1 00:00:01,535 --> 00:00:02,536 [RINGING] [GASPING] 2 00:00:02,570 --> 00:00:07,741 [BREATHING HARD] 3 00:00:07,775 --> 00:00:09,077 [GRUNTING] 4 00:00:09,110 --> 00:00:12,546 [RINGING] 5 00:00:22,356 --> 00:00:23,557 HELLO? 6 00:00:23,591 --> 00:00:25,559 MAN: OH, MY GOD, LIZ, WHERE ARE YOU? 7 00:00:25,593 --> 00:00:26,360 BRIAN? 8 00:00:26,394 --> 00:00:27,528 NO, NO, IT'S JAY. 9 00:00:27,561 --> 00:00:28,662 I'VE BEEN TRYING YOU SINCE YESTERDAY. 10 00:00:28,696 --> 00:00:30,831 YOU MISSED A BOARD MEETING. I GOT WORRIED. 11 00:00:30,864 --> 00:00:32,566 I EVEN WENT TO YOUR HOUSE. 12 00:00:32,600 --> 00:00:34,435 ARE YOU OK? 13 00:00:34,468 --> 00:00:35,769 WHERE ARE YOU? 14 00:00:35,803 --> 00:00:38,572 I'M IN MY CAR. I'M... 15 00:00:38,606 --> 00:00:41,675 LIZ, WHERE IN YOUR CAR? 16 00:00:41,709 --> 00:00:43,577 DOWNTOWN? 17 00:00:43,611 --> 00:00:45,313 WHERE DOWNTOWN? 18 00:00:45,346 --> 00:00:46,614 OHH... 19 00:00:48,249 --> 00:00:50,551 LIZ? 20 00:00:50,584 --> 00:00:53,721 LIZ! HELLO? ARE YOU THERE? 21 00:00:53,754 --> 00:01:00,228 I'M HERE. I'M ON SIXTH, NEAR THE DOUGHNUT SHOP. 22 00:01:00,261 --> 00:01:01,729 WOMAN: IS SHE OK? 23 00:01:01,762 --> 00:01:03,697 JAY: I CALLED YOUR HUSBAND. 24 00:01:03,731 --> 00:01:06,100 BRIAN'S ON HIS WAY BACK TO TOWN RIGHT NOW. 25 00:01:06,134 --> 00:01:08,436 COME ON. WAIT. 26 00:01:08,469 --> 00:01:11,672 I--I WOKE UP IN THE CAR. I... 27 00:01:11,705 --> 00:01:13,541 I DON'T KNOW HOW I GOT THERE. 28 00:01:13,574 --> 00:01:14,675 YOU DON'T SOUND WELL. 29 00:01:14,708 --> 00:01:16,110 I'M GONNA COME AND GET YOU, OK? 30 00:01:16,144 --> 00:01:17,578 YOU SAID YOU'RE NEAR THE DOUGHNUT SHOP? 31 00:01:17,611 --> 00:01:20,114 I LEFT WORK AND THEN... 32 00:01:20,148 --> 00:01:21,615 IT'S ALL JUST A BLUR. 33 00:01:21,649 --> 00:01:23,417 JAY: PLEASE, JUST STAY WHERE YOU ARE. 34 00:01:23,451 --> 00:01:26,287 I'M HEADING TO MY CAR RIGHT NOW. 35 00:01:26,320 --> 00:01:27,855 LIZ. 36 00:01:27,888 --> 00:01:29,657 LIZ! 37 00:01:29,690 --> 00:01:30,858 HEY, ARE YOU OK? 38 00:01:30,891 --> 00:01:33,527 MISS? 39 00:01:33,561 --> 00:01:36,897 [GASPING] 40 00:01:36,930 --> 00:01:40,468 SOMEBODY CALL 911! 41 00:01:40,501 --> 00:01:42,603 MAN: YOU GOT THIS, BRO. 42 00:01:42,636 --> 00:01:44,405 SECOND MAN: [GROANING] OK, ALL RIGHT. 43 00:01:44,438 --> 00:01:45,539 MAN: HERE WE GO. COME ON. 44 00:01:45,573 --> 00:01:48,376 [GRUNTING] 45 00:01:48,409 --> 00:01:49,543 SECOND MAN: THAT'S IT. 46 00:01:49,577 --> 00:01:51,712 [GRUNTING] 47 00:01:51,745 --> 00:01:56,450 PHILIP "THE BRICK" BROOKS, LADIES AND GENTLEMEN. 48 00:01:56,484 --> 00:01:59,187 SORRY. 49 00:02:00,654 --> 00:02:05,493 BRICK? THAT'S NOT A THING, MAN. 50 00:02:05,526 --> 00:02:07,428 WHAT ARE YOU TALKING ABOUT? SURE, IT IS. 51 00:02:07,461 --> 00:02:09,897 BRICK. I MEAN, YOU'RE PRACTICALLY INDESTRUCTIBLE. 52 00:02:09,930 --> 00:02:11,699 THAT'S A SOLID NICKNAME. 53 00:02:11,732 --> 00:02:12,800 YEAH. 54 00:02:12,833 --> 00:02:14,735 SO WHAT'S THE DEAL, MAN? 55 00:02:14,768 --> 00:02:16,404 WHY HAVEN'T YOU BEEN RETURNING MY CALLS? 56 00:02:16,437 --> 00:02:17,805 I'M BUSY. 57 00:02:17,838 --> 00:02:19,240 BUSY? 58 00:02:19,273 --> 00:02:20,708 WHAT, SO NOW I GOTTA PICK UP YOUR EVERY CALL 59 00:02:20,741 --> 00:02:21,875 LIKE I'M YOUR HIGH SCHOOL GIRLFRIEND 60 00:02:21,909 --> 00:02:23,411 OR YOUR GRANDMOTHER'S GONNA COME AROUND 61 00:02:23,444 --> 00:02:24,945 AND DROP THE HAMMER ON ME? 62 00:02:24,978 --> 00:02:26,780 SHE WILL, TOO. 63 00:02:26,814 --> 00:02:28,716 YEAH. I THINK I COULD TAKE HER. 64 00:02:28,749 --> 00:02:30,718 I DON'T KNOW ABOUT THAT. 65 00:02:30,751 --> 00:02:32,753 MY GRANDMOTHER'S PRETTY STREET. 66 00:02:32,786 --> 00:02:34,222 YOU KNOW THAT. 67 00:02:34,255 --> 00:02:35,556 YEAH. 68 00:02:35,589 --> 00:02:37,791 SO, COME ON, MAN. 69 00:02:37,825 --> 00:02:39,727 IT'S ME. WHAT'S GOING ON? 70 00:02:39,760 --> 00:02:42,463 IT'S BEEN 3 YEARS, MAN. 71 00:02:42,496 --> 00:02:44,498 3 YEARS AND I'M STILL RIGHT WHERE HE WANTS ME, 72 00:02:44,532 --> 00:02:46,234 IN THIS CHAIR. 73 00:02:46,267 --> 00:02:47,768 WHAT ARE YOU TALKING ABOUT? 74 00:02:47,801 --> 00:02:49,370 WE CAUGHT THE CRIMSON KING. 75 00:02:49,403 --> 00:02:50,838 WE PUT HIM AWAY FOR GOOD, MAN. 76 00:02:50,871 --> 00:02:52,540 YOU WERE A BIG PART OF THAT. 77 00:02:52,573 --> 00:02:54,675 I MAY HAVE ESCAPED WITH MY LIFE, THANKS TO YOU, 78 00:02:54,708 --> 00:02:56,977 BUT AFTER TWO YEARS OF P.T., ALL I GOT TO SHOW FOR IT 79 00:02:57,010 --> 00:02:58,679 IS A FEW TENTATIVE STEPS. 80 00:02:58,712 --> 00:02:59,880 YOU JUST HIT A WALL. 81 00:02:59,913 --> 00:03:01,615 WHAT DO THE DOCTORS SAY? 82 00:03:01,649 --> 00:03:03,784 THEY SAY TO KEEP ON WORKING, I'M GETTING STRONGER, 83 00:03:03,817 --> 00:03:07,721 BUT EVERY DAY IS JUST LIKE THE LAST. 84 00:03:07,755 --> 00:03:09,957 I'M NEVER GONNA WALK AGAIN, MAN. 85 00:03:09,990 --> 00:03:11,692 HEY. RANGER UP, ALL RIGHT? 86 00:03:11,725 --> 00:03:13,694 YOU WERE NEVER AFRAID TO DO THE WORK BEFORE. 87 00:03:13,727 --> 00:03:14,862 IT'S NOT JUST THAT. 88 00:03:14,895 --> 00:03:18,232 [TEXT MESSAGE TONE] 89 00:03:18,266 --> 00:03:20,868 [SIGHS] 90 00:03:20,901 --> 00:03:21,769 LOOK, I GOTTA-- 91 00:03:21,802 --> 00:03:22,836 IT'S OK, MAN. 92 00:03:22,870 --> 00:03:26,640 IT'S OK. GO. DUTY CALLS. 93 00:03:26,674 --> 00:03:28,876 ALL RIGHT, WHEN I GET BACK, 94 00:03:28,909 --> 00:03:33,747 WE'RE GONNA HAVE DINNER AND WE'LL TALK ABOUT THIS MORE. 95 00:03:37,385 --> 00:03:39,420 HEY. 96 00:03:39,453 --> 00:03:42,323 YOU BETTER BE BUYIN', 'CAUSE I'VE SUFFERED ENOUGH IN THIS LIFE 97 00:03:42,356 --> 00:03:43,791 WITHOUT HAVING TO EAT OUR COOKING. 98 00:03:43,824 --> 00:03:46,360 [LAUGHING] 99 00:03:53,767 --> 00:03:57,571 AS SOME OF YOU KNOW, TARA IS HEADED TO BRIDGEWATER 100 00:03:57,605 --> 00:03:59,607 TO ASSIST IN FERELL'S CRIMINAL TRIAL. 101 00:03:59,640 --> 00:04:01,875 WE WILL BE LEWIS-LESS WHILE SHE MAKES SURE 102 00:04:01,909 --> 00:04:03,411 HE DOESN'T SLIP THROUGH THE CRACKS. 103 00:04:03,444 --> 00:04:04,812 GO AHEAD, GARCIA. 104 00:04:04,845 --> 00:04:07,515 OK, FAM. WE ARE HEADING TO AUSTIN, TEXAS, 105 00:04:07,548 --> 00:04:09,883 WHERE TWO WOMEN HAVE BEEN ABDUCTED IN THE PAST WEEK. 106 00:04:09,917 --> 00:04:13,020 THE VICTIMS, HANNAH ACCORD, 32, AND LIZ MEYER, 34, 107 00:04:13,053 --> 00:04:15,823 WERE BOTH FOUND ALIVE, IN THEIR OWN CARS, 108 00:04:15,856 --> 00:04:18,025 BUT MILES AWAY FROM WHERE THEY WERE LAST SEEN. 109 00:04:18,058 --> 00:04:19,760 BOTH WOMEN WERE BADLY DISFIGURED. 110 00:04:19,793 --> 00:04:22,796 THE UNSUB LEFT A WHITE PLASTIC MASK 111 00:04:22,830 --> 00:04:24,998 ON THE PASSENGER SEAT OF BOTH OF THEIR CARS. 112 00:04:25,032 --> 00:04:27,801 IT LOOKS LIKE THEIR FACES HAVE BEEN SLICED 113 00:04:27,835 --> 00:04:29,803 AND ABRADED SEVERAL TIMES. 114 00:04:29,837 --> 00:04:33,541 WHAT'S THAT SAYING, "DEATH BY A THOUSAND CUTS"? 115 00:04:33,574 --> 00:04:35,876 LINGCHI. IT'S A FORM OF TORTURE AND EXECUTION 116 00:04:35,909 --> 00:04:37,645 IN ANCIENT CHINA. KNIVES WERE USED 117 00:04:37,678 --> 00:04:39,480 TO METHODICALLY REMOVE PORTIONS OF THE BODY 118 00:04:39,513 --> 00:04:40,848 OVER AN EXTENDED PERIOD OF TIME, 119 00:04:40,881 --> 00:04:42,015 EVENTUALLY RESULTING IN DEATH. 120 00:04:42,049 --> 00:04:44,552 EXCEPT OUR UNSUB WANTS THESE WOMEN ALIVE. 