 * ASHES, ASHES 1280 01:01:54,244 --> 01:01:59,149 * WE ALL FALL DOWN 1281 01:02:00,184 --> 01:02:01,251 YOU'RE SILLY. 1282 01:02:01,285 --> 01:02:05,322 CAN WE PLAY HIDE-AND-SEEK? 1283 01:02:05,355 --> 01:02:07,424 IN A MINUTE. 1284 01:02:07,457 --> 01:02:10,327 COME HERE. 1285 01:02:16,000 --> 01:02:20,004 MY GRANDFATHER'S NAME WAS HENRY. 1286 01:02:20,337 --> 01:02:23,407 HE HAD BLOND HAIR JUST LIKE YOU. 1287 01:02:23,440 --> 01:02:26,443 HE WAS A SCARY MAN. 1288 01:02:26,476 --> 01:02:28,813 WHY? 1289 01:02:29,446 --> 01:02:34,184 LET ME TELL YOU A STORY. 1290 01:02:41,325 --> 01:02:43,060 SO WHY DIDN'T THEY TAKE ALL THE MONEY? 1291 01:02:43,093 --> 01:02:46,096 THEY WERE A MAN DOWN AND THEY HAD TO GET OUT IN A HURRY. 1292 01:02:46,130 --> 01:02:48,532 BUT FOR HER, TODAY WAS LESS ABOUT THE MONEY 1293 01:02:48,565 --> 01:02:50,134 AND MORE ABOUT THE SPECTACLE. 1294 01:02:50,167 --> 01:02:51,568 EVERYTHING THEY'VE SAID AND DONE WAS FOR A REASON. 1295 01:02:51,601 --> 01:02:55,505 BUT WHAT DOESN'T MAKE ANY SENSE IS SHE SWITCHED THE NEGOTIATION DEMAND. 1296 01:02:55,539 --> 01:02:58,075 CHRIS WANTED TO GO TO SWITZERLAND. SHE CHANGED IT TO CHAD. 1297 01:02:58,108 --> 01:03:01,311 THEY ALSO REQUESTED A PRIVATE PLANE, BUT NO MENTION OF A PILOT. 1298 01:03:01,345 --> 01:03:02,880 GUYS, IF YOU THINK ABOUT IT, 1299 01:03:02,913 --> 01:03:04,348 EVEN THE DATES MEAN SOMETHING. 1300 01:03:04,381 --> 01:03:07,417 IN 2004, WHILE SHE WAS WREAKING HAVOC ABROAD, 1301 01:03:07,451 --> 01:03:08,252 HE WAS DISHONORABLY DISCHARGED. 1302 01:03:08,285 --> 01:03:11,421 THEN IN 2008, THEY LIKELY MET IN CHAD. 1303 01:03:11,455 --> 01:03:13,257 AND NOW THIS IN 2012. 1304 01:03:13,290 --> 01:03:17,294 OK, SO IS IT A COINCIDENCE THAT THOSE ARE ALL ELECTION YEARS 1305 01:03:17,327 --> 01:03:18,462 AND THEY ATTACKED D.C.? 1306 01:03:18,495 --> 01:03:20,364 MAYBE THIS IS A POLITICAL STATEMENT. 1307 01:03:20,397 --> 01:03:24,301 NO. IT'S MORE PERSONAL THAN THAT. 1308 01:03:24,334 --> 01:03:26,871 IT'S THEIR STORY. 1309 01:03:26,904 --> 01:03:27,804 WHAT? 1310 01:03:27,838 --> 01:03:32,009 ALL OF THE DETAILS ARE A PART OF THEIR STORY. 1311 01:03:32,042 --> 01:03:32,943 THEIR TIMELINE SUGGESTS 1312 01:03:32,977 --> 01:03:34,144 THEY WERE BOTH DESTRUCTIVE BEFORE THEY MET. 1313 01:03:34,178 --> 01:03:37,481 SO WE'RE TALKING ABOUT EX-MILITARY TURNING ON THEIR COUNTRY. 1314 01:03:37,514 --> 01:03:39,917 IT'S RARE, BUT SOLDIERS BECOME DISENFRANCHISED 1315 01:03:39,950 --> 01:03:40,918 NO MATTER WHAT THE NATIONALITY. 