1 00:00:02,263 --> 00:00:04,830 [DISTANT SIRENS] 2 00:00:13,187 --> 00:00:15,580 [CRACKLING] 3 00:00:27,114 --> 00:00:28,637 MAN: SO, WHAT'S IN THE BOX? 4 00:00:28,680 --> 00:00:31,422 UM, TO BE HONEST, NO IDEA. 5 00:00:31,466 --> 00:00:33,076 I MEAN, I COULD HAVE SWORN I KEPT MYSELF 6 00:00:33,120 --> 00:00:35,078 FROM ACTUALLY ORDERING ONE OF THOSE NEW TURBO DOG 7 00:00:35,122 --> 00:00:36,340 TREAT-TOSSING CAMERAS, BUT-- 8 00:00:36,384 --> 00:00:37,646 EX-SQUEEZE ME? 9 00:00:37,689 --> 00:00:39,169 OH, SERIOUSLY, PHIL, YOU'D LOVE THIS THING. 10 00:00:39,213 --> 00:00:41,084 IT IS SO COOL. IT WOULD LET ME WATCH 11 00:00:41,128 --> 00:00:44,044 AND FEED AND PLAY WITH MR. WIDGET ALL FROM RIGHT HERE. 12 00:00:44,087 --> 00:00:47,003 AHH, BECAUSE THAT'S EXACTLY WHAT THE AMERICAN TAXPAYER 13 00:00:47,047 --> 00:00:48,961 HOPES IS TAKING PLACE AT THE INTERNAL REVENUE SERVICE. 14 00:00:49,005 --> 00:00:50,789 YEAH, WELL, I WAS TRYING TO BE GOOD, 15 00:00:50,833 --> 00:00:53,357 WHICH IS WHY ALL I CAN THINK IS MY MIND WAS SAYING NO, 16 00:00:53,401 --> 00:00:55,533 BUT MY FINGER WAS PRESSING "PLACE ORDER NOW." 17 00:00:55,577 --> 00:00:56,926 [CHUCKLES] 18 00:00:56,969 --> 00:01:00,582 OH, MY GOD! [GASPING] 19 00:01:00,625 --> 00:01:03,802 WHAT THE... 20 00:01:03,846 --> 00:01:05,456 OH, MY GOD. 21 00:01:05,500 --> 00:01:08,546 SOMEONE CALL 9-1-1. NOW! 22 00:01:08,590 --> 00:01:10,853 COME ON, COME ON.OH, MY GOD. 23 00:01:10,896 --> 00:01:13,160 DAVID. 24 00:01:13,203 --> 00:01:14,161 DAVID! 25 00:01:14,204 --> 00:01:15,640 CAN'T I GO TO MY ROOM? 26 00:01:15,684 --> 00:01:17,120 NOT UNTIL WE TALK ABOUT THIS. 27 00:01:17,164 --> 00:01:18,991 [SNAPS] IN HERE. 28 00:01:21,168 --> 00:01:22,908 I KNOW SINCE THE BEGINNING OF THE SCHOOL YEAR, 29 00:01:22,952 --> 00:01:26,086 YOU'VE HAD SOME TROUBLE GETTING ALONG WITH YOUR CLASSMATES. 30 00:01:26,129 --> 00:01:28,262 I NEED YOU TO TELL ME WHAT HAPPENED THIS MORNING 31 00:01:28,305 --> 00:01:31,047 THAT MADE YOU FEEL LIKE YOU HAD TO HIT SOMEBODY. 32 00:01:31,091 --> 00:01:32,266 I SAID I WAS SORRY. 33 00:01:32,309 --> 00:01:33,702 YOU SHOULD BE. 34 00:01:33,745 --> 00:01:35,921 THERE'S NO EXCUSE FOR THAT KIND OF BEHAVIOR. 35 00:01:37,184 --> 00:01:39,055 YOU HEAR ME?MATT. 36 00:01:39,099 --> 00:01:40,796 MAYBE WE SHOULD TALK ABOUT THIS LATER. 37 00:01:40,839 --> 00:01:44,147 DAVID, GO TO YOUR ROOM. 38 00:01:50,762 --> 00:01:53,330 [CELL PHONE BUZZES] 39 00:01:53,374 --> 00:01:55,202 [BUZZ, BEEP] 40 00:01:55,245 --> 00:01:56,899 IT'S WORK. 41 00:01:56,942 --> 00:01:58,205 I'M JUST GONNA TAKE A SICK DAY. 42 00:01:58,248 --> 00:02:00,163 NO, NO, DON'T DO THAT, 43 00:02:00,207 --> 00:02:02,165 BECAUSE RIGHT NOW THAT TEXT MEANS THERE'S SOME PEOPLE 44 00:02:02,209 --> 00:02:04,080 OUT THERE IN A HELL OF A LOT MORE TROUBLE THAN WE ARE. 45 00:02:04,124 --> 00:02:06,648 [SIGHS] YEAH, WELL, WHAT ABOUT DAVID? 46 00:02:06,691 --> 00:02:09,694 WELL... 47 00:02:09,738 --> 00:02:11,783 SUDDEN SHIFTS IN BEHAVIOR ARE USUALLY 48 00:02:11,827 --> 00:02:13,568 TIED TO SOMETHING CHANGING AT HOME. 49 00:02:13,611 --> 00:02:15,918 AND HONESTLY, 50 00:02:15,961 --> 00:02:19,748 I THINK THAT SOMETHING CHANGING HERE IS ME. 51 00:02:19,791 --> 00:02:21,141 KRISTY, THIS HAS NOTHING TO DO WITH-- 52 00:02:21,184 --> 00:02:22,794 WITH MY BEING IN TRAUMA THERAPY 53 00:02:22,838 --> 00:02:25,101 BECAUSE I SURVIVED BEING A HOSTAGE? 54 00:02:25,145 --> 00:02:28,757 WE KNOW DAVID IS THE SENSITIVE ONE. 55 00:02:28,800 --> 00:02:30,367 SO WHEN YOUR MOM ALL OF THE SUDDEN 56 00:02:30,411 --> 00:02:34,197 BECOMES OVERLY PROTECTIVE AND STARTS CANCELLING PLAY DATES, 57 00:02:34,241 --> 00:02:36,634 IT PROBABLY BECOMES A LITTLE SCARY FOR HIM. 58 00:02:39,289 --> 00:02:42,205 TELL ME SOMETHING. 59 00:02:42,249 --> 00:02:45,165 WILL IT MATTER IF I SAY THIS IS NOT YOUR FAULT? 60 00:02:46,383 --> 00:02:50,039 OF COURSE IT MATTERS, LOVE OF MY LIFE. 61 00:02:50,082 --> 00:02:53,347 BUT RIGHT NOW, YOU NEED TO SAVE THE WORLD 62 00:02:53,390 --> 00:02:56,176 AND I NEED TO SPEND TIME WITH OUR SON. 63 00:02:59,831 --> 00:03:01,181 OK? 64 00:03:01,224 --> 00:03:03,270 OK. 65 00:03:06,142 --> 00:03:08,188 PRENTISS: THIS MORNING D.C. METRO POLICE 66 00:03:08,231 --> 00:03:11,191 REPORTED THAT BODY PARTS WERE SENT TO 6 SEPARATE LOCATIONS 67 00:03:11,234 --> 00:03:13,105 WITHIN THE WASHINGTON METROPOLITAN AREA. 68 00:03:13,149 --> 00:03:15,586 EACH APPENDAGE WAS WRAPPED AND SEALED 69 00:03:15,630 --> 00:03:17,109 INSIDE ITS OWN BOX. 70 00:03:17,153 --> 00:03:19,329 IN ALL, THERE WERE TWO ARMS WITH NO HANDS, 71 00:03:19,373 --> 00:03:23,159 TWO LEGS WITH NO FEET, ONE TORSO CUT IN HALF BUT WITHOUT THE HEAD. 72 00:03:23,203 --> 00:03:26,902 SO ALTHOUGH THIS UNSUB FELT THE SADISTIC URGE TO SHOCK AND AWE 73 00:03:26,945 --> 00:03:28,251 THE VICTIMS WHO RECEIVED THE BOXES, 74 00:03:28,295 --> 00:03:30,253 HE WAS STILL ORGANIZED ENOUGH TO WITHHOLD 75 00:03:30,297 --> 00:03:32,299 THE PARTS THAT WOULD HAVE HELPED BETTER IDENTIFY THE VICTIM. 76 00:03:32,342 --> 00:03:33,561 OH, BUT WAIT, THERE'S MORE. 77 00:03:33,604 --> 00:03:37,086 IN EACH BOX, UNDERNEATH THE VICTIM PIECES 78 00:03:37,129 --> 00:03:38,740 WAS AN INDEX CARD, 79 00:03:38,783 --> 00:03:41,482 AND ON EACH ONE, A PIECE OF A HANDWRITTEN NOTE. 80 00:03:41,525 --> 00:03:44,267 REID: "ALL THE KING'S PORSCHES AND ALL THE KING'S BENZ 81 00:03:44,311 --> 00:03:47,705 "COULDN'T PUT THIS BITCH BACK TOGETHER AGAIN. 82 00:03:47,749 --> 00:03:49,359 FOREVER YOURS, GONE POSTAL." 83 00:03:49,403 --> 00:03:52,319 DO WE KNOW WHO THE BOXES WERE SENT TO AND HOW THEY WERE DELIVERED? 84 00:03:52,362 --> 00:03:54,712 GARCIA: YES, THE UNSUB USED AN OVERNIGHT COURIER SERVICE 85 00:03:54,756 --> 00:03:57,454 CALLED WORLD SEND, BUT THEY DON'T HAVE ANY SECURITY FOOTAGE 86 00:03:57,498 --> 00:04:00,152 OF THE DROP OFF BECAUSE THAT PARTICULAR BRANCH 87 00:04:00,196 --> 00:04:02,807 WAS CLOSED YESTERDAY DUE TO A BIT OF SCHEDULED REMODELING. 88 00:04:02,851 --> 00:04:05,680 SO THAT MEANS HE DOCTORED THE TRACKING I.D. ON THE BOXES. 89 00:04:05,723 --> 00:04:08,335 CORRECT. SO EACH OF THE APPALLING PARCELS 90 00:04:08,378 --> 00:04:10,989 WERE ADDRESSED AND DELIVERED TO 6 DIFFERENT PEOPLE, 91 00:04:11,033 --> 00:04:13,078 TWO WERE AT HOME, 4 WERE AT WORK. 92 00:04:13,122 --> 00:04:15,037 THEY RANGE IN OCCUPATIONS FROM RETIRED TEACHER 93 00:04:15,080 --> 00:04:16,299 TO TAXPAYER ADVOCATE. 94 00:04:16,343 --> 00:04:19,259 THEY RANGE IN AGES FROM 23 TO 68. 95 00:04:19,302 --> 00:04:21,348 BUT AS YOU CAN SEE, WHAT THEY ALL GOT IN COMMON, 96 00:04:21,391 --> 00:04:22,740 THEY'RE ALL WOMEN. 97 00:04:22,784 --> 00:04:24,525 SIMMONS: PARTS OF ONE MAN SENT TO 6 DIFFERENT WOMEN. 98 00:04:24,568 --> 00:04:26,527 WHAT'S STRANGE IS THAT NONE OF THE WOMEN HAD 99 00:04:26,570 --> 00:04:28,398 A MISSING MALE FRIEND OR SIGNIFICANT OTHER. 100 00:04:28,442 --> 00:04:30,705 BUT MAYBE OUR JOHN DOE HERE'S THE REAL CONNECTION 101 00:04:30,748 --> 00:04:33,273 BETWEEN THE WOMEN, WHETHER THEY KNOW IT OR NOT. 102 00:04:33,316 --> 00:04:35,492 OR MAYBE OUR UNSUB'S CRIMES AREN'T EXACTLY CONNECTED 103 00:04:35,536 --> 00:04:38,190 TO ONE ANOTHER IN THE WAY WE WOULD ORDINARILY THINK. 104 00:04:38,234 --> 00:04:40,236 BECAUSE HE COULD BE WRESTLING WITH A SET OF MIXED MOTIVATIONS. 105 00:04:40,280 --> 00:04:43,065 I THINK SO. SEPARATE AND DISTINCT EMOTIONAL NEEDS 106 00:04:43,108 --> 00:04:45,546 THAT HE FEELS COMPELLED TO FULFILL. 107 00:04:45,589 --> 00:04:48,331 SO THE DEATH AND DISMEMBERMENT OF THE MALE VICTIM 108 00:04:48,375 --> 00:04:49,332 WOULD FULFILL ONE NEED, 109 00:04:49,376 --> 00:04:51,203 THE SHIPPING OF THE BODY PARTS 110 00:04:51,247 --> 00:04:52,683 TO THE FEMALE VICTIMS WOULD FULFILL ANOTHER. 111 00:04:52,727 --> 00:04:54,250 YEAH. AND WHAT ABOUT HIM TAUNTING US? 112 00:04:54,294 --> 00:04:56,165 I MEAN, I'D SAY THAT'S ANOTHER ONE OF HIS NEEDS. 