1 00:00:01,302 --> 00:00:02,403 PREVIOUSLY ON "CRIMINAL MINDS"... 2 00:00:02,436 --> 00:00:03,437 WE'RE TAKING YOU HOME. 3 00:00:03,471 --> 00:00:05,139 GARCIA: DO YOU REALLY THINK THAT HE CAN HANDLE IT, 4 00:00:05,173 --> 00:00:06,640 I MEAN, ALL THAT REID'S BEEN THROUGH? 5 00:00:06,674 --> 00:00:09,177 LEWIS: WE ALL KNOW WHAT THAT CAN DO TO THE PSYCHE OF AN INMATE. 6 00:00:09,210 --> 00:00:11,212 ROSSI: SCRATCH HAS SURFACED AGAIN, 7 00:00:11,245 --> 00:00:13,047 THIS TIME AT JACK'S SCHOOL, 8 00:00:13,081 --> 00:00:15,616 WHICH IS WHY HOTCH AND JACK HAVE NOW ENTERED THE PROGRAM. 9 00:00:15,649 --> 00:00:17,051 WITNESS PROTECTION. 10 00:00:17,085 --> 00:00:18,786 WE MIGHT HAVE A NEW LEAD ON MR. SCRATCH. 11 00:00:18,819 --> 00:00:22,156 THIS TEXT, IT'S A TRAP. LET'S GO. 12 00:00:26,127 --> 00:00:28,629 [TIRES SCREECHING] 13 00:00:36,837 --> 00:00:39,140 GUYS? 14 00:00:40,441 --> 00:00:43,111 GUYS? 15 00:00:43,144 --> 00:00:44,512 [TELEPHONE LINE RINGING] 16 00:00:44,545 --> 00:00:46,580 DON'T GO TO VOICE MAIL. DON'T GO TO VOICE MAIL. 17 00:00:46,614 --> 00:00:47,581 DON'T GO TO VOICE MAIL. 18 00:00:47,615 --> 00:00:49,083 [CLICK] 19 00:00:49,117 --> 00:00:50,351 PRENTISS, ON PHONE: THIS IS SSA EMILY PRENTISS. 20 00:00:50,384 --> 00:00:52,353 I CAN'T TAKE YOUR CALL RIGHT NOW, SO-- 21 00:00:52,386 --> 00:00:54,488 HEY, I CAME AS SOON AS I COULD. 22 00:00:54,522 --> 00:00:58,259 WHAT'S WRONG? THEY'RE GONE. 23 00:00:58,292 --> 00:01:01,495 THEY'RE ALL GONE. 24 00:01:01,529 --> 00:01:04,598 I'LL DRIVE. YEAH. 25 00:01:05,666 --> 00:01:08,136 CORRECT. PENELOPE GRACE GARCIA, 26 00:01:08,169 --> 00:01:10,704 TECHNICAL ANALYST, BADGE NUMBER 0019er0. 27 00:01:10,738 --> 00:01:12,206 I AM WITH INTERNATIONAL RESPONSE TEAM 28 00:01:12,240 --> 00:01:13,607 SPECIAL AGENT MATT SIMMONS. 29 00:01:13,641 --> 00:01:15,876 YEAH. I KNOW, BUT SSA SPENCER REID 30 00:01:15,909 --> 00:01:18,412 HASN'T BEEN REINSTATED YET, SO-- 31 00:01:18,446 --> 00:01:20,114 OH, MY GOD, I KNOW THIS IS PROTOCOL, 32 00:01:20,148 --> 00:01:21,515 BUT YOU NEED TO STOP ASKING ME QUESTIONS 33 00:01:21,549 --> 00:01:23,117 AND SEND BACKUP TO THE COORDINATES 34 00:01:23,151 --> 00:01:24,885 I JUST GAVE YOU RIGHT NOW, PLEASE... 35 00:01:24,918 --> 00:01:27,155 [TIRES SCREECHING] 36 00:01:30,891 --> 00:01:32,526 AND MEDICAL. 37 00:01:32,560 --> 00:01:34,362 SEND LOTS OF MEDICAL. 38 00:01:34,395 --> 00:01:35,796 GARCIA: NO, NO... 39 00:01:35,829 --> 00:01:37,898 OK. COME ON. I GOT YOU. I GOT YOU. I GOT YOU. I GOT YOU. 40 00:01:37,931 --> 00:01:39,700 JAG-OFF AMBUSHED US, 41 00:01:39,733 --> 00:01:41,402 DIDN'T EVEN SEE HIM COMING. 42 00:01:41,435 --> 00:01:43,271 ALL RIGHT. WE GOT TO GET YOU OFF THAT LEG, OK? 43 00:01:43,304 --> 00:01:44,772 NO, NO. I'M FINE. I'M FINE. 44 00:01:44,805 --> 00:01:47,775 I'LL FLAG DOWN THE CAVALRY. 45 00:01:47,808 --> 00:01:49,577 YOU GO CHECK ON THE TEAM. 46 00:01:49,610 --> 00:01:50,811 YES, THE TEAM, 47 00:01:50,844 --> 00:01:52,146 THE TEAM, THE TEAM. 48 00:01:52,180 --> 00:01:53,647 WHAT CAN I DO? I CAN'T SEE. 49 00:01:53,681 --> 00:01:54,715 WHAT CAN I DO? HOW CAN I HELP? 50 00:01:54,748 --> 00:01:56,184 I CAN'T SEE. UGH! 51 00:01:56,217 --> 00:01:58,552 WAIT. ALL RIGHT. I SEE IT, OK? I SEE IT. 52 00:01:58,586 --> 00:02:02,523 YOU GOT SOME BROKEN GLASS IN YOUR SCALP, JJ, OK? 53 00:02:02,556 --> 00:02:05,526 JUST HOLD THIS TILL THE AMBULANCE COMES, ALL RIGHT? 54 00:02:05,559 --> 00:02:08,896 STEPHEN? IT'LL BE HERE SOON. 55 00:02:08,929 --> 00:02:11,165 STEPHEN? 56 00:02:11,199 --> 00:02:12,733 [GASPS] 57 00:02:12,766 --> 00:02:15,403 [EXHALES] 58 00:02:17,271 --> 00:02:19,440 [GASPS] 59 00:02:19,473 --> 00:02:22,410 HE'S GONE. HE'S GONE. 60 00:02:22,443 --> 00:02:26,347 I CAN'T LEAVE HIM ALONE LIKE THIS. 61 00:02:26,380 --> 00:02:29,850 SIMMONS: LUKE! LUKE! 62 00:02:31,919 --> 00:02:34,622 TARA, CAN YOU TELL ME WHERE YOU'RE HURT? 63 00:02:34,655 --> 00:02:37,491 UM, I THINK I'M GOING INTO SHOCK. 64 00:02:37,525 --> 00:02:39,460 OK. ALL RIGHT. I GOT YOU. 65 00:02:39,493 --> 00:02:41,329 TARA, WE'RE GONNA WARM YOU UP, ALL RIGHT? 66 00:02:41,362 --> 00:02:42,463 BLEEDING INTERNALLY, BUT WE'LL GET 67 00:02:42,496 --> 00:02:43,464 SOME BLOOD TO YOUR BRAIN. 68 00:02:43,497 --> 00:02:44,632 ALL RIGHT. LISTEN. 69 00:02:44,665 --> 00:02:46,200 YOU'RE GONNA WANT TO GO TO SLEEP. 70 00:02:46,234 --> 00:02:47,235 WE CAN'T LET YOU DO THAT. YOU GOT TO STAY WITH US, OK? 71 00:02:47,268 --> 00:02:49,803 STAY WITH US. OVER HERE! 72 00:02:49,837 --> 00:02:53,274 [RADIO CHATTER] 73 00:02:53,307 --> 00:02:56,477 THOSE SPIKE STRIPS TOOK OUT OUR TWO SUVs. 74 00:02:56,510 --> 00:02:58,746 THEN THE TRUCK BLINDSIDED US. 75 00:02:58,779 --> 00:03:01,949 WE HAVE 6 AGENTS THAT ARE-- 76 00:03:06,387 --> 00:03:09,323 WHERE'S EMILY? 77 00:03:13,394 --> 00:03:14,862 [MOANING] 78 00:03:25,806 --> 00:03:27,641 PRENTISS: WHERE AM I? 79 00:03:27,675 --> 00:03:30,744 YOU WERE IN A CAR CRASH, A BAD ONE. 80 00:03:32,713 --> 00:03:36,250 OH, MY GOD, WHAT HAPPENED? 81 00:03:36,284 --> 00:03:38,752 YOUR SUV SUSTAINED THE BRUNT OF THE IMPACT. 82 00:03:38,786 --> 00:03:41,422 SPECIFICALLY, YOU SUSTAINED IT. 83 00:03:42,690 --> 00:03:44,725 DO YOU REMEMBER? 84 00:03:45,926 --> 00:03:48,796 NO. I-- 85 00:03:48,829 --> 00:03:51,832 [TIRES SCREECH] 86 00:03:51,865 --> 00:03:55,336 WAIT. YEAH. MY TEAM. 87 00:03:55,369 --> 00:03:57,838 TAKE--TAKE IT EASY, AGENT PRENTISS. 88 00:03:57,871 --> 00:03:59,807 GOT YOU STABILIZED, BUT YOU GOT TO STAY PUT. 89 00:03:59,840 --> 00:04:02,476 WHERE AM I? THIS ISN'T A HOSPITAL. 90 00:04:02,510 --> 00:04:04,412 I'VE BEEN IN ENOUGH HOSPITALS. 91 00:04:04,445 --> 00:04:07,848 I KNOW HOW THEY SOUND, HOW THEY SMELL, 92 00:04:07,881 --> 00:04:10,818 SO WHERE THE HELL AM I? 93 00:04:10,851 --> 00:04:14,021 YOU'RE BEING TAKEN CARE OF. 94 00:04:14,054 --> 00:04:16,390 WE BOTH ARE. 95 00:04:16,424 --> 00:04:18,959 WAIT. WHAT-- WHAT DOES THAT MEAN? 96 00:04:18,992 --> 00:04:21,028 I DON'T UNDERSTAND YOU. 97 00:04:21,061 --> 00:04:23,497 YEAH. SHE'S CONSCIOUS. 98 00:04:31,772 --> 00:04:34,875 WELL, HELLO, EMILY. 99 00:04:36,910 --> 00:04:38,446 SON OF A BITCH. 100 00:04:38,479 --> 00:04:40,714 IT'S NICE TO MEET YOU, TOO, FINALLY. 