1316 01:03:40,951 --> 01:03:43,420 AND IF HE MET SOMEONE LIKE-MINDED AT THAT TIME, 1317 01:03:43,453 --> 01:03:44,788 THERE'D BE NO STOPPING THEM. 1318 01:03:44,821 --> 01:03:47,391 SO YOU'RE THINKING THEY MET DURING THE CIVIL UNREST IN CHAD IN '08. 1319 01:03:47,424 --> 01:03:48,893 YEAH, AND ONE OR BOTH OF THEM ARE PILOTS. 1320 01:03:48,926 --> 01:03:51,395 SO IF GARCIA CONCENTRATES ON THAT REGION, 1321 01:03:51,428 --> 01:03:53,297 SPECIFICALLY WEAPONS RUNNING IN AND OUT OF LIBYA, 1322 01:03:53,330 --> 01:03:56,100 THERE'S A GOOD CHANCE WE'LL FIND THEIR PATHS CROSSED. 1323 01:03:56,133 --> 01:03:58,068 OK, MULTIPLE ENTRIES INTO LIBYA 1324 01:03:58,102 --> 01:04:01,972 FOR A PRIVATE PILOT NAMED MATTHEW DOWNS IN '08, BUT I DON'T HAVE HER NAME. 1325 01:04:02,006 --> 01:04:03,573 WELL, BECAUSE SHE HAD ALIASES. 1326 01:04:03,607 --> 01:04:04,975 IT'S THE ONLY WAY TO STAY A GHOST. 1327 01:04:05,009 --> 01:04:07,477 HERE'S THE THING-- THEY ARE A COUPLE. 1328 01:04:07,511 --> 01:04:08,578 REGARDLESS OF WHAT WE BELIEVE OF THEM, 1329 01:04:08,612 --> 01:04:12,249 THEY WILL CELEBRATE THEMSELVES AND THEIR CONNECTION. 1330 01:04:12,282 --> 01:04:16,386 IS THERE ANYTHING THAT HAPPENED ON THIS DATE IN CHAD? 1331 01:04:16,420 --> 01:04:19,456 OH, YOU ARE GOOD, EMILY PRENTISS. 1332 01:04:19,489 --> 01:04:20,624 BUT THIS NEWS IS NOT. 1333 01:04:20,657 --> 01:04:24,261 YES, THERE WERE MULTIPLE EXPLOSIONS ON THIS DATE IN '08. 1334 01:04:24,294 --> 01:04:26,263 WHERE WERE THE MOST CASUALTIES? 1335 01:04:26,296 --> 01:04:27,364 AT A CHURCH-- NO, NO, A TRAIN. 1336 01:04:27,397 --> 01:04:28,665 YEP. Morgan; SEMTEX AND C-4? 1337 01:04:28,698 --> 01:04:30,667 ARE TRAINS STILL ARRIVING AT UNION STATION? 1338 01:04:30,700 --> 01:04:33,170 YES, BUT ONLY THE AUTHORITIES ARE ALLOWED IN. 1339 01:04:33,203 --> 01:04:35,906 THAT'S WHY THEY NEEDED WILL. 1340 01:04:44,081 --> 01:04:45,549 SHE DOESN'T HAVE HER CELL. 1341 01:04:45,582 --> 01:04:49,053 KATE WOULD NEVER TAKE HER EYES OFF HENRY LIKE THIS. 1342 01:04:49,086 --> 01:04:50,654 THEY MUST HAVE HIM. 1343 01:04:50,687 --> 01:04:51,555 WAIT. 1344 01:04:51,588 --> 01:04:54,391 WE NEED A DISTRACTION. 1345 01:05:03,200 --> 01:05:07,671 I THOUGHT YOU CARED MORE ABOUT YOUR FAMILY, WILL. 1346 01:05:18,415 --> 01:05:21,385 HE'S GONNA WANT TO STAY CLOSE TO WATCH. 