113 00:04:56,208 --> 00:04:57,253 PRENTISS: WELL, WE NEED TO STOP HIM. 114 00:04:57,297 --> 00:04:59,342 JJ, LUKE, INTERVIEW THE WOMEN. 115 00:04:59,386 --> 00:05:03,128 TARA, SPENCE, FOCUS ON THESE CARDS IN THE BOXES. 116 00:05:03,172 --> 00:05:05,305 PENELOPE, MATT, TAKE A CLOSER LOOK AT WORLD SEND 117 00:05:05,348 --> 00:05:06,915 AND ITS EMPLOYEES. 118 00:05:06,958 --> 00:05:09,309 DAVE, YOU AND I WILL FOLLOW UP ON THE AUTOPSY OF OUR JOHN DOE. 119 00:05:11,354 --> 00:05:14,009 REPORTER: ARE YOU ABLE TO CONFIRM WHAT WAS INSIDE THE BOX 120 00:05:14,052 --> 00:05:16,054 THAT YOUR COLLEAGUE, MS. RAPTIS, RECEIVED? 121 00:05:16,098 --> 00:05:19,144 WE'RE HEARING IT MAY HAVE BEEN PART OF A MALE TORSO. 122 00:05:19,188 --> 00:05:21,277 MAN: YES, I GUESS THAT'S WHAT IT WAS. 123 00:05:21,321 --> 00:05:24,889 DO YOU HAVE ANY IDEA WHO WOULD HAVE WANTED TO DO THIS? 124 00:05:24,933 --> 00:05:27,327 NO, NOT AT ALL. 125 00:05:27,370 --> 00:05:29,764 I CAN'T EVEN BEGIN TO COMPREHEND THE MIND 126 00:05:29,807 --> 00:05:31,461 OF SOMEONE WHO COULD DO SOMETHING LIKE-- 127 00:05:41,950 --> 00:05:44,126 [GASPING] 128 00:06:00,403 --> 00:06:03,058 [ROCK MUSIC PLAYING] 129 00:06:37,919 --> 00:06:39,921 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 130 00:06:46,928 --> 00:06:48,364 ROSSI: "THE CHARM OF FAME IS SO GREAT 131 00:06:48,408 --> 00:06:51,280 "THAT WE LIKE EVERY OBJECT ATTACHED TO IT, 132 00:06:51,323 --> 00:06:53,108 EVEN DEATH." 133 00:06:53,151 --> 00:06:56,154 BLAISE PASCAL. 134 00:06:56,198 --> 00:06:58,722 WE RAN SOME DNA, AND THE TESTS CONFIRM 135 00:06:58,766 --> 00:07:00,811 THAT WE HAVE THE PRESENCE OF NOT ONE, 136 00:07:00,855 --> 00:07:02,900 BUT TWO MALE VICTIMS. 137 00:07:02,944 --> 00:07:04,249 ANY IDENTIFICATION? 138 00:07:04,293 --> 00:07:05,599 NO. NOT YET. 139 00:07:05,642 --> 00:07:07,514 UNFORTUNATELY, NO HITS ON CODIS 140 00:07:07,557 --> 00:07:09,820 OR THE NATIONAL MISSING PERSONS DATABASE. 141 00:07:09,864 --> 00:07:11,866 SO HE LITERALLY SPLIT THESE TWO GUYS 142 00:07:11,909 --> 00:07:13,171 RIGHT DOWN THE MIDDLE, 143 00:07:13,215 --> 00:07:15,391 BUT NOT BEFORE TORTURING THEM. 144 00:07:15,435 --> 00:07:17,480 THESE ARE INCISED WOUNDS, CORRECT? 145 00:07:17,524 --> 00:07:19,743 YES. AND WHILE THE DISARTICULATION 146 00:07:19,787 --> 00:07:21,745 TOOK PLACE POST-MORTEM, 147 00:07:21,789 --> 00:07:24,139 THOSE INJURIES THAT YOU SEE ARE PERI-MORTEM. 148 00:07:24,182 --> 00:07:26,750 BUT IF HE TORTURED THEM WHILE THEY WERE STILL ALIVE, 149 00:07:26,794 --> 00:07:28,535 WERE ARE THE LIGATURE MARKS? 150 00:07:28,578 --> 00:07:31,451 THERE DON'T APPEAR TO BE ANY DEFENSIVE WOUNDS, EITHER. 151 00:07:33,583 --> 00:07:34,845 HE'S PARALYZING THEM. 152 00:07:34,889 --> 00:07:36,847 I THINK YOU MIGHT BE RIGHT. 153 00:07:36,891 --> 00:07:38,719 I'D ORDER AN EXTENDED TOXICOLOGY PANEL. 154 00:07:38,762 --> 00:07:41,025 IT AIN'T EASY TO CUT UP A BODY. 155 00:07:41,069 --> 00:07:43,419 NO, IT IS NOT. AND IN MY OPINION, 156 00:07:43,463 --> 00:07:45,726 A FAIRLY HIGH DEGREE OF SKILL WAS EMPLOYED 157 00:07:45,769 --> 00:07:48,903 TO DECAPITATE AND DISARTICULATE THESE TWO MEN. 158 00:07:48,946 --> 00:07:50,731 BETWEEN THAT AND THE USE OF A PARALYTIC, 159 00:07:50,774 --> 00:07:53,777 I'D SAY OUR UNSUB HAS HAD SIGNIFICANT MEDICAL TRAINING. 160 00:07:53,821 --> 00:07:56,998 YEAH. PLUS ALL THE SLICE AND DICE IS PERSONAL. 161 00:07:57,041 --> 00:07:58,608 HE KNOWS THESE GUYS, 162 00:07:58,652 --> 00:08:00,218 MAYBE EVEN BETTER THAN THE WOMEN. 163 00:08:00,262 --> 00:08:02,656 THAT MIGHT START TO EXPLAIN HIS MIXED MOTIVATIONS, 164 00:08:02,699 --> 00:08:05,049 HIS CHOICE TO MURDER THE MEN PHYSICALLY, 165 00:08:05,093 --> 00:08:07,182 BUT ASSAULT THE WOMEN PSYCHOLOGICALLY. 166 00:08:07,225 --> 00:08:10,838 AND RIGHT NOW THE WOMEN MAY BE OUR ONLY WAY TO TRACK HIM DOWN. 167 00:08:12,100 --> 00:08:13,841 I'M JUST AFRAID TO GO HOME NOW. 168 00:08:13,884 --> 00:08:15,930 I CALLED MY MOM TO PICK UP MY DOG. 169 00:08:15,973 --> 00:08:17,497 SHE SAID WE COULD STAY WITH HER, 170 00:08:17,540 --> 00:08:18,759 BUT I WISH WE COULD ALL STAY HERE. 171 00:08:18,802 --> 00:08:20,021 IT'S A GOVERNMENT BUILDING. 172 00:08:20,064 --> 00:08:21,283 THEY'LL DO WHATEVER THEY CAN TO PROTECT IT. 173 00:08:21,326 --> 00:08:23,546 MS. RAPTIS, THE POLICE SAID THAT YOU HAD NEVER 174 00:08:23,590 --> 00:08:25,417 RECEIVED ANY PERSONAL THREATS. IS THAT RIGHT? 175 00:08:25,461 --> 00:08:28,246 IT IS. AND I'VE NEVER HAD TO FILE ANY KIND OF A RESTRAINING ORDER. 176 00:08:28,290 --> 00:08:29,639 ARE YOU SEEING ANYBODY RIGHT NOW? 177 00:08:29,683 --> 00:08:30,684 NO. 178 00:08:30,727 --> 00:08:32,512 WHAT ABOUT ANYONE WHO MAY HAVE 179 00:08:32,555 --> 00:08:34,557 MADE THREATS AGAINST THE OFFICE AS A WHOLE? 180 00:08:34,601 --> 00:08:36,167 WELL, THAT COMES WITH THE TERRITORY, 181 00:08:36,211 --> 00:08:38,256 BECAUSE WHO DOESN'T HATE THE IRS? 182 00:08:38,300 --> 00:08:40,128 YOU RECOGNIZE ANY OF THESE WOMEN? 183 00:08:40,171 --> 00:08:41,521 DID THEY GET BOXES, TOO? 184 00:08:41,564 --> 00:08:43,218 YES. 185 00:08:43,261 --> 00:08:46,743 NO. SORRY, I DON'T KNOW THEM. 186 00:08:46,787 --> 00:08:48,353 I REALLY WISH I COULD HELP YOU MORE. 187 00:08:48,397 --> 00:08:50,704 WELL, THANK YOU SO MUCH FOR YOUR TIME. 188 00:08:50,747 --> 00:08:52,227 ALVEZ: THANKS. 189 00:08:53,620 --> 00:08:56,100 SO GARCIA'S GOT A LIST OF THREATS 190 00:08:56,144 --> 00:08:58,102 THAT WERE MADE TO THE IRS OVER THE LAST YEAR, 191 00:08:58,146 --> 00:09:00,017 BUT HONESTLY, I DON'T THINK WE'RE GONNA FIND ANYTHING THERE. 192 00:09:00,061 --> 00:09:01,715 YEAH, I AGREE. 193 00:09:01,758 --> 00:09:04,456 'CAUSE WHY WOULD SOMEONE WITH A GRUDGE AGAINST THE IRS 194 00:09:04,500 --> 00:09:06,894 ALSO GO AFTER SOMEONE LIKE A TEACHER OR REAL ESTATE AGENT? 195 00:09:06,937 --> 00:09:08,896 BUT WHAT I DID FIND INTERESTING 196 00:09:08,939 --> 00:09:11,594 IS THAT OUR INTERVIEWS WITH ALL THE FEMALE VICTIMS 197 00:09:11,638 --> 00:09:13,291 HAVE GONE THE SAME WAY. 198 00:09:13,335 --> 00:09:15,380 YEAH, THEY'RE ALL BAFFLED BY BEING TARGETED. 199 00:09:15,424 --> 00:09:16,817 [SIGHS] 200 00:09:16,860 --> 00:09:18,993 IT JUST DOESN'T LEAVE US WITH THE USUAL SUSPECTS 201 00:09:19,036 --> 00:09:19,907 TO TRACK DOWN. 202 00:09:19,950 --> 00:09:21,256 YEAH. 203 00:09:22,649 --> 00:09:24,999 MAN, I MUST BE LOSING IT. 204 00:09:25,042 --> 00:09:26,870 WHY? WHAT'S WRONG? 205 00:09:26,914 --> 00:09:30,004 WELL, I'M OVER HERE LOOKING AT JUST HOW WELL 206 00:09:30,047 --> 00:09:31,832 OUR UNSUB WRAPPED THESE BOXES 207 00:09:31,875 --> 00:09:34,878 BECAUSE CLEARLY HE DIDN'T WANT ANYTHING SPOILING HIS SURPRISE, 208 00:09:34,922 --> 00:09:36,837 AND AT THE SAME TIME, I CAN'T HELP ASKING MYSELF 209 00:09:36,880 --> 00:09:39,753 WHY I NEVER LEARNED HOW TO GIFT WRAP PRESENTS FOR MY FAMILY. 210 00:09:39,796 --> 00:09:41,668 YOU COULD ALWAYS HIRE SOMEONE TO DO IT FOR YOU. 211 00:09:41,711 --> 00:09:44,453 I DO, BUT, YOU KNOW, THAT'S NOT THE SAME. 212 00:09:44,496 --> 00:09:46,455 ANYWAY, CLEARLY THIS GUY HAS MAJOR SKILLS. 213 00:09:46,498 --> 00:09:49,371 BUT AT THE SAME TIME, HE WOULD HAVE NEEDED DIRECT ACCESS 214 00:09:49,414 --> 00:09:50,851 TO WORLD SEND'S TRACKING SYSTEM, 215 00:09:50,894 --> 00:09:54,028 ALONG WITH A BRANCH OFFICE FOR HIS BOXES TO BE PICKED UP. 216 00:09:54,071 --> 00:09:55,595 SO YOU THINK HE'S EITHER A CURRENT 217 00:09:55,638 --> 00:09:57,161 OR FORMER EMPLOYEE OF WORLD SEND? 218 00:09:57,205 --> 00:09:59,250 WELL, WHO BETTER THAN A DISGRUNTLED COURIER 219 00:09:59,294 --> 00:10:01,818 TO CALL HIMSELF, MOCKINGLY OR NOT, "GONE POSTAL." 220 00:10:01,862 --> 00:10:03,820 TRUE. BUT IS THIS DISGRUNTLED COURIER 221 00:10:03,864 --> 00:10:05,517 ALSO A FRUSTRATED DOCTOR? 