1 00:00:01,001 --> 00:00:03,971 TUBE SOCKS OR CREW SOCKS? 2 00:00:04,038 --> 00:00:06,640 WHAT ARE WE IN THE MOOD FOR TONIGHT? 3 00:00:06,707 --> 00:00:08,976 WHY ARE WE USING THE ROYAL WE? 4 00:00:09,043 --> 00:00:10,978 I WONDER IF THE POST OFFICE 5 00:00:11,045 --> 00:00:13,981 KEEP RECORDS OF PEOPLE'S ADDRESS CHANGES. 6 00:00:14,048 --> 00:00:16,417 I MEAN, DETECTIVES TRACK PEOPLE DOWN. HOW DO THEY DO IT? 7 00:00:16,484 --> 00:00:17,685 ALL RIGHT, IT'S OFFICIAL. 8 00:00:17,751 --> 00:00:19,887 I'VE BEEN ON THE NIGHT SHIFT TOO LONG. 9 00:00:19,953 --> 00:00:22,656 WE'RE TALKING TO OURSELVES LIKE THE OTHER ONE'S NOT THERE. 10 00:00:22,723 --> 00:00:24,358 I'M SORRY. DID YOU SAY SOMETHING? 11 00:00:24,425 --> 00:00:25,859 [SIGHS] 12 00:00:25,926 --> 00:00:27,595 WHAT'D YOU SAY ABOUT A DETECTIVE? 13 00:00:27,661 --> 00:00:28,729 SOMETHIN' ABOUT YOUR DAD? 14 00:00:28,796 --> 00:00:30,731 YEAH. I CAN'T TRACK HIM DOWN ANYWHERE. 15 00:00:30,798 --> 00:00:34,168 UNTIL I DO, I WON'T KNOW HOW HE LIVED ALL THESE YEARS. 16 00:00:34,235 --> 00:00:36,070 OR HOW HE DIED. 17 00:00:36,137 --> 00:00:37,805 WELL, MAYBE HE'LL FIND YOU... 18 00:00:37,871 --> 00:00:40,141 LIKE HE FOUND YOU IN THAT DREAM. 19 00:00:40,208 --> 00:00:42,243 HMM. I COULD SURE USE HIS HELP. 20 00:00:42,310 --> 00:00:43,644 WHAT FOR? 21 00:00:43,711 --> 00:00:46,780 WELL, YOU KNOW THAT GHOST I WAS TELLING YOU ABOUT, 22 00:00:46,847 --> 00:00:48,816 THE ONE AT THE CITY HALL ARCHIVES? 23 00:00:48,882 --> 00:00:50,851 YEAH, THE ONE WHO ACTS LIKE HE'S GUARDIN' THE PLACE. 24 00:00:50,918 --> 00:00:53,387 YEAH, HE MADE ALL THOSE WEIRD THREATS ABOUT, 25 00:00:53,454 --> 00:00:55,956 YOU KNOW, THERE BEING ANGRY SPIRITS DOWN THERE 26 00:00:56,023 --> 00:00:57,891 AND SOME SERIOUS DARKNESS IN GRANDVIEW. 27 00:00:59,260 --> 00:01:01,695 ALL RIGHT, WAIT A MINUTE. 28 00:01:01,762 --> 00:01:05,166 YOU'RE NOT REALLY WORRIED ABOUT US, LIKE WE'RE IN DANGER? 29 00:01:05,233 --> 00:01:08,068 DEFINITELY NOT WITH JIM CLANCY OUT THERE IN HIS UNIFORM, SO... 30 00:01:08,136 --> 00:01:09,637 HEY. EASY. [LAUGHS] 31 00:01:09,703 --> 00:01:14,408 GO TO WORK AND DON'T COME BACK UNTIL PEOPLE ARE HEALTHY AND SAFE. 32 00:01:14,475 --> 00:01:15,409 GO TO WORK. 33 00:01:15,476 --> 00:01:17,311 [SIGHS] SLEEP WELL. 34 00:01:48,876 --> 00:01:51,545 HEY, AL, THERE'S A CLEAR MIRROR OVER HERE. 35 00:01:51,612 --> 00:01:53,514 YEAH. THANKS. 36 00:02:00,087 --> 00:02:02,089 Girl: SEE YA. 37 00:02:08,061 --> 00:02:08,996 [DING] 38 00:02:11,365 --> 00:02:12,333 [DING] 39 00:02:15,336 --> 00:02:16,470 [DING] 40 00:02:16,537 --> 00:02:17,905 [DING] 41 00:02:17,971 --> 00:02:19,106 [DING] 42 00:02:19,173 --> 00:02:20,474 [DING] 43 00:02:20,541 --> 00:02:21,709 [RAPID CLANGING] NO. 44 00:02:26,914 --> 00:02:28,582 NO! 45 00:02:32,085 --> 00:02:33,020 HEY. 46 00:02:33,086 --> 00:02:34,021 OH. HI. 47 00:02:34,087 --> 00:02:35,656 THEY TOLD ME YOU'D BE UP HERE. 48 00:02:35,723 --> 00:02:37,791 ARE YOU READY FOR BREAKFAST? I'M BUYING. 49 00:02:37,858 --> 00:02:40,361 THANKS, BUT CAN I SHOW YOU SOMETHING FIRST? 50 00:02:40,428 --> 00:02:41,762 YEAH, SURE. WHAT IS IT? 51 00:02:41,829 --> 00:02:43,964 LOOK, WE BROUGHT THIS GIRL IN WITH, UH, 52 00:02:44,031 --> 00:02:46,567 AMINO ACID CATECHOLAMINES FLOODING HER NEURALS, 53 00:02:46,634 --> 00:02:49,703 AND THAT RESULT WAS ACUTE CATATONIA. 54 00:02:49,770 --> 00:02:52,506 THAT WOULD HAVE BEEN REALLY INTERESTING HAD IT BEEN IN ENGLISH. 55 00:02:52,573 --> 00:02:54,808 [SIGHS] BUT SEE, IT SOUNDS A LITTLE CRAZY 56 00:02:54,875 --> 00:02:56,377 TO SAY IN ENGLISH THAT I THINK-- 57 00:02:56,444 --> 00:02:59,913 I THINK THIS GIRL WAS ALMOST SCARED TO DEATH. 58 00:02:59,980 --> 00:03:01,415 HOW? 59 00:03:01,482 --> 00:03:03,417 WASHING HER FACE IN A BATHROOM. 60 00:03:03,484 --> 00:03:05,853 ALL RIGHT, ACCORDING TO ONE OF HER FRIENDS, 61 00:03:05,919 --> 00:03:07,488 BEFORE SHE LOST CONSCIOUSNESS, 62 00:03:07,555 --> 00:03:08,889 THE LAST WORDS OUT OF HER MOUTH 63 00:03:08,956 --> 00:03:10,691 WERE, "BLOODY MARY." 64 00:03:10,758 --> 00:03:12,092 BLOODY MARY? LIKE THE DRINK? 65 00:03:12,159 --> 00:03:14,662 NO, LIKE BLOODY MARY, THE GHOST. 66 00:03:14,728 --> 00:03:17,765 OH, YOU MEAN BLOODY MARY, THE URBAN MYTH. 67 00:03:17,831 --> 00:03:18,799 I DON'T KNOW. 68 00:03:18,866 --> 00:03:21,335 YOU'RE THE EXPERT. YOU TELL ME. 69 00:03:21,402 --> 00:03:22,970 [MONITOR BEEPING] 70 00:03:31,745 --> 00:03:33,747 Voice: Can you see us? 71 00:04:05,245 --> 00:04:06,880 WHAT REALLY HAPPENED? 72 00:04:06,947 --> 00:04:08,048 NOBODY SAW. 73 00:04:08,115 --> 00:04:09,783 THEY'RE GONNA RUN TESTS, 74 00:04:09,850 --> 00:04:11,218 BUT THE TOX SCREENS COULD TAKE DAYS. 75 00:04:11,285 --> 00:04:13,086 I MEAN, LOOK AT HER FACE. 76 00:04:14,655 --> 00:04:15,689 SOMETHIN' SCARED HER. 77 00:04:18,759 --> 00:04:20,794 BLOODY MARY. 78 00:04:20,861 --> 00:04:22,930 WHAT'S THE LEGEND AGAIN? 79 00:04:22,996 --> 00:04:24,632 WELL, YOU'D STAND IN A FRONT OF A MIRROR, 80 00:04:24,698 --> 00:04:25,933 YOU CALL OUT HER NAME, "BLOODY MARY," 81 00:04:25,999 --> 00:04:27,000 TURN AROUND A FEW TIMES, 82 00:04:27,067 --> 00:04:28,702 AND THEN SHE COMES THROUGH THE MIRROR 83 00:04:28,769 --> 00:04:30,604 AND SCARES YOU TO DEATH. 84 00:04:30,671 --> 00:04:32,172 HEY... 85 00:04:33,273 --> 00:04:35,142 WHAT DO YOU THINK? 