1 00:00:34,251 --> 00:00:35,905 ROSSI: EVERETT LYNCH. 2 00:00:35,948 --> 00:00:38,821 THE MEDIA HAS CHRISTENED HIM "THE CHAMELEON." 3 00:00:38,864 --> 00:00:41,998 HE IS A CON MAN AND A MURDERER, WHO HAS TARGETED 4 00:00:42,042 --> 00:00:45,480 VULNERABLE MIDDLE-AGED WOMEN, SINGLE MOTHERS. 5 00:00:45,523 --> 00:00:49,484 HE'S CUT OFF THEIR FACES AND KEPT THEM AS HIS TROPHIES. 6 00:00:49,527 --> 00:00:52,487 A YEAR AGO, WE NEARLY CAUGHT HIM, BUT HIS DAUGHTER GRACE... 7 00:00:52,530 --> 00:00:53,488 AAH! AAH! 8 00:00:53,531 --> 00:00:54,880 SHE SACRIFICED HERSELF 9 00:00:54,924 --> 00:00:56,578 SO THAT HE COULD GET AWAY. 10 00:00:56,621 --> 00:01:00,408 HE BROKE GRACE OUT OF JAIL... 11 00:01:00,451 --> 00:01:01,409 AND AGAIN... 12 00:01:01,452 --> 00:01:03,498 DON'T MOVE.WE ALMOST CAUGHT HIM, 13 00:01:03,541 --> 00:01:05,282 IF IT HADN'T BEEN FOR HIS DAUGHTER. 14 00:01:05,326 --> 00:01:08,329 SHE'D DO ANYTHING FOR HIM. 15 00:01:08,372 --> 00:01:10,853 BUT THAT WOULDN'T MATTER BECAUSE LYNCH 16 00:01:10,896 --> 00:01:14,552 COULDN'T BRING HIMSELF TO TAKE GRACE WITH HIM. 17 00:01:14,596 --> 00:01:17,338 MAYBE HE COULDN'T BRING HIMSELF TO KEEP USING HER 18 00:01:17,381 --> 00:01:20,471 THE WAY HIS MOTHER ROBERTA HAD ONCE USED HIM. 19 00:01:20,515 --> 00:01:21,559 OH, GOD! 20 00:01:21,603 --> 00:01:23,996 EVERETT LYNCH REMAINS AT LARGE. 21 00:01:24,040 --> 00:01:27,130 HE IS THE FBI's MOST WANTED, 22 00:01:27,174 --> 00:01:31,526 BUT THERE HASN'T BEEN ANY SIGN OF HIM FOR MONTHS. 23 00:01:33,180 --> 00:01:35,573 [KNOCK ON DOOR, DOOR OPENS] 24 00:01:35,617 --> 00:01:37,575 HEY. WHAT'S UP? 25 00:01:37,619 --> 00:01:39,969 SO I WANTED YOU TO BE THE FIRST TO KNOW 26 00:01:40,012 --> 00:01:42,754 THAT MY NAME IS ON A SHORT LIST OF CANDIDATES 27 00:01:42,798 --> 00:01:45,017 BEING CONSIDERED TO FILL THE DIRECTOR'S CHAIR. 28 00:01:45,061 --> 00:01:47,803 EMILY, THAT'S INCREDIBLE. 29 00:01:47,846 --> 00:01:50,022 OH, MY...GOD. 30 00:01:50,066 --> 00:01:52,764 YOU'RE GONNA BE THE NEXT DIRECTOR OF THE FBI. 31 00:01:52,808 --> 00:01:55,767 THAT STILL REMAINS A DEFINITE MAYBE. 32 00:01:55,811 --> 00:01:59,162 OH. BUT I DO KNOW THAT I WANT THE JOB. 33 00:01:59,206 --> 00:02:03,166 BUT I WOULD FEEL MUCH BETTER IF MY FIRST DIRECTIVE AS DIRECTOR 34 00:02:03,210 --> 00:02:06,126 WAS TO APPOINT YOU UNIT CHIEF OF THE BAU. 35 00:02:06,169 --> 00:02:10,652 AND I--I TOLD YOU BEFORE, THAT REALLY DOES MEAN A LOT. 36 00:02:10,695 --> 00:02:13,263 ENOUGH TO TURN DOWN BEING SPECIAL AGENT IN CHARGE 37 00:02:13,307 --> 00:02:15,483 OF THE NEW ORLEANS FIELD OFFICE? 38 00:02:15,526 --> 00:02:18,703 UM...I'M NOT SURE. 39 00:02:18,747 --> 00:02:22,490 NOW I FEEL LIKE I'M--I'M PRESSURING YOU INTO STAYING, AND THAT'S NOT WHAT I-- 40 00:02:22,533 --> 00:02:26,276 OH, NO, NO, NO, SEE, AND I'M FEELING LIKE IF I DO GO TO NEW ORLEANS, 41 00:02:26,320 --> 00:02:28,496 YOU MIGHT NOT DECIDE TO MAKE HISTORY 42 00:02:28,539 --> 00:02:30,454 AS THE FIRST FEMALE HEAD OF THE FBI. 43 00:02:30,498 --> 00:02:32,848 OH, NO, IT'S-- DON'T WORRY. 44 00:02:32,891 --> 00:02:35,720 IF GIVEN THE CHANCE, I'M MAKING HISTORY. 45 00:02:35,764 --> 00:02:37,722 [BOTH CHUCKLING] 46 00:02:39,159 --> 00:02:42,466 THE TRUTH IS, I DON'T THINK LISA 47 00:02:42,510 --> 00:02:44,468 EVER GOT OVER WHAT HAPPENED TO PHIL. 48 00:02:44,512 --> 00:02:47,036 I MEAN, HOW COULD SHE, REALLY? 49 00:02:47,079 --> 00:02:48,733 I'M SO SORRY, LUKE. 50 00:02:48,777 --> 00:02:51,432 LISA AND I'LL STILL BE FRIENDS, I MEAN, YOU KNOW. 51 00:02:51,475 --> 00:02:54,435 WE WERE ALWAYS HONEST WITH EACH OTHER. 52 00:02:54,478 --> 00:02:57,438 SO, UNFORTUNATELY, ROSSI CAN'T MAKE IT TONIGHT, 53 00:02:57,481 --> 00:03:01,093 BUT JJ JUST TEXTED TO SAY THAT SHE AND EMILY ARE ON THEIR WAY OVER RIGHT NOW. 54 00:03:01,137 --> 00:03:03,095 LEWIS: GREAT, AND THANKS FOR HOSTING, SPENCE. 55 00:03:03,139 --> 00:03:05,446 WELL, THANK YOU FOR COMING. I'M EMBARRASSED THAT IT'S TAKEN ME THIS LONG 56 00:03:05,489 --> 00:03:08,057 TO HAVE YOU GUYS OVER TO MY HOUSE TO HANG OUT. 57 00:03:08,100 --> 00:03:11,060 GARCIA: GUYS, I HAVE SOMETHING TO SAY. 58 00:03:11,103 --> 00:03:14,063 AN OPPORTUNITY HAS PRESENTED ITSELF TO ME, 59 00:03:14,106 --> 00:03:17,545 AND IT IS IN THE SILICON VALLEY. 60 00:03:19,721 --> 00:03:21,070 [SIGHS] 61 00:03:21,113 --> 00:03:23,072 GLOBAL STRATEGEM DEVELOPMENT. 62 00:03:23,115 --> 00:03:26,467 THEY'RE A PRIVATE RESEARCH GROUP THAT'S EXPANDING THEIR STRATEGEM 63 00:03:26,510 --> 00:03:29,861 TO INCLUDE COMBATING GLOBAL ENVIRONMENTAL CHANGE. 64 00:03:29,905 --> 00:03:33,169 WOW, THAT SOUNDS PERFECT FOR YOU. 65 00:03:33,213 --> 00:03:35,650 YOU GET TO DO ALL THE GOOD WORK YOU DO AT THE BAU 66 00:03:35,693 --> 00:03:37,391 WITHOUT THE GORE.GARCIA: YEAH, 67 00:03:37,434 --> 00:03:40,176 OK, BUT... ARE YOU TRYING TO GET RID OF ME? 68 00:03:40,220 --> 00:03:41,786 ALVEZ: NO. 69 00:03:41,830 --> 00:03:43,658 I DON'T WANT ANYBODY GOING ANYWHERE. 70 00:03:43,701 --> 00:03:45,964 GARCIA: RIGHT, AND I DON'T WANT TO GO ANYWHERE. 71 00:03:46,008 --> 00:03:48,576 I LOVE--I MEAN, THIS IS MY HOME. NOT THIS ROOM, 72 00:03:48,619 --> 00:03:51,405 BUT, YOU KNOW, THE BAU IS 73 00:03:51,448 --> 00:03:53,798 AND...COME ON. 74 00:03:53,842 --> 00:03:55,887 WE'RE FAMILY. 75 00:03:55,931 --> 00:03:57,889 YEAH, 76 00:03:57,933 --> 00:03:59,891 WE'RE FAMILY, 77 00:03:59,935 --> 00:04:02,503 AND OUR RELATIONSHIP TO EACH OTHER IS NOT BOUND 78 00:04:02,546 --> 00:04:04,505 BY WHEREVER WE SHOW UP TO GO TO WORK. 79 00:04:04,548 --> 00:04:07,029 LEWIS: IF YOU HAVE THE OPPORTUNITY TO DO SOMETHING YOU LOVE, 80 00:04:07,072 --> 00:04:09,684 PENELOPE, YOU SHOULD ABSOLUTELY EXPLORE IT. 81 00:04:15,211 --> 00:04:18,649 MAN: YOU KNOW WHY YOU LASTED LONGER IN THIS JOB THAN I EVER DID? 82 00:04:18,693 --> 00:04:22,871 YOU NEVER REALLY LET THE UNSUB GET INSIDE YOUR HEAD. 83 00:04:24,481 --> 00:04:27,441 IS THAT YOUR WAY OF SAYING YOU WERE BETTER THAN ME, JASON? 84 00:04:27,484 --> 00:04:30,095 YOU TELL ME. I'M INSIDE YOUR HEAD. 85 00:04:30,139 --> 00:04:32,315 I'M THE UNSUB. 86 00:04:32,359 --> 00:04:34,578 WHAT DO I WANT? 87 00:04:34,622 --> 00:04:37,189 YOU KNOW, I NEVER LIKED YOUR GAMES. 88 00:04:37,233 --> 00:04:39,191 I KNOW. REMEMBER? 89 00:04:39,235 --> 00:04:41,933 YOU AND ME? MY YIN TO YOUR YANG? 90 00:04:41,977 --> 00:04:44,327 WE WERE LIKE MARTIN AND LEWIS. 