1 00:00:07,529 --> 00:00:10,010 [ALARM BLARING] 2 00:00:36,819 --> 00:00:38,821 [PANTING] 3 00:00:49,571 --> 00:00:52,052 WOMAN: AAH! 4 00:00:56,795 --> 00:00:59,189 [METAL SCRAPING] 5 00:00:59,233 --> 00:01:01,365 HMM. 6 00:01:01,409 --> 00:01:02,888 FBI. 7 00:01:02,932 --> 00:01:04,934 [BREATHLESSLY] DROP YOUR WEAPON. 8 00:01:11,462 --> 00:01:13,812 [TRIGGER CLICKING]MMM! 9 00:01:16,902 --> 00:01:19,557 OH! AND THAT'S WHEN I WAKE UP. 10 00:01:19,601 --> 00:01:22,560 IT'S BEEN THE SAME DREAM FOR THE PAST WEEK. WHAT DO YOU THINK? 11 00:01:22,604 --> 00:01:24,823 I'VE HEARD IT BEFORE.YOU HAVE? 12 00:01:24,867 --> 00:01:28,218 IT'S A VERY COMMON ANXIETY DREAM AMONG LAW ENFORCEMENT. 13 00:01:28,262 --> 00:01:32,570 SOMETIMES SECRET SERVICE AGENTS HAVE ONE ABOUT NOT TAKING THE BULLET. 14 00:01:32,614 --> 00:01:34,659 WHAT DO YOU THINK IT MEANS? 15 00:01:34,703 --> 00:01:37,009 THE AXE MURDERER COMES ACROSS HAVING 16 00:01:37,053 --> 00:01:39,316 SCHIZOAFFECTIVE DISORDER, WHICH IS ODD BECAUSE OF-- 17 00:01:39,360 --> 00:01:41,840 SPENCER, THAT'S A PROFILE. 18 00:01:41,884 --> 00:01:45,322 WHAT DOES THE DREAM MAKE YOU FEEL? 19 00:01:49,848 --> 00:01:52,286 YOU KNOW, WHEN WE STARTED A FEW WEEKS AGO, 20 00:01:52,329 --> 00:01:54,940 YOU SAID YOU WANTED TO DIVE INTO THE DEEP END, 21 00:01:54,984 --> 00:01:57,247 TRYING TO RESOLVE FEELINGS TOWARD A CO-WORKER. 22 00:01:57,291 --> 00:02:00,120 JJ AND I HAVE WORKED THROUGH IT. WE'RE ACTUALLY-- WE'RE DOING GREAT, 23 00:02:00,163 --> 00:02:02,948 ESPECIALLY AFTER WHAT SHE'S BEEN THROUGH. IT'S KIND OF AMAZING-- 24 00:02:02,992 --> 00:02:05,951 BUT WE--WE'RE NOT TALKING ABOUT HER, 25 00:02:05,995 --> 00:02:08,258 WE'RE TALKING ABOUT YOU. 26 00:02:09,781 --> 00:02:12,219 YOU'VE BEEN AT THE BAU FOR 14 YEARS? 27 00:02:12,262 --> 00:02:14,003 15. AT A JOB THAT 28 00:02:14,046 --> 00:02:16,005 DOMINATES YOUR TIME AND FOCUS. 29 00:02:16,048 --> 00:02:18,268 MUST TAKE A LOT OUT OF YOU. 30 00:02:18,312 --> 00:02:20,270 SOMETIMES, BUT I LOVE IT, THOUGH. 31 00:02:20,314 --> 00:02:23,143 BUT WE ALL NEED HEALTHY OUTLETS, 32 00:02:23,186 --> 00:02:24,970 SO, WHAT ARE YOURS? 33 00:02:25,014 --> 00:02:28,365 UH, WELL, I READ, I, UM... 34 00:02:28,409 --> 00:02:30,367 WHO DO YOU TALK TO? 35 00:02:30,411 --> 00:02:32,717 I, UM--WELL, JJ, 36 00:02:32,761 --> 00:02:35,111 ROSSI, LUKE. 37 00:02:35,155 --> 00:02:37,331 WHO DO YOU TALK TO OUTSIDE OF WORK? 38 00:02:40,377 --> 00:02:41,857 NOBODY. 39 00:02:41,900 --> 00:02:44,338 ALL RIGHT, TIME'S ALMOST UP. 40 00:02:44,381 --> 00:02:46,905 TAKE TODAY. DON'T THINK ABOUT WORK. 41 00:02:46,949 --> 00:02:49,995 DON'T THINK ABOUT WORK? WHAT DO YOU MEAN? 42 00:02:50,039 --> 00:02:51,519 NOT EVEN A LITTLE BIT. 43 00:02:51,562 --> 00:02:54,652 I WANT YOU TO HAVE ONE NORMAL CONVERSATION 44 00:02:54,696 --> 00:02:58,178 WITH ONE NORMAL PERSON, THEN COME BACK AND TELL ME ABOUT IT. 45 00:02:58,221 --> 00:03:01,050 OR I COULD COME UP WITH A PLAN ABOUT WHAT I 46 00:03:01,093 --> 00:03:03,052 WAS GOING TO SAY, YOU KNOW, BEFORE ACTUALLY EXECUTING IT-- 47 00:03:03,095 --> 00:03:04,662 JUST DO IT. 48 00:03:04,706 --> 00:03:06,708 OK. 49 00:03:08,405 --> 00:03:10,364 THANKS. 50 00:03:13,628 --> 00:03:16,152 [ELEVATOR BELL DINGS] 51 00:03:21,288 --> 00:03:23,246 HI. 52 00:03:23,290 --> 00:03:25,248 HI. 53 00:03:25,292 --> 00:03:27,772 [WHISPERS] Phone. 54 00:03:27,816 --> 00:03:30,253 HI. SORRY. YEAH. I'M HERE. 55 00:03:30,297 --> 00:03:32,821 JUST SOME GUY IN THE ELEVATOR. 56 00:03:39,871 --> 00:03:41,786 [SIGHS] OH. 57 00:03:41,830 --> 00:03:43,397 OH, MY. 58 00:03:43,440 --> 00:03:45,181 THE HOLES DON'T LINE UP. 59 00:03:45,225 --> 00:03:47,705 AND THE COLOR REALLY... 60 00:03:47,749 --> 00:03:50,230 ANNOUNCES ITSELF.AND DON'T START. 61 00:03:50,273 --> 00:03:53,842 I ACCIDENTALLY ORDERED... RED ONLINE. 62 00:03:53,885 --> 00:03:56,845 IT'S CUSTOM-MADE. THERE'S ABSOLUTELY NO RETURNS, 63 00:03:56,888 --> 00:03:58,542 SO I'M PRETENDING TO LOVE IT. 64 00:03:58,586 --> 00:04:01,153 CAN'T YOU PAINT IT ANYTHING ELSE? I TRIED THAT. 65 00:04:01,197 --> 00:04:04,026 IT'S MADE OUT OF SOME KIND OF, LIKE, SOME KIND 66 00:04:04,069 --> 00:04:06,855 OF SPACE-AGE POLYMER AND THE PAINT WON'T EVEN STICK. 67 00:04:06,898 --> 00:04:09,379 OH, MAN. 68 00:04:09,423 --> 00:04:11,903 THIS USED TO BE MY OFFICE, 69 00:04:11,947 --> 00:04:13,992 AND NOW I'M WORKING AT THE KITCHEN TABLE. 70 00:04:14,036 --> 00:04:16,256 WE'RE HOLDING THIS TOGETHER WITH SCOTCH TAPE AND BUBBLE GUM. 71 00:04:16,299 --> 00:04:19,259 LOOKS LIKE WE'VE GOT OUR WORK CUT OUT FOR US. WHERE'S PRENTISS? 72 00:04:19,302 --> 00:04:22,262 OH, I'M HERE. OOH. BUT NOT TO WORK. 73 00:04:22,305 --> 00:04:24,829 I PUT MYSELF ON REFRESHMENT DUTY. 74 00:04:26,701 --> 00:04:29,834 OH, WHAT? IT'S MY SATURDAY, TOO. 75 00:04:29,878 --> 00:04:32,315 AND DOUGHNUTS ARE AN ANYTIME FOOD 76 00:04:32,359 --> 00:04:35,840 IF YOU'VE DONE PILATES WITH YOUR BOYFRIEND, WHICH I HAVE. 77 00:04:35,884 --> 00:04:40,062 KRISTY: ALL RIGHT. THE KIDS ARE OFF TO MY MOM'S. HOW CAN I HELP? 78 00:04:40,105 --> 00:04:42,020 PRENTISS: NO, YOU'RE OFF-DUTY. 79 00:04:42,064 --> 00:04:45,720 ALSO, THE MORE YOU LOOK AT THIS CRIB, THE MORE YOU MIGHT CONSIDER A DIVORCE. 80 00:04:45,763 --> 00:04:48,723 KRISTY: YEAH, I CHECKED THE COLOR ON THE WEB SITE. 81 00:04:48,766 --> 00:04:52,292 IT'S CALLED "DADDY ISSUES RED." 82 00:04:52,335 --> 00:04:54,772 I MADE A MISTAKE, OK? 83 00:04:54,816 --> 00:04:56,818 MM-HMM. 84 00:04:58,298 --> 00:05:00,952 BABE, IT'S-- IT'S A GOOD CRIB. 85 00:05:00,996 --> 00:05:03,999 [CELL PHONE RINGING]IT'S A GOOD CRIB. 86 00:05:05,522 --> 00:05:07,481 PRENTISS. 87 00:05:07,524 --> 00:05:10,571 UH, YES, I APPROVED PENELOPE GARCIA'S USE OF THE BAU OFFICE, 88 00:05:10,614 --> 00:05:13,574 AS TODAY SHE'S HOSTING A WEEKEND WORKSHOP ON-- 89 00:05:13,617 --> 00:05:15,227 WHAT? 90 00:05:15,271 --> 00:05:17,969 HOW LOUD IS THE MUSIC? 91 00:05:18,013 --> 00:05:20,972 [TWEET]♪ LET'S BRING THE HOUSE DOWN 92 00:05:21,016 --> 00:05:23,801 YOU JUST HACKED INTO THE HE-MAN/WOMAN-HATER WEB SITE. 93 00:05:23,845 --> 00:05:27,805 IN ORDER TO RUN YOUR PASSWORD SNIFFER, YOU HAD TO DROP YOUR FIREWALL. 94 00:05:27,849 --> 00:05:29,503 YOU HAVE BEEN BACK-HACKED! WHAT ARE YOU GONNA DO? 95 00:05:29,546 --> 00:05:31,026 SO YOU HAVE, LIKE, 30 SECONDS 96 00:05:31,069 --> 00:05:33,202 BEFORE HE BROADCASTS YOUR I.P. 97 00:05:33,245 --> 00:05:35,683 TO ALL HIS BOYS! 98 00:05:35,726 --> 00:05:37,989 HEY, WAIT. UM, HEH! LOOK AT THAT. 99 00:05:38,033 --> 00:05:41,341 OH. YOU ARE OUT, NUMBER 2. 100 00:05:43,038 --> 00:05:44,996 THAT'S PRETTY GOOD. 101 00:05:45,040 --> 00:05:46,998 THAT'S OK. 102 00:05:47,042 --> 00:05:49,000 YOU'VE RUINED EVERYTHING. 103 00:05:49,044 --> 00:05:51,176 YOU TWO ARE DOING GOOD WITH 4 HANDS. 104 00:05:51,220 --> 00:05:54,484 [KNOCK ON DOOR] WOMAN: EXCUSE ME. 105 00:05:54,528 --> 00:05:56,704 HEY, NUMBER 4. ELIZABETH, RIGHT? 106 00:05:56,747 --> 00:05:59,228 YOU WERE THE FIRST ACROSS THE FINISH LINE. YOU'RE REALLY GOOD WITH THIS. 107 00:05:59,271 --> 00:06:01,709 THANKS. THINK THE WORKSHOP HAS HELPED. 108 00:06:01,752 --> 00:06:04,581 UH, I WAS WONDERING IF YOU COULD SHOW THE CLASS 109 00:06:04,625 --> 00:06:08,324 HOW TO USE A VPN TO MASH AN ONION ROUTER IN, SAY, ROMANIA. 110 00:06:08,368 --> 00:06:10,979 ROMANIA? YEAH, YOU'RE NOT GONNA NEED THAT 111 00:06:11,022 --> 00:06:13,024 UNLESS YOU GOT TO HIDE YOUR SIGNAL, 112 00:06:13,068 --> 00:06:15,026 I MEAN, LIKE, HIDE-HIDE YOUR SIGNAL. 113 00:06:15,070 --> 00:06:17,420 I KNOW. 114 00:06:17,464 --> 00:06:20,075 WHO ARE YOU HIDING FROM? 115 00:06:20,118 --> 00:06:23,252 UH, I HAVE A, YOU KNOW, STALKER. HEH! 116 00:06:23,295 --> 00:06:26,734 BUT IT'S ALL ONLINE, SO IT'S PROBABLY FINE, RIGHT? 