1 00:00:02,670 --> 00:00:05,606 [BELL TOLLING] 2 00:00:09,243 --> 00:00:11,679 MY NAME IS MELINDA GORDON. 3 00:00:11,712 --> 00:00:15,149 I'M MARRIED, I LIVE IN A SMALL TOWN, 4 00:00:15,183 --> 00:00:17,218 AND I OWN AN ANTIQUE SHOP. 5 00:00:17,251 --> 00:00:19,253 I MIGHT BE JUST LIKE YOU. 6 00:00:19,287 --> 00:00:21,255 EXCEPT THAT FROM THE TIME I WAS A LITTLE GIRL, 7 00:00:21,289 --> 00:00:22,556 I KNEW THAT I COULD TALK TO THE DEAD. 8 00:00:24,092 --> 00:00:25,593 Grandmother: IT'S ALL RIGHT, HONEY. 9 00:00:25,626 --> 00:00:28,062 EARTHBOUND SPIRITS, MY GRANDMOTHER CALLED THEM. 10 00:00:28,096 --> 00:00:29,497 THEY'RE STUCK HERE BECAUSE THEY HAVE UNFINISHED 11 00:00:29,530 --> 00:00:30,664 BUSINESS WITH THE LIVING 12 00:00:30,698 --> 00:00:32,100 AND THEY COME TO ME FOR HELP. 13 00:00:33,401 --> 00:00:34,168 [GASPS] 14 00:00:35,803 --> 00:00:37,771 IN ORDER TO TELL YOU MY STORY, 15 00:00:37,805 --> 00:00:39,607 I HAVE TO TELL YOU THEIRS. 16 00:00:42,410 --> 00:00:44,645 [WIND BLOWING] 17 00:00:44,678 --> 00:00:46,347 OK, THIS IS RIDICULOUS. 18 00:00:46,380 --> 00:00:48,149 TIM STIFFED YOU AGAIN? 19 00:00:48,182 --> 00:00:49,683 YEAH. AND IT HAD TO BE THE NIGHT 20 00:00:49,717 --> 00:00:51,652 I FIND A POSSIBLE HOMICIDE. 21 00:00:51,685 --> 00:00:55,223 AND GUESS WHO GETS TO DRIVE ALL THE WAY DOWN TO CENTRAL? 22 00:00:55,256 --> 00:00:58,126 OH, THAT REALLY IS A LONG DRIVE. 23 00:00:58,159 --> 00:01:00,761 LISTEN, DON'T TRY TO BE A HERO, OK? 24 00:01:00,794 --> 00:01:02,396 GET YOURSELF A BED DOWN THERE 25 00:01:02,430 --> 00:01:03,697 IF YOU GET TOO SLEEPY. 26 00:01:03,731 --> 00:01:05,299 WELL, WHY DON'T YOU GIVE ME A LITTLE SOMETHING 27 00:01:05,333 --> 00:01:06,534 TO STAY UP FOR? 28 00:01:06,567 --> 00:01:08,469 LIKE--UHH-- 29 00:01:08,502 --> 00:01:09,437 WHAT ARE YOU WEARING? 30 00:01:11,705 --> 00:01:13,141 NOTHING. 31 00:01:13,174 --> 00:01:14,575 NO! NO, NO, NO. 32 00:01:14,608 --> 00:01:16,577 TONIGHT'S PINK FLANNEL PAJAMA NIGHT, ISN'T IT? 33 00:01:16,610 --> 00:01:18,412 OK, YES, IT IS. 34 00:01:18,446 --> 00:01:21,415 BUT YOU KNOW WHAT? YOU EITHER GET SEXY WIFE OR SENSIBLE WIFE, 35 00:01:21,449 --> 00:01:23,184 AND YOU'RE NOT HOME, SO IT'S SENSIBLE. 36 00:01:23,217 --> 00:01:24,218 FAIR ENOUGH. 37 00:01:24,252 --> 00:01:25,453 [SIGHS] 38 00:01:25,486 --> 00:01:27,388 CLIMB INTO BED. I'LL BE HOME SOON. 39 00:01:27,421 --> 00:01:29,223 OK. LOVE YOU. 40 00:01:29,257 --> 00:01:30,124 LOVE YOU, TOO. 41 00:01:33,661 --> 00:01:35,629 [SIGHS] 42 00:01:35,663 --> 00:01:36,497 EVENING, SIR. 43 00:01:36,530 --> 00:01:38,666 CLANCY! 44 00:01:38,699 --> 00:01:40,768 LONG TIME NO SEE. 45 00:01:40,801 --> 00:01:41,702 WHAT'S HAPPENING, HAROLD? 46 00:01:41,735 --> 00:01:43,404 OH, THE USUAL PARTY. 47 00:01:43,437 --> 00:01:45,606 JUST DON'T ASK WHAT WE USE FOR PIÑATAS. 48 00:01:45,639 --> 00:01:47,575 NEED A HAND? 49 00:01:47,608 --> 00:01:49,343 YEAH, IF YOU WOULDN'T MIND. 50 00:01:52,446 --> 00:01:53,714 ALL RIGHT, ON 3. 51 00:01:53,747 --> 00:01:55,516 AND...3. 52 00:01:58,586 --> 00:01:59,853 [BELCHES] 53 00:01:59,887 --> 00:02:02,490 YOU COULDN'T TAKE TIME TO ASPIRATE THE GUY FOR ME? 54 00:02:02,523 --> 00:02:04,258 SORRY. I'M FLYING SOLO. 55 00:02:04,292 --> 00:02:05,726 FLAHERTY WAS SUPPOSED TO COME WITH, 56 00:02:05,759 --> 00:02:07,861 BUT HE BAGGED OUT ON ME. 57 00:02:07,895 --> 00:02:08,829 HOW ABOUT YOU? BUSY NIGHT? 58 00:02:08,862 --> 00:02:11,432 NOT REALLY. 59 00:02:11,465 --> 00:02:13,534 ALTHOUGH MR. KRUSHENZO 60 00:02:13,567 --> 00:02:15,503 SHOULD LIGHTEN THINGS UP FOR US. 61 00:02:15,536 --> 00:02:17,705 AUTOEROTIC ASPHYXIATION, HUH? 62 00:02:17,738 --> 00:02:19,940 GOD BLESS THE WEIRD ONES. 63 00:02:19,973 --> 00:02:21,642 WHAT'S THIS GUY'S DEAL? 64 00:02:21,675 --> 00:02:23,277 OH, JOHN DOE. 65 00:02:23,311 --> 00:02:24,912 NO I.D. 66 00:02:24,945 --> 00:02:26,780 NOTHING IN THE FILES. 67 00:02:26,814 --> 00:02:29,883 HE'S GONNA HAVE TO STAY ON ICE UNTIL SOMEBODY COMES FORWARD. 68 00:02:31,485 --> 00:02:33,921 HE'S MISSING HIS MIDDLE TOE. 69 00:02:33,954 --> 00:02:35,289 THAT LOOKS NEW. 70 00:02:35,323 --> 00:02:36,590 DID YOU CHECK THE RECORDS ON HIM? 71 00:02:36,624 --> 00:02:38,492 YEAH, I DID. 72 00:02:38,526 --> 00:02:40,628 HE HADN'T HAD ANY FOOT SURGERY RECENTLY, SO... 73 00:02:40,661 --> 00:02:43,264 I'M BACK AT SQUARE ZERO. 74 00:02:43,297 --> 00:02:45,333 SAY HI TO MELINDA FOR ME, WILL YOU? 75 00:02:45,366 --> 00:02:47,235 ALL RIGHT. WILL DO. 76 00:02:48,769 --> 00:02:50,971 THANKS, HAROLD. 77 00:02:51,004 --> 00:02:52,773 [GRUNTS] ALL RIGHT, YOU TAKE IT EASY HERE. 78 00:02:52,806 --> 00:02:54,475 OK. 79 00:02:59,813 --> 00:03:01,615 [ELECTRICITY ZAPPING] 80 00:03:02,850 --> 00:03:04,385 [ZAPPING] 81 00:03:07,355 --> 00:03:08,722 GREAT. 82 00:03:12,993 --> 00:03:15,829 [DOOR OPENS AND CLOSES] 83 00:03:22,670 --> 00:03:27,241 AAAHHH! [ELECTRICITY ZAPPING] 84 00:03:30,010 --> 00:03:32,246 Girl: CAN YOU SEE US? 85 00:03:41,389 --> 00:03:44,558 WHERE ARE YOU? WHERE ARE YOU? 86 00:04:11,652 --> 00:04:14,355 [WHOOSH] 87 00:04:19,360 --> 00:04:21,395 [CREAKING] 88 00:04:22,696 --> 00:04:25,933 WHO ARE YOU? 89 00:04:25,966 --> 00:04:29,269 [RUMBLING AND WHISPERING] 90 00:04:31,705 --> 00:04:33,407 CAN YOU SHOW ME? 91 00:04:34,775 --> 00:04:36,477 UH-UH. 92 00:04:36,510 --> 00:04:39,680 OK, MAYBE YOU'RE CONFUSED. 93 00:04:39,713 --> 00:04:42,383 AND YOU DON'T UNDERSTAND YET THAT YOU'RE DEAD. 94 00:04:42,416 --> 00:04:45,386 NO. 95 00:04:45,419 --> 00:04:47,755 DO YOU REMEMBER ANYTHING ABOUT WHAT HAPPENED WHEN YOU DIED? 96 00:04:50,724 --> 00:04:55,028 I DON'T THINK I DID. 97 00:04:55,062 --> 00:04:56,063 HOME, MEL. 98 00:04:56,096 --> 00:04:59,333 OOH. OH, THAT'S NOT THE LOOK I WAS HOPING TO SEE. 99 00:04:59,367 --> 00:05:00,934 YEAH, WE HAD A... 100 00:05:00,968 --> 00:05:03,003 A VISITOR, BUT HE'S GONE NOW. 101 00:05:03,036 --> 00:05:05,539 WELL, I HOPE I DIDN'T BRING HIM HOME WITH ME. 102 00:05:05,573 --> 00:05:08,709 DIDN'T YOU TELL ME ONCE THAT GHOSTS HATE MORGUES? 103 00:05:08,742 --> 00:05:11,745 YEAH, THEY DO. THERE'S NO ENERGY FOR THEM. 104 00:05:11,779 --> 00:05:13,614 IT SEEMED LIKE A NEW SPIRIT, THOUGH. 105 00:05:13,647 --> 00:05:15,549 MAYBE HE WAS CONFUSED. 106 00:05:15,583 --> 00:05:16,684 WELL, LET'S HOPE SO. 107 00:05:18,151 --> 00:05:20,454 WANT ME TO... 108 00:05:20,488 --> 00:05:21,522 RUB YOUR SHOULDERS? 109 00:05:21,555 --> 00:05:23,323 OH, NO, THANKS. 110 00:05:24,392 --> 00:05:25,759 OK. 111 00:05:38,806 --> 00:05:40,974 OK. 112 00:05:42,610 --> 00:05:44,912 AHEM. YOU HAVE A GOOD NIGHT'S SLEEP. 113 00:05:44,945 --> 00:05:46,113 OH, THANKS, HONEY. 114 00:05:50,651 --> 00:05:52,119 ARE YOU... 115 00:05:52,152 --> 00:05:54,522 NOT WEARING WHAT I THINK YOU'RE NOT WEARING? 116 00:05:54,555 --> 00:05:56,824 [GIGGLES] 117 00:06:00,961 --> 00:06:03,130 HEY, BUDDY. 118 00:06:03,163 --> 00:06:04,131 NO. 119 00:06:04,164 --> 00:06:05,599 NO, NO. 120 00:06:05,633 --> 00:06:07,768 YOU DON'T GET TO "HEY, BUDDY" ME. 121 00:06:07,801 --> 00:06:10,037 WHAT THE HELL HAPPENED TO YOU? 122 00:06:10,070 --> 00:06:11,672 DO YOU KNOW HOW MUCH GRIEF I'VE GOTTEN 123 00:06:11,705 --> 00:06:13,607 FROM MY WIFE BECAUSE OF YOU? 124 00:06:13,641 --> 00:06:14,942 YOU STOOD UP DELIA, 125 00:06:14,975 --> 00:06:16,777 MELINDA'S FRIEND AND MY FRIEND, AND-- 126 00:06:16,810 --> 00:06:18,446 LOOK, I'M SORRY. 127 00:06:18,479 --> 00:06:20,714 I--I DIDN'T KNOW HOW TO FACE YOU 128 00:06:20,748 --> 00:06:21,715 OR HER. 129 00:06:21,749 --> 00:06:22,716 WHAT HAPPENED? 130 00:06:22,750 --> 00:06:23,784 UM... 131 00:06:25,619 --> 00:06:27,788 LOOK, IT WAS THE PRESSURE. 