1 00:00:03,133 --> 00:00:04,700 MAN: ♪ I'M TELLIN' YOU 2 00:00:04,743 --> 00:00:09,183 ♪ BOY, YOU'RE BRINGIN' HOME ANOTHER GIRL IN DISTRESS ♪ 3 00:00:09,226 --> 00:00:12,186 ♪ YOU'RE GOIN' ON ABOUT IT THE WORST WAY ♪ 4 00:00:12,229 --> 00:00:15,493 ♪ AND DON'T YOUR MAMA KNOW YOU BEST? ♪ 5 00:00:15,537 --> 00:00:17,191 ♪ DON'T YOUR MAMA KNOW YOU BE-- ♪ 6 00:01:37,836 --> 00:01:40,839 [FOOTSTEPS FADE; DOOR OPENS] 7 00:01:48,847 --> 00:01:53,243 HEY, THAT'S A LOT OF READING, EVEN FOR YOU, SPENCE. 8 00:01:53,287 --> 00:01:54,810 CLASS STARTS THE BEGINNING OF NEXT WEEK, 9 00:01:54,853 --> 00:01:57,029 AND PRENTISS IS MAKING IT SO I CAN TAKE A SABBATICAL. 10 00:01:57,073 --> 00:01:58,814 NICE. WHAT ARE YOU TEACHING? 11 00:01:58,857 --> 00:02:01,208 A SYMPOSIUM ON MEDIEVAL VIOLENCE AND CRIMINOLOGY. 12 00:02:01,251 --> 00:02:04,298 SO ONE MIGHT SAY THAT I AM STOKED. 13 00:02:04,341 --> 00:02:06,735 SO, HOW MUCH OVERLAP IS THERE BETWEEN, UH-- 14 00:02:06,778 --> 00:02:09,346 MMM, NO, YOU DON'T WANNA-- 15 00:02:09,390 --> 00:02:11,653 FOR STARTERS, THE SPECTACLE ELEMENT IN MEDIEVAL VIOLENCE 16 00:02:11,696 --> 00:02:14,308 CAN HELP US DECODE THE MOTIVELESSNESS IN TODAY'S CRIMES. 17 00:02:14,351 --> 00:02:15,961 CAN I ASK YOU GUYS A SERIOUS QUESTION? 18 00:02:16,005 --> 00:02:18,312 DO YOU GUYS THINK MAYBE I SHOULD BE PROVIDING MORE VISUAL AIDS 19 00:02:18,355 --> 00:02:19,835 IN TERMS OF WEAPONS? 20 00:02:19,878 --> 00:02:23,186 LIKE A KATANA, PLUMBATA, "THE WAR CART OF CONRAD KEYSER." 21 00:02:23,230 --> 00:02:26,624 MMM, YOU KNOW, I NEED TO GET SOME COFFEE. 22 00:02:26,668 --> 00:02:29,975 OH, YOU WORKING? GET COMFY. 23 00:02:30,019 --> 00:02:32,978 ESSENTIALLY, "THE WAR CART OF CONRAD KEYSER" IS A WICKER BASKET. 24 00:02:33,022 --> 00:02:34,328 YOU PUT SOMEONE'S FOOT INSIDE... 25 00:02:34,371 --> 00:02:35,851 YOU WANTED TO SEE ME? 26 00:02:35,894 --> 00:02:39,855 I DID. EVEN THOUGH YOU HAVE BEEN ON SUPERVISORY PROBATION 27 00:02:39,898 --> 00:02:41,335 FOR THE PAST MONTH, 28 00:02:41,378 --> 00:02:43,859 I WROTE IN MY REPORT ON OUR LAST CASE 29 00:02:43,902 --> 00:02:46,209 THAT YOU PERFORMED WELL IN THE FIELD. 30 00:02:46,253 --> 00:02:48,864 YOU FOLLOWED ORDERS AND YOU PLAYED AN INTEGRAL ROLE 31 00:02:48,907 --> 00:02:50,518 IN CLOSING THAT CASE. 32 00:02:50,561 --> 00:02:52,041 SO I'M OUT OF THE DOG HOUSE? 33 00:02:52,084 --> 00:02:53,999 I'VE PUT IN THE FORMAL REQUEST 34 00:02:54,043 --> 00:02:56,350 TO HAVE YOU REINSTATED TO FULL SSA STATUS, 35 00:02:56,393 --> 00:02:58,656 BUT THE PROCESS TAKES TIME. 36 00:02:58,700 --> 00:03:00,876 SO YOU'RE GONNA WORK OUR NEXT CASE WITH GARCIA. 37 00:03:00,919 --> 00:03:03,357 I UNDERSTAND. DO WE HAVE OUR NEXT CASE? 38 00:03:03,400 --> 00:03:04,793 I'M WAITING FOR DETAILS NOW. 39 00:03:04,836 --> 00:03:07,535 GARCIA: OH, MY GOD, WHERE IS HE? 40 00:03:07,578 --> 00:03:09,363 SPEAK OF THE DEVIL. 41 00:03:09,406 --> 00:03:11,887 SO, I HEAR YOU AND I ARE GONNA BE LAB PARTNERS. 42 00:03:11,930 --> 00:03:14,890 UGH! BLERG! FLEH! WHATEVER. IF I MUST. WHERE IS HE? 43 00:03:14,933 --> 00:03:16,413 WHERE IS WHO? 44 00:03:19,416 --> 00:03:21,113 THANKS. 45 00:03:21,157 --> 00:03:24,639 IT WAS NICE, SPENDING THE MORNING WITH YOU. 46 00:03:24,682 --> 00:03:27,729 I SHOULD LOCK MYSELF OUT OF YOUR HOUSE MORE OFTEN. 47 00:03:27,772 --> 00:03:29,252 YOU KNOW, YOU DON'T HAVE TO GO. 48 00:03:29,296 --> 00:03:31,385 YOU'RE WELCOME TO STAY, HANG OUT, 49 00:03:31,428 --> 00:03:33,735 HELP US CATCH SOME BAD GUYS. 50 00:03:33,778 --> 00:03:36,477 BAD GUYS. THAT'S YOUR THING. 51 00:03:36,520 --> 00:03:38,783 I'VE GOT A FULL DAY. 52 00:03:38,827 --> 00:03:40,481 GARCIA: YOU GOT A RING? 53 00:03:40,524 --> 00:03:42,831 YOU BOUGHT A RING, AND I HAD TO HEAR IT FROM PORTIA AND NOT YOU? 54 00:03:42,874 --> 00:03:44,049 PENELOPE... 55 00:03:44,093 --> 00:03:45,268 LOOK, I KNOW I'M NOT YOUR DAUGHTER 56 00:03:45,312 --> 00:03:46,356 AND PORTIA'S GONNA BE YOUR DAUGHTER 57 00:03:46,400 --> 00:03:47,879 THANKS TO YOUR PENDING NUPTIALS. 58 00:03:47,923 --> 00:03:51,970 BUT I'M KIND OF LIKE YOUR DAUGHTER, SO--PENELOPE, UM... 59 00:03:54,321 --> 00:03:55,887 K-KRYSTALL'S BEHIND THAT DOOR RIGHT NOW, 60 00:03:55,931 --> 00:03:57,933 WHICH MEANS SHE KNOWS THAT YOU GOT HER... 61 00:03:57,976 --> 00:03:59,935 AN ENGAGEMENT RING. 62 00:03:59,978 --> 00:04:02,546 HI, PENELOPE. IT'S GOOD TO SEE YOU. 63 00:04:02,590 --> 00:04:04,940 OH... 64 00:04:04,983 --> 00:04:07,725 THERE'S NO WAY I CAN UN 65 00:04:07,769 --> 00:04:11,033 OH, THAT CAT IS SO FAR OUT OF THE BAG. 66 00:04:11,076 --> 00:04:12,948 UH, I DON'T LIKE CATS BEING IN BAGS USUALLY, 67 00:04:12,991 --> 00:04:15,298 BUT RIGHT NOW, I'M VERY SORRY, SIR. 68 00:04:15,342 --> 00:04:17,474 I'M SORRY, KRYSTALL. 69 00:04:19,955 --> 00:04:21,478 I'M GONNA GO. 70 00:04:28,137 --> 00:04:33,447 OH, DAVID. I ALREADY TOLD YOU, I DON'T NEED A RING. 71 00:04:33,490 --> 00:04:36,319 I--I DON'T NEED ANYTHING. 72 00:04:36,363 --> 00:04:38,974 YOU DO NEED A RING. I WANT THIS -- 73 00:04:39,017 --> 00:04:42,325 I WANT US TO BE PERFECT AND SPECIAL. 74 00:04:42,369 --> 00:04:47,374 IT IS PERFECT AND SPECIAL. 75 00:04:47,417 --> 00:04:51,943 BESIDES, THE LAST TIME THAT YOU PROPOSED TO ME 76 00:04:51,987 --> 00:04:57,122 AND MARRIED ME, IT WAS IN FRONT OF AN ELVIS IMPERSONATOR. 77 00:04:57,166 --> 00:05:00,169 COME ON. SLIDING SCALE. 78 00:05:03,085 --> 00:05:05,000 SORRY TO INTERRUPT. WE HAVE A CASE. 79 00:05:07,045 --> 00:05:10,005 GO CATCH SOME BAD GUYS. 80 00:05:10,048 --> 00:05:15,619 OH, AND SEE IF THAT JEWELRY STORE HAS A RETURN POLICY. 81 00:05:19,406 --> 00:05:23,018 PRENTISS: THE POLICE CHIEF IN PLYMOUTH, NEW HAMPSHIRE HAS ASKED FOR ASSISTANCE. 82 00:05:23,061 --> 00:05:26,630 GRACE AND KELLAN BUTLER WERE SHOT AND KILLED IN THEIR HOME LAST NIGHT. 83 00:05:26,674 --> 00:05:27,718 WHAT'S THE WORKING THEORY? 84 00:05:27,762 --> 00:05:29,503 ROBBERY, HOMICIDE, HOME INVASION. 85 00:05:29,546 --> 00:05:30,721 EXCEPT THERE'S A WRINKLE TO THAT. 86 00:05:30,765 --> 00:05:33,202 THE BUTLERS HAD A LITTLE GIRL--RUBY. 87 00:05:33,245 --> 00:05:34,943 LOOKS AS THOUGH SHE'S BEEN ABDUCTED. 88 00:05:34,986 --> 00:05:37,511 HAS THE CHILD ABDUCTION RAPID DEPLOYMENT TEAM BEEN ACTIVATED YET? 89 00:05:37,554 --> 00:05:39,774 THEY'LL MEET US ON THE GROUND IN NEW HAMPSHIRE. 90 00:05:39,817 --> 00:05:42,516 REID: STATISTICALLY, MOST CHILD ABDUCTIONS ARE PERPETRATED BY SOMEONE CLOSE TO THE FAMILY. 91 00:05:42,559 --> 00:05:44,518 IT'S MOST LIKELY A FRIEND OR A RELATIVE. 92 00:05:44,561 --> 00:05:46,563 PLYMOUTH PD ARE COLLECTING THOSE NAMES AS WE SPEAK. 93 00:05:46,607 --> 00:05:48,609 JAREAU: AN 8-YEAR-OLD IS A LOT OF WORK. 94 00:05:48,652 --> 00:05:50,437 SHE'D FIGHT BACK, SHE'D CRY. 95 00:05:50,480 --> 00:05:53,396 IF HE HAS SOME FANTASY ABOUT RUBY AND SHE DOESN'T LIVE UP TO IT... 96 00:05:53,440 --> 00:05:55,398 RUBY WOULD BE IN GRAVE DANGER. 