222 00:10:05,561 --> 00:10:06,954 I'LL TELL YOU WHY HE'D BE FRUSTRATED, 223 00:10:06,997 --> 00:10:08,695 BECAUSE HE DROPPED OUT, FAILED OUT, 224 00:10:08,738 --> 00:10:10,261 OR GOT BOOTED OUT OF MEDICAL SCHOOL. 225 00:10:10,305 --> 00:10:11,915 I CAN DEFINITELY SEE THAT, BUT WHAT PUZZLES ME 226 00:10:11,959 --> 00:10:13,438 IS THE IDEA THAT ONCE OUT OF SCHOOL, 227 00:10:13,482 --> 00:10:15,615 HE'D CHOOSE TO GET A REGULAR 9:00 TO 5:00 JOB. 228 00:10:15,658 --> 00:10:18,269 THESE LINGUISTICS EXPRESS AN UNCONSCIOUS PREOCCUPATION 229 00:10:18,313 --> 00:10:20,271 WITH MATERIALISM AND SELF-AGGRANDIZEMENT. 230 00:10:20,315 --> 00:10:21,664 THEY ESSENTIALLY ARTICULATE THE RAGE 231 00:10:21,708 --> 00:10:22,926 OF A PURE MALIGNANT NARCISSIST. 232 00:10:22,970 --> 00:10:24,885 I GOT SOMETHING. 233 00:10:24,928 --> 00:10:26,887 ACCORDING TO WORLD SEND, IN ORDER FOR THOSE BOXES 234 00:10:26,930 --> 00:10:29,672 TO BE DELIVERED, THEY HAD TO BE ENTERED INTO THE COMPANY COMPUTER SYSTEM 235 00:10:29,716 --> 00:10:31,282 USING AN EMPLOYEE I.D. ACCESS CODE. 236 00:10:31,326 --> 00:10:32,806 YEAH, THAT'S WHAT WE WERE THINKING. 237 00:10:32,849 --> 00:10:35,243 RIGHT. SO IN THIS CASE, ALL 6 PACKAGES WERE TAGGED 238 00:10:35,286 --> 00:10:37,332 WITH THE CODE ASSIGNED TO DUANE VANN. 239 00:10:37,375 --> 00:10:38,942 AND HE'S THE MANAGER IN CHARGE AT THE BRANCH 240 00:10:38,986 --> 00:10:40,204 THAT WAS CLOSED FOR REMODELING. 241 00:10:40,248 --> 00:10:41,249 DO WE HAVE A HOME ADDRESS? 242 00:10:41,292 --> 00:10:42,424 YEAH, IT'S RIGHT HERE. 243 00:10:42,467 --> 00:10:44,556 ALL RIGHT, I'LL COORDINATE WITH SWAT. 244 00:10:47,647 --> 00:10:49,387 GARCIA: OH, MY GOD. YOU GUYS. GUYS! 245 00:10:49,431 --> 00:10:50,954 GUYS, THIS IS-- THIS IS HAPPENING. 246 00:10:50,998 --> 00:10:52,042 SIMMONS: ALL RIGHT, SLOW DOWN. WHAT'S HAPPENING? 247 00:10:52,086 --> 00:10:53,914 I FOUND GONE POSTAL ONLINE, 248 00:10:53,957 --> 00:10:55,524 AND HE'S LIVE-STREAMING A MURDER. 249 00:10:55,567 --> 00:10:56,743 WHAT SOCIAL NETWORK IS THIS? 250 00:10:56,786 --> 00:10:58,005 IT'S NOT A CONVENTIONAL NETWORK. 251 00:10:58,048 --> 00:11:00,224 I PUT OUT A DIGITAL MARKER FOR "GONE POSTAL," 252 00:11:00,268 --> 00:11:04,185 AND I FOUND IT ON A WEBSITE CALLED XXXANADU.XTZ.CU. 253 00:11:04,228 --> 00:11:06,666 XTZ.CU? WHAT THE HELL IS THAT? 254 00:11:06,709 --> 00:11:08,363 IT'S A LOWER LEVEL DOMAIN. IT'S THE DARK NET. 255 00:11:08,406 --> 00:11:09,973 IS THERE ANY WAY TO LOCATE WHERE THIS LIVE-STREAM'S COMING FROM? 256 00:11:10,017 --> 00:11:11,932 I'M RUNNING A DIGITAL TRACE NOW. 257 00:11:11,975 --> 00:11:14,282 UH, IT'S WITH THE I.P. ADDRESS. 258 00:11:14,325 --> 00:11:16,501 OK, ACCORDING TO THE I.P. ADDRESS, 259 00:11:16,545 --> 00:11:18,547 THE COMPUTER'S ON A WI-FI NETWORK 260 00:11:18,590 --> 00:11:21,681 SOMEWHERE AROUND THE 1400 BLOCK 261 00:11:21,724 --> 00:11:23,117 OF WESTERFALL SPRINGS AVENUE. 262 00:11:23,160 --> 00:11:24,118 OUR SUSPECT DUANE VANN'S ADDRESS 263 00:11:24,161 --> 00:11:26,381 IS 1457 WESTERFALL SPRINGS AVENUE. 264 00:11:26,424 --> 00:11:27,164 SWAT'S ALREADY ON ITS WAY. 265 00:11:27,208 --> 00:11:29,079 OK. 266 00:11:37,000 --> 00:11:38,959 [MAN SCREAMING] 267 00:11:39,002 --> 00:11:41,048 [SAW WHIRRING] 268 00:11:45,487 --> 00:11:50,492 [SCREAMS GROWING LOUDER] 269 00:11:50,535 --> 00:11:53,103 [SAW WHIRRING, MAN SCREAMING] 270 00:11:55,932 --> 00:11:57,804 [MUFFLED SCREAMS] 271 00:11:57,847 --> 00:12:01,068 [SAW WHIRRING] 272 00:12:03,070 --> 00:12:06,638 [SCREAMING CONTINUES] 273 00:12:15,822 --> 00:12:17,388 CLEAR. 274 00:12:34,797 --> 00:12:36,103 [SIGHS] 275 00:12:37,800 --> 00:12:40,020 SIMMONS: THIS VIDEO STREAM ISN'T GOING OUT LIVE. 276 00:12:40,063 --> 00:12:42,196 IT'S ON A CONTINUOUS LOOP. 277 00:12:42,239 --> 00:12:44,111 WHO KNOWS WHEN IT WAS RECORDED. 278 00:12:44,154 --> 00:12:45,286 SON OF A BITCH PLAYED US. 279 00:12:45,329 --> 00:12:46,678 HE DID. 280 00:12:46,722 --> 00:12:48,245 BUT SOMEWHERE OUT THERE IS ANOTHER MALE VICTIM 281 00:12:48,289 --> 00:12:50,508 AND WHO KNOWS HOW MANY OTHER WOMEN WHO ARE ABOUT 282 00:12:50,552 --> 00:12:53,381 TO GET A TERRIBLE SURPRISE. 283 00:12:53,424 --> 00:12:55,035 [MAN SCREAMS] 284 00:12:55,078 --> 00:12:56,384 MAN ON RADIO: I'M SORRY, NANCY. 285 00:12:56,427 --> 00:12:58,995 DID YOU JUST SAY SOMEONE LIVE-STREAMED A MURDER? 286 00:12:59,039 --> 00:13:00,170 WOMAN ON RADIO: YES, THAT'S WHAT WE'RE HEARING 287 00:13:00,214 --> 00:13:02,259 FROM A SOURCE CLOSE TO THE INVESTIGATION. 288 00:13:02,303 --> 00:13:04,087 AND JUST MOMENTS AGO, 289 00:13:04,131 --> 00:13:06,350 AN FBI SPOKESPERSON ISSUED A STATEMENT 290 00:13:06,394 --> 00:13:09,179 WARNING WOMEN LIVING IN THE WASHINGTON D.C. AREA 291 00:13:09,223 --> 00:13:11,094 TO AVOID OPENING ANY SUSPICIOUS PACKAGE 292 00:13:11,138 --> 00:13:14,054 THEY MIGHT RECEIVE AT HOME OR AT WORK. 293 00:13:14,097 --> 00:13:16,360 [ROCK MUSIC PLAYING] 294 00:13:16,404 --> 00:13:18,841 ♪ I'M CRAZY AND I'M HURT 295 00:13:20,277 --> 00:13:22,279 ♪ HEAD ON MY SHOULDERS 296 00:13:28,546 --> 00:13:29,721 PRENTISS: THIS MORNING MORE BODY PARTS 297 00:13:29,765 --> 00:13:31,593 WERE DELIVERED TO 4 MORE WOMEN, 298 00:13:31,636 --> 00:13:35,379 AND THIS TIME EVEN THOUGH HE DIDN'T SEND ANY HANDWRITTEN MESSAGES, 299 00:13:35,423 --> 00:13:37,817 OUR UNSUB WASN'T SHY ABOUT INCLUDING EVERYTHING ELSE, 300 00:13:37,860 --> 00:13:39,514 INCLUDING THE MALE VICTIM'S HEAD. 301 00:13:39,557 --> 00:13:44,084 WHICH WE HAVE BEEN ABLE TO IDENTIFY AS DR. NICOLAS KAUFFMANN. 302 00:13:44,127 --> 00:13:46,390 HE'S A PROMINENT D.C. PSYCHIATRIST. 303 00:13:46,434 --> 00:13:48,175 ALVEZ: METRO POLICE ARE AT HIS HOUSE NOW. 304 00:13:48,218 --> 00:13:50,830 THEY SAY THERE ARE DEFINITE SIGNS OF FORCED ENTRY, 305 00:13:50,873 --> 00:13:52,570 BUT NO SIGNS OF ANY VIOLENCE ANYWHERE IN THE HOUSE. 306 00:13:52,614 --> 00:13:54,355 AND THE UNSUB APPARENTLY MADE HIS GETAWAY 307 00:13:54,398 --> 00:13:56,139 IN DR. KAUFFMANN'S RANGE ROVER. 308 00:13:56,183 --> 00:13:57,532 WE'VE GOT A BOLO OUT ON IT. 309 00:13:57,575 --> 00:13:59,403 WE'RE ALSO IN THE PROCESS OF ACCESSING 310 00:13:59,447 --> 00:14:02,493 ALL OF HIS PATIENT RECORDS FROM THE LAST 16 YEARS. 311 00:14:02,537 --> 00:14:04,582 NOW, THERE WERE NO COURIER LABELS ON THESE BOXES, 312 00:14:04,626 --> 00:14:06,584 SO IT LOOKS AS THOUGH HE DELIVERED THEM HIMSELF. 313 00:14:06,628 --> 00:14:09,457 THE ONE INDEX CARD HE DID LEAVE BEHIND HERE READS, 314 00:14:09,500 --> 00:14:12,242 "MADE YOU LOOK, BITCHES. I REMAIN. GP." 315 00:14:12,286 --> 00:14:13,635 YOU KNOW, I'D SAY THAT EXPLICIT SHIFT 316 00:14:13,678 --> 00:14:15,767 IN THE REFERENTIAL DESIGNATION OF THAT WORD "BITCH" 317 00:14:15,811 --> 00:14:18,596 FROM THE FIRST MALE VICTIM TO NOW MEMBERS OF LAW ENFORCEMENT 318 00:14:18,640 --> 00:14:20,033 COULD ACTUALLY BE SIGNALING THE START 319 00:14:20,076 --> 00:14:21,382 OF A SUBLIMATION OF MOTIVES. 320 00:14:21,425 --> 00:14:23,775 JJ: MEANING YOU THINK THAT THIS SPECTACLE 321 00:14:23,819 --> 00:14:26,387 OF TAUNTING THE POLICE MIGHT BECOME MORE IMPORTANT TO HIM 322 00:14:26,430 --> 00:14:28,563 THAN HIS ACTUAL CHOICE OF VICTIM? 323 00:14:28,606 --> 00:14:31,044 REID: I DO. AND I DON'T THINK IT'S JUST ABOUT TAUNTING THE POLICE. 324 00:14:31,087 --> 00:14:32,654 I THINK IT'S ALSO ABOUT THE UNSUB'S NEED TO CAPTURE 325 00:14:32,697 --> 00:14:34,090 THE PUBLIC'S ATTENTION. 326 00:14:34,134 --> 00:14:35,439 PRENTISS: HAS THE M.E. IDENTIFIED YOUR VICTIMS? 327 00:14:35,483 --> 00:14:38,573 YES. THEY WERE DUANE VANN AND RORY STEVENSON. 328 00:14:38,616 --> 00:14:40,531 THEY WERE MARRIED ABOUT 3 MONTHS AGO. 329 00:14:40,575 --> 00:14:43,317 FORENSICS IS TELLING US THAT THE SCENE HERE HAS BEEN TOTALLY STAGED. 330 00:14:43,360 --> 00:14:45,493 THEY WEREN'T KILLED IN THE HOUSE? 