1347 01:05:26,590 --> 01:05:30,627 PROCEED WITH CAUTION TO THE NEAREST EXIT. 1348 01:05:57,754 --> 01:06:02,392 PLEASE PROCEED WITH CAUTION TO THE NEAREST EXIT. 1349 01:06:02,426 --> 01:06:04,561 THANK YOU. 1350 01:06:07,097 --> 01:06:10,367 HOTCH, I GOT THE SUSPECT GOING OUT THE EAST WING. 1351 01:06:10,400 --> 01:06:12,336 COPY. 1352 01:06:19,576 --> 01:06:21,611 I FOUND WILL. 1353 01:06:21,645 --> 01:06:23,347 IS HE MOBILE? 1354 01:06:23,380 --> 01:06:28,085 NEGATIVE. HE'S GOT 6 TRANSMITTERS ON HIM 1355 01:06:28,118 --> 01:06:29,619 AND THIS WHOLE PLACE IS GONNA BLOW. 1356 01:06:29,653 --> 01:06:30,820 ALL RIGHT, WHERE ARE YOU? I'M ON MY WAY. 1357 01:06:30,854 --> 01:06:33,590 NO, YOU GOTTA GET EVERYONE OUT. IS THE BOMB SQUAD HERE YET? 1358 01:06:33,623 --> 01:06:35,525 THEY'RE 3 MINUTES AWAY. 1359 01:06:35,559 --> 01:06:36,160 COPY. 1360 01:06:36,193 --> 01:06:38,262 EMILY, YOU GOTTA GET HENRY. 1361 01:06:38,295 --> 01:06:41,031 THEY'RE AT THE HOUSE. 1362 01:07:20,870 --> 01:07:24,441 TURN AROUND. 1363 01:07:25,475 --> 01:07:26,776 MOMMY! 1364 01:07:45,129 --> 01:07:47,531 HENRY! 1365 01:08:11,888 --> 01:08:14,491 COME HERE. MOMMY. 1366 01:08:23,767 --> 01:08:25,669 JUST GET EVERYBODY OUT OF HERE. 1367 01:08:25,702 --> 01:08:28,538 I'M NOT GONNA LEAVE YOU. JUST GIVE ME A MINUTE. 1368 01:08:28,572 --> 01:08:30,140 JUST ABOUT ALL YOU GOT. 1369 01:08:30,174 --> 01:08:33,410 OK, EVERYTHING THEY DID AND SAID WAS ABOUT THEM. 1370 01:08:33,443 --> 01:08:34,778 NARCISSISTS. 1371 01:08:34,811 --> 01:08:36,313 ROMANTICS. 1372 01:08:36,346 --> 01:08:39,716 THEY MET IN 2008. 1373 01:08:39,749 --> 01:08:41,751 OH, WHAT ARE YOU DOING? 1374 01:08:41,785 --> 01:08:45,789 SERIOUSLY, EMILY, GO. 1375 01:08:45,822 --> 01:08:47,791 GO. 1376 01:08:52,729 --> 01:08:55,432 OK, HOLD ON. CHAD. 1377 01:08:55,465 --> 01:08:58,702 2-4-2-3. 1378 01:08:58,735 --> 01:08:59,436 OH! DAMN IT. 1379 01:08:59,469 --> 01:09:01,905 OK, THESE ARE VALENTINES FOR HER, 1380 01:09:01,938 --> 01:09:05,442 SO A 4-LETTER WORD. LOVE, LIFE, SOUL. 1381 01:09:05,475 --> 01:09:06,743 IZZY. 1382 01:09:06,776 --> 01:09:08,512 HER NAME IS IZZY. 1383 01:09:11,481 --> 01:09:13,483 I-Z-Z-Y. 1384 01:09:13,517 --> 01:09:14,918 OH! 1385 01:09:15,952 --> 01:09:18,488 OH, GOD! 1386 01:09:54,691 --> 01:09:56,560 PRENTISS, WHAT'S YOUR STATUS? 1387 01:09:56,593 --> 01:09:59,363 PRENTISS, DO YOU COPY? 1388 01:09:59,396 --> 01:10:01,731 THE STORYTELLING'S IN THE DETAILS. 1389 01:10:01,765 --> 01:10:03,533 THOSE WIRES MEAN SOMETHING. 