101 00:04:40,748 --> 00:04:43,351 DID YOU GRAB ALL OF US, HUH? 102 00:04:43,384 --> 00:04:45,819 ARE WE ALL HERE? LUKE! JJ! 103 00:04:45,853 --> 00:04:48,389 NO. IT'S JUST YOU. 104 00:04:48,422 --> 00:04:50,891 YOUR TEAM IS FINE, BY THE WAY. 105 00:04:50,924 --> 00:04:54,495 EXCUSE ME. I TAKE THAT BACK. 106 00:04:54,528 --> 00:04:57,598 THE TRUCK I DROVE INTO YOUR TEAM 107 00:04:57,631 --> 00:05:01,101 DID KILL SSA STEPHEN WALKER-- 108 00:05:01,134 --> 00:05:04,572 WHIPLASH, TRAGIC, LEAVES BEHIND A WIFE 109 00:05:04,605 --> 00:05:06,940 AND TWO CHILDREN, I BELIEVE. 110 00:05:06,974 --> 00:05:09,877 NO. THAT'S GOOD. 111 00:05:09,910 --> 00:05:12,880 GET IT ALL OUT. 112 00:05:12,913 --> 00:05:16,617 I WILL MAKE SURE YOU FRY FOR THIS. 113 00:05:16,650 --> 00:05:18,586 WILL YOU? 114 00:05:18,619 --> 00:05:20,488 WELL, MAYBE YOU SHOULD TAKE A LOOK 115 00:05:20,521 --> 00:05:23,824 AT YOURSELF FIRST... 116 00:05:28,996 --> 00:05:31,131 BECAUSE FROM WHERE I'M STANDING, 117 00:05:31,164 --> 00:05:33,767 YOU WON'T BE DOING MUCH OF ANYTHING 118 00:05:33,801 --> 00:05:37,405 FOR THE REST OF YOUR LIFE. 119 00:06:15,042 --> 00:06:17,678 REID: "HOLD ON WHEN THERE IS NOTHING IN YOU 120 00:06:17,711 --> 00:06:20,648 EXCEPT THE WILL WHICH SAYS, "HOLD ON." 121 00:06:20,681 --> 00:06:22,950 RUDYARD KIPLING. 122 00:06:25,018 --> 00:06:27,821 [DOOR OPENS] 123 00:06:27,855 --> 00:06:29,490 HEY... 124 00:06:29,523 --> 00:06:30,791 SPENCE. YOU OK? 125 00:06:30,824 --> 00:06:31,959 I'M... 126 00:06:35,095 --> 00:06:37,531 I NEED TO CALL WILL. 127 00:06:37,565 --> 00:06:38,932 I DID. I DID. HE'S ON THE WAY. 128 00:06:38,966 --> 00:06:42,002 RIGHT. RIGHT. 129 00:06:42,035 --> 00:06:45,205 OH, MONICA, 130 00:06:45,238 --> 00:06:47,007 STEPHEN'S WIFE. 131 00:06:47,040 --> 00:06:50,010 SOMEONE NEEDS TO CALL HER AND TELL THEM. 132 00:06:53,947 --> 00:06:55,449 ROSSI'S REFUSING TREATMENT 133 00:06:55,483 --> 00:06:58,118 UNTIL HE SPEAKS TO BOTH OF US. 134 00:07:03,256 --> 00:07:05,559 WHAT'S GOING ON? 135 00:07:05,593 --> 00:07:07,595 SHUT UP AND LISTEN. ALL RIGHT. 136 00:07:07,628 --> 00:07:10,798 FIRST, YOU, GO THROUGH MY PANTS POCKETS 137 00:07:10,831 --> 00:07:12,966 AND FIND MY KEYS. 138 00:07:13,000 --> 00:07:16,069 SECOND, YOU, YOU'RE BACK ON THE TEAM. 139 00:07:16,103 --> 00:07:17,771 NOT SURE I SHOULD BE. 140 00:07:17,805 --> 00:07:18,872 HAS THE DIRECTOR APPROVED THAT? 141 00:07:18,906 --> 00:07:20,574 I'M MAKING THE CALLS NOW. 142 00:07:20,608 --> 00:07:22,910 I'LL TAKE THE HEAT. YOU'RE BACK ON THE TEAM. 143 00:07:22,943 --> 00:07:23,977 I GOT THEM. 144 00:07:24,011 --> 00:07:25,913 THERE'S A LITTLE ONE THERE 145 00:07:25,946 --> 00:07:28,215 TO A FILE CABINET IN MY OFFICE. 146 00:07:28,248 --> 00:07:29,550 YOU FOLLOWING ME? 147 00:07:29,583 --> 00:07:30,984 YEAH. FOLLOWING YOU. 148 00:07:31,018 --> 00:07:34,187 INSIDE, THERE'S CHICAGO BEARS SEASON TICKETS. 149 00:07:34,221 --> 00:07:38,559 WHEN YOU GET THEM, YOU CALL MATT SIMMONS. 150 00:07:38,592 --> 00:07:40,961 I PROMISED HIM THOSE TICKETS. 151 00:07:40,994 --> 00:07:42,930 [INHALES SHARPLY] 152 00:07:42,963 --> 00:07:44,732 THEY MUST HAVE GIVEN HIM SOMETHING 153 00:07:44,765 --> 00:07:46,099 IN THE AMBULANCE TO MAKE HIM LOOPY. 154 00:07:46,133 --> 00:07:47,134 I'LL GET THE DOCTOR. 155 00:07:47,167 --> 00:07:48,101 WE'LL GET HIM INTO SURGERY. 156 00:07:48,135 --> 00:07:49,837 JUST SHUT UP AND LISTEN. 157 00:07:49,870 --> 00:07:53,707 NOW, EMILY IS MISSING. STEPHEN IS DEAD. 158 00:07:53,741 --> 00:07:55,676 AS FOR YOU TWO ASS CLOWNS, 159 00:07:55,709 --> 00:07:59,112 YOU'LL DO ME THE COURTESY OF FOLLOWING MY ORDERS. 160 00:07:59,146 --> 00:08:01,081 YOUR ORDERS AREN'T MAKING SENSE. 161 00:08:01,114 --> 00:08:03,951 FOLLOW MY ORDERS, 162 00:08:03,984 --> 00:08:06,820 AND THEN I'LL GO INTO SURGERY. 163 00:08:10,290 --> 00:08:13,126 THIS HAS GOT NOTHING TO DO WITH SEASON TICKETS. 164 00:08:13,160 --> 00:08:14,628 "ASS CLOWN"? 165 00:08:14,662 --> 00:08:16,063 SO SCRATCH HACKED MY PHONE TONIGHT 166 00:08:16,096 --> 00:08:18,098 USING SOMETHING CALLED A MAN IN THE MIDDLE ATTACK. 167 00:08:18,131 --> 00:08:20,067 THAT MEANS HE'S ON A SPECIFIC RADIO FREQUENCY. 168 00:08:20,100 --> 00:08:21,635 AND YOU'RE THINKING HE'S USING THE SAME 169 00:08:21,669 --> 00:08:23,671 RADIO FREQUENCY TO ACTIVATE THESE SPIKES. 170 00:08:23,704 --> 00:08:24,872 WELL, HE IS A MAN OF HABIT. 171 00:08:24,905 --> 00:08:26,840 MAYBE WE CAN USE THAT HABIT TO LOCATE HIM 172 00:08:26,874 --> 00:08:28,642 AND FIGURE OUT-- 173 00:08:28,676 --> 00:08:29,843 THIS IS HOW I PROFILE. 174 00:08:29,877 --> 00:08:31,779 [STATIC] 175 00:08:31,812 --> 00:08:33,814 OH, OH, OH. HOLD. FREEZE. FREEZE. 176 00:08:33,847 --> 00:08:35,649 YOU JUST HIT IT. HOLD ON. 177 00:08:35,683 --> 00:08:38,051 ALL RIGHT. BACK IT UP. 178 00:08:38,085 --> 00:08:41,188 [STATIC] 179 00:08:41,221 --> 00:08:42,956 BOOYAH. 180 00:08:42,990 --> 00:08:44,057 NOW WE GOT THE FREQUENCY. 181 00:08:44,091 --> 00:08:45,192 WE JUST HAVE TO FIGURE OUT 182 00:08:45,225 --> 00:08:46,660 WHERE HE'S BROADCASTING IT FROM. 183 00:08:46,694 --> 00:08:48,095 OK. THAT IS EASIER SAID THAN DONE. 184 00:08:48,128 --> 00:08:49,797 RADIO SIGNALS WORK ON A PRESET RANGE. 185 00:08:49,830 --> 00:08:51,932 WE'LL WALK OR DRIVE IN AND OUT OF PROXIMITY TO IT. 186 00:08:51,965 --> 00:08:53,200 AND HE COULD BE BOUNCING IT 187 00:08:53,233 --> 00:08:54,201 OFF MULTIPLE BUILDINGS. 188 00:08:54,234 --> 00:08:55,603 YEAH. THAT'S ALSO TRUE. 189 00:08:55,636 --> 00:08:57,170 OK. THE LEAST I COULD DO IS MAKE SURE SCRATCH 190 00:08:57,204 --> 00:08:59,072 DOESN'T AMBUSH US AGAIN, SO THE NEXT TIME HE GOES LIVE, 191 00:08:59,106 --> 00:09:02,142 I'LL SET UP SOME SORT OF SIGNAL, LIKE-- 192 00:09:02,175 --> 00:09:05,078 [BUZZ BUZZ] 193 00:09:06,313 --> 00:09:09,917 GARCIA: THEY HAVE TO TAKE HIM TO THE HOSPITAL, ANYWAY? 194 00:09:09,950 --> 00:09:13,120 YEAH. THAT'S THE PROPER PROCEDURE. 195 00:09:17,157 --> 00:09:19,159 SIMMONS: NEED A MINUTE? 196 00:09:19,192 --> 00:09:21,829 SO, SO BADLY, BUT... 197 00:09:21,862 --> 00:09:23,163 [SIREN DEPARTING] 198 00:09:23,196 --> 00:09:24,998 WE HAVE TO HELP EMILY. 199 00:09:25,032 --> 00:09:28,035 LET'S GET TO WORK. 200 00:09:30,270 --> 00:09:33,040 SCRATCH: TAKING A LITTLE MINDFULNESS BREAK? 201 00:09:37,878 --> 00:09:40,380 TRYING TO CONTROL YOUR BREATHING? 202 00:09:40,413 --> 00:09:41,849 THAT'S SMART. 