97 00:05:55,442 --> 00:05:59,271 ROSSI: WHEN IT COMES TO MISSING KIDS, THE FIRST 24 HOURS ARE THE ONLY 24 HOURS. 98 00:05:59,315 --> 00:06:01,273 PRENTISS: THIS UNSUB IS ORGANIZED, METHODICAL. 99 00:06:01,317 --> 00:06:03,537 HE GOT INTO THE HOUSE, KILLED TWO PEOPLE AND WALKED OUT 100 00:06:03,580 --> 00:06:05,234 WITH A LITTLE GIRL WITHOUT DETECTION. 101 00:06:05,277 --> 00:06:07,279 IF HE DOES KILL RUBY, 102 00:06:07,323 --> 00:06:10,152 HE'S GONNA MAKE SURE WE DON'T FIND HER, AND WE CAN'T LET THAT HAPPEN. 103 00:06:10,195 --> 00:06:12,110 WHEELS UP. NOT IN 20. NOW. 104 00:06:29,998 --> 00:06:32,130 [CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC.] 105 00:07:01,943 --> 00:07:05,294 ROSSI: "WHEN YOU HAVE A CHILD, THE WORLD HAS A HOSTAGE." 106 00:07:05,337 --> 00:07:07,252 ERNEST HEMINGWAY. 107 00:07:07,296 --> 00:07:09,298 WHERE ARE WE ON FRIENDS-AND-FAMILY INTERVIEWS? 108 00:07:09,341 --> 00:07:11,648 PRENTISS: BUTLERS HAD NO FAMILY IN THE AREA, 109 00:07:11,692 --> 00:07:14,259 AND EVERYONE WHO KNEW THEM VOLUNTEERED TO COME IN. 110 00:07:14,303 --> 00:07:17,654 WE'VE ASKED THE LOCAL POLICE TO ADMINISTER A POLYGRAPH TO ALL INTERVIEWEES. 111 00:07:17,698 --> 00:07:19,656 STANDARD OPERATING PROCEDURE IN ALL CHILD ABDUCTION CASES. 112 00:07:19,700 --> 00:07:22,920 ANYONE WHO SAYS "NO" STANDS OUT. WHO SAID NO? 113 00:07:22,964 --> 00:07:25,793 PRENTISS: NOBODY. WE'LL VET THE INTERVIEWEES WHEN WE LAND, 114 00:07:25,836 --> 00:07:27,621 BUT FOR NOW, LET'S CONSIDER OTHER THEORIES. 115 00:07:27,664 --> 00:07:30,319 WELL, NO SIGN OF A BREAK-IN. NOTHING WAS TAKEN. 116 00:07:30,362 --> 00:07:33,801 SO...WE CAN TAKE ROBBERY-HOMICIDE OFF THE TABLE. 117 00:07:33,844 --> 00:07:35,324 AS WELL AS RANSOM. IF HE TOOK RUBY FOR MONEY, 118 00:07:35,367 --> 00:07:37,544 HE WOULD HAVE LEFT ONE OF HER PARENTS ALIVE TO PAY FOR IT. 119 00:07:37,587 --> 00:07:40,329 COULD BE REVENGE. THE DAD WAS A PUBLIC DEFENDER. 120 00:07:40,372 --> 00:07:42,200 COULD HAVE PISSED OFF THE WRONG CLIENT. 121 00:07:42,244 --> 00:07:45,247 HE WOULD HAVE NO REASON TO TAKE A LITTLE GIRL, THOUGH. 122 00:07:45,290 --> 00:07:47,249 WE SHOULD CHECK THE SEX OFFENDER REGISTRY, RULE OUT 123 00:07:47,292 --> 00:07:48,772 ANY PEDOPHILES IN THE AREA. 124 00:07:48,816 --> 00:07:50,165 SOMEONE IN THE NEIGHBORHOOD COULD HAVE BEEN WATCHING HER. 125 00:07:50,208 --> 00:07:51,819 REID: YOU KNOW, WE ABSOLUTELY CAN AND SHOULD. 126 00:07:51,862 --> 00:07:54,343 BUT IT DOESN'T REALLY FIT THE PROFILE OF A PEDOPHILE. 127 00:07:54,386 --> 00:07:56,171 THEY TEND TO BE INTROVERTED COWARDS 128 00:07:56,214 --> 00:07:58,652 THAT WOULDN'T HAVE THE GUMPTION TO BREAK INTO A HOUSE AND KILL PARENTS. 129 00:07:58,695 --> 00:08:00,697 THEY PICK KIDS OFF WHEN THEY'RE ALONE. 130 00:08:00,741 --> 00:08:02,873 TARA, J.J., YOU'LL TAKE THE INTERVIEWS. 131 00:08:02,917 --> 00:08:04,658 DAVE, REID, GO TO THE MEs OFFICE. 132 00:08:04,701 --> 00:08:06,355 MATT AND I WILL WALK THE CRIME SCENE. 133 00:08:06,398 --> 00:08:09,401 FOR NOW, LET'S FOCUS ON EVERYONE WHO KNEW THE BUTLERS. 134 00:08:12,187 --> 00:08:16,365 WOMAN: KELLAN BUTLER. SINGLE GUNSHOT WOUND TO THE FOREHEAD. 135 00:08:16,408 --> 00:08:19,368 FIRED AT CLOSE RANGE, BASED ON THE ENTRY WOUND. 136 00:08:19,411 --> 00:08:22,850 TAKE OUT THE FATHER FIRST, ELIMINATE THE GREATEST THREAT. 137 00:08:22,893 --> 00:08:24,678 SHOOTING THE FATHER WOULD WAKE THE WHOLE HOUSE. 138 00:08:24,721 --> 00:08:26,854 HOW MUCH CONTROL DID HE LOSE KILLING THE MOTHER? 139 00:08:26,897 --> 00:08:28,159 DR. BRENTWOOD? 140 00:08:28,203 --> 00:08:29,857 CAN WE SEE GRACE BUTLER, PLEASE? 141 00:08:29,900 --> 00:08:37,908 UH...GRACE WAS SHOT 3 TIMES ON THE RIGHT SIDE OF HER BODY. 142 00:08:39,431 --> 00:08:40,998 ROSSI: WELL, LET'S WALK THROUGH THIS. 143 00:08:41,042 --> 00:08:45,873 MOM WAKES UP, TRIES TO GET AWAY FROM THE UNSUB, TAKES 3 SHOTS. 144 00:08:52,183 --> 00:08:54,882 THIS GUY'S EVEN COLDER THAN WE THOUGHT. 145 00:08:54,925 --> 00:08:57,275 COLDER 146 00:08:57,319 --> 00:08:59,669 REID: IT IS, BUT IF OUR UNSUB IS FAMILIAR WITH THE FAMILY, 147 00:08:59,713 --> 00:09:01,323 WHICH IS OUR CURRENT THEORY, 148 00:09:01,366 --> 00:09:03,891 THEN IT WOULD BE DIFFICULT FOR HIM TO PULL THE TRIGGER. 149 00:09:03,934 --> 00:09:07,416 PERHAPS HIS AIM IS WIDER. HE COVERS THE BODIES AS A SIGN OF REMORSE. 150 00:09:07,459 --> 00:09:10,898 BUT HE HAD NO PROBLEM. HE WATCHED THEM SLEEP 151 00:09:10,941 --> 00:09:13,248 AND THEN PULLED THE TRIGGER WITHOUT HESITATING. 152 00:09:13,291 --> 00:09:18,470 HE KNEW EXACTLY WHAT HE WANTED, AND THAT WAS RUBY. 153 00:09:45,933 --> 00:09:48,979 HEY, PRENTISS? TAKE A LOOK AT THIS? 154 00:09:51,503 --> 00:09:53,810 SO I LOOKED AT THE REST OF THE HOUSE. 155 00:09:53,854 --> 00:09:55,464 SOMETHING WASN'T RIGHT. 156 00:09:55,507 --> 00:09:58,946 TARA TOLD ME THAT GRACE HAD SOME ISSUES-- 157 00:09:58,989 --> 00:10:01,513 MONEY ISSUES, SPECIFICALLY. 158 00:10:02,950 --> 00:10:07,171 SHE COULDN'T STOP HITTING THE "PLACE ORDER NOW" BUTTON. 159 00:10:07,215 --> 00:10:11,306 ONIOMANIA--COMPULSIVE SHOPPING DISORDER. 160 00:10:11,349 --> 00:10:13,961 THIS DRESS ALONE IS WORTH HALF MY SALARY. 161 00:10:14,004 --> 00:10:16,877 WELL, WE CONSIDERED THAT THE DAD MIGHT HAVE HAD ENEMIES. 162 00:10:16,920 --> 00:10:18,487 MAYBE WE'RE LOOKING AT THE WRONG PARENT. 163 00:10:18,530 --> 00:10:20,968 MAYBE THIS PLAYED A ROLE IN THE UNSUB TAKING RUBY. 164 00:10:21,011 --> 00:10:22,970 YEAH, BUT WE'RE STILL HITTING THE SAME WALL. 165 00:10:23,013 --> 00:10:24,493 WHY TAKE RUBY OVER THIS? 166 00:10:24,536 --> 00:10:26,974 WELL, IT DEPENDS ON HOW BAD THEIR DEBT WAS. 167 00:10:27,017 --> 00:10:28,540 SO HOW BAD DID IT GET? 168 00:10:31,021 --> 00:10:32,501 OK, GUYS, SO IT LOOKS LIKE-- 169 00:10:32,544 --> 00:10:35,330 AH-AH-AH-AHEM. 170 00:10:35,373 --> 00:10:38,986 LIKE GARCIA HAS SOME THINGS SHE WANTS TO TELL YOU. 171 00:10:39,029 --> 00:10:41,684 MM-HMM. I'M ABOUT TO SAY THE SAME THING AS LUKE WAS GOING TO, 172 00:10:41,728 --> 00:10:45,296 BUT WITH FAR MORE CHUTZPAH, WIT, AND ELOQUENCE. 173 00:10:45,340 --> 00:10:47,995 SO, GRACE BUTLER CERTAINLY DID HAVE A PROBLEM. 174 00:10:48,038 --> 00:10:49,518 I DON'T KNOW WHEN SHE HAD TIME TO EAT, 175 00:10:49,561 --> 00:10:50,824 LET ALONE NEED MONEY TO EAT. 176 00:10:50,867 --> 00:10:52,390 THESE VALENTINO GARAVANI SHOES SHE BOUGHT-- 177 00:10:52,434 --> 00:10:54,001 HOLY CANNOLI! NOT CHEAP. 178 00:10:54,044 --> 00:10:55,524 THEY WERE ON THEIR THIRD MORTGAGE, 179 00:10:55,567 --> 00:10:57,613 AND THEY CLEANED OUT KELLAN'S 401. 180 00:10:57,657 --> 00:10:59,833 WELL, MAYBE THE BUTLERS BORROWED MONEY FROM THE WRONG PEOPLE 181 00:10:59,876 --> 00:11:01,356 AND THAT GOT THEM KILLED. 182 00:11:01,399 --> 00:11:02,705 ALVEZ: WE DOUBLE-CHECKED THAT. 183 00:11:02,749 --> 00:11:05,403 THE LOANS THEY TOOK OUT WERE ALL ABOVE-BOARD. 