1 00:00:01,569 --> 00:00:05,406 CAPTIONING MADE POSSIBLE BY TOUCHSTONE TELEVISION PRODUCTIONS, LLC AND CBS 2 00:00:28,162 --> 00:00:30,198 * THERE'S NO NEED TO BLEED 3 00:01:00,128 --> 00:01:01,495 HEY. 4 00:01:03,364 --> 00:01:05,199 WOW! 5 00:01:05,833 --> 00:01:07,868 HEY, I'M HEATHER. 6 00:01:07,901 --> 00:01:10,238 NICE TO MEET YA. 7 00:01:12,673 --> 00:01:15,409 IT'S A 2.4 LITER 6-CYLINDER ENGINE. 8 00:01:15,443 --> 00:01:17,278 WITH HITACHI SIDE-DRAFT CARBS. 9 00:01:17,311 --> 00:01:18,579 THAT'S RIGHT. 10 00:01:18,612 --> 00:01:21,315 WANNA TAKE A LOOK UNDER THE HOOD? 11 00:01:21,349 --> 00:01:22,483 YEAH! 12 00:01:22,516 --> 00:01:24,852 YOU KNOW YOUR Zs. I'M IMPRESSED. 13 00:01:24,885 --> 00:01:27,288 YOU SHOULD HAVE YOUR MECHANIC CHECK IT OUT ANYWAY. 14 00:01:27,321 --> 00:01:30,358 HOW 'BOUT I LEAVE YOU MY NUMBER AND WE CAN SET IT UP? 15 00:01:30,391 --> 00:01:32,092 THANK YOU. 16 00:01:45,506 --> 00:01:49,210 SO IT'S JUST... RIGHT UP HERE. 17 00:01:50,278 --> 00:01:51,912 OH! THAT WAS-- HA HA... 18 00:01:51,945 --> 00:01:55,349 HELLO! THERE WAS THE RIGHT. 19 00:01:55,683 --> 00:01:57,885 UH, MAYBE JUST... PULL OVER HERE, 20 00:01:57,918 --> 00:02:01,222 AND WE CAN TRY AND DO A U-TURN. 21 00:02:05,393 --> 00:02:07,861 WHAT ARE YOU DOING? 22 00:02:13,367 --> 00:02:15,569 OK. 23 00:02:15,603 --> 00:02:18,272 STOP THE CAR NOW. 24 00:02:20,208 --> 00:02:22,410 PULL OVER NOW! 25 00:02:34,688 --> 00:02:36,357 AAH! 26 00:02:42,396 --> 00:02:44,932 HOW 'BOUT ANDREW? IT'S GREEK FOR VALIANT. 27 00:02:44,965 --> 00:02:47,435 LET'S CALL HIM...SERGIO. 28 00:02:47,468 --> 00:02:50,438 HA HA! PLEASE TELL ME YOU'RE KIDDING. 29 00:02:50,471 --> 00:02:51,305 BUTCH? 30 00:02:51,339 --> 00:02:53,274 HOW ABOUT DONALD? HANS. 31 00:02:53,307 --> 00:02:56,210 NO! WAIT, WAIT. UM... 32 00:02:56,244 --> 00:02:57,845 OK. GIDEON. 33 00:02:57,878 --> 00:02:59,780 NOT A CHANCE. 34 00:02:59,813 --> 00:03:01,682 IT'S HEBREW. LOOK WHAT IT MEANS. 35 00:03:01,715 --> 00:03:04,552 IT'S PERFECT. GIDEON HOTCHNER. 36 00:03:04,585 --> 00:03:05,853 NO. YES. 37 00:03:05,886 --> 00:03:07,388 YES. NO. 38 00:03:07,421 --> 00:03:08,556 GIDEON. 39 00:03:20,368 --> 00:03:21,402 1940s. 40 00:03:21,435 --> 00:03:23,837 HE PUT BOMBS IN TRAIN STATIONS AND MOVIE THEATERS. 41 00:03:23,871 --> 00:03:25,839 UH, THE MAD BOMBER. GEORGE METESKY. 42 00:03:25,873 --> 00:03:28,642 NICE. THE WINNERS SIT. LOSERS, DRINK. 43 00:03:28,676 --> 00:03:29,510 CHEERS. 44 00:03:29,543 --> 00:03:31,612 HOLD ON. METESKY WASN'T A SERIAL KILLER. 45 00:03:31,645 --> 00:03:33,314 NONE OF HIS BOMBS EVER KILLED ANYONE. 46 00:03:33,347 --> 00:03:35,349 WELL, YOU THINK ALL WE DO IS SERIAL KILLERS? 47 00:03:35,383 --> 00:03:37,518 TRUST ME, WE COVER THE WHOLE SPECTRUM OF PSYCHOS. 48 00:03:37,551 --> 00:03:39,520 WE PROFILED THE D.C. SNIPER, THE UNABOMBER. 49 00:03:39,553 --> 00:03:41,021 WE DO TERRORISTS, ARSONISTS-- 50 00:03:41,054 --> 00:03:43,724 SUPERVISORY AGENTS TRYING TO GET TRAINEES DRUNK? 51 00:03:45,426 --> 00:03:46,894 'SCUSE ME. 52 00:03:48,329 --> 00:03:51,732 WOW. BEHAVIORAL ANALYSIS UNIT. YOU WORK WITH GIDEON? 53 00:03:51,765 --> 00:03:54,935 WERE YOU WITH HIM IN BOSTON? 54 00:03:54,968 --> 00:03:57,405 I WAS SUPPOSED TO BE. 55 00:03:57,438 --> 00:04:01,475 YEAH. THIS IS MORGAN. 56 00:04:02,543 --> 00:04:05,613 ANYONE RECOGNIZE THESE FACES? 57 00:04:05,646 --> 00:04:07,014 VICTIMS OF THE FOOTPATH KILLER. 58 00:04:07,047 --> 00:04:09,049 THAT'S WHAT VIRGINIA NEWSPAPERS ARE CALLING HIM. 59 00:04:09,082 --> 00:04:13,554 WE REFER TO HIM AS THE UNKNOWN SUBJECT OR UNSUB. 60 00:04:13,587 --> 00:04:15,623 I TOLD VIRGINIA P.D... 61 00:04:15,656 --> 00:04:19,360 WE'RE LOOKING FOR A WHITE MALE IN HIS 20s... 62 00:04:19,393 --> 00:04:22,363 WHO OWNS AN AMERICAN-MADE TRUCK IN DISREPAIR. 63 00:04:22,396 --> 00:04:24,632 WORKS A MENIAL JOB. 64 00:04:25,399 --> 00:04:27,368 I TOLD 'EM WHEN YOU FIND HIM... 65 00:04:27,401 --> 00:04:30,671 DON'T BE SURPRISED TO HEAR HIM SPEAK WITH A SEVERE STUTTER. 66 00:04:30,704 --> 00:04:33,841 NOT TO SOUND SKEPTICAL, BUT COME ON... 67 00:04:33,874 --> 00:04:35,743 A STUTTER? 68 00:04:35,776 --> 00:04:38,346 WHERE'D THE MURDERS OCCUR? 69 00:04:38,379 --> 00:04:40,348 HIKING PATHS. ISOLATED. 70 00:04:40,381 --> 00:04:45,085 IF I'M A KILLER WHO HAS TO USE AN IMMEDIATE APPLICATION OF OVERPOWERING FORCE, 71 00:04:45,118 --> 00:04:47,388 EVEN OUT IN THE MIDDLE OF NOWHERE, 72 00:04:47,421 --> 00:04:48,756 I LACK CONFIDENCE. 73 00:04:48,789 --> 00:04:52,493 I CAN'T CHARM THEM INTO MY CAR LIKE TED BUNDY DID. 74 00:04:52,526 --> 00:04:57,498 I CAN'T BECAUSE I AM ASHAMED OF SOMETHING. 75 00:05:01,469 --> 00:05:02,736 EXCUSE ME. 76 00:05:02,770 --> 00:05:05,038 THEY'RE CALLING HIM THE SEATTLE STRANGLER. 4 VICTIMS IN 4 MONTHS. 77 00:05:05,072 --> 00:05:08,509 HE KEEPS 'EM ALIVE 7 DAYS. THE HANDLE SERVES AS A CRANK. 78 00:05:08,542 --> 00:05:11,545 ALLOWING HIM TO CONTROL THE RATE OF SUFFOCATION. 79 00:05:11,579 --> 00:05:13,113 TO PROLONG IT? TO ENJOY IT. 80 00:05:13,146 --> 00:05:14,382 SEATTLE'S HIT A WALL? 81 00:05:14,415 --> 00:05:17,084 PHYSICAL EVIDENCE IS NONEXISTENT. THERE ARE NO TANGIBLE LEADS. 82 00:05:17,117 --> 00:05:19,953 AND ANOTHER GIRL IS MISSING. 83 00:05:21,455 --> 00:05:24,592 I LOOKED THE CASE FILE OVER. I'LL GET SOME THOUGHTS TO YOU ASAP. 84 00:05:24,625 --> 00:05:28,028 YOU'RE GONNA BE WITH US IN SEATTLE ASAP. 85 00:05:32,666 --> 00:05:35,002 22-YEAR-OLD HEATHER WOODLAND. 86 00:05:35,035 --> 00:05:36,236 BEFORE SHE LEFT FOR LUNCH, 87 00:05:36,269 --> 00:05:39,773 SHE DOWNLOADED AN EMAIL WITH A TIME-DELAYED VIRUS ATTACHED. 88 00:05:39,807 --> 00:05:41,875 THE KILLER'S VIRUS WIPED HER HARD DRIVE 89 00:05:41,909 --> 00:05:44,545 AND LEFT THIS ON THE SCREEN. 90 00:05:49,950 --> 00:05:53,821 "FOR HEAVEN'S SAKE, CATCH ME BEFORE I KILL MORE. 91 00:05:53,854 --> 00:05:57,558 I CANNOT CONTROL MYSELF." 