91 00:04:44,371 --> 00:04:46,329 FORGET THE UNSUB. WHAT DO YOU WANT? 92 00:04:46,373 --> 00:04:48,331 I WANT YOU TO ASK YOURSELF THAT FUNDAMENTAL QUESTION 93 00:04:48,375 --> 00:04:50,594 THAT'S BEEN NAGGING AT YOU THIS WHOLE TIME. 94 00:04:50,638 --> 00:04:51,987 I ALREADY ANSWERED IT. 95 00:04:52,030 --> 00:04:53,989 I'M THE UNSUB. 96 00:04:54,032 --> 00:04:56,600 WHY DIDN'T I KILL YOU WHEN I HAD THE CHANCE? 97 00:05:00,387 --> 00:05:01,649 [CHOKING] 98 00:05:03,303 --> 00:05:07,655 YOU KILL ME, YOU KILLED A FEDERAL AGENT, AND THAT BRINGS DOWN-- 99 00:05:07,698 --> 00:05:10,135 [IMITATES BUZZER] THAT'S THE WRONG ANSWER. 100 00:05:10,179 --> 00:05:13,400 YOU'D NEVER BEEN IN THAT SITUATION BEFORE. 101 00:05:13,443 --> 00:05:15,793 HE HAD YOU ON THE GROUND, 102 00:05:15,837 --> 00:05:17,795 KNIFE TO YOUR FACE. 103 00:05:17,839 --> 00:05:20,624 YOU RESIGNED YOURSELF TO THE THOUGHT OF DYING. 104 00:05:20,668 --> 00:05:23,018 IT SCARED THE HELL OUT OF ME. 105 00:05:23,061 --> 00:05:26,021 EVERETT LYNCH DIDN'T KILL YOU 106 00:05:26,064 --> 00:05:28,893 BECAUSE HE LOOKED IN YOUR EYES AND SAW SOMETHING 107 00:05:28,937 --> 00:05:30,895 OF HIS FATHER. 108 00:05:30,939 --> 00:05:34,508 SONS KILL THEIR FATHERS, JASON. 109 00:05:34,551 --> 00:05:36,684 SURE, THEY DO, BUT NOT TYPICALLY 110 00:05:36,727 --> 00:05:38,599 IF THEY STILL HAVE ISSUES TO WORK OUT. 111 00:05:38,642 --> 00:05:40,601 LYNCH'S DAD IS DEAD. 112 00:05:40,644 --> 00:05:43,604 HIS NAME WAS DOUGLAS MOORE. HE WAS AN INSURANCE MAN. 113 00:05:43,647 --> 00:05:45,823 LYNCH'S MOTHER WAS TRYING TO GRIFT HIM 114 00:05:45,867 --> 00:05:48,043 AND GOT CARELESS AND GOT PREGNANT. 115 00:05:48,086 --> 00:05:51,046 THE GUY DROWNED IN A BOATING ACCIDENT. 116 00:05:51,089 --> 00:05:53,657 DROWNED, HUH? 117 00:05:53,701 --> 00:05:56,660 KIND OF LIKE HOW LYNCH WOULD DESCRIBE GRACE DROWNING. 118 00:05:56,704 --> 00:06:00,664 OH, LOOK, THE MOORE STORY CHECKED OUT, 119 00:06:00,708 --> 00:06:03,711 UNLESS... 120 00:06:06,104 --> 00:06:09,064 ROBERTA LIED TO ME... 121 00:06:09,107 --> 00:06:13,285 AND IF SHE LIED TO ME, SHE PROBABLY LIED TO HER SON, 122 00:06:13,329 --> 00:06:16,854 AND IF HE FOUND OUT, HE'D WANT TO FIND HIS FATHER, 123 00:06:16,898 --> 00:06:19,291 DON'T YOU THINK? 124 00:06:32,304 --> 00:06:34,959 I NEED YOU TO FIND MY FATHER. 125 00:06:35,003 --> 00:06:37,919 YOU START BY TRACKING DOWN THESE NAMES. 126 00:06:40,835 --> 00:06:42,793 CONSIDER IT DONE, 127 00:06:42,837 --> 00:06:44,882 MR. MYLES. 128 00:06:51,367 --> 00:06:53,717 [CELL PHONE RINGING] 129 00:06:56,241 --> 00:06:58,200 MARILYN? WOMAN: EDDIE, 130 00:06:58,243 --> 00:07:00,420 I NEED YOU. IT'S JIMMY. HE, UM, 131 00:07:00,463 --> 00:07:02,247 HE--HE HIT ME AGAIN, AND I-- 132 00:07:02,291 --> 00:07:04,032 LYNCH: SLOW DOWN. WHERE ARE YOU? 133 00:07:04,075 --> 00:07:06,861 OLIVIA AND I ARE ON OUR WAY TO A MOTEL, 134 00:07:06,904 --> 00:07:09,429 BUT I--I WAS JUST WONDERING 135 00:07:09,472 --> 00:07:14,346 IF MAYBE THE OFFER WAS STILL GOOD FOR US TO MOVE IN TOGETHER? 136 00:07:15,783 --> 00:07:17,741 UH, WELL-- I KNOW. 137 00:07:17,785 --> 00:07:20,918 I SHOULD--I SHOULD HAVE NEVER LEFT YOU HANGING AND GONE BACK TO HIM-- 138 00:07:20,962 --> 00:07:24,008 IT'S NOT THAT. IT'S JUST I'M OUT OF TOWN. I GET BACK TOMORROW. 139 00:07:24,052 --> 00:07:27,882 ALL RIGHT, SO... 140 00:07:27,925 --> 00:07:30,711 SO I'LL COME BY AND PICK UP YOU AND OLIVIA SOMETIME TOMORROW AFTERNOON. 141 00:07:30,754 --> 00:07:33,148 [MARILYN SIGHS] THANKS, BABY. 142 00:07:33,191 --> 00:07:35,150 I OWE YOU. 143 00:07:35,193 --> 00:07:37,152 BYE. 144 00:07:37,195 --> 00:07:39,197 [PHONE BEEPS OFF] 145 00:07:45,116 --> 00:07:48,119 YOU HAVE THE MOST REMARKABLE FACIAL STRUCTURE. 146 00:07:48,163 --> 00:07:50,382 HAS ANYONE EVER TOLD YOU THAT? [GIGGLES] 147 00:08:38,953 --> 00:08:40,955 [HISSING] 148 00:08:43,740 --> 00:08:45,742 [FLAMES WHOOSHING] 149 00:09:17,208 --> 00:09:20,211 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 150 00:09:26,522 --> 00:09:28,480 ROSSI: "DAMAGED PEOPLE ARE DANGEROUS. 151 00:09:28,524 --> 00:09:32,354 THEY KNOW THEY CAN SURVIVE." -JOSEPHINE HART. 152 00:09:32,397 --> 00:09:34,965 [KNOCK ON DOOR, DOOR OPENS] 153 00:09:43,060 --> 00:09:46,020 I DON'T KNOW WHY IT DIDN'T OCCUR TO ME YESTERDAY 154 00:09:46,063 --> 00:09:48,675 THAT YOU'D COME DOWN HERE TO RECHARGE. 155 00:09:51,852 --> 00:09:54,202 IT'S BEEN A YEAR SINCE WE FIRST ENCOUNTERED LYNCH. 156 00:09:54,245 --> 00:09:56,421 YEAH, I'LL PROBABLY FORGET MY WEDDING ANNIVERSARY, 157 00:09:56,465 --> 00:09:58,815 BUT I'LL NEVER FORGET THAT DAY. 158 00:10:00,817 --> 00:10:03,777 AND THIS IS WHERE THE BAU BEGAN. 159 00:10:03,820 --> 00:10:07,215 IT'S THE ONE PLACE I CAN STILL HEAR GIDEON'S VOICE 160 00:10:07,258 --> 00:10:12,176 PRODDING ME TO, UM, "THINK OUTSIDE THE BOX." 161 00:10:12,220 --> 00:10:15,832 SOMETHING LIKE, UH, "I AM THE UNSUB." 162 00:10:15,876 --> 00:10:17,878 "WHO'S MY DADDY?" 163 00:10:17,921 --> 00:10:19,314 [CHUCKLES] 164 00:10:19,357 --> 00:10:21,316 THAT'S WHAT WE'VE BEEN MISSING. 165 00:10:21,359 --> 00:10:23,840 ROBERTA GAVE US THE NAME--ROBERTA LIED. 166 00:10:23,884 --> 00:10:25,842 SHE JUST WANTS TO APPEAR 167 00:10:25,886 --> 00:10:27,844 TO BE HELPFUL TO EVERYBODY. 168 00:10:27,888 --> 00:10:29,498 SHE'S GOT HER OWN AGENDA. 169 00:10:29,541 --> 00:10:31,326 WHAT ARE YOU THINKING-- GET PAROLED, FIND HER SON, 170 00:10:31,369 --> 00:10:33,197 AND GET REVENGE FOR THE DEATH OF HER GRANDDAUGHTER GRACE? 171 00:10:33,241 --> 00:10:34,895 THE TRIFECTA. 172 00:10:34,938 --> 00:10:37,419 KILLING HER OWN CHILD IS FAR MORE COMMON THAN MOST PEOPLE THINK, 173 00:10:37,462 --> 00:10:40,857 AND IN FILICIDE CASES, MOTHERS ARE JUST AS LIKELY AS FATHERS TO BE KILLERS. 174 00:10:40,901 --> 00:10:43,512 WHICH IS WHY ROBERTA DOESN'T WANT US TO GET IN THE WAY 175 00:10:43,555 --> 00:10:45,862 OF HER TAKING CARE OF FAMILY BUSINESS. 176 00:10:45,906 --> 00:10:49,692 STILL, FILICIDE NOT ONLY REQUIRES THAT SHE HARBOR DEEP RESENTMENT, 177 00:10:49,736 --> 00:10:51,694 BUT ALSO THAT SHE DISASSOCIATES 178 00:10:51,738 --> 00:10:53,696 FROM HER RELATIONSHIP TO HER ONLY CHILD. 