203 00:09:41,882 --> 00:09:43,751 IT'LL KEEP YOU SANE... 204 00:09:44,752 --> 00:09:47,287 AND I NEED YOU SANE. 205 00:09:47,320 --> 00:09:51,391 OH, HOW RUDE. EXCUSE ME. 206 00:09:51,424 --> 00:09:53,994 LOOK. I'M ONLY ALIVE 207 00:09:54,027 --> 00:09:55,395 SO WHAT DO YOU WANT? 208 00:09:55,428 --> 00:09:58,065 INFORMATION THAT ONLY YOU HAVE. 209 00:09:58,098 --> 00:09:59,399 WHAT ARE YOU WAITING FOR, THEN? 210 00:09:59,432 --> 00:10:01,869 DOSE ME WITH YOUR DRUGS, THE ONES THAT MAKE ME SEE 211 00:10:01,902 --> 00:10:03,270 WHATEVER DELUSION YOU SUGGEST, 212 00:10:03,303 --> 00:10:05,739 AND I'LL TELL YOU WHAT YOU WANT. 213 00:10:05,773 --> 00:10:09,643 HMM, I WOULD LOVE NOTHING MORE THAN THAT. 214 00:10:09,677 --> 00:10:11,011 UNFORTUNATELY, 215 00:10:11,044 --> 00:10:12,880 IN YOUR CURRENT PHYSICAL CONDITION, 216 00:10:12,913 --> 00:10:14,815 THE SEVOFLURANE AND SCOPOLAMINE 217 00:10:14,848 --> 00:10:17,651 WOULD SEND YOU INTO A STROKE. 218 00:10:17,685 --> 00:10:19,086 I GUESS WE'RE AT A STALEMATE, THEN. 219 00:10:19,119 --> 00:10:21,154 NO. I STILL HAVE DRUGS THAT CAN MAKE YOU TALK, 220 00:10:21,188 --> 00:10:24,391 JUST DIFFERENT DRUGS. 221 00:10:29,830 --> 00:10:31,832 THIS IS MORPHINE. 222 00:10:31,865 --> 00:10:35,168 THIS IS WHAT IS MAKING YOUR LIFE 223 00:10:35,202 --> 00:10:37,838 VERY LIVABLE RIGHT NOW. 224 00:10:37,871 --> 00:10:41,208 WITHOUT THIS... 225 00:10:43,744 --> 00:10:46,179 YOUR BODY WILL BE ON FIRE, 226 00:10:46,213 --> 00:10:48,181 AND THEN YOU REALLY WILL TELL ME 227 00:10:48,215 --> 00:10:52,252 EVERYTHING I WANT, NO DELUSION NECESSARY. 228 00:11:00,728 --> 00:11:02,830 I CAN'T ARREST HIM. 229 00:11:02,863 --> 00:11:04,164 WHAT? SCRATCH. 230 00:11:04,197 --> 00:11:05,332 THE SECOND I SEE HIS FACE, 231 00:11:05,365 --> 00:11:08,068 I AM GOING TO KILL HIM. 232 00:11:08,101 --> 00:11:09,903 I TRIED TO TELL ROSSI NOT TO PUT ME BACK ON THE TEAM. 233 00:11:09,937 --> 00:11:13,073 YOU HEARD ME. YEAH. I DID. 234 00:11:14,441 --> 00:11:16,777 WHAT'S WRONG WITH ME? 235 00:11:16,810 --> 00:11:19,312 MY GUESS IS, IT'S BEEN GOING ON SINCE PRISON, 236 00:11:19,346 --> 00:11:21,849 BUT YOU HAVEN'T HAD TIME TO NOTICE. 237 00:11:21,882 --> 00:11:24,217 EVERY TIME YOU GET STRESSED, YOU GO INTO TUNNEL VISION. 238 00:11:24,251 --> 00:11:27,020 THAT'S WHY YOU'RE RUBBING YOUR PALM INTO YOUR EYE. 239 00:11:27,054 --> 00:11:29,723 YEAH. WHAT DOES THAT SOUND LIKE, REID? 240 00:11:29,757 --> 00:11:32,225 SOUNDS LIKE PTSD. PTSS. 241 00:11:32,259 --> 00:11:34,061 THAT'S WHAT THEY'RE CALLING IT NOW, 242 00:11:34,094 --> 00:11:36,029 POST-TRAUMATIC STRESS SYNDROME, 243 00:11:36,063 --> 00:11:38,498 BECAUSE IT'S NOT A DISORDER. 244 00:11:38,531 --> 00:11:40,834 IT'S AN INJURY. 245 00:11:40,868 --> 00:11:43,503 WELL, WHAT DO I DO? I MEAN, WE'RE IN CRISIS MODE. 246 00:11:43,536 --> 00:11:45,405 I DON'T HAVE TIME TO PROCESS MY EMOTIONAL STATE. 247 00:11:45,438 --> 00:11:48,041 THAT'S EXACTLY WHEN YOU MAKE TIME, RIGHT? 248 00:11:48,075 --> 00:11:49,242 YOU ASK FOR HELP. 249 00:11:49,276 --> 00:11:50,978 THERE'S NO SHAME IN THAT. 250 00:11:51,011 --> 00:11:52,079 ROSSI'S OFFICE. YEAH. 251 00:11:52,112 --> 00:11:53,246 I'LL HANDLE THAT. NO. 252 00:11:53,280 --> 00:11:56,383 THERE'S SOMEONE IN ROSSI'S OFFICE. 253 00:12:09,462 --> 00:12:12,165 OK. NOW THAT WE ARE SECURE, 254 00:12:12,199 --> 00:12:14,334 I GOT THAT FOR ROSSI LAST YEAR. 255 00:12:14,367 --> 00:12:15,903 NOT ONLY IS IT A CIGAR CASE, 256 00:12:15,936 --> 00:12:17,237 BUT IT'S ALSO A FARADAY CASE. 257 00:12:17,270 --> 00:12:19,873 IT BLOCKS ALL RADIO AND CELL SIGNALS. 258 00:12:19,907 --> 00:12:22,776 I THINK SCRATCH MIGHT BE LISTENING IN ON US 259 00:12:22,810 --> 00:12:25,779 WITH OUR CELL PHONES, EVEN WHEN THEY'RE OFF. 260 00:12:25,813 --> 00:12:28,415 THAT EXPLAINS WHY ROSSI WAS SO CAGEY IN THE HOSPITAL. 261 00:12:28,448 --> 00:12:31,985 ALL RIGHT. LET'S FIND THESE TICKETS. 262 00:12:42,462 --> 00:12:44,197 WHAT IS THIS? 263 00:12:44,231 --> 00:12:45,298 STEPHEN WAS BROUGHT ON BOARD 264 00:12:45,332 --> 00:12:46,299 FOR ONE REASON. 265 00:12:46,333 --> 00:12:48,168 THAT WAS TO CATCH SCRATCH. 266 00:12:48,201 --> 00:12:50,037 THAT IS HIS ENTIRE INVESTIGATION INTO HIM. 267 00:12:50,070 --> 00:12:51,438 SIMMONS: HE KEPT ALL HIS RECORDS OFF SITE, 268 00:12:51,471 --> 00:12:54,074 UPDATING PRENTISS AND ROSSI THROUGH HARD COPIES. 269 00:12:54,107 --> 00:12:55,308 REID: IF IT'S OFF THE CLOUD, SCRATCH CAN'T HACK IT. 270 00:12:55,342 --> 00:12:56,877 HAVE YOU GUYS READ IT? NO. 271 00:12:56,910 --> 00:12:58,311 PRENTISS ORDERED IT COMPARTMENTALIZED, 272 00:12:58,345 --> 00:12:59,813 EYES-ONLY CLEARANCE, BUT SHE ALSO FELT 273 00:12:59,847 --> 00:13:01,448 THERE SHOULD BE AT LEAST ONE FAILSAFE 274 00:13:01,481 --> 00:13:02,916 WHO WASN'T PART OF THE BAU 275 00:13:02,950 --> 00:13:05,252 WHO KNEW ABOUT IT JUST IN CASE OF EMERGENCY. 276 00:13:05,285 --> 00:13:06,820 THAT'S WHY GARCIA CALLED ME. 277 00:13:06,854 --> 00:13:08,255 ALL RIGHT. LET'S DIG IN. 278 00:13:08,288 --> 00:13:09,456 I MEAN, THIS MAY BE OUR ONLY CHANCE 279 00:13:09,489 --> 00:13:12,459 AT STOPPING THIS BASTARD. 280 00:13:12,492 --> 00:13:14,962 [MOANING] 281 00:13:21,134 --> 00:13:23,503 LOOK. OK. LOOK. OK. 282 00:13:23,536 --> 00:13:26,139 WHATEVER IT IS, WE CAN DISCUSS IT. 283 00:13:26,173 --> 00:13:29,509 YOU DON'T HAVE TO DO THIS. 284 00:13:29,542 --> 00:13:32,045 JUST GIVE ME THE MORPHINE, OK, 285 00:13:32,079 --> 00:13:33,981 AND--AND--JUST-- 286 00:13:34,014 --> 00:13:35,916 YOU CAN ASK WHATEVER YOU WANT. 287 00:13:35,949 --> 00:13:38,952 IT WAS OUR INVESTIGATION INTO YOU? IS THAT IT? 288 00:13:38,986 --> 00:13:40,487 IS THAT WHAT YOU WANT TO KNOW? 289 00:13:40,520 --> 00:13:41,922 TANGENTIALLY. 290 00:13:41,955 --> 00:13:45,058 OH! NNGH! THEN WHAT? 291 00:13:45,092 --> 00:13:47,394 TELL ME. TELL ME. THEN I'LL TELL YOU. 292 00:13:47,427 --> 00:13:49,329 IT'S THAT SIMPLE. 293 00:13:49,362 --> 00:13:51,999 TELL ME, AND I'LL TELL YOU. 294 00:13:52,665 --> 00:13:58,171 YEAH. I BELIEVE YOU WILL NOW. 295 00:13:58,205 --> 00:14:00,107 THERE IS A CERTAIN 296 00:14:00,140 --> 00:14:02,209 DEARLY DEPARTED TEAM MEMBER OF YOURS 297 00:14:02,242 --> 00:14:05,112 THAT I WOULD LIKE TO DISCUSS WITH YOU. 298 00:14:05,145 --> 00:14:10,350 STEPHEN. NO, NOT STEPHEN. 299 00:14:10,383 --> 00:14:15,122 THIS ONE ISN'T DEAD, AT LEAST NOT YET. 300 00:14:15,155 --> 00:14:17,991 THIS AGENT AND I HAD A LITTLE TETE-A-TETE, 301 00:14:18,025 --> 00:14:21,661 AND I CROSSED A LINE I SHOULDN'T HAVE. 302 00:14:21,694 --> 00:14:25,065 I REALLY COULDN'T HELP MYSELF, 303 00:14:25,098 --> 00:14:29,169 AND I STARTED TO STALK HIS SON, 304 00:14:29,202 --> 00:14:31,671 AND DO YOU KNOW WHAT HE DID, 305 00:14:31,704 --> 00:14:34,441 THAT COWARD? 