92 00:06:00,528 --> 00:06:02,730 HE NEVER KEEPS THEM FOR MORE THAN 7 DAYS, 93 00:06:02,763 --> 00:06:06,567 WHICH MEANS WE HAVE FEWER THAN 36 HOURS TO FIND HER. 94 00:06:06,600 --> 00:06:09,937 THEY WANT YOU BACK IN THE SADDLE. YOU READY? 95 00:06:09,970 --> 00:06:12,473 LOOKS LIKE MEDICAL LEAVE'S OVER, BOSS. 96 00:06:12,506 --> 00:06:14,508 THEY SURE THEY WANT ME? 97 00:06:14,542 --> 00:06:18,111 THE ORDER CAME FROM THE DIRECTOR. 98 00:06:22,716 --> 00:06:26,487 WELL, WE'D BETTER GET STARTED. 99 00:06:37,665 --> 00:06:40,901 JOSEPH CONRAD SAID, 100 00:06:40,934 --> 00:06:43,837 "THE BELIEF IN A SUPERNATURAL SOURCE OF EVIL 101 00:06:43,871 --> 00:06:45,105 "IS NOT NECESSARY. 102 00:06:45,138 --> 00:06:49,577 MEN ALONE ARE QUITE CAPABLE OF EVERY WICKEDNESS." 103 00:06:51,812 --> 00:06:53,080 THIS GIRL MAY ONLY HAVE 36 HOURS TO LIVE. 104 00:06:53,113 --> 00:06:55,949 WE'RE NOT ASKING FOR A JUDGMENT OF GIDEON. WE WANT AN ASSESSMENT. 105 00:06:55,983 --> 00:07:00,621 WE WANT TO KNOW YOU'RE THERE TO STEP IN IF HE CAN'T PERFORM. 106 00:07:00,654 --> 00:07:02,856 ARE WE CLEAR? 107 00:07:02,890 --> 00:07:04,958 OF COURSE. 108 00:07:08,562 --> 00:07:11,765 HIS FIRST VICTIM WAS 26-YEAR-OLD MELISSA KIRSH. 109 00:07:11,799 --> 00:07:13,200 STAB WOUNDS, STRANGULATION. 110 00:07:13,233 --> 00:07:14,401 WAIT, WAIT. BACK UP. BACK UP. 111 00:07:14,434 --> 00:07:17,204 HE STABBED HER... AND THEN STRANGLED HER TO FINISH HER OFF? 112 00:07:17,237 --> 00:07:19,039 OTHER WAY AROUND. WHY DO YOU THINK HE STARTED 113 00:07:19,072 --> 00:07:20,874 USING THE BELT WITH THE SECOND MURDER? 114 00:07:20,908 --> 00:07:22,743 STRANGULATION WITH YOUR BARE HANDS 115 00:07:22,776 --> 00:07:24,011 IS NOT AS EASY AS ONE WOULD BELIEVE. 116 00:07:24,044 --> 00:07:26,714 HE TRIED, PROBABLY FOUND THAT IT TOOK TOO LONG... 117 00:07:26,747 --> 00:07:27,815 SO HE STABBED HER INSTEAD. 118 00:07:27,848 --> 00:07:30,083 AND REALIZED IT WOULD BE HOURS CLEANING UP THE BLOOD. 119 00:07:30,117 --> 00:07:32,986 NEXT TIME, OUR BOY'S GOT A METHOD-- THE BELT. 120 00:07:33,020 --> 00:07:36,657 HE'S LEARNING, PERFECTING HIS SCENARIO. 121 00:07:36,690 --> 00:07:39,760 BECOMING A BETTER KILLER. 122 00:07:45,966 --> 00:07:49,169 WHAT DID I TELL YOU ABOUT THE TAPE? 123 00:07:51,805 --> 00:07:52,706 AAH! 124 00:07:52,740 --> 00:07:54,808 I'M SORRY, I'M SORRY, 125 00:07:54,842 --> 00:07:56,677 I'M SORRY, I'M SORRY. 126 00:07:56,710 --> 00:07:59,547 I'M SORRY, I'M SORRY! 127 00:07:59,580 --> 00:08:00,714 I'M SORRY! 128 00:08:03,784 --> 00:08:06,654 AAH! AAH! 129 00:08:06,687 --> 00:08:13,193 AAH! 130 00:08:32,312 --> 00:08:34,782 HE NEVER STANDS WITH HIS BACK TO A WINDOW. 131 00:08:34,815 --> 00:08:36,750 WHEN I WAS BETWEEN HIM AND A DOORWAY, HE ASKED ME TO MOVE. 132 00:08:36,784 --> 00:08:40,287 THAT'S HYPER VIGILANCE. IT'S NOT UNCOMMON IN POST TRAUMATIC STRESS DISORDER. 133 00:08:40,320 --> 00:08:42,623 JUST HOW MUCH DISORDER ARE WE TALKING ABOUT? 134 00:08:42,656 --> 00:08:45,959 MORGAN, IT'S BEEN 6 MONTHS. EVERYTHING'S OK. 135 00:08:45,993 --> 00:08:47,761 THIS IS SPECIAL AGENT GIDEON, 136 00:08:47,795 --> 00:08:50,698 SPECIAL AGENT MORGAN, OUR EXPERT ON OBSESSIONAL CRIMES, 137 00:08:50,731 --> 00:08:51,832 SPECIAL AGENT REID. 138 00:08:51,865 --> 00:08:52,733 DR. REID. 139 00:08:52,766 --> 00:08:54,735 DR. REID, OUR EXPERT ON, WELL, EVERYTHING, 140 00:08:54,768 --> 00:08:57,571 AND AFTER 2 YEARS BUSTING MY BUTT IN THIS OFFICE, 141 00:08:57,605 --> 00:08:59,206 I HOPE YOU REMEMBER ME. 142 00:08:59,239 --> 00:09:01,575 HE'S WILLING TO TRAVEL WITH THE BODY. 143 00:09:01,609 --> 00:09:03,777 THEN HE DRIVES A VEHICLE CAPABLE OF CONCEALING ONE. 144 00:09:03,811 --> 00:09:06,580 1 IN 7.4 DRIVERS IN SEATTLE OWNS AN SUV. 145 00:09:06,614 --> 00:09:07,981 EXPLORER WITH TINTED WINDOWS. 146 00:09:08,015 --> 00:09:09,850 EXPLORERS RATE HIGHER WITH WOMEN. 147 00:09:09,883 --> 00:09:11,952 BUT HOW DO WE KNOW IT'S HIS CAR? 148 00:09:11,985 --> 00:09:13,787 TED BUNDY DROVE A VW BUG. 149 00:09:13,821 --> 00:09:15,656 WHAT ABOUT A JEEP CHEROKEE? 150 00:09:15,689 --> 00:09:16,924 JEEPS ARE MORE MASCULINE. 151 00:09:16,957 --> 00:09:19,660 WE ALL KNOW HOW AN UNSUB FEELS ABOUT ASSERTING HIS MASCULINITY. 152 00:09:19,693 --> 00:09:21,995 WHEN DID THE BUREAU BECOME INVOLVED IN THE CASE? 153 00:09:22,029 --> 00:09:23,096 AFTER THE FOURTH BODY. 154 00:09:23,130 --> 00:09:25,132 HE DUMPED THAT ONE OUT OF STATE. 155 00:09:25,165 --> 00:09:25,899 ON PURPOSE. 156 00:09:25,933 --> 00:09:27,134 IF SO, KNOWLEDGE OF LAW ENFORCEMENT 157 00:09:27,167 --> 00:09:28,836 DOES SUGGEST A CRIMINAL RECORD. 158 00:09:28,869 --> 00:09:30,871 OR THAT HE WATCHES TELEVISION. MAY I? 159 00:09:30,904 --> 00:09:32,305 SO YOU WANNA SEE OUR SUSPECT LIST? 160 00:09:32,339 --> 00:09:33,941 NO, WE WON'T LOOK AT A SUSPECT LIST 161 00:09:33,974 --> 00:09:35,709 UNTIL AFTER WE COME UP WITH A PROFILE. 162 00:09:35,743 --> 00:09:36,610 IT KEEPS OUR PERSPECTIVE UNBIASED. 163 00:09:36,644 --> 00:09:39,847 WHEN DO WE SIT DOWN WITH YOUR TASK FORCE? 164 00:09:39,880 --> 00:09:40,614 00. 165 00:09:40,648 --> 00:09:43,617 00 TODAY? 166 00:09:43,651 --> 00:09:45,085 THAT'S NOT A PROBLEM. 167 00:09:45,118 --> 00:09:49,623 AGENT GIDEON, WHERE WOULD YOU LIKE TO START? 168 00:09:50,991 --> 00:09:55,228 LET'S START AT THE SITE OF THE LAST MURDER. 169 00:09:59,700 --> 00:10:02,803 SO THAT'S GIDEON? THE GIDEON. 170 00:10:02,836 --> 00:10:05,773 THE ONE WHO CAUGHT THAT GUY, ADRIAN BAAL, 171 00:10:05,806 --> 00:10:06,774 IN BOSTON. 172 00:10:06,807 --> 00:10:08,676 YEP. THAT'S HIM. 173 00:10:08,709 --> 00:10:13,113 BUT CATCHING HIM COST US 6 AGENTS. 174 00:10:30,463 --> 00:10:33,934 22-YEAR-OLD ANNE CUSHING WAS FOUND RIGHT HERE. 175 00:10:33,967 --> 00:10:35,903 NAILS CLIPPED JUST LIKE THE OTHERS. 