179 00:10:53,740 --> 00:10:57,265 WHICH SHE DID WHEN I SHOWED HER THE PHOTO OF GRACE'S DEAD BODY. 180 00:10:57,308 --> 00:11:00,007 WERE YOU GONNA SHARE ALL THIS WITH THE REST OF THE TEAM? 181 00:11:00,050 --> 00:11:02,139 IT'S JUST THEORIES. 182 00:11:03,750 --> 00:11:05,882 DAVE, I COMPLETELY UNDERSTAND 183 00:11:05,926 --> 00:11:09,538 YOUR PERSONAL STAKE IN THIS, BUT YOU AND GIDEON STARTED 184 00:11:09,581 --> 00:11:13,542 SOMETHING PRETTY GOOD DOWN HERE, AND I THINK IT'S TIME 185 00:11:13,585 --> 00:11:16,893 THAT YOU LET THAT LEGACY DO WHAT IT'S ALWAYS DONE BEST-- 186 00:11:16,937 --> 00:11:19,113 WORK TOGETHER AS A TEAM. 187 00:11:42,266 --> 00:11:44,268 [SIGHS] 188 00:11:45,879 --> 00:11:48,446 [CHUCKLES] OH. OH, WOW. 189 00:11:48,490 --> 00:11:50,797 WHAT DO YOU THINK?OH, MY GOSH! 190 00:11:50,840 --> 00:11:52,450 THANK YOU. LYNCH: YEAH. 191 00:11:52,494 --> 00:11:54,801 MARILYN: THANK YOU, THANK YOU. MWAH! THANK YOU. 192 00:11:54,844 --> 00:11:56,933 YEAH.YOU ARE TRULY A GODSEND. 193 00:11:56,977 --> 00:11:58,630 WELL, I REARRANGED SOME THINGS INSIDE THE WAY I THINK 194 00:11:58,674 --> 00:12:00,023 YOU MIGHT LIKE THEM; YOU SHOULD GO CHECK THEM OUT. 195 00:12:00,067 --> 00:12:02,678 OK. GREAT. OLIVIA, 196 00:12:02,722 --> 00:12:04,854 LET EDDIE HELP YOU WITH THAT. 197 00:12:04,898 --> 00:12:06,726 HERE, LET ME GET THIS FOR YOU. 198 00:12:06,769 --> 00:12:08,728 NO. I CAN HANDLE MY OWN STUFF. 199 00:12:11,295 --> 00:12:12,862 SORRY. 200 00:12:12,906 --> 00:12:14,864 HEY, DON'T BE. I GET IT. 201 00:12:14,908 --> 00:12:17,171 THIS CAN'T BE EASY FOR YOU. 202 00:12:17,214 --> 00:12:19,782 YEAH. MOM'S BEEN A LOT WORSE, SO... 203 00:12:19,826 --> 00:12:21,784 MAYBE THIS CAN BE, LIKE, A CHANCE 204 00:12:21,828 --> 00:12:24,700 AT A FRESH START? I DON'T KNOW. MAYBE? 205 00:12:24,744 --> 00:12:27,616 YOU MIND TELLING ME SOMETHING? 206 00:12:27,659 --> 00:12:29,270 OK. 207 00:12:29,313 --> 00:12:31,272 WHAT DO YOU SEE IN HER? 208 00:12:32,882 --> 00:12:35,537 I SEE A SPARKLE 209 00:12:35,580 --> 00:12:38,148 THAT'S TRYING REAL HARD TO SHINE BRIGHT. 210 00:12:38,192 --> 00:12:40,760 I WISH I COULD SEE THAT. 211 00:12:40,803 --> 00:12:42,544 OH, YOU WILL. 212 00:12:42,587 --> 00:12:45,765 SO, CAN I PLEASE HELP YOU WITH SOME OF THIS STUFF? 213 00:12:45,808 --> 00:12:48,768 OK. [CHUCKLES] 214 00:12:56,471 --> 00:12:58,821 GARCIA: SO, ROSSI GAVE ME THE HEADS-UP, 215 00:12:58,865 --> 00:13:00,997 AND I WAS ABLE TO FIND STUFF THAT CONFIRMS 216 00:13:01,041 --> 00:13:03,695 OUR VERY OWN SILVER FOX'S THEORY 217 00:13:03,739 --> 00:13:07,438 THAT EVERETT LYNCH IS ON THE LOOKOUT FOR HIS LONG-LOST FATHER. 218 00:13:07,482 --> 00:13:09,832 YOU SEE, IN ALL OF THE CITIES 219 00:13:09,876 --> 00:13:12,661 THAT LYNCH HAS COMMITTED A HEINOUS CRIME, I HAVE 220 00:13:12,704 --> 00:13:16,056 UNCOVERED AN ALIAS LINKED TO A WIRED PAYMENT TO A P.I. 221 00:13:16,099 --> 00:13:19,276 WHO WAS RETAINED TO CONDUCT SEARCHES FOR MEN WE KNOW WERE 222 00:13:19,320 --> 00:13:22,497 ASSOCIATED IN A NAKED WAY WITH LYNCH'S MOTHER, ROBERTA. 223 00:13:22,540 --> 00:13:25,717 INCLUDING DOUGLAS MOORE, THE MAN SHE CLAIMS IS LYNCH'S REAL DAD. 224 00:13:25,761 --> 00:13:28,720 BUT ALL THESE SEARCHES ARE RECENT, LIKE WITHIN THE LAST 8 WEEKS. 225 00:13:28,764 --> 00:13:31,898 SIMMONS: YEAH, IT LOOKS AS THOUGH THEY BEGAN A WEEK AFTER WE FOUND GRACE'S BODY. 226 00:13:31,941 --> 00:13:34,901 REID: IT'S FASCINATING. HE MIGHT NOT BE A COMPLETE SOCIOPATH AFTER ALL. 227 00:13:34,944 --> 00:13:36,859 IT COULD ALSO EXPLAIN HIS DORMANCY. 228 00:13:36,903 --> 00:13:39,644 JJ: WAIT A SECOND, SPENCE. YOU DON'T THINK HE FEELS GUILTY, DO YOU? 229 00:13:39,688 --> 00:13:42,647 NOT GUILT. I THINK IT'S MORE LIKE FEAR, AS IF MAYBE 230 00:13:42,691 --> 00:13:45,868 SOMETHING IN THE ACT OF TAKING HIS CHILD TRIGGERED SOME DEEPLY BURIED MEMORY 231 00:13:45,912 --> 00:13:47,870 OF HIS OWN FATHER'S VIOLENCE TOWARDS HIMSELF. 232 00:13:47,914 --> 00:13:50,873 LEWIS: IF LYNCH NEVER REALLY KNEW WHO HIS FATHER WAS, 233 00:13:50,917 --> 00:13:53,049 OR IF HE HAD REASON TO DOUBT WHAT ROBERTA TOLD HIM, 234 00:13:53,093 --> 00:13:55,051 THEN THAT WOULD MOTIVATE HIM TO SEARCH FOR THE TRUTH. 235 00:13:55,095 --> 00:13:57,227 WELL, THERE'S ONLY ONE PERSON WE KNOW THAT KNOWS THE WHOLE 236 00:13:57,271 --> 00:13:59,229 TRUTH, AND THAT'S ROBERTA, AND SO SHE'S BEEN 237 00:13:59,273 --> 00:14:01,666 MANIPULATING EVERYTHING IN ORDER TO GET OUT OF JAIL. 238 00:14:01,710 --> 00:14:03,755 THEN-- IT WORKED, AT LEAST AS FAR 239 00:14:03,799 --> 00:14:06,062 AS THE LOUISIANA STATE PAROLE BOARD GOES. 240 00:14:06,106 --> 00:14:09,065 PRENTISS: I HAVE JUST BEEN NOTIFIED THAT, DESPITE OUR OBJECTIONS, 241 00:14:09,109 --> 00:14:11,459 ROBERTA IS BEING GRANTED PAROLE, HOWEVER, 242 00:14:11,502 --> 00:14:13,461 HER LAWYER IS TELLING ME HE'S WILLING TO LET US 243 00:14:13,504 --> 00:14:15,202 SPEAK WITH HER ONE LAST TIME. 244 00:14:15,245 --> 00:14:17,160 EMILY, I'D LIKE TO TALK TO ROBERTA. 245 00:14:17,204 --> 00:14:18,945 I WOULD PREFER YOU OBSERVE, ACTUALLY; 246 00:14:18,988 --> 00:14:20,903 I'D LIKE TO TAKE HER OUT OF HER COMFORT ZONE. 247 00:14:20,947 --> 00:14:24,037 THAT MEANS JJ, TARA, YOU TWO GET TO DO THE HONORS. 248 00:14:28,128 --> 00:14:30,173 JJ: HELLO, ROBERTA. 249 00:14:30,217 --> 00:14:33,611 I'M SSA JENNIFER JAREAU. 250 00:14:33,655 --> 00:14:36,179 THIS IS DR. TARA LEWIS. 251 00:14:37,659 --> 00:14:39,617 REMEMBER HIM? 252 00:14:39,661 --> 00:14:42,403 LAWYER: UH, DR. LEWIS, LET ME REMIND YOU 253 00:14:42,446 --> 00:14:44,796 THAT MS. LYNCH IS HERE OF HER OWN VOLITION. 254 00:14:44,840 --> 00:14:47,625 I DON'T UNDERSTAND WHY YOU ARE TAKING A TONE WITH HER. 255 00:14:47,669 --> 00:14:48,626 TONE? 256 00:14:48,670 --> 00:14:50,846 YOUR ADVERSARIAL TONE, 257 00:14:50,890 --> 00:14:52,848 WHEN SHE HAS DONE NOTHING BUT TRY TO HELP YOU 258 00:14:52,892 --> 00:14:55,720 APPREHEND HER VERY UNSTABLE SON. 259 00:14:55,764 --> 00:14:59,724 ROBERTA: DO EITHER ONE OF YOU HAVE CHILDREN? 260 00:14:59,768 --> 00:15:02,336 JJ: WE'RE NOT HERE TO TALK ABOUT OUR FAMILIES. 261 00:15:02,379 --> 00:15:06,340 WE'RE HERE BECAUSE, WHILE THE STATE OF LOUISIANA 262 00:15:06,383 --> 00:15:09,517 BELIEVES YOU'VE BEEN VERY HELPFUL IN THIS INVESTIGATION, 263 00:15:09,560 --> 00:15:11,606 WE KNOW THE TRUTH. 264 00:15:11,649 --> 00:15:15,610 THE TRUTH IS THAT I'M PROFOUNDLY SORRY FOR WHAT 265 00:15:15,653 --> 00:15:18,830 MY GRANDDAUGHTER GRACE DID TO YOU, AGENT JAREAU. 