1390 01:10:03,567 --> 01:10:04,234 LIKE WHAT? 1391 01:10:04,268 --> 01:10:06,736 THE COLORS OF THE FLAG OF CHAD. 1392 01:10:06,770 --> 01:10:07,771 RED, YELLOW, AND BLUE. 1393 01:10:07,804 --> 01:10:09,773 ONLY ONE IS DIFFERENT FROM THE U.S. FLAG--YELLOW. 1394 01:10:09,806 --> 01:10:11,675 WHAT DO YOU THINK? 1395 01:10:15,879 --> 01:10:18,548 OHH! 1396 01:10:21,618 --> 01:10:24,588 HOW DID YOU DO THAT? 1397 01:10:24,621 --> 01:10:27,524 I DIDN'T OVERTHINK IT. 1398 01:11:03,893 --> 01:11:08,465 THEY SAY I NEED ANOTHER X-RAY. 1399 01:11:14,070 --> 01:11:15,805 HEY. 1400 01:11:16,840 --> 01:11:18,475 HEY, COME ON. 1401 01:11:18,508 --> 01:11:22,045 NO TEARS. IT'S OK. 1402 01:11:22,078 --> 01:11:26,950 HENRY'S SAFE. IT'S ALL GONNA BE FINE. 1403 01:11:29,453 --> 01:11:31,488 ASK ME AGAIN. 1404 01:11:31,521 --> 01:11:33,457 WHAT? 1405 01:11:33,490 --> 01:11:35,792 ASK ME. 1406 01:11:40,830 --> 01:11:45,101 JENNIFER JAREAU, WILL YOU MARRY ME? 1407 01:11:45,134 --> 01:11:47,604 YEAH. 1408 01:11:47,637 --> 01:11:51,775 OH, IT'S ABOUT DAMN TIME. 1409 01:11:52,141 --> 01:11:54,444 THERE'S A CHAPLAIN HERE. LET'S JUST DO IT NOW. 1410 01:11:54,478 --> 01:11:55,679 LET'S JUST GET IT OVER WITH. 1411 01:11:55,712 --> 01:11:58,915 HELL, NO. I'M NOT THE ONE THAT'S SUPPOSED TO BE IN THE GOWN. 1412 01:11:58,948 --> 01:12:00,149 ALL RIGHT, FINE. MONDAY, THEN. 1413 01:12:00,183 --> 01:12:05,655 CLEAR YOUR CALENDAR, 'CAUSE WE HAVE A DATE AT THE COURTHOUSE. 1414 01:12:24,173 --> 01:12:27,444 THE CONVENTION'S STILL HAPPENING TOMORROW IF YOU WANT TO GO. 1415 01:12:27,477 --> 01:12:28,945 THAT WHOLE CITY ON THE BRINK OF DESTRUCTION THING 1416 01:12:28,978 --> 01:12:31,114 KIND OF TOOK THE WIND OUT OF MY SAILS, YOU KNOW? 1417 01:12:31,147 --> 01:12:32,115 THAT'LL DO IT EVERY TIME. 1418 01:12:32,148 --> 01:12:34,884 WE DIDN'T FINISH THE INSPECTION. 1419 01:12:34,918 --> 01:12:35,685 NO NEED. 1420 01:12:35,719 --> 01:12:36,720 WHAT HAPPENED? 1421 01:12:36,753 --> 01:12:39,923 UM, THERE IS A HORIZONTAL CRACK IN THE FOUNDATION. 1422 01:12:39,956 --> 01:12:43,427 IT JUST WEAKENS THE ENTIRE BASE THAT THE HOUSE IS SITTING ON. 1423 01:12:43,460 --> 01:12:44,894 YEAH. THAT DOES NOT SOUND GOOD. 1424 01:12:44,928 --> 01:12:49,599 SO, OUR UNSUB IS IZZY ROGERS. 