121 00:04:44,585 --> 00:04:46,787 YEAH. HE'S GETTING OFF ON MAKING THEM LIVE WITH THEIR SCARS. 122 00:04:46,820 --> 00:04:48,556 IT WOULD HAVE TAKEN TIME. 123 00:04:48,589 --> 00:04:51,725 AND PATIENCE, TO SLOWLY AND PERMANENTLY 124 00:04:51,759 --> 00:04:52,893 MARK THESE WOMEN'S FACES 125 00:04:52,926 --> 00:04:55,963 TO TAKE AWAY THEIR BEAUTY, THEIR IDENTITIES. 126 00:04:55,996 --> 00:04:58,766 THE MASK COULD BE A TAUNT, A CRUEL REMINDER TO THE VICTIMS 127 00:04:58,799 --> 00:05:00,601 THAT THEY'RE GONNA HAVE TO SPEND THE REST OF THEIR LIVES 128 00:05:00,634 --> 00:05:02,336 HIDING THEIR FACES. 129 00:05:02,370 --> 00:05:03,904 IT SAYS HERE NEITHER OF THE WOMEN 130 00:05:03,937 --> 00:05:05,873 COULD REMEMBER WHAT HAPPENED OR WHERE THEY HAD BEEN. 131 00:05:05,906 --> 00:05:08,542 CELL PHONE TRACKING CONFIRMS THEIR ORIGINAL WHEREABOUTS, 132 00:05:08,576 --> 00:05:10,611 AND THEN GOES OFFLINE UNTIL THEY RESURFACED. 133 00:05:10,644 --> 00:05:11,879 IT'S HARD TO TELL FROM THESE INITIAL PHOTOS, 134 00:05:11,912 --> 00:05:13,847 BUT HANNAH'S INJURIES, THOUGH EXTENSIVE, 135 00:05:13,881 --> 00:05:15,849 WHEN COMPARED TO LIZ'S, SEEM MORE SUPERFICIAL. 136 00:05:15,883 --> 00:05:17,718 I AGREE. LIZ'S WOUNDS SEEM TO INDICATE 137 00:05:17,751 --> 00:05:19,019 A CLEANER, STEADIER HAND AT WORK, 138 00:05:19,052 --> 00:05:21,422 WHICH MEANS OUR UNSUB'S ONLY GAINING IN CONFIDENCE. 139 00:05:21,455 --> 00:05:23,624 YEAH, AND HE MIGHT STRIKE AGAIN SOON. 140 00:05:23,657 --> 00:05:26,860 WHICH IS EXACTLY WHY WE ARE WHEELS UP IN 30. 141 00:05:32,500 --> 00:05:36,970 * WE'VE ONLY REACHED THE THIRD DAY * 142 00:05:37,004 --> 00:05:41,108 * OF A SEVEN-DAY BINGE 143 00:05:41,141 --> 00:05:45,679 * AND I CAN ALREADY SEE YOUR NAME * 144 00:05:45,713 --> 00:05:50,117 * DISINTEGRATING FROM MY LIPS 145 00:05:50,150 --> 00:05:54,555 * WE'VE ONLY REACHED THE THIRD DAY * 146 00:05:54,588 --> 00:05:58,792 * OF A SEVEN-DAY BINGE 147 00:05:58,826 --> 00:06:02,863 * I CAN ALREADY SEE YOUR NAME 148 00:06:02,896 --> 00:06:07,601 * DISINTEGRATING FROM MY LIPS 149 00:06:51,979 --> 00:06:53,914 PRENTISS: "WHEN THERE IS PAIN, THERE ARE NO WORDS. 150 00:06:53,947 --> 00:06:56,116 ALL PAIN IS THE SAME." 151 00:06:56,149 --> 00:06:58,786 TONI MORRISON. 152 00:07:04,057 --> 00:07:05,826 HEY. 153 00:07:05,859 --> 00:07:06,960 YOU ALL RIGHT? 154 00:07:06,994 --> 00:07:10,631 YEAH. YEAH, I, UH... 155 00:07:10,664 --> 00:07:13,166 I WENT TO VISIT MY OLD PARTNER THIS MORNING. 156 00:07:13,200 --> 00:07:15,202 HIS DOCTORS THOUGHT HE'D BE PARALYZED 157 00:07:15,235 --> 00:07:17,004 PERMANENTLY FROM THE WAIST DOWN. 158 00:07:17,037 --> 00:07:18,739 JUST ABOUT A YEAR AGO HE GOT SOME FEELING 159 00:07:18,772 --> 00:07:20,974 IN HIS TOES AND HE WAS EVEN ABLE TO TAKE A FEW STEPS, 160 00:07:21,008 --> 00:07:24,111 BUT HE JUST IS... 161 00:07:24,144 --> 00:07:25,112 HE'S PLATEAUED. 162 00:07:25,145 --> 00:07:26,780 PHIL WAS THERE FOR ME. 163 00:07:26,814 --> 00:07:28,782 RANGER SCHOOL, 164 00:07:28,816 --> 00:07:30,618 WHILE WE SERVED IN THE 75th, 165 00:07:30,651 --> 00:07:33,954 AND WE EVEN CAME INTO THE BUREAU AT THE SAME TIME. 166 00:07:33,987 --> 00:07:36,089 HE WAS MY BROTHER. 167 00:07:37,224 --> 00:07:39,660 IT'S JUST TOUGH TO SEE HIM STRUGGLING LIKE THIS. 168 00:07:39,693 --> 00:07:41,228 WELL, THE ROAD TO RECOVERY'S TOUGH. 169 00:07:41,261 --> 00:07:42,996 YOU AND I BOTH KNOW THAT. 170 00:07:43,030 --> 00:07:45,933 I'M JUST WISHING THERE WAS SOMETHING I COULD DO TO HELP. 171 00:07:45,966 --> 00:07:47,968 OH, THERE IS. 172 00:07:48,001 --> 00:07:52,072 JUST KNOWING WHAT THAT IS IS THE REAL QUESTION, RIGHT? 173 00:07:55,008 --> 00:07:58,011 SO BOTH VICTIMS WERE WOMEN IN THEIR EARLY 30s. 174 00:07:58,045 --> 00:07:59,580 HANNAH, THE FIRST VICTIM, 175 00:07:59,613 --> 00:08:01,014 IS A SINGLE MOM WITH 3 KIDS. 176 00:08:01,048 --> 00:08:02,015 SHE'S FROM AUSTIN, 177 00:08:02,049 --> 00:08:04,217 WORKS FROM HOME AS A CPA. 178 00:08:04,251 --> 00:08:06,019 AND SHE WAS LAST SEEN HAVING LUNCH 179 00:08:06,053 --> 00:08:07,020 WITH A FRIEND FROM HIGH SCHOOL. 180 00:08:07,054 --> 00:08:08,756 THE FRIEND WENT BACK TO WORK, 181 00:08:08,789 --> 00:08:10,724 BUT HANNAH NEVER RETURNED HOME. 182 00:08:10,758 --> 00:08:13,026 HER MOM, WHO WAS WATCHING HER KIDS, CALLED THE POLICE. 183 00:08:13,060 --> 00:08:15,829 LIZ MEYER, ON THE OTHER HAND, MOVED TO AUSTIN 6 MONTHS AGO 184 00:08:15,863 --> 00:08:17,064 AND WAS LAST SEEN LEAVING WORK. 185 00:08:17,097 --> 00:08:18,932 AND THESE TWO WOMEN DON'T KNOW EACH OTHER? 186 00:08:18,966 --> 00:08:20,968 NOT AS FAR AS I CAN SEE AND I CAN SEE REALLY FAR. 187 00:08:21,001 --> 00:08:22,970 I LOOKED INTO ALL THEIR FORMER BOYFRIENDS, GIRLFRIENDS, 188 00:08:23,003 --> 00:08:24,605 HUSBANDS, LOVERS, ET CETERA. 189 00:08:24,638 --> 00:08:26,073 NOTHING'S TRIPPING MY ALARMS. 190 00:08:26,106 --> 00:08:28,542 THEN HANNAH AND LIZ LOOK LIKE VICTIMS OF OPPORTUNITY. 191 00:08:28,576 --> 00:08:30,043 WHICH IS ODD, GIVEN THE TIME THE UNSUB TOOK 192 00:08:30,077 --> 00:08:31,812 TO REPEATEDLY CUT AND ABRADE THEIR SKIN. 193 00:08:31,845 --> 00:08:33,113 I MEAN, IT FEELS PERSONAL. 194 00:08:33,146 --> 00:08:35,082 SO MAYBE THEY'RE SURROGATES. 195 00:08:35,115 --> 00:08:36,684 THERE'S AN ELEMENT OF SPECTACLE TO THIS, 196 00:08:36,717 --> 00:08:38,752 ALMOST LIKE THESE WOMEN AREN'T SURROGATES, 197 00:08:38,786 --> 00:08:40,053 BUT STATEMENTS. 198 00:08:40,087 --> 00:08:42,089 SO WHAT'S HE TRYING TO SAY? 199 00:08:42,122 --> 00:08:44,124 I HATE WOMEN? 200 00:08:44,157 --> 00:08:45,859 WHEN WE LAND, REID, JJ, GO TO THE HOSPITAL, 201 00:08:45,893 --> 00:08:47,828 SEE WHAT WE CAN FIND OUT FROM LIZ. 202 00:08:47,861 --> 00:08:50,063 LUKE, MATT, TAKE HANNAH THROUGH A COGNITIVE. 203 00:08:50,097 --> 00:08:53,000 DAVE AND I WILL GO TO THE DISPOSITION SITE WHERE LIZ WAS FOUND. 204 00:08:53,033 --> 00:08:56,303 AUSTIN PD IS HOLDING THE SCENE. 205 00:09:02,910 --> 00:09:05,078 CHIEF FOLES, I'M SSA LUKE ALVEZ, 206 00:09:05,112 --> 00:09:06,780 THIS IS SSA MATT SIMMONS. 207 00:09:06,814 --> 00:09:08,015 PLEASURE. 208 00:09:08,048 --> 00:09:09,750 WE GOT YOU SET UP IN THE BACK HERE. 209 00:09:09,783 --> 00:09:12,185 WE'RE STILL WORKING ON PULLING THE TRAFFIC CAM FOOTAGE 210 00:09:12,219 --> 00:09:14,321 OF THE SURROUNDING ABDUCTION AND, UH, DIS-- 211 00:09:14,354 --> 00:09:15,956 WHAT'D YOU CALL IT? 212 00:09:15,989 --> 00:09:17,625 DISPOSITION SITE. IT'S A TERM WE USE 213 00:09:17,658 --> 00:09:20,661 FOR A LOCATION WHERE A VICTIM IS LEFT ALIVE. 214 00:09:20,694 --> 00:09:21,995 WELL, WE'VE ALSO LOOKED INTO THE MASKS 215 00:09:22,029 --> 00:09:23,330 THAT WERE FOUND IN HANNAH AND LIZ'S CARS. 216 00:09:23,363 --> 00:09:25,198 NO PRINTS, GENERIC. 217 00:09:25,232 --> 00:09:27,234 AVAILABLE IN COSTUME SHOPS AND ONLINE. 218 00:09:27,267 --> 00:09:29,002 I KNOW SHE'S BEEN RECOVERING AT HOME. 219 00:09:29,036 --> 00:09:31,605 HAVE YOU ARRANGED FOR HANNAH ACCORD TO COME SPEAK WITH US? 220 00:09:31,639 --> 00:09:33,006 SHE'S ON HER WAY IN. 221 00:09:33,040 --> 00:09:35,709 THANKS. 