117 00:06:26,777 --> 00:06:31,434 MAYBE, PROBABLY, BUT... DO YOU NEED MY HELP? 118 00:06:31,478 --> 00:06:33,958 MAYBE... 119 00:06:34,002 --> 00:06:35,960 PROBABLY, YEAH. 120 00:06:36,004 --> 00:06:38,136 YEAH? OK. UM, LET'S START WITH THIS. 121 00:06:38,180 --> 00:06:40,617 DO YOU THINK IT'S A STALKER 122 00:06:40,661 --> 00:06:42,837 OR JUST, LIKE, A TROLL? 123 00:06:42,880 --> 00:06:44,969 'CAUSE SOMETIMES IT'S HARD TO TELL THE DIFFERENCE. 124 00:06:45,013 --> 00:06:47,102 CHECK FOR YOURSELF. 125 00:06:54,022 --> 00:06:56,981 IT'S BAD....RIGHT? 126 00:06:57,025 --> 00:06:59,027 UH... 127 00:07:00,507 --> 00:07:03,510 YEAH. YEAH, IT'S BAD. 128 00:07:31,755 --> 00:07:37,761 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 129 00:07:41,025 --> 00:07:42,157 GARCIA: "THE ONLY REASON WHY 130 00:07:42,200 --> 00:07:43,419 "WE ASK OTHER PEOPLE HOW THEIR WEEKEND WAS 131 00:07:43,463 --> 00:07:44,725 IS SO WE CAN TELL THEM ABOUT OUR OWN WEEKEND." 132 00:07:44,768 --> 00:07:47,858 -CHUCK PALAHNIUK. 133 00:07:47,902 --> 00:07:49,512 I SENT THE REST OF THE CLASS HOME. 134 00:07:49,556 --> 00:07:52,036 THANK YOU, GUYS, FOR COMING. I KNOW YOU HAVE THE DAY OFF. 135 00:07:52,080 --> 00:07:55,866 JJ: WELL, WILL TOTALLY HAS THE SLEEPOVER COVERED, SO I'M HAPPY TO BE HERE. 136 00:07:55,910 --> 00:07:58,521 LEWIS: YEAH, AND AS LONG AS I MAKE IT TO DINNER WITH MY DAD, I'M GOOD. 137 00:07:58,565 --> 00:08:00,436 I MEAN, WE SHOULD BE ABLE TO KNOCK THIS OUT BY THE END OF THE DAY. 138 00:08:00,480 --> 00:08:03,091 OH. NOW, SHOULD WE BRING IN THE REST OF THE TEAM? 139 00:08:03,134 --> 00:08:05,746 BECAUSE WE DO HAVE THAT HOLDING US UP. 140 00:08:05,789 --> 00:08:08,226 DO YOU REMEMBER, LIKE, 30 SECONDS AGO, WHEN YOU THANKED US? 141 00:08:08,270 --> 00:08:10,794 YEAH. WE WERE SO YOUNG THEN. 142 00:08:10,838 --> 00:08:14,798 ANYWAY, ELIZABETH WISE. UH, SHE LIVES ALONE, CURRENTLY SINGLE. 143 00:08:14,842 --> 00:08:16,626 JJ: HAS SHE GONE TO THE POLICE? 144 00:08:16,670 --> 00:08:18,149 MANY TIMES, AND THEY HAVEN'T BEEN ABLE TO FIND 145 00:08:18,193 --> 00:08:20,151 WHO IS DOING IT, LET ALONE STOP THEM. 146 00:08:20,195 --> 00:08:23,111 THE VIOLENT CONTENT OF THE MESSAGES SEEMS TO BE ESCALATING: 147 00:08:23,154 --> 00:08:25,026 "YOU RUINED THE GOOD THING WE HAD. 148 00:08:25,069 --> 00:08:27,028 YOU BANG EVERYONE ELSE, BUT NOT ME." 149 00:08:27,071 --> 00:08:28,812 SOUNDS TO ME LIKE AN INCEL. 150 00:08:28,856 --> 00:08:32,337 UGH. ICKY ONLINE CULTURE OF THE INVOLUNTARY CELIBATE. 151 00:08:32,381 --> 00:08:34,992 USUALLY THEY JUST STAY BEHIND THE SCREEN. 152 00:08:35,036 --> 00:08:37,168 THEY'RE TOO COWARDLY TO HAVE A PERSONAL CONFRONTATION. 153 00:08:37,212 --> 00:08:39,997 YEAH, THESE SURVEILLANCE PHOTOS REALLY RAISE THE THREAT LEVEL. 154 00:08:40,041 --> 00:08:41,999 I MEAN, IF HE KNOWS HER ROUTINE THIS WELL, 155 00:08:42,043 --> 00:08:43,827 IT'S GOT TO BE AN EX-BOYFRIEND. 156 00:08:43,871 --> 00:08:45,046 I'VE COMPILED THAT LIST. 157 00:08:45,089 --> 00:08:48,049 TARA, JJ, SEE WHAT STANDS OUT. 158 00:08:48,092 --> 00:08:49,572 OK. 159 00:08:49,616 --> 00:08:52,227 ALVEZ WILL BE GOING WITH ME TO ELIZABETH'S APARTMENT. 160 00:08:52,270 --> 00:08:54,882 NOW, SHE SAYS NO ONE'S BROKEN IN, BUT I'M NOT CONVINCED, 161 00:08:54,925 --> 00:08:57,624 SO LET ME GET HER KEYS SO WE CAN CHECK IT OUT. 162 00:08:57,667 --> 00:09:01,366 AND NOW WE WILL... 163 00:09:01,410 --> 00:09:02,846 WHEELS UP. 164 00:09:02,890 --> 00:09:05,109 WE'RE NOT GOING ANYWHERE. 165 00:09:05,153 --> 00:09:07,459 SHUT UP, SHUT UP. JUST BECAUSE YOU LOOK LIKE THAT 166 00:09:07,503 --> 00:09:09,940 DOESN'T MEAN YOU CAN DO WHATEVER YOU WANT WITH THIS PART OF YOUR FACE. 167 00:09:09,984 --> 00:09:13,465 HOW DOES PRENTISS MAKE THIS LOOK EASY? OK, COME ON! GEEZ! 168 00:09:13,509 --> 00:09:16,164 MMM, HAVE FUN. 169 00:09:17,644 --> 00:09:19,689 WHY ARE WE DOING ANY OF THIS WORK? 170 00:09:19,733 --> 00:09:22,866 DON'T YOU HAVE SO MANY KIDS AT THIS POINT THAT THE BIG ONES RAISE 171 00:09:22,910 --> 00:09:25,216 THE LITTLE ONES, LIKE ON THOSE REALITY SHOWS? 172 00:09:25,260 --> 00:09:26,696 HOW MANY KIDS DO YOU THINK WE HAVE? 173 00:09:26,740 --> 00:09:29,177 [SCOFFS] I DON'T KNOW. 15? 174 00:09:29,220 --> 00:09:32,223 KRISTY: UH, EMILY, THERE'S SOMEONE AT THE DOOR FOR YOU. 175 00:09:32,267 --> 00:09:34,574 ALL RIGHT. HOLD MY BEER. I GOT THIS. 176 00:09:37,228 --> 00:09:39,187 HOW MUCH HAS SHE-- 177 00:09:39,230 --> 00:09:41,319 ROSSI: TWO GLASSES, 8 DOUGHNUTS. 178 00:09:41,363 --> 00:09:43,321 PRENTISS: 7 DOUGHNUTS! 179 00:09:43,365 --> 00:09:44,801 OOH. 180 00:09:46,803 --> 00:09:48,239 EMILY PRENTISS? 181 00:09:48,283 --> 00:09:49,414 YES. 182 00:09:49,458 --> 00:09:51,155 YOU HAVE BEEN SERVED. 183 00:09:51,199 --> 00:09:54,637 HEY, WAIT. HOW'D YOU FIND ME HERE? 184 00:09:54,681 --> 00:09:56,683 HA HA HA HA HA! 185 00:10:08,564 --> 00:10:11,654 SO, YOUR OLD NEIGHBOR IS SUING YOU, 186 00:10:11,698 --> 00:10:14,831 EVEN THOUGH YOU HAVEN'T LIVED NEXT DOOR TO HIM 187 00:10:14,875 --> 00:10:17,529 IN YEARS? I GUESS. 188 00:10:17,573 --> 00:10:21,011 UH, HE'S NAMED ME AND THE GOVERNMENT AS CO-DEFENDANTS 189 00:10:21,055 --> 00:10:24,275 IN A FIFTH AMENDMENT CIVIL RIGHTS VIOLATION. 190 00:10:24,319 --> 00:10:26,277 HE SAYS HE'S BEING WATCHED. 191 00:10:26,321 --> 00:10:27,757 OH, BOY. 192 00:10:27,801 --> 00:10:31,326 UGH. BRIAN GARRITY. 193 00:10:31,369 --> 00:10:35,373 HE...I THINK HE WORKED AT A FISH HATCHERY. 194 00:10:35,417 --> 00:10:37,941 HE HAD A WIFE WHO WAS WAY OUT OF HIS LEAGUE. 195 00:10:37,985 --> 00:10:40,117 OH, AND HE HAD A LARGE CAT 196 00:10:40,161 --> 00:10:43,860 THAT HE WOULD WALK ON THIS LEASH-TYPE THING. 197 00:10:43,904 --> 00:10:46,123 AND WHAT DO YOU WANT TO DO ABOUT IT? 198 00:10:46,167 --> 00:10:49,126 I--I...I WANT TO UBER HOME 199 00:10:49,170 --> 00:10:51,999 AND, UH, SOBER UP AND CHANGE MY CLOTHES 200 00:10:52,042 --> 00:10:55,132 AND THEN I'M GOING TO CALL HIM IN TO QUANTICO. 201 00:10:55,176 --> 00:10:57,874 I HAVE TO DEFUSE THIS BEFORE IT GETS WORSE. 202 00:10:57,918 --> 00:10:59,963 WHAT? SAY IT. 203 00:11:00,007 --> 00:11:02,966 HE SOUNDS LIKE A CONSPIRACY THEORIST, 204 00:11:03,010 --> 00:11:07,579 AND WE NEED TO BE CAREFUL OF HOW MUCH OXYGEN WE GIVE THOSE TYPES. 205 00:11:07,623 --> 00:11:11,105 [CHUCKLES] PLEASE, DAVE, A LITTLE CREDIT. 206 00:11:11,148 --> 00:11:14,108 I'VE TALKED THE GUNS OUT OF HANDS OF PSYCHOPATHS. 207 00:11:14,151 --> 00:11:16,414 I CAN HANDLE ONE KOOK WHO HIRED A LAWYER. 208 00:11:16,458 --> 00:11:18,590 [CHUCKLES] 209 00:11:18,634 --> 00:11:22,072 [LINE RINGS] JJ, ON PHONE: HEY, SPENCE. 210 00:11:22,116 --> 00:11:24,596 HEY, I GOT GARCIA'S TEXT. YOU GUYS NEED ME TO COME IN? 211 00:11:24,640 --> 00:11:26,076 NO, IT'S A STALKING CASE. 212 00:11:26,120 --> 00:11:27,817 I THINK WE HAVE ENOUGH HANDS ON DECK. 213 00:11:27,861 --> 00:11:29,689 ARE YOU SURE? I--I CAN TOTALLY COME IN. 214 00:11:29,732 --> 00:11:31,691 ALL YOU HAVE TO DO IS SAY THE WORD. YOU KNOW WHAT? 215 00:11:31,734 --> 00:11:33,823 JUST SAY THAT. JUST SAY "THE WORD" AND I'LL-- 216 00:11:33,867 --> 00:11:36,173 SAY ANY WORD AND I'LL COME IN. WANT ME TO COME IN? 217 00:11:36,217 --> 00:11:38,741 DO YOU...WANT TO COME IN? 218 00:11:38,785 --> 00:11:40,743 THAT'S A STRANGE HAIRCUT. 219 00:11:40,787 --> 00:11:42,571 EXCUSE ME? 220 00:11:42,614 --> 00:11:45,574 I SAID THAT'S A STRANGE HAIRCUT FOR A GROWN MAN. 221 00:11:45,617 --> 00:11:46,706 IS THAT ME YOU'RE TALKING TO? 222 00:11:46,749 --> 00:11:48,751 MOST MEN DON'T HAVE HAIR LIKE THAT. 223 00:11:48,795 --> 00:11:51,232 DID YOU KNOW THAT?HEY, LET ME CALL YOU RIGHT BACK. 224 00:11:51,275 --> 00:11:53,060 ARE YOU--YOU LOST? YOU OK? 225 00:11:53,103 --> 00:11:55,192 YOU HAVE A VERY SLENDER NECK. 226 00:11:55,236 --> 00:11:57,412 IT MAKES YOUR HEAD LOOK BIG. DID YOU KNOW THAT? 227 00:11:57,455 --> 00:11:59,588 THAT'S WHY I NOTICED THE HAIRCUT. 