132 00:06:27,821 --> 00:06:29,923 ALL RIGHT? WE--WE WERE JUST RUNNING INTO EACH OTHER 133 00:06:29,957 --> 00:06:33,961 AROUND TOWN, GOING AT ITS OWN NICE PACE. 134 00:06:33,994 --> 00:06:37,698 OK. SO THEN YOU JUST DON'T SHOW UP. 135 00:06:37,731 --> 00:06:39,933 WHAT ARE YOU TRYING TO DO, GET HER TO HATE YOU? 136 00:06:39,967 --> 00:06:41,602 SOMETIMES IT'S MORE FUN TO THINK ABOUT THINGS 137 00:06:41,635 --> 00:06:42,870 THAN ACTUALLY HAVE THEM. 138 00:06:42,903 --> 00:06:43,971 YOU KNOW? 139 00:06:47,975 --> 00:06:50,210 ALL RIGHT, FLAHERTY. YOU'RE MY FRIEND. 140 00:06:50,243 --> 00:06:51,679 I WON'T JUDGE. 141 00:06:51,712 --> 00:06:52,880 MUCH. 142 00:06:52,913 --> 00:06:55,549 WAIT. I GOT TOTALLY TURNED AROUND. 143 00:06:55,583 --> 00:06:56,684 THAT'S WHY I'M BACK. 144 00:06:56,717 --> 00:06:57,918 WHAT? 145 00:06:57,951 --> 00:06:59,086 I'M GONNA MAKE IT RIGHT WITH YOU, 146 00:06:59,119 --> 00:07:00,220 I'M GONNA MAKE IT RIGHT WITH DELIA. 147 00:07:00,253 --> 00:07:02,122 AT LEAST YOU REALIZE YOU'RE A MORON. 148 00:07:02,155 --> 00:07:03,457 THAT'S A GOOD FIRST STEP. 149 00:07:03,491 --> 00:07:05,959 BUT DELIA? HUH? 150 00:07:05,993 --> 00:07:07,495 GOOD LUCK WITH THAT ONE. 151 00:07:08,829 --> 00:07:10,498 YOU WATCH. 152 00:07:17,838 --> 00:07:18,806 FLAHER-- 153 00:07:18,839 --> 00:07:20,173 DID YOU SEE MY RING? 154 00:07:20,207 --> 00:07:21,141 NO. 155 00:07:36,056 --> 00:07:37,791 [CAMERA CLICKING] 156 00:07:39,226 --> 00:07:41,028 ALL OF THIS BECAUSE YOU LOST YOUR PARAMEDIC RING? 157 00:07:41,061 --> 00:07:42,162 NO, REALLY, IT WAS STOLEN. 158 00:07:42,195 --> 00:07:44,164 HOW DO YOU KNOW? 159 00:07:44,197 --> 00:07:47,134 I SAW THESE. 160 00:07:47,167 --> 00:07:48,636 YEAH. 161 00:07:48,669 --> 00:07:49,870 AND THAT'S NOT ALL. 162 00:07:49,903 --> 00:07:52,506 YOU SEE HOW THE MIDDLE TOE'S MISSING 163 00:07:52,540 --> 00:07:53,607 ON THE RIGHT FOOT? 164 00:07:53,641 --> 00:07:56,510 I'VE SEEN THAT BEFORE. 165 00:07:56,544 --> 00:07:58,846 TELL ME THIS IS JUST A PRANK 166 00:07:58,879 --> 00:08:01,014 OR A DREAM. I'LL ACCEPT EITHER ONE. 167 00:08:01,048 --> 00:08:03,751 HAROLD, HOW DO YOU LOSE A BODY? 168 00:08:03,784 --> 00:08:05,819 MY BOSS WANTS TO KNOW THE SAME THING. 169 00:08:05,853 --> 00:08:08,689 IT'S GONNA BE MY ASS IF I CAN'T COME UP WITH AN EXPLANATION. 170 00:08:08,722 --> 00:08:09,957 ALL I CAN TELL YOU IS, 171 00:08:09,990 --> 00:08:11,759 LAST NIGHT THE POWER WENT OUT. 172 00:08:11,792 --> 00:08:13,594 I WENT TO CHECK THE CIRCUIT BREAKER. 173 00:08:13,627 --> 00:08:14,962 I HEAR THIS BANG. 174 00:08:14,995 --> 00:08:17,030 COME BACK IN HERE... 175 00:08:17,064 --> 00:08:19,132 HE'S GONE. 176 00:08:19,166 --> 00:08:22,536 ALL I GOT ARE THE DIGITALS THAT I TOOK OF THE BODY. 177 00:08:22,570 --> 00:08:23,203 CAN I SEE THEM? 178 00:08:25,906 --> 00:08:28,609 LOOK, HAROLD, COULD SOMEBODY HAVE STOLEN THE BODY? 179 00:08:28,642 --> 00:08:30,811 NO! NO. WE'RE LOCKED UP SOLID. 180 00:08:30,844 --> 00:08:32,946 YOU KNOW THAT. WE HAVEN'T HAD A BREAK-IN SINCE THE EARLY NINETIES. 181 00:08:32,980 --> 00:08:34,214 WHAT ABOUT THE GUY I BROUGHT IN? 182 00:08:34,247 --> 00:08:36,283 HE'S FINE. STILL HERE. 183 00:08:36,316 --> 00:08:37,585 HE HASN'T MOVED. 184 00:08:37,618 --> 00:08:39,219 HOW DID THIS GUY DIE? 185 00:08:39,252 --> 00:08:41,188 IT WAS AN ANONYMOUS HIT-AND-RUN. 186 00:08:41,221 --> 00:08:43,691 YOU'RE SURE HE'S DEAD, RIGHT? 187 00:08:43,724 --> 00:08:44,858 SHE'S GOT A POINT. 188 00:08:44,892 --> 00:08:45,793 HE COULD HAVE GOT UP AND WALKED OUT. 189 00:08:45,826 --> 00:08:46,894 THE GUY I BROUGHT-- 190 00:08:46,927 --> 00:08:47,961 EXCUSE ME. 191 00:08:47,995 --> 00:08:49,162 I'VE BEEN DOING THIS A WHILE. 192 00:08:49,196 --> 00:08:50,731 I KNOW DEAD. 193 00:08:50,764 --> 00:08:51,832 LOOK. 194 00:08:51,865 --> 00:08:53,901 TAKE A LOOK AT THIS. 195 00:08:53,934 --> 00:08:55,636 THIS IS A MORBIDITY THERMOMETER. 196 00:08:55,669 --> 00:08:58,305 OK? WE USE IT TO MEASURE BODY TEMPERATURE. 197 00:08:58,338 --> 00:09:01,341 HELPS US DETERMINE WHEN SOMEBODY DIED. 198 00:09:01,374 --> 00:09:03,276 I HAVEN'T CLEARED IT SINCE I TOOK JOHN DOE'S TEMP LAST NIGHT. 199 00:09:03,310 --> 00:09:04,578 90 DEGREES. 200 00:09:04,612 --> 00:09:07,247 SEE, A BODY COOLS ONE DEGREE PER HOUR. 201 00:09:07,280 --> 00:09:08,782 THIS IS NOT A PRANK. 202 00:09:08,816 --> 00:09:09,883 THIS IS RIGOR MORTIS. 203 00:09:12,720 --> 00:09:14,755 [BUZZER] 204 00:09:14,788 --> 00:09:16,790 I GOT TO GO LET SOMEBODY IN DOWNSTAIRS. 205 00:09:16,824 --> 00:09:18,025 DON'T TOUCH ANYTHING. 206 00:09:18,058 --> 00:09:18,992 THANKS, HAROLD. 207 00:09:20,628 --> 00:09:22,295 [DOOR CLOSES] 208 00:09:22,329 --> 00:09:23,931 ALL RIGHT, ARE YOU SURE THAT THE GHOST FROM LAST NIGHT 209 00:09:23,964 --> 00:09:25,065 IS THE GUY IN THE PHOTOGRAPH? 210 00:09:25,098 --> 00:09:25,966 YEAH, POSITIVE. 211 00:09:25,999 --> 00:09:27,968 I GOT A REALLY GOOD LOOK AT HIM LAST NIGHT. 212 00:09:28,001 --> 00:09:29,269 HOW CAN THIS BE HAPPENING? 213 00:09:29,302 --> 00:09:31,271 SOMEBODY CAME BACK FROM THE DEAD. 214 00:09:31,304 --> 00:09:33,774 NO, AND IF HE HAS, WHY WOULD HE ALSO APPEAR AS-- 215 00:09:33,807 --> 00:09:35,643 Ghost: I'M SORRY. I'M SORRY. IT'S NOT ME. 216 00:09:35,676 --> 00:09:37,344 WHAT? 217 00:09:37,377 --> 00:09:40,080 HE'S HERE. 218 00:09:40,113 --> 00:09:43,083 THE--THE--IN THE PHOTO? 219 00:09:43,116 --> 00:09:45,686 THEY CAN'T HEAR ME. WHY CAN'T THEY HEAR ME? 220 00:09:45,719 --> 00:09:47,755 WHO? THEM! 221 00:09:47,788 --> 00:09:49,356 OK. TELL ME WHAT'S HAPPENING. 222 00:09:49,389 --> 00:09:50,624 THEN TELL ME WHAT'S HAPPENING. 223 00:09:50,658 --> 00:09:52,259 MY BODY IS MOVING. 224 00:09:52,292 --> 00:09:53,961 YOU MEAN YOUR BODY'S BEING MOVED. 225 00:09:53,994 --> 00:09:55,829 NO! I'M RUNNING. 226 00:09:55,863 --> 00:09:57,030 MY FEET ARE BLEEDING. 227 00:09:57,064 --> 00:09:59,199 I CUT THEM TRYING TO ESCAPE. I-- 228 00:09:59,232 --> 00:10:00,768 BUT I DIDN'T WANT TO ESCAPE. 229 00:10:00,801 --> 00:10:01,969 WHAT'S WRONG WITH ME? 230 00:10:14,848 --> 00:10:17,117 PEOPLE ARE STARING AT ME. 231 00:10:20,287 --> 00:10:21,254 I'VE STOLEN SOMETHING. 232 00:10:21,288 --> 00:10:23,290 THERE'S--THERE'S PEOPLE. 233 00:10:23,323 --> 00:10:25,759 SOLDIERS. 234 00:10:25,793 --> 00:10:26,794 SOLDIERS? 235 00:10:26,827 --> 00:10:28,161 STATUES. 236 00:10:28,195 --> 00:10:29,697 STATUES. 237 00:10:29,730 --> 00:10:31,364 HE'S MOVING. 238 00:10:31,398 --> 00:10:32,432 HE'S IN VILLAGE SQUARE. 239 00:10:32,465 --> 00:10:34,968 HOW CAN THEY SEE ME IF I'M DEAD? 240 00:10:45,145 --> 00:10:46,947 THIS FOOTAGE IS FROM THE SECURITY CAMERAS AT THE DRY CLEANERS. 241 00:10:46,980 --> 00:10:48,248 JIM GOT IT. 242 00:10:48,281 --> 00:10:49,917 BIG BROTHER COMES TO GRANDVIEW. 243 00:10:49,950 --> 00:10:51,819 CAN WE JUST WATCH AND TRY NOT TO SPEAK? 244 00:10:51,852 --> 00:10:53,353 WHOA, HEY, UH, YOU'RE NOT GONNA ASK ME 245 00:10:53,386 --> 00:10:54,922 TO SOLVE A CRIME, ARE YOU? 246 00:10:54,955 --> 00:10:55,989 I MEAN, I APPRECIATE THE FACT THAT YOU THINK 247 00:10:56,023 --> 00:10:57,257 I'M ALL THINGS TO ALL PEOPLE. 248 00:10:57,290 --> 00:10:58,692 THE SHOPLIFTER IS DEAD. 249 00:10:58,726 --> 00:11:00,260 DEAD, THAT SEEMS LIKE A HARSH PUNISHMENT. 250 00:11:00,293 --> 00:11:01,762 THEY DON'T FOOL AROUND AT THIS DRY CLEANERS. 251 00:11:01,795 --> 00:11:03,864 HE IS DEAD WHILE HE'S SHOPLIFTING. 252 00:11:03,897 --> 00:11:06,166 YOU ARE WATCHING HIM DEAD. DEAD MAN WALKING. 253 00:11:06,199 --> 00:11:07,735 DEAD MAN SHOPPING. 254 00:11:07,768 --> 00:11:09,436 WE THINK THAT HE TOOK JIM'S RING. 255 00:11:11,872 --> 00:11:13,406 WHAT DO YOU KNOW ABOUT VOODOO? 256 00:11:13,440 --> 00:11:15,075 I DON'T KNOW. WHAT I'VE SEEN IN HORROR MOVIES? 257 00:11:15,108 --> 00:11:16,343 THAT'S UNFORTUNATE, BUT IT'S TYPICAL. 258 00:11:16,376 --> 00:11:17,911 IT'S ALL RIGHT. 259 00:11:17,945 --> 00:11:20,981 THE VOODOO CULTURE IS VERY, VERY RICH IN HISTORY. 260 00:11:21,014 --> 00:11:23,050 THEY BELIEVE IN SOMETHING CALLED TRI-BON-AGE. 261 00:11:23,083 --> 00:11:25,285 WHICH ROUGHLY TRANSLATES TO "EARTH SOUL." 262 00:11:25,318 --> 00:11:26,987 THE HAITIANS BELIEVE THAT WHEN YOU DIE, 263 00:11:27,020 --> 00:11:29,322 YOUR EARTH SOUL IS RELEASED INTO THE COSMOS. 