1 00:00:01,523 --> 00:00:02,785 ROSSI: PREVIOUSLY ON "CRIMINAL MINDS"... 2 00:00:02,828 --> 00:00:04,482 PRENTISS: OUR UNSUB IS EVERETT LYNCH. 3 00:00:04,526 --> 00:00:06,702 HE'S A CON MAN AND A MURDERER 4 00:00:06,745 --> 00:00:10,488 WHO SLICES OFF THE FACES OF THE WOMEN HE SEDUCES. 5 00:00:10,532 --> 00:00:12,055 [GRUNTS] 6 00:00:12,099 --> 00:00:13,361 ROSSI: THIS WAS THE FIRST TIME THAT I WAS BEATEN 7 00:00:13,404 --> 00:00:15,276 BY SOMEONE YOUNGER, FASTER, 8 00:00:15,319 --> 00:00:17,495 STRONGER THAN I AM. 9 00:00:20,759 --> 00:00:22,283 NOW, WHAT'S YOUR NAME?GRACE. I'M GRACE. 10 00:00:22,326 --> 00:00:23,284 GRACE? 11 00:00:23,327 --> 00:00:24,372 DADDY! 12 00:00:24,415 --> 00:00:26,809 ROSSI: WE ARRESTED HIS DAUGHTER GRACE, 13 00:00:26,852 --> 00:00:28,419 BUT HE GOT AWAY. 14 00:00:35,252 --> 00:00:38,516 HONEY, DON'T BE SO HARD ON YOURSELF. YOU JUST GAVE BIRTH, 15 00:00:38,560 --> 00:00:40,083 AND SOMEHOW YOU'RE GLOWING. 16 00:00:40,127 --> 00:00:42,172 I CAN'T EVEN IMAGINE WHAT I'D LOOK LIKE. 17 00:00:42,216 --> 00:00:43,782 WOMAN, ON PHONE: THANKS. YOU'RE SWEET. 18 00:00:43,826 --> 00:00:47,743 A LIAR, BUT SWEET. [CHUCKLES] 19 00:00:47,786 --> 00:00:51,094 KIM, I KNOW WE'RE NOT AS CLOSE AS WHEN WE WERE KIDS, 20 00:00:51,138 --> 00:00:54,750 BUT I JUST WANT TO SAY... I'M SORRY THIS HAPPENED. 21 00:00:54,793 --> 00:00:57,970 AND ONE DAY YOU'LL BE A FANTASTIC MOTHER, 22 00:00:58,014 --> 00:00:59,189 [BABY CRYING]I PROMISE. 23 00:00:59,233 --> 00:01:02,018 CLARA'S UP. YOU SHOULD GO. 24 00:01:02,062 --> 00:01:05,543 MMM. MAMA'S RIGHT HERE, SWEETHEART. SHH... 25 00:01:05,587 --> 00:01:09,895 I'M SO HAPPY FOR YOU, ANNIE. 26 00:01:09,939 --> 00:01:11,245 LOVE YOU. 27 00:01:11,288 --> 00:01:13,029 TALK TO YOU LATER. 28 00:01:13,073 --> 00:01:15,379 [CLICK] 29 00:01:21,820 --> 00:01:23,170 [SNIFFS] 30 00:01:31,526 --> 00:01:32,831 [LOCK CLICKS] 31 00:01:34,920 --> 00:01:36,183 [DOORKNOB RATTLES] 32 00:01:38,010 --> 00:01:39,186 [SCREW SQUEAKING] 33 00:01:41,884 --> 00:01:44,278 NO! 34 00:01:44,321 --> 00:01:46,236 [LATCH CLICKS] NO! 35 00:01:50,153 --> 00:01:51,459 AAH! 36 00:01:54,418 --> 00:01:56,203 [KNOCK ON DOOR]COME IN. 37 00:02:01,773 --> 00:02:03,340 HEARD FROM REID? NO. 38 00:02:03,384 --> 00:02:05,995 HE USUALLY DISCONNECTS WHEN HE'S OFF TEACHING HIS SEMINAR, 39 00:02:06,038 --> 00:02:08,215 BUT HE'LL BE BACK NEXT WEEK. 40 00:02:08,258 --> 00:02:10,913 I KNOW HOW MUCH YOU CARE ABOUT SPENCE, 41 00:02:10,956 --> 00:02:13,045 BUT THAT CAN'T BE THE MAIN REASON YOU'RE STANDING IN MY OFFICE 42 00:02:13,089 --> 00:02:16,484 AT MIDNIGHT WITH A FILE IN YOUR HAND. 43 00:02:16,527 --> 00:02:19,182 THE LATEST ON EVERETT LYNCH. 44 00:02:20,357 --> 00:02:22,054 [SIGHS] 45 00:02:22,098 --> 00:02:24,709 DAVE, I APPRECIATE YOUR EFFORT ON THIS, 46 00:02:24,753 --> 00:02:26,276 BUT WE HAVE A LOT GOING ON. 47 00:02:26,320 --> 00:02:27,756 I NEED YOUR FOCUS HERE. 48 00:02:27,799 --> 00:02:29,366 I KNOW, I KNOW. 49 00:02:29,410 --> 00:02:33,065 IT'S MOVING SO SLOW. 50 00:02:33,109 --> 00:02:35,677 WE AREN'T ANY CLOSER TO FINDING THIS JAG-OFF 51 00:02:35,720 --> 00:02:37,287 THAN WE WERE YESTERDAY. 52 00:02:37,331 --> 00:02:39,115 ANY LUCK WITH HIS DAUGHTER GRACE? 53 00:02:39,159 --> 00:02:40,377 SHE DIDN'T SAY MUCH. 54 00:02:40,421 --> 00:02:42,727 PUT HER IN SOLITARY, SEE HOW LONG SHE LASTS. 55 00:02:42,771 --> 00:02:45,295 [CELL PHONE VIBRATES] 56 00:02:45,339 --> 00:02:47,384 IT'S GARCIA WITH A NEW CASE. 57 00:02:47,428 --> 00:02:49,734 [BEEP] 58 00:02:49,778 --> 00:02:53,956 LOOK, DAVE, I HAVE NO DOUBT IN MY MIND, WE'LL GET HIM. 59 00:02:53,999 --> 00:02:56,219 BUT IF YOU TRY TO RUSH IT, 60 00:02:56,263 --> 00:02:58,743 THINGS WILL GET SLOPPY. 61 00:02:58,787 --> 00:03:01,224 YOU JUST HAVE TO TRUST THE PROCESS. 62 00:03:01,268 --> 00:03:04,488 WHEN DO I NOT TRUST THE PROCESS? 63 00:03:07,143 --> 00:03:08,840 GOOD POINT. 64 00:03:11,365 --> 00:03:13,976 YOU ARE HEADED TO LEWISTON, MAINE. 65 00:03:14,019 --> 00:03:16,108 IT IS THE SECOND-LARGEST CITY IN THE STATE. 66 00:03:16,152 --> 00:03:17,936 IT IS ALSO A PLACE THAT COULD BE THE SETTING 67 00:03:17,980 --> 00:03:19,982 FOR ANY HORROR MOVIE EVER MADE. 68 00:03:20,025 --> 00:03:21,853 IT'S ALSO WHERE TWO WOMEN IN THE LAST 5 DAYS 69 00:03:21,897 --> 00:03:24,160 HAVE BEEN OVERPOWERED WITH BLUNT FORCE TRAUMA 70 00:03:24,204 --> 00:03:26,118 AND STABBED 22 TIMES IN THE STOMACH. 71 00:03:26,162 --> 00:03:28,947 NEITHER WERE MOTHERS AND NEITHER WERE PREGNANT AT THE TIME. 72 00:03:28,991 --> 00:03:31,254 THIS KIND OF FRENZIED OVERKILL, 73 00:03:31,298 --> 00:03:32,473 IT FEELS PERSONAL. 74 00:03:32,516 --> 00:03:34,257 SO, DO WE HAVE A PRIMARY SUSPECT? 75 00:03:34,301 --> 00:03:35,476 GARCIA: UH, NO. 76 00:03:35,519 --> 00:03:38,348 BUT VICTIM NUMBER ONE WAS LINDA STAHL. 77 00:03:38,392 --> 00:03:40,611 SHE WAS SINGLE. I CAN'T FIND AN EX IN HER PAST. 78 00:03:40,655 --> 00:03:42,178 VICTIM NUMBER TWO, KIM REYNOLDS, 79 00:03:42,222 --> 00:03:43,875 SHE WAS MARRIED. HER HUSBAND WORKS NIGHTS. 80 00:03:43,919 --> 00:03:45,660 LET'S DOUBLE CHECK HIS ALIBI. 81 00:03:45,703 --> 00:03:49,359 THIS UNSUB NOT ONLY HAS THE GUTS TO ENTER HIS VICTIMS' HOMES, 82 00:03:49,403 --> 00:03:51,492 BUT THESE KILLS ARE VICIOUS AND QUICK. 83 00:03:51,535 --> 00:03:53,668 I WONDER HOW HE'S GETTING INSIDE THE HOUSES. 84 00:03:53,711 --> 00:03:56,540 COULD USE A RUSE OR HE'S GOOD AT PICKING LOCKS. 85 00:03:56,584 --> 00:03:58,325 WELL, MAINE'S PRETTY RURAL. I WOULDN'T BE SURPRISED 86 00:03:58,368 --> 00:04:00,022 IF THESE VICTIMS DIDN'T EVEN LOCK THEIR DOORS. 87 00:04:00,065 --> 00:04:02,198 AND BOTH HOUSES HAD BASEMENTS. 88 00:04:02,242 --> 00:04:04,287 IT'S A COMMON POINT OF VULNERABLE ACCESS. 89 00:04:04,331 --> 00:04:07,290 LEWIS: SO ARE WE LOOKING FOR A MISOGYNIST HERE, A SCORED LOVER, 90 00:04:07,334 --> 00:04:10,293 A GUY WITH MOMMY ISSUES, OR A COMBINATION OF ALL THREE? 91 00:04:10,337 --> 00:04:12,948 REGARDLESS, OUR UNSUB HAS SHOWN A HIGH LEVEL OF VIOLENCE, 92 00:04:12,991 --> 00:04:14,341 A WILLINGNESS TO TAKE RISKS, 93 00:04:14,384 --> 00:04:16,952 AND HE HAS STRUCK TWICE IN LESS THAN A WEEK 94 00:04:16,995 --> 00:04:18,432 WITH NO SIGN HE'S ABOUT TO STOP. 95 00:04:18,475 --> 00:04:20,347 WHEELS UP. 96 00:04:20,390 --> 00:04:21,913 [INSECTS CHIRPING] 97 00:04:21,957 --> 00:04:24,699 [WATER RUNNING] 98 00:04:27,832 --> 00:04:29,399 MAN: I'VE GOT THIS. 99 00:04:29,443 --> 00:04:33,055 OH, NO, IT'S A LOT. YOU CAN'T DO THAT ALONE. 100 00:04:33,098 --> 00:04:37,364 BUT YOU COOKED A 4-COURSE MEAL FOR 6 PEOPLE ALONE. 