228 00:11:59,631 --> 00:12:01,590 WHERE ARE YOUR PARENTS? 229 00:12:01,633 --> 00:12:02,591 CAN I TOUCH IT? 230 00:12:02,634 --> 00:12:03,940 UH, YOU KNOW WHAT? MAYBE NOT. 231 00:12:03,984 --> 00:12:05,681 WOMAN: NO, NO, NO, NO. DON'T TOUCH THIS GUY. 232 00:12:05,725 --> 00:12:07,509 WE DON'T KNOW HIM. SERIOUSLY, DUDE? 233 00:12:07,552 --> 00:12:08,858 I--I WAS WORRIED THAT HE WAS LOST. 234 00:12:08,902 --> 00:12:10,425 HE ASKED TO TOUCH MY HAIR. 235 00:12:10,468 --> 00:12:12,557 I WAS TRYING TO NOT HAVE HIM TOUCH MY HAIR. 236 00:12:12,601 --> 00:12:14,037 OH, NO, NO, NO! 237 00:12:14,081 --> 00:12:15,560 PLEASE, STOP, STOP, STOP! 238 00:12:15,604 --> 00:12:18,215 I WAS JUST THERE FOR 30 SECONDS! NO! 239 00:12:18,259 --> 00:12:20,217 SIGNS ARE CLEARLY POSTED, AND ONCE THE WHEELS ARE 240 00:12:20,261 --> 00:12:22,219 OFF THE PAVEMENT, IT'S GOING TO THE IMPOUND LOT. 241 00:12:22,263 --> 00:12:23,743 I, UH, I WORK FOR THE FBI. 242 00:12:23,786 --> 00:12:25,048 DO YOU THINK THERE'S ANY CHANCE YOU COULD 243 00:12:25,092 --> 00:12:27,921 MAYBE SHOW HER SOME PROFESSIONAL COURTESY? 244 00:12:27,964 --> 00:12:30,662 ARE YOU ORDERING ME TO LET IT GO? NO, NO. 245 00:12:30,706 --> 00:12:32,664 'CAUSE IF YOU ARE, THAT'S A VIOLATION 246 00:12:32,708 --> 00:12:34,623 OF TITLE 5 CODE OF FEDERAL RULES. 247 00:12:34,666 --> 00:12:36,930 IF YOU'RE TRYING TO INTIMIDATE ME, PAL, THAT SHIP HAS SAILED. 248 00:12:36,973 --> 00:12:39,454 LOOK, I--I'M NOT TRYING TO INTIMIDATE YOU, AND I COMPLETELY 249 00:12:39,497 --> 00:12:41,456 UNDERSTAND THAT YOU'RE JUST DOING YOUR JOB, BUT, I MEAN, 250 00:12:41,499 --> 00:12:43,719 IT'S A--IT'S A MOM AND A KID. 251 00:12:43,763 --> 00:12:45,721 [PANTING] SHE'S NOT MY MOM. 252 00:12:45,765 --> 00:12:48,071 SHE'S MY AUNT. YOU DIDN'T KNOW THAT. 253 00:12:48,115 --> 00:12:50,334 ADDRESS IS ON THE FORM. 254 00:12:50,378 --> 00:12:51,814 [SCOFFS] 255 00:12:51,858 --> 00:12:53,816 [PANTING] WE'RE STUCK HERE! 256 00:12:53,860 --> 00:12:55,339 WE'RE GONNA DIE! 257 00:12:55,383 --> 00:12:57,167 LOOK, BUDDY, JUST BREATHE, OK? YEAH? 258 00:12:57,211 --> 00:12:58,516 WE'RE GONNA BE FINE. OK. 259 00:12:58,560 --> 00:12:59,996 OK? I PROMISE YOU. NO, NO. 260 00:13:00,040 --> 00:13:01,519 YOU HAVING A PANIC ATTACK? HERE. 261 00:13:01,563 --> 00:13:03,347 LET ME SHOW YOU SOMETHING. OH, WAIT. 262 00:13:03,391 --> 00:13:05,828 BEHOLD, AN AVERAGE PENNY-- 263 00:13:05,872 --> 00:13:09,005 97% ZINC, 3% COPPER. 264 00:13:09,049 --> 00:13:11,616 NOW, IF YOU FOCUS ALL OF YOUR ATTENTION TO THE CENTER 265 00:13:11,660 --> 00:13:14,619 OF MY HAND, YOU WILL CREATE A BEAM OF ENERGY 266 00:13:14,663 --> 00:13:17,622 STRONG ENOUGH TO MAKE THIS PENNY... 267 00:13:17,666 --> 00:13:19,450 DISAPPEAR. 268 00:13:19,494 --> 00:13:21,452 WHA--HOW'D YOU DO THAT?! 269 00:13:21,496 --> 00:13:22,845 MAN: WHAT THE HELL, MAN? 270 00:13:22,889 --> 00:13:24,455 YOU HIT ME WITH THIS PENNY. 271 00:13:24,499 --> 00:13:25,456 I'M SORRY. 272 00:13:25,500 --> 00:13:26,457 HA HA HA! 273 00:13:26,501 --> 00:13:29,156 SORRY. UM... 274 00:13:29,199 --> 00:13:32,507 ALL RIGHT, HONEY. UH, SAY THANK YOU TO THIS NICE MAN. 275 00:13:32,550 --> 00:13:34,509 THANK YOU. UM... 276 00:13:34,552 --> 00:13:36,511 I DON'T KNOW. LET'S JUST GO TO THE PARK, 277 00:13:36,554 --> 00:13:40,341 AND I WILL CALL YOUR MOM, AND THEN I WILL GET MY CAR 278 00:13:40,384 --> 00:13:42,691 AND PAY FOR IT WITH MONEY I DON'T HAVE. WAIT. 279 00:13:42,734 --> 00:13:44,171 CAN HE COME WITH US?NOPE. 280 00:13:44,214 --> 00:13:45,825 UH, NO. NO. BOY: PLEASE! 281 00:13:45,868 --> 00:13:47,478 I NEED TO KNOW HOW YOU DID THAT! 282 00:13:47,522 --> 00:13:48,653 BOY: PLEASE? 283 00:13:48,697 --> 00:13:50,612 PLEASE, PLEASE? 284 00:13:50,655 --> 00:13:53,528 TECHNICALLY, I DO HAVE A FREE AFTERNOON. 285 00:13:53,571 --> 00:13:55,530 YES! 286 00:13:55,573 --> 00:13:59,099 UH, OK, BUT LET'S JUST DO US BOTH A FAVOR UP FRONT. 287 00:13:59,142 --> 00:14:02,624 LET'S AGREE NOT TO EXCHANGE NAMES OR PHONE NUMBERS, AND THEN, WHEN HE GOES, 288 00:14:02,667 --> 00:14:05,409 WE CAN JUST BOTH GO OUR SEPARATE WAYS. THAT SOUND GOOD TO YOU? 289 00:14:05,453 --> 00:14:06,889 YES. 290 00:14:06,933 --> 00:14:08,891 GREAT. ALL RIGHT. 291 00:14:08,935 --> 00:14:11,763 THE FBI HAS, LIKE, WHAT, 35,000 EMPLOYEES? 292 00:14:11,807 --> 00:14:13,417 DID YOU KNOW THAT?YOU KNOW WHAT? 293 00:14:13,461 --> 00:14:15,115 I ACTUALLY DID KNOW THAT. 294 00:14:15,158 --> 00:14:16,725 [DOOR OPENS AND CLOSES] 295 00:14:16,768 --> 00:14:18,727 SO WHAT DO WE KNOW ABOUT THIS GUY? 296 00:14:18,770 --> 00:14:22,078 HIS NAME IS BILLY HANES. ELIZABETH DUMPED HIM 6 MONTHS AGO. 297 00:14:22,122 --> 00:14:24,864 EXACTLY WHEN THE MESSAGES STARTED. RIGHT, 298 00:14:24,907 --> 00:14:27,518 AND HE IS A TWITCH STREAMER, SO HE MAKES HIS LIVING 299 00:14:27,562 --> 00:14:30,173 PLAYING VIDEO GAMES DAY AND NIGHT FOR AN ONLINE AUDIENCE. 300 00:14:30,217 --> 00:14:33,176 TECHNOLOGICALLY SAVVY, SO HE FITS THAT PART OF THE PROFILE. 301 00:14:33,220 --> 00:14:35,700 PLUS SHE SAID THE BREAK-UP WAS MESSY, SO HE FITS THE WHOLE 302 00:14:35,744 --> 00:14:37,702 "I'M PISSED I'M NOT HAVING SEX" PART, TOO. 303 00:14:37,746 --> 00:14:39,704 YOU WANT TO TAG-TEAM HIM? 304 00:14:39,748 --> 00:14:41,706 HO HO! COME AT ME, SIS. 305 00:14:41,750 --> 00:14:43,534 [DOOR OPENS] 306 00:14:43,578 --> 00:14:46,015 WE MET IN LINE AT THE GROCERY STORE. 307 00:14:46,059 --> 00:14:48,017 SHE DROPPED A LEMON, 308 00:14:48,061 --> 00:14:51,020 I PICKED IT UP, MADE A LEMONADE JOKE. 309 00:14:51,064 --> 00:14:53,544 LEWIS: SMOOTH.WHY'D YOU BREAK UP? 310 00:14:53,588 --> 00:14:57,113 SHE WAS THAT SPECIAL BLEND OF CLINGY AND BITCHY, 311 00:14:57,157 --> 00:15:00,377 AND I WAS LIKE, "MAN, I'M NOT PUTTIN' UP WITH THIS." 312 00:15:00,421 --> 00:15:02,379 YEAH, THAT'S NOT WHAT WE HEARD. 313 00:15:02,423 --> 00:15:03,946 WHAT'D YOU HEAR? 314 00:15:03,990 --> 00:15:06,949 YOU BOUGHT AN ENGAGEMENT RING AFTER 3 MONTHS OF DATING, 315 00:15:06,993 --> 00:15:10,648 AND IT WAS A LITTLE FAST FOR HER, RIGHT? YEAH. 316 00:15:10,692 --> 00:15:12,650 LEWIS: THAT WOULD BE A LITTLE FAST FOR ANYBODY. 317 00:15:12,694 --> 00:15:15,653 WHAT CAN I SAY? I THOUGHT IT WAS TRUE LOVE. 318 00:15:15,697 --> 00:15:19,962 IT WASN'T, SO I MADE SURE NOT TO MAKE THE SAME MISTAKE TWICE. 319 00:15:20,006 --> 00:15:23,661 LIKE LAST NIGHT, I WAS HAVING A THREESOME WITH TWO FANS FROM MY CHANNEL. 320 00:15:23,705 --> 00:15:26,316 MMM. OK. CAN WE GET THEIR NAMES? 321 00:15:26,360 --> 00:15:28,840 UH...I CAN GIVE YOU THEIR USERNAMES. 322 00:15:28,884 --> 00:15:31,408 NEVER GOT AROUND TO ASKING THE REAL NAMES. 323 00:15:31,452 --> 00:15:33,410 OH, BUT I GOT PHOTOS. 324 00:15:33,454 --> 00:15:34,803 GREAT. 325 00:15:36,022 --> 00:15:37,980 JUST GIVE US A SEC. 326 00:15:38,024 --> 00:15:40,635 [DOOR OPENS] ENJOY. 327 00:15:43,638 --> 00:15:47,076 OH, YEP. YEAH. THAT'S A--THAT'S A THREESOME. 328 00:15:47,120 --> 00:15:49,861 ALL RIGHT. WHO WOULD DO THAT WITH THAT GUY? 329 00:15:49,905 --> 00:15:53,343 WELL, BUT HE DOESN'T FIT OUR PROFILE, SO-- 330 00:15:53,387 --> 00:15:55,867 WE'RE LOOKING FOR AN INVOLUNTARY CELIBATE, 331 00:15:55,911 --> 00:15:59,480 AND BILLY HERE SEEMS TO BE HAVING A LOT OF THE SEX. 332 00:15:59,523 --> 00:16:02,483 WELL, LET'S KEEP HIM ANYWAY. HE MIGHT KNOW SOMETHING THAT CAN HELP. 333 00:16:02,526 --> 00:16:05,529 PLUS, IT'S SATURDAY; IF WE HAVE TO STAY HERE, SO DOES THAT GUY. 334 00:16:05,573 --> 00:16:07,531 [CHUCKLES] 335 00:16:07,575 --> 00:16:09,533 [DOOR OPENS] 336 00:16:09,577 --> 00:16:11,753 UGH. 337 00:16:11,796 --> 00:16:14,756 [SIGHS] I DON'T KNOW WHAT I WAS THINKING, 338 00:16:14,799 --> 00:16:18,760 DONATING OUR PERFECTLY GOOD CRIB AND SPENDING MONEY ON THIS. 339 00:16:18,803 --> 00:16:21,023 HOW DID YOU SWING IT, FINANCIALLY? 