86 00:04:35,208 --> 00:04:37,378 [MONITOR BEEPING] 87 00:04:41,449 --> 00:04:44,151 I DON'T KNOW WHAT TO THINK. 88 00:04:44,217 --> 00:04:46,354 TELL ME EVERYTHING YOU KNOW ABOUT BLOODY MARY. 89 00:04:46,420 --> 00:04:48,856 ARE YOU KIDDING ME? YOU'RE, LIKE, THE 100th PERSON 90 00:04:48,922 --> 00:04:50,791 THAT'S ASKED ME ABOUT BLOODY MARY TODAY. 91 00:04:50,858 --> 00:04:52,393 ALL RIGHT. WELL, NEWS TRAVELS FAST. 92 00:04:52,460 --> 00:04:53,461 YEAH, ALL OVER CAMPUS. 93 00:04:53,527 --> 00:04:54,795 IT'S LIKE A FULL-BLOWN MANIA. 94 00:04:54,862 --> 00:04:56,830 I HAVE STUDENTS CLAMORING TO GET 95 00:04:56,897 --> 00:04:58,298 INTO MY CLASS, AND I HAVE OFFERED 96 00:04:58,366 --> 00:04:59,567 A LITTLE EXTRA CREDIT FOR ANYONE 97 00:04:59,633 --> 00:05:00,834 THAT DOES THE BLOODY MARY RITUAL, 98 00:05:00,901 --> 00:05:02,403 AND THE FIRST KID THAT DIES, 99 00:05:02,470 --> 00:05:03,671 I'M GIVING AN AUTOMATIC "A." 100 00:05:03,737 --> 00:05:05,806 WELL, THAT'S A LITTLE GHOULISH, DON'T YOU THINK? 101 00:05:05,873 --> 00:05:07,240 NAH. I'M JUST RIDING THE CYBERWAVE. 102 00:05:07,307 --> 00:05:09,142 CYBERWAVE? WHAT'S A CYBERWAVE? 103 00:05:09,209 --> 00:05:11,244 OK, I KNOW YOU LIVE IN THE WORLD OF ANTIQUES 104 00:05:11,311 --> 00:05:13,547 AND DEAD THINGS AND DEAD PEOPLE, BUT US, 105 00:05:13,614 --> 00:05:15,416 NORMAL PEOPLE THAT LIVE IN THE LAND OF THE LIVING, 106 00:05:15,483 --> 00:05:17,551 WE HAVE THIS LITTLE INVENTION THAT WE LIKE TO CALL... 107 00:05:17,618 --> 00:05:20,654 READY? TA-DA! THE INTERNET. 108 00:05:20,721 --> 00:05:22,656 AND BLOODY MARY IS ALL OVER IT. 109 00:05:23,991 --> 00:05:25,993 WAIT. SO THERE ARE WHOLE SITES 110 00:05:26,059 --> 00:05:28,195 DEVOTED TO ONE URBAN MYTH? 111 00:05:28,261 --> 00:05:29,663 OH, YEAH. THERE'S BLOODY MARY SITES 112 00:05:29,730 --> 00:05:31,331 ALL OVER THE WORLD. 113 00:05:31,399 --> 00:05:33,634 WHATEVER AREA THE MYTH TAKES PLACE IN, 114 00:05:33,701 --> 00:05:35,903 WELL, YOU CHANGE THE MYTH TO FIT LOCAL LORE. 115 00:05:35,969 --> 00:05:37,838 SO WHAT'S THE ROCKLAND U. VERSION? 116 00:05:37,905 --> 00:05:39,272 WELL, IT STARTS THE USUAL WAY. 117 00:05:39,339 --> 00:05:40,708 YOU LOOK INTO A MIRROR. YOU SAY HER NAME 118 00:05:40,774 --> 00:05:42,776 A FEW TIMES OVER AND OVER AND OVER AGAIN, 119 00:05:42,843 --> 00:05:43,877 AND THEN ALL OF A SUDDEN, 120 00:05:43,944 --> 00:05:45,446 BLOODY MARY APPEARS BEHIND YOU. VERY SCARY. 121 00:05:45,513 --> 00:05:47,448 BUT THEN HERE'S WHERE THE ROCKLAND U. STUDENTS, 122 00:05:47,515 --> 00:05:51,419 WHO I NORMALLY MOCK BECAUSE THEIR BRAINS ARE TINY, MUSHY, AND UNFORMED, 123 00:05:51,485 --> 00:05:52,586 THEY GOT VERY CREATIVE ON ME. 124 00:05:52,653 --> 00:05:54,522 ACCORDING TO RUBLOODYMARY.COM, 125 00:05:54,588 --> 00:05:56,857 YOU GO INTO SOME SORT OF SUSPENDED STATE 126 00:05:56,924 --> 00:05:59,026 WHERE YOU--YOU CAN'T TALK, YOU CAN'T MOVE 127 00:05:59,092 --> 00:06:01,261 FOR ABOUT 4 DAYS, AND DAY AFTER DAY, 128 00:06:01,328 --> 00:06:03,731 MARY APPEARS TO YOU UNTIL YOU GO MAD, 129 00:06:03,797 --> 00:06:05,833 AND THEN ON THE FOURTH DAY, YOU DIE. YOU'RE DEAD. 130 00:06:05,899 --> 00:06:07,535 AND THIS IS WHAT THEY THINK WILL HAPPEN 131 00:06:07,601 --> 00:06:08,802 TO THE GIRL WHO COLLAPSED YESTERDAY? 132 00:06:10,170 --> 00:06:11,839 WELL, HERE'S A HINT. 133 00:06:11,905 --> 00:06:14,508 [COUNTDOWN BEEPING SECONDS] 134 00:06:24,585 --> 00:06:25,886 [MONITOR BEEPING] 135 00:06:25,953 --> 00:06:27,555 HI. EXCUSE ME. 136 00:06:27,621 --> 00:06:29,289 MY NAME IS MELINDA. 137 00:06:29,356 --> 00:06:32,325 I'M SO SORRY TO HEAR ABOUT ALLISON. 138 00:06:32,392 --> 00:06:33,627 COULD I TALK TO YOU GUYS FOR A SECOND? 139 00:06:33,694 --> 00:06:35,563 UH, WHO ARE YOU? 140 00:06:35,629 --> 00:06:38,499 M-MY HUSBAND IS THE PARAMEDIC WHO BROUGHT HER IN. 141 00:06:39,633 --> 00:06:42,470 OK. WHAT DO YOU WANNA KNOW? 142 00:06:42,536 --> 00:06:44,938 WELL, ANYTHING THAT YOU CAN REMEMBER. 143 00:06:46,574 --> 00:06:48,809 DID SOMEBODY HEAR HER SAY, "BLOODY MARY," 144 00:06:48,876 --> 00:06:50,544 RIGHT BEFORE SHE LOST CONSCIOUSNESS? 145 00:06:50,611 --> 00:06:53,847 UM, WELL, WE WEREN'T THERE, 146 00:06:53,914 --> 00:06:56,183 SO WE DON'T KNOW ANYTHING. 147 00:06:56,249 --> 00:06:59,487 WE JUST CAME WHEN WE HEARD THAT ALLISON, 148 00:06:59,553 --> 00:07:00,888 UM, THAT SHE-- SHE GOT SICK. 149 00:07:00,954 --> 00:07:03,356 WELL, YOU CAN TALK TO ME. I'M NOT ONE OF THE POLICE, 150 00:07:03,423 --> 00:07:05,092 AND I DON'T WORK FOR THE UNIVERSITY, SO... 151 00:07:05,158 --> 00:07:07,160 BUT WE DON'T HAVE ANYTHING TO SAY. 152 00:07:07,227 --> 00:07:09,563 WE WEREN'T THERE, SO WE DON'T REALLY KNOW. 153 00:07:09,630 --> 00:07:10,731 SHE HEARD THE NOISE. 154 00:07:12,600 --> 00:07:13,667 WHAT NOISE? 155 00:07:20,407 --> 00:07:24,177 UM, I KNOW THAT THIS MAY SOUND STRANGE, 156 00:07:24,244 --> 00:07:28,081 BUT IF YOU'RE SCARED OF, WELL, ANYTHING, 157 00:07:28,148 --> 00:07:30,518 I THINK THAT I MIGHT BE ABLE TO HELP YOU, 158 00:07:30,584 --> 00:07:33,320 BUT YOU HAVE TO HELP ME. I NEED TO KNOW MORE 159 00:07:33,386 --> 00:07:37,324 ABOUT ALLISON, LIKE DID ANYONE AROUND HER DIE RECENTLY, 160 00:07:37,390 --> 00:07:39,359 LIKE FAMILY OR CLOSE FRIENDS? 161 00:07:39,426 --> 00:07:40,460 WHAT DOES THAT HAVE TO DO WITH ANYTHING? 162 00:07:40,528 --> 00:07:42,930 THAT'S HARD TO EXPLAIN. 