1 00:00:02,524 --> 00:00:03,699 [DOG BARKING] 2 00:00:03,742 --> 00:00:05,962 [SPRINKLER] 3 00:00:17,887 --> 00:00:19,628 [WHISPERED VOICE] 4 00:00:23,153 --> 00:00:27,766 [INDISTINCT WHISPERS] 5 00:00:37,602 --> 00:00:39,517 [INDISTINCT WHISPER] 6 00:00:44,131 --> 00:00:46,133 [DOOR CLOSES] 7 00:01:25,389 --> 00:01:27,826 [INDISTINCT WHISPER] 8 00:01:34,920 --> 00:01:37,836 [INDISTINCT WHISPER] 9 00:01:52,764 --> 00:01:55,985 [INDISTINCT WHISPER] 10 00:01:58,205 --> 00:01:59,902 REID: SOMETHING WRONG? 11 00:01:59,945 --> 00:02:01,295 OH, IT'’S MY MOM. 12 00:02:01,338 --> 00:02:03,297 A PIPE BURST LAST NIGHT, 13 00:02:03,340 --> 00:02:05,299 AND NOW HER LIVING ROOM IS FLOODED. 14 00:02:05,342 --> 00:02:06,561 UGH. 15 00:02:06,604 --> 00:02:09,172 YEAH. REPAIRS ARE GONNA TAKE 3 WEEKS MINIMUM, 16 00:02:09,216 --> 00:02:11,000 AND SHE HAS ASKED TO STAY WITH ME. 17 00:02:11,043 --> 00:02:13,350 THAT'’S GOOD, RIGHT? I MEAN, OUT OF ALL THE PEOPLE IN HER LIFE, 18 00:02:13,394 --> 00:02:14,482 YOU'’RE THE ONE THAT SHE CHOSE TO-- 19 00:02:14,525 --> 00:02:16,440 YEAH, I WAS HER ONLY OPTION, SPENCE. 20 00:02:16,484 --> 00:02:17,572 AH. 21 00:02:17,615 --> 00:02:20,009 TRUST ME, SHE WOULD MUCH RATHER 22 00:02:20,052 --> 00:02:22,925 RENT SOMETHING ON HER OWN CLOSER TO HOME, 23 00:02:22,968 --> 00:02:25,188 BUT APPARENTLY MONEY'’S A LITTLE TIGHT. 24 00:02:25,232 --> 00:02:27,799 I KNOW OUR RELATIONSHIP HASN'’T ALWAYS BEEN SMOOTH SAILING, 25 00:02:27,843 --> 00:02:31,716 BUT I DON'’T KNOW, MAYBE THIS TIME IT'’LL BE DIFFERENT. 26 00:02:31,760 --> 00:02:33,544 MAYBE IT WILL. 27 00:02:33,588 --> 00:02:34,937 DIDN'’T YOU TELL ME YOUR HOUSE IS HAVING 28 00:02:34,980 --> 00:02:36,243 A TOP-TO-BOTTOM PAINT JOB THIS WEEK? 29 00:02:36,286 --> 00:02:38,027 MM-HMM. AS OF THIS MORNING. 30 00:02:38,070 --> 00:02:39,550 WHAT ARE YOU GONNA DO? 31 00:02:39,594 --> 00:02:42,031 WELL, WILL TOOK THE BOYS TO FLORIDA FOR A COUPLE DAYS. 32 00:02:42,074 --> 00:02:44,164 I JUST RENTED A HOTEL ROOM IN THE CITY. 33 00:02:44,207 --> 00:02:47,254 OOH, I GUESS I BETTER UPGRADE TO THAT JUNIOR SUITE NOW, HUH? 34 00:02:47,297 --> 00:02:48,690 LET ME KNOW IF YOU NEED ANYTHING-- 35 00:02:48,733 --> 00:02:51,083 BOOKS, FOOD, SHOULDER TO CRY ON. 36 00:02:51,127 --> 00:02:52,911 MMM. WHAT WAS THAT LAST ONE? 37 00:02:54,348 --> 00:02:57,177 [CHUCKLES] ALL RIGHT, JUST PLEASE KEEP YOUR PHONE HANDY. 38 00:02:59,744 --> 00:03:01,050 SIMMONS: WHAT DO WE HAVE? 39 00:03:01,093 --> 00:03:02,834 GARCIA: LAST NIGHT 3 10-YEAR-OLD KIDS 40 00:03:02,878 --> 00:03:05,185 WENT MISSING FROM THEIR HOMES IN WESSER, IOWA. 41 00:03:05,228 --> 00:03:07,317 THE PARENTS DIDN'’T NOTICE THEY WERE GONE UNTIL THEY WOKE UP THIS MORNING. 42 00:03:07,361 --> 00:03:09,928 ALVEZ: WELL, ALL OF THE FAMILIES SLEPT THROUGH THE ABDUCTIONS. 43 00:03:09,972 --> 00:03:11,452 THERE MUST NOT HAVE BEEN MUCH OF A STRUGGLE. 44 00:03:11,495 --> 00:03:13,367 NO SIGNS OF FORCED ENTRY, EITHER. 45 00:03:13,410 --> 00:03:14,716 NEIGHBORS DIDN'’T HEAR A SOUND. 46 00:03:14,759 --> 00:03:16,239 LEWIS: LOOK, I'’M NOT MINIMIZING THIS, 47 00:03:16,283 --> 00:03:18,372 BUT IS IT POSSIBLE THIS WASN'’T AN ABDUCTION AT ALL? 48 00:03:18,415 --> 00:03:19,938 I MEAN, GROUP OF 10-YEAR-OLDS, 49 00:03:19,982 --> 00:03:21,418 TIP-TOE EXIT IN THE MIDDLE OF THE NIGHT. 50 00:03:21,462 --> 00:03:22,767 SHE'’S GOT A GOOD POINT. 51 00:03:22,811 --> 00:03:23,942 I MEAN, WHAT IF THE KIDS JUST MADE A BAD DECISION 52 00:03:23,986 --> 00:03:25,292 TO SNEAK OUT ON A BIG ADVENTURE TOGETHER? 53 00:03:25,335 --> 00:03:26,945 PRENTISS: I WAS WONDERING THAT MYSELF, 54 00:03:26,989 --> 00:03:29,209 BUT IT WAS NEARLY FREEZING LAST NIGHT, 55 00:03:29,252 --> 00:03:31,950 AND IT APPEARS ALL THE KIDS LEFT WEARING THEIR PAJAMAS. 56 00:03:31,994 --> 00:03:33,909 NONE OF THEM TOOK ANY CLOTHING OR FOOD. 57 00:03:33,952 --> 00:03:35,215 SIMMONS: MAYBE IT'’S A STRAIGHT-UP KIDNAPPING. 58 00:03:35,258 --> 00:03:36,912 THE RANSOM DEMANDS COULD BE ON THEIR WAY. 59 00:03:36,955 --> 00:03:39,131 PRENTISS: JJ HAS SOME PERSONAL BUSINESS TO ATTEND TO HERE, 60 00:03:39,175 --> 00:03:40,829 BUT SHE WILL BE CONSULTING BY PHONE. 61 00:03:40,872 --> 00:03:42,744 FOR THE REST OF US, WHEELS UP. 62 00:03:50,795 --> 00:03:53,189 OH, NO. 63 00:03:53,233 --> 00:03:55,235 GUYS, GUYS, GUYS. THERE'’S SOMETHING THAT JUST CAME IN. 64 00:03:55,278 --> 00:03:56,584 YOU NEED TO SEE IT. 65 00:03:56,627 --> 00:03:58,499 IT'’S FROM WESSER P.D. IT'’S SURVEILLANCE FOOTAGE 66 00:03:58,542 --> 00:04:00,109 FROM A NEIGHBORHOOD PARK. 67 00:04:03,721 --> 00:04:05,680 ALVEZ: THOSE ARE THE KIDS. 68 00:04:07,464 --> 00:04:09,336 WHAT THE HELL IS GOING ON? 69 00:04:11,947 --> 00:04:13,557 GARCIA, CAN YOU ZOOM IN ON THAT, PLEASE? 70 00:05:15,967 --> 00:05:18,666 ROSSI: "THERE IS ALWAYS ONE MOMENT IN CHILDHOOD 71 00:05:18,709 --> 00:05:22,713 WHEN THE DOOR OPENS AND LETS THE FUTURE IN." 72 00:05:22,757 --> 00:05:24,889 GRAHAM GREENE. 73 00:05:26,326 --> 00:05:27,762 40 YEARS IN LAW ENFORCEMENT, 74 00:05:27,805 --> 00:05:29,590 I'’VE NEVER SEEN AN ABDUCTION LIKE THIS. 75 00:05:29,633 --> 00:05:31,896 THE CHILDREN APPEAR TO BE COMPLICIT. 76 00:05:31,940 --> 00:05:34,203 I MEAN, THEY WENT TO THE UNSUB VOLUNTARILY. 77 00:05:34,246 --> 00:05:36,031 REID: YEAH, BUT WATCH THE LAST CHILD'’S FACE. 78 00:05:36,074 --> 00:05:38,773 IT'’S LIKE HE SENSES SOMETHING WRONG AT THE LAST MOMENT. 79 00:05:38,816 --> 00:05:40,644 THERE'’S STILL NO RANSOM DEMAND. 80 00:05:40,688 --> 00:05:42,211 THAT PLUS THE TAPE, 81 00:05:42,254 --> 00:05:44,126 THIS IS LOOKING LESS AND LESS LIKE A KIDNAPPING. 82 00:05:44,169 --> 00:05:46,650 NORMALLY I'’D THINK THIS WAS A SEX OFFENDER, 83 00:05:46,694 --> 00:05:49,871 BUT PEDOPHILES ALMOST NEVER ABDUCT MORE THAN ONE CHILD AT A TIME. 84 00:05:49,914 --> 00:05:53,048 IF FOR NO OTHER REASON THAN IT'’S HARD TO CONTROL MULTIPLE VICTIMS. 85 00:05:53,091 --> 00:05:54,397 I DON'’T KNOW. THE KIDS ON THE SWING SET 86 00:05:54,441 --> 00:05:56,225 LOOKED PRETTY DAMN CONTROLLED. 87 00:05:56,268 --> 00:05:59,968 MAYBE THEY WERE DRUGGED SOMEHOW EARLIER. 88 00:06:00,011 --> 00:06:01,143 WHAT DO WE KNOW ABOUT THESE KIDS? 89 00:06:01,186 --> 00:06:02,579 SIMMONS: THEY WERE ALL GOOD STUDENTS, 90 00:06:02,623 --> 00:06:05,277 STABLE HOMES, NO BEHAVIORAL ISSUES AT ALL. 91 00:06:05,321 --> 00:06:07,497 PRENTISS: WHEN WE LAND, I'’LL COORDINATE WITH AGENT CHANNING 92 00:06:07,541 --> 00:06:10,413 WHO'’S ALREADY ON THE GROUND WITH HER CHILD ABDUCTION RAPID DEPLOYMENT TEAM. 93 00:06:10,457 --> 00:06:13,155 THE REST OF YOU PAIR UP, GO TO THE CHILDREN'’S HOMES, 94 00:06:13,198 --> 00:06:14,286 TALK TO THEIR PARENTS. 95 00:06:14,330 --> 00:06:15,766 WE NEED TO GET A SENSE OF THESE KIDS. 96 00:06:15,810 --> 00:06:19,117 SOMEONE OR SOMETHING GOT AHOLD OF THEM. 97 00:06:19,161 --> 00:06:21,032 WE NEED TO FIND OUT WHAT. 98 00:06:22,338 --> 00:06:24,340 PRENTISS: OK, CATCH ME UP, AGENT CHANNING. 99 00:06:24,384 --> 00:06:26,255 WE'’VE GOT LOCAL P.D. CANVASSING THE NEIGHBORHOOD 100 00:06:26,298 --> 00:06:27,778 LOOKING FOR HOME SURVEILLANCE CAMERAS. 101 00:06:27,822 --> 00:06:30,520 GOOD. WE'’LL SET UP MONITORS HERE FOR VIEWING. 102 00:06:30,564 --> 00:06:31,608 OUR CARD TEAM HAS HANDLED HUNDREDS 103 00:06:31,652 --> 00:06:33,131 OF CHILD ABDUCTION CASES. 104 00:06:33,175 --> 00:06:34,437 BUT SOMETHING LIKE THIS, 105 00:06:34,481 --> 00:06:36,787 WE'’RE IN UNCHARTED TERRITORY. 