340 00:16:21,067 --> 00:16:23,373 I MEAN, YOU WERE LIVING PAYCHECK TO PAYCHECK. 341 00:16:23,417 --> 00:16:25,897 BUT I HAD DIFFERENT PRIORITIES THAN YOU HAVE NOW. 342 00:16:25,941 --> 00:16:28,378 I DIDN'T HAVE KIDS... THAT I KNEW OF. 343 00:16:28,422 --> 00:16:30,424 [CHUCKLES] 344 00:16:32,078 --> 00:16:34,210 SO HOW BAD IS IT? 345 00:16:34,254 --> 00:16:36,908 NO, WE'RE GOOD, WE'RE GOOD, FOR NOW, 346 00:16:36,952 --> 00:16:39,650 BUT WE DID SOME BACK- OF-THE-ENVELOPE MATH. 347 00:16:39,694 --> 00:16:43,132 COLLEGE TUITION... TIMES 5 KIDS. 348 00:16:43,176 --> 00:16:45,482 YEAH. HMM. 349 00:16:45,526 --> 00:16:47,484 WHAT DOES KRISTY THINK? 350 00:16:47,528 --> 00:16:49,486 KRISTY THINKS WE'LL FIGURE IT OUT. 351 00:16:49,530 --> 00:16:52,707 THERE'S STUDENT LOANS, THERE'S STATE SCHOOL. 352 00:16:52,750 --> 00:16:54,709 CAN I SEE IT?SEE WHAT? 353 00:16:54,752 --> 00:16:56,711 WELL, THE ENVELOPE, THE--THE NUMBERS. 354 00:16:56,754 --> 00:16:58,191 NO, ABSOLUTELY NOT. 355 00:16:58,234 --> 00:17:00,758 HEY, COME ON, COME ON, COME ON. IT'S UNCLE DAVE. 356 00:17:03,761 --> 00:17:05,763 ALL RIGHT. 357 00:17:07,243 --> 00:17:09,245 [PHONE KEYS BEEP] 358 00:17:10,855 --> 00:17:12,857 IS THIS A REAL NUMBER? 359 00:17:16,644 --> 00:17:19,212 WHAT'S GOING ON HERE? WHY IS EVERYONE WORKING? 360 00:17:19,255 --> 00:17:21,214 OH. STALKING CASE. 361 00:17:21,257 --> 00:17:23,216 I TEXTED YOU 28 MINUTES AGO. 362 00:17:23,259 --> 00:17:25,000 ALVEZ AND I ARE GOING TO THE VICTIM'S APARTMENT. 363 00:17:25,044 --> 00:17:28,482 OH, YOU DID. I'M SORRY. UH, JUST A LITTLE DISTRACTED. 364 00:17:28,525 --> 00:17:30,658 BECAUSE OF THAT GUY IN YOUR OFFICE? 365 00:17:30,701 --> 00:17:32,225 HE'S ALREADY HERE? YEAH. 366 00:17:32,268 --> 00:17:34,227 HE WAS ESCORTED IN 20 MINUTES AGO. 367 00:17:34,270 --> 00:17:37,230 PRENTISS: AND WHAT IS THAT THING HE BROUGHT WITH HIM? 368 00:17:37,273 --> 00:17:41,277 HIS OWN CRIME BOARD, AND IT IS COMPLETE WITH CRAZY-MAN STRING. 369 00:17:41,321 --> 00:17:43,627 OH, UM... 370 00:17:43,671 --> 00:17:45,629 OPEN. "AH." 371 00:17:45,673 --> 00:17:46,891 AH. 372 00:17:46,935 --> 00:17:49,329 YOU'RE GONNA NEED THAT. YOU HAVE WINE BREATH. 373 00:17:50,765 --> 00:17:52,767 [SIGHS] 374 00:17:59,295 --> 00:18:01,254 GARRITY: WELL, WELL, WELL. 375 00:18:01,297 --> 00:18:03,256 LONG TIME, NO SEE. 376 00:18:03,299 --> 00:18:07,347 PLEASE, COME INTO YOUR FBI OFFICE. 377 00:18:07,390 --> 00:18:09,827 [DROPS FOLDER]GOOD LUCK, BOSS. 378 00:18:09,871 --> 00:18:12,787 [SIGHS] 379 00:18:19,968 --> 00:18:21,926 HOW DID HE GET PAST THAT? 380 00:18:21,970 --> 00:18:24,929 PROBABLY DIDN'T. 381 00:18:24,973 --> 00:18:29,238 MY GUESS IS HE HIJACKED AN ALREADY EXISTING DEVICE--THE CAMERA, 382 00:18:29,282 --> 00:18:32,111 LIKE, HER CELL PHONE, OR HER COMPUTER--WHICH MEANS 383 00:18:32,154 --> 00:18:36,071 THAT ELIZABETH JUST REVEALED HER WHOLE LIFE TO HIM WITHOUT EVEN KNOWING. 384 00:18:37,464 --> 00:18:39,379 [ALARM BLARING] 385 00:18:39,422 --> 00:18:41,381 HEY, THAT'S GOOD NEWS. NO. 386 00:18:41,424 --> 00:18:43,383 NO, THIS IS NOT GOOD NEWS. THIS IS TERRIBLE NEWS. 387 00:18:43,426 --> 00:18:46,560 THIS MEANS THAT HE'S NOT PIGGYBACKING OFF AN ALREADY EXISTING DEVICE. 388 00:18:46,603 --> 00:18:49,084 THIS MEANS HE PUT HIS OWN LISTENING THING 389 00:18:49,128 --> 00:18:51,217 OR A CAMERA IN HERE. HE WAS IN HERE. 390 00:18:51,260 --> 00:18:53,219 OH, THAT MEANS WE CAN FIND SOME PHYSICAL EVIDENCE, 391 00:18:53,262 --> 00:18:55,221 AND THAT'S GOOD NEWS. 392 00:18:55,264 --> 00:18:58,267 OK, I'LL GIVE YOU THAT. THAT'S YOUR ONE FOR TODAY. 393 00:19:08,408 --> 00:19:10,758 [ALARM BLARING] 394 00:19:26,165 --> 00:19:28,123 [ALARM BLARING] 395 00:19:28,167 --> 00:19:29,472 THERE'S SOMETHING UNDER THE BED. 396 00:19:29,516 --> 00:19:31,996 HELP ME MOVE THE BED. YEAH. 397 00:19:33,128 --> 00:19:35,609 [GARCIA GRUNTS] 398 00:19:44,618 --> 00:19:47,098 EW. WHAT IS THAT? 399 00:19:47,142 --> 00:19:50,580 OH, MY GOD. OH, MY GOD. 400 00:19:50,624 --> 00:19:53,496 HE'S BEEN STALKING HER FROM IN HERE. 401 00:20:01,287 --> 00:20:03,245 I MEAN, LET'S START WITH THE OBVIOUS. 402 00:20:03,289 --> 00:20:05,769 THIS UNSUB WOULD HAVE TO HAVE A KEY, OR 4, 403 00:20:05,813 --> 00:20:07,771 TO GET INTO ELIZABETH'S APARTMENT AND PLANT THIS. 404 00:20:07,815 --> 00:20:09,382 AND THEN TAKE PICTURES. 405 00:20:09,425 --> 00:20:11,775 ELIZABETH'S BEEN LOCKED UP TIGHT FOR 6 MONTHS. 406 00:20:11,819 --> 00:20:13,777 SHE WOULD HAVE SEEN ANYONE COMING AND GOING. 407 00:20:13,821 --> 00:20:16,780 GARCIA: CORRECT, AND WE KNOW THAT BECAUSE OF THIS, 408 00:20:16,824 --> 00:20:20,044 WHICH IS A HARD DRIVE INSIDE A BOX WITH ITS OWN TRANSMITTER. 409 00:20:20,088 --> 00:20:23,047 ALVEZ AND I FOUND THIS IN THAT COFFIN THING OF THE UNSUB'S. 410 00:20:23,091 --> 00:20:24,527 WITH--WHAT WAS HE STORING ON IT? 411 00:20:24,571 --> 00:20:27,051 EVERYTHING ABOUT ELIZABETH AND BILLY'S RELATIONSHIP. 412 00:20:27,095 --> 00:20:29,228 HE DOCUMENTED IT ALL: THEIR MUNDANE MOMENTS, 413 00:20:29,271 --> 00:20:30,707 THEIR FIGHTS, THEIR... 414 00:20:30,751 --> 00:20:34,102 BILLY: [SIGHS] BABE, SLOW DOWN THERE. 415 00:20:34,145 --> 00:20:36,104 GARCIA: AND THIS GOES ON FOR 23 MORE MINUTES. 416 00:20:36,147 --> 00:20:38,280 GOT IT. GOT-- WE'RE GOOD. THANK YOU. 417 00:20:38,324 --> 00:20:40,935 AND WHAT'S WEIRD ON TOP OF WEIRD IS THAT ALL THAT LISTENING 418 00:20:40,978 --> 00:20:43,590 AND WATCHING, IT ABRUPTLY STOPPED 6 MONTHS AGO. 419 00:20:44,982 --> 00:20:46,723 WHEN THEY BROKE UP FOR GOOD. 420 00:20:46,767 --> 00:20:49,073 YEAH, AND THAT'S WHEN THE VIOLENT MESSAGES STARTED. 421 00:20:49,117 --> 00:20:51,075 ALVEZ: NOW, ARE WE SURE THAT IT'S NOT BILLY? 422 00:20:51,119 --> 00:20:53,252 I MEAN, THE TIMELINE MATCHES UP PERFECTLY, 423 00:20:53,295 --> 00:20:55,254 AND HE WAS IN AND OUT OF THE APARTMENT. 424 00:20:55,297 --> 00:20:57,256 GARCIA: YEAH, BUT HE'S NOT CONNECTED TO THE MESSAGES IN ANY WAY, 425 00:20:57,299 --> 00:20:58,735 AND HE'S A GAMER, NOT A CARPENTER. 426 00:20:58,779 --> 00:21:00,520 HE COULDN'T HAVE CUT A HOLE IN THE FLOOR LIKE THAT. 427 00:21:00,563 --> 00:21:03,044 JJ: IT SEEMS TO ME THE UNSUB WAITED FOR BILLY TO BE 428 00:21:03,087 --> 00:21:05,046 OUT OF THE PICTURE BEFORE HE MADE HIMSELF KNOWN. 429 00:21:05,089 --> 00:21:08,528 RIGHT, AND BECOMING MORE AND MORE INSISTENT THAT SHE PAY ATTENTION TO HIM. 430 00:21:08,571 --> 00:21:11,052 I MEAN, LOOK, MAYBE SHE REJECTED HIM IN SOME WAY, 431 00:21:11,095 --> 00:21:13,533 SOME INNOCUOUS INTERACTION THAT HE TOOK AS A PERSONAL AFFRONT. 432 00:21:13,576 --> 00:21:15,535 ALVEZ: YEAH, WE NEED TO TALK TO ELIZABETH AGAIN. 433 00:21:15,578 --> 00:21:17,101 I CAN DO IT. PLEASE, LET ME DO IT. 434 00:21:17,145 --> 00:21:19,060 I CAN ASK THOSE QUESTIONS, AND SHE'S FREAKING OUT ALREADY. 435 00:21:19,103 --> 00:21:21,367 THE LAST THING SHE NEEDS IS SOME RANDOM PERSON WHO WON'T UNDERSTAND, 436 00:21:21,410 --> 00:21:24,152 MAKING HER FEEL BAD ABOUT SOMETHING SHE'S ALREADY REALLY SCARED ABOUT. 437 00:21:24,195 --> 00:21:26,197 OK, SURE. 438 00:21:26,241 --> 00:21:28,243 FINE. 439 00:21:30,245 --> 00:21:32,682 [DRILL BUZZES] 440 00:21:32,726 --> 00:21:34,205 [SIGHS] 441 00:21:34,249 --> 00:21:36,207 [SIGHS] STRIPPED THE SCREW. 442 00:21:36,251 --> 00:21:38,209 GIVE ME 5 MINUTES. I'M GONNA RUN TO THE HARDWARE STORE. 