331 00:14:45,536 --> 00:14:47,408 NO, NEITHER KILLED NOR DISMEMBERED, 332 00:14:47,451 --> 00:14:48,888 AND THERE'S NO SIGN OF FORCED ENTRY, 333 00:14:48,931 --> 00:14:51,673 WHICH MEANS THAT RORY AND DUANE MUST HAVE LET HIM IN. 334 00:14:51,716 --> 00:14:53,980 LIKE ROSSI SAID, HE PROBABLY KNEW THEM WELL, 335 00:14:54,023 --> 00:14:55,764 AND THEN HE USED THE PARALYTIC TO DISABLE THEM. 336 00:14:55,807 --> 00:15:00,595 WHICH WE HAVE BEEN ABLE TO IDENTIFY AS ROCURONIUM BROMIDE. 337 00:15:00,638 --> 00:15:03,076 IT'S A NEUROMUSCULAR BLOCKER TYPICALLY USED IN ANESTHESIA. 338 00:15:03,119 --> 00:15:05,817 I THINK THAT FACT LOCKS DOWN THIS GUY'S MEDICAL BACKGROUND, 339 00:15:05,861 --> 00:15:07,602 BUT WHERE'S THIS GUY'S OPERATING THEATER? 340 00:15:07,645 --> 00:15:09,430 ROSSI: RIGHT. THE VANN AND KAUFFMANN HOMES 341 00:15:09,473 --> 00:15:11,432 ARE ONLY THE SECONDARY CRIME SCENES. 342 00:15:11,475 --> 00:15:13,173 WE STILL NEED TO FIND THE PRIMARY. 343 00:15:13,216 --> 00:15:15,610 SO WE NEED TO TAKE A CLOSER LOOK AT THE VIDEO HE POSTED 344 00:15:15,653 --> 00:15:17,394 OF DR. KAUFFMANN'S MURDER ONLINE. 345 00:15:17,438 --> 00:15:19,353 YEAH. WE SHOULD ALSO SEE WHAT ELSE GARCIA'S 346 00:15:19,396 --> 00:15:21,398 BEEN ABLE TO FIND OUT ABOUT THE WEBSITE THAT HE USED. 347 00:15:21,442 --> 00:15:24,358 ITS HISTORY COULD HELP US NAIL DOWN THE PROFILE. 348 00:15:24,401 --> 00:15:26,751 HELLO, GARCIA. 349 00:15:26,795 --> 00:15:31,060 WOULD YOU MIND MAKING ME A COPY OF THE DR. KAUFFMANN VIDEO? 350 00:15:31,104 --> 00:15:34,455 UNFORTUNATELY, SOMEBODY HAS TO TAKE A GOOD LOOK AT IT 351 00:15:34,498 --> 00:15:37,675 TO MAKE SURE THERE ISN'T ANYTHING EVEN REMOTELY PROBATIVE ON IT. 352 00:15:37,719 --> 00:15:39,416 YOU DON'T NEED TO DO THAT. 353 00:15:39,460 --> 00:15:43,507 YEAH. I REALLY DON'T WANT TO WATCH A SNUFF FILM AGAIN, BUT I-- 354 00:15:43,551 --> 00:15:45,161 NO, I ALREADY WATCHED IT. 355 00:15:45,205 --> 00:15:46,902 THERE'S NOTHING DISTINGUISHING ABOUT THE ROOM. 356 00:15:46,946 --> 00:15:48,773 IT'S TOO DARK. ONLY THINGS YOU CAN SEE 357 00:15:48,817 --> 00:15:51,559 IS WHAT WE HAVE ALREADY CONFIRMED ABOUT HIS METHOD OF OPERATING. 358 00:15:51,602 --> 00:15:54,475 THERE'S A LOT OF BLOOD. THERE'S A LOT OF SCREAMING. 359 00:15:54,518 --> 00:15:56,999 HOW MANY TIMES DID YOU WATCH IT? 360 00:15:57,043 --> 00:16:00,350 [GRUNTS] MORE THAN ENOUGH TIMES. 361 00:16:01,612 --> 00:16:03,005 ARE YOU OK? 362 00:16:03,049 --> 00:16:04,746 YOU NEVER REALLY LOOK AT-- 363 00:16:04,789 --> 00:16:07,444 OH, NO ONE HAS TIMES FOR MY SENSITIVITIES. 364 00:16:07,488 --> 00:16:10,143 AND WE ALL KNOW THAT I COULD STAND TO HAVE SOME EMOTIONAL CALLUSES. 365 00:16:10,186 --> 00:16:14,321 I DID FIND SOMETHING PROBABLY PROBATIVE IN MY RESEARCH 366 00:16:14,364 --> 00:16:16,540 OF A WEBSITE HE USED-- 367 00:16:16,584 --> 00:16:19,587 XXXANADU.XTZ.CU. 368 00:16:19,630 --> 00:16:22,633 IT IS A PORTAL THAT IS NO STRANGER TO THE PROFANE, 369 00:16:22,677 --> 00:16:26,376 PERVERSE, AND PUKE-INDUCING. 370 00:16:26,420 --> 00:16:28,770 DARK NET BE DAMNED, I FOUND THE WEBMASTER. 371 00:16:28,813 --> 00:16:31,512 HER NAME'S GALINA KADLEC. SHE ALSO OWNS THE SITE. 372 00:16:31,555 --> 00:16:33,383 AND IT WASN'T LIKE I WAS-- WHAT?!--SURPRISED 373 00:16:33,427 --> 00:16:35,603 TO FIND OUT SHE'S BEEN ARRESTED MORE THAN ONCE 374 00:16:35,646 --> 00:16:39,868 BECAUSE WHAT SHE ENCOURAGES TO BE ENJOYED ON THIS SITE. 375 00:16:39,911 --> 00:16:43,611 THERE IS SOMETHING VERY UPSIDE DOWN ABOUT THAT WOMAN. 376 00:16:43,654 --> 00:16:47,528 ALL RIGHT, I'LL HAVE THE FEDERAL MARSHALS GO AND PICK HER UP. 377 00:16:49,617 --> 00:16:51,706 GREAT JOB. 378 00:16:51,749 --> 00:16:53,838 DUE TO THE ORGANIZED AND STRENUOUS NATURE 379 00:16:53,882 --> 00:16:55,101 OF THE MODUS OPERANDI, 380 00:16:55,144 --> 00:16:57,451 WE BELIEVE OUR UNKNOWN SUBJECT IS A MALE 381 00:16:57,494 --> 00:16:59,540 SOMEWHERE BETWEEN HIS MID-TWENTIES AND THIRTIES. 382 00:16:59,583 --> 00:17:01,063 SIMMONS: HE'S DEMONSTRATED SURGICAL SKILLS 383 00:17:01,107 --> 00:17:03,065 THAT SUGGEST A SIGNIFICANT AMOUNT OF MEDICAL TRAINING 384 00:17:03,109 --> 00:17:05,111 AS WELL AS PROFICIENCY WITH COMPUTERS 385 00:17:05,154 --> 00:17:07,461 INDICATIVE OF A GRADUATE EDUCATION. 386 00:17:07,504 --> 00:17:09,724 JJ: ALTHOUGH IT'S NOT YET CLEAR HOW HE'S SELECTING 387 00:17:09,767 --> 00:17:11,508 EITHER HIS MALE OR FEMALE VICTIMS, 388 00:17:11,552 --> 00:17:14,381 THE VIOLENCE AND PSYCHOLOGICAL SADISM 389 00:17:14,424 --> 00:17:16,557 SUGGESTS THAT HE DOES HAVE SOME KIND OF AFFILIATION 390 00:17:16,600 --> 00:17:17,732 WITH ALL OF THEM. 391 00:17:17,775 --> 00:17:18,994 REID: WE BELIEVE OUR UNSUB IS BEING DRIVEN 392 00:17:19,038 --> 00:17:20,213 BY MIXED MOTIVATIONS. 393 00:17:20,256 --> 00:17:21,866 AND BECAUSE OF HIS PARTICULAR M.O. 394 00:17:21,910 --> 00:17:24,434 WITH THE MALE VICTIMS, COUPLED WITH THE LINGUISTICS 395 00:17:24,478 --> 00:17:25,696 HE'S USED IN HIS MESSAGES TO US, 396 00:17:25,740 --> 00:17:28,221 IT APPEARS LIKELY THAT ONE MOTIVATION 397 00:17:28,264 --> 00:17:30,745 MAY BE DEEPLY ROOTED IN A NEED FOR RETRIBUTION. 398 00:17:30,788 --> 00:17:33,095 PRENTISS: WHETHER IT IS REAL OR IMAGINED, 399 00:17:33,139 --> 00:17:35,663 THIS UNSUB BELIEVES THAT THE MEN HE'S TARGETING 400 00:17:35,706 --> 00:17:37,578 HAVE HARMED HIM, EITHER PHYSICALLY 401 00:17:37,621 --> 00:17:39,536 OR PSYCHOLOGICALLY, MAYBE BOTH. 402 00:17:39,580 --> 00:17:43,975 SO THEIR PAIN AND SUFFERING AND DEATH ARE JUSTIFIED TO HIM. 403 00:17:44,019 --> 00:17:47,196 OF COURSE, THIS IS NOT UNCOMMON, ESPECIALLY FOR ANGRY YOUNG MEN. 404 00:17:47,240 --> 00:17:49,633 JJ: OUR UNSUB IS CRAVING VALIDATION 405 00:17:49,677 --> 00:17:51,461 THROUGH A SENSE OF SUPERIORITY. 406 00:17:51,505 --> 00:17:53,463 AND IF THROUGH NOTHING ELSE, 407 00:17:53,507 --> 00:17:55,726 SUPERIORITY THROUGH FEAR ITSELF. 408 00:17:55,770 --> 00:17:57,728 AND SO HE WILL CONTINUE TO TRY TO REACH OUT 409 00:17:57,772 --> 00:17:59,295 TO ANY AND ALL SOCIAL MEDIA OUTLETS 410 00:17:59,339 --> 00:18:01,906 THAT MIGHT PROVIDE HIM WITH A PLATFORM. 411 00:18:01,950 --> 00:18:04,344 THAT'S ESPECIALLY TRUE NOW SINCE WE HAVE SEIZED CONTROL 412 00:18:04,387 --> 00:18:05,823 OF THE WEBSITE TO WHICH HE UPLOADED HIS VIDEO. 413 00:18:05,867 --> 00:18:07,912 REID: BUT ALSO BECAUSE HIS ULTIMATE VALIDATION 414 00:18:07,956 --> 00:18:09,218 WILL COME THROUGH FAME, 415 00:18:09,262 --> 00:18:11,394 THE CROWNING OF CELEBRITY OFFERS OUR UNSUB 416 00:18:11,438 --> 00:18:13,440 A SENSE OF DOMINANCE OVER OTHERS THAT 417 00:18:13,483 --> 00:18:16,312 QUITE POSSIBLY SATISFIES ALL OF HIS MOTIVATIONS. 418 00:18:16,356 --> 00:18:19,489 SO AS HIS PSYCHE FEEDS OFF THE FRENZY HE'S CREATING, 419 00:18:19,533 --> 00:18:22,362 LIKE A SPREE KILLER, HE WILL STOP AT NOTHING 420 00:18:22,405 --> 00:18:25,800 TO BURN AS BRIGHTLY AS HE CAN FOR AS LONG AS HE CAN. 421 00:18:25,843 --> 00:18:27,541 [ROCK MUSIC PLAYING] 422 00:18:27,584 --> 00:18:29,673 ♪ I'M ABOUT TO HAVE A NERVOUS BREAKDOWN ♪ 423 00:18:29,717 --> 00:18:32,198 ♪ MY HEAD REALLY HURTS 424 00:18:32,241 --> 00:18:35,070 ♪ IF I DON'T FIND A WAY OUT OF HERE ♪ 425 00:18:35,114 --> 00:18:36,811 ♪ I'M GONNA GO... 426 00:18:36,854 --> 00:18:38,204 [CACKLING] 427 00:18:38,247 --> 00:18:40,031 ♪ I'M CRAZY AND I'M HURT 428 00:18:40,075 --> 00:18:41,990 [SCREAMING] 429 00:18:42,033 --> 00:18:45,254 SO GALINA KADLEC IS NO STRANGER 430 00:18:45,298 --> 00:18:47,517 TO PLAYING IT FAST AND LOOSE WITH THE LAW. 431 00:18:47,561 --> 00:18:49,650 SHE WAS ONCE A SO-CALLED PERFORMANCE ARTIST 432 00:18:49,693 --> 00:18:51,608 WHOSE ART WAS OFTEN CHARGED WITH VIOLATING 433 00:18:51,652 --> 00:18:53,480 FEDERAL AND STATE OBSCENITY LAWS. 434 00:18:53,523 --> 00:18:55,612 ALTHOUGH SHE WAS NEVER CONVICTED. 