106 00:06:38,180 --> 00:06:39,442 HAVE YOU MET THE MAYOR YET? 107 00:06:39,486 --> 00:06:40,965 NO.BUCKLE UP. 108 00:06:44,316 --> 00:06:46,580 ARE YOU THE OTHER FBI PERSON? 109 00:06:46,623 --> 00:06:48,320 SSA PRENTISS. 110 00:06:48,364 --> 00:06:49,626 I UNDERSTAND YOU'’RE THE MAYOR. 111 00:06:49,670 --> 00:06:50,932 ROB TREMAINE. 112 00:06:50,975 --> 00:06:52,629 CAN SOMEONE PLEASE TELL ME WHAT'’S BEING DONE 113 00:06:52,673 --> 00:06:53,804 TO GET TO THE BOTTOM OF THIS? 114 00:06:53,848 --> 00:06:56,416 OUR BAU TEAM IS IN PLACE, MAYOR, 115 00:06:56,459 --> 00:06:57,982 AND WE'’RE VERY GOOD AT WHAT WE DO. 116 00:06:58,026 --> 00:06:59,244 I'’M TALKING ABOUT SPECIFICS. 117 00:06:59,288 --> 00:07:00,811 WHAT SPECIFICALLY ARE YOU DOING? 118 00:07:00,855 --> 00:07:03,640 HONEY, I'’M GOING HOME WITH TIMMY. 119 00:07:03,684 --> 00:07:05,990 TAKE A DEEP BREATH. 120 00:07:08,515 --> 00:07:11,996 LOOK, I'’M SORRY. I DON'’T MEAN TO COME ON STRONG, 121 00:07:12,040 --> 00:07:13,171 BUT A THING LIKE THIS. 122 00:07:13,215 --> 00:07:14,608 I UNDERSTAND. 123 00:07:14,651 --> 00:07:17,480 BUT IT IS IMPORTANT FOR YOU TO PRESENT A CALM 124 00:07:17,524 --> 00:07:19,830 AND CONFIDENT FACE TO YOUR COMMUNITY RIGHT NOW. 125 00:07:19,874 --> 00:07:21,397 WELL, THAT'’S EASIER SAID THAN DONE. 126 00:07:21,441 --> 00:07:23,355 3 KIDS IN ONE NIGHT? 127 00:07:23,399 --> 00:07:26,271 HOW DO WE KNOW THAT THIS MANIAC ISN'’T GOING TO TAKE MORE? 128 00:07:26,315 --> 00:07:28,665 WE DON'’T. 129 00:07:28,709 --> 00:07:31,494 [INDISTINCT POLICE RADIO TRANSMISSIONS] 130 00:07:31,538 --> 00:07:33,714 [SOBS] THIS CAN'’T BE HAPPENING. 131 00:07:33,757 --> 00:07:37,065 IT'’S LIKE A NIGHTMARE AND I CAN'’T WAKE UP. 132 00:07:39,197 --> 00:07:41,896 ROSSI: YOUR SON WAS PLUGGED IN. 133 00:07:41,939 --> 00:07:44,942 JOEY'’S ADDICTED TO HIS SCREENS. 134 00:07:44,986 --> 00:07:47,728 I HAVE KIDS MYSELF. I KNOW WHAT YOU MEAN. 135 00:07:47,771 --> 00:07:50,818 DID YOUR SON MAKE THIS? 136 00:07:50,861 --> 00:07:55,300 YES. HE LOVED DOING PAPIER-MACHE. 137 00:07:55,344 --> 00:07:56,911 IT'’S PRACTICALLY THE ONLY THING 138 00:07:56,954 --> 00:07:59,653 THAT COULD TEAR HIM AWAY FROM HIS ELECTRONICS. 139 00:07:59,696 --> 00:08:04,527 DO YOU THINK THAT THIS IS HOW THIS PERSON GOT JOEY, 140 00:08:04,571 --> 00:08:06,660 LIKE A CHAT ROOM OR SOMETHING? 141 00:08:06,703 --> 00:08:09,706 WE'’LL KNOW MORE ONCE WE HAVE A CHANCE TO LOOK AT HIS COMPUTER. 142 00:08:09,750 --> 00:08:13,362 '’CAUSE WE MONITORED HIS ONLINE ACTIVITY AS BEST WE COULD. 143 00:08:13,405 --> 00:08:16,234 WE PUT IN FILTERS, SAFEGUARDS. 144 00:08:16,278 --> 00:08:17,888 BUT JOEY AND HIS FRIENDS, 145 00:08:17,932 --> 00:08:20,848 THEY KNOW HOW TO GET AROUND ALL OF IT. 146 00:08:20,891 --> 00:08:22,545 [SIGHS] OH, GOD. 147 00:08:22,589 --> 00:08:26,984 THIS CYBER STUFF, IT'’S THEIR WORLD, NOT OURS. 148 00:08:33,034 --> 00:08:36,080 PRENTISS: SO WHY THESE KIDS AND WHY NOW? 149 00:08:36,124 --> 00:08:38,387 THE BEHAVIOR IN THE VIDEO, IT APPEARS AS THOUGH THEY'’RE RESPONDING 150 00:08:38,430 --> 00:08:40,215 TO A POST-HYPNOTIC SUGGESTION. 151 00:08:40,258 --> 00:08:42,739 IF TRUE, THAT'’S AN AWFULLY ELABORATE RUSE. 152 00:08:42,783 --> 00:08:44,219 THE SEEDS FOR THIS ABDUCTION MUST HAVE BEEN 153 00:08:44,262 --> 00:08:45,742 PLANTED A LONG TIME AGO. 154 00:08:45,786 --> 00:08:47,788 BUT THE PARENTS HAVE CONFIRMED THAT THESE KIDS 155 00:08:47,831 --> 00:08:49,224 DIDN'’T REALLY KNOW ONE ANOTHER. 156 00:08:49,267 --> 00:08:50,921 THEY WENT TO DIFFERENT SCHOOLS. 157 00:08:50,965 --> 00:08:52,096 THEY DIDN'’T HANG OUT SOCIALLY. 158 00:08:52,140 --> 00:08:53,228 SO WHERE'’S THE OVERLAP? 159 00:08:53,271 --> 00:08:54,664 MAYBE THERE ISN'’T ANY. 160 00:08:54,708 --> 00:08:56,100 I MEAN, THEY COULD HAVE BEEN SELECTED RANDOMLY ONLINE. 161 00:08:56,144 --> 00:08:57,580 EXCEPT IF THIS IS A FORM OF HYPNOSIS, 162 00:08:57,624 --> 00:08:58,886 THE UNSUB WOULD NEED TO KNOW 163 00:08:58,929 --> 00:09:00,191 THAT THE CHILDREN ARE SUSCEPTIBLE TO SUGGESTION. 164 00:09:00,235 --> 00:09:01,584 [CELL PHONE RINGS] 165 00:09:01,628 --> 00:09:02,846 YOU'’RE ON SPEAKER, GARCIA. 166 00:09:02,890 --> 00:09:03,760 GARCIA, ON TELEPHONE: OK, I'’VE GONE THROUGH 167 00:09:03,804 --> 00:09:05,370 THE REGISTERED SEX OFFENDERS 168 00:09:05,414 --> 00:09:08,025 IN A 50-MILE RADIUS OF WESSER. 169 00:09:08,069 --> 00:09:10,550 AND AT THE CONCLUSION OF THIS PHONE CALL, 170 00:09:10,593 --> 00:09:12,595 I AM GOING TO TAKE 3, MAYBE 4, SHOWERS, 171 00:09:12,639 --> 00:09:13,988 SCRUB MYSELF WITH STEEL WOOL, 172 00:09:14,031 --> 00:09:15,206 DURING WHICH TIME I'’M GONNA TENT THE OFFICE, 173 00:09:15,250 --> 00:09:16,599 FUMIGATE IT, AND WHEN IT CLEARS OUT, 174 00:09:16,643 --> 00:09:17,600 I'’M GONNA FILL IT WITH KITTENS. 175 00:09:17,644 --> 00:09:18,775 YOU FIND ANYTHING? 176 00:09:18,819 --> 00:09:19,994 HIS NAME IS ARTHUR BRODIE. 177 00:09:20,037 --> 00:09:21,299 WHAT ABOUT HIM? 178 00:09:21,343 --> 00:09:23,693 50 YEARS OLD. HE'’S GOT A LONG RAP SHEET 179 00:09:23,737 --> 00:09:24,955 OF SEXUAL DEVIANCY, 180 00:09:24,999 --> 00:09:27,697 INCLUDING BUT NOT LIMITED TO VOYEURISM, 181 00:09:27,741 --> 00:09:30,221 INDECENT EXPOSURE, POSSESSION OF CHILD PORNOGRAPHY, 182 00:09:30,265 --> 00:09:33,485 THE STEALING OF YOUNG WOMEN'’S UNDERGARMENTS. 183 00:09:33,529 --> 00:09:35,487 I'’M DEFINITELY GONNA NEED 4 SHOWERS. 184 00:09:35,531 --> 00:09:37,707 WHY DID BRODIE POP OUT MORE THAN ANY OTHERS? 185 00:09:37,751 --> 00:09:40,275 WELL, THING ONE IS HE WAS RELEASED A MONTH AGO 186 00:09:40,318 --> 00:09:43,234 AFTER SERVING A 12-YEAR SENTENCE FOR STATUTORY RAPE. 187 00:09:43,278 --> 00:09:45,628 THING TWO, HE OWNS A WHITE VAN 188 00:09:45,672 --> 00:09:48,326 THAT IS EERILY LIKE THE ONE FROM THE SURVEILLANCE VIDEO. 189 00:09:48,370 --> 00:09:49,632 REID: DOES BRODIE LIVE IN TOWN? 190 00:09:49,676 --> 00:09:51,242 YES. HE LIVES WITH HIS MOM. 191 00:09:51,286 --> 00:09:55,246 HE WORKS THE GRAVEYARD SHIFT AT AN ASSEMBLY PLANT IN TOWN. 192 00:09:55,290 --> 00:09:57,205 AND IF YOU'’D LIKE ANOTHER POP FOR THIS WEASEL, 193 00:09:57,248 --> 00:09:59,163 LAST NIGHT WHEN THE KIDS WENT MISSING, 194 00:09:59,207 --> 00:10:02,079 GUESS WHICH BRA THIEF CALLED IN SICK TO WORK. 195 00:10:11,872 --> 00:10:13,613 [POUNDING ON DOOR]CHILD: LET ME OUT! 196 00:10:13,656 --> 00:10:16,528 LET ME OUT! PLEASE, LET ME OUT! 197 00:10:18,574 --> 00:10:20,620 LET ME OUT!CHILD 2: LET ME OUT! PLEASE! 198 00:10:20,663 --> 00:10:22,578 [GASPS] 199 00:10:32,109 --> 00:10:34,372 I DON'’T WANT TO DIE. 200 00:10:34,416 --> 00:10:39,116 DON'’T WORRY. WE'’RE GONNA GET OUT OF HERE. 201 00:10:39,160 --> 00:10:41,075 [INDISTINCT CHATTER] 202 00:10:42,337 --> 00:10:44,165 [CAMERA SHUTTER CLICKS] 203 00:10:50,911 --> 00:10:52,216 REID: ARTHUR BRODIE? 204 00:10:52,260 --> 00:10:54,915 FBI. YOUR MOTHER TOLD US WE MIGHT FIND YOU HERE. 205 00:10:54,958 --> 00:10:56,264 WHAT'’S THE PROBLEM? 206 00:10:56,307 --> 00:10:57,569 I'’M MINDING MY OWN BUSINESS. 207 00:10:57,613 --> 00:11:01,225 YOU MINDING YOUR BUSINESS OR THEIRS? 208 00:11:01,269 --> 00:11:05,839 HEH. "ASSEMBLY AND MAINTENANCE OF YOUR CORVELL 350 VACUUM CLEANER." 209 00:11:05,882 --> 00:11:07,101 COME ON, BRODIE. 210 00:11:07,144 --> 00:11:08,232 YOU WANT TO PRETEND YOU'’RE HERE TO READ, 211 00:11:08,276 --> 00:11:09,712 YOU GOT TO DO BETTER THAN THAT. 212 00:11:09,756 --> 00:11:11,366 THAT YOUR WHITE VAN PARKED OVER THERE? 