264 00:11:29,356 --> 00:11:31,158 BUT SOMETIMES YOUR EARTH SOUL GETS STUCK. 265 00:11:31,191 --> 00:11:34,294 MAYBE IT EVEN COMES BACK AND GETS PUT INTO A CORPSE. 266 00:11:34,327 --> 00:11:35,996 EVER HEARD OF ZOMBIES? 267 00:11:36,029 --> 00:11:36,964 YEAH. 268 00:11:36,997 --> 00:11:38,265 YEAH, PROBABLY WHAT YOU'VE SEEN IN THE MOVIES. 269 00:11:38,298 --> 00:11:39,299 WELL, THE MYTH STARTS, SOMEBODY-- 270 00:11:39,332 --> 00:11:41,001 USUALLY A VOODOO PRIEST-- 271 00:11:41,034 --> 00:11:42,903 CAN TAKE THAT EARTH SOUL, PUT IT INTO A CORPSE, 272 00:11:42,936 --> 00:11:44,304 AND CONTROL IT, MAKE IT DO WHATEVER IT WANTS. 273 00:11:44,337 --> 00:11:46,473 WALK, TALK, WHATEVER. 274 00:11:46,506 --> 00:11:47,741 BUT SOMETIMES THE EARTH SOUL-- 275 00:11:47,775 --> 00:11:49,409 NOT VERY HAPPY ABOUT IT. 276 00:11:49,442 --> 00:11:50,911 AND THAT'S WHY IT'S COMING TO ME. 277 00:11:50,944 --> 00:11:52,179 DID YOU SEE HOW CLUMSY IT WAS IN THAT VIDEO? 278 00:11:52,212 --> 00:11:53,513 YEAH, LIKE IT COULDN'T STAND ON ITS FEET. 279 00:11:53,546 --> 00:11:54,782 YEAH, IT'S LIKE THE SOUL IS TRYING 280 00:11:54,815 --> 00:11:56,083 TO RE-EXERT CONTROL OVER THE BODY. 281 00:11:56,116 --> 00:11:58,218 THEY'RE LITERALLY AT WAR WITH EACH OTHER, MELINDA. 282 00:11:58,251 --> 00:12:00,020 OK, SO IF THE GHOST IN THE BODY IS COMING TO ME, 283 00:12:00,053 --> 00:12:01,388 THEN WHO'S ACTUALLY IN THE BODY? 284 00:12:01,421 --> 00:12:03,256 UH, WE'VE BEEN TALKING FOR, LIKE, 3 MINUTES. 285 00:12:03,290 --> 00:12:04,524 YOU MIGHT WANT TO GIVE ME 8 TO 9 MINUTES 286 00:12:04,557 --> 00:12:06,393 BEFORE I UNRAVEL THE ENTIRE MYSTERY, OK? 287 00:12:06,426 --> 00:12:07,928 OK, SORRY. IT'S OK. 288 00:12:07,961 --> 00:12:10,130 YOU KNOW WHAT I SAY ABOUT INSTANT GRATIFICATION? 289 00:12:10,163 --> 00:12:11,498 WHAT? TAKES TOO LONG. 290 00:12:14,234 --> 00:12:15,035 SO HERE'S WHAT WE GOT. 291 00:12:15,068 --> 00:12:16,970 WE HAVE AN OCCUPYING FORCE IN THE BODY 292 00:12:17,004 --> 00:12:18,371 THAT WE MUST HAVE LEAVE THE BODY. 293 00:12:18,405 --> 00:12:20,974 WHICH MEANS YOU ARE GOING TO NEED THIS. 294 00:12:21,008 --> 00:12:23,276 DIDN'T I GET THIS AT THE 99 CENT STORE? 295 00:12:23,310 --> 00:12:26,079 MAYBE. I GOT MINE AT BED, BATH, AND VOODOO. 296 00:12:26,113 --> 00:12:30,283 BUT THIS ONE WAS BLESSED BY A HAITIAN VOODOO SHAMAN. 297 00:12:30,317 --> 00:12:32,853 OH, WHAT THAT IS IS ACTUALLY A SPIRIT JAR. 298 00:12:32,886 --> 00:12:34,888 YOU LIGHT A FIRE INSIDE THERE, 299 00:12:34,922 --> 00:12:36,389 AND IT GUIDES THE EARTH SOUL TO IT. 300 00:12:36,423 --> 00:12:37,157 IT HELPS IT CROSS OVER. 301 00:12:38,859 --> 00:12:41,228 OR IT'S FOR KEEPING MOSQUITOES AWAY. 302 00:12:41,261 --> 00:12:42,395 I DON'T KNOW. IT MIGHT BE A CANDLE OR SOMETHING. 303 00:12:42,429 --> 00:12:43,363 IT'S USEFUL EITHER WAY. 304 00:12:45,598 --> 00:12:55,843 BYE. 305 00:12:55,843 --> 00:13:07,554 BYE. 306 00:13:07,587 --> 00:13:09,890 [I'M SORRY PLAYING] 307 00:13:09,923 --> 00:13:15,795 * I'M SORRY NOW, I'M SORRY NOW, I'M SORRY NOW * 308 00:13:18,932 --> 00:13:22,569 * THIS ISN'T EASY, EASY TO SAY * 309 00:13:22,602 --> 00:13:24,537 * I'M ONE BIG MISTAKE 310 00:13:24,571 --> 00:13:31,178 * I'M SORRY NOW, I'M SORRY NOW, I'M SORRY NOW * 311 00:13:31,211 --> 00:13:32,179 [SONG STOPS] 312 00:13:36,249 --> 00:13:38,085 [NO AUDIO] 313 00:13:53,333 --> 00:13:54,167 I LIKE THIS. 314 00:13:55,468 --> 00:13:57,437 IT MAKES ME FEEL CALM. 315 00:13:57,470 --> 00:13:59,606 MY NAME IS MELINDA. 316 00:14:01,541 --> 00:14:03,276 CAN YOU TELL ME SOMETHING ABOUT YOURSELF, 317 00:14:03,310 --> 00:14:04,177 LIKE YOUR NAME? 318 00:14:06,646 --> 00:14:08,515 BRYAN. 319 00:14:10,017 --> 00:14:11,084 BRYAN CURTIS. 320 00:14:11,118 --> 00:14:13,386 BRYAN, GREAT. 321 00:14:13,420 --> 00:14:16,289 THAT'S A GREAT START. 322 00:14:16,323 --> 00:14:20,360 THIS CANDLE'S SUPPOSED TO HELP YOU CROSS OVER INTO THE LIGHT. 323 00:14:20,393 --> 00:14:22,395 DO YOU SEE A LIGHT? 324 00:14:24,197 --> 00:14:25,165 NOT YET. 325 00:14:25,198 --> 00:14:27,667 [INHALES] 326 00:14:27,700 --> 00:14:29,269 NOT WHILE THESE THINGS ARE HAPPENING 327 00:14:29,302 --> 00:14:30,270 TO MY BODY. 328 00:14:30,303 --> 00:14:32,372 WHO'S CONTROLLING YOU? 329 00:14:32,405 --> 00:14:34,107 CAN YOU SEE HIM? 330 00:14:34,141 --> 00:14:35,275 NO. 331 00:14:35,308 --> 00:14:38,878 BUT IT'S...IT'S HARD. 332 00:14:40,247 --> 00:14:43,683 I LOSE TRACK OF WHO I AM WHEN HE'S DOING THIS. 333 00:14:43,716 --> 00:14:45,052 WHERE I AM. 334 00:14:45,085 --> 00:14:48,321 YOU WERE ABLE TO GIVE ME A DETAIL LAST TIME 335 00:14:48,355 --> 00:14:50,157 TO HELP ME FIGURE OUT WHERE YOU WERE. 336 00:14:50,190 --> 00:14:51,224 CAN YOU DO THAT AGAIN? 337 00:14:51,258 --> 00:14:54,161 THERE'S A LIGHT. 338 00:14:54,194 --> 00:14:58,398 A BLUE OR WHITE LIGHT. 339 00:14:58,431 --> 00:15:00,700 WAIT, I--I CAN SEE IT. 340 00:15:00,733 --> 00:15:02,235 IT'S...IT'S NEON. [BELL RINGS] 341 00:15:02,269 --> 00:15:03,670 THERE'S A NEON SIGN. 342 00:15:03,703 --> 00:15:05,939 WHAT DOES IT SAY? 343 00:15:05,973 --> 00:15:08,641 UH...THERE'S-- IT'S--IT'S AN "X"! 344 00:15:08,675 --> 00:15:10,710 OR A LETTER-- A "P," "R"-- 345 00:15:10,743 --> 00:15:13,146 I-- [BELL RINGS] 346 00:15:19,619 --> 00:15:21,121 [SIGHS] 347 00:15:21,154 --> 00:15:22,322 I DON'T KNOW IF THIS IS THE RIGHT PLACE, 348 00:15:22,355 --> 00:15:24,024 BUT IT'S THE CLOSEST I CAN FIGURE OUT. 349 00:15:24,057 --> 00:15:25,025 [ALARM RINGING] 350 00:15:25,058 --> 00:15:26,659 I THINK, UH, 351 00:15:26,693 --> 00:15:28,595 SOMEONE GOT HERE BEFORE WE DID. 352 00:15:30,197 --> 00:15:31,698 MEL, I'M SURE THE COPS ARE COMING. 353 00:15:31,731 --> 00:15:32,599 YOU THINK THIS IS A GOOD IDEA? 354 00:15:32,632 --> 00:15:35,168 WELL, IT'S THE ONLY WAY WE CAN FREE BRYAN 355 00:15:35,202 --> 00:15:37,037 FROM WHOEVER OR WHATEVER'S CONTROLLING HIM. 356 00:15:37,070 --> 00:15:39,272 I CAN'T DO THAT IF HE'S IN JAIL. 357 00:15:39,306 --> 00:15:41,374 [CRASHING] 358 00:15:44,377 --> 00:15:47,014 [CRACKING] 359 00:15:47,047 --> 00:15:49,082 IT'S THE BODY FROM THE MORGUE. 360 00:15:49,116 --> 00:15:50,183 THAT'S HIM. 361 00:15:50,217 --> 00:15:51,518 [CRACKING] 362 00:15:51,551 --> 00:15:53,420 WHY IS HE MAKING THAT NOISE? 363 00:15:53,453 --> 00:15:55,255 I THINK HE'S TRYING TO SET HIS OWN RIBS. 364 00:15:55,288 --> 00:15:57,057 REMEMBER, HE GOT HIT BY THAT CAR? 365 00:15:58,725 --> 00:16:00,994 UHH... BRYAN? 366 00:16:01,028 --> 00:16:04,031 IT'S ME. MELINDA. 367 00:16:04,064 --> 00:16:05,232 DO YOU REMEMBER? YOU CAME TO ME. 368 00:16:05,265 --> 00:16:07,500 [CRACKING] 369 00:16:09,636 --> 00:16:12,605 DO ALL YOUR GHOSTS LOOK LIKE THIS? 370 00:16:12,639 --> 00:16:14,174 NO. 371 00:16:14,207 --> 00:16:15,775 HE'S A ZOMBIE. 372 00:16:15,808 --> 00:16:18,011 ARE YOU READY TO CROSS OVER YET? 373 00:16:18,045 --> 00:16:19,012 I CAN'T. 374 00:16:19,046 --> 00:16:20,747 NOT TILL HE'S OUT OF MY BODY. 375 00:16:22,515 --> 00:16:24,217 NO... 376 00:16:24,251 --> 00:16:25,118 I NEED TO FIND HER. 377 00:16:26,819 --> 00:16:29,622 UM... WHO ARE YOU? 378 00:16:31,358 --> 00:16:32,792 WHAT'S GOING ON? THERE'S ANOTHER GHOST 379 00:16:32,825 --> 00:16:34,094 INSIDE BRYAN'S BODY. 380 00:16:34,127 --> 00:16:35,162 HE'S JUST A KID. 381 00:16:35,195 --> 00:16:37,064 I HAVE TO FIND HER. 382 00:16:37,097 --> 00:16:38,798 UM... 383 00:16:38,831 --> 00:16:40,400 I NEED TO...FINISH THE LIST. 384 00:16:41,801 --> 00:16:43,002 Jim: OH, COME ON. 385 00:16:46,206 --> 00:16:47,540 [BONES CRACKING] 386 00:16:47,574 --> 00:16:50,110 [BONE SNAPS] UHH! UHH. 387 00:16:54,147 --> 00:16:56,649 [BONES CRACKING] 388 00:16:56,683 --> 00:16:58,085 UHH! 389 00:17:02,555 --> 00:17:04,424 [RETREATING FOOTSTEPS] 390 00:17:04,457 --> 00:17:05,558 THAT'S NOT NORMAL. 