435 00:18:55,656 --> 00:18:57,658 IT ALSO SAYS HERE SHE WAS ONCE THE OWNER OF A COMPANY 436 00:18:57,701 --> 00:19:02,010 CALLED FAU-TYPE WHICH PRODUCED AND DISTRIBUTED ADULT ENTERTAINMENT. 437 00:19:02,053 --> 00:19:03,620 IF BY "ADULT ENTERTAINMENT," 438 00:19:03,664 --> 00:19:05,535 YOU'RE TALKING ABOUT FETISHES LIKE 439 00:19:05,579 --> 00:19:08,321 VORAREPHILIA AND BESTIALITY. 440 00:19:08,364 --> 00:19:10,584 OK, I GET IT. SHE'S GOT EXOTIC TASTES. 441 00:19:10,627 --> 00:19:13,500 IT SAYS SHE LOST HER COMPANY IN A DIVORCE. 442 00:19:13,543 --> 00:19:17,068 SHE'S BEEN LOOKING TO GET HER FIX WITH SOME FREAKS ON THE DARK WEB. 443 00:19:17,112 --> 00:19:18,766 YEAH, BUT THE QUESTION FOR US RIGHT NOW IS, 444 00:19:18,809 --> 00:19:22,639 WHY DID OUR UNSUB CHOOSE TO POST HIS SNUFF FILM TO HER WEBSITE? 445 00:19:22,683 --> 00:19:25,033 IS IT JUST A COINCIDENCE OR DO THEY HAVE A PERSONAL RELATIONSHIP? 446 00:19:25,076 --> 00:19:27,340 AND IF THEY DO, IS HE REACHING OUT TO HER 447 00:19:27,383 --> 00:19:28,863 OR IS SHE EGGING HIM ON? 448 00:19:28,906 --> 00:19:31,822 WHY DON'T YOU GUYS GO IN THERE AND FIND OUT? 449 00:19:33,868 --> 00:19:35,957 [DOOR OPENS] 450 00:19:36,000 --> 00:19:37,698 [DOOR CLOSES] 451 00:19:39,047 --> 00:19:40,396 I CONFESS. 452 00:19:40,440 --> 00:19:42,224 MY FATAL FLOW IS NAIVETE. 453 00:19:42,268 --> 00:19:44,661 MS. KADLEC, LET'S NOT SCREW AROUND. 454 00:19:47,751 --> 00:19:49,405 YOU HAVE THE RIGHT TO REMAIN SILENT, 455 00:19:49,449 --> 00:19:50,885 BUT YOU KNOW THAT. 456 00:19:50,928 --> 00:19:52,713 THIS IS ABOUT A SERIES OF HOMICIDES, 457 00:19:52,756 --> 00:19:55,019 AND SINCE YOUR SITE STREAMED ONE OF THOSE MURDERS, 458 00:19:55,063 --> 00:19:57,108 THIS IS ALSO ABOUT AIDING AND ABETTING 459 00:19:57,152 --> 00:19:59,850 AND POSSIBLY CONSPIRACY BEFORE OR AFTER THE FACT. 460 00:19:59,894 --> 00:20:03,854 OH, I ADORE THE TAG-TEAM DOMINANCE. 461 00:20:03,898 --> 00:20:06,683 BUT YOU DO MISTAKE ME FOR A SUBMISSIVE. 462 00:20:06,727 --> 00:20:09,860 WE ALSO FORGOT AN OBSTRUCTION OF JUSTICE CHARGE. 463 00:20:11,819 --> 00:20:14,909 YOU KNOW WHO THIS GUY IS. TELL US. 464 00:20:14,952 --> 00:20:16,258 NOW. 465 00:20:16,302 --> 00:20:18,129 KADLEC: NO. 466 00:20:18,173 --> 00:20:20,741 BECAUSE I DO NOT KNOW HIM. 467 00:20:20,784 --> 00:20:22,351 I DO NOT HAVE ANY DIRECT KNOWLEDGE 468 00:20:22,395 --> 00:20:24,962 OF ANYONE WHO CHOOSES TO USE MY WEBSITE. 469 00:20:25,006 --> 00:20:27,791 IT IS ANONYMOUS. IT HAS TO BE, 470 00:20:27,835 --> 00:20:30,098 OR ELSE IT WOULD SUBVERT ITS PURPOSE. 471 00:20:30,141 --> 00:20:32,274 WHAT PURPOSE, PERVERSION? 472 00:20:32,318 --> 00:20:33,797 ONE AND THE SAME. 473 00:20:34,885 --> 00:20:36,452 IT IS RULE 34. 474 00:20:36,496 --> 00:20:38,715 I'M SORRY, COME AGAIN? 475 00:20:38,759 --> 00:20:39,847 RULE 34. 476 00:20:39,890 --> 00:20:42,850 IF IT EXISTS, THERE'S PORNOGRAPHY OF IT. 477 00:20:42,893 --> 00:20:44,765 NO EXCEPTIONS. 478 00:20:44,808 --> 00:20:46,288 THE XXXANADU WEBSITE WAS CREATED 479 00:20:46,332 --> 00:20:49,291 FOR PEOPLE TO SHARE THEIR MOST FORBIDDEN SEXUAL FANTASIES, 480 00:20:49,335 --> 00:20:50,988 NO NAMES, NO SHAMES. 481 00:20:51,032 --> 00:20:53,252 LEWIS: WOW. NO SHAME, HUH? 482 00:20:53,295 --> 00:20:55,428 EVEN THOUGH YOU LET PEOPLE WATCH A VIDEO 483 00:20:55,471 --> 00:20:57,517 OF A MAN LITERALLY GETTING HACKED TO PIECES. 484 00:20:57,560 --> 00:21:00,781 SO YOU'RE TRYING TO TELL US ALL YOU AND YOUR DEGENERATE USERS 485 00:21:00,824 --> 00:21:04,045 WERE DOING WAS-- WAS GETTING OFF? 486 00:21:04,088 --> 00:21:05,960 YES, THAT'S RIGHT. 487 00:21:06,003 --> 00:21:09,311 AND EVEN IF I ACCEPT THAT IT WAS NOT FAKED, 488 00:21:09,355 --> 00:21:11,095 THIS VIDEO IS NO DIFFERENT THAN 489 00:21:11,139 --> 00:21:12,749 ANY OTHER VIDEO YOU CAN SEE ON YOUTUBE, 490 00:21:12,793 --> 00:21:14,490 THAT WAS RECORDED IN A WAR ZONE, 491 00:21:14,534 --> 00:21:17,014 BUT IT GETS A PASS BECAUSE IT'S CONSIDERED NEWS. 492 00:21:17,058 --> 00:21:20,931 OK. MS. KADLEC, IF YOU THINK THAT YOU CAN DEFLECT 493 00:21:20,975 --> 00:21:25,109 BY SASHAYING YOUR DEPRAVITY, YOU ARE SADLY MISTAKEN. 494 00:21:25,153 --> 00:21:27,721 OH, I THINK YOU'RE THE ONE WHO'S MISTAKEN. 495 00:21:27,764 --> 00:21:31,377 WHAT YOU PERCEIVE AS MY CALLOUSNESS 496 00:21:31,420 --> 00:21:35,337 IS, TO BE FAIR, MY REVERENCE FOR THE CYCLE OF LIFE. 497 00:21:35,381 --> 00:21:36,947 SIMMONS: OK, WHATEVER. 498 00:21:38,253 --> 00:21:40,821 RIGHT NOW WE HAVE AGENTS DIGGING UP YOUR REAL 499 00:21:40,864 --> 00:21:42,344 AND YOUR DIGITAL LIFE. 500 00:21:42,388 --> 00:21:44,607 I CAN PROMISE YOU THAT WE'LL FIND THE CONNECTION 501 00:21:44,651 --> 00:21:47,001 BETWEEN YOU AND THIS PSYCHOPATH. 502 00:21:47,044 --> 00:21:49,351 WELL, I WOULD ADVISE YOU, BASED ON MY OWN EXPERIENCE, 503 00:21:49,395 --> 00:21:54,182 TO NEVER MAKE A PROMISE THAT YOU'RE NOT ABSOLUTELY CERTAIN YOU CAN KEEP, 504 00:21:54,225 --> 00:21:58,969 BECAUSE KARMA CAN BE A BITCH. 505 00:22:03,278 --> 00:22:05,672 [DISTANT SIREN] 506 00:22:20,034 --> 00:22:22,036 [COINS JINGLE] 507 00:22:23,124 --> 00:22:25,953 [LINE RINGS] 508 00:22:25,996 --> 00:22:27,389 WOMAN: HELLO? 509 00:22:27,433 --> 00:22:28,956 IT'S ME, MOM. 510 00:22:28,999 --> 00:22:31,219 OH, SWEETHEART. 511 00:22:31,262 --> 00:22:32,786 WHERE ARE YOU? 512 00:22:32,829 --> 00:22:34,353 UM... 513 00:22:36,050 --> 00:22:37,443 I'M AT A FRIEND'S. 514 00:22:37,486 --> 00:22:39,183 BUT YOU TOLD ME YOU WERE GETTING OUT 515 00:22:39,227 --> 00:22:40,837 AND THEN COMING STRAIGHT HOME. 516 00:22:40,881 --> 00:22:43,449 I WAS STARTING TO GET WORRIED. 517 00:22:43,492 --> 00:22:45,407 HAVE YOU BEEN WATCHING THE NEWS? 518 00:22:45,451 --> 00:22:49,455 YEAH. MOM, I'M OK. 519 00:22:49,498 --> 00:22:51,544 I'M GREAT, ACTUALLY. 520 00:22:51,587 --> 00:22:53,328 GOOD. 521 00:22:53,372 --> 00:22:55,504 WHEN SHOULD I EXPECT YOU? 522 00:22:57,941 --> 00:23:00,335 EMMANUEL? 523 00:23:00,379 --> 00:23:03,425 MOM, I CAN'T COME HOME. 524 00:23:03,469 --> 00:23:05,035 WHY? 525 00:23:05,079 --> 00:23:06,602 SOMETHING'S COME UP, 526 00:23:06,646 --> 00:23:09,083 SOMETHING IMPORTANT. 527 00:23:09,126 --> 00:23:12,478 NOW, I CAN'T SAY ANYTHING. 528 00:23:12,521 --> 00:23:14,218 IT'S A SURPRISE. 529 00:23:16,003 --> 00:23:19,354 BUT WHEN IT'S ALL OVER, 530 00:23:19,398 --> 00:23:22,401 EVERYONE'S GOING TO REMEMBER YOUR SON'S NAME. 531 00:23:22,444 --> 00:23:25,404 HONEY, MAYBE YOU SHOULD JUST COME HOME. 532 00:23:25,447 --> 00:23:27,623 YOU'VE BEEN AWAY FOR SO LONG. 533 00:23:28,929 --> 00:23:33,803 I FINALLY MADE SOMETHING OF MYSELF. 534 00:23:33,847 --> 00:23:34,804 GOOD-BYE, MOM. 535 00:23:34,848 --> 00:23:36,502 WAIT. 536 00:23:36,545 --> 00:23:37,720 EMMAN-- 537 00:23:37,764 --> 00:23:39,983 [POLICE RADIO CHATTER] 538 00:23:42,029 --> 00:23:44,466 DISPATCHER: AVAILABLE UNITS, THE CROSS STREET IS GALATIN 539 00:23:44,510 --> 00:23:46,033 AND HARPER BOULEVARD. 540 00:23:46,076 --> 00:23:48,122 ANY AVAILABLE UNITS. 541 00:23:54,476 --> 00:23:55,912 HEY. HEY, BABY. 542 00:23:55,956 --> 00:23:59,350 I'M SORRY, I'M GONNA BE HOME LATE AGAIN TONIGHT. 543 00:23:59,394 --> 00:24:01,831 YEAH, I FIGURED AS MUCH. 544 00:24:01,875 --> 00:24:04,573 I JUST HAD TO TURN OFF THE NEWS TONIGHT. 545 00:24:04,617 --> 00:24:07,750 SO HOW'S IT GOING? HOW'S, UM, HOW'S DAVID? 546 00:24:07,794 --> 00:24:10,231 HE'S GOOD. WE'VE HAD A GOOD COUPLE OF DAYS 547 00:24:10,274 --> 00:24:11,972 HANGING OUT TOGETHER. 548 00:24:12,015 --> 00:24:15,062 UH, HEY, 549 00:24:15,105 --> 00:24:18,326 YOU DIDN'T HEAR WHAT HAPPENED TO TRINA RYLANCE'S MOTHER, DID YOU? 550 00:24:18,369 --> 00:24:20,067 WHO'S TRINA RYLANCE? 551 00:24:20,110 --> 00:24:22,330 SHE WAS A CLASSMATE OF DAVID'S UNTIL THE START OF THE YEAR. 552 00:24:22,373 --> 00:24:24,158 HE TOLD ME HOW THE KIDS FOUND HOW THAT HER MOTHER 553 00:24:24,201 --> 00:24:26,203 HAD DIED IN SOME KIND OF ACCIDENT 554 00:24:26,247 --> 00:24:27,814 AND IT HAD SCARED HIM. 555 00:24:27,857 --> 00:24:29,032 YEAH. 556 00:24:29,076 --> 00:24:31,426 OF COURSE IT WOULD. 