1 00:00:04,178 --> 00:00:05,831 WOMAN: OK, LET ME SEE. 2 00:00:05,962 --> 00:00:08,399 NO. NO. 3 00:00:08,530 --> 00:00:11,315 NO. NO. UH-UH. 4 00:00:11,446 --> 00:00:13,143 NO. NO. 5 00:00:13,274 --> 00:00:15,189 STOP PLAYING AROUND. TAKE ANOTHER ONE, 6 00:00:15,319 --> 00:00:16,886 BUT, YOU KNOW, MAKE IT GOOD THIS TIME. 7 00:00:17,017 --> 00:00:19,280 I NEED SOME BEAUTIFUL VACAY SHOTS FOR MY INSTAGRAM. 8 00:00:19,410 --> 00:00:20,716 DID YOU JUST SAY "VACAY"? 9 00:00:20,846 --> 00:00:22,370 THIS IS HOW I GET TO WORK EVERY DAY. 10 00:00:22,500 --> 00:00:23,849 IT'S NOT EXACTLY THE LINCOLN MEMORIAL. 11 00:00:23,980 --> 00:00:25,982 OK. HOW ABOUT THIS? 12 00:00:30,726 --> 00:00:33,076 OK, OK. STEP A LITTLE TO YOUR RIGHT. 13 00:00:34,643 --> 00:00:36,471 WHOOPS. I'M RECORDING. 14 00:00:36,601 --> 00:00:37,646 YOUR PHONE IS SUPER DUMB. 15 00:00:45,567 --> 00:00:47,395 AAH! 16 00:00:47,525 --> 00:00:49,701 MAN: ALL RIGHT, GUYS, GET BACK. 17 00:00:51,007 --> 00:00:52,704 GET BACK, GET BACK. 18 00:00:52,835 --> 00:00:54,532 THERE'S A MAN OUT HERE STABBING PEOPLE. 19 00:00:54,663 --> 00:00:55,664 SOME GUY'S HURT REALLY BAD. 20 00:00:55,794 --> 00:00:57,013 MAN: HEY.HE'S BLEEDING! 21 00:00:57,144 --> 00:00:58,667 LEAVE THEM ALONE. 22 00:00:58,797 --> 00:00:59,494 WE NEED AN AMBULANCE. 23 00:00:59,624 --> 00:01:02,105 WHERE? K STREET AND 18th. 24 00:01:03,715 --> 00:01:05,935 MAN: OH, MY GOD. 25 00:01:06,066 --> 00:01:07,632 SECOND MAN: HE'S COMING THIS WAY. 26 00:01:09,678 --> 00:01:11,201 OH, MAN. OH, MAN. 27 00:01:11,332 --> 00:01:12,724 HANG IN THERE. HELP IS COMING. 28 00:01:12,855 --> 00:01:14,552 I'M A NURSE. LET ME THROUGH. 29 00:01:16,250 --> 00:01:17,599 QUICK, YOUR JACKET. 30 00:01:17,729 --> 00:01:18,948 WE GOT TO PUT PRESSURE ON HIS WOUNDS. 31 00:01:19,079 --> 00:01:20,123 WE'RE NEAR THE METRO STOP. 32 00:01:20,254 --> 00:01:22,691 WHAT IS TAKING SO LONG? 33 00:01:23,996 --> 00:01:26,173 IT'S GONNA BE OK. STAY WITH US. HEY. 34 00:01:26,303 --> 00:01:28,131 HE WAS AFRICAN AMERICAN. 35 00:01:28,262 --> 00:01:29,741 HE WAS WEARING A GREEN JACKET, 36 00:01:29,872 --> 00:01:31,047 A WHITE BANDANA ACROSS HIS FACE. 37 00:01:31,178 --> 00:01:32,353 OH, MY GOD, IS HE DEAD? 38 00:01:32,483 --> 00:01:33,615 NO. NO, HE JUST PASSED OUT. 39 00:01:35,704 --> 00:01:38,533 HERE! OVER HERE! 40 00:01:46,193 --> 00:01:49,370 ALL RIGHT, FBI. I NEED YOU TO STAY BACK. 41 00:01:51,023 --> 00:01:52,547 HAVE YOUR MEN SECURE THE SCENE. 42 00:01:52,677 --> 00:01:53,765 HEY, LET'S GO. 43 00:01:53,896 --> 00:01:54,940 CLEAR A PATH FOR THE EMTs. 44 00:01:55,071 --> 00:01:56,594 MAKE WAY. 45 00:01:56,725 --> 00:02:00,120 ALL RIGHT, ALL THESE BUSINESSES ARE GONNA HAVE SECURITY CAMERAS. 46 00:02:00,250 --> 00:02:02,557 THESE WITNESSES HERE. 47 00:02:02,687 --> 00:02:04,472 ALL RIGHT, I NEED A HARD TARGET SEARCH 48 00:02:04,602 --> 00:02:06,561 ON EVERY BUILDING, BUREAU, RESTAURANT, 49 00:02:06,691 --> 00:02:08,606 RESIDENCE, DEPARTMENT STORE, 50 00:02:08,737 --> 00:02:10,217 CLOTHING STORE, GROCERY STORY, 51 00:02:10,347 --> 00:02:12,654 AND GAS STATION IN THE IMMEDIATE VICINITY. 52 00:02:12,784 --> 00:02:13,568 I WANT OFFICERS-- 53 00:02:14,743 --> 00:02:16,788 NOBODY LEAVES UNTIL I SAY SO. 54 00:02:19,182 --> 00:02:21,750 UNIT CHIEF PRENTISS, UNIT CHIEF ANDREW MENDOZA, 55 00:02:21,880 --> 00:02:23,012 WASHINGTON FIELD. 56 00:02:23,143 --> 00:02:24,579 SSAs SIMMONS AND JAREAU. 57 00:02:24,709 --> 00:02:25,797 I APPRECIATE YOU GUYS COMING OUT. 58 00:02:25,928 --> 00:02:27,059 WE NEED ALL HANDS ON DECK. 59 00:02:27,190 --> 00:02:28,757 ALL RIGHT, METRO P.D. HAS BACK UP ON THE WAY 60 00:02:28,887 --> 00:02:29,932 AND WE'VE SET A PERIMETER. 61 00:02:30,062 --> 00:02:31,281 WE GOT MULTIPLE EYEWITNESSES. 62 00:02:31,412 --> 00:02:32,935 IS HE GONNA MAKE IT?MAN: NOT SURE, SIR. 63 00:02:33,065 --> 00:02:34,110 MENDOZA, THE EYEWITNESSES? 64 00:02:34,241 --> 00:02:35,285 OVER HERE WITH THE CHIEF. 65 00:02:35,416 --> 00:02:36,199 I'M ON IT. 66 00:02:37,418 --> 00:02:37,853 WHAT ABOUT CCTV FOOTAGE OR SECURITY CAMERAS? 67 00:02:38,984 --> 00:02:40,160 WELL, THESE 3 ARE GONNA BE OUR BEST BET. 68 00:02:40,290 --> 00:02:41,378 WE SENT AN OFFICER-- 69 00:02:41,509 --> 00:02:43,075 MATT. 70 00:02:43,206 --> 00:02:45,252 DAMMIT. 71 00:02:45,382 --> 00:02:47,210 DARCY, NEWS CREWS. 72 00:02:47,341 --> 00:02:48,472 SIR. 73 00:02:48,603 --> 00:02:49,995 THIS IS THE THIRD MACHETE ATTACK REPORTED 74 00:02:50,126 --> 00:02:51,475 WITHIN THE LAST HOUR. 75 00:02:51,606 --> 00:02:53,216 YEAH, WE'RE TALKING ABOUT CROWDED CITY CENTERS HERE, 76 00:02:53,347 --> 00:02:54,957 BROAD DAYLIGHT, MEN AND WOMEN. 77 00:02:55,087 --> 00:02:57,046 FIRST TWO VICTIMS ARE IN CRITICAL CONDITION. 78 00:02:57,177 --> 00:02:59,222 AND RIGHT NOW I DON'T KNOW IF THIS IS AN ACT OF TERRORISM, 79 00:02:59,353 --> 00:03:02,443 A DOMESTIC FRINGE GROUP, OR SOME NUTCASE ON A KILLING SPREE. 80 00:03:02,573 --> 00:03:04,619 NOW, THE FIRST CALL CAME IN A FEW MINUTES AFTER NOON? 81 00:03:04,749 --> 00:03:06,751 YEAH. AND EVERY HALF HOUR SINCE WE'VE HAD ANOTHER ATTACK. 82 00:03:06,882 --> 00:03:08,536 CHARLES O'NEILL JUST DIED. 83 00:03:08,666 --> 00:03:10,320 THE FIRST VICTIM. HE DIED FROM HIS INJURIES. 84 00:03:10,451 --> 00:03:11,452 SON OF A BITCH. 85 00:03:12,888 --> 00:03:13,628 THIS MANHUNT JUST TURNED INTO A HOMICIDE INVESTIGATION. 86 00:03:13,758 --> 00:03:15,151 YEAH. HOW DO YOU WANT TO HANDLE IT? 87 00:03:15,282 --> 00:03:16,848 FIRST THINGS FIRST, WE NEED DETAILED STATEMENTS 88 00:03:16,979 --> 00:03:18,067 FROM ANY AND ALL WITNESSES. 89 00:03:18,198 --> 00:03:19,416 AND I WANT THEM VETTED. 90 00:03:19,547 --> 00:03:21,462 ANY AND ALL PERSONNEL GOING IN OR OUT OF THE SCENE 91 00:03:21,592 --> 00:03:22,593 WE NEED VETTED. 92 00:03:22,724 --> 00:03:24,160 THIS GUY STICKS TO PATTERN. 93 00:03:24,291 --> 00:03:25,988 WE GOT LESS THAN 30 MINUTES BEFORE HE STRIKES AGAIN. 94 00:03:26,118 --> 00:03:27,119 LET'S MAKE IT COUNT.GOT IT. 95 00:04:17,996 --> 00:04:19,302 FBI WILL RUN POINT. 96 00:04:19,433 --> 00:04:21,652 AND YOU PUT DISTRICT ON CITYWIDE TACTICAL ALERT? 97 00:04:21,783 --> 00:04:23,698 YES, I'VE GOT OFFICERS STANDING BY. 98 00:04:23,828 --> 00:04:24,960 WHAT SHOULD I SAY TO THE MEDIA? 99 00:04:25,090 --> 00:04:27,005 OUR FOCUS IS ON PROTECTING THE PUBLIC. 100 00:04:27,136 --> 00:04:28,877 RELEASE A DESCRIPTION OF THE ATTACKER, 101 00:04:29,007 --> 00:04:30,748 BUT DON'T SPECULATE AS TO MOTIVE OR INTENT. 102 00:04:30,879 --> 00:04:31,793 YES, I'M HERE. 103 00:04:31,923 --> 00:04:33,316 GO AHEAD, GARCIA. 104 00:04:33,447 --> 00:04:35,492 GARCIA: AS YOU ALL KNOW, THIS IS THE THIRD MACHETE ATTACK 105 00:04:35,623 --> 00:04:37,320 IN THE STREETS OF WASHINGTON D.C. 106 00:04:37,451 --> 00:04:38,930 IN THE LAST HOUR. 107 00:04:39,061 --> 00:04:40,584 WE'VE BEEN ASKED TO FORM A JOINT TASKFORCE 108 00:04:40,715 --> 00:04:42,107 WITH THE WASHINGTON FIELD OFFICE. 109 00:04:42,238 --> 00:04:43,848 THEY NEED A PROFILE. IT'S OUR JOB TO GET IT TO THEM. 110 00:04:43,979 --> 00:04:45,067 WHAT DO WE KNOW SO FAR? 111 00:04:45,197 --> 00:04:46,155 THERE ARE 3 VICTIMS-- 112 00:04:46,286 --> 00:04:48,026 CHARLES O'NEILL, KARY KARLSSON, 113 00:04:48,157 --> 00:04:49,767 AND PARK JI SUNG. 114 00:04:49,898 --> 00:04:51,073 FIRST VICTIM, CHARLES O'NEILL, 115 00:04:51,203 --> 00:04:52,814 HAS ALREADY DIED FROM HIS INJURIES. 116 00:04:52,944 --> 00:04:55,991 THE OTHER TWO VICTIMS ARE AT THE HOSPITAL IN CRITICAL CONDITION. 117 00:04:56,121 --> 00:04:57,688 PRENTISS: WITNESSES DESCRIBED OUR ATTACKER 118 00:04:57,819 --> 00:05:00,300 AS AN AFRICAN-AMERICAN MALE IN HIS LATE TWENTIES TO EARLY THIRTIES. 