306 00:14:34,474 --> 00:14:36,910 HE WENT INTO WITNESS PROTECTION... 307 00:14:38,011 --> 00:14:40,113 AND HE HAS BEEN VERY DIFFICULT TO FIND 308 00:14:40,147 --> 00:14:42,682 EVER SINCE, 309 00:14:42,715 --> 00:14:45,685 SO THAT'S WHAT I WANT TO KNOW. 310 00:14:45,718 --> 00:14:48,688 I WANT YOU TO TELL ME WHERE HE IS 311 00:14:48,721 --> 00:14:50,290 BECAUSE I KNOW YOU KNOW. 312 00:14:50,323 --> 00:14:53,026 NO. 313 00:14:53,060 --> 00:14:55,362 OH, STOP. NO. 314 00:14:55,395 --> 00:14:59,066 YES, EMILY. 315 00:14:59,099 --> 00:15:02,035 WHERE IS AARON HOTCHNER? 316 00:15:10,610 --> 00:15:13,180 I DON'T KNOW WHERE HOTCH IS. 317 00:15:13,213 --> 00:15:14,581 I DON'T. 318 00:15:14,614 --> 00:15:16,183 THAT'S HOW WITSEC WORKS. 319 00:15:16,216 --> 00:15:18,351 HE HAS TO BE HIDDEN FROM US 320 00:15:18,385 --> 00:15:20,620 BECAUSE OF MEN LIKE YOU. 321 00:15:20,653 --> 00:15:22,589 DO YOU RECOGNIZE THIS? 322 00:15:22,622 --> 00:15:24,191 WELL, IT WAS A TEXT EXCHANGE YOU HAD 323 00:15:24,224 --> 00:15:26,159 WITH A SERIES OF BURNER PHONES, 324 00:15:26,193 --> 00:15:28,061 AND A LAST TEXT EXCHANGE BETWEEN YOU 325 00:15:28,095 --> 00:15:29,729 AND THIS MYSTERY MAN READS, 326 00:15:29,762 --> 00:15:32,165 "HONDURAS CONNECTION IS A GO. 327 00:15:32,199 --> 00:15:36,036 "HUNTING DOWN ALL LEADS TO B-CAP IN DC. 328 00:15:36,069 --> 00:15:37,470 THANKS. A.H." 329 00:15:37,504 --> 00:15:40,540 OH... [BEEP] 330 00:15:42,742 --> 00:15:46,213 LET'S GET DOWN TO THE QUESTION AT HAND. 331 00:15:46,246 --> 00:15:47,480 WHERE IS HOTCH? 332 00:15:47,514 --> 00:15:49,216 WAIT, WAIT, WAIT, WAIT, WAIT. 333 00:15:49,249 --> 00:15:51,184 HE NEVER GAVE ME AN ADDRESS. ALL WE DID WAS TEXT. 334 00:15:51,218 --> 00:15:53,386 NO. LAST CHANCE. 335 00:15:54,421 --> 00:15:55,655 VERMONT. 336 00:15:55,688 --> 00:15:57,757 HE'S SOMEWHERE IN VERMONT. AAH! 337 00:15:57,790 --> 00:16:00,560 [CELL PHONE RINGS] 338 00:16:00,593 --> 00:16:03,296 [RING] 339 00:16:03,330 --> 00:16:06,033 [BEEP] 340 00:16:06,066 --> 00:16:09,602 HI. I'M SORRY. 341 00:16:11,638 --> 00:16:15,208 YOU DON'T WANT TO DO THAT, MONICA. 342 00:16:15,242 --> 00:16:19,079 OK. I'LL COME GET YOU NOW. 343 00:16:20,447 --> 00:16:22,649 [BEEP] STEPHEN'S WIFE? 344 00:16:22,682 --> 00:16:25,485 TELL HER I'M SORRY. 345 00:16:39,366 --> 00:16:41,134 PRENTISS TEXTED HOTCH? 346 00:16:41,168 --> 00:16:43,236 ACCORDING TO STEPHEN'S DOCUMENTATION, YES. 347 00:16:43,270 --> 00:16:44,504 IT MUST HAVE BEEN A COORDINATED ATTEMPT 348 00:16:44,537 --> 00:16:46,106 TO SHARE INTEL. 349 00:16:46,139 --> 00:16:47,707 WOULD HOTCH HAVE EXPOSED HIMSELF LIKE THIS? 350 00:16:47,740 --> 00:16:49,242 NO, AND NEITHER WOULD SHE. 351 00:16:49,276 --> 00:16:51,078 I MEAN, SHE WOULDN'T RELY ON A HACKABLE APP, 352 00:16:51,111 --> 00:16:52,812 AND SHE SURE AS HELL WOULDN'T WRITE, "A.H.," IN A TEXT. 353 00:16:52,845 --> 00:16:54,181 THAT DEFEATS THE PURPOSE 354 00:16:54,214 --> 00:16:55,582 OF COMPARTMENTALIZING THE INVESTIGATION. 355 00:16:55,615 --> 00:16:57,284 IT WAS A SMOKE SCREEN. 356 00:16:57,317 --> 00:16:58,685 STEPHEN HAD A BACKGROUND IN COUNTERINTELLIGENCE. 357 00:16:58,718 --> 00:17:00,153 HE MUST HAVE DESIGNED THIS. 358 00:17:00,187 --> 00:17:01,688 HE FAKED THE HOTCH SIDE OF THE CONVERSATION 359 00:17:01,721 --> 00:17:03,390 TO ENTICE SCRATCH TO MAKE A MOVE. 360 00:17:03,423 --> 00:17:05,358 THE SIZE AND SCALE OF WHICH INDICATE DESPERATION, 361 00:17:05,392 --> 00:17:06,559 A DESPERATION HE HASN'T SHOWN 362 00:17:06,593 --> 00:17:08,628 AFTER A YEAR OF HIDING, SO WHY NOW? 363 00:17:08,661 --> 00:17:10,130 A.H. IS A PRETTY BIG RED FLAG. 364 00:17:10,163 --> 00:17:11,364 MAYBE THAT'S WHAT BROUGHT HIM OUT. 365 00:17:11,398 --> 00:17:13,333 WELL, THEY USED HOTCH'S INITIALS 366 00:17:13,366 --> 00:17:14,734 IN OTHER TEXTS BEFORE. 367 00:17:14,767 --> 00:17:16,169 THEN THEY FOUND SOMETHING ELSE, 368 00:17:16,203 --> 00:17:18,171 SOMETHING THEY KNEW WOULD RATTLE HIM. 369 00:17:18,205 --> 00:17:20,373 B-CAP. WHAT'S B-CAP? 370 00:17:20,407 --> 00:17:21,674 SIMMONS: GEOGRAPHY MAYBE. 371 00:17:21,708 --> 00:17:23,410 I MEAN, IT'S MENTIONED IN RELEVANCE TO DC. 372 00:17:23,443 --> 00:17:25,678 GARCIA: MAYBE ITS A CODE NAME FOR A PARTNER. 373 00:17:25,712 --> 00:17:28,848 I CAN'T SEE IT. HEY, NO. 374 00:17:28,881 --> 00:17:30,350 WHY DON'T WE KICK IT OVER TO THE TEAM? 375 00:17:30,383 --> 00:17:31,418 MAYBE THEY CAN SUSS OUT-- 376 00:17:31,451 --> 00:17:32,652 NO. NO TIME. GET OUT. 377 00:17:32,685 --> 00:17:34,087 WHAT? GET OUT. SORRY. 378 00:17:34,121 --> 00:17:35,388 YOU, TOO. I'M REALLY SORRY, BUT GET OUT. 379 00:17:35,422 --> 00:17:36,389 GARCIA: LET ME GET THIS, AND THEN I'M GONNA GO. 380 00:17:36,423 --> 00:17:37,757 IT'S OK. OK. 381 00:17:40,627 --> 00:17:43,463 HE'S HAD A ROUGH COUPLE OF MONTHS. 382 00:17:45,598 --> 00:17:48,468 [EKG BEEPING] 383 00:17:50,137 --> 00:17:52,272 [DOOR OPENS] 384 00:17:53,240 --> 00:17:55,375 OH... 385 00:17:56,909 --> 00:17:59,212 OH, MY GOD, BABE. 386 00:17:59,246 --> 00:18:00,613 OH, HOW ARE THE KIDS? 387 00:18:00,647 --> 00:18:02,349 OH, THEY'RE FINE. THEY'RE FINE. 388 00:18:02,382 --> 00:18:03,516 I DIDN'T EVEN WAKE THEM. 389 00:18:03,550 --> 00:18:05,152 I GOT YOUR MOM TO COME OVER. 390 00:18:05,185 --> 00:18:07,754 OH, RIGHT. LOOK AT ME. 391 00:18:07,787 --> 00:18:10,223 HOW ARE YOU? 392 00:18:12,925 --> 00:18:16,529 UM, HE--HE GAVE ME THE FRONT SEAT. 393 00:18:16,563 --> 00:18:19,399 STEPHEN DID? 394 00:18:20,533 --> 00:18:22,802 YEAH. I WAS ALL SET TO SIT IN THE BACK, 395 00:18:22,835 --> 00:18:25,172 BUT HE GOT THERE FIRST, AND I-- 396 00:18:27,940 --> 00:18:31,778 SO IS IT TIME TO CALL IT? 397 00:18:31,811 --> 00:18:34,447 THAT WAS THE DEAL, RIGHT? 398 00:18:34,481 --> 00:18:36,516 IF IT GOT TOO SCARY, ONE OF US COULD CALL IT, 399 00:18:36,549 --> 00:18:39,152 NOT TODAY, NOT THIS WEEK AFTER WE FIND EMILY. 400 00:18:39,186 --> 00:18:41,554 WELL, IF I REMEMBER, 401 00:18:41,588 --> 00:18:43,856 YOU WOULD BE A FULL-TIME MOM, 402 00:18:43,890 --> 00:18:46,393 AND I WOULD RUN A BREAKFAST PLACE. 403 00:18:46,426 --> 00:18:49,362 MM, AND I'D GO TO ALL THE PTA MEETINGS. 404 00:18:49,396 --> 00:18:51,931 YOU'D COME HOME SMELLING LIKE GREASE. 