213 00:11:11,409 --> 00:11:13,063 YOU CAN'’T TOUCH IT WITHOUT A WARRANT. 214 00:11:13,107 --> 00:11:14,238 I'’VE GOT MY RIGHTS. 215 00:11:14,282 --> 00:11:16,066 YES, WE CAN. AND NO, YOU DON'’T. 216 00:11:16,110 --> 00:11:17,720 YOU'’RE ON PAROLE. THAT'’S ALL THE WARRANT WE NEED. 217 00:11:17,764 --> 00:11:19,156 THE HELL WITH YOU PEOPLE. 218 00:11:19,200 --> 00:11:21,376 WE'’RE NOT DONE YET. 219 00:11:22,725 --> 00:11:24,640 AHH! 220 00:11:26,686 --> 00:11:28,600 [HANDCUFFS CLICK] 221 00:11:28,644 --> 00:11:30,690 NOW WE'’RE DONE. 222 00:11:32,953 --> 00:11:34,955 JAREAU: ALL RIGHT, MOM, HERE WE ARE. 223 00:11:34,998 --> 00:11:38,045 ALL THESE YEARS, I CAN'’T BELIEVE 224 00:11:38,088 --> 00:11:40,134 THIS IS THE FIRST TIME I'’VE SEEN WHERE YOU WORK. 225 00:11:40,177 --> 00:11:42,353 WOW. HA HA! 226 00:11:42,397 --> 00:11:44,878 YOU'’RE SURE YOU DON'T WANT ME TO TAKE YOU TO THE MALL? 227 00:11:44,921 --> 00:11:46,749 YOU COULD SHOP, WATCH A MOVIE. 228 00:11:46,793 --> 00:11:49,099 NO, RIGHT HERE'’S FINE. 229 00:11:49,143 --> 00:11:51,493 YOU JUST DO WHAT YOU NEED TO DO, AND I WILL SIT HERE, 230 00:11:51,536 --> 00:11:53,321 QUIET AS A MOUSE. 231 00:11:53,364 --> 00:11:54,757 OK. [PHONE BEEPS] 232 00:11:55,976 --> 00:11:57,455 OH. 233 00:11:59,153 --> 00:12:00,763 DON'’T. 234 00:12:00,807 --> 00:12:02,896 OK, UH, HEH! 235 00:12:02,939 --> 00:12:05,289 I'’M SORRY. I WAS JUST-- 236 00:12:05,333 --> 00:12:07,248 DON'’T LOOK IN THE FILES. 237 00:12:07,291 --> 00:12:12,296 IT CAN BE DIFFICULT TO PROCESS...OK? 238 00:12:12,340 --> 00:12:14,255 OK. SORRY. 239 00:12:14,298 --> 00:12:15,952 IT'’S OK. 240 00:12:15,996 --> 00:12:18,868 [SIGHS] 241 00:12:18,912 --> 00:12:21,262 [EXHALES] OK. 242 00:12:21,305 --> 00:12:23,612 YOU KNOW WHAT I THOUGHT MIGHT BE FUN? 243 00:12:23,655 --> 00:12:28,269 THE TWO OF US TAKE A DRIVE OUT TO OCEAN CITY THIS WEEKEND. 244 00:12:28,312 --> 00:12:31,228 I'’M CONSULTING ON AN ACTIVE CASE, MOM, 245 00:12:31,272 --> 00:12:35,145 SO UNTIL WE CLOSE IT, THERE ARE NO WEEKENDS. 246 00:12:35,189 --> 00:12:36,799 I HAVEN'’T BEEN TO OCEAN CITY 247 00:12:36,843 --> 00:12:40,107 SINCE YOU AND ROZ WERE JUST LITTLE THINGS. 248 00:12:40,150 --> 00:12:42,718 THAT'’S WHERE YOUR DAD AND I TOOK YOU GIRLS 249 00:12:42,762 --> 00:12:45,373 TO HAVE LOBSTER FOR THE FIRST TIME, REMEMBER? 250 00:12:45,416 --> 00:12:47,070 NO, NOT REALLY. 251 00:12:48,463 --> 00:12:49,812 YEAH, FUNNIEST THING. 252 00:12:49,856 --> 00:12:51,988 THE LOBSTERS WERE IN A TANK OUT FRONT 253 00:12:52,032 --> 00:12:55,035 SO THE CUSTOMERS COULD PICK THE ONE THEY WANTED, 254 00:12:55,078 --> 00:13:01,084 BUT WHEN THE MAN REACHED IN TO GRAB THE ONE YOU PICKED... 255 00:13:01,128 --> 00:13:02,694 WHAT? 256 00:13:02,738 --> 00:13:05,872 WELL, IT HIT YOU THAT THAT POOR FISH 257 00:13:05,915 --> 00:13:07,612 WAS ABOUT TO GO GET COOKED. 258 00:13:07,656 --> 00:13:11,660 SO YOU TOLD THAT MAN TO PUT IT RIGHT BACK WHERE IT WAS, 259 00:13:11,703 --> 00:13:14,402 AND WE HAD TO ORDER YOU A HOT DOG INSTEAD. 260 00:13:14,445 --> 00:13:17,579 THAT'’S FUNNY, I REALLY--I DON'’T REMEMBER THAT AT ALL. 261 00:13:17,622 --> 00:13:21,539 WELL, I SHOULD HAVE KNOWN YOU WERE GONNA BE AN FBI AGENT. 262 00:13:21,583 --> 00:13:25,108 EVEN BACK THEN, YOU WERE ALL ABOUT SAVING LIVES. 263 00:13:29,069 --> 00:13:31,027 ROSSI: WHAT'’S THAT ABRASION ON HIS FOREHEAD? 264 00:13:31,071 --> 00:13:33,638 PRENTISS: APPARENTLY HE GAVE LEWIS A SHOVE 265 00:13:33,682 --> 00:13:36,076 AND REID WENT A LITTLE CELL BLOCK "D" ON HIM. 266 00:13:36,119 --> 00:13:37,207 NICE. 267 00:13:37,251 --> 00:13:39,209 MR. BRODIE, WHERE WERE YOU LAST NIGHT? 268 00:13:39,253 --> 00:13:40,994 I DON'’T GOT TO SAY A THING. 269 00:13:41,037 --> 00:13:43,039 WELL, ACTUALLY, YOU DO. 270 00:13:43,083 --> 00:13:45,215 THAT'’S ONE OF THE RIGHTS A PERSON GIVES UP 271 00:13:45,259 --> 00:13:47,217 FOR ASSAULTING UNDERAGE GIRLS. 272 00:13:47,261 --> 00:13:50,003 NOBODY GOT ASSAULTED. AND IT WAS A GIRL. 273 00:13:50,046 --> 00:13:52,744 ONE. ME AND BRANDI WERE IN LOVE. 274 00:13:52,788 --> 00:13:54,572 THAT WOULD BE BRANDI NICHOLS, 275 00:13:54,616 --> 00:13:55,704 EIGHTH GRADER. 276 00:13:55,747 --> 00:13:59,142 WHO WAS ALL OF 13 YEARS OLD IN 2004 277 00:13:59,186 --> 00:14:01,579 WHEN YOU FIRST BEGAN HAVING SEX WITH HER. 278 00:14:01,623 --> 00:14:02,798 HEY, IF THAT'’S A CRIME, YOU BETTER GET OUT THERE 279 00:14:02,842 --> 00:14:04,495 AND SLAP THE CUFFS ON SHAKESPEARE, TOO. 280 00:14:04,539 --> 00:14:05,583 EXCUSE ME? 281 00:14:05,627 --> 00:14:06,671 ROMEO AND JULIET. 282 00:14:06,715 --> 00:14:09,457 YOU KNOW HOW OLD SHE WAS? 13. 283 00:14:09,500 --> 00:14:11,415 SO HOW COME WITH HER, IT'’S THIS GREAT ROMANCE, 284 00:14:11,459 --> 00:14:14,070 BUT WHEN IT WAS ME AND BRANDI, I'’M A PERVERT? 285 00:14:14,114 --> 00:14:15,942 NOW, MY SHAKESPEARE'’S A LITTLE RUSTY, 286 00:14:15,985 --> 00:14:18,945 BUT I DON'’T REMEMBER ROMEO BEING A 50-YEAR-OLD DEGENERATE 287 00:14:18,988 --> 00:14:20,903 WHO COLLECTS GIRLS'’ UNDERWEAR. 288 00:14:20,947 --> 00:14:22,818 PRENTISS: YOU DIDN'’T ANSWER MY QUESTION, MR. BRODIE. 289 00:14:22,862 --> 00:14:26,213 WHERE WERE YOU LAST NIGHT BETWEEN THE HOURS OF 9 P.M. AND 4 A.M.? 290 00:14:26,256 --> 00:14:28,955 AT HOME WITH MY MOM. 291 00:14:28,998 --> 00:14:30,782 CALL AND ASK. 292 00:14:30,826 --> 00:14:32,045 NOW, IF YOU'’RE NOT GONNA CHARGE ME 293 00:14:32,088 --> 00:14:33,524 WITH ANYTHING, THEN I'’M-- 294 00:14:33,568 --> 00:14:35,091 OH, WE'’RE DEFINITELY GONNA CHARGE YOU WITH SOMETHING. 295 00:14:35,135 --> 00:14:38,312 PAROLE VIOLATION, ASSAULT ON A FEDERAL AGENT. 296 00:14:38,355 --> 00:14:39,791 THAT SHOULD GET THE BALL ROLLING. 297 00:14:39,835 --> 00:14:41,097 WAIT. 298 00:14:41,141 --> 00:14:43,273 I'’M GOING TO JAIL? 299 00:14:43,317 --> 00:14:44,535 WELL, LOOK AT IT THIS WAY. 300 00:14:44,579 --> 00:14:46,755 SOMEONE ASKS YOU WHEREFORE ART THOU, 301 00:14:46,798 --> 00:14:49,018 YOU KNOW WHAT TO SAY. 302 00:14:50,759 --> 00:14:53,196 OK, SO WE HAVE A CITYWIDE CURFEW IN PLACE TONIGHT. 303 00:14:53,240 --> 00:14:54,719 I HEARD THE GOOD NEWS ABOUT BRODIE. 304 00:14:54,763 --> 00:14:56,286 I'’M SCHEDULING A PRESS CONFERENCE TO ANNOUNCE 305 00:14:56,330 --> 00:14:58,549 THAT WE HAVE OUR PRIMARY SUSPECT IN CUSTODY. 306 00:14:58,593 --> 00:15:00,987 THAT'’S A LITTLE PREMATURE, MAYOR. 307 00:15:01,030 --> 00:15:02,945 WHY? 308 00:15:02,989 --> 00:15:05,469 WELL, BECAUSE PEOPLE ARE GONNA THINK THE DANGER IS PASSED. 309 00:15:05,513 --> 00:15:06,601 IT HASN'’T. 310 00:15:06,644 --> 00:15:07,907 BRODIE'’S STILL A PERSON OF INTEREST, 311 00:15:07,950 --> 00:15:10,474 BUT HIS VAN CAME BACK CLEAN AND HE HAS AN ALIBI. 312 00:15:10,518 --> 00:15:13,303 [SCOFFS] YOU MEAN HIS MOM? 313 00:15:13,347 --> 00:15:15,349 AND THE ONLY REASON THE VAN IS CLEAN 314 00:15:15,392 --> 00:15:17,481 IS BECAUSE HE CLEANED IT. 315 00:15:17,525 --> 00:15:19,919 WE'’LL HOLD A PRESS CONFERENCE WHEN IT'’S APPROPRIATE. 316 00:15:19,962 --> 00:15:21,268 OH, GOOD. 317 00:15:21,311 --> 00:15:22,834 WHEN WOULD THAT BE, 318 00:15:22,878 --> 00:15:26,229 WHEN THE NEXT BATCH OF KIDS GOES MISSING? 319 00:15:26,273 --> 00:15:28,014 UNBELIEVABLE. 320 00:15:29,363 --> 00:15:31,147 HMM. 321 00:15:31,191 --> 00:15:34,585 LOOK, I KNOW HE WANTS TO TIE THIS ALL OFF IN A TIDY BOW, BUT COME ON. 322 00:15:34,629 --> 00:15:36,761 YOU THINK BRODIE'’S OUR GUY? 323 00:15:36,805 --> 00:15:39,155 NO, NO. THE GUY'’S A MORON. 