1425 01:12:49,633 --> 01:12:52,502 SHE'LL BE CHARGED WITH MULTIPLE COUNTS DOMESTICALLY, 1426 01:12:52,536 --> 01:12:56,473 AND OUR INTERNATIONAL COUNTERPARTS WILL HAVE THEIR TURN WITH HER. 1427 01:12:56,506 --> 01:12:58,107 SHE WILL NEVER SEE THE LIGHT OF DAY. 1428 01:12:58,141 --> 01:13:00,143 I JUST THOUGHT YOU'D LIKE TO KNOW THAT. 1429 01:13:00,176 --> 01:13:04,448 AGENT MORGAN, A WORD? 1430 01:13:11,154 --> 01:13:12,756 I, UH... 1431 01:13:12,789 --> 01:13:14,791 I HAVEN'T HAD A CHANCE TO SPEAK WITH YOU. 1432 01:13:14,824 --> 01:13:18,428 I SORT OF HIT THE GROUND RUNNING. 1433 01:13:20,196 --> 01:13:23,066 IT TOOK A LOT OF COURAGE TO CONFRONT ME 1434 01:13:23,099 --> 01:13:25,469 ABOUT MY DRINKING. 1435 01:13:25,502 --> 01:13:27,837 YOU CHANGED MY LIFE. 1436 01:13:27,871 --> 01:13:29,005 THANK YOU. 1437 01:13:29,038 --> 01:13:31,775 HONESTLY, MA'AM, THAT'S NOT NECESSARY. 1438 01:13:31,808 --> 01:13:34,811 A SIMPLE "YOU'RE WELCOME" WOULD SUFFICE. 1439 01:13:34,844 --> 01:13:38,047 I'M JUST GLAD YOU'RE BACK. 1440 01:13:38,081 --> 01:13:40,517 NO, YOU'RE NOT. 1441 01:13:40,550 --> 01:13:41,485 HANG ON, LET ME CHECK. 1442 01:13:41,518 --> 01:13:42,619 OH, WAIT, SHE'S HERE. ERIN, DON'T GO ANYWHERE. 1443 01:13:42,652 --> 01:13:44,788 DAVE WANTS TO KNOW IF EVERYONE IS FREE TOMORROW NIGHT? 1444 01:13:44,821 --> 01:13:48,692 WELL, IT DEPENDS ON IF HE'S BUYING. THEN I'M DEFINITELY IN. 1445 01:13:48,725 --> 01:13:50,527 YEAH, ME, TOO. 1446 01:13:50,560 --> 01:13:52,662 YOU HEAR THAT? WE'RE IN. 1447 01:13:52,696 --> 01:13:55,532 EMILY, LOOK, I KNOW YOU DON'T WANT TO TALK ABOUT IT, 1448 01:13:55,565 --> 01:13:57,801 BUT IT'S EXACTLY WHY WE NEED TO TALK ABOUT IT. 1449 01:13:57,834 --> 01:14:00,637 THIS HAS NOTHING TO DO WITH CRACKS IN THE FOUNDATION. 1450 01:14:00,670 --> 01:14:03,607 NO. BUT IT'S A SIGN. 1451 01:14:03,640 --> 01:14:05,909 OH, PLEASE DON'T GET ALL FREE SPIRIT ON ME. 1452 01:14:05,942 --> 01:14:10,480 I ALMOST BLEW UP YESTERDAY, TWICE. 1453 01:14:10,514 --> 01:14:11,347 I KNOW. 1454 01:14:11,380 --> 01:14:13,617 THAT'S ABOUT AS GROUNDED AS YOU CAN GET. 1455 01:14:13,650 --> 01:14:17,787 YOU WANT TO LEAVE, DON'T YOU? 1456 01:14:17,821 --> 01:14:18,855 I DIDN'T SAY THAT. 1457 01:14:18,888 --> 01:14:20,857 IT'S THE ONLY REASON YOU WOULD BE THIS QUIET, EMILY. 1458 01:14:20,890 --> 01:14:24,928 CAN WE PLEASE TALK ABOUT THIS LATER? 1459 01:14:24,961 --> 01:14:25,862 NO. 1460 01:14:25,895 --> 01:14:29,766 HOW LONG HAVE YOU BEEN THINKING ABOUT THIS? 1461 01:14:29,799 --> 01:14:32,569 HONESTLY... 1462 01:14:32,602 --> 01:14:35,505 SINCE I GOT BACK. 1463 01:14:37,073 --> 01:14:37,841 REALLY? 