101 00:04:37,407 --> 00:04:39,627 I AM EXHAUSTED. 102 00:04:39,670 --> 00:04:42,107 AND I HAVE TO BE AT THE STUDIO REALLY EARLY TOMORROW. 103 00:04:42,151 --> 00:04:44,458 I ONLY HAVE TWO WEEKS LEFT UNTIL MY INSTALLATION. 104 00:04:44,501 --> 00:04:45,763 YOU'LL FINISH IN TIME. 105 00:04:45,807 --> 00:04:47,765 AND WHEN YOU DO, 106 00:04:47,809 --> 00:04:49,245 IT'LL BE YOUR BEST SHOW YET. 107 00:04:49,289 --> 00:04:51,378 BEST. 108 00:04:51,421 --> 00:04:53,380 WE'LL SEE. 109 00:05:01,518 --> 00:05:03,607 [WATER RUNNING] 110 00:05:22,409 --> 00:05:24,541 [CREAKING] 111 00:05:27,196 --> 00:05:28,676 CARLY? 112 00:05:35,944 --> 00:05:37,424 AAH! AAH... 113 00:05:42,080 --> 00:05:43,430 [DOOR LATCH CLICKS] 114 00:06:17,638 --> 00:06:21,119 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 115 00:06:27,430 --> 00:06:28,910 JAREAU: "TERROR MADE ME CRUEL." 116 00:06:28,953 --> 00:06:31,303 EMILY BRONTE. 117 00:06:31,347 --> 00:06:34,219 IT IS WITH A HEAVY HEART I REPORT THERE'S BEEN A NEW SET OF VICTIMS. 118 00:06:34,263 --> 00:06:36,526 TWO ATTACKS IN LESS THAN 12 HOURS. HE'S SPEEDING UP. 119 00:06:36,570 --> 00:06:38,485 DID YOU SAY "SET," GARCIA? 120 00:06:38,528 --> 00:06:40,530 YEAH, I DID. IT WAS A COUPLE THIS TIME-- 121 00:06:40,574 --> 00:06:41,488 CARLY AND BRAD DAVIS. 122 00:06:41,531 --> 00:06:43,403 I'M SENDING YOU THE INFO NOW. 123 00:06:43,446 --> 00:06:45,100 FIRST TIME IT'S BEEN A COUPLE. 124 00:06:45,143 --> 00:06:47,537 BREAKING INTO A HOUSE AND ATTACK ONE PERSON IS DIFFICULT ENOUGH, 125 00:06:47,581 --> 00:06:51,280 BUT GOING IN WHILE THERE'S TWO PEOPLE, THAT'S EVEN RISKIER. 126 00:06:51,323 --> 00:06:53,108 BRAD WAS STABBED IN THE STOMACH 127 00:06:53,151 --> 00:06:54,457 AND SEVERED A MAJOR ARTERY. 128 00:06:54,501 --> 00:06:56,154 HE DIED ALMOST INSTANTLY. 129 00:06:56,198 --> 00:06:58,287 CARLY WAS MURDERED JUST LIKE THE FIRST TWO VICTIMS, 130 00:06:58,330 --> 00:07:00,028 LINDA STAHL AND KIM REYNOLDS-- 131 00:07:00,071 --> 00:07:01,725 STABBED 22 TIMES IN THE STOMACH. 132 00:07:01,769 --> 00:07:04,206 IT SAYS HERE BRAD WAS STABBED 21 TIMES 133 00:07:04,249 --> 00:07:06,513 IN THE STOMACH POST-MORTEM. 134 00:07:06,556 --> 00:07:08,036 IT'S THAT NUMBER, 22. 135 00:07:08,079 --> 00:07:09,472 IT'S THE UNSUB'S COMPULSION. HE CAN'T GET AWAY FROM IT. 136 00:07:09,516 --> 00:07:11,343 THEN WE NEED TO FIGURE OUT WHY. 137 00:07:11,387 --> 00:07:15,435 WELL, AGE SEEMS TO BE THE ONE OVERLAP BETWEEN THE 3 FEMALE VICTIMS. 138 00:07:15,478 --> 00:07:17,741 THEY WERE ALL BORN WITHIN A YEAR OF EACH OTHER. 139 00:07:17,785 --> 00:07:19,439 THEY COULD BE SURROGATES. 140 00:07:19,482 --> 00:07:20,701 WELL, LET'S TRY TO FIND A DEEPER CONNECTION 141 00:07:20,744 --> 00:07:22,398 BETWEEN THOSE THREE.GARCIA: I'M ALL OVER THAT. 142 00:07:22,442 --> 00:07:25,401 WHEN WE LAND, DAVE, MATT, HEAD TO THE M.E.'s OFFICE. 143 00:07:25,445 --> 00:07:27,925 TARA, JJ, YOU'LL GO TO THE LATEST CRIME SCENE. 144 00:07:27,969 --> 00:07:30,450 LUKE, YOU AND I WILL SET UP WITH THE LEWISTON P.D. 145 00:07:35,542 --> 00:07:38,240 DETECTIVE MILEY, I'M SSA EMILY PRENTISS WITH THE FBI. 146 00:07:38,283 --> 00:07:40,329 THIS IS MY COLLEAGUE, SSA LUKE ALVEZ. 147 00:07:40,372 --> 00:07:42,200 PLEASURE TO MEET YOU BOTH. WELCOME TO LEWISTON. 148 00:07:42,244 --> 00:07:43,332 THANKS FOR INVITING US IN. 149 00:07:43,375 --> 00:07:44,594 ONCE IT HAPPENED A SECOND TIME, 150 00:07:44,638 --> 00:07:45,726 I KNEW WE COULDN'T HANDLE IT ON OUR OWN. 151 00:07:45,769 --> 00:07:47,597 IS THERE SOME PLACE WE CAN SET UP? 152 00:07:47,641 --> 00:07:49,164 YEP. CONFERENCE ROOM'S RIGHT OVER THERE, 153 00:07:49,207 --> 00:07:51,427 AND JEFF REYNOLDS, KIM'S HUSBAND, IS HERE 154 00:07:51,471 --> 00:07:52,646 AND READY TO BE INTERVIEWED. 155 00:07:52,689 --> 00:07:53,864 GREAT. WE'LL START WITH HIM. 156 00:07:53,908 --> 00:07:55,736 RIGHT THIS WAY. 157 00:07:55,779 --> 00:07:58,913 KIM WAS DESPERATE TO HAVE KIDS. 158 00:07:58,956 --> 00:08:00,436 IT TOOK US ALMOST 3 YEARS, 159 00:08:00,480 --> 00:08:02,264 BUT WE FINALLY GOT PREGNANT. 160 00:08:03,918 --> 00:08:05,267 AND THE DAY AFTER WE FOUND OUT, 161 00:08:05,310 --> 00:08:07,487 WE STARTED BUILDING THE NURSERY. 162 00:08:08,575 --> 00:08:10,490 BUT... 163 00:08:10,533 --> 00:08:13,144 THEN A FEW WEEKS LATER, SHE MISCARRIED. 164 00:08:14,624 --> 00:08:16,626 TO MAKE THINGS WORSE, HER SISTER JUST GAVE BIRTH 165 00:08:16,670 --> 00:08:18,846 TO HER THIRD, A GIRL THIS TIME. 166 00:08:18,889 --> 00:08:21,022 KIM WAS CRUSHED. 167 00:08:21,065 --> 00:08:23,938 I'M REALLY SORRY TO HEAR THAT, JEFF. 168 00:08:23,981 --> 00:08:26,506 I CAN'T IMAGINE HOW DIFFICULT THAT MUST HAVE BEEN. 169 00:08:26,549 --> 00:08:29,900 IT MADE OUR RECENT ARGUMENTS AROUND THE HOUSE EVEN WORSE. 170 00:08:29,944 --> 00:08:31,859 WHAT WAS HAPPENING WITH YOUR HOUSE? 171 00:08:31,902 --> 00:08:33,600 WE BOTH STARTED HEARING NOISES. 172 00:08:33,643 --> 00:08:35,471 WHAT KIND? 173 00:08:35,515 --> 00:08:37,821 I FIGURED IT WAS MICE. 174 00:08:37,865 --> 00:08:40,563 I SET TRAPS, CALLED PEST CONTROL, 175 00:08:40,607 --> 00:08:42,130 BUT NOTHING. 176 00:08:42,173 --> 00:08:44,611 KIM DIDN'T THINK IT WAS MICE, DID SHE? 177 00:08:46,090 --> 00:08:48,919 NO. 178 00:08:48,963 --> 00:08:50,921 SHE THOUGHT IT WAS FOOTSTEPS. 179 00:08:53,663 --> 00:08:55,883 WE ARGUED THAT, UM... 180 00:08:57,624 --> 00:09:00,017 WHAT DID YOU ARGUE ABOUT? 181 00:09:00,061 --> 00:09:01,889 I MEAN, IF SOMEBODY WAS INSIDE OF OUR HOUSE, 182 00:09:01,932 --> 00:09:03,281 WE WOULD HAVE SEEN THEM, RIGHT? 183 00:09:04,544 --> 00:09:06,284 UNDER NORMAL CIRCUMSTANCES, YES. 184 00:09:06,328 --> 00:09:08,112 PRENTISS: BUT AFTER HEARING THIS, 185 00:09:08,156 --> 00:09:11,463 JEFF, WE THINK IT'S POSSIBLE 186 00:09:11,507 --> 00:09:15,424 THIS OFFENDER WAS IN YOUR HOME BEFORE YOUR WIFE'S MURDER. 187 00:09:15,467 --> 00:09:18,383 WE NEED TO KNOW IF YOU SAW ANYBODY NEW 188 00:09:18,427 --> 00:09:19,602 HANGING AROUND THE NEIGHBORHOOD. 189 00:09:19,646 --> 00:09:21,691 WAIT. 190 00:09:21,735 --> 00:09:23,650 I COULD HAVE STOPPED THIS? 191 00:09:27,654 --> 00:09:29,307 PRENTISS: IF KIM WANTED TO GET PREGNANT, 192 00:09:29,351 --> 00:09:31,135 MAYBE LINDA AND CARLY DID, TOO. 193 00:09:31,179 --> 00:09:32,920 WE'LL HAVE GARCIA LOOK INTO IT. 194 00:09:32,963 --> 00:09:36,227 YEAH, IT LOOKS LIKE THE UNSUB RAN PRE-ATTACK SURVEILLANCE ON KIM. 195 00:09:36,271 --> 00:09:37,577 I BET HE DID THE SAME WITH THE OTHERS. 