266 00:15:20,049 --> 00:15:22,791 BUT IT IS MY SINCERE BELIEF THAT IT WAS MY SON 267 00:15:22,834 --> 00:15:25,402 WHO REALLY PULLED THAT TRIGGER. 268 00:15:25,446 --> 00:15:28,797 LEWIS: LOOK, WE KNOW YOU THINK YOU'RE GONNA GET OUT OF HERE 269 00:15:28,840 --> 00:15:31,843 AND GO PUNISH YOUR SON FOR WHAT HE DID TO GRACE. 270 00:15:31,887 --> 00:15:34,063 JJ: AND, I GOT TO BE HONEST WITH YOU, THERE IS A REAL SIDE 271 00:15:34,107 --> 00:15:37,719 OF ME THAT'S SAYIN', "YOU GO, GIRL." 272 00:15:37,762 --> 00:15:40,069 YOU'RE THE ONE THAT BROUGHT HIM INTO THIS WORLD, 273 00:15:40,113 --> 00:15:42,680 YEAH, YOU SHOULD BE THE ONE TO TAKE HIM OUT OF IT. 274 00:15:47,511 --> 00:15:50,471 BUT I'M AN OFFICER OF THE LAW, 275 00:15:50,514 --> 00:15:53,474 AND IT'S MY DUTY TO SEE THAT JUSTICE 276 00:15:53,517 --> 00:15:56,956 IS SERVED HERE, NOT REVENGE. 277 00:15:58,609 --> 00:16:00,960 [VOICE SHAKING] LADIES... 278 00:16:02,613 --> 00:16:04,964 AS FAR AS I'M CONCERNED, 279 00:16:05,007 --> 00:16:08,619 MY SON IS ALREADY DEAD TO ME. 280 00:16:10,012 --> 00:16:11,971 DAMN, LADY. 281 00:16:12,014 --> 00:16:13,973 YOU ARE GOOD. 282 00:16:14,016 --> 00:16:17,628 LAWYER: OK, I WOULD SAY WE ARE DONE HERE. 283 00:16:23,678 --> 00:16:27,116 YEAH, IT LOOKS LIKE I GOT A SOLID LEAD ON THIS GUY NAMED DELVIN WEAVER. 284 00:16:27,160 --> 00:16:28,770 OH, HE WASN'T ON THE LIST THAT I GAVE YOU. 285 00:16:28,813 --> 00:16:30,424 YEAH, I KNOW. I'M JUST THAT GOOD. 286 00:16:30,467 --> 00:16:33,166 SO HE WAS SUPPOSEDLY JUST A FRIEND OF A FRIEND OF YOUR ROBERTA, 287 00:16:33,209 --> 00:16:35,168 BUT ACTUALLY THERE WAS A LOT MORE THAN THAT. 288 00:16:35,211 --> 00:16:37,779 ANYWAY, DELVIN WAS, LIKE, THE BAD SHEEP 289 00:16:37,822 --> 00:16:39,955 OF THE WEALTHIEST MINING FAMILY IN NEVADA. 290 00:16:39,999 --> 00:16:43,524 ABOUT 20 YEARS AGO, HE BEAT A MAN TO DEATH IN A BAR IN WEST WENDOVER. 291 00:16:43,567 --> 00:16:46,744 SO, SOUNDS LIKE THE GUY WE'RE LOOKING FOR, AM I RIGHT? 292 00:16:46,788 --> 00:16:48,616 YEAH. WHERE IS HE NOW? 293 00:16:48,659 --> 00:16:50,618 YEAH, I'M STILL WORKING ON THAT. I'LL GET BACK TO YOU. CIAO. 294 00:16:50,661 --> 00:16:52,054 [PHONE CLICKS] 295 00:16:52,098 --> 00:16:53,969 [HANGS UP PHONE] 296 00:16:54,013 --> 00:16:56,885 DON'T WORRY. DIABETES, NOT DRUGS. 297 00:16:56,928 --> 00:16:58,930 [CHUCKLES] 298 00:17:00,454 --> 00:17:03,631 AH, COME TO ME, MY PRETTY. 299 00:17:03,674 --> 00:17:05,676 OK, I SET UP SOME DIGITAL TRIPWIRES 300 00:17:05,720 --> 00:17:08,679 FOR ONLINE SEARCHES AND BACKGROUND CHECKS ON ANY NAMES ASSOCIATED 301 00:17:08,723 --> 00:17:10,899 WITH EVERETT OR GRACE OR ROBERTA LYNCH. 302 00:17:10,942 --> 00:17:12,901 [CHIME]AND SOMEBODY JUST TRIPPED-- 303 00:17:12,944 --> 00:17:14,903 THE LIGHT FANTASTIC? THEY DID, SIR. 304 00:17:14,946 --> 00:17:17,819 SOMEBODY HAS A KEEN INTEREST IN ROBERTA LYNCH'S ALIASES. 305 00:17:17,862 --> 00:17:21,214 CAN YOU TELL WHO THAT SOMEBODY IS? I CANNOT YET, 306 00:17:21,257 --> 00:17:23,868 BUT I CAN TELL YOU THAT THE I.P. ADDRESS OF OUR MYSTERIOUS SEARCHER 307 00:17:23,912 --> 00:17:26,219 IS COMING FROM... RENO, NEVADA. 308 00:17:26,262 --> 00:17:30,440 SO, IT LOOKS LIKE SOME OF US ARE GONNA BE TAKING A FIELD TRIP. 309 00:17:30,484 --> 00:17:32,486 GODSPEED, SIR. 310 00:18:19,446 --> 00:18:23,406 DO YOU SEE THIS? CAN YOU BELIEVE IT? WHAT'D I TELL YOU? 311 00:18:23,450 --> 00:18:26,714 I MEAN, THIS HAS GOT TO BE CLOSE TO 70 GRAND. 312 00:18:26,757 --> 00:18:30,065 I'D SAY THAT'S MORE THAN ENOUGH TO TAKE US WHEREVER WE WANT. 313 00:18:32,111 --> 00:18:34,678 I TOLD YOU WE MAKE A GOOD TEAM. 314 00:18:34,722 --> 00:18:36,680 [MUFFLED WHIMPERING] 315 00:18:36,724 --> 00:18:39,074 WANT ME TO TIE UP OUR LOOSE END? 316 00:18:39,118 --> 00:18:40,989 SHH. 317 00:18:41,032 --> 00:18:43,557 YOUR GIRLFRIEND, CHARLOTTE, 318 00:18:43,600 --> 00:18:45,602 DID YOU LOVE HER? 319 00:18:46,995 --> 00:18:50,955 YEAH, I--I GUESS SO. WHY? 320 00:18:58,485 --> 00:19:00,356 MAYBE YOU'LL UNDERSTAND 321 00:19:00,400 --> 00:19:02,271 WHY I HAVE TO DO THIS. 322 00:19:04,404 --> 00:19:06,188 [GAGGING] 323 00:19:12,934 --> 00:19:15,197 YOU SHOULD NEVER HAVE BEEN BORN. 324 00:19:15,241 --> 00:19:18,418 YOU SHOULD NEVER HAVE BEEN BORN. 325 00:19:26,339 --> 00:19:28,950 [SIGHS] 326 00:19:28,993 --> 00:19:30,995 [CHUCKLING] 327 00:19:34,085 --> 00:19:36,436 OH, HO HO HO... 328 00:19:52,103 --> 00:19:54,105 [SIGHS] 329 00:19:59,154 --> 00:20:01,069 GARCIA: FRET NOT, MY INTREPID CRIME FIGHTERS. 330 00:20:01,112 --> 00:20:03,071 YOU'RE NO LONGER FLYING BLIND INTO THE SILVER STATE. 331 00:20:03,114 --> 00:20:06,553 I HAVE MATCHED OUR MYSTERIOUS SEARCHER'S I.P. ADDRESS TO A BUSINESS IN RENO 332 00:20:06,596 --> 00:20:08,772 THAT TOUTS ITSELF AS A "PRIVATE SECURITY FIRM," 333 00:20:08,816 --> 00:20:12,559 AND IT'S CHRISTENED CASTLE SECURITY. 334 00:20:12,602 --> 00:20:16,563 SAYS HERE THE COMPANY IS OWNED AND OPERATED BY ORLANDO GAINES. 335 00:20:16,606 --> 00:20:17,955 ALVEZ: WHAT A PIECE OF WORK. 336 00:20:17,999 --> 00:20:20,567 HE'S A FORMER CONCORD BAY NARCOTICS COP 337 00:20:20,610 --> 00:20:23,961 WHO SPENT 5 YEARS IN PRISON FOR SELLING POLICE-CONFISCATED DRUGS. 338 00:20:24,005 --> 00:20:25,963 IT LOOKS LIKE 8 MONTHS AGO, HIS COMPANY RECEIVED 339 00:20:26,007 --> 00:20:28,966 A WIRE TRANSFER FOR $25,000 FROM AN OFFSHORE ACCOUNT 340 00:20:29,010 --> 00:20:31,839 CONNECTED TO OUR OLD FRIEND, ARTHUR TERRELL. 341 00:20:31,882 --> 00:20:33,449 TERRELL WAS STILL ALIVE BACK THEN. 342 00:20:33,493 --> 00:20:35,669 PRENTISS: HE WAS, BUT THAT ACCOUNT HAS SINCE TRANSFERRED 343 00:20:35,712 --> 00:20:37,845 INTO THE HANDS OF AN EDWARD MYLES, 344 00:20:37,888 --> 00:20:40,456 AND MR. MYLES IS TURNING OUT TO BE VERY ELUSIVE. 345 00:20:40,500 --> 00:20:42,850 YEAH, 'CAUSE ALTHOUGH THAT COULD BE A VERY LIKELY ALIAS 346 00:20:42,893 --> 00:20:45,244 FOR MR. LYNCH, THAT NAME ISN'T POPPING UP ANYWHERE IN RENO. 347 00:20:45,287 --> 00:20:47,811 PRENTISS: JJ, LUKE, MATT, CHECK IN WITH RENO PD, 348 00:20:47,855 --> 00:20:49,813 ALSO OUR FBI FIELD OFFICE. 349 00:20:49,857 --> 00:20:53,426 DAVE AND SPENCE, SEE IF YOU CAN GET A SIT-DOWN WITH ORLANDO GAINES. 