184 00:11:05,447 --> 00:11:07,536 THE BANKS MIGHT HAVE SHREDDED THE BUTLERS' CREDIT RATING, 185 00:11:07,579 --> 00:11:09,016 BUT THAT'S IT. 186 00:11:09,059 --> 00:11:10,539 AND J.J. AND I DOUBLE-CHECKED THE INTERVIEWS 187 00:11:10,582 --> 00:11:12,019 OF EVERY PERSON IN THIS TOWN. 188 00:11:12,062 --> 00:11:14,543 NO ONE HAD THE MEANS, MOTIVE, OR OPPORTUNITY FOR THIS. 189 00:11:14,586 --> 00:11:16,110 PRENTISS: OK, THEN, WE'RE GETTING AHEAD OF OURSELVES. 190 00:11:16,153 --> 00:11:18,982 LET'S RETHINK THIS CASE THROUGH THE PROFILE OF A STRANGER. 191 00:11:19,026 --> 00:11:21,028 FIRST PRINCIPLE-- HOW DOES HE DO IT? 192 00:11:21,071 --> 00:11:23,378 NO FORCED ENTRY, SO HE DIDN'T BREAK IN. 193 00:11:23,421 --> 00:11:26,033 MAYBE HE HAD A KEY, OR HE KNEW WHICH WINDOW WAS VULNERABLE. 194 00:11:26,076 --> 00:11:29,645 BUT HE KNEW EXACTLY WHERE KELLAN, GRACE, AND RUBY WERE IN THE HOUSE. 195 00:11:29,689 --> 00:11:32,039 ROSSI: HIS AGENDA WAS PRECISE. 196 00:11:32,082 --> 00:11:34,345 THAT'S RIGHT. SO, WHAT DOES THIS UNSUB DO? 197 00:11:34,389 --> 00:11:37,784 BEFORE HE KILLS, BEFORE HE ABDUCTS, WHAT DOES HE DO? 198 00:11:37,827 --> 00:11:39,350 HE WATCHES. 199 00:11:39,394 --> 00:11:41,570 PRENTISS: THAT'S RIGHT. HE WATCHES, HE STUDIES, HE WAITS. 200 00:11:41,613 --> 00:11:45,052 NEXT PRINCIPLE-- WHILE HE'S WATCHING, WHAT DOES HE SEE? 201 00:11:45,095 --> 00:11:47,054 SIMMONS: BOXES... COMING TO THE HOUSE. 202 00:11:47,097 --> 00:11:49,056 PROBABLY THE HUSBAND AND WIFE FIGHTING OVER THEM. 203 00:11:49,099 --> 00:11:51,058 YEAH, SO MAYBE THAT'S WHY HE TOOK RUBY. 204 00:11:51,101 --> 00:11:53,016 HE THINKS HE'S SAVING HER. 205 00:11:53,060 --> 00:11:55,062 LEWIS: BUT THEN HE WOULDN'T JUST WATCH FROM OUTSIDE THE HOUSE. 206 00:11:55,105 --> 00:11:57,064 I MEAN, HE WOULD SURVEIL THEIR ENTIRE LIVES. 207 00:11:57,107 --> 00:12:00,502 HE WOULD BUILD A CASE TO JUSTIFY GOING TO THIS EXTREME. 208 00:12:00,545 --> 00:12:02,722 PRENTISS: AND HE DID. WE NEED TO DO THE SAME THING. 209 00:12:02,765 --> 00:12:05,594 I WANT A FULL BREAKDOWN OF THIS FAMILY'S HABITS AND ROUTINES, 210 00:12:05,637 --> 00:12:08,640 BECAUSE EVERYWHERE THEY WENT, THIS UNSUB WENT, TOO. 211 00:12:12,644 --> 00:12:14,211 CAN I HELP YOU? 212 00:12:14,255 --> 00:12:16,823 AGENTS PRENTISS AND ROSSI WITH THE FBI. ARE YOU THE MANAGER? 213 00:12:16,866 --> 00:12:19,869 I AM. IS THIS ABOUT THE BUTLERS? 214 00:12:19,913 --> 00:12:22,611 YES, IT IS. WE'VE BEEN GOING THROUGH THEIR CREDIT CARD HISTORY, 215 00:12:22,654 --> 00:12:24,091 AND IT LOOKS AS THOUGH THEY CAME HERE A LOT? 216 00:12:24,134 --> 00:12:26,615 THEY DID. WELL, GRACE DID. 217 00:12:26,658 --> 00:12:28,748 SHE'D COME HERE ABOUT 3 TIMES A WEEK. 218 00:12:28,791 --> 00:12:32,708 SHE'D GET A CUP OF COFFEE AND SOMETIMES A GINGERBREAD MAN TO TAKE FOR HER DAUGHTER. 219 00:12:32,752 --> 00:12:35,624 WERE THERE OTHER CUSTOMERS WHO WOULD COME IN AT THE SAME TIME? 220 00:12:35,667 --> 00:12:39,933 I MEAN, I'D HAVE TO GO THROUGH MY RECEIPTS, BUT MAYBE. 221 00:12:39,976 --> 00:12:42,936 GIRL, CRYING: EXCUSE ME? 222 00:12:42,979 --> 00:12:44,285 RUBY? 223 00:12:44,328 --> 00:12:47,941 HE SAYS YOU'RE MY MOMMY NOW. 224 00:12:47,984 --> 00:12:49,638 PRENTISS: RUBY. OHH! 225 00:12:49,681 --> 00:12:51,814 DAVE, OUTSIDE! CAN YOU TAKE HER? 226 00:13:00,301 --> 00:13:01,911 PRENTISS: WE JUST RECOVERED RUBY BUTLER. 227 00:13:01,955 --> 00:13:04,740 I NEED A LOCKDOWN FOR A 1-MILE RADIUS. HE JUST DROPPED HER OFF. 228 00:13:04,784 --> 00:13:07,047 NOTHING. NO ONE OUT OF THE ORDINARY. HE'S GONE. 229 00:13:07,090 --> 00:13:08,483 OF COURSE HE IS. 230 00:13:08,526 --> 00:13:10,833 HE MADE SURE SHE WAS SAFE, AND THEN HE JUST TOOK OFF 231 00:13:10,877 --> 00:13:13,270 BECAUSE HE PLANNED FOR THIS, TOO. 232 00:13:18,710 --> 00:13:20,712 LEWIS IS MEETING THE AMBULANCE AT THE HOSPITAL. 233 00:13:20,756 --> 00:13:22,410 SHE'LL LET US KNOW IF RUBY WAKES UP. 234 00:13:22,453 --> 00:13:24,673 POOR KID DOESN'T EVEN HAVE HER PARENTS TO SIT BY HER BED. 235 00:13:24,716 --> 00:13:26,022 AT LEAST SHE'S GOT TARA. 236 00:13:26,066 --> 00:13:27,676 NO PHYSICAL OR SEXUAL TRAUMA. 237 00:13:27,719 --> 00:13:29,809 IT'S WHAT SHE SURVIVED THAT OVERWHELMED HER. 238 00:13:29,852 --> 00:13:31,158 AND YOU WERE RIGHT ABOUT THE UNSUB. 239 00:13:31,201 --> 00:13:32,855 HE THINKS HE'S SAVING HER. 240 00:13:32,899 --> 00:13:34,683 W-WHAT DID HE MAKE HER SAY? 241 00:13:34,726 --> 00:13:36,424 YOU'RE MY MOMMY NOW. 242 00:13:36,467 --> 00:13:39,166 HE DEEMED THE BUTLERS AS UNWORTHY, AND THEN PUT RUBY WITH SOMEONE 243 00:13:39,209 --> 00:13:43,170 HE THINKS DESERVES HER, LIKE HER. 244 00:13:43,213 --> 00:13:45,694 SHE'S LOOKING TO SEE IF ANY OF HER CUSTOMERS MIGHT BE THE UNSUB, BUT-- 245 00:13:45,737 --> 00:13:47,391 OH, WE WON'T BE THAT LUCKY. 246 00:13:47,435 --> 00:13:49,698 HE PAID WITH CASH. 247 00:13:49,741 --> 00:13:51,352 WE'RE IN TROUBLE. 248 00:13:51,395 --> 00:13:53,397 YEAH, I KNOW. 249 00:13:53,441 --> 00:13:54,921 HE'S ON A MISSION. 250 00:13:54,964 --> 00:13:58,576 HE'S NOT DRIVEN BY URGES OR COMPULSIONS, 251 00:13:58,620 --> 00:14:00,970 AND THE PROFILE TELLS US THAT MEN LIKE THIS... 252 00:14:01,014 --> 00:14:02,711 THEY DON'T HAVE A COOLING-OFF PERIOD. 253 00:14:02,754 --> 00:14:04,408 HE MIGHT STOP WITH RUBY. 254 00:14:04,452 --> 00:14:08,369 HE MIGHT, EXCEPT HE DID EVERYTHING HE WANTED AND GOT AWAY CLEAN. 255 00:14:08,412 --> 00:14:10,588 MY GUT SAYS HE'S WATCHING OTHER FAMILIES. 256 00:14:10,632 --> 00:14:14,201 AND GOD HELP THEM IF HE THINKS THEY'RE FAILING THEIR KIDS. 257 00:14:25,821 --> 00:14:28,563 NAOMI...RUN! 258 00:14:57,461 --> 00:15:00,464 WOMAN, OVER P.A.: DR. HOUSTON... 259 00:15:00,508 --> 00:15:02,031 HE KILLED ANOTHER COUPLE? 260 00:15:02,075 --> 00:15:03,859 PRENTISS: LAST NIGHT. CARTER AND JULIE SHAW. 261 00:15:03,903 --> 00:15:05,382 WERE ANY KIDS TAKEN? 262 00:15:05,426 --> 00:15:08,168 THEIR DAUGHTER NAOMI. SAME AGE AS RUBY. 263 00:15:08,211 --> 00:15:10,387 WELL, IF HE STICKS TO PATTERN, 264 00:15:10,431 --> 00:15:13,347 HE'S PROBABLY GONNA TRY TO REHOME HER, LIKE HE DID WITH JAYNE. 265 00:15:13,390 --> 00:15:16,002 BUT WHY JAYNE? I MEAN, HOW DOES HE MAKE THAT DECISION? 266 00:15:16,045 --> 00:15:19,048 HE LIKES TO WATCH. HE WATCHED JAYNE TAKE CARE OF PEOPLE 267 00:15:19,092 --> 00:15:20,528 AT HER CAFE. 268 00:15:20,571 --> 00:15:22,704 TO OUR UNSUB, SHE'S A MORE DESERVING MOM. 269 00:15:22,747 --> 00:15:26,360 SPEAKING OF WHICH, JAYNE WANTED TO COME DOWN AND CHECK ON RUBY, 270 00:15:26,403 --> 00:15:30,712 AND I HAD KIND OF AN UNUSUAL IDEA ABOUT HOW SHE MIGHT BE ABLE TO HELP. 271 00:15:30,755 --> 00:15:33,367 OK, KEEP ME POSTED, BUT WE NEED TO RESET THE CLOCK ON NAOMI. 