557 00:24:31,470 --> 00:24:33,341 WELL, I'M GLAD HE'S STARTING TO OPEN UP. 558 00:24:33,384 --> 00:24:36,823 LOOK, I'LL TEXT YOU WHEN I'M ON MY WAY HOME TONIGHT, OK? 559 00:24:36,866 --> 00:24:39,347 THAT'S FINE, BUT I WILL BE ASLEEP. 560 00:24:39,390 --> 00:24:41,305 HMM. FAIR ENOUGH. 561 00:24:41,349 --> 00:24:44,439 ALL RIGHT, WELL, SLEEP WELL, AND I LOVE YOU. 562 00:24:44,483 --> 00:24:46,789 I LOVE YOU, TOO. STAY SAFE. 563 00:24:46,833 --> 00:24:48,399 I WILL. 564 00:24:48,443 --> 00:24:50,271 [BEEP] 565 00:24:54,449 --> 00:24:57,147 D.C. METRO POLICE JUST FOUND DR. KAUFFMANN'S CAR. 566 00:24:57,191 --> 00:24:59,585 IT WAS PARKED NEAR 14th AND "T" IN THE CARDOZO AREA. 567 00:24:59,628 --> 00:25:01,064 FORENSICS IS PROCESSING IT NOW. 568 00:25:01,108 --> 00:25:03,545 ANY OTHER CARS REPORTED STOLEN IN THAT AREA TONIGHT? 569 00:25:03,589 --> 00:25:04,807 NONE SO FAR. 570 00:25:04,851 --> 00:25:06,156 WELL, HE'S ON FOOT, MAYBE BECAUSE 571 00:25:06,200 --> 00:25:07,636 CARDOZO'S WHERE HIS NEXT VICTIM LIVES. 572 00:25:07,680 --> 00:25:09,812 AND WE JUST FOUND A CONNECTION 573 00:25:09,856 --> 00:25:11,466 BETWEEN THE MALE VICTIMS. 574 00:25:11,510 --> 00:25:12,946 WENT THROUGH DR. KAUFFMANN'S PATIENT RECORDS. 575 00:25:12,989 --> 00:25:15,514 IT TURNS OUT 3 YEARS AGO A PATIENT WAS REFERRED TO HIM 576 00:25:15,557 --> 00:25:17,341 BY THE NAME OF EMMANUEL RASK. 577 00:25:17,385 --> 00:25:18,560 GARCIA: MEANWHILE, I WAS DOING SOME RESEARCH 578 00:25:18,604 --> 00:25:20,257 ON DUANE VANN'S SOCIAL MEDIA, 579 00:25:20,301 --> 00:25:21,781 AND AROUND 3 YEARS AGO, 580 00:25:21,824 --> 00:25:23,826 HE SEEMED TO HAVE A PRETTY SERIOUS ROMANTIC RELATIONSHIP 581 00:25:23,870 --> 00:25:25,828 WITH THAT VERY SAME EMMANUEL RASK. 582 00:25:25,872 --> 00:25:27,351 PRENTISS: WHAT DO WE KNOW ABOUT RASK? 583 00:25:27,395 --> 00:25:28,439 REID: CHILD PRODIGY IN MUSIC, 584 00:25:28,483 --> 00:25:30,006 VALEDICTORIAN OF HIS HIGH SCHOOL. 585 00:25:30,050 --> 00:25:31,530 HE WON A SCHOLARSHIP TO HALLRIDGE UNIVERSITY, 586 00:25:31,573 --> 00:25:34,141 WHERE HE WAS LATER ACCEPTED TO THE MEDICAL SCHOOL. 587 00:25:34,184 --> 00:25:35,490 FROM WHICH HE WAS EXPELLED? 588 00:25:35,534 --> 00:25:37,448 OH, YEAH. FOR BEHAVIOR DEEMED GROSSLY INAPPROPRIATE 589 00:25:37,492 --> 00:25:39,102 BY THE MEDICAL SCHOOL'S CODE OF CONDUCT. 590 00:25:39,146 --> 00:25:41,496 THE ADMINISTRATION DISCOVERED THAT RASK 591 00:25:41,540 --> 00:25:43,454 HAD BEEN MAKING CRUSH VIDEOS. 592 00:25:43,498 --> 00:25:44,630 WHAT'S A CRUSH VIDEO? 593 00:25:44,673 --> 00:25:46,327 CRUSHING IS A PARAPHILIA WHERE SOMEONE'S 594 00:25:46,370 --> 00:25:49,678 SEXUAL AROUSED BY THE CRUSHING OF OBJECTS WITH A HUMAN BODY. 595 00:25:49,722 --> 00:25:52,551 TYPICALLY IT'S THE FOOT, AND THE ITEMS ARE USUALLY FOOD, 596 00:25:52,594 --> 00:25:56,119 BUT IN RASK'S CASE, THEY WERE SMALL ANIMALS. 597 00:25:56,163 --> 00:25:58,861 WAS HE CHARGED WITH ANIMAL CRUELTY? 598 00:25:58,905 --> 00:26:00,471 NO. THEY DIDN'T HAVE A CHANCE TO DO THAT 599 00:26:00,515 --> 00:26:03,126 BECAUSE RASK WENT AFTER THE STUDENT HE THOUGHT DIMED HIM OUT. 600 00:26:03,170 --> 00:26:05,433 HE WAS CONVICTED OF AGGRAVATED ASSAULT. 601 00:26:05,476 --> 00:26:07,478 HE WAS SENTENCED TO 6 YEARS IN PRISON. 602 00:26:07,522 --> 00:26:09,437 HE WAS SERVED TWO, GOOD BEHAVIOR. 603 00:26:09,480 --> 00:26:11,613 AND HE WAS RELEASED ON PROBATION 4 DAYS AGO. 604 00:26:11,657 --> 00:26:13,093 DOES HE HAVE ANY FAMILY IN THE AREA? 605 00:26:13,136 --> 00:26:15,008 HIS FATHER ALONSO COMMITTED SUICIDE 10 YEARS AGO, 606 00:26:15,051 --> 00:26:17,401 BUT HIS MOTHER JANEL CURRENTLY LIVES IN HILLCREST HEIGHTS. 607 00:26:17,445 --> 00:26:19,447 LUKE AND I CAN GO TALK TO HER. 608 00:26:19,490 --> 00:26:21,884 DR. KAUFFMANN NOTED HOW DIFFICULT IT WAS 609 00:26:21,928 --> 00:26:24,104 FOR HIM DIAGNOSE RASK BECAUSE HE EXHIBITED 610 00:26:24,147 --> 00:26:25,584 ALL THE ATTENTION-SEEKING TENDENCIES 611 00:26:25,627 --> 00:26:27,237 OF A HISTRIONIC PERSONALITY 612 00:26:27,281 --> 00:26:29,500 WHILE SIMULTANEOUSLY FLAUNTING AN EXAGGERATED SENSE OF SELF WORTH 613 00:26:29,544 --> 00:26:31,067 CONSISTENT WITH BEING A NARCISSIST. 614 00:26:31,111 --> 00:26:32,765 WELL, THOSE TWO PERSONALITY TYPES 615 00:26:32,808 --> 00:26:34,636 ARE USUALLY INCONSISTENT WITH EACH OTHER, 616 00:26:34,680 --> 00:26:36,812 WHICH MEANS HE'S BEEN STRUGGLING WITH THESE MIXED MOTIVATIONS 617 00:26:36,856 --> 00:26:38,640 FOR A LONG TIME. 618 00:26:38,684 --> 00:26:41,338 AND IF HIS RELATIONSHIP WITH DUANE VANN 619 00:26:41,382 --> 00:26:43,297 WAS AS IMPORTANT TO HIM AS I THINK IT WAS, 620 00:26:43,340 --> 00:26:46,126 THEN LEARNING THAT VANN GOT MARRIED WHILE HE WAS IN PRISON 621 00:26:46,169 --> 00:26:47,606 COULD HAVE TRIGGED HIS RAGE. 622 00:26:47,649 --> 00:26:49,520 SO RASK HAD TO HAVE BEEN PLANNING THIS FOR A WHILE NOW. 623 00:26:49,564 --> 00:26:51,348 AND HE KNEW HE'D NEED SOME HELP, 624 00:26:51,392 --> 00:26:53,655 AND THAT'S WHY HE'D REACH OUT TO A KINDRED SPIRIT LIKE GALINA KADLEC. 625 00:26:53,699 --> 00:26:55,701 YEAH, BUT I CAN'T FIGURE OUT HOW THEY COMMUNICATED WITH EACH OTHER. 626 00:26:55,744 --> 00:26:56,832 PRENTISS: AND YOU PROBABLY WON'T, 627 00:26:56,876 --> 00:26:58,486 BUT WHAT YOU CAN DO RIGHT NOW 628 00:26:58,529 --> 00:27:00,270 IS SEE WHICH MEN FROM RASK'S PAST 629 00:27:00,314 --> 00:27:02,664 LIVE IN OR AROUND THE CARDOZO AREA. 630 00:27:08,583 --> 00:27:10,498 [CAR DOOR CLOSES] 631 00:27:19,768 --> 00:27:22,553 [MAN GASPING] 632 00:27:41,703 --> 00:27:43,574 [EXHALES] 633 00:27:48,362 --> 00:27:50,233 ROSSI, OVER PHONE: JJ, WHAT DID RASK'S MOTHER SAY? 634 00:27:50,277 --> 00:27:52,235 HE CALLED HER A COUPLE OF HOURS AGO, 635 00:27:52,279 --> 00:27:54,847 SAID HE WASN'T COMING HOME BECAUSE SOMETHING IMPORTANT HAD COME UP. 636 00:27:54,890 --> 00:27:57,110 DID SHE RECOGNIZE ANY OF THE VICTIMS? 637 00:27:57,153 --> 00:27:58,894 ALVEZ, OVER PHONE: SHE DIDN'T RECOGNIZE ANY OF THE MEN, 638 00:27:58,938 --> 00:28:01,723 BUT SHE DID RECOGNIZE ALL 10 OF THE WOMEN WHO RECEIVED PACKAGES. 639 00:28:01,767 --> 00:28:03,725 YEAH. AND JANEL SAID THE REASON WHY 640 00:28:03,769 --> 00:28:05,248 SHE REMEMBERED THESE WOMEN WAS 641 00:28:05,292 --> 00:28:06,989 BECAUSE OF HOW KIND THEY ALL WERE TO HER SON. 642 00:28:07,033 --> 00:28:08,599 ALVEZ: YEAH, LIKE PATRICIA SORRELLS 643 00:28:08,643 --> 00:28:10,471 WAS HIS HIGH SCHOOL CHEMISTRY TEACHER 644 00:28:10,514 --> 00:28:12,516 WHO WROTE HIM A GLOWING COLLEGE RECOMMENDATION, 645 00:28:12,560 --> 00:28:15,302 OR GEENA RAPTIS, SHE HELPED HIM 646 00:28:15,345 --> 00:28:17,086 WHEN HE MISFILED A TAX RETURN. 647 00:28:17,130 --> 00:28:19,567 YEAH, THE WAY SHE DESCRIBED THESE WOMEN, 648 00:28:19,610 --> 00:28:22,222 I DON'T KNOW, IT WOULD BE HARD TO IMAGINE 649 00:28:22,265 --> 00:28:25,051 ANY KIND OF RESENTMENT RASK WOULD HAVE TOWARD THEM. 650 00:28:25,094 --> 00:28:28,315 YEAH, YOU'D THINK HE WOULD BE GRATEFUL TO THESE WOMEN. 651 00:28:28,358 --> 00:28:30,491 GIFT WRAPPING. 652 00:28:30,534 --> 00:28:32,101 WHAT ABOUT GIFT WRAPPING? 653 00:28:32,145 --> 00:28:34,016 YOU KNOW, I SAW IT BEFORE, 654 00:28:34,060 --> 00:28:36,627 AND YET I DIDN'T SEE IT BECAUSE IT SEEMED OBVIOUS 655 00:28:36,671 --> 00:28:38,281 THAT HE JUST DIDN'T WANT THE BOXES TO LEAK, 656 00:28:38,325 --> 00:28:41,415 BUT NOW, I THINK HE WAS BEING EXACT... 657 00:28:42,677 --> 00:28:44,810 BECAUSE HE WAS WRAPPING A GIFT. 658 00:28:44,853 --> 00:28:46,550 YOU THINK HE IS GRATEFUL TO THEM? 659 00:28:46,594 --> 00:28:48,161 LEWIS: YES, OF COURSE HE IS. 660 00:28:48,204 --> 00:28:49,771 AND HE WANTS TO DEMONSTRATE HIS GRATITUDE 661 00:28:49,815 --> 00:28:50,990 THE BEST WAY HE KNOWS HOW-- 662 00:28:51,033 --> 00:28:52,600 BY SHARING IN HIS CELEBRITY, 663 00:28:52,643 --> 00:28:55,168 BY WRITING THESE WOMEN INTO HIS OWN NARRATIVE. 