350 00:20:53,469 --> 00:20:55,471 [PHONE BEEPS OFF] 351 00:21:12,401 --> 00:21:14,229 [LINE RINGING] 352 00:21:14,273 --> 00:21:15,622 [RINGING] 353 00:21:18,277 --> 00:21:20,235 WHAT DO YOU GOT? 354 00:21:20,279 --> 00:21:23,543 WELL, I GOT WHAT LOOKS LIKE FEDERAL AGENTS POKING AROUND MY BUSINESS. 355 00:21:23,586 --> 00:21:25,545 THANKS FOR THE HEADS-UP. 356 00:21:25,588 --> 00:21:28,025 YOU'RE WELCOME, BUT I DO HAVE SOMETHING ELSE FOR YOU-- 357 00:21:28,069 --> 00:21:30,419 HOME ADDRESS FOR DELVIN WEAVER. 358 00:21:30,463 --> 00:21:33,814 WHICH MEANS I HAVE THE REST OF YOUR MONEY WAITING HERE FOR YOU. 359 00:21:33,857 --> 00:21:35,859 I'M ON MY WAY. 360 00:21:39,646 --> 00:21:41,604 [KEYBOARD KEYS CLACKING] 361 00:21:41,648 --> 00:21:43,737 YOU FOUND A MISSING PERSONS REPORT? 362 00:21:43,780 --> 00:21:45,129 COMING ACROSS THE WIRE NOW. 363 00:21:45,173 --> 00:21:47,131 OK, MARILYN IRWIN, 45 YEARS OLD. 364 00:21:47,175 --> 00:21:49,351 COCKTAIL WAITRESS AT THE TANGIERS IN RENO. 365 00:21:49,395 --> 00:21:51,527 SHE HAS A 15-YEAR-OLD DAUGHTER, OLIVIA. 366 00:21:51,571 --> 00:21:53,703 HERE'S THE KICKER: TWO DAYS AGO, MARILYN GETS IN THIS FIGHT 367 00:21:53,747 --> 00:21:55,705 WITH HER LIVE-IN ABUSIVE BOYFRIEND, THEN SHE CALLS HER MOM, 368 00:21:55,749 --> 00:21:57,707 AND THEN SHE TELLS HER MOM SHE'S MOVING OUT AND SHE'S MOVING IN 369 00:21:57,751 --> 00:21:59,361 WITH A GUY NAMED-- WAIT FOR IT-- 370 00:21:59,405 --> 00:22:02,277 EDWARD MYLES, AKA EVERETT LYNCH. 371 00:22:02,321 --> 00:22:05,062 SO EVERETT LYNCH IS NO LONGER DORMANT AND HE'S ESCALATING. 372 00:22:05,106 --> 00:22:07,108 LETTER COPY. 373 00:22:16,944 --> 00:22:19,642 OLIVIA: DO YOU KNOW WHERE MY MOM WENT? 374 00:22:19,686 --> 00:22:22,515 HUH? UH, NO. 375 00:22:22,558 --> 00:22:25,387 I DON'T. TRIED CALLING HER? 376 00:22:25,431 --> 00:22:27,781 I WOULD, BUT I CAN'T FIND MY PHONE. 377 00:22:27,824 --> 00:22:29,435 HMM. 378 00:22:31,088 --> 00:22:33,700 DID YOU GUYS GET INTO A FIGHT? 379 00:22:38,095 --> 00:22:40,663 YEAH, YEAH, WE DID. I--I TRIED TO STOP HER, 380 00:22:40,707 --> 00:22:42,665 BUT SHE HOPPED IN HER CAR AND SHE PEELED OUT OF HERE-- 381 00:22:42,709 --> 00:22:45,059 OF COURSE SHE DID, BECAUSE THAT'S WHAT SHE DOES. 382 00:22:45,102 --> 00:22:47,670 SHE RUNS FROM BOYFRIEND TO FREAKING BOYFRIEND. 383 00:22:47,714 --> 00:22:50,412 COUPLES, THEY FIGHT-- EDDIE. 384 00:22:50,456 --> 00:22:53,894 COME ON. DID YOU HONESTLY BELIEVE THAT YOU GUYS WERE, LIKE, A COUPLE? 385 00:22:56,505 --> 00:22:58,464 HEY, OLIVIA, IF YOU WANT, I GOT NO PROBLEM 386 00:22:58,507 --> 00:23:00,727 TAKING YOU TO YOUR GRANDMA'S PLACE IN CARSON CITY. 387 00:23:00,770 --> 00:23:02,206 NO. 388 00:23:02,250 --> 00:23:04,992 NO, IT'S FINE. I'LL JUST WAIT HERE. 389 00:23:05,035 --> 00:23:07,777 SHE'LL BE COMING BACK EVENTUALLY. 390 00:23:07,821 --> 00:23:10,824 OK. YEAH, SURE. 391 00:23:15,350 --> 00:23:17,352 [NECK CRACKS] 392 00:23:26,709 --> 00:23:28,711 [KNOCKS ON DOOR] 393 00:23:35,283 --> 00:23:37,459 HEY, DELVIN. 394 00:23:37,503 --> 00:23:40,419 BOBBIE? 395 00:23:40,462 --> 00:23:41,811 YEP. HEH! 396 00:23:41,855 --> 00:23:45,641 FOUND MYSELF PASSING THROUGH, AND SO I GOT 397 00:23:45,685 --> 00:23:48,383 A LITTLE BIT NOSTALGIC, AND... 398 00:23:48,427 --> 00:23:50,690 I JUST THOUGHT I'D COME BY, SEE IF YOU'RE STILL HERE. 399 00:23:50,733 --> 00:23:53,519 BEEN A LONG TIME. 400 00:23:53,562 --> 00:23:56,391 YEAH. 401 00:23:56,435 --> 00:23:58,437 COME ON IN. 402 00:24:08,490 --> 00:24:13,452 YOU KNOW, I FOUND THIS GUY SNOOPIN' AROUND MY PROPERTY THIS MORNING. 403 00:24:15,105 --> 00:24:19,283 HMM, KINDA LOOKED LIKE THIS P.I. TYPE. 404 00:24:19,327 --> 00:24:22,461 [GRUNTS] NOW HE WASN'T WITH YOU, WAS HE? 405 00:24:22,504 --> 00:24:24,463 HE WAS NOT. 406 00:24:24,506 --> 00:24:26,465 IT'S JUST AWFULLY WEIRD, 407 00:24:26,508 --> 00:24:30,294 YOU DROPPING IN OUT OF THE CLEAR BLUE SKY 408 00:24:30,338 --> 00:24:33,646 AFTER... LIKE, 30 YEARS, 409 00:24:33,689 --> 00:24:37,084 ESPECIALLY THE WAY WE--WE ENDED IT. 410 00:24:37,127 --> 00:24:39,478 THAT WAS NOT PRETTY. 411 00:24:39,521 --> 00:24:42,481 YEAH, WELL, WHAT'S DONE IS DONE, CAN'T BE UNDONE, 412 00:24:42,524 --> 00:24:47,268 SO NOTHIN' I CAN SAY IS GONNA CHANGE ANYTHING. 413 00:24:47,311 --> 00:24:48,704 WHAT ABOUT YOUR SON? 414 00:24:48,748 --> 00:24:50,706 AS FAR AS I'M CONCERNED, 415 00:24:50,750 --> 00:24:53,709 BRINGING HIM INTO THIS WORLD WAS YOUR DECISION. 416 00:24:53,753 --> 00:24:55,755 IT'S NOT MINE. 417 00:25:02,413 --> 00:25:05,416 YOU KNOW, AFTER WE SEPARATED... 418 00:25:07,157 --> 00:25:11,161 I LIED TO THE BOY ABOUT WHO HIS FATHER WAS. 419 00:25:12,554 --> 00:25:16,515 BUT NOW I HEAR THAT HE KNOWS THE TRUTH... 420 00:25:18,168 --> 00:25:20,257 AND HE'S LOOKIN' FOR YOU, 421 00:25:20,301 --> 00:25:22,477 WANTS TO RECONNECT. 422 00:25:22,521 --> 00:25:24,653 I GOT NOTHIN' TO SAY TO HIM. 423 00:25:24,697 --> 00:25:28,831 YOUR SON HAS GROWN UP TO BE A REAL CHIP OFF THE OLD BLOCK. 424 00:25:30,964 --> 00:25:33,488 HE HURTS WOMEN. 425 00:25:33,532 --> 00:25:35,751 HE'S EVEN KILLED A FEW. 426 00:25:35,795 --> 00:25:38,232 WHY ARE YOU TELLING ME ALL THIS, BOBBIE?! 427 00:25:38,275 --> 00:25:40,626 'CAUSE EVERY TIME I THINK ABOUT IT, I THINK ABOUT THAT NIGHT 428 00:25:40,669 --> 00:25:44,281 THAT YOU TRIED TO DROWN HIM IN OUR BATHTUB, 429 00:25:44,325 --> 00:25:47,633 AND I CANNOT STOP HEARING YOUR VOICE, 430 00:25:47,676 --> 00:25:50,287 SCREAMIN'... 431 00:25:50,331 --> 00:25:53,943 "YOU SHOULD HAVE NEVER BEEN BORN!" 432 00:25:53,987 --> 00:25:57,947 SO IT SOUNDS LIKE I WAS RIGHT, RIGHT?! 433 00:25:57,991 --> 00:25:59,949 [CHUCKLES] 434 00:25:59,993 --> 00:26:02,691 YOU'RE A SON OF A BITCH. 435 00:26:07,653 --> 00:26:09,872 [GROANING] 436 00:26:09,916 --> 00:26:15,225 [SCREAMING, FIRING CONTINUOUSLY] 437 00:26:19,665 --> 00:26:22,319 PRENTISS: MR. STINSON, YOUR MISGUIDED AFFECTION 438 00:26:22,363 --> 00:26:24,931 FOR ROBERTA LYNCH HAS DRIVEN YOU INTO A BLIND 439 00:26:24,974 --> 00:26:27,760 AND INCONCEIVABLY STUPID LOYALTY. 440 00:26:27,803 --> 00:26:29,979 LEWIS: APPARENTLY, AFTER ROBERTA TOOK CARE OF BUSINESS, 441 00:26:30,023 --> 00:26:32,373 YOU WERE PLANNING TO RENDEZVOUS AT THE 442 00:26:32,416 --> 00:26:35,376 ZALVOS RESORT IN THE CAYMAN ISLANDS. 