324 00:15:39,199 --> 00:15:41,636 AND MORONS DON'’T GRAB CHILDREN? 325 00:15:41,679 --> 00:15:43,203 YEAH, BUT THIS UNSUB ISN'’T GRABBING. 326 00:15:43,246 --> 00:15:44,769 THE KIDS ARE GOING TO HIM. 327 00:15:44,813 --> 00:15:46,684 FOR AN OFFENDER TO SINK IN THEIR HOOKS THAT DEEP 328 00:15:46,728 --> 00:15:48,991 REQUIRES PATIENCE, PLANNING, AND SMARTS, 329 00:15:49,035 --> 00:15:50,601 NONE OF WHICH IS BRODIE. 330 00:15:50,645 --> 00:15:51,994 AT LEAST THIS TOWN'’S ON HIGH ALERT. 331 00:15:52,038 --> 00:15:53,648 I DOUBT THERE'’S A DOOR IN WESSER, IOWA 332 00:15:53,691 --> 00:15:55,476 THAT HASN'’T BEEN DOUBLE- AND TRIPLE-BOLTED. 333 00:15:55,519 --> 00:15:57,521 LET'’S HOPE THAT'S ENOUGH. 334 00:15:59,741 --> 00:16:02,048 [INDISTINCT WHISPERING] 335 00:16:12,928 --> 00:16:16,105 [INDISTINCT WHISPERING] 336 00:17:36,446 --> 00:17:38,100 THE UNSUB'’S SENDING A MESSAGE-- 337 00:17:38,144 --> 00:17:40,581 "TAKE ALL THE PRECAUTIONS YOU WANT, I CAN STILL GET YOUR KIDS." 338 00:17:40,624 --> 00:17:42,887 KATIE'’S FATHER NOT ONLY DOUBLE-LOCKED THE FRONT DOOR, 339 00:17:42,931 --> 00:17:44,759 HE BARRICADED IT WITH A COUCH. 340 00:17:44,802 --> 00:17:46,282 DID THEIR DAUGHTER KNOW ANY OF THE OTHER MISSING KIDS? 341 00:17:46,326 --> 00:17:47,718 NO, SHE WAS HOMESCHOOLED. 342 00:17:47,762 --> 00:17:49,459 THESE KIDS ARE LINKED SOMEHOW. 343 00:17:49,503 --> 00:17:52,332 WE NEED TO WIDEN OUT, LOOK INTO EXTRACURRICULAR ACTIVITIES-- 344 00:17:52,375 --> 00:17:54,986 SPORTS, SUMMER CAMPS. 345 00:17:55,030 --> 00:17:56,814 THE KIDS ON THE SURVEILLANCE VIDEO, 346 00:17:56,858 --> 00:17:59,513 THEY LOOKED LIKE THEY WERE ON AUTO-PILOT, RIGHT? 347 00:17:59,556 --> 00:18:00,818 MORE LIKE ZOMBIFIED. 348 00:18:00,862 --> 00:18:03,734 BUT KATIE'’S PARENTS PUT UP A BARRICADE. 349 00:18:03,778 --> 00:18:08,043 SO SHE WAS FORCED TO USE IN-THE-MOMENT COGNITIVE SKILLS 350 00:18:08,087 --> 00:18:09,610 TO CIRCUMVENT THE OBSTACLE. 351 00:18:09,653 --> 00:18:12,178 EVALUATE, PROBLEM-SOLVE, IMPROVISE. 352 00:18:12,221 --> 00:18:14,005 NOT YOUR AVERAGE ZOMBIE'’S STRONG SUIT. 353 00:18:14,049 --> 00:18:15,529 MAKING IT EVEN MORE LIKELY THAT THE UNSUB 354 00:18:15,572 --> 00:18:17,792 HAD PREVIOUS PERSONAL INTERACTIONS WITH THE CHILDREN. 355 00:18:17,835 --> 00:18:21,056 THE UNSUB DROPPED A PACKET OFF AT THE LOCAL NEWSPAPER. 356 00:18:21,100 --> 00:18:22,275 IT'’S ON ITS WAY HERE NOW. 357 00:18:24,712 --> 00:18:27,323 [SHIVERING] 358 00:18:27,367 --> 00:18:30,239 I'’M SO COLD. 359 00:18:30,283 --> 00:18:32,589 IT'’LL BE WARMER IF WE SIT CLOSE TOGETHER. 360 00:18:32,633 --> 00:18:34,939 COME ON. 361 00:18:41,903 --> 00:18:43,948 IT WAS FOUND OUTSIDE THE NEWSPAPER OFFICES. 362 00:18:43,992 --> 00:18:45,385 NOBODY SAW WHO LEFT IT. 363 00:18:45,428 --> 00:18:48,649 NAMES OF THE FIRST 3 KIDS. 364 00:18:51,391 --> 00:18:53,175 NAIL CLIPPINGS. 365 00:18:53,219 --> 00:18:56,439 SO WHY SEND PROOF OF LIFE WITH NO RANSOM DEMAND? 366 00:18:56,483 --> 00:18:59,312 THERE WAS A FLASH DRIVE IN THE ENVELOPE, TOO. 367 00:19:01,575 --> 00:19:05,927 MAN, ON TAPE: HOW DOES IT FEEL? 368 00:19:05,970 --> 00:19:08,190 WHAT DID HE SAY? 369 00:19:08,234 --> 00:19:09,931 HOW DOES IT FEEL? 370 00:19:09,974 --> 00:19:14,544 OUR UNSUB USED THE EXPRESSION "HOW DOES IT FEEL?" 371 00:19:14,588 --> 00:19:17,504 THIS INDICATES THAT, WHILE HE ABDUCTED THE KIDS, 372 00:19:17,547 --> 00:19:19,897 OUR UNSUB'’S ANGER IS FOCUSED ON SOMEONE ELSE. 373 00:19:19,941 --> 00:19:22,073 ALVEZ: IT ALSO EXPLAINS WHY THERE APPEARS TO BE 374 00:19:22,117 --> 00:19:23,771 NO DELIBERATE HARM TO THE CHILDREN. 375 00:19:23,814 --> 00:19:26,208 THE KIDS ARE MERELY A MEANS TO AN END. 376 00:19:26,252 --> 00:19:28,297 HE'’S NOT A SEXUAL PREDATOR NOR A KIDNAPPER 377 00:19:28,341 --> 00:19:29,690 IN A TRADITIONAL SENSE. 378 00:19:29,733 --> 00:19:31,996 THIS PERSON IS AN INJUSTICE COLLECTOR, 379 00:19:32,040 --> 00:19:34,390 AND AS SUCH IS MOTIVATED BY REVENGE. 380 00:19:34,434 --> 00:19:36,175 REID: NONE OF THE CHILDREN'’S PARENTS, HOWEVER, 381 00:19:36,218 --> 00:19:39,090 ARE IN PROFESSIONS THAT TYPICALLY EVOKE REVENGE-BASED ANGER-- 382 00:19:39,134 --> 00:19:41,223 DOCTORS, JUDGES, LAWYERS. 383 00:19:41,267 --> 00:19:42,572 ROSSI: WE BELIEVE THE UNSUB IS 384 00:19:42,616 --> 00:19:44,661 IN HIS MID-30s TO MID-40s. 385 00:19:44,705 --> 00:19:47,577 HE'’S THOROUGH, INTELLIGENT, AND CALCULATING. 386 00:19:47,621 --> 00:19:49,927 HE MAY HAVE ALSO SUFFERED THE LOSS OF A CHILD RECENTLY. 387 00:19:49,971 --> 00:19:52,408 THAT COULD BE WHAT'’S TRIGGERED THESE CURRENT ABDUCTIONS. 388 00:19:52,452 --> 00:19:54,454 NOW, WHETHER THIS WAS A LITERAL DEATH, 389 00:19:54,497 --> 00:19:58,327 A PHYSICAL SEPARATION, OR PURELY A SYMBOLIC LOSS ISN'’T CLEAR. 390 00:19:58,371 --> 00:19:59,807 SIMMONS: THE CHILDREN ARE APPARENTLY RESPONDING 391 00:19:59,850 --> 00:20:02,940 TO A FORM OF POST-HYPNOTIC SUGGESTION. 392 00:20:02,984 --> 00:20:04,594 LEWIS: HE'’S ALSO TECHNOLOGICAL SAVVY 393 00:20:04,638 --> 00:20:06,379 AND CAPABLE OF BONDING WITH CHILDREN. 394 00:20:06,422 --> 00:20:08,381 IN FACT, HIS CYBER EXPERTISE MAY BE 395 00:20:08,424 --> 00:20:09,730 HIS ENTREÉE INTO THEIR WORLD. 396 00:20:09,773 --> 00:20:11,122 REID: AND THIS PERSON IS KNOWN TO YOUR CHILDREN, 397 00:20:11,166 --> 00:20:13,168 AND HE MIGHT EVEN BE KNOWN TO YOU. 398 00:20:13,212 --> 00:20:15,779 HE IS A LOCAL AND NOT A TRANSIENT, 399 00:20:15,823 --> 00:20:17,825 WHICH WILL MAKE IDENTIFYING HIM EVEN MORE DIFFICULT. 400 00:20:17,868 --> 00:20:20,131 HYPERVIGILANCE IS KEY. 401 00:20:20,175 --> 00:20:22,960 IT'’S NOT ENOUGH TO LOCK THE DOORS AND THE WINDOWS. 402 00:20:23,004 --> 00:20:25,267 ADULTS CANNOT TAKE THEIR EYES OFF OF CHILDREN, 403 00:20:25,311 --> 00:20:26,399 NOT EVEN FOR A MINUTE. 404 00:20:26,442 --> 00:20:28,575 PRENTISS: EVEN IF YOU THINK YOUR KIDS 405 00:20:28,618 --> 00:20:30,490 ARE SECURE AND PROTECTED, 406 00:20:30,533 --> 00:20:32,753 THIS UNSUB HAS DEMONSTRATED TO US THAT THEY ARE NOT. 407 00:20:32,796 --> 00:20:35,669 THANK YOU. 408 00:20:53,295 --> 00:20:56,298 AHEM. 409 00:20:56,342 --> 00:20:58,126 GOOD. MM-HMM. 410 00:20:58,169 --> 00:20:59,214 MM-HMM. 411 00:20:59,258 --> 00:21:01,782 SO, UM, I GOT A CALL 412 00:21:01,825 --> 00:21:04,175 FROM YOUR INSURANCE ADJUSTOR. 413 00:21:04,219 --> 00:21:05,568 MM-HMM. 414 00:21:05,612 --> 00:21:08,005 HE WAS CALLING TO CONFIRM 415 00:21:08,049 --> 00:21:10,660 THAT YOU HAD DECLINED A BENEFIT. 416 00:21:10,704 --> 00:21:14,316 YOUR POLICY PROVIDES A GENEROUS RENTAL ALLOWANCE 417 00:21:14,360 --> 00:21:16,275 IF YOU'’RE DISPLACED FROM YOUR HOME. 418 00:21:19,495 --> 00:21:20,670 SO NOW YOU KNOW. 419 00:21:20,714 --> 00:21:24,326 MOM, WHY WOULD YOU MAKE UP THAT STORY 420 00:21:24,370 --> 00:21:26,328 THAT YOU HAD NO OTHER OPTIONS? 421 00:21:26,372 --> 00:21:29,244 BECAUSE I WANTED TO SPEND TIME WITH YOU, 422 00:21:29,288 --> 00:21:32,595 AND I WAS AFRAID IF I ASKED, YOU WOULD TELL ME NO. 423 00:21:32,639 --> 00:21:34,075 WHY WOULD I DO THAT? 424 00:21:34,118 --> 00:21:35,511 OH, COME ON, JJ. 425 00:21:35,555 --> 00:21:38,209 YOU ARE PERFECTLY HAPPY UP HERE 426 00:21:38,253 --> 00:21:40,603 WITH YOUR LIFE JUST AS IT IS. 427 00:21:40,647 --> 00:21:42,866 THE SAME WAY YOU ARE PERFECTLY HAPPY 428 00:21:42,910 --> 00:21:46,043 WITH YOUR LIFE IN EAST ALLEGHENY, RIGHT? IT DOES NOT MEAN THAT-- 429 00:21:46,087 --> 00:21:47,697 OH, YOU THINK I'’M HAPPY? 