391 00:17:05,592 --> 00:17:07,127 YEAH. 392 00:17:07,160 --> 00:17:10,029 NOW I HAVE TO CROSS OVER 2 GHOSTS. 393 00:17:14,167 --> 00:17:15,302 THE IDEA OF A GHOST IN A DEAD BODY 394 00:17:15,335 --> 00:17:16,436 IS NOT AS OUT THERE AS IT SOUNDS. 395 00:17:16,469 --> 00:17:17,704 SEE, THE THING THAT BOTHERS ME 396 00:17:17,737 --> 00:17:18,705 IS THAT USUALLY WHEN A GHOST 397 00:17:18,738 --> 00:17:19,706 TAKES OVER A LIVING BODY, 398 00:17:19,739 --> 00:17:20,707 IT'S IN SHORT SPURTS. 399 00:17:20,740 --> 00:17:21,508 BUT THIS GHOST IS JUST... 400 00:17:21,541 --> 00:17:23,576 RUNNING FULL-BORE OVER THIS PERSON. 401 00:17:23,610 --> 00:17:24,644 WHICH TAKES EVERYTHING YOU AND I KNOW 402 00:17:24,677 --> 00:17:26,246 ABOUT THE SUPERNATURAL 403 00:17:26,279 --> 00:17:28,581 AND PRETTY MUCH JUST BLOWS IT OUT OF THE WATER. 404 00:17:28,615 --> 00:17:30,683 HEY, LET'S SAY KURT COBAIN 405 00:17:30,717 --> 00:17:32,352 TAKES OVER ELVIS' BODY. 406 00:17:32,385 --> 00:17:34,521 DOES ELVIS KNOW NEW LICKS ON THE GUITAR NOW? 407 00:17:34,554 --> 00:17:35,722 IS HE GRUNGE? 408 00:17:35,755 --> 00:17:36,823 [STAMMERS] WHAT HAPPENS? 409 00:17:36,856 --> 00:17:38,258 HOW MUCH OF YOUR OLD BODY 410 00:17:38,291 --> 00:17:39,559 DO YOU BRING INTO YOUR NEW BODY? 411 00:17:39,592 --> 00:17:41,294 AND--AND DO THE HIPS STILL WORK? 412 00:17:41,328 --> 00:17:43,330 WHEN I SAW BRYAN AND THE GHOST INSIDE HIM, 413 00:17:43,363 --> 00:17:44,497 HE LOOKED LIKE A TEENAGER. 414 00:17:44,531 --> 00:17:45,498 EXCEPT THERE WAS SOMETHING WRONG 415 00:17:45,532 --> 00:17:46,766 WITH ONE OF HIS EYES. IT DROOPED. 416 00:17:46,799 --> 00:17:48,268 DROOPED HOW? 417 00:17:48,301 --> 00:17:50,170 LIKE A MUSCULAR SPASM OR A PURPOSEFUL EFFECT? 418 00:17:50,203 --> 00:17:51,538 SPASM. 419 00:17:51,571 --> 00:17:53,440 [SOFTLY] Spasm... 420 00:17:53,473 --> 00:17:56,343 DO YOU REMEMBER HOW CLUMSY THAT GHOST WAS 421 00:17:56,376 --> 00:17:57,644 THAT WE SAW ON THE VIDEO? 422 00:17:57,677 --> 00:18:00,347 HOW HE WAS HAVING SUCH A HARD TIME WITH HIS BODY? 423 00:18:00,380 --> 00:18:01,414 RIGHT. YEAH. 424 00:18:01,448 --> 00:18:03,383 AND THEN I GAVE YOU SOME WEIRDO LINE. 425 00:18:03,416 --> 00:18:04,517 I SAID, "THE BODY AND SOUL 426 00:18:04,551 --> 00:18:06,319 ARE LITERALLY AT WAR WITH EACH OTHER." 427 00:18:06,353 --> 00:18:07,220 BLAH, BLAH, BLAH. 428 00:18:07,254 --> 00:18:09,422 AND YOU BELIEVED ME, 'CAUSE YOU ALWAYS DO. 429 00:18:09,456 --> 00:18:10,790 BUT I THINK YOUR TRUTH 430 00:18:10,823 --> 00:18:12,792 MIGHT BE A LITTLE MORE GROUNDED. 431 00:18:14,594 --> 00:18:16,329 IS THIS WHAT YOU SAW, MELINDA? 432 00:18:16,363 --> 00:18:18,165 YEAH, THAT'S IT. 433 00:18:18,198 --> 00:18:19,499 YEAH, WELL, THIS IS VERY COMMON 434 00:18:19,532 --> 00:18:22,902 IN DEGENERATIVE DISEASES THAT AFFECT MOTOR SKILLS. 435 00:18:22,935 --> 00:18:25,238 MULTIPLE SCLEROSIS, CEREBRAL PALSY. 436 00:18:25,272 --> 00:18:26,639 MAYBE THE GHOST THAT TOOK OVER THIS BODY 437 00:18:26,673 --> 00:18:27,707 HAD A SIMILAR HANDICAP. 438 00:18:27,740 --> 00:18:29,409 UH, DEFECT, WHATEVER. 439 00:18:29,442 --> 00:18:31,144 HE'S NOT CLUMSY ANYMORE. 440 00:18:31,178 --> 00:18:32,479 RIGHT. RIGHT! 441 00:18:32,512 --> 00:18:33,580 HE'S NOT CLUMSY, 'CAUSE HE'S IN HIS NEW BODY. 442 00:18:33,613 --> 00:18:34,814 HE'S GETTING THE LAY OF THE LAND. 443 00:18:34,847 --> 00:18:36,749 HE'S SAYING, HEY, THIS ISN'T THE OLD DEAD ME. 444 00:18:36,783 --> 00:18:38,418 THIS IS THE NEW DEAD ME. 445 00:18:38,451 --> 00:18:40,687 NOT TO MENTION, LIVING OUT HIS WILDEST DREAMS. 446 00:18:40,720 --> 00:18:42,289 WHAT DO YOU MEAN? IF YOU COULDN'T WALK, 447 00:18:42,322 --> 00:18:43,856 AND YOU SAW KIDS RUNNING AND JUMPING 448 00:18:43,890 --> 00:18:45,758 AND DOING ALL THE THINGS YOU DREAMED OF DOING, 449 00:18:45,792 --> 00:18:47,260 WHEN--WHEN YOU COULD, 450 00:18:47,294 --> 00:18:48,495 WOULDN'T YOU TRADE UP FOR A NEW BODY? 451 00:18:48,528 --> 00:18:49,496 WOULDN'T YOU EVEN COME BACK FROM THE DEAD 452 00:18:49,529 --> 00:18:50,563 FOR A NEW BODY? 453 00:18:50,597 --> 00:18:52,165 OK, SO YOU'RE TELLING ME THAT THIS KID 454 00:18:52,199 --> 00:18:53,600 WAITED FOR SOMEBODY TO DIE 455 00:18:53,633 --> 00:18:54,634 SO HE COULD COME BACK AND LIVE AGAIN 456 00:18:54,667 --> 00:18:55,702 WITHOUT A HANDICAP? 457 00:18:55,735 --> 00:18:58,438 DO YOU THINK IT'S EASY BEING THIS BRILLIANT, MELINDA? 458 00:18:58,471 --> 00:18:59,806 IT'S NOT. 459 00:18:59,839 --> 00:19:02,609 SOMETIMES IT MAKES-- 460 00:19:02,642 --> 00:19:04,477 IT MAKES MY HEAD HURT, RIGHT HERE. 461 00:19:04,511 --> 00:19:06,179 OK, WELL, THERE MAY BE MORE TO IT THAN THAT. 462 00:19:06,213 --> 00:19:07,614 HE SAID THAT HE HAD TO FIND HER 463 00:19:07,647 --> 00:19:09,316 AND FINISH SOME KIND OF LIST. 464 00:19:09,349 --> 00:19:10,517 WHAT DO YOU MEAN, "HER"? 465 00:19:10,550 --> 00:19:11,918 HE DIDN'T SAY. 466 00:19:11,951 --> 00:19:14,554 YOU MIGHT HAVE A PROBLEM. WHY? 467 00:19:14,587 --> 00:19:16,556 YOU SAID WHAT, THAT GHOST WAS 16 YEARS OLD? 468 00:19:16,589 --> 00:19:17,690 NOW YOU'RE DEALING WITH SOMETHING 469 00:19:17,724 --> 00:19:18,858 THAT'S MORE UNPREDICTABLE 470 00:19:18,891 --> 00:19:20,860 THAN A HAITIAN DEATH CULTURE. 471 00:19:20,893 --> 00:19:22,562 YOU'RE DEALING WITH A TEENAGE GHOST 472 00:19:22,595 --> 00:19:23,730 INSIDE A MAN'S BODY 473 00:19:23,763 --> 00:19:26,566 WITH RAGING HORMONES LOOKING FOR A GIRL. 474 00:19:26,599 --> 00:19:27,867 GOOD LUCK. 475 00:19:27,900 --> 00:19:29,402 [SIGHS] 476 00:19:42,649 --> 00:19:46,219 Woman: * JUST LOOK AROUND 477 00:19:46,253 --> 00:19:48,488 * YOU'RE ALL ALONE 478 00:19:50,557 --> 00:19:53,926 * OPEN YOUR EYES, YOUR EYES * 479 00:19:53,960 --> 00:19:57,264 * THEY'RE MADE OF STONE 480 00:19:57,297 --> 00:20:00,933 * JUST LOOK AROUND 481 00:20:00,967 --> 00:20:02,669 * THERE'S NO ONE THERE... 482 00:20:02,702 --> 00:20:04,704 [TELEPHONE RINGS] 483 00:20:06,273 --> 00:20:07,840 [TELEPHONE BEEPS] 484 00:20:07,874 --> 00:20:09,276 HELLO? 485 00:20:09,309 --> 00:20:12,545 HI, CAN I SPEAK WITH ALYSSA ADAMS, PLEASE? 486 00:20:12,579 --> 00:20:13,846 THIS IS ALYSSA. 487 00:20:13,880 --> 00:20:16,583 OH, GREAT! HI! THIS IS MELINDA GORDON. 488 00:20:16,616 --> 00:20:18,518 I'M ACTUALLY LOOKING FOR SOME INFORMATION 489 00:20:18,551 --> 00:20:19,852 ON JASON BENNETT. 490 00:20:19,886 --> 00:20:22,255 I READ YOUR, UH, MEMORIAL PAGE 491 00:20:22,289 --> 00:20:23,690 IN THE YEARBOOK. 492 00:20:23,723 --> 00:20:25,592 IS THIS FOR THE REUNION REEL? 493 00:20:25,625 --> 00:20:27,527 SORRY? 494 00:20:27,560 --> 00:20:29,296 FOR THE 10-YEAR REUNION. 495 00:20:29,329 --> 00:20:30,463 I WAS ALREADY CONTACTED ABOUT THIS, 496 00:20:30,497 --> 00:20:31,464 AND I THINK HIS PARENTS 497 00:20:31,498 --> 00:20:32,732 ARE CONTRIBUTING SOMETHING. 498 00:20:32,765 --> 00:20:37,804 YES! YES, THIS IS FOR THE REUNION. 499 00:20:37,837 --> 00:20:39,606 THE ONE THIS WEEKEND, YEAH. 500 00:20:39,639 --> 00:20:40,607 [LAUGHS] 501 00:20:40,640 --> 00:20:42,675 YOU KNOW, COULD WE MEET? 502 00:20:42,709 --> 00:20:45,945 BECAUSE I'D REALLY LIKE TO TALK TO YOU MORE ABOUT HIM. 503 00:20:50,350 --> 00:20:51,784 [CELL PHONE RINGS] AAH! 504 00:20:53,353 --> 00:20:55,555 [RING] 505 00:20:55,588 --> 00:20:57,290 HELLO? 506 00:20:57,324 --> 00:20:58,858 SORRY. DID I SET THE RINGER TOO LOUD? 507 00:21:01,461 --> 00:21:02,495 ARE YOU WATCHING ME? 508 00:21:03,963 --> 00:21:05,498 ONLY IN THE FUN WAY. 509 00:21:05,532 --> 00:21:07,734 NOT IN THAT CRAZY STALKER WAY. 510 00:21:07,767 --> 00:21:09,268 WHAT DO YOU WANT? 511 00:21:11,604 --> 00:21:12,805 TO SAY I'M SORRY. 