443 00:26:35,419 --> 00:26:38,379 PRENTISS: WE KNOW ROBERTA SKIPPED OUT ON HER PAROLE 444 00:26:38,422 --> 00:26:40,424 TO CATCH UP WITH HER SON'S BIOLOGICAL FATHER, 445 00:26:40,468 --> 00:26:42,426 AND WE KNOW HE LIVES SOMEWHERE NEAR RENO. 446 00:26:42,470 --> 00:26:45,342 WE DON'T KNOW HIS NAME, BUT YOU DO. 447 00:26:46,605 --> 00:26:49,564 I DO NOT HAVE ANYTHING TO SAY TO YOU TODAY. 448 00:26:49,608 --> 00:26:53,176 I HAVE NO KNOWLEDGE OF MS. LYNCH'S CURRENT WHEREABOUTS. 449 00:26:54,569 --> 00:26:57,137 I'D SAY ROBERTA WAS DEFINITELY PLANNING 450 00:26:57,180 --> 00:27:00,227 FOR HER LIFE AFTER PRISON WITH YOU 451 00:27:00,270 --> 00:27:02,838 AND WITH OTHERS. [DROPS FOLDER] 452 00:27:02,882 --> 00:27:05,275 WHAT ARE YOU TALKING ABOUT? 453 00:27:05,319 --> 00:27:06,886 OPEN IT. 454 00:27:10,890 --> 00:27:13,849 LEWIS: ROBERTA SOLICITED MANY MALE ADMIRERS 455 00:27:13,893 --> 00:27:16,243 WITH THOSE--WHAT ARE THEY CALLED AGAIN, BOUDOIR PHOTOS? 456 00:27:16,286 --> 00:27:17,636 MM-HMM. MMM. 457 00:27:20,290 --> 00:27:22,902 SHE SAID SHE LOVED ME. 458 00:27:24,294 --> 00:27:26,557 THEY ALWAYS DO. 459 00:27:28,168 --> 00:27:30,561 WHO'S EVERETT LYNCH'S FATHER? 460 00:27:35,741 --> 00:27:39,092 STINSON, VOICE-OVER: HIS NAME IS DELVIN WEAVER. 461 00:27:39,135 --> 00:27:41,311 [CAMERA SHUTTER CLICKING] 462 00:27:41,355 --> 00:27:43,662 THAT IS WHAT THEY CALL OVERKILL. 463 00:27:43,705 --> 00:27:45,664 AT LEAST 14 GUNSHOT WOUNDS, 464 00:27:45,707 --> 00:27:48,492 WHICH SUGGESTS THE KILLER RELOADED, AND THEN FOLLOWED UP 465 00:27:48,536 --> 00:27:49,842 WITH 47 STAB WOUNDS. 466 00:27:49,885 --> 00:27:51,844 YEAH, THIS IS ROBERTA'S HANDIWORK. 467 00:27:51,887 --> 00:27:54,498 REID: DOESN'T TAKE AN EXPERT TO RECOGNIZE THAT ALL THIS VIOLENCE 468 00:27:54,542 --> 00:27:57,240 IS MOST LIKELY ROOTED IN HER OWN HISTORY OF VICTIMIZATION. 469 00:27:57,284 --> 00:27:59,634 BUT THE OVERALL MESSAGE? THAT'S FOR HER SON. 470 00:27:59,678 --> 00:28:01,636 HE TOOK AWAY GRACE FROM HER, 471 00:28:01,680 --> 00:28:04,247 SO SHE'S TAKING AWAY HIS FATHER FROM HIM. 472 00:28:04,291 --> 00:28:06,815 BASICALLY DENYING WHATEVER ANSWER HE THOUGHT HE 473 00:28:06,859 --> 00:28:09,818 MIGHT BE ABLE TO SALVAGE FROM THEIR REUNION. 474 00:28:09,862 --> 00:28:11,820 BUT WHEN LYNCH FINDS OUT ABOUT THIS, IT'LL JUST CONFIRM 475 00:28:11,864 --> 00:28:14,431 WHAT HE ALREADY SUSPECTS ABOUT HIS FATHER'S VIOLENT PAST, 476 00:28:14,475 --> 00:28:17,043 AND THAT COULD HELP US BECAUSE IF KILLING GRACE 477 00:28:17,086 --> 00:28:19,045 DID TRIGGER SOME SORT OF TERRIBLE MEMORY, 478 00:28:19,088 --> 00:28:22,091 HE MIGHT TRY TO SUPPRESS WHATEVER URGES MAKE HIM FEEL LIKE HIS DAD. 479 00:28:22,135 --> 00:28:25,094 HE MIGHT EVEN TRY TO PROVE THAT TO HIMSELF 480 00:28:25,138 --> 00:28:27,488 BY FOSTERING A SURROGATE FOR GRACE, 481 00:28:27,531 --> 00:28:30,404 LIKE OLIVIA IRWIN. 482 00:28:30,447 --> 00:28:33,450 I'LL CHECK IN WITH LUKE AND MATT. 483 00:28:38,368 --> 00:28:40,370 [CELL PHONE RINGING] 484 00:28:42,982 --> 00:28:44,331 ROSSI. 485 00:28:44,374 --> 00:28:46,463 LYNCH: AGENT ROSSI. 486 00:28:46,507 --> 00:28:48,204 IS MY FATHER DEAD? 487 00:28:48,248 --> 00:28:50,206 YES, HE IS. 488 00:28:50,250 --> 00:28:52,208 YOUR MOTHER KILLED HM. 489 00:28:52,252 --> 00:28:53,601 MY MOTHER? 490 00:28:53,644 --> 00:28:55,603 [LAUGHING] 491 00:28:55,646 --> 00:28:58,301 SHE CHARMED HER WAY OUT OF JAIL, 492 00:28:58,345 --> 00:29:00,869 AND NOW SHE'S OUT FOR BLOOD--YOURS. 493 00:29:00,913 --> 00:29:02,871 I'M SURE SHE IS. LISTEN, I NEED TO TALK TO YOU, 494 00:29:02,915 --> 00:29:05,178 FACE TO FACE.YOU TELL ME WHERE 495 00:29:05,221 --> 00:29:08,094 I CAN FIND MARILYN AND OLIVIA, THEN WE CAN TALK. 496 00:29:08,137 --> 00:29:10,096 MARILYN'S GONE, BUT OLIVIA, 497 00:29:10,139 --> 00:29:12,794 SHE'S SOMEWHERE SAFE, FOR NOW. 498 00:29:12,838 --> 00:29:14,404 ALL RIGHT. 499 00:29:14,448 --> 00:29:16,276 JASPER'S RIDGE IN 30 MINUTES. 500 00:29:16,319 --> 00:29:19,932 JUST YOU AND ME, AND THEN MAYBE I'LL TELL YOU WHERE YOU CAN FIND OLIVIA. 501 00:29:23,022 --> 00:29:25,415 I CAN'T BELIEVE WE'RE EVEN CONSIDERING THIS. 502 00:29:25,459 --> 00:29:27,722 WE CAN'T NEGOTIATE WITH A SOCIOPATH. 503 00:29:27,766 --> 00:29:30,769 ALVEZ: I'M WITH JJ. IT'LL ONLY EMBOLDEN HIS SENSE OF POWER. 504 00:29:30,812 --> 00:29:32,771 REID: IT MIGHT, BUT LYNCH IS CLEARLY 505 00:29:32,814 --> 00:29:34,773 IN A VERY VULNERABLE EMOTIONAL STATE OF MIND, 506 00:29:34,816 --> 00:29:37,253 AND THAT PROVIDES US WITH AN OPPORTUNITY TO MANIPULATE HIM. 507 00:29:37,297 --> 00:29:39,560 HOW SO?REID: WE CAN GIVE HIM HOPE, 508 00:29:39,603 --> 00:29:41,562 BASICALLY HOPE FOR REDEMPTION. 509 00:29:41,605 --> 00:29:43,564 LYNCH KNOWS THAT HIS IMPULSES ARE WRONG 510 00:29:43,607 --> 00:29:45,566 AND THAT THEY MAKE HIM JUST LIKE HIS FATHER, AND HE HATES THAT, 511 00:29:45,609 --> 00:29:48,221 SO HE'S LOOKING TO A SURROGATE FATHER-- IN THIS CASE, ROSSI-- 512 00:29:48,264 --> 00:29:51,006 TO TELL HIM THAT HE CAN OVERCOME HIS PAST AND BECOME A BETTER MAN. 513 00:29:51,050 --> 00:29:52,399 SPENCE, YOU GIVE HIM WAY TOO MUCH CREDIT 514 00:29:52,442 --> 00:29:54,401 FOR BEING ABLE TO FEEL HUMAN EMOTION. 515 00:29:54,444 --> 00:29:56,359 SIMMONS: WELL, I'M NOT SURE ABOUT HIS EMOTIONAL VULNERABILITY, 516 00:29:56,403 --> 00:29:58,361 BUT I DO THINK WE SHOULD TRY TO TAKE ADVANTAGE OF WHAT'S GOING TO BE 517 00:29:58,405 --> 00:30:00,363 HIS PHYSICAL VULNERABILITY ON JASPER'S RIDGE. 518 00:30:00,407 --> 00:30:02,148 ALVEZ: IF HE SENSES DAVE'S GOT BACK-UP, 519 00:30:02,191 --> 00:30:04,019 THE PSYCHOLOGICAL GAMES ARE OVER. 520 00:30:04,063 --> 00:30:06,935 AND WE STILL DON'T HAVE ONE CLUE AS TO WHERE HE'S HOLDING OLIVIA IRWIN. 521 00:30:06,979 --> 00:30:08,415 SIMMONS: I JUST THINK THERE'S A WAY THAT WE 522 00:30:08,458 --> 00:30:10,069 CAN GET THE BEST OF BOTH WORLDS HERE. 523 00:30:10,112 --> 00:30:12,419 EMILY, WHAT DO YOU WANT? 524 00:30:12,462 --> 00:30:15,204 I WANT YOU TO TALK TO HIM. 525 00:30:19,208 --> 00:30:21,210 [GUNSHOT] 526 00:30:28,652 --> 00:30:30,654 COME SHOOT WITH ME. 527 00:31:02,512 --> 00:31:05,124 YOU IMAGINE THAT LITTLE BOTTLE WAS ME? 528 00:31:08,040 --> 00:31:10,607 LYNCH: I THINK, IF IT WEREN'T FOR YOU NOT KNOWING WHERE 529 00:31:10,651 --> 00:31:13,915 TO FIND OLIVIA, YOU'D THINK ABOUT TURNING THAT WEAPON ON ME. 530 00:31:13,959 --> 00:31:15,917 IN SELF-DEFENSE, OF COURSE, NOT IN COLD BLOOD 531 00:31:15,961 --> 00:31:19,921 'CAUSE YOU'RE ABLE TO CONTROL...THOSE IMPULSES IN YOURSELF, RIGHT? 