272 00:15:33,410 --> 00:15:34,759 SHE HAS TO BE OUR FOCUS NOW. 273 00:15:34,803 --> 00:15:36,761 YEAH. WILL DO. 274 00:15:43,768 --> 00:15:45,945 [WOMAN SPEAKING INDISTINCTLY OVER P.A.] 275 00:15:57,086 --> 00:15:59,262 WHY WOULD SOMEBODY DO THIS? 276 00:15:59,306 --> 00:16:02,439 TO A LITTLE GIRL? 277 00:16:04,093 --> 00:16:06,356 YOU GUYS SAID THIS MAN CAME INTO MY SHOP, 278 00:16:06,400 --> 00:16:08,924 AND I HAVE BEEN RACKING MY BRAIN TRYING TO FIGURE OUT WHO IT IS, 279 00:16:08,968 --> 00:16:10,926 BUT I DON'T KNOW. 280 00:16:10,970 --> 00:16:14,060 ALL MY REGULARS-- THEY'RE NICE. 281 00:16:14,103 --> 00:16:18,412 THIS IS A NICE TOWN, AND WE ARE NICE PEOPLE. 282 00:16:18,455 --> 00:16:20,980 WE DON'T DO THINGS LIKE THIS HERE. 283 00:16:23,460 --> 00:16:25,027 DID YOU BRING WHAT I ASKED? 284 00:16:25,071 --> 00:16:26,986 I DID. 285 00:16:28,291 --> 00:16:31,120 I DON'T GET IT, BUT... 286 00:16:31,164 --> 00:16:35,429 I KNOW IT SOUNDS STRANGE, BUT OF ALL OF THE 5 SENSES, 287 00:16:35,472 --> 00:16:37,431 THE SENSE OF SMELL IS THE MOST POWERFUL, 288 00:16:37,474 --> 00:16:39,433 ESPECIALLY WHEN IT COMES TO MEMORIES. 289 00:16:39,476 --> 00:16:43,437 IT CAN AWAKEN THE SUBCONSCIOUS AND, IN CERTAIN RARE CASES, 290 00:16:43,480 --> 00:16:46,483 EVEN AWAKEN THE UNCONSCIOUS. 291 00:16:46,527 --> 00:16:48,311 LET'S GIVE IT A SHOT. 292 00:16:48,355 --> 00:16:50,009 YEAH. 293 00:16:52,011 --> 00:16:54,448 OH! THAT'S STILL WARM. 294 00:16:54,491 --> 00:16:58,452 THEY WERE HER FAVORITE, HER MOM SAID. 295 00:16:58,495 --> 00:17:02,456 SO, WHAT HAPPENS NOW? 296 00:17:02,499 --> 00:17:04,023 WE WAIT. 297 00:17:08,766 --> 00:17:11,030 UHH... 298 00:17:14,033 --> 00:17:16,687 LEWIS: HEY, RUBY, YOU SMELL THAT? 299 00:17:19,690 --> 00:17:22,650 HI. 300 00:17:22,693 --> 00:17:24,086 YOU'RE SAFE. 301 00:17:25,522 --> 00:17:27,655 WHERE'S MOMMY? 302 00:17:31,050 --> 00:17:33,008 REID: WE'VE BEEN LOOKING SO HARD AT THE FAMILIES, 303 00:17:33,052 --> 00:17:35,837 THAT WE MISSED THE MOST OBVIOUS CONNECTION-- GENETICS. 304 00:17:35,880 --> 00:17:37,491 BUT THE FAMILIES AREN'T RELATED. 305 00:17:37,534 --> 00:17:39,493 YOU'VE NO IDEA HOW RIGHT YOU ARE. 306 00:17:39,536 --> 00:17:41,016 TAKE KELLAN AND GRACE BUTLER. 307 00:17:41,060 --> 00:17:42,844 BOTH OF RUBY'S PARENTS HAVE GREEN EYES. 308 00:17:42,887 --> 00:17:46,456 RUBY ALSO HAS GREEN EYES, BUT ONE OF HER EYES HAS SOME SHADINGS TO IT. 309 00:17:46,500 --> 00:17:48,502 IT'S A RESULT OF A CONDITION CALLED HETEROCHROMIA. 310 00:17:48,545 --> 00:17:50,504 IT'S GENETIC, AND NEITHER PARENT SHARES IT. 311 00:17:50,547 --> 00:17:53,507 SO I KEPT DIGGING, AND THE SHAW FAMILY TELLS A SIMILAR STORY. 312 00:17:53,550 --> 00:17:56,379 SPECIFICALLY, THE DAUGHTER'S BLOOD TYPE MATCHES NEITHER PARENT. 313 00:17:56,423 --> 00:17:59,513 BUT THAT'S IMPOSSIBLE. THE BLOOD TYPES WOULD HAVE TO BE SHARED UNLESS... 314 00:17:59,556 --> 00:18:01,167 UNLESS THEY'RE NOT RELATED. 315 00:18:01,210 --> 00:18:03,517 THE MOST LIKELY EXPLANATION IS THAT BOTH THE GIRLS ARE ADOPTED. 316 00:18:03,560 --> 00:18:05,040 ROSSI: WHY DIDN'T GARCIA FIND THIS? 317 00:18:05,084 --> 00:18:06,868 SHE DIDN'T KNOW TO LOOK FOR IT. IT'S A SMALL TOWN. 318 00:18:06,911 --> 00:18:09,349 PERHAPS THE PARENTS DON'T WANT THE DAUGHTERS TO FEEL LIKE OUTSIDERS. 319 00:18:09,392 --> 00:18:11,568 BUT SOMEHOW THIS UNSUB KNEW THIS. 320 00:18:11,612 --> 00:18:14,528 THAT'S THE COMPULSION THAT'S DRIVING HIM. 321 00:18:14,571 --> 00:18:17,357 HE'S SAVING ADOPTED 8-YEAR-OLD GIRLS. 322 00:18:17,400 --> 00:18:20,186 WE NEED TO DELIVER THE PROFILE. 323 00:18:20,229 --> 00:18:23,624 WE'RE LOOKING FOR A MALE IN HIS LATE 20s TO EARLY 30s. 324 00:18:23,667 --> 00:18:26,061 HE'S INTELLIGENT, PHYSICALLY FIT, AND METICULOUS, 325 00:18:26,105 --> 00:18:28,063 BORDERING ON OBSESSIVE-COMPULSIVE. 326 00:18:28,107 --> 00:18:30,544 WE BELIEVE THIS UNSUB IS ABDUCTING 8-YEAR-OLD ADOPTED GIRLS 327 00:18:30,587 --> 00:18:32,198 IN AN EFFORT TO REHOME THEM. 328 00:18:32,241 --> 00:18:35,070 NOW, AN AGENDA THIS SPECIFIC TELLS US SOME THINGS ABOUT HIM. 329 00:18:35,114 --> 00:18:38,204 FIRST, WE BELIEVE THE UNSUB WAS CLOSELY AND NEGATIVELY AFFECTED 330 00:18:38,247 --> 00:18:40,380 BY THE ADOPTION SYSTEM. 331 00:18:40,423 --> 00:18:42,382 IT'S POSSIBLE HE HIMSELF WAS ADOPTED. 332 00:18:42,425 --> 00:18:45,559 AT LAST COUNT, 16% OF ALL SERIAL KILLERS INTERVIEWED BY THE BAU 333 00:18:45,602 --> 00:18:46,821 WERE ADOPTED. 334 00:18:46,864 --> 00:18:49,215 BUT CONSIDERING THE COMPASSION HE SHOWED RUBY, 335 00:18:49,258 --> 00:18:53,175 WE THINK IT'S MORE LIKELY HE PUT A CHILD UP FOR ADOPTION HIMSELF. 336 00:18:53,219 --> 00:18:55,569 ROSSI: HIS DAUGHTER WAS SUBJECT TO REAL OR PERCEIVED HARM 337 00:18:55,612 --> 00:18:58,615 AT THE HANDS OF HER ADOPTIVE PARENTS. 338 00:19:00,574 --> 00:19:02,750 IN ORDER TO TARGET RUBY AND NAOMI, 339 00:19:02,793 --> 00:19:06,580 WE THINK THE UNSUB IS WORKING INSIDE THE ADOPTION SYSTEM, 340 00:19:06,623 --> 00:19:09,409 SO THIS IS THE FIRST SUSPECT POOL WE NEED TO RULE OUT. 341 00:19:09,452 --> 00:19:11,585 REID: IF OUR UNSUB STICKS TO HIS MISSION-ORIENTED PLAN, 342 00:19:11,628 --> 00:19:13,195 HE WILL ATTEMPT TO REHOME NAOMI, 343 00:19:13,239 --> 00:19:16,111 MOST LIKELY WITH SOMEONE THAT'S FAMILIAR TO THE SHAW FAMILY. 344 00:19:16,155 --> 00:19:20,594 IF WE CAN IDENTIFY THIS FRIEND, FAMILY, OR STRANGER HE CHOOSES FOR NAOMI, 345 00:19:20,637 --> 00:19:22,117 WE CAN GET AHEAD OF HIM. 346 00:19:22,161 --> 00:19:24,119 PRENTISS: WE WOULD LIKE TO KEEP THE MEDIA STRATEGY 347 00:19:24,163 --> 00:19:26,121 AS TIGHTLY CONTROLLED AS POSSIBLE. 348 00:19:26,165 --> 00:19:27,949 REID: UNFORTUNATELY, WHEN INFORMATION WAS RELEASED 349 00:19:27,992 --> 00:19:29,777 ABOUT THE GREEN RIVER KILLER'S DUMP SITES, 350 00:19:29,820 --> 00:19:32,127 THE KILLER SAW THE NEWS COVERAGE, CHANGED HIS M.O., 351 00:19:32,171 --> 00:19:34,129 AND IT SET THE INVESTIGATION BACK WEEKS. 352 00:19:34,173 --> 00:19:36,958 OUR BEST BET TO SAVE NAOMI AND CAPTURE THE UNSUB 353 00:19:37,001 --> 00:19:39,221 IS TO MAKE SURE HE STICKS TO PLAN. 354 00:19:39,265 --> 00:19:41,136 THANK YOU, EVERYONE. 355 00:19:44,183 --> 00:19:45,619 EVERYTHING GOOD? 356 00:19:45,662 --> 00:19:48,709 BETTER THAN THAT. RUBY'S TALKING. 357 00:19:48,752 --> 00:19:52,060 SO YOU DON'T RECOGNIZE THE MAN WHO TOOK YOU, BUT... 358 00:19:52,103 --> 00:19:54,715 YOU SAID HE WAS KIND OF TALL? 359 00:19:54,758 --> 00:19:56,630 ALL RIGHT. 360 00:19:56,673 --> 00:19:58,545 DO YOU REMEMBER WHAT HE SAID TO YOU? 361 00:19:58,588 --> 00:20:02,157 HE SAID I HAD TO WEAR THE DRESS. 362 00:20:02,201 --> 00:20:06,640 I COULDN'T GET IT DIRTY OR TAKE IT OFF. 363 00:20:06,683 --> 00:20:09,164 AND I HAD TO SAY THAT THING. 364 00:20:10,513 --> 00:20:13,516 "YOU'RE MY MOMMY NOW"? THAT THING? 365 00:20:15,039 --> 00:20:19,653 OK. WELL, THE POLICE HAVE THE DRESS NOW. 366 00:20:19,696 --> 00:20:22,612 AND, RUBY, EVERYTHING YOU TOLD ME... 367 00:20:22,656 --> 00:20:24,353 IS REALLY HELPFUL. 368 00:20:24,397 --> 00:20:26,137 IS IT MY FAULT? 369 00:20:26,181 --> 00:20:29,663 OH. OH, SWEETIE, NO. 370 00:20:29,706 --> 00:20:31,969 NO. LISTEN... 