163 00:07:42,996 --> 00:07:44,532 OK, I DON'T MEAN TO BE RUDE, 164 00:07:44,598 --> 00:07:46,266 BUT UNLESS YOU'RE A DOCTOR OR A FAMILY MEMBER, 165 00:07:46,333 --> 00:07:47,467 YOU NEED TO LEAVE US ALONE. 166 00:07:50,070 --> 00:07:53,907 [DOOR OPENS, CLOSES] 167 00:07:53,974 --> 00:07:56,610 OK, SEE, THAT IS THE THING ABOUT BLOODY MARY. 168 00:07:56,677 --> 00:07:57,811 THERE ARE SO MANY LEGENDS 169 00:07:57,878 --> 00:08:00,514 THAT YOU CAN HAVE 2 IN ONE TOWN. 170 00:08:00,581 --> 00:08:02,249 SO THERE'S THE ROCKLAND U. VERSION, 171 00:08:02,315 --> 00:08:04,317 AND NOW THERE'S A GRANDVIEW VERSION ALSO? 172 00:08:04,384 --> 00:08:06,086 YES, BUT TECHNICALLY THE ROCKLAND UNIVERSITY VERSION 173 00:08:06,153 --> 00:08:08,355 DERIVES FROM THE TOWN VERSION. 174 00:08:08,421 --> 00:08:10,724 I MEAN, THAT-- THAT'S WHY MY STUDENTS WENT SO CRAZY. 175 00:08:10,791 --> 00:08:12,793 WHEN THEY FOUND OUT THEY HAD THEIR OWN LOCAL GHOST, 176 00:08:12,860 --> 00:08:14,862 I MEAN, THEY-- ARE YOU SURE YOU DON'T WANNA LIGHT CANDLES? 177 00:08:14,928 --> 00:08:16,897 THIS STORY IS WAY BETTER WITH ATMOSPHERE. 178 00:08:16,964 --> 00:08:18,465 POSITIVE. 179 00:08:18,532 --> 00:08:19,900 IT WOULD GO A LOT BETTER WITH YOUR NEW DECOR. 180 00:08:19,967 --> 00:08:21,234 GET TO IT. IT'S KIND OF DARK. 181 00:08:21,301 --> 00:08:23,436 OK, UH, LOOK. MARY LIVED IN GRANDVIEW 182 00:08:23,503 --> 00:08:24,605 ABOUT 150 YEARS AGO. 183 00:08:24,672 --> 00:08:26,774 SHE WAS A TEENAGER, SHE GOT A DISEASE, 184 00:08:26,840 --> 00:08:27,941 AND SHE GOES TO THE DOCTOR 185 00:08:28,008 --> 00:08:29,977 AFTER SLIPPING INTO A COMA. 186 00:08:30,043 --> 00:08:31,779 THE DOCTOR DECLARES HER DEAD. YOU KNOW WHERE THIS IS GOING? 187 00:08:31,845 --> 00:08:32,946 TO THE END OF THE STORY. 188 00:08:33,013 --> 00:08:35,448 ANYWAY, MARY GOES INTO THE GROUND, 189 00:08:35,515 --> 00:08:36,550 AND THEY TIE A STRING AROUND HER HAND, 190 00:08:36,617 --> 00:08:38,318 RUNS UP TO THE SURFACE, WHICH IS ATTACHED 191 00:08:38,385 --> 00:08:40,453 TO A BELL ON TOP OF THE GROUND. 192 00:08:40,520 --> 00:08:42,756 THAT WAY, IF SHE EVER WAKES UP 'CAUSE SHE'S NOT REALLY DEAD, 193 00:08:42,823 --> 00:08:43,957 THEN SHE-- A DEAD RINGER. 194 00:08:44,024 --> 00:08:46,059 MMM. MELINDA GORDON, YOU LISTEN. 195 00:08:46,126 --> 00:08:48,495 I LIKE THAT ABOUT YOU. OK. SO, 196 00:08:48,562 --> 00:08:50,964 MARY'S PARENTS ARE SO GRIEF-STRICKEN, 197 00:08:51,031 --> 00:08:52,499 THEY REALLY TIE ONE ON THAT NIGHT, 198 00:08:52,566 --> 00:08:54,501 AND I DON'T MEAN TIE ONE ON LIKE A STRING AROUND THE HAND. 199 00:08:54,568 --> 00:08:55,569 THEY GET HAMMERED. 200 00:08:55,636 --> 00:08:57,304 WHEN THEY WAKE UP THE NEXT MORNING, 201 00:08:57,370 --> 00:08:59,339 THEY LOOK AT THE BELL. THEY SEE THAT THE BELL IS-- 202 00:08:59,406 --> 00:09:01,508 AS THE KIDS SAY-- OFF THE HOOK. 203 00:09:01,575 --> 00:09:03,043 HUH? WHAT ARE THEY GONNA DO? 204 00:09:03,110 --> 00:09:05,145 THEY HAVE TO DIG HER BACK UP. THEY OPEN THE COFFIN LID. 205 00:09:05,212 --> 00:09:06,647 EXCEPT NOW IT'S WAY TOO LATE. 206 00:09:06,714 --> 00:09:07,848 SHE'S REALLY, REALLY DEAD. 207 00:09:07,915 --> 00:09:09,583 AND GET THIS. ON THE INSIDE OF THE COFFIN, 208 00:09:09,650 --> 00:09:12,219 THERE'S BLOODY SCRATCH MARKS INSIDE THE COFFIN LID. 209 00:09:12,285 --> 00:09:15,088 THAT'S IT? YOU JUST GO BACK TO YOUR I.M.ing? 210 00:09:15,155 --> 00:09:16,256 YOU'RE LIKE MY STUDENTS. 211 00:09:16,323 --> 00:09:18,091 OK. SO THEN IT ALL MAKES SENSE. 212 00:09:18,158 --> 00:09:19,893 ALL THE BLOGS STARTED OUT BY SAYING 213 00:09:19,960 --> 00:09:22,429 THAT A BELL WOULD RING AND THEN BLOODY MARY WOULD APPEAR, 214 00:09:22,495 --> 00:09:24,732 WHICH MUST BE WHAT ALLISON'S FRIEND IN THE HOSPITAL MEANT 215 00:09:24,798 --> 00:09:26,399 WHEN SHE SAID THAT ALLISON HEARD A NOISE. 216 00:09:26,466 --> 00:09:29,002 IPSO GHOSTO, YOU SEEM TO BE SAYING. 217 00:09:29,069 --> 00:09:30,237 OK, SO I DO AGREE THAT IT MIGHT 218 00:09:30,303 --> 00:09:31,805 HAVE SOMETHING TO DO WITH A GHOST. 219 00:09:31,872 --> 00:09:33,907 I DID SEE SOMETHING IN ALLISON'S HOSPITAL ROOM, 220 00:09:33,974 --> 00:09:36,744 BUT I DEFINITELY DON'T THINK IT HAS ANYTHING TO DO WITH BLOODY MARY. 221 00:09:36,810 --> 00:09:39,847 WHY WOULD A CENTURY-OLD GHOST SHOW UP AND TERRORIZE COEDS? 222 00:09:39,913 --> 00:09:42,082 MAYBE SHE WAS TIRED OF GETTING HER BELL RUNG. 223 00:09:42,149 --> 00:09:47,320 WHATEVER IS OR ISN'T HAUNTING ALLISON IS ABOUT HER, 224 00:09:47,387 --> 00:09:49,723 BUT I-I'M NOT GONNA KNOW WHAT SHE SAW UNTIL SHE WAKES UP. 225 00:09:49,790 --> 00:09:51,524 YOU MEAN IF SHE WAKES UP. 226 00:09:51,591 --> 00:09:54,695 THAT MYTH DOES NOT PROVE THAT ANYTHING IS GONNA HAPPEN. 227 00:09:57,631 --> 00:09:59,366 JEN, YOU GOTTA GET REAL. 228 00:09:59,432 --> 00:10:01,268 IF PEOPLE ARE DUMB ENOUGH TO BELIEVE IN GHOSTS, 229 00:10:01,334 --> 00:10:02,836 THEN GUESS WHAT. YOU KNOW, IT'S LIKE THEY DESERVE 230 00:10:02,903 --> 00:10:04,972 TO GET SCARED OUT OF THEIR MINDS. 