443 00:21:38,253 --> 00:21:40,255 TAKE YOUR TIME. 444 00:21:52,833 --> 00:21:54,791 HEY, WHAT ARE YOU DOING? LET ME DO THAT. 445 00:21:54,835 --> 00:21:57,316 MMM. FEEL FREE, BUT THESE ARE ALL FOR ME. 446 00:21:57,359 --> 00:21:59,796 THIS BABY'S GONNA BE CHUNKY. [CHUCKLES] 447 00:21:59,840 --> 00:22:02,886 YOU KNOW, I DON'T WANT TO PRY, 448 00:22:02,930 --> 00:22:06,368 BUT I WAS JUST CURIOUS WHAT...THIS IS. 449 00:22:06,412 --> 00:22:08,892 AW, "THE SIMMONS STORIES." 450 00:22:08,936 --> 00:22:11,547 I LOVE THOSE. GO AHEAD. 451 00:22:11,591 --> 00:22:15,551 WHEN, UH, WHEN MATT WOULD COME HOME FROM HIS INTERNATIONAL TRAVELS, 452 00:22:15,595 --> 00:22:19,555 HE'D TELL THE KIDS THESE AMAZING STORIES ABOUT EVERYTHING HE SAW. 453 00:22:19,599 --> 00:22:22,079 AND I BEGGED HIM TO WRITE THEM DOWN, 454 00:22:22,123 --> 00:22:25,082 AND HE FOUGHT ME AT FIRST, BUT THEN HE DISCOVERED 455 00:22:25,126 --> 00:22:27,824 THAT THE KIDS LOVED THEM EVEN MORE WHEN HE READ THEM OUT LOUD. 456 00:22:27,868 --> 00:22:30,349 WELL, THAT'S A GOOD DAD RIGHT THERE. 457 00:22:30,392 --> 00:22:32,873 THAT'S WHAT I FELL IN LOVE WITH. 458 00:22:36,442 --> 00:22:38,574 AND THAT DOESN'T EXPLAIN THE TRAFFIC CAMERAS 459 00:22:38,618 --> 00:22:41,795 POINTED AT ME THAT THE FBI USES TO SURVEIL ME. 460 00:22:41,838 --> 00:22:43,579 THEY ARE NOT POINTED AT YOU. 461 00:22:43,623 --> 00:22:45,581 AND YOU KNOW WHERE ELSE I FOUND THEM? 462 00:22:45,625 --> 00:22:48,149 IN MY SMART TV, 463 00:22:48,192 --> 00:22:52,327 SO ANY TIME I'M WATCHING SOMETHING, MY TV's WATCHING ME? 464 00:22:52,371 --> 00:22:54,329 CUI BONO, EMILY? 465 00:22:54,373 --> 00:22:56,766 THAT'S LATIN FOR "WHO BENEFITS?" 466 00:22:56,810 --> 00:23:00,030 YES, BRIAN, I--I KNOW WHAT IT MEANS. 467 00:23:00,074 --> 00:23:02,598 AND YES, THERE ARE CAMERAS AROUND YOU. 468 00:23:02,642 --> 00:23:04,948 MM-HMM. THEY'RE AROUND ALL OF US, 469 00:23:04,992 --> 00:23:07,951 BUT THE FBI IS NOT WATCHING YOU WITH THEM. 470 00:23:07,995 --> 00:23:10,127 WELL, ISN'T IT INTERESTING THAT THE MOMENT 471 00:23:10,171 --> 00:23:12,608 I TAKE STEPS TO EXPOSE THIS, 472 00:23:12,652 --> 00:23:15,132 YOU DECIDE TO SIT DOWN WITH ME? I MEAN-- 473 00:23:15,176 --> 00:23:18,658 I AM SITTING DOWN WITH YOU BECAUSE YOU'RE SUING ME. 474 00:23:21,182 --> 00:23:23,140 [SIGHS] PLEASE, 475 00:23:23,184 --> 00:23:25,621 HAVE A SEAT. I'M... 476 00:23:25,665 --> 00:23:27,623 HOW HAVE YOU BEEN? 477 00:23:27,667 --> 00:23:29,625 HOW'S PATRICIA? 478 00:23:29,669 --> 00:23:31,758 NOT GOOD! 479 00:23:31,801 --> 00:23:33,455 SHE LEFT ME. 480 00:23:33,499 --> 00:23:34,935 SHE DID? 481 00:23:34,978 --> 00:23:36,458 I'M SORRY. 482 00:23:36,502 --> 00:23:39,461 YOU TWO WERE SUCH A...COUPLE. 483 00:23:40,984 --> 00:23:43,422 NOW THIS IS GONNA BE AN ODD QUESTION. 484 00:23:43,465 --> 00:23:45,424 HAVE YOU BEEN FEELING A WEIRD, 485 00:23:45,467 --> 00:23:47,556 BURNING SENSATION, AS THOUGH YOU'RE 486 00:23:47,600 --> 00:23:50,080 BEING HEATED FROM INSIDE YOUR BODY? 487 00:23:50,124 --> 00:23:52,909 YEAH, LIKE A COUNTY FAIR CORN DOG. 488 00:23:52,953 --> 00:23:54,911 HOW DO YOU KNOW THIS? 489 00:23:54,955 --> 00:23:57,261 IT'S CALLED TARGETED INDIVIDUALS. 490 00:23:57,305 --> 00:24:00,264 THESE ARE MEN AND WOMEN WHO ARE CONVINCED 491 00:24:00,308 --> 00:24:03,354 THAT THEY'RE BEING WATCHED ALL THE TIME, AND IT 492 00:24:03,398 --> 00:24:06,314 USUALLY HAPPENS AFTER A SUDDEN EMOTIONAL LOSS. 493 00:24:06,357 --> 00:24:09,143 I PROMISE, YOU AREN'T. 494 00:24:09,186 --> 00:24:11,624 HERE'S A QUESTION: 495 00:24:11,667 --> 00:24:14,017 WHY DID YOU FAKE YOUR OWN DEATH? 496 00:24:14,061 --> 00:24:15,671 WHAT? 497 00:24:15,715 --> 00:24:18,674 IN 2010, YA DIED. 498 00:24:18,718 --> 00:24:21,329 I WATCHED THEM EMPTY OUT YOUR APARTMENT. 499 00:24:21,372 --> 00:24:25,376 THEN, IN 2016, YOU'RE MAGICALLY BACK AT THE FBI? 500 00:24:25,420 --> 00:24:30,077 I, UM, IT'S...COMPLICATED. 501 00:24:32,079 --> 00:24:34,516 I JUST THOUGHT HE WAS WATCHING ME FROM OUTSIDE. 502 00:24:34,560 --> 00:24:38,215 BUT HE WAS INSIDE, LYING UNDER MY BED 503 00:24:38,259 --> 00:24:41,088 IN A HOLE THIS WHOLE TIME, AND I HAD NO IDEA? 504 00:24:41,131 --> 00:24:42,524 DON'T THINK ABOUT THAT, OK? 505 00:24:42,568 --> 00:24:44,918 YOU HAVE TO FOCUS ON WHAT WE CAN DO TO CATCH HIM. 506 00:24:44,961 --> 00:24:46,920 DID SOMEONE ASK YOU OUT THAT YOU SAID NO TO? 507 00:24:46,963 --> 00:24:49,139 [STAMMERING] NO, I DON'T TALK TO ANYONE LIKE THAT. 508 00:24:49,183 --> 00:24:51,620 IT MIGHT NOT HAVE BEEN A REJECTION ON YOUR PART. 509 00:24:51,664 --> 00:24:53,622 NO, YOU DON'T GET IT. 510 00:24:53,666 --> 00:24:56,190 I DON'T TALK TO ANYONE. 511 00:24:56,233 --> 00:24:58,845 I--I DON'T OPEN MY FRONT DOOR. 512 00:24:58,888 --> 00:25:01,761 I'M, LIKE, LOCKED INSIDE MY OWN LIFE. 513 00:25:01,804 --> 00:25:05,547 [CRYING] I--I LAY AWAKE ALL NIGHT! I HAVEN'T SLEPT IN MONTHS! 514 00:25:05,591 --> 00:25:07,854 I'M UNSAFE IN MY OWN APARTMENT, 515 00:25:07,897 --> 00:25:10,770 AND I'M NOT--WHERE DO I GO? 516 00:25:10,813 --> 00:25:12,772 I--I'LL TELL YOU WHERE, OK? 517 00:25:12,815 --> 00:25:14,774 THERE IS AN OFFICE DOWN THE HALL, 518 00:25:14,817 --> 00:25:16,776 AND IT'S GOT A SUPER-COMFY COUCH 519 00:25:16,819 --> 00:25:18,778 AND A REALLY WARM BLANKET. 520 00:25:18,821 --> 00:25:22,303 HE CANNOT GET TO YOU THERE, I PROMISE, OK? 521 00:25:22,346 --> 00:25:24,305 WE ARE GONNA GO FIND HIM, 522 00:25:24,348 --> 00:25:27,482 AND YOU'RE GONNA HANG OUT THERE AND RELAX. SOUND GOOD? 523 00:25:34,620 --> 00:25:37,144 WOMAN: SO THEN, YEAH, I DECIDED TO PARLAY 524 00:25:37,187 --> 00:25:41,975 A HIGHLY LUCRATIVE ART HISTORY DEGREE INTO TEACHING, SO I-- 525 00:25:42,018 --> 00:25:43,977 I TEACH. ART HISTORY? 526 00:25:44,020 --> 00:25:47,328 I TEACH ART, JUST TO FIRST- TO THIRD-GRADERS. 527 00:25:47,371 --> 00:25:49,330 OH, THAT'S AMAZING. 528 00:25:49,373 --> 00:25:51,201 AMAZING? REALLY? 529 00:25:51,245 --> 00:25:53,552 WOULD YOU CALL TURKEYS MADE OUT OF HANDS AMAZING? 530 00:25:53,595 --> 00:25:56,206 I--I WOULD CALL TURKEYS MADE OUT OF HANDS AMAZING, 531 00:25:56,250 --> 00:25:58,557 AND I ALSO--I THINK THAT THE WORLD NEEDS MORE TEACHERS. 532 00:25:58,600 --> 00:26:01,124 GOOD ONES, AT LEAST. 533 00:26:01,168 --> 00:26:04,214 OK, WHAT'S GOING ON HERE? 534 00:26:04,258 --> 00:26:07,130 IS THIS PART OF SOME KIND OF LONG-CON PICKUP MOVE? 535 00:26:07,174 --> 00:26:09,132 NO. NO? 536 00:26:09,176 --> 00:26:11,134 OK, THEN WHAT IS IT? 537 00:26:11,178 --> 00:26:13,136 I'M SUPPOSED TO HAVE A NORMAL CONVERSATION 538 00:26:13,180 --> 00:26:15,399 TODAY WITH, UH, A NORMAL PERSON, 539 00:26:15,443 --> 00:26:19,273 AND YOU STRIKE ME AS BEING NORMAL. 540 00:26:19,316 --> 00:26:21,754 WHAT? HA! 541 00:26:21,797 --> 00:26:24,757 ALL RIGHT, SO LET ME GET THIS STRAIGHT. 542 00:26:24,800 --> 00:26:26,759 I'M PART OF YOUR HOMEWORK 543 00:26:26,802 --> 00:26:28,761 TO LOCATE SOMEONE NORMAL. 544 00:26:28,804 --> 00:26:32,286 WELL, IT SOUNDS WEIRD WHEN YOU SAY IT LIKE THAT, BUT WHAT I--I-- 545 00:26:32,329 --> 00:26:35,594 I'VE BEEN HAVING THIS RECURRING, UH, WORKPLACE DREAM-- 546 00:26:35,637 --> 00:26:37,291 NO. YEP. NO. STOP. 547 00:26:37,334 --> 00:26:39,772 JUST--I DON'T LIKE IT WHEN PEOPLE TALK ABOUT THEIR DREAMS. 548 00:26:39,815 --> 00:26:42,775 WELL, I WAS--I... I WASN'T GOING TO TELL YOU ABOUT MY DREAM. 549 00:26:42,818 --> 00:26:45,299 I WAS BASICALLY JUST, UH, TALKING ABOUT MY DREAM 550 00:26:45,342 --> 00:26:48,650 TO ILLUSTRATE THE POINT THAT DREAMS CAN PROVIDE A LOT OF INSIGHT. 