1 00:00:01,135 --> 00:00:02,270 Announcer: PREVIOUSLY ON CRIMINAL MINDS... 2 00:00:02,303 --> 00:00:04,072 Morgan: IF THE REMAINS AREN'T RELATED TO THE SAME KILLER, 3 00:00:04,105 --> 00:00:05,606 WHERE'S HE BEEN FOR 10 YEARS? Gideon: KILLING. 4 00:00:05,639 --> 00:00:08,376 UNSOLVED CASE FILES GOING BACK 30 YEARS. 5 00:00:08,409 --> 00:00:09,610 THE SAME M.O. 6 00:00:09,643 --> 00:00:11,045 RIGHT RIB BONE IS MISSING. 7 00:00:11,079 --> 00:00:13,314 I'M FRANK. I THOUGHT I'D SEEN THE VERY WORST 8 00:00:13,347 --> 00:00:15,516 OF WHAT HUMANITY HAD TO OFFER UNTIL YOU. 9 00:00:15,549 --> 00:00:16,784 A KILLING MACHINE-- 10 00:00:16,817 --> 00:00:18,752 INCAPABLE OF REMORSE, 11 00:00:18,786 --> 00:00:19,920 COMPASSION, LOVE. 12 00:00:19,953 --> 00:00:22,523 EARLY TOXICOLOGICAL INVESTIGATIONS OF THE VICTIMS' BLOOD 13 00:00:22,556 --> 00:00:24,492 INDICATED HIGH LEVELS OF KETAMINE. 14 00:00:24,525 --> 00:00:26,727 Hotch: KETAMINE IS PRIMARILY A HORSE TRANQUILIZER. 15 00:00:26,760 --> 00:00:27,928 JANE, RUN. 16 00:00:27,961 --> 00:00:29,063 IN STREET LINGO IT'S KNOWN AS BEING STUCK IN THE "K" HOLE. 17 00:00:29,097 --> 00:00:33,234 WHATEVER IT IS HE CAME FOR IS COMING HERE TO THIS DINER. 18 00:00:33,267 --> 00:00:35,603 JANE. HE HAS THE CHILDREN, JANE. 19 00:00:35,636 --> 00:00:38,806 GIVE ME JANE, AND THEY'LL HAVE THEIR CHILDREN BACK. 20 00:00:38,839 --> 00:00:40,374 WITH JANE IN MY LIFE, 21 00:00:40,408 --> 00:00:42,676 I WILL NEVER HARM ANOTHER HUMAN BEING. 22 00:00:42,710 --> 00:00:46,647 THE MOST PROLIFIC SERIAL KILLER EVER. 23 00:00:53,721 --> 00:00:54,555 [GLASS BREAKS] 24 00:00:54,588 --> 00:01:00,628 [INDISTINCT CHATTER] 25 00:01:02,563 --> 00:01:03,764 WHAT DO YOU WANT, HONEY? 26 00:01:03,797 --> 00:01:05,666 OH, SOMETHING FLOWERY. 27 00:01:05,699 --> 00:01:06,667 [LAUGHS] FLOWERY. 28 00:01:06,700 --> 00:01:08,669 OK, WELL, HELP ME OUT HERE. 29 00:01:08,702 --> 00:01:09,503 PURPLE? 30 00:01:09,537 --> 00:01:11,539 [CELL PHONE RINGS] 31 00:01:11,572 --> 00:01:13,607 UH, MAYBE--MAYBE NOT PURPLE. UH-- 32 00:01:13,641 --> 00:01:14,375 COME ON, MAN. 33 00:01:14,408 --> 00:01:15,709 MORE OF A MIX OF SOMETHING. UM... 34 00:01:15,743 --> 00:01:17,678 YOU'RE KILLING ME HERE. MAKE UP YOUR MIND. 35 00:01:17,711 --> 00:01:18,646 JUST BACK OFF, PAL. 36 00:01:18,679 --> 00:01:21,149 Hotch: WHAT DID I DO? I WASN'T TALKING TO YOU. 37 00:01:21,182 --> 00:01:22,383 I GUESS ROSES. 38 00:01:22,416 --> 00:01:23,617 ARE YOU ON A DATE? 39 00:01:23,651 --> 00:01:25,419 NO, UH, HOLD ON-- HOLD ON THE ROSES, WILL YOU? 40 00:01:25,453 --> 00:01:26,554 AND YOU DIDN'T TELL ME? TELL YOU WHAT? 41 00:01:26,587 --> 00:01:28,689 I'M NOT ON A DATE. I'M JUST BUYING FLOWERS. 42 00:01:28,722 --> 00:01:29,890 FOR WHO? 43 00:01:29,923 --> 00:01:30,824 OLD COLLEGE FRIEND. 44 00:01:30,858 --> 00:01:31,759 HOTCH, TELL ME SOMETHING. 45 00:01:31,792 --> 00:01:33,161 DO ROSES SAY THE WRONG THING? 46 00:01:33,194 --> 00:01:34,462 WHAT DO YOU WANT TO SAY? 47 00:01:34,495 --> 00:01:35,329 WELCOME, HI, 48 00:01:35,363 --> 00:01:36,564 GOOD TO SEE YOU, SORRY I'M SO DAMN LATE. 49 00:01:36,597 --> 00:01:38,166 UH, ROSES SAY MORE THAN THAT. 50 00:01:38,199 --> 00:01:39,700 FACE IT, BUDDY. YOU WANT SOME ACTION, 51 00:01:39,733 --> 00:01:40,834 IT'S THE ROSES. 52 00:01:40,868 --> 00:01:41,802 SHE'S RIGHT. 53 00:01:41,835 --> 00:01:42,870 DO YOU HAVE A YELLOW FLOWER-- 54 00:01:42,903 --> 00:01:45,439 THEY'RE LIKE, UM-- THEY'RE LITTLE YELLOW FLOWERS. 55 00:01:45,473 --> 00:01:46,774 THEY LOOK LIKE DANDELIONS OR LIKE WEEDS, 56 00:01:46,807 --> 00:01:49,443 BUT THEY'RE NOT WEEDS. THEY HAVE A LITTLE BLACK SPOT IN THE MIDDLE. 57 00:01:49,477 --> 00:01:50,611 BUT THEY DON'T HAVE A BLACK SPOT, 58 00:01:50,644 --> 00:01:51,679 THEY'RE SORT OF ROUND AND PUFFY. 59 00:01:51,712 --> 00:01:52,746 BUTTON MUMS. DO YOU HAVE THOSE? 60 00:01:52,780 --> 00:01:54,515 CAN I SEE WHAT THOSE LOOK LIKE? 61 00:01:54,548 --> 00:01:55,183 IT'S A DATE. 62 00:01:55,216 --> 00:01:56,750 I'M NOT ON A DATE... EXACTLY. 63 00:01:56,784 --> 00:01:58,319 WELL, HOW ABOUT SOME WHITE STUFF AND... 64 00:01:58,352 --> 00:02:00,354 YOU KNOW, MAKE IT LOOK...HAPPY. 65 00:02:00,388 --> 00:02:01,289 BABY'S BREATH. OK, GREAT. SORRY! 66 00:02:01,322 --> 00:02:03,691 I DON'T KNOW WHAT ELSE, WHATEVER LOOKS GOOD. 67 00:02:03,724 --> 00:02:05,293 SO WHAT DO YOU NEED? 68 00:02:05,326 --> 00:02:07,228 I GOT A REQUEST FROM SAFE GUARD 69 00:02:07,261 --> 00:02:08,829 FOR PERSONNEL FILES ON CERTAIN AGENTS. 70 00:02:08,862 --> 00:02:11,565 SO IT'S AN ANNUAL EVALUATION. WHO CARES? 71 00:02:11,599 --> 00:02:12,933 IT'S 6 MONTHS EARLY, JASON. 72 00:02:12,966 --> 00:02:15,236 IT'S NOT A ROUTINE EVALUATION. 73 00:02:15,269 --> 00:02:18,172 I THINK IT'S AN ASSESSMENT OF THE B.A.U. 74 00:02:18,206 --> 00:02:19,307 THEY'RE REDISTRIBUTING FUNDS, 75 00:02:19,340 --> 00:02:20,774 THEY'RE MAKING CUTS IN ALL DEPARTMENTS. 76 00:02:20,808 --> 00:02:22,710 SO WHAT ARE THEY GOING TO TAKE, THE JET? 77 00:02:22,743 --> 00:02:23,577 I PREFER TRAINS ANYWAY. 78 00:02:23,611 --> 00:02:25,446 WELL, I THINK WE MAY LOSE MORE THAN THAT. 79 00:02:25,479 --> 00:02:26,814 IT'S BEEN A HARD YEAR FOR US, JASON. 80 00:02:26,847 --> 00:02:29,583 YOU KNOW. WHAT HAPPENED TO MORGAN IN CHICAGO. 81 00:02:29,617 --> 00:02:30,618 WE BOTH KNOW ABOUT REID'S ISSUES. 82 00:02:30,651 --> 00:02:34,222 ELLE GREENAWAY'S SUSPECT KILLED. IT ALL ADDS UP. 83 00:02:34,255 --> 00:02:35,122 TO WHAT? 84 00:02:35,155 --> 00:02:37,525 THE ONLY FILE THEY DIDN'T REQUEST WAS MINE. 85 00:02:37,558 --> 00:02:38,859 $30? WHAT, ARE YOU KIDDING ME? 86 00:02:38,892 --> 00:02:40,861 YOU SHOULD HAVE SEEN THE PRICE OF THE ROSES. 87 00:02:40,894 --> 00:02:41,829 OH, LORD. THANKS. 88 00:02:41,862 --> 00:02:43,697 HEY, HOTCH, YOU'RE THE BEST UNIT CHIEF I KNOW. 89 00:02:43,731 --> 00:02:46,434 JASON, I'M THE ONLY UNIT CHIEF YOU KNOW. 90 00:02:46,467 --> 00:02:47,167 LOOK, YOU NEED A BREAK. 91 00:02:47,201 --> 00:02:49,537 GO HOME, KISS YOUR FAMILY, AND... 92 00:02:52,806 --> 00:02:54,675 IMPOSSIBLE. 93 00:02:55,909 --> 00:02:56,744 WHAT? 94 00:02:56,777 --> 00:02:58,979 I THOUGHT I... 95 00:02:59,012 --> 00:03:01,849 I THOUGHT--NEVER MIND. 96 00:03:01,882 --> 00:03:04,318 WE BOTH NEED A BREAK. 97 00:03:04,352 --> 00:03:05,553 JASON? 98 00:03:05,586 --> 00:03:06,554 YEAH? 99 00:03:06,587 --> 00:03:09,757 BUTTON MUMS ARE SOMETHING YOU GIVE YOUR MOTHER. 100 00:03:10,891 --> 00:03:12,626 YEAH. 101 00:03:12,660 --> 00:03:13,761 GOOD NIGHT. 102 00:03:13,794 --> 00:03:15,796 GOOD NIGHT. 103 00:03:15,829 --> 00:03:17,831 HAVE FUN. 104 00:03:18,266 --> 00:03:19,733 [CELL PHONE RINGS] 105 00:03:20,768 --> 00:03:22,370 SARAH, SORRY I'M SO LATE. 106 00:03:22,403 --> 00:03:23,271 I GOT CAUGHT UP AT THE OFFICE. 107 00:03:23,304 --> 00:03:27,941 WHAT IS YOUR FASCINATION WITH BIRDS, JASON? 108 00:03:28,842 --> 00:03:29,910 WHO IS THIS? 109 00:03:29,943 --> 00:03:32,680 PAINTINGS OF BIRDS, 110 00:03:32,713 --> 00:03:34,382 ETCHINGS OF BIRDS, 111 00:03:34,415 --> 00:03:35,849 BOOKS ABOUT BIRDS. 112 00:03:35,883 --> 00:03:36,817 FRANK, PLEASE. 113 00:03:36,850 --> 00:03:38,419 PLEASE DON'T HURT HER. 114 00:03:38,452 --> 00:03:42,423 BIRDERS CAN BE EXTREMELY SINGLE-MINDED IN THEIR PURSUITS. 115 00:03:42,456 --> 00:03:44,625 ALMOST...OBSESSIONAL. 116 00:03:44,658 --> 00:03:45,459 SHE'S INNOCENT. 117 00:03:45,493 --> 00:03:47,761 SHE'S SOMEBODY I KNEW A LONG TIME AGO. 118 00:03:47,795 --> 00:03:50,030 ARE YOU OBSESSIONAL, JASON? 119 00:03:50,063 --> 00:03:50,931 DO YOU LIE AWAKE AT NIGHT 120 00:03:50,964 --> 00:03:55,869 AND THINK ABOUT THE... BIRD THAT GOT AWAY? 121 00:03:55,903 --> 00:03:56,470 PLEASE, FRANK. 122 00:03:56,504 --> 00:03:57,805 PLEASE DON'T INVOLVE HER. 123 00:03:57,838 --> 00:04:00,474 HAVE YOU SEEN MY JANE LATELY, JASON? 124 00:04:00,508 --> 00:04:02,743 I KNOW SHE CAME HERE, 125 00:04:02,776 --> 00:04:04,745 TO WASHINGTON... 126 00:04:04,778 --> 00:04:07,014 TO FIND YOU. 127 00:04:07,848 --> 00:04:08,716 FRANK... 128 00:04:08,749 --> 00:04:11,852 I WANT HER BACK. 129 00:04:11,885 --> 00:04:14,855 [DIAL TONE] 130 00:04:47,120 --> 00:04:51,859 CAPTIONING MADE POSSIBLE BY TOUCHSTONE TELEVISION PRODUCTIONS, LLC AND CBS 131 00:05:05,005 --> 00:05:07,408 Hotch: "I CHOOSE MY FRIENDS FOR THEIR GOOD LOOKS, 132 00:05:07,441 --> 00:05:09,810 "MY ACQUAINTANCES FOR THEIR GOOD CHARACTERS, 133 00:05:09,843 --> 00:05:12,480 MY ENEMIES FOR THEIR GOOD INTELLECTS." 134 00:05:12,513 --> 00:05:14,348 OSCAR WILDE. 135 00:05:23,090 --> 00:05:25,859 I'VE NEVER SEEN YOU LIKE THIS. 136 00:05:27,861 --> 00:05:30,898 YOU HAVE NOT SEEN WHAT I'VE SEEN. 137 00:05:30,931 --> 00:05:33,734 YOU CHOSE THE B.A.U. 138 00:05:33,767 --> 00:05:34,702 TRUE. 139 00:05:34,735 --> 00:05:35,636 I ENJOY MY WORK. 140 00:05:35,669 --> 00:05:39,940 EVEN WHEN IN THE PURSUIT TO UNDERSTAND WHY... 141 00:05:39,973 --> 00:05:41,909 A PERSON FEELS THE COMPELLING NEED 142 00:05:41,942 --> 00:05:45,513 TO BRUTALLY TORTURE, 143 00:05:45,546 --> 00:05:46,547 MURDER, 144 00:05:46,580 --> 00:05:49,082 AND DISMEMBER A CHILD, 145 00:05:49,116 --> 00:05:51,785 MOTHER OR FATHER, AN ENTIRE FAMILY. 146 00:05:51,819 --> 00:05:55,389 THE UNSUBS, DEVOID OF ANY MORALITY, 147 00:05:55,423 --> 00:05:57,157 HUMANITY, REMORSE, 148 00:05:57,190 --> 00:06:01,795 WHEN CAUGHT, OFTEN COME TO BELIEVE 149 00:06:01,829 --> 00:06:04,432 THAT WE'RE THE ONLY ONES WHO UNDERSTAND THEM. 150 00:06:04,465 --> 00:06:06,700 AND THEY'RE RIGHT. WE DO. 151 00:06:06,734 --> 00:06:07,901 OTHERWISE... 152 00:06:07,935 --> 00:06:11,805 HOW COULD WE CATCH THEM? 153 00:06:11,839 --> 00:06:14,775 TELL ME WHAT HAPPENED FRIDAY... 154 00:06:14,808 --> 00:06:16,844 AFTER AGENT GIDEON CALLED YOU. 155 00:06:16,877 --> 00:06:17,778 ABOUT 7:15 I GOT A PAGE 156 00:06:17,811 --> 00:06:22,115 REQUESTING THE B.A.U. AT 181 ARTHUR STREET. 157 00:06:24,017 --> 00:06:25,453 AGENT GIDEON'S APARTMENT. 158 00:06:25,486 --> 00:06:27,721 [INDISTINCT POLICE DISPATCHER] 159 00:06:27,755 --> 00:06:29,657 [CAMERA CLICKS] 160 00:06:38,231 --> 00:06:38,466 [POLICE DISPATCHER] 161 00:06:38,499 --> 00:06:40,534 HOTCH. 162 00:06:40,568 --> 00:06:41,334 WHERE'S GIDEON? 163 00:06:41,368 --> 00:06:43,537 I CALLED HIS CELL. IT'S RIGHT THERE. 164 00:06:43,571 --> 00:06:45,473 IT SEEMS HE LEFT IN A HURRY. 165 00:06:45,506 --> 00:06:47,441 P.D. THINKS HE DID THIS? 166 00:06:47,475 --> 00:06:48,942 THEY HAVE 6 WITNESSES WHO SAW HIM RUNNING 167 00:06:48,976 --> 00:06:50,778 DOWN THE STREET, COVERED IN BLOOD, WIELDING A GUN. 168 00:06:50,811 --> 00:06:53,814 OK, HE WAS PROBABLY CHASING THE SON OF A BITCH WHO DID DO THIS. 169 00:06:53,847 --> 00:06:55,516 EITHER WAY, WE'RE UNDER STRICT ORDERS 170 00:06:55,549 --> 00:06:56,750 NOT TO GET IN THE WAY OF THE INVESTIGATION. 171 00:06:56,784 --> 00:06:59,152 GIDEON'S A SUSPECT, WE'RE HIS COLLEAGUES. 172 00:06:59,186 --> 00:07:00,020 CONFLICT OF INTEREST. 173 00:07:00,053 --> 00:07:02,222 THERE'S NO WAY THEY'LL ASK FOR OUR HELP. 174 00:07:02,255 --> 00:07:04,558 WHICH HE NEEDS BADLY RIGHT NOW. 175 00:07:04,592 --> 00:07:06,226 WELL, WHO SPOKE TO HIM LAST? 176 00:07:06,259 --> 00:07:07,461 I DID, ABOUT 2 HOURS AGO. 177 00:07:07,495 --> 00:07:08,195 Reid: WHAT DID HE SAY? 178 00:07:08,228 --> 00:07:12,432 HE SAID HE WAS LATE FOR A DATE. 179 00:07:13,133 --> 00:07:14,768 DO WE EVEN KNOW WHO SHE IS? 180 00:07:14,802 --> 00:07:15,669 AN OLD SCHOOL FRIEND. 181 00:07:15,703 --> 00:07:17,505 WE'RE CONFLICTED OUT OF THE INVESTIGATION. 182 00:07:17,538 --> 00:07:20,240 WE'RE JUST HERE TO ANSWER QUESTIONS THE M.P.D MIGHT HAVE, 183 00:07:20,273 --> 00:07:22,042 SO WE NEED TO ASSESS WHAT WE CAN WHILE WE CAN. 184 00:07:22,075 --> 00:07:25,479 EVISCERATION OF THE TORSO, REMOVAL OF VARIOUS ORGANS. 185 00:07:25,513 --> 00:07:27,548 THE GUY'S CLEARLY A SEXUALLY SADISTIC PSYCHOPATH. 186 00:07:27,581 --> 00:07:28,916 HE'S WELL-VERSED WITH A SCALPEL. 187 00:07:28,949 --> 00:07:30,117 HE'S DONE THIS BEFORE. 188 00:07:30,150 --> 00:07:31,685 WE NEED TO AT LEAST GET PHOTOS. 189 00:07:31,719 --> 00:07:32,620 J.J., YOUR CELL PHONE-- 190 00:07:32,653 --> 00:07:34,888 GET AS MANY AS YOU CAN AS QUICKLY AS YOU CAN. 191 00:07:34,922 --> 00:07:36,824 GET THEM TO GARCIA. 192 00:07:36,857 --> 00:07:39,793 OH, J.J... 193 00:07:39,827 --> 00:07:41,495 IT'S FRIDAY NIGHT. 194 00:07:41,529 --> 00:07:43,797 THE CUTE GUY FROM COUNTERTERRORISM... 195 00:07:43,831 --> 00:07:47,535 3 COCKTAILS IN, I AM LOOKING AT SECOND BASE, 196 00:07:47,568 --> 00:07:48,702 SO THIS BETTER BE GOOD. 197 00:07:48,736 --> 00:07:50,103 IT'S FAR FROM GOOD. 198 00:07:50,137 --> 00:07:52,573 [COMPUTER BEEPING] 199 00:07:54,575 --> 00:07:55,543 WHERE ARE YOU? 200 00:07:55,576 --> 00:07:57,878 GIDEON'S APARTMENT. 201 00:08:03,183 --> 00:08:06,086 NO SIGN OF FORCED ENTRY. WHY? 202 00:08:09,322 --> 00:08:12,125 Morgan: EVERYTHING IS AS IT WAS. 203 00:08:12,159 --> 00:08:14,628 NOTHING HAS BEEN DISTURBED. 204 00:08:14,662 --> 00:08:16,664 WINE POURED BUT NOT DRANK. 205 00:08:16,697 --> 00:08:18,566 [KNOCK ON DOOR] 206 00:08:18,599 --> 00:08:20,200 THE VICTIM SIMPLY LET THE ASSAILANT IN. 207 00:08:20,233 --> 00:08:23,103 AND WHY WOULDN'T SHE? SHE WAS WAITING FOR GIDEON. 208 00:08:23,136 --> 00:08:25,172 IT'S HIS HOME. 209 00:08:25,773 --> 00:08:28,208 FORENSICS WON'T FIND ANY DEFENSIVE WOUNDS. 210 00:08:28,241 --> 00:08:31,244 WHY? BECAUSE SHE DIDN'T DEFEND HERSELF. 211 00:08:31,278 --> 00:08:32,279 SHE COULDN'T. 212 00:08:32,312 --> 00:08:34,281 HE CAME HERE LOOKING FOR GIDEON AND HE FOUND HER. 213 00:08:34,314 --> 00:08:37,117 NOW, HE KNEW HE DIDN'T HAVE A LOT OF TIME, BUT... 214 00:08:37,150 --> 00:08:40,253 HERE SHE IS, AND HERE HE STANDS-- 215 00:08:40,287 --> 00:08:41,021 A SEXUAL SADIST. 216 00:08:41,054 --> 00:08:43,256 A PSYCHOPATH WITH THE NEED TO KILL 217 00:08:43,290 --> 00:08:45,325 JUST AS NATURAL AS HIS NEED TO BREATHE. 218 00:08:45,358 --> 00:08:46,794 HE MOVED SWIFTLY, 219 00:08:46,827 --> 00:08:49,262 EVERY STROKE OF HIS BLADE EXACT, 220 00:08:49,296 --> 00:08:51,264 FROM LOWER TORSO TO THROAT. 221 00:08:51,298 --> 00:08:53,934 SHE WAS AWAKE THE ENTIRE TIME, 222 00:08:53,967 --> 00:08:56,770 UNTIL MERCIFULLY SHE PASSED AWAY. 223 00:08:57,170 --> 00:09:00,874 THE TOXICOLOGY REPORT WILL FIND HIGH LEVELS OF KETAMINE 224 00:09:00,908 --> 00:09:02,643 IN HER BLOOD. 225 00:09:02,676 --> 00:09:03,711 HE OPENED HER UP, 226 00:09:03,744 --> 00:09:06,279 REMOVED HER LOWER-RIGHT RIB BONE, WHICH IS MISSING. 227 00:09:06,313 --> 00:09:07,981 PRENTISS, 228 00:09:08,015 --> 00:09:09,783 LEFT HAND. 229 00:09:13,286 --> 00:09:15,756 THAT LOOKS LIKE PART OF THE RIB BONE. 230 00:09:15,789 --> 00:09:16,957 IT WAS A GIFT. 231 00:09:16,990 --> 00:09:19,092 IT'S HUMAN RIB BONES. 232 00:09:19,727 --> 00:09:20,728 FRANK'S BACK. 233 00:09:20,761 --> 00:09:22,229 IF THIS IS WHO WE THINK IT IS, 234 00:09:22,262 --> 00:09:24,297 HE TOOK THE RIB BONES AS GIFTS 235 00:09:24,331 --> 00:09:25,232 TO GIVE TO JANE. 236 00:09:25,265 --> 00:09:26,834 AND YET THIS ONE HE GAVE BACK TO SARAH. WHY? 237 00:09:26,867 --> 00:09:28,769 IT'S NOT FOR SARAH, IT'S FOR US. 238 00:09:28,802 --> 00:09:30,738 IT'S A MESSAGE. 239 00:09:35,643 --> 00:09:37,811 WHAT IS THAT? 240 00:09:40,213 --> 00:09:43,651 WE NEED TO TELL THE POLICE WHAT WE FOUND. 241 00:09:43,684 --> 00:09:45,052 WAIT. FOR WHAT? 242 00:09:45,085 --> 00:09:46,119 IF WE KNOW ANYTHING ABOUT FRANK, 243 00:09:46,153 --> 00:09:47,287 HE WOULDN'T HAVE LEFT A TRACE OF HIS DNA IN HERE. 244 00:09:47,320 --> 00:09:50,223 THERE ARE A NUMBER OF WAYS THIS SCENE COULD BE INTERPRETED, 245 00:09:50,257 --> 00:09:52,660 AND ALL OF THEM COULD INDICATE GIDEON. 246 00:09:52,693 --> 00:09:53,661 AS LONG AS FRANK'S OUT THERE, 247 00:09:53,694 --> 00:09:55,328 WE CAN'T AFFORD TO STOP AND EXPLAIN ANY OF IT. 248 00:09:55,362 --> 00:09:57,965 LAST TIME HE DID ALL OF THIS FOR JANE. 249 00:09:57,998 --> 00:09:59,800 WELL, THINGS SEEM TO HAVE CHANGED DRAMATICALLY. 250 00:09:59,833 --> 00:10:02,903 MAYBE SHE'S DEAD. THEY HAD A LOVERS' QUARREL AND HE KILLED HER? 251 00:10:02,936 --> 00:10:05,906 IF HE CAME HERE LOOKING FOR GIDEON, MAYBE HE FOUND HIM. 252 00:10:05,939 --> 00:10:09,643 LET'S GO FIND OUT WHERE GIDEON WENT. 253 00:10:10,077 --> 00:10:11,411 [CELL PHONE RINGS] 254 00:10:11,444 --> 00:10:13,781 [RING] 255 00:10:16,116 --> 00:10:17,117 [BEEP] 256 00:10:17,150 --> 00:10:18,618 HELLO? 257 00:10:19,820 --> 00:10:21,722 HELLO? WHO IS THIS? 258 00:10:21,755 --> 00:10:22,790 I NEARLY HAD HIM. 259 00:10:22,823 --> 00:10:23,623 WHERE ARE YOU? 260 00:10:23,657 --> 00:10:25,325 I SAW HIM WALKING OFF DOWN THE STREET. 261 00:10:25,358 --> 00:10:26,393 HE WAS JUST-- JUST WALKING. 262 00:10:26,426 --> 00:10:29,897 HE DROPPED SOMETHING IN THE TRASH OUT IN THE STREET. 263 00:10:29,930 --> 00:10:31,364 I COULDN'T GET A CLEAN SHOT. 264 00:10:31,398 --> 00:10:33,266 THE STREETS WERE TOO CROWDED. 265 00:10:33,300 --> 00:10:34,367 WAS JANE WITH HIM? 266 00:10:34,401 --> 00:10:35,235 NO. 267 00:10:35,268 --> 00:10:37,705 BUT I SAW HER WHEN I WAS TALKING TO YOU. 268 00:10:37,738 --> 00:10:39,707 I SAW HER IN THE STREET 269 00:10:39,740 --> 00:10:41,809 SECONDS BEFORE HE CALLED ME. 270 00:10:41,842 --> 00:10:42,642 HE CALLED YOU? 271 00:10:42,676 --> 00:10:44,344 HE CAME AFTER ME. HE CAME TO MY HOME. 272 00:10:44,377 --> 00:10:45,913 THEN HE'S OUT OF HIS COMFORT ZONE, 273 00:10:45,946 --> 00:10:48,916 IN A BIG CITY WITH FEDS WHO KNOW WHAT HE LOOKS LIKE. 274 00:10:48,949 --> 00:10:51,384 IT'S MY FAULT. IT'S ME HE WANTED. 275 00:10:51,418 --> 00:10:53,453 AND IF I HADN'T BEEN LATE... 276 00:10:53,486 --> 00:10:55,756 SHE'D STILL BE ALIVE. 277 00:10:55,789 --> 00:10:58,125 HE BUTCHERED HER, HOTCH. 278 00:10:58,158 --> 00:11:00,060 JASON... I'M COMING IN. 279 00:11:00,093 --> 00:11:02,229 NO. DO THAT AND THIS INVESTIGATION 280 00:11:02,262 --> 00:11:04,732 MOVES INSIDE AN INTERROGATION ROOM. 281 00:11:04,765 --> 00:11:05,699 AND BY THE TIME THE COPS CATCH UP, 282 00:11:05,733 --> 00:11:08,468 WE'RE GOING TO BE LOOKING AT MORE DEAD BODIES. 283 00:11:08,501 --> 00:11:09,302 RIGHT. 284 00:11:09,336 --> 00:11:10,804 HE'S GOING TO CHANGE WHO HE GOES AFTER. 285 00:11:10,838 --> 00:11:11,872 HE HAS TO. 286 00:11:11,905 --> 00:11:12,806 I KNOW. 287 00:11:12,840 --> 00:11:16,343 WE KNOW WHO FRANK IS. WE DON'T KNOW THE WHY. 288 00:11:16,376 --> 00:11:17,978 YOU HELP US FIND OUT THE WHY 289 00:11:18,011 --> 00:11:20,047 AND WE'LL CATCH HIM. 290 00:11:20,480 --> 00:11:22,716 FOR THAT I'M GOING TO NEED MY FILES. 291 00:11:22,750 --> 00:11:25,085 I'LL HAVE GARCIA BRING THEM TO YOU. 292 00:11:25,118 --> 00:11:28,055 YOU FIND SOME PLACE QUIET WHERE YOU CAN WORK. 293 00:11:28,088 --> 00:11:30,690 AND, JASON... 294 00:11:31,458 --> 00:11:33,460 WE'LL GET HIM. 295 00:11:37,865 --> 00:11:40,768 FRANK HAD TO HAVE COME OUT THE SAME WAY DOWN THIS STREET. 296 00:11:40,801 --> 00:11:42,235 IF THEY SAW GIDEON, THEY SAW FRANK. 297 00:11:42,269 --> 00:11:44,204 WELL, WE KNOW FRANK WILL DO WHATEVER IT TAKES 298 00:11:44,237 --> 00:11:45,806 TO BLEND IN AND NOT STAND OUT. 299 00:11:45,839 --> 00:11:47,007 WELL, TO AVOID ATTRACTING ATTENTION, 300 00:11:47,040 --> 00:11:48,976 HE WOULD HAVE SIMPLY WALKED CALMLY OUT OF THAT CRIME SCENE. 301 00:11:49,009 --> 00:11:49,977 THE EVISCERATION OF SARAH, THOUGH, 302 00:11:50,010 --> 00:11:51,344 MEANS HE WOULD HAVE BEEN SOAKED IN HER BLOOD. 303 00:11:51,378 --> 00:11:52,813 NO, HE HAD ACCESS TO GIDEON'S CLOSET. 304 00:11:52,846 --> 00:11:54,848 HE CLEANS UP, GETS A CHANGE OF CLOTHES, HE'S OUT. 305 00:11:54,882 --> 00:11:57,150 YET HE LEFT NO TRACE OF EVIDENCE AT THE CRIME SCENE. 306 00:11:57,184 --> 00:11:58,752 GIDEON SAID HE DUMPED IT EN ROUTE. 307 00:11:58,786 --> 00:12:00,754 Prentiss: YOU SPOKE WITH GIDEON? 308 00:12:00,788 --> 00:12:01,855 Morgan: WHERE IS HE, HOTCH? 309 00:12:01,889 --> 00:12:02,756 HE'S SAFE. 310 00:12:02,790 --> 00:12:04,091 WELL, THAT'S ALL THE PROOF WE NEED, RIGHT? 311 00:12:04,124 --> 00:12:05,292 WE CAN TURN HIM OVER TO THE M.P.D NOW. 312 00:12:05,325 --> 00:12:07,427 BY THE TIME THIS COMES BACK FROM THE LAB, FRANK'S LONG GONE. 313 00:12:07,460 --> 00:12:09,329 IF THE COPS FIND OUT WE'RE HIDING EVIDENCE 314 00:12:09,362 --> 00:12:10,430 AND A MATERIAL WITNESS FROM THEM-- 315 00:12:10,463 --> 00:12:11,431 WE'RE NOT HIDING EVIDENCE. 316 00:12:11,464 --> 00:12:12,399 WE'LL GIVE THIS TO FORENSICS, 317 00:12:12,432 --> 00:12:15,302 LET THEM SEARCH FOR DNA. WE'LL LOOK FOR FRANK. 318 00:12:16,569 --> 00:12:17,537 AGENT MORGAN? 319 00:12:17,570 --> 00:12:18,505 Prentiss: WHAT THE HELL? 320 00:12:18,538 --> 00:12:21,842 THEY SAY BEAUTY CAN COVER A MULTITUDE OF SINS. 321 00:12:21,875 --> 00:12:22,810 WHAT? 322 00:12:22,843 --> 00:12:24,044 BUT UNDERNEATH IT ALL... 323 00:12:24,077 --> 00:12:26,780 WE ALL LOOK EXACTLY THE SAME. 324 00:12:27,047 --> 00:12:29,917 THAT'S FRANK. HE SAID THAT TO ME IN THE DINER. 325 00:12:29,950 --> 00:12:32,986 GIVE ME JANE OR I'LL KILL THEM ALL. 326 00:12:33,020 --> 00:12:35,288 FRANK THINKS WE HAVE JANE? 327 00:12:35,322 --> 00:12:36,323 WE NEED TO FIND HER FAST. 328 00:12:36,356 --> 00:12:39,159 CAN I HAVE MY 10 BUCKS NOW? 329 00:12:49,937 --> 00:12:51,504 [WHISTLING] 330 00:12:51,538 --> 00:12:52,405 Garcia: NERVOUS WHISTLES, STOP IT. 331 00:12:52,439 --> 00:12:54,975 EVERYTHING COOL, GARCIA. EVERYTHING'S CALM. 332 00:12:55,008 --> 00:12:57,177 JUST--JUST BREATHE, GAR--JUST BREATHE. 333 00:12:57,210 --> 00:12:58,979 [TAKES DEEP BREATH] 334 00:12:59,012 --> 00:13:03,116 GORGEOUS TECH KITTEN FOUND IN LONELY... 335 00:13:03,150 --> 00:13:05,853 DARK PARKING LOT. 336 00:13:05,886 --> 00:13:07,554 THROAT SLASHED, EAR TO EAR. 337 00:13:07,587 --> 00:13:09,156 HORRIFIC. 338 00:13:09,189 --> 00:13:11,258 TRAGIC. 339 00:13:11,291 --> 00:13:13,093 WITH THE VERY FILES 340 00:13:13,126 --> 00:13:18,231 OF ONE OF THE MOST PROLIFIC SERIAL KILLERS EVER. 341 00:13:18,265 --> 00:13:18,966 TONIGHT HE REMAINS AT LARGE, 342 00:13:18,999 --> 00:13:21,534 THE BLOOD OF QUANTICO'S FINEST-- 343 00:13:21,568 --> 00:13:23,303 OH, GOD! OH, MY GOD! DRIVE. 344 00:13:23,336 --> 00:13:25,939 RIGHT. DRIVE, YES, DRIVE. DRIVE WHERE? 345 00:13:25,973 --> 00:13:27,407 JUST DRIVE. JUST DRIVE, JUST DRIVE. 346 00:13:27,440 --> 00:13:30,310 [INDISTINCT DISPATCH CHATTER] 347 00:13:32,312 --> 00:13:34,982 GIDEON SAW JANE JUST BEFORE FRANK CALLED HIM. 348 00:13:35,015 --> 00:13:36,583 IF WE FIND JANE, WE'LL FIND FRANK. 349 00:13:36,616 --> 00:13:38,318 LAST TIME WE FOUND FRANK, HE OUTSMARTED US. 350 00:13:38,351 --> 00:13:40,587 HE TOOK A BUSLOAD OF CHILDREN HOSTAGE. 351 00:13:40,620 --> 00:13:41,354 HE GAVE US NO OPTIONS. 352 00:13:41,388 --> 00:13:43,123 HE'S NOT GOING TO GIVE US ANY NOW. 353 00:13:43,156 --> 00:13:45,225 FRANK'S MESSAGE-- HE SAID, "I'LL KILL THEM ALL." 354 00:13:45,258 --> 00:13:47,394 WHO'S HE REFERRING TO? 355 00:13:52,299 --> 00:13:54,267 [BEEP, CELL PHONE RINGS] 356 00:13:54,301 --> 00:13:55,402 [RING] J.J.? 357 00:13:55,435 --> 00:13:59,272 HEY, UH, GIDEON HAD A BOOK, A BLACK LEATHER-BOUND BOOK. 358 00:13:59,306 --> 00:14:00,273 GARCIA DISCOVERED SOMETHING. 359 00:14:00,307 --> 00:14:02,175 IT LOOKS LIKE THE FIRST PAGE HAS BEEN RIPPED OUT. 360 00:14:02,209 --> 00:14:05,545 YOU CAN ONLY REALLY SEE WHAT'S LEFT ON THE SIDE OF THE PAGE, 361 00:14:05,578 --> 00:14:08,148 BUT IT'S DEFINITELY GIDEON'S HANDWRITING. 362 00:14:08,181 --> 00:14:09,950 LOOKS LIKE SOME KIND OF A LIST. 363 00:14:09,983 --> 00:14:11,251 IT'S HIS MURDER BOOK. 364 00:14:11,284 --> 00:14:12,019 MURDER BOOK? 365 00:14:12,052 --> 00:14:12,886 WHEN HE OPENS IT TO THE FIRST PAGE, 366 00:14:12,920 --> 00:14:15,455 IT REMINDS HIM WHY HE DOES WHAT HE DOES. 367 00:14:15,488 --> 00:14:17,925 IT'S A LIST OF ALL THE PEOPLE HE'S EVER SAVED. 368 00:14:17,958 --> 00:14:19,559 NAMES, DATES, PERSONAL DETAILS. 369 00:14:19,592 --> 00:14:21,361 AND NOW FRANK HAS THE LIST. 370 00:14:21,394 --> 00:14:24,064 FRANK SAID, "I'LL KILL THEM ALL." THAT'S WHO HE'S GOING AFTER. 371 00:14:24,097 --> 00:14:25,332 YEAH, AT LEAST THE ONES HE CAN GET TO, 372 00:14:25,365 --> 00:14:26,299 THE ONES THAT ARE NEARBY. 373 00:14:26,333 --> 00:14:29,069 J.J., START LOCATING ALL THE POSSIBLE TARGETS. 374 00:14:29,102 --> 00:14:30,470 WE NEED TO CALL THEM AND WARN THEM. 375 00:14:30,503 --> 00:14:31,504 DO WE TELL GIDEON? 376 00:14:31,538 --> 00:14:32,372 ABSOLUTELY NOT. 377 00:14:32,405 --> 00:14:35,308 WE NEED TO FIND OUT WHO FRANK IS FIRST. 378 00:14:45,085 --> 00:14:46,987 [TURNS WATER OFF] 379 00:14:52,292 --> 00:14:54,661 Samuel: THIS IS A ROOM WHERE WE WORK ON FUTURE EXHIBITS. 380 00:14:54,694 --> 00:14:57,397 NO ONE WILL BOTHER YOU HERE. 381 00:14:58,265 --> 00:15:02,402 I'M SORRY FOR YOUR LOSS, JASON. TRULY. 382 00:15:03,303 --> 00:15:06,106 THANK YOU VERY MUCH FOR DOING THIS. 383 00:15:06,139 --> 00:15:07,140 YOU'RE A GOOD FRIEND. 384 00:15:07,174 --> 00:15:10,410 SECURITY KNOWS YOU'RE HERE. 385 00:15:10,443 --> 00:15:13,413 TAKE CARE OF HIM. 386 00:15:14,714 --> 00:15:19,386 I GRABBED EVERYTHING I COULD FIND PERTAINING TO THE CASE. 387 00:15:22,722 --> 00:15:26,359 TURDUS POLYGLOTTUS. 388 00:15:26,393 --> 00:15:27,194 MOCKINGBIRD. 389 00:15:27,227 --> 00:15:29,196 THEY'VE PROVIDED INSIGHTS 390 00:15:29,229 --> 00:15:31,031 INTO THE ORIGIN OF SYNTAX. 391 00:15:31,064 --> 00:15:34,501 ESSENTIAL FIRST STEPS INTO THE EVOLUTION 392 00:15:34,534 --> 00:15:37,304 OF HUMAN LANGUAGE. 393 00:15:38,305 --> 00:15:40,974 IF WE STAND ANY CHANCE OF STOPPING HIM, 394 00:15:41,008 --> 00:15:45,478 WE NEED TO UNDERSTAND THE EVOLUTION OF FRANK. 395 00:15:46,346 --> 00:15:48,415 WHAT CREATED HIM. 396 00:15:56,323 --> 00:15:58,358 TOOK THESE FROM GIDEON'S OFFICE. 397 00:15:58,391 --> 00:15:59,459 WHAT ABOUT JANE? 398 00:15:59,492 --> 00:16:01,194 I GAVE PHOTOS OF JANE AND FRANK TO ALL MEDIA OUTLETS, 399 00:16:01,228 --> 00:16:02,595 AND I'M LIAISING WITH WASHINGTON M.P.D. 400 00:16:02,629 --> 00:16:05,365 J.J., IF YOU LOCATE HER, MAKE SURE WE'RE THE FIRST TO INTERROGATE HER. 401 00:16:05,398 --> 00:16:06,666 DON'T LET P.D. GET TO HER. 402 00:16:06,699 --> 00:16:07,500 IS THAT WISE? 403 00:16:07,534 --> 00:16:08,335 NO, BUT IT IS AN ORDER. 404 00:16:08,368 --> 00:16:10,103 WHATEVER YOU DO, BRING HER HERE FIRST. 405 00:16:10,137 --> 00:16:11,471 SHE'S THE ONLY ONE WHO KNOWS WHO FRANK IS. 406 00:16:11,504 --> 00:16:14,074 SO FAR WE'VE NARROWED IT DOWN TO 9 POSSIBLE TARGETS. 407 00:16:14,107 --> 00:16:15,475 THEIR CONTACT DETAILS ARE IN THE FILES. 408 00:16:15,508 --> 00:16:19,379 EVERYBODY GRAB A PHONE. LET'S START CALLING. 409 00:16:21,814 --> 00:16:23,450 5 SUGARS. 410 00:16:23,483 --> 00:16:25,352 WOW. 411 00:16:26,486 --> 00:16:28,521 I HAVE A SWEET TOOTH. 412 00:16:28,555 --> 00:16:32,492 THANK YOU FOR COMING, BUT IT REALLY WASN'T NECESSARY. 413 00:16:32,525 --> 00:16:36,029 WE AT THE B.A.U. LIKE TO FOLLOW UP ON OUR VICTIMS. 414 00:16:36,063 --> 00:16:38,065 SHE'S IN THE BASEMENT DOWNSTAIRS! 415 00:16:38,098 --> 00:16:39,132 [SHOUTING] 416 00:16:39,166 --> 00:16:40,300 IS THE HOUSE ON FIRE?! 417 00:16:40,333 --> 00:16:42,435 REBECCA! GET ME OUT OF HERE. 418 00:16:42,469 --> 00:16:43,603 HURRY! 419 00:16:43,636 --> 00:16:46,539 LET'S GO, WE'VE GOT NO TIME. 420 00:16:49,109 --> 00:16:52,412 I TRY NOT TO THINK OF MYSELF AS A VICTIM. 421 00:16:52,445 --> 00:16:53,480 THAT'S GOOD. 422 00:16:53,513 --> 00:16:56,349 VERY HEALTHY. 423 00:16:56,383 --> 00:16:59,352 A SOUND STRATEGY. 424 00:17:03,290 --> 00:17:04,291 OH, MY, THIS IS PERFECT. 425 00:17:04,324 --> 00:17:07,660 I AM GLAD TO GET A CHANCE TO PERSONALLY THANK YOU. 426 00:17:07,694 --> 00:17:11,698 YOU WROTE ME THIS LOVELY LETTER. 427 00:17:12,732 --> 00:17:13,500 I KEEP IT AT HOME. 428 00:17:13,533 --> 00:17:14,701 YOU WERE THE ONLY MEMBER OF THE TEAM 429 00:17:14,734 --> 00:17:17,504 I DIDN'T GET A CHANCE TO MEET FACE TO FACE, AGENT GIDEON. 430 00:17:17,537 --> 00:17:20,540 PLEASE, CALL ME JASON. 431 00:17:22,509 --> 00:17:25,678 DID YOU KNOW RECENT STUDIES INTO FEMALE RAPE VICTIMS 432 00:17:25,712 --> 00:17:27,547 FOUND THAT A HIGH PROPORTION OF THEM 433 00:17:27,580 --> 00:17:29,416 LATER IN LIFE ARE RAPED AGAIN? 434 00:17:29,449 --> 00:17:30,850 NO, I WASN'T RAPED. 435 00:17:30,883 --> 00:17:35,388 IT'S ALMOST AS IF THEY EMIT A KIND OF...SIGNAL. 436 00:17:35,422 --> 00:17:36,656 BUT I WASN'T RAPED. 437 00:17:36,689 --> 00:17:38,391 BUT YOU ARE ON A LIST. 438 00:17:38,425 --> 00:17:39,826 A LIST? 439 00:17:39,859 --> 00:17:41,861 A LIST OF LIVES SAVED. 440 00:17:41,894 --> 00:17:45,798 HOW WERE YOU SAVED, REBECCA? 441 00:17:45,832 --> 00:17:47,300 WHAT HAPPENED TO YOU? 442 00:17:47,334 --> 00:17:49,436 WHAT HAPPENED? 443 00:17:49,469 --> 00:17:51,438 YOUR LETTER WAS SO... 444 00:17:51,471 --> 00:17:52,472 NONSPECIFIC. 445 00:17:52,505 --> 00:17:54,407 BUT DON'T YOU-- 446 00:17:54,441 --> 00:17:56,643 WERE YOU AFRAID? 447 00:17:57,210 --> 00:18:00,113 I'VE NEVER FELT THE FEELING OF FEAR. 448 00:18:00,147 --> 00:18:03,583 APPARENTLY I'M...INCAPABLE. 449 00:18:06,553 --> 00:18:08,555 TELL ME, REBECCA. 450 00:18:08,588 --> 00:18:10,790 WHAT'S IT FEEL LIKE-- 451 00:18:10,823 --> 00:18:13,092 FEAR? 452 00:18:14,594 --> 00:18:18,265 [TELEPHONE RINGS] I SHOULD GET THAT. 453 00:18:20,433 --> 00:18:23,470 SAVED BY THE BELL. [RING] 454 00:18:23,503 --> 00:18:25,505 HELLO? 455 00:18:25,538 --> 00:18:26,406 REBECCA BRIAN? 456 00:18:26,439 --> 00:18:28,475 HI, THIS IS JENNIFER JAREAU WITH THE FBI. 457 00:18:28,508 --> 00:18:32,279 HE'S NOT AGENT GIDEON, IS HE? 458 00:18:32,312 --> 00:18:33,012 EXCUSE ME? 459 00:18:33,045 --> 00:18:35,215 REBECCA, THIS IS AGENT HOTCHNER. 460 00:18:35,248 --> 00:18:37,750 IF YOU CAN, VERY CALMLY EXCUSE YOURSELF 461 00:18:37,784 --> 00:18:40,887 AND GET OUT OF THE HOUSE. CAN YOU DO THAT? 462 00:18:40,920 --> 00:18:43,523 REBECCA, JUST CALMLY HANG UP, 463 00:18:43,556 --> 00:18:46,759 WALK TO YOUR DOOR, AND LEAVE. OK? 464 00:18:46,793 --> 00:18:50,530 REBECCA? WHAT'S GOING ON? 465 00:18:50,563 --> 00:18:52,365 [GASPS] 466 00:18:53,500 --> 00:18:56,436 REBECCA... 467 00:18:58,571 --> 00:18:59,506 REBECCA? 468 00:18:59,539 --> 00:19:00,573 HI, I REGRET TO INFORM YOU 469 00:19:00,607 --> 00:19:05,545 THAT REBECCA'S NAME SHOULD BE MOVED TO A NEW LIST. 470 00:19:05,578 --> 00:19:07,580 FRANK, WE DON'T HAVE HER. 471 00:19:07,614 --> 00:19:08,648 WE DO NOT HAVE JANE. 472 00:19:08,681 --> 00:19:12,219 I WILL NOT STOP UNTIL I HAVE HER BACK. 473 00:19:12,252 --> 00:19:13,220 FRANK... 474 00:19:13,253 --> 00:19:15,222 FRANK! 475 00:19:15,255 --> 00:19:19,326 [DISCONNECTS, DIAL TONE] 476 00:19:32,472 --> 00:19:34,541 FBI! 477 00:19:36,943 --> 00:19:38,645 CLEAR. 478 00:19:40,613 --> 00:19:42,249 DOOR. 479 00:20:03,603 --> 00:20:07,974 HOTCH...NOTHING COULD HAVE STOPPED THIS. 480 00:20:10,277 --> 00:20:12,279 Prentiss: GUYS... 481 00:20:13,680 --> 00:20:16,649 WE'VE GOT A NOTE FROM FRANK. 482 00:20:16,683 --> 00:20:17,884 7 A.M. UNION STATION. 483 00:20:17,917 --> 00:20:21,521 ALL 8 OTHER TARGETS ON THAT LIST ARE SAFE AND ACCOUNTED FOR. 484 00:20:21,554 --> 00:20:23,390 THEN WE'VE MISSED SOMEONE OR SOMETHING. 485 00:20:23,423 --> 00:20:24,457 NOW THAT HE'S SET A MEETING-- 486 00:20:24,491 --> 00:20:26,659 HE'S GOING TO RAISE THE STAKES. 487 00:20:26,693 --> 00:20:27,494 JUST LIKE HE DID LAST TIME. 488 00:20:27,527 --> 00:20:29,529 HE'S GOING TO MAKE IT IMPOSSIBLE FOR US 489 00:20:29,562 --> 00:20:31,431 TO NOT TRADE JANE FOR WHOEVER HE'S GOT. 490 00:20:31,464 --> 00:20:33,933 [CELL PHONE RINGS] 491 00:20:35,968 --> 00:20:36,903 YEAH, J.J? 492 00:20:36,936 --> 00:20:37,637 I THINK I FOUND JANE. 493 00:20:37,670 --> 00:20:38,905 THE BEAT COPS PICKED UP A WOMAN 494 00:20:38,938 --> 00:20:41,874 WHO WAS RANTING AND RAVING ABOUT NEEDING TO TALK TO THE B.A.U. 495 00:20:41,908 --> 00:20:43,976 SHE, UH, ASSAULTED ONE OF THE POLICE OFFICERS. 496 00:20:44,010 --> 00:20:45,878 SHE'S BEING PROCESSED AS WE SPEAK. 497 00:20:45,912 --> 00:20:46,946 SO WHAT HAVE WE MISSED? 498 00:20:46,979 --> 00:20:50,583 FRANK'S INCAPABLE OF EXPERIENCING NORMAL FEELINGS. 499 00:20:50,617 --> 00:20:53,320 YEAH, BUT HE TAKES WHAT NORMAL PEOPLE HOLD SACRED. 500 00:20:53,353 --> 00:20:54,220 CHILDREN. 501 00:20:54,253 --> 00:20:55,855 J.J., I'M GOING TO HAVE PRENTISS CALL YOU 502 00:20:55,888 --> 00:20:57,290 TO FIND OUT WHERE TO PICK UP JANE. 503 00:20:57,324 --> 00:20:58,558 WE'LL ALL MEET BACK AT THE B.A.U. 504 00:20:58,591 --> 00:21:01,027 I'M GOING TO WAIT FOR THE CRIME SCENE UNIT. 505 00:21:01,060 --> 00:21:01,728 I HEARD YOU. 506 00:21:01,761 --> 00:21:03,596 HE'S GOING AFTER CHILDREN NOW. 507 00:21:03,630 --> 00:21:05,665 I ALSO NEED YOU TO LOOK AT RELOCATIONS, 508 00:21:05,698 --> 00:21:06,866 ANYTHING INVOLVING CHILDREN. 509 00:21:06,899 --> 00:21:10,603 FAMILIES THAT HAVE MOVED INTO THE D.C. AREA SINCE THE CASE. 510 00:21:10,637 --> 00:21:12,739 I'M ON IT. 511 00:21:20,780 --> 00:21:21,548 Garcia: THIS IS HOPELESS. 512 00:21:21,581 --> 00:21:24,651 WE DON'T EVEN KNOW FRANK'S SURNAME. 513 00:21:24,684 --> 00:21:25,852 BUT WE DO KNOW THE ONLY PERSON 514 00:21:25,885 --> 00:21:28,455 EVER TO SURVIVE ABDUCTION BY FRANK. 515 00:21:28,488 --> 00:21:29,055 JANE. 516 00:21:29,088 --> 00:21:30,490 HE FELL IN LOVE WITH HER. 517 00:21:30,523 --> 00:21:31,624 OH, HE WAS A PSYCHOPATH. HE'S INCAPABLE 518 00:21:31,658 --> 00:21:33,960 OF EMOTIONALLY BONDING WITH ANYONE. 519 00:21:33,993 --> 00:21:36,829 YET HE WAS PREPARED TO RISK EVERYTHING TO HAVE HER. 520 00:21:36,863 --> 00:21:40,733 AMONGST ALL THOSE HE KILLED THERE HAS TO BE ONE CONSTANT, 521 00:21:40,767 --> 00:21:41,768 ONE REPETITIOUS ACT, 522 00:21:41,801 --> 00:21:44,337 A BREAK FROM PATTERN. 523 00:21:44,371 --> 00:21:48,007 ONE HE'S PROBABLY NOT EVEN AWARE OF. 524 00:21:48,040 --> 00:21:50,643 OH... [AGITATED BREATHING] 525 00:21:52,078 --> 00:21:53,079 IF THEY DON'T COME SOON, 526 00:21:53,112 --> 00:21:54,747 SOMEBODY'S GOING TO GET HURT! 527 00:21:54,781 --> 00:21:57,350 IF YOU DON'T SHUT THE HELL UP, YOU'LL GET HURT. 528 00:21:57,384 --> 00:21:58,585 I WOULD LIKE TO LEAVE NOW! 529 00:21:58,618 --> 00:22:02,789 I DON'T WANT TO BE HERE. HELLO?! 530 00:22:02,822 --> 00:22:04,391 HELLO? EXCUSE ME! 531 00:22:04,424 --> 00:22:05,157 BITCH, SHUT IT. 532 00:22:05,191 --> 00:22:07,860 PLEASE, I DON'T WANT TO BE IN HERE! 533 00:22:07,894 --> 00:22:09,629 SHUT THE HELL UP 534 00:22:09,662 --> 00:22:11,764 OR I'LL DO IT FOR YOU. SHUT UP! 535 00:22:11,798 --> 00:22:13,666 HEY, KNOCK IT OFF! 536 00:22:13,700 --> 00:22:14,734 JANE. 537 00:22:14,767 --> 00:22:16,836 COME IN HERE AND GET THIS MOUTHY BITCH OUT OF HERE. 538 00:22:16,869 --> 00:22:17,804 BACK OFF! 539 00:22:17,837 --> 00:22:19,672 AGENT PRENTISS, FBI. 540 00:22:19,706 --> 00:22:20,907 FBI? 541 00:22:20,940 --> 00:22:22,509 DO YOU REMEMBER ME? 542 00:22:22,542 --> 00:22:23,443 FROM NEVADA? 543 00:22:23,476 --> 00:22:25,645 [BREATHING HARD] 544 00:22:25,678 --> 00:22:27,146 I ASKED FOR AGENT GIDEON. 545 00:22:27,179 --> 00:22:30,850 WE KNOW. WE'LL BRING YOU TO HIM. 546 00:22:33,986 --> 00:22:36,355 I TOLD YOU! 547 00:22:37,457 --> 00:22:39,091 AGENT GIDEON'S RIGHT, YOU KNOW. 548 00:22:39,125 --> 00:22:42,662 FRANK, HE CAN'T FEEL LOVE. 549 00:22:42,695 --> 00:22:43,796 HE WANTS TO, 550 00:22:43,830 --> 00:22:45,932 BUT HE CAN'T. 551 00:22:45,965 --> 00:22:49,602 HE'S COMING FOR ME, YOU KNOW? 552 00:22:49,636 --> 00:22:52,104 HE'S ALREADY HERE. 553 00:23:06,853 --> 00:23:08,855 TRACEY BELLE. 554 00:23:09,822 --> 00:23:11,891 [BEEPING] 555 00:23:11,924 --> 00:23:12,759 HOTCHNER. 556 00:23:12,792 --> 00:23:14,927 J.J.: HOTCH, TRACEY BELLE AND HER FAMILY 557 00:23:14,961 --> 00:23:17,764 RELOCATED TO McLEAN, VIRGINIA, 8 MONTHS AGO. 558 00:23:17,797 --> 00:23:18,631 IT--IT'S HER, HOTCH. 559 00:23:18,665 --> 00:23:21,968 SHE'S THE ONLY ONE WHO'S UNACCOUNTED FOR. 560 00:23:39,752 --> 00:23:41,788 Morgan: FBI! 561 00:23:41,821 --> 00:23:44,123 GET THE UNIT CRIME SCENE TEAM. 562 00:23:44,156 --> 00:23:47,894 [INDISTINCT POLICE RADIO] 563 00:23:48,528 --> 00:23:49,462 THAT'S MY HOUSE. 564 00:23:49,496 --> 00:23:51,030 YOU HAVE TO LET US IN. MY DAUGHTER'S IN THERE. 565 00:23:51,063 --> 00:23:51,964 YOU CAN'T GO IN RIGHT NOW. 566 00:23:51,998 --> 00:23:53,165 WHERE'S TRACEY? WHERE IS SHE? 567 00:23:53,199 --> 00:23:55,702 WHAT'S IMPORTANT TO KNOW RIGHT NOW IS TRACEY IS ALIVE, OK? 568 00:23:55,735 --> 00:23:56,736 YOUR DAUGHTER'S ALIVE-- 569 00:23:56,769 --> 00:23:57,737 SIR--SIR! SHE'S NOT IN THERE. 570 00:23:57,770 --> 00:23:58,805 SHE'S NOT IN THERE. 571 00:23:58,838 --> 00:24:01,140 I PROMISE YOU WE WILL FIND HER, 572 00:24:01,173 --> 00:24:02,709 AND SHE'S GOING TO BE FINE. 573 00:24:02,742 --> 00:24:05,878 NO, NO, NO... IT'S OK. 574 00:24:05,912 --> 00:24:08,581 NO, NO, NO. 575 00:24:08,615 --> 00:24:11,718 [CRYING] NO... 576 00:24:29,235 --> 00:24:32,672 DID I DO THE RIGHT THING BY COMING HERE? 577 00:24:32,705 --> 00:24:35,074 YES, YOU DID THE RIGHT THING. 578 00:24:35,107 --> 00:24:37,877 PLEASE, SIT DOWN. 579 00:24:38,811 --> 00:24:40,613 IS THAT MY BAG? 580 00:24:45,652 --> 00:24:47,587 TELL US SOMETHING GOOD, REID. 581 00:24:47,620 --> 00:24:48,788 WE HAVE JANE. 582 00:24:48,821 --> 00:24:50,122 THAT'S GOOD NEWS. 583 00:24:50,156 --> 00:24:51,958 NOT ENTIRELY. 584 00:24:53,159 --> 00:24:55,695 FRANK HASN'T HURT ANYONE, HAS HE? 585 00:24:55,728 --> 00:24:57,597 HE WOULDN'T DO THAT. 586 00:24:57,630 --> 00:24:59,098 NOT WHILE HE HAS ME. 587 00:24:59,131 --> 00:25:01,801 HE DOESN'T HAVE YOU. 588 00:25:01,834 --> 00:25:03,502 WE DO. 589 00:25:06,573 --> 00:25:08,641 HE CAME AFTER AGENT GIDEON. 590 00:25:08,675 --> 00:25:10,276 WHY DID YOU LEAVE FRANK? 591 00:25:10,309 --> 00:25:13,646 WHAT...CHANGED? 592 00:25:17,950 --> 00:25:19,652 HE DID. 593 00:25:19,852 --> 00:25:21,988 FRANK CHANGED. 594 00:25:22,021 --> 00:25:24,724 HE CHANGED JUST LIKE AGENT GIDEON SAID. 595 00:25:24,757 --> 00:25:28,094 AND HE WAS SO ANGRY WITH AGENT GIDEON 596 00:25:28,127 --> 00:25:31,297 BECAUSE HE KNOWS FRANK BETTER THAN ANYONE ELSE. 597 00:25:31,330 --> 00:25:32,298 AND FRANK KNOWS THAT, TOO. 598 00:25:32,331 --> 00:25:35,602 FRANK WANTS AGENT GIDEON TO STOP HIM, DOESN'T HE? 599 00:25:35,635 --> 00:25:38,638 WELL, IF ANYONE CAN, AGENT GIDEON CAN. 600 00:25:38,671 --> 00:25:41,808 NOT WITHOUT YOU, JANE. 601 00:25:44,611 --> 00:25:45,612 WHAT DO YOU MEAN? 602 00:25:45,645 --> 00:25:48,681 CONSIDERING THE 3 FACTORS OF DETERMINED BEHAVIOR-- 603 00:25:48,715 --> 00:25:50,683 BIO, PSYCHO, SOCIAL... 604 00:25:50,717 --> 00:25:52,619 SIR-- FIRST, BIOLOGY. 605 00:25:52,652 --> 00:25:54,286 GENETICS GAVE HIM THE PREDISPOSITION. 606 00:25:54,320 --> 00:25:57,189 ADD TO THAT THE SECOND FACTOR, PSYCHOLOGY. 607 00:25:57,223 --> 00:25:58,658 CLEARLY A PSYCHOPATH. 608 00:25:58,691 --> 00:25:59,692 OK. 609 00:25:59,726 --> 00:26:00,793 THAT'S THE FILTER THROUGH WHICH 610 00:26:00,827 --> 00:26:02,161 HE EXPERIENCES HIS ENVIRONMENT. 611 00:26:02,194 --> 00:26:03,696 FINALLY, SOCIALIZATION-- 612 00:26:03,730 --> 00:26:04,897 LIFE EXPERIENCES. 613 00:26:04,931 --> 00:26:07,934 LIKE ALL OF US, HE'S A COMPLICATED MANIFESTATION OF ALL 3. 614 00:26:07,967 --> 00:26:11,003 SO YOU PUT THAT ALL TOGETHER AND... 615 00:26:11,037 --> 00:26:13,740 THINK OF FRANK AS A LIVING MURDER WEAPON. 616 00:26:13,773 --> 00:26:15,007 HIS GENETICS LOAD THE GUN, 617 00:26:15,041 --> 00:26:16,876 HIS PSYCHOLOGY AIMS IT, 618 00:26:16,909 --> 00:26:19,712 THE ENVIRONMENT PULLS THE TRIGGER. 619 00:26:19,746 --> 00:26:23,049 THAT'S WHY HIS VICTIMS ARE SO IMPORTANT. 620 00:26:23,082 --> 00:26:25,284 WE STUDY THEM. 621 00:26:25,317 --> 00:26:26,619 THEY REFLECT BACK ON HIM. 622 00:26:26,653 --> 00:26:28,688 OK. HE KILLED MOSTLY WOMEN. 623 00:26:28,721 --> 00:26:30,757 SINCE HE USED A TRAILER, THEIR OCCUPATIONS, LOCATIONS, 624 00:26:30,790 --> 00:26:32,859 AND AGES ARE ALL OVER THE PLACE. 625 00:26:32,892 --> 00:26:34,661 PLOT OUT THE AGES. 626 00:26:34,694 --> 00:26:37,664 UM, HE KILLED 43 IN THEIR 50s, 627 00:26:37,697 --> 00:26:40,800 51 IN THEIR 40s, 64 IN THEIR 30s, 628 00:26:40,833 --> 00:26:42,234 AND 12 IN THEIR 20s. 629 00:26:42,268 --> 00:26:44,203 12? 630 00:26:44,236 --> 00:26:45,071 IS THAT ODD? 631 00:26:45,104 --> 00:26:47,273 PRECEDENT TELLS US THE NUMBER OF VICTIMS 632 00:26:47,306 --> 00:26:50,176 SHOULD RISE AS THE AGE FALLS. 633 00:26:50,777 --> 00:26:52,344 SO IT'S A BREAK FROM PATTERN. WHY? 634 00:26:52,378 --> 00:26:53,846 HE WASN'T ATTRACTED TO THEM. 635 00:26:53,880 --> 00:26:55,014 NO, THAT DOESN'T MAKE ANY SENSE 636 00:26:55,047 --> 00:26:56,783 BECAUSE HE DOESN'T FEEL ATTRACTION OR LOVE. 637 00:26:56,816 --> 00:27:00,720 NO, NO, NO, NO. YOU'RE ONTO SOMETHING. 638 00:27:00,753 --> 00:27:02,755 THAT'S GREAT, I DON'T KNOW WHAT. 639 00:27:02,789 --> 00:27:05,124 WHO WAS THE ONLY VICTIM HE DIDN'T KILL? 640 00:27:05,157 --> 00:27:06,392 JANE. 641 00:27:06,425 --> 00:27:09,195 SHE WAS 22 WHEN FRANK FIRST ABDUCTED HER. 642 00:27:09,228 --> 00:27:11,931 AND THROUGH THE YEARS HE KEPT ON COMING BACK. 643 00:27:11,964 --> 00:27:15,067 KEPT VISITING HER, BRINGING HER GIFTS, 644 00:27:15,101 --> 00:27:17,737 MAKING SURE SHE WAS OK. 645 00:27:18,805 --> 00:27:21,407 MOTHER PROTECTS HER CHILDREN. 646 00:27:21,440 --> 00:27:23,275 IN FRANK'S CASE, IT WAS VICE VERSA. 647 00:27:23,309 --> 00:27:26,245 HE DIDN'T KILL JANE BECAUSE HE SEES HER AS HIS MOTHER. 648 00:27:26,278 --> 00:27:30,249 TELL ME ABOUT FRANK. WHERE'S HE FROM? 649 00:27:36,222 --> 00:27:37,189 MANHATTAN. 650 00:27:37,223 --> 00:27:38,024 MANHATTAN? 651 00:27:38,057 --> 00:27:39,191 YOU SURE? 652 00:27:39,225 --> 00:27:39,926 YES, I'M SURE! 653 00:27:39,959 --> 00:27:42,028 HE TALKED ABOUT IT ALL THE TIME. 654 00:27:42,061 --> 00:27:45,097 HE TOLD ME WHERE HE LIVED AND HOW HE GREW UP, 655 00:27:45,131 --> 00:27:47,099 EVERYTHING. HE WANTED ME TO KNOW EVERYTHING. 656 00:27:47,133 --> 00:27:51,303 DID HE EVER SAY WHERE IN MANHATTAN? 657 00:27:52,104 --> 00:27:53,873 HE LIVED WITH HIS MOTHER. 658 00:27:53,906 --> 00:27:55,341 SHE WAS GERMAN. 659 00:27:55,374 --> 00:27:58,110 BREITKOPF. MARY BREITKOPF. 660 00:27:58,144 --> 00:28:01,280 AND FRANK NEVER KNEW HIS FATHER. 661 00:28:01,313 --> 00:28:05,151 SO HE USES HIS MOTHER'S NAME? 662 00:28:05,184 --> 00:28:05,952 MM-HMM. 663 00:28:05,985 --> 00:28:10,322 AND SHE WOULD TAKE HIM EVERY SUNDAY 664 00:28:10,356 --> 00:28:13,259 TO THE FAIR ON LONG ISLAND. 665 00:28:13,292 --> 00:28:16,228 HE TALKED ABOUT HER CONSTANTLY. 666 00:28:16,262 --> 00:28:17,830 AND THEY WOULD HAVE DINNER PARTIES, 667 00:28:17,864 --> 00:28:21,200 AND--AND FRANK WOULD DRESS UP, AND HE WOULD BE THE BARMAN, 668 00:28:21,233 --> 00:28:24,036 AND HE WOULD SERVE ALL THE GUESTS... 669 00:28:24,070 --> 00:28:26,105 COCKTAILS. 670 00:28:26,338 --> 00:28:28,474 JANE, WHEN YOU WERE WITH FRANK, 671 00:28:28,507 --> 00:28:31,310 DID HE EVER HURT ANYONE ELSE? 672 00:28:36,082 --> 00:28:37,249 BEING ON THE RUN 673 00:28:37,283 --> 00:28:40,386 CAN BE VERY ROMANTIC, YOU KNOW. 674 00:28:40,820 --> 00:28:44,924 DID FRANK TRY TO KILL ANYONE ELSE? 675 00:28:49,395 --> 00:28:50,863 IS IT WRONG? 676 00:28:50,897 --> 00:28:52,865 IS WHAT WRONG? 677 00:28:52,899 --> 00:28:54,500 LOVING FRANK? 678 00:28:54,533 --> 00:29:00,339 UH, YOU DON'T CHOOSE WHO YOU FALL IN LOVE WITH. 679 00:29:02,074 --> 00:29:04,243 MAYBE YOU THOUGHT YOU COULD CHANGE HIM. 680 00:29:04,276 --> 00:29:06,045 AND YOU DID, TOO, FOR A TIME. 681 00:29:06,078 --> 00:29:06,913 YES. 682 00:29:06,946 --> 00:29:09,281 UNTIL THE DESIRE TO KILL OVERWHELMED HIM. 683 00:29:09,315 --> 00:29:11,483 AND YOU SAW THAT, DIDN'T YOU, JANE? 684 00:29:11,517 --> 00:29:13,886 YOU SAW IT IN HIM. 685 00:29:13,920 --> 00:29:15,154 YES. 686 00:29:15,187 --> 00:29:18,024 WHO DID HE TRY TO KILL? 687 00:29:20,126 --> 00:29:20,927 ME. 688 00:29:20,960 --> 00:29:23,229 BUT HE STOPPED HIMSELF. 689 00:29:23,262 --> 00:29:25,764 WE HAD AN ARGUMENT... 690 00:29:26,298 --> 00:29:31,237 AND I SCREAMED AT HIM, AND I SAID THAT GIDEON WAS RIGHT, 691 00:29:31,270 --> 00:29:34,907 AND HE BECAME SO ANGRY. 692 00:29:34,941 --> 00:29:36,242 AND I HAD TO RUN HERE. 693 00:29:36,275 --> 00:29:39,345 BUT AS LONG AS HE'S TRYING TO FIND ME, 694 00:29:39,378 --> 00:29:41,313 HE WON'T KILL AGAIN. 695 00:29:41,347 --> 00:29:42,514 HE HAS ALREADY. 696 00:29:42,548 --> 00:29:44,016 AND HE'S NOT GOING TO STOP 697 00:29:44,050 --> 00:29:45,584 UNTIL HE GETS YOU BACK. 698 00:29:45,617 --> 00:29:47,286 OH-- 699 00:29:47,319 --> 00:29:49,155 I'M SORRY. 700 00:29:50,356 --> 00:29:52,491 [BIRD SHRIEKS] 701 00:29:53,225 --> 00:29:54,260 [SNAKE HISSES] 702 00:29:54,293 --> 00:29:55,895 [MOUNTAIN LION ROARS] 703 00:29:55,928 --> 00:29:56,996 GOT IT. THANKS, HOTCH. 704 00:29:57,029 --> 00:29:59,331 MOTHER'S NAME IS MARY BREITKOPF 705 00:29:59,365 --> 00:30:00,833 FROM MANHATTAN. 706 00:30:00,867 --> 00:30:02,334 WAIT. 707 00:30:03,335 --> 00:30:04,904 THE DINER. 708 00:30:04,937 --> 00:30:07,573 ADAM AND EVE ON A RAFT, SINK 'EM, 709 00:30:07,606 --> 00:30:08,607 AND A STRAWBERRY SHAKE 710 00:30:08,640 --> 00:30:10,042 FOR THE GENTLEMAN AT TABLE 8. 711 00:30:10,076 --> 00:30:12,879 AH, FINALLY, YOU WALK INTO MY LIFE. 712 00:30:12,912 --> 00:30:14,580 WHAT TOOK YOU SO LONG, HANDSOME? 713 00:30:14,613 --> 00:30:16,482 HONEY? 714 00:30:18,517 --> 00:30:19,886 MIND IF I SIT HERE? 715 00:30:19,919 --> 00:30:21,153 PLEASE. 716 00:30:21,187 --> 00:30:23,589 HE WAS OBSESSED WITH FACTS. 717 00:30:23,622 --> 00:30:25,224 Frank: RECENT RECORD LOWS 718 00:30:25,257 --> 00:30:27,626 HAVE SENT DESERT FLOOR TEMPERATURES 719 00:30:27,659 --> 00:30:29,361 PLUMMETING INTO SINGLE DIGITS. 720 00:30:29,395 --> 00:30:32,464 HE SAID SOMETHING ABOUT MANHATTAN. 721 00:30:32,498 --> 00:30:37,303 1.5 MILLION PEOPLE INHABIT MANHATTAN. 722 00:30:37,336 --> 00:30:38,537 DID YOU KNOW THAT? 723 00:30:38,570 --> 00:30:41,273 I READ ABOUT A WOMAN WHOSE BODY WAS FOUND IN HER APARTMENT... 724 00:30:41,307 --> 00:30:44,911 ...IN HER APARTMENT, UPPER EAST SIDE. 725 00:30:47,446 --> 00:30:49,048 THAT WAS THE ONLY THING HE SAID 726 00:30:49,081 --> 00:30:52,118 THAT GENUINELY SEEMED TO MOVE HIM. 727 00:30:52,151 --> 00:30:54,486 HE WAS TALKING ABOUT HIS MOTHER. 728 00:30:54,520 --> 00:30:56,488 MARY BREITKOPF. 729 00:30:57,456 --> 00:31:00,659 HE SAID HIS PARENTS NAMED HIM FRANK. 730 00:31:00,692 --> 00:31:01,260 I'M FRANK. 731 00:31:01,293 --> 00:31:03,462 GERMANIC, THIRD CENTURY... 732 00:31:03,495 --> 00:31:04,630 THIRD CENTURY. 733 00:31:04,663 --> 00:31:08,300 Frank and Gideon: DERIVED FROM THE NAME OF A TYPE OF SPEAR. 734 00:31:08,334 --> 00:31:09,468 I WONDER WHAT ASPIRATIONS... 735 00:31:09,501 --> 00:31:12,604 MY PARENTS HAD FOR ME. 736 00:31:13,439 --> 00:31:14,974 GERMAN MOTHER, PROBABLY IMMIGRATED 737 00:31:15,007 --> 00:31:16,408 TO THIS COUNTRY IN THE FIFTIES. 738 00:31:16,442 --> 00:31:18,344 IF HE LIKENS JANE TO HIS MOTHER... 739 00:31:18,377 --> 00:31:20,179 THEN SHE MUST HAVE BEEN IN HER LATE TEENS 740 00:31:20,212 --> 00:31:22,248 WHEN SHE ARRIVED IN MANHATTAN. 741 00:31:22,281 --> 00:31:24,917 I'VE GOT 3 MARY BREITKOPFS 742 00:31:24,951 --> 00:31:27,419 LIVING IN UPPER EAST SIDE DURING THE FIFTIES AND SIXTIES. 743 00:31:27,453 --> 00:31:29,421 JANE SAID SHE WAS A LAWYER. 744 00:31:29,455 --> 00:31:30,489 NO LAWYERS HERE. 745 00:31:30,522 --> 00:31:32,925 A 52-YEAR-OLD MARY LOUISE BREITKOPF. 746 00:31:32,959 --> 00:31:34,526 SHE DIED OF CANCER, 1973. 747 00:31:34,560 --> 00:31:35,561 TAILOR'S ASSISTANT. 748 00:31:35,594 --> 00:31:38,097 MARY BREITKOPF, NURSE. 749 00:31:38,130 --> 00:31:39,398 KILLED IN A TRAFFIC ACCIDENT. 750 00:31:39,431 --> 00:31:40,266 MARY BREITKOPF... 751 00:31:40,299 --> 00:31:41,433 WOW. WHAT? 752 00:31:41,467 --> 00:31:44,270 THIS MARY BREITKOPF WAS ARRESTED... 753 00:31:44,303 --> 00:31:45,271 63 TIMES. 754 00:31:45,304 --> 00:31:46,405 WHAT FOR? 755 00:31:46,438 --> 00:31:48,174 SOLICITATION. SHE WAS A HOOKER. 756 00:31:48,207 --> 00:31:48,874 IS SHE DECEASED? 757 00:31:48,907 --> 00:31:50,576 UH, NO. NO DEATH CERTIFICATE. 758 00:31:50,609 --> 00:31:52,444 UH, SHE'S ALIVE AND LIVING IN MANHATTAN. 759 00:31:52,478 --> 00:31:55,314 SEARCH FOR A STORY INVOLVING A WOMAN FOUND DEAD IN HER APARTMENT-- 760 00:31:55,347 --> 00:31:56,348 DEAD FOR OVER A YEAR. 761 00:31:56,382 --> 00:31:58,350 UPPER EAST SIDE, MANHATTAN. 762 00:31:58,384 --> 00:31:59,285 ZIP. NOTHING. 763 00:31:59,318 --> 00:32:01,320 SO IT NEVER HAPPENED. 764 00:32:01,353 --> 00:32:04,456 FRANK'S BEEN HIDING HER EXISTENCE FROM EVERYONE. 765 00:32:04,490 --> 00:32:06,058 [CELL PHONE RINGS] 766 00:32:06,092 --> 00:32:07,960 WHY? 767 00:32:07,994 --> 00:32:08,527 YEAH? 768 00:32:08,560 --> 00:32:09,395 GARCIA, GET ME JASON. 769 00:32:09,428 --> 00:32:11,430 I HAVE SOMEONE WHO WANTS TO TALK TO HIM. 770 00:32:11,463 --> 00:32:14,266 IT'S FOR YOU. 771 00:32:17,003 --> 00:32:18,670 YEAH? Girl: JASON? 772 00:32:18,704 --> 00:32:19,538 WHO'S THIS? 773 00:32:19,571 --> 00:32:22,174 IT'S TRACEY BELLE. 774 00:32:22,208 --> 00:32:24,276 GO AHEAD, TRACEY. ITS OK. 775 00:32:24,310 --> 00:32:26,312 PLEASE, MR. GIDEON... 776 00:32:26,345 --> 00:32:28,680 YOU SAVED ME ONCE. 777 00:32:28,714 --> 00:32:29,781 DON'T YOU REMEMBER? 778 00:32:29,815 --> 00:32:33,552 OF COURSE I REMEMBER YOU. HOW COULD I EVER FORGET YOU? 779 00:32:33,785 --> 00:32:38,057 TRACEY, EVERYTHING'S GOING TO BE ALL RIGHT. 780 00:32:38,090 --> 00:32:40,993 PLEASE, I'M SCARED. 781 00:32:41,027 --> 00:32:43,429 I JUST WANT MY MOMMY. 782 00:32:43,462 --> 00:32:46,198 PLEASE. 783 00:32:46,232 --> 00:32:47,699 PLEASE! 784 00:32:49,768 --> 00:32:51,037 [SING-SONG] JASON. 785 00:32:51,070 --> 00:32:52,338 YOU SON OF A BITCH. 786 00:32:52,371 --> 00:32:55,341 I SWEAR TO YOU I WILL FIND YOU 787 00:32:55,374 --> 00:32:56,408 AND I WILL STOP YOU. 788 00:32:56,442 --> 00:32:58,644 SHH. SHH, SHH, SHH. JASON. 789 00:32:58,677 --> 00:33:00,412 I CHOSE THE STATION 790 00:33:00,446 --> 00:33:03,415 BECAUSE I KNOW HOW MUCH YOU LOVE TRAINS. 791 00:33:03,449 --> 00:33:07,486 I SAW THE TOYS IN YOUR APARTMENT. 792 00:33:07,519 --> 00:33:08,520 [DIAL TONE] 793 00:33:08,554 --> 00:33:09,521 I--I CAN'T TRACE THAT CALL. IT WASN'T LONG ENOUGH, 794 00:33:09,555 --> 00:33:13,659 AND EVEN IF IT WAS, I--I CAN'T TRIANGULATE IT-- 795 00:33:13,692 --> 00:33:16,228 UM, WHAT DO YOU WANT ME TO DO? 796 00:33:16,262 --> 00:33:20,232 TALK TO ME, PLEASE. TELL ME WHAT I CAN-- 797 00:33:20,266 --> 00:33:21,100 CALL HOTCH. 798 00:33:21,133 --> 00:33:23,469 READ THAT TO HIM. HE'LL KNOW WHAT TO DO. 799 00:33:23,502 --> 00:33:25,404 [ZIPPER] 800 00:33:27,206 --> 00:33:28,540 WHAT ARE YOU GOING TO DO? 801 00:33:28,574 --> 00:33:31,443 END THIS. 802 00:33:32,478 --> 00:33:35,481 [BREATHING HARD] 803 00:34:06,845 --> 00:34:09,481 ANYBODY GOT EYES ON THE TARGET? 804 00:34:10,549 --> 00:34:12,151 NOTHING. 805 00:34:14,120 --> 00:34:17,356 DID GIDEON SAY WHERE HE WAS GOING? 806 00:34:17,389 --> 00:34:19,258 HE'LL BE HERE. 807 00:34:19,291 --> 00:34:20,826 IN WHAT CAPACITY? 808 00:34:20,859 --> 00:34:23,195 WHAT'S THAT SUPPOSED TO MEAN? 809 00:34:23,229 --> 00:34:25,264 AS AN AGENT OR AN EXECUTIONER? 810 00:34:25,297 --> 00:34:28,534 Man on Radio: 12 O'CLOCK. PLATFORM 11. TARGET. 811 00:34:28,567 --> 00:34:29,601 TARGET EAST SIDE. 812 00:34:29,635 --> 00:34:31,137 I HAVE EYES ON THE TARGET, 813 00:34:31,170 --> 00:34:32,771 AND I HAVE A CLEAR SHOT. OVER. 814 00:34:32,804 --> 00:34:36,074 WE'RE ABOUT TO FIND OUT. 815 00:34:38,310 --> 00:34:41,813 HOLD YOUR FIRE. I REPEAT, HOLD YOUR FIRE. 816 00:34:41,847 --> 00:34:42,681 THERE ARE CIVILIANS ON THE PLATFORM. 817 00:34:42,714 --> 00:34:46,185 LET'S GO! GO! BACK, ALL OF YOU BACK OFF! 818 00:34:46,218 --> 00:34:47,453 WE NEED YOU OUT OF HERE! 819 00:34:47,486 --> 00:34:50,556 IT'S RIGHT THIS WAY. 820 00:34:50,589 --> 00:34:51,323 WHOA, HEY. 821 00:34:51,357 --> 00:34:53,392 NO MATTER WHAT HAPPENS THIS TIME, 822 00:34:53,425 --> 00:34:55,361 WE DON'T SPLIT UP, CLEAR? 823 00:34:55,394 --> 00:34:57,829 CRYSTAL CLEAR. 824 00:34:58,330 --> 00:35:00,199 [TRAIN WHISTLE BLOWS] 825 00:35:00,232 --> 00:35:02,201 FRANK. 826 00:35:02,234 --> 00:35:03,502 AGENT HOTCHNER, 827 00:35:03,535 --> 00:35:07,439 WE HAVEN'T HAD THE PLEASURE OF A FORMAL MEETING. 828 00:35:07,473 --> 00:35:08,674 WHERE'S TRACEY BELLE? 829 00:35:08,707 --> 00:35:13,145 DO YOU HAVE SOMETHING FOR ME? 830 00:35:14,280 --> 00:35:16,315 NO, I DON'T. 831 00:35:16,848 --> 00:35:20,419 THEN YOU'LL NEVER SEE HER AGAIN. 832 00:35:23,589 --> 00:35:26,292 GO AHEAD AND BRING HER IN. 833 00:35:36,335 --> 00:35:36,868 JANE. 834 00:35:36,902 --> 00:35:39,471 WHERE'S TRACEY, FRANK? 835 00:35:43,642 --> 00:35:44,876 WAIT HERE. 836 00:35:44,910 --> 00:35:46,845 YES, MA'AM. 837 00:35:48,247 --> 00:35:51,583 Frank: DID YOU THINK I WOULDN'T COME LOOKING FOR YOU? 838 00:35:51,617 --> 00:35:54,353 Jane: YOU KILLED 2 INNOCENT WOMEN. 839 00:35:54,386 --> 00:35:57,256 WITHOUT YOU, I AM LOST. 840 00:35:57,289 --> 00:35:58,890 TRACEY, FRANK. [TRAIN WHISTLE BLOWS] 841 00:35:58,924 --> 00:36:01,260 NOT UNTIL WE'RE SAFELY AWAY. 842 00:36:01,293 --> 00:36:02,628 STOP IT, FRANK. 843 00:36:02,661 --> 00:36:04,863 I'M NOT COMING. 844 00:36:04,896 --> 00:36:06,765 IT'S YOU AND ME-- 845 00:36:06,798 --> 00:36:07,599 FOREVER. 846 00:36:07,633 --> 00:36:09,401 I CAN'T GO WITH YOU. 847 00:36:09,435 --> 00:36:13,572 I WILL NEVER BE TAKEN BY THESE... 848 00:36:13,605 --> 00:36:14,440 PEOPLE. 849 00:36:14,473 --> 00:36:16,908 AND WITHOUT YOU, 850 00:36:16,942 --> 00:36:18,577 I WILL NOT STOP, 851 00:36:18,610 --> 00:36:20,346 NOT EVER. 852 00:36:22,281 --> 00:36:24,683 SARAH WAS A DOCTOR. 853 00:36:24,716 --> 00:36:26,552 SHE WAS A MOTHER OF 3 BOYS. 854 00:36:26,585 --> 00:36:27,353 HELLO, JASON. 855 00:36:27,386 --> 00:36:28,654 SHE WORKED AND RAN A TREATMENT CENTER 856 00:36:28,687 --> 00:36:30,222 FOR PATIENTS WITH TERMINAL CANCER. 857 00:36:30,256 --> 00:36:33,292 DO YOU KNOW THE BIRDER'S TERM "TWITCHING," JASON? 858 00:36:33,325 --> 00:36:37,429 SHE DEDICATED HER LIFE TO EASING THE PAIN OF OTHERS. 859 00:36:37,463 --> 00:36:40,832 THE PURSUIT OF A PREVIOUSLY LOCATED RARE BIRD. 860 00:36:40,866 --> 00:36:43,835 YOU TOOK THE LIVES OF HUNDREDS. 861 00:36:43,869 --> 00:36:44,636 [TRAIN WHISTLE BLOWS] 862 00:36:44,670 --> 00:36:47,506 ALL BECAUSE YOUR MOTHER WAS A WHORE? 863 00:36:47,539 --> 00:36:49,275 MARY LOUISE BREITKOPF, 864 00:36:49,308 --> 00:36:51,243 SINGLE MOTHER, GERMAN IMMIGRANT, 865 00:36:51,277 --> 00:36:53,312 LIVED ON THE UPPER EAST SIDE OF MANHATTAN. 866 00:36:53,345 --> 00:36:57,316 SHE GAVE BIRTH TO HER ONLY SON, FRANK BREITKOPF, 867 00:36:57,349 --> 00:37:00,419 A BRIGHT BUT ULTIMATELY STRANGE BOY. 868 00:37:00,452 --> 00:37:01,487 A BOY THAT ONLY A MOTHER COULD LOVE. 869 00:37:01,520 --> 00:37:05,691 HIS NEEDS WERE SUCH THAT EVEN THE 3 JOBS SHE WORKED 870 00:37:05,724 --> 00:37:08,360 DIDN'T PROVIDE FOR THIS SPECIAL CHILD. 871 00:37:08,394 --> 00:37:12,631 A CHILD SHE WOULD NOT LET OUT NEAR THE WORLD, 872 00:37:12,664 --> 00:37:14,866 AND WHEN SHE TURNED TO THE WORLD'S OLDEST PROFESSION 873 00:37:14,900 --> 00:37:18,670 THE BOY WITNESSED EVERY SINGLE TERRIBLE VISITATION. 874 00:37:22,040 --> 00:37:23,875 YOU'RE NOT A RARE BIRD, FRANK. 875 00:37:23,909 --> 00:37:27,045 NOTHING SPECIAL ABOUT YOU. 876 00:37:27,078 --> 00:37:29,748 YOU'RE COMMON, PEDESTRIAN... 877 00:37:29,781 --> 00:37:31,750 BORING. 878 00:37:31,783 --> 00:37:33,919 JANE. 879 00:37:33,952 --> 00:37:37,055 THIS WORLD, WE DON'T FIT IN IT. 880 00:37:37,088 --> 00:37:39,458 NO ONE UNDERSTANDS WHAT WE ARE. 881 00:37:39,491 --> 00:37:41,527 JANE, HE SEES YOU AS HIS MOTHER. 882 00:37:41,560 --> 00:37:43,329 NOTHING MORE, NOTHING LESS. 883 00:37:43,362 --> 00:37:46,832 HAVE YOU EVER BEEN HAPPIER THAN WHEN YOU'VE BEEN WITH ME? 884 00:37:47,899 --> 00:37:49,735 NEVER. 885 00:37:49,768 --> 00:37:51,703 DIDN'T WE HAVE FUN? 886 00:37:51,737 --> 00:37:52,738 JANE! 887 00:37:52,771 --> 00:37:53,972 SO MUCH! 888 00:37:54,005 --> 00:37:54,606 COME WITH ME NOW. 889 00:37:54,640 --> 00:37:59,745 IT DOESN'T HAVE TO END HERE. 890 00:38:03,382 --> 00:38:05,083 JANE! Frank: I LOVE YOU. 891 00:38:05,116 --> 00:38:08,420 I LOVE YOU, TOO. 892 00:38:10,389 --> 00:38:11,757 JANE, JANE! 893 00:38:11,790 --> 00:38:13,725 JANE! 894 00:38:19,898 --> 00:38:22,468 Hotch: HANG ON A SECOND. I'M WALKING TO HIM. 895 00:38:22,501 --> 00:38:25,704 JUST ONE SECOND. HERE HE IS. 896 00:38:25,737 --> 00:38:27,639 IT'S FOR YOU. 897 00:38:29,608 --> 00:38:30,676 HELLO? 898 00:38:30,709 --> 00:38:33,044 Tracey: AGENT GIDEON? 899 00:38:33,078 --> 00:38:33,845 TRACEY. 900 00:38:33,879 --> 00:38:37,783 I JUST WANTED TO CALL AND THANK YOU. 901 00:38:37,816 --> 00:38:38,850 THANK YOU. 902 00:38:38,884 --> 00:38:40,786 YOU'RE WELCOME. 903 00:39:01,940 --> 00:39:06,412 Hotch: ONCE AGAIN THE TEAM HAD BATTLED A MONSTER AND WON. 904 00:39:06,445 --> 00:39:08,814 THE FUTURE OF THE B.A.U IS NOT IN THE BALANCE HERE. 905 00:39:08,847 --> 00:39:13,151 THE RESIDUAL IMPACT AS A RESULT OF THE INVESTIGATIONS 906 00:39:13,184 --> 00:39:16,154 INTO THE CRIMES AND CRIMINALS YOU PURSUE IS. 907 00:39:16,187 --> 00:39:18,890 EVERY CAUSE HAS ITS EFFECT. 908 00:39:18,924 --> 00:39:21,092 YOU THINK I DON'T KNOW THAT? 909 00:39:21,126 --> 00:39:26,364 I BELIEVE YOU ARE NO LONGER EFFECTIVE IN YOUR POST. 910 00:39:31,437 --> 00:39:32,203 THE MODERN FURNITURE, 911 00:39:32,237 --> 00:39:33,939 THE STRATEGICALLY PLACED MAGAZINES, 912 00:39:33,972 --> 00:39:35,774 THE FRAMED DIPLOMAS, THE ART ON THE WALL, 913 00:39:35,807 --> 00:39:38,009 ARE ALL IN CONFLICT WITH YOUR FAMILY PHOTOS. 914 00:39:38,043 --> 00:39:38,877 YOU HAVE 3 CHILDREN, 915 00:39:38,910 --> 00:39:40,512 BUT YOU FAVOR THE MIDDLE ONE, YOUR SON. 916 00:39:40,546 --> 00:39:41,713 WHAT DO YOU THINK YOU'RE DOING? 917 00:39:41,747 --> 00:39:43,849 OF COURSE YOU LOVE ALL YOUR CHILDREN, BUT NOT LIKE YOUR SON. 918 00:39:43,882 --> 00:39:44,850 THAT'S ENOUGH. 919 00:39:44,883 --> 00:39:45,951 THE BONSAI YOU OBSESSIVELY NURTURE 920 00:39:45,984 --> 00:39:47,953 IS TO COMPENSATE FOR FEELINGS OF FAILURE AS A MOTHER. 921 00:39:47,986 --> 00:39:50,021 AGENT HOTCHNER, I SAID THAT IS ENOUGH. 922 00:39:50,055 --> 00:39:52,891 MY POSITION IS NOT IN QUESTION HERE. 923 00:39:52,924 --> 00:39:54,960 AS YOUR SUPERIOR, I AM QUESTIONING 924 00:39:54,993 --> 00:39:57,463 YOUR ABILITY TO LEAD YOUR TEAM. 925 00:39:57,496 --> 00:39:59,197 MY TEAM? LET ME TELL YOU ABOUT MY TEAM. 926 00:39:59,230 --> 00:40:01,933 AGENT MORGAN FOUGHT TO PROTECT HIS IDENTITY 927 00:40:01,967 --> 00:40:03,735 FROM THE VERY PEOPLE WHO COULD SAVE HIM-- 928 00:40:03,769 --> 00:40:05,871 WHY? BECAUSE TRUST HAS TO BE EARNED, 929 00:40:05,904 --> 00:40:08,907 AND THERE ARE VERY FEW PEOPLE HE TRULY TRUSTS. 930 00:40:08,940 --> 00:40:10,041 REID'S INTELLECT IS A SHIELD 931 00:40:10,075 --> 00:40:11,510 WHICH PROTECTS HIM FROM HIS EMOTIONS, 932 00:40:11,543 --> 00:40:13,512 AND AT THE MOMENT HIS SHIELD IS UNDER REPAIR. 933 00:40:13,545 --> 00:40:15,981 PRENTISS OVERCOMPENSATES BECAUSE SHE DOESN'T YET FEEL 934 00:40:16,014 --> 00:40:17,282 SHE'S A PART OF THE TEAM. SHE NEEDN'T WORRY. 935 00:40:17,315 --> 00:40:21,753 EVERY DAY, AGENT JAREAU FIELDS DOZENS OF REQUESTS FOR OUR TEAM. 936 00:40:21,787 --> 00:40:22,888 AND EVERY NIGHT SHE GOES HOME 937 00:40:22,921 --> 00:40:24,723 HOPING SHE'S MADE THE RIGHT CHOICES. 938 00:40:24,756 --> 00:40:26,892 GARCIA FILLS HER OFFICE WITH FIGURINES AND COLOR 939 00:40:26,925 --> 00:40:31,062 TO REMIND HERSELF TO SMILE AS THE HORROR FILLS HER SCREENS. 940 00:40:31,096 --> 00:40:33,899 AND AGENT GIDEON, IN MANY WAYS, IS DAMNED 941 00:40:33,932 --> 00:40:36,868 BY HIS PROFOUND KNOWLEDGE OF OTHERS. 942 00:40:36,902 --> 00:40:38,570 WHICH IS WHY HE SHARES SO LITTLE OF HIMSELF, 943 00:40:38,604 --> 00:40:42,841 YET HE POURS HIS HEART INTO EVERY CASE WE HANDLE. 944 00:40:52,150 --> 00:40:55,487 I STAND BY MY ACTIONS, AND I STAND BY MY TEAM. 945 00:40:55,521 --> 00:40:56,488 AND IF YOU THINK THAT YOU 946 00:40:56,522 --> 00:41:01,527 CAN FIND A BETTER PERSON FOR THE JOB, GOOD LUCK. 947 00:41:01,893 --> 00:41:04,896 AGENT HOTCHNER. 948 00:41:06,832 --> 00:41:10,669 HOW DO I KNOW YOU FAVOR YOUR SON? 949 00:41:13,705 --> 00:41:16,575 I'M GOOD AT MY JOB. 950 00:42:11,897 --> 00:42:13,799 I PUT YOU IN THE B.A.U. 951 00:42:13,832 --> 00:42:16,001 I KNEW HOW BADLY YOU WANTED IT. 952 00:42:16,034 --> 00:42:17,035 EVERYONE DID. 953 00:42:17,068 --> 00:42:19,938 YOU WERE NEVER EXACTLY SHY ABOUT LETTING US KNOW. 954 00:42:19,971 --> 00:42:23,041 BUT THERE WERE THOSE WHO DIDN'T THINK ASSIGNING YOU TO THE B.A.U. 955 00:42:23,074 --> 00:42:24,743 WAS A GOOD IDEA. 956 00:42:24,776 --> 00:42:27,579 THEY THOUGHT YOU WERE TOO RECKLESS. 957 00:42:27,613 --> 00:42:30,348 I BELIEVED IN YOU, HOWEVER. 958 00:42:30,381 --> 00:42:35,020 IT'S TIME TO PAY BACK THE FAITH I HAD. 959 00:42:35,053 --> 00:42:37,989 YOUR TEAM IS IN TROUBLE. 960 00:42:38,023 --> 00:42:40,091 THEY'VE LOST SIGHT OF THE BIG PICTURE. 961 00:42:40,125 --> 00:42:45,030 I BELIEVE THEY ARE RECKLESS AND AT TIMES OUT OF CONTROL. 962 00:42:47,933 --> 00:42:50,068 IT'S TIME FOR AGENT HOTCHNER'S CAREER 963 00:42:50,101 --> 00:42:52,103 TO COME TO AN END. 964 00:42:53,338 --> 00:42:55,373 AND IF YOU WANT TO STAY 965 00:42:55,406 --> 00:42:58,944 IN THE B.A.U., AGENT PRENTISS, 966 00:42:58,977 --> 00:43:01,813 YOU'RE GOING TO HELP ME MAKE THAT HAPPEN. 967 00:43:04,149 --> 00:43:07,085 CAPTIONING MADE POSSIBLE BY CBS 968 00:43:07,118 --> 00:43:11,757 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--