430 00:21:47,741 --> 00:21:48,916 YOU THINK I'’M HAPPY 431 00:21:48,959 --> 00:21:51,701 IN THAT HOUSE ALL ALONE, 432 00:21:51,745 --> 00:21:54,704 YOUR DAD OFF WITH HIS NEW WIFE, 433 00:21:54,748 --> 00:21:57,968 ONE DAUGHTER WHO NEVER SAW 17, 434 00:21:58,012 --> 00:21:59,622 AND THE OTHER... 435 00:22:02,190 --> 00:22:05,498 THE OTHER WHAT, MOM? 436 00:22:05,541 --> 00:22:07,369 THE OTHER WHAT? 437 00:22:07,413 --> 00:22:09,066 WHO LEFT. 438 00:22:09,110 --> 00:22:11,939 WHO WENT AWAY AND STAYED AWAY. 439 00:22:11,982 --> 00:22:13,854 I CAME BACK. 440 00:22:13,897 --> 00:22:15,551 YEAH, AFTER 20 YEARS. 441 00:22:15,595 --> 00:22:18,119 CAN YOU BLAME ME? LOOK, 442 00:22:18,162 --> 00:22:20,817 THE TERRIBLE MEMORIES, WHAT HAPPENED TO ROZ, 443 00:22:20,861 --> 00:22:22,950 THEY'’RE... 444 00:22:22,993 --> 00:22:25,039 IT'’S ALL THERE... 445 00:22:25,082 --> 00:22:27,258 IN THAT PLACE. 446 00:22:27,302 --> 00:22:29,260 WELL, I'’M THERE, TOO, REMEMBER? 447 00:22:32,873 --> 00:22:36,267 LEWIS: WELL, WE'’RE CHECKING EVERY INDUSTRIAL SPACE IN THE AREA. 448 00:22:36,311 --> 00:22:37,921 SO FAR NOTHING. 449 00:22:37,965 --> 00:22:40,141 LOOK AT THIS PHOTO FROM KATIE LINZ'’S BEDROOM. 450 00:22:40,184 --> 00:22:42,404 SHE WAS MAKING SOMETHING OUT OF PAPIER-MACHE, 451 00:22:42,448 --> 00:22:44,885 JUST LIKE JOEY PRYOR. 452 00:22:44,928 --> 00:22:46,408 SCHOOL PROJECT, MAYBE. 453 00:22:46,452 --> 00:22:49,063 NO, NO, KATIE WAS HOMESCHOOLED. 454 00:22:49,106 --> 00:22:50,281 I'’LL HAVE GARCIA LOOK INTO IT. 455 00:22:50,325 --> 00:22:52,327 YEAH. 456 00:22:52,371 --> 00:22:56,113 [INDISTINCT CONVERSATION IN ADJACENT ROOM] 457 00:22:56,157 --> 00:22:57,941 WELL, THE SUN'’S GOING DOWN. 458 00:22:57,985 --> 00:23:01,205 EVERY LAST PATROL OFFICER'’S WALKING THE STREETS. 459 00:23:01,249 --> 00:23:03,773 THIS LITTLE TOWN'’S TURNED INTO A FORTRESS. 460 00:23:03,817 --> 00:23:06,689 THINK THE UNSUB WILL BE DISCOURAGED? 461 00:23:06,733 --> 00:23:08,778 YEAH, ME, NEITHER. 462 00:23:10,911 --> 00:23:13,740 WOMAN: WELL, HOW MUCH LONGER WILL YOU BE? 463 00:23:13,783 --> 00:23:16,917 NO, NO. I'’M JUST MAKING UP A SPARE BED. 464 00:23:16,960 --> 00:23:18,440 TIMMY'’S SLEEPING IN OUR ROOM TONIGHT, 465 00:23:18,484 --> 00:23:20,573 WHETHER HE LIKES IT OR NOT. 466 00:23:20,616 --> 00:23:23,358 MOM, WHY CAN'’T I WATCH TV? 467 00:23:23,402 --> 00:23:26,187 LISTEN, I NEED TO GET STARTED ON DINNER. 468 00:23:26,230 --> 00:23:28,102 LOVE YOU, TOO. 469 00:23:29,843 --> 00:23:31,584 [HANGS UP] 470 00:23:35,849 --> 00:23:37,372 [KNOCK ON DOOR] 471 00:23:37,416 --> 00:23:39,113 SOMEBODY'’S AT THE DOOR. 472 00:23:41,855 --> 00:23:43,422 [KNOCK ON DOOR] 473 00:23:43,465 --> 00:23:45,336 [SIGHS] 474 00:23:49,428 --> 00:23:51,212 [KNOCK ON DOOR] 475 00:24:01,483 --> 00:24:03,529 WHAT ARE YOU DOING HERE? 476 00:24:05,531 --> 00:24:07,663 [POLICE RADIO TRANSMISSIONS] 477 00:24:07,707 --> 00:24:10,013 WHAT'’S GOING ON? 478 00:24:10,057 --> 00:24:12,189 THERE'’S A DISTURBANCE AT THE MAYOR'’S HOUSE. 479 00:24:12,233 --> 00:24:14,496 A NEIGHBOR SAID SHE HEARD A CHILD SCREAM. 480 00:24:14,540 --> 00:24:16,498 [SIZZLING] 481 00:24:40,566 --> 00:24:42,785 REID: CALL AN AMBULANCE. 482 00:24:48,356 --> 00:24:50,053 IT'’S OK. HELP IS ON THE WAY. 483 00:24:54,101 --> 00:24:57,234 ROSSI: AMBULANCE IS ALMOST HERE. 484 00:24:57,278 --> 00:24:59,933 IT'’S TOO LATE. 485 00:24:59,976 --> 00:25:01,587 SHE'’S ALREADY DEAD. 486 00:25:10,160 --> 00:25:12,075 [FIRE AND RESCUE RADIO TRANSMISSIONS] 487 00:25:17,820 --> 00:25:19,692 SIMMONS: WHAT THE HELL HAPPENED HERE? 488 00:25:19,735 --> 00:25:22,956 MRS. TREMAINE'’S SKULL WAS CRUSHED, AND THE BOY'’S MISSING. 489 00:25:22,999 --> 00:25:24,348 THAT'’S A BIG CHANGE IN M.O., 490 00:25:24,392 --> 00:25:26,568 BUT THIS HAD TO HAVE BEEN OUR UNSUB. 491 00:25:26,612 --> 00:25:28,396 JUDGING BY THE VOLUME OF BLOOD, 492 00:25:28,439 --> 00:25:30,485 SHE WAS MOST LIKELY ATTACKED HERE AND LEFT FOR DEAD. 493 00:25:30,529 --> 00:25:32,574 BUT I THOUGHT MRS. TREMAINE 494 00:25:32,618 --> 00:25:34,141 WAS IN THE KITCHEN FIXING DINNER. 495 00:25:34,184 --> 00:25:36,709 THAT WAS AFTER THE ATTACK. 496 00:25:36,752 --> 00:25:38,754 COME AGAIN. 497 00:25:38,798 --> 00:25:40,756 HER NEOCORTEX WAS DESTROYED, 498 00:25:40,800 --> 00:25:43,367 BUT HER PALEOCORTEX MUST HAVE REMAINED INTACT. 499 00:25:43,411 --> 00:25:45,108 IT'’S THE MORE PRIMITIVE PART OF THE BRAIN 500 00:25:45,152 --> 00:25:47,241 THAT GUIDES INSTINCT AND HABITUAL ACTION. 501 00:25:47,284 --> 00:25:51,071 ROSSI: LIKE WHEN IT'’S DINNERTIME, YOU GO FIX DINNER. 502 00:25:51,114 --> 00:25:55,423 OK. WELL, THAT'’S A SHARP ESCALATION OF VIOLENCE. 503 00:25:55,466 --> 00:25:59,079 AND THE UNSUB DIDN'’T TRY TO LURE TIMMY OUT LIKE HE DID THE OTHERS. 504 00:25:59,122 --> 00:26:00,428 OR HE TRIED AND FAILED. 505 00:26:00,471 --> 00:26:01,603 MAN: MAYOR, YOU CAN'’T GO IN-- 506 00:26:01,647 --> 00:26:03,953 MAYOR: IT'’S MY HOUSE. LET ME IN. 507 00:26:03,997 --> 00:26:05,651 THEY SAID, UH... 508 00:26:07,348 --> 00:26:09,002 [LABORED BREATHING] 509 00:26:15,356 --> 00:26:16,966 JOAN IS DEAD. 510 00:26:17,010 --> 00:26:18,272 MAYOR-- 511 00:26:20,013 --> 00:26:21,754 WHERE'’S MY BOY? 512 00:26:28,543 --> 00:26:29,936 HE'’S GONE, ISN'T HE? 513 00:26:29,979 --> 00:26:32,460 WE'’RE GONNA FIND YOUR SON. 514 00:26:32,503 --> 00:26:33,940 YOU HAVE MY WORD ON THAT. 515 00:26:33,983 --> 00:26:36,856 MAYOR TREMAINE, I KNOW IT'’S DIFFICULT 516 00:26:36,899 --> 00:26:38,379 TO THINK CLEARLY RIGHT NOW, 517 00:26:38,422 --> 00:26:40,860 BUT IT'’S INCREDIBLY IMPORTANT THAT WE KNOW 518 00:26:40,903 --> 00:26:42,862 IF TIMMY HAD A CELL PHONE OR A COMPUTER. 519 00:26:42,905 --> 00:26:44,690 YEAH. 520 00:26:46,300 --> 00:26:48,389 IT'’S UPSTAIRS IN MY OFFICE. 521 00:26:48,432 --> 00:26:49,608 IT'’S IN YOUR OFFICE? 522 00:26:49,651 --> 00:26:50,826 MAYOR: TIMMY DIDN'’T DO HIS CHORES, 523 00:26:50,870 --> 00:26:54,047 SO WE TOOK IT AWAY FOR A FEW DAYS. 524 00:26:54,090 --> 00:26:55,265 SIMMONS: OK. 525 00:26:55,309 --> 00:26:56,876 LET'’S GET YOU OUT OF HERE. 526 00:26:56,919 --> 00:26:59,400 OK? COME ON. 527 00:27:03,839 --> 00:27:05,624 WELL, THAT EXPLAINS IT. 528 00:27:05,667 --> 00:27:07,147 THE KIDS ARE BEING LURED VIA THE INTERNET, 529 00:27:07,190 --> 00:27:08,714 BUT TIMMY WAS OFFLINE. 530 00:27:08,757 --> 00:27:13,370 SO THE UNSUB GOT AN AX AND WENT BACK TO BASICS. 531 00:27:13,414 --> 00:27:16,417 SO THE WIFE AND THE SON OF THE MAYOR. 532 00:27:16,460 --> 00:27:17,897 THAT CAN'’T BE A COINCIDENCE. 533 00:27:17,940 --> 00:27:19,855 YEAH, AND THE PACKET WAS SENT TO THE TOWN NEWSPAPER. 534 00:27:19,899 --> 00:27:21,248 I MEAN, THIS UNSUB'’S ANGER ISN'’T DIRECTED 535 00:27:21,291 --> 00:27:23,032 [CELL PHONE RINGS]AT ANY SPECIFIC PARENTS. 536 00:27:23,076 --> 00:27:25,208 HE'’S GOT A GRUDGE AGAINST THE TOWN AS A WHOLE. 537 00:27:25,252 --> 00:27:27,210 GARCIA, WHAT HAVE YOU GOT? 538 00:27:27,254 --> 00:27:29,865 IT TURNS OUT THAT JOEY PRYOR AND KATIE LINZ 539 00:27:29,909 --> 00:27:32,259 TOOK A PAPIER-MACHE CLASS TOGETHER AS PART 540 00:27:32,302 --> 00:27:33,782 OF THIS SUMMER ACTIVITIES PROGRAM 541 00:27:33,826 --> 00:27:35,784 LOCATED AT THE COUNTY FAIRGROUNDS. 