196 00:09:37,620 --> 00:09:39,970 TO GET IN AND OUT OF HOUSES LIKE THIS, 197 00:09:40,014 --> 00:09:43,147 OUR UNSUB MUST ALSO BE SAVVY AND EXPERIENCED. 198 00:09:43,191 --> 00:09:44,845 IT'S CLASSIC PRE-CURSOR BEHAVIOR. 199 00:09:44,888 --> 00:09:46,934 AND IF NOBODY SAW HIM CASING THE AREA, 200 00:09:46,977 --> 00:09:48,588 HE MUST BLEND IN. 201 00:09:48,631 --> 00:09:50,720 IN SOME WAY, THIS GUY'S THE PERFECT UNSUB. 202 00:09:50,764 --> 00:09:52,896 WE'VE BUSTED PERFECT BEFORE. 203 00:09:52,940 --> 00:09:55,377 WE'LL START BY RE-CANVASSING THE VICTIMS' NEIGHBORHOODS. 204 00:09:55,420 --> 00:09:58,554 HOPEFULLY SOMEBODY SAW HIM COMING OR GOING. 205 00:10:07,432 --> 00:10:08,651 YOU'RE WITH THE FBI. 206 00:10:08,695 --> 00:10:10,653 YEAH. AND YOU ARE? 207 00:10:10,697 --> 00:10:12,307 COURTNEY MABLY, BLOGGER, 208 00:10:12,350 --> 00:10:15,571 LOCAL LORE EXPERT, CURATOR OF THE LEWISTON HISTORICAL SOCIETY. 209 00:10:15,615 --> 00:10:17,704 WHEN I HEARD THERE WAS A CRIME AT THIS HOUSE, I HAD TO GET HERE. 210 00:10:17,747 --> 00:10:20,620 AND WHAT'S SO SPECIAL ABOUT THIS HOUSE? 211 00:10:20,663 --> 00:10:22,012 WELL, LITTLE-KNOWN FACT, 212 00:10:22,056 --> 00:10:23,666 60 YEARS AGO, A MAN KILLED HIS WIFE HERE. 213 00:10:23,710 --> 00:10:25,668 STABBED HER IN THE STOMACH WITH A KITCHEN KNIFE 214 00:10:25,712 --> 00:10:27,583 BEFORE CUTTING HIS OWN THROAT. 215 00:10:27,627 --> 00:10:28,932 YOU DIDN'T KNOW? 216 00:10:28,976 --> 00:10:31,587 SO THEN YOU ALSO DON'T KNOW THIS PLACE IS HAUNTED. 217 00:10:31,631 --> 00:10:32,893 HAUNTED? 218 00:10:32,936 --> 00:10:34,721 YES, THE GHOST OF MRS. KANTE ROAMS THE GROUNDS 219 00:10:34,764 --> 00:10:36,157 LOOKING FOR VENGEANCE. 220 00:10:36,200 --> 00:10:37,375 IT'S SUPER COOL. 221 00:10:37,419 --> 00:10:39,726 COURTNEY, I LOVE YOUR ENTHUSIASM, 222 00:10:39,769 --> 00:10:45,035 BUT, UM, PEOPLE ARE DYING AND THERE IS A KILLER ON THE LOOSE. 223 00:10:45,079 --> 00:10:47,255 YEAH. YOU'RE RIGHT. 224 00:10:47,298 --> 00:10:49,692 I'M SORRY. SO SORRY. 225 00:10:49,736 --> 00:10:52,347 I WILL TOTALLY GET OUT OF YOUR WAY. 226 00:10:55,742 --> 00:10:58,788 SO THE DAVIS MURDERS JUST HAPPENED. 227 00:10:58,832 --> 00:11:00,703 HOW'D COURTNEY KNOW ABOUT THEM? 228 00:11:00,747 --> 00:11:02,400 YEAH, THAT'S A GOOD QUESTION. 229 00:11:02,444 --> 00:11:05,316 A POLICE SCANNER, MAYBE A FRIEND ON THE FORCE, 230 00:11:05,360 --> 00:11:07,449 INSERTING HERSELF INTO THE INVESTIGATION. 231 00:11:07,492 --> 00:11:09,756 WELL, LET'S HAVE GARCIA LOOK INTO HER. 232 00:11:09,799 --> 00:11:12,410 YEAH. 233 00:11:12,454 --> 00:11:15,500 SO WE KNOW THE UNSUB SPENT EXTENSIVE TIME 234 00:11:15,544 --> 00:11:17,154 AT THE VICTIMS' HOUSES, 235 00:11:17,198 --> 00:11:18,547 BUT I STILL CAN'T BELIEVE WE DIDN'T FIND ONE SHRED 236 00:11:18,590 --> 00:11:21,768 OF DNA OR PRINT EVIDENCE AT ANY OF THE CRIME SCENES. 237 00:11:21,811 --> 00:11:24,771 YEAH, THAT ON ITS OWN SHOWS A LEVEL OF SKILL, 238 00:11:24,814 --> 00:11:28,339 FORENSIC SOPHISTICATION, AND PRE-MEDITATION. 239 00:11:28,383 --> 00:11:31,516 AT THE REYNOLDS' HOUSE, THE UNSUB USED THE TIP OF HIS KNIFE 240 00:11:31,560 --> 00:11:33,736 TO REMOVE THE DOORKNOB AND GET TO KIM IN HER LOCKED BEDROOM. 241 00:11:33,780 --> 00:11:36,478 YEAH, THEY ALSO FOUND A FIREPLACE POKER 242 00:11:36,521 --> 00:11:39,307 NEAR KIM'S BODY, SO SHE FOUGHT BACK. 243 00:11:39,350 --> 00:11:41,875 THE UNSUB MIGHT HAVE SUSTAINED INJURIES. 244 00:11:41,918 --> 00:11:44,051 WE SHOULD CHECK LOCAL HOSPITALS JUST IN CASE. 245 00:11:44,094 --> 00:11:46,923 IF THE UNSUB HAD TO DISARM KIM BEFORE HE COULD ATTACK HER, 246 00:11:46,967 --> 00:11:49,273 THAT WOULD HAVE BEEN A LOT MORE WORK FOR HIM. 247 00:11:49,317 --> 00:11:53,147 YEAH, WELL, THIS TIME LOOKS LIKE HE LEARNED FROM THAT EXPERIENCE. 248 00:11:53,190 --> 00:11:55,149 RIGHT, RIGHT. CARLY WAS ASLEEP. 249 00:11:55,192 --> 00:11:56,846 SHE WAS AN EASY TARGET. 250 00:11:56,890 --> 00:11:59,240 AND THE ONLY OBSTACLE THIS TIME WOULD HAVE BEEN HER HUSBAND BRAD. 251 00:11:59,283 --> 00:12:01,764 BUT THE UNSUB GOT THE JUMP ON HIM OUT IN THE HALLWAY. 252 00:12:01,808 --> 00:12:04,593 THE UNSUB'S ABILITY TO LEARN FROM PAST NEAR MISTAKES 253 00:12:04,636 --> 00:12:07,117 HAS LED TO A SUBTLE SHIFT IN TACTICS. 254 00:12:07,161 --> 00:12:09,076 THE UNSUB'S EVOLVING. 255 00:12:10,642 --> 00:12:14,995 JJ, IS THERE A PILE OF SALT IN THE CORNER WHERE YOU'RE STANDING? 256 00:12:15,038 --> 00:12:17,345 YEAH. 257 00:12:17,388 --> 00:12:19,869 THERE'S SALT IN ALL 4 CORNERS OF THIS ROOM. 258 00:12:19,913 --> 00:12:22,872 YEAH, SALT IS USED TO WARD OFF SPIRITS. 259 00:12:22,916 --> 00:12:25,570 AND GIVEN THE HISTORY OF THIS HOUSE... 260 00:12:25,614 --> 00:12:26,789 RIGHT. WELL, THEN THE QUESTION BECOMES, 261 00:12:26,833 --> 00:12:29,487 DID CARLY LEAVE THE SALT BEHIND 262 00:12:29,531 --> 00:12:31,751 OR DID THE UNSUB? 263 00:12:38,932 --> 00:12:41,586 [WATER TURNS ON] 264 00:12:50,682 --> 00:12:53,816 MICHELLE, YOU ALREADY TOOK A SHOWER TONIGHT. 265 00:12:53,860 --> 00:12:56,166 TURN OFF THE WATER. 266 00:12:59,169 --> 00:13:01,824 MOM? 267 00:13:01,868 --> 00:13:03,434 I DIDN'T TURN IT ON. 268 00:13:04,914 --> 00:13:06,568 GO GET YOUR PHONE AND CALL 9-1-1. 269 00:13:18,623 --> 00:13:20,625 [WATER CONTINUES RUNNING] 270 00:13:42,299 --> 00:13:43,953 [SCREAMS] 271 00:13:43,997 --> 00:13:47,522 PER EMILY'S REQUEST, I LOOKED INTO POSSIBLE CONCEPTION CONNECTIONS 272 00:13:47,565 --> 00:13:49,045 BETWEEN THE FEMALE VICTIMS. 273 00:13:49,089 --> 00:13:50,525 LOOKS LIKE KIM WAS TRYING TO GET PREGNANT, 274 00:13:50,568 --> 00:13:52,483 BUT LINDA AND CARLY WERE NOT. 275 00:13:52,527 --> 00:13:54,616 HOWEVER, WHEN I LOOKED INTO THE PAST 276 00:13:54,659 --> 00:13:57,619 MURDER-SUICIDE AT THE DAVIS HOUSE, 277 00:13:57,662 --> 00:13:59,577 I DID FIND A CONNECTION-- THE HOUSES. 278 00:13:59,621 --> 00:14:03,364 JAREAU: SO EACH HAS A VIOLENT HISTORY FOLLOWED BY A GHOST STORY. 279 00:14:03,407 --> 00:14:06,106 YEAH, YEAH. IT'S LIKE THEY EACH HAVE A UNIQUE PLACE IN THE CITY'S LORE. 280 00:14:06,149 --> 00:14:08,717 BUT IF ALL THESE MURDERS TOOK PLACE AT SO-CALLED HAUNTED HOUSES, 281 00:14:08,760 --> 00:14:11,415 THEN THE KILLS ARE ABOUT THE HOUSES, NOT THE WOMEN. 282 00:14:11,459 --> 00:14:13,809 GARCIA, WE NEED A LIST OF HOMES WITH SIMILAR HISTORIES 283 00:14:13,853 --> 00:14:15,898 THAT FALL INSIDE THE UNSUB'S COMFORT ZONE. 284 00:14:15,942 --> 00:14:18,205 GARCIA: OK, I WILL WORK ON THAT LIST RIGHT NOW. 285 00:14:18,248 --> 00:14:21,077 OOH! AND ALL THE VICTIMS' HOUSES HAVE ANOTHER THING IN COMMON. 