371 00:20:32,013 --> 00:20:34,189 NONE OF THIS IS YOUR FAULT. 372 00:20:34,233 --> 00:20:37,192 YOU'RE A LITTLE GIRL, AND YOU'RE PERFECT. 373 00:20:37,236 --> 00:20:39,673 YOU DID EVERYTHING RIGHT. 374 00:20:39,716 --> 00:20:42,328 THE MAN WHO DID THIS-- IT'S HIS FAULT. 375 00:20:42,371 --> 00:20:44,199 ALL OF IT. 376 00:20:44,243 --> 00:20:48,464 SO NOW, YOUR ONLY JOB IS TO GET BETTER 377 00:20:48,508 --> 00:20:51,989 AND NOT TO WORRY, BECAUSE IT'S MY JOB TO PROTECT YOU. 378 00:20:52,033 --> 00:20:56,603 AND I PROMISE I WON'T LET ANYTHING HAPPEN TO YOU 379 00:20:56,646 --> 00:21:00,215 TILL YOUR GRAMMY AND GRANDPA ARRIVE FROM FLORIDA. 380 00:21:00,259 --> 00:21:01,695 OK? 381 00:21:01,738 --> 00:21:03,262 OK. 382 00:21:04,567 --> 00:21:09,224 WILL YOU STAY WITH ME UNTIL THEY COME? 383 00:21:09,268 --> 00:21:10,747 OF COURSE. 384 00:21:18,277 --> 00:21:20,844 I DON'T UNDERSTAND HOW THIS COULD HAVE HAPPENED. 385 00:21:20,888 --> 00:21:22,716 YEAH. NEITHER DO WE, MR. KRANUM. 386 00:21:22,759 --> 00:21:25,545 THAT'S WHY WE ASKED YOU TO COME DOWN HERE. 387 00:21:25,588 --> 00:21:28,374 YOU EXAMINED THE SHAWS, IS THAT RIGHT? 388 00:21:28,417 --> 00:21:31,551 YES. I MEAN, THAT'S MY JOB AS A SOCIAL WORKER. 389 00:21:31,594 --> 00:21:33,335 I MAKE SURE EVERYTHING IS SAFE 390 00:21:33,379 --> 00:21:35,032 AND APPROPRIATE FOR A CHILD, 391 00:21:35,076 --> 00:21:38,558 AND THEN I MAKE A RECOMMENDATION FOR ADOPTION PLACEMENT, 392 00:21:38,601 --> 00:21:40,690 AND THE SHAWS CHECKED EVERY BOX. 393 00:21:40,734 --> 00:21:43,214 THEY WERE WONDERFUL PROSPECTIVE PARENTS. 394 00:21:43,258 --> 00:21:46,348 THE MAN WHO'S KILLING THESE FAMILIES, 395 00:21:46,392 --> 00:21:49,525 HE KNOWS THE KIND OF INTIMATE DETAILS 396 00:21:49,569 --> 00:21:52,267 YOU WOULD UNCOVER AS PART OF YOUR JOB. 397 00:21:52,311 --> 00:21:54,356 CAN YOU THINK OF ANYONE IN YOUR FIELD 398 00:21:54,400 --> 00:21:55,662 WHO WOULD TAKE ADVANTAGE OF THAT? 399 00:21:55,705 --> 00:21:57,446 NO. ABSOLUTELY NOT. 400 00:21:57,490 --> 00:21:59,840 WE'RE THE FIRST AND LAST LINE OF DEFENSE. 401 00:21:59,883 --> 00:22:02,233 THESE KIDS DEPEND ON US. 402 00:22:02,277 --> 00:22:04,105 WELL, THANK YOU FOR YOUR TIME. 403 00:22:06,063 --> 00:22:07,630 ALL RIGHT. SO THE FIRST TIME 404 00:22:07,674 --> 00:22:10,938 THAT WE WALKED THIS, WE THOUGHT DAD FELL ASLEEP ON THE COUCH, 405 00:22:10,981 --> 00:22:12,809 WATCHING "SPORTSCENTER" OR SOMETHING, 406 00:22:12,853 --> 00:22:14,376 AND MOM WENT TO BED. 407 00:22:14,420 --> 00:22:16,900 YEAH, WHICH IS OFF PATTERN FOR OUR UNSUB. 408 00:22:16,944 --> 00:22:19,294 HE SHOULD HAVE WAITED TILL THEY WERE TOGETHER IN BED ASLEEP. 409 00:22:19,338 --> 00:22:20,904 HE'D HAVE MORE CONTROL. 410 00:22:20,948 --> 00:22:23,167 WELL, I THINKING THAT HE DIDN'T WAIT BECAUSE HE COULDN'T. 411 00:22:23,211 --> 00:22:24,952 TAKE A LOOK AT THIS. 412 00:22:24,995 --> 00:22:28,129 CHANGE OF CLOTHES, SUIT AND TIE. 413 00:22:28,172 --> 00:22:29,957 THERE'S A TOOTHBRUSH AND TOOTHPASTE 414 00:22:30,000 --> 00:22:31,785 IN THE GUEST BATHROOM. 415 00:22:31,828 --> 00:22:36,093 NOW I'VE HAD FRIENDS WHO HAVE BEEN KICKED OUT OF BED ENOUGH TIMES 416 00:22:36,137 --> 00:22:38,269 TO KNOW WHAT THAT LOOKS LIKE. 417 00:22:38,313 --> 00:22:40,881 I THINK THAT CARTER SHAW WAS RIDING THE COUCH. 418 00:22:40,924 --> 00:22:45,146 OK. SO THE SHAWS WERE HAVING MARITAL PROBLEMS. 419 00:22:45,189 --> 00:22:47,670 THAT'S WHY HE HAD TO RESCUE NAOMI. 420 00:22:47,714 --> 00:22:50,151 RIGHT, AND THAT'S WHY THIS MAKES OUR PROFILE EVEN MORE COMPLICATED, 421 00:22:50,194 --> 00:22:52,632 AND THE GUY-- THE HOME INSPECTOR YOU JUST TALKED TO-- 422 00:22:52,675 --> 00:22:55,852 HE WOULDN'T KNOW THIS OR SHOPPING ADDICTION. 423 00:22:55,896 --> 00:23:00,030 SO MAYBE THE UNSUB's JOB IN THE ADOPTION SYSTEM IS JUST 424 00:23:00,074 --> 00:23:01,945 HIS WAY IN, 425 00:23:01,989 --> 00:23:04,426 BUT WHEN HE PICKS A FAMILY, 426 00:23:04,470 --> 00:23:06,602 HE DOESN'T STOP UNTIL HE FEELS JUSTIFIED 427 00:23:06,646 --> 00:23:07,995 IN KILLING THEM. 428 00:23:08,038 --> 00:23:09,649 HEY. WE'VE GONE THROUGH ALL THE SOCIAL WORKERS. 429 00:23:09,692 --> 00:23:11,694 THEY'RE CLEAN. WHAT OTHER LEADS DO WE HAVE 430 00:23:11,738 --> 00:23:13,174 INSIDE THE ADOPTION SYSTEM? 431 00:23:13,217 --> 00:23:14,958 GARCIA: IT'S KIND OF A SLOG. THERE IS A LOT 432 00:23:15,002 --> 00:23:16,307 OF STUFF TO CONSIDER. 433 00:23:16,351 --> 00:23:17,570 LIKE, FOR INSTANCE, DID YOU KNOW THAT 434 00:23:17,613 --> 00:23:19,963 THERE IS A HOME DECORATOR FOR POTENTIAL PARENTS? 435 00:23:20,007 --> 00:23:21,922 THAT IS A THING. IT'S NOT A THING 436 00:23:21,965 --> 00:23:23,445 WE NEED TO LOOK INTO RIGHT NOW, I DON'T THINK, 437 00:23:23,489 --> 00:23:24,707 BUT IT'S A THING. 438 00:23:24,751 --> 00:23:26,056 I KNOW YOU'VE GOT A FULL PLATE, 439 00:23:26,100 --> 00:23:27,623 BUT THERE'S ONE OTHER SEARCH WE NEED. 440 00:23:27,667 --> 00:23:29,059 OH, NO. PUT ALL THE THINGS ON THE PLATE. 441 00:23:29,103 --> 00:23:30,931 I DO WAY BETTER WHEN I'M OVERWHELMED. HIT ME. 442 00:23:30,974 --> 00:23:32,759 THE SHAWS AND THE BUTLERS MIGHT NOT HAVE BEEN 443 00:23:32,802 --> 00:23:34,108 HIS FIRST VICTIMS. 444 00:23:34,151 --> 00:23:35,936 THE UNSUB MIGHT HAVE KILLED THE PARENTS 445 00:23:35,979 --> 00:23:38,591 WHO ADOPTED HIS OWN DAUGHTER FIRST. 446 00:23:38,634 --> 00:23:40,288 SIR, I THINK OUR MINDS MAY HAVE MELDED 447 00:23:40,331 --> 00:23:41,768 BECAUSE I ALREADY LOOKED INTO THAT, 448 00:23:41,811 --> 00:23:43,465 AND THERE'S NO VIOLENCE IN ANY OF THE ADOPTION FILES 449 00:23:43,509 --> 00:23:45,075 THAT I PULLED IN STATE. 450 00:23:45,119 --> 00:23:46,337 WELL, IT WAS WORTH A SHOT. 451 00:23:46,381 --> 00:23:48,601 IT STILL COULD BE. MAYBE HE DID IT IN A WAY 452 00:23:48,644 --> 00:23:49,906 THAT DIDN'T LOOK LIKE THE OTHER MURDERS. 453 00:23:49,950 --> 00:23:52,126 YOU MEAN, LIKE AN ACCIDENT? 454 00:23:52,169 --> 00:23:53,736 YOU THINK OF ALL THE THINGS, EMILY PRENTISS. 455 00:23:53,780 --> 00:23:54,998 THIS IS WHY. YOU'RE A BOSS LADY. 456 00:23:55,042 --> 00:23:56,217 I WILL HIT YOU RIGHT BA-- 457 00:23:57,871 --> 00:23:59,307 PRENTISS: GARCIA? 458 00:23:59,350 --> 00:24:00,917 SITTING OUTSIDE OF KALDI COFFEE... 459 00:24:00,961 --> 00:24:02,484 GARCIA: TURN ON THE TV. 460 00:24:02,528 --> 00:24:04,878 UH, PLYMOUTH LOCAL NEWS. 461 00:24:04,921 --> 00:24:06,314 REPORTER: A MS. JAYNE ARCHER. 462 00:24:06,357 --> 00:24:07,358 WE'LL SEE IF SHE'S AVAILABLE TODAY-- 463 00:24:07,402 --> 00:24:08,751 MAN: THERE SHE IS! 464 00:24:08,795 --> 00:24:10,057 JAYNE ARCHER, WHY DID THE KILLER LEAVE 465 00:24:10,100 --> 00:24:11,624 RUBY BUTLER WITH YOU? 466 00:24:11,667 --> 00:24:13,016 REPORTER TWO: WE HEARD RUBY'S STILL IN THE HOSPITAL 467 00:24:13,060 --> 00:24:14,191 AND THAT THE FBI's INVOLVED IN THE CASE. 468 00:24:14,235 --> 00:24:15,802 ARE YOU GONNA VISIT HER? 469 00:24:15,845 --> 00:24:17,064 MS. ARCHER, DO YOU KNOW THE SECOND GIRL 470 00:24:17,107 --> 00:24:18,718 WHO'S BEEN TAKEN-- NAOMI SHAW? 471 00:24:18,761 --> 00:24:20,023 JAYNE: NO. PLEASE JUST-- 472 00:24:20,067 --> 00:24:22,156 THEY JUST REVEALED THAT JAYNE DOESN'T HAVE RUBY 473 00:24:22,199 --> 00:24:23,505 LIKE HE PLANNED. 