542 00:27:35,828 --> 00:27:37,656 NOW, I KNOW WHAT YOU'’RE THINKING, AND BEFORE YOU ASK-- 543 00:27:37,699 --> 00:27:40,223 I'’M SORRY--THE INSTRUCTOR WAS A RETIRED NURSE 544 00:27:40,267 --> 00:27:41,747 IN HER SEVENTIES. 545 00:27:41,790 --> 00:27:43,226 THAT'’S ABOUT AS UN-UNSUBBY AS THEY COME. 546 00:27:43,270 --> 00:27:45,011 WERE THE OTHER KIDS ENROLLED? 547 00:27:45,054 --> 00:27:46,577 GARCIA: NOT IN THAT CLASS, 548 00:27:46,621 --> 00:27:48,057 BUT IN THAT ACTIVITIES PROGRAM, YES. 549 00:27:48,101 --> 00:27:50,973 LET'’S SEE. AIDEN LYSON WAS TAKING A WOODWORKING COURSE. 550 00:27:51,017 --> 00:27:53,628 OLIVIA WOOLSEY WENT THE 4-H ROUTE, LEARNING ABOUT CHICKENS. 551 00:27:53,672 --> 00:27:55,412 OK, SO THE UNSUB CHERRY PICKED THE KIDS 552 00:27:55,456 --> 00:27:56,849 FROM THE OTHER CLASSES. 553 00:27:56,892 --> 00:27:58,851 I THINK WE JUST FOUND OUR GUY'’S HUNTING GROUNDS. 554 00:27:58,894 --> 00:28:00,374 GARCIA: BUT I'’VE GONE THROUGH ALL THE INSTRUCTORS, 555 00:28:00,417 --> 00:28:02,289 AND NOBODY MATCHES THE UNSUB'’S PROFILE. 556 00:28:02,332 --> 00:28:05,422 OK, WHAT ABOUT PARENTS OR FAIRGROUND EMPLOYEES? 557 00:28:05,466 --> 00:28:06,815 NO, NOBODY. AND THE THING IS, 558 00:28:06,859 --> 00:28:08,295 THAT PLACE IS OPEN TO THE PUBLIC. 559 00:28:08,338 --> 00:28:09,731 TONS OF PEOPLE GO IN AND OUT, 560 00:28:09,775 --> 00:28:12,168 IT COULD BE PRACTICALLY ANYBODY IN TOWN. 561 00:28:15,258 --> 00:28:18,566 WE FOUND THESE ENCRYPTED EMAILS IN TIMMY'’S INBOX. 562 00:28:18,609 --> 00:28:20,133 THE DATE OF THE FIRST ONE 563 00:28:20,176 --> 00:28:22,004 IS THE NIGHT THE 3 CHILDREN VANISHED. 564 00:28:22,048 --> 00:28:27,009 SO TIMMY WAS MEANT TO BE PART OF THE FIRST GROUP OF ABDUCTIONS. 565 00:28:27,053 --> 00:28:28,619 [TAPPING] 566 00:28:28,663 --> 00:28:30,491 [INDISTINCT VOICES ON COMPUTER] 567 00:28:36,497 --> 00:28:37,846 THIS IS AN ASMR VIDEO-- 568 00:28:37,890 --> 00:28:39,848 AUTONOMOUS SENSORY MERIDIAN RESPONSE. 569 00:28:39,892 --> 00:28:41,632 IT'’S A TACTILE SENSORY STIMULATION THAT CAN 570 00:28:41,676 --> 00:28:44,287 EVOKE LOW-GRADE EUPHORIA, PARTICULARLY IN CHILDREN AND YOUNG ADULTS. 571 00:28:44,331 --> 00:28:45,854 I'’VE NEVER HEARD OF IT. 572 00:28:45,898 --> 00:28:48,030 EUPHORIA. SO THAT MUST BE THE DRUG 573 00:28:48,074 --> 00:28:50,206 THAT OUR UNSUB WAS USING TO INDUCE 574 00:28:50,250 --> 00:28:52,513 A SUGGESTIBLE STATE TO THE KIDS HE ABDUCTED. 575 00:28:54,341 --> 00:28:56,256 [BEEP] 576 00:28:56,299 --> 00:28:57,605 UH, WHAT JUST HAPPENED? 577 00:28:57,648 --> 00:28:59,215 I WAS AFRAID OF THIS. 578 00:28:59,259 --> 00:29:01,652 THE EMAILS ARE PROGRAMMED TO SELF-DELETE AFTER BEING VIEWED. 579 00:29:01,696 --> 00:29:02,958 THAT'’S WHY WE DIDN'T FIND ANYTHING ON THE OTHER COMPUTERS. 580 00:29:03,002 --> 00:29:06,222 OK, HE SENT 4 MORE IDENTICAL EMAILS, 581 00:29:06,266 --> 00:29:08,485 SO WE'’LL JUST FILM THE NEXT VIDEO 582 00:29:08,529 --> 00:29:09,878 AND HAVE A RECORD OF IT. 583 00:29:09,922 --> 00:29:11,488 TO DO THIS, THE TECHNICAL LEVEL OF EXPERTISE 584 00:29:11,532 --> 00:29:12,838 WOULD HAVE TO BE OFF THE CHARTS. 585 00:29:12,881 --> 00:29:14,491 I'’M TALKING PENELOPE GARCIA LEVEL. 586 00:29:14,535 --> 00:29:16,145 CHANNING: WELL, THAT NARROWS THE SUSPECT POOL. 587 00:29:16,189 --> 00:29:17,407 THAT'’S GOOD, RIGHT? 588 00:29:17,451 --> 00:29:18,757 PRENTISS: YEAH, BUT IT ALSO MEANS OUR UNSUB IS 589 00:29:18,800 --> 00:29:20,323 A LOT MORE FORMIDABLE THAN WE THOUGHT, 590 00:29:20,367 --> 00:29:23,457 AND THAT'’S BAD. 591 00:29:23,500 --> 00:29:25,328 [TAPPING ON VIDEO] 592 00:29:27,026 --> 00:29:28,679 [CHILDREN SHUDDERING] 593 00:29:45,218 --> 00:29:47,960 [TAPPING ON VIDEO] 594 00:29:49,918 --> 00:29:52,355 EUPHORIA AIN'’T WHAT IT USED TO BE. 595 00:29:52,399 --> 00:29:55,489 [SIGHS] OK. WELL, LET'’S WALK THROUGH IT. 596 00:29:55,532 --> 00:29:58,187 THE KIDS CRAWL INTO BED, THEY GO TO SLEEP. 597 00:29:58,231 --> 00:30:00,189 PING, THEY GET AN EMAIL. 598 00:30:00,233 --> 00:30:02,191 THEY OPEN IT, WATCH THE VIDEO, 599 00:30:02,235 --> 00:30:04,715 GO WANDERING OUT INTO THE NIGHT TO BE TAKEN BY A STRANGER. 600 00:30:04,759 --> 00:30:06,195 THAT FEELS LIKE A STRETCH. 601 00:30:06,239 --> 00:30:08,197 PRENTISS: YEAH, I AGREE. SANDPAPER, WHISPERING. 602 00:30:08,241 --> 00:30:09,982 IT'’S JUST NOT ENOUGH TO INDUCE THE BEHAVIOR 603 00:30:10,025 --> 00:30:11,505 WE SAW ON THAT SURVEILLANCE TAPE. 604 00:30:11,548 --> 00:30:14,551 SO SOMETHING MUST BE ADDED TO THE MIX-- 605 00:30:14,595 --> 00:30:16,553 SUBLIMINAL MESSAGING, MAYBE. 606 00:30:16,597 --> 00:30:18,686 YOU MEAN, THE OLD "EAT POPCORN" THING, 607 00:30:18,729 --> 00:30:20,383 BECAUSE THAT TURNED OUT TO BE A HOAX. 608 00:30:20,427 --> 00:30:22,211 PRENTISS: WELL, THEY WEREN'’T ALL HOAXES. 609 00:30:22,255 --> 00:30:25,214 IT'’S A SERIOUS ENOUGH PHENOMENON THAT SUBLIMINAL ADVERTISING'’S 610 00:30:25,258 --> 00:30:26,737 BEEN BANNED IN THE U.K. 611 00:30:26,781 --> 00:30:28,870 ALVEZ: THAT MIGHT EXPLAIN THE PAPIER-MACHE. 612 00:30:28,914 --> 00:30:30,306 IT'’S A TACTILE, IMMERSIVE ACTIVITY 613 00:30:30,350 --> 00:30:31,655 [CELL PHONE RINGS] 614 00:30:31,699 --> 00:30:32,874 LIKE FINGER-PAINTING OR WORKING A POTTER'’S WHEEL. 615 00:30:32,918 --> 00:30:34,745 GIVE US SOMETHING GOOD, GARCIA. 616 00:30:34,789 --> 00:30:37,792 OK, I WENT THROUGH THE ASMR VIDEO 617 00:30:37,836 --> 00:30:40,577 FOR SUB-VISUAL CLUES. NADA. 618 00:30:40,621 --> 00:30:43,406 THEN I LOOKED FOR SUB-AUDIO CLUES, 619 00:30:43,450 --> 00:30:44,973 AND I FOUND THIS RUNNING THROUGHOUT. 620 00:30:45,017 --> 00:30:48,542 [SQUEAKING ON VIDEO] 621 00:30:48,585 --> 00:30:52,154 THAT'’S LIKE THE BACK AND FORTH OF A PLAYGROUND SWING. 622 00:30:52,198 --> 00:30:54,461 ALVEZ: IT MIGHT BE THE UNSUB'’S SUBLIMINAL MESSAGE 623 00:30:54,504 --> 00:30:56,245 TO THE KIDS ON WHERE TO GO. 624 00:30:56,289 --> 00:30:57,464 GARCIA: AND AT NO ADDITIONAL COST 625 00:30:57,507 --> 00:30:59,031 TO THE AMERICAN TAXPAYER, 626 00:30:59,074 --> 00:31:00,728 I SCANNED FOR BACK MASKING, 627 00:31:00,771 --> 00:31:02,904 WHICH IS MESSAGES PLAYED BACKWARDS 628 00:31:02,948 --> 00:31:05,037 OR UNDER OTHER AUDIO TRACKS, YOU KNOW LIKE, 629 00:31:05,080 --> 00:31:06,299 "I BURIED PAUL." 630 00:31:06,342 --> 00:31:08,649 [IMITATES LIVERPOOL ACCENT] AND I FOUND THIS. 631 00:31:08,692 --> 00:31:12,914 MAN: HAMELIN. HAMELIN. 632 00:31:12,958 --> 00:31:15,090 HAMELIN. 633 00:31:15,134 --> 00:31:18,485 IS THAT HAMELIN? 634 00:31:18,528 --> 00:31:20,052 OF "PIED PIPER" FAME. 635 00:31:20,095 --> 00:31:22,663 HE PLAYED A FLUTE AND LURED THE TOWN'’S CHILDREN 636 00:31:22,706 --> 00:31:24,317 FROM THEIR HOMES. 637 00:31:24,360 --> 00:31:27,233 THE UNSUB MUST SEE HIMSELF AS A 21st-CENTURY VERSION OF THAT, 638 00:31:27,276 --> 00:31:29,757 EXCEPT HE TRADED IN THE FLUTE FOR A LAPTOP. 639 00:31:29,800 --> 00:31:31,019 GARCIA: GUYS, I THINK I BLOCKED IT OUT 640 00:31:31,063 --> 00:31:32,760 AND I'’M NOT SURE I WANT TO UNBLOCK IT BACK IN, 641 00:31:32,803 --> 00:31:34,936 BUT WHAT EVENTUALLY HAPPENED TO THE KIDS FROM HAMELIN? 642 00:31:34,980 --> 00:31:37,983 THEY WERE ALL LED TO A RIVERBANK AND DROWNED. 643 00:31:44,424 --> 00:31:46,948 LEWIS: HE HAD THESE KIDS RIGHT WHERE HE WANTED THEM. 644 00:31:46,992 --> 00:31:49,646 ASMR, SUSCEPTIBILITY TO TACTILE STIMULATION, 645 00:31:49,690 --> 00:31:50,952 SUBLIMINAL MESSAGING, 646 00:31:50,996 --> 00:31:52,693 PLUS, THEY'’RE AT THE MOST VULNERABLE AGE 647 00:31:52,736 --> 00:31:54,303 FOR PSYCHOLOGICAL MANIPULATION. 