551 00:26:48,694 --> 00:26:49,825 TO YOU. 552 00:26:49,869 --> 00:26:52,045 A WORKPLACE DREAM MEANS THERE'S SOMETHING 553 00:26:52,088 --> 00:26:53,655 STRESSFUL GOING ON AT YOUR WORK, WHICH 554 00:26:53,699 --> 00:26:55,788 I THINK YOU SAID WAS THE FBI, SO YEAH. 555 00:26:55,831 --> 00:26:58,965 FBI STUFF, CRIME, GO. 556 00:26:59,008 --> 00:27:03,317 LET ME ASK YOU THIS: IS IT WEIRD IF I DON'T TELL YOU WHAT I DO? 557 00:27:03,360 --> 00:27:06,320 BECAUSE THIS IS THE FIRST CONVERSATION I'VE HAD IN A LONG TIME 558 00:27:06,363 --> 00:27:10,672 WHERE I'M NOT DEFINED BY MY JOB, AND IT... 559 00:27:10,716 --> 00:27:13,370 IS NICE. 560 00:27:15,721 --> 00:27:17,200 WOMAN: MAX! 561 00:27:17,244 --> 00:27:18,680 MAX? 562 00:27:18,724 --> 00:27:22,249 YES, SHORT FOR MAXINE, WHICH I HATE. 563 00:27:22,292 --> 00:27:24,077 HERE YOU GO. 564 00:27:24,120 --> 00:27:25,252 MOM, THIS IS SPENCER. 565 00:27:25,295 --> 00:27:26,906 THIS IS YOUR MAGIC PENNY NOW. 566 00:27:26,949 --> 00:27:28,429 AW, THANK YOU. 567 00:27:28,472 --> 00:27:31,171 WHY IS MY CHILD EXCHANGING MONEY WITH A STRANGER? 568 00:27:31,214 --> 00:27:34,000 IT'S A LONG STORY, BUT I--I VOUCH FOR HIM. 569 00:27:34,043 --> 00:27:36,263 YOUR SON IS REMARKABLE, BY THE WAY. 570 00:27:36,306 --> 00:27:39,048 THANKS. SHE'S SINGLE, BY THE WAY. 571 00:27:39,092 --> 00:27:40,397 GOOD-BYE, MICHELLE. 572 00:27:40,441 --> 00:27:42,835 IT'S OUR FATHER'S DREAM TO MARRY HER OFF. 573 00:27:42,878 --> 00:27:46,099 THERE'S A SUPER SAD DOWRY, IF THAT SWEETENS THE POT. 574 00:27:46,142 --> 00:27:47,535 GOOD-BYE, MICHELLE. 575 00:27:47,578 --> 00:27:50,059 [WHISPERS] Bye. BYE. 576 00:27:54,760 --> 00:27:57,719 I STILL DON'T KNOW WHAT NORMAL IS, BUT... 577 00:27:57,763 --> 00:28:01,767 THIS HAS BEEN NICE, SO THANK YOU. 578 00:28:04,770 --> 00:28:06,728 HEY. 579 00:28:06,772 --> 00:28:08,817 THAT DREAM OF YOURS... 580 00:28:08,861 --> 00:28:10,210 YEAH? 581 00:28:10,253 --> 00:28:12,952 DO YOU WANT TO TELL ME ABOUT IT? 582 00:28:15,955 --> 00:28:17,913 OH... 583 00:28:17,957 --> 00:28:19,959 [BREATHING HEAVILY] 584 00:28:21,656 --> 00:28:24,703 I REALLY WANT TO FIND THIS PERV, AND I DON'T KNOW WHAT I'M MISSING. 585 00:28:26,922 --> 00:28:28,837 [SIGHS] 586 00:28:28,881 --> 00:28:31,579 HEY, STOP FOR A SECOND. 587 00:28:31,622 --> 00:28:35,931 I KNOW YOU TAKE OUR CASES PERSONALLY, OK, BUT NOT LIKE THIS. 588 00:28:37,803 --> 00:28:39,500 WANT TO TALK ABOUT IT? 589 00:28:43,504 --> 00:28:45,941 THERE'S THIS GUY, 590 00:28:45,985 --> 00:28:49,728 ALEXEI STANOVICH, AND HE'S BEEN BOTHERING ME, 591 00:28:49,771 --> 00:28:53,079 MESSAGING ME AND ASKING ME WHY I'M NOT BAREFOOT AND PREGNANT 592 00:28:53,122 --> 00:28:56,169 AND EXPLAINING IN DETAIL HOW HE'S GONNA KILL ME. 593 00:28:56,212 --> 00:28:59,346 HEY, WHY HAVEN'T YOU TOLD ANYONE ABOUT THIS? 594 00:28:59,389 --> 00:29:02,610 ALEXEI STANOVICH LIVES IN ST. PETERSBURG, RUSSIA, SO HE'S UNGETTABLE, 595 00:29:02,653 --> 00:29:06,092 AND THE THING IS, IT'S NOT EVEN THE WORST THING I HAVE TO DEAL WITH. 596 00:29:06,135 --> 00:29:10,096 LIKE, THE INTERACTIONS I HAVE ON THE WEB, I-- 597 00:29:10,139 --> 00:29:13,142 IT'S JUST PART OF MY JOB.HOW IS THAT POSSIBLE? 598 00:29:13,186 --> 00:29:15,492 YOU DON'T EVEN LIKE TO LOOK AT CRIME SCENE PHOTOS. 599 00:29:17,494 --> 00:29:20,933 I DON'T THINK I'VE EVER TOLD ANYBODY THIS... 600 00:29:20,976 --> 00:29:24,937 BUT THE REASON WHY I DON'T LOOK AT CRIME SCENE PHOTOS 601 00:29:24,980 --> 00:29:27,287 IS BECAUSE I KIND OF HAVE MY OWN VERSION. 602 00:29:27,330 --> 00:29:30,464 SOMETIMES THE PLACES ON THE WEB I NEED TO GO ARE RIDDLED 603 00:29:30,507 --> 00:29:33,293 WITH RAPE JOKES AND RACIAL EPITHETS, 604 00:29:33,336 --> 00:29:36,296 AND IF YOU CAN'T TAKE IT, GET OUT 605 00:29:36,339 --> 00:29:39,299 OF THE CHAT ROOM, YOU STUPID, FAT B-TARD. 606 00:29:39,342 --> 00:29:41,301 I CAN'T STOP ALEXEI STANOVICH, 607 00:29:41,344 --> 00:29:43,303 BUT THIS GUY... 608 00:29:43,346 --> 00:29:45,914 I'M GONNA FIND THIS GUY. 609 00:29:54,357 --> 00:29:56,316 PRENTISS: I CAN'T FULLY EXPLAIN WHY I LEFT THE FBI. 610 00:29:56,359 --> 00:29:58,318 I WAS UNDERCOVER. 611 00:29:58,361 --> 00:30:00,842 EMILY, I'LL MAKE IT SIMPLE FOR YOU. YOU HAVE TWO CHOICES. 612 00:30:00,886 --> 00:30:03,105 YOU CAN TELL ME THE TRUTH NOW OR IN COURT. 613 00:30:03,149 --> 00:30:06,369 OH. 614 00:30:06,413 --> 00:30:09,372 HEY. SORRY TO INTERRUPT. 615 00:30:09,416 --> 00:30:11,418 UM, DO YOU HAVE A SECOND?PRENTISS: YEAH. 616 00:30:11,461 --> 00:30:13,463 IF YOU'LL EXCUSE ME. 617 00:30:20,253 --> 00:30:22,211 LOOK, GARCIA'S IN A TAILSPIN 618 00:30:22,255 --> 00:30:24,213 TRYING TO FIND ELIZABETH'S STALKER. 619 00:30:24,257 --> 00:30:26,215 IT LOOKS LIKE YOU ARE, TOO. YOU OK? 620 00:30:26,259 --> 00:30:28,043 NO. HE'S DUG IN. 621 00:30:28,087 --> 00:30:30,045 WELL, THAT'S THE PROBLEM WITH TARGETED INDIVIDUALS. 622 00:30:30,089 --> 00:30:32,047 YOU CAN'T CONVINCE THEM THEIR DELUSION ISN'T REAL, 623 00:30:32,091 --> 00:30:34,571 AND THE ONLY STRATEGY THAT WORKS IS JUST TO INDULGE THEM 624 00:30:34,615 --> 00:30:38,880 UNTIL THEY'RE NO LONGER A THREAT TO THEMSELVES OR OTHERS AND... 625 00:30:38,924 --> 00:30:41,361 WHY ARE YOU LOOKING AT ME LIKE THAT? 626 00:30:41,404 --> 00:30:43,363 DID YOU NOTICE HOW HE CHECKED YOU OUT? 627 00:30:43,406 --> 00:30:47,062 YEAH, YEAH, IT FELT LIKE I NEEDED A THICK COAT OR SOME KIND OF TASER. 628 00:30:47,106 --> 00:30:50,196 THAT'S BECAUSE YOU LOOK LIKE HIS WIFE WHO JUST LEFT HIM. 629 00:30:50,239 --> 00:30:51,893 I LOOK LIKE THAT MAN'S WIFE? 630 00:30:51,937 --> 00:30:53,808 SOMEBODY MARRIED THAT MAN? 631 00:30:53,852 --> 00:30:56,289 IT'S MORE OF AN ATTITUDE--STRONG, 632 00:30:56,332 --> 00:30:58,900 FORTHRIGHT, CONVINCING. 633 00:30:58,944 --> 00:31:00,075 NO. 634 00:31:00,119 --> 00:31:02,643 TARA, HE'S GONNA SUE ME. PLEASE? 635 00:31:06,168 --> 00:31:08,301 YOU OWE ME A LOT OF DRINKS. 636 00:31:09,302 --> 00:31:10,651 [SIGHS] 637 00:31:10,694 --> 00:31:12,653 LEWIS: BRIAN. HI. 638 00:31:12,696 --> 00:31:14,916 I'M SSA LEWIS. MM-HMM. 639 00:31:14,960 --> 00:31:17,963 I GUESS YOU COULD SAY I'M THE WOMAN BEHIND THE WOMAN, 640 00:31:18,006 --> 00:31:19,965 IF YOU KNOW WHAT I MEAN. 641 00:31:20,008 --> 00:31:21,705 OH, YES, I DO. 642 00:31:21,749 --> 00:31:24,186 YOU KNOW, SINCE YOU'VE UNCOVERED SO MUCH, 643 00:31:24,230 --> 00:31:26,710 I FEEL COMFORTABLE LEVELING WITH YOU. 644 00:31:26,754 --> 00:31:28,538 YOU ARE BEING WATCHED... 645 00:31:28,582 --> 00:31:30,540 I KNEW IT. 646 00:31:30,584 --> 00:31:31,846 BUT NOT BY US. 647 00:31:33,500 --> 00:31:35,023 THINK ABOUT IT. 648 00:31:36,546 --> 00:31:37,983 CIA. 649 00:31:38,026 --> 00:31:39,462 [GASPS] 650 00:31:39,506 --> 00:31:40,942 NSA? 651 00:31:40,986 --> 00:31:43,249 SHH. 652 00:31:43,292 --> 00:31:45,251 ALL YOU NEED TO KNOW 653 00:31:45,294 --> 00:31:46,948 IS THAT IT'S NOT THE BUREAU. 654 00:31:46,992 --> 00:31:49,472 BUT IF YOU MOVE FORWARD WITH THIS COURT CASE... 655 00:31:49,516 --> 00:31:51,605 I RISK EXPOSING THE WRONG PEOPLE. 656 00:31:51,648 --> 00:31:53,085 EXACTLY. 657 00:31:53,128 --> 00:31:56,610 MAN, BRIAN, YOU ARE A SMART GUY. 658 00:31:56,653 --> 00:31:58,786 SO... 659 00:31:58,829 --> 00:32:02,007 LET'S YOU AND I DISCUSS NEXT STEPS. 660 00:32:03,530 --> 00:32:05,097 OH! 661 00:32:05,140 --> 00:32:09,318 DON'T...DO THAT! I'M SORRY. 662 00:32:09,362 --> 00:32:11,494 I THOUGHT I COULD HELP, MAYBE BE ANOTHER SET OF EARS? 663 00:32:13,018 --> 00:32:14,889 BUT FIRST... 