474 00:24:23,549 --> 00:24:25,333 IF THE UNSUB SEES THIS, HE'LL DEVOLVE. 475 00:24:25,376 --> 00:24:28,336 THEY MIGHT HAVE JUST GOTTEN NAOMI KILLED. 476 00:24:28,379 --> 00:24:29,468 ALL RIGHT. SO THERE YOU HAVE IT. 477 00:24:29,511 --> 00:24:31,339 JAYNE ARCHER IS NOT BUDGING-- 478 00:24:40,566 --> 00:24:43,264 NO, NO, NO! 479 00:24:54,275 --> 00:24:58,497 HEY. OH. HEY. 480 00:24:58,540 --> 00:25:02,239 I'VE SEEN THAT THOUSAND-YARD STARE BEFORE. 481 00:25:02,283 --> 00:25:04,764 WELL, ALL THIS WORK, IT ALL GOES DOWN THE TOILET 482 00:25:04,807 --> 00:25:07,897 ONCE WE'RE ON THE 6:00 NEWS. 483 00:25:07,941 --> 00:25:11,074 YEAH. I HEARD SOMEONE HAD THEIR WEDDING PROPOSAL 484 00:25:11,118 --> 00:25:12,728 SHOT TO HELL. 485 00:25:12,772 --> 00:25:15,862 YEAH. THAT DIDN'T GO QUITE ACCORDING TO PLAN. 486 00:25:15,905 --> 00:25:18,038 SORRY. 487 00:25:18,081 --> 00:25:21,563 I'M JUST TRYING TO CHEER YOU UP. 488 00:25:21,607 --> 00:25:24,392 GO AHEAD. I KNOW YOU WANT TO SAY IT. 489 00:25:24,435 --> 00:25:28,657 OH. SO IF YOU MARRY YOUR THIRD WIFE FOR THE SECOND TIME, 490 00:25:28,701 --> 00:25:30,790 WHAT COLOR IS THE DRESS FOR THAT? 491 00:25:30,833 --> 00:25:33,923 HEH. I ADMIT I'VE BEEN WONDERING THAT MYSELF. 492 00:25:33,967 --> 00:25:37,753 HEH HEH. SO HOW ARE YOU GONNA PROPOSE? 493 00:25:37,797 --> 00:25:39,886 I DON'T KNOW. 494 00:25:39,929 --> 00:25:42,584 I JUST WANT IT TO BE PERFECT. 495 00:25:42,628 --> 00:25:44,194 WELL, DON'T WAIT TOO LONG. 496 00:25:44,238 --> 00:25:46,066 YOU KNOW THAT OLD SAYING-- 497 00:25:46,109 --> 00:25:49,112 MAN PLANS, SERIAL KILLERS LAUGH. 498 00:25:50,984 --> 00:25:52,551 HEY, GUYS. WE GOT SOMETHING. 499 00:25:56,816 --> 00:25:59,645 GARCIA GOT A HIT ON A ROBERT AND ALICE CARSON 500 00:25:59,688 --> 00:26:01,081 MURDERED 2 1/2 WEEKS AGO, 501 00:26:01,124 --> 00:26:02,735 SHOT IN THEIR CAR AND ACROSS STATE LINES. 502 00:26:02,778 --> 00:26:04,606 DIFFERENT M.O., DIFFERENT JURISDICTION. 503 00:26:04,650 --> 00:26:05,955 HOW DO WE KNOW THEY'RE TIED TO THIS CASE. 504 00:26:05,999 --> 00:26:07,609 BECAUSE THERE'S A SOCIAL MEDIA PHOTO 505 00:26:07,653 --> 00:26:09,045 OF THEIR ADOPTED DAUGHTER 506 00:26:09,089 --> 00:26:12,483 WEARING THE EXACT DRESS THAT RUBY WORE. 507 00:26:12,527 --> 00:26:14,790 THIS IS ASHLEY CARSON, 8 YEARS OLD. 508 00:26:14,834 --> 00:26:17,619 RUBY AND NAOMI MUST BE SURROGATES FOR THIS LITTLE GIRL. 509 00:26:17,663 --> 00:26:18,881 WHAT HAPPENED TO ASHLEY? 510 00:26:18,925 --> 00:26:21,318 ASHLEY DIED LAST YEAR. CONGENITAL HEART DEFECT. 511 00:26:21,362 --> 00:26:22,755 SHE COLLAPSED AT HOME. 512 00:26:22,798 --> 00:26:24,757 THERE WAS NO WAY ANYONE COULD HAVE KNOWN. 513 00:26:24,800 --> 00:26:26,106 BUT THAT WOULDN'T MATTER TO OUR UNSUB. 514 00:26:26,149 --> 00:26:27,542 HE'D HOLD THE PARENTS ACCOUNTABLE ANYWAY. 515 00:26:27,586 --> 00:26:29,239 WE NEED THAT BIRTH FATHER'S NAME. 516 00:26:29,283 --> 00:26:30,632 GARCIA'S SEARCHING FOR THAT RIGHT NOW, 517 00:26:30,676 --> 00:26:32,503 BUT THERE WAS NOTHING IN THE ADOPTION RECORD. 518 00:26:32,547 --> 00:26:33,940 WELL, THERE MUST BE A REASON FOR THAT. 519 00:26:33,983 --> 00:26:36,072 WHO FACILITATED THE ADOPTION? 520 00:26:36,116 --> 00:26:37,900 UH, FRIENDS AND FAMILIES ADOPTION CENTER. 521 00:26:37,944 --> 00:26:40,381 THEIR OWN SCOTT TRUMAN, HE'S ON HIS WAY HERE NOW. 522 00:26:44,777 --> 00:26:47,257 WHERE ARE WE GOING? 523 00:26:47,301 --> 00:26:52,567 HOME. WE'RE GOING HOME, ASHLEY. 524 00:26:52,611 --> 00:26:54,395 CAN YOU GIVE ME SOMETHING TO EAT, DADDY? 525 00:26:54,438 --> 00:26:56,658 I'M HUNGRY. 526 00:26:56,702 --> 00:27:00,183 NAOMI: PLEASE, MISTER. I'M REALLY HUNGRY. 527 00:27:12,500 --> 00:27:14,067 THANKS. 528 00:27:35,610 --> 00:27:37,220 UNSUB: YOU WANT PEANUTS OR ALMONDS? 529 00:27:37,264 --> 00:27:39,092 NAOMI: I'M ALLERGIC. 530 00:27:39,135 --> 00:27:41,137 NO, YOU'RE NOT. YES, I AM. 531 00:27:41,181 --> 00:27:42,748 YOU'RE HURTING ME. 532 00:27:47,622 --> 00:27:49,668 UNSUB: AHEM. HEY. 533 00:28:03,333 --> 00:28:05,509 HEY. DID THE CELTICS WIN TODAY? 534 00:28:05,553 --> 00:28:07,163 YEAH. WE MISSED THE GAME. 535 00:28:11,777 --> 00:28:14,823 UH, YEAH, BY, UH, 18 POINTS, I THINK. 536 00:28:20,524 --> 00:28:23,440 CELTICS DIDN'T PLAY TODAY. 537 00:28:23,484 --> 00:28:24,833 ASHLEY, GO WAIT IN THE CAR. 538 00:28:24,877 --> 00:28:26,966 MY NAME'S NOT--GET IN THE CAR, ASHLEY! 539 00:28:30,796 --> 00:28:32,362 HEY, MAN. 540 00:28:43,286 --> 00:28:44,940 I TOLD YOU TO GET IN THE CAR. 541 00:28:53,122 --> 00:28:54,863 ROBERT AND ALICE CARSON? 542 00:28:54,907 --> 00:28:57,605 THEY WERE SHOT IN THEIR CAR TWO WEEKS AGO. 543 00:28:57,648 --> 00:29:01,000 SO YOU REMEMBER THEM? 544 00:29:01,043 --> 00:29:03,567 OF COURSE. 545 00:29:03,611 --> 00:29:06,745 I HELPED PLACE ASHLEY WITH THEM. 546 00:29:06,788 --> 00:29:08,964 THEN WHEN ASHLEY DIED, I WENT TO HER FUNERAL. 547 00:29:11,053 --> 00:29:14,709 THEY HAD ONE OF THOSE VIDEOS OF HER LIFE, YOU KNOW? 548 00:29:14,753 --> 00:29:15,971 THEY STILL HAVE THE WEB SITE UP 549 00:29:16,015 --> 00:29:18,582 SO NOBODY WOULD FORGET HER. AHEM. 550 00:29:18,626 --> 00:29:20,802 WHO WERE ASHLEY'S BIRTH PARENTS? 551 00:29:20,846 --> 00:29:23,762 THE FATHER'S A SUSPECT IN A SERIES OF MURDERS. 552 00:29:23,805 --> 00:29:25,502 ASHLEY WAS VOLUNTARILY SURRENDERED TO THE HOSPITAL 553 00:29:25,546 --> 00:29:27,504 BY HER MOTHER. 554 00:29:27,548 --> 00:29:29,289 SHE CLAIMED THE FATHER WAS DEAD 555 00:29:29,332 --> 00:29:31,726 AND SPECIFICALLY ASKED THAT ALL DETAILS BE KEPT CONFIDENTIAL. 556 00:29:34,381 --> 00:29:37,471 YOU CAN CHECK WITH THE HOSPITAL, BUT-- 557 00:29:37,514 --> 00:29:41,301 ALL RIGHT. I'M ON IT. 558 00:29:41,344 --> 00:29:43,520 THERE'S ANOTHER THEORY THAT WE'RE PURSUING. 559 00:29:43,564 --> 00:29:45,261 IS THERE ANYONE IN YOUR COMPANY THAT COULD ACCESS 560 00:29:45,305 --> 00:29:47,786 THE ADOPTION RECORDS, SPECIFICALLY THE LIVES 561 00:29:47,829 --> 00:29:49,352 OF THE FAMILIES WHO ADOPT? 562 00:29:49,396 --> 00:29:53,226 WELL, NO, BUT...WHEN YOU CALLED 563 00:29:53,269 --> 00:29:56,707 ABOUT THE CARSONS, I BROUGHT THEIR ADOPTION APPLICATION. 564 00:29:56,751 --> 00:30:00,189 I DON'T KNOW IF IT HELPS, BUT... 565 00:30:00,233 --> 00:30:01,625 WHAT IS THIS? 566 00:30:01,669 --> 00:30:03,366 IT'S CALLED A LOOK BOOK. 567 00:30:03,410 --> 00:30:05,064 IT'S, FOR LACK OF A BETTER WORD, A SALES TOOL 568 00:30:05,107 --> 00:30:07,457 SO PROSPECTIVE PARENTS CAN LOOK APPEALING TO BIRTH MOMS. 569 00:30:07,501 --> 00:30:08,763 THE CARSONS PUT THEIR WHOLE HOUSE ON HERE, 570 00:30:08,807 --> 00:30:10,460 THEIR FRONT YARD, THEIR BACKYARD, 571 00:30:10,504 --> 00:30:12,027 DOORS, WINDOWS, EVERYTHING. 