231 00:10:05,038 --> 00:10:06,239 IT'S LIKE THEY BASICALLY ASKED FOR IT. 232 00:10:06,306 --> 00:10:08,976 ALLISON DID NOT ASK FOR THAT. 233 00:10:09,042 --> 00:10:10,978 SHE'S NOT IN A COMA 'CAUSE SHE SAW BLOODY MARY. 234 00:10:11,044 --> 00:10:13,080 PLEASE, WOULD YOU PLEASE NOT SAY THAT NAME? 235 00:10:13,146 --> 00:10:15,548 JEN. 236 00:10:15,615 --> 00:10:17,350 COME ON. 237 00:10:31,264 --> 00:10:33,200 [GASPS] 238 00:10:46,246 --> 00:10:47,180 [GASPS] 239 00:10:58,692 --> 00:11:01,161 [CLANK] 240 00:11:01,228 --> 00:11:02,395 [CART CLANKING] 241 00:11:11,671 --> 00:11:13,173 [ELEVATOR DINGS] [GASPS] 242 00:11:20,647 --> 00:11:22,515 [DING] 243 00:11:23,917 --> 00:11:25,318 [DING] 244 00:11:26,754 --> 00:11:27,955 [DING] 245 00:11:28,021 --> 00:11:29,222 [DING] 246 00:11:29,289 --> 00:11:31,458 [RAPID CLANGING] NO. 247 00:11:31,524 --> 00:11:33,093 PLEASE DON'T DO THIS. 248 00:11:33,160 --> 00:11:36,329 PLEASE DON'T! 249 00:11:40,333 --> 00:11:42,269 [CHATTER] 250 00:11:50,210 --> 00:11:51,979 Rick: HEY, UH, I'M NOT AN EXPERT ON THIS, BUT I'M PRETTY SURE 251 00:11:52,045 --> 00:11:54,047 THAT'S WHAT I WOULD LOOK LIKE IF I SAW A GHOST. 252 00:11:54,114 --> 00:11:55,515 HOW DID YOU HEAR ABOUT THIS SO FAST? 253 00:11:55,582 --> 00:11:56,950 I MEAN, IS IT ALREADY ON THE NET? 254 00:11:57,017 --> 00:11:58,351 I CAME BACK TO MY OFFICE, AND YOU KNOW ME. 255 00:11:58,418 --> 00:12:00,320 I HEAR AN AMBULANCE, I COME RUNNING. 256 00:12:00,387 --> 00:12:03,723 I'M PRETTY SURE YOU TOLD ME THIS WOULDN'T HAPPEN AGAIN, NO? 257 00:12:03,791 --> 00:12:05,458 YEAH, JUST SHOW ME WHERE IT HAPPENED? 258 00:12:05,525 --> 00:12:07,060 [SIREN] 259 00:12:07,127 --> 00:12:08,962 I'M PAID TO BE A SKEPTIC. 260 00:12:09,029 --> 00:12:10,964 I'M JUST RUNNING OUT OF REASONS TO DOUBT THE MYTH. 261 00:12:11,031 --> 00:12:12,199 WELL, HERE'S A REASON. 262 00:12:12,265 --> 00:12:13,901 I SEE GHOSTS. OTHER PEOPLE DON'T. 263 00:12:13,967 --> 00:12:15,602 OK, BUT YOU'RE FORGETTING ABOUT THE ONE ELEMENT 264 00:12:15,668 --> 00:12:17,871 THAT RUNS THROUGH ALL VERSIONS OF THE MYTH, AND THAT'S THE MIRRORS. 265 00:12:17,938 --> 00:12:19,406 I'M NOT FORGETTING IT. I'M IGNORING IT-- 266 00:12:19,472 --> 00:12:20,841 THE BELL, THE REST OF IT. 267 00:12:20,908 --> 00:12:22,275 IT ALL MAKES A GOOD STORY. IT DOESN'T MAKE IT REAL. 268 00:12:22,342 --> 00:12:25,846 EXCUSE ME. SIR, THAT CAR IS BEING EXAMINED BY CAMPUS SECURITY. 269 00:12:25,913 --> 00:12:27,347 IT'S OK. I'M-- I'M RICK PAYNE, 270 00:12:27,414 --> 00:12:28,782 ANTHROPOLOGY OF THE OCCULT. 271 00:12:28,849 --> 00:12:30,317 I'LL TAKE IT FROM HERE. 272 00:12:30,383 --> 00:12:31,952 [ELEVATOR DINGS] 273 00:12:32,019 --> 00:12:34,021 WHERE ARE WE GOING? THIS IS IT.WE'RE HERE. 274 00:12:34,087 --> 00:12:35,688 THIS IS WHERE JENNA WAS FOUND. AND WHILE WE'RE ON THE SUBJECT 275 00:12:35,755 --> 00:12:36,957 OF THINGS YOU DON'T KNOW, 276 00:12:37,024 --> 00:12:39,626 LET ME GIVE YOU MY CONDENSED LECTURE ON MIRRORS 277 00:12:39,692 --> 00:12:41,661 AND THEIR PLACE THROUGHOUT HISTORY AND THE SUPERNATURAL. 278 00:12:41,728 --> 00:12:42,930 LIKE THE FIRST QUEEN ELIZABETH, 279 00:12:42,996 --> 00:12:44,164 SHE HAD HER OWN PERSONAL MAGICIAN 280 00:12:44,231 --> 00:12:45,999 WHO WOULD USE A MIRROR TO DESCRIBE THE FUTURE. 281 00:12:46,066 --> 00:12:48,035 AND THE GREEKS. DON'T EVEN GET ME STARTED ON THE GREEKS. 282 00:12:48,101 --> 00:12:49,569 UH, THIS IS THE CONDENSED VERSION? 283 00:12:49,636 --> 00:12:51,972 YES, BUT YOU JUST MADE IT A LITTLE BIT LONGER. 284 00:12:52,039 --> 00:12:54,241 THE GREEKS THOUGHT THAT ANY REFLECTIVE SURFACE WOULD DO. 285 00:12:54,307 --> 00:12:56,609 THEY EVEN BELIEVE THAT UNSUSPECTING, UH, SOULS 286 00:12:56,676 --> 00:12:58,946 COULD BE PULLED UNDERWATER BY EVIL SPIRITS 287 00:12:59,012 --> 00:13:01,148 LURKING UNDERNEATH THE WATER. WHY? 288 00:13:01,214 --> 00:13:03,016 DID YOU JUST DO A FLOURISH? 289 00:13:03,083 --> 00:13:04,852 I GUESS I DID. I'LL TELL YOU WHY. 290 00:13:04,918 --> 00:13:06,686 BECAUSE CULTURES THROUGHOUT SPACE AND TIME 291 00:13:06,753 --> 00:13:08,989 HAVE ALWAYS BELIEVED THAT MIRRORS ARE, UH, 292 00:13:09,056 --> 00:13:11,959 SORT OF A VEIL BETWEEN OUR WORLD AND OTHERS. 293 00:13:12,025 --> 00:13:14,127 UH, A PORTAL, IF YOU WILL. 294 00:13:14,194 --> 00:13:18,298 OK, SO LET'S SAY THAT BLOODY MARY USES MIRRORS AS PORTALS. 295 00:13:18,365 --> 00:13:21,201 ONE PROBLEM. WHERE'S THE MIRROR IN HERE? 296 00:13:24,938 --> 00:13:26,173 [DING] 297 00:13:29,877 --> 00:13:31,879 SAVED BY THE BELL. 298 00:13:31,945 --> 00:13:33,646 WOW. 299 00:13:33,713 --> 00:13:36,716 OK, WHO'S OPENING WHOSE MIND NOW? 300 00:13:36,783 --> 00:13:37,951 WHO YOU GONNA CALL THE NEXT TIME 301 00:13:38,018 --> 00:13:39,319 YOU HAVE A GHOST PLUGGIN' UP YOUR WORKS? 302 00:13:39,386 --> 00:13:42,422 WHO I SHOULD HAVE CALLED ALL ALONG. 303 00:13:42,489 --> 00:13:45,258 OK, WE COULD DO THIS FACE TO FACE, 304 00:13:45,325 --> 00:13:47,660 BUT MIRRORS ARE YOUR THING. 305 00:13:49,762 --> 00:13:51,464 [SIGHS] 306 00:13:51,531 --> 00:13:53,300 BLOODY MARY. 307 00:13:57,004 --> 00:13:58,805 BLOODY MARY. 308 00:14:00,173 --> 00:14:02,442 BLOODY MARY. 309 00:14:02,509 --> 00:14:03,443 [GASPS] 310 00:14:10,083 --> 00:14:11,084 [DING] 311 00:14:11,151 --> 00:14:14,821 MEL, ARE YOU DOWN HERE? 312 00:14:14,888 --> 00:14:17,124 HEY, WHAT DO YOU WANNA DO 313 00:14:17,190 --> 00:14:18,791 WITH THIS GREAT ART NOUVEAU CLOCK? 314 00:14:18,858 --> 00:14:20,127 [CLOCK DINGS] ARE YOU OK? 315 00:14:20,193 --> 00:14:22,295 YOU LOOK LIKE YOU JUST SAW A-- 316 00:14:22,362 --> 00:14:24,597 NOTHING. NOPE. DIDN'T SEE A THING. 