664 00:28:55,211 --> 00:28:57,997 SO IT'S LIKE THE CAT WHO OFFERS HIS OWNER THE MOUSE HE JUST CAUGHT. 665 00:28:58,040 --> 00:29:02,305 OK, SO IF RASP REALLY IS OFFERING UP THANK-YOU GIFTS, 666 00:29:02,349 --> 00:29:03,916 WHAT KIND OF GIFT DO YOU THINK HE'D WANT 667 00:29:03,959 --> 00:29:05,613 TO GIVE GALINA KADLEC? 668 00:29:05,656 --> 00:29:07,746 SOMETHING TELLS ME GALINA WOULD ASK 669 00:29:07,789 --> 00:29:09,922 FOR SOMEBODY QUITE SPECIFIC. 670 00:29:12,141 --> 00:29:13,795 [DOOR CLOSES] 671 00:29:13,839 --> 00:29:15,623 I KNOW YOU. 672 00:29:15,666 --> 00:29:18,713 OH, I DON'T THINK SO. 673 00:29:18,757 --> 00:29:20,933 I'M DAV--DAVID ROSSI, 674 00:29:20,976 --> 00:29:23,152 SUPERVISORY SPECIAL AGENT, FBI, 675 00:29:23,196 --> 00:29:25,285 BEHAVIORAL ANALYSIS UNIT, 676 00:29:25,328 --> 00:29:28,767 AUTHOR OF "DEVIANCE: THE SECRET DESIRES 677 00:29:28,810 --> 00:29:30,769 OF SADISTIC SERIAL KILLERS." 678 00:29:30,812 --> 00:29:33,293 THAT'S RIGHT. 679 00:29:33,336 --> 00:29:37,384 I'M SURE YOU HAVE NO IDEA WHAT AN INSPIRATION YOUR WORK HAS BEEN. 680 00:29:38,820 --> 00:29:41,780 AND DO YOU THINK HE'S A FAN, TOO? 681 00:29:47,873 --> 00:29:50,789 AND IF YOU THINK THAT DOMINATRIX FACE 682 00:29:50,832 --> 00:29:53,487 IS BETTER THAN A POKER FACE, 683 00:29:53,530 --> 00:29:54,836 IT AIN'T. 684 00:29:54,880 --> 00:29:56,577 I DON'T KNOW HIM. 685 00:29:56,620 --> 00:29:58,840 LET ME BE CRYSTAL CLEAR WITH YOU. 686 00:29:58,884 --> 00:30:01,060 UNLESS I WALK OUT THAT DOOR 687 00:30:01,103 --> 00:30:02,888 WITH ALL THE ANSWERS I'M LOOKING FOR, 688 00:30:02,931 --> 00:30:06,543 YOU CAN KISS THE REST OF YOUR LIFE GOOD-BYE. 689 00:30:06,587 --> 00:30:10,678 HEH. YOU KNOW, IN THE BDSM WORLD, 690 00:30:10,721 --> 00:30:13,072 THIS SORT OF ABUSE REQUIRES CONSENT, 691 00:30:13,115 --> 00:30:16,684 A SAFE WORD, LIKE "LAWYER." 692 00:30:16,727 --> 00:30:17,903 ARE YOU ASKING FOR A LAWYER? 693 00:30:17,946 --> 00:30:19,165 NO. 694 00:30:19,208 --> 00:30:21,689 I DON'T NEED ANYONE TO SAVE ME. 695 00:30:21,732 --> 00:30:23,865 I'VE LEARNED HOW TO HANDLE MEN LIKE YOU, 696 00:30:23,909 --> 00:30:26,128 MEN WHO THINK THEY CAN MANIPULATE ME 697 00:30:26,172 --> 00:30:28,348 OR EVEN INTIMIDATE ME INTO SUBMISSION. 698 00:30:28,391 --> 00:30:31,438 WELL, YEAH, I KNOW YOU'VE HAD MANY MEN OF THIS TYPE 699 00:30:31,481 --> 00:30:33,135 IN YOUR LIFE, 700 00:30:33,179 --> 00:30:36,878 GUYS HAVE TRIED TO RIP YOU OFF, PROSECUTE YOU, 701 00:30:36,922 --> 00:30:40,969 TAKE YOUR FOR EVERYTHING YOU'VE GOT IN A DIVORCE. 702 00:30:41,013 --> 00:30:42,797 I SURVIVED. 703 00:30:42,841 --> 00:30:44,364 AND NOW I THRIVE. 704 00:30:44,407 --> 00:30:46,583 YEAH, BUT YOU KNOW WHAT THEY SAY, 705 00:30:46,627 --> 00:30:49,325 YOU ATTRACT WHAT YOU ARE. 706 00:30:49,369 --> 00:30:51,240 THAT'S A LIE. 707 00:30:51,284 --> 00:30:53,155 BECAUSE YOU CAN BE BETRAYED. 708 00:30:53,199 --> 00:30:56,593 YES, YOU CAN. 709 00:30:56,637 --> 00:30:59,509 AND I CAN TELL BY THAT TONE IN YOUR VOICE 710 00:30:59,553 --> 00:31:01,860 THAT YOU FEEL BETRAYED BY 711 00:31:01,903 --> 00:31:04,775 THE MAN YOU PROMISED TO CHERISH 712 00:31:04,819 --> 00:31:08,736 IN SICKNESS AND IN HEALTH FOR AS LONG AS YOU BOTH SHALL LIVE. 713 00:31:08,779 --> 00:31:11,695 BUT THE PROBLEM IS, 714 00:31:11,739 --> 00:31:13,828 HE'S STILL ALIVE. 715 00:31:13,872 --> 00:31:18,354 OR MAYBE YOU'VE ALREADY ARRANGED TO TAKE CARE 716 00:31:18,398 --> 00:31:19,703 OF THAT PROBLEM. 717 00:31:21,749 --> 00:31:25,448 I THINK I WOULD LIKE TO SEE MY LAWYER NOW. 718 00:31:25,492 --> 00:31:28,495 EMILY, I KNOW WHO THE NEXT VICTIM IS. 719 00:31:28,538 --> 00:31:31,715 IT'S GALINA'S EX-HUSBAND BYRON MADDOCK. 720 00:31:31,759 --> 00:31:34,675 [BYRON GASPING] 721 00:31:42,639 --> 00:31:44,641 EMMANUEL: SEE, THE TRUTH IS, 722 00:31:44,685 --> 00:31:47,122 ORDINARILY, 723 00:31:47,166 --> 00:31:51,083 I WOULD PREFER TO GO BAREBACK. 724 00:31:52,649 --> 00:31:55,478 BUT TONIGHT, 725 00:31:55,522 --> 00:31:57,785 I'M TAKING REQUESTS. 726 00:31:57,828 --> 00:31:59,787 BYRON: WHO... 727 00:31:59,830 --> 00:32:03,269 ARE...YOU? 728 00:32:05,880 --> 00:32:08,274 I'M THE GUY THAT'S GONNA CUT YOU INTO LITTLE PIECES. 729 00:32:08,317 --> 00:32:10,885 NO. NO. 730 00:32:10,929 --> 00:32:13,975 [GRUNTING] LET ME GO. 731 00:32:14,019 --> 00:32:16,760 HEY! 732 00:32:18,675 --> 00:32:20,634 HEY. 733 00:32:20,677 --> 00:32:23,463 GALINA SAYS HELLO, BITCH. 734 00:32:33,908 --> 00:32:35,040 JJ, TALK TO ME. 735 00:32:35,083 --> 00:32:36,867 D.C. METRO POLICE IS CONFIRMING A BREAK-IN 736 00:32:36,911 --> 00:32:37,912 AT BYRON MADDOCK'S HOUSE. 737 00:32:37,956 --> 00:32:39,870 NO SIGN OF MADDOCK OR HIS CAR. 738 00:32:39,914 --> 00:32:40,959 WE'RE ON OUR WAY THERE NOW. 739 00:32:41,002 --> 00:32:42,264 ALL RIGHT, SPENCE AND I ARE ON OUR WAY 740 00:32:42,308 --> 00:32:43,744 TO MADDOCK'S OFFICE IN BETHESDA. 741 00:32:43,787 --> 00:32:46,834 WHOA, HOLD YOUR CRIME-FIGHTING HORSES, MATT AND SPENCE, 742 00:32:46,877 --> 00:32:48,792 I CAN DO YOU ONE BETTER THAN HIS OFFICE. 743 00:32:48,836 --> 00:32:50,011 I FOUND HIS ARSENAL. 744 00:32:50,055 --> 00:32:51,404 WHAT ARSENAL? 745 00:32:51,447 --> 00:32:53,710 THE ARSENAL IS A NICKNAME FOR AN ABANDONED ARMORY 746 00:32:53,754 --> 00:32:55,147 IN ROCKVILLE THAT WAS PREVIOUSLY OWNED 747 00:32:55,190 --> 00:32:57,845 BY GALINA KADLEC'S OLD COMPANY FAU-TYPE, 748 00:32:57,888 --> 00:33:00,195 AND THEY USED IT AS A PRODUCTION STUDIO 749 00:33:00,239 --> 00:33:02,806 TO CREATE FETISH CONTENT FOR THE FAU-TYPE WEBSITES. 750 00:33:02,850 --> 00:33:05,722 I DON'T UNDERSTAND. WHY ARE WE JUST FINDING OUT ABOUT THIS PLACE? 751 00:33:05,766 --> 00:33:07,942 BECAUSE I JUST FOUND IT UNDER A BIG CYBER ROCK. 752 00:33:07,986 --> 00:33:10,901 IT LOOKS LIKE GALINA AND HER EX WERE IN A SUPER BITTER LEGAL BATTLE 753 00:33:10,945 --> 00:33:12,947 OVER THIS PARTICULAR PIECE OF PROPERTY, 754 00:33:12,991 --> 00:33:14,644 AND THE BANK HAS FORECLOSED ON IT. 755 00:33:14,688 --> 00:33:16,646 THAT'S IT. IT'S THE PERFECT PLACE 756 00:33:16,690 --> 00:33:18,431 FOR RASK TO FEEL SAFE AND SECURE. 757 00:33:18,474 --> 00:33:20,215 AND I'M SURE GALINA LET HIM KNOW 758 00:33:20,259 --> 00:33:22,087 EXACTLY HOW TO ACCESS THE BUILDING. 759 00:33:22,130 --> 00:33:23,088 WE'RE ON OUR WAY. 760 00:33:23,131 --> 00:33:24,785 I'LL MEET YOU THERE. 761 00:33:24,828 --> 00:33:28,441 BYRON: PLEASE. PLEASE. 762 00:33:28,484 --> 00:33:29,790 LISTEN TO ME. 763 00:33:29,833 --> 00:33:31,313 [ROCK MUSIC PLAYING] 764 00:33:31,357 --> 00:33:32,793 I DON'T KNOW WHAT SHE'S TOLD YOU, 765 00:33:32,836 --> 00:33:34,403 BUT NONE OF IT IS TRUE. 766 00:33:34,447 --> 00:33:37,754 WAIT. WHAT DOES SHE WANT? 767 00:33:37,798 --> 00:33:39,713 SHE WANT ME TO APOLOGIZE? 768 00:33:39,756 --> 00:33:41,410 IS THAT IS? 769 00:33:41,454 --> 00:33:44,065 IS THAT WHAT SHE WANTS? 770 00:33:44,109 --> 00:33:45,545 TELL ME! 771 00:33:53,814 --> 00:33:56,338 OK, WHEN WE FIND THEM IN THERE, 772 00:33:56,382 --> 00:33:58,036 I WANT YOU GUYS TO FOLLOW MY LEAD. 773 00:33:58,079 --> 00:33:59,559 [ROCK MUSIC PLAYING] 774 00:33:59,602 --> 00:34:02,779 I'M SORRY, OK? 775 00:34:02,823 --> 00:34:04,955 PLEASE TELL HER THAT I'M SORRY. 776 00:34:08,046 --> 00:34:10,613 [SAW WHIRRING] 777 00:34:10,657 --> 00:34:12,963 OH, GOD, YOU SICK SON OF A BITCH. 778 00:34:13,007 --> 00:34:16,097 [TURNS SAW OFF] 779 00:34:16,141 --> 00:34:17,881 [GASPS] AHH! 780 00:34:17,925 --> 00:34:19,666 YOU KNOW, 781 00:34:19,709 --> 00:34:24,018 GALINA AND I HAVE KNOWN EACH OTHER FOR 782 00:34:24,062 --> 00:34:27,587 QUITE A WHILE NOW. 783 00:34:27,630 --> 00:34:30,677 HER WEBSITES SPOKE TO ME. 784 00:34:30,720 --> 00:34:33,854 I'D BE ON THEM, AND I'D REALIZE 785 00:34:33,897 --> 00:34:36,030 I'M NOT ALONE. 