405 00:18:51,964 --> 00:18:54,801 HA HA HA! IT'S TEMPTING. 406 00:18:54,834 --> 00:18:58,171 HMM, YEAH, 407 00:18:58,205 --> 00:19:02,475 SO DO YOU WANT TO CALL IT? 408 00:19:04,611 --> 00:19:07,680 YOU SEE THESE RINGS? 409 00:19:07,714 --> 00:19:09,682 WE'VE WORN THEM FOR 5 YEARS, 410 00:19:09,716 --> 00:19:12,285 BUT I'VE LOVED YOU FOR 10. 411 00:19:12,319 --> 00:19:13,753 HASN'T BEEN EASY. 412 00:19:13,786 --> 00:19:16,689 NO, BUT I WOULDN'T TRADE A SINGLE DAY, 413 00:19:16,723 --> 00:19:20,793 NOT EVEN THE AWFUL ONES LIKE TODAY... 414 00:19:25,998 --> 00:19:27,800 AND I'LL DO WHATEVER YOU WANT TO DO, 415 00:19:27,834 --> 00:19:29,569 BUT-- OH, THANK GOD. 416 00:19:29,602 --> 00:19:31,471 NEITHER DO I. 417 00:19:32,705 --> 00:19:33,706 MM. 418 00:19:33,740 --> 00:19:36,276 GET A ROOM, YOU TWO. 419 00:19:36,309 --> 00:19:38,411 IS MY LEG STILL ATTACHED? 420 00:19:38,445 --> 00:19:40,347 JAREAU: YEAH. 421 00:19:40,380 --> 00:19:44,684 IS PRENTISS-- NOTHING. 422 00:19:44,717 --> 00:19:46,886 [CELL PHONE RINGING] 423 00:19:50,423 --> 00:19:52,592 [BEEP] 424 00:19:52,625 --> 00:19:54,627 ALL RIGHT. I GOT TO GO. LUKE'S HERE. 425 00:19:54,661 --> 00:19:56,896 OH. 426 00:20:01,268 --> 00:20:03,670 OH, MONICA-- DON'T. 427 00:20:05,305 --> 00:20:07,340 I CAN'T. 428 00:20:07,374 --> 00:20:09,509 WHERE'S MY HUSBAND? 429 00:20:38,538 --> 00:20:40,340 [SOBS] 430 00:20:42,509 --> 00:20:45,011 OH, BABE, WHAT HAPPENED? 431 00:20:46,546 --> 00:20:48,315 [EXHALES] 432 00:20:58,458 --> 00:21:00,693 THE KIDS ARE STILL ASLEEP. 433 00:21:03,596 --> 00:21:06,633 HOW DO I-- 434 00:21:06,666 --> 00:21:08,267 [SOBS] 435 00:21:10,403 --> 00:21:12,405 [INHALES] 436 00:21:12,439 --> 00:21:13,906 HUH. 437 00:21:17,710 --> 00:21:20,580 I'LL TAKE CARE OF IT, OK? 438 00:21:24,817 --> 00:21:26,085 [CLEARS THROAT] 439 00:21:26,118 --> 00:21:27,654 [SNIFFLES] 440 00:21:27,687 --> 00:21:29,722 SEE YOU. 441 00:21:35,495 --> 00:21:37,597 [SOBS] 442 00:21:37,630 --> 00:21:39,832 [CRYING] 443 00:21:43,836 --> 00:21:46,473 [EKG BEEPING] 444 00:21:54,981 --> 00:21:58,618 WHERE IS THAT PLACE THAT YOU GO TO 445 00:21:58,651 --> 00:22:00,453 TO GROUND YOURSELF? 446 00:22:00,487 --> 00:22:03,055 I'D LIKE TO KNOW. 447 00:22:04,791 --> 00:22:06,926 SO YOU CAN DESTROY IT. 448 00:22:08,495 --> 00:22:10,963 SEE, I'VE READ YOUR CASE FILE. 449 00:22:10,997 --> 00:22:13,866 I'VE READ ABOUT HOW YOUR FATHER WAS KILLED 450 00:22:13,900 --> 00:22:16,936 WHEN YOU WERE 13, AND EARLIER, 451 00:22:16,969 --> 00:22:20,139 YOU SAID SOMETHING ABOUT CROSSING A LINE 452 00:22:20,172 --> 00:22:23,943 WHEN IT CAME TO STALKING A CHILD. 453 00:22:23,976 --> 00:22:28,615 I REALIZED HOTCH'S SON JACK, 454 00:22:28,648 --> 00:22:31,918 HE'S 13 NOW, TOO. 455 00:22:31,951 --> 00:22:35,154 I'M NOT A PEDOPHILE. 456 00:22:35,187 --> 00:22:37,624 I'M INSULTED BY YOUR INFERENCE. 457 00:22:37,657 --> 00:22:42,529 NO. YOUR INTEREST IN JACK IS CLINICAL. 458 00:22:43,663 --> 00:22:46,733 YOU WANT TO SEE WHAT IT WILL BE LIKE 459 00:22:46,766 --> 00:22:50,570 IF HE GROWS UP WITHOUT HIS FATHER LIKE YOU DID. 460 00:22:50,603 --> 00:22:53,139 THAT'S WHAT I'VE BEEN FOCUSING ON. 461 00:22:53,172 --> 00:22:55,842 AFTER YOU KILL HOTCH, 462 00:22:55,875 --> 00:22:57,977 YOU'LL NEVER LEAVE JACK ALONE. 463 00:22:58,010 --> 00:23:00,647 AM I RIGHT? 464 00:23:00,680 --> 00:23:02,649 YOU ARE. 465 00:23:02,682 --> 00:23:06,519 THEN LET ME TELL YOU SOMETHING, PETER. 466 00:23:06,553 --> 00:23:10,757 I'VE DIED BEFORE PROTECTING A CHILD. 467 00:23:10,790 --> 00:23:13,926 THAT WAS A CHILD I BARELY KNEW, 468 00:23:13,960 --> 00:23:19,432 BUT JACK, I LOVE JACK. 469 00:23:19,466 --> 00:23:22,702 I'VE WATCHED JACK GROW UP. 470 00:23:22,735 --> 00:23:25,938 I WILL NOT BETRAY HIM OR HIS FATHER, 471 00:23:25,972 --> 00:23:29,108 SO IT DOESN'T MATTER WHAT YOU DO TO ME. 472 00:23:29,141 --> 00:23:31,778 I WILL NOT BREAK. 473 00:23:33,245 --> 00:23:36,716 LET ME TEST THAT RESOLVE. 474 00:23:38,618 --> 00:23:40,520 [INSTRUMENTS CLATTER] 475 00:23:52,732 --> 00:23:56,836 YOU MAKE AN INTERESTING POINT. 476 00:23:56,869 --> 00:23:59,706 I NEED A PLAN "B." 477 00:23:59,739 --> 00:24:02,141 [INSTRUMENTS CLATTER] 478 00:24:05,044 --> 00:24:06,879 [GASPING] 479 00:24:13,620 --> 00:24:16,055 HEY, YOU, COME HERE... 480 00:24:16,088 --> 00:24:18,625 [PRENTISS PANTS] 481 00:24:18,658 --> 00:24:20,259 JUST FOR A SECOND. 482 00:24:20,292 --> 00:24:22,829 PLEASE, I JUST NEED A SECOND. 483 00:24:22,862 --> 00:24:24,263 [PRENTISS PANTS] 484 00:24:24,296 --> 00:24:26,899 [TYPING] 485 00:24:26,933 --> 00:24:29,035 THIS I MIGHT BE ABLE TO HELP WITH. 486 00:24:29,068 --> 00:24:31,671 PRENTISS' LAST TEXT HAD TO DO WITH HONDURAS. 487 00:24:31,704 --> 00:24:33,272 SCRATCH'S LAST KNOWN SIGHTING BEFORE TONIGHT 488 00:24:33,305 --> 00:24:34,741 WAS HONDURAS. 489 00:24:34,774 --> 00:24:37,109 RIGHT, AND WE THOUGHT SCRATCH FLED THERE 490 00:24:37,143 --> 00:24:39,612 AFTER HE FRAMED REID FOR MURDER IN MEXICO. 491 00:24:39,646 --> 00:24:41,180 RIGHT. PRENTISS ASKED THE IRT TO CONTACT 492 00:24:41,213 --> 00:24:43,049 OUR CENTRAL AMERICAN SOURCES JUST TO SEE 493 00:24:43,082 --> 00:24:44,617 IF WE COULD FIND ANYTHING. 494 00:24:44,651 --> 00:24:46,018 NOW, WE NEVER DID. 495 00:24:46,052 --> 00:24:47,787 WE ALSO NEVER STOPPED TO ASK WHY SCRATCH 496 00:24:47,820 --> 00:24:50,523 WAS IN HONDURAS IN THE FIRST PLACE. 497 00:24:50,557 --> 00:24:52,592 REID'LL FIGURE THIS OUT. 498 00:24:52,625 --> 00:24:54,093 HE'S REALLY AMAZING AT THIS KIND OF THING. 499 00:24:54,126 --> 00:24:55,528 [SLAM] [GASPS] 500 00:24:59,832 --> 00:25:03,536 B-CAP IS SHORT FOR BANISTERIOPSIS CAAPI. 501 00:25:03,570 --> 00:25:05,772 IT'S A PLANT, SPECIFICALLY A HALLUCINOGEN THAT'S FOUND 502 00:25:05,805 --> 00:25:07,206 IN A TEA CALLED AYAHUASCA. 503 00:25:07,239 --> 00:25:08,575 WE WORKED A COUPLE OF THOSE CASES, I THINK. 504 00:25:08,608 --> 00:25:09,842 IF I REMEMBER, IT'S LIKE PEYOTE. 505 00:25:09,876 --> 00:25:11,143 YEAH, IN MULTIPLE WAYS. 506 00:25:11,177 --> 00:25:12,979 THEY'RE SIMILAR LEGALLY IN THAT TAKING THEM 507 00:25:13,012 --> 00:25:14,647 IS CONSIDERED A RELIGIOUS PRACTICE, 508 00:25:14,681 --> 00:25:16,248 AND PHARMACOLOGICALLY, THEY'RE SIMILAR IN THAT 509 00:25:16,282 --> 00:25:18,117 BOTH DRUGS CAUSE YOU TO HALLUCINATE 510 00:25:18,150 --> 00:25:20,052 INTENSE, GEOMETRIC PATTERNS AND VOMIT A LOT. 511 00:25:20,086 --> 00:25:21,821 OK. WHAT DOES THIS HAVE TO DO WITH SCRATCH? 