317 00:14:33,506 --> 00:14:35,008 I THOUGHT SO. 318 00:14:35,075 --> 00:14:36,343 YOU WERE CALLING HER, 319 00:14:36,409 --> 00:14:39,346 WEREN'T YOU, THAT GHOST OF BLOODY MARY? 320 00:14:39,412 --> 00:14:40,880 HOW DO YOU KNOW ABOUT HER? 321 00:14:40,948 --> 00:14:42,782 ARE YOU KIDDING? EVERY TIME I GO TO CHECK MY E-MAIL, 322 00:14:42,849 --> 00:14:44,985 MY SON'S GOT THE BROWSER ON THAT PAGE. 323 00:14:45,052 --> 00:14:46,453 ALL HIS FRIENDS ARE INTO IT. 324 00:14:46,519 --> 00:14:47,820 IT'S ALL SO RIDICULOUS. 325 00:14:47,887 --> 00:14:49,056 WHY DO THESE KIDS WANNA DO THIS? 326 00:14:49,122 --> 00:14:51,058 WHAT, SCARE THEMSELVES? 327 00:14:51,124 --> 00:14:53,126 JUST LIKE GOIN' ON A ROLLER COASTER, I GUESS. 328 00:14:53,193 --> 00:14:54,827 YOU HAVE TO FACE SOMETHING THAT FEELS LIKE DEATH, 329 00:14:54,894 --> 00:14:56,563 YOU COME OUT THE OTHER SIDE, 330 00:14:56,629 --> 00:14:58,365 AND THEN SUDDENLY YOU FEEL SO ALIVE. 331 00:14:58,431 --> 00:15:00,333 HA! I FOUND YOU! YOU WERE LYING. 332 00:15:00,400 --> 00:15:01,334 WHAT? 333 00:15:01,401 --> 00:15:02,702 WELL, IT'S A COMMENT PAGE. 334 00:15:02,769 --> 00:15:04,537 THEY'RE ALL TALKING ABOUT WHAT HAPPENED TO JENNA. 335 00:15:04,604 --> 00:15:05,905 LOOK AT WHAT THIS PERSON SAYS. 336 00:15:05,973 --> 00:15:07,574 "STOP IT. YOU PEOPLE ARE MAKING IT WORSE. 337 00:15:07,640 --> 00:15:09,609 "WHO ELSE HAS TO GET HURT 338 00:15:09,676 --> 00:15:11,078 BEFORE YOU LEARN?" SIGNED "S.A." 339 00:15:11,144 --> 00:15:13,947 NOW IF I GO TO JENNA'S WEBPAGE, 340 00:15:14,014 --> 00:15:15,048 CHECK OUT HER B.F.F.s. 341 00:15:15,115 --> 00:15:17,217 ALLISON, SOME GIRL NAMED CLAIRE, 342 00:15:17,284 --> 00:15:19,252 AND SLOANE ALEXANDER, THE FRIEND FROM THE HOSPITAL, 343 00:15:19,319 --> 00:15:22,455 WHO TOLD ME SHE DIDN'T KNOW ANYTHING ABOUT BLOODY MARY. 344 00:15:22,522 --> 00:15:23,923 AND HERE'S SLOANE'S WEBSITE. 345 00:15:25,625 --> 00:15:28,428 WHOA. DID YOU SEE THAT? 346 00:15:28,495 --> 00:15:30,063 SEE WHAT? 347 00:15:30,130 --> 00:15:32,399 I GOTTA GET DOWN THERE. 348 00:15:49,082 --> 00:15:50,817 [KNOCKS] 349 00:15:51,918 --> 00:15:54,287 YEAH? WHO-- 350 00:15:55,822 --> 00:15:57,557 IT'S YOU. 351 00:16:02,829 --> 00:16:04,497 THIS IS GONNA SOUND STRANGE, 352 00:16:04,564 --> 00:16:07,900 BUT I KNOW A FEW THINGS ABOUT GHOSTS. 353 00:16:10,137 --> 00:16:11,538 YOU'RE NOT LAUGHING. 354 00:16:12,805 --> 00:16:15,275 I'M SO SORRY. I'M NOT USED TO THAT. 355 00:16:15,342 --> 00:16:17,344 I HAVE 2 FRIENDS IN THE HOSPITAL. I'M PROBABLY NEXT. 356 00:16:17,410 --> 00:16:19,279 YOU WERE SAYING? 357 00:16:19,346 --> 00:16:21,581 OK. WELL, FIRST OF ALL, 358 00:16:21,648 --> 00:16:23,783 MOST OF THE THINGS THAT PEOPLE ARE SAYING 359 00:16:23,850 --> 00:16:25,452 ABOUT BLOODY MARY ARE VERY UNLIKELY. 360 00:16:25,518 --> 00:16:26,886 ANCIENT SPIRITS DON'T USUALLY 361 00:16:26,953 --> 00:16:28,888 JUMP OUT OF MIRRORS AND TRY TO KILL PEOPLE. 362 00:16:28,955 --> 00:16:31,624 NUMBER 2, GHOSTS CAN SCARE YOU, 363 00:16:31,691 --> 00:16:34,861 BUT THEY CAN'T DO MORE THAN THAT UNLESS YOU LET THEM. 364 00:16:36,329 --> 00:16:37,897 WE CAN STOP THIS TOGETHER, 365 00:16:37,964 --> 00:16:40,400 BUT YOU HAVE TO HELP ME FIGURE OUT WHO SHE IS 366 00:16:40,467 --> 00:16:42,869 AND--AND WHY SHE WOULD WANNA DO THIS TO YOU. 367 00:16:42,935 --> 00:16:45,438 FOR A SECOND THERE, I ACTUALLY BELIEVED YOU. 368 00:16:45,505 --> 00:16:48,241 I ACTUALLY THOUGHT I MIGHT BE OK. 369 00:16:48,308 --> 00:16:49,442 YOU WILL BE OK. 370 00:16:49,509 --> 00:16:52,079 YOU JUST HAVE TO HELP ME FIND THE CONNECTION. 371 00:16:52,145 --> 00:16:54,114 WHY SHOULD I HELP YOU? 372 00:16:54,181 --> 00:16:56,049 YOU DON'T KNOW WHAT YOU'RE TALKING ABOUT. 373 00:16:56,116 --> 00:16:58,251 YOU'RE WRONG ABOUT EVERYTHING. 374 00:16:58,318 --> 00:17:01,254 THE LEGEND IS ALL TRUE, EVERY DETAIL. 375 00:17:01,321 --> 00:17:03,990 YOU CALL BLOODY MARY, YOU HEAR THE BELL, 376 00:17:04,057 --> 00:17:06,993 SHE COMES THROUGH THE MIRROR, AND THEN YOU DIE. 377 00:17:07,060 --> 00:17:09,696 YEAH, BUT NO ONE HAS DIED. IT'S JUST A STORY. 378 00:17:09,762 --> 00:17:13,066 YOU'RE WRONG. RACHEL DIED. I WAS THERE WHEN IT HAPPENED. 379 00:17:13,133 --> 00:17:16,002 RACHEL? WHO'S RACHEL? 380 00:17:17,770 --> 00:17:20,707 SHE WAS ONE OF JENNA'S SUITEMATES. 381 00:17:21,774 --> 00:17:23,042 JUST BEFORE SEMESTER BREAK, 382 00:17:23,110 --> 00:17:25,712 WE WERE TALKING ABOUT BLOGS AND STUFF, 383 00:17:25,778 --> 00:17:28,047 WHAT KIDS WERE SAYING ABOUT BLOODY MARY. 384 00:17:28,115 --> 00:17:29,048 SHE'S REAL. 385 00:17:29,116 --> 00:17:31,684 ALLISON, THOUGH, SHE WAS, LIKE, OBSESSED, 386 00:17:31,751 --> 00:17:34,387 ESPECIALLY WHEN SHE HEARD THAT THE REAL BLOODY MARY 387 00:17:34,454 --> 00:17:36,323 HAD ACTUALLY LIVED IN GRANDVIEW 388 00:17:36,389 --> 00:17:38,658 AND HER PARENTS WERE FOUNDERS OF THE COLLEGE. 389 00:17:38,725 --> 00:17:40,827 AND ALLISON SWORE A ROOMMATE OF HER EX-BOYFRIEND'S 390 00:17:40,893 --> 00:17:42,195 HAD ACTUALLY SEEN THE GHOST. 391 00:17:42,262 --> 00:17:44,364 AND WHEN HE LOOKED UP IN THE MIRROR, 392 00:17:44,431 --> 00:17:48,901 BLOODY MARY WAS, LIKE, STARING RIGHT BACK AT HIM. 393 00:17:48,968 --> 00:17:51,504 SHUT UP. YOU ARE SUCH A LIAR. 394 00:17:51,571 --> 00:17:52,839 Allison: I SWEAR IT. 395 00:17:52,905 --> 00:17:53,840 PROVE IT. 396 00:17:56,943 --> 00:17:57,977 I DARE YOU. 397 00:17:59,112 --> 00:18:00,680 GO ON. 398 00:18:00,747 --> 00:18:03,082 Allison: YOU GO DO IT. 399 00:18:03,150 --> 00:18:04,251 ARE YOU KIDDING ME? 400 00:18:04,317 --> 00:18:06,219 I'LL DO IT. 401 00:18:23,570 --> 00:18:25,838 WE WERE KIND OF IMPRESSED, ACTUALLY. 