286 00:14:21,121 --> 00:14:23,514 THEY HAVE EACH BEEN HEAVILY CHRONICLED 287 00:14:23,558 --> 00:14:26,343 BY A CERTAIN PERSON, IN PARTICULAR ON HER BLOG. 288 00:14:26,387 --> 00:14:28,258 LEWIS: LET ME GUESS. COURTNEY MABLY, 289 00:14:28,302 --> 00:14:29,738 THE WOMAN WE MET AT THE DAVIS HOUSE. 290 00:14:29,781 --> 00:14:31,348 GARCIA: DON'T YOU KNOW IT. 291 00:14:31,392 --> 00:14:33,524 AND I DID SOME RESEARCH ON COURTNEY, TOO. 292 00:14:33,568 --> 00:14:34,917 SHE IS A LEWISTON NATIVE. 293 00:14:34,961 --> 00:14:36,571 SHE'S OBSESSED WITH LOCAL LORE. 294 00:14:36,614 --> 00:14:39,052 ONCE UPON A TIME, SHE WAS AN O.R. NURSE, 295 00:14:39,095 --> 00:14:41,576 BUT SHE WAS FIRED FOR GETTING IN A VIOLENT OUTBURST 296 00:14:41,619 --> 00:14:44,709 AT HER BOSS, WHICH SHE VEHEMENTLY DENIES. 297 00:14:44,753 --> 00:14:46,668 AND IT LOOKS LIKE SHE MAKES MOST OF HER MONEY OFF OF HER BLOG. 298 00:14:46,711 --> 00:14:48,191 SO WE KNEW ABOUT COURTNEY'S OBSESSION. 299 00:14:48,235 --> 00:14:49,627 NOW IT'S ALSO CLEAR THAT SHE HAS SOME SKILL 300 00:14:49,671 --> 00:14:50,802 AND A VIOLENT HISTORY. 301 00:14:50,846 --> 00:14:53,588 WELL, BECAUSE THE KILLS WERE SO RUTHLESS, 302 00:14:53,631 --> 00:14:56,156 WE ASSUMED THE UNSUB'S A MAN, BUT WHAT IF IT ISN'T? 303 00:14:56,199 --> 00:15:00,900 SO I FOUND 7 LOCATIONS THAT MATCH THAT CRITERIA-- 304 00:15:00,943 --> 00:15:03,990 VIOLENT HISTORY, HAUNTED, IN THE RIGHT ZONE. 305 00:15:04,033 --> 00:15:06,383 I'M SENDING YOU THOSE ADDRESSES NOW. 306 00:15:06,427 --> 00:15:10,257 HOLD ON. A 9-1-1 CALL LITERALLY JUST CAME IN, 307 00:15:10,300 --> 00:15:11,780 AND IT'S FROM ONE OF THOSE ADDRESSES. 308 00:15:11,823 --> 00:15:15,479 A NATASHA THOMPSON LIVES THERE WITH HER DAUGHTER MICHELLE. 309 00:15:15,523 --> 00:15:16,654 I'M SENDING YOU THE INFO. HERE IT IS. 310 00:15:16,698 --> 00:15:19,266 JJ AND TARA, GET OVER THERE NOW. 311 00:15:19,309 --> 00:15:21,355 MATT, LET'S GET THE REST OF THE TEAM. 312 00:15:21,398 --> 00:15:23,574 I STILL WANT PEOPLE AT THOSE OTHER ADDRESSES 313 00:15:23,618 --> 00:15:25,881 IN CASE COURTNEY'S ON THE MOVE. 314 00:15:53,300 --> 00:15:54,997 COURTNEY... 315 00:15:55,041 --> 00:15:58,435 RAISE YOUR HANDS SLOWLY. 316 00:16:14,321 --> 00:16:16,671 [DOOR OPENS] 317 00:16:16,714 --> 00:16:18,934 COURTNEY. 318 00:16:20,936 --> 00:16:25,854 I'M SSA DAVID ROSSI WITH THE FBI. 319 00:16:25,897 --> 00:16:28,944 WE FOUND YOU COVERED IN THE VICTIM'S BLOOD. 320 00:16:28,988 --> 00:16:31,338 YOU'RE SMART. 321 00:16:31,381 --> 00:16:32,861 YOU KNOW HOW THAT LOOKS. 322 00:16:32,904 --> 00:16:35,385 I WAS THERE TO HELP. 323 00:16:37,257 --> 00:16:39,433 I SAW HER. 324 00:16:39,476 --> 00:16:41,130 THE BLOOD. 325 00:16:42,784 --> 00:16:44,264 I TRIED TO HELP. 326 00:16:44,307 --> 00:16:46,788 I WANT TO BELIEVE YOU, 327 00:16:46,831 --> 00:16:49,443 BUT THERE'S REALLY ONLY ONE WAY 328 00:16:49,486 --> 00:16:50,922 YOU COULD HAVE BEATEN US THERE. 329 00:16:50,966 --> 00:16:53,229 NO. I GOT LUCKY. 330 00:16:53,273 --> 00:16:57,320 I'VE NEVER SEEN ANYONE ROLL UP ON A DEAD BODY 331 00:16:57,364 --> 00:17:01,759 INSIDE OF A HOUSE THEY DIDN'T LIVE IN BY CHANCE. 332 00:17:04,153 --> 00:17:06,938 AFTER THE LAST MURDER, 333 00:17:06,982 --> 00:17:09,898 I DECIDED TO TRY AND FIGURE OUT 334 00:17:09,941 --> 00:17:12,074 WHICH HOUSE THE KILLER MIGHT GO TO NEXT. 335 00:17:12,118 --> 00:17:14,903 I LANDED ON 3 POSSIBLE OPTIONS. 336 00:17:14,946 --> 00:17:19,125 I JUST SO HAPPENED TO GO TO THE THOMPSON HOUSE FIRST. 337 00:17:19,168 --> 00:17:20,778 I'D NEVER MET THEM. 338 00:17:20,822 --> 00:17:23,999 I JUST LOOKED UP WHO LIVED THERE. 339 00:17:24,043 --> 00:17:28,090 AND THE SECOND I SAW THE DOOR WAS OPENED 340 00:17:28,134 --> 00:17:30,658 AND THE LIGHTS WERE OFF, I KNEW I WAS RIGHT. 341 00:17:30,701 --> 00:17:34,009 YOU CHOSE THE THOMPSON HOUSE BECAUSE OF ITS HISTORY, DIDN'T YOU? 342 00:17:34,053 --> 00:17:35,576 YES. 343 00:17:35,619 --> 00:17:38,274 10 YEARS AGO, THE HOMEOWNER WAS 344 00:17:38,318 --> 00:17:41,364 STABBED AND MURDERED AFTER TAKING A BATH. 345 00:17:41,408 --> 00:17:43,105 SHE'S HAUNTED THE PLACE EVER SINCE. 346 00:17:43,149 --> 00:17:45,760 AND THAT EXPLAINS WHY YOU FILLED THE TUB WITH WATER. 347 00:17:45,803 --> 00:17:48,110 NO. NO. 348 00:17:48,154 --> 00:17:49,807 I DIDN'T DO THAT. 349 00:17:49,851 --> 00:17:52,027 IT'S NOT JUST YOUR FASCINATION WITH GHOST STORIES 350 00:17:52,071 --> 00:17:53,898 OR HAUNTED HOUSES OR EVEN THE FACT 351 00:17:53,942 --> 00:17:56,814 THAT WE FOUND YOU THERE. 352 00:17:56,858 --> 00:17:58,164 IT'S YOU. 353 00:18:00,601 --> 00:18:05,606 YOU SEE, IN MY LINE OF WORK, 354 00:18:05,649 --> 00:18:08,478 PATTERNS OF PAST BEHAVIOR 355 00:18:08,522 --> 00:18:11,481 ARE OFTEN THE BEST INDICATORS 356 00:18:11,525 --> 00:18:12,961 OF FUTURE BEHAVIOR. 357 00:18:13,004 --> 00:18:15,920 AND YOUR PAST, THE LIFE-LONG OBSESSION, 358 00:18:15,964 --> 00:18:17,922 THE VIOLENT INCIDENT, 359 00:18:17,966 --> 00:18:20,838 IT PAINTS A CERTAIN PICTURE, 360 00:18:20,882 --> 00:18:24,233 A PICTURE THAT COULD ALLOW ME TO UNDERSTAND 361 00:18:24,277 --> 00:18:27,584 WHY YOU WOULD TARGET THESE HOMES 362 00:18:27,628 --> 00:18:30,196 AND STAB THESE VICTIMS. 363 00:18:30,239 --> 00:18:31,980 [SOBBING] 364 00:18:33,677 --> 00:18:36,506 BUT... 365 00:18:36,550 --> 00:18:38,943 I'VE BEEN A PROFILER LONG ENOUGH TO KNOW 366 00:18:38,987 --> 00:18:41,990 THAT OFTEN ISN'T ALWAYS. 367 00:18:42,033 --> 00:18:45,559 SO... 368 00:18:45,602 --> 00:18:49,040 I WANT YOU TO TELL ME EVERYTHING, 369 00:18:49,084 --> 00:18:53,871 BECAUSE THERE'S A LITTLE GIRL DOWN THE HALL WHO SURVIVED, 370 00:18:53,915 --> 00:18:58,572 AND SHE IS TELLING US EVERYTHING. 371 00:19:00,617 --> 00:19:02,837 HI, MICHELLE. 372 00:19:02,880 --> 00:19:04,795 DO YOU REMEMBER ME? 373 00:19:04,839 --> 00:19:06,319 YES. 374 00:19:06,362 --> 00:19:09,148 YOU'RE TARA FROM THE FBI, 375 00:19:09,191 --> 00:19:12,020 AND YOU FOUND ME BEHIND THE CHAIR. 376 00:19:12,063 --> 00:19:13,891 THAT'S RIGHT. 377 00:19:13,935 --> 00:19:15,676 I NEED TO ASK YOU SOME QUESTIONS 378 00:19:15,719 --> 00:19:17,417 ABOUT WHAT HAPPENED TONIGHT. 379 00:19:17,460 --> 00:19:20,115 AND IF AT ANY TIME IT BECOMES TOO OVERWHELMING, 380 00:19:20,159 --> 00:19:22,813 YOU TELL ME AND WE'LL STOP RIGHT AWAY, OK? 381 00:19:22,857 --> 00:19:23,814 OK. 382 00:19:23,858 --> 00:19:25,860 OK. 383 00:19:25,903 --> 00:19:28,428 NOW, TELL ME WHAT HAPPENED TONIGHT, 384 00:19:28,471 --> 00:19:32,040 AND START AS CLOSE TO THE BEGINNING AS YOU CAN. 385 00:19:33,650 --> 00:19:36,262 MY MOM YELLED FOR ME TO TURN OFF THE BATH WATER, 386 00:19:36,305 --> 00:19:38,960 BUT IT WASN'T ME. 387 00:19:39,003 --> 00:19:40,875 AND I TOLD HER THAT. 388 00:19:40,918 --> 00:19:43,878 OK. THEN WHAT HAPPENED? 