512 00:21:12,839 --> 00:21:13,906 YOU ALREADY DID THAT. 513 00:21:15,942 --> 00:21:16,909 THIS IS PHASE TWO. 514 00:21:18,445 --> 00:21:19,679 LOOK, YOU DON'T GET TO CUTE YOUR WAY 515 00:21:19,712 --> 00:21:20,880 OUT OF THIS. 516 00:21:20,913 --> 00:21:21,681 YOU LEFT ME STANDING ON THE STREET 517 00:21:21,714 --> 00:21:22,782 WAITING FOR YOU. 518 00:21:22,815 --> 00:21:24,451 DO YOU HAVE ANY IDEA 519 00:21:24,484 --> 00:21:25,652 HOW HUMILIATING THAT WAS? 520 00:21:25,685 --> 00:21:27,887 AND THEN I HAD TO WALK HOME AFTER THAT? 521 00:21:27,920 --> 00:21:29,922 I GOT NO PHONE CALL, NO EXPLANATION-- 522 00:21:29,956 --> 00:21:32,325 I HAVE AN EXPLANATION NOW. 523 00:21:32,359 --> 00:21:35,094 IT'S TOO LATE. 524 00:21:35,127 --> 00:21:36,563 AND... 525 00:21:36,596 --> 00:21:37,764 SINCE IT TOOK YOU THIS LONG, 526 00:21:37,797 --> 00:21:39,666 YOU'RE EVEN LAMER THAN I THOUGHT. 527 00:21:40,900 --> 00:21:42,669 TRUE. 528 00:21:42,702 --> 00:21:45,405 COMPLETELY, TOTALLY TRUE. 529 00:21:45,438 --> 00:21:46,773 BUT... 530 00:21:46,806 --> 00:21:47,907 IF I COULD JUST BUY YOU A CUP OF COFFEE, 531 00:21:47,940 --> 00:21:50,377 YOU KNOW, OR--OR ANY DARK LIQUID. 532 00:21:50,410 --> 00:21:51,744 JUST HAVE A MINUTE. 533 00:21:51,778 --> 00:21:54,447 TIM, I GAVE YOU A MINUTE. 534 00:21:54,481 --> 00:21:58,685 IN FACT, I GAVE YOU 30 LONG MINUTES. 535 00:21:58,718 --> 00:22:00,019 AND YOU BLEW IT. 536 00:22:05,525 --> 00:22:08,395 WELL, WE FOUND ONE OF HIS OLD YEARBOOKS, 537 00:22:08,428 --> 00:22:10,129 AND THERE WAS A REFERENCE 538 00:22:10,162 --> 00:22:11,431 TO A SPECIAL GIRL. 539 00:22:11,464 --> 00:22:13,099 I WAS JUST WONDERING IF YOU-- 540 00:22:14,534 --> 00:22:16,803 WE LOVED EACH OTHER, 541 00:22:16,836 --> 00:22:20,407 BUT...JUST FRIENDS. 542 00:22:24,544 --> 00:22:25,712 WOW. 543 00:22:25,745 --> 00:22:27,079 HE WAS SO ACTIVE. 544 00:22:27,113 --> 00:22:28,648 YEAH. 545 00:22:28,681 --> 00:22:30,483 HE HAD MUSCULAR DYSTROPHY, 546 00:22:30,517 --> 00:22:32,885 BUT HE DIDN'T LIKE TO LET ONE DAY GO BY 547 00:22:32,919 --> 00:22:35,655 WITHOUT FEELING LIKE HE ACCOMPLISHED SOMETHING. 548 00:22:35,688 --> 00:22:37,857 LIKE ON THE DAY WE MET, IT WAS IN DETENTION. 549 00:22:37,890 --> 00:22:39,125 HMM, DETENTION. 550 00:22:39,158 --> 00:22:40,760 HE WAS IN DETENTION ALL THE TIME. 551 00:22:40,793 --> 00:22:42,662 [LAUGHS] 552 00:22:42,695 --> 00:22:45,765 DO YOU KNOW THOSE OLD SHOWERS IN THE CHEM LAB? 553 00:22:45,798 --> 00:22:47,400 WITH THAT EMERGENCY HANDLE JUST IN CASE 554 00:22:47,434 --> 00:22:49,536 SOME KID SETS HIMSELF ON FIRE? 555 00:22:49,569 --> 00:22:51,971 HE ROLLED HIMSELF UNDER ONE OF THOSE, 556 00:22:52,004 --> 00:22:54,441 AND SHOUTED, "NAME THE MOVIE." 557 00:22:54,474 --> 00:22:58,545 CUT TO JASON, DRIPPING WET IN DETENTION 558 00:22:58,578 --> 00:23:00,947 AND JUST FURIOUS THAT NO ONE FIGURED IT OUT. 559 00:23:00,980 --> 00:23:02,014 FLASHDANCE? 560 00:23:02,048 --> 00:23:02,949 YEAH. 561 00:23:05,084 --> 00:23:07,587 I WAS THE FIRST TO GIVE HIM THE RIGHT ANSWER. 562 00:23:07,620 --> 00:23:10,557 AND HE SAID, I HAD NO CHOICE. 563 00:23:10,590 --> 00:23:12,959 WE WOULD HAVE TO BE BEST FRIENDS FROM THEN ON. 564 00:23:12,992 --> 00:23:15,962 IT'S BEEN 10 YEARS, AND I STILL MISS HIM. 565 00:23:15,995 --> 00:23:19,131 WE PULLED SO MANY SCHEMES TOGETHER. 566 00:23:19,165 --> 00:23:21,734 JUST TO FEEL LIKE HE COULD LIVE. 567 00:23:21,768 --> 00:23:25,037 IS THAT WHY YOU TOOK OUT THE PAGE IN THE YEARBOOK? 568 00:23:25,071 --> 00:23:27,607 "NOT ONE DAY WASTED." 569 00:23:27,640 --> 00:23:29,909 YEAH. 570 00:23:29,942 --> 00:23:32,612 UM... WHAT'S THIS LIST? 571 00:23:34,681 --> 00:23:36,215 AT THE END, 572 00:23:36,248 --> 00:23:38,985 JASON SPENT A LOT OF TIME IN THE HOSPITAL. 573 00:23:39,018 --> 00:23:41,921 AND IT SHOULD HAVE BEEN THE WORST TIME, 574 00:23:41,954 --> 00:23:44,524 BUT IT WASN'T. 575 00:23:44,557 --> 00:23:45,925 WE DREAMED UP A LIST OF THINGS TO DO 576 00:23:45,958 --> 00:23:47,627 BEFORE WE DIED. 577 00:23:47,660 --> 00:23:49,629 "BUNGEE JUMP OFF GRAND CANYON"? 578 00:23:49,662 --> 00:23:50,530 HIM. 579 00:23:52,264 --> 00:23:54,467 "OPEN A STUDIO IN PARIS." 580 00:23:54,501 --> 00:23:56,769 YEAH, SO I COULD WORK ON MY COLLAGES. 581 00:23:56,803 --> 00:24:00,039 HE KNEW THAT HE WOULD NEVER LEAVE THAT ROOM, 582 00:24:00,072 --> 00:24:02,475 AND IT COULDN'T STOP HIM FROM DREAMING. 583 00:24:02,509 --> 00:24:05,478 IT MEANT SO MUCH TO HIM. 584 00:24:05,512 --> 00:24:06,613 WELL, YOU KEPT THE LIST. 585 00:24:06,646 --> 00:24:08,515 IT MUST HAVE MEANT SOMETHING TO YOU, TOO. 586 00:24:08,548 --> 00:24:10,082 NO. 587 00:24:10,116 --> 00:24:11,651 THE FURTHER THE YOU GET FROM HIGH SCHOOL, 588 00:24:11,684 --> 00:24:13,185 THE HARDER IT IS TO MAKE YOUR DREAMS COME TRUE. 589 00:24:15,254 --> 00:24:16,756 I STILL ENJOY MY ART, 590 00:24:16,789 --> 00:24:18,190 BUT I AM NOT GOING TO BE SELLING IT 591 00:24:18,224 --> 00:24:20,627 NEXT TO THE EIFFEL TOWER ANYTIME SOON. 592 00:24:20,660 --> 00:24:24,531 JASON'S THE ONE THAT COULD HAVE DONE IT. 593 00:24:24,564 --> 00:24:26,232 NOT ME. 594 00:24:26,265 --> 00:24:27,967 AND WHAT ABOUT THIS LAST THING? 595 00:24:28,000 --> 00:24:29,035 "FIND STEPHANIE HARDWICK"? 596 00:24:29,068 --> 00:24:30,770 HOMECOMING QUEEN. 597 00:24:30,803 --> 00:24:31,804 UHH... 598 00:24:31,838 --> 00:24:33,706 THE GIRL EVERYBODY LOVED. 599 00:24:33,740 --> 00:24:37,043 HE WANTED TO FIND HER AT THE REUNION AND KISS HER. 600 00:24:37,076 --> 00:24:38,778 REALLY? 601 00:24:38,811 --> 00:24:41,080 WHAT GUY WOULDN'T WANT TO KISS THE HOMECOMING QUEEN? 602 00:24:41,113 --> 00:24:42,181 BUT... 603 00:24:42,214 --> 00:24:43,616 WHY AT THE REUNION? 604 00:24:43,650 --> 00:24:45,284 I MEAN, WHAT WAS SPECIAL ABOUT THAT? 605 00:24:45,317 --> 00:24:49,021 BY 2007, JASON... 606 00:24:49,055 --> 00:24:51,824 HE WAS SURE THEY'D HAVE A CURE FOR HIS M.D. 607 00:24:51,858 --> 00:24:54,827 AND HE'D BE ABLE TO WALK INTO THE REUNION, AND-- 608 00:24:54,861 --> 00:24:56,529 BE THE MAN HE DREAMED OF BEING. 609 00:24:58,631 --> 00:24:59,632 I MEAN, WHO DOESN'T WANT TO GO 610 00:24:59,666 --> 00:25:00,733 TO THEIR HIGH SCHOOL REUNION 611 00:25:00,767 --> 00:25:02,001 NOT LOOKING LIKE A ROCK STAR? 612 00:25:02,034 --> 00:25:03,703 I KNOW. JASON WAITED FOR A BODY 613 00:25:03,736 --> 00:25:05,638 HE KNEW WOULD FIT IN AT THE REUNION. 614 00:25:05,672 --> 00:25:08,575 SOMEONE HIS OWN AGE, SOMEONE HANDSOME. 615 00:25:08,608 --> 00:25:10,109 EVEN THE CLOTHES HE TOOK. 616 00:25:10,142 --> 00:25:12,178 YEAH, JUST TO IMPRESS MISS STEPHANIE. 617 00:25:12,211 --> 00:25:14,847 BEFORE HE PLANTS ONE ON HER. 618 00:25:14,881 --> 00:25:16,115 OH, GOD. 619 00:25:16,148 --> 00:25:18,184 IF HE GETS TO HER BEFORE I CAN STOP HIM-- 620 00:25:18,217 --> 00:25:20,086 YOU SHOULD SLIP HIM AN ALTOID AT LEAST. 621 00:25:20,119 --> 00:25:21,888 OK, YOU KNOW WHAT? THAT IS NOT FUNNY. 622 00:25:25,892 --> 00:25:27,259 HERE SHE IS. 623 00:25:27,293 --> 00:25:28,928 HMM. 624 00:25:30,863 --> 00:25:34,033 YOU KNOW, WHAT IF THE BODY THAT JASON TOOK 625 00:25:34,066 --> 00:25:35,668 WASN'T AN ACCIDENT? 626 00:25:35,702 --> 00:25:36,969 WHAT DO YOU MEAN? 627 00:25:37,003 --> 00:25:39,806 STEPHANIE HARDWICK. HOMECOMING QUEEN. 628 00:25:39,839 --> 00:25:41,007 YEAH? 629 00:25:41,040 --> 00:25:42,575 LOOK AT THE HOMECOMING KING. 630 00:25:46,012 --> 00:25:47,179 WOW. 631 00:25:47,213 --> 00:25:49,281 BRYAN AND JASON WERE CLASSMATES. 632 00:25:49,315 --> 00:25:50,917 JASON DIDN'T PICK A RANDOM BODY. 633 00:25:50,950 --> 00:25:53,185 HE PICKED THE BODY. 634 00:25:53,219 --> 00:25:55,655 OF HER DATE 10 YEARS AGO. 635 00:25:55,688 --> 00:25:59,125 "VARSITY QUARTERBACK, VALEDICTORIAN." 636 00:25:59,158 --> 00:26:02,595 WELL, LOOKS LIKE THE MOST POPULAR GUY AT SCHOOL 637 00:26:02,629 --> 00:26:04,263 IS GONNA BE GOING TO HIS HIGH SCHOOL REUNION AFTER ALL. 638 00:26:04,296 --> 00:26:05,331 YEAH. 639 00:26:05,364 --> 00:26:06,833 HE'LL JUST BE A LOT DIFFERENT 640 00:26:06,866 --> 00:26:08,768 THAN THEY REMEMBER. 641 00:26:38,665 --> 00:26:42,001 USUALLY A CORPSE IS GONNA TAKE 6 TO 8 DAYS TO DECAY. 642 00:26:42,034 --> 00:26:43,870 WE'RE ONLY ON DAY 3. 