1464 01:14:37,874 --> 01:14:41,244 IT'S NOT YOU GUYS. 1465 01:14:41,277 --> 01:14:42,879 I LOVE YOU. 1466 01:14:42,912 --> 01:14:46,516 I JUST CAN'T GRAB ON TO MY OLD LIFE 1467 01:14:46,550 --> 01:14:50,253 AND PRETEND THAT NOTHING HAPPENED. 1468 01:14:50,286 --> 01:14:52,589 IS THIS ABOUT EASTER? 1469 01:14:52,622 --> 01:14:53,823 NO. 1470 01:14:53,857 --> 01:14:58,528 BUT HE DID ASK ME TO RUN THE LONDON OFFICE. 1471 01:14:58,562 --> 01:14:59,796 AND YOU'RE GONNA DO IT. 1472 01:14:59,829 --> 01:15:02,566 HE JUST ASKED YESTERDAY. 1473 01:15:02,599 --> 01:15:04,233 BUT YOU'RE THINKING ABOUT IT. 1474 01:15:04,267 --> 01:15:05,735 I DON'T KNOW YET. 1475 01:15:05,769 --> 01:15:06,703 I-- 1476 01:15:06,736 --> 01:15:10,940 I THOUGHT BUYING A HOUSE AND PUTTING DOWN ROOTS 1477 01:15:10,974 --> 01:15:13,643 WAS GONNA FIX THIS FEELING, 1478 01:15:13,677 --> 01:15:17,847 IT WAS GONNA GIVE ME WHAT I WANTED. 1479 01:15:17,881 --> 01:15:20,850 BUT IT HASN'T. 1480 01:15:21,651 --> 01:15:24,821 IT'S BIGGER THAN THAT. 1481 01:15:26,022 --> 01:15:28,992 YOU THINK I SHOULD STAY. 1482 01:15:29,759 --> 01:15:33,697 I THINK I MISS YOU ALREADY. 1483 01:15:36,032 --> 01:15:37,233 WHAT? 1484 01:15:37,266 --> 01:15:39,168 UH--UH-- I'LL TELL YOU LATER. 1485 01:15:39,202 --> 01:15:42,338 I DO NOT LIKE THE SOUND OF "I'LL TELL YOU LATER." 1486 01:15:42,371 --> 01:15:45,709 IT'S JJ's NIGHT, AND I DON'T WANT TO... 1487 01:15:45,742 --> 01:15:46,976 ALL RIGHT, IF YOU ARE TELLING ME 1488 01:15:47,010 --> 01:15:48,745 THAT THERE IS SOMETHING BAD HAPPENING RIGHT NOW 1489 01:15:48,778 --> 01:15:50,880 TO BALANCE OUT THE GOODNESS THAT IS TONIGHT, 1490 01:15:50,914 --> 01:15:53,783 I WILL HAVE NONE OF IT, BECAUSE I DON'T BELIEVE IN THAT. 1491 01:15:53,817 --> 01:15:56,853 ALTHOUGH IT'S TOTALLY ONE OF THE TRUTHS OF LIFE. 1492 01:15:56,886 --> 01:15:59,589 ISN'T IT? THE BITTER AND THE SWEET MIXED UP TOGETHER 1493 01:15:59,623 --> 01:16:01,057 IN A COSMIC SOUP THAT WE'VE ALL SIGNED UP FOR. 1494 01:16:01,090 --> 01:16:02,626 BREATHE. BREATHE. I THINK KEVIN'S HERE TONIGHT. 1495 01:16:02,659 --> 01:16:05,028 IT WOULD MAKE SENSE THAT HE WOULD COME TONIGHT-- 1496 01:16:05,061 --> 01:16:08,598 HE'S HERE. HE'S HERE AND HE'S WITH HER, 1497 01:16:08,632 --> 01:16:10,667 SO I'M GONNA GO SOMEWHERE WHICH IS NOT-- 1498 01:16:10,700 --> 01:16:11,601 MM-- 1499 01:16:11,635 --> 01:16:13,603 GO SOMEWHERE THAT IS NOT-- THAT IS NOT HERE. 1500 01:16:13,637 --> 01:16:16,606 HELLO. HELLO. HI. HI, PENELOPE. 1501 01:16:16,640 --> 01:16:18,074 HI. HELLO. 