176 00:10:35,936 --> 00:10:37,938 HE WANTS THEM TO FIGHT BACK. 177 00:10:37,971 --> 00:10:40,674 BUT NOT ENOUGH TO HURT HIM. 178 00:10:40,708 --> 00:10:42,810 AND HE LEFT THE BELT AROUND HER NECK. 179 00:10:42,843 --> 00:10:44,978 HE'S PROBABLY IN HIS EARLY 20s. 180 00:10:45,012 --> 00:10:47,681 WHAT'S YOUR REASONING? 181 00:10:48,481 --> 00:10:51,184 YOUTHFUL ARROGANCE. 182 00:10:52,052 --> 00:10:55,388 HE CLOTHED THE BODY BEFORE DUMPING IT. 183 00:10:56,023 --> 00:10:57,457 THAT'S A SIGN OF REMORSE. 184 00:10:57,490 --> 00:11:00,093 IT'S NOT CONSISTENT. LOOK WHERE WE ARE. 185 00:11:00,127 --> 00:11:02,963 HIS OPINION OF WOMEN IS PRETTY CLEAR, DON'T YOU THINK? 186 00:11:02,996 --> 00:11:04,431 THEY'RE DISPOSABLE. 187 00:11:04,464 --> 00:11:07,434 WHY SHOW REMORSE BY TAKING THE TIME TO DRESS HER 188 00:11:07,467 --> 00:11:11,038 BUT THEN DUMP HER HERE? 189 00:11:14,407 --> 00:11:15,375 SANDY, NO, NO, NO. I'M SO SORRY. 190 00:11:15,408 --> 00:11:17,978 NO, IT'S OK. IT'S WHAT WE CALL THE REID EFFECT. 191 00:11:18,011 --> 00:11:20,047 HAPPENS WITH CHILDREN, TOO. I'M AGENT HOTCHNER. 192 00:11:20,080 --> 00:11:21,081 THIS IS SPECIAL AGENT DR. REID. 193 00:11:21,114 --> 00:11:23,851 YOU LOOK TOO YOUNG TO HAVE GONE TO MEDICAL SCHOOL. 194 00:11:23,884 --> 00:11:25,418 THEY'RE Ph.D.s. 3 OF THEM. 195 00:11:25,452 --> 00:11:27,287 ARE YOU A GENIUS OR SOMETHING? 196 00:11:27,320 --> 00:11:28,488 I DON'T BELIEVE THAT INTELLIGENCE 197 00:11:28,521 --> 00:11:30,991 CAN BE ACCURATELY QUANTIFIED--BUT I DO HAVE AN I.Q. OF 187 198 00:11:31,024 --> 00:11:35,796 AND AN EIDETIC MEMORY AND CAN READ 20,000 WORDS PER MINUTE. 199 00:11:36,396 --> 00:11:39,066 YES, I'M A GENIUS. 200 00:11:40,033 --> 00:11:41,969 SANDY, YOU GET A LOT OF ATTENTION, DON'T YOU? 201 00:11:42,002 --> 00:11:42,936 YEAH, HEATHER LOVES THIS DOG. 202 00:11:42,970 --> 00:11:44,738 I FEED HER WHEN HEATHER'S AWAY. 203 00:11:44,772 --> 00:11:47,074 USUALLY, SHE'S FINE, BUT...LATELY, SHE WON'T EAT. 204 00:11:47,107 --> 00:11:49,977 IT'S ALMOST LIKE SHE CAN SENSE SOMETHING'S WRONG. 205 00:11:50,010 --> 00:11:50,944 NOT SENSE. SMELL. 206 00:11:50,978 --> 00:11:52,913 OUR APOCRINE SWEAT GLAND RELEASES SECRETIONS 207 00:11:52,946 --> 00:11:54,347 IN RESPONSE TO EMOTIONAL STRESS. 208 00:11:54,381 --> 00:11:57,751 SANDY'S WORRIED BECAUSE SHE KNOWS YOU ARE. 209 00:11:57,951 --> 00:12:00,353 DAVID, DOES YOUR SISTER DRIVE A DATSUN Z? 210 00:12:00,387 --> 00:12:04,457 NO, BUT SHE'S IN THE MARKET FOR ONE. HOW'D YOU KNOW? 211 00:12:06,293 --> 00:12:09,096 COME ON, SANDY. 212 00:12:10,030 --> 00:12:14,768 THERE'S AN IMMEDIATE RELATIONSHIP ESTABLISHED BETWEEN A BUYER AND A SELLER, 213 00:12:14,802 --> 00:12:15,735 A LEVEL OF TRUST. 214 00:12:15,769 --> 00:12:19,006 IF I WANT TO COAX A YOUNG WOMAN INTO MY CAR... 215 00:12:19,039 --> 00:12:20,507 OFFER HER A TEST DRIVE. 216 00:12:20,540 --> 00:12:24,912 OK, THEN HOW 'BOUT THE FACT THAT ON ONE HAND, WE HAVE PARANOID PSYCHOSIS... 217 00:12:24,945 --> 00:12:26,513 BUT THE AUTOPSY PROTOCOL SAYS WHAT? 218 00:12:26,546 --> 00:12:30,217 ADHESIVE RESIDE SHOWS HE PUT LAYER AFTER LAYER OF DUCT TAPE 219 00:12:30,250 --> 00:12:31,484 OVER HIS VICTIMS' EYES. 220 00:12:31,518 --> 00:12:34,321 HE KNOWS HE WANTS TO KILL THEM, BUT HE STILL COVERS THEIR EYES. 221 00:12:34,354 --> 00:12:36,156 HE DOESN'T WANT 'EM LOOKING AT HIM, APPARENTLY. 222 00:12:36,189 --> 00:12:39,426 OK, BUT THEN HE TAKES THE BODY AND DUMPS IT RIGHT OUT IN THE OPEN, 223 00:12:39,459 --> 00:12:40,828 MURDER WEAPON NEARBY. 224 00:12:40,861 --> 00:12:41,995 NOT THE M.O. OF A PARANOID 225 00:12:42,029 --> 00:12:43,230 CONVINCED HE'S BEING WATCHED OR SURVEILLED. 226 00:12:43,263 --> 00:12:45,398 PARANOID PSYCHOSIS, BUT BEHAVIOR THAT'S NOT PARANOID. 227 00:12:45,432 --> 00:12:46,699 MAYBE HE'S SCHIZOPHRENIC. 228 00:12:46,733 --> 00:12:48,568 MAYBE WE JUST DON'T HAVE ENOUGH FOR A COMPLETE PROFILE. 229 00:12:48,601 --> 00:12:49,870 WE HAVE ENOUGH TO NARROW OUR LIST OF SUSPECTS. 230 00:12:49,903 --> 00:12:53,373 WE'RE LOOKING AT LESS THAN 12 HOURS TO HAVE TO FIND THIS WOMAN. 231 00:12:53,406 --> 00:12:54,875 WE DON'T KNOW EXACTLY WHAT-- 232 00:12:54,908 --> 00:12:56,576 HOTCH, WE DON'T KNOW ANYTHING! 233 00:12:56,609 --> 00:12:57,244 ALL RIGHT, ENOUGH. 234 00:12:57,277 --> 00:13:01,014 LET'S TELL THEM WE'RE READY. 235 00:13:02,883 --> 00:13:05,919 WE'RE READY? 236 00:13:09,089 --> 00:13:10,090 REID. 237 00:13:10,123 --> 00:13:11,291 YOU'RE GOOD WITH THIS? 238 00:13:11,324 --> 00:13:12,792 WE'VE GOT A WOMAN WHO'S ONLY GOT A FEW HOURS LEFT TO LIVE, 239 00:13:12,826 --> 00:13:16,429 AN INCOMPLETE PROFILE, AND A UNIT CHIEF ON THE VERGE OF A NERVOUS BREAKDOWN. 240 00:13:16,463 --> 00:13:19,967 THEY DON'T CALL THEM NERVOUS BREAKDOWNS ANYMORE. 241 00:13:20,000 --> 00:13:22,535 IT'S CALLED A MAJOR DEPRESSIVE EPISODE. 242 00:13:22,569 --> 00:13:25,072 I KNOW, REID. 243 00:13:28,008 --> 00:13:31,011 THE UNIDENTIFIED SUBJECT IS WHITE AND IN HIS LATE 20s. 244 00:13:31,044 --> 00:13:33,446 HE'S SOMEONE YOU WOULDN'T NOTICE AT FIRST. 245 00:13:33,480 --> 00:13:37,117 HE'S SOMEONE WHO'D BLEND INTO ANY CROWD. 246 00:13:39,086 --> 00:13:40,353 THE VIOLENT NATURE OF THE CRIME 247 00:13:40,387 --> 00:13:42,455 SUGGESTS A PREVIOUS CRIMINAL RECORD-- 248 00:13:42,489 --> 00:13:44,992 PETTY CRIMES. MAYBE AUTO THEFT. 249 00:13:45,025 --> 00:13:47,995 WE'VE CLASSIFIED HIM AS AN ORGANIZED KILLER-- 250 00:13:48,028 --> 00:13:51,164 CAREFUL. PSYCHOPATHIC AS OPPOSED TO PSYCHOTIC. 251 00:13:51,198 --> 00:13:54,101 HE FOLLOWS THE NEWS, HAS GOOD HYGIENE. HE'S SMART. 252 00:13:54,134 --> 00:13:57,270 'CAUSE HE'S SMART, THE ONLY PHYSICAL EVIDENCE YOU'LL FIND 253 00:13:57,304 --> 00:13:59,506 IS WHAT HE WANTS YOU TO FIND. 254 00:13:59,539 --> 00:14:02,075 HE'S MOBILE, CAR IN GOOD CONDITION. 255 00:14:02,109 --> 00:14:04,011 OUR GUESS--JEEP CHEROKEE, TINTED WINDOWS. 256 00:14:04,044 --> 00:14:06,579 THE MURDERS HAVE ALL INVOLVED RAPES. 