648 00:31:54,347 --> 00:31:55,914 A PERFECT STORM. WHAT HAVE YOU GOT? 649 00:31:55,957 --> 00:31:58,220 EMPLOYMENT RECORDS FOR THE SUMMER ACTIVITIES PROGRAM. 650 00:31:58,264 --> 00:32:00,527 THE FIRST SET OF PAYROLL CHECKS WERE ISSUED ON JUNE 15th, 651 00:32:00,570 --> 00:32:02,007 EXCEPT FOR ONE. 652 00:32:02,050 --> 00:32:04,487 THE COMPUTER TEACHER DIDN'’T GET HERS UNTIL JULY 8th. 653 00:32:04,531 --> 00:32:06,750 I LOOKED BACK, DISCOVERED THAT THE ORIGINAL TEACHER, 654 00:32:06,794 --> 00:32:09,188 WAYNE HOLLIS, WAS FIRED AFTER ONLY 3 WEEKS ON THE JOB 655 00:32:09,231 --> 00:32:11,190 FOR SUSPECTED INAPPROPRIATE BEHAVIOR WITH THE STUDENTS. 656 00:32:11,233 --> 00:32:14,323 LEWIS: I THINK THAT THUD WE JUST HEARD IS A DART HITTING A BULL'’S-EYE. 657 00:32:14,367 --> 00:32:16,151 WHAT KIND OF INAPPROPRIATE BEHAVIOR? 658 00:32:16,195 --> 00:32:18,545 REID: UNDETERMINED AND MAYBE NONEXISTENT. 659 00:32:18,588 --> 00:32:21,504 APPARENTLY, HE WOULD MEET WITH CHILDREN AFTER SCHOOL 660 00:32:21,548 --> 00:32:23,680 TO TEACH THEM THINGS, SOMETIMES AT THE PARK OR IN THE MALL. 661 00:32:23,724 --> 00:32:26,031 ANYWAY, THE PARENTS FOUND OUT, THEY STARTED TALKING, 662 00:32:26,074 --> 00:32:27,946 THINGS SNOWBALLED, AND PEOPLE WONDERED 663 00:32:27,989 --> 00:32:29,295 IF HE WAS MOLESTING THEM. 664 00:32:29,338 --> 00:32:31,166 SO ONCE THE GOSSIP MACHINE REVVED UP, 665 00:32:31,210 --> 00:32:32,689 IT DIDN'’T SLOW DOWN. 666 00:32:32,733 --> 00:32:33,995 I BET YOU THE PARENTS OF SOME OF THESE ABDUCTED CHILDREN 667 00:32:34,039 --> 00:32:35,518 WERE RIGHT IN THE MIDDLE, STIRRING THE POT. 668 00:32:35,562 --> 00:32:36,867 DOES HOLLIS HAVE A REGULAR JOB? 669 00:32:36,911 --> 00:32:38,260 HE DOES. HE'’S A RESEARCH CONSULTANT 670 00:32:38,304 --> 00:32:39,522 AT A HI-TECH FIRM IN DES MOINES. 671 00:32:39,566 --> 00:32:40,654 HE'’S ALSO A SINGLE FATHER 672 00:32:40,697 --> 00:32:41,916 TO A 15-YEAR-OLD SON NAMED GARRETT. 673 00:32:41,960 --> 00:32:43,135 GARCIA HAS THE ADDRESS. 674 00:32:43,178 --> 00:32:44,179 I'’LL SEND LUKE AND DAVE. 675 00:32:44,223 --> 00:32:45,920 [SWING SET SQUEAKING] 676 00:33:07,463 --> 00:33:09,770 HOLLIS'’ UTILITY BILL HASN'’T BEEN PAID IN TWO MONTHS, 677 00:33:09,813 --> 00:33:12,120 AND THE TEENAGER, GARRETT, HASN'’T BEEN TO CLASS IN 3 WEEKS. 678 00:33:12,164 --> 00:33:14,296 FATHER AND SON JUST PACKED UP AND LEFT? 679 00:33:14,340 --> 00:33:15,819 MAYBE. GARRETT WAS RIDICULED AT SCHOOL 680 00:33:15,863 --> 00:33:17,865 FOR THE MOLESTATION RUMORS SURROUNDING HIS FATHER. 681 00:33:17,908 --> 00:33:19,649 THE ADVISOR SAID HE WAS WORRIED ABOUT THE KID 682 00:33:19,693 --> 00:33:22,087 THAT HE WAS SPIRALING DOWN. 683 00:33:26,961 --> 00:33:30,399 OHH, WHAT A CUTE BABY. 684 00:33:30,443 --> 00:33:32,053 THANK YOU. 685 00:33:32,097 --> 00:33:35,404 HOW OLD IS HE? OR IS IT A SHE? 686 00:33:35,448 --> 00:33:38,103 HE'’S A LITTLE BOY, AND HE'’S ALMOST 8 MONTHS OLD. 687 00:33:38,146 --> 00:33:42,716 IT'’S HARD TO BELIEVE THAT PEOPLE WERE EVER SO INNOCENT, 688 00:33:42,759 --> 00:33:44,500 SO PURE 689 00:33:44,544 --> 00:33:47,329 AND UNTAINTED. 690 00:33:48,983 --> 00:33:50,985 WHY DO YOU HURT HIM? 691 00:33:51,029 --> 00:33:51,986 PARDON ME? 692 00:33:52,030 --> 00:33:53,509 WHY HURT YOUR BOY? 693 00:33:53,553 --> 00:33:55,250 WHY DO SUCH TERRIBLE, 694 00:33:55,294 --> 00:33:59,124 UNTHINKABLE THINGS TO HIM? 695 00:33:59,167 --> 00:34:01,430 BECAUSE THAT'’S WHAT I HEARD 696 00:34:01,474 --> 00:34:05,695 FROM YOUR NEIGHBORS, YOUR FRIENDS, 697 00:34:05,739 --> 00:34:08,176 THE PEOPLE YOU THOUGHT YOU COULD TRUST, 698 00:34:08,220 --> 00:34:12,180 THE SAME WAY ALL OF YOU TALKED ABOUT ME. 699 00:34:12,224 --> 00:34:13,616 LEAVE ME ALONE. 700 00:34:13,660 --> 00:34:14,922 [WOMAN SCREAMS] 701 00:34:14,965 --> 00:34:16,097 STAY PUT. 702 00:34:16,141 --> 00:34:18,012 DO NOT MOVE. STOP! 703 00:34:18,056 --> 00:34:19,448 [CRYING] 704 00:34:19,492 --> 00:34:20,971 HOLLIS: ANY OF YOU MOVE, I KILL HER. 705 00:34:21,015 --> 00:34:22,277 PLEASE DON'’T HURT ME! 706 00:34:22,321 --> 00:34:23,278 HOLLIS: DO NOT MOVE A STEP! 707 00:34:23,322 --> 00:34:24,845 SO THE HOLLIS HOUSE WAS EMPTY? 708 00:34:24,888 --> 00:34:27,021 YEAH, EXCEPT FOR A CHAIR THAT WAS KNOCKED OVER 709 00:34:27,065 --> 00:34:28,414 IN THE MIDDLE OF THE LIVING ROOM. 710 00:34:28,457 --> 00:34:29,806 LIKE THERE'’D BEEN A STRUGGLE? 711 00:34:29,850 --> 00:34:31,199 THAT'’S WHAT WE THOUGHT, 712 00:34:31,243 --> 00:34:33,332 AND THEN LOOKED UP AT THE CEILING. 713 00:34:33,375 --> 00:34:36,074 IT WAS HUNG OVER A ROOF BEAM. 714 00:34:36,117 --> 00:34:38,467 MATT SAID THAT HOLLIS'’ SON GARRETT HAD BEEN TEASED 715 00:34:38,511 --> 00:34:41,731 AND TORMENTED IN SCHOOL OVER RUMORS SURROUNDING HIS FATHER. 716 00:34:41,775 --> 00:34:43,081 GARRETT MUST HAVE HUNG HIMSELF. 717 00:34:43,124 --> 00:34:44,647 HIS FATHER FOUND HIM AND CUT HIM DOWN. 718 00:34:44,691 --> 00:34:45,909 AND BURIED HIM. 719 00:34:45,953 --> 00:34:47,346 THERE WAS FRESHLY TURNED DIRT IN THE BACKYARD. 720 00:34:47,389 --> 00:34:48,825 IT'’S BEING EXCAVATED AS WE SPEAK. 721 00:34:48,869 --> 00:34:51,350 WE HAVE A HOSTAGE SITUATION IN LEGACY PARK. 722 00:34:51,393 --> 00:34:53,178 TARA AND MATT ARE IN THE AREA. 723 00:35:00,533 --> 00:35:02,970 HOLLIS: I'’M SERIOUS. DON'’T MOVE, PEOPLE! 724 00:35:03,013 --> 00:35:06,234 DO NOT MOVE! RUN AWAY, I KILL HER. 725 00:35:06,278 --> 00:35:08,671 WAYNE HOLLIS, FBI. 726 00:35:08,715 --> 00:35:10,760 LET HER GO. DROP THE WEAPON. 727 00:35:10,804 --> 00:35:11,935 HOLLIS: NO, NO, NO, NO. 728 00:35:11,979 --> 00:35:14,503 EVERYBODY IN THIS TOWN TALKS EXCEPT ME. 729 00:35:14,547 --> 00:35:18,028 GOSSIP, RUMOR, INNUENDO. 730 00:35:18,072 --> 00:35:20,770 YOU THINK I HURT YOUR CHILDREN, 731 00:35:20,814 --> 00:35:23,164 BUT I DIDN'’T. 732 00:35:23,208 --> 00:35:25,166 IT WAS A LIE. 733 00:35:25,210 --> 00:35:27,821 WE KNOW ABOUT YOUR SON, WAYNE. 734 00:35:27,864 --> 00:35:29,431 THINK ABOUT GARRETT. 735 00:35:29,475 --> 00:35:31,477 THIS IS NOT HOW HE'’D WANT YOU TO REACT. 736 00:35:31,520 --> 00:35:33,348 IT DOESN'’T MATTER WHAT GARRETT WANTS OR DOESN'’T WANT. 737 00:35:33,392 --> 00:35:34,697 HE'’S DEAD, 738 00:35:34,741 --> 00:35:36,917 BECAUSE OF YOU, 739 00:35:36,960 --> 00:35:38,571 ALL OF YOU. 740 00:35:38,614 --> 00:35:41,356 HE HAD HOPES AND DREAMS, 741 00:35:41,400 --> 00:35:44,620 AND YOU TOOK IT ALL AWAY WITH YOUR LIES. 742 00:35:44,664 --> 00:35:46,361 LIES! 743 00:35:46,405 --> 00:35:51,018 WELL, NOW I'’M TAKING SOMETHING AWAY FROM YOU. 744 00:35:51,061 --> 00:35:53,934 BY THE TIME YOU FIND YOUR CHILDREN, 745 00:35:53,977 --> 00:35:56,676 IT'’LL BE TOO LATE. 746 00:35:56,719 --> 00:35:58,721 AND THAT WILL HAUNT YOU 747 00:35:58,765 --> 00:36:01,637 FOR THE REST OF YOUR LIVES. 748 00:36:03,291 --> 00:36:04,597 SIMMONS: NO! [GUNSHOT] 749 00:36:12,561 --> 00:36:14,650 [SIGHS] NO WALLET. 750 00:36:14,694 --> 00:36:16,391 POCKETS ARE EMPTY. 751 00:36:16,435 --> 00:36:18,567 WHAT IS IT? 752 00:36:18,611 --> 00:36:22,223 WELL, I DON'’T KNOW. 753 00:36:22,267 --> 00:36:24,660 IT'’S UNLIKE ANY MUD I'’VE EVER SEEN. 754 00:36:24,704 --> 00:36:26,358 LET'’S GET A RUSH ANALYSIS ON THAT. 755 00:36:32,755 --> 00:36:34,888 WOMAN: HERE YOU GO, AGENT. 756 00:36:34,931 --> 00:36:36,585 THANK YOU. 757 00:36:36,629 --> 00:36:38,326 LAB RESULTS ON THE MUD. 758 00:36:38,370 --> 00:36:41,242 AND? SAMPLE CONTAINS LARGE AMOUNTS OF PROTEASES. 