643 00:26:43,903 --> 00:26:45,404 THAT'S ASSUMING A PERFECT STRESS-FREE ENVIRONMENT HERE. 644 00:26:45,437 --> 00:26:46,839 WHICH WE DON'T HAVE. 645 00:26:46,873 --> 00:26:47,874 I MEAN, THIS GUY IS REALLY PUTTING HIS BODY 646 00:26:47,907 --> 00:26:48,808 THROUGH THE RINGER. 647 00:26:48,841 --> 00:26:51,077 SO HOW LONG WILL IT BE BEFORE HE BREAKS DOWN? 648 00:26:51,110 --> 00:26:52,912 I WOULD SAY 6, MAYBE 8 HOURS. 649 00:26:52,945 --> 00:26:54,647 THAT SOON? MAYBE LESS, 650 00:26:54,681 --> 00:26:56,182 IF HE KEEPS JUMPING THROUGH FLAMING HOOPS. 651 00:26:56,215 --> 00:26:58,117 MY GOSH, NATURE'S RUNNING ITS COURSE ON THIS GUY. 652 00:26:58,150 --> 00:26:59,118 WHEN WE FIRST FOUND HIM, 653 00:26:59,151 --> 00:27:00,720 HE WAS TRYING TO SET HIS RIBS. 654 00:27:00,753 --> 00:27:01,821 WELL, HE PROBABLY KNOWS 655 00:27:01,854 --> 00:27:02,755 HIS BODY WON'T HOLD OUT ON HIM. 656 00:27:02,789 --> 00:27:03,890 SO IF YOU WERE TRYING TO PRESERVE YOUR BODY 657 00:27:03,923 --> 00:27:04,891 FOR AS LONG AS POSSIBLE, 658 00:27:04,924 --> 00:27:05,892 WHAT WOULD YOU DO? 659 00:27:05,925 --> 00:27:08,094 I WOULD GET SOME KIND OF MAKEUP. 660 00:27:08,127 --> 00:27:09,829 MAYBE THE TYPE A MORTICIAN WOULD USE. 661 00:27:09,862 --> 00:27:11,397 COVER UP THE APPEARANCE OF DEAD SKIN. 662 00:27:11,430 --> 00:27:14,333 OK. THERE'S ONLY ONE MORTUARY IN GRANDVIEW. 663 00:27:14,366 --> 00:27:15,935 THANKS. 664 00:27:15,968 --> 00:27:17,136 JIM? 665 00:27:17,169 --> 00:27:18,104 [CRICKETS CHIRPING] 666 00:27:32,752 --> 00:27:34,386 HEY, DEAD GUY. 667 00:27:34,420 --> 00:27:36,388 CAN I HAVE MY RING BACK? 668 00:27:36,422 --> 00:27:38,324 Melinda: HOW'S HE BEEN? 669 00:27:38,357 --> 00:27:41,728 Jim: FINE. ONCE I RESTRAINED HIM. 670 00:27:41,761 --> 00:27:43,996 IS THIS REALLY NECESSARY? 671 00:27:44,030 --> 00:27:46,032 I'M SORRY, ALL RIGHT? 672 00:27:46,065 --> 00:27:48,100 JASON, WE CAN'T LET YOU GO TO THAT REUNION. 673 00:27:48,134 --> 00:27:49,869 WHY NOT? I'M NOT GONNA HURT ANYONE. 674 00:27:49,902 --> 00:27:51,070 NO, BUT YOU WANTED TO KISS 675 00:27:51,103 --> 00:27:52,739 THAT STEPHANIE HARDWICK, YOU KNOW? 676 00:27:52,772 --> 00:27:54,240 THE LAST THING ON YOUR LIST? COME ON. 677 00:27:54,273 --> 00:27:56,475 I WAS NEVER ACTUALLY GONNA DO THAT. 678 00:27:56,508 --> 00:27:58,110 THAT WAS-- THAT WAS JUST A GOOF. 679 00:27:59,879 --> 00:28:03,349 I JUST WANTED TO GO AND ENJOY MYSELF. 680 00:28:03,382 --> 00:28:05,084 OK, EVEN IF THAT'S TRUE, 681 00:28:05,117 --> 00:28:06,118 YOUR BODY'S BREAKING DOWN, 682 00:28:06,152 --> 00:28:07,219 AND YOU'RE NOT BRYAN. 683 00:28:07,253 --> 00:28:08,287 YOU LIVED YOUR LIFE, 684 00:28:08,320 --> 00:28:09,789 AND YOU CAN'T STEAL SOMEBODY ELSE'S. 685 00:28:09,822 --> 00:28:11,924 I DIDN'T STEAL IT. 686 00:28:11,958 --> 00:28:13,793 HE ABANDONED IT. THERE'S A BIG DIFFERENCE. 687 00:28:15,862 --> 00:28:16,863 YOU'VE BEEN HAUNTING HIM 688 00:28:16,896 --> 00:28:17,529 THIS WHOLE TIME, HAVEN'T YOU? 689 00:28:20,767 --> 00:28:22,735 MM-MMM, NOT HAUNTING, JUST... 690 00:28:22,769 --> 00:28:25,004 CHECKING IN. [LAUGHS] 691 00:28:25,037 --> 00:28:27,273 I WAS CURIOUS TO SEE WHAT MR. MOST LIKELY TO SUCCEED 692 00:28:27,306 --> 00:28:28,775 WAS GONNA DO WITH HIS LIFE 693 00:28:28,808 --> 00:28:30,309 AFTER HE DROPPED OUT OF COLLEGE. 694 00:28:30,342 --> 00:28:32,478 WHOA. BACK UP. 695 00:28:32,511 --> 00:28:33,780 HE DROPPED OUT OF COLLEGE? 696 00:28:33,813 --> 00:28:35,347 HE BARELY MADE IT THROUGH A SEMESTER. 697 00:28:35,381 --> 00:28:36,348 ISN'T THAT RIGHT, BRYAN? 698 00:28:36,382 --> 00:28:38,084 SHUT UP. 699 00:28:38,117 --> 00:28:41,220 YOU WANT TO TELL HER WHAT, UH, HAPPENED 700 00:28:41,253 --> 00:28:42,889 AFTER GRADUATION, OR SHOULD I? 701 00:28:42,922 --> 00:28:44,123 SHUT UP. 702 00:28:44,156 --> 00:28:45,858 Bryan: YOU DON'T KNOW WHAT IT WAS LIKE. 703 00:28:45,892 --> 00:28:47,994 WELL, ACTUALLY, I... 704 00:28:48,027 --> 00:28:50,129 DO. 705 00:28:50,162 --> 00:28:53,766 YOU SEE, LIFE WASN'T SO KIND AFTER SENIOR YEAR. 706 00:28:53,800 --> 00:28:56,335 COLLEGE BALL WAS A LITTLE TOUGHER, 707 00:28:56,368 --> 00:28:58,504 CLASSES TOOK A LITTLE BIT MORE EFFORT, 708 00:28:58,537 --> 00:28:59,471 BRYAN JUST COULDN'T JUGGLE IT ALL 709 00:28:59,505 --> 00:29:01,941 LIKE HE COULD WHEN HE WAS 17, 710 00:29:01,974 --> 00:29:04,410 AND HE ENDED UP GETTING CUT FROM THE TEAM, 711 00:29:04,443 --> 00:29:05,945 EVENTUALLY DROPPED OUT OF SCHOOL, 712 00:29:05,978 --> 00:29:07,814 AND BASICALLY SPENT THE LAST 10 YEARS 713 00:29:07,847 --> 00:29:09,849 STUDYING HIS LIFE FROM THE BOTTOM OF A GLASS. 714 00:29:11,383 --> 00:29:12,785 IS THAT TRUE? 715 00:29:12,819 --> 00:29:15,988 I MEAN, HE COASTED ON CHARM FOR A WHILE. 716 00:29:16,022 --> 00:29:17,957 HE WAS ALWAYS GOOD WITH THE GIRLS, 717 00:29:17,990 --> 00:29:20,392 BUT EVEN THAT FADED. 718 00:29:20,426 --> 00:29:21,861 IT GETS TO A POINT WHERE 719 00:29:21,894 --> 00:29:23,295 GIRLS REALLY AREN'T INTERESTED IN A GUY 720 00:29:23,329 --> 00:29:25,531 WHO CAN'T KEEP A JOB FOR LONGER THAN 6 MONTHS. 721 00:29:27,499 --> 00:29:30,803 I MEAN, EVEN STEPHANIE-- THE HOMECOMING QUEEN-- 722 00:29:30,837 --> 00:29:33,272 MOVED ON, GOT ENGAGED TO THAT, UH... 723 00:29:33,305 --> 00:29:36,075 THAT GUY, UH, RICK. 724 00:29:36,108 --> 00:29:37,810 SECOND STRING ON THE FOOTBALL TEAM. 725 00:29:39,411 --> 00:29:41,113 THAT WASN'T FAIR. 726 00:29:41,147 --> 00:29:43,582 HE DIDN'T DESERVE HER. 727 00:29:43,615 --> 00:29:45,818 I MEAN, HOW COULD I SHOW UP 728 00:29:45,852 --> 00:29:47,419 AT A REUNION AND... 729 00:29:47,453 --> 00:29:48,554 I DIDN'T HAVE A CHOICE. 730 00:29:48,587 --> 00:29:52,058 HE ENDED UP IN A BAR, ALONE. 731 00:29:52,091 --> 00:29:54,160 TRYING TO CONVINCE A COMPLETE STRANGER 732 00:29:54,193 --> 00:29:56,028 TO GO TO OUR REUNION WITH HIM. 733 00:29:56,062 --> 00:29:58,998 COME ON! YOU'LL BE DOING ME THIS HUGE FAVOR. 734 00:29:59,031 --> 00:30:00,299 NO, LOOK. I JUST MET YOU. 735 00:30:00,332 --> 00:30:02,134 LOOK, PLEASE. 736 00:30:02,168 --> 00:30:04,470 OH, GOD. JUST LEAVE ME ALONE. 737 00:30:06,372 --> 00:30:08,574 WHAT DO YOU DO WHEN YOU REALIZE 738 00:30:08,607 --> 00:30:11,510 YOU PEAKED IN HIGH SCHOOL? I MEAN... 739 00:30:11,543 --> 00:30:13,079 WHEN YOU GOT NOTHING TO LIVE FOR, 740 00:30:13,112 --> 00:30:14,513 HOW DO YOU TALK TO ALL THOSE PEOPLE 741 00:30:14,546 --> 00:30:17,349 WHEN ALL THEY REMEMBER IS HOW YOU USED TO BE? 742 00:30:17,383 --> 00:30:18,550 DO YOU FACE 'EM, 743 00:30:18,584 --> 00:30:21,620 OR DO YOU FREEZE YOURSELF IN TIME? 744 00:30:21,653 --> 00:30:23,022 AND LEAVE NOTHING BUT A MEMORY 745 00:30:23,055 --> 00:30:24,957 AND A GOOD-LOOKING CORPSE? 746 00:30:28,194 --> 00:30:29,862 NO! [CAR HONKS] 747 00:30:33,565 --> 00:30:35,601 YOU WERE TOO SCARED TO LIVE? 748 00:30:38,370 --> 00:30:40,973 IT WAS TOO HARD. 749 00:30:41,007 --> 00:30:42,208 ALL OF IT WAS JUST TOO HARD. 750 00:30:42,241 --> 00:30:44,243 OH, BOO-HOO. 751 00:30:44,276 --> 00:30:46,145 TELL THAT TO THE KID 752 00:30:46,178 --> 00:30:48,948 WHO SPENT HIS LIFE IN A WHEELCHAIR. 753 00:30:48,981 --> 00:30:49,949 BRYAN, YOU TOLD ME THAT YOU DIDN'T HAVE 754 00:30:49,982 --> 00:30:51,617 ANY UNFINISHED BUSINESS. 755 00:30:51,650 --> 00:30:54,053 THIS REUNION IS YOUR UNFINISHED BUSINESS. 756 00:30:54,086 --> 00:30:57,023 I CAN'T. 757 00:30:58,991 --> 00:31:00,159 I CAN'T WALK IN THERE 758 00:31:00,192 --> 00:31:02,661 AND JUST SEE ALL THOSE PEOPLE. 759 00:31:02,694 --> 00:31:05,497 AND WHAT? FACE A DIFFICULT CHOICE 760 00:31:05,531 --> 00:31:08,400 FOR ONCE IN YOUR LIFE? 761 00:31:08,434 --> 00:31:10,903 I MEAN, DO YOU REALIZE WHAT I WOULD HAVE DONE 762 00:31:10,937 --> 00:31:12,538 WITH JUST... 763 00:31:12,571 --> 00:31:14,573 ONE? 764 00:31:14,606 --> 00:31:18,110 JUST ONE OF THOSE CHANCES THAT YOU... 765 00:31:18,144 --> 00:31:19,578 THREW AWAY. 766 00:31:25,684 --> 00:31:27,553 DO YOU PROMISE THAT YOU WON'T HARASS STEPHANIE? 