664 00:32:15,890 --> 00:32:18,327 OH, IT'S BEEN HOURS. WELL... 665 00:32:18,371 --> 00:32:20,329 REID: AND THEN THE AXE COMES DOWN AND-- 666 00:32:20,373 --> 00:32:22,331 THANK YOU SO MUCH-- I WAKE UP. 667 00:32:22,375 --> 00:32:24,986 OK, SO THE GUY WITH THE AXE--DO YOU RECOGNIZE HIM? 668 00:32:25,030 --> 00:32:27,336 NO, IT'S LIKE AN ANONYMOUS FACE. 669 00:32:27,380 --> 00:32:29,860 ALL RIGHT, LOOK... 670 00:32:29,904 --> 00:32:32,341 YOU DON'T WANT TO TELL ME WHAT YOU DO, AND THAT'S FINE, 671 00:32:32,385 --> 00:32:34,517 BUT IT'S VERY CLEAR TO ME THAT SOMETHING AT WORK 672 00:32:34,561 --> 00:32:36,693 IS REALLY STRESSING YOU OUT. 673 00:32:36,737 --> 00:32:40,523 I MEAN, LAST WEEK I DID THINK THAT MY CO-WORKER GOT BLOWN UP BY A MAIL BOMB. 674 00:32:40,567 --> 00:32:44,353 THEN THE WEEK BEFORE THAT, MY BEST FRIEND WAS SHOT AND PUT INTO A COMA. 675 00:32:44,397 --> 00:32:47,704 WEEKEND BEFORE THAT, SHE AND I WERE IN A HOSTAGE SITUATION, 676 00:32:47,748 --> 00:32:49,880 SO...YEAH, I, UH, 677 00:32:49,924 --> 00:32:53,710 I THINK YOU MIGHT BE RIGHT ABOUT MY JOB BEING STRESSFUL. 678 00:32:53,754 --> 00:32:56,931 HEY, WHAT'S THAT, UM, THAT HORMONE 679 00:32:56,975 --> 00:32:59,890 THAT GETS RELEASED, THE FIGHT OR FLIGHT THING--CORTISOL. 680 00:32:59,934 --> 00:33:03,546 IT SEEMS TO ME YOU HAVE TO FIND A WAY TO IGNORE THAT AT WORK. 681 00:33:03,590 --> 00:33:05,896 REMEMBER WHEN YOU WERE A KID? 682 00:33:05,940 --> 00:33:08,377 YOU COULD JUST GET ON YOUR BIKE AND JUST RIDE 683 00:33:08,421 --> 00:33:10,205 UNTIL YOU HAD TO COME HOME FOR DINNER? 684 00:33:10,249 --> 00:33:12,816 CONCEPTUALLY, YES, BUT PRACTICALLY, NO. 685 00:33:12,860 --> 00:33:15,819 OK, BUT LOOK, YOU UNDERSTAND THAT PEOPLE DON'T REALLY 686 00:33:15,863 --> 00:33:18,126 DO THAT ANYMORE BECAUSE SOMEWHERE 687 00:33:18,170 --> 00:33:20,563 ALONG THE WAY, SOMETHING GOT LOST? 688 00:33:20,607 --> 00:33:21,738 TRUST? 689 00:33:21,782 --> 00:33:23,740 YEAH, EXACTLY. 690 00:33:23,784 --> 00:33:25,742 SO TAKE TODAY, FOR EXAMPLE. 691 00:33:25,786 --> 00:33:28,745 I SEE A STRANGE MAN TALKING TO MY NEPHEW. 692 00:33:28,789 --> 00:33:30,747 BOOM! THERE GOES THE CORTISOL: 693 00:33:30,791 --> 00:33:32,749 RISK, DANGER, THREAT. 694 00:33:32,793 --> 00:33:36,275 BUT THEN, YOU PERFORMED A MAGIC TRICK. 695 00:33:36,318 --> 00:33:38,494 THAT ACTUALLY-- IT WASN'T MAGIC. I JUST--I TOOK THE PENNY 696 00:33:38,538 --> 00:33:41,019 AND I THREW IT BEHIND HIS HEAD. NO, NOT THAT. 697 00:33:41,062 --> 00:33:43,499 YOU TOOK TIME OUT OF YOUR DAY 698 00:33:43,543 --> 00:33:45,675 TO CALM DOWN A LITTLE BOY, 699 00:33:45,719 --> 00:33:48,156 A KID WHO YOU DIDN'T KNOW, WHO YOU'D NEVER MET BEFORE, 700 00:33:48,200 --> 00:33:51,029 AND YOU KNOW WHAT I CALL THAT? I CALL THAT DECENCY. 701 00:33:52,508 --> 00:33:53,988 THANKS.[SPRINKLERS SPURTING] 702 00:33:54,032 --> 00:33:56,860 OOH. MAGIC PENNY. 703 00:33:56,904 --> 00:33:59,298 WHAT DO YOU MEAN?[GRUNTS, SHRIEKS] 704 00:33:59,341 --> 00:34:01,474 OH, MY GOSH! NOT DECENT! 705 00:34:01,517 --> 00:34:03,476 WORTH IT, THOUGH! OH, MAN. 706 00:34:03,519 --> 00:34:06,000 DON'T TOUCH ME! OH, MY--OH! 707 00:34:06,044 --> 00:34:08,002 [SHRIEKING] 708 00:34:08,046 --> 00:34:11,701 OH! RIGHT IN THE FACE! THERE! YOU LIKE THAT? 709 00:34:11,745 --> 00:34:13,181 BILLY, ON TAPE: NO, IT'S MY TURN... WAIT. 710 00:34:13,225 --> 00:34:15,183 WAIT, WAIT, WAIT. DO YOU NOTICE THAT? 711 00:34:15,227 --> 00:34:17,577 NOTICE WHAT? [TYPING] 712 00:34:17,620 --> 00:34:20,580 BILLY: NO, IT'S MY TURN TO GET A BACK RUB, NOT TO GIVE ONE. 713 00:34:20,623 --> 00:34:23,104 ELIZABETH: OK, FINE. WHERE'S THE CLICKER? I HATE THIS SHOW. 714 00:34:23,148 --> 00:34:24,584 [LOUDER] HERE. TAKE IT. 715 00:34:24,627 --> 00:34:26,107 WATCH SOMETHING YOU WANT. 716 00:34:26,151 --> 00:34:28,109 DO YOU SEE THAT? THE AUDIO LEVELS. 717 00:34:28,153 --> 00:34:31,025 AHA. IS THAT CONSISTENT WITH THE OTHER RECORDINGS? 718 00:34:31,939 --> 00:34:34,376 BILLY: BABE, SLOW DOWN, THERE. 719 00:34:34,420 --> 00:34:37,075 ELIZABETH: HMM. I CAN'T RIGHT NOW. 720 00:34:37,118 --> 00:34:38,946 GARCIA: EVERY SINGLE ONE. 721 00:34:38,989 --> 00:34:40,600 DID WE DO IT? DID WE FIND IT? 722 00:34:40,643 --> 00:34:42,602 YOU FOUND IT. I FOUND IT. 723 00:34:42,645 --> 00:34:44,865 I FOUND IT. 724 00:34:44,908 --> 00:34:49,348 BILLY'S VOICE IS LOUDER THAN ELIZABETH'S IN ALL OF THE RECORDINGS. 725 00:34:49,391 --> 00:34:51,654 COULD THAT BE A MISTAKE, I MEAN, A FAULTY RECORDING? 726 00:34:51,698 --> 00:34:53,830 NO, ABSOLUTELY NOT. IT'S INTENTIONAL. WHY? 727 00:34:53,874 --> 00:34:55,963 'CAUSE THE MICROPHONE IS ON BILLY'S SIDE OF THE BED, NOT ELIZABETH'S. 728 00:34:56,006 --> 00:34:58,008 IT WAS HIM HE WAS LISTENING TO THE WHOLE TIME. 729 00:34:58,052 --> 00:35:00,881 THE UNSUB WASN'T STALKING HER, HE WAS STALKING HIM. 730 00:35:00,924 --> 00:35:03,666 HOMOPHOBIA RUNS RAMPANT ONLINE. 731 00:35:03,710 --> 00:35:05,668 IF HE WAS DEEPLY CLOSETED, 732 00:35:05,712 --> 00:35:08,541 HE COULD HAVE BEEN TOO SCARED TO TELL BILLY HOW HE FEELS. 733 00:35:10,064 --> 00:35:11,500 BUT I'M NOT GAY. 734 00:35:11,544 --> 00:35:13,502 OK, IT'S--IT'S NOT THAT SIMPLE. 735 00:35:13,546 --> 00:35:16,157 UH, THIS IS A MUTUAL FRIEND THAT MADE A POINT 736 00:35:16,201 --> 00:35:18,159 TO STAY IN YOUR LIFE AFTER THE BREAKUP. 737 00:35:18,203 --> 00:35:19,682 SHE GOT MOST OF THE FRIENDS. 738 00:35:19,726 --> 00:35:21,162 BILLY, COME ON. YOU DID. 739 00:35:21,206 --> 00:35:23,338 GARCIA: OK, WE DON'T NEED TO RE-LITIGATE THE BREAKUP. 740 00:35:23,382 --> 00:35:25,645 THIS IS SOMEONE WHO IS GOOD AT COMPUTERS AND LOCKS 741 00:35:25,688 --> 00:35:27,516 AND CARPENTRY; THAT'S HOW HE WAS ABLE TO DO THIS. 742 00:35:27,560 --> 00:35:30,040 IF HE'S LIKE WHAT YOU'RE SAYING, WHY DID HE GO AFTER HER, 743 00:35:30,084 --> 00:35:31,651 AND WHY NOT ME? 744 00:35:31,694 --> 00:35:35,829 BECAUSE...YOU LIVE ON THE FOURTH FLOOR. I LIVE ON THE FIRST. 745 00:35:35,872 --> 00:35:38,788 JJ: HE DID TO HER WHAT HE COULDN'T DO TO YOU. 746 00:35:45,143 --> 00:35:46,883 BILLY, WHAT IS IT? 747 00:35:46,927 --> 00:35:50,887 WELL, HE WASN'T A FRIEND, BUT...ELIZABETH HAD THIS NEIGHBOR. 748 00:35:50,931 --> 00:35:53,368 YOU REMEMBER HAYES, ON THE SECOND FLOOR? 749 00:35:53,412 --> 00:35:54,891 HE'S--HE'S HARMLESS. HE-- 750 00:35:54,935 --> 00:35:57,633 NO, I THOUGHT SO, TOO. HE WAS A LOCKSMITH. 751 00:35:57,677 --> 00:36:00,723 WHEN WE STARTED DATING, HE TOLD ME HE WAS INTO LIVE-STREAMING, 752 00:36:00,767 --> 00:36:04,336 AND I GOT THE SENSE THAT... 753 00:36:04,379 --> 00:36:06,338 HE WASN'T INTO STREAMING AS MUCH AS-- 754 00:36:06,381 --> 00:36:08,078 HE WAS INTO YOU. 755 00:36:08,122 --> 00:36:10,080 [SIGHS] YEAH. 756 00:36:10,124 --> 00:36:12,431 I'M GOING TO TRACK DOWN THIS HAYES. 757 00:36:13,910 --> 00:36:15,869 MM-HMM. YOU GUYS WERE RIGHT. 758 00:36:15,912 --> 00:36:17,479 WE CAN'T LET OUR BABY SLEEP IN THIS. 759 00:36:17,523 --> 00:36:18,698 MM-MMM. 760 00:36:18,741 --> 00:36:21,309 ACTUALLY, I WAS TALKING TO KRISTY ABOUT YOUR 761 00:36:21,353 --> 00:36:23,224 FINANCIAL SITUATION. 762 00:36:24,747 --> 00:36:26,314 YOU WERE?KRISTY: UH, I-- 763 00:36:26,358 --> 00:36:28,316 I TOLD HIM WE DON'T TAKE HANDOUTS. 764 00:36:28,360 --> 00:36:31,624 NOW, MY IDEA IS MORE IN THE "TEACH A MAN TO FISH" VEIN. 765 00:36:31,667 --> 00:36:34,235 I--I WAS LOOKING AT SOME OF YOUR JOURNALS. 766 00:36:34,279 --> 00:36:37,325 "THE SIMMONS STORIES"? [CHUCKLES] 767 00:36:37,369 --> 00:36:39,501 I DID THOSE AS A LARK FOR THE KIDS. 768 00:36:39,545 --> 00:36:42,025 HEY, THERE'S A TALENT THERE, AND THAT TALENT 769 00:36:42,069 --> 00:36:44,593 COULD BE THE ANSWER TO YOUR PROBLEMS. HOW? 770 00:36:44,637 --> 00:36:48,118 I'VE MADE A VERY GOOD LIVING WRITING TRUE-CRIME NOVELS 771 00:36:48,162 --> 00:36:51,339 FROM OUR CASES, BUT IT'S TIME TO PASS ON THE BATON 772 00:36:51,383 --> 00:36:53,341 TO YOU. 773 00:36:53,385 --> 00:36:56,736 WRITE A BOOK? I--I WOULDN'T EVEN KNOW WHERE TO START. 774 00:36:56,779 --> 00:36:58,041 THAT'S WHERE I COME IN. 775 00:36:58,085 --> 00:36:59,652 YOU'D BE DOING ME A FAVOR. 