512 00:25:21,854 --> 00:25:23,790 WELL, SCRATCH HAS A COCKTAIL OF DISASSOCIATIVE DRUGS 513 00:25:23,823 --> 00:25:25,558 TO INDUCE DELUSIONS, BUT A MATHEMATICAL MIND 514 00:25:25,592 --> 00:25:26,759 LIKE HIS WOULD ALWAYS BE LOOKING FOR WAYS 515 00:25:26,793 --> 00:25:27,927 TO TWEAK AND IMPROVE THE FORMULA. 516 00:25:27,960 --> 00:25:29,696 SO HE WENT TO HONDURAS TO LOOK FOR IT. 517 00:25:29,729 --> 00:25:31,864 HE THEN BROUGHT IT BACK TO DC TO EXPERIMENT WITH IT. 518 00:25:31,898 --> 00:25:34,000 STEPHEN AND EMILY CAME TO THE SAME CONCLUSION 519 00:25:34,033 --> 00:25:36,335 AND TRIED TO PRETEND LIKE THEY WERE HOT ON HIS TRAIL. 520 00:25:36,368 --> 00:25:38,037 WE NEED TO TRACK DOWN ALL PRACTITIONERS 521 00:25:38,070 --> 00:25:39,205 OF THE CEREMONY IN THE DISTRICT-- 522 00:25:39,238 --> 00:25:41,073 SHAMANS, GURUS, OVERNIGHT RELIGIONS 523 00:25:41,107 --> 00:25:42,308 THAT JUST HUNG THEIR FIRST SHINGLE. 524 00:25:42,341 --> 00:25:43,910 HE COULD BE USING ONE OF THEIR VOLUNTEERS 525 00:25:43,943 --> 00:25:47,113 AS A PARTNER, EITHER WITTING OR UNWITTING. 526 00:25:48,915 --> 00:25:50,950 WHAT? 527 00:25:50,983 --> 00:25:53,986 YOU THREW A BOOK AT A WINDOW. IT WAS JARRING. 528 00:25:54,020 --> 00:25:55,655 TOOK ME 60 MINUTES TO DEDUCE 529 00:25:55,688 --> 00:25:57,056 WHAT SHOULD HAVE TAKEN ME 60 SECONDS, 530 00:25:57,089 --> 00:25:59,225 AND IF EMILY DIES BECAUSE I WAS TOO SLOW, 531 00:25:59,258 --> 00:26:02,128 I'LL BE THROWING A LOT MORE THAN BOOKS. 532 00:26:02,995 --> 00:26:06,666 [EKG BEEPING] 533 00:26:06,699 --> 00:26:09,702 PRENTISS: PLEASE. PLEASE HELP ME. 534 00:26:09,736 --> 00:26:11,971 YOU DON'T EVEN HAVE TO GET ME OUT OF HERE. 535 00:26:12,004 --> 00:26:14,707 JUST MAKE A PHONE CALL. YOU CAN USE MY PHONE. 536 00:26:14,741 --> 00:26:17,610 CALL 911, LEAVE THE PHONE, AND RUN. 537 00:26:17,644 --> 00:26:19,145 I CAN'T DO THAT. 538 00:26:19,178 --> 00:26:20,913 I WON'T TELL THEM YOU WERE INVOLVED. 539 00:26:20,947 --> 00:26:22,248 IT'S NOT THAT SIMPLE. 540 00:26:22,281 --> 00:26:24,316 YOU SAID WE WERE BOTH BEING TAKEN CARE OF. 541 00:26:24,350 --> 00:26:26,252 YOU MEAN TRAPPED. 542 00:26:26,285 --> 00:26:29,722 HE HAS YOUR FAMILY, DOESN'T HE? 543 00:26:29,756 --> 00:26:31,958 OK. MY TEAM CAN RESCUE THEM. 544 00:26:31,991 --> 00:26:33,392 IT'S WHAT WE DO. 545 00:26:33,425 --> 00:26:35,795 I HAVE TO GO. NO. PLEASE. 546 00:26:35,828 --> 00:26:39,198 I CAN'T. TAKE MY PHONE. 547 00:26:39,231 --> 00:26:41,600 PLEASE TAKE MY PHONE. 548 00:26:43,803 --> 00:26:46,939 IT'S SO HARD TO FIND GOOD HELP THESE DAYS. 549 00:26:46,973 --> 00:26:49,008 IT SEEMS LIKE, NO MATTER WHAT, 550 00:26:49,041 --> 00:26:51,410 I'M LEFT TO DO ALL THE DIRTY WORK. 551 00:26:51,443 --> 00:26:53,746 WHAT IS THAT? 552 00:26:53,780 --> 00:26:56,315 IS THAT THE MORPHINE? 553 00:26:56,348 --> 00:26:58,117 IT'S AMPHETAMINE. 554 00:26:58,150 --> 00:26:59,886 I FIGURED OUT MY PLAN "B." 555 00:26:59,919 --> 00:27:01,821 I CAN'T TORTURE THE ANSWERS OUT OF YOU, 556 00:27:01,854 --> 00:27:04,023 SO I'LL SIMPLY STOP YOUR HEART INSTEAD. 557 00:27:04,056 --> 00:27:08,761 [EKG BEEPING] 558 00:27:08,795 --> 00:27:12,031 [GASPING] 559 00:27:12,064 --> 00:27:13,800 [BEEP BEEP BEEP] 560 00:27:13,833 --> 00:27:15,434 [DEFIBRILLATOR HUMMING] 561 00:27:15,467 --> 00:27:17,804 IF YOU WANT TO LIVE, 562 00:27:17,837 --> 00:27:19,872 TELL ME WHAT I WANT TO KNOW. 563 00:27:19,906 --> 00:27:21,207 WHERE'S HOTCH, EMILY? 564 00:27:21,240 --> 00:27:23,810 [MOANS] 565 00:27:23,843 --> 00:27:25,778 WHERE'S HOTCH? 566 00:27:25,812 --> 00:27:28,447 [RAPID BEEPING] 567 00:27:28,480 --> 00:27:31,183 [GASPING] 568 00:27:31,217 --> 00:27:34,186 [FLATLINE BEEP] 569 00:27:34,220 --> 00:27:35,321 [GASPING STOPS] 570 00:27:35,354 --> 00:27:37,023 [PADDLES CLATTER] 571 00:27:37,056 --> 00:27:39,425 [FLATLINE BEEP CONTINUES] 572 00:27:48,835 --> 00:27:50,669 [FLATLINE BEEP] 573 00:27:51,938 --> 00:27:53,172 [BEEP BEEP] 574 00:27:53,205 --> 00:27:56,042 [DEFIBRILLATOR HUMMING] 575 00:27:56,075 --> 00:27:58,310 COME ON. 576 00:27:58,344 --> 00:28:00,246 [BEEP BEEP BEEP] 577 00:28:03,382 --> 00:28:06,218 [FLATLINE BEEP CONTINUES] 578 00:28:12,358 --> 00:28:14,961 [BIRDS CHIRPING] 579 00:28:29,141 --> 00:28:31,944 OF COURSE. 580 00:28:31,978 --> 00:28:35,047 I GET IT NOW. 581 00:28:35,081 --> 00:28:37,149 I GET IT. 582 00:28:37,183 --> 00:28:38,350 [GASPS] 583 00:28:38,384 --> 00:28:40,419 [MOANS] 584 00:28:40,452 --> 00:28:42,955 THAT'S IT. 585 00:28:42,989 --> 00:28:44,857 [MOANS] 586 00:28:44,891 --> 00:28:46,826 [PANTING] 587 00:28:46,859 --> 00:28:50,362 [HISSING] 588 00:28:50,396 --> 00:28:52,865 PLEASE, 589 00:28:52,899 --> 00:28:55,101 TELL HIM WHAT HE WANTS. 590 00:28:55,134 --> 00:28:57,136 IF YOU TELL HIM WHAT HE WANTS, 591 00:28:57,169 --> 00:28:58,938 THIS CAN ALL BE OVER. 592 00:28:58,971 --> 00:29:01,440 HE'LL RELEASE MY FAMILY, AND-- 593 00:29:01,473 --> 00:29:04,343 AND THEN I CAN HELP YOU, OK? 594 00:29:04,376 --> 00:29:06,979 [MUFFLED] 595 00:29:07,013 --> 00:29:09,248 WHAT? WHAT'S THAT? 596 00:29:09,281 --> 00:29:12,919 GO GET HIM. 597 00:29:12,952 --> 00:29:14,353 [EXHALES] 598 00:29:14,386 --> 00:29:17,423 [EKG BEEPING] 599 00:29:17,456 --> 00:29:19,859 GARCIA: OK, SO APPARENTLY, THE ONLY LOCAL PLACE 600 00:29:19,892 --> 00:29:22,895 USING B-CAP IS THE CHURCH OF THE HERBAL SACRAMENT, 601 00:29:22,929 --> 00:29:24,463 "WHERE YOU CAN FIND EVERYTHING 602 00:29:24,496 --> 00:29:25,965 "FOR YOUR SPIRITUAL NEEDS 603 00:29:25,998 --> 00:29:29,001 THAT ONLY AYAHUASCA CAN FULFILL." 604 00:29:29,035 --> 00:29:31,070 WALK ME THROUGH WHAT'S GONNA HAPPEN WHEN WE GET THERE. 605 00:29:31,103 --> 00:29:32,571 WE ASK QUESTIONS, AND WE COME HOME. 606 00:29:32,604 --> 00:29:34,540 NO CREEPY WEIRDNESS? 607 00:29:34,573 --> 00:29:37,143 NO WEIRDNESS. 608 00:29:37,176 --> 00:29:39,245 GOOD BECAUSE I'M ABOUT FULL UP 609 00:29:39,278 --> 00:29:43,515 IN THE CREEPY WEIRDNESS DEPARTMENT FOR ONE NIGHT. 610 00:29:44,951 --> 00:29:47,053 [PEOPLE RETCHING] 611 00:29:47,086 --> 00:29:50,289 MAN: I'VE SEEN THE FACE OF GOD. 612 00:29:50,322 --> 00:29:52,391 I'VE SEEN IT. 613 00:29:52,424 --> 00:29:54,093 [RETCHING] 614 00:29:54,126 --> 00:29:56,262 SO MUCH FOR NO CREEPY WEIRDNESS. 615 00:29:56,295 --> 00:29:59,165 [RETCHING CONTINUES] 616 00:29:59,198 --> 00:30:01,567 [BUZZ BUZZ] 617 00:30:01,600 --> 00:30:03,535 [BUZZ BUZZ] 618 00:30:03,569 --> 00:30:05,104 SCRATCH'S RADIO SIGNAL. 