222 00:09:36,777 --> 00:09:38,311 MS. MEYER'S ROOM IS THIS WAY. 223 00:09:38,345 --> 00:09:40,047 SHE'S SEDATED. WE NEEDED TO CLEAN HER WOUNDS 224 00:09:40,080 --> 00:09:42,049 AND SHE WAS IN A LOT OF PAIN. 225 00:09:42,082 --> 00:09:44,184 IN THE PHOTOS, IT APPEARS AS THOUGH HER ATTACKER 226 00:09:44,217 --> 00:09:45,786 CUT AWAY THE FIRST DERMAL LAYER OF SKIN. 227 00:09:45,819 --> 00:09:47,921 THAT'S CORRECT. AND PRETTY CONSISTENTLY, TOO, 228 00:09:47,955 --> 00:09:49,089 I MIGHT ADD. 229 00:09:49,122 --> 00:09:50,658 THE PRECISION SUGGESTS 230 00:09:50,691 --> 00:09:51,725 SOMEONE SKILLED WITH A KNIFE, 231 00:09:51,759 --> 00:09:52,926 MAYBE A PLASTIC SURGEON, 232 00:09:52,960 --> 00:09:56,196 A BUTCHER, A CRAFTSMAN, OR AN ARTIST. 233 00:09:56,229 --> 00:09:57,665 LET ME ASK YOU THIS, WHAT DO YOU MAKE 234 00:09:57,698 --> 00:09:58,899 OF THESE TWO PUNCTURE WOUNDS ON HER CHEST? 235 00:09:58,932 --> 00:10:00,067 MY GUESS IS THEY MIGHT BE DARTS 236 00:10:00,100 --> 00:10:02,002 FROM A STUN GUN OR A TASER. 237 00:10:02,035 --> 00:10:05,105 COULD HAVE BEEN USED TO SUBDUE HER. 238 00:10:05,138 --> 00:10:07,274 SHE REPORT HAVING A METALLIC TASTE IN HER MOUTH? 239 00:10:07,307 --> 00:10:09,109 YEAH, SHE DID, ACTUALLY. 240 00:10:09,142 --> 00:10:11,211 PROBABLY ADRENALINE. 241 00:10:11,244 --> 00:10:12,680 WHY? WHAT ARE YOU THINKING, SPENCE? 242 00:10:12,713 --> 00:10:14,715 STUN GUN DARTS TEND TO HAVE A WIDER RADIUS 243 00:10:14,748 --> 00:10:16,884 AND LEAVE BURN MARKS. AND IF IT'S ALL RIGHT WITH YOU, DR. BATEMAN, 244 00:10:16,917 --> 00:10:18,285 I'D LIKE TO ORDER A FEW ADDITIONAL BLOOD TESTS. 245 00:10:18,318 --> 00:10:19,720 OK. 246 00:10:19,753 --> 00:10:21,254 SO, A PTT, AN APTT, ALONG WITH FDP 247 00:10:21,288 --> 00:10:24,057 AND CREATININE KINASE, CREATININE CALCIUM, P.O. 4 248 00:10:24,091 --> 00:10:25,926 AND CK SERUM, AS WELL AS A TYPE AND SCREEN 249 00:10:25,959 --> 00:10:27,160 AND ELECTROLYTES TO START WITH. 250 00:10:27,194 --> 00:10:29,396 AGENT JAREAU INTRODUCED YOU AS DR. REID, 251 00:10:29,429 --> 00:10:31,131 BUT I DIDN'T THINK YOU WERE A MEDICAL DOCTOR. 252 00:10:31,164 --> 00:10:33,066 OH, I'M NOT. 253 00:10:43,744 --> 00:10:46,446 OHH. LOOK LIKE VOMIT TO YOU? 254 00:10:46,479 --> 00:10:49,149 SOMEBODY CHUCKED THEIR LUNCH? 255 00:10:49,182 --> 00:10:51,151 BUT LIZ'S TOX SCREEN CAME BACK CLEAN. 256 00:10:51,184 --> 00:10:52,886 THOUGH SHE MIGHT HAVE BEEN SICK. 257 00:10:52,920 --> 00:10:54,722 THAT WOULD MAKE HER VULNERABLE, 258 00:10:54,755 --> 00:10:56,356 EASIER TO CONTROL. 259 00:10:56,389 --> 00:10:57,925 SO HOW DOES HE DO IT? 260 00:10:57,958 --> 00:11:00,293 HANNAH AN LIZ WERE FOUND IN THEIR OWN VEHICLES. 261 00:11:00,327 --> 00:11:03,296 SO DOES THE UNSUB USE HIS VICTIMS' CARS 262 00:11:03,330 --> 00:11:05,799 TO ABDUCT AND TRANSPORT THEM? 263 00:11:05,833 --> 00:11:06,967 WELL, LET'S SAY HE DOES, 264 00:11:07,000 --> 00:11:08,368 FOR CONVENIENCE SAKE. 265 00:11:08,401 --> 00:11:10,137 DOES HE APPROACH THEM 266 00:11:10,170 --> 00:11:11,739 WHILE THEY'RE GETTING IN THE CAR? 267 00:11:11,772 --> 00:11:14,074 OR DOES HE FORCE THEM IN USING THE THREAT OF VIOLENCE? 268 00:11:14,107 --> 00:11:15,743 OR DOES HE HAVE SOME SORT OF RUSE? 269 00:11:15,776 --> 00:11:17,344 WELL, IT WAS A HOT DAY. 270 00:11:17,377 --> 00:11:19,312 LIZ COULD HAVE CRACKED THE WINDOWS, 271 00:11:19,346 --> 00:11:22,182 WHICH GAVE THE UNSUB ACCESS WHERE HE LAYS IN WAIT 272 00:11:22,215 --> 00:11:27,287 TO PICK JUST THE RIGHT TIME TO STRIKE. 273 00:11:29,222 --> 00:11:31,959 HANNAH, THANKS FOR COMING IN. 274 00:11:31,992 --> 00:11:36,163 YOU TOLD THE POLICE YOU HAD TROUBLE REMEMBERING THE ATTACK. 275 00:11:36,196 --> 00:11:38,265 THAT'S PERFECTLY NORMAL. 276 00:11:38,298 --> 00:11:41,268 WE'D LIKE TO TAKE YOU THROUGH AN ENHANCED INTERVIEW, 277 00:11:41,301 --> 00:11:42,870 SOMETHING WE CALL A COGNITIVE. 278 00:11:42,903 --> 00:11:45,205 WE'LL WALK YOU THROUGH YOUR ABDUCTION 279 00:11:45,238 --> 00:11:48,175 BY FOCUSING ON DETAILS THAT AT FIRST MIGHT SEEM 280 00:11:48,208 --> 00:11:51,812 INNOCUOUS OR UNIMPORTANT, BUT THEY SHOULD UNLOCK YOUR MEMORIES. 281 00:11:51,845 --> 00:11:54,214 I'LL DO EVERYTHING I CAN TO HELP YOU CATCH HIM. 282 00:11:56,950 --> 00:12:00,888 TO STOP HIM FROM HURTING ANYONE ELSE. 283 00:12:06,994 --> 00:12:10,363 SIMMONS: WHY DON'T YOU CLOSE YOUR EYES. 284 00:12:10,397 --> 00:12:14,001 LET'S START WITH WHAT YOU DO REMEMBER. 285 00:12:14,034 --> 00:12:17,204 YOU HAD LUNCH WITH A FRIEND. 286 00:12:17,237 --> 00:12:19,372 ALVEZ: THEN YOU WALKED TO YOUR CAR. 287 00:12:19,406 --> 00:12:22,309 WHAT WAS THE TEMPERATURE LIKE? 288 00:12:22,342 --> 00:12:24,411 IT WAS HOT. 289 00:12:24,444 --> 00:12:26,780 IT'S ALWAYS HOT. IT'S TEXAS. 290 00:12:26,814 --> 00:12:29,182 MY CAR'S GOING TO BE UNBEARABLE, 291 00:12:29,216 --> 00:12:31,351 EVEN THOUGH I LEFT THE WINDOWS CRACKED. 292 00:12:31,384 --> 00:12:33,320 SIMMONS: AND SO YOU GOT IN YOUR CAR. 293 00:12:33,353 --> 00:12:36,189 I GOT IN. I LEFT THE DOOR OPEN 294 00:12:36,223 --> 00:12:38,458 SO THE HEAT COULD GET OUT. 295 00:12:44,131 --> 00:12:45,933 THEN I STARTED THE CAR. 296 00:12:45,966 --> 00:12:47,367 [ENGINE STARTS] 297 00:12:47,400 --> 00:12:50,337 THE RADIO CAME ON, BUT I TURNED IT OFF. 298 00:12:50,370 --> 00:12:51,304 ALVEZ: AND WHY DID YOU TURN IT OFF? 299 00:12:51,338 --> 00:12:53,440 I THOUGHT I HEARD SOMETHING BEFORE IT CAME ON. 300 00:12:53,473 --> 00:12:55,809 CAN YOU DESCRIBE THE SOUND? 301 00:12:55,843 --> 00:12:57,277 IT WAS A HISSING SOUND. 302 00:12:57,310 --> 00:12:59,312 SIMMONS: LIKE A MECHANICAL HISSING? 303 00:12:59,346 --> 00:13:02,149 I THOUGHT IT WAS THE RADIATOR OR SOMETHING. 304 00:13:02,182 --> 00:13:04,784 ALVEZ: OK. WHAT DID YOU DO NEXT? 305 00:13:06,519 --> 00:13:08,889 I DON'T-- 306 00:13:08,922 --> 00:13:11,158 I...DON'T REMEMBER. 307 00:13:11,191 --> 00:13:13,426 SIMMONS: IT'S OK. IT'S FINE. 308 00:13:13,460 --> 00:13:17,230 LET'S JUST TAKE A DEEP BREATH. 309 00:13:17,264 --> 00:13:20,433 NOW LET'S CLOSE YOUR EYES. 310 00:13:20,467 --> 00:13:23,203 NOW, DID YOU PUT YOUR SEATBELT ON? 311 00:13:23,236 --> 00:13:25,038 YES. 312 00:13:25,072 --> 00:13:29,276 AND THEN I PUT THE CAR IN REVERSE... 313 00:13:29,309 --> 00:13:30,277 AAH! 314 00:13:30,310 --> 00:13:32,179 OH, MY GOD. 315 00:13:33,446 --> 00:13:35,215 AAH! 316 00:13:35,248 --> 00:13:36,616 AAH! 317 00:13:36,649 --> 00:13:38,986 IT'S WHAT I SUSPECTED. LIZ'S BLOOD TESTS 318 00:13:39,019 --> 00:13:40,387 SHOWED SIGNS OF EVENOMATION. 319 00:13:40,420 --> 00:13:43,323 SO THE PUNCTURE WOUNDS WERE FROM A SNAKE BITE. 320 00:13:43,356 --> 00:13:45,258 THE QUICK ONSET OF SYMPTOMS, THE MENTAL FOG, 321 00:13:45,292 --> 00:13:46,493 BLURRED VISION, MUSCULAR PARALYSIS, 322 00:13:46,526 --> 00:13:48,028 ALONG WITH VOMITING AND A COMPLETE LACK 323 00:13:48,061 --> 00:13:49,529 OF LOCALIZED SWELLING AND NECROSIS 324 00:13:49,562 --> 00:13:52,232 SUGGESTS A NEUROTOXIC VENOM, MAYBE FROM A VIPERINE 325 00:13:52,265 --> 00:13:53,266 OR SOMETHING IN THE ELAPID FAMILY. 326 00:13:53,300 --> 00:13:56,103 IN FACT, THE SHALLOW PUNCTURE WOUNDS AND SHORT BITE 327 00:13:56,136 --> 00:13:59,172 COULD INDICATE A BITE FROM BITIS ATROPOS OR PSEUDONAJA TEXTILIS. 328 00:13:59,206 --> 00:14:00,307 ENGLISH, KID. 329 00:14:00,340 --> 00:14:03,410 THE BERG ADDER AND THE EASTERN BROWN SNAKE, 330 00:14:03,443 --> 00:14:05,278 NEITHER OF WHICH ARE INDIGENOUS TO NORTH AMERICA. 331 00:14:05,312 --> 00:14:07,380 WAIT, ISN'T A BITE FROM THE EASTERN BROWN SNAKE FATAL? 