389 00:19:43,921 --> 00:19:47,055 MY MOM HAD ME CALL 9-1-1. 390 00:19:47,098 --> 00:19:49,710 SHE RAN UPSTAIRS. 391 00:19:49,753 --> 00:19:52,539 MY MOM SCREAMED...[SCREAMING] 392 00:19:52,582 --> 00:19:55,542 SO I HID. 393 00:19:58,545 --> 00:20:02,897 I HEARD FOOTSTEPS MOVE SLOWLY DOWN THE STAIRS. 394 00:20:02,940 --> 00:20:05,465 [FOOTSTEPS] 395 00:20:05,508 --> 00:20:10,948 AND THEN...I SAW A MASK. 396 00:20:25,485 --> 00:20:27,095 LEWIS: IT'S OK. 397 00:20:27,138 --> 00:20:28,618 COULD YOU TELL IF THE PERSON IN THE MASK 398 00:20:28,662 --> 00:20:30,141 WAS A MAN OR A WOMAN? 399 00:20:30,185 --> 00:20:31,055 A WOMAN. 400 00:20:31,099 --> 00:20:32,361 YOU'RE POSITIVE? 401 00:20:32,405 --> 00:20:35,625 YES. SHE TOOK IT OFF. 402 00:20:35,669 --> 00:20:37,018 MICHELLE... 403 00:20:40,108 --> 00:20:42,153 IS THIS THE WOMAN THAT YOU SAW? 404 00:20:43,372 --> 00:20:46,114 NO, THAT'S NOT HER. 405 00:20:46,157 --> 00:20:48,551 ALL RIGHT. 406 00:20:48,595 --> 00:20:50,640 YOU DID GREAT. 407 00:20:50,684 --> 00:20:53,208 [DOOR OPENS] 408 00:20:53,252 --> 00:20:58,561 COURTNEY, YOU ARE FREE TO GO. 409 00:21:06,352 --> 00:21:08,136 [EXHALES] 410 00:21:08,179 --> 00:21:10,399 DID THEY CATCH THE KILLER YET? 411 00:21:10,443 --> 00:21:14,055 NO, NOT YET. 412 00:21:15,274 --> 00:21:19,626 BUT WE THINK WHOEVER IT IS HAS SIMILAR INTERESTS TO YOU. 413 00:21:19,669 --> 00:21:22,019 SO WOULD YOU MIND ANSWERING SOME QUESTIONS 414 00:21:22,063 --> 00:21:24,152 ABOUT THE COMMUNITY FOR US? 415 00:21:24,195 --> 00:21:26,633 OF COURSE NOT. ANYTHING YOU NEED. 416 00:21:29,375 --> 00:21:32,203 MICHELLE THOMPSON, THE LITTLE GIRL, 417 00:21:32,247 --> 00:21:36,033 IN YOUR EXPERIENCE, 418 00:21:36,077 --> 00:21:38,166 IS SHE GONNA BE OK? 419 00:21:39,820 --> 00:21:43,127 I DON'T KNOW... 420 00:21:43,171 --> 00:21:45,304 BUT I'M ALWAYS HOPEFUL. 421 00:21:47,741 --> 00:21:49,743 WE'RE ABOUT TO LET COURTNEY GO. 422 00:21:49,786 --> 00:21:51,962 HER STORY CHECKS OUT. MICHELLE CAN'T I.D. HER, 423 00:21:52,006 --> 00:21:53,747 AND WE DIDN'T FIND HER DNA IN THE BATHTUB. 424 00:21:53,790 --> 00:21:56,184 OK. AND IF MICHELLE'S UP FOR IT, 425 00:21:56,227 --> 00:21:57,316 LET'S HAVE HER WORK WITH A SKETCH ARTIST. 426 00:21:57,359 --> 00:21:58,839 I'LL ASK HER. 427 00:21:58,882 --> 00:22:02,059 WE ALSO FOUND SAGE BURNING AT THE CRIME SCENE THIS TIME. 428 00:22:02,103 --> 00:22:03,670 WE THINK THE UNSUB LEFT IT 429 00:22:03,713 --> 00:22:05,672 BECAUSE WE ALSO FOUND PILES OF SALT 430 00:22:05,715 --> 00:22:08,327 IN ALL 4 CORNERS OF THE BEDROOM THE WAY WE DID AT THE DAVIS HOUSE. 431 00:22:08,370 --> 00:22:10,807 SO THE UNSUB KILLS HER VICTIMS, 432 00:22:10,851 --> 00:22:13,549 THEN PLACES THE SALT AND BURNS SAGE. 433 00:22:13,593 --> 00:22:15,508 GIVEN THE HISTORY OF THE SITES, 434 00:22:15,551 --> 00:22:17,248 I KNOW WHAT THE UNSUB'S DOING. 435 00:22:17,292 --> 00:22:19,990 LET'S DELIVER THE PROFILE. 436 00:22:20,034 --> 00:22:21,731 ARE YOU SAYING THAT WE'RE LOOKING FOR A GHOST HUNTER? 437 00:22:21,775 --> 00:22:23,385 NO, WE ARE LOOKING FOR A SERIAL KILLER 438 00:22:23,429 --> 00:22:25,387 WHO IS OBSESSED WITH THE PARANORMAL. 439 00:22:25,431 --> 00:22:27,215 JAREAU: SHE'S FEMALE, PROBABLY LOCAL, 440 00:22:27,258 --> 00:22:29,391 AND HAS EXTENSIVE KNOWLEDGE OF THE CITY'S LORE. 441 00:22:29,435 --> 00:22:30,914 THIS UNSUB IS MISSION-DRIVEN 442 00:22:30,958 --> 00:22:32,002 AND LIKELY DELUSIONAL. 443 00:22:32,046 --> 00:22:34,048 THIS DELUSION MAY STEM FROM THE FACT 444 00:22:34,091 --> 00:22:36,137 THAT SHE THINKS THE HOUSES ARE HAUNTED 445 00:22:36,180 --> 00:22:38,095 AND THAT THE RESIDENTS ARE INFECTED BY EVIL. 446 00:22:38,139 --> 00:22:41,098 TO HER, THE ONLY WAY TO KILL THE DEMON AND SAVE THE PEOPLE 447 00:22:41,142 --> 00:22:43,666 IS BY STABBING THEM 22 TIMES IN THE STOMACH. 448 00:22:43,710 --> 00:22:45,320 ROSSI: AND AT THIS POINT, IT'S STILL UNCLEAR 449 00:22:45,364 --> 00:22:47,540 WHY SHE VALUES THE NUMBER 22. 450 00:22:47,583 --> 00:22:49,019 ALVEZ: WE HAVE A SKETCH ARTIST WORKING 451 00:22:49,063 --> 00:22:50,760 WITH THE DAUGHTER OF OUR LATEST VICTIM. 452 00:22:50,804 --> 00:22:52,240 PRENTISS: AND WE'LL BE CANVASSING THE AREA 453 00:22:52,283 --> 00:22:53,807 SURROUNDING THE OTHER HAUNTED SITES 454 00:22:53,850 --> 00:22:56,070 IN AN EFFORT TO PREDICT HER NEXT MOVE. 455 00:22:56,113 --> 00:22:58,159 THANK YOU ALL FOR YOUR TIME. 456 00:23:06,733 --> 00:23:08,691 [GRUNTS] 457 00:23:08,735 --> 00:23:11,302 [GASPING] 458 00:23:25,752 --> 00:23:27,754 ALVEZ: ROSSI. 459 00:23:27,797 --> 00:23:29,756 WAS COURTNEY HELPFUL? 460 00:23:29,799 --> 00:23:33,803 YEAH. SHE GAVE ME A LIST OF 5 LOCAL PARANORMAL INVESTIGATORS 461 00:23:33,847 --> 00:23:35,588 THAT MIGHT FIT OUR PROFILE. 462 00:23:35,631 --> 00:23:37,459 I JUST TEXTED IT TO GARCIA. 463 00:23:37,503 --> 00:23:40,157 ALL RIGHT. WELL, WHILE GARCIA GETS A HANDLE ON THAT LIST, 464 00:23:40,201 --> 00:23:42,464 WHY DON'T WE CHECK IN ON MICHELLE, SEE HOW SHE'S HOLDING UP. 465 00:23:42,508 --> 00:23:45,249 [CELL PHONE RINGS] 466 00:23:45,293 --> 00:23:47,513 [RING] 467 00:23:47,556 --> 00:23:49,253 GARCIA, WHAT CAN YOU TELL US ABOUT 468 00:23:49,297 --> 00:23:51,038 COURTNEY'S LIST OF INVESTIGATORS? 469 00:23:51,081 --> 00:23:53,257 GARCIA: HERE'S THE THING. I JUST STARTED THAT SEARCH. 470 00:23:53,301 --> 00:23:55,346 I'M ACTUALLY CALLING YOU WITH A LIST OF MY OWN. 471 00:23:55,390 --> 00:23:58,132 I'VE GOT 5 MORE PLACES THE UNSUB MIGHT BE TARGETING NEXT. 472 00:23:58,175 --> 00:24:01,352 THEY'RE A LITTLE LESSER KNOWN, BUT THEY FIT THE PARAMETERS-- 473 00:24:01,396 --> 00:24:05,095 HAUNTED, VIOLENT HISTORY, RIGHT IN THE UNSUB'S COMFORT ZONE. 474 00:24:05,139 --> 00:24:06,488 THANKS, GARCIA. 475 00:24:06,532 --> 00:24:07,881 WHY DON'T YOU GIVE US A CALL BACK 476 00:24:07,924 --> 00:24:09,273 ONCE YOU GET A HANDLE ON COURTNEY'S LIST. 477 00:24:09,317 --> 00:24:11,362 OH, ALVEZ, HAVE YOU HEARD OF MULTITASKING? 478 00:24:11,406 --> 00:24:12,755 IT'S ALL THE RAGE, I'M REALLY GOOD AT IT, 479 00:24:12,799 --> 00:24:14,714 AND I'M DOING IT RIGHT NOW. 480 00:24:14,757 --> 00:24:16,759 YEAH, I'M SURE YOU WERE. 481 00:24:16,803 --> 00:24:18,892 DON'T GET ME WRONG. YOU'RE GREAT, 482 00:24:18,935 --> 00:24:21,503 BUT ROSSI LITERALLY JUST SENT YOU THAT LIST. 483 00:24:21,547 --> 00:24:23,984 YEAH, WELL, I'M MORE THAN SIMPLY GREAT. 