767 00:31:27,586 --> 00:31:29,321 I SWEAR ON MY LIFE. 768 00:31:29,355 --> 00:31:31,290 HUH? 769 00:31:31,323 --> 00:31:33,559 YOU KNOW WHAT I MEAN. 770 00:31:35,527 --> 00:31:37,163 CUT JASON LOOSE. 771 00:31:37,196 --> 00:31:38,497 YOU GOT IT. 772 00:31:38,530 --> 00:31:40,466 UH, YOU SURE ABOUT THIS? 773 00:31:40,499 --> 00:31:42,034 YES, I AM SURE. 774 00:31:42,068 --> 00:31:42,701 IT'S THE ONLY WAY I'M GONNA BE ABLE 775 00:31:42,734 --> 00:31:43,602 TO CROSS BOTH OF THEM OVER 776 00:31:43,635 --> 00:31:45,471 IS TO GET BOTH OF THEM BACK TO THE REUNION. 777 00:31:48,574 --> 00:31:51,210 LET'S GO BACK TO HIGH SCHOOL. 778 00:32:00,519 --> 00:32:02,621 ARE YOU SURE THIS LOOKS NATURAL? 779 00:32:02,654 --> 00:32:04,356 THIS FOUNDATION SEEMS A LITTLE HEAVY. 780 00:32:04,390 --> 00:32:06,725 JASON, THIS IS THE LEAST OF YOUR PROBLEMS, OK? 781 00:32:06,758 --> 00:32:08,560 JUST STAY OUT OF DIRECT LIGHT. 782 00:32:08,594 --> 00:32:10,662 IT'LL MAKE THE MAKEUP LOOK BETTER AND... 783 00:32:10,696 --> 00:32:12,564 WELL, STOP YOU FROM MELTING. 784 00:32:12,598 --> 00:32:14,566 [LAUGHS] GOT IT. 785 00:32:14,600 --> 00:32:16,735 YEAH, AND WHAT ABOUT ME? 786 00:32:16,768 --> 00:32:19,171 AND WHAT HAPPENS WHEN EVERYBODY ASKS ME, 787 00:32:19,205 --> 00:32:20,706 "HEY, MAN. YOU KNOW. 788 00:32:20,739 --> 00:32:22,241 "WHAT YOU BEEN DOING WITH YOURSELF 789 00:32:22,274 --> 00:32:23,509 THE PAST 10 YEARS"? 790 00:32:23,542 --> 00:32:25,011 I DON'T KNOW. TELL 'EM THE TRUTH. 791 00:32:25,044 --> 00:32:27,146 ANOTHER GUY IS GOING TO MY REUNION 792 00:32:27,179 --> 00:32:28,180 IN MY BODY, MELINDA. 793 00:32:28,214 --> 00:32:29,181 I THINK WE'RE BEING A LITTLE LOOSE 794 00:32:29,215 --> 00:32:30,182 WITH THE TRUTH, DON'T YOU THINK? 795 00:32:30,216 --> 00:32:32,218 OK, FINE. 796 00:32:32,251 --> 00:32:33,252 WE'LL MAKE A DEAL. 797 00:32:33,285 --> 00:32:35,354 JASON GOES IN, HE WILL SAY AND DO 798 00:32:35,387 --> 00:32:37,289 EXACTLY WHAT YOU WANT. 799 00:32:37,323 --> 00:32:38,624 THE TRADE-OFF IS 800 00:32:38,657 --> 00:32:39,625 THAT YOU HAVE TO BE HONEST. 801 00:32:39,658 --> 00:32:41,593 WITH YOUR OLD FRIENDS 802 00:32:41,627 --> 00:32:42,461 AND EVEN WITH YOURSELF. 803 00:32:42,494 --> 00:32:44,596 DEAL? DEAL. 804 00:32:47,599 --> 00:32:48,734 FINE, I'LL DO IT. 805 00:32:48,767 --> 00:32:51,237 BUT I WON'T ENJOY IT. 806 00:32:51,270 --> 00:32:53,205 ME NEITHER. 807 00:33:02,514 --> 00:33:04,516 [INDISTINCT CHATTER] 808 00:33:11,390 --> 00:33:12,624 HEY, HEY! LOOK WHO'S HERE! 809 00:33:12,658 --> 00:33:14,426 NOW WE GOT A PARTY! 810 00:33:14,460 --> 00:33:15,394 THE HOMECOMING KING! 811 00:33:15,427 --> 00:33:16,662 HOW'S IT GOING? 812 00:33:16,695 --> 00:33:18,664 GOOD TO SEE YOU! 813 00:33:20,599 --> 00:33:22,768 HEY. Second Man: HEY, MAN, 814 00:33:22,801 --> 00:33:23,669 WHAT YOU BEEN DOING WITH YOURSELF THE LAST 10 YEARS? 815 00:33:26,438 --> 00:33:29,508 I WAS A PARAMEDIC FOR A COUPLE OF YEARS. 816 00:33:29,541 --> 00:33:33,045 PARAMEDIC? COOL. 817 00:33:33,079 --> 00:33:34,513 ALL RIGHT, THIS IS NOT HELPING. 818 00:33:36,282 --> 00:33:38,016 OK, GUYS. 819 00:33:39,485 --> 00:33:40,686 WHAT? 820 00:33:40,719 --> 00:33:42,721 YOU LYING ABOUT BRYAN'S PAST. 821 00:33:42,754 --> 00:33:44,390 THAT WAS NOT PART OF OUR DEAL. 822 00:33:44,423 --> 00:33:47,126 FINE WITH ME. REALLY. 823 00:33:47,159 --> 00:33:48,294 BRYAN HAD TO TELL THE TRUTH. 824 00:33:48,327 --> 00:33:49,628 YOU DIDN'T SAY ANYTHING ABOUT ME. 825 00:33:49,661 --> 00:33:51,063 BESIDES, YOU WERE THE ONE 826 00:33:51,097 --> 00:33:53,299 WHO WAS WORRIED ABOUT ANYBODY NOTICING 827 00:33:53,332 --> 00:33:54,666 A CORPSE IN THE MIDST. 828 00:33:54,700 --> 00:33:57,469 I HAD TO COME UP WITH SOME ALI-- 829 00:33:57,503 --> 00:34:00,272 THERE SHE IS. WOW. 830 00:34:00,306 --> 00:34:01,740 SHE HASN'T CHANGED A BIT. 831 00:34:01,773 --> 00:34:03,442 OH, GOD. 832 00:34:03,475 --> 00:34:04,643 THIS IS IT. 833 00:34:04,676 --> 00:34:06,212 I GOT TO GO AND SAY HI. 834 00:34:06,245 --> 00:34:07,479 OOH! 835 00:34:07,513 --> 00:34:09,448 NO. HOLD IT. 836 00:34:09,481 --> 00:34:10,782 YOU MADE ME A PROMISE. 837 00:34:10,816 --> 00:34:13,152 AND SO FAR, YOU ARE BATTING ZERO 838 00:34:13,185 --> 00:34:14,453 ON YOUR WORD. 839 00:34:14,486 --> 00:34:17,689 HEY, TALK. THAT'S ALL. I SWEAR. 840 00:34:20,192 --> 00:34:21,593 THANK YOU. 841 00:34:21,627 --> 00:34:23,629 BRYAN! 842 00:34:23,662 --> 00:34:25,431 WHAT'S UP, BUDDY? 843 00:34:25,464 --> 00:34:27,799 OH, HEY. UH, RICK. 844 00:34:27,833 --> 00:34:29,535 SO WHAT'S BEEN GOING ON WITH YOU? 845 00:34:29,568 --> 00:34:30,802 UH, NOT MUCH. 846 00:34:30,836 --> 00:34:32,738 I WAS, UH, I WAS JUST GONNA SAY HI-- 847 00:34:32,771 --> 00:34:34,173 YEAH, YOU KNOW WE'RE ENGAGED NOW? 848 00:34:34,206 --> 00:34:36,508 UH, YEAH. YEAH, I READ THAT. 849 00:34:36,542 --> 00:34:37,876 CONGRATULATIONS. 850 00:34:37,909 --> 00:34:39,878 GOD, THAT MUST KILL YOU A LITTLE BIT. 851 00:34:39,911 --> 00:34:41,747 'CAUSE YOU GUYS WERE SO CUTE AS A COUPLE, 852 00:34:41,780 --> 00:34:43,449 AND THEN, THE STAR QUARTERBACK 853 00:34:43,482 --> 00:34:45,117 LOSES HER TO THE BACKUP. 854 00:34:45,151 --> 00:34:46,485 OK, YOU KNOW WHAT? MAYBE WE SHOULD GO 855 00:34:46,518 --> 00:34:48,120 AND TALK TO SOMEBODY ELSE. HELLO. 856 00:34:48,154 --> 00:34:49,488 NO, YOU'RE NOT GOING ANYWHERE. 857 00:34:49,521 --> 00:34:51,690 THIS GUY'S A JEALOUS PUNK. 858 00:34:51,723 --> 00:34:53,325 HE ALWAYS HAS BEEN. 859 00:34:53,359 --> 00:34:56,162 SO I HEARD YOU'RE A BIG, HEROIC PARAMEDIC NOW. 860 00:34:56,195 --> 00:34:57,896 THAT IS GREAT. I'M SO HAPPY FOR YOU. 861 00:34:57,929 --> 00:35:01,367 BUT THAT WAS AFTER YOU BLEW THE BIG GAME 862 00:35:01,400 --> 00:35:02,434 AGAINST STATE, RIGHT? 863 00:35:02,468 --> 00:35:03,769 [CHUCKLES] 864 00:35:03,802 --> 00:35:05,404 MAN, THAT WAS LONG TIME AGO. WHO CARES? 865 00:35:05,437 --> 00:35:06,672 I CARE. 866 00:35:06,705 --> 00:35:09,341 BECAUSE SOME THINGS DON'T CHANGE. 867 00:35:09,375 --> 00:35:10,576 LIKE WHAT COACH USED TO TELL US. 868 00:35:10,609 --> 00:35:12,444 "YOU GOT TO WANT IT." 869 00:35:12,478 --> 00:35:13,679 YOU STILL WANT IT, BRYAN? 870 00:35:13,712 --> 00:35:15,314 OR DID YOU GIVE UP? 871 00:35:15,347 --> 00:35:17,583 OK, JASON, YOU'RE GONNA REPEAT 872 00:35:17,616 --> 00:35:19,218 EVERYTHING I SAY. 873 00:35:19,251 --> 00:35:20,519 [WHISPERS] We really don't have time for this. 874 00:35:20,552 --> 00:35:21,553 WE MADE A DEAL. 875 00:35:24,423 --> 00:35:25,524 OK... 876 00:35:25,557 --> 00:35:26,858 ALL RIGHT. HERE'S WHAT YOU'RE GONNA SAY. 877 00:35:29,828 --> 00:35:32,298 YOU'RE RIGHT, RICK. I DID GIVE UP. 878 00:35:32,331 --> 00:35:34,866 AND NOT A DAY GOES BY WHERE I DON'T THINK ABOUT 879 00:35:34,900 --> 00:35:36,835 HOW MUCH I WASTED, 880 00:35:36,868 --> 00:35:38,637 HOW MANY OPPORTUNITIES I LET SLIP 881 00:35:38,670 --> 00:35:41,673 BECAUSE I WAS TOO SCARED. 882 00:35:41,707 --> 00:35:43,675 BUT YOU COME TO THE POINT 883 00:35:43,709 --> 00:35:46,645 WHERE YOU NEED TO LET YOUR REGRETS GO, TOO, 884 00:35:46,678 --> 00:35:48,414 OR THEY TAKE OVER YOUR LIFE. 885 00:35:48,447 --> 00:35:50,516 I WAS LUCKY. 886 00:35:50,549 --> 00:35:53,252 I GOT THAT CHANCE. 887 00:35:56,255 --> 00:35:57,489 NOT EVERYBODY DOES. 888 00:36:01,760 --> 00:36:04,663 ALSO, 3 YEARS AGO, 889 00:36:04,696 --> 00:36:05,864 I TOTALLY NAILED YOUR SISTER. 890 00:36:08,367 --> 00:36:11,270 Melinda: Was that last part really necessary? 891 00:36:11,303 --> 00:36:13,739 Bryan: DID YOU SEE THE LOOK ON HIS FACE? 892 00:36:13,772 --> 00:36:16,442 YEAH, AND HE'S PISSED AT ME. 893 00:36:18,009 --> 00:36:19,845 [INDISTINCT CHATTER] 894 00:36:19,878 --> 00:36:21,447 STAY AWAY FROM HER, YOU LOSER. 895 00:36:21,480 --> 00:36:23,349 AAH! JASON! 