257 00:14:06,613 --> 00:14:09,082 BUT RAPE WITHOUT PENETRATION 258 00:14:09,116 --> 00:14:12,619 IS A FORM OF PIQUERISM, AND THAT TELLS US HE'S SEXUALLY INADEQUATE. 259 00:14:12,652 --> 00:14:17,057 PSYCHIATRIC EVALUATIONS WILL SHOW A HISTORY OF PARANOIA 260 00:14:17,090 --> 00:14:19,192 STEMMING FROM A CHILDHOOD TRAUMA-- 261 00:14:19,226 --> 00:14:23,596 DEATH OF A PARENT OR FAMILY MEMBER. 262 00:14:25,132 --> 00:14:29,169 AND NOW HE FEELS PERSECUTED AND WATCHED. 263 00:14:31,171 --> 00:14:32,572 MURDER GIVES HIM A SENSE OF POWER. 264 00:14:32,605 --> 00:14:36,109 ORGANIZED KILLERS HAVE A FASCINATION 265 00:14:36,143 --> 00:14:38,011 WITH LAW ENFORCEMENT. 266 00:14:38,045 --> 00:14:42,315 THEY WILL INJECT THEMSELVES INTO THE INVESTIGATION. 267 00:14:42,349 --> 00:14:45,352 THEY WILL EVEN COME FORWARD AS WITNESSES 268 00:14:45,385 --> 00:14:48,388 TO SEE JUST HOW MUCH THE POLICE REALLY KNOW. 269 00:14:48,421 --> 00:14:53,426 THAT MAKES THEM FEEL POWERFUL, IN CONTROL. 270 00:14:53,460 --> 00:14:56,529 WHICH IS WHY I ALSO THINK... 271 00:14:56,563 --> 00:14:59,032 IN FACT, I KNOW... 272 00:14:59,066 --> 00:15:03,903 YOU HAVE ALREADY INTERVIEWED HIM. 273 00:15:19,519 --> 00:15:20,520 HI. 274 00:15:20,553 --> 00:15:22,355 I'M SORRY TO BOTHER YOU. 275 00:15:22,389 --> 00:15:23,656 I'M HOUSE-SITTING DOWN THE STREET, 276 00:15:23,690 --> 00:15:26,226 AND WHEN I GOT BACK, THE DOOR WAS WIDE OPEN, 277 00:15:26,259 --> 00:15:27,961 AND THE LIGHTS WEREN'T WORKING. 278 00:15:27,995 --> 00:15:30,730 I FEEL STUPID ASKING THIS, 279 00:15:30,763 --> 00:15:31,764 BUT IS THERE SOMEONE 280 00:15:31,798 --> 00:15:34,701 WHO MIGHT BE ABLE TO TAKE A LOOK INSIDE WITH ME? 281 00:15:34,734 --> 00:15:39,539 RICHARD. RICHARD, GET DOWN HERE! 282 00:15:44,044 --> 00:15:46,413 ARE YOU SURE YOU LOCKED IT? 283 00:15:46,446 --> 00:15:48,515 YEAH. 284 00:15:53,220 --> 00:15:55,155 HELLO? 285 00:16:12,305 --> 00:16:13,106 HELLO! 286 00:16:13,140 --> 00:16:14,607 FBI! FREEZE! FREEZE! 287 00:16:15,675 --> 00:16:17,444 GET HIM DOWN! 288 00:16:17,477 --> 00:16:19,579 RICHARD SLESSMAN, FBI. 289 00:16:19,612 --> 00:16:23,483 YOU ARE UNDER ARREST FOR THE MURDER... 290 00:16:27,554 --> 00:16:30,457 EMERSON SAID, "ALL IS RIDDLE, 291 00:16:30,490 --> 00:16:35,595 AND THE KEY TO A RIDDLE... IS ANOTHER RIDDLE." 292 00:16:38,198 --> 00:16:39,666 THERE'S NO SIGN OF THE GIRL HERE. 293 00:16:39,699 --> 00:16:41,168 WE CAN ARREST HIM WITH PROBABLE CAUSE, 294 00:16:41,201 --> 00:16:42,535 BUT WE WON'T BE ABLE TO HOLD HIM. 295 00:16:42,569 --> 00:16:45,572 SLESSMAN'S BEEN AT THE TOP OF THE SUSPECT LIST. 296 00:16:45,605 --> 00:16:46,706 IS THAT THE MOTHER? 297 00:16:46,739 --> 00:16:49,242 GRANDMOTHER. THE MOTHER DIED IN A FIRE WHEN HE WAS 13. 298 00:16:49,276 --> 00:16:51,778 PROBABLY NOT THE ONLY FIRE IN HIS CHILDHOOD. 299 00:16:51,811 --> 00:16:55,615 BEFORE HIS SON OF SAM MURDERS, DAVID BERKOWITZ SET A MULTITUDE OF FIRES. 300 00:16:55,648 --> 00:16:57,550 EXACTLY HOW MUCH IS A MULTITUDE? 301 00:16:57,584 --> 00:17:00,187 ACCORDING TO HIS DIARY, 1,400 AND... 302 00:17:00,220 --> 00:17:01,154 88. 303 00:17:01,188 --> 00:17:03,356 LURING HIM OUT WAS YOUR IDEA, RIGHT 304 00:17:03,390 --> 00:17:06,559 ELLE. I DON'T SEND A SWAT TEAM INTO A HOUSE WITH CHILDREN. 305 00:17:06,593 --> 00:17:09,796 HOTCH SAYS YOUR BACKGROUND IS IN SEX OFFENDER CASES. 306 00:17:09,829 --> 00:17:10,963 WHAT CAN YOU TELL US? 307 00:17:10,997 --> 00:17:13,833 THE LAST 4 MURDERS SHOW HE'S AN ANGER-EXCITATION RAPIST. 308 00:17:13,866 --> 00:17:16,169 HE'LL KEEP A VICTIM FOR A COUPLE OF DAYS. 309 00:17:16,203 --> 00:17:18,738 HE PROBABLY RECORDS OR VIDEOTAPES THEM 310 00:17:18,771 --> 00:17:20,373 SO THAT HE CAN KEEP RELIVING THE FANTASY. 311 00:17:20,407 --> 00:17:22,475 YOU OK WITH HOTCH BEING IN ON THE INTERVIEW? 312 00:17:22,509 --> 00:17:24,511 I'D LIKE HIM TO LEAD, ACTUALLY. 313 00:17:24,544 --> 00:17:26,379 FINE. BUT HOLD OFF. 314 00:17:26,413 --> 00:17:29,116 SLESSMAN'S DONE TIME, AND HE KNOWS THE PROCESS. 315 00:17:29,149 --> 00:17:32,219 AND ALL YOU WILL GET NOW IS A DEMAND FOR A LAWYER. 316 00:17:32,252 --> 00:17:34,421 HOTCH, LET'S CHECK THE GARAGE, 317 00:17:34,454 --> 00:17:36,089 THEN SHOW ME WHAT YOU GOT. 318 00:17:36,123 --> 00:17:39,092 NEXT TIME, SHOW A LITTLE LEG. 319 00:17:39,126 --> 00:17:42,529 MORGAN, THE ONLY TIME YOU'RE GONNA SEE A LITTLE LEG FROM ME 320 00:17:42,562 --> 00:17:44,597 IS WHEN I'M ABOUT TO KICK YOUR ASS. 321 00:17:44,631 --> 00:17:46,766 I STILL TEACH HAND-TO-HAND OVER AT QUANTICO 322 00:17:46,799 --> 00:17:49,469 IF YOU NEED A LITTLE BRUSH-UP TRAINING. 323 00:17:49,502 --> 00:17:50,437 SERIOUSLY... 324 00:17:50,470 --> 00:17:52,639 I WANT THAT OPENING AT BAU. 325 00:17:52,672 --> 00:17:54,841 YOU GOT ANY ADVICE? 326 00:17:54,874 --> 00:17:57,810 JUST TRUST YOUR INSTINCTS. 327 00:18:02,182 --> 00:18:03,883 WELL, WE GOT THE JEEP RIGHT. 328 00:18:03,916 --> 00:18:05,685 AND EVERYTHING ELSE WRONG. 329 00:18:05,718 --> 00:18:07,620 THE BODIES HAD DEFENSIVE WOUNDS. 330 00:18:07,654 --> 00:18:10,790 RICHARD DOESN'T HAVE A MARK ON HIM. 331 00:18:11,391 --> 00:18:14,461 WE'RE MISSIN' SOMETHING. 332 00:18:26,473 --> 00:18:29,642 SOMETHING'S NOT RIGHT ABOUT THIS. 333 00:18:31,578 --> 00:18:33,846 THIS IS A BOY'S ROOM... 334 00:18:33,880 --> 00:18:36,783 NOT A MAN'S. 335 00:18:47,860 --> 00:18:50,197 LOG IN PASSWORD. 336 00:18:50,563 --> 00:18:52,765 NO, NO-- 337 00:18:52,799 --> 00:18:54,834 WAIT, WAIT! 338 00:18:55,968 --> 00:18:58,438 IT'S NOT TURNING BACK ON. 339 00:18:58,471 --> 00:19:00,807 YEAH. AND IT WON'T. 340 00:19:00,840 --> 00:19:03,776 IT WAS A FALSE PASSWORD. 341 00:19:17,657 --> 00:19:19,426 WHAT KIND OF GAME IS IT? 342 00:19:19,459 --> 00:19:21,228 IN CHINA, IT'S CALLED WEI-CHI. 343 00:19:21,261 --> 00:19:22,862 HERE WE CALL IT "GO". IT'S CONSIDERED TO BE 344 00:19:22,895 --> 00:19:25,365 THE MOST DIFFICULT BOARD GAME EVER CONCEIVED. 