1502 01:16:18,107 --> 01:16:19,342 HELLO, EMILY. 1503 01:16:19,375 --> 01:16:20,910 HI. IT'S NICE TO SEE YOU AGAIN. 1504 01:16:20,944 --> 01:16:22,679 OH, IT'S NICE TO SEE YOU, TOO. HEY, DEREK. 1505 01:16:22,712 --> 01:16:24,013 HEY, BETH. WHAT'S UP, HOTCH? 1506 01:16:24,047 --> 01:16:26,149 OH, LOOK OUT. LOOK WHO IT IS. 1507 01:16:26,182 --> 01:16:27,817 LITTLE MAN JACK. GIVE ME SOME. 1508 01:16:27,851 --> 01:16:28,818 HEY, GUESS WHAT. 1509 01:16:28,852 --> 01:16:31,120 THEY GOT A REALLY COOL FOUNTAIN RIGHT OVER THERE. 1510 01:16:31,154 --> 01:16:33,156 YOU WANT TO CHECK IT OUT WITH ME? 1511 01:16:33,189 --> 01:16:33,923 SURE. 1512 01:16:33,957 --> 01:16:35,258 I WANT TO SEE, TOO. 1513 01:16:35,291 --> 01:16:38,127 ALL RIGHT, COME. GO. GO, GO, GO, GO. 1514 01:16:39,162 --> 01:16:40,229 HOW ARE YOU? 1515 01:16:43,166 --> 01:16:44,768 THAT BAD? 1516 01:16:44,801 --> 01:16:45,769 WHAT? 1517 01:16:45,802 --> 01:16:47,737 THAT'S YOUR TELL. 1518 01:16:47,771 --> 01:16:48,705 IT IS? 1519 01:16:48,738 --> 01:16:49,405 MM-HMM. 1520 01:16:49,438 --> 01:16:50,373 FOR HOW LONG? 1521 01:16:50,406 --> 01:16:53,710 UH, EVERY SINCE I'VE KNOWN YOU. 1522 01:16:53,743 --> 01:16:54,944 OH. 1523 01:16:54,978 --> 01:16:56,913 WELL, YOU HAVE ONE, TOO. 1524 01:16:56,946 --> 01:16:57,847 I DO? 1525 01:16:57,881 --> 01:16:59,783 YEAH. ONLY I'M NOT GONNA TELL YOU WHAT IT IS 1526 01:16:59,816 --> 01:17:01,985 I SEE. OR YOU'LL STOP DOING IT. 1527 01:17:02,018 --> 01:17:05,054 DO YOU WANT TO TALK ABOUT IT? 1528 01:17:05,088 --> 01:17:07,891 ABSOLUTELY. 1529 01:17:08,424 --> 01:17:10,226 BUT NOT NOW. 1530 01:17:10,259 --> 01:17:11,294 FIRST THING TOMORROW. 1531 01:17:11,327 --> 01:17:13,196 IT'S A DATE. 1532 01:17:13,229 --> 01:17:15,631 OK. 1533 01:17:27,877 --> 01:17:29,212 WOW. 1534 01:17:29,245 --> 01:17:30,914 HEY. 1535 01:17:30,947 --> 01:17:33,016 SOMEONE KNOWS HOW TO THROW A PARTY. 1536 01:17:33,049 --> 01:17:34,017 YOU DON'T MESS AROUND. 1537 01:17:34,050 --> 01:17:36,986 WHAT CAN I TELL YOU? I'M THE HOST WITH THE MOST. 1538 01:17:37,020 --> 01:17:38,454 NO KIDDING. 1539 01:17:38,487 --> 01:17:41,657 HEY, LOOK WHO'S HERE. 1540 01:17:42,225 --> 01:17:43,960 MOM... 1541 01:17:45,494 --> 01:17:47,463 OK, WHAT'S--WHAT'S GOING ON? 1542 01:17:47,496 --> 01:17:50,066 WELL, WE COULDN'T GET MARRIED WITHOUT YOUR MAMA. 1543 01:17:50,099 --> 01:17:54,470 I MIGHT HAVE OVERHEARD A LITTLE PROPOSAL YESTERDAY. 1544 01:17:54,503 --> 01:17:56,005 AND I COULDN'T WAIT TILL MONDAY. 