332 00:14:07,414 --> 00:14:09,582 I MEAN, THE UNSUB WOULD NEED TO HAVE THE ANTI-VENOM ON HAND. 333 00:14:09,616 --> 00:14:11,618 NOT NECESSARILY. THE EASTERN BROWN SNAKE 334 00:14:11,651 --> 00:14:13,486 IS THE SECOND-MOST DEADLY SNAKE IN THE WORLD, 335 00:14:13,520 --> 00:14:15,388 BUT ITS BITES TEND TO PRODUCE A RELATIVELY 336 00:14:15,422 --> 00:14:18,058 LOW VOLUME OF VENOM, SO THOUGH FAST-ACTING AND DEBILITATING, 337 00:14:18,091 --> 00:14:19,392 ITS MORTALITY RATE IS RATHER LOW. 338 00:14:19,426 --> 00:14:22,229 SO THE UNSUB'S RUSE IS TO TRAP HIS VICTIMS 339 00:14:22,262 --> 00:14:24,664 IN THEIR OWN CAR WITH A VENOMOUS SNAKE 340 00:14:24,697 --> 00:14:28,568 AND LET IT BITE THEM UNTIL THEY BECOME INCAPACITATED. 341 00:14:28,601 --> 00:14:30,971 I DON'T KNOW. THAT'S LEAVING A LOT TO CHANCE. 342 00:14:31,004 --> 00:14:34,274 THIS GUY COULD HAVE USED ANY NUMBER OF ABDUCTION RUSES. 343 00:14:34,307 --> 00:14:36,476 THE FACT THAT HE CHOSE A SNAKE SAYS A LOT. 344 00:14:36,509 --> 00:14:38,478 OK, WAIT, IS IT EVEN LEGAL TO OWN 345 00:14:38,511 --> 00:14:40,513 THE SECOND-MOST DEADLY SNAKE IN THE WORLD? 346 00:14:40,547 --> 00:14:42,015 I MEAN, I'M HOPING IT ISN'T. 347 00:14:42,049 --> 00:14:43,216 WELL, MOST STATES REQUIRE YOU HAVE A PERMIT 348 00:14:43,250 --> 00:14:45,352 TO KEEP AN EXOTIC OR VENOMOUS REPTILE. 349 00:14:45,385 --> 00:14:47,520 THE REAL QUESTION IS, WHAT DOES THIS ELABORATE 350 00:14:47,554 --> 00:14:50,490 ABDUCTION SCENARIO AND THE USE OF A SNAKE 351 00:14:50,523 --> 00:14:53,126 HAVE TO DO WITH THE DISFIGUREMENT OF THESE WOMEN? 352 00:14:53,160 --> 00:14:55,062 THEY OVERLAP IN THE UNSUB'S MIND. 353 00:14:55,095 --> 00:14:58,098 WE NEED TO FIGURE OUT HOW AND WHY AND WE NEED TO DO THAT QUICKLY. 354 00:15:16,116 --> 00:15:19,252 [WHIMPERING, CRYING OUT] 355 00:15:19,286 --> 00:15:21,654 NO, NO... 356 00:15:21,688 --> 00:15:22,689 [WHIMPERING] 357 00:15:22,722 --> 00:15:24,457 AAH...STOP! 358 00:15:24,491 --> 00:15:28,996 [GASPING] 359 00:15:31,764 --> 00:15:32,465 AAH! 360 00:15:38,071 --> 00:15:39,206 HER NAME IS TRICIA SMOOTS. 361 00:15:39,239 --> 00:15:40,540 SHE WAS FOUND EARLY THIS MORNING 362 00:15:40,573 --> 00:15:42,042 IN A NEIGHBORHOOD IN SOUTHEAST AUSTIN. 363 00:15:42,075 --> 00:15:44,244 SHE HAS THE SAME CUTS AND ABRASIONS 364 00:15:44,277 --> 00:15:46,013 AS THE PREVIOUS TWO VICTIMS, 365 00:15:46,046 --> 00:15:48,081 BUT HE WENT FURTHER THIS TIME. 366 00:15:48,115 --> 00:15:49,749 FRENULUM WAS CUT AND HER TONGUE WAS FORKED. 367 00:15:49,782 --> 00:15:52,219 PROBABLY WITH A SCALPEL OR A RAZOR BLADE. 368 00:15:52,252 --> 00:15:55,355 SPLIT TONGUE. LIKE THE SNAKE HE USES TO ABDUCT THEM. 369 00:15:55,388 --> 00:15:57,657 NOW, SHE CAN'T SPEAK BECAUSE OF THE SWELLING. 370 00:15:57,690 --> 00:15:59,392 AND SHE NEEDS TO REST, 371 00:15:59,426 --> 00:16:03,730 SO TRY AND KEEP IT SHORT. 372 00:16:03,763 --> 00:16:06,566 LISTEN, SMOOTS IS A NURSE. 373 00:16:06,599 --> 00:16:07,600 SHE USED TO WORK HERE. 374 00:16:07,634 --> 00:16:11,371 EVERYONE KNOWS AND LOVES HER. 375 00:16:11,404 --> 00:16:13,673 CATCH THIS BASTARD. 376 00:16:18,145 --> 00:16:19,712 HI, TRICIA. 377 00:16:19,746 --> 00:16:21,714 I'M SSA JENNIFER JAREAU. 378 00:16:21,748 --> 00:16:23,250 THIS IS DR. SPENCER REID. 379 00:16:23,283 --> 00:16:24,717 WE'RE WITH THE FBI. 380 00:16:24,751 --> 00:16:25,718 WE'D LIKE TO ASK YOU A FEW QUESTIONS, 381 00:16:25,752 --> 00:16:28,021 IF THAT'S ALL RIGHT. 382 00:16:30,657 --> 00:16:34,327 YOU CAN WRITE OR DRAW. 383 00:16:34,361 --> 00:16:38,998 JUST TELL US WHATEVER YOU CAN REMEMBER. 384 00:16:42,835 --> 00:16:46,706 REID: "TIED DOWN. DIZZY." 385 00:16:50,310 --> 00:16:51,644 "LIKE A NIGHTMARE." 386 00:16:51,678 --> 00:16:54,681 DID YOUR ATTACKER SAY ANYTHING? 387 00:16:57,417 --> 00:16:59,786 "WHISPERED..." 388 00:17:01,521 --> 00:17:03,656 "WE ARE NOW THE SAME." 389 00:17:03,690 --> 00:17:05,292 WE. 390 00:17:12,599 --> 00:17:17,737 THE PERSON THAT ATTACKED YOU HAD A FORKED TONGUE, TOO. 391 00:17:17,770 --> 00:17:21,741 WE THINK IT'S POSSIBLE OUR UNSUB MAY ALSO HAVE A SPLIT TONGUE. 392 00:17:21,774 --> 00:17:23,743 THE REMOVAL OF THE FIRST DERMAL LAYER OF SKIN 393 00:17:23,776 --> 00:17:25,712 IS SIMILAR TO A TECHNIQUE USED IN SCARIFICATION, 394 00:17:25,745 --> 00:17:27,247 WHICH, LIKE TONGUE-SPLITTING, 395 00:17:27,280 --> 00:17:29,082 IS A POPULAR FORM OF BODY MODIFICATION. 396 00:17:29,116 --> 00:17:30,817 YEAH, BUT COULDN'T THE SLICING OF THE TONGUE 397 00:17:30,850 --> 00:17:32,485 JUST BE AN ESCALATION? 398 00:17:32,519 --> 00:17:33,720 IT'S POSSIBLE, BUT DR. BATEMAN SAID 399 00:17:33,753 --> 00:17:35,622 THE CUTS WERE CLEAN. NO HESITATION. 400 00:17:35,655 --> 00:17:37,190 SO THIS WASN'T OUR UNSUB'S FIRST TIME. 401 00:17:37,224 --> 00:17:39,326 WHICH SUGGESTS OUR UNSUB IS AT THE VERY LEAST 402 00:17:39,359 --> 00:17:41,228 FAMILIAR WITH OR A PART OF 403 00:17:41,261 --> 00:17:44,131 THE BODY MODIFICATION COMMUNITY. 404 00:17:44,164 --> 00:17:46,733 JJ: PEOPLE WHO ENGAGE IN VARIOUS FORMS 405 00:17:46,766 --> 00:17:49,302 OF MODIFICATION OFTEN DO SO WITH THE INTENT 406 00:17:49,336 --> 00:17:50,870 TO REVEAL AN ASPECT OF THEMSELVES 407 00:17:50,903 --> 00:17:52,739 THAT THEY FEEL HAS BEEN SUPPRESSED. 408 00:17:52,772 --> 00:17:56,309 THE MASKS THAT HE WAS LEAVING BEHIND WITH EACH VICTIM, 409 00:17:56,343 --> 00:17:58,545 HE'S EXPOSING THESE WOMEN FOR WHO THEY REALLY ARE. 410 00:17:58,578 --> 00:18:00,447 PEELING AWAY THE MASKS THEY HIDE BEHIND. 411 00:18:00,480 --> 00:18:01,748 FOLES: AND THE SNAKES? 412 00:18:01,781 --> 00:18:04,751 I MEAN, BRANDING WOMEN AS EVIL, AS SERPENTS, 413 00:18:04,784 --> 00:18:06,153 IS A STORY AS OLD AS THE BIBLE. 414 00:18:06,186 --> 00:18:08,655 PRENTISS: NOT JUST EVIL BUT DECEITFUL. 415 00:18:08,688 --> 00:18:11,558 THE SNAKE IN THE GARDEN OF EDEN IS A LIAR. 416 00:18:11,591 --> 00:18:13,193 ROSSI: OUR UNSUB'S ANGER COULD BE DIRECTED 417 00:18:13,226 --> 00:18:16,263 AT WHAT HE PERCEIVES AS HYPOCRISY OR DUPLICITY. 418 00:18:16,296 --> 00:18:17,864 BUT THE WOMEN HE TARGETED 419 00:18:17,897 --> 00:18:19,799 ARE BY ALL ACCOUNTS MODEL CITIZENS. 420 00:18:19,832 --> 00:18:21,734 WELL, MAYBE THEY REPRESENT A SPECIFIC WOMAN IN HIS LIFE 421 00:18:21,768 --> 00:18:23,703 THAT HE BELIEVES HAS TWO FACES. 422 00:18:23,736 --> 00:18:26,173 SIMMONS: A PUBLIC AND A PRIVATE PERSONA 423 00:18:26,206 --> 00:18:28,308 THAT ARE AT ODDS WITH EACH OTHER. 424 00:18:35,415 --> 00:18:36,816 PRENTISS: WE NEED TO START FROM THE INSIDE-- 425 00:18:36,849 --> 00:18:39,852 TATTOO AND BODY MODIFICATION ARTISTS HERE IN AUSTIN. 426 00:18:39,886 --> 00:18:42,189 JJ: AND IT'S LIKELY SERPENT IMAGERY 427 00:18:42,222 --> 00:18:43,656 WILL PLAY A PART IN HIS WORK. 428 00:18:43,690 --> 00:18:46,359 PRENTISS: YOU SHOULD CANVASS LOCAL SHOPS AND PARLORS, 429 00:18:46,393 --> 00:18:47,827 SCOUR THE WEB AND SOCIAL MEDIA 430 00:18:47,860 --> 00:18:51,364 FOR ARTISTS AND ENTHUSIASTS WHO FIT THIS PROFILE. 431 00:18:58,405 --> 00:19:01,941 AGENT ALVEZ. THEY SAID YOU'RE MAKING PROGRESS. 432 00:19:01,974 --> 00:19:05,745 THEY BROUGHT ME BACK IN TO LOOK AT PHOTOS OF POTENTIAL SUSPECTS. 433 00:19:05,778 --> 00:19:08,815 THAT'S GREAT. YEAH. HOW ARE YOU FEELING? 434 00:19:08,848 --> 00:19:11,751 BETTER. MY KIDS ARE COMING HOME. 435 00:19:11,784 --> 00:19:12,952 THEY'VE BEEN STAYING WITH MY MOTHER. 