345 00:19:25,398 --> 00:19:27,900 CHAIRMAN MAO REQUIRED HIS GENERALS TO LEARN IT. 346 00:19:27,934 --> 00:19:30,837 IT ALSO LOOKS LIKE HE'S PLAYING HIMSELF. 347 00:19:30,870 --> 00:19:33,840 HOW CAN YOU TELL? 348 00:19:34,974 --> 00:19:37,810 THIS MIGHT PROVIDE AN ADVANTAGE, ACTUALLY. 349 00:19:37,844 --> 00:19:38,811 GO IS CONSIDERED TO BE 350 00:19:38,845 --> 00:19:40,713 A PARTICULARLY PSYCHOLOGICALLY REVEALING GAME. 351 00:19:40,747 --> 00:19:42,349 THERE ARE PROFILES FOR EVERY PLAYER-- 352 00:19:42,382 --> 00:19:44,784 THE CONSERVATIVE POINT COUNTER, THE AGGRESSOR, 353 00:19:44,817 --> 00:19:45,518 THE FINESSER. 354 00:19:45,552 --> 00:19:48,821 WHAT KIND OF PLAYER IS SLESSMAN? 355 00:19:50,022 --> 00:19:53,226 EXTREME AGGRESSOR. 356 00:19:55,928 --> 00:19:58,898 OK, HERE WE GO. 357 00:20:00,300 --> 00:20:02,602 WHAT'S THE NUMBER 6 AT THE BOTTOM OF THE SCREEN? 358 00:20:02,635 --> 00:20:06,473 NUMBER OF PASSWORD ATTEMPTS BEFORE THE PROGRAM WIPES THE HARD DRIVE. 359 00:20:06,506 --> 00:20:09,809 THERE COULD BE AN EMAIL OR A JOURNAL IN THE COMPUTER, 360 00:20:09,842 --> 00:20:12,579 SOMETHING THAT TELLS US WHERE HEATHER IS. 361 00:20:12,612 --> 00:20:15,815 DO YOU THINK YOU CAN BREAK IN? 362 00:20:15,848 --> 00:20:18,385 IN 6 TRIES? 363 00:20:18,651 --> 00:20:20,653 TRY AGAIN. FAIL AGAIN. 364 00:20:20,687 --> 00:20:22,955 FAIL BETTER. 365 00:20:22,989 --> 00:20:25,525 SAMUEL BECKETT. 366 00:20:26,293 --> 00:20:31,230 TRY NOT. DO OR DO NOT. 367 00:20:32,365 --> 00:20:34,233 YODA. 368 00:20:53,486 --> 00:20:56,489 I WANNA TALK TO HIM. 369 00:21:04,964 --> 00:21:06,733 YOU READ MY PAPER. 370 00:21:06,766 --> 00:21:09,268 LEARN ANYTHING? 371 00:21:09,702 --> 00:21:11,871 HEIRENS SAID A MAN LIVING INSIDE OF HIS HEAD 372 00:21:11,904 --> 00:21:14,941 WAS THE ONE WHO COMMITTED THE MURDERS. 373 00:21:14,974 --> 00:21:15,775 YOU SAID HE WAS LYING, 374 00:21:15,808 --> 00:21:17,944 THAT THERE'D NEVER BEEN AN ACTUAL CASE 375 00:21:17,977 --> 00:21:19,779 OF MULTIPLE PERSONALITIES. 376 00:21:19,812 --> 00:21:22,515 YOU HAVE AN ACADEMIC INTEREST 377 00:21:22,549 --> 00:21:24,851 IN DISASSOCIATIVE IDENTITY DISORDER, 378 00:21:24,884 --> 00:21:27,086 OR YOU JUST PLANNING YOUR DEFENSE? 379 00:21:34,927 --> 00:21:39,466 YOU A FAN OF ADRIEN BAAL'S WORK? 380 00:21:39,899 --> 00:21:41,668 NO. 381 00:21:42,502 --> 00:21:45,638 I'M A FAN OF YOURS. 382 00:21:46,739 --> 00:21:48,475 YOU KNOW... 383 00:21:49,108 --> 00:21:52,912 THEY NEVER GIVE YOU THE REAL FACTS ABOUT CPR... 384 00:21:52,945 --> 00:21:58,785 THAT OUTSIDE OF A HOSPITAL, IT'S ONLY EFFECTIVE 7% OF THE TIME. 385 00:21:58,818 --> 00:22:03,122 YOUR FRIEND HAD A 93% CERTAINTY OF DYING, 386 00:22:03,155 --> 00:22:05,024 BUT YOU KEPT TRYING... 387 00:22:05,057 --> 00:22:07,994 EVEN AFTER YOU'D BROKEN HIS RIBS, 388 00:22:08,027 --> 00:22:13,032 EVEN AFTER HIS BLOOD WAS ALL OVER YOUR HANDS. 389 00:22:15,935 --> 00:22:20,440 WHY DON'T YOU TELL US WHERE HEATHER WOODLAND IS? 390 00:22:28,848 --> 00:22:29,949 WOODLAND... 391 00:22:29,982 --> 00:22:33,986 ISN'T SHE THE GIRL THAT WENT MISSING A COUPLE DAYS AGO? 392 00:22:46,766 --> 00:22:49,536 GET HIM OUT OF HERE. 393 00:23:10,690 --> 00:23:12,892 HEY. 394 00:23:13,460 --> 00:23:15,061 HE IS "ISN'T SHE THE GIRL..." 395 00:23:15,094 --> 00:23:18,030 IF HE'D ALREADY KILLED HER, HE WOULD HAVE SAID-- 396 00:23:18,064 --> 00:23:19,466 "WASN'T SHE THE GIRL..." 397 00:23:19,499 --> 00:23:22,034 SHE'S ALIVE. WE DON'T KNOW FOR HOW LONG. 398 00:23:22,068 --> 00:23:26,105 IS IT TRUE WHAT HE SAID ABOUT CPR? I MEAN, I DIDN'T KNOW. 399 00:23:26,138 --> 00:23:28,608 YOU WANT STATISTICS ON CPR, ASK REID. 400 00:23:28,641 --> 00:23:30,810 I WANNA KNOW IF YOU'RE OK. 401 00:23:30,843 --> 00:23:32,679 I'M FINE. 402 00:23:32,712 --> 00:23:34,080 ARE YOU? 403 00:23:34,113 --> 00:23:36,516 THINK I CAN'T DO THE JOB? 404 00:23:36,549 --> 00:23:40,820 I THINK YOU CAN'T BE 2 DIFFERENT PEOPLE AT ONCE. 405 00:23:48,094 --> 00:23:50,129 WHAT IS IT? 406 00:23:52,231 --> 00:23:55,502 CONFLICTS IN THE PROFILE. 407 00:23:59,138 --> 00:24:00,940 2 DIFFERENT BEHAVIORS. 408 00:24:00,973 --> 00:24:04,076 2 DIFFERENT PEOPLE. 409 00:24:04,110 --> 00:24:05,778 THERE'S A SECOND KILLER. 410 00:24:12,719 --> 00:24:13,786 A SECOND UNSUB. 411 00:24:13,820 --> 00:24:14,687 IT'S NOT UNUSUAL. 412 00:24:14,721 --> 00:24:15,922 REMEMBER LAWRENCE BITTAKER AND ROY NORRIS? 413 00:24:15,955 --> 00:24:16,756 1979. THEY OUTFITTED A VAN 414 00:24:16,789 --> 00:24:18,057 TO RAPE AND MURDER GIRLS IN CALIFORNIA. 415 00:24:18,090 --> 00:24:20,927 WE'RE LOOKING FOR SOMEONE WHO FITS A SIMILAR RELATIONSHIP? 416 00:24:20,960 --> 00:24:23,062 THEY'RE NOT EQUALS. SLESSMAN'S SMART, 417 00:24:23,095 --> 00:24:26,566 BUT HE IS A SUBMISSIVE PERSONALITY. 418 00:24:26,599 --> 00:24:28,568 SO NUMBER 2 IS THE DOMINANT. 419 00:24:28,601 --> 00:24:29,335 AUTHORITATIVE, ARROGANT. 420 00:24:29,368 --> 00:24:30,537 PROBABLY NOT AS SMART AS SLESSMAN. 421 00:24:30,570 --> 00:24:31,904 HE'S LIKE THE SCHOOLYARD BULLY RECRUITING A GOOD UNDERLING-- 422 00:24:31,938 --> 00:24:36,108 HE'LL BE PROTECTIVE OF RICHARD. HE'LL MAKE HIM FEEL LIKE HE OWES HIM. 423 00:24:36,142 --> 00:24:37,510 IF RICHARD'S BEEN UP IN THE ATTIC 424 00:24:37,544 --> 00:24:39,078 FANTASIZING ABOUT BEING AN EXTREME AGGRESSOR, 425 00:24:39,111 --> 00:24:40,279 THIS GUY SHOWED HIM HOW TO DO IT. 426 00:24:40,312 --> 00:24:41,413 HE HELPED HIM TAKE THE FIRST STEP. 427 00:24:41,447 --> 00:24:43,983 I THINK WE SHOULD INTERVIEW HIM, USE THIS AS PRESSURE. 428 00:24:44,016 --> 00:24:46,085 NO, NO. WE NEED LEVERAGE. A NAME. 429 00:24:46,118 --> 00:24:47,186 FROM THE SUSPECT LIST? 430 00:24:47,219 --> 00:24:49,889 THAT'LL TAKE TOO LONG. THERE'S GOTTA BE A FASTER WAY. 431 00:24:49,922 --> 00:24:50,657 THERE IS. 432 00:24:50,690 --> 00:24:51,758 HERE. THIS MIGHT BE A LITTLE HOT. 433 00:24:51,791 --> 00:24:55,662 MRS. SLESSMAN, I DON'T THINK WE'VE GOT THE RIGHT GUY. 434 00:24:55,695 --> 00:24:57,730 I THINK THE PERSON WE'RE LOOKING FOR 435 00:24:57,764 --> 00:24:59,966 MIGHT BE A FRIEND OF RICHARD'S. 436 00:24:59,999 --> 00:25:01,267 RICHARD NEVER HAD MANY FRIENDS. 