776 00:36:59,695 --> 00:37:02,611 WE'D BOTH GET PAID, AND I DON'T HAVE TO DO HALF THE WORK. 777 00:37:04,134 --> 00:37:06,180 SAY YES. 778 00:37:06,224 --> 00:37:08,748 KRISTY: SAY YES. YES. 779 00:37:10,097 --> 00:37:11,664 AND THANK YOU. THANK YOU. 780 00:37:11,707 --> 00:37:13,666 ROSSI: FANTASTICO! MWAH! 781 00:37:13,709 --> 00:37:15,668 HA HA! AND MY NAME WILL STILL BE FIRST ON THE COVER. 782 00:37:15,711 --> 00:37:16,843 OK. 783 00:37:16,886 --> 00:37:20,542 KRISTY: OH! OH, MY. 784 00:37:20,586 --> 00:37:21,935 WHAT IS IT? IS THAT-- 785 00:37:21,978 --> 00:37:24,459 YEAH, UH, MY WATER JUST BROKE. 786 00:37:27,723 --> 00:37:29,551 YOU KNOW, I DON'T NORMALLY WEAR STUFF LIKE THIS, 787 00:37:29,595 --> 00:37:31,510 BUT I THINK I LOOK PRETTY COOL. 788 00:37:31,553 --> 00:37:34,513 YEAH, I THINK, UH, TRIPLE-X IS A GOOD LOOK FOR YOU. 789 00:37:34,556 --> 00:37:37,516 HEH HEH! DO YOU FEEL NORMAL? 790 00:37:37,559 --> 00:37:42,477 NO, NOT IN THE SLIGHTEST, BUT I FEEL DECENT, SO... 791 00:37:42,521 --> 00:37:44,653 [BEEPING] SORRY. 792 00:37:44,697 --> 00:37:46,612 [KEYS BEEP] 793 00:37:46,655 --> 00:37:48,353 KRISTY'S IN LABOR. 794 00:37:48,396 --> 00:37:50,355 WHO'S KRISTY?MY--MY FRIEND'S WIFE. 795 00:37:50,398 --> 00:37:53,314 I, UH, SHOULD PROBABLY GO. 796 00:37:53,358 --> 00:37:55,969 I--LOOK, I KNOW THAT WE SAID NO, UH, NAMES 797 00:37:56,012 --> 00:37:58,450 AND NO PHONE NUMBERS, BUT... 798 00:37:58,493 --> 00:38:01,975 I WOULD REALLY LIKE TO DO THIS AGAIN SOMETIME, 799 00:38:02,018 --> 00:38:05,239 PREFERABLY...WITH YOU. 800 00:38:05,283 --> 00:38:07,241 [CHUCKLES] 801 00:38:07,285 --> 00:38:09,722 SO, UH... 802 00:38:09,765 --> 00:38:13,639 WHAT DO YOU DO FOR THE FBI, FOR REAL? 803 00:38:13,682 --> 00:38:15,641 I'M A PROFILER. 804 00:38:15,684 --> 00:38:18,121 I USE PSYCHOLOGY TO FIND PEOPLE. 805 00:38:18,165 --> 00:38:20,080 GOOD. 806 00:38:20,123 --> 00:38:22,125 FIND ME. 807 00:38:24,606 --> 00:38:28,088 ♪ WELL, IF THE RAINS COME AROUND TO DROWN US DOWN ♪ 808 00:38:28,131 --> 00:38:31,570 ♪ AND THE SUN CAN'T BE SEEN NO MORE... ♪ 809 00:38:31,613 --> 00:38:33,267 LEWIS: SO DID YOU CALL YOUR LAWYER? 810 00:38:33,311 --> 00:38:35,574 YES. WE'RE DROPPING THE CASE AGAINST THE FBI, 811 00:38:35,617 --> 00:38:38,577 BUT THE NSA, THAT'S GONNA BE A TOUGH NUT TO CRACK. 812 00:38:38,620 --> 00:38:43,103 DO YOU KNOW ANYBODY OVER THERE, A DEEP THROAT WHO COULD DEEP-THROAT ME? 813 00:38:43,146 --> 00:38:46,280 UH, NO, UM, NO, I DON'T, 814 00:38:46,324 --> 00:38:49,762 BUT THIS IS MY FRIEND, DR. HOYER, AND HE 815 00:38:49,805 --> 00:38:52,634 CAN DEFINITELY PUT YOU IN TOUCH WITH PEOPLE WHO CAN HELP. 816 00:38:52,678 --> 00:38:57,987 FINALLY, SOMEONE WHO GETS IT. HA HA HA! 817 00:38:58,031 --> 00:39:01,077 LET'S TALK ABOUT PSYCHOTRONIC WEAPONS 'CAUSE THAT'S WHERE THEY GET YOU. 818 00:39:01,121 --> 00:39:04,298 ♪ THEN WE'LL HUNKER DOWN AND WAIT IT OUT ♪ 819 00:39:04,342 --> 00:39:07,257 ♪ AND FACE WHAT WE HAVE IN STORE ♪ GUESS WHO. 820 00:39:07,301 --> 00:39:10,348 ♪ TOGETHER WE'RE BRICK 821 00:39:10,391 --> 00:39:13,742 ♪ OUR FLESH IS LIKE STEEL 822 00:39:13,786 --> 00:39:15,875 ♪ OUR HEARTS LIKE A KNIFE 823 00:39:15,918 --> 00:39:17,529 HEH! I LOVE HIM. 824 00:39:17,572 --> 00:39:20,314 ♪ THAT OTHERS WILL FEEL 825 00:39:21,837 --> 00:39:23,230 WE GOT HIM. 826 00:39:23,273 --> 00:39:25,232 OH! HA HA! 827 00:39:25,275 --> 00:39:26,712 ELIZABETH: THANK YOU SO MUCH. 828 00:39:26,755 --> 00:39:28,061 KRISTY: RED! 829 00:39:28,104 --> 00:39:29,889 YEAH. YOU CHOSE RED?! 830 00:39:29,932 --> 00:39:31,847 WHAT DO YOU WANT? THE CRIB, I CAN--I CAN-- 831 00:39:31,891 --> 00:39:33,849 I CAN PAINT IT, I CAN DUCT-TAPE IT-- 832 00:39:33,893 --> 00:39:36,025 JUST BURN IT, BURN IT!OK, OK. 833 00:39:36,069 --> 00:39:38,332 KRISTY, MATT, TIME TO START PUSHING. 834 00:39:39,812 --> 00:39:41,291 ANYTHING? 835 00:39:41,335 --> 00:39:43,337 NO, NOT YET. 836 00:39:48,821 --> 00:39:50,779 HEY, YOU. 837 00:39:50,823 --> 00:39:52,346 MOI? 838 00:39:53,826 --> 00:39:58,221 YOU...TOOK YOUR WHOLE DAY OFF TO HELP ELIZABETH. 839 00:39:58,265 --> 00:40:00,180 ELIZABETH. 840 00:40:00,223 --> 00:40:02,661 AND THAT WAS VERY KIND OF YOU. 841 00:40:02,704 --> 00:40:04,663 [PUTS DOWN MAGAZINE] 842 00:40:04,706 --> 00:40:06,665 HOW ABOUT THIS? 843 00:40:06,708 --> 00:40:09,189 YOU GET A LEAD ON ALEXEI STANOVICH, 844 00:40:09,232 --> 00:40:11,060 YOU KEEP ME ON SPEED-DIAL. 845 00:40:11,104 --> 00:40:12,540 DEAL. 846 00:40:12,584 --> 00:40:15,108 [BABY CRYING] 847 00:40:19,417 --> 00:40:21,375 THAT FEEL GOOD? 848 00:40:21,419 --> 00:40:22,855 THAT FEEL GOOD? OH. 849 00:40:22,898 --> 00:40:24,422 SIMMONS: AW. YEAH. 850 00:40:26,249 --> 00:40:27,816 IT'S A GIRL. 851 00:40:27,860 --> 00:40:29,818 [ALL CHEER] 852 00:40:29,862 --> 00:40:31,341 PRENTISS: WHAT'S-- WHAT'S HER NAME? 853 00:40:31,385 --> 00:40:33,343 HER NAME IS ROSE MARY SIMMONS. 854 00:40:33,387 --> 00:40:35,345 CLOSEST WE COULD GET TO ROSSI. 855 00:40:35,389 --> 00:40:36,782 AH! OH! 856 00:40:36,825 --> 00:40:38,784 [KISS] IT'S A BEAUTIFUL NAME, 857 00:40:38,827 --> 00:40:41,482 AND IT GOES WITH HER ROSE-RED CRIB. 858 00:40:41,526 --> 00:40:43,136 WHEN CAN WE MEET HER?RIGHT NOW. 859 00:40:43,179 --> 00:40:45,660 KRISTY CAN'T WAIT TO SHOW HER OFF. 860 00:40:47,183 --> 00:40:51,144 WAIT, WAIT, WAIT. UM, SO THIS IS A NEW LOOK FOR YOU. 861 00:40:51,187 --> 00:40:52,493 WHAT DO YOU THINK? 862 00:40:52,537 --> 00:40:54,539 I LIKE IT. 863 00:40:54,582 --> 00:40:58,368 BUT WHAT DID YOU DO ON A SATURDAY TO GET YOU INTO IT? 864 00:40:58,412 --> 00:41:00,849 JUST, UH... 865 00:41:00,893 --> 00:41:03,112 I HAD A CONVERSATION. 866 00:41:04,592 --> 00:41:07,421 OH...CONVERSATION. 867 00:41:07,465 --> 00:41:10,903 WELL, WHOEVER THIS CONVERSATION WAS WITH... 868 00:41:10,946 --> 00:41:15,037 JUST PUT A SMILE ON YOUR FACE I HAVEN'T SEEN IN A REALLY LONG TIME. 869 00:41:15,081 --> 00:41:18,519 ♪ OUR HEARTS LIKE A KNIFE 870 00:41:18,563 --> 00:41:21,043 ♪ THAT OTHERS WILL FEEL 871 00:41:21,087 --> 00:41:23,045 SO... 872 00:41:23,089 --> 00:41:25,700 YOU KNOW, THERE'S ONLY SO MANY PEOPLE THEY CAN FIT IN THE DELIVERY ROOM, 873 00:41:25,744 --> 00:41:27,702 SO... I'LL WAIT. I, UH, 874 00:41:27,746 --> 00:41:29,922 I SHOULD SAY HELLO TO THE BABY. 875 00:41:29,965 --> 00:41:33,447 AND YOU WILL, YOU KNOW, A--A WEEK FROM NOW. 876 00:41:33,491 --> 00:41:36,276 THE BABY WILL STILL BE A BABY 877 00:41:36,319 --> 00:41:40,759 AND WILL HAVE TWO VERY TIRED PARENTS THAT WILL WANT YOUR HELP. 878 00:41:40,802 --> 00:41:42,325 YEAH? 879 00:41:43,805 --> 00:41:45,285 YEAH. 880 00:41:48,201 --> 00:41:49,811 GO. 881 00:41:52,161 --> 00:41:54,163 [CHUCKLES] 882 00:42:01,519 --> 00:42:05,131 ♪ IF THE WHEELS FALL OFF AND WE SCREECH TO A HALT ♪ 883 00:42:05,174 --> 00:42:08,613 ♪ AND NIGHT TURNS AGAINST US ALL ♪ 884 00:42:08,656 --> 00:42:11,790 ♪ THEN WE'LL CIRCLE UP AND FEND IT OFF ♪ 885 00:42:11,833 --> 00:42:15,141 ♪ AND USE OUR BODIES AS A WALL 886 00:42:15,184 --> 00:42:18,492 ♪ TOGETHER WE'RE BRICK 887 00:42:18,536 --> 00:42:21,974 ♪ OUR FLESH IS LIKE STEEL 888 00:42:22,017 --> 00:42:24,063 ♪ OUR HEARTS LIKE A KNIFE 889 00:42:25,586 --> 00:42:28,676 ♪ THAT OTHERS WILL FEEL 890 00:42:28,720 --> 00:42:30,069 ♪ TOGETHER WE'RE BRICK 891 00:42:30,112 --> 00:42:32,114 TOOK YOU LONG ENOUGH. 892 00:42:32,158 --> 00:42:34,682 [CHUCKLES]♪ OUR FLESH IS LIKE STEEL 893 00:42:35,944 --> 00:42:38,904 ♪ OUR HEARTS LIKE A KNIFE 894 00:42:38,947 --> 00:42:42,472 ♪ THAT OTHERS WILL FEEL 895 00:42:51,438 --> 00:42:54,484 STAY TUNED FOR SCENES FROM OUR NEXT EPISODE. 896 00:43:01,056 --> 00:43:04,016 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 897 00:43:04,059 --> 00:43:08,059 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--