119 00:05:00,430 --> 00:05:02,345 IT SAYS HERE HE WAS WEARING A WHITE BANDANA 120 00:05:02,476 --> 00:05:04,042 OVER THE LOWER HALF OF HIS FACE. 121 00:05:04,173 --> 00:05:05,305 THAT'S CURIOUS CONSIDERING 122 00:05:05,435 --> 00:05:06,915 HE'S TAKING NO OTHER PRECAUTIONS. 123 00:05:07,045 --> 00:05:08,612 YEAH, HE'S PICKED CROWDED CITY STREETS 124 00:05:08,743 --> 00:05:10,266 AND HEAVILY-TRAFFICKED THOROUGHFARES. 125 00:05:10,397 --> 00:05:11,920 THIS ISN'T EXACTLY SOMEONE WHO'S AFRAID OF BEING SEEN. 126 00:05:12,050 --> 00:05:13,356 MAYBE IT FUNCTIONS AS A MASK, 127 00:05:13,487 --> 00:05:15,010 A COSTUME, A WAY FOR OUR UNSUB 128 00:05:15,140 --> 00:05:16,620 TO DISTANCE HIMSELF FROM HIS ACTIONS. 129 00:05:16,751 --> 00:05:18,361 ALVEZ: WHATEVER THE REASON, I MEAN, IT'S ALL BY DESIGN. 130 00:05:18,492 --> 00:05:20,537 THIS IS SOMEBODY WHO WANTS TO CREATE A SPECTACLE, 131 00:05:20,668 --> 00:05:22,017 MAYBE EVEN SEND A MESSAGE. 132 00:05:22,147 --> 00:05:22,713 WHAT, YOU THINK HE'S GONNA REACH OUT 133 00:05:23,714 --> 00:05:24,541 TO THE MEDIA LIKE THE D.C. SNIPERS? 134 00:05:24,672 --> 00:05:25,934 RIGHT NOW HE'S LETTING HIS ACTIONS DO THE TALKING. 135 00:05:26,064 --> 00:05:27,370 LET'S TALK ABOUT THE MACHETE. 136 00:05:27,501 --> 00:05:28,719 I MEAN, THAT'S A BRUTAL WEAPON. 137 00:05:28,850 --> 00:05:30,417 YOU GOT TO GET UP CLOSE. IT'S MESSY. 138 00:05:30,547 --> 00:05:31,853 REID: WELL, FROM POLITICAL UPRISINGS 139 00:05:31,983 --> 00:05:33,942 TO JASON VOORHEES, THE ICONOGRAPHY IS CERTAINLY VIVID. 140 00:05:34,072 --> 00:05:35,378 MAYBE THAT'S HIS POINT? 141 00:05:35,509 --> 00:05:37,598 BUT THE ANGER INVOLVED IN HACKING A VICTIM TO DEATH, 142 00:05:37,728 --> 00:05:39,251 IT FEELS MORE PERSONAL THAN IDEOLOGICAL. 143 00:05:39,382 --> 00:05:40,818 LIKE THIS IS SOME KIND OF VENDETTA. 144 00:05:40,949 --> 00:05:42,907 WE HAVE A TICKING CLOCK, 145 00:05:43,038 --> 00:05:44,387 AND 3 PRIMARY QUESTIONS-- 146 00:05:44,518 --> 00:05:46,041 WHAT DOES OUR UNSUB WANT, 147 00:05:46,171 --> 00:05:47,085 WHERE IS HE HEADED NEXT, 148 00:05:47,216 --> 00:05:48,783 AND HOW IS HE SELECTING HIS VICTIMS? 149 00:05:48,913 --> 00:05:51,699 TO THAT END, REID, I NEED YOU TO WORK UP A GEO-PROFILE. 150 00:05:51,829 --> 00:05:53,962 LUKE, TARA, PENELOPE, YOU'RE ON VICTIMOLOGY. 151 00:05:54,092 --> 00:05:56,791 WE HAVE TO FIGURE OUT IF THESE ARE VICTIMS OF OPPORTUNITY 152 00:05:56,921 --> 00:05:57,966 OR IF HE'S TARGETING THEM-- 153 00:05:58,096 --> 00:05:59,446 SORRY, I NEED YOU. 154 00:05:59,576 --> 00:06:00,925 OR IF HE'S TARGETING THEM SPECIFICALLY. 155 00:06:01,056 --> 00:06:02,492 I GOTTA GO.FOUND SOMETHING. 156 00:06:02,623 --> 00:06:05,016 I WAS GOING OVER THE 9-1-1 CALLS LIKE YOU SUGGESTED. 157 00:06:05,147 --> 00:06:08,106 FOR THIS MOST RECENT ATTACK, THE FIRST CALL WAS AN ANONYMOUS MALE. 158 00:06:08,237 --> 00:06:09,891 HE GAVE AN ADDRESS AND A BASIC DESCRIPTION 159 00:06:10,021 --> 00:06:11,632 OF THE ATTACK, AND THEN HE HUNG UP. 160 00:06:11,762 --> 00:06:12,937 DID THEY TRACE THE CALL? 161 00:06:13,068 --> 00:06:13,982 NO, IT WAS A BURNER PHONE, BUT THAT'S NOT 162 00:06:14,112 --> 00:06:15,462 WHAT GOT MY ATTENTION. 163 00:06:20,380 --> 00:06:21,598 WHAT AM I LOOKING AT? 164 00:06:21,729 --> 00:06:23,731 EMS CALL LOGS FROM THIS MORNING. 165 00:06:23,861 --> 00:06:26,908 EYEWITNESS ACCOUNTS PUT THE TIME OF THE THIRD ATTACK AT 12:58, 166 00:06:27,038 --> 00:06:30,433 BUT THE ANONYMOUS CALL CAME IN AT 12:57 ON THE DOT. 167 00:06:30,564 --> 00:06:31,521 A FULL MINUTE BEFORE ANY OTHER? 168 00:06:31,652 --> 00:06:33,044 THAT GOT ME THINKING. 169 00:06:33,175 --> 00:06:34,872 SO I LOOKED INTO PREVIOUS INCIDENTS. 170 00:06:35,003 --> 00:06:36,831 THE SECOND ATTACK, AN ANONYMOUS CALL 171 00:06:36,961 --> 00:06:38,136 CAME IN AT 12:30. 172 00:06:38,267 --> 00:06:41,662 CCTV FOOTAGE PUT THE INCIDENT AT 12:31. 173 00:06:41,792 --> 00:06:42,924 THE FIRST ONE-- 174 00:06:43,054 --> 00:06:46,536 WAS AT 12:05 ACCORDING TO WITNESSES, 175 00:06:46,667 --> 00:06:50,671 BUT THE FIRST EMS CALL CAME IN AT 12:03. 176 00:06:50,801 --> 00:06:52,281 HE'S CALLING 9-1-1 HIMSELF. 177 00:06:52,412 --> 00:06:53,935 HOW ELSE DO YOU EXPLAIN SOMEBODY REPORTING 178 00:06:54,065 --> 00:06:55,980 THE ATTACKS BEFORE THEY HAPPEN? 179 00:06:56,111 --> 00:06:58,156 27 MINUTES. 180 00:06:58,287 --> 00:07:00,158 THAT'S THE TIME BETWEEN CALLS. 181 00:07:00,289 --> 00:07:01,899 IT'S NOT ROUGHLY EVERY 30 MINUTES. 182 00:07:02,030 --> 00:07:03,640 IT'S 27 MINUTES ON THE DOT. 183 00:07:03,771 --> 00:07:05,337 AND HE HASN'T DEVIATED YET. 184 00:07:05,468 --> 00:07:06,513 IT'S A SIGNATURE. 185 00:07:06,643 --> 00:07:08,471 27 MINUTES MEANS SOMETHING TO HIM. 186 00:07:08,602 --> 00:07:10,560 AND TO STICK TO THAT SCHEDULE SO CAREFULLY 187 00:07:10,691 --> 00:07:12,388 MEANS THAT THE TIMING OF THE ATTACKS 188 00:07:12,519 --> 00:07:14,869 IS AS IMPORTANT TO HIM AS THE VICTIMS THEMSELVES. 189 00:07:14,999 --> 00:07:18,133 ALSO MEANS THAT WE ONLY HAVE 14 MINUTES LEFT 190 00:07:18,263 --> 00:07:20,570 UNTIL THE NEXT ATTACK, NOT 17. 191 00:07:24,008 --> 00:07:26,054 JJ: ANYTHING ELSE? 192 00:07:26,184 --> 00:07:28,012 HE HAD ON A GREEN JACKET. 193 00:07:28,143 --> 00:07:30,145 OK. UH, HEY, MATT. 194 00:07:30,275 --> 00:07:31,799 CAN I BORROW THAT? 195 00:07:31,929 --> 00:07:32,713 WOMAN: YEAH, OF COURSE. 196 00:07:32,843 --> 00:07:34,976 THANKS. 197 00:07:35,106 --> 00:07:38,153 APPARENTLY THE BUILDING'S CAMERA SYSTEMS ARE DOWN FOR TESTING. 198 00:07:38,283 --> 00:07:38,936 UH, I GOT YOU COVERED. 199 00:07:40,024 --> 00:07:42,157 THESE TWO FILMED THE ENTIRE ENCOUNTER. 200 00:07:42,287 --> 00:07:43,463 LET'S TAKE A LOOK. 201 00:07:43,593 --> 00:07:45,203 OK, THERE. 202 00:07:45,334 --> 00:07:47,641 PARK JI SUNG ENTERS THE FRAME, 203 00:07:47,771 --> 00:07:49,947 AND THEN THE UNSUB. 204 00:07:50,078 --> 00:07:51,993 WAIT, HE LOOKS WOUNDED 205 00:07:52,123 --> 00:07:53,734 BEFORE ANY OF THIS EVEN STARTED. 206 00:07:56,214 --> 00:07:58,478 SIMMONS: THE UNSUB IS IN COMPLETE CONTROL. 207 00:07:58,608 --> 00:08:00,044 JI SUNG'S DEFINITELY NOT GETTING AWAY. 208 00:08:00,175 --> 00:08:03,178 IT'S ALMOST LIKE THE UNSUB WAS STALKING OR HUNTING HIM. 209 00:08:03,308 --> 00:08:05,397 QUESTION IS, DID HE FOLLOW HIM HERE 210 00:08:05,528 --> 00:08:07,051 OR DID HE JUST PICK HIM OUT OF THE CROWD? 211 00:08:07,182 --> 00:08:10,968 YEAH. NOT TO MENTION THERE WERE DOZENS OF PEOPLE ON THE STREET. 212 00:08:11,099 --> 00:08:12,883 I MEAN, HE COULD HAVE CHOSEN ANYONE. 213 00:08:13,014 --> 00:08:14,885 HE COULD HAVE ATTACKED MORE THAN ONE. 214 00:08:15,016 --> 00:08:17,975 YEAH, BUT HE DOESN'T. HE STICKS WITH HIS MAN, HIS MISSION. 215 00:08:18,106 --> 00:08:22,197 OK, SO WHAT WAS IT ABOUT PARK JI SUNG THAT STOOD OUT? 216 00:08:22,327 --> 00:08:24,808 WHY HIM? 217 00:08:30,292 --> 00:08:31,902 ALVEZ: HEY, DAVE.HOW YOU HOLDING UP? 218 00:08:32,033 --> 00:08:34,905 OK. PRENTISS GAVE ME A DIRECT ORDER 219 00:08:35,036 --> 00:08:36,603 AND I DISOBEYED IT. 220 00:08:36,733 --> 00:08:38,082 IT SUCKS TO BE BENCHED, 221 00:08:38,213 --> 00:08:39,736 BUT I JUST WANT TO HELP IN ANY WAY I CAN. 222 00:08:39,867 --> 00:08:42,130 GOOD. I'M WITH THE SECOND VICTIM, KARY KARLSSON, 223 00:08:42,260 --> 00:08:44,219 AND I JUST SPOKE WITH HER PARENTS. 224 00:08:44,349 --> 00:08:46,221 NOW, WHEN I WALKED THEM THROUGH THE ATTACK, 225 00:08:46,351 --> 00:08:47,962 THEY WERE SURPRISED TO HEAR THAT KARY 226 00:08:48,092 --> 00:08:50,747 WAS FOUND IN THE NEIGHBORHOOD OF TRINIDAD. 227 00:08:50,878 --> 00:08:52,749 WELL, THAT'S A ROUGH PART OF TOWN. 228 00:08:52,880 --> 00:08:55,273 AND THEY HAD NO IDEA WHY SHE WOULD EVEN BE THERE. 229 00:08:55,404 --> 00:08:58,146 NOW, KARY'S REASONS MAY HAVE BEEN INNOCENT ENOUGH, 230 00:08:58,276 --> 00:09:00,670 BUT THAT DOESN'T MEAN SHE DOESN'T HAVE A SECRET. 231 00:09:00,801 --> 00:09:02,106 WHAT, SOME KIND OF SECRET LIFE? 232 00:09:02,237 --> 00:09:04,456 EXACTLY. I'LL TALK TO KARY'S FRIENDS. 233 00:09:04,587 --> 00:09:06,284 THERE MIGHT BE SOMETHING THERE. 234 00:09:06,415 --> 00:09:07,721 WE'LL RUN IT DOWN ON THIS END, 235 00:09:07,851 --> 00:09:09,070 AND I'LL GET BACK TO YOU. THANKS, DAVID. 236 00:09:16,033 --> 00:09:18,470 SO SOMETHING INTERESTING CAME UP IN ROSSI'S INTERVIEW 237 00:09:18,601 --> 00:09:19,907 OF KARY KARLSSON'S FAMILY. 238 00:09:20,037 --> 00:09:22,039 NOW, KARY LIVED AND WORKED IN NOMA, 239 00:09:22,170 --> 00:09:23,867 AND SHE WAS ATTACKED IN TRINIDAD. 240 00:09:23,998 --> 00:09:25,782 THIS STRUCK HER FAMILY AS ODD, 241 00:09:25,913 --> 00:09:27,175 LIKE KARY WAS SOMEWHERE SHE DIDN'T BELONG. 242 00:09:27,305 --> 00:09:29,873 WELL, LOOK, KARY WAS A SINGLE, SUCCESSFUL, 243 00:09:30,004 --> 00:09:31,309 CAREER-ORIENTED GRAPHIC DESIGNER. 244 00:09:31,440 --> 00:09:32,615 I MEAN, SHE COULD HAVE BEEN IN THAT NEIGHBORHOOD 245 00:09:32,746 --> 00:09:34,182 TO MEET A CLIENT OR A FRIEND. 246 00:09:34,312 --> 00:09:35,487 WHAT ABOUT THE OTHER TWO? 247 00:09:35,618 --> 00:09:37,881 UH, FIRST VICTIM, CHARLES O'NEILL, 248 00:09:38,012 --> 00:09:41,319 40-YEAR-OLD SECURITY GUARD, MARRIED, TWO KIDS. 249 00:09:41,450 --> 00:09:43,278 EVERYTHING I'VE LEARNED ABOUT HIM, SUPER GREAT GUY. 250 00:09:43,408 --> 00:09:45,672 YEAH, THIRD VICTIM, PARK JI SUNG, MARRIED, 55. 251 00:09:45,802 --> 00:09:47,412 HE WAS A LINE COOK IN CHINATOWN. 252 00:09:47,543 --> 00:09:50,111 ACCORDING TO HIS WIFE, HE WAS SAVING UP TO OPEN HIS OWN RESTAURANT. 253 00:09:50,241 --> 00:09:53,157 WE'VE GOT DIVERSITY IN AGE, RACE, AND BACKGROUND. 254 00:09:53,288 --> 00:09:56,204 I MEAN, IF THEY'RE SURROGATES, FOR WHAT? 255 00:09:56,334 --> 00:09:58,902 WELL, YOU SAID THAT KARY KARLSSON WAS FOUND IN TRINIDAD, 256 00:09:59,033 --> 00:10:00,164 A NEIGHBORHOOD WHERE SHE DIDN'T BELONG. 257 00:10:01,731 --> 00:10:02,993 AND THAT'S ACTUALLY KIND OF TRUE FOR ALL 3 OF OUR VICTIMS. 258 00:10:03,124 --> 00:10:05,256 ALL OF THEM WERE FOUND SOMEWHERE THEY WOULDN'T CUSTOMARILY BE. 259 00:10:05,387 --> 00:10:06,997 OUTSIDE OF THEIR REGULAR ROUTINE. 260 00:10:07,128 --> 00:10:08,738 RIGHT, RIGHT. I MEAN, CHARLES O'NEILL 261 00:10:08,869 --> 00:10:10,131 LIVED AND WORKED IN ANACOSTIA, 262 00:10:10,261 --> 00:10:12,394 SO WHAT WAS HE DOING IN NOMA ON A TUESDAY? 263 00:10:12,524 --> 00:10:14,614 YEAH. AND PARK JI SUNG SHOULD HAVE BEEN 264 00:10:14,744 --> 00:10:16,180 AT HIS RESTAURANT HE WORKED AT THEN. 265 00:10:16,311 --> 00:10:17,355 SO WHY WAS HE ON K STREET? 266 00:10:17,486 --> 00:10:19,314 WELL, THEY WERE IN THE WRONG NEIGHBORHOOD 267 00:10:19,444 --> 00:10:21,142 AND DID THE UNSUB PICK THEM BECAUSE THEY STOOD OUT? 268 00:10:21,272 --> 00:10:23,144 AND IF SO, WHAT IS THE UNSUB'S CONNECTION 269 00:10:23,274 --> 00:10:26,103 TO ALL 3 OF THESE NEIGHBORHOODS? 270 00:10:37,114 --> 00:10:38,159 PRENTISS: RIGHT NOW THE UNSUB'S BANKING 271 00:10:38,289 --> 00:10:40,814 ON THE MEDIA TO AMPLIFY HIS VIOLENCE, HIS MESSAGE. 272 00:10:40,944 --> 00:10:43,686 WE NEED TO MINIMIZE THE COVERAGE WITHOUT DOWNPLAYING THE DANGER. 273 00:10:43,817 --> 00:10:45,209 I'LL GET MY GUYS ON IT. 274 00:10:48,517 --> 00:10:50,214 FROM NOMA TO TRINIDAD TO K STREET. 275 00:10:50,345 --> 00:10:51,563 IN THE BROADEST OF TERMS, OUR UNSUB 276 00:10:51,694 --> 00:10:52,782 IS JUMPING FROM WEALTHY NEIGHBORHOODS 277 00:10:52,913 --> 00:10:54,392 TO POOR NEIGHBORHOODS, THEN BACK AGAIN. 278 00:10:54,523 --> 00:10:56,220 SO HE'D NEED TRANSPORTATION, 279 00:10:56,351 --> 00:10:58,048 SOMETHING THAT WOULD BLEND IN REGARDLESS OF THE AREA, 280 00:10:58,179 --> 00:10:59,223 LIKE A SERVICE VAN. 281 00:10:59,354 --> 00:11:00,485 AND GIVEN THE TIME IT WOULD TAKE TO GET 282 00:11:00,616 --> 00:11:01,748 FROM ONE NEIGHBORHOOD TO THE NEXT, 283 00:11:01,878 --> 00:11:03,488 FIND HIS VICTIMS, PLAN HIS ESCAPE, ET CETERA, 284 00:11:03,619 --> 00:11:05,273 IT'S CLEAR THAT HE KNOWS THE CITY AS ONLY A LOCAL WOULD. 285 00:11:05,403 --> 00:11:09,886 SO HE ATTACKS, ABDUCTS, ATTACKS, ABDUCTS, AND SO ON. 286 00:11:10,017 --> 00:11:12,106 RIGHT NOW OUR BEST OPTION IS TO SET UP A SERIES OF ROADBLOCKS. 287 00:11:12,236 --> 00:11:13,847 AT THE VERY LEAST, WE CAN DISRUPT HIS MOVEMENTS 288 00:11:13,977 --> 00:11:15,544 AND MAYBE SLOW HIM DOWN.WHERE ARE WE ON TIME? 289 00:11:15,675 --> 00:11:16,980 8 MINUTES, 53 SECONDS. 290 00:11:17,111 --> 00:11:18,242 COORDINATE WITH METRO P.D. 291 00:11:18,373 --> 00:11:19,417 LET'S SEE IF WE CAN BUY OURSELVES SOME TIME 292 00:11:19,548 --> 00:11:21,071 AND GET OUT IN FRONT OF HIM. 293 00:11:21,202 --> 00:11:22,725 MENDOZA: PRENTISS, WE NEED TO START TALKING 294 00:11:22,856 --> 00:11:24,248 ABOUT POSSIBLE MOTIVES. 295 00:11:24,379 --> 00:11:25,293 I'VE GOT OFFICIALS IN MY EAR WORRIED 296 00:11:26,642 --> 00:11:27,469 THAT THIS COULD BE SOME SORT OF ACT OF TERRORISM. 297 00:11:27,599 --> 00:11:29,906 I NEED TO KNOW IF I SHOULD BE SETTING OFF ALARMS. 298 00:11:30,037 --> 00:11:31,299 OUR UNSUB IS ON A SPREE. 299 00:11:31,429 --> 00:11:33,605 HE'S ONLY KILLED ONE VICTIM SO FAR, 300 00:11:33,736 --> 00:11:35,782 BUT THE MANNER IN WHICH HE DID IT WAS SELECTIVE, PERSONAL. 301 00:11:35,912 --> 00:11:39,220 YOU SAID THAT THE VIOLENCE HERE HAS BEEN DELIBERATELY SENSATIONAL, 302 00:11:39,350 --> 00:11:42,049 THE DESIRE FOR THIS UNSUB TO BE SEEN 303 00:11:42,179 --> 00:11:43,441 SPEAKS TO SOMEONE ON A MISSION. 304 00:11:43,572 --> 00:11:45,748 YES, BUT THERE'S BEEN NO MASS CASUALTY EVENT, 305 00:11:45,879 --> 00:11:48,229 AND THE TARGETED SELECTION OF HIS VICTIMS 306 00:11:48,359 --> 00:11:50,361 FIGHTS AGAINST THE BROADER IDEA OF TERRORISM. 307 00:11:50,492 --> 00:11:51,841 THEY'RE NOT MUTUALLY EXCLUSIVE. 308 00:11:51,972 --> 00:11:55,453 NO. BUT LOOK, HE COULD BE CUTTING HIS VICTIMS' HEADS OFF, 309 00:11:55,584 --> 00:11:57,629 KILLING THEM INSTANTANEOUSLY, BUT HE'S NOT. 310 00:11:57,760 --> 00:12:00,937 HE'S LEAVING THEM SUFFERING AND BLEEDING ON THE GROUND. 311 00:12:01,068 --> 00:12:02,939 YES, HE'S ANGRY AND HE'S MOTIVATED, 312 00:12:03,070 --> 00:12:05,246 BUT IF THIS WAS POLITICAL, WHY CALL 9 313 00:12:05,376 --> 00:12:08,771 HE'S GIVING THEM A CHANCE TO SURVIVE. 314 00:12:08,902 --> 00:12:11,165 AGENTS, MY MEN HAVE FOUND SOMETHING. 315 00:12:11,295 --> 00:12:13,428 THIS MATCHES THE SUSPECT'S BANDANA. 316 00:12:13,558 --> 00:12:14,995 MENDOZA: WE SHOULD CLEAR THIS GARAGE. 317 00:12:15,125 --> 00:12:16,779 HE MAY HAVE A VEHICLE OR BE LOOKING TO BOOST ONE. 318 00:12:16,910 --> 00:12:18,955 YOU TWO TAKE THE SOUTH ENTRANCE. CHIEF WAGNER. 319 00:12:19,086 --> 00:12:20,087 WAGNER: WE'LL TAKE THE NORTH. 320 00:12:20,217 --> 00:12:21,436 YES, MA'AM. 321 00:12:21,566 --> 00:12:23,177 MAN: ALL RIGHT, LET'S GET EYES ON ALL DOORS. 322 00:12:36,668 --> 00:12:38,322 MENDOZA: HANDS UP! 323 00:12:38,453 --> 00:12:39,628 PUT YOUR HANDS UP NOW! 324 00:12:39,759 --> 00:12:41,891 I GOT HIM. I SHOT HIM, THE MACHETE KILLER. 325 00:12:42,022 --> 00:12:43,066 PRENTISS: DROP YOUR WEAPON. 326 00:12:43,197 --> 00:12:44,807 DO IT NOW. 327 00:12:44,938 --> 00:12:47,854 WAGNER: I NEED AN AMBULANCE. I HAVE A SUSPECT DOWN. 328 00:12:47,984 --> 00:12:49,333 I SAW HIM TRYING TO BREAK INTO THAT CAR. 329 00:12:49,464 --> 00:12:51,422 HE HAD ON--HE HAS ON THE GREEN JACKET. 330 00:12:51,553 --> 00:12:53,468 THEY SAID ON THE NEWS. AND THE MACHETE. 331 00:12:53,598 --> 00:12:54,730 HE HAS THE MACHETE. 332 00:13:02,085 --> 00:13:03,347 IT'S NOT HIM. 333 00:13:03,478 --> 00:13:04,958 WAIT, IT'S HIM, ISN'T IT? 334 00:13:05,088 --> 00:13:06,611 DAMMIT! 335 00:13:06,742 --> 00:13:07,830 MAN: IT'S HIM, ISN'T IT? 336 00:13:07,961 --> 00:13:08,700 HE'S THE MACHETE KILLER, RIGHT? 337 00:13:08,831 --> 00:13:09,832 GET HIM OUT OF HERE! 338 00:13:09,963 --> 00:13:11,399 NO, I THOUGHT-- HE LOOKED-- 339 00:13:11,529 --> 00:13:12,922 HE LOOKS LIKE THE GUY. 340 00:13:13,053 --> 00:13:14,489 HE HAS ON THE GREEN JACKET. 341 00:13:14,619 --> 00:13:16,970 HE LOOKS LIKE THE GUY. I THOUGHT IT WAS HIM. 342 00:13:17,100 --> 00:13:20,451 I THOUGHT IT WAS HIM. HE LOOKED LIKE THE GUY. 343 00:13:28,155 --> 00:13:29,852 AN UNARMED MAN WAS JUST SHOT. 344 00:13:29,983 --> 00:13:31,593 I'M ASKING, HOW DO YOU WANT ME TO PROCEED? 345 00:13:31,723 --> 00:13:33,203 BE TRANSPARENT. 346 00:13:33,334 --> 00:13:35,640 EXPLAIN THAT THE SHOOTER IS IN POLICE CUSTODY 347 00:13:35,771 --> 00:13:37,686 AND THAT'S IT'S AN EVOLVING SITUATION. 348 00:13:37,817 --> 00:13:39,035 THE WHOLE CITY IS WATCHING. 349 00:13:40,689 --> 00:13:41,951 WE GET THIS WRONG, THERE COULD BE A RIOT. PEOPLE IN THE STREET. 350 00:13:42,082 --> 00:13:43,213 THEN DON'T GET IT WRONG. 351 00:13:44,780 --> 00:13:46,782 UNTIL THIS IS OVER, WE NEED D.C. RESIDENTS TO STAY INSIDE, 352 00:13:46,913 --> 00:13:49,480 SHARE ANY AND ALL INFORMATION THEY HAVE WITH THE AUTHORITIES 353 00:13:49,611 --> 00:13:51,569 AND ONLY THE AUTHORITIES. THAT'S IT. 354 00:13:55,747 --> 00:13:57,358 PRENTISS, YOU GOOD? 355 00:13:59,012 --> 00:14:00,709 IT'S MY FAULT. 356 00:14:00,840 --> 00:14:03,364 I TOLD THE POLICE TO RELEASE A DESCRIPTION OF THE SUSPECT. 357 00:14:03,494 --> 00:14:04,931 I SHOULD HAVE WAITED UNTIL WE KNEW MORE. 358 00:14:05,061 --> 00:14:08,108 NOW AN INNOCENT MAN MAY LOSE HIS LIFE BECAUSE OF IT. 359 00:14:08,238 --> 00:14:11,241 NO, WE HAD A DUTY TO INFORM THE PUBLIC, 360 00:14:11,372 --> 00:14:12,721 ABOVE ALL ELSE. 361 00:14:12,852 --> 00:14:14,679 YOU ARE NOT RESPONSIBLE FOR THIS. 362 00:14:14,810 --> 00:14:16,681 THERE'S NO WAY TO PREDICT A KID WITH A GUN 363 00:14:16,812 --> 00:14:19,641 IS GONNA TRY TO PLAY HERO. 364 00:14:19,771 --> 00:14:20,860 VICTIM'S NAME IS PETER SALAH. 365 00:14:20,990 --> 00:14:22,296 HE'S HEADING INTO SURGERY RIGHT NOW. 366 00:14:22,426 --> 00:14:23,427 HE'S IN CRITICAL CONDITION. 367 00:14:23,558 --> 00:14:24,559 PETER'S 24, SINGLE, 368 00:14:24,689 --> 00:14:25,908 WORKS DOWN THE STREET AS A HANDYMAN. 369 00:14:26,039 --> 00:14:27,475 HE WAS ON A JOB ALL MORNING, HEADED OUT 370 00:14:27,605 --> 00:14:28,824 TO GET SOME PIPING TO FINISH A WORK ODER. 371 00:14:28,955 --> 00:14:30,521 THE KEYS TO HIS CAR WERE IN HIS POCKET. 372 00:14:30,652 --> 00:14:32,306 OK. I WANT A FULL SEARCH OF ALL THE SURROUNDING BUILDINGS. 373 00:14:32,436 --> 00:14:34,090 OUR UNSUB WAS HERE. 374 00:14:34,221 --> 00:14:37,050 AND WE HAVE LESS THAN 5 MINUTES. 375 00:14:37,180 --> 00:14:39,835 ALL RIGHT, I JUST SPOKE TO A NEIGHBOR 376 00:14:39,966 --> 00:14:41,532 WHO SAYS THAT HE SAW KARY KARLSSON BEING FORCED 377 00:14:41,663 --> 00:14:43,447 INTO A VEHICLE OUTSIDE HER APARTMENT BUILDING. 378 00:14:43,578 --> 00:14:45,406 SHE WAS ABDUCTED?ACCORDING THE NEIGHBOR, 379 00:14:45,536 --> 00:14:46,886 A MAN FITTING THE DESCRIPTION OF OUR UNSUB 380 00:14:47,016 --> 00:14:49,671 APPROACHED KARY BRANDISHING A WEAPON OF SOME KIND. 381 00:14:49,801 --> 00:14:51,064 PROBABLY THE MACHETE. 382 00:14:51,194 --> 00:14:53,936 HE FORCED HER INTO A WHITE SEDAN AND DROVE OFF. 383 00:14:54,067 --> 00:14:56,808 THE NEIGHBOR DIDN'T REPORT THE INCIDENT UNTIL HE ARRIVED AT WORK 384 00:14:56,939 --> 00:14:58,158 SOME 40 MINUTES LATER. 385 00:14:58,288 --> 00:14:59,463 SOME NEIGHBOR. 386 00:14:59,594 --> 00:15:02,640 SO OUR UNSUB GRABBED KARY OUTSIDE OF HER LOFT, 387 00:15:02,771 --> 00:15:04,816 DROVE HER TO A SECONDARY LOCATION, 388 00:15:04,947 --> 00:15:06,949 VICIOUSLY ATTACKED HER, AND THEN LET HER GO. 389 00:15:07,080 --> 00:15:09,996 WHY? WHY RISK MOVING HER AT ALL? 390 00:15:10,126 --> 00:15:11,954 DO YOU THINK THEY WERE ALL ABDUCTED? 391 00:15:12,085 --> 00:15:12,912 THAT'S A GOOD BET. 392 00:15:13,042 --> 00:15:14,348 LEWIS: IT'S LIKE REID SAID. 393 00:15:14,478 --> 00:15:17,090 THE MOVEMENTS OF THIS UNSUB, THEY'RE CALCULATED. 394 00:15:17,220 --> 00:15:19,353 HE TAKES A WORKING-CLASS FAMILY MAN 395 00:15:19,483 --> 00:15:21,703 AND KILLS HIM IN AN UPSCALE COMMUNITY, 396 00:15:21,833 --> 00:15:24,097 AND THEN HE TAKES A WELL-TO-DO GRAPHIC DESIGNER 397 00:15:24,227 --> 00:15:25,968 AND DROPS HER OFF IN A SEEDY NEIGHBORHOOD. 398 00:15:26,099 --> 00:15:27,491 AND FINALLY, HE TAKES A COOK 399 00:15:27,622 --> 00:15:31,060 AND LAYS HIM AT THE FEET OF RICH LOBBYISTS ON K STREET. 400 00:15:31,191 --> 00:15:34,629 THIS ENTIRE THING, THIS IS ABOUT INEQUALITY. 401 00:15:36,152 --> 00:15:38,154 RIGHT. OK. 402 00:15:38,285 --> 00:15:39,764 I'M ON IT. 403 00:15:39,895 --> 00:15:43,333 HEY, HANG ON. HANG ON. 404 00:15:43,464 --> 00:15:48,164 SO OUR UNSUB GRABS KARY, 405 00:15:48,295 --> 00:15:50,862 PUTS HER IN THE CAR, 406 00:15:50,993 --> 00:15:52,777 CLOSES THE DOOR, LOCKS IT, 407 00:15:52,908 --> 00:15:55,432 RUNS AROUND TO THE OTHER SIDE OF THE CAR, 408 00:15:55,563 --> 00:15:58,174 GETS IN, CLOSES THE DOOR, LOCKS IT, 409 00:15:58,305 --> 00:16:00,263 STARTS THE CAR, AND DRIVES. 410 00:16:00,394 --> 00:16:03,963 AND ALL THE WHILE HOLDING A MACHETE ON KARY? 411 00:16:04,093 --> 00:16:07,009 AND SHE DOESN'T FIGHT BACK OR MAKE A RUN FOR IT? 412 00:16:07,140 --> 00:16:08,750 THAT DOESN'T MAKE SENSE. 413 00:16:10,360 --> 00:16:11,796 UNLESS... 414 00:16:19,717 --> 00:16:21,067 HE HAS A PARTNER. 415 00:16:21,197 --> 00:16:23,939 SOMEONE IN THE BACKSEAT WITH A KNIFE OR A GUN 416 00:16:24,070 --> 00:16:26,507 TO CONTROL THE VICTIM. 417 00:16:26,637 --> 00:16:29,075 WE'RE LOOKING FOR A TEAM. 418 00:16:30,728 --> 00:16:33,079 USUALLY IT'S JUST ME AND MY GUYS TALKING IT OVER. 419 00:16:33,209 --> 00:16:35,255 WE DON'T NORMALLY DO PROFILES. 420 00:16:35,385 --> 00:16:37,039 JUST FOLLOW MY LEAD. YOU'LL BE FINE. 421 00:16:39,085 --> 00:16:40,608 WAGNER: EVERYBODY SETTLED? 422 00:16:40,738 --> 00:16:41,870 OK, LET'S GO. 423 00:16:43,437 --> 00:16:46,570 AS YOU KNOW, WE ARE NOW TWO HOURS INTO A CITYWIDE MANHUNT. 424 00:16:46,701 --> 00:16:49,051 WE CAN NOW SAY WITH CONFIDENCE THAT WE'RE LOOKING FOR A PAIR 425 00:16:49,182 --> 00:16:51,271 OF STATEMENT-ORIENTED SPREE KILLERS. 426 00:16:51,401 --> 00:16:53,447 THESE PARTNERS ARE BELIEVED TO BE IN THEIR LATE TWENTIES 427 00:16:53,577 --> 00:16:56,058 TO EARLY THIRTIES, AFRICAN-AMERICAN MALES. 428 00:16:56,189 --> 00:17:00,584 OUR UNSUBS ARE PROBABLY BONDED BY A SHARED GRIEVANCE-- 429 00:17:00,715 --> 00:17:02,543 A LOSS OR A PAST TRAUMA. 430 00:17:02,673 --> 00:17:05,720 AS WITH ANY PARTNERSHIP, LIKE THE D.C. SNIPERS, 431 00:17:05,850 --> 00:17:07,417 THERE IS MOST LIKELY A DOMINANT AND A SUBMISSIVE. 432 00:17:07,548 --> 00:17:09,115 EXAMINATION OF THE WOUND PATTERNS 433 00:17:09,245 --> 00:17:12,901 DICTATES THAT BOTH OF THESE MEN HAVE HAD HANDS IN THESE ATTACKS. 434 00:17:13,032 --> 00:17:14,642 THEY'RE TAKING TURNS. 435 00:17:14,772 --> 00:17:17,340 SO WHILE ONE MAY BE DOMINANT OVER THE OTHER, 436 00:17:17,471 --> 00:17:19,473 THEY ARE EQUAL PARTICIPANTS, 437 00:17:19,603 --> 00:17:21,040 EQUALLY DANGEROUS. 438 00:17:21,170 --> 00:17:23,042 OUR SUSPECTS ARE ABDUCTING THEIR VICTIMS. 439 00:17:23,172 --> 00:17:25,261 THEY'RE TAKING THEM FROM THE NEIGHBORHOODS WHERE THEY LIVE 440 00:17:25,392 --> 00:17:28,482 INTO NEIGHBORHOODS THEY WOULD NOT BE LIKELY TO VISIT. 441 00:17:28,612 --> 00:17:30,049 THIS BACK AND FORTH ACROSS THE CITY 442 00:17:30,179 --> 00:17:31,963 IS A DELIBERATE PROVOCATION 443 00:17:32,094 --> 00:17:35,663 DESIGNED TO QUESTION OUR ASSUMPTIONS ABOUT WHO BELONGS WHERE-- 444 00:17:35,793 --> 00:17:38,753 INEQUALITY, PRIVILEGE, CLASS. 