436 00:19:12,985 --> 00:19:14,754 I HAVEN'T SEEN THEM SINCE THE ATTACK. 437 00:19:14,787 --> 00:19:16,923 I DIDN'T WANT TO SCARE THEM. 438 00:19:16,956 --> 00:19:19,892 BUT I CAN'T HIDE AWAY FOREVER. 439 00:19:19,926 --> 00:19:22,762 MY LITTLE ONES ARE COUNTING ON ME. 440 00:19:27,967 --> 00:19:28,635 YOU OK? 441 00:19:28,668 --> 00:19:32,939 YEAH. I ADMIRE HER RESILIENCE. 442 00:19:32,972 --> 00:19:34,841 SOME PEOPLE SURPRISE YOU. 443 00:19:34,874 --> 00:19:37,210 SHE'S PROBABLY SURPRISED HERSELF. 444 00:19:37,244 --> 00:19:39,946 BUT WHEN YOU'VE GOT SOMEONE COUNTING ON YOU, 445 00:19:39,979 --> 00:19:42,849 YOU FIND STRENGTH YOU DIDN'T KNOW YOU HAD. 446 00:19:46,386 --> 00:19:47,987 FIRST OFF, I WANT TO SAY 447 00:19:48,020 --> 00:19:50,823 THAT ALL BABY ANIMALS ARE CUTE, UM, 448 00:19:50,857 --> 00:19:52,892 BUT THE THING ABOUT BABY SNAKES IS, UH, 449 00:19:52,925 --> 00:19:55,662 THEY ARE THE KIND WHERE LIKE IF YOU THOUGHT 450 00:19:55,695 --> 00:19:56,663 THAT HATCHING 451 00:19:56,696 --> 00:19:57,864 OR SLITHERING 452 00:19:57,897 --> 00:19:59,866 OR SHEDDING IS CUTE, 453 00:19:59,899 --> 00:20:02,669 THEN THEY ARE REALLY ADORABLE. 454 00:20:02,702 --> 00:20:04,704 AND A LOT OF PEOPLE SEEM TO THINK SO 455 00:20:04,737 --> 00:20:07,974 BECAUSE THE ONLINE SNAKE TRADE IS BOOMING. 456 00:20:08,007 --> 00:20:09,842 AND YOU HAVE NO IDEA HOW EASY IT IS 457 00:20:09,876 --> 00:20:12,011 TO GET A VENOMOUS SNAKE ON THE INTERWEBS. 458 00:20:12,044 --> 00:20:13,413 ALTHOUGH, FROM THE LOOKS OF IT, 459 00:20:13,446 --> 00:20:14,847 ONLY A FRACTION OF THE BUYERS 460 00:20:14,881 --> 00:20:15,882 ACTUALLY REGISTER WITH THE STATE. 461 00:20:15,915 --> 00:20:17,984 WELL, TEXAS PARK AND WILDLIFE SHOULD HAVE RECORDS. 462 00:20:18,017 --> 00:20:19,852 OF RESPONSIBLE SERPENT OWNERS, YES, 463 00:20:19,886 --> 00:20:22,021 AND I'M COMING THROUGH THOSE AS WE SPEAK. 464 00:20:22,054 --> 00:20:23,423 BUT THAT'S NOT WHY YOU CALLED ME? 465 00:20:23,456 --> 00:20:25,024 NOW WE NEED YOU TO TELL US ALL YOU CAN 466 00:20:25,057 --> 00:20:27,960 ABOUT THE BODY MODIFICATION COMMUNITY HERE IN AUSTIN. 467 00:20:27,994 --> 00:20:29,262 BASICALLY ANYONE WHO SPECIALIZES 468 00:20:29,296 --> 00:20:31,598 IN SNAKE IMAGERY OR TONGUE SPLITTING. 469 00:20:31,631 --> 00:20:35,702 BODY MOD. TATTOOS. ROGER THAT. 470 00:20:35,735 --> 00:20:39,005 WOW. THERE ARE A TON OF SHOPS. 471 00:20:39,038 --> 00:20:43,009 BUT YOU'RE LOOKING FOR SOMETHING MORE SPECIFIC, RIGHT? 472 00:20:43,042 --> 00:20:45,512 SOMEONE WHO DEALS WITH CUSTOM WORK, 473 00:20:45,545 --> 00:20:46,613 DIFFERENT THAN, SAY, 474 00:20:46,646 --> 00:20:48,681 THAT ARMY TATTOO THAT SIMMONS HAS 475 00:20:48,715 --> 00:20:51,984 ON HIS VERY TONED LEFT BICEP. 476 00:20:52,852 --> 00:20:54,421 WELL, HOW ABOUT YOU, GARCIA? 477 00:20:54,454 --> 00:20:57,056 EVER GO TO THE NEEDLE? YOU GOT ANY TATTOOS? 478 00:20:57,089 --> 00:20:59,459 I DON'T SEE WHY THAT'S RELEVANT TO THIS CONVERSATION. 479 00:20:59,492 --> 00:21:01,528 SO YOU DO. THAT'S INTERESTING. 480 00:21:01,561 --> 00:21:02,895 DIDN'T SAY THAT. AND EVEN IF I DID, 481 00:21:02,929 --> 00:21:05,598 IT WOULDN'T MATTER, WHETHER IT SAID "BABY GIRL" 482 00:21:05,632 --> 00:21:07,567 OR WHAT PART OF MY BODY IT'S LOCATED ON OR WHATEVER. 483 00:21:07,600 --> 00:21:09,736 AND ANYWAY, I HAVE AN ANSWER TO THE QUESTION 484 00:21:09,769 --> 00:21:11,037 THAT IS PERTINENT TO THIS CASE. 485 00:21:11,070 --> 00:21:12,605 YOU GOTTA TALK TO THIS GUY--RYAN KASH. 486 00:21:12,639 --> 00:21:14,073 HE HAS A CUSTOM SHOP ON CONGRESS AVENUE. 487 00:21:14,106 --> 00:21:16,676 HE SPECIALIZES IN TONGUE SPLITTING AND SCARIFICATION. 488 00:21:16,709 --> 00:21:19,679 HERE'S HIS HOME AND HIS WORK ADDRESS. 489 00:21:19,712 --> 00:21:24,517 [LOUD MUSIC PLAYING] 490 00:21:24,551 --> 00:21:28,488 [INDISTINCT SONG PLAYING] 491 00:21:35,895 --> 00:21:37,364 CAN I HELP YOU? 492 00:21:48,508 --> 00:21:51,978 HEY! STOP! 493 00:21:53,045 --> 00:21:54,313 ALVEZ: COME HERE! 494 00:21:56,483 --> 00:21:57,450 STAY THERE! 495 00:21:57,484 --> 00:21:59,486 HANDS! 496 00:22:09,061 --> 00:22:12,098 WHY'D YOU RUN, KASH? 497 00:22:12,131 --> 00:22:13,733 I WAS IN TROUBLE BEFORE. 498 00:22:13,766 --> 00:22:15,535 THERE'S A WARRANT OUT FOR ME. 499 00:22:15,568 --> 00:22:18,705 PRIOR DRUG ARRESTS IN OKLAHOMA. 500 00:22:18,738 --> 00:22:19,972 QUITE THE RAP SHEET. 501 00:22:20,006 --> 00:22:23,543 BUT WE'RE NOT HERE TO TALK ABOUT PETTY OFFENSES. 502 00:22:23,576 --> 00:22:25,412 3 WOMEN HAVE BEEN ASSAULTED. 503 00:22:28,014 --> 00:22:29,782 THAT'S YOUR SPECIALTY, ISN'T IT? 504 00:22:29,816 --> 00:22:33,520 TONGUE SPLITTING, SCARIFICATION. 505 00:22:36,489 --> 00:22:39,459 ADMIRING YOUR HANDIWORK? 506 00:22:39,492 --> 00:22:41,728 [LAUGHS] 507 00:22:41,761 --> 00:22:42,895 THAT'S NOT ME. 508 00:22:42,929 --> 00:22:44,063 I WOULD NEVER DO THAT. 509 00:22:44,096 --> 00:22:47,133 NEVER DO WHAT, CUT AND TORTURE 3 WOMEN? 510 00:22:47,166 --> 00:22:48,801 NO, NO. NO WAY. 511 00:22:48,835 --> 00:22:50,002 LOOK AT THE PHOTO. 512 00:22:50,036 --> 00:22:51,003 SHE HAD A FRENULUM CUT. 513 00:22:51,037 --> 00:22:52,739 SHE COULD CHOKE ON HER OWN TONGUE. 514 00:22:52,772 --> 00:22:54,907 I DON'T DO THAT. 515 00:22:54,941 --> 00:22:56,409 WHO WOULD? 516 00:22:56,443 --> 00:22:57,577 NO ONE. 517 00:22:57,610 --> 00:22:59,145 IT'S TOO DANGEROUS. 518 00:23:03,182 --> 00:23:06,052 WITH THE ADDITIONAL DATA FROM THE UNSUB'S THIRD VICTIM, 519 00:23:06,085 --> 00:23:08,020 I WAS ABLE TO CLOSE IN ON THE UNSUB'S COMFORT ZONE. 520 00:23:08,054 --> 00:23:10,523 NOW, LOOK AT THIS. VICTIM NUMBER ONE, 521 00:23:10,557 --> 00:23:13,125 HANNAH ACCORD, WAS FOUND ON COMAL STREET, 522 00:23:13,159 --> 00:23:14,427 JUST OUTSIDE OF A FARMERS MARKET. 523 00:23:14,461 --> 00:23:16,563 VICTIM NUMBER TWO, LIZ MEYER'S CAR, 524 00:23:16,596 --> 00:23:18,765 WAS FOUND ON SIXTH STREET IN DOWNTOWN AUSTIN, 525 00:23:18,798 --> 00:23:21,100 AND VICTIM NUMBER 3, TRICIA SMOOTS, WAS FOUND 526 00:23:21,133 --> 00:23:23,803 IN A RESIDENTIAL AREA IN SOUTHEAST AUSTIN. 527 00:23:23,836 --> 00:23:26,172 YOU GUYS SEE IT? 528 00:23:30,076 --> 00:23:32,211 ALVEZ: YEAH. HANCOCK HEIGHTS PROPERTIES. 529 00:23:32,244 --> 00:23:33,713 REID: ALL 3 PROPERTIES WERE HANDLED BY 530 00:23:33,746 --> 00:23:35,181 THE EXACT SAME REAL ESTATE AGENT, 531 00:23:35,214 --> 00:23:36,949 A WOMAN NAMED LARA GUTIERREZ. 532 00:23:36,983 --> 00:23:37,917 THAT COULD BE OUR CONNECTION. 533 00:23:37,950 --> 00:23:41,087 THE WOMAN WHOSE ATTENTION OUR UNSUB IS AFTER. 534 00:23:41,120 --> 00:23:43,155 [RING] GO AHEAD, BOSS. 535 00:23:43,189 --> 00:23:44,857 I NEED EVERYTHING YOU CAN FIND 536 00:23:44,891 --> 00:23:47,026 ON A WOMAN NAMED LARA GUTIERREZ. 537 00:23:47,059 --> 00:23:48,595 GOT IT. 538 00:23:48,628 --> 00:23:51,097 KASH IS CLEAN. THE POLICE CONFIRMED HIS ALIBI. 539 00:23:51,130 --> 00:23:52,198 THEY'RE JUST GONNA HOLD HIM UNTIL 540 00:23:52,231 --> 00:23:53,766 HIS EXTRADITION WARRANT COMES THROUGH. 541 00:23:53,800 --> 00:23:57,136 LARA GUTIERREZ, 45. SINGLE DIVORCED MOTHER OF TWO. 542 00:23:57,169 --> 00:23:58,505 EX-HUSBAND LIVES IN CLEVELAND. 