619 00:30:05,137 --> 00:30:07,473 [BUZZ BUZZ] 620 00:30:09,475 --> 00:30:12,178 [CREAK] 621 00:30:28,360 --> 00:30:31,363 CLEAR. COME ON IN. 622 00:30:31,397 --> 00:30:34,366 MOTHER LODE. 623 00:30:34,400 --> 00:30:35,935 YEAH. LOOKS LIKE WE FOUND SCRATCH'S 624 00:30:35,968 --> 00:30:38,570 I.T. DEPARTMENT, NO SCRATCH. 625 00:30:38,604 --> 00:30:42,208 YEAH, BUT THIS IS WHERE HE'S BEEN DOING EVERYTHING-- 626 00:30:42,241 --> 00:30:45,912 HACKING ME, HACKING OUR PHONES, 627 00:30:45,945 --> 00:30:47,980 THE WHOLE TAMALE-- 628 00:30:48,014 --> 00:30:51,050 AND, JUST LIKE YOU PREDICTED, 629 00:30:51,083 --> 00:30:52,451 HE'S BEEN BOUNCING THE SIGNAL 630 00:30:52,484 --> 00:30:54,120 OFF MULTIPLE BUILDINGS. 631 00:30:54,153 --> 00:30:55,154 WE'RE CLOSE, MATT. 632 00:30:55,187 --> 00:30:57,489 MAN ON P.A.: WE NEED A WHEELCHAIR TO [INDISTINCT], 633 00:30:57,523 --> 00:30:59,358 WHEELCHAIR TO [INDISTINCT]. 634 00:30:59,391 --> 00:31:01,527 THEY SENT ME TO TALK SOME SENSE INTO YOU. 635 00:31:01,560 --> 00:31:03,129 CAN'T HELP BY LYING DOWN, 636 00:31:03,162 --> 00:31:04,931 AND I HEAR TARA'S WAKING UP. 637 00:31:04,964 --> 00:31:06,365 DO YOU--DO YOU WANT ME TO FIND YOU 638 00:31:06,398 --> 00:31:07,499 SOME CRUTCHES OR SOMETHING? 639 00:31:07,533 --> 00:31:09,868 I DON'T NEED THEM. I GOT YOU. 640 00:31:11,170 --> 00:31:14,240 LEWIS: SCRATCH. SCRATCH TOOK EMILY. 641 00:31:14,273 --> 00:31:16,042 I SAW HIM. YEAH. WE KNOW. 642 00:31:16,075 --> 00:31:17,043 WE'RE LOOKING FOR HIM. 643 00:31:17,076 --> 00:31:19,378 HE DOSED HER. 644 00:31:19,411 --> 00:31:22,214 IN THE SUV WHILE SHE WAS KNOCKED OUT? 645 00:31:22,248 --> 00:31:24,383 YEAH. 646 00:31:24,416 --> 00:31:27,954 LEWIS, VOICE-OVER: HE BROUGHT HIS GAS WITH HIM. 647 00:31:27,987 --> 00:31:29,121 [PRENTISS MOANING] 648 00:31:29,155 --> 00:31:31,090 [HISSING] 649 00:31:31,123 --> 00:31:32,624 YOUR LEGS ARE BROKEN. 650 00:31:32,658 --> 00:31:34,393 YOUR RIGHT ARM IS BROKEN. 651 00:31:34,426 --> 00:31:35,928 YOU'RE IN SEVERE TRACTION, 652 00:31:35,962 --> 00:31:37,563 AND YOU'RE PARALYZED. 653 00:31:37,596 --> 00:31:39,465 YOU FEEL UNIMAGINABLE AGONY 654 00:31:39,498 --> 00:31:41,000 ALL OVER YOUR BODY UNLESS I GIVE YOU 655 00:31:41,033 --> 00:31:43,102 HIGH DOSES OF PAINKILLER. 656 00:31:44,170 --> 00:31:45,537 SHE WOULD WAKE IN A DELUSION 657 00:31:45,571 --> 00:31:47,173 HE'D HAVE TOTAL CONTROL OVER. 658 00:31:47,206 --> 00:31:48,707 HE THINK SHE KNOWS WHERE HOTCH IS, 659 00:31:48,740 --> 00:31:50,376 SO HE'S TRYING TO TRICK HER. 660 00:31:50,409 --> 00:31:51,543 SHE'S ONE OF THE SMARTEST PEOPLE WE KNOW. 661 00:31:51,577 --> 00:31:52,979 SHE'D SEE THROUGH IT. 662 00:31:53,012 --> 00:31:54,580 SO SCRATCH WOULD GO EVEN FARTHER. 663 00:31:54,613 --> 00:31:56,983 SOMETIMES INTERROGATORS EVEN SIMULATE DEATH. 664 00:31:57,016 --> 00:31:58,050 MAN, HE COULD MAKE IT FEEL 665 00:31:58,084 --> 00:31:59,051 LIKE THE REAL THING. 666 00:31:59,085 --> 00:32:00,519 NO. THAT WOULDN'T WORK. 667 00:32:00,552 --> 00:32:02,488 REMEMBER, ROSSI, WHEN PRENTISS TOLD US ABOUT WHEN SHE DIED, 668 00:32:02,521 --> 00:32:04,690 FOR REAL DIED, HOW FOR HER, 669 00:32:04,723 --> 00:32:06,292 IT WAS JUST DARK AND COLD? 670 00:32:06,325 --> 00:32:07,659 THAT'S RIGHT. 671 00:32:07,693 --> 00:32:09,361 IF HE MADE HER EXPERIENCE SOME 672 00:32:09,395 --> 00:32:12,298 OUT-OF-BODY VISION, SHE'D KNOW IT WAS A LIE. 673 00:32:12,331 --> 00:32:15,034 [EKG BEEPING] 674 00:32:38,490 --> 00:32:41,360 [BEEPING STOPS] 675 00:32:48,167 --> 00:32:52,004 YEAH. I GET IT. 676 00:32:52,038 --> 00:32:53,705 JAREAU, VOICE-OVER: HE PROBABLY COMBINED THE DELUSION 677 00:32:53,739 --> 00:32:56,608 WITH A CLASSIC PRISONER INTERROGATION TACTIC. 678 00:32:56,642 --> 00:32:59,078 AT FIRST, HE WOULD TAKE AWAY ANY CHANCE OF ESCAPE. 679 00:32:59,111 --> 00:33:00,479 THEN HE WOULD INTRODUCE SOMEBODY ELSE 680 00:33:00,512 --> 00:33:02,148 AND GIVE HER A SLIVER OF HOPE. 681 00:33:02,181 --> 00:33:03,682 ALVEZ, VOICE-OVER: IT COULD BE A SECOND INTERROGATOR 682 00:33:03,715 --> 00:33:05,284 WHO IS A NICE GUY. 683 00:33:05,317 --> 00:33:07,553 HE'S ON HIS WAY, OK? 684 00:33:07,586 --> 00:33:09,621 ROSSI, VOICE-OVER: THAT GUY WOULD BE HER BLIND SPOT. 685 00:33:09,655 --> 00:33:12,791 SHE'D TRUST HIM AND THEN REVEAL SOMETHING SHE SHOULDN'T. 686 00:33:12,824 --> 00:33:15,527 OK? OK? 687 00:33:15,561 --> 00:33:18,397 OK? 688 00:33:19,431 --> 00:33:22,168 YEAH. YEAH. OK. 689 00:33:26,805 --> 00:33:28,574 [CELL PHONE RINGS] 690 00:33:28,607 --> 00:33:29,641 [BEEP] 691 00:33:29,675 --> 00:33:31,243 HEY, WHAT DO YOU GOT, MATT? 692 00:33:31,277 --> 00:33:32,278 SIMMONS, ON PHONE: WELL, WE PINNED DOWN SCRATCH'S 693 00:33:32,311 --> 00:33:34,180 MOST LIKELY LOCATION BASED ON HIS RADIO FREQUENCY. 694 00:33:34,213 --> 00:33:35,514 IT'S A WAREHOUSE IN THE DISTRICT. 695 00:33:35,547 --> 00:33:37,183 GARCIA JUST TEXTED THE ADDRESS. 696 00:33:37,216 --> 00:33:39,751 [BEEP] 697 00:33:39,785 --> 00:33:41,353 SHE INCLUDED REID ON THE TEXT. 698 00:33:41,387 --> 00:33:43,689 REID'S NOT IN A GOOD PLACE. 699 00:33:43,722 --> 00:33:44,723 I'M 10 OUT. 700 00:33:44,756 --> 00:33:46,358 ALL RIGHT. SO AM I. 701 00:33:52,531 --> 00:33:54,566 IF I WOULD'VE KNOWN THAT PUTTING YOU 702 00:33:54,600 --> 00:33:56,802 AT DEATH'S DOOR WOULD GET YOU TO TALK, 703 00:33:56,835 --> 00:33:59,138 I WOULD'VE STARTED WITH THAT. 704 00:33:59,171 --> 00:34:00,672 NOW, ARE YOU READY TO TELL ME 705 00:34:00,706 --> 00:34:04,310 WHERE HOTCH AND JACK ARE? 706 00:34:04,343 --> 00:34:08,347 GOOD. GO AHEAD. 707 00:34:08,380 --> 00:34:10,782 THEY'RE AT... 708 00:34:13,319 --> 00:34:14,686 TELL ME. 709 00:34:14,720 --> 00:34:18,824 8...5... 710 00:34:18,857 --> 00:34:20,058 AAGH! 711 00:34:24,896 --> 00:34:27,199 AAGH! 712 00:34:29,401 --> 00:34:31,170 ARGH! AGH! 713 00:34:31,203 --> 00:34:33,372 [PRENTISS PANTING] 714 00:34:33,405 --> 00:34:35,307 UH! 715 00:34:45,817 --> 00:34:48,454 FBI! 716 00:34:52,191 --> 00:34:53,425 UH! 717 00:34:53,459 --> 00:34:57,129 [TIRES SCREECH] 718 00:35:15,281 --> 00:35:17,849 ALVEZ: PRENTISS! REID! 719 00:35:19,251 --> 00:35:20,519 UH! 720 00:35:23,889 --> 00:35:25,691 PRENTISS! 721 00:35:40,772 --> 00:35:42,674 LOWER YOUR WEAPON, DAMN IT. 722 00:35:42,708 --> 00:35:43,809 WHERE'S SCRATCH? 