786 00:34:45,474 --> 00:34:47,259 SO... 787 00:34:47,302 --> 00:34:50,914 IN ORDER TO EXPRESS MY UNDYING GRATITUDE, 788 00:34:50,958 --> 00:34:53,613 I PROMISED TO SEND HER A SPECIAL GIFT-- 789 00:34:53,656 --> 00:34:56,746 YOUR HEAD... 790 00:34:56,790 --> 00:34:58,966 ON A PLATTER. 791 00:34:59,009 --> 00:35:00,402 [CHUCKLES] 792 00:35:00,446 --> 00:35:02,622 [SAW WHIRRING] 793 00:35:02,665 --> 00:35:07,279 [SCREAMING] 794 00:35:17,811 --> 00:35:19,465 SIMMONS: EMMANUEL RASK! 795 00:35:19,508 --> 00:35:20,727 PUT DOWN THE WEAPON. 796 00:35:20,770 --> 00:35:21,945 HELP ME. 797 00:35:21,989 --> 00:35:23,686 BYRON, STAY CALM. EVERYTHING'S GONNA BE OK. 798 00:35:23,730 --> 00:35:26,428 MR. RASK, PUT THE WEAPON DOWN AND PUT YOUR HANDS IN THE AIR. 799 00:35:26,472 --> 00:35:29,127 SO CLOSE AND YET SO FAR. 800 00:35:29,170 --> 00:35:30,432 [SAW WHIRRING]EMMANUEL. 801 00:35:30,476 --> 00:35:33,174 [SAW STOPS] 802 00:35:33,218 --> 00:35:39,746 WELL, THIS IS UNEXPECTED. 803 00:35:39,789 --> 00:35:42,270 DO YOU KNOW WHO I AM? 804 00:35:42,314 --> 00:35:43,967 YES, I DO. 805 00:35:46,100 --> 00:35:48,494 I'VE READ ALL YOUR BOOKS. 806 00:35:48,537 --> 00:35:49,886 THAT'S WHAT GALINA TOLD ME. 807 00:35:49,930 --> 00:35:54,152 SHE SAID YOUR FAVORITE WAS, UM, 808 00:35:54,195 --> 00:35:55,414 "DEVIANCE." 809 00:35:55,457 --> 00:35:58,199 NO, THAT WAS HER FAVORITE. 810 00:35:58,243 --> 00:36:00,854 ACTUALLY, I PREFER "EYE OF THE PREDATOR." 811 00:36:00,897 --> 00:36:04,074 EMMANUEL, I'M BEING VERY SERIOUS NOW. 812 00:36:04,118 --> 00:36:07,817 YOU HAVE MY UNDIVIDED ATTENTION. 813 00:36:07,861 --> 00:36:09,558 I SHOULD. 814 00:36:10,907 --> 00:36:13,432 YES, YOU SHOULD. 815 00:36:16,739 --> 00:36:18,132 [SIGHS] 816 00:36:18,176 --> 00:36:19,742 I'M NOT GOING BACK TO PRISON. 817 00:36:19,786 --> 00:36:22,876 YEAH, BUT IF NOT, 818 00:36:22,919 --> 00:36:24,834 WE WON'T BE ABLE TO TALK. 819 00:36:24,878 --> 00:36:28,838 AND THEN HOW WOULD I BE ABLE TO TELL YOUR STORY? 820 00:36:31,101 --> 00:36:32,929 WE DO HAVE A LOT TO TALK ABOUT. 821 00:36:32,973 --> 00:36:34,279 YES, WE DO, SON. 822 00:36:34,322 --> 00:36:37,804 BUT IN ORDER FOR US TO TALK, 823 00:36:37,847 --> 00:36:41,416 YOU HAVE TO FIRST LET THIS MAN GO. 824 00:36:43,113 --> 00:36:45,115 [SIGHS] 825 00:36:46,291 --> 00:36:49,468 YEAH, BUT I MADE A PROMISE TO GALINA. 826 00:36:49,511 --> 00:36:51,252 BUT IF YOU DO THAT, 827 00:36:51,296 --> 00:36:56,083 ALL OF THESE MEN WILL CUT YOU DOWN WHERE YOU STAND, 828 00:36:56,126 --> 00:37:01,219 AND I'LL NEVER TELL YOUR STORY. 829 00:37:07,050 --> 00:37:10,184 WELL. 830 00:37:14,841 --> 00:37:18,192 IT LOOKS LIKE YOU'RE GONNA HAVE ONE HELL OF A STORY TO TELL, TOO. 831 00:37:20,716 --> 00:37:22,065 [SAW CLATTERS] 832 00:37:22,109 --> 00:37:24,677 COME HERE. 833 00:37:24,720 --> 00:37:25,678 [HANDCUFFS CLICK] 834 00:37:25,721 --> 00:37:26,679 AHH! AHH! 835 00:37:26,722 --> 00:37:29,377 HA HA HA! 836 00:37:36,123 --> 00:37:37,777 ROSSI: YOU KNOW, IT WAS ABOUT 20 YEARS AGO. 837 00:37:37,820 --> 00:37:39,866 I WAS HAVING DINNER WITH JASON GIDEON, 838 00:37:39,909 --> 00:37:41,998 AND I TOLD HIM I WAS THINKING ABOUT LEAVING THE BAU, 839 00:37:42,042 --> 00:37:45,567 MAYBE WRITE A BOOK, YOU KNOW, ABOUT OUR WORK. 840 00:37:45,611 --> 00:37:48,178 BUT HE CAUTIONED ME. 841 00:37:48,222 --> 00:37:49,615 ABOUT WHAT? 842 00:37:49,658 --> 00:37:51,138 ABOUT WHETHER OR NOT A BOOK 843 00:37:51,181 --> 00:37:53,488 LIKE THAT WOULD DO MORE HARM THAN GOOD. 844 00:37:53,532 --> 00:37:56,274 WELL, WITH RESPECTS, I DISAGREE. 845 00:37:56,317 --> 00:37:59,407 DAVE, YOUR BOOKS HAVE PROVIDED AN INVALUABLE RESOURCE 846 00:37:59,451 --> 00:38:01,627 TO EVERYONE, NOT TO MENTION LAW ENFORCEMENT. 847 00:38:01,670 --> 00:38:03,672 AND THEY'RE JUST KICK ASS TO READ. 848 00:38:03,716 --> 00:38:06,066 THANK YOU. 849 00:38:06,109 --> 00:38:11,201 BUT...ACTUALLY, THAT WAS KIND OF TO GIDEON'S POINT. 850 00:38:11,245 --> 00:38:14,161 HE WAS CONCERNED THAT BY TELLING THESE STORIES, 851 00:38:14,204 --> 00:38:16,294 IT MIGHT CREATE A PRURIENT INTEREST THAT WOULD BE 852 00:38:16,337 --> 00:38:21,124 MORE ABOUT CONSUMING PORNOGRAPHY. 853 00:38:21,168 --> 00:38:22,474 WHAT DID YOU SAY? 854 00:38:24,040 --> 00:38:25,433 I DIDN'T HAVE AN ANSWER. 855 00:38:31,396 --> 00:38:33,441 [DOOR OPENS] 856 00:38:36,226 --> 00:38:38,316 [DOOR CLOSES] 857 00:38:38,359 --> 00:38:41,406 HEY, DAD. HI. 858 00:38:47,237 --> 00:38:49,022 DID YOU CATCH THE BAD GUY? 859 00:38:49,065 --> 00:38:50,980 YES. 860 00:38:51,024 --> 00:38:54,288 MY TEAM AND I, WE, UH, WE GOT HIM. 861 00:38:56,812 --> 00:39:00,076 HEY, LISTEN, I, UH, I HEARD ABOUT TRINA'S MOM. 862 00:39:01,295 --> 00:39:03,428 I KNOW HOW SCARY SOMETHING LIKE THAT CAN BE. 863 00:39:03,471 --> 00:39:05,343 DO YOU EVER GET SCARED AT YOUR JOB? 864 00:39:05,386 --> 00:39:07,214 YES. 865 00:39:07,257 --> 00:39:08,520 MORE OFTEN THAN I'D LIKE. 866 00:39:08,563 --> 00:39:11,131 DO YOU FEEL IT, LIKE RIGHT IN THE MIDDLE 867 00:39:11,174 --> 00:39:13,263 OF YOUR STOMACH, LIKE I DO? 868 00:39:13,307 --> 00:39:15,527 SOMETIMES. 869 00:39:16,876 --> 00:39:18,791 SO THE OTHER DAY, 870 00:39:18,834 --> 00:39:21,271 KEITH DAWSON WAS BEING LIKE A TOTAL JERK 871 00:39:21,315 --> 00:39:26,364 AND JOKING AROUND ABOUT HOW YOU KNOW ON TV, THE COPS, 872 00:39:26,407 --> 00:39:28,975 THEY ALWAYS WEAR LIKE THE BULLET-PROOF VESTS, RIGHT? 873 00:39:29,018 --> 00:39:30,585 RIGHT. 874 00:39:30,629 --> 00:39:34,284 SO KEITH WAS SAYING THAT IT'S LIKE REALLY STUPID 875 00:39:34,328 --> 00:39:37,113 BECAUSE ON THESE SHOWS, YOU NEVER SEE THE BAD GUYS 876 00:39:37,157 --> 00:39:39,377 JUST SHOOT THE COPS IN THE FACE. 877 00:39:40,639 --> 00:39:42,292 THAT'S WHEN I FELT THAT BALL IN MY STOMACH, 878 00:39:42,336 --> 00:39:44,077 AND I PUNCHED KEITH. 879 00:39:44,120 --> 00:39:46,340 BUT IT WASN'T THAT HARD, I SWEAR. 880 00:39:46,384 --> 00:39:48,342 I GET IT. 881 00:39:48,386 --> 00:39:49,430 I'M SORRY I DISAPPOINTED YOU. 882 00:39:49,474 --> 00:39:54,130 HEY, YOU DID NOT DISAPPOINT ME. 883 00:39:54,174 --> 00:39:57,264 EVERYBODY MAKES MISTAKES. 884 00:39:57,307 --> 00:39:59,875 WE JUST HAVE TO MAKE SURE THAT WE LEARN FROM THEM. 885 00:39:59,919 --> 00:40:01,486 I WILL. 886 00:40:01,529 --> 00:40:03,183 I KNOW YOU WILL. 887 00:40:04,402 --> 00:40:05,490 AND LISTEN, DAVID, 888 00:40:05,533 --> 00:40:08,362 I KNOW THIS HAS BEEN SUPER HARD, 889 00:40:08,406 --> 00:40:12,279 AND THE TRUTH IS, I DON'T KNOW IF GETS ANY EASIER 890 00:40:12,322 --> 00:40:13,585 AS YOU GROW UP. 891 00:40:13,628 --> 00:40:16,370 BUT I CAN PROMISE YOU ONE THING. 892 00:40:16,414 --> 00:40:18,633 NO MATTER WHAT HAPPENS IN THIS WORLD, 893 00:40:18,677 --> 00:40:21,419 YOUR MOM AND I WILL ALWAYS BE WITH YOU. 894 00:40:22,811 --> 00:40:24,378 ALWAYS. 895 00:40:25,858 --> 00:40:27,337 COME HERE. 896 00:40:27,381 --> 00:40:30,340 OH, HO HO HO! 897 00:40:30,384 --> 00:40:32,038 I LOVE YOU, BUD. 898 00:40:32,081 --> 00:40:33,561 DAVID: I LOVE YOU, TOO, DAD. 899 00:40:38,044 --> 00:40:39,567 WHAT ARE YOU LOOKING AT? 900 00:40:39,611 --> 00:40:41,308 PAY NO ATTENTION TO THE WOMAN 901 00:40:41,351 --> 00:40:42,352 LYING ON THE COUCH. 902 00:40:42,396 --> 00:40:43,397 CARRY ON. 903 00:40:43,441 --> 00:40:45,355 LET'S GET HER. [GRUNTS] 904 00:40:45,399 --> 00:40:47,357 SIMMONS, VOICE-OVER: "CHILDREN HAVE NEVER BEEN VERY GOOD 905 00:40:47,401 --> 00:40:49,403 "AT LISTENING TO THEIR ELDERS, 906 00:40:49,447 --> 00:40:52,406 BUT THEY HAVE NEVER FAILED TO IMITATE THEM." 907 00:40:52,450 --> 00:40:54,495 JAMES BALDWIN. 908 00:41:03,809 --> 00:41:05,811 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 909 00:41:06,986 --> 00:41:08,988 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--