402 00:18:25,905 --> 00:18:27,407 GOOD LUCK. 403 00:18:27,474 --> 00:18:30,410 RACHEL WAS THE ONLY ONE WHO HAD THE GUTS. 404 00:18:30,477 --> 00:18:34,414 THE REST OF US COULDN'T GET OUT OF THE BATHROOM FAST ENOUGH. 405 00:18:37,450 --> 00:18:39,252 [SIGHS] 406 00:18:51,231 --> 00:18:52,332 BLOODY MARY. 407 00:18:55,268 --> 00:18:57,003 BLOODY MARY. 408 00:19:00,240 --> 00:19:02,342 BLOODY MARY. 409 00:19:06,813 --> 00:19:09,949 [DING] 410 00:19:10,016 --> 00:19:12,652 [DING] 411 00:19:12,719 --> 00:19:14,221 [DING] 412 00:19:14,287 --> 00:19:15,222 [GASPING] 413 00:19:15,288 --> 00:19:17,224 [RAPID CLANGING] 414 00:19:18,825 --> 00:19:20,427 [GASPING] 415 00:19:32,872 --> 00:19:36,776 RACHEL WENT INTO A COMA, AND 4 DAYS LATER, SHE DIED. 416 00:19:37,877 --> 00:19:39,746 I'VE NEVER HEARD ANY OF THIS. 417 00:19:39,812 --> 00:19:41,348 WELL, IT WAS LAST SPRING, 418 00:19:41,414 --> 00:19:43,583 AND THE UNIVERSITY DOESN'T EXACTLY ADVERTISE 419 00:19:43,650 --> 00:19:45,918 UNEXPLAINED DEATHS ON CAMPUS. 420 00:19:45,985 --> 00:19:49,589 FOR A WHILE, PEOPLE THOUGHT MAYBE IT WAS A DRUG OVERDOSE. 421 00:19:49,656 --> 00:19:51,491 BUT YOU KNEW BETTER. 422 00:19:51,558 --> 00:19:52,825 WE WERE SO SCARED. 423 00:19:52,892 --> 00:19:56,095 WE MADE A PACT TO NEVER TELL ANYONE HOW IT HAPPENED, 424 00:19:56,162 --> 00:19:58,665 BUT THEN WHEN WE CAME BACK AFTER SEMESTER BREAK, 425 00:19:58,731 --> 00:20:02,001 ALL THIS WEIRD STUFF STARTED TO HAPPEN. 426 00:20:02,068 --> 00:20:06,473 IT WAS LIKE MARY KNEW WE WERE BACK... 427 00:20:06,539 --> 00:20:09,476 LIKE SHE WAS WATCHING US. 428 00:20:09,542 --> 00:20:11,177 THERE WERE ALL THESE WEIRD NOISES. 429 00:20:11,244 --> 00:20:13,946 THERE WAS STUFF WE THOUGHT WE WERE SEEING IN MIRRORS. 430 00:20:14,013 --> 00:20:15,582 AND YOU THINK ALL THIS HAPPENED 431 00:20:15,648 --> 00:20:17,517 BECAUSE YOU CALLED OUT A GHOST'S NAME? 432 00:20:17,584 --> 00:20:19,986 WELL, RACHEL CALLED HER, BUT IT WAS OUR IDEA, 433 00:20:20,052 --> 00:20:23,290 AND NOW MARY'S COMING FOR EVERYONE THERE WHO HELPED TO WAKE HER UP. 434 00:20:23,356 --> 00:20:25,224 LOOK, I UNDERSTAND HOW YOU FEEL-- 435 00:20:25,292 --> 00:20:27,427 NO, YOU DON'T. YOU DON'T UNDERSTAND ANYTHING. 436 00:20:29,262 --> 00:20:31,264 OK, MAYBE I DON'T. 437 00:20:33,400 --> 00:20:35,435 BUT WILL YOU AT LEAST LET ME HELP YOU? 438 00:20:35,502 --> 00:20:38,137 YOU DON'T HAVE TO DO THIS ALONE. 439 00:20:38,204 --> 00:20:39,772 NO, IT'S TOO LATE NOW. 440 00:20:39,839 --> 00:20:41,741 MY BEST FRIENDS ARE GONE, AND I'M PROBABLY NEXT, 441 00:20:41,808 --> 00:20:44,444 AND ANYONE I TOLD WOULD THINK I WAS NUTS. 442 00:20:44,511 --> 00:20:46,479 SLOANE, PLEASE DON'T DO THIS. 443 00:20:46,546 --> 00:20:48,581 I'M SORRY. I NEED YOU TO GO. 444 00:20:51,050 --> 00:20:52,719 OK, WELL, IF YOU CHANGE YOUR MIND-- 445 00:21:09,436 --> 00:21:11,704 [MASKING TAPE RIPS] 446 00:21:17,710 --> 00:21:20,046 GOOD MORNING. HEY. 447 00:21:20,112 --> 00:21:23,483 HEY, YOU KNOW, IT TURNS OUT 448 00:21:23,550 --> 00:21:24,917 EVERYTHING SLOANE TOLD YOU ABOUT RACHEL CHECKS OUT. 449 00:21:24,984 --> 00:21:26,919 SHE WAS PICKED UP IN KIRKFIELD HALL, 450 00:21:26,986 --> 00:21:29,389 UNRESPONSIVE, TRANSFERRED TO MERCY, 451 00:21:29,456 --> 00:21:32,024 DECLARED COMATOSE, AND SHE DIED 4 DAYS LATER. 452 00:21:32,091 --> 00:21:33,926 SO WHAT WAS THE CAUSE OF DEATH? 453 00:21:33,993 --> 00:21:36,829 COMPLICATIONS FROM HEART FAILURE. 454 00:21:36,896 --> 00:21:40,266 IS IT REALLY POSSIBLE TO BE SCARED TO DEATH? 455 00:21:40,333 --> 00:21:41,901 YEAH, SURE, IF IT'S BAD ENOUGH. 456 00:21:41,968 --> 00:21:44,837 YOU GET THIS FLOOD OF CHEMICALS TO YOUR HEART, 457 00:21:44,904 --> 00:21:47,073 CREATES A SHOCK SOME PEOPLE CAN'T SURVIVE. 458 00:21:49,208 --> 00:21:50,510 [COUNTDOWN BEEPING SECONDS] 459 00:21:50,577 --> 00:21:51,844 AW, THAT'S JUST DELIGHTFUL. 460 00:21:51,911 --> 00:21:53,045 OH, IT GETS WORSE. 461 00:21:56,383 --> 00:21:58,951 LOOK, ALSO, MY BUDDY AT THE HOSPITAL TOLD ME 462 00:21:59,018 --> 00:22:01,554 JENNA IS SHOWING EXACTLY THE SAME SYMPTOMS AS ALLISON, 463 00:22:01,621 --> 00:22:03,089 JUST A DAY LATER. 464 00:22:03,155 --> 00:22:05,958 WE HAVEN'T HAD A SINGLE TEST POSITIVE FOR ANY MEDICAL CAUSE 465 00:22:06,025 --> 00:22:07,059 FOR THEIR CATATONIC STATES. 466 00:22:07,126 --> 00:22:09,128 WELL, ALL THE RUMORS ONLINE ARE GETTING CRAZY. 467 00:22:09,195 --> 00:22:11,731 IT'S LIKE THIS THING HAS A LIFE OF ITS OWN. 468 00:22:11,798 --> 00:22:14,133 OH, BABE, I DON'T WANT TO TELL YOU YOUR JOB. 469 00:22:14,200 --> 00:22:15,167 I WON'T DO THAT. 470 00:22:15,234 --> 00:22:17,269 BUT WE GOT THE 2 GIRLS IN THE HOSPITAL. 471 00:22:17,336 --> 00:22:18,671 THEY'RE SERIOUS. THERE'S NO OTHER EXPLANATION. 472 00:22:18,738 --> 00:22:20,540 IS IT POSSIBLE IT COULD BE THE MYTH? 473 00:22:20,607 --> 00:22:21,541 YES. 474 00:22:21,608 --> 00:22:23,410 YES, OF COURSE. ANYTHING IS POSSIBLE, 475 00:22:23,476 --> 00:22:26,212 AND IF ANYTHING, MY JOB HAS TAUGHT ME THAT, 476 00:22:26,278 --> 00:22:28,548 BUT I'M SORRY. I DON'T BELIEVE IT. 477 00:22:28,615 --> 00:22:30,617 YOU DON'T BELIEVE IT, OR YOU DON'T WANT TO? 478 00:22:30,683 --> 00:22:31,784 WHAT DOES THAT MEAN? 479 00:22:31,851 --> 00:22:33,453 ALL IT MEANS IS IF IT'S TRUE, 480 00:22:33,520 --> 00:22:36,956 THERE'S A WHOLE LOT MORE TO THIS GHOST WORLD THAN YOU GOT A HANDLE ON. 481 00:22:37,023 --> 00:22:38,625 YOU KNOW, IF IT'S TRUE, MAYBE YOUR-- 482 00:22:38,691 --> 00:22:41,628 YOUR GHOST DOWN IN THE ARCHIVES IS TELLIN' THE TRUTH. 