1 00:00:00,968 --> 00:00:05,573 PREVIOUSLY ON CRIMINAL MINDS... 2 00:00:05,606 --> 00:00:08,409 PLEASE, I DON'T WANT IT. I DON'T WANT IT. 3 00:00:08,442 --> 00:00:10,744 IT HELPS. 4 00:00:22,556 --> 00:00:23,757 WHAT IS THE MATTER WITH YOU? 5 00:00:23,791 --> 00:00:26,360 WHAT DO YOU MEAN, WHAT'S THE MATTER WITH ME? 6 00:00:26,394 --> 00:00:27,728 I HAVE NEVER SEEN YOU ACT LIKE THIS. 7 00:00:27,761 --> 00:00:29,163 REALLY? OH, IN THE MONTHS THAT YOU KNOW ME, 8 00:00:29,197 --> 00:00:31,065 YOU'VE NEVER SEEN ME ACT THIS WAY? 9 00:00:31,099 --> 00:00:32,200 HEY, NO OFFENSE, EMILY, BUT... 10 00:00:32,233 --> 00:00:35,403 YOU DON'T REALLY KNOW WHAT YOU'RE TALKING ABOUT, DO YOU? 11 00:00:35,436 --> 00:00:38,706 EARLIER THIS MORNING KATRINA CRASHED INTO THE GULF COAST, 12 00:00:38,739 --> 00:00:41,675 WITH SUSTAINED WINDS ABOVE 125 AN HOUR. 13 00:00:41,709 --> 00:00:43,311 AS MANY HOUSES ARE BEING DESTROYED. 14 00:00:43,344 --> 00:00:45,779 RESIDENTS ARE TRYING TO EVACUATE. 15 00:00:50,818 --> 00:00:51,752 ARE YOU LISTENING TO ME, POP? 16 00:00:51,785 --> 00:00:53,621 GRAB YOUR WALLET AND GET THE HELL OUT OF THERE. 17 00:00:53,654 --> 00:00:54,722 THE BUSES ARE FILLING UP. 18 00:00:54,755 --> 00:00:57,391 THIS CASE IS EATIN' AT ME, BILLY. 19 00:00:57,425 --> 00:00:57,925 DAD. 20 00:00:57,958 --> 00:00:59,193 FORGET THE DAMN CASE. 21 00:00:59,227 --> 00:01:00,761 WHAT THE HELL AM I MISSING HERE? 22 00:01:00,794 --> 00:01:03,364 DAD, PEOPLE ARE DROWNING IN THEIR HOMES. 23 00:01:03,397 --> 00:01:06,634 THE WHOLE WORLD'S GONNA BE UNDERWATER. 24 00:01:06,667 --> 00:01:07,835 I GOT ANOTHER LETTER, BILLY. 25 00:01:07,868 --> 00:01:10,438 SCREW THE LETTER. FORGET THE SERIAL KILLER. 26 00:01:10,471 --> 00:01:11,839 THEY'RE OPENING THE SUPERDOME. 27 00:01:11,872 --> 00:01:13,507 I WANT YOU TO MEET ME THERE. 28 00:01:13,541 --> 00:01:15,509 I'LL BE DAMNED. 29 00:01:15,543 --> 00:01:17,445 PLEASE, I'M BEGGING YOU, POP. 30 00:01:18,912 --> 00:01:21,582 POP 31 00:01:58,819 --> 00:02:01,622 WE'VE GOT A SERIAL KILLER IN NEW ORLEANS 32 00:02:01,655 --> 00:02:04,158 WHO KILLED AT LEAST 3 MEN PRE-KATRINA. 33 00:02:04,192 --> 00:02:06,327 UNTIL NOW, THE NEW ORLEANS POLICE DEPARTMENT 34 00:02:06,360 --> 00:02:08,662 BELIEVED THAT THE SERIAL KILLER DIED IN THE STORM. 35 00:02:08,696 --> 00:02:09,797 WHAT'S HAPPENED TO TELL THEM OTHERWISE? 36 00:02:09,830 --> 00:02:12,866 A FOURTH BODY WAS FOUND IN THE FRENCH QUARTER LAST NIGHT. 37 00:02:12,900 --> 00:02:15,169 SAME M.O. ANOTHER MALE. 38 00:02:15,203 --> 00:02:16,604 THROAT SLASHED, EVISCERATED. 39 00:02:16,637 --> 00:02:18,806 A YEAR AND A HALF? THAT'S A LONG COOLING-OFF PERIOD. 40 00:02:18,839 --> 00:02:21,175 ARE WE SURE THIS IS THE SAME UNSUB? 41 00:02:21,209 --> 00:02:22,009 HE CLAIMS TO BE. 42 00:02:22,042 --> 00:02:23,377 HE SENT A LETTER TO WILLIAM LAMONTAGNE, 43 00:02:23,411 --> 00:02:25,213 THE HEAD DETECTIVE ON THE CASE. 44 00:02:25,246 --> 00:02:26,814 DOES LAMONTAGNE HAVE ANY LEADS? 45 00:02:26,847 --> 00:02:28,582 HE DIED IN KATRINA. 46 00:02:28,616 --> 00:02:31,585 HIS SON IS ACTUALLY LEADING THE CASE NOW. 47 00:02:31,619 --> 00:02:32,420 HMM. THAT CAN'T BE EASY. 48 00:02:32,453 --> 00:02:33,921 WELL, WE NEED TO POUR OVER THE EVIDENCE 49 00:02:33,954 --> 00:02:35,923 FROM THE FIRST 3 MURDERS AND DETERMINE THE PATTERN. 50 00:02:35,956 --> 00:02:37,791 KATRINA WASHED EVERYTHING AWAY. 51 00:02:37,825 --> 00:02:41,829 THE 3 VICTIMS WE KNOW OF, THEIR AUTOPSY REPORTS, 52 00:02:41,862 --> 00:02:43,364 WITNESS STATEMENTS. 53 00:02:43,397 --> 00:02:44,498 DNA TEST RESULTS. 54 00:02:44,532 --> 00:02:47,535 SO, BASICALLY, ALL WE HAVE TO GO ON IS THE LATEST VICTIM? 55 00:02:47,868 --> 00:02:48,769 YEAH. 56 00:02:48,802 --> 00:02:50,538 UNTIL HE KILLS AGAIN. 57 00:03:14,962 --> 00:03:20,668 CAPTIONING MADE POSSIBLE BY CBS 58 00:03:28,008 --> 00:03:29,009 ROBERT KENNEDY ONCE SAID, 59 00:03:29,042 --> 00:03:32,246 "TRAGEDY IS A TOOL FOR THE LIVING TO GAIN WISDOM, 60 00:03:32,280 --> 00:03:35,649 NOT A GUIDE BY WHICH TO LIVE." 61 00:03:37,518 --> 00:03:38,919 HEY, REID. 62 00:03:38,952 --> 00:03:39,887 WHAT'S GOIN' ON UP THERE? 63 00:03:39,920 --> 00:03:42,356 I WAS JUST THINKING OF THIS OLD FRIEND OF MINE 64 00:03:42,390 --> 00:03:43,991 FROM LAS VEGAS--ETHAN. 65 00:03:44,024 --> 00:03:46,960 I'M PRETTY SURE HE LIVES IN NEW ORLEANS NOW. 66 00:03:46,994 --> 00:03:48,028 REALLY 67 00:03:48,061 --> 00:03:49,430 GREW UP COMPETING AGAINST EACH OTHER 68 00:03:49,463 --> 00:03:50,564 IN ABSOLUTELY EVERYTHING. 69 00:03:50,598 --> 00:03:51,799 SPELLING BEES, SCIENCE FAIRS. 70 00:03:51,832 --> 00:03:55,869 WE ALSO BOTH HAD OUR HEARTS SET ON JOINING THE BUREAU, BUT... 71 00:03:55,903 --> 00:03:57,971 FIRST DAY AT QUANTICO HE BACKED OUT. 72 00:03:58,005 --> 00:04:00,874 HE PROBABLY JUST COULDN'T TAKE THE HEAT. 73 00:04:00,908 --> 00:04:04,278 IT'S NOT REALLY FOR US TO JUDGE, IS IT? 74 00:04:04,612 --> 00:04:05,746 RIGHT. 75 00:04:05,779 --> 00:04:06,947 MY BAD. 76 00:04:06,980 --> 00:04:10,284 THESE ARE COPIES OF THE NEWSPAPER ARTICLES ON THE MURDERS, 77 00:04:10,318 --> 00:04:12,386 DATING BACK TO EARLY AUGUST 2005. 78 00:04:12,420 --> 00:04:13,721 IT'S ALL WE HAVE TO GO ON. 79 00:04:13,754 --> 00:04:15,856 HE KILLED 3 TIMES, HE STOPPED FOR 18 MONTHS, 80 00:04:15,889 --> 00:04:17,491 THEN HE STARTED KILLING AGAIN. 81 00:04:17,525 --> 00:04:18,859 WE SHOULD HAVE GARCIA RUN A LIST 82 00:04:18,892 --> 00:04:19,960 OF ANY OFFENDERS IN THE AREA. 83 00:04:19,993 --> 00:04:22,696 ANYONE WHO SPENT THE LAST YEAR AND A HALF DOING TIME. 84 00:04:22,730 --> 00:04:25,766 OR ANYONE THAT RELOCATED AFTER KATRINA AND RECENTLY MOVED BACK. 85 00:04:25,799 --> 00:04:29,069 WHAT IS THE VICTIMOLOGY IN KILLING A MECHANIC, 86 00:04:29,102 --> 00:04:30,871 A REAL ESTATE BROKER, AND A COOK, 87 00:04:30,904 --> 00:04:33,607 WITH AGES RANGING FROM 22 TO 45? 88 00:04:33,641 --> 00:04:36,577 AND THIS LATEST IS A 33-YEAR-OLD TAXI DRIVER. 89 00:04:36,610 --> 00:04:38,912 THEY JUST DON'T SEEM TO HAVE VERY MUCH IN COMMON. 90 00:04:38,946 --> 00:04:41,014 BESIDES BEING MALE AND WALKING THE FRENCH QUARTER LATE AT NIGHT. 91 00:04:41,048 --> 00:04:43,584 WHICH IS NOTORIOUS FOR MUGGINGS OFF THE MAIN DRAG. 92 00:04:43,617 --> 00:04:47,588 YEAH, BUT THIS GUY ISN'T IN A RUSH TO FLEE THE SCENE. 93 00:04:47,621 --> 00:04:48,956 A SLAUGHTER LIKE THIS TAKES TIME. 94 00:04:48,989 --> 00:04:51,692 ANDREI CHIKATILO FANTASIZED THAT THE MEN HE KILLED WERE HIS CAPTIVES 95 00:04:51,725 --> 00:04:53,694 AND THEN TORTURING AND MUTILATING THEM 96 00:04:53,727 --> 00:04:54,728 SOMEHOW MADE HIM A HERO. 97 00:04:54,762 --> 00:04:56,597 THE CITY'S BARELY BACK TO LIFE. 98 00:04:56,630 --> 00:04:59,066 SOMETHING LIKE THIS COULD CRIPPLE ITS PSYCHE. 99 00:04:59,099 --> 00:05:00,300 SO WHERE DO WE START? 100 00:05:00,334 --> 00:05:04,405 WELL, WITH NO CASE FILE THERE'S ONLY ONE PLACE WE CAN START. 101 00:05:04,905 --> 00:05:07,608 AT SQUARE ONE. 102 00:05:11,144 --> 00:05:14,415 YOU MUST BE B.A.U. 103 00:05:14,448 --> 00:05:15,315 BILL LAMONTAGNE. 104 00:05:15,349 --> 00:05:17,551 HI. JENNIFER JAREAU. WE SPOKE ON THE PHONE. 105 00:05:17,585 --> 00:05:19,987 WELL, OK, THEN. 106 00:05:20,020 --> 00:05:21,922 I PICTURED YOU DIFFERENT. 107 00:05:21,955 --> 00:05:24,758 UH, THESE ARE AGENTS GIDEON AND MORGAN. 108 00:05:24,792 --> 00:05:26,760 THIS IS DETECTIVE WILLIAM LAMONTAGNE JR. 109 00:05:26,794 --> 00:05:29,430 APPRECIATE YOU GUYS BEING HERE. 110 00:05:29,463 --> 00:05:32,366 MY DADDY WAS TOO STUBBORN TO EVER ASK FOR ANY HELP. 111 00:05:32,400 --> 00:05:34,568 SORRY FOR YOUR LOSS. 112 00:05:35,703 --> 00:05:37,137 I UNDERSTAND YOU RECEIVED A LETTER. 113 00:05:37,170 --> 00:05:38,939 YEAH. BEFORE THEY WERE LOST IN KATRINA, 114 00:05:38,972 --> 00:05:40,908 MY DADDY RECEIVED 2 LETTERS. 115 00:05:40,941 --> 00:05:43,677 THIS ONE CAME ADDRESSED TO HIM YESTERDAY. 116 00:05:43,711 --> 00:05:44,445 THEY PASSED IT ON TO ME. 117 00:05:44,478 --> 00:05:46,046 YOU SURE IT'S FROM THE SAME KILLER? 118 00:05:46,079 --> 00:05:47,548 IT'S A DETAILED ACCOUNT 119 00:05:47,581 --> 00:05:48,949 OF WHAT HE DID TO THE BODY. 120 00:05:48,982 --> 00:05:53,421 4 LAYERS OF FATTY TISSUE SLICED THROUGH LIKE BUTTER. 121 00:05:53,454 --> 00:05:55,656 I ONLY SEEN THAT 3 OTHER TIMES. 122 00:05:55,689 --> 00:05:56,524 YOU WORK THIS CASE INITIALLY? 123 00:05:56,557 --> 00:05:59,693 NAH. YOU DON'T FORGET VICTIMS LIKE THIS. 124 00:05:59,727 --> 00:06:00,528 IT'S LIKE THEY WERE DISSECTED. 125 00:06:00,561 --> 00:06:02,796 I CAN STILL SMELL THE ALCOHOL ON HIM. 126 00:06:02,830 --> 00:06:03,731 THIS IS NEW ORLEANS. 127 00:06:03,764 --> 00:06:05,599 DEAD OR ALIVE, IT'S A SMELL YOU GET USED TO. 128 00:06:05,633 --> 00:06:07,468 THE VICTIM HAS NO DEFENSE WOUNDS. 129 00:06:07,501 --> 00:06:11,472 MEANING THIS IS MOST LIKELY A BLITZ ATTACK. 130 00:06:13,641 --> 00:06:17,044 NO HESITATION MARKS OR RAPID THRUSTS. 131 00:06:17,077 --> 00:06:18,846 CUTS WERE METHODICAL. 132 00:06:18,879 --> 00:06:19,847 ALMOST PROCEDURAL. 133 00:06:19,880 --> 00:06:22,950 MY GUESS--WHOEVER GUTTED THIS GUY WAS TAUGHT TO. 134 00:06:22,983 --> 00:06:24,518 SO YOU THINK HE MIGHT HAVE SOME MEDICAL TRAINING? 135 00:06:24,552 --> 00:06:26,687 HOW ELSE COULD HE CARVE AROUND EVERY ORGAN 136 00:06:26,720 --> 00:06:27,721 AND LEAVE EACH ONE INTACT? 137 00:06:27,755 --> 00:06:30,591 HAVE ANY OF HIS RELATIVES COME TO CLAIM THE BODY? 138 00:06:30,624 --> 00:06:31,659 ANYONE WE COULD SPEAK WITH? 139 00:06:31,692 --> 00:06:34,595 NO. I'LL END UP BOXING UP THE POOR BASTARD'S ASHES, 140 00:06:34,628 --> 00:06:36,497 LEFT TO COLLECT DUST IN STORAGE. 141 00:06:36,530 --> 00:06:38,832 ALL THE BODIES I'VE BEEN THROUGH IN THE LAST YEAR AND A HALF, 142 00:06:38,866 --> 00:06:42,570 IT'S A WONDER I STILL HAVE ROOM. 143 00:06:47,107 --> 00:06:49,977 IT'D BE PRETTY EASY TO HIDE OUT IN ONE OF THESE ALCOVES, 144 00:06:50,010 --> 00:06:51,879 WAIT FOR THE VICTIM WITHOUT EVER BEING SEEN. 145 00:06:51,912 --> 00:06:54,948 YEAH, ALL 4 MURDERS OCCURRED WITHIN A 10-BLOCK RADIUS 146 00:06:54,982 --> 00:06:56,149 HERE INSIDE THE FRENCH QUARTER. 147 00:06:56,183 --> 00:06:59,720 ON ANY GIVEN NIGHT, THERE'D HAVE TO BE THOUSANDS OF PEOPLE 148 00:06:59,753 --> 00:07:01,221 WALKING THROUGH HERE FROM THE BARS. 149 00:07:01,254 --> 00:07:02,723 TENS OF THOUSANDS. 150 00:07:02,756 --> 00:07:04,191 WHEN I FIRST STARTED AS A COP, 151 00:07:04,224 --> 00:07:05,158 I WORKED THE QUARTER. 152 00:07:05,192 --> 00:07:06,927 IT'S LIKE BEING IN THE RIOT SQUAD EVERY NIGHT. 153 00:07:06,960 --> 00:07:09,630 EVERY SUNDAY I'D GET OFF WORK AROUND SUNRISE, 154 00:07:09,663 --> 00:07:10,764 I'M READY TO PASS OUT, 155 00:07:10,798 --> 00:07:12,933 MY DADDY'D BE WAITING FOR ME AT MY HOUSE. 156 00:07:12,966 --> 00:07:15,603 MAKE ME DRIVE HIM UPTOWN TO FRANKIE AND JOHNNY'S 157 00:07:15,636 --> 00:07:16,436 FOR POORBOYS. 158 00:07:16,470 --> 00:07:18,238 CALLED IT COMMUNING WITH NEW ORLEANS. 159 00:07:18,271 --> 00:07:21,609 DID YOUR FATHER TELL YOU ANYTHING ELSE ABOUT THIS CASE 160 00:07:21,642 --> 00:07:22,743 THAT WE SHOULD KNOW? 161 00:07:22,776 --> 00:07:23,644 HE TRIED TO. 162 00:07:23,677 --> 00:07:26,814 BUT YOU GUYS SHOULD SEE THAT FOR YOURSELF. 163 00:07:29,683 --> 00:07:33,754 THIS WALL IS STILL STANDING WHERE DADDY CARVED THE MESSAGE 164 00:07:33,787 --> 00:07:36,690 RIGHT BEFORE HE DIED. 165 00:07:38,659 --> 00:07:42,963 THERE'S NO DOUBT HE'S STILL WORKING FROM THE GRAVE. 166 00:07:43,263 --> 00:07:46,634 "JONES." THAT NAME MEAN ANYTHING TO YOU? 167 00:07:46,667 --> 00:07:48,035 NO. I RAN IT THROUGH THE DATABASE 168 00:07:48,068 --> 00:07:49,870 AGAINST EVERY OFFENDER IN NEW ORLEANS. 169 00:07:49,903 --> 00:07:51,905 AND YOU CAN IMAGINE HOW MANY HITS I GOT. 170 00:07:51,939 --> 00:07:54,942 BUT NOTHING CAME UP IN CONNECTION WITH THIS CASE. 171 00:07:54,975 --> 00:07:56,009 BUT IN YOUR DAD'S FINAL MOMENTS, 172 00:07:56,043 --> 00:07:58,812 IT WAS THE MOST IMPORTANT THING HE WANTED TO SAY. 173 00:07:58,846 --> 00:08:02,683 LEARNED HOW TO PLAY THE DRUMS IN THIS HOUSE, 174 00:08:02,716 --> 00:08:05,553 GREW UP WITH 2 DOGS IN THIS HOUSE. 175 00:08:05,586 --> 00:08:08,789 ALL IT'S GONNA BE NOW IS THE WORD "JONES" CARVED INTO THAT WALL. 176 00:08:08,822 --> 00:08:11,124 DETECTIVE, IF HE HAD WRITTEN THE UNSUB'S NAME, 177 00:08:11,158 --> 00:08:12,993 I THINK YOU WOULD HAVE FOUND HIM BY NOW. 178 00:08:13,026 --> 00:08:14,728 JONES IS THE ONE PIECE OF THE PUZZLE 179 00:08:14,762 --> 00:08:15,863 THAT YOUR DADDY DID KNOW. 180 00:08:15,896 --> 00:08:18,732 HE TRUSTED YOU TO FIGURE OUT THE REST. 181 00:08:18,766 --> 00:08:19,567 YEAH, I KNOW IT. 182 00:08:19,600 --> 00:08:21,535 BUT I'VE PORED OVER IT A THOUSAND TIMES 183 00:08:21,569 --> 00:08:24,071 AND I STILL CAN'T PUT IT TOGETHER. 184 00:08:24,104 --> 00:08:28,208 I CAN'T GET IT OUT OF MY HEAD. 185 00:08:30,978 --> 00:08:32,880 YOU OK? 186 00:08:32,913 --> 00:08:33,914 YEAH. 187 00:08:33,947 --> 00:08:38,085 I JUST DON'T WANT TO DISAPPOINT HIM. 188 00:08:41,789 --> 00:08:43,891 IS THAT THE LETTER FROM THE UNSUB? 189 00:08:43,924 --> 00:08:44,825 YEAH. 190 00:08:44,858 --> 00:08:45,793 "I'M BACK WITH A VENGEANCE. 191 00:08:45,826 --> 00:08:46,794 "I WANTED YOU TO KNOW. 192 00:08:46,827 --> 00:08:49,730 "THE LAST GUY MADE IT EASY, BEING OUT SO LATE, 193 00:08:49,763 --> 00:08:50,764 "STUMBLING HOME DRUNK. 194 00:08:50,798 --> 00:08:52,800 "I ENJOYED SLICING AROUND HIS ORGANS. 195 00:08:52,833 --> 00:08:53,834 "I THOUGHT ABOUT SENDING YOU ONE. 196 00:08:53,867 --> 00:08:57,638 "HE WAS ASKING TO BE RIPPED, DON'T YOU THINK, BOSS? 197 00:08:57,671 --> 00:08:58,806 YOURS TRULY." 198 00:08:58,839 --> 00:08:59,840 HEY. 199 00:08:59,873 --> 00:09:01,541 OK. 200 00:09:03,176 --> 00:09:05,813 TO SAY THAT THE VICTIMS WERE ASKING TO BE KILLED 201 00:09:05,846 --> 00:09:06,847 DENIES ALL CULPABILITY. 202 00:09:06,880 --> 00:09:08,782 MOST SEXUAL SADISTS RATIONALIZE THEIR OWN BEHAVIOR 203 00:09:08,816 --> 00:09:09,717 BY BLAMING THE VICTIMS LIKE THAT. 204 00:09:09,750 --> 00:09:11,785 BUT THERE WAS NO EVIDENCE OF SEXUAL ASSAULT 205 00:09:11,819 --> 00:09:12,753 IN THE AUTOPSY. 206 00:09:12,786 --> 00:09:14,988 HE COULD BE A HOMOSEXUAL MALE 207 00:09:15,022 --> 00:09:17,758 STABBING BECAUSE HE NEEDS VIOLENCE FOR AROUSAL. 208 00:09:17,791 --> 00:09:21,161 EVERY KILL HE'S ACTING OUT A FANTASY OF REVENGE. 209 00:09:21,194 --> 00:09:23,731 WHAT IF HE'S TRYING TO ACT OUT SOMETHING ELSE? 210 00:09:23,764 --> 00:09:26,266 EXCEPT FOR THE VICTIMS WERE MEN, IT'S THE SAME M.O. 211 00:09:26,299 --> 00:09:27,567 WHAT ARE YOU TALKING ABOUT? 212 00:09:27,601 --> 00:09:30,270 ALL 4 VICTIMS WERE FOUND WITH THEIR THROATS SLASHED, EVISCERATED, 213 00:09:30,303 --> 00:09:33,874 AND THE MURDERS PERPETRATED IN SEMI-PUBLIC PLACES AFTER DARK. 214 00:09:33,907 --> 00:09:36,343 INVESTIGATORS TAUNTED WITH THE LETTERS ADDRESSED TO "BOSS." 215 00:09:36,376 --> 00:09:38,345 THE ONLY DIFFERENCE IS THAT CASE WAS 100 YEARS AGO 216 00:09:38,378 --> 00:09:40,948 AND THE MURDERS TOOK PLACE IN LONDON. 217 00:09:41,314 --> 00:09:42,750 JACK THE RIPPER. 218 00:09:42,783 --> 00:09:44,184 THE UNSUB WANTS US TO THINK 219 00:09:44,217 --> 00:09:47,387 THAT HE'S THE MODERN-DAY VERSION LOOSE IN NEW ORLEANS. 220 00:09:47,420 --> 00:09:49,657 PLEASE. 221 00:09:49,690 --> 00:09:51,659 NO! 222 00:10:07,007 --> 00:10:09,977 SO THE 3 OF YOU WERE OUT TOGETHER LAST NIGHT? 223 00:10:10,010 --> 00:10:11,211 MARK HAD JUST PAID HIS TAB AT ONE BAR 224 00:10:11,244 --> 00:10:12,980 AND HE WAS ON HIS WAY TO MEET US AT ANOTHER. 225 00:10:13,013 --> 00:10:15,015 YOU GUYS GET IN ANY TROUBLE? 226 00:10:15,048 --> 00:10:17,384 DRUNKEN BRAWL 227 00:10:17,417 --> 00:10:19,419 WE WERE JUST OUT TO HAVE FUN, YOU KNOW? 228 00:10:19,452 --> 00:10:20,721 MINDED OUR OWN BUSINESS. 229 00:10:20,754 --> 00:10:21,989 COULD MARK HAVE MET A GIRL? 230 00:10:22,022 --> 00:10:23,691 MAYBE UPSET HER BOYFRIEND? 231 00:10:23,724 --> 00:10:24,391 NO, SIR. 232 00:10:24,424 --> 00:10:27,127 HE STRUCK OUT LIKE WE ALL DID. 233 00:10:27,160 --> 00:10:29,262 THANKS, GUYS. 234 00:10:32,199 --> 00:10:34,167 GETTING HARD TO KEEP UP WITH THIS GUY. 235 00:10:34,201 --> 00:10:36,737 WELL, IF HE'S MIMICKING JACK THE RIPPER, 236 00:10:36,770 --> 00:10:38,839 THAT MIGHT BE PRECISELY THE POINT. 237 00:10:38,872 --> 00:10:40,240 HE TERRORIZED LONDON FOR MONTHS 238 00:10:40,273 --> 00:10:41,141 WITHOUT EVER GETTING CAUGHT. 239 00:10:41,174 --> 00:10:42,976 I'D APPRECIATE IT IF YOU'D GATHER YOUR MEN. 240 00:10:43,010 --> 00:10:46,046 WE'D LIKE TO GIVE YOU A PROFILE OF WHO YOU'RE UP AGAINST. 241 00:10:46,079 --> 00:10:49,282 THE OFFENDER WE'RE LOOKING FOR IS FRIENDLY, 242 00:10:49,316 --> 00:10:52,452 AGILE, SOMEWHERE BETWEEN 30 AND 35. 243 00:10:52,485 --> 00:10:54,922 HE'LL ALLURE WITH CHARM 244 00:10:54,955 --> 00:10:55,956 AND KILL WITH RAGE. 245 00:10:55,989 --> 00:10:58,025 WE BELIEVE HE'S MURDERING MEN 246 00:10:58,058 --> 00:10:58,892 TO RECLAIM HIS POWER. 247 00:10:58,926 --> 00:11:00,327 THIS UNSUB SUFFERS FROM LOW SELF-ESTEEM, 248 00:11:00,360 --> 00:11:01,929 BUT HE PROBABLY COVERS IT WELL. 249 00:11:01,962 --> 00:11:04,932 HE DRESSES IMPECCABLY TO FEED THE FACADE. 250 00:11:04,965 --> 00:11:06,099 JACK THE RIPPER HIMSELF 251 00:11:06,133 --> 00:11:08,201 WAS AN IMPETUOUS LUST MURDERER, 252 00:11:08,235 --> 00:11:12,172 WHEREAS THIS OFFENDER IS ORGANIZED, 253 00:11:12,205 --> 00:11:13,040 CALCULATING. 254 00:11:13,073 --> 00:11:15,843 HE MIGHT EVEN STALK HIS VICTIMS FOR DAYS 255 00:11:15,876 --> 00:11:18,011 BEFORE THE ACTUAL KILL. 256 00:11:19,212 --> 00:11:22,850 WE BELIEVE THIS KILLER IDENTIFIES WITH JACK THE RIPPER 257 00:11:22,883 --> 00:11:25,753 BECAUSE HE'S LOST HIS OWN IDENTITY. 258 00:11:25,786 --> 00:11:28,922 MAYBE THROUGH YEARS OF CHILD ABUSE... 259 00:11:28,956 --> 00:11:31,091 OR SOME CATASTROPHIC EVENT. 260 00:11:31,124 --> 00:11:33,961 BECAUSE HE OVERCOMPENSATES TO HIDE HIS INSECURITIES, 261 00:11:33,994 --> 00:11:36,429 WE BELIEVE HE MAY HOLD A POSITION OF AUTHORITY AT WORK. 262 00:11:36,463 --> 00:11:39,432 AND SINCE WE THINK HE'S HAD MEDICAL TRAINING, 263 00:11:39,466 --> 00:11:43,503 CONSIDER EMTs, DOCTORS, VETERINARIANS. 264 00:11:43,536 --> 00:11:45,005 PLEASE BE CAREFUL. 265 00:11:45,038 --> 00:11:45,839 FOR THIS UNSUB, 266 00:11:45,873 --> 00:11:46,907 THE FRENCH QUARTER'S A HUNTING GROUND. 267 00:11:46,940 --> 00:11:51,879 HE'S CERTAINLY ALREADY PROVEN HE KNOWS THE TERRAIN. 268 00:12:09,062 --> 00:12:10,063 JEEZ! 269 00:12:10,097 --> 00:12:12,199 REID, YOU SCARED ME. 270 00:12:12,232 --> 00:12:13,967 ALWAYS BEEN ONE STEP AHEAD OF YOU, MAN. 271 00:12:14,001 --> 00:12:16,804 YEAH, WHATEVER HELPS YOU SLEEP AT NIGHT. 272 00:12:17,170 --> 00:12:20,173 I'M GLAD YOU CALLED. IT'S GOOD TO SEE YOU. 273 00:12:20,207 --> 00:12:21,108 YOU, TOO. 274 00:12:21,141 --> 00:12:23,243 LET'S GET A DRINK. 275 00:12:27,014 --> 00:12:27,848 PRENTISS. 276 00:12:27,881 --> 00:12:28,782 WHAT WAS THE THING 277 00:12:28,816 --> 00:12:30,951 JACK THE RIPPER TOOK FROM ONE OF HIS VICTIMS? 278 00:12:30,984 --> 00:12:32,552 BESIDES, WELL, YOU KNOW, HER LIFE? 279 00:12:32,585 --> 00:12:35,022 OH. UH--UH... 280 00:12:35,055 --> 00:12:35,923 MMM. 281 00:12:35,956 --> 00:12:37,991 TICK TOCK... 282 00:12:38,025 --> 00:12:39,292 TICK TOCK. 283 00:12:39,326 --> 00:12:42,129 I DON'T KNOW. 284 00:12:42,162 --> 00:12:42,896 A KIDNEY. 285 00:12:42,930 --> 00:12:44,564 HOW HORRIFYINGLY FANTASTIC IS THAT? 286 00:12:44,597 --> 00:12:47,300 MM-HMM. AND ARE YOU GOING ANYWHERE WITH THIS? 287 00:12:47,334 --> 00:12:51,304 JUST THAT I FOUND AN UNSOLVED MURDER THAT HAPPENED 4 MONTHS AGO 288 00:12:51,338 --> 00:12:52,940 IN GALVESTON, TEXAS, 289 00:12:52,973 --> 00:12:54,107 WITH THE SAME M.O., 290 00:12:54,141 --> 00:12:55,308 THE VICTIM MISSING 291 00:12:55,342 --> 00:12:58,145 THAT VERY ORGAN. 292 00:12:59,046 --> 00:13:00,881 I AMAZE MYSELF. 293 00:13:00,914 --> 00:13:02,983 YEAH. ME, TOO. 294 00:13:03,016 --> 00:13:04,151 GREAT WORK. 295 00:13:04,184 --> 00:13:05,152 WHAT'S THAT? 296 00:13:05,185 --> 00:13:08,055 GARCIA FOUND A SIMILAR CASE IN GALVESTON, TEXAS. 297 00:13:08,088 --> 00:13:10,190 A LOT OF KATRINA REFUGEES RELOCATED THERE. 298 00:13:10,223 --> 00:13:11,191 IT COULD BE THE SAME GUY. 299 00:13:11,224 --> 00:13:13,827 HE REMOVED THE KIDNEY JUST LIKE JACK THE RIPPER. 300 00:13:13,861 --> 00:13:14,828 CALL REID AND MORGAN. 301 00:13:14,862 --> 00:13:17,164 I WANT THE 3 OF YOU ON A PLANE TO TEXAS TONIGHT. 302 00:13:17,197 --> 00:13:18,298 OK. 303 00:13:27,107 --> 00:13:28,575 SO... 304 00:13:28,608 --> 00:13:30,911 ARE YOU GONNA ASK THE QUESTION? 305 00:13:30,944 --> 00:13:32,913 WHAT QUESTION? 306 00:13:32,946 --> 00:13:33,981 COME ON, MAN. 307 00:13:34,014 --> 00:13:34,882 IT'S ME HERE. 308 00:13:34,915 --> 00:13:37,084 WE HAVEN'T TALKED TO EACH OTHER IN YEARS. 309 00:13:37,117 --> 00:13:38,385 I KNOW IT'S WHY YOU CALLED ME. 310 00:13:38,418 --> 00:13:40,921 ASK THE QUESTION. 311 00:13:40,954 --> 00:13:44,925 WHY DID YOU QUIT AFTER ONLY ONE DAY OF FBI TRAINING? 312 00:13:46,093 --> 00:13:48,361 WELL... 313 00:13:48,395 --> 00:13:52,199 I'M SURE YOU'VE CONSIDERED THE EVIDENCE, 314 00:13:52,232 --> 00:13:55,635 ANALYZED THE SIGNS. 315 00:13:55,668 --> 00:13:56,970 WHAT'S YOUR THEORY? 316 00:13:57,004 --> 00:13:58,205 YOU WERE BATTLING YOUR OWN DEMONS. 317 00:13:58,238 --> 00:14:01,308 YOU DIDN'T HAVE TIME TO ANALYZE SOMEONE ELSE'S. 318 00:14:01,341 --> 00:14:02,409 NOT BAD. NOT BAD. 319 00:14:02,442 --> 00:14:06,613 THOSE DAYS, I DID PREFER JACK DANIEL'S TO JEFF DAHMER. 320 00:14:06,646 --> 00:14:10,884 THEY BOTH WEIGH ON YOUR SOUL EVENTUALLY. 321 00:14:17,457 --> 00:14:19,927 THE BAT PHONE. 322 00:14:20,961 --> 00:14:23,530 LET ME ASK YOU THIS, ETHAN. 323 00:14:23,563 --> 00:14:25,999 DO YOU EVER REGRET IT? 324 00:14:26,199 --> 00:14:29,202 YOU KNOW, I MAY NOT BE CHANGING THE WORLD, BUT... 325 00:14:29,236 --> 00:14:30,237 MY MUSIC MAKES ME HAPPY. 326 00:14:30,270 --> 00:14:34,507 IT DOESN'T TAKE A PROFILER TO SEE THAT YOU'RE NOT. 327 00:14:37,377 --> 00:14:39,212 IT'S NOT EASY. AND IT'S NOT-- 328 00:14:39,246 --> 00:14:44,251 I...DON'T THINK YOU'D BELIEVE SOME OF THE THINGS THAT I'VE SEEN. 329 00:14:45,252 --> 00:14:47,020 JOHN COLTRANE. 330 00:14:47,054 --> 00:14:48,521 HE WAS A GENIUS, TOO. 331 00:14:48,555 --> 00:14:49,556 DIED OF CANCER. 332 00:14:49,589 --> 00:14:52,325 BUT MOST PEOPLE THINK IT WAS THE BOOZE AND HEROIN 333 00:14:52,359 --> 00:14:53,260 THAT DID HIM IN. 334 00:14:53,293 --> 00:14:55,262 WHAT ARE YOU TRYING TO SAY? 335 00:14:55,295 --> 00:14:57,497 YOU LOOK LIKE HELL. 336 00:14:58,231 --> 00:14:59,199 I'M FINE. 337 00:14:59,232 --> 00:15:00,000 COME ON, MAN. 338 00:15:00,033 --> 00:15:01,534 I'M A JAZZ MUSICIAN IN NEW ORLEANS. 339 00:15:01,568 --> 00:15:04,271 I KNOW WHAT IT LOOKS LIKE WHEN SOMEONE'S NOT WELL. 340 00:15:04,304 --> 00:15:07,975 THIS MAY BE THE ONE TIME I CAN TELL YOU SOMETHING 341 00:15:08,008 --> 00:15:11,211 THAT YOU DON'T ALREADY KNOW. 342 00:15:11,244 --> 00:15:12,479 THAT MIGHT HELP YOU FORGET, 343 00:15:12,512 --> 00:15:14,614 BUT IT WON'T MAKE IT GO AWAY. 344 00:15:14,647 --> 00:15:16,483 AND IF I CAN TELL... 345 00:15:16,516 --> 00:15:19,519 YOU'RE SURROUNDED BY SOME OF THE BEST MINDS IN THE WORLD, 346 00:15:19,552 --> 00:15:23,423 AND IF YOU THINK THEY DON'T NOTICE... 347 00:15:23,456 --> 00:15:25,325 WELL... 348 00:15:25,358 --> 00:15:27,594 FOR A GENIUS, 349 00:15:27,627 --> 00:15:28,695 THAT'S JUST DUMB. 350 00:15:34,467 --> 00:15:37,204 HEY. HEY. 351 00:15:39,772 --> 00:15:41,141 WHERE'S REID? 352 00:15:41,174 --> 00:15:43,343 I WAS HOPING HE WAS WITH YOU. 353 00:15:43,376 --> 00:15:45,312 I THOUGHT YOU SAID YOU CALLED HIM. 354 00:15:45,345 --> 00:15:48,015 I DID, 4 TIMES. NOTHING. 355 00:15:48,281 --> 00:15:51,284 THE VICTIM'S FIANCEE IS EXPECTING US. 356 00:15:51,318 --> 00:15:54,221 WHAT ARE WE SUPPOSED TO DO? 357 00:15:55,722 --> 00:15:58,025 WE GOT ONE OPTION. 358 00:15:58,058 --> 00:15:59,592 WHEELS UP. 359 00:16:03,563 --> 00:16:04,364 THANK YOU. 360 00:16:04,397 --> 00:16:05,832 IT'S NOT RIGHT. 361 00:16:05,865 --> 00:16:10,203 THE FRENCH QUARTER'S ONE OF THE ONLY PARTS OF THE CITY THAT DODGED KATRINA. 362 00:16:10,237 --> 00:16:12,072 NOW THERE'S A SERIAL KILLER LOOSE. 363 00:16:12,105 --> 00:16:12,905 IT'S A SMALL AREA, 364 00:16:12,939 --> 00:16:15,342 AND WE'RE NARROWING DOWN THE PROFILE. 365 00:16:15,375 --> 00:16:17,610 WE'LL FIND HIM. 366 00:16:18,445 --> 00:16:22,282 YOU ALWAYS DRINK WHILE YOU'RE STILL ON THE CLOCK? 367 00:16:22,315 --> 00:16:24,151 THIS IS NEW ORLEANS, HONEY. 368 00:16:24,184 --> 00:16:25,685 IT'S A CULTURAL THING. 369 00:16:25,718 --> 00:16:28,621 WHERE ARE YOU FROM? 370 00:16:28,655 --> 00:16:30,057 PENNSYLVANIA. 371 00:16:30,090 --> 00:16:31,358 I TAKE IT THE FOLKS 372 00:16:31,391 --> 00:16:36,063 ARE A LITTLE RIGID ABOUT THE RULES UP THAT WAY. 373 00:16:36,396 --> 00:16:39,099 WELL, IF IT MAKES YOU FEEL BETTER... 374 00:16:39,132 --> 00:16:41,334 * JUST TAKE ME BACK... 375 00:16:41,368 --> 00:16:44,404 WE'LL PLAY IT PENNSYLVANIA STYLE TONIGHT. 376 00:16:44,437 --> 00:16:47,707 I JUST HATE THAT THIS GUY HAS A LEG UP ON US, YOU KNOW? 377 00:16:47,740 --> 00:16:53,313 I PROMISE, AS SOON AS MY TEAM KNOWS ANYTHING, WE'LL HEAR. 378 00:16:53,346 --> 00:16:54,114 OK? 379 00:16:56,549 --> 00:16:57,750 WHY AREN'T YOU MARRIED? 380 00:17:01,388 --> 00:17:05,358 UH, THAT INVOLVES THIS CASE HOW? 381 00:17:05,392 --> 00:17:06,759 IT DOESN'T. 382 00:17:06,793 --> 00:17:09,028 I'M JUST FLIRTIN'. 383 00:17:09,629 --> 00:17:11,064 IT'S UNPROFESSIONAL. 384 00:17:11,098 --> 00:17:13,533 YOU DON'T HAVE TO ANSWER THAT. 385 00:17:13,566 --> 00:17:14,401 EXCUSE ME. 386 00:17:14,434 --> 00:17:19,139 COMPLIMENTS OF THE WOMAN IN THE BLUE TOP. 387 00:17:21,774 --> 00:17:24,444 WOW. THAT WAS...BOLD. 388 00:17:24,477 --> 00:17:28,315 SHE MIGHT HAVE THOUGHT WE WERE JUST WORKING. 389 00:17:29,316 --> 00:17:30,450 WE ARE. 390 00:17:30,483 --> 00:17:32,752 ARE YOU JEALOUS? 391 00:17:34,687 --> 00:17:36,756 NO. I JUST--I... 392 00:17:36,789 --> 00:17:38,391 I'M SURPRISED, THAT'S ALL. 393 00:17:38,425 --> 00:17:41,661 AND YOU'RE A LOUSY LIAR, TOO. 394 00:17:41,694 --> 00:17:44,264 YOU HAVEN'T HAD MUCH PRACTICE, HUH? 395 00:17:44,297 --> 00:17:47,267 IT'S A CULTURE THING. 396 00:17:47,800 --> 00:17:49,402 YOU SEE. 397 00:17:49,436 --> 00:17:50,703 THERE YOU GO. 398 00:17:50,737 --> 00:17:51,671 EVERYBODY KEPT SAYING 399 00:17:51,704 --> 00:17:55,708 CRIME'S GONNA SKYROCKET AFTER THE RELOCATION. 400 00:17:55,742 --> 00:17:59,379 YOU JUST NEVER THINK IT'S GONNA HAPPEN TO YOU. 401 00:17:59,412 --> 00:18:01,748 THE REPORT SAID THAT YOUR FIANCE 402 00:18:01,781 --> 00:18:04,484 WAS BAR-HOPPING FOR HIS BACHELOR PARTY 403 00:18:04,517 --> 00:18:07,387 ON THE NIGHT HE WAS KILLED. 404 00:18:07,420 --> 00:18:10,623 WE WERE SUPPOSED TO BE MARRIED IN OCTOBER. 405 00:18:10,657 --> 00:18:13,493 HE WAS JUST OUT CELEBRATING THAT WITH FRIENDS. 406 00:18:13,526 --> 00:18:16,329 WAS THERE ANYONE AT LEONARD'S BACHELOR PARTY 407 00:18:16,363 --> 00:18:17,864 YOU DIDN'T KNOW? 408 00:18:17,897 --> 00:18:19,899 WE ALL GREW UP TOGETHER. 409 00:18:19,932 --> 00:18:21,501 THEY'RE LIKE FAMILY TO ME. 410 00:18:21,534 --> 00:18:24,171 WHETHER THEY MET SOMEBODY OUT, YOU KNOW, 411 00:18:24,204 --> 00:18:25,472 THAT'S A DIFFERENT STORY. 412 00:18:25,505 --> 00:18:28,775 THEY'RE A ROWDY BUNCH. 413 00:18:28,808 --> 00:18:32,545 AND THEY'D PARTY WITH ANYBODY. 414 00:18:33,746 --> 00:18:37,284 EACH OF THE LAST 2 VICTIMS WAS TRAVELING IN A GROUP. 415 00:18:37,317 --> 00:18:40,453 BOTH WERE DRINKING, BOTH IN PUBLIC ARENAS, BAR-HOPPING. 416 00:18:40,487 --> 00:18:44,257 SO HOW COULD THEIR FRIENDS NOT SEE ANYTHING? 417 00:18:44,557 --> 00:18:47,760 IT LIKE WHEN A LION PREYS UPON AN ANTELOPE. 418 00:18:47,794 --> 00:18:50,530 YOU LOST ME. 419 00:18:50,563 --> 00:18:52,532 THAT'S BECAUSE YOU, EMILY PRENTISS, 420 00:18:52,565 --> 00:18:54,434 HAVE NEVER BEEN ONE OF THE ANTELOPE. 421 00:18:54,467 --> 00:18:57,404 OH, SCRATCH THAT. YOU TOTALLY LOST ME. 422 00:18:57,437 --> 00:18:58,738 OK. CHECK THIS OUT. 423 00:18:58,771 --> 00:19:01,441 THE ANTELOPE TRAVEL IN PACKS. 424 00:19:01,474 --> 00:19:04,611 SO THE LION JUST SITS AND WAITS. 425 00:19:04,644 --> 00:19:06,646 WAITS FOR JUST ONE OF THE ANTELOPE 426 00:19:06,679 --> 00:19:09,316 TO BREAK AWAY FROM ITS HERD. 427 00:19:09,349 --> 00:19:10,183 SO WHEN HE'S ALONE, 428 00:19:10,217 --> 00:19:12,752 VULNERABLE, AND COMPLETELY UNPROTECTED, 429 00:19:12,785 --> 00:19:14,387 THAT'S WHEN THE LION STRIKES. 430 00:19:14,421 --> 00:19:16,223 THAT'S WHEN SHE MAKES HER MOVE. 431 00:19:16,256 --> 00:19:18,225 WAIT A MINUTE. HER MOVE? 432 00:19:18,258 --> 00:19:19,526 PRENTISS, THERE'S ONLY ONE THING 433 00:19:19,559 --> 00:19:20,793 THAT'S GONNA MAKE A STRAIGHT MAN 434 00:19:20,827 --> 00:19:22,529 LEAVE HIS FRIENDS ON GUYS NIGHT OUT. 435 00:19:22,562 --> 00:19:25,665 AND IT'LL MAKE HIM LEAVE EVERY TIME. 436 00:19:26,533 --> 00:19:30,203 ONE OF THE VICTIMS WAS OUT FOR HIS BACHELOR PARTY. 437 00:19:31,037 --> 00:19:32,872 ANOTHER ONE OUT WITH JUST THE GUYS. 438 00:19:32,905 --> 00:19:33,906 WHAT'S THE ONLY TEMPTATION 439 00:19:33,940 --> 00:19:37,277 THAT'S GONNA LURE THESE MEN AWAY FROM EACH OTHER? 440 00:19:37,744 --> 00:19:38,878 J.J. 441 00:19:38,911 --> 00:19:41,714 * AND SHE ROCKS... 442 00:19:41,748 --> 00:19:42,782 OK. 443 00:19:42,815 --> 00:19:45,518 YEAH, HE'S RIGHT HERE WITH ME. 444 00:19:46,853 --> 00:19:47,687 THANKS. 445 00:19:47,720 --> 00:19:49,589 WHAT'S GOING ON? 446 00:19:49,622 --> 00:19:53,260 THE UNSUB WE'RE LOOKING FOR IS A WOMAN. 447 00:20:04,637 --> 00:20:05,638 HEY. 448 00:20:05,672 --> 00:20:07,307 SO I ALERTED THE DEPARTMENT AND UPDATED THE BOLO. 449 00:20:07,340 --> 00:20:09,476 GOOD. WE NEED TO SET UP A PRESS CONFERENCE. 450 00:20:09,509 --> 00:20:11,644 WE'RE NOT MAKING A MEDIA SPECTACLE OUT OF THIS. 451 00:20:11,678 --> 00:20:14,714 PEOPLE NEED TO KNOW THAT THIS KILLER IS A WOMAN. 452 00:20:14,747 --> 00:20:15,648 WHAT? 453 00:20:15,682 --> 00:20:16,616 LISTEN. 454 00:20:16,649 --> 00:20:19,286 TOURISTS ARE JUST STARTING TO FILTER BACK HERE. 455 00:20:19,319 --> 00:20:20,820 THAT'S NOT THE ISSUE. 456 00:20:20,853 --> 00:20:23,323 I CAN'T CREATE MASS HYSTERIA IN A CITY TRYING TO REBUILD. 457 00:20:23,356 --> 00:20:26,559 BESIDES, WE'LL BE PLAYING RIGHT INTO HER HANDS. 458 00:20:26,593 --> 00:20:28,261 SO BE IT. 459 00:20:28,828 --> 00:20:29,696 LOOK, UM... 460 00:20:29,729 --> 00:20:32,699 I'M TRYING NOT TO GO ABOVE YOUR HEAD HERE. 461 00:20:32,732 --> 00:20:35,468 YEAH. 462 00:20:35,802 --> 00:20:37,970 I GOT THAT. 463 00:20:38,004 --> 00:20:41,341 THEN SET UP THE PRESS CONFERENCE. 464 00:20:42,609 --> 00:20:44,644 HEY, YOU GUYS ARE BACK FROM GALVESTON? 465 00:20:44,677 --> 00:20:46,279 FIRST LIGHT THIS MORNING. WHERE WERE YOU? 466 00:20:46,313 --> 00:20:49,015 I WAS OUT WITH A FRIEND. I ALREADY TOLD YOU. 467 00:20:49,048 --> 00:20:49,882 I CALLED YOU 4 TIMES. 468 00:20:49,916 --> 00:20:51,718 I DIDN'T HAVE ANY CELL PHONE RECEPTION, 469 00:20:51,751 --> 00:20:54,287 SO I DIDN'T GET YOUR MESSAGE UNTIL LATE. 470 00:20:54,321 --> 00:20:55,788 RIGHT. 471 00:20:55,822 --> 00:20:57,790 WHAT'S GOING ON? 472 00:20:57,824 --> 00:21:01,594 OUR UNSUB'S A WOMAN. 473 00:21:01,628 --> 00:21:04,997 WE JUST FOUND ANOTHER BODY IN THE QUARTER. 474 00:21:05,565 --> 00:21:06,966 THROAT'S BEEN CUT. 475 00:21:06,999 --> 00:21:10,570 HE'S BEEN DISEMBOWELED, TOO. 476 00:21:11,338 --> 00:21:13,340 REEKS OF BOOZE. 477 00:21:13,373 --> 00:21:14,774 IT'S MORE THAN A PATTERN. 478 00:21:14,807 --> 00:21:16,609 ONLY THIS TIME HE CUT OFF THE EARLOBE. 479 00:21:16,643 --> 00:21:19,646 SHE'S STICKING WITH THE RIPPER'S PARADIGM. 480 00:21:19,679 --> 00:21:20,613 WHAT DO YOU MEAN? 481 00:21:20,647 --> 00:21:21,914 IN ONE LETTER OF CORRESPONDENCE, 482 00:21:21,948 --> 00:21:24,584 JACK THE RIPPER PROMISED TO CUT THE EARLOBE OFF 483 00:21:24,617 --> 00:21:25,785 OF HIS NEXT VICTIM. 484 00:21:25,818 --> 00:21:26,653 HE DID. 485 00:21:26,686 --> 00:21:28,455 IT WAS THE ONE DAY THAT HE KILLED TWICE. 486 00:21:28,488 --> 00:21:31,324 SO SHE'S GONNA KILL AGAIN BY THE END OF THE DAY. 487 00:21:31,358 --> 00:21:34,060 OK, WHAT DO WE KNOW ABOUT FEMALE SERIAL KILLERS? 488 00:21:34,093 --> 00:21:36,563 BASICALLY, YOU HAVE 2 TYPES. 489 00:21:36,596 --> 00:21:38,331 THE SANTE KIMES MODEL. 490 00:21:38,365 --> 00:21:39,399 COLD, CALCULATING. 491 00:21:39,432 --> 00:21:40,232 PREYS ON MEN FOR MONEY. 492 00:21:40,266 --> 00:21:41,801 TAKES HER TIME BUILDING RELATIONSHIPS. 493 00:21:41,834 --> 00:21:43,436 IT'S MORE LIKELY WE'RE DEALING WITH 494 00:21:43,470 --> 00:21:44,637 THE AILEEN WUORNOS ARCHETYPE, 495 00:21:44,671 --> 00:21:46,573 MOTIVATED BY PARANOIA AND FEAR, 496 00:21:46,606 --> 00:21:47,507 LURING MEN WITH SEX. 497 00:21:47,540 --> 00:21:49,476 OUR UNSUB'S ORGANIZED. SHE FOLLOWS A ROUTINE. 498 00:21:49,509 --> 00:21:53,346 SHE MEETS MEN IN A BAR, FLIRTS WITH THEM OVER DRINKS, 499 00:21:53,380 --> 00:21:57,016 AND SUGGESTS THAT THEY CONSUMMATE THE EVENING IN AN ALLEY. 500 00:21:57,049 --> 00:21:59,051 WE NEED TO BE IN THOSE STREETS. 501 00:21:59,085 --> 00:22:02,722 OFFICE JUST BROUGHT ME THIS. 502 00:22:03,122 --> 00:22:03,956 "DEAR BOSS, 503 00:22:03,990 --> 00:22:07,794 "BY NOW I HAVE RID THE WORLD OF ONE MORE. 504 00:22:07,827 --> 00:22:10,463 "SO MANY MEN, SO LITTLE TIME. 505 00:22:10,497 --> 00:22:11,831 "I HOPE YOU DON'T MIND THE MESS. 506 00:22:11,864 --> 00:22:13,366 "THEY MAKE IS SO EASY, 507 00:22:13,400 --> 00:22:15,802 "I JUST CAN'T HELP MYSELF. 508 00:22:15,835 --> 00:22:17,036 YOURS TRULY." 509 00:22:23,009 --> 00:22:26,546 SO WERE LOOKING FOR A WOMAN WHO WILL APPROACH MEN, 510 00:22:26,579 --> 00:22:28,448 COMFORTABLE BEING THE AGGRESSOR, NO? 511 00:22:28,481 --> 00:22:32,018 AND I'M GUESSING SHE'D HAVE TO BE QUITE ATTRACTIVE 512 00:22:32,051 --> 00:22:34,854 IN ORDER TO LURE THEM AWAY. 513 00:22:37,724 --> 00:22:38,725 MOST OF THE WOMEN ARE OUT IN GROUPS, 514 00:22:38,758 --> 00:22:41,928 SO KEEP YOUR EYES OPEN FOR SOMEONE ON THEIR OWN. 515 00:22:44,864 --> 00:22:48,167 "SO MANY MEN, SO LITTLE TIME." 516 00:22:48,200 --> 00:22:49,969 SO SHE'S ON A QUEST... 517 00:22:50,002 --> 00:22:52,405 TO WIPE OUT THE RACE. 518 00:22:52,439 --> 00:22:55,107 OR...THE FATHER WHO MOLESTED HER? 519 00:22:55,141 --> 00:22:57,844 SOME PEOPLE THINK JACK THE RIPPER MUTILATED WOMEN 520 00:22:57,877 --> 00:23:01,614 AFTER HIS MOTHER SEXUALLY ABUSED HIM FOR YEARS. 521 00:23:01,648 --> 00:23:04,417 FOR SOMEONE SO ENRAGED... 522 00:23:04,451 --> 00:23:06,853 THIS UNSUB SOUNDS ODDLY APOLOGETIC 523 00:23:06,886 --> 00:23:10,623 FOR LEAVING A BLOODY CRIME SCENE. 524 00:23:10,657 --> 00:23:11,491 WHY? 525 00:23:11,524 --> 00:23:15,528 THAT MIGHT BE WHAT LAMONTAGNE FIGURED OUT 526 00:23:15,562 --> 00:23:16,629 RIGHT BEFORE HE DIED. 527 00:23:16,663 --> 00:23:19,799 YOU GOTTA ADMIT, THESE GUYS ARE MAKING IT PRETTY EASY. 528 00:23:19,832 --> 00:23:22,034 I WOULDN'T FOLLOW A STRANGER INTO AN ALLEY 529 00:23:22,068 --> 00:23:23,603 NO MATTER HOW WASTED I WAS. 530 00:23:23,636 --> 00:23:24,537 YEAH, BUT YOU'RE NOT A MAN. 531 00:23:24,571 --> 00:23:27,206 TESTOSTERONE WILL FOLLOW A WOMAN TO THAILAND. 532 00:23:27,239 --> 00:23:28,040 BAREFOOT. 533 00:23:28,074 --> 00:23:30,677 IT'S JUST A FACT. 534 00:23:34,847 --> 00:23:37,216 DID YOU GIVE THAT NEWEST LETTER TO REID? 535 00:23:37,249 --> 00:23:40,820 HE KNOWS THAT RIPPER CASE INSIDE OUT. 536 00:23:40,853 --> 00:23:42,922 HE MIGHT SEE SOMETHING I'M MISSING. 537 00:23:42,955 --> 00:23:44,757 I DON'T THINK, UH... 538 00:23:44,791 --> 00:23:46,092 WHAT IS IT? 539 00:23:46,125 --> 00:23:47,694 NOTHING. 540 00:23:47,727 --> 00:23:48,795 COME ON. 541 00:23:48,828 --> 00:23:53,132 YOU THINK I'M NOT AWARE SOMETHING'S GOING ON WITH HIM? 542 00:23:56,836 --> 00:24:00,807 YOU GONNA TELL ME WHY YOU MISSED THAT FLIGHT TO GALVESTON? 543 00:24:00,840 --> 00:24:01,774 I ALREADY TOLD YOU. 544 00:24:01,808 --> 00:24:04,043 IT WAS NO CELL RECEPTION. 545 00:24:04,076 --> 00:24:06,513 RIGHT. 546 00:24:06,546 --> 00:24:07,313 WHAT? 547 00:24:07,346 --> 00:24:08,280 I MEAN, ANYTIME YOU WANT TO COME UP 548 00:24:08,314 --> 00:24:11,984 WITH A BETTER ANSWER, I'M STANDING RIGHT HERE. 549 00:24:13,853 --> 00:24:15,788 DARK CURLS, 3 O'CLOCK. 550 00:24:15,822 --> 00:24:17,690 I GOT IT. 551 00:24:20,627 --> 00:24:23,996 SHE'S EYEING THOSE GUYS OUTSIDE THAT BAR. 552 00:24:27,934 --> 00:24:29,736 LET'S GO. 553 00:24:35,107 --> 00:24:37,009 OH! OH, I'M--I'M SORRY. 554 00:24:37,043 --> 00:24:39,045 I HATE IT WHEN THAT HAPPENS. 555 00:24:39,078 --> 00:24:39,779 YOU ALL RIGHT? 556 00:24:39,812 --> 00:24:42,982 WHAT CAN I DO TO SAY I'M SORRY? 557 00:24:43,015 --> 00:24:45,552 HOW ABOUT A DRINK? 558 00:24:45,585 --> 00:24:48,187 HAVE A DRINK. THAT'S COOL. 559 00:24:48,220 --> 00:24:49,956 THAT'S COOL. 560 00:24:50,690 --> 00:24:51,290 SURE. 561 00:24:51,323 --> 00:24:53,560 YEAH, THAT'S TOTALLY FINE. 562 00:24:53,593 --> 00:24:54,861 YEAH. 563 00:24:56,929 --> 00:24:57,964 YEAH. 564 00:24:57,997 --> 00:24:59,832 DANNY. 565 00:24:59,866 --> 00:25:01,033 YOU FOOL. 566 00:25:01,067 --> 00:25:03,903 YOU DROPPED YOUR WALLET OUT THERE. 567 00:25:03,936 --> 00:25:04,704 THANKS. 568 00:25:04,737 --> 00:25:07,039 NEXT DRINK IS ON ME. 569 00:25:11,143 --> 00:25:12,244 SO... 570 00:25:12,278 --> 00:25:14,981 WHERE ARE YOUR FRIENDS TONIGHT? 571 00:25:15,281 --> 00:25:17,684 I DIDN'T BRING ANY. 572 00:25:17,717 --> 00:25:20,119 THEY GET IN THE WAY. 573 00:25:20,152 --> 00:25:21,854 NOW, SEE, I LIKE THAT. 574 00:25:21,888 --> 00:25:24,223 'CAUSE, UH, MOST GIRLS, 575 00:25:24,256 --> 00:25:28,194 THEY WON'T GO NOWHERE ALONE. 576 00:25:30,329 --> 00:25:34,066 I'M NOT MOST GIRLS. 577 00:25:44,744 --> 00:25:46,012 WE GOT NOTHIN'. 578 00:25:46,045 --> 00:25:46,946 WELL, THE DAY'S ALMOST OVER, 579 00:25:46,979 --> 00:25:49,982 SO IF YOU'RE RIGHT, WE JUST RAN OUT OF TIME. 580 00:25:57,223 --> 00:26:00,059 YOUR HAIR'S WET. 581 00:26:16,643 --> 00:26:18,645 SHE'S MOCKING US. 582 00:26:18,678 --> 00:26:22,148 AND SHE'S TRUE TO HER WORD. 583 00:26:23,182 --> 00:26:25,351 DO YOU HAVE ANY TWEEZERS? 584 00:26:25,384 --> 00:26:27,854 THANK YOU. 585 00:26:29,789 --> 00:26:30,857 WHAT IS THAT? 586 00:26:30,890 --> 00:26:32,859 I HAVE NO IDEA. 587 00:26:35,327 --> 00:26:38,264 IT'S A NOTE FROM THE UNSUB, 588 00:26:38,297 --> 00:26:39,766 ADDRESSED TO YOUR FATHER. 589 00:26:39,799 --> 00:26:41,701 LET'S SEE IT. 590 00:26:41,734 --> 00:26:43,302 "DEAR BOSS, 591 00:26:43,335 --> 00:26:44,170 "HE WANTED IT, 592 00:26:44,203 --> 00:26:46,105 "WITH THAT SHARP TONGUE AND VULGAR HAND. 593 00:26:46,138 --> 00:26:48,140 "THOUGHT YOU'D LIKE TO KNOW 594 00:26:48,174 --> 00:26:50,677 "ANOTHER WILL SOON GET WHAT HE DESERVES. 595 00:26:50,710 --> 00:26:51,878 YOURS TRULY." 596 00:26:51,911 --> 00:26:55,147 IT'S WEIRD. TYPICALLY, OFFENDERS WRITE LETTERS TO BE HEARD. 597 00:26:55,181 --> 00:26:57,149 JACK THE RIPPER BRAGGED ABOUT NOT BEING CAUGHT. 598 00:26:57,183 --> 00:26:59,018 THIS UNSUB ISN'T USING CORRESPONDENCE 599 00:26:59,051 --> 00:27:00,720 TO FLAUNT HER LATEST KILL, 600 00:27:00,753 --> 00:27:01,754 ONLY TO EXPLAIN WHY SHE DID IT. 601 00:27:01,788 --> 00:27:05,091 IT'S POSSIBLE SHE CONSIDERS HERSELF A VIGILANTE. 602 00:27:05,124 --> 00:27:08,260 THAT THE MEN SHE'S KILLING DESERVE TO DIE. 603 00:27:08,294 --> 00:27:10,362 OR MAYBE SHE'S CONTACTING YOUR FATHER, 604 00:27:10,396 --> 00:27:12,732 NOT BECAUSE HE WAS THE LEAD DETECTIVE 605 00:27:12,765 --> 00:27:14,433 ON THE CASE, BUT... 606 00:27:14,466 --> 00:27:17,036 BECAUSE SHE BELIEVES HE'D UNDERSTAND. 607 00:27:17,069 --> 00:27:18,671 YOU THINK HE KNEW HER SOMEHOW? 608 00:27:18,705 --> 00:27:20,840 CAN YOU THINK OF A WOMAN IN YOUR DAD'S LIFE 609 00:27:20,873 --> 00:27:23,776 HE HELPED THROUGH A TOUGH TIME? 610 00:27:23,810 --> 00:27:24,911 MIGHT BE ANOTHER POLICE OFFICER, 611 00:27:24,944 --> 00:27:27,880 I DON'T KNOW, A PROSTITUTE HE HELPED GET OFF THE STREET? 612 00:27:27,914 --> 00:27:29,849 HE HASN'T DEALT WITH PROSTITUTES 613 00:27:29,882 --> 00:27:31,317 SINCE HE WORKED SEX CRIMES. 614 00:27:31,350 --> 00:27:34,420 THE UNSUB WROTE, "HE WAS ASKING TO BE RIPPED." 615 00:27:34,453 --> 00:27:37,156 "I JUST COULDN'T HELP MYSELF," AND HE WANTED IT." 616 00:27:37,189 --> 00:27:41,093 WHAT IF SHE'S MIRRORING THE MAN WHO RAPED HER? 617 00:27:41,127 --> 00:27:43,896 WHERE ARE THE FILES STORED FROM YOUR SEX CRIME DIVISION? 618 00:27:43,930 --> 00:27:45,998 THEY WERE HOUSED THE SAME PLACE AS HOMICIDE. 619 00:27:46,032 --> 00:27:47,900 MOST OF THEM WERE WASHED AWAY. 620 00:27:47,934 --> 00:27:50,269 DID YOUR DAD HAVE A PARTNER? 621 00:27:50,302 --> 00:27:51,403 YEAH. J.R. SMITH. 622 00:27:51,437 --> 00:27:52,471 SMITTY, THEY CALLED HIM. 623 00:27:52,504 --> 00:27:53,906 HE MIGHT REMEMBER SOMETHING. 624 00:27:53,940 --> 00:27:57,009 YEAH, BUT THEY HAD A FALLING OUT. 625 00:27:57,043 --> 00:27:58,210 WHAT ABOUT? 626 00:27:58,244 --> 00:28:00,813 I DON'T KNOW. THEY STOPPED TALKING WHEN HE LEFT SEX CRIMES. 627 00:28:00,847 --> 00:28:01,881 THAT WAS 9 YEARS AGO. 628 00:28:01,914 --> 00:28:04,751 THE GUY DIDN'T EVEN COME TO MY DADDY'S FUNERAL, SO... 629 00:28:04,784 --> 00:28:06,953 DO YOU HAVE A PROBLEM CALLING HIM? 630 00:28:06,986 --> 00:28:09,856 NOT IF IT MEANS BREAKING THIS CASE. 631 00:28:12,925 --> 00:28:15,962 MAY I BORROW YOUR HAND FOR A MINUTE? 632 00:28:22,802 --> 00:28:25,004 I'LL BE DAMNED. 633 00:28:25,037 --> 00:28:26,038 WHAT IS IT? 634 00:28:26,072 --> 00:28:27,206 THE STAMP ON THE VICTIM'S HAND-- 635 00:28:27,239 --> 00:28:28,808 IT'S ADMITTANCE INTO THE MON CHERIE. 636 00:28:28,841 --> 00:28:30,743 IT'S A BAR IN THE FRENCH QUARTER. 637 00:28:30,777 --> 00:28:31,978 OH, YEAH? 638 00:28:32,011 --> 00:28:32,711 YEAH. 639 00:28:32,745 --> 00:28:36,015 9 YEARS AGO IT WAS CALLED JONES. 640 00:28:37,884 --> 00:28:39,051 BINGO. 641 00:28:39,085 --> 00:28:41,854 GET GARCIA ON THE HORN. 642 00:28:44,991 --> 00:28:46,225 O CAPTAIN, MY CAPTAIN. 643 00:28:46,258 --> 00:28:46,793 I NEED YOU. 644 00:28:46,826 --> 00:28:48,227 ANYTHING. TALK TO ME. 645 00:28:48,260 --> 00:28:49,461 IS THERE ANY NEWSPAPER REPORTS 646 00:28:49,495 --> 00:28:53,065 ABOUT A RAPE AT A BAR CALLED JONES? 647 00:28:55,201 --> 00:28:56,135 ZILCH. 648 00:28:56,168 --> 00:28:57,536 YOU SURE? IT WOULD HAVE BEEN 649 00:28:57,569 --> 00:28:59,005 ABOUT 9 YEARS AGO. 650 00:28:59,038 --> 00:29:00,306 NADA. 651 00:29:00,339 --> 00:29:02,174 OK. UH... 652 00:29:02,208 --> 00:29:04,243 CROSS-REFERENCE WILLIAM LAMONTAGNE 653 00:29:04,276 --> 00:29:06,212 WITH JONES BAR. 654 00:29:07,947 --> 00:29:08,747 BULL'S-EYE. 655 00:29:08,781 --> 00:29:10,917 POLICE BLOTTER-- ANSWERED A DISTURBANCE 656 00:29:10,950 --> 00:29:12,484 AT JONES BAR IN THE FRENCH QUARTER, 657 00:29:12,518 --> 00:29:14,854 FEBRUARY 19, 1998. 658 00:29:14,887 --> 00:29:17,023 LOOKS LIKE IT WAS DURING MARDI GRAS. 659 00:29:17,056 --> 00:29:18,791 YOU ARE THE BEST EVER. 660 00:29:18,825 --> 00:29:21,894 OHH...AND YOU'RE THE MOST PERCEPTIVE. 661 00:29:25,364 --> 00:29:26,966 SMITTY. 662 00:29:26,999 --> 00:29:28,367 HOW ARE YOU? 663 00:29:28,400 --> 00:29:31,270 I HOPE YOU GOT A GOOD REASON 664 00:29:31,303 --> 00:29:32,404 DREDGING THIS CRAP UP. 665 00:29:34,540 --> 00:29:35,541 WELL, I WAS HOPING 666 00:29:35,574 --> 00:29:37,409 YOU MIGHT REMEMBER BEING CALLED HERE 667 00:29:37,443 --> 00:29:39,178 WITH MY DADDY 9 YEARS AGO. 668 00:29:39,211 --> 00:29:41,013 IS THAT A JOKE? 669 00:29:41,047 --> 00:29:41,580 NO. 670 00:29:41,613 --> 00:29:42,982 MY NAME'S JASON GIDEON. 671 00:29:43,015 --> 00:29:43,883 WE'RE FROM THE FBI. 672 00:29:43,916 --> 00:29:46,118 WE'RE INVESTIGATING THE SERIES OF MURDERS 673 00:29:46,152 --> 00:29:46,819 IN THE FRENCH QUARTER. 674 00:29:46,853 --> 00:29:48,487 WHAT'S THAT GOT TO DO WITH ME? 675 00:29:48,520 --> 00:29:49,655 WE NEED YOU TO TELL US WHAT HAPPENED 676 00:29:49,688 --> 00:29:52,458 THE NIGHT YOU AND DETECTIVE LAMONTAGNE ANSWERED THE CALL 677 00:29:52,491 --> 00:29:54,560 IN THIS BAR. 678 00:29:55,194 --> 00:29:57,129 AM I MISSING SOMETHING? 679 00:29:57,163 --> 00:30:00,199 YOU REALLY DON'T KNOW, DO YOU? 680 00:30:00,232 --> 00:30:01,901 AFTER THAT NIGHT, YOUR DADDY 681 00:30:01,934 --> 00:30:04,103 TRIED TO BRING ME UP ON SANCTIONS. 682 00:30:04,136 --> 00:30:04,971 WHY? 683 00:30:05,004 --> 00:30:05,972 IT WAS MARDI GRAS. 684 00:30:06,005 --> 00:30:07,539 SOME GIRL CLAIMED SHE WAS RAPED. 685 00:30:07,573 --> 00:30:08,407 IN THIS BAR. 686 00:30:08,440 --> 00:30:09,842 I WASN'T BUYING IT. 687 00:30:09,876 --> 00:30:11,944 WHAT DID SHE SAY HAPPENED TO HER? 688 00:30:11,978 --> 00:30:13,445 BRASS BACKED ME UP. 689 00:30:13,479 --> 00:30:15,948 THEY ENDED UP TRANSFERRING YOUR DADDY OUT 690 00:30:15,982 --> 00:30:17,349 TO SHUT HIM UP. 691 00:30:17,383 --> 00:30:19,251 WHAT HAPPENED HERE? 692 00:30:19,285 --> 00:30:21,854 IT ALMOST COST ME MY CAREER. 693 00:30:21,888 --> 00:30:24,223 DO YOU MIND TELLING US WHAT HAPPENED? 694 00:30:24,556 --> 00:30:25,291 MY BEST RECOLLECTION, 695 00:30:25,324 --> 00:30:27,927 SHE SAID SHE WAS SITTING AT THE BAR 696 00:30:27,960 --> 00:30:29,095 WITH 2 FRIENDS. 697 00:30:29,128 --> 00:30:34,500 ONE OF THE BOYS ASKED HER IF SHE WANTED TO PLAY SOME POOL. 698 00:30:34,533 --> 00:30:37,569 WITNESSES CLAIM SHE WAS UP FOR ANYTHING. 699 00:30:37,603 --> 00:30:39,271 * SOME FUNKY MUSIC 700 00:30:39,305 --> 00:30:43,075 * THAT THEY CALL... 701 00:30:43,109 --> 00:30:45,978 SHE FOLLOWED HIM UP HERE? 702 00:30:46,012 --> 00:30:49,281 HIS FRIEND NOT FAR BEHIND. 703 00:30:49,315 --> 00:30:52,151 SHE KNEW HE WAS THERE. 704 00:31:02,261 --> 00:31:04,196 THAT GIRL WAS A TEASE. 705 00:31:04,230 --> 00:31:05,998 SHE WAS LOOKING FOR A GOOD TIME. 706 00:31:06,032 --> 00:31:10,970 ANYWAY, A COUPLE OF GUYS WERE GOING ALONG WITH THAT. 707 00:31:11,470 --> 00:31:13,105 DID SHE YELL FOR HELP? 708 00:31:13,139 --> 00:31:14,406 SHE SAID SHE DID. 709 00:31:14,440 --> 00:31:18,110 BUT NOT A SINGLE PERSON CLAIMED THAT THEY HEARD HER. 710 00:31:23,249 --> 00:31:26,552 THAT'S WHAT YOU REGISTERED AS A DISTURBANCE? 711 00:31:26,585 --> 00:31:29,455 IT WAS MARDI GRAS. 712 00:31:29,488 --> 00:31:30,456 LISTEN TO ME. 713 00:31:30,489 --> 00:31:32,591 THAT GIRL HAD ENOUGH BEADS HANGING FROM HER NECK 714 00:31:32,624 --> 00:31:33,559 TO JEWEL A SMALL CITY. 715 00:31:33,592 --> 00:31:38,130 ANYONE EXPOSES THEMSELVES THAT MUCH IN ONE DAY 716 00:31:38,164 --> 00:31:39,999 IS NOT A CREDIBLE WITNESS IN MY BOOK. 717 00:31:40,032 --> 00:31:41,233 BUT SHE WANTED TO PRESS CHARGES. 718 00:31:41,267 --> 00:31:43,035 I TOLD HER IT WAS A WASTE OF TIME. 719 00:31:43,069 --> 00:31:45,037 I KNEW ONE OF THE ACCUSED. 720 00:31:45,071 --> 00:31:45,972 HE WAS A GOOD KID. 721 00:31:46,005 --> 00:31:48,474 HE DIDN'T NEED THE STINK OF THAT ACCUSATION. 722 00:31:48,507 --> 00:31:51,643 SO YOU PROTECTED A RAPIST? 723 00:31:53,079 --> 00:31:54,046 WELL, THAT RIGHT THERE 724 00:31:54,080 --> 00:31:56,715 WAS A BONE OF CONTENTION BETWEEN HIS DADDY AND I. 725 00:31:56,748 --> 00:31:58,084 AS FAR AS I WAS CONCERNED, 726 00:31:58,117 --> 00:31:59,952 NO SUCH RAPE EVER TOOK PLACE. 727 00:31:59,986 --> 00:32:01,087 ARE YOU GONNA TELL ME 728 00:32:01,120 --> 00:32:05,124 WHY YOU WENT AND DRAGGED THIS DIRT BACK THROUGH MY LIFE? 729 00:32:06,692 --> 00:32:07,559 YOU KNOW THE SERIAL KILLER 730 00:32:07,593 --> 00:32:11,163 WHO'S CUTTING UP MEN IN THE FRENCH QUARTER? 731 00:32:11,197 --> 00:32:13,299 SHE WAS YOUR VICTIM. 732 00:32:15,367 --> 00:32:18,470 WE'RE TRYING TO FIND A NAME. 733 00:32:19,005 --> 00:32:21,007 YOU DON'T EVEN REMEMBER HER NAME? 734 00:32:21,040 --> 00:32:22,474 IT WAS 9 YEARS AGO. 735 00:32:22,508 --> 00:32:26,378 WHAT ABOUT THE NAME OF THE "GOOD KID" WHO RAPED HER? 736 00:32:28,680 --> 00:32:29,915 SMITTY... 737 00:32:29,948 --> 00:32:33,152 YOU TELL ME RIGHT NOW OR I'LL FILE A NEW SANCTION AGAINST YOU, 738 00:32:33,185 --> 00:32:37,256 AND I GUARANTEE YOU, THIS TIME IT'LL STICK. 739 00:32:40,592 --> 00:32:43,329 MR. TIBIDEAUX, WE NEED YOU TO ANSWER A FEW QUESTIONS 740 00:32:43,362 --> 00:32:46,532 ABOUT A DISTURBANCE YOU WERE INVOLVED WITH IN 1998. 741 00:32:46,565 --> 00:32:50,269 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 742 00:32:50,302 --> 00:32:52,604 AT A BAR CALLED JONES. 743 00:32:53,339 --> 00:32:55,341 IT WAS MARDI GRAS. 744 00:32:55,807 --> 00:32:59,111 WELL, THEN, I MUST HAVE BEEN DRINKING SOME, 745 00:32:59,145 --> 00:33:00,712 'CAUSE I DON'T REMEMBER A THING. 746 00:33:00,746 --> 00:33:02,348 WE JUST NEED TO KNOW THE NAME OF YOUR ACCUSER. 747 00:33:02,381 --> 00:33:05,684 LOOK, I TOLD YOU, I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 748 00:33:05,717 --> 00:33:08,254 THE STATUTE OF LIMITATIONS IS UP. 749 00:33:08,287 --> 00:33:09,621 WE JUST NEED A NAME. 750 00:33:09,655 --> 00:33:13,659 SOMEONE ACCUSES ME OF RAPE, 751 00:33:13,692 --> 00:33:16,095 I'M GOING TO REMEMBER HER NAME. 752 00:33:16,128 --> 00:33:17,563 WHAT CAN I TELL YOU, CHER? 753 00:33:17,596 --> 00:33:20,266 I GUESS SHE DIDN'T MAKE THAT GOOD OF AN IMPRESSION. 754 00:33:20,299 --> 00:33:22,601 UNLIKE YOURSELF, RIGHT NOW. 755 00:33:22,634 --> 00:33:24,170 YOU KNOW, I'M GUESSING IF SOMEONE 756 00:33:24,203 --> 00:33:27,506 DID DO SOMETHING TO THAT GIRL THAT NIGHT, 757 00:33:27,539 --> 00:33:31,210 THEN SHE WAS PROBABLY ASKING FOR IT. 758 00:33:31,243 --> 00:33:33,279 MAYBE EVEN LIKED IT. 759 00:33:33,312 --> 00:33:37,649 GUY'S NOT GIVING UP ANYTHING. 760 00:33:37,683 --> 00:33:38,717 RIGHT AFTER THE DOUBLE MURDER, 761 00:33:38,750 --> 00:33:40,152 WHAT WAS THE RIPPER'S NEXT MOVE? 762 00:33:40,186 --> 00:33:41,753 HE MUTILATED AND DISMEMBERED MARY KELLY 763 00:33:41,787 --> 00:33:44,290 IN HER ONE-ROOM FLAT UNTIL SHE WAS UNRECOGNIZABLE. 764 00:33:44,323 --> 00:33:46,792 IT'S BELIEVED TO BE HIS MOST VICIOUS KILL OF ALL. 765 00:33:46,825 --> 00:33:47,859 'CAUSE HE HAD PRIVACY. 766 00:33:47,893 --> 00:33:51,363 AND TIME TO TORTURE HIS VICTIM BEFORE KILLING HER. 767 00:33:51,397 --> 00:33:54,066 MAYBE WE'RE NOT TOO LATE. 768 00:33:59,605 --> 00:34:03,209 SHE MURDERED THESE MEN, 769 00:34:03,242 --> 00:34:06,612 AND I'M GUESSING IT'S ONLY A MATTER OF TIME 770 00:34:06,645 --> 00:34:08,680 BEFORE SHE WORKS HER WAY BACK TO THE ONE 771 00:34:08,714 --> 00:34:11,750 SHE REALLY WANTS TO KILL. 772 00:34:11,783 --> 00:34:14,220 SHE MAKE AN IMPRESSION NOW? 773 00:34:16,288 --> 00:34:17,289 WORK ME. 774 00:34:17,323 --> 00:34:21,427 WE HAVE A NAME-- SARAH DANLIN. I NEED AN ADDRESS. 775 00:34:21,460 --> 00:34:24,230 1141 SHERMAN AVENUE. 