543 00:23:58,538 --> 00:24:00,072 SHE HAS TWO DAUGHTERS, TINA AND DESI. 544 00:24:00,106 --> 00:24:01,674 OK, WE NEED EVERYTHING YOU CAN FIND 545 00:24:01,708 --> 00:24:04,110 ON LARA'S EX-HUSBAND, PAST BOYFRIENDS, 546 00:24:04,143 --> 00:24:06,012 FORMER CLIENTS, ET CETERA. 547 00:24:06,045 --> 00:24:07,914 I'LL SEND YOU EVERYTHING I'VE FOUND SO FAR. 548 00:24:07,947 --> 00:24:09,115 PENNY G OUT. 549 00:24:12,184 --> 00:24:14,020 OK, WE'VE SAID THAT THESE ATTACKS FEEL PERSONAL. 550 00:24:14,053 --> 00:24:16,723 THE VIOLENCE AND RAGE ARE DEEP-SEATED. 551 00:24:16,756 --> 00:24:19,258 BUT WE HAVEN'T THEORIZED WHAT KIND OF STRESSORS 552 00:24:19,291 --> 00:24:21,027 WOULD GIVE RISE TO AN OFFENDER LIKE THIS. 553 00:24:21,060 --> 00:24:22,662 REID: THE PEOPLE WHO ALTER THEIR FACES, 554 00:24:22,695 --> 00:24:24,831 WHETHER THROUGH SURGERY OR ALTERNATIVE MEANS LIKE THIS, 555 00:24:24,864 --> 00:24:27,199 ARE OFTEN BATTLING ISSUES OF SELF-ESTEEM AND SELF-WORTH. 556 00:24:27,233 --> 00:24:29,869 IN FACT, SOMETIMES THERE'S EVEN AN UNDERLYING COMPULSION 557 00:24:29,902 --> 00:24:32,839 TO DESTROY A PIECE OF THEM THAT'S TIED TO AN EARLY EMOTIONAL TRAUMA. 558 00:24:32,872 --> 00:24:35,575 OK, SO IF LARA IS INDEED THE WOMAN 559 00:24:35,608 --> 00:24:36,275 AT THE CENTER OF THIS THREAD, 560 00:24:36,308 --> 00:24:38,645 THEN IT'S LIKELY SHE'S THE ONE 561 00:24:38,678 --> 00:24:40,146 THE UNSUB VIEWS AS WEARING A MASK. 562 00:24:40,179 --> 00:24:43,282 SHE'S A MOTHER, A SUCCESSFUL REAL ESTATE AGENT, 563 00:24:43,315 --> 00:24:45,885 BUT PERHAPS UNDERNEATH ALL OF THAT, 564 00:24:45,918 --> 00:24:48,588 THERE'S A SIDE TO HER THAT THE REST OF THE WORLD DOESN'T SEE. 565 00:24:48,621 --> 00:24:49,822 WE HAVEN'T REALLY TALKED MUCH ABOUT GENDER, 566 00:24:49,856 --> 00:24:51,290 BUT I THINK IT MAKES SENSE 567 00:24:51,323 --> 00:24:53,793 THAT THE PERSON WE'RE LOOKING FOR IS A WOMAN. 568 00:24:53,826 --> 00:24:55,227 FEMALE OFFENDERS ARE MORE LIKELY TO ATTACK 569 00:24:55,261 --> 00:24:58,097 THE PHYSICAL APPEARANCES OR THE LOOKS OF THEIR VICTIMS. 570 00:24:58,130 --> 00:24:59,732 THE VENOM FROM THE SNAKE BITES 571 00:24:59,766 --> 00:25:01,267 ESSENTIALLY INCAPACITATED THE VICTIMS, 572 00:25:01,300 --> 00:25:02,935 MAKING THEM EASIER TO MANEUVER, 573 00:25:02,969 --> 00:25:05,137 ESPECIALLY FOR SOMEBODY OF A SMALLER PHYSICAL STATURE. 574 00:25:05,171 --> 00:25:06,806 AND THERE'S BEEN NO SIGN OF SEXUAL ASSAULT, 575 00:25:06,839 --> 00:25:08,841 WHICH IS STRANGE GIVEN THE LEVEL OF RAGE ON DISPLAY. 576 00:25:08,875 --> 00:25:12,612 WE MAY BE LOOKING AT A KIND OF INTERNALIZED MISOGYNY, 577 00:25:12,645 --> 00:25:16,015 A SELF-HATRED, SOMEONE LASHING OUT, 578 00:25:16,048 --> 00:25:17,617 DESTROYING THE FACES OF THEIR VICTIMS 579 00:25:17,650 --> 00:25:20,653 BECAUSE THEY CAN'T STAND THEIR OWN. 580 00:25:20,687 --> 00:25:23,022 JJ, MATT, GO SEE IF ANY OF THAT 581 00:25:23,055 --> 00:25:24,957 STRIKES A NOTE WITH KASH. 582 00:25:26,959 --> 00:25:29,328 WHY AM I STILL HERE? 583 00:25:29,361 --> 00:25:31,664 A SERIES OF POOR CHOICES. 584 00:25:34,133 --> 00:25:37,604 DO YOU KNOW EITHER OF THOSE WOMEN? 585 00:25:45,845 --> 00:25:50,683 OH, KASH, YOU REALLY GOTTA WORK ON THAT POKER FACE. 586 00:25:50,717 --> 00:25:52,819 LIKE YOU'RE IN A LOT OF TROUBLE ALREADY. 587 00:25:52,852 --> 00:25:55,187 I DON'T THINK YOU WANT TO ADD ACCESSORY AFTER THE FACT 588 00:25:55,221 --> 00:25:58,925 AND OBSTRUCTION OF JUSTICE TO YOUR LIST OF OFFENSES. 589 00:25:58,958 --> 00:26:00,793 I GOT NO IDEA WHO THIS CHICK IS, 590 00:26:00,827 --> 00:26:03,062 BUT THIS GIRL, DESI, 591 00:26:03,095 --> 00:26:06,699 YOU SHOULD SEE WHAT SHE LOOKS LIKE NOW. 592 00:26:21,681 --> 00:26:24,951 DESI, HEY, IT'S BEEN A WHILE. 593 00:26:24,984 --> 00:26:28,087 YOU LOOK DIFFERENT. 594 00:26:28,120 --> 00:26:30,222 I GOT YOUR MESSAGES. WHAT'S UP? 595 00:26:30,256 --> 00:26:32,692 I NEED YOU TO COME WITH ME. 596 00:26:32,725 --> 00:26:34,894 LOOK, I CAN'T GIVE YOU ANY MORE MONEY. 597 00:26:34,927 --> 00:26:36,162 OK, I KNOW IN THE PAST-- 598 00:26:36,195 --> 00:26:38,965 I DON'T WANT YOUR MONEY. 599 00:26:38,998 --> 00:26:43,035 OK. I'M SORRY. 600 00:26:43,069 --> 00:26:45,705 LOOK, I HAVE SOME FINALS I NEED TO STUDY FOR, SO-- 601 00:26:45,738 --> 00:26:46,939 IT HAS TO BE YOU. 602 00:26:46,973 --> 00:26:49,375 SHE DOESN'T WANT ANYTHING TO DO WITH ME. 603 00:26:49,408 --> 00:26:51,978 SHE'LL COME IF IT'S YOU. 604 00:26:52,011 --> 00:26:54,747 WHAT ARE YOU TALKING ABOUT? WHO? 605 00:26:55,314 --> 00:26:58,117 DESI, YOU'RE HURTING ME. 606 00:27:03,723 --> 00:27:05,624 AAH! 607 00:27:16,335 --> 00:27:17,670 DESI SOUGHT ME OUT. 608 00:27:17,704 --> 00:27:19,939 SAID SHE LIKED THE WAY I DID THINGS. 609 00:27:19,972 --> 00:27:23,075 BUT, MAN, WHEN SHE CAME TO MY SHOP 3 YEARS AGO, 610 00:27:23,109 --> 00:27:24,376 SHE WAS IN BAD SHAPE. 611 00:27:24,410 --> 00:27:25,845 HER FAMILY KICKED HER OUT. 612 00:27:25,878 --> 00:27:27,179 SHE DIDN'T KNOW WHERE TO GO. 613 00:27:27,213 --> 00:27:28,380 WHEN WAS THE LAST TIME YOU SAW HER? 614 00:27:28,414 --> 00:27:29,448 A YEAR AGO. 615 00:27:29,481 --> 00:27:31,818 SHE LEFT TO START HER OWN SHOP. 616 00:27:31,851 --> 00:27:33,419 DUST & BONES. 617 00:27:33,452 --> 00:27:35,421 BUT IT NEVER GOT OFF THE GROUND. 618 00:27:35,454 --> 00:27:38,691 AND I HAVEN'T SEEN OR HEARD FROM HER SINCE. 619 00:27:38,725 --> 00:27:40,092 AGENTS. 620 00:27:46,498 --> 00:27:50,102 WE JUST GOT A REPORT OF AN ABDUCTION NEAR CONGRESS AVENUE. 621 00:27:50,136 --> 00:27:54,340 A FEMALE VIOLENTLY COERCED ANOTHER WOMAN INTO A CAR. 622 00:27:54,373 --> 00:27:56,308 AN EYEWITNESS MANAGED TO WRITE DOWN THE PLATES. 623 00:27:56,342 --> 00:27:58,444 THE CAR BELONGS TO TINA GUTIERREZ. 624 00:27:58,477 --> 00:28:01,113 MATT, YOU AND DAVE CHECK OUT THE ABDUCTION SITE. 625 00:28:01,147 --> 00:28:02,715 THERE'S MORE. 626 00:28:02,749 --> 00:28:06,719 WE HAVEN'T BEEN ABLE TO LOCATE LARA GUTIERREZ. 627 00:28:06,753 --> 00:28:09,288 IF DESI GUTIERREZ DOES HAVE HER SISTER TINA, 628 00:28:09,321 --> 00:28:10,757 WHERE WOULD SHE TAKE HER? 629 00:28:10,790 --> 00:28:12,458 AND WHAT'S HER END GAME? 630 00:28:12,491 --> 00:28:15,294 I'M SO GLAD YOU LIKE IT. 631 00:28:15,327 --> 00:28:17,229 IT'S PRICED TO SELL, 632 00:28:17,263 --> 00:28:19,031 AND IT'S IN AN UP-AND-COMING NEIGHBORHOOD. 633 00:28:19,065 --> 00:28:21,467 GO AHEAD. TAKE SOME MORE PICTURES IF YOU LIKE. 634 00:28:21,500 --> 00:28:23,369 [CELL PHONE RINGS] WOMAN: WHAT DO YOU THINK? 635 00:28:23,402 --> 00:28:24,804 MAN: NICE. I LIKE IT. 636 00:28:24,837 --> 00:28:26,472 IF YOU'LL EXCUSE ME, I NEED TO TAKE THIS CALL. 637 00:28:26,505 --> 00:28:29,275 IT'S MY DAUGHTER. 638 00:28:29,308 --> 00:28:31,778 TINA, WHAT'S GOING ON? I'M WITH CLIENTS. 639 00:28:37,549 --> 00:28:38,985 I AM SO SORRY. 640 00:28:39,018 --> 00:28:39,886 IT'S AN EMERGENCY. 641 00:28:39,919 --> 00:28:41,320 I NEED TO GO! 642 00:28:51,097 --> 00:28:53,132 ALVEZ: THE TWO SISTERS ARE POLAR OPPOSITES. 643 00:28:53,165 --> 00:28:56,202 TINA IS 21, FULL-TIME STUDENT AT UT. 644 00:28:56,235 --> 00:28:58,805 DESI'S 30. DROPPED OUT OF SCHOOL 645 00:28:58,838 --> 00:29:00,406 AND EVEN SPENT SOME TIME IN JUVENILE DETENTION. 646 00:29:00,439 --> 00:29:03,509 SIBLING RIVALRY DOESN'T USUALLY INSPIRE THIS LEVEL OF SADISM, 647 00:29:03,542 --> 00:29:05,144 ESPECIALLY GIVEN THE FACT THAT THE GIRLS 648 00:29:05,177 --> 00:29:07,313 ARE APPROXIMATELY 10 YEARS APART IN AGE. 649 00:29:07,346 --> 00:29:10,983 AUSTIN CHILD PROTECTIVE SERVICES HAS A FILE ON DESI GUTIERREZ. 