484 00:24:24,027 --> 00:24:25,289 I'M ENTIRELY FANTASTIC. 485 00:24:25,333 --> 00:24:28,423 AND ONE OF THOSE NAMES IS RINGING ALL THE BELLS. 486 00:24:28,467 --> 00:24:31,861 STEPHANIE CARTER. SHE'S A RELIGIOUS STUDIES PROFESSOR 487 00:24:31,905 --> 00:24:33,384 AT THE LOCAL COLLEGE. 488 00:24:33,428 --> 00:24:35,386 SHE INVESTIGATES THE PARANORMAL WITH HER HUSBAND PATRICK, 489 00:24:35,430 --> 00:24:37,519 WHO IS A PSYCH PROFESSOR AT THE SAME PLACE. 490 00:24:37,563 --> 00:24:38,912 WHAT MAKES HER STAND OUT? 491 00:24:38,955 --> 00:24:40,522 SHE'S WRITTEN SEVERAL ACADEMIC PAPERS 492 00:24:40,566 --> 00:24:44,918 ABOUT DEMONOLOGY AND ITS STRONG HOLD ON THE HUMAN BODY 493 00:24:44,961 --> 00:24:47,311 AND THE VARIOUS METHODS OF REMOVAL. 494 00:24:47,355 --> 00:24:49,357 THAT CHECKS A LOT OF OUR BOXES. 495 00:24:49,400 --> 00:24:50,489 OH, HERE'S ANOTHER TICK. 496 00:24:50,532 --> 00:24:52,273 MICHELLE THOMPSON, NATASHA'S DAUGHTER, 497 00:24:52,316 --> 00:24:53,796 HER POLICE SKETCH JUST CAME IN. 498 00:24:53,840 --> 00:24:55,319 IT LOOKS A LOT LIKE STEPHANIE. 499 00:24:55,363 --> 00:24:58,105 I THINK ALL OF OUR BOXES ARE CHECKED NOW. 500 00:24:58,148 --> 00:25:00,150 OK, HERE'S HER WORK AND HER HOME ADDRESS. 501 00:25:00,194 --> 00:25:02,413 ROSSI: GREAT JOB, GARCIA. 502 00:25:05,242 --> 00:25:08,071 OH, MY GOSH, STEPHANIE, DID YOU HEAR? 503 00:25:09,595 --> 00:25:12,336 THE FBI IS HERE. IN LEWISTON. 504 00:25:12,380 --> 00:25:13,990 THEY'RE LOOKING INTO THE MURDERS AT THOSE HOUSES, 505 00:25:14,034 --> 00:25:15,383 AND THEY THOUGHT I DID IT. 506 00:25:15,426 --> 00:25:16,602 CAN YOU BELIEVE THAT? 507 00:25:16,645 --> 00:25:19,213 I DIDN'T. I MEAN, NOBODY WE KNOW WOULD DO THAT. 508 00:25:19,256 --> 00:25:21,737 COURTNEY, I'M GLAD YOU'RE HERE. 509 00:25:21,781 --> 00:25:23,304 WE NEED YOUR HELP. 510 00:25:23,347 --> 00:25:25,872 HELP? REALLY? WITH WHAT? 511 00:25:25,915 --> 00:25:27,526 A CASE. 512 00:25:27,569 --> 00:25:29,658 PATRICK AND I CLEANSED THIS HOUSE LAST WEEK. 513 00:25:29,702 --> 00:25:31,225 IT DIDN'T WORK, 514 00:25:31,268 --> 00:25:32,574 AND WE'RE GONNA TRY AGAIN. 515 00:25:32,618 --> 00:25:34,097 I WANT YOU TO COME WITH. 516 00:25:34,141 --> 00:25:36,447 YOU'VE NEVER ASKED ME BEFORE, 517 00:25:36,491 --> 00:25:38,972 BUT, OK, YES, I WOULD LOVE TO. 518 00:25:39,015 --> 00:25:40,974 GREAT. LET'S GO. 519 00:25:41,017 --> 00:25:42,366 RIGHT NOW? YES. 520 00:25:42,410 --> 00:25:43,629 BUT YOU NEED TO LEAVE YOUR CELL PHONE HERE. 521 00:25:43,672 --> 00:25:45,631 THE CELL SIGNALS INTERFERE WITH THE EMF METERS. 522 00:25:45,674 --> 00:25:47,720 OK. NO PROBLEM. 523 00:25:47,763 --> 00:25:50,070 WE DON'T HAVE MUCH TIME. PATRICK'S WAITING FOR US. 524 00:26:01,908 --> 00:26:02,909 AAH! 525 00:26:13,615 --> 00:26:14,790 IT'S CLEAR. 526 00:26:17,271 --> 00:26:18,968 CHECK THIS OUT. 527 00:26:23,886 --> 00:26:24,974 MILEY: IT'S COURTNEY'S PHONE. 528 00:26:25,018 --> 00:26:26,672 WHAT'S IT DOING HERE? 529 00:26:26,715 --> 00:26:28,151 WE KNOW THEY RUN IN THE SAME CIRCLE. 530 00:26:28,195 --> 00:26:29,762 YEAH, IF COURTNEY CAME HERE AFTER LEAVING THE STATION 531 00:26:29,805 --> 00:26:31,590 LAST NIGHT, THAT MEANS THEY MUST KNOW EACH OTHER PRETTY WELL. 532 00:26:31,633 --> 00:26:34,810 NO SIGNS OF A STRUGGLE MEANS THEIR RELATIONSHIP'S GOOD. 533 00:26:34,854 --> 00:26:36,420 DOES THAT MAKE COURTNEY AN ACCOMPLICE? 534 00:26:36,464 --> 00:26:39,032 NO, THE ONLY THING SHE'S GUILTY OF IS EXCITEMENT. 535 00:26:39,075 --> 00:26:40,686 IF STEPHANIE'S SAVVY, SHE COULD HAVE TRICKED 536 00:26:40,729 --> 00:26:41,817 COURTNEY INTO HER OWN ABDUCTION. 537 00:26:41,861 --> 00:26:43,123 WE'RE GONNA NEED A BOLO OUT ON COURTNEY, 538 00:26:43,166 --> 00:26:44,646 STEPHANIE, AND PATRICK. 539 00:26:44,690 --> 00:26:45,821 I'LL GET MY BEST PEOPLE ON IT. 540 00:26:45,865 --> 00:26:47,606 I WONDER WHAT PATRICK'S ROLE IS IN THIS. 541 00:26:47,649 --> 00:26:48,737 COULD BE A PARTNER. 542 00:26:48,781 --> 00:26:51,000 OK, BUT WHERE WOULD THEY TAKE COURTNEY? 543 00:26:51,044 --> 00:26:54,830 I DON'T KNOW, BUT THE ANSWER IS SOMEWHERE IN THIS OFFICE. 544 00:27:05,275 --> 00:27:08,714 COURTNEY: TOO BAD THIS PLACE ISN'T WELL KNOWN. 545 00:27:08,757 --> 00:27:11,238 IT SHOULD BE LEGENDARY. 546 00:27:11,281 --> 00:27:13,849 70 YEARS AGO, MRS. VAN VRAKEN 547 00:27:13,893 --> 00:27:16,852 MURDERED HER ENTIRE FAMILY IN THE BEDROOM, 548 00:27:16,896 --> 00:27:19,725 STABBING EACH OF THEM 15 TIMES 549 00:27:19,768 --> 00:27:22,336 BECAUSE THEY WERE POSSESSED BY DEMONS. 550 00:27:22,379 --> 00:27:24,773 SHE'S HAUNTED THE PLACE EVER SINCE. 551 00:27:27,863 --> 00:27:30,257 I'M SO SORRY. YOU ALREADY KNOW THE STORY. 552 00:27:30,300 --> 00:27:32,694 BUT WHEN I GET EXCITED, I TALK. 553 00:27:32,738 --> 00:27:35,305 WHEN I TALK, I DON'T ALWAYS THINK IT THROUGH. 554 00:27:35,349 --> 00:27:38,569 [SIGHS] IT'S A VICIOUS CIRCLE. 555 00:27:38,613 --> 00:27:40,484 IT'S OK, COURTNEY. 556 00:27:40,528 --> 00:27:42,573 I'M GLAD YOU'RE EXCITED. 557 00:27:45,751 --> 00:27:48,797 I READ A RUMOR THAT A COUPLE BOUGHT THIS PLACE 558 00:27:48,841 --> 00:27:50,756 FROM THE VAN VRAKEN ESTATE IN 1982, 559 00:27:50,799 --> 00:27:52,279 BUT THEY DIDN'T MAKE IT THROUGH THE NIGHT. 560 00:27:52,322 --> 00:27:55,717 THE WIFE STABBED THE HUSBAND AND THEN HERSELF. 561 00:27:55,761 --> 00:27:56,979 NOBODY'S LIVED HERE SINCE. 562 00:27:57,023 --> 00:27:58,459 IS THAT TRUE? 563 00:27:58,502 --> 00:27:59,765 IT IS. 564 00:27:59,808 --> 00:28:01,462 I ALSO READ THAT AFTER THE COUPLE DIED, 565 00:28:01,505 --> 00:28:03,072 THE VAN VRAKEN ESTATE BOUGHT BACK THE HOUSE 566 00:28:03,116 --> 00:28:06,728 AND THEY'VE BEEN TRYING TO SELL IT ON AND OFF FOR YEARS. 567 00:28:06,772 --> 00:28:08,730 THAT'S RIGHT. 568 00:28:08,774 --> 00:28:10,689 DID THEY ASK YOU TO CLEANSE IT? 569 00:28:13,300 --> 00:28:16,564 THEY DID. 570 00:28:16,607 --> 00:28:19,698 THIS PLACE HAS SUCH UNIQUE ENERGY. 571 00:28:19,741 --> 00:28:21,917 I CAN REALLY FEEL THE VIBE. 572 00:28:25,834 --> 00:28:27,836 THERE'S ONLY ONE RULE HERE-- 573 00:28:27,880 --> 00:28:31,535 STAY AS QUIET AS POSSIBLE. 574 00:28:31,579 --> 00:28:34,974 THEY CAN HEAR EVERYTHING. 575 00:28:35,017 --> 00:28:40,762 AND MRS. VAN VRAKEN, SHE DIDN'T STAB HER FAMILY 15 TIMES EACH. 576 00:28:40,806 --> 00:28:41,981 IT WAS 22. 577 00:28:42,024 --> 00:28:44,853 OHH. COOL. 578 00:28:44,897 --> 00:28:46,072 [CHUCKLES] 579 00:28:46,115 --> 00:28:48,161 COME ON, PATRICK'S WAITING. 580 00:28:49,640 --> 00:28:51,773 THE CARTERS KEPT DETAILED RECORDS OF THEIR INVESTIGATIONS. 