776 00:34:24,263 --> 00:34:27,366 IT LOOKS LIKE SHE WAS A MED STUDENT AT TULANE, 777 00:34:27,399 --> 00:34:28,500 BUT SHE DROPPED OUT. 778 00:34:28,534 --> 00:34:31,670 LET ME GUESS-- FEBRUARY 1998. 779 00:34:32,804 --> 00:34:34,106 YEAH. THANKS. 780 00:34:34,140 --> 00:34:36,342 WE GOT HER. 781 00:34:41,813 --> 00:34:43,515 I'M JOHN, BY THE WAY. 782 00:34:43,549 --> 00:34:45,784 JOHN. 783 00:34:46,352 --> 00:34:49,388 TAKE OFF YOUR CLOTHES. 784 00:34:50,756 --> 00:34:52,858 YES, MA'AM. 785 00:35:18,684 --> 00:35:22,888 SARAH DANLIN, FBI! OPEN THE DOOR. 786 00:35:30,796 --> 00:35:33,832 THE THINGS I'M GONNA DO TO YOU. 787 00:35:36,935 --> 00:35:38,870 ME FIRST. 788 00:35:39,805 --> 00:35:41,773 FBI! 789 00:35:47,279 --> 00:35:49,348 CLEAR. CLEAR. 790 00:35:49,981 --> 00:35:50,749 SHE'S NOT HERE. 791 00:35:50,782 --> 00:35:52,751 GUYS, THERE ARE SOME RIPPEROLOGISTS 792 00:35:52,784 --> 00:35:54,453 WHO SPECULATE THAT MARY KELLY 793 00:35:54,486 --> 00:35:55,354 WAS ACTUALLY KILLED IN A FLAT 794 00:35:55,387 --> 00:35:56,822 THAT JACK THE RIPPER RENTED FOR THE NIGHT. 795 00:35:56,855 --> 00:35:58,824 I'M GOING TO HAVE GARCIA CHECK SARAH DANLIN'S 796 00:35:58,857 --> 00:36:00,459 CREDIT CARD ACCOUNTS. IT'S A LONG SHOT, 797 00:36:00,492 --> 00:36:03,829 BUT MAYBE WE CAN TRACE HER ROOM BACK TO HER CHARGE CARDS. 798 00:36:11,303 --> 00:36:12,438 AAH! 799 00:36:12,471 --> 00:36:14,306 WHAT THE HELL WAS THAT? 800 00:36:14,340 --> 00:36:15,441 SHH. 801 00:36:15,474 --> 00:36:16,575 YOU'RE CRAZY. 802 00:36:16,608 --> 00:36:22,614 YOU NEVER DID EXPLAIN THOSE "THINGS" YOU COULD DO TO ME. 803 00:36:24,683 --> 00:36:25,551 SOUVENIRS. 804 00:36:25,584 --> 00:36:27,686 THESE ARE FROM BARS IN THE FRENCH QUARTER. 805 00:36:27,719 --> 00:36:29,455 THIS IS FROM MON CHERIE. 806 00:36:29,488 --> 00:36:32,958 SHE'S TROLLING FOR VICTIMS IN THE PLACE WHERE IT ALL BEGAN. 807 00:36:32,991 --> 00:36:33,892 SHE CAN'T MOVE ON. 808 00:36:33,925 --> 00:36:35,494 THE RAPE ISN'T THE WHOLE STORY. 809 00:36:35,527 --> 00:36:36,962 I'LL BET THERE'S A HISTORY OF SEXUAL ABUSE 810 00:36:36,995 --> 00:36:38,864 THAT CONTRIBUTES TO HER RAGE AS WELL. 811 00:36:38,897 --> 00:36:40,466 IT'S ALMOST LIKE BY TAKING ON THE RIPPER PERSONA, 812 00:36:40,499 --> 00:36:43,802 SHE WAS TRYING TO KILL SOMETHING WITHIN HERSELF. 813 00:36:44,870 --> 00:36:45,971 YEAH, MAMA, WHAT DO YOU GOT? 814 00:36:46,004 --> 00:36:47,506 SARAH DANLIN'S VISA WAS CHARGED 815 00:36:47,539 --> 00:36:48,940 AN HOUR AGO AT THE ROYAL RUBY INN. 816 00:36:48,974 --> 00:36:51,577 AH, BABY GIRL, YOU NEVER DISAPPOINT. THANK YOU. 817 00:36:51,610 --> 00:36:52,711 ROYAL RUBY INN. 818 00:36:52,744 --> 00:36:56,715 THAT'S 2 BLOCKS FROM HERE. 819 00:37:00,886 --> 00:37:03,021 PLEASE! 820 00:37:03,054 --> 00:37:04,756 PLEASE. PLEASE. 821 00:37:04,790 --> 00:37:06,958 I HAVE--I HAVE CHILDREN. 822 00:37:06,992 --> 00:37:08,827 PLEASE. 823 00:37:08,860 --> 00:37:10,829 YOU ASKED... 824 00:37:10,862 --> 00:37:12,331 FBI! 825 00:37:12,364 --> 00:37:13,565 DROP THE KNIFE. 826 00:37:13,599 --> 00:37:14,500 DROP THE WEAPON. 827 00:37:14,533 --> 00:37:17,903 HE WANTED IT... AND HE GOT IT. 828 00:37:17,936 --> 00:37:18,637 PUT IT DOWN NOW. 829 00:37:18,670 --> 00:37:21,873 WE NEED AN EMT TECH RIGHT AWAY. 830 00:37:22,874 --> 00:37:23,909 WHAT ARE YOU WAITING FOR? 831 00:37:23,942 --> 00:37:25,977 MA'AM, WE DON'T WANT TO SHOOT YOU. 832 00:37:26,011 --> 00:37:30,849 BE SUCH A SHAME TO WASTE THIS. 833 00:37:30,882 --> 00:37:31,817 DO YOU WANT IT, TOO? 834 00:37:31,850 --> 00:37:34,019 WHAT I WANT IS FOR YOU TO PUT THAT KNIFE DOWN. 835 00:37:34,052 --> 00:37:35,854 COME ON. 836 00:37:35,887 --> 00:37:37,656 DON'T FIGHT IT. 837 00:37:37,689 --> 00:37:40,992 SARAH, WE DON'T WANT TO HURT YOU. 838 00:37:44,363 --> 00:37:45,163 MEN. 839 00:37:45,196 --> 00:37:50,035 SARAH, MY NAME'S WILLIAM LAMONTAGNE JR. 840 00:37:50,936 --> 00:37:54,272 YOU KNEW MY DADDY? 841 00:37:56,041 --> 00:37:58,009 YEAH, YEAH. 842 00:37:58,043 --> 00:38:02,514 YOU TRUSTED HIM. SO TRUST ME. 843 00:38:03,982 --> 00:38:05,584 WHERE IS HE? 844 00:38:05,617 --> 00:38:08,987 THE STORM TOOK HIM. 845 00:38:12,090 --> 00:38:15,861 COME ON. IT'S OVER. 846 00:38:20,799 --> 00:38:22,934 IT'S OVER. 847 00:38:38,016 --> 00:38:39,585 HEY. 848 00:38:39,618 --> 00:38:42,388 HEY THERE. 849 00:38:43,121 --> 00:38:47,058 THE MEDIC SAYS THAT HER VICTIM'S GOING TO BE OK. 850 00:38:49,060 --> 00:38:52,464 I HEARD WHAT YOU DID IN THERE. 851 00:38:53,098 --> 00:38:56,067 YOUR DAD WOULD BE REALLY PROUD. 852 00:38:56,968 --> 00:38:58,136 IT'S WEIRD. 853 00:38:58,169 --> 00:39:03,642 I SPENT ALL THIS TIME FOCUSED ON CLOSING THIS CASE FOR HIM... 854 00:39:03,675 --> 00:39:06,111 AND NOW IT'S OVER. 855 00:39:06,144 --> 00:39:07,112 YEAH. 856 00:39:07,145 --> 00:39:11,650 I THOUGHT I'D FEEL HAPPY, BUT I JUST FEEL LOST. 857 00:39:11,683 --> 00:39:14,620 BECAUSE YOU'VE GOTTA TO MOVE ON. 858 00:39:14,653 --> 00:39:16,988 AND NOW YOU'RE LEAVING? 859 00:39:17,022 --> 00:39:22,861 HOW WILL I SURVIVE A WOMAN LIKE YOU GOING SO FAR AWAY? 860 00:39:23,161 --> 00:39:28,133 WELL, DESPITE WHAT YOU MAY HAVE HEARD... 861 00:39:29,167 --> 00:39:33,939 CELL PHONES CAN BE VERY GOOD FOR YOUR HEALTH. 862 00:39:37,008 --> 00:39:39,010 SEE YA. 863 00:40:01,933 --> 00:40:03,134 HOW'D YOU FIND ME? 864 00:40:03,168 --> 00:40:07,839 YOU'RE NOT ALL THAT HARD TO PROFILE. 865 00:40:11,109 --> 00:40:13,945 YOUR FRIEND IS GOOD. 866 00:40:19,885 --> 00:40:23,755 I MISSED THAT PLANE ON PURPOSE. 867 00:40:23,789 --> 00:40:25,857 I KNOW. 868 00:40:28,994 --> 00:40:30,496 I'M STRUGGLING. 869 00:40:30,529 --> 00:40:32,931 WELL...ANYBODY WHO'S BEEN THROUGH 870 00:40:32,964 --> 00:40:35,967 WHAT YOU'VE BEEN THROUGH RECENTLY... 871 00:40:36,001 --> 00:40:37,168 WOULD. 872 00:40:37,202 --> 00:40:39,104 THIS IS ALL I WAS GROOMED FOR. 873 00:40:39,137 --> 00:40:40,238 I NEVER EVEN... 874 00:40:40,271 --> 00:40:42,474 I NEVER EVEN CONSIDERED ANOTHER OPTION. 875 00:40:42,508 --> 00:40:44,075 NOW YOU'RE QUESTIONING WHETHER OR NOT 876 00:40:44,109 --> 00:40:47,045 YOU'RE STRONG ENOUGH TO BE HERE? 877 00:40:47,078 --> 00:40:48,480 YEAH. 878 00:40:48,514 --> 00:40:51,650 I HAVE BEEN PLAYING AT THIS JOB 879 00:40:51,683 --> 00:40:56,154 IN ONE WAY OR ANOTHER FOR ALMOST 30 YEARS. 880 00:40:56,755 --> 00:40:59,558 I'VE FELT LOST. 881 00:40:59,591 --> 00:41:01,560 I'VE FELT GREAT. 882 00:41:01,593 --> 00:41:05,797 I HAVE FELT SCARED, 883 00:41:05,831 --> 00:41:08,199 SICK, 884 00:41:08,233 --> 00:41:11,770 AND INSANE. 885 00:41:13,639 --> 00:41:15,674 I DON'T KNOW. 886 00:41:16,241 --> 00:41:22,781 I GUESS THE DAY THIS JOB STOPS GNAWING AT YOUR SOUL AND... 887 00:41:22,814 --> 00:41:29,555 HANDS...YOUR HANDS STOP FEELING COLD... 888 00:41:31,623 --> 00:41:35,160 MAYBE THAT'S THE TIME TO LEAVE. 889 00:41:36,227 --> 00:41:38,964 I GUESS I JUST NEEDED TO TRY TO FIGURE OUT 890 00:41:38,997 --> 00:41:42,167 IF I COULD STEP AWAY FROM THIS JOB. 891 00:41:43,168 --> 00:41:45,737 AND? 892 00:41:46,738 --> 00:41:50,776 I'LL NEVER MISS ANOTHER PLANE AGAIN. 893 00:41:56,214 --> 00:41:59,250 CAPTIONING MADE POSSIBLE BY CBS 894 00:41:59,284 --> 00:42:03,789 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--