650 00:29:11,017 --> 00:29:14,020 HER MOTHER LARA, WHO WAS 15 WHEN SHE GAVE BIRTH TO DESI, 651 00:29:14,053 --> 00:29:15,955 WAS ORDERED TO TAKE PARENTING CLASSES 652 00:29:15,988 --> 00:29:18,424 AFTER DESI MADE SOME PRETTY TROUBLING ACCUSATIONS 653 00:29:18,457 --> 00:29:19,491 AGAINST HER MOTHER. 654 00:29:19,525 --> 00:29:21,794 NEGLECT AND EMOTIONAL ABUSE. 655 00:29:21,828 --> 00:29:23,896 IT WAS JUST DESI AND HER MOTHER FOR ABOUT 10 YEARS. 656 00:29:23,930 --> 00:29:26,966 AFTER THAT, LARA GAVE BIRTH TO HER SECOND DAUGHTER 657 00:29:26,999 --> 00:29:28,835 AND SEEMED TO TURN HER LIFE AROUND. 658 00:29:28,868 --> 00:29:32,204 BUT BY THEN, THE DAMAGE WAS ALREADY DONE. 659 00:29:36,042 --> 00:29:38,477 WHY ARE YOU DOING THIS? 660 00:29:38,510 --> 00:29:42,982 DID MOM EVER SEND YOU OUT BACK FOR PUNISHMENT? 661 00:29:43,015 --> 00:29:46,218 PROBABLY NOT. 662 00:29:46,252 --> 00:29:49,989 YOU WERE ALWAYS THE PERFECT ONE. 663 00:29:50,022 --> 00:29:53,459 BUT ME, I GOT BANISHED TO THE SHED 664 00:29:53,492 --> 00:29:56,295 ALMOST EVERY DAY. 665 00:29:56,328 --> 00:29:58,931 IT WAS CRAMPED AND HOT. 666 00:29:58,965 --> 00:30:01,600 FULL OF SPIDERS. 667 00:30:01,633 --> 00:30:05,972 YOU KNOW WHAT ELSE WAS IN THAT SHED? 668 00:30:06,005 --> 00:30:08,074 SNAKES. 669 00:30:09,942 --> 00:30:12,544 ALL KINDS. 670 00:30:12,578 --> 00:30:15,882 AND THEY'D SLITHER, HISS, 671 00:30:15,915 --> 00:30:20,819 AND CLIMB ALL AROUND ME. 672 00:30:22,088 --> 00:30:24,857 HOURS WOULD PASS, 673 00:30:24,891 --> 00:30:27,927 AND THEY NEVER BIT ME. 674 00:30:27,960 --> 00:30:29,929 NOT ONCE. 675 00:30:31,563 --> 00:30:34,533 THEY WERE CURIOUS ABOUT ME. 676 00:30:34,566 --> 00:30:39,171 GAVE ME MORE ATTENTION THAN ANYONE ELSE. 677 00:30:44,076 --> 00:30:47,313 SOME SNAKES DON'T BITE. 678 00:30:47,346 --> 00:30:50,482 THEY JUST WRAP THEMSELVES AROUND YOU 679 00:30:50,516 --> 00:30:52,118 AND SQUEEZE. 680 00:30:52,151 --> 00:30:53,920 PLEASE, PLEASE DON'T DO THIS. 681 00:30:53,953 --> 00:30:55,854 PLEASE. 682 00:30:58,124 --> 00:31:01,093 ARE YOU AFRAID OF ME, TINA? 683 00:31:01,127 --> 00:31:03,129 I'M NOT AFRAID. 684 00:31:03,162 --> 00:31:04,596 I'M NOT. 685 00:31:06,565 --> 00:31:09,635 [LAUGHING] 686 00:31:12,304 --> 00:31:15,241 YOU'RE A BAD LIAR. 687 00:31:15,274 --> 00:31:18,911 JUST LIKE MOM. 688 00:31:18,945 --> 00:31:21,580 YOU'VE GOT YOUR PERFECT HAIR 689 00:31:21,613 --> 00:31:26,052 AND YOUR PERFECT FACE AND YOUR PERFECT LIFE. 690 00:31:26,085 --> 00:31:28,487 BUT DEEP DOWN, 691 00:31:28,520 --> 00:31:31,623 YOU AND I ARE THE SAME. 692 00:31:31,657 --> 00:31:35,027 AAH! 693 00:31:35,061 --> 00:31:38,297 TINA?! 694 00:31:38,330 --> 00:31:39,932 OH, MY GOD. 695 00:31:39,966 --> 00:31:42,534 DESI, WHAT ARE YOU DOING? 696 00:31:42,568 --> 00:31:43,535 WHAT'S HAPPENED TO YOU? 697 00:31:43,569 --> 00:31:46,305 MOM, RUN! GET OUT! 698 00:31:46,338 --> 00:31:48,941 YOU MAKE ONE MOVE AND I'LL CUT HER. 699 00:31:50,509 --> 00:31:52,044 GREAT WORK. 700 00:31:52,078 --> 00:31:54,613 ACCORDING TO GARCIA, TWO WEEKS AGO, LARA 701 00:31:54,646 --> 00:31:56,949 WAS NAMED AUSTIN REAL ESTATE AGENT OF THE YEAR 702 00:31:56,983 --> 00:31:58,450 BY THE LOCAL PAPER. 703 00:31:58,484 --> 00:32:00,086 TWO WEEKS AGO? 704 00:32:00,119 --> 00:32:02,021 THAT COULD HAVE BEEN DESI'S TRIGGER. 705 00:32:02,054 --> 00:32:03,622 IN THE LENGTHY INTERVIEW, 706 00:32:03,655 --> 00:32:05,691 LARA TALKS ABOUT HER RISE TO THE TOP 707 00:32:05,724 --> 00:32:07,693 AND HOW PROUD SHE IS OF HER DAUGHTER TINA. 708 00:32:07,726 --> 00:32:10,296 DESI IS NOT MENTIONED IN THE ARTICLE AT ALL. 709 00:32:10,329 --> 00:32:12,631 OH, WOW. PURPOSEFUL OR NOT, 710 00:32:12,664 --> 00:32:14,733 THAT WOULD HAVE CUT RIGHT TO THE CORE OF DESI'S RAGE. 711 00:32:14,766 --> 00:32:16,302 DESI'S BEEN LEAVING HER VICTIMS 712 00:32:16,335 --> 00:32:18,304 ON HER MOTHER'S DOORSTEPS, SO IT STANDS TO REASON 713 00:32:18,337 --> 00:32:20,039 THAT ONE OF HER MOTHER'S PROPERTIES 714 00:32:20,072 --> 00:32:21,373 WOULD PROBABLY PLAY A PART IN DESI'S END GAME. 715 00:32:21,407 --> 00:32:23,542 ALL RIGHT, THESE WERE JUST FAXED OVER. 716 00:32:23,575 --> 00:32:26,045 IT'S EVERY PROPERTY LARA'S EVER BEEN IN CHARGE OF, 717 00:32:26,078 --> 00:32:28,314 GOING BACK ALMOST 15 YEARS. 718 00:32:28,347 --> 00:32:30,049 WE SHOULD FOCUS ON SITES THAT HAVE BEEN ON THE MARKET 719 00:32:30,082 --> 00:32:32,284 FOR AN EXTENDED PERIOD OF TIME OR ABANDONED. 720 00:32:32,318 --> 00:32:35,687 DIDN'T KASH SAY THAT DESI LEFT TO START HER OWN TATTOO SHOP? 721 00:32:35,721 --> 00:32:37,756 IT NEVER OPENED, BUT WHAT IF OUT OF GUILT, 722 00:32:37,789 --> 00:32:39,425 LARA HANDLED THAT FOR HER? 723 00:32:39,458 --> 00:32:41,060 I'VE GOT COMMERCIAL PROPERTIES HERE 724 00:32:41,093 --> 00:32:42,528 AND THERE'S A TATTOO PARLOR. 725 00:32:42,561 --> 00:32:44,596 THESE TWO ARE PROMISING. 726 00:32:44,630 --> 00:32:46,565 OK, WE'LL SPLIT UP, COVER MORE GROUND. 727 00:32:46,598 --> 00:32:49,601 WHAT HAVE YOU THOUGHT OF MY WORK? 728 00:32:49,635 --> 00:32:52,104 SWEETIE... 729 00:32:52,138 --> 00:32:55,341 I KNOW I DIDN'T DO THINGS RIGHT, 730 00:32:55,374 --> 00:32:56,608 AND I'VE TRIED, SWEETIE, 731 00:32:56,642 --> 00:32:58,344 I'VE TRIED TO MAKE IT UP TO YOU. 732 00:32:58,377 --> 00:33:01,147 I GAVE YOU MONEY. I GOT YOU THIS SHOP! 733 00:33:01,180 --> 00:33:04,250 YOU SAID YOU WISH I WAS NEVER BORN! 734 00:33:06,118 --> 00:33:09,121 THAT I WAS AN UGLY LITTLE GIRL, 735 00:33:09,155 --> 00:33:12,358 INSIDE AND OUT. 736 00:33:17,763 --> 00:33:22,101 WELL... 737 00:33:22,134 --> 00:33:23,735 HERE I AM, MOM. 738 00:33:23,769 --> 00:33:27,273 YOU WERE RIGHT. 739 00:33:27,306 --> 00:33:30,476 I'M A MONSTER. 740 00:33:30,509 --> 00:33:33,112 NO, YOU'RE NOT. 741 00:33:33,145 --> 00:33:34,480 YOU'RE NOT. 742 00:33:34,513 --> 00:33:39,251 YOU PUT ME IN THAT SHED EVERY DAY AND YOU KNEW! 743 00:33:39,285 --> 00:33:44,323 YOU KNEW THERE WERE SNAKES IN THERE. 744 00:33:44,356 --> 00:33:47,326 AND I WAS TERRIFIED. 745 00:33:51,530 --> 00:33:55,534 THAT I WAS ALONE. 746 00:33:57,836 --> 00:34:01,707 WANT TO SEE HOW INNOCENT SHE IS? 747 00:34:01,740 --> 00:34:04,110 [WHIMPERING] 748 00:34:04,143 --> 00:34:06,778 IF SHE'S LIKE ME... 749 00:34:06,812 --> 00:34:09,815 IF SHE'S WORTHY... 750 00:34:09,848 --> 00:34:13,552 IF SHE'S HONEST... 751 00:34:13,585 --> 00:34:15,454 THEN SHE WON'T BE BITTEN. 752 00:34:15,487 --> 00:34:19,125 [CRYING] 753 00:34:20,192 --> 00:34:23,262 LET'S SEE HOW GOOD YOU REALLY ARE, TINA. 754 00:34:23,295 --> 00:34:26,265 AAH! LARA: DON'T DO THIS! 755 00:34:36,442 --> 00:34:38,710 DESI'S DESIRE TO SEE HER MOTHER PAY FOR HER PAST MISTAKES 756 00:34:38,744 --> 00:34:40,846 WILL DRIVE HER. WE CAN USE THAT TO OUR ADVANTAGE. 757 00:34:40,879 --> 00:34:44,316 DAVE. SPENCE, WHEN YOU LAND, AUSTIN PD SHOULD ALREADY 758 00:34:44,350 --> 00:34:45,884 BE ON SCENE WITH A TEAM FROM PARKS AND WILDLIFE. 759 00:34:45,917 --> 00:34:47,653 GOT IT. BUT JUST A REMINDER-- 760 00:34:47,686 --> 00:34:49,488 DESI'S AN EXPERIENCED SNAKE OWNER, 761 00:34:49,521 --> 00:34:53,325 SO IT'S LIKELY SHE'LL HAVE SNAKES ON THE PREMISES. 