437 00:25:01,300 --> 00:25:04,236 YOU SURE? THERE'S GOTTA BE SOMEONE. 438 00:25:05,271 --> 00:25:06,839 YOU'VE REACHED PENELOPE GARCIA 439 00:25:06,873 --> 00:25:08,941 IN THE FBI'S OFFICE OF SUPREME GENIUS. 440 00:25:08,975 --> 00:25:10,076 HEY, IT'S MORGAN. 441 00:25:10,109 --> 00:25:12,311 NEED YOU TO WORK ME SOME MAGIC HERE. 442 00:25:12,344 --> 00:25:14,113 I GOT A PROGRAM CALLED DEADBOLT DEFENSE 443 00:25:14,146 --> 00:25:17,850 AND A GIRL WITH ONLY A COUPLE OF HOURS TO LIVE, SO WHAT DO YOU KNOW? 444 00:25:17,884 --> 00:25:19,251 THEN YOU'VE GOT A PROBLEM. 445 00:25:19,285 --> 00:25:20,587 DEADBOLT'S THE NUMBER ONE PASSWORD CRACK-RESISTANT SOFTWARE OUT THERE. 446 00:25:20,620 --> 00:25:24,090 YOU'RE GONNA HAVE TO GET INSIDE THIS GUY'S HEAD TO GET THE PASSWORD. 447 00:25:24,123 --> 00:25:26,959 I THOUGHT I WAS CALLING THE OFFICE OF SUPREME GENIUS. 448 00:25:26,993 --> 00:25:30,162 WELL, GORGEOUS, YOU'VE BEEN REROUTED TO THE OFFICE 449 00:25:30,196 --> 00:25:31,764 OF TOO FRIGGIN' BAD. 450 00:25:31,798 --> 00:25:32,765 THANKS ANYWAY. 451 00:25:32,799 --> 00:25:36,102 WELL, THERE WAS... THERE WAS THIS ONE YOUNG MAN. 452 00:25:36,135 --> 00:25:38,571 I THINK HIS NAME WAS CHARLIE. 453 00:25:38,605 --> 00:25:42,141 CROSS-REFERENCE CHARLIE FOR THE SECOND UNSUB. 454 00:25:44,210 --> 00:25:47,213 CHARLIE IS PROBABLY CHARLES LINDER. 455 00:25:47,246 --> 00:25:48,781 HE WAS SLESSMAN'S CELLMATE 456 00:25:48,815 --> 00:25:50,950 AND RECEIVED A DISHONORABLE DISCHARGE FROM THE MILITARY. 457 00:25:50,983 --> 00:25:54,353 HE'S BIGGER, TOUGHER. HE COULD HAVE PROTECTED RICHARD IN PRISON. 458 00:25:54,386 --> 00:25:55,722 WHERE WERE THEY INCARCERATED? 459 00:25:55,755 --> 00:25:58,257 CASCADIA. LESS THAN A MILE FROM HERE. 460 00:25:58,290 --> 00:26:00,192 LET'S GO. 461 00:26:01,327 --> 00:26:03,963 MY NAME IS RICHARD SLESSMAN, AND I HAVE TROUBLE SLEEPING. 462 00:26:03,996 --> 00:26:08,935 OK. WHAT DO I DO WHEN I'M TRYING TO GET TO SLEEP? 463 00:26:20,279 --> 00:26:21,948 GUYS, A LITTLE HELP. 464 00:26:21,981 --> 00:26:23,282 WE'RE GOING THROUGH EVERY ONE OF THESE CDs-- 465 00:26:23,315 --> 00:26:26,986 SCRATCHES, WEAR AND TEAR. I WANNA KNOW WHICH CD HE PLAYS THE MOST. 466 00:26:27,019 --> 00:26:28,788 LET'S GO. 467 00:26:28,821 --> 00:26:30,923 WE GET AN ADDRESS ON LINDER? 468 00:26:30,957 --> 00:26:32,091 IT'S COMING RIGHT NOW. 469 00:26:32,124 --> 00:26:35,327 DOES SENIOR MANAGEMENT WANT A FIELD ASSESSMENT ON GIDEON? 470 00:26:35,361 --> 00:26:36,262 DON'T WORRY ABOUT IT. 471 00:26:36,295 --> 00:26:37,529 ARE THEY NERVOUS ABOUT HIM BEING IN CHARGE? 472 00:26:37,563 --> 00:26:41,300 AREN'T YOU ON YOUR WAY BACK TO SLESSMAN'S HOUSE TO HELP MORGAN? 473 00:26:41,333 --> 00:26:44,737 DO YOU KNOW WHY HE ALWAYS INTRODUCES ME AS DR. REID? 474 00:26:44,771 --> 00:26:47,406 BECAUSE HE KNOWS THAT PEOPLE SEE YOU AS A KID, 475 00:26:47,439 --> 00:26:50,677 AND HE WANTS TO MAKE SURE THAT THEY RESPECT YOU. 476 00:26:50,710 --> 00:26:51,744 WHAT'S THE ADDRESS? 477 00:26:51,778 --> 00:26:54,413 DON'T THINK IT MATTERS ANYMORE. 478 00:26:58,985 --> 00:27:01,187 WINSTON CHURCHILL SAID, 479 00:27:01,220 --> 00:27:03,255 "THE FARTHER BACKWARD YOU CAN LOOK, 480 00:27:03,289 --> 00:27:06,993 THE FARTHER FORWARD YOU WILL SEE." 481 00:27:09,328 --> 00:27:12,164 ANYONE WHO CAN TELL US MORE ABOUT SLESSMAN? 482 00:27:12,198 --> 00:27:15,267 TIM VOGEL WAS THE SECURITY GUARD COVERING SLESSMAN'S BLOCK. 483 00:27:15,301 --> 00:27:19,305 THAT'S HIM OVER THERE. I'LL GET HIM FOR YOU. 484 00:27:20,072 --> 00:27:24,276 THAT WAS HOTCH. LINDER'S NAME CAME UP ON A POLICE REPORT. 485 00:27:24,310 --> 00:27:25,177 AND? 486 00:27:25,211 --> 00:27:26,412 HE'S DEAD. 487 00:27:26,445 --> 00:27:28,280 CAR ACCIDENT, 2 MONTHS AGO. 488 00:27:28,314 --> 00:27:31,818 LINDER IS DEAD. 489 00:27:34,921 --> 00:27:37,289 TOO BAD YOU GUYS CAME HERE FOR NOTHING. 490 00:27:37,323 --> 00:27:38,424 I MEAN, TALK ABOUT SCUM. 491 00:27:38,457 --> 00:27:42,394 I CAN'T REMEMBER HOW MANY TIMES I PUT LINDER IN SOLITARY 492 00:27:42,428 --> 00:27:45,397 FOR CAUSING TROUBLE WITH US. 493 00:27:46,398 --> 00:27:49,468 YOU'D THINK THE INMATES WOULD TRY TO STAY ON OUR GOOD SIDE, RIGHT? 494 00:27:49,501 --> 00:27:55,374 ESPECIALLY SINCE HALF OUR JOB IS PROTECTING THEM FROM EACH OTHER. 495 00:27:57,209 --> 00:27:59,378 YOU PROTECT THEM? 496 00:27:59,411 --> 00:28:01,881 IF YOU'RE A LITTLE WHITE GUY? 497 00:28:01,914 --> 00:28:04,416 ESPECIALLY IN A PRISON LIKE THIS. 498 00:28:04,450 --> 00:28:09,188 LINDER'S 6'4". YOU TALKING ABOUT SLESSMAN? 499 00:28:09,221 --> 00:28:11,423 OH, YEAH. 500 00:28:12,825 --> 00:28:15,895 THANKS FOR YOUR HELP. 501 00:28:17,196 --> 00:28:19,331 HE BEFRIENDED RICHARD, PROTECTED HIM, 502 00:28:19,365 --> 00:28:21,333 MADE HIM FEEL LIKE HE OWED HIM. 503 00:28:21,367 --> 00:28:24,403 HE FITS THE PROFILE. AND DID YOU SEE THEM? 504 00:28:24,436 --> 00:28:26,205 THE KEYS. 505 00:28:48,828 --> 00:28:51,263 HOTCH, I JUST FOUND YOUR LEVERAGE. 506 00:28:51,297 --> 00:28:55,367 HIS NAME IS TIMOTHY VOGEL. 507 00:28:59,305 --> 00:29:00,339 WHAT'S HE DOING? 508 00:29:00,372 --> 00:29:01,573 LOWERING THE ROOM TEMP. THE COLD PUTS THEM ON EDGE. 509 00:29:01,607 --> 00:29:04,276 OK, SO I WANT AN SPD, AND I WANT A SEATTLE AGENT IN THE ROOM. 510 00:29:04,310 --> 00:29:07,313 I WANT HIM TO SEE THAT WE'VE GOT EVERY DEPARTMENT WORKING ON THIS. 511 00:29:07,346 --> 00:29:08,915 AND I NEED SOME FILE BOXES. 512 00:29:08,948 --> 00:29:12,051 FILL THEM. I DON'T CARE IF THE PAPER'S BLANK. 513 00:29:12,084 --> 00:29:15,087 AND I WANT YOU TO WRITE THE NAME ON THE SIDES. 514 00:29:15,121 --> 00:29:15,955 WHOSE NAME? 515 00:29:15,988 --> 00:29:17,924 4 MONTHS OF INVESTIGATIVE WORK, 1 FILE, 516 00:29:17,957 --> 00:29:20,860 AND GUESS WHAT, RICHARD. IT'S NOT YOUR FILE. 517 00:29:20,893 --> 00:29:23,863 SEE, WE DON'T CARE ABOUT YOU. 518 00:29:27,934 --> 00:29:29,869 IT'S VOGEL WE WANT. 519 00:29:38,210 --> 00:29:41,280 I NEED A PASSWORD. I NEED A PASSWORD. 520 00:29:41,313 --> 00:29:43,315 WHAT AM I LOOKING FOR? 521 00:29:43,349 --> 00:29:46,218 WHAT COULD I POSSIBLY BE LOOKING FOR? 522 00:29:46,252 --> 00:29:48,220 I'VE BEEN THINKING ABOUT THE CDs. 523 00:29:48,254 --> 00:29:50,089 OH, REID, COME ON. WE TRIED THE CDs. 524 00:29:50,122 --> 00:29:52,058 WE SEARCHED, SIFTED, AND SORTED THROUGH EVERY ONE 525 00:29:52,091 --> 00:29:54,593 OF THIS GUY'S HEAD-BANGING HEAVY METAL COLLECTION. 526 00:29:54,626 --> 00:29:57,229 WE GOTTA FIND SOMETHING, OR THIS GIRL IS DEAD. 527 00:29:57,263 --> 00:30:00,032 THINK WE MAY HAVE MISSED THE OBVIOUS. 528 00:30:00,632 --> 00:30:02,568 WHAT ARE YOU DOING? 529 00:30:06,405 --> 00:30:08,841 REID, WHAT MADE YOU THINK OF THIS? 530 00:30:08,875 --> 00:30:11,878 IT WAS THE ONLY EMPTY CASE. 531 00:30:13,212 --> 00:30:16,148 ALL RIGHT. I'M AN INSOMNIAC WHO LISTENS TO METALLICA 532 00:30:16,182 --> 00:30:17,917 TO GO TO SLEEP AT NIGHT. 533 00:30:17,950 --> 00:30:20,019 WHAT SONG COULD POSSIBLY SPEAK TO ME? 534 00:30:20,052 --> 00:30:23,956 ENTER SANDMAN. 535 00:30:25,557 --> 00:30:28,961 WE FOUND OUT HEATHER WAS BUYING A USED CAR. 536 00:30:28,995 --> 00:30:31,998 YOU KNOW HOW CAR SALESMEN GET US TO BUY A CAR? 537 00:30:32,031 --> 00:30:34,266 THEY CALL IT RECIPROCITY. 538 00:30:34,300 --> 00:30:36,202 THEY DROP THE PRICE AND... 539 00:30:36,235 --> 00:30:38,170 FEELS LIKE THEY'VE DONE US A FAVOR. 540 00:30:38,204 --> 00:30:39,471 WE FEEL OBLIGATED. 541 00:30:39,505 --> 00:30:44,877 THERE'S A SUDDEN PRESSURE TO RECIPROCATE THIS ONE LITTLE FAVOR. 542 00:30:44,911 --> 00:30:46,145 AND IT'S SO POWERFUL THAT WE'LL... 543 00:30:46,178 --> 00:30:50,649 PUT A DEPOSIT DOWN ON A CAR WE'RE NOT EVEN SURE WE REALLY WANT. 544 00:30:50,682 --> 00:30:51,550 SO WHAT? 545 00:30:51,583 --> 00:30:54,220 SO VOGEL DID YOU A FAVOR. 546 00:30:54,253 --> 00:30:56,355 HE PROTECTED YOU IN PRISON, 547 00:30:56,388 --> 00:30:59,491 AND NOW YOU FEEL LIKE YOU OWE HIM 548 00:30:59,525 --> 00:31:01,493 AND YOU NEED TO PROTECT HIM. 549 00:31:01,527 --> 00:31:03,495 GUYS LIKE VOGEL LEARN IN THE SCHOOLYARD 550 00:31:03,529 --> 00:31:06,032 WHICH KIDS TO BULLY AND WHICH KIDS TO PROTECT, 551 00:31:06,065 --> 00:31:09,168 AND HE'S GOT YOU CONVINCED THAT YOU OWE HIM SO MUCH 552 00:31:09,201 --> 00:31:12,304 THAT YOU'LL GO TO JAIL FOR HIM. 553 00:31:14,006 --> 00:31:15,407 RICHARD... 554 00:31:15,441 --> 00:31:18,310 I'M HERE TO REMIND YOU OF SOMETHING. 555 00:31:18,344 --> 00:31:21,547 YOU OWE HIM NOTHING. 556 00:31:26,718 --> 00:31:28,955 THERE'S SOMETHING WRONG. 557 00:31:28,988 --> 00:31:30,289 WE GOTTA HIM PULL OVER. I CAN FEEL IT. 558 00:31:30,322 --> 00:31:34,226 YOU WANNA KNOW THE WORD REPEATED MORE THAN ANY OTHER IN YOUR FILE? 559 00:31:34,260 --> 00:31:36,362 IMPATIENT. 560 00:31:36,695 --> 00:31:40,466 YOU WANNA STOP HIM, YOU GIVE ME A REASON. 561 00:31:40,499 --> 00:31:41,433 HIS BEHAVIOR. 562 00:31:41,467 --> 00:31:43,402 WHEN WE LEFT HIM, HE WAS NERVOUS, UNSETTLED. 563 00:31:43,435 --> 00:31:45,304 BUT NOW HE'S STOPPING AT EVERY STOP SIGN. 564 00:31:45,337 --> 00:31:47,239 HE'S USING HIS BLINKER AT EVERY TURN. 565 00:31:47,273 --> 00:31:49,041 HE'S SLOWING AT YELLOW LIGHTS. 566 00:31:49,075 --> 00:31:53,345 THIS IS NOT SOMEONE WHO IS RUSHING TO KILL AND DUMP A BODY. 567 00:31:55,747 --> 00:31:58,284 OK. DO IT. 568 00:32:15,334 --> 00:32:19,638 FBI. PUT YOUR HANDS UP WHERE WE CAN SEE THEM! 569 00:32:20,706 --> 00:32:24,043 PUT YOUR HANDS THROUGH THE WINDOW NOW! 570 00:32:24,076 --> 00:32:25,944 NOW! 571 00:32:30,416 --> 00:32:34,220 ALL RIGHT, WITH YOUR LEFT HAND I WANT YOU TO OPEN THE CAR DOOR 572 00:32:34,253 --> 00:32:36,555 FROM THE OUTSIDE. 573 00:32:39,391 --> 00:32:40,492 GET OUT! 574 00:32:42,128 --> 00:32:43,329 IT'S NOT HIM! 575 00:32:43,362 --> 00:32:44,296 WHERE IS HE 576 00:32:44,330 --> 00:32:45,097 I DON'T KNOW! 577 00:32:45,131 --> 00:32:46,198 WHAT ARE YOU DOIN' DRIVING HIS CAR?! 578 00:32:46,232 --> 00:32:48,467 HE CAME UP TO ME IN THE GARAGE AFTER OUR SHIFT ENDED. 579 00:32:48,500 --> 00:32:49,601 HE ASKED IF HE COULD BORROW MY TRUCK. 580 00:32:49,635 --> 00:32:51,737 WHAT KIND OF TRUCK? HE'S DUMPING THE BODY. 581 00:32:51,770 --> 00:32:53,672 WHAT'S THE MAKE ! 582 00:32:53,705 --> 00:32:55,207 DODGE! DODGE DAKOTA! 583 00:32:57,409 --> 00:32:59,411 GIDEON, HEATHER'S ALIVE. 584 00:32:59,445 --> 00:33:00,679 HOW DO YOU KNOW? 585 00:33:00,712 --> 00:33:04,383 'CAUSE WE'RE WATCHING HER RIGHT NOW. 586 00:33:13,825 --> 00:33:15,361 HOTCH, HE'S GONNA KILL HER. 587 00:33:15,394 --> 00:33:17,396 HE'S HEADING THERE NOW. WE NEED A LOCATION. 588 00:33:17,429 --> 00:33:19,031 I DON'T HAVE ENOUGH TIME TO GET IT OUT OF HIM. 589 00:33:19,065 --> 00:33:22,368 FIND SOMETHING, HOTCH, OR THAT GIRL IS DEAD. 590 00:33:24,370 --> 00:33:29,541 MORGAN, CAN YOU SHOW ME THE LAST 12 IMAGES LINED UP NEXT TO EACH OTHER? 591 00:33:29,575 --> 00:33:31,610 YEAH. 592 00:33:35,414 --> 00:33:37,083 RIGHT THERE. RIGHT THERE. 593 00:33:37,116 --> 00:33:39,685 YOU SEE THAT 594 00:33:39,718 --> 00:33:41,153 YEAH, WHAT ABOUT IT? 595 00:33:41,187 --> 00:33:43,189 IT'S SHIFTING POSITIONS 596 00:33:43,222 --> 00:33:44,790 LIKE IT'S SWAYING... 597 00:33:44,823 --> 00:33:47,126 LIKE THE EARTH IS TILTING. 598 00:33:47,159 --> 00:33:49,095 NOT THE EARTH, DOC. 599 00:33:49,128 --> 00:33:50,362 THE OCEAN. 600 00:33:50,396 --> 00:33:51,497 SHE'S ON A BOAT 601 00:33:51,530 --> 00:33:53,832 IT'S A PIER OR A DOCK. HE WOULDN'T BE ABLE TO TRANSMIT 602 00:33:53,865 --> 00:33:56,435 THE WEBCAM IMAGE FROM THE MIDDLE OF THE OCEAN. 603 00:33:56,468 --> 00:33:57,469 YOU'RE SURE ABOUT THIS. 604 00:33:57,503 --> 00:33:59,105 IT'S THE BEST WE GOT, HOTCH. EVEN IF WE'RE RIGHT, 605 00:33:59,138 --> 00:34:01,573 GETTING THE EXACT LOCATION'S ON YOU, MY FRIEND. 606 00:34:01,607 --> 00:34:03,175 WHAT IS IT YOU ALWAYS ASK GARCIA? 607 00:34:03,209 --> 00:34:07,279 TO WORK ME A LITTLE MAGIC. 608 00:34:08,814 --> 00:34:10,416 JUST TO LET YOU KNOW... 609 00:34:10,449 --> 00:34:12,518 GIDEON'S TALKING TO VOGEL... 610 00:34:12,551 --> 00:34:15,687 AND VOGEL'S NAILING YOU TO THE WALL. 611 00:34:15,721 --> 00:34:18,224 YEAH, WHATEVER. 612 00:34:20,726 --> 00:34:25,197 HE SAID IT WAS YOUR IDEA TO KEEP THE GIRLS ON A BOAT. 613 00:34:28,167 --> 00:34:31,069 HE'S TALKING, RICHARD. 614 00:34:31,903 --> 00:34:34,173 RECIPROCITY. 615 00:34:34,573 --> 00:34:38,210 TELL ME WHERE SHE IS, AND WE MAKE A DEAL. 616 00:34:40,379 --> 00:34:43,182 IS IT A DOCK? 617 00:34:43,215 --> 00:34:45,484 A PIER? 618 00:34:51,857 --> 00:34:54,426 IT'S A SHIPYARD. 619 00:34:54,460 --> 00:34:57,196 ALLIED SHIPYARD. 620 00:35:28,727 --> 00:35:31,263 REID, HE'S INSIDE. 621 00:35:35,634 --> 00:35:38,170 GET ELLE ON THE PHONE. 622 00:35:41,807 --> 00:35:43,709 LISTEN TO ME. YOU NEED TO WAIT FOR BACKUP. 623 00:35:43,742 --> 00:35:45,244 IF WE WAIT, THE GIRL IS DEAD. 624 00:35:45,277 --> 00:35:47,179 AND IF WE HAD WAITED IN BOSTON-- 625 00:35:47,213 --> 00:35:47,946 I CAN'T. 626 00:35:47,979 --> 00:35:50,716 YOU TOLD ME TO TRUST MY INSTINCTS. 627 00:36:08,334 --> 00:36:10,236 AAH! STOP! STOP! 628 00:36:10,269 --> 00:36:11,870 STOP! 629 00:36:11,903 --> 00:36:13,272 STOP. 630 00:36:13,305 --> 00:36:14,606 GET BACK! I'LL SHOOT HER. 631 00:36:14,640 --> 00:36:17,609 I WOULDN'T. IF I WERE YOU, I'D AIM THE GUN AT ME. 632 00:36:17,643 --> 00:36:19,611 YOU SHOOT THE GIRL, YOU GOT NOTHING. 633 00:36:19,645 --> 00:36:20,979 GET...BACK! 634 00:36:21,012 --> 00:36:22,548 SHOOT ME INSTEAD. 635 00:36:22,581 --> 00:36:26,618 COME ON. WHAT, ARE YOU A LOUSY SHOT? 636 00:36:27,453 --> 00:36:30,856 50 FEET AWAY. YOU GOT A PERFECT SHOT. SHOOT ME. 637 00:36:30,889 --> 00:36:31,957 YOU THINK I'M STUPID? 638 00:36:31,990 --> 00:36:33,959 I THINK YOU'RE AN ABSOLUTE MORON. 639 00:36:33,992 --> 00:36:35,160 I KNOW ALL ABOUT YA, TIM. 640 00:36:35,193 --> 00:36:38,297 YOU'RE AT THE GYM 5 TIMES A WEEK. YOU DRIVE A FLASHY CAR, 641 00:36:38,330 --> 00:36:40,632 YOU STINK OF COLOGNE, AND YOU CAN'T GET IT UP. 642 00:36:40,666 --> 00:36:43,702 NOT EVEN VIAGRA'S WORKIN' FOR YA. YOU KNOW WHAT THAT TELLS ME? 643 00:36:43,735 --> 00:36:45,771 THAT TELLS ME YOU ARE HOPELESSLY COMPENSATING, 644 00:36:45,804 --> 00:36:47,839 AND IT'S NOT JUST IN YOUR HEAD. 645 00:36:47,873 --> 00:36:49,174 IT IS PHYSICAL. 646 00:36:49,207 --> 00:36:51,310 WHAT DID THE GIRLS CALL YOU IN HIGH SCHOOL? WHAT'D THEY COME UP WITH 647 00:36:51,343 --> 00:36:52,744 WHEN YOU FUMBLED YOUR WAY INTO SOME GIRL'S PANTS, 648 00:36:52,778 --> 00:36:54,280 AND SHE STARTED LAUGHING WHEN SHE GOT A GOOD LOOK 649 00:36:54,313 --> 00:36:56,014 AT JUST HOW LITTLE YOU HAD TO OFFER? 650 00:36:56,047 --> 00:36:57,783 SHUT UP! SHORT STACK? 651 00:36:57,816 --> 00:37:00,986 VERY LITTLE VOGEL? I GOT IT. TINY TIM. 652 00:37:04,290 --> 00:37:05,391 GIDEON! 653 00:37:08,026 --> 00:37:09,295 YOU OK? 654 00:37:09,328 --> 00:37:10,329 I'M FINE. 655 00:37:10,362 --> 00:37:13,265 GO LOOK AFTER THE GIRL. 656 00:37:29,315 --> 00:37:32,351 SO WHAT KIND OF REPORT DO THEY WANT ON HIM? 657 00:37:32,384 --> 00:37:34,686 I SUPPOSE WHETHER HE'S FIT TO BE A FIELD AGENT. 658 00:37:34,720 --> 00:37:37,789 YOU KNOW, HALEY AND I WERE LOOKING AT A BABY NAMES BOOK. 659 00:37:37,823 --> 00:37:40,359 GUESS WHAT GIDEON MEANS IN HEBREW. 660 00:37:40,392 --> 00:37:41,693 MIGHTY WARRIOR. 661 00:37:41,727 --> 00:37:44,463 APPROPRIATE. 662 00:37:45,597 --> 00:37:48,400 SO WHAT ARE YOU GONNA TELL THEM? 663 00:37:48,434 --> 00:37:51,269 WHAT WOULD YOU SAY? 664 00:37:52,771 --> 00:37:54,773 GIDEON SAVED HER LIFE. 665 00:37:54,806 --> 00:37:58,276 THAT'S GOOD ENOUGH FOR ME. 666 00:38:27,573 --> 00:38:29,441 HEY. 667 00:38:31,577 --> 00:38:35,347 YOU AND HALEY PICK THE BABY'S NAME YET? 668 00:38:35,681 --> 00:38:39,818 IT'S FUNNY... HALEY LIKED THE NAME CHARLES, 669 00:38:39,851 --> 00:38:43,389 BUT, YOU KNOW... ALL I COULD THINK OF... 670 00:38:43,422 --> 00:38:44,923 MANSON. 671 00:38:44,956 --> 00:38:46,458 THEN THERE WAS HENRY. 672 00:38:46,492 --> 00:38:47,393 LEE LUCAS. 673 00:38:47,426 --> 00:38:48,694 UH...JEFFREY. 674 00:38:48,727 --> 00:38:49,395 DAHMER. 675 00:38:49,428 --> 00:38:52,431 THERE'S JUST TOO MANY OF THEM. 676 00:38:53,965 --> 00:38:55,934 KIND OF HARD TO FEEL GOOD ABOUT CATCHING ONE 677 00:38:55,967 --> 00:39:00,338 WHEN YOU KNOW THERE ARE 50 MORE STILL OUT THERE. 678 00:39:04,910 --> 00:39:07,413 HOW'S YOUR REPORT GOING? 679 00:39:09,881 --> 00:39:11,917 DIDN'T THINK YOU COULD HIDE THAT 680 00:39:11,950 --> 00:39:15,353 FROM AN OLD PROFILER, NOW, DID YA? 681 00:39:16,688 --> 00:39:19,458 YOU KNOW, YOU SAVED THAT GIRL TODAY. 682 00:39:19,491 --> 00:39:22,894 YOU CAN FEEL GOOD ABOUT THAT. 683 00:39:22,928 --> 00:39:24,963 IT IS GOOD. 684 00:39:25,564 --> 00:39:27,999 IT'S A GOOD THING. 685 00:39:33,505 --> 00:39:35,441 NIETZSCHE ONCE SAID, 686 00:39:35,474 --> 00:39:38,444 "WHEN YOU LOOK LONG INTO AN ABYSS, 687 00:39:38,477 --> 00:39:42,113 THE ABYSS LOOKS INTO YOU." 688 00:40:10,676 --> 00:40:13,512 I'LL TAKE THIS. 689 00:40:30,529 --> 00:40:32,564 HAVE A N-N- 690 00:40:32,598 --> 00:40:34,199 A N-N-N-- 691 00:40:34,232 --> 00:40:36,635 NICE DAY. 692 00:41:08,700 --> 00:41:11,837 CAPTIONING MADE POSSIBLE BY TOUCHSTONE TELEVISION PRODUCTIONS, LLC AND CBS 693 00:41:11,870 --> 00:41:16,107 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--