723 00:35:43,842 --> 00:35:46,412 OH, HE'S UPSTAIRS. TAG IN HERE. 724 00:35:46,445 --> 00:35:47,946 SIMMONS AND ALVEZ CAN BOX HIM IN. 725 00:35:47,979 --> 00:35:49,181 NO. I NEED TO GO FIND HIM. 726 00:35:49,215 --> 00:35:51,217 NO, NO, NO, SPENCE. PLEASE. 727 00:35:51,250 --> 00:35:55,221 I NEED SOMEONE I KNOW IS REAL RIGHT NOW, ALL RIGHT? 728 00:35:55,254 --> 00:35:57,689 [SIGHS] YOU OK? 729 00:35:57,723 --> 00:35:59,358 UH-HUH. 730 00:36:59,951 --> 00:37:02,721 [SLAM] 731 00:37:03,622 --> 00:37:05,691 [PANTING] 732 00:37:08,360 --> 00:37:10,929 HELP ME, PLEASE. HELP ME. 733 00:37:14,866 --> 00:37:16,835 HELP ME. 734 00:37:21,607 --> 00:37:24,676 AAH! 735 00:37:24,710 --> 00:37:26,244 [THUD] 736 00:37:30,048 --> 00:37:35,454 SCRATCH IS DOWN. REPEAT--SCRATCH IS DOWN. 737 00:37:47,766 --> 00:37:50,802 HE FELL TRYING TO ESCAPE. 738 00:37:50,836 --> 00:37:53,372 [SIRENS APPROACHING] 739 00:37:59,978 --> 00:38:01,313 OH... 740 00:38:09,688 --> 00:38:13,892 PRENTISS: WE NEVER GET TO SAY GOOD-BYE THE WAY WE WANT, 741 00:38:13,925 --> 00:38:18,397 AND WHEN WE DEAL WITH A LOSS SO SUDDEN AND CRUEL, 742 00:38:18,430 --> 00:38:21,467 OUR EMOTIONS CAN OVERWHELM US. 743 00:38:21,500 --> 00:38:24,370 STEPHEN WALKER WAS A GOOD AGENT, 744 00:38:24,403 --> 00:38:27,539 BUT HE WAS A BETTER MAN. 745 00:38:27,573 --> 00:38:31,042 HE MADE THE WORLD A BETTER PLACE, 746 00:38:31,076 --> 00:38:34,913 AND WE CAN HONOR HIM BY DOING THE WORK HE NEVER GOT TO DO. 747 00:38:35,781 --> 00:38:38,684 [FOY VANCE'S "BURDEN" PLAYING] 748 00:38:48,960 --> 00:38:52,063 VANCE: * LET ME CARRY YOUR BURDEN 749 00:38:55,033 --> 00:38:59,671 * IF SOMETHING'S NOT RIGHT, I WILL LET YOU KNOW * 750 00:39:01,840 --> 00:39:06,578 * LIKE THE PAINT THAT'S DRYING ON A HEART THAT'S BROKE * 751 00:39:07,613 --> 00:39:10,449 * LET ME CARRY YOUR BURDEN 752 00:39:13,452 --> 00:39:17,589 * GET YOU BACK ON A HIGH WHEN YOU'RE FEELING LOW * 753 00:39:20,526 --> 00:39:22,728 * WHEN THE WEIGHT'S TOO HEAVY BUT YOU WON'T LET GO * 754 00:39:22,761 --> 00:39:26,565 THERE ARE NO WORDS. NO. 755 00:39:26,598 --> 00:39:28,767 THERE ARE NOT. 756 00:39:28,800 --> 00:39:32,003 MONICA, I ASKED STEPHEN TO JOIN THE BAU. 757 00:39:32,037 --> 00:39:34,406 I ASKED HIM TO HUNT SCRATCH. 758 00:39:34,440 --> 00:39:36,442 I GOT HIM KILLED, AND-- 759 00:39:36,475 --> 00:39:39,077 PETER LEWIS KILLED MY HUSBAND... 760 00:39:41,079 --> 00:39:43,615 AND I CHOOSE TO BELIEVE 761 00:39:43,649 --> 00:39:46,051 STEPHEN CAN REST 762 00:39:46,084 --> 00:39:49,020 KNOWING HE HELPED THIS TEAM CATCH HIM. 763 00:39:51,189 --> 00:39:53,625 THANK YOU. 764 00:39:53,659 --> 00:39:55,126 IF THERE'S ANYTHING THE BUREAU CAN DO 765 00:39:55,160 --> 00:39:56,828 FOR YOU OR YOUR FAMILY, PLEASE-- 766 00:39:56,862 --> 00:39:59,431 I WILL. 767 00:39:59,465 --> 00:40:01,066 RIGHT NOW, MY KIDS NEED ME... 768 00:40:01,099 --> 00:40:03,034 VANCE: * PRETTY SOON, I'LL SEE YOU SMILE * 769 00:40:03,068 --> 00:40:05,604 * AND YOU KNOW YOU WILL 770 00:40:05,637 --> 00:40:07,573 AND YOUR TEAM NEEDS YOU. 771 00:40:07,606 --> 00:40:10,876 VANCE: * OH, WELL, NO MATTER HOW MUCH YOU'RE HURTING RIGHT NOW * 772 00:40:10,909 --> 00:40:14,446 * YOU KNOW THAT EVERYTHING WILL CHANGE IN TIME * 773 00:40:14,480 --> 00:40:16,014 HEY... 774 00:40:16,047 --> 00:40:18,984 VANCE: * OH, I JUST MIGHT SEE IT IN ANOTHER LIGHT * 775 00:40:19,017 --> 00:40:22,754 * GOT NO DOG HERE IN THE FIGHT 776 00:40:22,788 --> 00:40:24,690 * I COULD CARRY YOUR BURDEN, O BROTHER MINE * 777 00:40:24,723 --> 00:40:27,593 OHH... OK. 778 00:40:27,626 --> 00:40:29,194 WE'RE OK. 779 00:40:35,534 --> 00:40:38,737 I WANTED TO THANK YOU FOR ALL OF YOUR HELP. 780 00:40:38,770 --> 00:40:40,772 WELL, IT WAS GOOD TO BE OF HELP. 781 00:40:40,806 --> 00:40:42,040 EVER SINCE THE IRT WENT DOWN, I'VE BEEN 782 00:40:42,073 --> 00:40:44,075 SITTING ON MY HANDS WAITING FOR A NEW ASSIGNMENT. 783 00:40:44,109 --> 00:40:46,177 WE SHOULD SIT DOWN TOMORROW. 784 00:40:46,211 --> 00:40:47,779 WE CAN TALK ABOUT THAT. 785 00:40:47,813 --> 00:40:49,180 I'D LIKE THAT. 786 00:40:49,214 --> 00:40:51,683 SO WE ALL NEED TO DISCUSS 787 00:40:51,717 --> 00:40:54,986 WHAT PETER LEWIS' DEATH MEANS FOR THIS TEAM. 788 00:40:55,020 --> 00:40:57,956 IT MEANS THAT HOTCH CAN COME BACK. 789 00:40:57,989 --> 00:41:00,859 YEAH. WE SPOKE TO HIM. 790 00:41:00,892 --> 00:41:04,029 HE WAS RELIEVED THAT HE AND JACK 791 00:41:04,062 --> 00:41:05,731 WERE OUT OF DANGER. 792 00:41:05,764 --> 00:41:09,568 THEY'RE OUT OF WITNESS PROTECTION, 793 00:41:09,601 --> 00:41:11,603 BUT, UM-- 794 00:41:11,637 --> 00:41:14,205 HE'S NOT COMING BACK, IS HE? 795 00:41:15,707 --> 00:41:18,544 HE LOVES BEING A FULL-TIME DAD. 796 00:41:18,577 --> 00:41:20,078 HE NEVER GOT TO DO THAT BEFORE, 797 00:41:20,111 --> 00:41:21,913 AND--LET'S FACE IT-- IN THIS JOB-- 798 00:41:21,947 --> 00:41:25,016 THERE'S ALWAYS GONNA BE ANOTHER SCRATCH, 799 00:41:25,050 --> 00:41:28,153 AND HE'S LOST ENOUGH. 800 00:41:29,588 --> 00:41:30,956 WE ALL HAVE. 801 00:41:30,989 --> 00:41:33,024 YES. WE HAVE, WHICH IS WHY 802 00:41:33,058 --> 00:41:35,226 THE DIRECTOR HAS ORDERED US 803 00:41:35,260 --> 00:41:38,296 TO TAKE SOME TIME OFF FROM HANDLING CASES, 804 00:41:38,329 --> 00:41:40,799 BUT BEFORE WE ALL LEAVE, THERE'S ONE LAST THING 805 00:41:40,832 --> 00:41:44,202 I NEED TO SAY. 806 00:41:44,235 --> 00:41:47,839 SCRATCH GOT DEEPER INTO MY HEAD THAN I CARE TO ADMIT, 807 00:41:47,873 --> 00:41:50,809 AND THE ONLY WAY I WAS ABLE TO STAY SANE 808 00:41:50,842 --> 00:41:54,713 WAS BY REPEATING A MANTRA, TWO WORDS. 809 00:41:54,746 --> 00:41:57,683 YOU KNOW WHAT THOSE TWO WORDS WERE? 810 00:41:57,716 --> 00:41:59,651 "WHEELS UP." 811 00:41:59,685 --> 00:42:02,053 IT SAVED MY LIFE WHEN I WASN'T SURE I WAS GONNA MAKE IT 812 00:42:02,087 --> 00:42:06,825 BECAUSE IT REMINDED ME THAT YOU WERE OUT THERE FIGHTING, 813 00:42:06,858 --> 00:42:11,296 SO TAKE YOUR REST-- YOU'VE EARNED IT-- 814 00:42:11,329 --> 00:42:14,600 BUT WHEN WE GET BACK, 815 00:42:14,633 --> 00:42:17,102 WHEELS UP, MATT. 816 00:42:17,135 --> 00:42:19,070 WHEELS UP, EMILY. 817 00:42:19,104 --> 00:42:21,272 WHEELS UP, TARA. 818 00:42:21,306 --> 00:42:23,274 WHEELS UP. 819 00:42:23,308 --> 00:42:25,276 WHEELS UP. 820 00:42:25,310 --> 00:42:27,178 WHEELS UP. 821 00:42:27,212 --> 00:42:29,147 WHEELS UP. 822 00:42:29,180 --> 00:42:31,783 DAMN RIGHT, WHEELS UP. 823 00:42:35,186 --> 00:42:37,322 WHEELS UP.