1545 01:17:56,039 --> 01:18:00,309 OK, SO THIS IS WHY YOU GUYS ARE SO DRESSED UP, HUH? 1546 01:18:00,343 --> 01:18:02,311 YES. AND YOU WILL BE, TOO. 1547 01:18:02,345 --> 01:18:04,280 I BROUGHT SOMETHING BORROWED. 1548 01:18:04,313 --> 01:18:06,015 MOM, IS THAT YOUR DRESS? 1549 01:18:06,049 --> 01:18:07,851 YES. 1550 01:18:07,884 --> 01:18:10,386 LET'S GO SEE IF IT STILL FITS. 1551 01:18:10,419 --> 01:18:12,856 OK. 1552 01:18:12,889 --> 01:18:14,190 MOM... 1553 01:18:14,223 --> 01:18:16,259 SO, NERVOUS? 1554 01:18:16,292 --> 01:18:19,495 ONLY IF SHE DOESN'T COME BACK DOWN. 1555 01:19:34,403 --> 01:19:38,041 THEY SAY THAT GOOD THINGS HAPPEN TO GOOD PEOPLE. 1556 01:19:38,074 --> 01:19:40,376 TODAY IS ONE OF THOSE DAYS, 1557 01:19:40,409 --> 01:19:43,179 AND THESE ARE TWO OF THOSE PEOPLE. 1558 01:19:43,212 --> 01:19:44,981 WE LOVE YOU. 1559 01:19:45,014 --> 01:19:45,982 CHEERS. 1560 01:19:46,015 --> 01:19:46,950 CHEERS. CHEERS. 1561 01:19:55,058 --> 01:19:56,159 * WELL, I KNOW 1562 01:19:56,192 --> 01:19:59,028 * WHAT I DIDN'T WANT TO KNOW 1563 01:20:03,967 --> 01:20:06,970 * SO I TOOK THE PATH 1564 01:20:07,003 --> 01:20:08,104 * LESS TRAVELED ON 1565 01:20:16,145 --> 01:20:19,949 * WHEN I'M GONE 1566 01:20:21,217 --> 01:20:26,122 * WHEN I'M GONE 1567 01:20:26,155 --> 01:20:32,328 * WHEN I'M GONE 1568 01:20:35,298 --> 01:20:37,200 * WHEN HE WALKED INTO MY LIFE 1569 01:20:37,233 --> 01:20:39,402 * AND IN I LET HIM DIVE 1570 01:20:43,172 --> 01:20:46,042 * MADE ME FEEL ALIVE 1571 01:20:46,075 --> 01:20:48,044 * AND NOW I KNOW 1572 01:20:56,619 --> 01:21:01,324 * IN THE FOLD 1573 01:21:01,357 --> 01:21:06,996 * IN THE FOLD 1574 01:21:07,030 --> 01:21:13,569 * IN THE FOLD 1575 01:21:16,039 --> 01:21:17,473 * 'CAUSE IN THIS LIFE 1576 01:21:30,653 --> 01:21:34,190 * AND NOTHING'S EVER REALLY 1577 01:21:34,223 --> 01:21:38,094 * AS IT SEEMS 1578 01:21:38,127 --> 01:21:43,199 * AS IT SEEMS 1579 01:21:43,232 --> 01:21:48,204 * AS IT SEEMS 1580 01:21:48,237 --> 01:21:51,975 * AS IT SEEMS 1581 01:21:52,008 --> 01:21:55,178 I'VE ALWAYS HEARD EVERY ENDING 1582 01:21:55,211 --> 01:21:56,245 IS ALSO A BEGINNING 1583 01:21:56,279 --> 01:21:58,647 AND WE JUST DON'T KNOW IT AT THE TIME. 1584 01:21:58,681 --> 01:22:02,218 I'D LIKE TO BELIEVE THAT'S TRUE. 1585 01:22:02,585 --> 01:22:05,388 CAPTIONING MADE POSSIBLE BY CBS, INC. 1586 01:22:05,421 --> 01:22:07,423 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--