483 00:22:41,694 --> 00:22:44,897 WHAT, THAT THERE'S SOME KIND OF DARKNESS IN GRANDVIEW? 484 00:22:44,964 --> 00:22:46,999 YEAH. 485 00:22:49,268 --> 00:22:51,203 [TYPING] 486 00:22:54,106 --> 00:22:55,107 HEY. 487 00:22:55,174 --> 00:22:57,644 REMEMBER ME? 488 00:22:57,710 --> 00:23:00,747 I NEED TO DO SOME RESEARCH ON A GIRL WHO MIGHT HAVE BEEN BURIED-- 489 00:23:00,813 --> 00:23:02,882 DON'T TELL ME. BLOODY MARY. 490 00:23:02,949 --> 00:23:05,184 WELL, IF THAT'S ACTUALLY WHO SHE WAS, THEN YES. 491 00:23:05,251 --> 00:23:08,020 FOR THE 10,000th TIME TODAY, 492 00:23:08,087 --> 00:23:10,690 THERE ARE NO SUCH RECORDS I KNOW OF, 493 00:23:10,757 --> 00:23:12,825 SO KINDLY LOOK ELSEWHERE. 494 00:23:12,892 --> 00:23:14,461 UM, NO. 495 00:23:14,527 --> 00:23:15,495 NO? 496 00:23:15,562 --> 00:23:17,997 NO. THIS IS PUBLIC PROPERTY. 497 00:23:18,064 --> 00:23:20,433 THOSE ARE PUBLIC RECORDS, AND I AM THE PUBLIC, 498 00:23:20,500 --> 00:23:22,334 SO UNLESS YOU WANNA DECLARE MARTIAL LAW, 499 00:23:22,401 --> 00:23:23,936 I'M GONNA BE GOING THIS WAY. 500 00:23:46,025 --> 00:23:47,359 YOU'RE PLUCKY. 501 00:23:47,426 --> 00:23:49,261 YOU'RE GUTSY. 502 00:23:49,328 --> 00:23:51,097 THOSE ARE EXCELLENT TRAITS 503 00:23:51,163 --> 00:23:53,265 IN A PERSON WHO WANTS TO GET BADLY HURT. 504 00:23:53,332 --> 00:23:54,534 YEAH, YOU TOLD ME THAT BEFORE. 505 00:23:54,601 --> 00:23:56,636 NOW, YOU HEARD WHAT I JUST SAID TO THE ARCHIVIST. 506 00:23:56,703 --> 00:23:57,904 WHAT DO YOU WANNA TELL ME? 507 00:23:57,970 --> 00:24:00,840 YOU CAN'T JUST LEAVE THE DEAD TO REST, CAN YOU? 508 00:24:00,907 --> 00:24:03,543 I'LL LET THEM REST WHEN THEY LET ME REST. 509 00:24:03,610 --> 00:24:05,344 DO YOU KNOW SOMETHING OR NOT? 510 00:24:05,411 --> 00:24:07,246 SHE'S REAL... 511 00:24:07,313 --> 00:24:09,582 BUT NOT EVERYTHING YOU'VE HEARD IS TRUE. 512 00:24:09,649 --> 00:24:12,151 SOME OF THE MOST... 513 00:24:12,218 --> 00:24:14,286 INTERESTING DETAILS ARE MISSING. 514 00:24:14,353 --> 00:24:15,988 SUCH AS? 515 00:24:16,055 --> 00:24:17,590 WELL, I'M SURE YOU'VE HEARD 516 00:24:17,657 --> 00:24:19,859 THAT THE DOCTOR WRONGLY PRONOUNCED MARY DEAD, 517 00:24:19,926 --> 00:24:22,428 BUT DO YOU KNOW WHO THE DOCTOR WAS? 518 00:24:23,830 --> 00:24:25,097 IT WAS MARY'S OWN FATHER. 519 00:24:25,164 --> 00:24:27,700 THEY LIVED IN THE BIG HOUSE ON OAK SHADOW LANE. 520 00:24:27,767 --> 00:24:29,235 IT'S EMPTY NOW, BUT IT WAS ONCE 521 00:24:29,301 --> 00:24:31,203 THE HOME OF DR. HORACE MUMFORD, 522 00:24:31,270 --> 00:24:34,306 HIS WIFE, AND THEIR ONLY CHILD, MARY. 523 00:24:34,373 --> 00:24:36,809 POOR MARY HAD DIPHTHERIA, 524 00:24:36,876 --> 00:24:39,445 WHICH WAS INCURABLE IN THOSE DAYS, 525 00:24:39,512 --> 00:24:41,480 NOT TO MENTION EXTREMELY CONTAGIOUS. 526 00:24:41,548 --> 00:24:45,417 DR. MUMFORD FELT THEY HAD TO BURY HIS DAUGHTER RIGHT AWAY. 527 00:24:54,927 --> 00:24:57,329 WITH THE CHANCE THAT THE BELL MIGHT RING, 528 00:24:57,396 --> 00:24:59,465 MARY'S MOTHER WOULD NOT LEAVE THE GRAVE. 529 00:24:59,532 --> 00:25:02,001 WELL, THE GOOD DOCTOR KNEW THAT SHE WOULD DIE 530 00:25:02,068 --> 00:25:04,070 OF EXPOSURE IF SHE DIDN'T COME INSIDE. 531 00:25:05,271 --> 00:25:08,107 LUCKILY, HE HAD SOME MORPHINE. 532 00:25:24,056 --> 00:25:25,992 [RINGING] 533 00:25:38,404 --> 00:25:40,239 WELL, YOU KNOW THE REST. 534 00:25:40,306 --> 00:25:42,575 BY THE TIME THEY GOT TO MARY, 535 00:25:42,642 --> 00:25:44,744 SHE WAS DEAD... 536 00:25:44,811 --> 00:25:47,179 BY THE DOCTOR'S OWN HAND. 537 00:25:47,246 --> 00:25:49,015 YOU'RE RIGHT. I SHOULDN'T HAVE ASKED. 538 00:25:49,081 --> 00:25:50,016 WAIT. 539 00:25:50,082 --> 00:25:53,485 YOU'LL MISS THE BEST PART. 540 00:25:53,552 --> 00:25:57,990 YOU SEE, WHEN THEY FINALLY GOT MARY UP, HER HANDS WERE SO... 541 00:25:58,057 --> 00:26:00,426 BLOODY, THEY MISSED IT AT FIRST. 542 00:26:04,664 --> 00:26:06,565 MARY'S NAILS WERE GONE. 543 00:26:08,668 --> 00:26:12,504 THEY WERE STUCK IN THE LID OF THE COFFIN. 544 00:26:23,149 --> 00:26:26,919 MARY. ARE YOU HERE? 545 00:26:28,420 --> 00:26:31,123 I JUST WANNA TALK TO YOU. 546 00:26:32,659 --> 00:26:35,427 DON'T YOU WANNA TALK TO SOMEONE AFTER ALL THESE YEARS? 547 00:26:35,494 --> 00:26:37,029 [CELL PHONE RINGS] [GASPS] 548 00:26:37,096 --> 00:26:40,466 [SIGHS] [RING] 549 00:26:40,532 --> 00:26:41,768 HELLO? 550 00:26:41,834 --> 00:26:43,569 ARE YOU CATATONIC YET? 551 00:26:43,636 --> 00:26:44,871 AH, PRACTICALLY. 552 00:26:44,937 --> 00:26:47,406 I WAS WONDERING IF YOU WERE EVER GONNA CALL ME BACK. 553 00:26:47,473 --> 00:26:48,607 DID YOU GET ME IN? 554 00:26:48,675 --> 00:26:49,876 WELL, AS IT TURNS OUT, 555 00:26:49,942 --> 00:26:51,543 BLOODY MARY'S ANCESTRAL HOME 556 00:26:51,610 --> 00:26:54,480 IS ONE OF GRANDVIEW'S REGISTERED HISTORIC BUILDINGS, 557 00:26:54,546 --> 00:26:55,982 AND THE PRESERVATION SOCIETY IS RUN 558 00:26:56,048 --> 00:26:57,750 BY THE CHAIR OF OUR ARCHITECTURE SCHOOL, 559 00:26:57,817 --> 00:27:01,320 WHO IS A VERY BAD POKER PLAYER, AND HE OWES ME $138. 