532 00:31:19,965 --> 00:31:23,229 YOU CAN, TOO. YOU'RE DOING IT NOW. 533 00:31:25,622 --> 00:31:29,626 I DON'T HAVE MANY MEMORIES OF MY REAL DAD, 534 00:31:31,628 --> 00:31:33,935 ACTUALLY, JUST ONE. 535 00:31:33,979 --> 00:31:36,155 I WAS 4 YEARS OLD, AND HE WAS 536 00:31:36,198 --> 00:31:38,722 WASHING ME UP IN THE TUB. 537 00:31:38,766 --> 00:31:40,724 I DON'T KNOW WHAT HAPPENED, BUT ALL OF A SUDDEN, 538 00:31:40,768 --> 00:31:42,726 HE'S GOT HIS HANDS AROUND MY NECK 539 00:31:42,770 --> 00:31:44,728 AND HE'S HOLDING ME UNDERWATER 540 00:31:44,772 --> 00:31:46,730 AND HE'S CURSING ME: 541 00:31:46,774 --> 00:31:49,342 "YOU SHOULD NEVER HAVE BEEN BORN! 542 00:31:49,385 --> 00:31:51,387 YOU SHOULD NEVER HAVE BEEN BORN!" 543 00:31:51,431 --> 00:31:53,389 AND I'LL BET THOSE WERE THE SAME WORDS 544 00:31:53,433 --> 00:31:56,915 YOU HEARD YOURSELF TELLING GRACE BEFORE YOU TOOK HER LIFE. 545 00:31:59,656 --> 00:32:02,224 YES, SIR... 546 00:32:02,268 --> 00:32:03,747 [GLASS SHATTERS] 547 00:32:03,791 --> 00:32:05,749 ONLY SHE DIDN'T HAVE ROBERTA TO COME 548 00:32:05,793 --> 00:32:07,882 FLY IN AND SAVE HER LIKE I DID. 549 00:32:07,926 --> 00:32:09,884 AFTER ALL THESE YEARS, I'VE NEVER BEEN ABLE 550 00:32:09,928 --> 00:32:11,886 TO FIGURE OUT WHY SHE DID THAT. 551 00:32:11,930 --> 00:32:13,888 SHE DIDN'T LOVE ME. 552 00:32:13,932 --> 00:32:18,240 ALL I KNOW, EVERETT, IS THAT IF YOU SURRENDER RIGHT NOW, YOU LIVE. 553 00:32:19,633 --> 00:32:21,635 IN A CAGE. 554 00:32:24,725 --> 00:32:27,684 JUST TO BE CLEAR... 555 00:32:27,728 --> 00:32:30,470 GIVE ME A REASON. 556 00:32:30,513 --> 00:32:32,689 LYNCH: IF ANYTHING HAPPENS TO ME, 557 00:32:32,733 --> 00:32:35,692 AND I'M UNABLE TO RETURN TO OLIVIA, SHE'S GONNA DIE. 558 00:32:35,736 --> 00:32:38,304 POOR KID'S GOT TYPE 1 DIABETES, AND I 559 00:32:38,347 --> 00:32:40,697 SPIKED A DOSE OF HER INSULIN. 560 00:32:40,741 --> 00:32:43,091 NOT BACK AROUND DINNER... 561 00:32:43,135 --> 00:32:45,789 WELL, IT'S NOT GONNA BE PRETTY. 562 00:32:49,793 --> 00:32:52,405 JUST LET ME GO. 563 00:33:02,719 --> 00:33:05,679 ROSSI: YOU KNOW, THIS DOESN'T HAVE TO END THE WAY YOU THINK IT DOES. 564 00:33:05,722 --> 00:33:07,811 HOW DOES IT END, AGENT ROSSI? 565 00:33:07,855 --> 00:33:11,598 YOU LET OLIVIA GO, AND YOU REALIZE YOU'RE NOT YOUR FATHER'S SON. 566 00:33:11,641 --> 00:33:13,687 I'M STILL MY MAMA'S BOY. 567 00:33:27,092 --> 00:33:29,659 YOU MADE THE RIGHT CALL, JJ. 568 00:33:29,703 --> 00:33:33,446 IF...WE CAN KEEP OUR EYES ON HIM. 569 00:33:33,489 --> 00:33:35,448 [SIGHS] 570 00:33:35,491 --> 00:33:36,840 THEY LOST HIM. THEY LOST LYNCH. 571 00:33:36,884 --> 00:33:39,060 RENO PD AND THE PARK RANGERS. 572 00:33:39,104 --> 00:33:43,064 THEY BLOCKED THE ACCESS ROADS, BUT LYNCH'S MERCEDES IS STILL UP THERE ON JASPER'S RIDGE. 573 00:33:43,108 --> 00:33:45,197 SO HE'S GOT TO BE ON FOOT SOMEWHERE IN THAT WILDERNESS. 574 00:33:45,240 --> 00:33:47,199 YEAH, THAT'S WHAT I THOUGHT, TOO, BUT 575 00:33:47,242 --> 00:33:49,201 THERE'S THESE ABANDONED MINING TUNNELS 576 00:33:49,244 --> 00:33:51,116 THAT WERE DUG OUT IN THE 1800s. 577 00:33:51,159 --> 00:33:53,031 MAYBE HE TOOK ADVANTAGE OF THAT. 578 00:33:53,074 --> 00:33:55,033 [BEEPS] 579 00:33:58,688 --> 00:34:00,951 [2 BEEPS] 580 00:34:04,390 --> 00:34:07,349 GREAT. FIRST MY PHONE, AND NOW THIS. 581 00:34:07,393 --> 00:34:10,178 LYNCH: YOU LEFT IT IN THE KITCHEN. 582 00:34:10,222 --> 00:34:11,832 THANKS. 583 00:34:11,875 --> 00:34:13,225 SURE. 584 00:34:17,577 --> 00:34:19,883 [SNIFFLES] UM... 585 00:34:19,927 --> 00:34:21,972 HAS MY MOM CALLED YOU? 586 00:34:22,016 --> 00:34:24,584 NO, NOT YET, YOU KNOW, AND I REALLY JUST THINK 587 00:34:24,627 --> 00:34:26,586 IT'S BEST IF I DROP YOU OFF AT YOUR GRANDMA'S BECAUSE-- 588 00:34:26,629 --> 00:34:30,981 ROBERTA: BECAUSE YOUR MOTHER IS NEVER COMIN' HOME, LITTLE GIRL. 589 00:34:31,025 --> 00:34:33,854 ISN'T THAT RIGHT, EVERETT? 590 00:34:33,897 --> 00:34:35,856 WHO THE HELL ARE YOU? 591 00:34:35,899 --> 00:34:38,250 OLIVIA, THIS IS MY MOM. 592 00:34:38,293 --> 00:34:43,037 [VOICE SHAKING] YOU ARE GONNA TELL THIS CHILD THE TRUTH. 593 00:34:43,081 --> 00:34:44,778 [COCKS GUN] 594 00:34:51,524 --> 00:34:54,135 GARCIA FIND SOMETHING?GARCIA: YEAH, I DID. 595 00:34:54,179 --> 00:34:57,182 IT LOOKS LIKE ROBERTA LYNCH SPENT A SIGNIFICANT PART OF HER TEENAGE YEARS 596 00:34:57,225 --> 00:34:59,619 BOUNCING FROM FAMILY MEMBERS TO FAMILY FRIENDS, 597 00:34:59,662 --> 00:35:02,012 INCLUDING THE DUGGANS OF RENO. 598 00:35:02,056 --> 00:35:04,014 NOW, THEY MADE ALL THEIR MONEY IN THE GAMING INDUSTRY, 599 00:35:04,058 --> 00:35:07,757 MOST OF THEM MOVED AWAY EXCEPT FOR ONE-- ALEXANDRIA DUGGAN. 600 00:35:07,801 --> 00:35:09,977 JJ, REID, GARCIA, SENDING YOU THE ADDRESS NOW. 601 00:35:10,020 --> 00:35:11,413 ALL RIGHT, WE GOT IT. 602 00:35:11,457 --> 00:35:13,981 ALSO, FBI SWAT OFFICERS ARE ON THEIR WAY TO MEET YOU. 603 00:35:14,024 --> 00:35:16,766 YOU MAY NOT MAKE IT THERE IN TIME TO SAVE LYNCH FROM ROBERTA. 604 00:35:16,810 --> 00:35:19,160 I'M ONLY CONCERNED WITH SAVING OLIVIA IRWIN'S LIFE RIGHT NOW. 605 00:35:19,204 --> 00:35:21,554 I KNOW ROBERTA THINKS SHE CAN KILL HER SON, 606 00:35:21,597 --> 00:35:23,686 BUT WHEN IT COMES DOWN TO IT, SHE WON'T PULL THE TRIGGER. 607 00:35:23,730 --> 00:35:26,863 I THINK SHE WILL. YOU DIDN'T SEE HER REACT TO THAT PHOTO OF GRACE. 608 00:35:26,907 --> 00:35:29,083 NO, BUT I DID SEE HER SENTIMENTAL SIDE, AND IT'S HARD TO SEE 609 00:35:29,127 --> 00:35:31,085 HOW SHE'D BE ABLE TO COMPLETELY DISASSOCIATE 610 00:35:31,129 --> 00:35:33,087 FROM HER RELATIONSHIP TO HER ONLY CHILD. 611 00:35:33,131 --> 00:35:35,045 BUT IF LYNCH FIGURES THAT OUT, HE'LL HAVE THE ADVANTAGE, 612 00:35:35,089 --> 00:35:37,265 AND I'M SURE HE WON'T HESITATE TO KILL HER. 613 00:35:40,703 --> 00:35:42,662 LYNCH: YOU WANT THE TRUTH, HUH? 614 00:35:42,705 --> 00:35:44,664 YOU WANT THE TRUTH? THIS IS IT. 615 00:35:44,707 --> 00:35:46,056 [CRYING] NO! 616 00:35:46,100 --> 00:35:48,276 NO, MOM. NO, NO! YOU DIDN'T! 617 00:35:48,320 --> 00:35:51,149 OH, YEAH, AND YOU-- YOU NEED TO SEE THIS. 618 00:35:52,237 --> 00:35:55,022 [SOBBING]I DIDN'T WANT TO DO THIS. 619 00:35:55,065 --> 00:35:57,024 SOMETHING CAME OVER ME. 620 00:35:57,067 --> 00:35:59,200 I DON'T KNOW WHAT IT IS. 621 00:35:59,244 --> 00:36:02,986 SOMETHING INSIDE. IT'S LIKE A PART OF ME AND IT'S A PART OF YOU, TOO! 622 00:36:03,030 --> 00:36:05,163 YOU'RE A MONSTER. 