759 00:36:41,286 --> 00:36:42,809 AND? PROTEOLYTIC ENZYMES. 760 00:36:42,852 --> 00:36:44,506 THEY BREAK DOWN THE PEPTIDE BONDS 761 00:36:44,550 --> 00:36:46,160 BETWEEN AMINO ACIDS FOUND IN COMPLEX PROTEINS. 762 00:36:46,204 --> 00:36:47,901 IT'’S COMMONLY FOUND IN MEAT TENDERIZERS. 763 00:36:47,944 --> 00:36:49,468 GARCIA. 764 00:36:49,511 --> 00:36:50,860 UH... 765 00:36:50,904 --> 00:36:52,732 GOT IT. GREAT PLAINS MEAT TENDERIZER. 766 00:36:52,775 --> 00:36:55,517 THE COMPANY WAS BASED OUT OF WESSER, IOWA, 767 00:36:55,561 --> 00:36:56,997 UNTIL IT WENT OUT OF BUSINESS 20 YEARS AGO. 768 00:36:57,040 --> 00:36:58,825 I'’M SENDING THE ADDRESS NOW. 769 00:37:12,882 --> 00:37:14,754 ANYBODY IN THERE? 770 00:37:14,797 --> 00:37:16,451 AIDEN, OLIVIA, JOEY. 771 00:37:16,495 --> 00:37:18,148 NOW, THIS UNIT'’S LOCKED UP TIGHT. 772 00:37:18,192 --> 00:37:19,976 KIDS, WE'’RE THE POLICE. 773 00:37:20,020 --> 00:37:21,413 YOU'’RE OK NOW. 774 00:37:21,456 --> 00:37:22,631 ROSSI: THERE'’S GONNA BE A LOUD NOISE. 775 00:37:22,675 --> 00:37:24,285 WE NEED TO KNOCK THE LOCK OFF THE DOOR. 776 00:37:24,329 --> 00:37:26,156 ALL RIGHT. WATCH OUT. 777 00:37:33,207 --> 00:37:35,122 HEY. LOOK AT ME. 778 00:37:35,165 --> 00:37:37,167 WE'’RE HERE TO HELP YOU. 779 00:37:37,211 --> 00:37:39,474 SIMMONS: HEY, JOEY, WE GOT YOU. COME ON. 780 00:37:39,518 --> 00:37:41,128 ALL RIGHT. 781 00:37:46,873 --> 00:37:48,831 [POLICE RADIO TRANSMISSIONS] 782 00:38:07,197 --> 00:38:10,157 NO CHANCE I CAN CHANGE YOUR MIND? 783 00:38:10,200 --> 00:38:11,898 MM. NO, SWEETHEART. 784 00:38:11,941 --> 00:38:13,552 I NEED TO GO HOME. 785 00:38:13,595 --> 00:38:15,684 I REALLY WISH YOU'’D STAY. 786 00:38:17,817 --> 00:38:20,950 YOU EVER PROJECT YOURSELF INTO THE FUTURE? 787 00:38:20,994 --> 00:38:23,431 HOW DO YOU MEAN? 788 00:38:23,475 --> 00:38:26,173 IMAGINE WHAT YOUR LIFE'’S GONNA LOOK LIKE 789 00:38:26,216 --> 00:38:28,654 DOWN THE ROAD, BUT REALLY SEE IT, 790 00:38:28,697 --> 00:38:32,701 LIKE IT'’S A MOVIE AND YOU'’RE SITTING IN THE THEATER WATCHING. 791 00:38:32,745 --> 00:38:36,009 I GUESS I'’VE ALWAYS JUST BEEN 792 00:38:36,052 --> 00:38:38,490 TOO WRAPPED UP IN THE CRAZINESS OF NOW. 793 00:38:38,533 --> 00:38:40,318 YEAH. 794 00:38:40,361 --> 00:38:42,842 WHEN I WAS YOUNGER, 795 00:38:42,885 --> 00:38:47,063 I PLAYED THIS MOVIE IN MY HEAD ALL THE TIME. 796 00:38:47,107 --> 00:38:51,154 YOU AND ROZ ALL GROWN. 797 00:38:51,198 --> 00:38:54,723 YOUR DAD AND I IN A HOUSE OUT IN THE COUNTRY, 798 00:38:54,767 --> 00:38:57,770 GRANDKIDS RUNNING ALL AROUND, 799 00:38:57,813 --> 00:39:00,338 FOOD COOKING IN THE KITCHEN. 800 00:39:01,774 --> 00:39:03,602 THAT SOUNDS NICE. 801 00:39:03,645 --> 00:39:08,868 YEAH. EXCEPT IT WAS ALL MAKE-BELIEVE. 802 00:39:08,911 --> 00:39:11,610 AFTER ROZ DIED, I THREW THAT STUPID MOVIE 803 00:39:11,653 --> 00:39:14,656 IN THE TRASH FOR GOOD. 804 00:39:14,700 --> 00:39:17,137 I BLAMED YOUR FATHER. 805 00:39:17,180 --> 00:39:19,139 I BLAMED MYSELF. 806 00:39:19,182 --> 00:39:23,448 I BLAMED THE WHOLE DAMN WORLD. 807 00:39:23,491 --> 00:39:26,320 I GOT SO CAUGHT UP IN ALL MY TROUBLES 808 00:39:26,364 --> 00:39:30,237 THAT I FORGOT THERE WAS ANOTHER LITTLE GIRL UNDER MY ROOF 809 00:39:30,280 --> 00:39:34,415 WHO HAD JUST LOST HER SISTER. 810 00:39:34,459 --> 00:39:37,157 YOU NEEDED ME, AND I WASN'’T THERE. 811 00:39:42,205 --> 00:39:43,772 YOU DID THE BEST YOU COULD. 812 00:39:43,816 --> 00:39:47,036 NO. NO, I DID NOT DO MY BEST, 813 00:39:47,080 --> 00:39:49,082 AND I REALIZE THAT NOW, 814 00:39:49,125 --> 00:39:52,259 AND I AM TRULY SORRY. 815 00:39:52,302 --> 00:39:53,826 MOM. 816 00:39:53,869 --> 00:39:55,436 [SNIFFLES] 817 00:39:55,480 --> 00:39:58,178 NOW WE KNOW THE TRUTH ABOUT ROZ. 818 00:39:58,221 --> 00:40:00,876 YES. THANKS TO YOU. 819 00:40:00,920 --> 00:40:04,837 I'’M PROUD OF YOU. 820 00:40:04,880 --> 00:40:07,405 I DON'’T THINK I'VE EVER TOLD YOU THAT. 821 00:40:09,058 --> 00:40:10,669 EVERY MORNING YOU GET UP 822 00:40:10,712 --> 00:40:12,497 AND YOU GO TO WORK, AND YOU MAKE 823 00:40:12,540 --> 00:40:14,368 A DIFFERENCE IN PEOPLE'’S LIVES. 824 00:40:14,412 --> 00:40:18,981 YOU LOOK IN THOSE FOLDERS SO THE REST OF US DON'’T HAVE TO. 825 00:40:19,025 --> 00:40:21,201 [SNIFFLES] 826 00:40:21,244 --> 00:40:23,508 THANKS, MOM. 827 00:40:23,551 --> 00:40:27,120 THAT MEANS MORE THAN YOU'’LL EVER KNOW. 828 00:40:30,732 --> 00:40:31,777 MAN: THIS WAY. 829 00:40:31,820 --> 00:40:34,040 DIFFERENT MAN: OVER HERE. RIGHT HERE. 830 00:40:34,083 --> 00:40:36,869 [INDISTINCT CONVERSATIONS] 831 00:40:36,912 --> 00:40:41,613 GIRL: DAD, IT'’S OK. I'M OK. 832 00:40:50,839 --> 00:40:52,537 A LOT OF WOUNDS TO HEAL, 833 00:40:52,580 --> 00:40:54,713 BUT IT'’S STARTED. 834 00:40:54,756 --> 00:40:56,497 I MISSED YOU GUYS! 835 00:41:01,763 --> 00:41:02,938 LET'’S HEAD HOME. 836 00:41:06,681 --> 00:41:08,640 PRENTISS: "IT ISN'’T WHAT THEY SAY ABOUT YOU, 837 00:41:08,683 --> 00:41:10,250 IT'’S WHAT THEY WHISPER." 838 00:41:10,293 --> 00:41:11,904 ERROL FLYNN. 839 00:41:11,947 --> 00:41:13,471 I'’M SO HAPPY TO HEAR THAT. 840 00:41:13,514 --> 00:41:14,820 AND WHERE'’S YOUR MOM NOW? 841 00:41:14,863 --> 00:41:16,822 JJ: OH, SHE'’S SAYING GOOD-BYE TO GARCIA. 842 00:41:16,865 --> 00:41:20,173 SHE WANTS ME TO DRIVE HER BACK TO PENNSYLVANIA TONIGHT. 843 00:41:20,216 --> 00:41:21,609 WELL, GIVE HER MY LOVE. 844 00:41:21,653 --> 00:41:23,872 YEAH, I WILL. 845 00:41:23,916 --> 00:41:27,136 UH, SPENCE, HAVE YOU... 846 00:41:27,180 --> 00:41:29,791 HAVE YOU EVER PROJECTED YOURSELF 847 00:41:29,835 --> 00:41:32,315 INTO AN IMAGINED FUTURE? 848 00:41:32,359 --> 00:41:34,317 YOU KNOW, GIVEN THAT PARTICLES CAN TRAVEL 849 00:41:34,361 --> 00:41:35,884 FASTER THAN THE SPEED OF LIGHT, 850 00:41:35,928 --> 00:41:38,017 IT'’S ALWAYS KIND OF FELT LIKE POINTLESS SPECULATION. 851 00:41:38,060 --> 00:41:41,194 YOU'’D HAVE TO, OBVIOUSLY, SOLVE THAT FIRST. 852 00:41:41,237 --> 00:41:43,370 MM. YEAH, YEAH. YOU'’RE RIGHT. 853 00:41:43,413 --> 00:41:45,677 WE WOULD DEFINITELY HAVE TO SOLVE THAT FIRST. 854 00:41:45,720 --> 00:41:48,201 BUT TO ANSWER YOUR QUESTION, 855 00:41:48,244 --> 00:41:51,726 YES, I ACTUALLY HAVE 3 OR 4 IMAGINED FUTURES. 856 00:41:51,770 --> 00:41:53,336 REALLY? 857 00:41:53,380 --> 00:41:54,512 YOU SOUND SURPRISED. 858 00:41:54,555 --> 00:41:58,385 I AM. 859 00:41:58,428 --> 00:42:00,605 TELL ME ABOUT IT SOMEDAY. 860 00:42:00,648 --> 00:42:02,041 IT'’S A DATE. 861 00:42:02,084 --> 00:42:03,956 OK. 862 00:42:06,872 --> 00:42:10,223 SO I HAVE A PROPOSAL. 863 00:42:10,266 --> 00:42:14,183 LET'’S POSTPONE EAST ALLEGHENY FOR A DAY, 864 00:42:14,227 --> 00:42:17,535 AND WE TAKE THAT DRIVE TO OCEAN CITY TOMORROW. 865 00:42:17,578 --> 00:42:19,537 YOU SURE? 866 00:42:19,580 --> 00:42:21,060 YEAH. WHY NOT? 867 00:42:21,103 --> 00:42:22,975 LET'’S DO IT. 868 00:42:23,018 --> 00:42:26,021 ALL RIGHT. 869 00:42:26,065 --> 00:42:28,676 DO YOU THINK THAT SEAFOOD RESTAURANT'’S STILL THERE? 870 00:42:28,720 --> 00:42:31,200 OH, YEAH, WE COULD CHECK. 871 00:42:31,244 --> 00:42:34,029 I THINK I'’VE HELPED SAVE ENOUGH LIVES TODAY. 872 00:42:34,073 --> 00:42:36,641 I WANT A LOBSTER DO-OVER. 873 00:42:51,917 --> 00:42:53,875 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 874 00:42:53,919 --> 00:42:55,921 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC.