1 00:00:08,776 --> 00:00:10,511 OK. 2 00:00:10,544 --> 00:00:11,145 OH! 3 00:00:11,179 --> 00:00:12,546 IT IS NOT JUST ME, RIGHT? 4 00:00:12,580 --> 00:00:15,349 OUR GIRL'S GOT AN ARM. YEAH. 5 00:00:15,383 --> 00:00:17,718 OH. JUST LIKE HER DAD. 6 00:00:18,686 --> 00:00:21,589 LOOK AT HER. WE BLINKED AND 4 YEARS WENT BY. 7 00:00:21,622 --> 00:00:24,258 SO, WHAT DO YOU THINK 8 00:00:24,292 --> 00:00:25,359 SOUNDS LIKE A PLAN. 9 00:00:25,393 --> 00:00:28,796 UH-OH. WHO'S COMING? AAH! 10 00:00:30,364 --> 00:00:32,466 AH! SO, WHAT DO YOU THINK, KATIE? 11 00:00:32,500 --> 00:00:34,268 YOU WANT A LITTLE BROTHER OR SISTER? 12 00:00:34,302 --> 00:00:35,469 YEAH? 13 00:00:35,503 --> 00:00:36,270 WELL... 14 00:00:36,304 --> 00:00:37,738 THE BOSS HAS SPOKEN. 15 00:00:37,771 --> 00:00:40,341 OK. WELL, YOU GO GET HER, 16 00:00:40,374 --> 00:00:42,243 AND I'LL GO GET LUNCH. 17 00:00:42,276 --> 00:00:43,511 OK. 18 00:00:55,456 --> 00:00:58,659 MY DAUGHTER MOLLY. SHE'S 6. 19 00:00:58,692 --> 00:01:01,162 SHE'S GOT BRAIDS, YELLOW SWEATSHIRT. 20 00:01:01,195 --> 00:01:02,130 WHAT AM I GONNA DO? 21 00:01:02,163 --> 00:01:04,432 OK, OK. CALM DOWN. BRAIDS, YELLOW SWEATSHIRT. 22 00:01:04,465 --> 00:01:05,766 WE WERE PLAYING HIDE AND SEEK UP HERE. 23 00:01:05,799 --> 00:01:08,202 SHE MUST HAVE GOTTEN LOST IN THE TREES. 24 00:01:08,236 --> 00:01:09,670 OH, GOD. I'M SO STUPID. 25 00:01:09,703 --> 00:01:11,405 TOM! TOM! 26 00:01:11,439 --> 00:01:13,707 SHH, SHH, SHH! WAIT. 27 00:01:13,741 --> 00:01:14,875 DID YOU HEAR THAT? 28 00:01:14,908 --> 00:01:17,845 IT CAME FROM OVER HERE. MOLLY? 29 00:01:17,878 --> 00:01:19,180 HONEY?! 30 00:01:19,213 --> 00:01:21,649 DADDY'S HERE. 31 00:01:24,185 --> 00:01:26,086 MOLLY. 32 00:01:26,787 --> 00:01:28,389 NO. 33 00:01:30,858 --> 00:01:35,363 DID YOU FIND MOLLY 34 00:01:41,302 --> 00:01:43,471 AAH! 35 00:01:46,574 --> 00:01:49,810 MOMMY, WAKE UP. 36 00:01:49,843 --> 00:01:52,446 00. 37 00:01:55,283 --> 00:01:57,285 AH! DAMN IT. 38 00:01:57,318 --> 00:01:58,819 WHY DID YOU LET ME SLEEP? 39 00:01:58,852 --> 00:02:02,490 WHY DON'T YOU GET AN ALARM CLOCK? 40 00:02:02,523 --> 00:02:03,924 DID YOU EAT? 41 00:02:03,957 --> 00:02:04,492 PIZZA. 42 00:02:04,525 --> 00:02:06,394 AND THE BABY? PIZZA. 43 00:02:06,427 --> 00:02:07,395 AND MILK. 44 00:02:15,403 --> 00:02:17,538 BYE. 45 00:02:18,372 --> 00:02:20,374 GET SOME SLEEP, JAY. 46 00:02:23,211 --> 00:02:26,780 HEY, I'LL BRING YOU SOME PANCAKES. 47 00:02:27,815 --> 00:02:29,317 YEAH. 48 00:02:29,350 --> 00:02:29,850 WHEN? 49 00:02:39,227 --> 00:02:40,828 HI. 50 00:02:40,861 --> 00:02:43,464 WANT COMPANY? 51 00:02:52,673 --> 00:02:54,642 HI. 52 00:03:14,495 --> 00:03:15,629 COME IN. 53 00:03:15,663 --> 00:03:16,630 HI. 54 00:03:16,664 --> 00:03:17,631 AGENT HOTCHNER? 55 00:03:17,665 --> 00:03:18,532 YES. 56 00:03:18,566 --> 00:03:22,436 I'M AGENT EMILY PRENTISS. 57 00:03:22,470 --> 00:03:23,337 HOW DO YOU DO? 58 00:03:23,371 --> 00:03:25,406 OH, YOU'RE AMBASSADOR PRENTISS' DAUGHTER. 59 00:03:25,439 --> 00:03:28,576 I DID SECURITY CLEARANCES FOR YOUR MOTHER'S STAFF. 60 00:03:28,609 --> 00:03:29,843 IT WAS ONE OF MY FIRST COMMANDS. 61 00:03:29,877 --> 00:03:32,946 I BELIEVE YOU WERE OFF TO BROWN AT THE TIME. 62 00:03:32,980 --> 00:03:34,615 ACTUALLY, IT WAS YALE. AH. 63 00:03:34,648 --> 00:03:36,684 I'VE BEEN IN THE BUREAU ALMOST 10 YEARS NOW. 64 00:03:36,717 --> 00:03:39,587 DON'T TELL ME THAT. HAS IT BEEN THAT LONG? 65 00:03:39,620 --> 00:03:40,354 APPARENTLY, SIR. 66 00:03:40,388 --> 00:03:42,323 BUT I WORK MOSTLY IN THE MIDWEST. 67 00:03:42,356 --> 00:03:45,326 ST. LOUIS, CHICAGO. GOOD. 68 00:03:45,359 --> 00:03:46,494 YOUR PARENTS WELL? 69 00:03:46,527 --> 00:03:48,929 YEAH, YEAH, THEY'RE GREAT. 70 00:03:48,962 --> 00:03:50,798 EXCELLENT. 71 00:03:52,500 --> 00:03:53,567 WHAT CAN I DO FOR YOU? 72 00:03:53,601 --> 00:03:55,669 UH, WELL, I GUESS I WAS HOPING YOU 73 00:03:55,703 --> 00:03:57,838 COULD TELL ME WHERE TO PUT MY STUFF. 74 00:03:57,871 --> 00:03:58,639 I'M SORRY? 75 00:03:58,672 --> 00:04:02,743 I'M SUPPOSED TO START HERE TODAY... 76 00:04:02,776 --> 00:04:04,044 AT THE BAU. 77 00:04:04,077 --> 00:04:06,614 THERE'S BEEN A MISTAKE. 78 00:04:06,647 --> 00:04:08,549 I DON'T THINK SO, SIR. 79 00:04:08,582 --> 00:04:10,518 THERE'S DEFINITELY BEEN A MISTAKE. 80 00:04:11,285 --> 00:04:12,486 EXCUSE ME. WE'RE GETTING STARTED. 81 00:04:12,520 --> 00:04:13,487 THANK YOU. I'LL BE RIGHT THERE. 82 00:04:13,521 --> 00:04:16,690 I DIDN'T APPROVE THIS TRANSFER, AGENT PRENTISS. 83 00:04:16,724 --> 00:04:19,727 I'M SORRY FOR THE CONFUSION, BUT YOU'VE BEEN MISINFORMED. 84 00:04:19,760 --> 00:04:20,661 BUT-- 85 00:04:20,694 --> 00:04:23,030 EXCUSE ME. IT'S VERY GOOD TO SEE YOU AGAIN. 86 00:04:24,698 --> 00:04:26,400 UHH... 87 00:04:27,568 --> 00:04:28,602 JASON... 88 00:04:28,636 --> 00:04:32,406 DID YOU APPROVE ANY TRANSFER? 89 00:04:32,440 --> 00:04:34,007 NO. I WOULD'VE DISCUSSED IT. 90 00:04:34,041 --> 00:04:34,908 THAT'S WHAT I THOUGHT. 91 00:04:34,942 --> 00:04:37,678 SHE'S GOT THE PAPERWORK TO JOIN THE TEAM. 92 00:04:37,711 --> 00:04:39,680 YOU WANT ME TO MAKE A CALL? 93 00:04:39,713 --> 00:04:41,915 NO. I'LL MAKE IT. 94 00:04:45,653 --> 00:04:47,321 ST. LOUIS IS IN TROUBLE. 95 00:04:47,355 --> 00:04:50,624 THEY'VE GOT 2 SERIAL KILLERS. 96 00:04:50,658 --> 00:04:53,627 THIS KILLER ABDUCTS HIS VICTIMS FROM PUBLIC PLACES, 97 00:04:53,661 --> 00:04:54,562 DUMPS THEM IN THE WOODS. 98 00:04:54,595 --> 00:04:56,497 THEY CONSULTED US MONTHS AGO 99 00:04:56,530 --> 00:04:57,665 AFTER THE THIRD MURDER. 100 00:04:57,698 --> 00:05:01,369 WELL, NOW IT MIGHT BE UP TO 6. 101 00:05:01,402 --> 00:05:03,571 ELLEN CARROLL'S BEEN MISSING SINCE YESTERDAY. 102 00:05:03,604 --> 00:05:06,507 THE FIRST 2 VICTIMS WERE FOUND NEAR MILL CREEK 103 00:05:06,540 --> 00:05:07,675 IN MARK TWAIN NATIONAL FOREST. 104 00:05:07,708 --> 00:05:09,810 NO WONDER IT TAKES DAYS TO FIND THE BODIES. 105 00:05:09,843 --> 00:05:12,112 THE FOREST IS 1.5 MILLION ACRES 106 00:05:12,145 --> 00:05:13,514 AND 78,000 OF THAT IS WILDERNESS. 107 00:05:13,547 --> 00:05:15,616 WHAT'S THE STORY WITH THESE WOMEN? 108 00:05:15,649 --> 00:05:17,951 8 VICTIMS. ALL PROSTITUTES. 109 00:05:17,985 --> 00:05:18,886 LATEST IS MARCI MITCHELL. 110 00:05:18,919 --> 00:05:20,821 SHE WAS KILLED LAST NIGHT WITH A .44 MAGNUM. 111 00:05:20,854 --> 00:05:24,758 ALL ARE TIED TO A SERIAL SHOOTER CLAIMING RESPONSIBILITY. 112 00:05:24,792 --> 00:05:26,727 HE'S CONTACTED JIM MEYERS, 113 00:05:26,760 --> 00:05:28,462 A REPORTER AT THE MISSOURI HERALD. 114 00:05:28,496 --> 00:05:31,031 SO HE'S NOT GETTING THE ATTENTION HE THINKS HE DESERVES. 115 00:05:31,064 --> 00:05:32,566 HE SIGNS IT THE HOLLOW MAN, 116 00:05:32,600 --> 00:05:33,967 NAMES HIMSELF FOR THE PRESS. 117 00:05:34,001 --> 00:05:37,371 WHY HOLLOW MAN 118 00:05:37,405 --> 00:05:38,506 HE USES HOLLOW POINT BULLETS. 119 00:05:38,539 --> 00:05:40,774 NO ONE EVEN KNEW THIS GUY EXISTED 120 00:05:40,808 --> 00:05:41,742 UNTIL HE SENT THIS LETTER. 121 00:05:41,775 --> 00:05:42,843 WELL, HE'S KILLED MORE VICTIMS, 122 00:05:42,876 --> 00:05:44,144 BUT LOOK WHO HE'S CHOSEN. 123 00:05:44,177 --> 00:05:45,779 HUNDREDS OF VICTIMS GO UNNOTICED 124 00:05:45,813 --> 00:05:48,148 BECAUSE THEY'RE SOCIAL OUTCASTS 125 00:05:48,181 --> 00:05:49,750 AND NEVER MAKE THE FRONT PAGE. 126 00:05:49,783 --> 00:05:50,651 WHEN MILL CREEK KILLS, 127 00:05:50,684 --> 00:05:52,520 THE HOLLOW MAN SHOOTS ANOTHER PROSTITUTE. 128 00:05:52,553 --> 00:05:54,788 SO ONE DOESN'T WANT TO BE OUTDONE BY THE OTHER. 129 00:05:54,822 --> 00:05:56,089 SOUNDS LIKE SIBLING RIVALRY TO ME. 130 00:05:56,123 --> 00:05:58,626 THEY'VE BEEN KILLING INDEPENDENTLY OF EACH OTHER FOR A YEAR NOW. 131 00:05:58,659 --> 00:06:01,995 EACH KILL THEY'RE LEARNING SOMETHING... 132 00:06:02,029 --> 00:06:04,698 FROM THE OTHER. 133 00:06:35,963 --> 00:06:40,701 CAPTIONING MADE POSSIBLE BY CBS 134 00:06:45,005 --> 00:06:46,474 ELBERT HUBBERT ONCE WROTE, 135 00:06:46,507 --> 00:06:48,576 "IF MEN COULD ONLY KNOW EACH OTHER, 136 00:06:48,609 --> 00:06:52,546 THEY WOULD NEITHER IDOLIZE NOR HATE." 137 00:07:03,491 --> 00:07:04,458 WHAT'S WRONG? 138 00:07:04,492 --> 00:07:06,026 DID YOU KNOW THERE ARE ROUGHLY 30 SERIAL KILLERS 139 00:07:06,059 --> 00:07:07,795 AT LARGE IN THE U.S. AT ANY GIVEN TIME? 140 00:07:07,828 --> 00:07:10,464 IT'S AN INCREDIBLY RARE OCCURRENCE TO HAVE THEM 141 00:07:10,498 --> 00:07:11,799 OPERATING IN THE SAME CITY. 142 00:07:11,832 --> 00:07:13,501 HOW MANY TIMES HAS THAT HAPPENED? 143 00:07:13,534 --> 00:07:14,702 TO MY KNOWLEDGE, 3 TIMES. 144 00:07:14,735 --> 00:07:17,671 THERE WAS A GUY KILLING AT THE SAME TIME AS THE SON OF SAM. 145 00:07:17,705 --> 00:07:18,939 AND THEN AGAIN IN NEW ORLEANS, 146 00:07:18,972 --> 00:07:21,041 AND MOST RECENTLY WITH THE PHOENIX MURDERS. 147 00:07:21,074 --> 00:07:22,643 SERIAL SHOOTERS ARE TYPICALLY LONERS. 148 00:07:22,676 --> 00:07:23,944 THIS GUY LIKES TO KILL AT NIGHT. 149 00:07:23,977 --> 00:07:25,613 HIS VICTIMS ARE PROSTITUTES, 150 00:07:25,646 --> 00:07:27,080 SO HE MAY LACK CONFIDENCE WITH WOMEN 151 00:07:27,114 --> 00:07:28,782 OR HAVE POOR SOCIAL SKILLS. 152 00:07:28,816 --> 00:07:29,416 NO RAPE. 153 00:07:29,449 --> 00:07:31,018 THE GUY COULD BE IMPOTENT. 154 00:07:31,051 --> 00:07:32,553 HE'S A WANNABE TOUGH GUY. 155 00:07:32,586 --> 00:07:34,655 IT'S NOT HARD TO BE TOUGH HOLDING A .44. 156 00:07:34,688 --> 00:07:35,623 THE GUN GIVES HIM POWER 157 00:07:35,656 --> 00:07:36,790 AND LET'S HIM MAINTAIN DISTANCE FROM THE KILL. 158 00:07:36,824 --> 00:07:40,260 THIS GUY DOESN'T WANT TO TOUCH THE BODIES WITH HIS HANDS. 159 00:07:40,293 --> 00:07:41,895 MILL CREEK KILLER. 160 00:07:41,929 --> 00:07:43,797 HUNTS DURING THE DAY, 161 00:07:43,831 --> 00:07:46,700 TARGETS EDUCATED, MIDDLE-CLASS WOMEN. 162 00:07:46,734 --> 00:07:49,703 HE'D HAVE TO LOOK AND ACT LIKE THEY DO. 163 00:07:49,737 --> 00:07:52,540 THE WOMEN DIE FROM BLUNT FORCE HEAD TRAUMAS. 164 00:07:52,573 --> 00:07:53,907 THIS GUY WANTS TO BE CLOSE, 165 00:07:53,941 --> 00:07:57,177 HE WANTS TO FEEL THE LIFE LEAVE THEIR BODIES. 166 00:07:57,210 --> 00:07:58,979 THESE GUYS ARE POLAR OPPOSITES. 167 00:07:59,012 --> 00:08:00,080 JUST LIKE THEIR VICTIMS. 168 00:08:00,113 --> 00:08:01,949 THEY LIVE IN THE SAME CITY BUT THEY'RE WORLDS APART. 169 00:08:01,982 --> 00:08:03,784 I'M GONNA SEE IF THE SHOOTER'S VICTIMS 170 00:08:03,817 --> 00:08:05,118 HAVE ANY FAMILIES I CAN TALK TO. 171 00:08:05,152 --> 00:08:08,288 THAT'S A GOOD IDEA. I'M ALREADY FAMILIAR WITH THE MILL CREEK CASE. 172 00:08:08,321 --> 00:08:09,757 REID, CAN YOU TAKE A LOOK AT THE LETTER 173 00:08:09,790 --> 00:08:12,826 FOR HANDWRITING ANALYSIS AND PSYCHO LINGUISTICS? 174 00:08:12,860 --> 00:08:13,393 OF COURSE. 175 00:08:13,426 --> 00:08:14,494 LOOKS LIKE I'M WITH YOU. 176 00:08:14,528 --> 00:08:16,930 I'LL GO AHEAD AND TALK WITH ELLEN CARROLL'S HUSBAND. 177 00:08:16,964 --> 00:08:17,798 I'M MEETING JIM MEYERS, 178 00:08:17,831 --> 00:08:18,832 THE REPORTER FROM THE MISSOURI HERALD. 179 00:08:18,866 --> 00:08:21,101 WELL, TELL HIM NOT TO WRITE ABOUT THE HOLLOW MAN. 180 00:08:21,134 --> 00:08:22,803 IF WE WANT TO DRAW THE SHOOTER OUT, 181 00:08:22,836 --> 00:08:26,907 BEST WAY TO DO THAT IS TO ACT LIKE HE DOESN'T EXIST. 182 00:08:28,041 --> 00:08:30,711 I'D FEEL MUCH BETTER WHEN YOU FIND ELLEN. 183 00:08:30,744 --> 00:08:34,948 MR. CARROLL, BELIEVE ME, WE ARE TRYING. 184 00:08:35,783 --> 00:08:37,585 YOU KNOW, WHEN YOU HAVE KIDS, 185 00:08:37,618 --> 00:08:40,721 YOU BECOME SO FIXATED ON WHERE THEY ARE 186 00:08:40,754 --> 00:08:41,822 AND WHAT THEY'RE DOING, 187 00:08:41,855 --> 00:08:44,291 YOU DON'T THINK YOU NEED TO WORRY ABOUT YOUR SPOUSE. 188 00:08:44,324 --> 00:08:47,928 I UNDERSTAND YOUR WIFE IS A PARTNER AT A LAW FIRM. 189 00:08:47,961 --> 00:08:49,096 NOW ASIDE FROM WORK, 190 00:08:49,129 --> 00:08:50,698 TAKING CARE OF THE FAMILY, 191 00:08:50,731 --> 00:08:52,800 DOES SHE MAKE TIME FOR HERSELF? 192 00:08:52,833 --> 00:08:53,867 SHE'S AN AVID RUNNER, 193 00:08:53,901 --> 00:08:56,269 PARTICIPATES IN THE ST. LOUIS MARATHON EVERY YEAR. 194 00:08:56,303 --> 00:08:59,773 IS SHE SHY, NERVOUS ABOUT MEETING NEW PEOPLE? 195 00:08:59,807 --> 00:09:00,540 EVER SINCE WE HAD KATIE, 196 00:09:00,574 --> 00:09:02,042 I'D SAY SHE'S MUCH MORE TRUSTING. 197 00:09:02,075 --> 00:09:03,677 YOU DON'T REMEMBER HER TALKING TO ANYONE 198 00:09:03,711 --> 00:09:05,613 YOU DON'T KNOW AT THAT PLAYGROUND? 199 00:09:05,646 --> 00:09:06,680 NO. 200 00:09:06,714 --> 00:09:07,781 NO ONE. 201 00:09:07,815 --> 00:09:10,984 HOW DID I NOT SEE SOMEONE TAKE MY WIFE? 202 00:09:11,018 --> 00:09:13,587 MR. CARROLL, THE MAN WHO DID THIS, 203 00:09:13,621 --> 00:09:15,022 SOMEHOW HE JUST FITS RIGHT IN. 204 00:09:15,055 --> 00:09:18,859 HE DOESN'T LOOK OR SOUND LIKE HE DOESN'T BELONG. 205 00:09:19,893 --> 00:09:22,095 OH, HEY, LITTLE LADY. 206 00:09:24,732 --> 00:09:26,299 HEY. 207 00:09:30,337 --> 00:09:32,105 SHE KEEPS ASKING ME, 208 00:09:32,139 --> 00:09:35,776 WHEN HER MOMMY'S COMING HOME. 209 00:09:39,880 --> 00:09:43,651 I DON'T KNOW WHAT TO SAY. 210 00:10:16,850 --> 00:10:18,819 I MISSED YOU. 211 00:10:48,782 --> 00:10:50,884 OHH. 212 00:10:51,952 --> 00:10:54,855 YOU ARE SO BEAUTIFUL. 213 00:11:09,436 --> 00:11:12,039 AGENTS HOTCHNER AND REID, FBI. 214 00:11:12,072 --> 00:11:13,173 WHAT DO YOU WANT? 215 00:11:13,206 --> 00:11:15,175 WE'D LIKE TO TALK TO YOU. 216 00:11:15,208 --> 00:11:17,845 HOLD THAT BADGE UP AGAIN. 217 00:11:28,321 --> 00:11:31,859 WE'RE HERE TO TALK TO YOU ABOUT MARCIE MITCHELL. 218 00:11:31,892 --> 00:11:32,860 I'M HER MOTHER. 219 00:11:32,893 --> 00:11:34,427 I'M SORRY FOR YOUR LOSS, MA'AM. 220 00:11:34,461 --> 00:11:35,328 WHAT'S THIS? 221 00:11:35,362 --> 00:11:37,865 THEY'RE FOR ME. TAKE YOUR BROTHER INSIDE. 222 00:11:37,898 --> 00:11:39,800 IS THIS ABOUT MOM? 223 00:11:39,833 --> 00:11:41,101 I SAID INSIDE. 224 00:11:53,546 --> 00:11:55,949 YOU GONNA JUDGE ME OR ASK QUESTIONS? 225 00:11:55,983 --> 00:11:58,986 IS THERE ANYONE WHO CAN HELP YOU WITH THE KIDS? 226 00:11:59,019 --> 00:12:00,087 IS THAT WHAT YOU CAME HERE FOR? 227 00:12:00,120 --> 00:12:02,355 MA'AM, WE'VE JUST BEEN ASSIGNED YOUR DAUGHTER'S CASE. 228 00:12:02,389 --> 00:12:04,892 WE'RE IN THE PROCESS OF GATHERING INFORMATION, 229 00:12:04,925 --> 00:12:07,094 BUT SO FAR NO WITNESSES HAVE COME FORWARD. 230 00:12:07,127 --> 00:12:09,763 WELL, AROUND HERE GUNS GO OFF LIKE THOSE DAMN CAR ALARMS-- 231 00:12:09,797 --> 00:12:12,365 EVERY 15 MINUTES. NOBODY'S STUPID ENOUGH TO TALK, 232 00:12:12,399 --> 00:12:13,366 NOBODY CARES. WE DO. 233 00:12:13,400 --> 00:12:18,171 YOU WOULDN'T EVEN BE HERE IF IT WASN'T FOR THEM. 234 00:12:18,205 --> 00:12:23,110 "HEINOUS CRIMES AGAINST UPSTANDING MEMBERS OF THE COMMUNITY." 235 00:12:24,311 --> 00:12:25,578 NOBODY WRITES ABOUT PROSTITUTES BEING SHOT 236 00:12:25,612 --> 00:12:28,949 BECAUSE THEY WON'T ADMIT THEY THINK THEY'RE CLEANING UP THE PLACE. 237 00:12:28,982 --> 00:12:31,051 YOU'RE RIGHT. CASES LIKE YOUR DAUGHTER'S 238 00:12:31,084 --> 00:12:33,420 USUALLY GO UNSOLVED. THE PROBLEM IS PEOPLE AREN'T LOOKING FOR THEM 239 00:12:33,453 --> 00:12:35,088 BECAUSE THEY DON'T KNOW THAT THEY'RE MISSING. 240 00:12:35,122 --> 00:12:39,960 PART OF HER JOB WAS TO STAY BELOW THE RADAR. 241 00:12:40,293 --> 00:12:44,231 DOESN'T MEAN SHE WAS ANY LESS IMPORTANT. 242 00:12:44,932 --> 00:12:47,835 SHE MADE BAD CHOICES. 243 00:12:48,168 --> 00:12:50,838 BUT SHE WAS A GOOD PERSON. 244 00:12:51,071 --> 00:12:53,974 SHE LOVED THOSE BOYS. 245 00:12:55,042 --> 00:12:57,044 WHOEVER SHOT HER SHOULD PAY FOR WHAT THEY DID. 246 00:12:57,077 --> 00:12:59,312 SO DON'T COME IN HERE AND SAY YOU'RE SORRY. 247 00:12:59,346 --> 00:13:00,380 JUST DO SOMETHING ABOUT IT. 248 00:13:07,020 --> 00:13:09,222 HI. YOU MUST BE AGENT SHERIDAN? 249 00:13:09,256 --> 00:13:10,090 AGENT JAREAU. HI. 250 00:13:10,123 --> 00:13:12,325 REALLY APPRECIATE YOU COMING SO QUICKLY. 251 00:13:12,359 --> 00:13:13,026 YEAH. 252 00:13:13,060 --> 00:13:15,062 WHY DON'T YOU SET UP IN HERE? 253 00:13:15,095 --> 00:13:16,964 OH, WOW. YOU'VE GOT LOTS OF EVIDENCE 254 00:13:16,997 --> 00:13:18,465 FOR THE MILL CREEK KILLER CASE. 255 00:13:18,498 --> 00:13:20,433 WHAT ABOUT THE HOLLOW MAN? 256 00:13:20,467 --> 00:13:21,601 RIGHT HERE. 257 00:13:21,634 --> 00:13:25,873 HEH. THERE'S BEEN AT LEAST 8 WOMEN SHOT. 258 00:13:25,906 --> 00:13:26,907 THIS IS ALL WE'VE GOT? 259 00:13:26,940 --> 00:13:29,076 YOU KNOW THESE CASES DON'T GENERATE MUCH EVIDENCE. 260 00:13:29,109 --> 00:13:33,180 ALL WE HAVE AT THE SCENE ARE A COUPLE OF BULLETS 261 00:13:33,213 --> 00:13:33,981 AND NO ONE'S TALKING. 262 00:13:34,014 --> 00:13:36,049 WELL, HOPEFULLY, WE CAN CHANGE THAT. 263 00:13:36,083 --> 00:13:38,251 AGENT JAREAU, THERE'S A REPORTER HERE TO SEE YOU. 264 00:13:38,285 --> 00:13:40,187 THANK YOU. EXCUSE ME. 265 00:13:40,220 --> 00:13:42,489 SURE. 266 00:13:43,656 --> 00:13:44,424 JIM MEYERS. HI. 267 00:13:44,457 --> 00:13:47,060 AGENT JAREAU. WE SPOKE ON THE PHONE. 268 00:13:47,094 --> 00:13:47,928 HI. 269 00:13:47,961 --> 00:13:48,795 THANKS FOR STOPPING BY. 270 00:13:48,828 --> 00:13:50,898 SURE. HERE'S THAT LETTER I FAXED TO YOU. 271 00:13:50,931 --> 00:13:51,865 OH, GREAT. 272 00:13:51,899 --> 00:13:54,301 SO, DID THE HOLLOW MAN SHOOT THOSE PROSTITUTES 273 00:13:54,334 --> 00:13:56,269 BECAUSE I WROTE ABOUT THE MILL CREEK VICTIMS? 274 00:13:56,303 --> 00:13:58,571 HE WOULD'VE KILLED THEM ANYWAY. 275 00:13:58,605 --> 00:14:00,240 BUT RIGHT NOW HE'S LOOKING FOR RECOGNITION. 276 00:14:00,273 --> 00:14:02,175 THAT'S WHY HE'S CONTACTED YOU. 277 00:14:02,209 --> 00:14:03,376 BUT I'M NOT IN ANY DANGER. 278 00:14:03,410 --> 00:14:06,579 I MEAN, I DON'T WANT TO BE STARING DOWN THE BARREL OF A GUN. 279 00:14:06,613 --> 00:14:07,580 RIGHT NOW HE NEEDS YOU. 280 00:14:07,614 --> 00:14:10,250 YOU'RE HIS ONLY HOPE TO GET ON THAT FRONT PAGE. 281 00:14:10,283 --> 00:14:11,384 YOU KNOW, I HAD NO IDEA 282 00:14:11,418 --> 00:14:13,286 I COULD GET ON A SERIAL KILLER'S RADAR 283 00:14:13,320 --> 00:14:14,254 BY WRITING ABOUT ANOTHER ONE. 284 00:14:14,287 --> 00:14:16,089 WE'RE GOING TO ASK THAT YOU NOT PRINT ANYTHING 285 00:14:16,123 --> 00:14:18,058 RELATING TO THE HOLLOW MAN OR THE WOMEN HE'S KILLED. 286 00:14:18,091 --> 00:14:21,228 DON'T THOSE VICTIMS DESERVE JUST AS MUCH INK 287 00:14:21,261 --> 00:14:22,629 AS THOSE OTHER WOMEN? 288 00:14:22,662 --> 00:14:23,563 OF COURSE THEY DO. 289 00:14:23,596 --> 00:14:25,098 BUT WE NEED THE SHOOTER 290 00:14:25,132 --> 00:14:25,999 TO KEEP COMMUNICATING WITH YOU. 291 00:14:26,033 --> 00:14:28,668 AND IF YOU SATISFY HIS NEED FOR ATTENTION, 292 00:14:28,701 --> 00:14:30,203 HE COULD DISAPPEAR, AND I'M SORRY. 293 00:14:30,237 --> 00:14:32,372 WE JUST CAN'T TAKE THAT CHANCE. 294 00:14:32,405 --> 00:14:34,574 EXCUSE ME, AGENT JAREAU? 295 00:14:37,344 --> 00:14:40,447 WE JUST FOUND ELLEN CARROLL'S BODY. 296 00:14:44,051 --> 00:14:45,986 AGENTS GIDEON, MORGAN, 297 00:14:46,019 --> 00:14:47,354 THIS IS AGENT SHERIDAN. 298 00:14:47,387 --> 00:14:48,989 HOW ARE YOU? 299 00:14:49,022 --> 00:14:49,990 FORGIVE ME. 300 00:14:50,023 --> 00:14:52,025 HOW FAR IS THE ABDUCTION SITE FROM THESE WOODS? 301 00:14:52,592 --> 00:14:54,594 ABOUT 40 MILES OR SO. 302 00:14:54,627 --> 00:14:56,696 HE TRIED TO HIDE IT PRETTY WELL. 303 00:14:56,729 --> 00:14:58,665 HE COVERS THE BODY VERY CAREFULLY. 304 00:14:58,698 --> 00:15:01,001 MUST FEEL REMORSE FOR KILLING THEM. 305 00:15:01,034 --> 00:15:04,037 THIS LIPSTICK'S BEEN APPLIED RECENTLY. 306 00:15:04,071 --> 00:15:05,472 IT'S STILL MOIST. 307 00:15:05,505 --> 00:15:06,306 LOOK AT HER HAIR. 308 00:15:06,339 --> 00:15:07,707 IT'S BEEN BRUSHED, PUT BEHIND HER EARS. 309 00:15:07,740 --> 00:15:10,610 SHE WAS ABDUCTED, WHAT, AN HOUR FROM HERE? 310 00:15:10,643 --> 00:15:11,979 DRAGGED THROUGH THESE WOODS? 311 00:15:12,012 --> 00:15:13,146 HER HAIR WOULD NOT LOOK LIKE THAT. 312 00:15:13,180 --> 00:15:14,982 SO HE KEEPS HER SAFE FROM THE ELEMENTS 313 00:15:15,015 --> 00:15:16,216 AND THEN COMES BACK FOR THE BODY. 314 00:15:16,249 --> 00:15:19,619 THAT'S WHY HE CHOOSES A SECONDARY LOCATION THAT'S SO REMOTE. 315 00:15:19,652 --> 00:15:20,620 THIS ISN'T ABOUT REMORSE. 316 00:15:20,653 --> 00:15:24,124 NO. HE WANTS TO BE ALONE WITH HER. 317 00:15:24,157 --> 00:15:25,158 NEEDS HIS PRIVACY. 318 00:15:25,192 --> 00:15:27,594 YOU NEVER NOTICED THE HAIR OR THE MAKEUP BEFORE? 319 00:15:27,627 --> 00:15:29,562 NO. MAYBE IT WAS THE TIMING. 320 00:15:29,596 --> 00:15:31,131 SHE WAS FOUND WITHIN 24 HOURS, 321 00:15:31,164 --> 00:15:33,366 AND THE OTHERS HAD ALREADY SUCCUMBED TO THE ELEMENTS. 322 00:15:33,400 --> 00:15:36,136 SEX ACTS WITH DEAD BODIES ARE RARE OCCURRENCES. 323 00:15:36,169 --> 00:15:37,470 HOWEVER, BUNDY DID IT REGULARLY. 324 00:15:37,504 --> 00:15:39,539 SO HOW IS THIS GOING TO HELP US TO CATCH HIM? 325 00:15:39,572 --> 00:15:41,674 NOW WE KNOW HE HAS A RITUAL. 326 00:15:41,708 --> 00:15:44,077 HE NEEDS TO DEFILE THE BODIES. 327 00:15:44,111 --> 00:15:47,714 NEXT TIME WE'LL BE HERE WAITING FOR HIM. 328 00:16:16,076 --> 00:16:19,046 WE'RE OFF-DUTY JUST LIKE YOU. 329 00:16:19,079 --> 00:16:22,282 AAH! AAH! 330 00:16:45,838 --> 00:16:48,341 2 VICTIMS AT ONCE. THAT'S A FIRST FOR HIM. 331 00:16:48,375 --> 00:16:50,610 YOU THINK HE WENT OUT LOOKING TO KILL MORE THAN ONE WOMAN, 332 00:16:50,643 --> 00:16:51,778 OR IS IT JUST HAPPENSTANCE? 333 00:16:51,811 --> 00:16:53,313 HE CHOSE A DIFFERENT HUNTING GROUND. 334 00:16:53,346 --> 00:16:54,514 YES, WE'RE IN AN ALLEY, 335 00:16:54,547 --> 00:16:57,450 BUT WE'RE BEHIND AN EXPENSIVE HOTEL IN A NICE NEIGHBORHOOD. 336 00:16:57,484 --> 00:16:59,186 YOU GET A DIFFERENT CLASS OF PROSTITUTE, 337 00:16:59,219 --> 00:17:00,820 ONES THAT DON'T WALK THE STREET ALONE. 338 00:17:00,853 --> 00:17:02,289 HE WAS LOOKING FOR A CHALLENGE. 339 00:17:02,322 --> 00:17:04,157 QUESTION IS, WHAT GAVE HIM THE CONFIDENCE 340 00:17:04,191 --> 00:17:06,126 TO STRAY OUT OF HIS COMFORT ZONE? 341 00:17:06,159 --> 00:17:07,694 MAKE SURE TO RUN THAT FOR PRINTS. 342 00:17:07,727 --> 00:17:09,762 HE DISPLAYED THE NEWSPAPER BETWEEN THEM. 343 00:17:09,796 --> 00:17:11,798 HE TOOK THE TIME WHEN HE COULD'VE JUST TOSSED IT ASIDE. 344 00:17:11,831 --> 00:17:14,234 IT'S DELIBERATE. HE WANTS US TO KNOW HE'S ANGRY. 345 00:17:14,267 --> 00:17:15,602 ANGRY ENOUGH TO CHANGE HIS M.O. 346 00:17:15,635 --> 00:17:19,339 I HEARD THERE WAS A DOUBLE HOMICIDE THIS MORNING. 347 00:17:19,372 --> 00:17:20,307 WAS IT HOLLOW MAN? 348 00:17:20,340 --> 00:17:22,309 AGENTS ARE CONFIRMING THAT NOW. 349 00:17:22,342 --> 00:17:23,410 I'VE WRITTEN ABOUT HIM. 350 00:17:23,443 --> 00:17:25,512 THERE'S NO GUARANTEE THAT HE WOULD'VE STOPPED KILLING 351 00:17:25,545 --> 00:17:27,480 IF YOU WOULD'VE GIVEN INTO HIS DEMANDS. 352 00:17:27,514 --> 00:17:30,683 IN FACT, MEDIA ATTENTION COULD'VE FUELED HIM TO KILL MORE. 353 00:17:30,717 --> 00:17:32,119 WE DON'T KNOW THAT FOR SURE. 354 00:17:32,152 --> 00:17:33,653 THIS IS ALL JUST A GUESSING GAME, ISN'T IT? 355 00:17:33,686 --> 00:17:36,356 NO. IT'S BEHAVIORAL ANALYSIS. 356 00:17:36,389 --> 00:17:38,325 WE'RE DEALING WITH AN OFFENDER 357 00:17:38,358 --> 00:17:39,692 WHO BELIEVES THAT MURDERING PEOPLE 358 00:17:39,726 --> 00:17:41,027 IS A GOOD WAY TO BECOME FAMOUS. 359 00:17:41,060 --> 00:17:43,763 ALL I KNOW IS THAT YOU TOLD ME TO IGNORE HIM AND HE TAKES 2 LIVES. 360 00:17:43,796 --> 00:17:46,233 IF I DISMISS THIS DOUBLE HOMICIDE, 361 00:17:46,266 --> 00:17:47,534 WHAT HAPPENS TOMORROW? 362 00:17:47,567 --> 00:17:49,736 WE WON'T KNOW UNTIL THEN. 363 00:17:53,406 --> 00:17:57,410 TOO BAD WE COULDN'T TRACE ANY PRINTS FROM THE NEWSPAPER. 364 00:17:57,444 --> 00:17:58,778 WHAT HAVE YOU GOT? 365 00:17:58,811 --> 00:18:01,414 UH...HE ONLY SENT THIS TO AN INDIVIDUAL, 366 00:18:01,448 --> 00:18:03,516 WHICH SHOWS HE'S NOT CONFIDENT ENOUGH 367 00:18:03,550 --> 00:18:05,752 TO INITIATE CONTACT WITH THE MASSES. 368 00:18:05,785 --> 00:18:08,155 EMOTIONAL INDICATORS ARE ANALYZED THROUGH SLANTS. 369 00:18:08,188 --> 00:18:10,757 THE SHOOTER MAINTAINS VERTICAL, NARROW-LETTERED WRITING, 370 00:18:10,790 --> 00:18:13,693 BOTH SIGNS OF REPRESSION. 371 00:18:13,726 --> 00:18:16,829 AND THE PRESSURE, IF YOU LOOK CLOSELY, 372 00:18:16,863 --> 00:18:17,530 IS EXCESSIVELY HEAVY, 373 00:18:17,564 --> 00:18:19,366 WHICH SHOWS THAT HE'S UPTIGHT 374 00:18:19,399 --> 00:18:20,500 AND CAN EASILY OVERREACT. 375 00:18:20,533 --> 00:18:21,834 YOU GOT ALL THAT FROM HIS HANDWRITING? 376 00:18:21,868 --> 00:18:23,703 GRAPHOLOGY IS AN EFFECTIVE AND RELIABLE INDICATOR 377 00:18:23,736 --> 00:18:24,737 OF PERSONALITY AND BEHAVIOR. 378 00:18:24,771 --> 00:18:25,905 MY WRITING'S ALWAYS DIFFERENT. 379 00:18:25,938 --> 00:18:27,840 THAT'S BECAUSE IT EXPRESSES YOUR EMOTIONS 380 00:18:27,874 --> 00:18:29,742 AT THAT GIVEN TIME, JUST LIKE YOUR FACIAL EXPRESSIONS 381 00:18:29,776 --> 00:18:31,878 PARALLEL THE WAY YOU'RE FEELING WHILE YOU'RE SPEAKING. 382 00:18:31,911 --> 00:18:33,846 I'M SURPRISED THIS GUY WRITES IN CURSIVE. 383 00:18:33,880 --> 00:18:34,714 HIS MESSAGE IS SO CLEAR. 384 00:18:34,747 --> 00:18:36,716 I WOULD'VE THOUGHT HE'D PRINT EVERYTHING. 385 00:18:36,749 --> 00:18:38,551 ACTUALLY, HIS CONNECTED WRITING SHOWS 386 00:18:38,585 --> 00:18:40,153 THAT HE DEALS WITH PROBLEMS 387 00:18:40,187 --> 00:18:41,821 IN A PRACTICAL AND DIRECT MANNER. 388 00:18:41,854 --> 00:18:43,256 LIKE SHOOTING SOMEONE. 389 00:18:43,290 --> 00:18:44,724 EXACTLY. 390 00:18:44,757 --> 00:18:46,759 THE HOLLOW MAN USES SIMPLE STATEMENTS, 391 00:18:46,793 --> 00:18:47,527 ALL FIRST PERSON. 392 00:18:47,560 --> 00:18:49,462 FOR EXAMPLE, "I WON'T BE IGNORED." 393 00:18:49,496 --> 00:18:51,631 HE'S OBVIOUSLY TIRED OF FEELING THIS WAY. 394 00:18:51,664 --> 00:18:53,833 IT'S QUITE POSSIBLE HE'S GOT A JOB IN SOLITUDE 395 00:18:53,866 --> 00:18:56,769 OR ONE THAT HE FEELS STRIPS HIM OF HIS IDENTITY. 396 00:18:56,803 --> 00:18:58,705 HIS JOB MIGHT REQUIRE HIM TO WEAR A UNIFORM, 397 00:18:58,738 --> 00:19:00,773 SOMETHING THAT SHOWS ABSOLUTELY NO INDIVIDUALITY. 398 00:19:00,807 --> 00:19:02,742 OR HE MAY BE OVERQUALIFIED FOR HIS MENIAL JOB 399 00:19:02,775 --> 00:19:05,178 AND FEELS THAT HE DOESN'T GET THE RESPECT 400 00:19:05,212 --> 00:19:06,713 THAT HE NECESSARILY DESERVES. 401 00:19:06,746 --> 00:19:08,548 BUT TODAY HE'S KILLED 2 WOMEN, 402 00:19:08,581 --> 00:19:09,916 WHICH TELLS US HE'S GROWING CONFIDENT. 403 00:19:09,949 --> 00:19:12,252 THIS MAKES HIM UNPREDICTABLE AND DANGEROUS. 404 00:19:12,285 --> 00:19:15,688 AND BECAUSE HE HAS NO PHYSICAL CONTACT WITH HIS VICTIMS, 405 00:19:15,722 --> 00:19:17,557 IT'S GOING TO MAKE HIM THAT MUCH HARDER TO CATCH. 406 00:19:17,590 --> 00:19:19,826 WE HAVE MORE INFORMATION ON THE MILL CREEK KILLER 407 00:19:19,859 --> 00:19:20,760 BECAUSE HE SPENDS A LOT OF TIME 408 00:19:20,793 --> 00:19:23,496 WITH HIS VICTIMS BEFORE AND AFTER HIS KILLS. 409 00:19:23,530 --> 00:19:27,900 BECAUSE HIS VICTIMS WILLINGLY FOLLOW HIM IN BROAD DAYLIGHT, 410 00:19:27,934 --> 00:19:29,436 HE APPEARS HARMLESS. 411 00:19:29,469 --> 00:19:30,837 HE'S MOST LIKELY HANDSOME. 412 00:19:30,870 --> 00:19:31,838 HANDSOME? YES. 413 00:19:31,871 --> 00:19:33,773 THESE WOMEN WOULDN'T FOLLOW AN UNATTRACTIVE MAN. 414 00:19:33,806 --> 00:19:34,841 THEY JUST WOULDN'T. HE'S HANDSOME, 415 00:19:34,874 --> 00:19:37,577 AND HE'S GOT THE SOCIAL SKILLS TO TRICK HIS VICTIMS. 416 00:19:37,610 --> 00:19:38,845 THOSE WHO KNOW HIM WELL, 417 00:19:38,878 --> 00:19:40,079 THEY'D BE SHOCKED TO LEARN THAT HE'S THE MAN THAT WE'RE AFTER. 418 00:19:40,112 --> 00:19:43,383 HE'S BEEN ABLE TO GET HIS VICTIMS AWAY FROM FAMILY, FRIENDS. 419 00:19:43,416 --> 00:19:44,917 OBVIOUSLY, THIS MAKES HIM FEEL POWERFUL. 420 00:19:44,951 --> 00:19:46,586 IF THIS GUY IS SO SMART, 421 00:19:46,619 --> 00:19:48,588 WHY WOULD HE RISK DRIVING HIS VICTIMS 422 00:19:48,621 --> 00:19:50,223 FROM THE ABDUCTION SITE TO THE WOODS? 423 00:19:50,257 --> 00:19:51,157 BECAUSE OF THE RITUAL. 424 00:19:51,190 --> 00:19:54,227 IT'S BECOME THE MOST IMPORTANT THING TO HIM. 425 00:19:54,261 --> 00:19:55,762 DOMINATES HIS THOUGHTS. 426 00:19:55,795 --> 00:19:57,764 BULLETS PROVIDE THE PRIVACY HE NEEDS. 427 00:19:57,797 --> 00:20:00,600 THE HOLLOW MAN IS MOTIVATED BY EXTERNAL PRESSURES. 428 00:20:00,633 --> 00:20:02,535 THIS IS A GUY WHO SIMPLY WANTS ATTENTION. 429 00:20:02,569 --> 00:20:04,804 THE MILL CREEK KILLER, ON THE OTHER HAND, 430 00:20:04,837 --> 00:20:06,273 HE'S DRIVEN BY INTERNAL FORCES. 431 00:20:06,306 --> 00:20:08,007 HE'S A SEXUALLY MOTIVATED OFFENDER. 432 00:20:08,040 --> 00:20:09,909 NOW, THIS MAKES HIM A LOT MORE PREDICTABLE 433 00:20:09,942 --> 00:20:11,378 BUT DON'T THINK FOR A SECOND 434 00:20:11,411 --> 00:20:14,381 IT MAKES HIM ANY EASIER TO CATCH. 435 00:20:25,958 --> 00:20:29,796 HEY. WHERE ARE YOU? OK. BYE. 436 00:20:30,530 --> 00:20:32,865 AHEM. EXCUSE ME. 437 00:20:35,702 --> 00:20:36,936 MEREDITH DALE. 25. 438 00:20:36,969 --> 00:20:38,738 SHE WAS SUPPOSED TO MEET HER FRIEND 439 00:20:38,771 --> 00:20:39,906 FOR A BIKE RIDE BUT DISAPPEARED. 440 00:20:39,939 --> 00:20:41,474 DISAPPEARED WHEN? 441 00:20:41,508 --> 00:20:42,709 AN HOUR AGO. 442 00:20:42,742 --> 00:20:44,777 HOW CAN WE BE SURE IT'S HIM? 443 00:20:44,811 --> 00:20:46,346 WELL, LOOK AT HER. SHE'S HIS TYPE PHYSICALLY, 444 00:20:46,379 --> 00:20:47,280 SHE VANISHES INTO THIN AIR. 445 00:20:47,314 --> 00:20:48,748 IT'S GOT THE MILL CREEK'S M.O. ALL OVER IT. 446 00:20:48,781 --> 00:20:52,352 I'LL SET UP ROAD BLOCKS IN AND OUT OF THE FOREST. 447 00:20:52,385 --> 00:20:53,686 WELL, BASED ON THE OTHER TIMELINES, 448 00:20:53,720 --> 00:20:55,888 WE HAVE TO ASSUME HE'S HIDING HER BODY RIGHT NOW. 449 00:20:55,922 --> 00:20:57,390 BEST CHANCE OF CATCHING HIM 450 00:20:57,424 --> 00:20:59,359 IS FIND MEREDITH DALE'S BODY AND SIT TIGHT. 451 00:20:59,392 --> 00:21:02,795 WE KNOW HE'LL BE BACK. 452 00:21:09,436 --> 00:21:12,038 I'M GOING TO NEED YOU TO STEP OUT OF YOUR VEHICLE. 453 00:21:12,071 --> 00:21:14,006 WHAT'S GOING ON HERE, OFFICER? 454 00:21:14,040 --> 00:21:15,408 JUST ROUTINE CHECK. 455 00:21:15,442 --> 00:21:17,410 CAN YOU OPEN YOUR BACK? 456 00:21:17,444 --> 00:21:19,779 UH, YEAH, SURE. 457 00:21:22,081 --> 00:21:26,018 MANY PEOPLE COME THROUGH HERE TODAY? 458 00:21:35,094 --> 00:21:36,796 WHAT ARE YOU DOING UP HERE? 459 00:21:36,829 --> 00:21:37,797 WENT FOR A HIKE. 460 00:21:37,830 --> 00:21:40,032 NO WATER, NO SUPPLIES? 461 00:21:40,066 --> 00:21:43,403 MY BOOTS ARE ALL I NEED. 462 00:21:45,004 --> 00:21:45,838 THAT IT? 463 00:21:45,872 --> 00:21:47,674 THAT'S IT. 464 00:21:47,707 --> 00:21:48,508 OK. 465 00:21:48,541 --> 00:21:50,943 WHAT IF THESE DUMPSITES AREN'T RANDOM? 466 00:21:50,977 --> 00:21:53,880 THE BODIES WERE SCATTERED ALL OVER. 467 00:21:53,913 --> 00:21:56,115 LOOK AT THIS. THERE'S NO PATTERN. 468 00:21:56,148 --> 00:21:57,183 NO, I SEE THAT, 469 00:21:57,216 --> 00:21:58,985 BUT WE'RE TALKING ABOUT A LOT OF AREA TO COVER HERE. 470 00:21:59,018 --> 00:22:01,053 HE HAD TO HAVE SOME KIND OF PLAN GOING INTO THESE WOODS. 471 00:22:01,087 --> 00:22:02,088 MUST HAVE DONE HIS HOMEWORK. 472 00:22:02,121 --> 00:22:04,991 OK. THE FIRST BODY WAS FOUND DEEP INTO THE WOODS. 473 00:22:05,024 --> 00:22:07,994 THAT'S A 3-HOUR CAR RIDE FROM THE CITY. 474 00:22:08,027 --> 00:22:08,828 THE FIRST TIME, 475 00:22:08,861 --> 00:22:11,130 HE'S MORE CAREFUL IN DISPOSING OF HER. 476 00:22:11,163 --> 00:22:14,066 HER BODY WAS DISCOVERED BY A FOREST RANGER 477 00:22:14,100 --> 00:22:15,668 5 DAYS AFTER THE ABDUCTION. 478 00:22:15,702 --> 00:22:18,004 AND ALL THE OTHER VICTIMS-- LOOK AT THIS-- 479 00:22:18,037 --> 00:22:21,608 THEY FOLLOW THE SAME PATTERN. 480 00:22:21,641 --> 00:22:22,575 WHAT ARE YOU SAYING? 481 00:22:22,609 --> 00:22:23,976 YOU THINK HE WORKS UP THERE? 482 00:22:24,010 --> 00:22:25,077 HE MIGHT. ALL I DO KNOW FOR SURE 483 00:22:25,111 --> 00:22:27,547 IS THAT HE HAS TO BE FAMILIAR ENOUGH WITH THESE WOODS 484 00:22:27,580 --> 00:22:28,981 TO KNOW WHEN A RANGER IS ON DUTY. 485 00:22:29,015 --> 00:22:31,451 HE KNEW PRECISELY WHEN AND WHERE TO DROP THE BODIES. 486 00:22:31,484 --> 00:22:35,021 NOW THAT IS AN AWESOME PLACE TO DUMP A PERSON. 487 00:22:35,054 --> 00:22:35,788 COME ON, GARCIA. 488 00:22:35,822 --> 00:22:37,056 WHAT? I'M JUST SAYING, ANGEL FISH. 489 00:22:37,089 --> 00:22:41,761 A MILLION ACRES CONVERTS INTO OVER 2,300 SQUARE MILES TO COVER. 490 00:22:41,794 --> 00:22:44,130 EVIL KNEW WHAT HE WAS DOING. 491 00:22:44,163 --> 00:22:45,164 YEAH? WELL, NOW SO DO WE. 492 00:22:45,197 --> 00:22:48,501 TALK TO ME. HOW'S THE RANGER SCHEDULE BREAK DOWN? 493 00:22:48,535 --> 00:22:50,737 OK. THE NATIONAL FOREST IS DIVIDED 494 00:22:50,770 --> 00:22:51,571 INTO 6 RANGER DISTRICTS, 495 00:22:51,604 --> 00:22:54,441 WHICH ARE PATROLLED EVERY 3 TO 5 DAYS. 496 00:22:54,474 --> 00:22:55,775 NOW, THE POTOSI-FREDRICK TOWN AREA 497 00:22:55,808 --> 00:22:57,477 MUST BE WHERE HE'S HEADED TO NEXT 498 00:22:57,510 --> 00:22:59,178 BECAUSE THE RANGERS WERE JUST THERE YESTERDAY, 499 00:22:59,211 --> 00:23:01,781 WHICH MEANS THEY'RE NOT SCHEDULED TO REVISIT IT 500 00:23:01,814 --> 00:23:03,683 FOR AT LEAST ANOTHER 3 DAYS. 501 00:23:03,716 --> 00:23:07,654 AND LOOK AT THAT, IT'S THE DISTRICT CLOSEST TO THE CITY. 502 00:23:07,687 --> 00:23:09,155 WELL, THAT MAKES SENSE. HE'S IN A HURRY. 503 00:23:09,188 --> 00:23:11,591 HE WANTS TO GET IN AND OUT OF THERE WITHOUT A LOT OF TROUBLE. 504 00:23:11,624 --> 00:23:14,561 WHICH AREA HAS THE EASIEST ACCESS TO THE MAIN ROAD? 505 00:23:14,594 --> 00:23:17,196 THAT WOULD BE... SALTGRASS COVE. 506 00:23:17,229 --> 00:23:19,566 SALTGRASS COVE. 507 00:23:19,599 --> 00:23:22,469 YEP. HE'D HAVE PLENTY OF TIME TO REVISIT HER. 508 00:23:22,502 --> 00:23:26,172 WHAT? NO, NO. I DON'T WANT TO KNOW THAT. BYE-BYE. 509 00:23:26,205 --> 00:23:30,710 THINK I KNOW WHERE HE TOOK MEREDITH DALE. 510 00:23:40,887 --> 00:23:44,190 BROWNIE, COME HERE. 511 00:23:48,060 --> 00:23:50,096 DAMN IT. 512 00:23:51,263 --> 00:23:53,165 PLEASE, PLEASE. 513 00:23:55,234 --> 00:23:59,171 EVERYTHING NEEDS TO LOOK THE SAME AS WHEN HE LEFT IT. 514 00:23:59,205 --> 00:24:00,206 HE'LL COME BACK. 515 00:24:00,239 --> 00:24:01,908 HE NEEDS TO SEE MEREDITH AGAIN. 516 00:24:01,941 --> 00:24:05,612 THIS BASTARD HAS KILLED 7 WOMEN ON MY WATCH. 517 00:24:05,978 --> 00:24:06,813 COMB THE SCENE! 518 00:24:06,846 --> 00:24:08,147 OH, NO. PLEASE, PLEASE! 519 00:24:08,180 --> 00:24:08,881 STOP! 520 00:24:08,915 --> 00:24:11,050 LET'S CLEAR THE IMMEDIATE AREA. 521 00:24:11,083 --> 00:24:13,185 POST YOURSELVES ALONG THE PERIMETER. 522 00:24:13,219 --> 00:24:17,089 IT'S IMPERATIVE THAT YOU BECOME INVISIBLE. 523 00:24:20,259 --> 00:24:21,494 HE SET HIS OWN TRAP. 524 00:24:21,528 --> 00:24:25,632 WHAT WE NEED TO DO NOW IS STAKE OUT IN THE WOODS AND HUNT HIM, 525 00:24:25,665 --> 00:24:28,801 JUST LIKE HE DOES HIS VICTIMS. 526 00:24:43,115 --> 00:24:45,484 THAT'S GOT TO BE HIM. 527 00:25:03,102 --> 00:25:04,771 FBI! STAY DOWN! 528 00:25:04,804 --> 00:25:06,205 HANDS WHERE I CAN SEE THEM. 529 00:25:06,238 --> 00:25:09,075 OK, OK. JUST TAKE IT EASY. 530 00:25:11,043 --> 00:25:14,080 JIM MEYERS. WHAT THE HELL? 531 00:25:14,113 --> 00:25:15,948 YOU'RE THE MILL CREEK KILLER? 532 00:25:15,982 --> 00:25:16,749 WHAT? NO. 533 00:25:16,783 --> 00:25:17,617 THEN HOW THE HELL DID YOU GET HERE? 534 00:25:17,650 --> 00:25:19,652 I GOT ANOTHER LETTER FROM THE HOLLOW MAN. 535 00:25:19,686 --> 00:25:21,888 TELLING YOU EXACTLY WHERE TO FIND MEREDITH DALE? 536 00:25:21,921 --> 00:25:24,924 I SWEAR. YOU CAN READ IT. 537 00:25:32,799 --> 00:25:35,735 "FOLLOW THE COTTONWOOD TRAIL THROUGH SALTGRASS COVE." 538 00:25:35,768 --> 00:25:36,535 WAIT A MINUTE. 539 00:25:36,569 --> 00:25:38,037 WE JUST FIGURED THIS OUT OURSELVES. 540 00:25:38,070 --> 00:25:40,640 HOW CAN ANOTHER KILLER KNOW THE SPECIFICS 541 00:25:40,673 --> 00:25:43,075 ABOUT SOMEONE ELSE'S DUMPSITE? 542 00:25:46,613 --> 00:25:47,346 WHAT'S GOING ON? 543 00:25:47,379 --> 00:25:49,982 IT'S GOING TO BE ALL OVER THE NEWS. 544 00:25:50,783 --> 00:25:51,618 LOOKS LIKE THE HOLLOW MAN 545 00:25:51,651 --> 00:25:53,886 DIDN'T GIVE YOU THE EXCLUSIVE THIS TIME. 546 00:25:54,887 --> 00:25:57,256 SO OUR PLAN TO CATCH THE MILL CREEK KILLER 547 00:25:57,289 --> 00:25:59,058 WAS RUINED BY THE HOLLOW MAN? 548 00:25:59,091 --> 00:26:00,326 AND NOW THE HOLLOW MAN'S ON A HIGH. 549 00:26:00,359 --> 00:26:02,829 HE HASN'T PULLED THE TRIGGER SINCE HE TOOK 2 VICTIMS YESTERDAY. 550 00:26:02,862 --> 00:26:05,732 IS HE SATISFIED OR IS HE JUST GETTING STARTED? 551 00:26:05,765 --> 00:26:06,966 WE'LL FIND OUT. 552 00:26:06,999 --> 00:26:08,701 "HOLLOW MAN HELPS FBI 553 00:26:08,735 --> 00:26:10,637 FIND THE MILL CREEK KILLER'S VICTIM." 554 00:26:10,670 --> 00:26:11,871 NICE. HE'S ALERTED THE MEDIA 555 00:26:11,904 --> 00:26:13,706 AND INJECTED HIMSELF INTO THE INVESTIGATION. 556 00:26:13,740 --> 00:26:15,775 HE'S GETTING THE ATTENTION HE'S BEEN CRAVING. 557 00:26:15,808 --> 00:26:17,076 BUT IF THE SHOOTER REALLY WANTS TO GET 558 00:26:17,109 --> 00:26:19,712 THE OTHER GUY ARRESTED, HE WOULD'VE CALLED US AND NOT THE MEDIA. 559 00:26:19,746 --> 00:26:22,815 HE MUST KNOW THE MILL CREEK KILLER NEEDS TO REVISIT THE BODY. 560 00:26:22,849 --> 00:26:24,651 IF HE CAN'T DEFILE THE WOMAN AGAIN, 561 00:26:24,684 --> 00:26:26,152 THE NEED'LL BECOME SO STRONG, 562 00:26:26,185 --> 00:26:27,519 IT COULD PUSH HIM INTO A FRENZY. 563 00:26:27,553 --> 00:26:31,791 AND IF THAT HAPPENS, THIS GUY IS JUST A TIME BOMB WAITING TO EXPLODE. 564 00:26:38,197 --> 00:26:40,366 EXCUSE ME. 565 00:26:41,133 --> 00:26:41,668 HI. 566 00:26:41,701 --> 00:26:43,102 LOOK, I'M HAVING A DAY. 567 00:26:43,135 --> 00:26:45,371 MY CAR WON'T START AND I FORGOT MY PHONE. 568 00:26:45,404 --> 00:26:47,707 COULD I USE YOURS TO MAKE A CALL? 569 00:26:47,740 --> 00:26:50,309 YEAH. 570 00:26:51,043 --> 00:26:52,712 OK. I KNOW IT'S HERE. I JUST USED IT. 571 00:26:52,745 --> 00:26:55,014 WHAT, YOU KNOW WHAT? FORGET THE PHONE. 572 00:26:55,047 --> 00:26:57,950 MAYBE IT'LL START FOR YOU. 573 00:26:58,417 --> 00:27:00,887 WALK WITH ME. IT'S RIGHT AROUND THE CORNER. 574 00:27:00,920 --> 00:27:03,022 NO, THAT'S OK. NO, COME ON. 575 00:27:03,055 --> 00:27:04,123 NO. NO! 576 00:27:04,156 --> 00:27:04,991 WALK WITH ME. 577 00:27:05,024 --> 00:27:06,759 LET GO OF ME! NOW! 578 00:27:06,793 --> 00:27:09,028 LET ME GO! HELP! HELP! 579 00:27:09,061 --> 00:27:11,397 SHH! 580 00:27:11,430 --> 00:27:12,899 SOMEBODY! 581 00:27:12,932 --> 00:27:13,800 SOMEBODY! 582 00:27:13,833 --> 00:27:15,134 HELP, PLEASE! 583 00:27:15,167 --> 00:27:18,170 SOMEBODY! PLEASE! 584 00:27:18,738 --> 00:27:20,039 AT FIRST HE SEEMED SO NORMAL. 585 00:27:20,072 --> 00:27:21,407 WAS HE HANDSOME? 586 00:27:21,440 --> 00:27:22,975 EXCUSE ME? 587 00:27:23,009 --> 00:27:24,310 WAS HE HANDSOME? 588 00:27:24,343 --> 00:27:27,780 YEAH. HE WAS. 589 00:27:27,814 --> 00:27:30,216 ACTUALLY, THAT'S WHY I STOPPED. 590 00:27:30,249 --> 00:27:31,884 WHEN DID HIS DEMEANOR CHANGE? 591 00:27:31,918 --> 00:27:33,920 AFTER I REFUSED TO GO TO HIS CAR. 592 00:27:33,953 --> 00:27:35,321 HE GRABBED MY ARM SO HARD 593 00:27:35,354 --> 00:27:36,756 I THOUGHT THAT IT WOULD BREAK. 594 00:27:36,789 --> 00:27:38,224 I'VE BEEN WATCHING THE NEWS 595 00:27:38,257 --> 00:27:40,426 ABOUT ALL THESE WOMEN BEING ABDUCTED, 596 00:27:40,459 --> 00:27:41,894 AND I JUST STARTED SCREAMING. 597 00:27:41,928 --> 00:27:43,029 YOU TRUSTED YOUR INSTINCTS. 598 00:27:43,062 --> 00:27:44,831 BECAUSE OF THAT, YOU'RE STILL ALIVE. 599 00:27:44,864 --> 00:27:48,000 MISS, THERE'S A SKETCH ARTIST HERE WITH US. 600 00:27:48,034 --> 00:27:49,936 HE CAN CREATE A PRETTY ACCURATE RENDITION 601 00:27:49,969 --> 00:27:51,871 FROM YOUR DESCRIPTION OF THIS MAN. 602 00:27:51,904 --> 00:27:52,872 WOULD YOU SIT WITH HIM? 603 00:27:52,905 --> 00:27:54,440 ABSOLUTELY. 604 00:27:54,473 --> 00:27:56,743 SIR? 605 00:27:56,776 --> 00:27:58,377 I'M GLAD YOU'RE ALL RIGHT. 606 00:27:58,410 --> 00:27:59,979 THANK YOU. 607 00:28:00,512 --> 00:28:03,115 WELL, HE'S BECOMING IRRATIONAL AND VIOLENT IN PUBLIC. 608 00:28:03,149 --> 00:28:05,752 THAT'S EXACTLY WHAT THE HOLLOW MAN WANTED HIM TO DO. 609 00:28:05,785 --> 00:28:07,286 WELL, IF HE DOESN'T FIND A VICTIM SOON, 610 00:28:07,319 --> 00:28:08,855 HE'LL BECOME MORE DANGEROUS. 611 00:28:08,888 --> 00:28:09,822 HOW'S THAT POSSIBLE? 612 00:28:09,856 --> 00:28:11,190 HE'LL DROP THE RUSE ENTIRELY 613 00:28:11,223 --> 00:28:14,861 AND JUST START GRABBING WOMEN AT RANDOM. 614 00:28:18,130 --> 00:28:21,100 GREAT. THANKS, MAN. 615 00:28:21,133 --> 00:28:23,335 THE WITNESS GOT A GOOD LOOK AT THE MILL CREEK KILLER. 616 00:28:23,369 --> 00:28:25,838 YOU KNOW, IF IT'S THE HOLLOW MAN'S INTENTION 617 00:28:25,872 --> 00:28:26,939 TO FORCE HIM INTO A FRENZY, 618 00:28:26,973 --> 00:28:28,007 HE'S GETTING WHAT HE WANTS. 619 00:28:28,040 --> 00:28:30,810 HE KNEW EXACTLY WHERE TO FIND MEREDITH DALE'S BODY. 620 00:28:30,843 --> 00:28:33,112 HE FIGURED OUT THE ROUTE TO THE DUMPSITE 621 00:28:33,145 --> 00:28:34,280 THE SAME WAY WE DID. 622 00:28:34,313 --> 00:28:36,482 THEY ALWAYS SAY SERIAL KILLERS MAKE THE BEST PROFILERS. 623 00:28:36,515 --> 00:28:39,185 YEAH, BUT THIS GUY'S DEAD-ON. 624 00:28:43,422 --> 00:28:46,425 YEAH. THE HEADLINE DOESN'T MENTION THE SHOOTER AT ALL. 625 00:28:46,458 --> 00:28:48,260 WE TALKED TO JIM MEYERS, THE REPORTER, 626 00:28:48,294 --> 00:28:49,929 ASKED HIM NOT TO RESPOND TO THE LETTER, 627 00:28:49,962 --> 00:28:52,965 HE DOESN'T, AND THEN THE GUY GOES OUT AND SHOOTS 2 MORE WOMEN. 628 00:28:52,999 --> 00:28:54,066 IN A BETTER PART OF TOWN. 629 00:28:54,100 --> 00:28:55,334 WHAT GIVES HIM THIS CONFIDENCE? 630 00:28:55,367 --> 00:28:58,170 WHAT'S THE SIGNIFICANCE OF THE PAPER AT THE SCENE? 631 00:28:58,204 --> 00:28:59,839 WE KNOW HE WANTS TO BE NEWSWORTHY. 632 00:28:59,872 --> 00:29:01,874 HE COULD'VE JUST TOSSED IT ASIDE. 633 00:29:01,908 --> 00:29:02,775 INSTEAD, HE DISPLAYED IT. 634 00:29:02,809 --> 00:29:04,877 THERE'S SOMETHING HE WANTS US TO LOOK AT. 635 00:29:04,911 --> 00:29:07,213 THERE'S DEFINITELY SOMETHING IN THE PAPER. 636 00:29:07,246 --> 00:29:10,049 I THINK I FIGURED IT OUT. 637 00:29:12,318 --> 00:29:13,820 WHAT IS IT? 638 00:29:13,853 --> 00:29:15,154 THEY'RE TALKING. 639 00:29:15,187 --> 00:29:17,356 IN THE CLASSIFIEDS. 640 00:29:21,193 --> 00:29:22,328 CLASSIFIEDS, CODE NAMES. 641 00:29:22,361 --> 00:29:24,831 THIS FEELS LIKE AN OLD SPY MOVIE. 642 00:29:24,864 --> 00:29:26,032 IT'S LOW-TECH, SIMPLE, 643 00:29:26,065 --> 00:29:26,799 BUT VERY EFFECTIVE. 644 00:29:26,833 --> 00:29:28,234 THEY'VE BEEN DOING THIS FOR MONTHS, 645 00:29:28,267 --> 00:29:29,035 AND NOBODY EVER KNEW IT. 646 00:29:29,068 --> 00:29:30,436 THIS IS THE FIRST ONE THAT I FOUND. 647 00:29:30,469 --> 00:29:33,039 THE REFERENCES ARE WHAT MADE ME SUSPICIOUS. 648 00:29:33,072 --> 00:29:34,473 "SUNNY, ARE YOU AN ARTIST TOO? 649 00:29:34,506 --> 00:29:38,510 I'D LOVE TO SEE YOUR WORK SOMETIME. HOLDEN." 650 00:29:38,544 --> 00:29:39,478 SUNNY 651 00:29:39,511 --> 00:29:42,514 THEY'RE CHARACTERS FROM CATCHER IN THE RYE. 652 00:29:42,548 --> 00:29:44,583 WIDELY ACCEPTED AS A LOVED BOOK OF SOCIOPATHS. 653 00:29:44,616 --> 00:29:47,486 MARK DAVID CHAPMAN QUOTED IT AFTER KILLING JOHN LENNON. 654 00:29:47,519 --> 00:29:50,823 DERANGED MINDS IDENTIFY WITH HOLDEN'S ALIENATION AND DETACHMENT. 655 00:29:50,857 --> 00:29:52,191 I FOUND THE INITIAL CONTACT. 656 00:29:52,224 --> 00:29:54,060 IT RAN IN THE PAPER UNCHANGED FOR MONTHS. 657 00:29:54,093 --> 00:29:58,497 "WE HAVE DIFFERENT TASTES, BUT I CAN APPRECIATE YOUR ART. SUNNY." 658 00:29:58,530 --> 00:29:59,932 SUNNY'S THE HOLLOW MAN. 659 00:29:59,966 --> 00:30:00,599 HE INITIATED CONTACT. 660 00:30:00,632 --> 00:30:02,601 WHAT'S HE GETTING OUT OF IT? 661 00:30:02,634 --> 00:30:03,302 A MENTOR. 662 00:30:03,335 --> 00:30:05,204 OFFERED ADMIRATION AND RESPECT. 663 00:30:05,237 --> 00:30:08,007 IN RETURN, HE GAINS ENCOURAGEMENT AND CONFIDENCE. 664 00:30:08,040 --> 00:30:09,942 BUT WHEN THE HOLLOW MAN REMAINED UNNOTICED 665 00:30:09,976 --> 00:30:12,979 BY THE PRESS, HE RESENTED HIS MENTOR 666 00:30:13,012 --> 00:30:15,114 AND TURNED IT INTO A RIVALRY. 667 00:30:15,147 --> 00:30:16,548 HOLLOW MAN BECAME JEALOUS. 668 00:30:16,582 --> 00:30:19,385 THEY WERE BOTH KILLERS, BUT THEY WEREN'T SEEN IN THE SAME PLAYING FIELD. 669 00:30:19,418 --> 00:30:20,352 WHAT ELSE DID YOU FIND? 670 00:30:20,386 --> 00:30:24,323 "AN OVERWHELMING AREA AND YOU NEVER GET LOST?" 671 00:30:24,356 --> 00:30:26,225 THEN THE ANSWER TO THIS QUESTION. 672 00:30:26,258 --> 00:30:27,459 "I DO MY RESEARCH. 673 00:30:27,493 --> 00:30:30,329 "IT'S NOT SO RANDOM WHEN YOU KNOW THE AREA. 674 00:30:30,362 --> 00:30:32,498 I LIKE COTTON WOOD IN SGC." 675 00:30:32,531 --> 00:30:35,134 SGC? HE'S TALKING ABOUT SALTGRASS COVE. 676 00:30:35,167 --> 00:30:38,137 HE TOLD HIM HOW TO FIND MEREDITH DALE. 677 00:30:38,170 --> 00:30:38,837 WHY? 678 00:30:38,871 --> 00:30:40,639 TEACHING HIS STUDENT A LESSON. 679 00:30:40,672 --> 00:30:42,541 WE UNDERSTAND THEIR RELATIONSHIP. 680 00:30:42,574 --> 00:30:45,211 LET'S USE IT AGAINST THEM. 681 00:30:45,244 --> 00:30:47,279 HEY, SWEETNESS. MAKE ME SMILE 682 00:30:47,313 --> 00:30:48,547 AND TELL ME YOU GOT A NAME. 683 00:30:48,580 --> 00:30:49,615 OH, I GOT SCADS OF THEM, BABE, 684 00:30:49,648 --> 00:30:51,583 BUT NONE PAID FOR THESE PERSONAL ADS. 685 00:30:51,617 --> 00:30:54,353 THEY WENT WITH CASH, TOTALLY OLD SCHOOL. 686 00:30:54,386 --> 00:30:55,988 I HATE IT WHEN THEY'RE SMART. 687 00:30:56,022 --> 00:30:58,057 2 SEPARATE ACCOUNTS IN GOOD STANDING. 688 00:30:58,090 --> 00:30:59,491 WELL, THESE GUYS ARE GOOD. THANKS. 689 00:30:59,525 --> 00:31:01,627 GARCIA SAYS THEY COVERED THEIR TRACKS. 690 00:31:01,660 --> 00:31:02,694 HOW'S IT GOING IN HERE? 691 00:31:02,728 --> 00:31:04,530 REID'S IMITATING THE HOLLOW MAN'S LANGUAGE PATTERNS 692 00:31:04,563 --> 00:31:06,098 TO SEND A MESSAGE TO THE MILL CREEK KILLER. 693 00:31:06,132 --> 00:31:08,600 HE'S OFFERING CONDOLENCES ON LOSING MEREDITH DALE. 694 00:31:08,634 --> 00:31:09,701 WELL, IF HE CAN'T GET TO MEREDITH DALE, 695 00:31:09,735 --> 00:31:12,238 HE'S GONNA NEED A BODY. HE'S GONNA NEED IT REAL SOON. 696 00:31:12,271 --> 00:31:14,573 YOU GUYS WORRIED THAT THE HOLLOW MAN'S 697 00:31:14,606 --> 00:31:15,541 GOING TO RUIN OUR PLAN AGAIN? 698 00:31:15,574 --> 00:31:18,610 HE WANTS THE MILL CREEK KILLER TO GET CAUGHT. 699 00:31:18,644 --> 00:31:20,913 THE PUPIL'S TRYING TO KILL THE TEACHER? 700 00:31:21,547 --> 00:31:22,514 HOPE YOU'RE CLOSE, REID. 701 00:31:22,548 --> 00:31:26,652 YOU GOT LESS THAN AN HOUR TO MEET THE DEADLINE. 702 00:31:34,460 --> 00:31:36,562 YOU'LL BE SURROUNDED. 703 00:31:37,396 --> 00:31:38,597 NEED YOU TO RELAX... 704 00:31:38,630 --> 00:31:39,999 AS BEST YOU CAN. 705 00:31:40,032 --> 00:31:41,533 THIS GUY'S GOING TO WANT TO GET CLOSE TO YOU, 706 00:31:41,567 --> 00:31:43,635 AND HE'S GOING TO WANT TO EXAMINE YOU. 707 00:31:43,669 --> 00:31:46,705 HE'S GOING TO WANT TO TOUCH ME? 708 00:31:46,738 --> 00:31:49,608 SINCE YOU'RE A GIFT, NOT A MARKED VICTIM, 709 00:31:49,641 --> 00:31:50,977 HE MIGHT TRY TO MAKE YOU HIS OWN. 710 00:31:51,010 --> 00:31:52,611 BUT WE'RE NOT GOING TO LET HIM GET THAT FAR. 711 00:31:52,644 --> 00:31:55,614 WE NEED HIM TO GET CLOSE TO CONFIRM HE'S THE KILLER. 712 00:31:55,647 --> 00:31:58,350 THERE'S NOTHING NORMAL ABOUT THIS GUY. 713 00:31:58,384 --> 00:31:59,585 NOTHING. 714 00:31:59,618 --> 00:32:01,954 YOU HAVE ANY QUESTIONS? 715 00:32:02,621 --> 00:32:04,556 LET'S DO THIS. 716 00:32:05,257 --> 00:32:08,094 OK. DOWN YOU GO. 717 00:32:13,732 --> 00:32:16,135 CLOSE YOUR EYES. 718 00:32:16,602 --> 00:32:18,237 THANK YOU. 719 00:32:29,548 --> 00:32:32,284 WHAT DO YOU THINK 720 00:32:32,318 --> 00:32:36,155 HOPEFULLY THE MILL CREEK KILLER WILL BUY IT. 721 00:32:36,655 --> 00:32:38,657 "DEAR HOLDEN, THEY SAY IMITATION 722 00:32:38,690 --> 00:32:40,692 "IS THE HIGHEST FORM OF FLATTERY. 723 00:32:40,726 --> 00:32:43,095 "SINCE YOU WERE ALMOST IN HARM'S WAY, 724 00:32:43,129 --> 00:32:45,097 "I THOUGHT I'D SHARE SOME ART. 725 00:32:45,131 --> 00:32:49,335 SHOULD MAKE YOU FEEL BETTER. SUNNY." 726 00:33:03,382 --> 00:33:05,517 HELLO. 727 00:33:16,795 --> 00:33:19,231 FBI! GET DOWN! 728 00:33:19,765 --> 00:33:21,500 STAY DOWN! 729 00:33:24,570 --> 00:33:27,373 ONE DOWN, ONE TO GO. 730 00:33:37,083 --> 00:33:38,117 STOP RIGHT HERE. 731 00:33:38,150 --> 00:33:40,452 IT'S GOING TO BE TOUGH TO PUSH THROUGH THIS CROWD. 732 00:33:40,486 --> 00:33:41,387 THAT'S THE IDEA. 733 00:33:41,420 --> 00:33:43,789 I'M GETTING OUT. SECURE A PATH TO THE DOOR. 734 00:33:48,160 --> 00:33:50,496 EVERYONE, TAKE A STEP BACK. 735 00:33:50,529 --> 00:33:51,630 GET BACK! 736 00:33:53,632 --> 00:33:55,601 WHAT DO YOU HAVE TO SAY TO THE FAMILIES 737 00:33:55,634 --> 00:33:56,568 OF THE WOMEN YOU KILLED? 738 00:33:56,602 --> 00:33:58,770 DO YOU HAVE ANY REMORSE FOR WHAT YOU'VE DONE? 739 00:33:58,804 --> 00:34:00,139 YOU'RE GOING TO HELL. 740 00:34:00,172 --> 00:34:01,307 YOU DESERVE TO DIE! 741 00:34:09,681 --> 00:34:10,782 I'VE ALERTED ALL NEWS OUTLETS 742 00:34:10,816 --> 00:34:13,085 THAT WE'LL BE HOLDING A PRESS CONFERENCE IN 10 MINUTES. 743 00:34:13,119 --> 00:34:14,453 AND YOU HAVE THE SCRIPT? 744 00:34:14,486 --> 00:34:15,221 RIGHT HERE. 745 00:34:15,254 --> 00:34:16,588 BE SURE TO SAY EXACTLY THOSE WORDS. 746 00:34:16,622 --> 00:34:17,423 THE WORDING'S IMPORTANT, JJ. 747 00:34:17,456 --> 00:34:19,391 RELAX. IT'S NOT MY FIRST PARTY, BOYS. 748 00:34:19,425 --> 00:34:20,692 GIDEON, WE DON'T HAVE MUCH ON MILL CREEK, 749 00:34:20,726 --> 00:34:23,629 ESPECIALLY IF HE SAYS HE STUMBLED ON THE BODY. 750 00:34:23,662 --> 00:34:24,630 SO WHAT ARE WE GOING TO DO? 751 00:34:24,663 --> 00:34:28,200 I'LL GO TRY AND DO MY JOB. 752 00:34:35,241 --> 00:34:37,476 OK. THANKS. 753 00:34:38,344 --> 00:34:39,245 YOU COMFORTABLE? 754 00:34:39,278 --> 00:34:43,649 AS COMFORTABLE AS ANYONE CAN BE IN HANDCUFFS. 755 00:34:47,419 --> 00:34:49,321 LET ME SEE. 756 00:34:54,593 --> 00:34:56,595 I'M JASON GIDEON. 757 00:34:56,628 --> 00:34:58,630 YOU KNOW, I DON'T KNOW YOUR NAME 758 00:34:58,664 --> 00:35:00,466 OR WHERE YOU'RE FROM... 759 00:35:00,499 --> 00:35:01,833 THE ONLY THING WE DO KNOW 760 00:35:01,867 --> 00:35:03,669 IS YOU'RE AN INTELLIGENT, GOOD-LOOKING MAN 761 00:35:03,702 --> 00:35:06,738 WITH AN INFLATED EGO WHO HAPPENS TO LIKE KILLING WOMEN. 762 00:35:06,772 --> 00:35:09,675 WELL, YOU HAD ME TILL THAT LAST PART... 763 00:35:09,708 --> 00:35:12,178 AGENT GIDEON. 764 00:35:12,644 --> 00:35:13,845 IMAGINE HOW SHOCKED I AM, 765 00:35:13,879 --> 00:35:15,747 CONSIDERING I HAVEN'T DONE ANYTHING. 766 00:35:15,781 --> 00:35:19,618 I SEE A WOMAN WHO I THINK IS IN DISTRESS IN THE WOODS 767 00:35:19,651 --> 00:35:22,888 AND I GET... POUNCED ON. 768 00:35:25,791 --> 00:35:27,593 FBI WANTS TO INTERVIEW YOU. 769 00:35:27,626 --> 00:35:28,894 TALK ABOUT YOUR WORK. 770 00:35:28,927 --> 00:35:31,897 WE NEVER BELIEVED WE'D HAVE YOU IN CUSTODY. 771 00:35:31,930 --> 00:35:34,666 I MEAN, DEFINITELY THOUGHT THE HOLLOW MAN 772 00:35:34,700 --> 00:35:37,769 WOULD BE EASIER TO CATCH. 773 00:35:38,770 --> 00:35:39,571 IS THAT UPSETTING? 774 00:35:39,605 --> 00:35:41,673 I THOUGHT THE TWO OF YOU WERE FRIENDS, 775 00:35:41,707 --> 00:35:44,176 THAT YOU ADMIRED EACH OTHER'S WORK AND... 776 00:35:44,210 --> 00:35:45,677 I DON'T KNOW THE HOLLOW MAN. 777 00:35:45,711 --> 00:35:48,447 BUT IF I DID, I'D SAY HE SOUNDS 778 00:35:48,480 --> 00:35:49,781 LIKE AN OBSESSED FAN. 779 00:35:49,815 --> 00:35:51,750 IS THAT HOW YOU SEE YOURSELF, 780 00:35:51,783 --> 00:35:52,851 AS SOMEBODY FAMOUS? 781 00:35:52,884 --> 00:35:56,288 WELL, FROM WHAT I'VE READ ABOUT THE MILL CREEK KILLER, 782 00:35:56,322 --> 00:35:58,524 I'D SAY HE'S AN ARTIST. 783 00:35:58,557 --> 00:36:01,193 FASCINATION WASN'T COMPLETELY ONE-SIDED. 784 00:36:01,227 --> 00:36:03,929 YOU DID RESPOND TO HIS ADS IN THE PAPER. 785 00:36:03,962 --> 00:36:08,300 NO ONE CAN RESPECT WHAT THE HOLLOW MAN HAS DONE. 786 00:36:08,800 --> 00:36:12,404 He's got no imagination. 787 00:36:12,438 --> 00:36:13,071 BUT HE'S SMART. 788 00:36:13,104 --> 00:36:15,441 FOUND MEREDITH DALE'S BODY, 789 00:36:15,474 --> 00:36:17,776 EVEN TOLD THE MEDIA ABOUT IT. 790 00:36:17,809 --> 00:36:20,479 WHOEVER TAUGHT HIM, TAUGHT HIM VERY WELL. 791 00:36:20,512 --> 00:36:23,382 THAT'S VERY TRUE. 792 00:36:23,415 --> 00:36:26,285 IT JUST SOUNDS LIKE THE STUDENT TURNS ON THE TEACHER. 793 00:36:26,318 --> 00:36:27,953 NO, NO. HE WAS PROTECTING HIM. 794 00:36:27,986 --> 00:36:29,855 IS THAT WHAT YOU THINK THE HOLLOW MAN WAS DOING? 795 00:36:29,888 --> 00:36:31,390 WELL, WHAT ELSE COULD IT BE? 796 00:36:31,423 --> 00:36:33,692 MANIPULATING YOU, GAINING YOUR TRUST. 797 00:36:33,725 --> 00:36:37,396 WHEN HE GOT IT, THE HOLLOW MAN SET YOU UP. 798 00:36:37,429 --> 00:36:38,864 YOU WERE FRONT PAGE NEWS. 799 00:36:38,897 --> 00:36:39,731 NOW YOU'D BE A FOOTNOTE. 800 00:36:39,765 --> 00:36:41,600 HOLLOW MAN'S OUT THERE, YOU'RE IN HERE. 801 00:36:41,633 --> 00:36:43,335 IT'S ALL BECAUSE OF HIM. 802 00:36:43,369 --> 00:36:44,836 IS THAT WHAT YOU WANT? 803 00:36:44,870 --> 00:36:47,339 YOU WANT ME TO GET ANGRY 804 00:36:47,373 --> 00:36:48,774 TO HELP YOU CATCH HIM? 805 00:36:48,807 --> 00:36:51,643 THAT IS NOT YOUR PROBLEM, SIR. 806 00:36:51,677 --> 00:36:53,512 THEN WHAT DO YOU WANT? 807 00:36:53,545 --> 00:36:57,215 I HAVE JUST ONE QUESTION. 808 00:36:58,617 --> 00:37:01,653 IF KILLING THOSE WOMEN MADE YOU AN ARTIST, 809 00:37:01,687 --> 00:37:05,891 THE THINGS YOU DID TO THEM AFTER THEY WERE DEAD... 810 00:37:05,924 --> 00:37:08,560 WHAT DOES THAT MAKE YOU? 811 00:37:09,595 --> 00:37:10,496 I MEAN, REALLY IT... 812 00:37:10,529 --> 00:37:13,865 IT JUST DOESN'T SEEM VERY ARTISTIC, DOES IT? 813 00:37:13,899 --> 00:37:16,435 YOU WENT BACK, YOU FIX THEIR MAKE-UP, 814 00:37:16,468 --> 00:37:17,869 YOU'D COMB THEIR HAIR. 815 00:37:17,903 --> 00:37:19,771 AND YOU VISITED THEM... 816 00:37:19,805 --> 00:37:22,708 OVER AND OVER AND OVER. 817 00:37:22,741 --> 00:37:25,010 I DIDN'T DO THAT. 818 00:37:25,043 --> 00:37:26,812 IF YOU THOUGHT YOU WERE FAMOUS BEFORE, 819 00:37:26,845 --> 00:37:28,880 WAIT UNTIL THE PRESS GETS A HOLD OF YOU-- 820 00:37:28,914 --> 00:37:30,048 YOU SHUT YOUR MOUTH. 821 00:37:30,081 --> 00:37:31,249 DETAILS OF YOUR VISIT. SHUT YOUR MOUTH. I NEVER WENT BACK. 822 00:37:31,283 --> 00:37:33,552 YOU EXPECT ME TO BELIEVE THAT YOU ONLY KILLED THOSE WOMEN? 823 00:37:33,585 --> 00:37:35,454 THAT IT WASN'T YOU WHO KEPT VISITING THE CORPSES? 824 00:37:35,487 --> 00:37:37,823 WE FOUND LIPSTICK IN YOUR HAND WHEN WE CAUGHT YOU. 825 00:37:37,856 --> 00:37:39,758 YOU WILL NOT TELL ANYONE THAT. 826 00:37:39,791 --> 00:37:41,793 EXCUSE ME? I SAID YOU CAN NEVER SAY THAT. 827 00:37:41,827 --> 00:37:43,629 YOU DIDN'T VISIT THE CORPSES? NO. 828 00:37:43,662 --> 00:37:44,763 NO, YOU JUST KILLED THEM. 829 00:37:44,796 --> 00:37:46,064 YES. YEAH. 830 00:37:46,097 --> 00:37:49,501 YES. I KILLED THEM. 831 00:37:49,535 --> 00:37:50,669 BUT... 832 00:37:50,702 --> 00:37:52,938 BUT YOU CAN'T TELL ANYONE... 833 00:37:52,971 --> 00:37:55,974 THAT I WENT BACK. 834 00:37:56,842 --> 00:37:59,077 YOU CAN'T DO THAT. 835 00:37:59,110 --> 00:38:01,880 THE WOMEN OF ST. LOUIS CAN REST EASY TONIGHT... 836 00:38:01,913 --> 00:38:05,917 AFTER A LONG YEAR, THE MILL CREEK KILLER IS IN CUSTODY. 837 00:38:05,951 --> 00:38:08,487 THIS MAN IS HIGHLY INTELLIGENT 838 00:38:08,520 --> 00:38:10,356 AND HE USES A SOPHISTICATED ROUSE 839 00:38:10,389 --> 00:38:12,458 WHEN LURING THESE WOMEN IN PUBLIC PLACES. 840 00:38:12,491 --> 00:38:14,092 THE MILL CREEK KILLER IS SOMEONE THE BAU 841 00:38:14,125 --> 00:38:17,763 WILL WANT TO STUDY AS ONE OF THE MOST COMPLEX CRIMINALS 842 00:38:17,796 --> 00:38:19,765 WE'VE DEALT WITH IN YEARS. 843 00:38:19,798 --> 00:38:20,799 QUESTIONS 844 00:38:20,832 --> 00:38:23,769 WHAT'S THE FBI DOING ABOUT THE OTHER SERIAL KILLER? 845 00:38:23,802 --> 00:38:25,471 WE HAVE NEW INFORMATION ABOUT THAT CASE. 846 00:38:25,504 --> 00:38:28,640 WE NO LONGER BELIEVE THE SHOOTINGS ARE RELATED. YES? 847 00:38:28,674 --> 00:38:29,508 WHAT'S THE NEW INFORMATION? 848 00:38:29,541 --> 00:38:31,677 WE BELIEVE THEY ARE ISOLATED INCIDENTS, 849 00:38:31,710 --> 00:38:33,812 AND WE'RE LOOKING INTO THE POSSIBILITY 850 00:38:33,845 --> 00:38:35,447 THAT THE LAST 2 WERE COPYCATS. 851 00:38:35,481 --> 00:38:36,782 JIM MEYERS? 852 00:38:36,815 --> 00:38:38,850 ARE YOU REFERRING TO THE KILLER WHO CALLS HIMSELF THE HOLLOW MAN? 853 00:38:38,884 --> 00:38:41,987 WE BELIEVE THE PERSON WHO WROTE THAT LETTER 854 00:38:42,020 --> 00:38:42,988 IS NOTHING BUT A STREET THUG. 855 00:38:43,021 --> 00:38:46,892 WE HAVE EVIDENCE THAT INDICATES THAT THE LETTER 856 00:38:46,925 --> 00:38:49,395 WAS JUST A PRANK TO THROW US OFF 857 00:38:49,428 --> 00:38:50,596 THE INVESTIGATION OF THE MILL CREEK KILLER. 858 00:38:50,629 --> 00:38:53,532 THIS IS NO LONGER A BAU CASE. 859 00:38:53,565 --> 00:38:55,801 IT LACKS A CERTAIN SOPHISTICATION, 860 00:38:55,834 --> 00:38:58,069 CLASS, THERE'S JUST NOTHING ELEGANT ABOUT IT. 861 00:38:58,103 --> 00:39:00,739 THAT'S ALL THE QUESTIONS WE'LL TAKE FOR NOW. 862 00:39:00,772 --> 00:39:02,374 THANK YOU. 863 00:39:04,576 --> 00:39:05,511 WELL, WE SET THE BAIT, 864 00:39:05,544 --> 00:39:07,846 WE'LL SEE IF HE TAKES IT. 865 00:39:21,460 --> 00:39:24,896 PLACE YOUR COINS, KEYS, BELTS IN THE BASKET. 866 00:39:24,930 --> 00:39:27,533 WALK THIS WAY. 867 00:39:30,101 --> 00:39:31,470 WALK THIS WAY. 868 00:39:33,605 --> 00:39:34,940 WHOA. 869 00:39:35,206 --> 00:39:36,842 STEP TO THE SIDE, PLEASE. 870 00:39:36,875 --> 00:39:38,544 EXTEND YOUR ARMS. 871 00:39:49,888 --> 00:39:51,523 UHH! 872 00:39:51,557 --> 00:39:53,659 STAY DOWN. 873 00:39:53,692 --> 00:39:55,994 DROP YOUR WEAPON RIGHT NOW. 874 00:39:58,229 --> 00:39:59,798 GET UP. 875 00:40:09,675 --> 00:40:11,677 WHERE IS HE? I WANT TO SEE HIM RIGHT NOW. 876 00:40:11,710 --> 00:40:12,511 YOU TELL HIM THE HOLLOW MAN'S HERE. 877 00:40:12,544 --> 00:40:15,714 TAKE IT EASY. NOBODY NEEDS TO GET HURT. 878 00:40:15,747 --> 00:40:18,950 HE TOLD YOU TO SAY THOSE THINGS ABOUT ME, DIDN'T HE? 879 00:40:18,984 --> 00:40:22,521 HE TOLD YOU TO USE THOSE WORDS. 880 00:40:35,634 --> 00:40:37,469 AAH! 881 00:40:38,036 --> 00:40:39,771 GET HIM OUT OF HERE. 882 00:40:39,805 --> 00:40:41,673 I'M NO LESS ELEGANT THAN HE IS. 883 00:40:41,707 --> 00:40:42,574 I'M NO COPYCAT. 884 00:40:42,608 --> 00:40:44,109 SHUT YOUR MOUTH. I LEFT YOU THE NEWSPAPER! 885 00:40:44,142 --> 00:40:46,044 I GAVE YOU THE MILL CREEK KILLER! 886 00:40:46,077 --> 00:40:47,145 WHAT ELSE DO I HAVE TO DO? 887 00:40:47,178 --> 00:40:49,781 GO! GET HIM OUT OF HERE! 888 00:41:11,670 --> 00:41:14,806 THIS IS THE STORY FOR TOMORROW. 889 00:41:16,708 --> 00:41:17,843 * I WISH I... 890 00:41:17,876 --> 00:41:22,147 "THEY WERE OUR DAUGHTERS, SISTERS, BROTHERS, AND FRIENDS." 891 00:41:24,583 --> 00:41:25,817 * I WISH I... 892 00:41:25,851 --> 00:41:28,654 THEY HAVE EVERY RIGHT TO BE REMEMBERED... 893 00:41:28,687 --> 00:41:31,156 AND MEMORIALIZED. 894 00:41:38,964 --> 00:41:42,167 THEY DIDN'T MENTION THE SHOOTER. 895 00:41:43,201 --> 00:41:45,837 HE WAS A NOBODY WHO WANTED TO BE SOMEBODY 896 00:41:45,871 --> 00:41:51,009 BY KILLING PEOPLE AND THEY DIDN'T GIVE HIM THAT. 897 00:41:51,042 --> 00:41:53,011 GOOD. 898 00:41:53,879 --> 00:41:55,313 MAHATMA GANDHI ONCE SAID, 899 00:41:55,346 --> 00:41:57,082 "REMEMBER THAT ALL THROUGH HISTORY 900 00:41:57,115 --> 00:41:59,084 THERE HAVE BEEN TYRANTS AND MURDERERS 901 00:41:59,117 --> 00:42:01,219 AND FOR A TIME THEY SEEMED INVINCIBLE..." 902 00:42:01,252 --> 00:42:06,692 * LIKE ANCIENT BRUISES... 903 00:42:06,725 --> 00:42:09,795 "BUT IN THE END, THEY ALWAYS FALL. 904 00:42:09,828 --> 00:42:10,395 ALWAYS." 905 00:42:10,428 --> 00:42:12,631 * I'M AWAKE TO FEEL... 906 00:42:12,664 --> 00:42:16,334 PLEASE TELL ME YOU HAVEN'T BEEN THERE FOR THE LAST 4 DAYS. 907 00:42:16,367 --> 00:42:17,803 I HEARD YOU WERE FLYING BACK TONIGHT. 908 00:42:17,836 --> 00:42:21,306 HEARD 909 00:42:21,339 --> 00:42:23,074 THIS WAS DROPPED OFF TODAY. 910 00:42:23,108 --> 00:42:25,076 I APPRECIATE YOUR INTEREST, AGENT, 911 00:42:25,110 --> 00:42:27,579 BUT PROFILING IS A SPECIALTY. 912 00:42:27,613 --> 00:42:30,215 WE CAN'T JUST LET ANYONE WHO WANTS TO 913 00:42:30,248 --> 00:42:31,583 GIVE IT A WHIRL. 914 00:42:31,617 --> 00:42:32,718 THE I-80 KILLER? 915 00:42:32,751 --> 00:42:33,384 CO-EDS IN INDIANA? 916 00:42:33,418 --> 00:42:35,787 YES, I READ IT ON THE PLANE. 917 00:42:35,821 --> 00:42:37,689 THEY AREN'T BLITZ ATTACKS. 918 00:42:37,723 --> 00:42:38,356 THIS GUY'S ORGANIZED. 919 00:42:38,389 --> 00:42:41,026 HE'S A WHITE MALE, EARLY 30s, 920 00:42:41,059 --> 00:42:42,127 AND A SMOOTH TALKER, 921 00:42:42,160 --> 00:42:43,695 BECAUSE EVEN AFTER 11 VICTIMS, 922 00:42:43,729 --> 00:42:45,196 HE CAN STILL CONVINCE EDUCATED WOMEN 923 00:42:45,230 --> 00:42:48,767 WHO KNOW THERE'S A PREDATOR OUT THERE TO GET INTO HIS CAR. 924 00:42:48,800 --> 00:42:50,736 HOW WOULD YOU ADVISE THE POLICE? 925 00:42:50,769 --> 00:42:52,804 I WOULD STAKE OUT THE RANCH HOUSE, 926 00:42:52,838 --> 00:42:53,872 A NIGHT CLUB IN GARY. 927 00:42:53,905 --> 00:42:55,106 THEY HAVE A VERY POPULAR LADIES NIGHT ON THURSDAYS. 928 00:42:55,140 --> 00:42:59,778 IF YOU LOOK CLOSELY, YOU'LL SEE THAT 8 OUT OF THE 11 VICTIMS 929 00:42:59,811 --> 00:43:00,979 WENT MISSING ON A FRIDAY MORNING. 930 00:43:01,012 --> 00:43:04,249 SO SOMETHING GETS THIS CREEP'S MOTOR RUNNING ON THURSDAYS. 931 00:43:07,152 --> 00:43:09,855 THIS ISN'T A WHIRL, AGENT HOTCHNER. 932 00:43:09,888 --> 00:43:12,323 I DON'T KNOW HOW THE PAPERWORK GOT SCREWED UP 933 00:43:12,357 --> 00:43:14,893 OR MAYBE YOU BELIEVE MY PARENTS PULLED SOME STRINGS, 934 00:43:14,926 --> 00:43:17,162 WHICH THEY DIDN'T, BY THE WAY. 935 00:43:17,195 --> 00:43:18,964 I BELONG IN THIS UNIT. 936 00:43:18,997 --> 00:43:20,932 AND ALL I'M ASKING YOU FOR 937 00:43:20,966 --> 00:43:24,836 IS THE CHANCE TO SHOW YOU THAT. 938 00:43:27,839 --> 00:43:30,108 I STILL NEED TO LOOK INTO THIS. 939 00:43:30,141 --> 00:43:31,843 I'M NOT PROMISING ANYTHING. 940 00:43:31,877 --> 00:43:33,111 UNDERSTOOD. 941 00:43:33,144 --> 00:43:35,213 00 AM. 942 00:43:35,246 --> 00:43:37,683 YOU CAN SEE FACILITIES MANAGEMENT ABOUT A DESK. 943 00:43:37,716 --> 00:43:39,951 YOU WON'T BE SORRY. 944 00:43:47,893 --> 00:43:50,962 CAPTIONING MADE POSSIBLE BY CBS 945 00:43:50,996 --> 00:43:55,300 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--