623 00:36:05,206 --> 00:36:08,166 HMM. MMM. [EXHALES SHARPLY] 624 00:36:08,209 --> 00:36:11,081 AH, I BET YOU'RE WISHING YOU LET DADDY DROWN ME NOW, HUH? HA HA HA! 625 00:36:11,125 --> 00:36:14,215 [LYNCH LAUGHING] 626 00:36:14,259 --> 00:36:15,869 [SIRENS] 627 00:36:27,576 --> 00:36:30,405 [INDISTINCT RADIO TRANSMISSIONS] 628 00:36:30,449 --> 00:36:33,626 JJ: VAN TO MONTERO. WE NEED TO SURROUND AND SECURE THE PERIMETER. 629 00:36:33,669 --> 00:36:35,541 YES, MA'AM. 630 00:36:35,584 --> 00:36:37,238 [SPEAKING INDISTINCTLY] 631 00:36:38,631 --> 00:36:40,589 [CELL PHONE RINGING]NO, NO, NO, NO! 632 00:36:40,633 --> 00:36:42,591 SHH, SHH. RELAX. 633 00:36:42,635 --> 00:36:45,638 RELAX, OK? [PANTING] 634 00:36:45,681 --> 00:36:47,248 THIS IS THE FBI. 635 00:36:47,292 --> 00:36:50,338 NO, NO, NO, NO, NO. NO, I'M GONNA TALK TO THEM. 636 00:36:50,382 --> 00:36:52,340 [RINGING CONTINUES] 637 00:36:52,384 --> 00:36:54,081 ON THE GROUND. OK. 638 00:37:06,659 --> 00:37:08,835 IS THIS AGENT ROSSI? 639 00:37:08,878 --> 00:37:10,837 NO, ROBERTA, MY NAME IS DR. SPENCER REID, 640 00:37:10,880 --> 00:37:12,969 AND IT'S IMPORTANT THAT YOU LISTEN TO ME RIGHT NOW. 641 00:37:13,013 --> 00:37:15,755 EVEN THOUGH YOU HAVE THE GUN, THE MOMENT YOUR SON REALIZES 642 00:37:15,798 --> 00:37:18,410 YOU'RE NOT GONNA SHOOT HIM, HE'S GONNA GET THE UPPER HAND. 643 00:37:18,453 --> 00:37:21,064 [SIGHS] YOU'RE WRONG... 644 00:37:22,588 --> 00:37:24,633 'CAUSE MY SON 645 00:37:24,677 --> 00:37:26,635 IS GOING TO PAY 646 00:37:26,679 --> 00:37:28,637 FOR WHAT HE DID TO GRACE. 647 00:37:28,681 --> 00:37:32,293 REID: YES, BUT FIRST YOU NEED TO LET OLIVIA WALK OUT OF THERE, OK? 648 00:37:32,337 --> 00:37:34,295 YEAH. 649 00:37:34,339 --> 00:37:35,905 OLIVIA. 650 00:37:35,949 --> 00:37:38,343 GO. HURRY, GO.NOW, WAIT A SECOND-- 651 00:37:39,387 --> 00:37:41,215 REID: ROBERTA? 652 00:37:43,348 --> 00:37:46,351 DON'T YOU WORRY. SHE'S ON HER WAY OUT TO YOU. 653 00:37:47,352 --> 00:37:49,963 [INDISTINCT RADIO TRANSMISSIONS] 654 00:37:55,316 --> 00:37:58,276 ROBERTA, THAT WARNING SHOT IS WHAT'S ABOUT TO GIVE YOU AWAY, BUT WE CAN HELP. 655 00:37:58,319 --> 00:38:00,234 ARE YOU READY FOR US TO COME IN? WE CAN SAVE YOU BOTH. 656 00:38:00,278 --> 00:38:01,279 HA! 657 00:38:02,410 --> 00:38:04,020 DAVE, THEY FOUND THIS BAG 658 00:38:04,064 --> 00:38:05,587 DISCARDED ON THE SIDE OF THE ROAD. 659 00:38:05,631 --> 00:38:08,068 ROSSI: LOOKS LIKE IT'S ROBERTA'S. 660 00:38:24,650 --> 00:38:28,001 YOU REALIZE HOW THIS HAS TO END, RIGHT? RIGHT? 661 00:38:29,394 --> 00:38:30,960 REID: ROBERTA? HEY. 662 00:38:31,004 --> 00:38:32,353 YES... I'M READY. 663 00:38:32,397 --> 00:38:34,050 I'M READY. 664 00:38:34,094 --> 00:38:35,704 CAPTAIN MONTERO, BREACH. 665 00:38:39,404 --> 00:38:41,362 [CELL PHONE RINGS] 666 00:38:41,406 --> 00:38:43,016 ROSSI? 667 00:38:43,059 --> 00:38:45,366 JJ, ROBERTA ISN'T THERE TO KILL LYNCH. 668 00:38:45,410 --> 00:38:47,455 SHE'S THERE TO DIE WITH HIM. 669 00:38:49,631 --> 00:38:51,894 SPENCE! STOP! 670 00:38:55,594 --> 00:38:57,596 [DEBRIS CLATTERING] 671 00:39:04,690 --> 00:39:07,345 [REID PANTING IN SLOW MOTION] 672 00:39:15,353 --> 00:39:17,920 [DIALOGUE MUTED] 673 00:39:17,964 --> 00:39:20,358 [VOICE FADING IN] SPENCE, ARE YOU OK? 674 00:39:23,186 --> 00:39:25,275 NO, NO, NO, NO. STAY DOWN, STAY DOWN. 675 00:39:26,625 --> 00:39:28,627 [DIALOGUE MUTED] 676 00:39:37,592 --> 00:39:39,594 [KNOCK ON DOOR] 677 00:39:41,248 --> 00:39:43,206 DEPUTY DIRECTOR BARBOUR. 678 00:39:43,250 --> 00:39:46,340 YEAH, I WAS WONDERING IF YOU HAD AT LEAST A PRELIMINARY ASSESSMENT 679 00:39:46,384 --> 00:39:48,342 OF THE LOSSES AT THE LYNCH SCENE. 680 00:39:48,386 --> 00:39:52,390 6 FBI SWAT OFFICERS ARE CONFIRMED DEAD. 681 00:39:52,433 --> 00:39:56,306 IT APPEARS, AT SOME POINT, LYNCH WAS ABLE TO DETACH A GAS LINE. 682 00:39:56,350 --> 00:39:59,440 THE EXPLOSION ITSELF SEEMED TO HAVE BEEN TRIGGERED BY A GUNSHOT. 683 00:39:59,484 --> 00:40:01,834 BAU NEVER PROFILED SUICIDAL IDEATIONS 684 00:40:01,877 --> 00:40:03,444 IN EITHER EVERETT OR ROBERTA LYNCH. 685 00:40:03,488 --> 00:40:05,272 I MEAN, HOW COULD YOU MISS THAT? 686 00:40:05,315 --> 00:40:07,840 BASED ON THE BEHAVIOR, WE WERE ABLE TO EVALUATE 687 00:40:07,883 --> 00:40:11,496 THERE WAS NEVER ANY INDICATION OF THAT PREDISPOSITION. 688 00:40:11,539 --> 00:40:13,367 WHO GAVE THE ORDER TO BREACH? 689 00:40:14,586 --> 00:40:17,197 ANY ACTION TAKEN BY A MEMBER OF MY TEAM 690 00:40:17,240 --> 00:40:19,199 IS EXECUTED UNDER MY ORDER. 691 00:40:19,242 --> 00:40:21,419 THE BUCK STOPS WITH ME, ALWAYS. 692 00:40:21,462 --> 00:40:24,422 WELL, AS YOU CAN IMAGINE, 693 00:40:24,465 --> 00:40:27,425 THE IDEA THAT WE WOULD PROMOTE YOU AFTER-- 694 00:40:27,468 --> 00:40:29,427 DEPUTY DIRECTOR BARBOUR, AM I STILL 695 00:40:29,470 --> 00:40:30,776 THE UNIT CHIEF OF THE BAU? 696 00:40:30,819 --> 00:40:32,473 YES. 697 00:40:32,517 --> 00:40:35,520 FINE. THEN IF YOU'LL EXCUSE ME... 698 00:41:12,470 --> 00:41:14,776 REID, VOICE-OVER: IT DOESN'T MAKE SENSE TO ME. 699 00:41:14,820 --> 00:41:16,561 CAPTAIN MONTERO, BREACH. 700 00:41:20,390 --> 00:41:22,392 I DON'T UNDERSTAND. 701 00:41:29,748 --> 00:41:31,750 [SIGHS] 702 00:41:36,189 --> 00:41:38,626 IT DOESN'T MAKE SENSE TO ME. 703 00:41:39,975 --> 00:41:41,934 I DON'T UNDERSTAND HOW THAT KIND OF PERSONALITY 704 00:41:41,977 --> 00:41:44,414 CAN CHOOSE TO BLOW ITSELF UP. 705 00:41:44,458 --> 00:41:48,418 IF ROBERTA GAVE IN TO HIM... 706 00:41:48,462 --> 00:41:50,769 JUST BREATHE, MOM. [CRYING] 707 00:41:50,812 --> 00:41:53,815 REID: AND IF HE TOOK THE GUN AWAY... 708 00:41:54,947 --> 00:41:56,818 AAH! 709 00:41:56,862 --> 00:41:59,517 IF HE COULD GET TO A TUNNEL... 710 00:42:10,223 --> 00:42:11,572 [GUNSHOT] 711 00:42:11,616 --> 00:42:13,574 LYNCH. 712 00:42:13,618 --> 00:42:16,229 HE'S STILL ALIVE. 713 00:42:47,521 --> 00:42:50,480 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 714 00:42:50,524 --> 00:42:53,527 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--