581 00:28:51,817 --> 00:28:53,906 IT'S GONNA HELP US PIECE TOGETHER THEIR WORK. 582 00:28:53,949 --> 00:28:55,821 MY TAKEAWAY IS THAT THE CARTERS WERE STUDIOUS, 583 00:28:55,864 --> 00:28:57,648 PREPARED, AND LEFT NOTHING TO CHANCE, 584 00:28:57,692 --> 00:28:59,781 BUT THEY WERE STILL ABLE TO THINK ON THEIR FEET. 585 00:28:59,825 --> 00:29:03,002 [CELL PHONE RINGS] 586 00:29:03,045 --> 00:29:04,786 HEY, GARCIA. 587 00:29:04,830 --> 00:29:06,309 GARCIA: I HAVE TRIED TO FIND THE CARTERS 588 00:29:06,353 --> 00:29:09,704 THROUGH VEHICLE, CREDIT CARD, PHONE, AND SMARTLY FOR THEM 589 00:29:09,748 --> 00:29:11,880 AND INFURIATINGLY FOR ME, THEY'RE OFF THE GRID. 590 00:29:11,924 --> 00:29:13,795 LEWIS: WELL, MAYBE THERE'S SOMETHING IN STEPHANIE'S PAST 591 00:29:13,839 --> 00:29:14,927 THAT CAN HELP US OUT. 592 00:29:14,970 --> 00:29:16,885 WELL, SHE HAD A RELATIVELY DIFFICULT, 593 00:29:16,929 --> 00:29:20,759 IF NOT SADLY, UN-UNIQUE CHILDHOOD. 594 00:29:20,802 --> 00:29:22,630 SHE WAS AN OUTSTANDING STUDENT. 595 00:29:22,673 --> 00:29:24,197 SHE WAS BULLIED ALL THE TIME. 596 00:29:24,240 --> 00:29:26,852 WHEN SHE GOT TO HIGH SCHOOL, SHE FOUGHT BACK, 597 00:29:26,895 --> 00:29:28,854 AND THEN GOT EXPELLED FOR IT. 598 00:29:28,897 --> 00:29:30,377 I DOUBT IT GOT ANY EASIER AFTER THAT. 599 00:29:30,420 --> 00:29:33,075 NO, THE EXPULSION STARTED A DOWNWARD SPIRAL 600 00:29:33,119 --> 00:29:34,860 OF INTENSE PSYCHIATRIC CARE 601 00:29:34,903 --> 00:29:37,906 AND A SHIFTING COCKTAIL OF VARIOUS MEDS. 602 00:29:37,950 --> 00:29:40,343 YET SHE STILL HELD IT TOGETHER AND BECAME A COLLEGE PROFESSOR. 603 00:29:40,387 --> 00:29:43,869 GARCIA: BUT THEN 5 YEARS AGO, SOMETHING CHANGED 604 00:29:43,912 --> 00:29:45,827 'CAUSE SHE WENT OFF ALL HER MEDS, 605 00:29:45,871 --> 00:29:48,351 SHE STOPPED GOING TO THERAPY COLD TURKEY. 606 00:29:48,395 --> 00:29:51,398 IT'S LIKE SOMETHING MADE EVERYTHING BETTER. 607 00:29:51,441 --> 00:29:53,313 LEWIS: I'M SURPRISED IT TOOK HER THIS LONG TO BREAK DOWN. 608 00:29:53,356 --> 00:29:54,618 YEAH, WHITE KNUCKLING LIKE THAT? 609 00:29:54,662 --> 00:29:56,142 THAT'S A BIG STRESSOR. 610 00:29:56,185 --> 00:29:57,839 DO WE KNOW WHY SHE STOPPED EVERYTHING IN THE FIRST PLACE? 611 00:29:57,883 --> 00:29:59,362 NO, THERE'S NO RECORD OF IT. 612 00:29:59,406 --> 00:30:01,843 SHE DIDN'T POST ANYTHING SPECIFIC. 613 00:30:01,887 --> 00:30:04,411 THE CARTERS STARTED THEIR INVESTIGATIONS 5 YEARS AGO. 614 00:30:04,454 --> 00:30:07,893 THEIR FIRST JOURNAL IS HERE. 615 00:30:07,936 --> 00:30:12,636 AROUND THAT TIME, STEPHANIE MET A LIKE MIND IN PATRICK. 616 00:30:12,680 --> 00:30:16,989 SUDDENLY, HER ENTIRE WORLD MADE SENSE. 617 00:30:26,868 --> 00:30:29,175 I NEED TO TALK TO PATRICK FIRST. 618 00:30:43,406 --> 00:30:46,845 STEPHANIE, YOU'RE BACK. 619 00:30:46,888 --> 00:30:49,848 LOCAL P.D. JUST BROUGHT THE LATEST BATCH 620 00:30:49,891 --> 00:30:52,981 OF JOURNALS AND TAPES FROM STEPHANIE AND PATRICK'S OFFICE. 621 00:30:53,025 --> 00:30:55,984 AND WE KNOW EVERYTHING THERE IS TO KNOW 622 00:30:56,028 --> 00:30:57,856 ABOUT STEPHANIE AND COURTNEY, 623 00:30:57,899 --> 00:30:59,074 BUT WHAT ABOUT PATRICK? 624 00:30:59,118 --> 00:31:04,036 HE'S THE LAST UNKNOWN. LET'S DIG INTO HIS LIFE. 625 00:31:04,079 --> 00:31:05,646 THAT'S A GOOD IDEA. 626 00:31:09,432 --> 00:31:12,000 I'VE GOT HIS MOST RECENT JOURNAL RIGHT HERE. 627 00:31:12,044 --> 00:31:14,873 WHEN'S THE LAST TIME HE WROTE IN IT? 628 00:31:14,916 --> 00:31:16,178 A WEEK AGO. 629 00:31:16,222 --> 00:31:18,702 HE AND STEPHANIE WERE ABOUT TO START A NEW CASE. 630 00:31:18,746 --> 00:31:22,010 HIS PRELIMINARY NOTES SAY HOW EXCITED HE WAS. 631 00:31:22,054 --> 00:31:25,666 UH, THAT THEY'D SEEN A LOT IN THE PAST, 632 00:31:25,709 --> 00:31:27,581 BUT HE THOUGHT THAT THIS HOUSE 633 00:31:27,624 --> 00:31:28,974 MIGHT BE THEIR MOST DANGEROUS ONE YET. 634 00:31:29,017 --> 00:31:30,540 DID THEY FINISH THAT CASE? 635 00:31:30,584 --> 00:31:32,803 NO. 636 00:31:32,847 --> 00:31:35,981 NO, HIS NOTES ARE INCOMPLETE, WHICH IS STRANGE 637 00:31:36,024 --> 00:31:38,418 BECAUSE EVERY OTHER ONE OF THEIR CASES WAS METHODICALLY DETAILED 638 00:31:38,461 --> 00:31:40,159 BEGINNING TO END, NO EXCEPTIONS. 639 00:31:40,202 --> 00:31:42,552 SO THIS CASE WAS DIFFERENT FOR A REASON. 640 00:31:42,596 --> 00:31:45,686 YEAH, IT LOOKS LIKE PATRICK WASN'T AROUND TO FINISH IT. 641 00:31:45,729 --> 00:31:47,775 WE NEED AN ADDRESS ON THAT HOUSE. 642 00:31:47,818 --> 00:31:50,125 GOT ONE RIGHT HERE. 643 00:31:56,958 --> 00:31:59,569 [STEPHANIE TALKING INDISTINCTLY] 644 00:32:02,616 --> 00:32:04,009 YOU'VE BEEN GONE A LONG TIME. 645 00:32:04,052 --> 00:32:07,664 IS EVERYTHING OK? 646 00:32:07,708 --> 00:32:10,885 I RAN INTO COURTNEY. 647 00:32:10,929 --> 00:32:12,800 YOU DID? 648 00:32:12,843 --> 00:32:14,976 I BROUGHT HER HERE. 649 00:32:15,020 --> 00:32:17,152 HOW COME? 650 00:32:20,242 --> 00:32:21,940 [INDISTINCT CONVERSATION] 651 00:32:28,033 --> 00:32:30,905 COURTNEY WAS AT THE LAST HOUSE AND CAUGHT THE INFECTION THERE. 652 00:32:30,949 --> 00:32:32,385 REALLY? 653 00:32:32,428 --> 00:32:33,864 YES. 654 00:32:33,908 --> 00:32:35,170 IT'S IN THE EARLY STAGES, 655 00:32:35,214 --> 00:32:36,650 BUT I COULD SEE IT IN HER EYES. 656 00:32:36,693 --> 00:32:41,002 [CONVERSATION CONTINUES] 657 00:32:41,046 --> 00:32:43,613 THE INFECTION IS MOVING FASTER NOW. 658 00:32:43,657 --> 00:32:45,224 THAT'S WHY I BROUGHT COURTNEY HERE. 659 00:32:47,052 --> 00:32:50,577 IF I SAVE HER WHILE IN THIS HOUSE, 660 00:32:50,620 --> 00:32:52,492 I CAN STOP THE SPREAD FOREVER. 661 00:32:52,535 --> 00:32:54,624 HOW MUCH LONGER DO YOU THINK WE HAVE BEFORE-- 662 00:32:54,668 --> 00:32:57,888 [DOOR HANDLE RATTLES] 663 00:32:57,932 --> 00:33:00,195 IT'S TOO LATE. 664 00:33:00,239 --> 00:33:03,024 SHE'S FULLY INFECTED. 665 00:33:04,069 --> 00:33:06,462 YOU KNOW WHAT YOU HAVE TO DO. 666 00:33:06,506 --> 00:33:09,944 IT'S THE ONLY WAY TO SAVE HER. 667 00:33:15,558 --> 00:33:17,169 COURTNEY: STEPHANIE? 668 00:33:18,431 --> 00:33:20,085 WHERE'S PATRICK? 669 00:33:27,135 --> 00:33:29,181 ISN'T THIS PATRICK'S STUFF? 670 00:33:30,747 --> 00:33:31,792 WHAT ARE YOU DOING? 671 00:33:31,835 --> 00:33:33,054 STEPHANIE! AAH! 672 00:33:33,098 --> 00:33:34,403 STEPHANIE! 673 00:33:36,405 --> 00:33:38,103 PATRICK. 674 00:33:48,026 --> 00:33:50,028 [GRUNTS] 675 00:33:52,291 --> 00:33:54,423 [BOTH GRUNTING] 676 00:33:57,600 --> 00:33:58,688 UHH! 677 00:34:04,129 --> 00:34:05,869 YOU DON'T HAVE TO DO THIS. 678 00:34:05,913 --> 00:34:08,872 BUT I HAVE NO CHOICE. 