572 00:30:12,071 --> 00:30:13,724 IS THAT IMPORTANT? 573 00:30:13,768 --> 00:30:15,030 THE UNSUB STALKS HIS VICTIMS. 574 00:30:15,074 --> 00:30:17,859 I THINK HE USES THIS AS THE ROADMAP TO DO IT. 575 00:30:17,903 --> 00:30:20,688 OK. SO THE BUTLERS AND THE SHAWS EACH USED 576 00:30:20,731 --> 00:30:22,733 DIFFERENT ADOPTION COMPANIES, 577 00:30:22,777 --> 00:30:24,866 BUT THOSE COMPANIES FREELANCED OUT THE LOOK BOOKS. 578 00:30:24,910 --> 00:30:26,346 YEAH, AND WOULDN'T YOU KNOW IT? 579 00:30:26,389 --> 00:30:28,870 THE SAME INDEPENDENT CONTRACTOR JORDAN HALLORAN 580 00:30:28,914 --> 00:30:30,219 MADE BOTH LOOK BOOKS. 581 00:30:30,263 --> 00:30:32,221 PRENTISS: WE NEED HIS HOME AND WORK ADDRESS. 582 00:30:32,265 --> 00:30:34,093 OH, OH. HOLD UP. HE'S NOT GONNA BE AT EITHER PLACE. 583 00:30:34,136 --> 00:30:35,746 HE'S ON THE MOVE. 584 00:30:35,790 --> 00:30:36,878 JUST GOT A REPORT OF A MURDER AT A CONVENIENCE STORE 585 00:30:36,922 --> 00:30:38,227 OUTSIDE OF CAMPTON. 586 00:30:38,271 --> 00:30:39,402 THE GUNMAN HAS THAT LITTLE GIRL WITH HIM. 587 00:30:39,446 --> 00:30:40,882 REID: THAT'S DEFINITELY NAOMI. 588 00:30:40,926 --> 00:30:42,405 HE CHANGED HER HAIR AND PUT HER IN THE DRESS. 589 00:30:42,449 --> 00:30:43,885 HE'S NOT TRYING TO REHOME HER ANYMORE. 590 00:30:43,929 --> 00:30:45,539 HE'S TRYING TO REMAKE HER INTO ASHLEY. 591 00:30:45,582 --> 00:30:47,933 HIS DEVOLUTION COULD BE A DISSOCIATIVE BREAK. 592 00:30:47,976 --> 00:30:49,238 AND CAMPTON ISN'T NEAR HIM. 593 00:30:49,282 --> 00:30:50,631 WHERE'S HE HEADED? 594 00:30:50,674 --> 00:30:51,719 OK. LET'S GO BACK TO THE BEGINNING 595 00:30:51,762 --> 00:30:53,242 THROUGH HIS POINT OF VIEW. 596 00:30:53,286 --> 00:30:56,289 ASHLEY WAS A SURRENDER AT THE HOSPITAL AGAINST HIS WILL, 597 00:30:56,332 --> 00:30:59,248 SO HE GOT INTO THE ADOPTION SYSTEM. 598 00:30:59,292 --> 00:31:01,294 JAREAU: MADE THE LOOK BOOKS IN ORDER TO HUNT 599 00:31:01,337 --> 00:31:02,556 FOR HIS OWN DAUGHTER. 600 00:31:02,599 --> 00:31:03,774 THE LOOK BOOKS LED HIM TO THE CARSONS, 601 00:31:03,818 --> 00:31:05,341 THE BUTLERS, AND THE SHAWS. 602 00:31:05,385 --> 00:31:06,690 THEY ALL HAD LITTLE GIRLS THAT COULD BE HIS DAUGHTER. 603 00:31:06,734 --> 00:31:08,040 SIMMONS: WHEN ASHLEY DIES, THAT SETS HIM OFF. 604 00:31:08,083 --> 00:31:09,519 HE HAS TO RESCUE THE OTHERS. 605 00:31:09,563 --> 00:31:12,000 THAT PLAN'S NOT WORKING ANYMORE THANKS TO THE MEDIA. 606 00:31:12,044 --> 00:31:15,090 NOW HE SEES NAOMI AS ASHLEY. 607 00:31:15,134 --> 00:31:17,136 HE WANTS HIS DAUGHTER BACK, BUT IT'S MORE THAN THAT. 608 00:31:17,179 --> 00:31:19,442 HE WANTS HIS OLD LIFE BACK, 609 00:31:19,486 --> 00:31:22,445 THE LIFE HE WASN'T ABLE TO LEAD WHEN SHE WAS BORN. 610 00:31:22,489 --> 00:31:25,796 THE WHITE PICKET FENCE, THE LOVING WIFE, THE FAMILY UNIT. 611 00:31:25,840 --> 00:31:27,798 THE BIRTH MOTHER. THAT'S THE MISSING PIECE. 612 00:31:27,842 --> 00:31:29,888 JAREAU: I JUST GOT THAT INFORMATION FROM THE HOSPITAL. 613 00:31:29,931 --> 00:31:31,063 PRENTISS: THAT'S WHERE HE'S HEADING NEXT. 614 00:31:31,106 --> 00:31:32,934 HE'S EITHER GONNA IDEALIZE HER 615 00:31:32,978 --> 00:31:35,545 AND MAKE HER THE MOTHER HE WANTS, OR HE'S GONNA KILL HER. 616 00:31:35,589 --> 00:31:36,938 OK. BECKY HUGHES. SHE'S THE MOM. 617 00:31:36,982 --> 00:31:38,461 OK. WE NEED TO GET TO HER BEFORE HE DOES. 618 00:31:43,989 --> 00:31:46,382 HELLO? 619 00:31:46,426 --> 00:31:48,645 HI, MOMMY. 620 00:31:48,689 --> 00:31:52,954 WHAT 621 00:31:52,998 --> 00:31:55,739 THAT'S WHAT HE TOLD ME TO SAY. 622 00:31:55,783 --> 00:31:59,700 WHO? WHO TOLD YOU TO SAY? 623 00:31:59,743 --> 00:32:01,310 HI, BECKY. 624 00:32:01,354 --> 00:32:03,312 JORDAN? 625 00:32:03,356 --> 00:32:05,836 WHAT ARE YOU-- 626 00:32:05,880 --> 00:32:07,360 WHAT ARE YOU DOING HERE? 627 00:32:07,403 --> 00:32:09,797 WHAT DO YOU MEAN WHAT AM I DOING HERE? 628 00:32:09,840 --> 00:32:11,320 THIS IS OUR HOME NOW. 629 00:32:11,364 --> 00:32:12,974 WHAT?! 630 00:32:13,018 --> 00:32:15,977 YOU, ME, AND ASHLEY. 631 00:32:16,021 --> 00:32:17,979 WE'RE GONNA BE ONE HAPPY FAMILY. 632 00:32:28,990 --> 00:32:30,470 PRENTISS: GO AHEAD, GARCIA. 633 00:32:30,513 --> 00:32:32,037 GARCIA: OK. I HAVE PINGED JORDAN HALLORAN 634 00:32:32,080 --> 00:32:33,690 AND BECKY HUGHES' PHONE, AND THEY ARE ON TOP OF EACH OTHER. 635 00:32:33,734 --> 00:32:35,214 THEY ARE BOTH AT HER HOUSE. 636 00:32:35,257 --> 00:32:36,911 WHAT DO WE KNOW ABOUT THEIR PRIOR COMMUNICATION? 637 00:32:36,955 --> 00:32:38,347 DID THEY STAY IN TOUCH? 638 00:32:38,391 --> 00:32:39,783 GARCIA: NO, NO. SHE CUT OFF COMMUNICATION 639 00:32:39,827 --> 00:32:41,307 8 YEARS AGO FOLLOWING THE VOLUNTARY SURRENDER. 640 00:32:41,350 --> 00:32:43,613 THERE'S BEEN NO CELL, NO SOCIAL MEDIA CONTACT, NONE. 641 00:32:43,657 --> 00:32:46,007 ROSSI: HE'S IN FULL FLIGHT FROM REALITY, BUT SHE'S NOT. 642 00:32:46,051 --> 00:32:48,357 THAT'S NOT GONNA BE GOOD IF SHE DOESN'T PLAY ALONG. 643 00:32:48,401 --> 00:32:49,968 MAYBE WE CAN USE THAT TO OUR ADVANTAGE. 644 00:32:50,011 --> 00:32:52,971 GARCIA, DOES BECKY HUGHES HAVE A SMART TV? 645 00:32:53,014 --> 00:32:54,407 TV? UH, OK. I DON'T KNOW. 646 00:32:54,450 --> 00:32:55,799 I'LL GET BACK TO YOU ON THAT. 647 00:32:55,843 --> 00:32:57,018 ROSSI: WHAT ARE YOU THINKING, EMILY? 648 00:32:57,062 --> 00:32:58,933 HE WANTS ASHLEY BACK. LET'S GIVE HER TO HIM. 649 00:32:58,977 --> 00:33:01,153 I'M GONNA NEED YOU TO STAY ON WITH ME, GARCIA. 650 00:33:02,589 --> 00:33:04,373 NOW YOU SIT HERE. 651 00:33:06,854 --> 00:33:10,336 OK. WHERE'D YOU SAY THE CARDS WERE? 652 00:33:14,079 --> 00:33:16,081 DOES OLD MAID SOUND GOOD? 653 00:33:16,124 --> 00:33:19,345 I LOVE OLD MAID. 654 00:33:19,388 --> 00:33:22,391 HEY. I'VE BEEN WAITING FOR YOU TO BE OLD ENOUGH 655 00:33:22,435 --> 00:33:24,263 TO TEACH YOU THIS, ASHLEY. 656 00:33:24,306 --> 00:33:26,787 JORDAN, THAT'S NOT ASHLEY. 657 00:33:28,615 --> 00:33:32,271 I--I'M SORRY, BUT SHE'S NOT. 658 00:33:32,314 --> 00:33:35,796 WE WEREN'T WORKING, YOU AND ME. 659 00:33:35,839 --> 00:33:38,842 YOU WERE GETTING MEANER. 660 00:33:38,886 --> 00:33:41,454 I KNOW I HURT YOU NOT TELLING YOU ABOUT ASHLEY, 661 00:33:41,497 --> 00:33:43,108 BUT THAT DOESN'T MEAN YOU CAN-- 662 00:33:56,164 --> 00:33:59,080 PARENTS FIGHT. THAT'S WHY KIDS 663 00:33:59,124 --> 00:34:00,821 NEED TO SEE THAT THEY ALSO FORGIVE EACH OTHER. 664 00:34:03,389 --> 00:34:04,738 I FORGIVE YOU. 665 00:34:10,874 --> 00:34:14,052 HERE'S HOW YOU PLAY. 666 00:34:14,095 --> 00:34:16,880 I'M GONNA DEAL THE CARDS OUT. 667 00:34:16,924 --> 00:34:18,926 2, 2, 3. 668 00:34:38,206 --> 00:34:39,903 BECKY: AAH! AAH! 669 00:34:39,947 --> 00:34:41,166 GET DOWN! 670 00:34:44,473 --> 00:34:46,171 SIMMONS: PUT THE GUN DOWN, JORDAN. 671 00:34:46,214 --> 00:34:48,651 JORDAN: NO! NO ONE'S GONNA TAKE MY FAMILY! 672 00:34:48,695 --> 00:34:50,305 PRENTISS: YOU DON'T WANT TO DO THIS, JORDAN. 673 00:34:50,349 --> 00:34:52,612 THIS ISN'T GONNA END THE WAY YOU WANT, I PROMISE. 674 00:34:52,655 --> 00:34:54,918 JUST SHUT UP! CAN YOU PLEASE GET OUT OF HERE? 675 00:34:54,962 --> 00:34:56,181 ROSSI: HEY, JORDAN. 676 00:34:56,224 --> 00:34:58,183 EYES HERE. 677 00:34:58,226 --> 00:34:59,749 LET'S JUST TALK FOR A SECOND. 678 00:34:59,793 --> 00:35:01,273 NO, I'M NOT TALKING ABOUT ANYTHING. 679 00:35:01,316 --> 00:35:04,754 NO ONE'S GONNA TAKE ASHLEY AWAY FROM ME AGAIN. 680 00:35:04,798 --> 00:35:07,714 DO ME A FAVOR, JORDAN. 681 00:35:07,757 --> 00:35:10,804 LOOK AT THE TV. 682 00:35:10,847 --> 00:35:12,719 THIS IS A TRICK. 683 00:35:12,762 --> 00:35:15,113 IT'S NO TRICK. 684 00:35:15,156 --> 00:35:16,201 JUST TAKE A LOOK. 685 00:35:16,244 --> 00:35:17,724 PRENTISS: GO, GARCIA. 686 00:35:20,944 --> 00:35:23,991 [ACOUSTIC GUITAR PLAYING ON TV] 687 00:35:28,430 --> 00:35:29,823 OH, MY GOD. 688 00:35:33,783 --> 00:35:35,350 SHE'S BEAUTIFUL. 689 00:35:38,875 --> 00:35:41,574 LILY KERSHAW: ♪ WE WERE IN THE SUN 690 00:35:41,617 --> 00:35:43,663 ♪ WE WERE ALIVE THEN 691 00:35:43,706 --> 00:35:45,273 ASHLEY. 692 00:35:45,317 --> 00:35:47,536 ♪ THE LAST LIGHT WAS... 693 00:35:47,580 --> 00:35:52,193 LOOK HOW HAPPY ASHLEY WAS, JORDAN. 694 00:35:52,237 --> 00:35:55,065 ♪ HAD I A MONTH THEN? 695 00:35:55,109 --> 00:35:57,372 ♪ WE WERE JUST DREAMING 696 00:35:57,416 --> 00:36:01,507 ROSSI: SHE LIVED A WONDERFUL LIFE, 697 00:36:01,550 --> 00:36:04,901 BUT SHE HAD A HEART DEFECT, 698 00:36:04,945 --> 00:36:11,169 SO NOW YOU HAVE TO LET HER GO. 699 00:36:11,212 --> 00:36:13,997 SHE'S GONE. 700 00:36:14,041 --> 00:36:18,219 SHE'S GONE! OHH! 701 00:36:18,263 --> 00:36:21,309 ASHLEY'S GONE. 702 00:36:21,353 --> 00:36:23,006 I THOUGHT I WAS SAVING HER. 703 00:36:23,050 --> 00:36:24,182 OUTSIDE. OK. 704 00:36:24,225 --> 00:36:26,227 JORDAN! OH, GOD! 705 00:36:26,271 --> 00:36:28,534 I THOUGHT I WAS SAVING ALL OF THEM! 706 00:36:31,232 --> 00:36:32,929 OHH! 707 00:36:32,973 --> 00:36:37,934 KERSHAW: ♪ IT'D ONLY TAKE A FEW MINUTES ♪ 708 00:36:37,978 --> 00:36:40,110 I'M SORRY! 709 00:36:40,154 --> 00:36:43,766 ♪ CAN CHANGE OUR LIVES 710 00:36:43,810 --> 00:36:45,246 OH, GOD! 711 00:36:46,856 --> 00:36:49,076 OH, NO. 712 00:36:49,119 --> 00:36:50,817 WHAT HAVE I DONE? 713 00:36:50,860 --> 00:36:53,994 KERSHAW: ♪ MY MIND 714 00:36:54,037 --> 00:36:56,083 ♪ DO YOU REMEMBER 715 00:36:56,126 --> 00:36:58,825 ♪ ALL THE THINGS 716 00:36:58,868 --> 00:37:02,568 ♪ THAT YOU THOUGHT YOU COULD BE? ♪ 717 00:37:02,611 --> 00:37:04,439 BECKY. 718 00:37:04,483 --> 00:37:06,485 ♪ DO YOU REMEMBER 719 00:37:06,528 --> 00:37:09,270 ♪ HOW YOU USED TO DREAM OF ME? 720 00:37:09,314 --> 00:37:11,054 OK. 721 00:37:11,098 --> 00:37:12,534 COME ON. HERE WE GO. 722 00:37:14,928 --> 00:37:17,539 ♪ HERE WERE ARE NOW 723 00:37:17,583 --> 00:37:19,237 ♪ WE'VE GOT NO TIME 724 00:37:19,280 --> 00:37:22,196 IT CAN'T EVER BE PERFECT, CAN IT? 725 00:37:22,240 --> 00:37:27,984 NO. THAT'S WHY GOOD ENOUGH IS GOOD ENOUGH. 726 00:37:28,028 --> 00:37:31,771 ♪ IN A TWILIGHT SLEEP 727 00:37:31,814 --> 00:37:34,774 ♪ I AM STILL YOUR GIRL 728 00:37:34,817 --> 00:37:38,081 I NEED TO DO SOMETHING BACK AT QUANTICO. 729 00:37:38,125 --> 00:37:44,610 IT--IT--IT MAY NOT QUITE FOLLOW PROTOCOL. 730 00:37:44,653 --> 00:37:48,004 ♪ IN THE DARKEST NIGHT 731 00:37:48,048 --> 00:37:50,833 ♪ ALL WE WITNESSED 732 00:37:50,877 --> 00:37:55,229 ♪ A LAST LIGHT 733 00:38:01,583 --> 00:38:03,542 DO YOU WANT TO KNOW WHAT I THINK? 734 00:38:03,585 --> 00:38:05,326 NOPE. 735 00:38:05,370 --> 00:38:07,720 I THINK WE WRECKED HOUSE ON THIS CASE TOGETHER. 736 00:38:07,763 --> 00:38:11,289 I MEAN, I THINK WE'RE THE DYNAMIC DUO. 737 00:38:11,332 --> 00:38:13,334 COME ON. HIT ME. 738 00:38:13,378 --> 00:38:17,643 OH, PUH-LEASE. WE WILL NEVER BE A "DUO." 739 00:38:17,686 --> 00:38:19,906 UH-UH. 740 00:38:19,949 --> 00:38:22,561 WELL, COME ON. ADMIT IT. I HELPED. 741 00:38:22,604 --> 00:38:24,519 OH! HEH! YOU'D HAVE TO TORTURE ME. 742 00:38:24,563 --> 00:38:26,216 YOU'D HAVE TO FORCE ME TO WEAR BEIGE, 743 00:38:26,260 --> 00:38:29,394 DENY ME OF ALL THINGS UNICORN FOR ME TO EVER ADMIT 744 00:38:29,437 --> 00:38:31,613 THAT YOU HELPED. 745 00:38:32,832 --> 00:38:35,748 EXCUSE ME. 746 00:38:35,791 --> 00:38:36,966 I HELPED. 747 00:38:37,010 --> 00:38:38,490 I HATE HUBRIS. 748 00:38:40,927 --> 00:38:42,363 I NEED YOUR HELP. 749 00:38:48,282 --> 00:38:51,459 OH, YOU DIDN'T HAVE TO COME DOWN TO MEET ME. 750 00:38:51,503 --> 00:38:52,982 YES, I DID. 751 00:39:06,996 --> 00:39:09,434 HEH. 752 00:39:09,477 --> 00:39:12,219 HMM. WHAT ARE YOU DOING? 753 00:39:12,262 --> 00:39:14,264 DO YOU REMEMBER WHAT ELVIS SAID 754 00:39:14,308 --> 00:39:16,049 WHEN HE MARRIED US? 755 00:39:16,092 --> 00:39:17,137 HEH. 756 00:39:17,180 --> 00:39:18,443 HE SAID, UM... 757 00:39:18,486 --> 00:39:19,400 "DO YOU TAKE THIS WOMAN 758 00:39:19,444 --> 00:39:20,532 "IN SICKNESS AND HEALTH 759 00:39:20,575 --> 00:39:21,663 "FOR RICHER OR POORER 760 00:39:21,707 --> 00:39:23,143 AS LONG AS YOU BOTH SHALL LIVE?" 761 00:39:23,186 --> 00:39:24,405 HA HA HA! 762 00:39:24,449 --> 00:39:26,451 AND THEN FOR SOME REASON, YOU STARTED GIGGLING. 763 00:39:26,494 --> 00:39:30,324 YEAH, BECAUSE AFTER YOU SAID, "I DO," HE SAID... 764 00:39:30,368 --> 00:39:32,065 "THANK YOU. THANK YOU VERY MUCH." 765 00:39:32,108 --> 00:39:33,980 HA HA HA! 766 00:39:34,023 --> 00:39:35,938 I LOVE THAT IT WAS FUNNY FOR US THEN. 767 00:39:35,982 --> 00:39:37,549 IT'S FUNNY FOR ME NOW. 768 00:39:40,378 --> 00:39:43,250 BUT I WANT TO HAVE A SECOND CHANCE, 769 00:39:43,293 --> 00:39:46,253 AND THIS TIME, NO BLACKJACK, NO BOOZE, 770 00:39:46,296 --> 00:39:47,515 NO ELVIS. 771 00:39:48,951 --> 00:39:52,346 I WANT TO SAY THOSE VOWS AND MEAN THEM. 772 00:39:52,390 --> 00:39:56,002 IT DOESN'T MATTER WHERE OR HOW 773 00:39:56,045 --> 00:39:59,527 AS LONG AS I CAN SPEND THE REST OF MY LIFE 774 00:39:59,571 --> 00:40:02,356 LIVING THEM WITH YOU. 775 00:40:07,230 --> 00:40:09,972 WILL YOU GIVE ME THAT CHANCE, KRYSTALL? 776 00:40:17,502 --> 00:40:18,981 WILL YOU MARRY ME? 777 00:40:23,508 --> 00:40:26,032 YES. 778 00:40:26,075 --> 00:40:27,599 YES, I'LL MARRY YOU. 779 00:40:35,868 --> 00:40:37,913 ROSSI: SHE SAID YES! 780 00:40:54,626 --> 00:40:57,455 ROSSI, VOICE-OVER: "THE ACHE FOR HOME LIVES IN ALL OF US, 781 00:40:57,498 --> 00:41:00,109 "THE SAFE PLACE WE CAN GO AS WE ARE 782 00:41:00,153 --> 00:41:01,894 AND NOT BE QUESTIONED." 783 00:41:01,937 --> 00:41:03,417 DR. MAYA ANGELOU. 784 00:41:03,461 --> 00:41:06,333 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 785 00:41:06,376 --> 00:41:08,378 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --WWW.NCICAP.ORG--