445 00:17:38,883 --> 00:17:43,323 OUR UNSUB'S ANGER IS FOCUSED ON SOMETHING ALONG THOSE LINES. 446 00:17:43,453 --> 00:17:46,413 WE NEED TO CONCENTRATE ON RECENT FLASHPOINTS IN THE CITY'S HISTORY-- 447 00:17:46,543 --> 00:17:48,284 BAD SHOOTING, SUSPICIOUS DEATH. 448 00:17:48,415 --> 00:17:51,070 ANYTHING THAT WOULD HAVE CAUSED A BACKLASH OR CONTROVERSY 449 00:17:51,200 --> 00:17:52,375 WITHIN THE COMMUNITY. 450 00:17:52,506 --> 00:17:54,377 THESE ATTACKS ARE A STATEMENT. 451 00:17:54,508 --> 00:17:56,075 IT'S THEIR RESPONSE. 452 00:17:56,205 --> 00:17:58,164 AND THEY WON'T STOP UNTIL THEY FEEL HEARD. 453 00:17:58,294 --> 00:18:00,905 IN ADDITION TO THE MANNED CHECKPOINTS GOING UP AROUND THE DISTRICT, 454 00:18:01,036 --> 00:18:05,127 WE NEED TO BE LOOKING AT ARREST RECORDS, COMPLAINTS, THREATS. 455 00:18:05,258 --> 00:18:06,781 THESE TWO ARE OUT THERE. 456 00:18:06,911 --> 00:18:08,913 WE KNOW WHAT WE'RE LOOKING FOR. LET'S GET TO WORK. 457 00:18:15,050 --> 00:18:16,399 WAGNER: OK, LET'S GO. 458 00:18:16,530 --> 00:18:17,879 ANYTHING? 459 00:18:18,009 --> 00:18:21,796 NO. GARCIA'S MONITORING EMS CALLS, BUT THEY'RE LATE. 460 00:18:21,926 --> 00:18:22,884 MAYBE OUR ROADBLOCKS ARE WORKING. 461 00:18:23,014 --> 00:18:24,668 IF OUR UNSUBS STICK TO PATTERN, 462 00:18:24,799 --> 00:18:26,148 THEY'VE LIKELY ALREADY ABDUCTED THEIR NEXT VICTIM. 463 00:18:26,279 --> 00:18:27,584 THE QUESTION IS WHERE WOULD THEY TAKE THEM? 464 00:18:27,715 --> 00:18:29,369 WELL, WHAT WOULD MAKE THE BIGGEST SPLASH? 465 00:18:29,499 --> 00:18:30,892 WELL, IF THEY CONTINUED HEADING NORTH CYCLING BETWEEN RICH 466 00:18:31,022 --> 00:18:32,894 AND POOR NEIGHBORHOODS, THEY HAVE A COUPLE OF OPTIONS, 467 00:18:33,024 --> 00:18:34,200 BUT COLUMBIA HEIGHTS HAS BEEN IN THE NEWS LATELY. 468 00:18:34,330 --> 00:18:35,505 JJ: YEAH, I READ ABOUT THAT. 469 00:18:35,636 --> 00:18:37,072 RESIDENTS ARE UPSET ABOUT SOME OF THE EFFORTS 470 00:18:37,203 --> 00:18:38,856 TO GENTRIFY THE NEIGHBORHOOD. 471 00:18:38,987 --> 00:18:39,988 YEAH. THEY'RE TRYING TO TURN THE AREA 472 00:18:40,119 --> 00:18:41,250 AROUND HEIGHT'S PARK INTO LUXURY CONDOS. 473 00:18:42,817 --> 00:18:42,904 WELL, THAT WOULD CERTAINLY FIT WITH THEIR MISSION STATEMENT. 474 00:18:44,253 --> 00:18:44,819 REID: WE'VE GOT UNITS CANVASSING THESE TWO BLOCKS, 475 00:18:44,949 --> 00:18:46,429 BUT NOTHING HERE NEAR THE PARK. 476 00:18:46,560 --> 00:18:49,954 CALL LUKE. 477 00:18:50,085 --> 00:18:51,173 HAVE HIM MEET YOU THERE 478 00:18:51,304 --> 00:18:52,261 WITH A COUPLE OF PLAINCLOTHES OFFICERS. 479 00:18:52,392 --> 00:18:54,045 TAKE A LOOK. 480 00:18:54,176 --> 00:18:56,657 THEY'RE LATE, BUT THERE'S NO WAY THEY'RE NOT SHOWING UP, 481 00:18:56,787 --> 00:18:58,572 NOT ONCE THEY'VE FINALLY GOT EVERYONE'S ATTENTION. 482 00:18:58,702 --> 00:18:59,921 STILL, WHAT'S THEIR ENDGAME? 483 00:19:00,051 --> 00:19:02,010 I MEAN, THEY AREN'T TRYING TO GET AWAY WITH THIS, 484 00:19:02,141 --> 00:19:03,794 OTHERWISE THEY WOULD HAVE TAKEN MORE PRECAUTIONS. 485 00:19:03,925 --> 00:19:05,187 IT FEELS LIKE THEY'RE PREPARED TO DIE, 486 00:19:05,318 --> 00:19:07,102 LIKE THE VEGAS OR THE ORLANDO SHOOTERS, 487 00:19:07,233 --> 00:19:10,323 EITHER IN A HAIL OF BULLETS OR SUICIDE BY COP. 488 00:19:10,453 --> 00:19:11,802 WELL, THAT'S LIKELY TRUE FOR THE DOMINANT, 489 00:19:11,933 --> 00:19:13,152 WHOSE SENSE OF AGREE 490 00:19:13,282 --> 00:19:14,414 HEY, GARCIA. 491 00:19:14,544 --> 00:19:15,719 I JUST INTERCEPTED A 9-1-1 CALL. 492 00:19:15,850 --> 00:19:16,590 THERE'S BEEN ANOTHER ATTACK. 493 00:19:16,720 --> 00:19:18,069 WHERE? 494 00:19:18,200 --> 00:19:19,506 RIGHT THERE. RIGHT WHERE YOU ARE. 495 00:19:20,637 --> 00:19:23,074 HELP! I NEED HELP! SOMEBODY! 496 00:19:24,380 --> 00:19:26,600 DRIVER: HEY, WATCH IT! 497 00:19:26,730 --> 00:19:28,079 JJ: ARE YOU HURT? 498 00:19:28,210 --> 00:19:28,993 NO, THE PARKING LOT. A MAN. 499 00:19:29,124 --> 00:19:30,212 HURRY! 500 00:19:30,343 --> 00:19:32,083 THIS IS SSA LUKE ALVEZ. 501 00:19:32,214 --> 00:19:33,955 I NEED AN AMBULANCE IMMEDIATELY. 502 00:19:35,391 --> 00:19:38,394 WE'RE IN A RESIDENTIAL PARKING LOT ON 16th, 503 00:19:38,525 --> 00:19:39,787 700 BLOCK. 504 00:19:39,917 --> 00:19:41,005 NO, NO, NO, NO. DON'T MOVE. 505 00:19:41,136 --> 00:19:42,529 DON'T MOVE, OK? 506 00:19:42,659 --> 00:19:43,791 HEY, DID YOU SEE WHO ATTACKED HIM? 507 00:19:43,921 --> 00:19:46,097 IT WAS A MAN, AFRICAN AMERICAN. 508 00:19:46,228 --> 00:19:47,229 WHICH WAY DID HE GO? 509 00:19:47,360 --> 00:19:48,578 THAT WAY. 510 00:19:48,709 --> 00:19:50,145 JJ: GO. GO, LUKE. WE'RE FINE. 511 00:19:50,276 --> 00:19:51,799 OFFICERS, COME WITH ME. LET'S GO. 512 00:19:58,501 --> 00:20:01,025 1 AND 2 AND 3 AND 4 513 00:20:01,156 --> 00:20:03,114 AND 1 AND 2 AND 3 AND 4. 514 00:20:03,245 --> 00:20:04,812 AND 1 AND 2 AND 3 AND 4. 515 00:20:04,942 --> 00:20:06,074 HEY, STAY BACK. 516 00:20:06,205 --> 00:20:09,425 MAN: HANG ON. 517 00:20:09,556 --> 00:20:12,776 HEY, COME ON, MAN. TURN THAT OFF. 518 00:20:12,907 --> 00:20:16,084 FBI, TURN YOUR PHONE OFF. 519 00:20:16,215 --> 00:20:19,130 LET'S GO BACK TO THE FIRST VICTIM, CHARLES O'NEILL. 520 00:20:19,261 --> 00:20:21,045 OUR UNSUBS TOOK A BIG RISK 521 00:20:21,176 --> 00:20:23,134 GOING AFTER A GUY LIKE THAT FIRST. 522 00:20:23,265 --> 00:20:25,180 JJ: FBI. TURN YOUR PHONE OFF.GUYS, THIS IS LIVE. 523 00:20:25,311 --> 00:20:26,921 THIS IS HAPPENING RIGHT NOW. 524 00:20:28,270 --> 00:20:29,489 LEWIS: OH, MY GOD. 525 00:20:31,578 --> 00:20:33,493 SON OF A BITCH. 526 00:20:33,623 --> 00:20:35,190 I DON'T WANT TO SEE ANY OF THIS ON THE NEWS. 527 00:20:35,321 --> 00:20:36,626 WE NEED TO SHUT THIS FEED DOWN IMMEDIATELY. 528 00:20:36,757 --> 00:20:38,411 AGREED. 529 00:20:42,415 --> 00:20:43,807 ALVEZ: GET THE PLATE! 530 00:20:51,162 --> 00:20:53,600 COME ON. AND 2 AND 3, 4. 531 00:20:53,730 --> 00:20:55,428 SPENCER, COME ON. LET ME. 532 00:20:55,558 --> 00:20:58,126 I GOT IT. I GOT IT. I CAN DO IT. I CAN DO THIS. 533 00:21:10,573 --> 00:21:13,010 HEY. UH, HE'S BEEN STABBED MULTIPLE TIMES. 534 00:21:13,141 --> 00:21:15,143 MULTIPLE STAB WOUNDS. 535 00:21:15,274 --> 00:21:17,537 WE GOT IT FROM HERE. WE GOT IT. 536 00:21:17,667 --> 00:21:19,103 OK. 537 00:21:19,234 --> 00:21:21,802 MAN: WE'RE GETTING HIM SOME HELP, GUYS. BACK IT UP. 538 00:21:21,932 --> 00:21:23,543 COME ON, GET BACK. 539 00:21:27,329 --> 00:21:29,244 CLEAR. 540 00:21:29,375 --> 00:21:31,202 COME ON, COME ON. 541 00:21:39,385 --> 00:21:40,516 COME BACK TO US. 542 00:21:40,647 --> 00:21:41,909 HE MUST HAVE HIT AN ARTERY. 543 00:21:42,039 --> 00:21:43,171 HE'S LOST TOO MUCH BLOOD. 544 00:21:43,302 --> 00:21:44,172 GOING AGAIN. 545 00:21:45,304 --> 00:21:47,175 CLEAR. 546 00:21:54,051 --> 00:21:55,139 HE'S GONE. 547 00:21:55,270 --> 00:21:57,185 SORRY. 548 00:22:00,101 --> 00:22:03,147 HE'S DEAD. 549 00:22:03,278 --> 00:22:04,192 NO, HE'S NOT DEAD. THERE'S GOT TO BE 550 00:22:04,323 --> 00:22:05,236 SOMETHING ELSE THAT THEY CAN DO. 551 00:22:05,367 --> 00:22:07,761 GARCIA... 552 00:22:07,891 --> 00:22:09,719 RESTART THE CLOCK. 553 00:22:28,129 --> 00:22:28,825 FBI, DON'T MOVE. 554 00:22:28,956 --> 00:22:30,174 OFFICER: PUT YOUR HANDS IN THE AIR. 555 00:22:30,305 --> 00:22:33,047 DROP THE WEAPON NOW. 556 00:22:33,177 --> 00:22:34,135 TURN AROUND. 557 00:22:34,265 --> 00:22:36,529 HANDS BEHIND YOUR HEAD. 558 00:22:56,853 --> 00:22:58,420 UH, 700. 559 00:22:58,551 --> 00:23:00,291 NICE WORK. 560 00:23:00,422 --> 00:23:01,597 YEAH, THANKS. 561 00:23:01,728 --> 00:23:02,903 WE TRACKED HIM FROM THE PARKING LOT. 562 00:23:03,033 --> 00:23:04,687 THEY SPLIT UP?YEAH, THIS ONE RAN. 563 00:23:04,818 --> 00:23:05,471 THE OTHER ONE DROVE OFF. 564 00:23:06,559 --> 00:23:06,602 WE'VE GOT UNIFORMS CANVASSING THE AREA. 565 00:23:07,690 --> 00:23:09,039 UPON CONTACT, THIS SUSPECT SURRENDERED. 566 00:23:09,170 --> 00:23:10,867 NO FIGHT. 567 00:23:10,998 --> 00:23:13,479 HE'S GOT NO I.D. HE HASN'T SAID OR ASKED FOR ANYTHING. 568 00:23:13,609 --> 00:23:15,524 BUT HE GAVE HIMSELF UP.MM-HMM. 569 00:23:15,655 --> 00:23:18,440 WE PROFILED THESE GUYS AS CONFRONTATIONAL AND STATEMENT-DRIVEN. 570 00:23:18,571 --> 00:23:20,007 THE FACT THAT HE SURRENDERED MAKES ME THINK 571 00:23:20,137 --> 00:23:21,791 HE MUST BE THE SUBMISSIVE IN THE PARTNERSHIP. 572 00:23:21,922 --> 00:23:23,140 HOW DO YOU WANT TO DO THIS? 573 00:23:23,271 --> 00:23:25,142 WE NEED TO GET HIM TALKING, 574 00:23:25,273 --> 00:23:27,449 SEE IF WE CAN GET HIM TO GIVE UP HIS ACCOMPLICE. 575 00:23:27,580 --> 00:23:29,146 I'LL DO IT ALONE. 576 00:23:29,277 --> 00:23:30,452 I THINK HE'LL RESPOND TO SOMEONE LESS AUTHORITATIVE 577 00:23:30,583 --> 00:23:32,323 THAN HIS PARTNER. 578 00:23:35,501 --> 00:23:36,545 GIVE ME A MINUTE. 579 00:23:36,676 --> 00:23:38,242 YES, MA'AM. 580 00:23:42,159 --> 00:23:44,858 I'M EMILY PRENTISS. I'M WITH THE FBI. 581 00:23:44,988 --> 00:23:46,729 YOU CAN CALL ME EMILY. 582 00:23:46,860 --> 00:23:49,558 WHAT'S YOUR NAME? 583 00:23:49,689 --> 00:23:51,604 YOU HAVE A NAME, RIGHT? 584 00:23:56,304 --> 00:23:58,088 WHAT ABOUT YOUR PARTNER? 585 00:23:58,219 --> 00:24:00,134 WHERE'D HE GO? 586 00:24:00,264 --> 00:24:02,832 HE JUST TOOK OFF, 587 00:24:02,963 --> 00:24:04,268 LEFT YOU BEHIND? 588 00:24:04,399 --> 00:24:06,183 LEFT YOU HOLDING THE MACHETE. 589 00:24:08,185 --> 00:24:10,318 I CAN HELP YOU. 590 00:24:10,449 --> 00:24:13,669 THERE'S STILL TIME TO DO THE RIGHT THING. 591 00:24:13,800 --> 00:24:16,193 I KNOW THIS WASN'T YOUR IDEA. 592 00:24:16,324 --> 00:24:19,806 AND THIS ISN'T WHAT YOU REALLY WANT. 593 00:24:19,936 --> 00:24:22,678 18:46. 594 00:24:22,809 --> 00:24:24,680 18:45. 595 00:24:24,811 --> 00:24:26,377 18:44. 596 00:24:26,508 --> 00:24:28,641 18:43. 597 00:24:34,168 --> 00:24:35,517 THIS IS NOT A GAME. 598 00:24:35,648 --> 00:24:37,911 NO, IT ISN'T, EMILY. 599 00:24:38,041 --> 00:24:40,391 WHAT IS YOUR NAME? 600 00:24:40,522 --> 00:24:44,352 TICK TOCK, EMILY. TICK TOCK. 601 00:24:52,360 --> 00:24:54,057 ALL RIGHT, THEY'VE SPLIT UP. 602 00:24:54,188 --> 00:24:56,843 THEY KNOW WE'RE CLOSING IN. WHAT'S NEXT? 603 00:24:56,973 --> 00:24:58,366 WELL, WE'VE DISRUPTED THEIR ABILITY TO ABDUCT 604 00:24:58,497 --> 00:24:59,933 AND TO TRANSPORT THEIR VICTIMS, 605 00:25:00,063 --> 00:25:02,152 SO NOW THE DOMINANT NOT ONLY HAS TO PICK HIS NEXT VICTIM, 606 00:25:02,283 --> 00:25:03,806 BUT HIS NEXT SPOT. 607 00:25:03,937 --> 00:25:07,114 MAYBE A MALL OR MUSEUM, PARK. 608 00:25:07,244 --> 00:25:08,158 RIGHT. SOMEWHERE WEALTHY, 609 00:25:08,289 --> 00:25:09,899 SOMETHING THAT REPRESENTS PROGRESS, 610 00:25:10,030 --> 00:25:11,814 BUT AT THE SAME TIME, AT THIS POINT, 611 00:25:11,945 --> 00:25:13,599 IT'S PERSONAL TO THEM. 612 00:25:13,729 --> 00:25:15,339 PRENTISS: HE'S TAUNTING US. 613 00:25:15,470 --> 00:25:16,819 AS LONG AS HIS PARTNER'S STILL OUT THERE, 614 00:25:16,950 --> 00:25:18,560 THE MISSION CONTINUES, AND HE KNOWS IT. 615 00:25:18,691 --> 00:25:20,344 YEAH, WE CAN'T JUST KEEP MAKING RUNS AT HIM. 616 00:25:20,475 --> 00:25:21,302 HE'S GONNA LAWYER UP. 617 00:25:21,432 --> 00:25:22,564 IN 15 MINUTES, IT WON'T MATTER. 618 00:25:22,695 --> 00:25:24,523 NO ONE ELSE DIES TODAY. 619 00:25:26,742 --> 00:25:28,875 DAVE, TELL ME YOU FOUND SOMETHING. 620 00:25:29,005 --> 00:25:30,180 WE'VE BEEN SPINNING OUR WHEELS, 621 00:25:30,311 --> 00:25:31,355 TRYING TO FIGURE OUT WHY THESE TWO WOULD 622 00:25:31,486 --> 00:25:33,532 GO AFTER A GUY LIKE CHARLES O'NEILL FIRST. 623 00:25:33,662 --> 00:25:36,230 WELL, I JUST GOT OFF THE PHONE WITH O'NEILL'S WIFE. 624 00:25:36,360 --> 00:25:38,406 SHE TOLD ME THAT OUTSIDE OF HIS DAY JOB, 625 00:25:38,537 --> 00:25:40,495 HE WOULD MOONLIGHT AS A BOUNCER. 626 00:25:40,626 --> 00:25:44,238 HE WORKED IN ANACOSTIA AT A CLUB CALLED HARD TIMES. 627 00:25:44,368 --> 00:25:46,196 LAST WEEK THERE WAS A STABBING. 628 00:25:46,327 --> 00:25:48,198 A YOUNG MAN DIED. BLED TO DEATH. 629 00:25:48,329 --> 00:25:49,199 SOUND FAMILIAR? 630 00:25:49,330 --> 00:25:50,287 GARCIA: I FOUND IT 631 00:25:50,418 --> 00:25:52,028 BURIED IN THE WEEKLY BEAT REPORT. 632 00:25:52,159 --> 00:25:54,596 YOUNG MAN'S NAME WAS TOM WELLS, 18 YEARS OLD, 633 00:25:54,727 --> 00:25:55,902 BORN AND RAISED IN THE DISTRICT. 634 00:25:56,032 --> 00:25:58,034 HE'S SURVIVED BY HIS TWO OLDER BROTHERS, 635 00:25:58,165 --> 00:25:59,601 JAMES AND MARCUS WELLS. 636 00:25:59,732 --> 00:26:01,690 JAMES IS THE OLDEST. HE RAISED BOTH THE OTHER TWO 637 00:26:01,821 --> 00:26:03,910 WHEN THEIR MOM DIED WHEN THEY WERE YOUNG. 638 00:26:04,040 --> 00:26:06,782 YOU'VE ARRESTED MARCUS. JAMES IS STILL OUT THERE. 639 00:26:06,913 --> 00:26:09,524 LOOKS LIKE THEIR BROTHER'S FUNERAL WAS YESTERDAY. 640 00:26:09,655 --> 00:26:12,266 WHAT ABOUT THE INCIDENT ITSELF? DID THEY ARREST ANYONE? 641 00:26:12,396 --> 00:26:16,009 YEAH. GUY'S NAME WAS LONNY CARSON. 642 00:26:16,139 --> 00:26:17,750 HE IS IN JAIL. HE'S AWAITING TRIAL. 643 00:26:17,880 --> 00:26:18,707 I'M SENDING YOU EVERYTHING I'VE GOT NOW. 644 00:26:19,665 --> 00:26:20,230 PRENTISS: LOOP MENDOZA'S TEAM IN. 645 00:26:20,361 --> 00:26:21,841 I WANT AGENTS AT THEIR WORK AND HOME, 646 00:26:21,971 --> 00:26:23,364 GIRLFRIENDS, BOYFRIENDS, FAMILY. 647 00:26:23,494 --> 00:26:26,323 NO STONE UNTURNED. THAT'S HOW I ROLL. 648 00:26:30,284 --> 00:26:31,894 WHAT THE HELL AM I MISSING HERE? 649 00:26:32,025 --> 00:26:34,984 IF THE GUY THAT STABBED THEIR BROTHER IS SITTING IN JAIL, 650 00:26:35,115 --> 00:26:37,334 WHY ARE THEY STILL OUT HERE CARVING UP INNOCENT PEOPLE? 651 00:26:37,465 --> 00:26:43,123 OK, GO BACK TO THE PROFILE. INEQUALITY, CLASS, INJUSTICE. 652 00:26:43,253 --> 00:26:46,430 THEY'RE TRYING TO TELL US THIS IS ABOUT SOMETHING DEEPER. 653 00:26:46,561 --> 00:26:48,432 SO THEN WHY TARGET CHARLES O'NEILL? 654 00:26:48,563 --> 00:26:51,087 ALL THE OTHERS SEEM TO HAVE BEEN CHOSEN AT RANDOM. 655 00:26:51,218 --> 00:26:53,002 IT'S POSSIBLE THEY FEEL CHARLES O'NEILL 656 00:26:53,133 --> 00:26:55,352 BEARS SOME BLAME FOR TOM'S DEATH. 657 00:26:55,483 --> 00:26:58,007 BUT CHARLES IS LIKE THEM. HE'S FROM A SIMILAR NEIGHBORHOOD 658 00:26:58,138 --> 00:26:59,922 AND ECONOMIC BACKGROUND. 659 00:27:00,053 --> 00:27:02,795 STRIKING HIM FIRST DRAWS A DIRECT PARALLEL 660 00:27:02,925 --> 00:27:05,885 BETWEEN THEIR BROTHER'S DEATH AND EVERYONE ELSE'S. 661 00:27:06,015 --> 00:27:07,974 THERE'S NO WAY MARCUS IS GONNA GIVE UP HIS BROTHER. 662 00:27:08,104 --> 00:27:10,977 MAYBE NOT. BUT FOR THE FIRST TIME TODAY, WE HAVE THE UPPER HAND. 663 00:27:21,465 --> 00:27:26,296 MARCUS WELLS, 1521 HARRIS STREET IN GARFIELD HEIGHTS. 664 00:27:26,427 --> 00:27:28,821 BROTHER OF TOM AND JAMES WELLS. 665 00:27:30,649 --> 00:27:33,913 I AM SORRY ABOUT THE LOSS OF YOUR BROTHER. 666 00:27:34,043 --> 00:27:36,263 HE SEEMED LIKE A GOOD KID. 667 00:27:36,393 --> 00:27:38,569 GRADUATED TOP OF HIS CLASS. 668 00:27:38,700 --> 00:27:40,354 TOM WAS A FRESHMAN AT HALLRIDGE UNIVERSITY-- 669 00:27:40,484 --> 00:27:41,485 DON'T. 670 00:27:43,183 --> 00:27:44,924 DON'T EVEN SAY HIS NAME. 671 00:27:45,054 --> 00:27:47,535 YOU'RE NOT ALLOWED TO SAY HIS NAME. 672 00:27:48,841 --> 00:27:51,147 WHAT ABOUT JAMES? 673 00:27:51,278 --> 00:27:53,236 I'M GOING TO LEVEL WITH YOU, MARCUS. 674 00:27:53,367 --> 00:27:55,412 THERE ARE ONLY TWO WAYS FOR THIS TO END, 675 00:27:55,543 --> 00:27:57,806 AND I DON'T THINK YOU WANT TO BURY ANOTHER BROTHER THIS WEEK. 676 00:27:57,937 --> 00:28:01,157 I NEED YOU TO TELL ME WHERE JAMES IS. 677 00:28:01,288 --> 00:28:03,464 I KNOW THIS WHOLE DAY WAS HIS IDEA. 678 00:28:03,594 --> 00:28:05,684 HE WAS SENT TO JUVIE TWICE, JAIL ONCE. 679 00:28:05,814 --> 00:28:06,859 JAMES LIKES TO FIGHT. 680 00:28:06,989 --> 00:28:09,470 YOU HAVE NO IDEA WHO JAMES IS. 681 00:28:09,600 --> 00:28:11,385 HE RAISED US. 682 00:28:11,515 --> 00:28:14,475 HE WORKED TWO JOBS JUST TO PUT TOM THROUGH SCHOOL. 683 00:28:14,605 --> 00:28:16,651 YOU DON'T KNOW HIM. 684 00:28:16,782 --> 00:28:18,914 YOU DON'T KNOW ME, 685 00:28:19,045 --> 00:28:21,047 WHAT WE'VE BEEN THROUGH. 686 00:28:21,177 --> 00:28:22,875 SO TELL ME. 687 00:28:23,005 --> 00:28:26,008 WHY? YOU DON'T CARE ABOUT ME OR MY BROTHER. 688 00:28:26,139 --> 00:28:28,489 YOU JUST AS SOON SHOOT US DEAD IN THE STREET, 689 00:28:28,619 --> 00:28:31,187 LIKE THAT UNARMED MAN WHO GOT SHOT TODAY. 690 00:28:31,318 --> 00:28:32,406 WHERE WERE YOU THEN? 691 00:28:32,536 --> 00:28:34,800 WHAT DID YOU DO TO HELP HIM? 692 00:28:34,930 --> 00:28:37,193 THE WAY I SEE IT, THAT BLOOD IS ON YOUR HANDS. 693 00:28:37,324 --> 00:28:40,283 SO YOU THINK THIS IS WHAT TOM WOULD HAVE WANTED, 694 00:28:40,414 --> 00:28:42,633 FOR YOU TO KILL A BUNCH OF INNOCENT PEOPLE IN HIS NAME? 695 00:28:42,764 --> 00:28:44,244 SEE, I THINK HE WOULD HAVE BEEN ASHAMED. 696 00:28:44,374 --> 00:28:45,462 NO, NO, NO. 697 00:28:46,986 --> 00:28:49,379 NO, HE WOULD HAVE UNDERSTOOD WHAT WE WERE TRYING TO SAY. 698 00:28:49,510 --> 00:28:53,601 MARCUS, WHATEVER POINT YOU WERE TRYING TO MAKE IS IRRELEVANT NOW. 699 00:28:53,732 --> 00:28:55,734 YOU'VE KILLED TWO PEOPLE. 700 00:28:55,864 --> 00:28:57,910 YOU'VE CRITICALLY INJURED TWO OTHERS. 701 00:28:58,040 --> 00:28:59,563 THIS IS OVER. 702 00:28:59,694 --> 00:29:02,871 LOOK, YOUR ONLY OPTION IS TO TALK TO ME, 703 00:29:03,002 --> 00:29:04,438 TO TELL ME WHERE JAMES IS. 704 00:29:04,568 --> 00:29:06,570 THERE IS STILL TIME. 705 00:29:06,701 --> 00:29:09,008 YOU'VE GOT A CHANCE HERE TO DO THE RIGHT THING. 706 00:29:09,138 --> 00:29:10,400 THE RIGHT THING? 707 00:29:10,531 --> 00:29:12,359 MY BROTHER DID EVERYTHING RIGHT 708 00:29:12,489 --> 00:29:13,664 AND HE NEVER HAD A CHANCE. 709 00:29:13,795 --> 00:29:15,971 HE NEVER HAD A CHANCE. 710 00:29:16,102 --> 00:29:18,582 TODAY PROVED THAT. 711 00:29:18,713 --> 00:29:21,629 A CHANCE AT WHAT? 712 00:29:23,849 --> 00:29:25,589 SURVIVING? 713 00:29:30,551 --> 00:29:34,511 WHY 27, MARCUS? WHY NOT 26 OR 24? 714 00:29:36,383 --> 00:29:39,690 I ASK MYSELF THAT QUESTION EVERY DAY. 715 00:29:40,779 --> 00:29:43,216 EVERY DAMN DAY. 716 00:29:47,481 --> 00:29:50,136 WHAT DOES 27 MEAN? 717 00:29:51,528 --> 00:29:54,183 EVERYTHING. 718 00:29:54,314 --> 00:29:56,359 IT MEANS EVERYTHING. 719 00:29:58,361 --> 00:30:01,712 I'M DONE TALKING. I WANT A LAWYER. 720 00:30:14,987 --> 00:30:15,857 ANYTHING? 721 00:30:15,988 --> 00:30:17,424 WE'LL SEE. 722 00:30:17,554 --> 00:30:18,599 GARCIA? 723 00:30:18,729 --> 00:30:19,600 YEAH, I'M HERE. TALK TO ME. 724 00:30:20,906 --> 00:30:21,776 I NEED YOU TO PULL EMERGENCY RESPONSE CALL LOGS 725 00:30:21,907 --> 00:30:23,430 FROM THE NIGHT THAT TOM WELLS WAS MURDERED. 726 00:30:23,560 --> 00:30:24,953 ON IT. 727 00:30:26,825 --> 00:30:27,608 HOW MUCH TIME DO WE HAVE? 728 00:30:27,738 --> 00:30:28,522 LESS THAN 10 MINUTES. 729 00:30:28,652 --> 00:30:29,828 WHAT ARE YOU THINKING? 730 00:30:29,958 --> 00:30:31,742 27 MINUTES HAS BEEN STARING US IN THE FACE 731 00:30:31,873 --> 00:30:33,266 THIS WHOLE TIME. 732 00:30:33,396 --> 00:30:36,356 MARCUS AND HIS BROTHER THINK THAT WHERE YOU LIVE 733 00:30:36,486 --> 00:30:38,184 NOT ONLY DETERMINES YOUR QUALITY OF LIFE, 734 00:30:38,314 --> 00:30:39,620 BUT YOUR QUALITY OF CARE. 735 00:30:39,750 --> 00:30:41,535 YOUR ZIP CODE DETERMINES YOUR FATE. 736 00:30:41,665 --> 00:30:43,493 THAT'S WHY THEY'RE MOVING THESE PEOPLE BACK AND FORTH. 737 00:30:43,624 --> 00:30:45,626 THEY'RE TRYING TO SHOW US THE DISPARITY IN RESPONSE TIMES. 738 00:30:45,756 --> 00:30:47,019 THAT'S WHY THEY CALL 9-1-1. 739 00:30:47,149 --> 00:30:48,759 YEAH, RICH NEIGHBORHOODS GET FASTER CARE 740 00:30:48,890 --> 00:30:50,239 THAN POOR NEIGHBORHOODS. 741 00:30:50,370 --> 00:30:52,154 AND ACTIONS SPEAK LOUDER THAN WORDS. 742 00:30:52,285 --> 00:30:55,462 THEY THOUGHT THE MOST EFFECT WAY TO GET THEIR MESSAGE ACROSS 743 00:30:55,592 --> 00:30:56,942 WOULD BE TO DEMONSTRATE IT IN REAL TIME. 744 00:30:57,072 --> 00:30:58,639 THE NIGHT TOM DIED, 745 00:30:58,769 --> 00:31:00,380 I BET WE'RE GONNA FIND OUT IT TOOK 27 MINUTES 746 00:31:00,510 --> 00:31:01,555 FOR HELP TO ARRIVE. 747 00:31:01,685 --> 00:31:03,818 TOM PROBABLY BLED TO DEATH IN THE STREET 748 00:31:03,949 --> 00:31:05,298 IN HIS BROTHERS' ARMS. 749 00:31:06,734 --> 00:31:08,040 OH, JEEZ, THIS IS AWFUL. 750 00:31:08,170 --> 00:31:10,564 THEY CALLED 9-1-1 9 TIMES. 751 00:31:10,694 --> 00:31:12,696 AND FOR WHATEVER REASON, IT TOOK THE AMBULANCE 752 00:31:12,827 --> 00:31:14,698 27 MINUTES TO GET THERE. 753 00:31:14,829 --> 00:31:17,310 TOM WAS PRONOUNCED DEAD AT THE SCENE. 754 00:31:19,703 --> 00:31:23,055 WHAT CAN YOU TELL ME ABOUT TOM AND JAMES' RELATIONSHIP? 755 00:31:23,185 --> 00:31:25,448 JAMES DID EVERYTHING FOR HIS LITTLE BROTHER. 756 00:31:25,579 --> 00:31:27,102 THE NIGHT THAT THEY WENT OUT, 757 00:31:27,233 --> 00:31:29,626 IT WAS TO CELEBRATE TOM'S FIRST SEMESTER AT HALLRIDGE UNIVERSITY. 758 00:31:29,757 --> 00:31:31,237 HALLRIDGE. THAT'S IT. 759 00:31:31,367 --> 00:31:33,326 WHEN I MENTIONED THAT TOM WAS A FRESHMAN THERE, 760 00:31:33,456 --> 00:31:34,675 MARCUS LOST IT. 761 00:31:34,805 --> 00:31:35,719 YOU THINK THAT'S WHERE JAMES IS HEADED? 762 00:31:37,069 --> 00:31:38,026 I THINK THEY'RE GRIEVING FOR WHAT THEY'VE LOST, 763 00:31:38,157 --> 00:31:40,463 THIS FUTURE THAT WAS RIPPED AWAY 764 00:31:40,594 --> 00:31:41,595 FROM THEIR BROTHER AND THEIR FAMILY, 765 00:31:41,725 --> 00:31:42,988 AND HALLRIDGE IS A PART OF THAT. 766 00:31:43,118 --> 00:31:44,467 AN INNOCENT STUDENT WOULD IN ESSENCE 767 00:31:44,598 --> 00:31:45,904 BE THE PERFECT STAND IN FOR THEIR BROTHER. 768 00:31:46,034 --> 00:31:47,122 ROSSI: THE ULTIMATE SURROGATE. 769 00:31:47,253 --> 00:31:48,776 GARCIA: HALLRIDGE ISN'T FAR, 770 00:31:48,907 --> 00:31:50,212 JUST A FEW MILES AWAY. 771 00:31:50,343 --> 00:31:51,213 YOU KNOW, IT'S ALMOST LIKE THEY'VE BEEN 772 00:31:51,344 --> 00:31:52,823 HEADING THERE THIS WHOLE TIME. 773 00:31:52,954 --> 00:31:54,260 MENDOZA: LISTEN, IF WE'RE GOING TO SHUT DOWN 774 00:31:54,390 --> 00:31:56,262 AN ENTIRE CAMPUS IN LESS THAN 10 MINUTES, 775 00:31:56,392 --> 00:31:57,959 WE'RE GONNA HAVE TO DIVERT ALL OF OUR RESOURCES, 776 00:31:58,090 --> 00:31:59,961 PULL THE UNITS OFF THE STREETS. 777 00:32:00,092 --> 00:32:01,180 IF WE'RE WRONG. 778 00:32:01,310 --> 00:32:02,921 WE'RE NOT WRONG. THIS IS HIS FINAL PLAY, 779 00:32:03,051 --> 00:32:04,357 I'M SURE OF IT. 780 00:32:04,487 --> 00:32:07,186 KEEP A LOW PROFILE. WE DON'T WANT TO PROVOKE HIM. 781 00:32:07,316 --> 00:32:08,970 THAYER HALL, WHERE TOM ROOMED, 782 00:32:09,101 --> 00:32:10,580 IS DIRECTLY TO OUR NORTH. 783 00:32:10,711 --> 00:32:13,496 JAMES IS NOT PLANNING ON WALKING OUT OF HERE ALIVE. 784 00:32:13,627 --> 00:32:16,238 OUR GOAL IS TO ISOLATE AND DEESCALATE. 785 00:32:19,938 --> 00:32:21,809 ALL RIGHT, LET'S CLEAR THESE STUDENTS OUT OF HERE, PLEASE. 786 00:32:21,940 --> 00:32:22,723 THIS WAY. 787 00:32:23,942 --> 00:32:24,855 HEY, GUYS, COULD I GET YOU TO DO ME A FAVOR 788 00:32:24,986 --> 00:32:26,031 AND HEAD INDOORS? 789 00:32:26,161 --> 00:32:28,555 ALL RIGHT, MOVE THESE PEOPLE OUT. 790 00:32:29,643 --> 00:32:32,167 HEY, GUYS. FBI. 791 00:32:32,298 --> 00:32:33,690 WE NEED YOU TO HEAD INSIDE, OK? 792 00:32:33,821 --> 00:32:34,996 YES, SIR. 793 00:32:35,127 --> 00:32:36,476 ON CHAPTER TWO... 794 00:32:36,606 --> 00:32:38,173 LADIES, I'M WITH THE FBI. 795 00:32:38,304 --> 00:32:39,958 GO ON. 796 00:32:41,394 --> 00:32:43,222 EVERYBODY PLEASE JUST HEAD INSIDE. 