679 00:34:08,916 --> 00:34:10,048 AAH! 680 00:34:10,091 --> 00:34:12,485 [GROANING] 681 00:34:16,097 --> 00:34:19,535 [GRUNTING] 682 00:34:19,579 --> 00:34:21,624 [PANTING] 683 00:34:24,062 --> 00:34:25,324 UHH! 684 00:34:35,073 --> 00:34:36,465 [GRUNTING] 685 00:34:39,033 --> 00:34:41,079 AAH! 686 00:34:51,654 --> 00:34:54,048 COURTNEY: PLEASE, NO. 687 00:34:54,092 --> 00:34:56,006 STEPHANIE. 688 00:34:56,050 --> 00:34:58,139 THEY'RE GETTING STRONGER. 689 00:34:58,183 --> 00:34:59,706 THEY HAVEN'T FOUGHT BACK THIS MUCH BEFORE. 690 00:34:59,749 --> 00:35:01,577 I'M NOT WHAT YOU THINK I AM. 691 00:35:01,621 --> 00:35:03,971 I'M--I'M NOT. 692 00:35:04,014 --> 00:35:06,147 THAT'S WHAT THEY ALWAYS SAY. 693 00:35:06,191 --> 00:35:07,148 STEPHANIE, PLEASE. 694 00:35:07,192 --> 00:35:09,237 DO WHAT YOU HAVE TO DO, STEPHANIE, 695 00:35:09,281 --> 00:35:12,066 JUST LIKE YOU DID TO ME. 696 00:35:13,198 --> 00:35:15,548 COURTNEY: PLEASE, NO. 697 00:35:15,591 --> 00:35:17,941 IT'S OK, COURTNEY. 698 00:35:17,985 --> 00:35:20,161 I'M GOING TO SAVE YOU. 699 00:35:21,206 --> 00:35:23,425 AAH![GUNSHOT] 700 00:35:24,600 --> 00:35:26,167 COURTNEY. 701 00:35:29,127 --> 00:35:30,954 ROSSI: COURTNEY. 702 00:35:30,998 --> 00:35:32,565 AGENT ROSSI? 703 00:35:32,608 --> 00:35:35,045 YEAH. IT'S ME. I'M HERE, KID. 704 00:35:35,089 --> 00:35:36,177 I GOT YOU. 705 00:35:36,221 --> 00:35:37,004 YOU'RE GONNA BE OK. 706 00:35:37,047 --> 00:35:40,181 [SIREN] 707 00:35:44,751 --> 00:35:47,928 CAN I GET A SECOND WITH HER, PLEASE? 708 00:35:53,412 --> 00:35:56,197 CAME TO SAY GOOD-BYE. 709 00:35:57,807 --> 00:36:00,158 I'VE BEEN CHASING STORIES LIKE THIS 710 00:36:00,201 --> 00:36:02,856 FOR A LONG TIME. 711 00:36:02,899 --> 00:36:05,424 TODAY, I ALMOST BECAME ONE OF THEM. 712 00:36:07,034 --> 00:36:10,385 MAYBE IT'S TIME FOR ME TO DO SOMETHING ELSE. 713 00:36:10,429 --> 00:36:12,561 NO. 714 00:36:12,605 --> 00:36:14,998 A BELIEF AS STRONG AS YOURS, 715 00:36:15,042 --> 00:36:17,175 THAT'S UNSHAKEABLE. 716 00:36:17,218 --> 00:36:19,220 IT'S BORN FOR A REASON. 717 00:36:21,527 --> 00:36:23,485 MY GUESS IS 718 00:36:23,529 --> 00:36:26,053 THAT YOU LOST SOMEBODY. 719 00:36:30,492 --> 00:36:32,929 MY TWIN SISTER. 720 00:36:34,540 --> 00:36:37,717 WE WERE 8. 721 00:36:37,760 --> 00:36:40,763 IT WAS A CAR ACCIDENT. 722 00:36:42,504 --> 00:36:45,290 SO NOW YOU BELIEVE BECAUSE IT GIVES YOU HOPE 723 00:36:45,333 --> 00:36:47,205 THAT YOU'LL SEE HER AGAIN. 724 00:36:48,336 --> 00:36:50,077 YES. 725 00:36:52,688 --> 00:36:55,517 THAT'S A POWERFUL FEELING. 726 00:36:55,561 --> 00:37:00,130 DON'T YOU EVER GIVE IT UP. OK? 727 00:37:00,174 --> 00:37:01,784 OK. 728 00:37:06,485 --> 00:37:11,359 YOU MAY NOT BELIEVE IN WHAT I DO, AGENT ROSSI, 729 00:37:11,403 --> 00:37:14,754 BUT I'VE SEEN THINGS. 730 00:37:14,797 --> 00:37:19,280 AND RIGHT NOW I CAN SEE THAT YOU'RE HAUNTED BY SOMETHING. 731 00:37:25,330 --> 00:37:27,593 YOU TAKE CARE OF YOURSELF, COURTNEY. 732 00:37:29,072 --> 00:37:31,553 YOU, TOO. 733 00:37:31,597 --> 00:37:34,252 AND THANKS. 734 00:37:56,317 --> 00:37:58,276 YOU WERE GREAT TODAY WITH COURTNEY. 735 00:37:58,319 --> 00:38:00,234 AND I HOPE THAT'S FURTHER PROOF 736 00:38:00,278 --> 00:38:02,323 YOU HAVE NO REASON TO DOUBT YOURSELF. 737 00:38:02,367 --> 00:38:05,152 YOU'RE A CORNERSTONE OF THIS TEAM, DAVE. 738 00:38:05,195 --> 00:38:08,721 THANKS. I APPRECIATE IT. 739 00:38:08,764 --> 00:38:10,940 AND THE DRINK, TOO. 740 00:38:12,290 --> 00:38:15,075 WE WILL GET EVERETT LYNCH, I PROMISE. 741 00:38:15,118 --> 00:38:17,164 I KNOW. 742 00:38:17,207 --> 00:38:20,210 WE JUST HAVE TO TRUST THE PROCESS. 743 00:38:20,254 --> 00:38:24,084 COME ON, YOU DON'T WANT TO BE ACCUSED OF DRINKING ALONE. 744 00:38:25,215 --> 00:38:27,217 ALVEZ: I'LL ASK HIM. ROSSI? 745 00:38:27,261 --> 00:38:29,176 YOU THINK THE BAU's HAUNTED? 746 00:38:29,219 --> 00:38:31,091 YEP, 100%. 747 00:38:31,134 --> 00:38:32,527 OH.LEWIS: COME ON. 748 00:38:32,571 --> 00:38:33,920 DO YOU HAVE ANY PROOF? 749 00:38:33,963 --> 00:38:35,313 ROSSI: WELL, NOTHING THAT COULD BE USED AS EVIDENCE 750 00:38:35,356 --> 00:38:36,836 IN A COURT OF LAW. 751 00:38:36,879 --> 00:38:38,272 ALVEZ: NO, I'VE FELT IT, TOO. 752 00:38:38,316 --> 00:38:41,275 I MEAN, I'M TALKING ABOUT SUDDEN DROPS IN TEMPERATURE 753 00:38:41,319 --> 00:38:44,409 OR UNEXPLAINED SOUNDS, THINGS LIKE THAT. 754 00:38:44,452 --> 00:38:48,630 JAREAU: JEEZ, NEXT YOU'RE GONNA SAY YOU FOUND TRACES OF ECTOPLASM IN THE FRIDGE. 755 00:38:48,674 --> 00:38:51,285 ROSSI: I THINK THAT WAS REID'S LEFT OVER CURRY NOODLE SOUP. 756 00:38:51,329 --> 00:38:53,113 [LAUGHTER] 757 00:38:53,156 --> 00:38:55,594 YOU KNOW, SOMETIMES I DO FEEL LIKE I'M BEING WATCHED. 758 00:38:55,637 --> 00:38:57,900 AND I MEAN, I KNOW NOBODY'S THERE, 759 00:38:57,944 --> 00:38:59,685 BUT I CAN FEEL EYES ON ME. 760 00:38:59,728 --> 00:39:02,209 EMILY, NOT YOU, TOO. 761 00:39:02,252 --> 00:39:03,950 WHAT, YOU'RE NOT A BELIEVER, JJ? 762 00:39:03,993 --> 00:39:05,343 NOPE. NOT EVEN A LITTLE. 763 00:39:05,386 --> 00:39:08,128 OH, THAT'S MY GIRL.MM-HMM. 764 00:39:08,171 --> 00:39:09,608 SAME HERE. EVEN AS A KID AROUND THE CAMPFIRE, 765 00:39:09,651 --> 00:39:12,567 I WAS ALWAYS TRYING TO PULL LOGIC THREADS. 766 00:39:12,611 --> 00:39:14,569 YOUR BUDDIES MUST HAVE LOVED THAT. 767 00:39:14,613 --> 00:39:17,746 PRENTISS: HOW CAN THE THREE OF YOU BE SO SKEPTICAL 768 00:39:17,790 --> 00:39:19,182 AFTER WHAT WE'VE SEEN? 769 00:39:19,226 --> 00:39:20,358 LEWIS: SEE, THAT'S MY POINT. 770 00:39:20,401 --> 00:39:21,924 HOW CAN I BELIEVE IN THAT STUFF 771 00:39:21,968 --> 00:39:23,578 AFTER WE'VE SEEN WHAT WE'VE SEEN? 772 00:39:23,622 --> 00:39:25,232 I MEAN, YEAH, MONSTERS ARE REAL, 773 00:39:25,275 --> 00:39:27,452 BUT THEY ARE MOST DEFINITELY HUMAN. 774 00:39:27,495 --> 00:39:31,412 ROSSI: AND YOU MOST DEFINITELY HAVE A LOOSE DEFINITION FOR "HUMAN," 775 00:39:31,456 --> 00:39:34,763 BECAUSE MONSTERS ARE MONSTERS IN MY BOOK. 776 00:39:34,807 --> 00:39:37,810 ROSSI, VOICE-OVER: "HOW DOES ONE KILL FEAR, I WONDER? 777 00:39:37,853 --> 00:39:40,421 "HOW DO YOU SHOOT A SPECTER THROUGH THE HEART, 778 00:39:40,465 --> 00:39:42,945 "SLASH OFF ITS SPECTRAL HEAD, 779 00:39:42,989 --> 00:39:46,079 TAKE IT BY ITS SPECTRAL THROAT?" 780 00:39:46,122 --> 00:39:48,429 JOSEPH CONRAD. 781 00:39:59,832 --> 00:40:02,791 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 782 00:40:02,835 --> 00:40:05,838 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--