896 00:36:23,382 --> 00:36:24,583 [BOTH GROAN] 897 00:36:28,854 --> 00:36:30,822 AAH! 898 00:36:30,856 --> 00:36:32,591 WHY YOU GOT TO BE SUCH A JERK? 899 00:36:32,624 --> 00:36:34,593 AAH. THANK YOU. 900 00:36:34,626 --> 00:36:36,662 I GOT IT. THANKS. UHH! 901 00:36:36,695 --> 00:36:38,230 Woman: BRYAN! 902 00:36:38,264 --> 00:36:39,665 Bryan: I AM SO SORRY ABOUT RICK. 903 00:36:39,698 --> 00:36:40,999 ARE YOU ALL RIGHT? 904 00:36:41,032 --> 00:36:42,868 I'M FINE. 905 00:36:42,901 --> 00:36:44,970 I'M JUST GONNA GO GET CLEANED UP. 906 00:36:45,003 --> 00:36:46,605 [STRAINING] YOU LOOK GREAT, BY THE WAY. 907 00:36:46,638 --> 00:36:47,906 Melinda: It's all right. 908 00:36:47,939 --> 00:36:50,242 UHH... WE ARE LEAVING RIGHT NOW. 909 00:36:51,677 --> 00:36:53,645 Man: WALK IT OFF. WALK IT OFF, MAN. 910 00:36:53,679 --> 00:36:55,981 YOU'RE ALL RIGHT. 911 00:36:56,014 --> 00:36:57,749 JUST A LITTLE FURTHER, ALL RIGHT? 912 00:36:57,783 --> 00:36:59,351 Bryan: WHAT CAN WE DO? 913 00:36:59,385 --> 00:37:00,952 UHH! I DON'T KNOW. 914 00:37:00,986 --> 00:37:01,953 WE CAN'T SEND HIM TO A HOSPITAL. 915 00:37:01,987 --> 00:37:03,221 HE'S ALREADY DEAD. 916 00:37:07,859 --> 00:37:09,328 UHH! 917 00:37:11,930 --> 00:37:13,732 THIS DOES NOT... FEEL GOOD. 918 00:37:13,765 --> 00:37:14,833 THIS IS ALL MY FAULT. 919 00:37:14,866 --> 00:37:16,335 WHY DID I OPEN MY BIG MOUTH? 920 00:37:16,368 --> 00:37:18,036 JASON, YOU DON'T HAVE A LOT OF TIME. 921 00:37:18,069 --> 00:37:19,571 IS THERE A MESSAGE THAT YOU WANT ME 922 00:37:19,605 --> 00:37:20,672 TO GIVE TO STEPHANIE? 923 00:37:20,706 --> 00:37:21,973 ANYTHING THAT YOU WANT ME TO TELL HER? 924 00:37:26,878 --> 00:37:28,314 WHAT'S THAT LIGHT? 925 00:37:28,347 --> 00:37:32,351 NO. NO, JASON, YOU STAY WITH ME, OK? 926 00:37:32,384 --> 00:37:34,320 JASON, JUST STAY WITH ME, PLEASE? 927 00:37:54,940 --> 00:37:55,907 WHAT ARE YOU GUYS LOOKING AT? 928 00:37:55,941 --> 00:37:58,344 [GASPS] 929 00:37:58,377 --> 00:37:59,911 YOU'RE HERE. 930 00:37:59,945 --> 00:38:03,315 WELL, YEAH, I'M HERE. 931 00:38:03,349 --> 00:38:04,716 I MEAN, I'M A GHOST AGAIN, 932 00:38:04,750 --> 00:38:05,751 BUT YOU KNOW THAT-- AHEM-- 933 00:38:05,784 --> 00:38:06,952 THAT'S OK. 934 00:38:06,985 --> 00:38:07,853 YEAH, BUT I-- I THOUGHT YOU 935 00:38:07,886 --> 00:38:09,054 WERE GOING INTO THE LIGHT. 936 00:38:09,087 --> 00:38:10,789 I MEAN, YOU SAID, "WHAT IS THAT LIGHT?" 937 00:38:10,822 --> 00:38:12,958 YEAH, I THINK THAT WAS ACTUALLY THE, UH, 938 00:38:12,991 --> 00:38:14,626 THE STREETLAMP. 939 00:38:14,660 --> 00:38:17,863 BEHIND YOU, IT WAS GIVING YOU A KIND OF A WEIRD GLOW. 940 00:38:17,896 --> 00:38:19,865 MADE YOU LOOK LIKE AN ANGEL. 941 00:38:21,066 --> 00:38:22,468 I'M GLAD YOU'RE BACK. 942 00:38:22,501 --> 00:38:24,403 THANK YOU. 943 00:38:24,436 --> 00:38:25,537 UH... 944 00:38:25,571 --> 00:38:28,340 I DO HAVE ONE LAST FAVOR. 945 00:38:28,374 --> 00:38:30,376 THERE'S A GIRL I NEED TO GET A MESSAGE TO. 946 00:38:31,977 --> 00:38:33,345 [WOMAN LAUGHING] I KNOW. 947 00:38:33,379 --> 00:38:33,945 Second woman: I'M SO TIRED. 948 00:38:33,979 --> 00:38:35,013 I KNOW. [INDISTINCT] 949 00:38:35,046 --> 00:38:36,014 ARE YOU OK? HMM. 950 00:38:36,047 --> 00:38:39,017 IT'S BEEN A LONG WHILE. 951 00:38:39,050 --> 00:38:40,819 HOW'S BRYAN? 952 00:38:40,852 --> 00:38:43,422 OH, HE'S-- HE'S FINE. 953 00:38:43,455 --> 00:38:45,891 UM, COULD I TALK TO YOU FOR A MOMENT? 954 00:38:45,924 --> 00:38:47,025 SURE. NO PROBLEM. 955 00:38:47,058 --> 00:38:49,395 MAYBE MY FIANCÉ'S SOBERED UP BY NOW. 956 00:38:49,428 --> 00:38:51,830 [CHUCKLES] 957 00:38:51,863 --> 00:38:53,365 SO IT TURNS OUT THAT I HAVE SOMETHING 958 00:38:53,399 --> 00:38:54,366 TO GIVE YOU. 959 00:38:54,400 --> 00:38:56,402 WHAT IS IT? 960 00:39:00,539 --> 00:39:01,840 JASON WROTE THIS. 961 00:39:03,074 --> 00:39:04,042 IT'S HIS HANDWRITING. 962 00:39:05,677 --> 00:39:07,078 HOW IS THIS POSSIBLE? 963 00:39:07,112 --> 00:39:10,048 IT'S A LITTLE HARD TO EXPLAIN, 964 00:39:10,081 --> 00:39:11,850 BUT THE IMPORTANT THING 965 00:39:11,883 --> 00:39:13,885 IS THAT JASON WANTED YOU TO HAVE IT. 966 00:39:13,919 --> 00:39:15,587 I DON'T DESERVE IT. 967 00:39:15,621 --> 00:39:17,923 JASON IS THE ONE WHO ACCOMPLISHED EVERYTHING. 968 00:39:17,956 --> 00:39:20,158 I NEVER DID ANYTHING. 969 00:39:20,191 --> 00:39:21,159 Jason: NO, THAT'S NOT TRUE. 970 00:39:21,192 --> 00:39:23,529 THAT'S NOT TRUE. 971 00:39:23,562 --> 00:39:27,399 SHE LOOKED AT ME AND SAW ME... 972 00:39:29,000 --> 00:39:31,169 AND NOT JUST A KID IN A WHEELCHAIR. 973 00:39:31,202 --> 00:39:32,804 DO YOU REMEMBER ALL THE REALLY GOOD THINGS 974 00:39:32,838 --> 00:39:34,072 THAT YOU SAID YOU SAW IN JASON? 975 00:39:36,007 --> 00:39:37,543 HE FELT THAT. 976 00:39:38,744 --> 00:39:40,946 HE CHERISHED IT. 977 00:39:40,979 --> 00:39:43,982 AND HE WOULDN'T HAVE BEEN ABLE TO... 978 00:39:44,015 --> 00:39:46,151 LIVE AS MUCH IF IT WEREN'T FOR YOU. 979 00:39:48,887 --> 00:39:51,657 TELL HER TO LOOK AT THE BOTTOM OF THE LIST. 980 00:39:51,690 --> 00:39:52,558 OH, YEAH. 981 00:39:52,591 --> 00:39:54,426 YOU SHOULD LOOK AT THE BOTTOM OF THE LIST. 982 00:39:57,228 --> 00:39:58,129 [ALYSSA SNIFFS] 983 00:40:09,040 --> 00:40:11,677 I WASN'T EVEN SURE I WANTED TO COME TO THIS REUNION. 984 00:40:11,710 --> 00:40:13,645 [LAUGHING] 985 00:40:13,679 --> 00:40:15,013 THANK YOU. 986 00:40:21,487 --> 00:40:22,554 SO... 987 00:40:22,588 --> 00:40:24,823 YOU GUYS READY TO CROSS OVER NOW? 988 00:40:26,257 --> 00:40:27,459 WELL, YOU KNOW, 989 00:40:27,493 --> 00:40:29,695 THEY'RE ABOUT TO PRESENT AWARDS NEXT, 990 00:40:29,728 --> 00:40:31,763 MAYBE-- MAYBE WE'LL GET 991 00:40:31,797 --> 00:40:33,732 "TRAVELED FURTHEST TO BE HERE." 992 00:40:33,765 --> 00:40:35,467 [ALL LAUGH] 993 00:40:37,268 --> 00:40:38,203 JEEZ. 994 00:40:41,907 --> 00:40:44,209 ARE YOU AS SCARED TO GO INTO THAT 995 00:40:44,242 --> 00:40:45,176 AS I AM? 996 00:40:46,812 --> 00:40:48,714 UH... 997 00:40:48,747 --> 00:40:50,115 YEAH. 998 00:40:51,850 --> 00:40:53,585 YOU DON'T HAVE TO BE SCARED. 999 00:40:53,619 --> 00:40:54,920 BUT WHAT IF I DON'T GET IT RIGHT? 1000 00:40:54,953 --> 00:40:56,087 NOT POSSIBLE. 1001 00:40:58,056 --> 00:41:00,526 THERE'S NO WAY YOU COULD GET IT WRONG, SO... 1002 00:41:03,795 --> 00:41:06,932 OH...LET'S... 1003 00:41:06,965 --> 00:41:10,001 LET'S GO LIVE A LITTLE. 1004 00:41:10,035 --> 00:41:11,469 LET IT ALL GO. 1005 00:41:25,884 --> 00:41:31,289 Man: * CAN YOU TELL ME HOW WE GOT IN THIS SITUATION? * 1006 00:41:31,322 --> 00:41:32,290 SO WAS HAROLD HAPPY 1007 00:41:32,323 --> 00:41:34,292 TO HAVE HIS MISSING BODY BACK? 1008 00:41:34,325 --> 00:41:36,194 HE WAS. AND HE DIDN'T EVEN ASK 1009 00:41:36,227 --> 00:41:38,564 WHY THE DEAD GUY WAS WEARING A SUIT. 1010 00:41:38,597 --> 00:41:39,798 THE ESTATE SALE WORKED OUT WELL. 1011 00:41:39,831 --> 00:41:42,834 HEY, HAVE YOU EVER HEARD OF HAIR JEWELRY? 1012 00:41:42,868 --> 00:41:44,069 YEAH, IT'S A LITTLE BIT OF A SCAM. 1013 00:41:44,102 --> 00:41:45,236 OH. 1014 00:41:47,706 --> 00:41:49,074 WHAT? 1015 00:42:02,120 --> 00:42:04,022 WOW. 1016 00:42:04,055 --> 00:42:05,190 IF YOU WON'T GO TO COFFEE, 1017 00:42:05,223 --> 00:42:06,592 THE COFFEE WILL COME TO YOU. 1018 00:42:06,625 --> 00:42:08,093 HE'LL STAY OUT THERE ALL DAY. 1019 00:42:08,126 --> 00:42:09,761 BELIEVE ME, HE WILL. 1020 00:42:09,795 --> 00:42:12,197 YEAH, MAYBE YOU SHOULD JUST GO OUT THERE 1021 00:42:12,230 --> 00:42:13,665 AND GET IT OVER WITH. 1022 00:42:13,699 --> 00:42:15,734 * WE'RE ONLY HUMAN 1023 00:42:15,767 --> 00:42:22,874 * IS THERE ANY OTHER REASON WHY WE STAY INSTEAD OF LEAVING? * 1024 00:42:22,908 --> 00:42:25,777 * IF YOU FEEL I'M LETTING GO * 1025 00:42:25,811 --> 00:42:29,648 * JUST GIVE ME A SIGN 1026 00:42:29,681 --> 00:42:34,886 * I'LL COME RUNNING TO YOUR SIDE * 1027 00:42:42,093 --> 00:42:47,899 * CAN YOU TELL ME HOW WE GOT IN THIS SITUATION? * 1028 00:42:47,933 --> 00:42:52,137 * I CAN'T SEEM TO GET YOU OFF MY MIND *