762 00:34:55,394 --> 00:34:58,630 [SHALLOW BREATHING] 763 00:35:01,300 --> 00:35:05,437 WE'VE GOT WORK TO DO. 764 00:35:05,471 --> 00:35:08,707 BECAUSE I MAY BE A MONSTER, 765 00:35:08,740 --> 00:35:11,243 BUT SO ARE YOU. 766 00:35:11,277 --> 00:35:12,611 DESI. 767 00:35:13,579 --> 00:35:16,515 DESI. 768 00:35:16,548 --> 00:35:19,285 [CRYING] 769 00:35:19,318 --> 00:35:22,120 YOU'RE SICK. 770 00:35:24,590 --> 00:35:27,426 YOU NEED HELP. 771 00:35:29,661 --> 00:35:33,365 I...I'M SORRY. 772 00:35:37,369 --> 00:35:40,206 IS THAT WHAT YOU WANT TO HEAR? 773 00:35:41,540 --> 00:35:44,410 SAY IT AGAIN. 774 00:35:44,443 --> 00:35:47,713 I AM SORRY. 775 00:35:49,481 --> 00:35:51,817 YOU WERE A CHILD, 776 00:35:51,850 --> 00:35:54,886 AND I WAS SELFISH AND ANGRY. 777 00:35:54,920 --> 00:35:57,356 AND I DID EVERYTHING WRONG. 778 00:35:57,389 --> 00:36:01,693 I'D DO ANYTHING TO GO BACK AND TREAT YOU BETTER. 779 00:36:04,996 --> 00:36:07,566 THERE'S NO GOING BACK. 780 00:36:07,599 --> 00:36:12,471 OPEN YOUR MOUTH. 781 00:36:12,504 --> 00:36:14,340 [BRAKES SQUEALING] 782 00:36:14,373 --> 00:36:16,375 OPEN IT NOW! 783 00:36:33,992 --> 00:36:36,228 NO, DESI. 784 00:36:36,262 --> 00:36:37,563 NO. 785 00:36:37,596 --> 00:36:38,997 DESI. 786 00:36:39,030 --> 00:36:42,401 OH! OH! NO! 787 00:36:42,434 --> 00:36:44,336 FBI! 788 00:36:44,370 --> 00:36:46,638 [GASPING] 789 00:36:46,672 --> 00:36:48,840 DESI, DROP THE KNIFE. 790 00:36:48,874 --> 00:36:50,842 JUST PUT IT DOWN 791 00:36:50,876 --> 00:36:53,545 AND WE CAN ALL WALK OUT OF HERE. 792 00:36:53,579 --> 00:36:56,548 YOU DON'T KNOW WHAT SHE DID TO ME. 793 00:36:56,582 --> 00:36:58,350 ALVEZ: WE DO, ALL RIGHT? 794 00:36:58,384 --> 00:37:02,220 WE KNOW ABOUT THE NEGLECT AND THE ABUSE. 795 00:37:03,722 --> 00:37:07,259 I WAS SO SCARED. 796 00:37:07,293 --> 00:37:10,562 I TRIED SO HARD TO ERASE ANY SIGN OF HER 797 00:37:10,596 --> 00:37:11,663 FROM MY LIFE. 798 00:37:11,697 --> 00:37:14,466 AND THERE SHE IS, 799 00:37:14,500 --> 00:37:17,536 ON THE FRONT PAGE. 800 00:37:17,569 --> 00:37:19,538 THEY THINK SHE'S PERFECT. 801 00:37:19,571 --> 00:37:22,941 THE PERFECT WOMAN, THE PERFECT MOTHER! 802 00:37:22,974 --> 00:37:27,579 THEY DON'T KNOW WHAT SHE'S CAPABLE OF. 803 00:37:27,613 --> 00:37:30,316 WHAT I'M CAPABLE OF. 804 00:37:30,349 --> 00:37:33,018 WE KNOW. 805 00:37:33,051 --> 00:37:36,422 I ALSO KNOW IF YOU SURRENDER 806 00:37:36,455 --> 00:37:37,556 AND WE WALK OUT OF HERE, 807 00:37:37,589 --> 00:37:39,458 THEN EVERYONE ELSE WILL KNOW, TOO. 808 00:37:39,491 --> 00:37:42,628 SHE'LL HAVE TO LIVE WITH THAT. 809 00:37:42,661 --> 00:37:44,530 ISN'T THAT WHAT YOU WANT, 810 00:37:44,563 --> 00:37:46,365 FOR YOUR MOM TO HAVE TO LIVE 811 00:37:46,398 --> 00:37:48,400 WITH THE SHAME AND THE HUMILIATION 812 00:37:48,434 --> 00:37:49,668 OF ALL OF THIS? 813 00:37:51,002 --> 00:37:54,072 [CRYING] 814 00:37:54,105 --> 00:37:55,641 JJ: DESI. 815 00:37:59,578 --> 00:38:03,582 AAH! 816 00:38:03,615 --> 00:38:06,385 LARA: DESI! DESI, WAIT! 817 00:38:08,520 --> 00:38:10,656 STAY WITH ME. 818 00:38:11,723 --> 00:38:13,759 FBI! DON'T MOVE! 819 00:38:15,594 --> 00:38:17,629 ON YOUR KNEES. 820 00:38:17,663 --> 00:38:19,798 NOW! 821 00:38:29,675 --> 00:38:33,044 DROP THE BLADE. 822 00:38:33,078 --> 00:38:35,046 DO IT! 823 00:38:38,784 --> 00:38:41,753 AAH! 824 00:38:53,765 --> 00:38:58,336 [GUITAR PLAYING] 825 00:39:01,873 --> 00:39:03,975 * I'LL NEVER LEAVE YOU 826 00:39:04,009 --> 00:39:08,647 * 'CAUSE YOU'RE A BIRD IN FLIGHT * 827 00:39:08,680 --> 00:39:16,087 * EVEN IF I DID, I'D TRY TO FLY * 828 00:39:16,121 --> 00:39:19,391 * IT AIN'T EVEN WORTH LIVING * 829 00:39:19,425 --> 00:39:22,528 * IF YOU'RE ONLY AFRAID TO DIE * 830 00:39:22,561 --> 00:39:25,564 * HERE'S ONE FOR THE RECORDS 831 00:39:25,597 --> 00:39:27,098 * HOLD ON TIGHT 832 00:39:27,132 --> 00:39:29,968 AS MY GRANDMOTHER USED TO SAY, 833 00:39:30,001 --> 00:39:32,170 "I NO LIKE-A THE SNAKES." 834 00:39:32,203 --> 00:39:33,605 [LAUGHING] 835 00:39:33,639 --> 00:39:35,674 THAT IS ONE TAKEDOWN I AM GLAD I MISSED. 836 00:39:35,707 --> 00:39:37,576 I WILL DRINK TO THAT. 837 00:39:37,609 --> 00:39:39,110 SALUD. 838 00:39:39,144 --> 00:39:40,512 SALUD. 839 00:39:40,546 --> 00:39:42,514 JJ: HEY, SPENCE, YOU GONNA JOIN US? 840 00:39:42,548 --> 00:39:44,583 OOH, I'D LOVE TO, BUT MY FIRST LECTURE IS TOMORROW. 841 00:39:44,616 --> 00:39:47,553 DID YOU FIGURE OUT WHAT YOU'RE GONNA DO FOR YOUR BUDDY PHIL? 842 00:39:47,586 --> 00:39:50,456 YEAH, I BEEN THINKING ABOUT IT A LOT. 843 00:39:50,489 --> 00:39:51,690 YOU KNOW, PHIL DOESN'T HAVE MUCH FAMILY, 844 00:39:51,723 --> 00:39:54,460 EXCEPT AN UNCLE THAT STILL LIVES IN THE BRONX. 845 00:39:54,493 --> 00:39:59,765 BUT I'M SORT OF IT IN THE WAY OF SUPPORT. 846 00:39:59,798 --> 00:40:01,066 THAT'S WHEN IT HIT ME. 847 00:40:01,099 --> 00:40:03,969 * YOU'RE MINE 848 00:40:04,002 --> 00:40:09,475 * LIFE GOES ON 849 00:40:09,508 --> 00:40:11,810 * SOMEBODY KNOWS HOW YOU... 850 00:40:11,843 --> 00:40:14,880 HA HA! HEY, DINNER'S NOT TILL FRIDAY. 851 00:40:14,913 --> 00:40:16,548 WHAT ARE YOU DOING HERE? 852 00:40:16,582 --> 00:40:19,485 I KNOW YOU'VE BEEN STRUGGLING WITH YOUR RECOVERY, 853 00:40:19,518 --> 00:40:24,556 AND I, UH, I THINK I KNOW WHY. 854 00:40:24,590 --> 00:40:26,492 AFTER I GOT BACK FROM IRAQ, 855 00:40:26,525 --> 00:40:28,193 I FACED SOME STRUGGLES OF MY OWN, 856 00:40:28,226 --> 00:40:30,796 AND IF IT HADN'T BEEN FOR ROXY, 857 00:40:30,829 --> 00:40:32,631 I DON'T KNOW WHERE I'D BE. 858 00:40:32,664 --> 00:40:34,199 YOU ARE OBSESSED WITH THAT DOG, MAN. 859 00:40:34,232 --> 00:40:36,201 YOU NEED HELP. 860 00:40:36,234 --> 00:40:39,505 I NEEDED SOMETHING TO LIVE FOR. 861 00:40:41,740 --> 00:40:43,842 SOMEONE TO PUSH ME. 862 00:40:45,744 --> 00:40:49,815 SO, IN THAT SPIRIT, I AM... 863 00:40:49,848 --> 00:40:51,683 OH, NOW? 864 00:40:51,717 --> 00:40:53,619 [LOUDER] AND IN THAT SPIRIT... 865 00:40:53,652 --> 00:40:55,120 NOW. OK. 866 00:40:55,153 --> 00:40:57,122 [SONG PLAYING INDISTINCTLY] 867 00:40:57,155 --> 00:40:58,690 [PHIL SIGHS] 868 00:40:58,724 --> 00:41:00,492 NOW, THIS LITTLE PUPPY 869 00:41:00,526 --> 00:41:01,993 IS GONNA NEED A LOT OF LOVE 870 00:41:02,027 --> 00:41:03,795 AND SOME WALKS. 871 00:41:03,829 --> 00:41:06,798 BETTER GET BUSY GETTING BETTER. 872 00:41:06,832 --> 00:41:08,233 HI. GARCIA: HI. 873 00:41:08,266 --> 00:41:11,002 THIS IS LOU. 874 00:41:11,036 --> 00:41:12,137 HI, LOU. 875 00:41:12,170 --> 00:41:14,172 OHH, ARE YOU GONNA BE MY BUDDY? 876 00:41:14,205 --> 00:41:16,174 YOU GONNA BE MY LITTLE BUDDY? 877 00:41:16,207 --> 00:41:17,776 OH, I THINK SO. 878 00:41:17,809 --> 00:41:19,645 OH! HA HA HA! 879 00:41:19,678 --> 00:41:20,646 MY NEW BUDDY. 880 00:41:20,679 --> 00:41:23,048 [LAUGHING] 881 00:41:23,081 --> 00:41:25,684 BOY, I THINK SO. 882 00:41:25,717 --> 00:41:27,553 LOU'S GONNA BE MY BUDDY. 883 00:41:27,586 --> 00:41:31,557 * SOMEBODY KNOWS HOW YOU FEEL * 884 00:41:31,590 --> 00:41:33,091 THANK YOU, BROTHER. 885 00:41:33,124 --> 00:41:36,728 ALVEZ: "REMEMBER, WE ARE OUR OWN GRIEFS, MY DEAR." 886 00:41:36,762 --> 00:41:37,996 THANK YOU, MAN. 887 00:41:38,029 --> 00:41:39,831 ALVEZ: "WE ARE OUR OWN HAPPINESSES. 888 00:41:39,865 --> 00:41:43,101 AND WE ARE OUR OWN REMEDIES." 889 00:41:43,134 --> 00:41:45,036 HUSEYN RAZA. 890 00:41:45,070 --> 00:41:46,772 * SOMEBODY KNOWS HOW YOU FEEL