797 00:32:43,352 --> 00:32:44,963 THANK YOU. 798 00:32:49,358 --> 00:32:52,013 MENDOZA: LADIES, I NEED YOU TO TAKE IT INDOORS FOR ME, OK? 799 00:32:52,144 --> 00:32:54,537 GUYS, TAKE IT INDOORS, PLEASE. 800 00:32:54,668 --> 00:32:57,018 GUYS, TAKE IT INDOORS FOR ME, WILL YOU? 801 00:32:57,149 --> 00:33:00,021 WILL YOU HEAD INSIDE? COME ON. COME ON, LET'S GO. 802 00:33:00,152 --> 00:33:01,762 FELLAS, TAKE IT INDOORS FOR ME, WILL YOU? 803 00:33:01,892 --> 00:33:04,417 GUYS, I NEED YOU TO TAKE IT INSIDE. LET'S GO. 804 00:33:04,547 --> 00:33:07,768 AAH! 805 00:33:09,161 --> 00:33:10,858 STATUS REPORT. 806 00:33:12,033 --> 00:33:13,469 YEAH, I HEARD IT. 807 00:33:13,600 --> 00:33:15,558 I'M AT 3 O'CLOCK, BUT I DON'T SEE ANYTHING. 808 00:33:15,689 --> 00:33:17,473 NOTHING TO YOUR SOUTH. 809 00:33:17,604 --> 00:33:19,693 MENDOZA, STATUS. 810 00:33:19,823 --> 00:33:21,956 MENDOZA. DON'T! 811 00:33:22,087 --> 00:33:23,827 DO YOU COPY? DON'T! 812 00:33:25,133 --> 00:33:28,571 MISS, LOOK AT ME. LOOK AT ME. 813 00:33:28,702 --> 00:33:30,747 YOU'RE GONNA BE OK. 814 00:33:30,878 --> 00:33:32,749 OK? YOU'RE GONNA BE OK. 815 00:33:32,880 --> 00:33:36,840 JAMES, I'M GONNA NEED YOU TO LET HER GO. 816 00:33:36,971 --> 00:33:38,886 I WANT YOU TO TAKE ME, ALL RIGHT? 817 00:33:39,017 --> 00:33:40,540 I'M FBI. 818 00:33:42,194 --> 00:33:45,414 A FED. I'M THE GUY YOU WANT. 819 00:33:47,721 --> 00:33:49,418 OK? 820 00:33:53,074 --> 00:33:55,990 YOU WANT PEOPLE TO PAY ATTENTION, RIGHT? 821 00:33:57,992 --> 00:33:59,907 LET HER GO. 822 00:34:02,910 --> 00:34:05,739 COME ON, BROTHER. LET HER GO. 823 00:34:07,132 --> 00:34:08,742 TAKE ME. 824 00:34:12,789 --> 00:34:15,792 COME ON. COME ON. 825 00:34:17,011 --> 00:34:18,534 FBI, GET OUT OF THE WAY. 826 00:34:20,014 --> 00:34:22,930 GET OUT OF THE WAY. 827 00:34:23,061 --> 00:34:25,846 AAH! 828 00:34:36,074 --> 00:34:37,510 PRENTISS: JAMES, DROP THE WEAPON. 829 00:34:37,640 --> 00:34:39,642 WE HAVE YOU SURROUNDED. THIS IS OVER NOW. 830 00:34:39,773 --> 00:34:41,427 NO, IT AIN'T. 831 00:34:41,557 --> 00:34:43,733 YOU GONNA FEEL WHAT IT'S LIKE. 832 00:34:43,864 --> 00:34:45,518 YOU GONNA FEEL WHAT IT'S LIKE 833 00:34:45,648 --> 00:34:47,085 TO WATCH SOMEONE YOU CARE ABOUT 834 00:34:47,215 --> 00:34:48,869 BLEED TO DEATH IN FRONT OF YOU. 835 00:34:52,002 --> 00:34:57,182 WE WAITED 27 MINUTES AND NO ONE CAME. 836 00:34:57,312 --> 00:34:58,835 NO ONE. 837 00:34:58,966 --> 00:35:00,620 DO YOU KNOW WHAT THAT'S LIKE? 838 00:35:00,750 --> 00:35:02,230 HUH? 839 00:35:02,361 --> 00:35:04,058 TO BE POWERLESS? 840 00:35:04,189 --> 00:35:07,453 YOU THINK HE'S GOT 27 MINUTES? 841 00:35:07,583 --> 00:35:10,238 WHAT HAPPENED TO YOUR BROTHER WAS A TRAGEDY. 842 00:35:10,369 --> 00:35:11,457 MISTAKES WERE MADE. 843 00:35:11,587 --> 00:35:13,589 NO! NO. 844 00:35:13,720 --> 00:35:15,852 IT WASN'T A MISTAKE. 845 00:35:15,983 --> 00:35:17,854 AND IT WASN'T AN ACCIDENT. 846 00:35:17,985 --> 00:35:22,468 THE SYSTEM WORKED EXACTLY LIKE IT WAS BUILT TO. 847 00:35:26,602 --> 00:35:30,780 TOM DID EVERYTHING RIGHT, 848 00:35:30,911 --> 00:35:34,784 AND THEY STILL LET HIM DIE IN THE STREET. 849 00:35:36,612 --> 00:35:38,484 YOU'RE RIGHT. 850 00:35:38,614 --> 00:35:40,399 IT'S NOT FAIR 851 00:35:40,529 --> 00:35:44,533 AND IT'S NOT EQUAL, AND THAT HAS TO CHANGE. 852 00:35:44,664 --> 00:35:48,972 BUT WE CAN'T CONTROL WHAT HAPPENS AROUND US OR TO US. 853 00:35:49,103 --> 00:35:52,846 WE CAN ONLY CONTROL HOW WE RESPOND. 854 00:35:52,976 --> 00:35:55,631 LOOK, I DON'T WANT TO SHOOT YOU. 855 00:35:58,243 --> 00:36:00,593 DO YOU SEE THOSE NEWS CREWS OVER THERE? 856 00:36:01,855 --> 00:36:03,639 I'M GONNA LET YOU TELL YOUR STORY, 857 00:36:03,770 --> 00:36:06,642 SO WE CAN MAKE SURE THAT WHAT HAPPENED TO YOUR BROTHER 858 00:36:06,773 --> 00:36:08,601 NEVER HAPPENS AGAIN. 859 00:36:19,394 --> 00:36:21,657 STAY DOWN. STAY DOWN. 860 00:36:21,788 --> 00:36:22,658 HANDS, HANDS. 861 00:36:24,791 --> 00:36:26,227 I NEED A MEDIC. WE'VE GOT A MAN DOWN. 862 00:36:27,620 --> 00:36:29,143 YOU'RE GONNA BE FINE. 863 00:36:29,274 --> 00:36:30,579 I'VE GOT YOU. HELP IS COMING. 864 00:36:30,710 --> 00:36:32,146 WE'LL NEED A BOARD. 865 00:36:32,277 --> 00:36:34,975 YOU CAN'T TELL FROM MY FACE HOW MUCH THIS HURTS, RIGHT? 866 00:36:35,105 --> 00:36:36,498 NOT AT ALL. 867 00:36:36,629 --> 00:36:38,370 YOU'RE GONNA BE FINE. 868 00:36:39,806 --> 00:36:41,155 YOU'RE GONNA BE OK. 869 00:36:46,160 --> 00:36:48,902 LEWIS: HEY. YOU ALL RIGHT? 870 00:36:49,032 --> 00:36:52,035 YEAH. WE GOT HIM. 871 00:36:52,166 --> 00:36:54,429 THAT WAS A HELL OF A PUNCH. 872 00:36:56,257 --> 00:36:58,041 HEH. 873 00:36:59,304 --> 00:37:06,049 WILL SAMSON: ♪ YOUR BODY IS A BIRD 874 00:37:06,180 --> 00:37:14,144 ♪ WITH ITS WINGS HIDDEN DEEP IN YOUR MIND ♪ 875 00:37:14,275 --> 00:37:21,108 ♪ JUST LIKE A LIGHT IN THE STORM CLOUDS ♪ 876 00:37:21,239 --> 00:37:22,892 ♪ HOW THEY SHINE 877 00:37:23,023 --> 00:37:28,811 ♪ OH, HOW THEY SHINE 878 00:37:28,942 --> 00:37:35,209 ♪ GHOSTS IN THE NIGHT, I CAN SEE THEM ♪ 879 00:37:35,340 --> 00:37:37,559 ♪ WHO CAUSED YOU HARM? 880 00:37:37,690 --> 00:37:43,304 ♪ WHO'S BEEN UNKIND? 881 00:37:43,435 --> 00:37:49,745 ♪ SMILE ONLY WITH YOUR EYES 882 00:37:49,876 --> 00:37:57,100 ♪ 'CAUSE WITH YOUR MOUTH, IT'S JUST A GOOD DISGUISE ♪ 883 00:38:26,869 --> 00:38:28,654 HEY. 884 00:38:28,784 --> 00:38:30,133 HEY. 885 00:38:30,264 --> 00:38:31,700 I KNOW IT'S LATE. 886 00:38:31,831 --> 00:38:33,398 I JUST WANTED TO SEE HOW YOU WERE DOING. 887 00:38:33,528 --> 00:38:34,616 YOU LOOK WELL. 888 00:38:34,747 --> 00:38:36,575 THANKS. IT'S... 889 00:38:36,705 --> 00:38:38,794 PAIN MEDS ARE SPECTACULAR. 890 00:38:40,492 --> 00:38:44,322 PETER SALAH, THE MAN OUR WOULD-BE HERO SHOT, 891 00:38:44,452 --> 00:38:45,410 HE'S GONNA PULL THROUGH. 892 00:38:45,540 --> 00:38:46,976 OH, GREAT. 893 00:38:47,107 --> 00:38:48,674 THAT'S GREAT. THAT'S GREAT. 894 00:38:48,804 --> 00:38:51,546 YOU KNOW, YOU'RE D.C.'s NEW CELEBRITY. 895 00:38:51,677 --> 00:38:54,114 THEY CAN'T STOP TALKING ABOUT YOU. 896 00:38:55,507 --> 00:38:57,944 LISTEN, YOUR REPUTATION, 897 00:38:58,074 --> 00:39:00,033 IT DOESN'T DO YOU JUSTICE. 898 00:39:01,295 --> 00:39:03,906 PEOPLE TOLD ME YOU WERE GOOD, 899 00:39:04,037 --> 00:39:07,562 BUT YOU'RE LIKE REALLY GOOD. 900 00:39:07,693 --> 00:39:11,261 IT'S A GROUP EFFORT. 901 00:39:11,392 --> 00:39:12,785 ANYWAY, WHEN ARE YOU GETTING OUT OF HERE? 902 00:39:12,915 --> 00:39:15,353 UH, SOON, I HOPE. 903 00:39:15,483 --> 00:39:19,269 UM, MY VITAL ORGANS ARE IN PLACE, 904 00:39:19,400 --> 00:39:20,793 SO THERE'S THAT. 905 00:39:20,923 --> 00:39:23,056 GOOD. 906 00:39:23,186 --> 00:39:28,844 BECAUSE, UH, I DID SAVE YOUR LIFE. 907 00:39:28,975 --> 00:39:32,065 LEAST YOU COULD DO IS BUY ME A BEER OR SOMETHING. 908 00:39:34,459 --> 00:39:36,199 YEAH. 909 00:39:36,330 --> 00:39:38,332 YEAH, I COULD DO THAT. 910 00:39:40,203 --> 00:39:44,991 I MIGHT EVEN BE ABLE TO TAKE YOU TO DINNER. 911 00:39:46,906 --> 00:39:49,822 I MEAN, SINCE WE'RE GONNA BE OUT. 912 00:39:49,952 --> 00:39:52,781 MAYBE A BALLGAME. 913 00:39:52,912 --> 00:39:55,393 I COULD GET YOU ONE OF THOSE LITTLE HATS 914 00:39:55,523 --> 00:39:57,960 WITH ICE CREAM IN IT. 915 00:39:58,091 --> 00:40:00,572 YOU KNOW, IF YOU'RE INTO THAT KIND OF THING. 916 00:40:01,747 --> 00:40:04,271 WELL, IT SOUNDS LIKE A DATE. 917 00:40:04,402 --> 00:40:07,535 YEAH. 918 00:40:07,666 --> 00:40:10,495 IT'D BE A DATE. 919 00:40:12,279 --> 00:40:14,194 I'LL THINK ABOUT IT.