560 00:27:01,387 --> 00:27:05,224 BY THE WAY, THE COMBINATION TO THE KEY BOX IS K-E-Y. 561 00:27:05,291 --> 00:27:07,559 SO I GUESS NOW I OWE YOU A FAVOR. 562 00:27:07,626 --> 00:27:09,528 YEAH, AND $138. 563 00:27:23,442 --> 00:27:24,744 [DOOR CREAKING] 564 00:27:27,246 --> 00:27:28,514 MARY. 565 00:27:46,866 --> 00:27:49,401 WHY WON'T YOU SHOW YOURSELF? 566 00:27:54,406 --> 00:27:55,674 I KNOW YOU'RE HERE. 567 00:27:58,477 --> 00:28:01,513 I KNOW THAT WE'VE BEEN IN THE SAME ROOM BEFORE. 568 00:28:12,358 --> 00:28:15,795 OK. IF THESE ARE THE RULES... 569 00:28:17,263 --> 00:28:19,431 BLOODY MARY. 570 00:28:21,200 --> 00:28:22,634 BLOODY MARY. 571 00:28:25,437 --> 00:28:26,806 BLOODY MARY. 572 00:28:46,092 --> 00:28:47,093 [DINGING] 573 00:28:53,399 --> 00:28:55,301 DO YOU KNOW WHAT HAPPENED TO YOU? 574 00:28:55,367 --> 00:28:57,770 DO YOU KNOW WHY YOU'RE HERE? 575 00:28:58,971 --> 00:29:01,007 WHY AREN'T YOU LOOKING AT ME? 576 00:29:04,410 --> 00:29:06,345 [SCREAM] 577 00:29:13,385 --> 00:29:15,121 I DON'T BELIEVE IT. YOU-- 578 00:29:15,187 --> 00:29:18,057 YOU ACTUALLY SAW BLOODY MARY, THE-- THE REAL THING? 579 00:29:18,124 --> 00:29:19,926 WELL, I DON'T KNOW IF I BELIEVE IT EITHER. 580 00:29:19,992 --> 00:29:21,593 I MEAN, I WAS AT HER FAMILY HOME. 581 00:29:21,660 --> 00:29:23,262 I SAID HER NAME 3 TIMES. SHE APPEARED. 582 00:29:23,329 --> 00:29:25,097 HER HANDS WERE BLOODY. 583 00:29:25,164 --> 00:29:26,565 BUT WHAT? 584 00:29:26,632 --> 00:29:29,135 SHE HAD ALL HER FINGERNAILS. 585 00:29:29,201 --> 00:29:31,570 MAYBE THE ARCHIVE GHOST GOT HIS FACTS WRONG. 586 00:29:31,637 --> 00:29:33,305 YEAH, MAYBE, BUT THERE'S SOMETHING ELSE. 587 00:29:33,372 --> 00:29:34,740 THE BELL, IT SOUNDED OFF, 588 00:29:34,807 --> 00:29:37,609 YOU KNOW, LIKE IT DIDN'T SOUND LIKE A 100-YEAR-OLD BELL. 589 00:29:37,676 --> 00:29:38,744 WELL, HONEY, I DON'T THINK 590 00:29:38,811 --> 00:29:40,779 CAST-IRON BELL TECHNOLOGY HAS CHANGED MUCH. 591 00:29:40,847 --> 00:29:42,448 NO, IT DIDN'T SOUND REAL. 592 00:29:42,514 --> 00:29:45,117 YOU KNOW, CLIPPED, LIKE-- LIKE IT WAS A RECORDING. 593 00:29:45,184 --> 00:29:47,486 I DON'T THINK THIS IS A CENTURY-OLD GHOST. 594 00:29:47,553 --> 00:29:49,088 ALL RIGHT, YOU'RE BACK TO BELIEVING THE GHOST 595 00:29:49,155 --> 00:29:50,923 IS SOMEONE WHO KNEW THE GIRLS, SOMEONE WHO DIED, 596 00:29:50,990 --> 00:29:52,424 SOMEONE WHO HAD UNFINISHED BUSINESS. 597 00:29:52,491 --> 00:29:54,193 YES. YEP. 598 00:29:54,260 --> 00:29:55,194 NO. 599 00:29:55,261 --> 00:29:56,495 NO. 600 00:29:56,562 --> 00:29:58,297 NOT SOMEONE WHO KNEW THE GIRLS. 601 00:29:58,364 --> 00:29:59,498 ONE OF THE GIRLS. 602 00:29:59,565 --> 00:30:02,368 LOOK, 4 GIRLS PLAYED BLOODY MARY THAT NIGHT. 603 00:30:02,434 --> 00:30:05,371 2 ARE CATATONIC, ONE IS CONVINCED THAT SHE'S NEXT, 604 00:30:05,437 --> 00:30:08,640 BUT ONLY ONE GIRL DIED, THE FIRST ONE, RACHEL. 605 00:30:08,707 --> 00:30:11,143 AH. 606 00:30:11,210 --> 00:30:15,347 Man: YOU'RE SAYING THAT OUR DAUGHTER RACHEL DIED FROM PLAYING WHAT? 607 00:30:15,414 --> 00:30:18,350 WELL, IT'S KIND OF A GHOST STORY 608 00:30:18,417 --> 00:30:22,488 THAT WAS SPREAD AND NOW HAS TAKEN ON A LIFE OF ITS OWN. 609 00:30:22,554 --> 00:30:23,789 I-I'M SORRY. MISS, UH... 610 00:30:23,856 --> 00:30:24,823 MELINDA. 611 00:30:24,891 --> 00:30:26,758 WE SENT OUR DAUGHTER TO COLLEGE. 612 00:30:26,825 --> 00:30:29,028 WE LET HER LIVE IN THE DORM, 613 00:30:29,095 --> 00:30:31,597 EVEN THOUGH WE WERE A HALF-HOUR DRIVE AWAY AND-- 614 00:30:31,663 --> 00:30:33,532 WHICH I KNEW WAS A BIG MISTAKE. 615 00:30:33,599 --> 00:30:34,633 BILL, PLEASE. 616 00:30:34,700 --> 00:30:38,004 AND THE FIRST TIME WE GO TO PICK HER UP... 617 00:30:38,070 --> 00:30:40,672 WE'RE SENT TO A COUNTY MORGUE. 618 00:30:40,739 --> 00:30:43,009 I WOULDN'T ASK YOU TO REMEMBER ANY OF THIS 619 00:30:43,075 --> 00:30:45,344 IF IT WEREN'T FOR HER FRIENDS AT THE HOSPITAL. 620 00:30:45,411 --> 00:30:46,378 THEY NEED YOUR HELP. 621 00:30:46,445 --> 00:30:48,014 WHAT CAN WE DO? 622 00:30:48,080 --> 00:30:50,582 I DON'T KNOW. I WAS HOPING TO FIND OUT 623 00:30:50,649 --> 00:30:52,018 MORE INFORMATION ABOUT THE RELATIONSHIP. 624 00:30:52,084 --> 00:30:54,520 WELL, SHE NEVER MENTIONED ANY OF THOSE NAMES. 625 00:30:54,586 --> 00:30:55,554 JENNA? ALLISON? 626 00:30:55,621 --> 00:30:59,225 NO. RACHEL HAD A HARD TIME MAKING FRIENDS. 627 00:30:59,291 --> 00:31:00,326 AND WHY WAS THAT? 628 00:31:00,392 --> 00:31:02,061 MY WIFE WILL TELL YOU 629 00:31:02,128 --> 00:31:03,930 THAT THAT WAS MY FAULT. 630 00:31:03,996 --> 00:31:05,497 WELL, THAT'S NOT-- 631 00:31:06,832 --> 00:31:09,435 RACHEL WAS DIFFERENT FROM OTHER KIDS. 632 00:31:09,501 --> 00:31:11,270 HOW? HER HEART. 633 00:31:11,337 --> 00:31:13,039 SHE HAD A V.S.D. 634 00:31:13,105 --> 00:31:14,740 IT'S A SEPTAL DEFECT, 635 00:31:14,806 --> 00:31:16,575 A HOLE BETWEEN THE CHAMBERS. 636 00:31:16,642 --> 00:31:18,144 AND SHE KNEW ABOUT THAT? 637 00:31:18,210 --> 00:31:19,979 Bill: FROM THE TIME THAT SHE WAS A CHILD, 638 00:31:20,046 --> 00:31:22,614 WHICH WAS WHY WE COULD NOT ALLOW HER TO PLAY SPORTS. 639 00:31:22,681 --> 00:31:23,849 SHE HAD TO BE HOME-SCHOOLED. 640 00:31:23,916 --> 00:31:24,951 WE TOOK EVERY PRECAUTION. 641 00:31:25,017 --> 00:31:27,119 I DON'T MEAN TO PRY, BUT DID YOUR DAUGHTER 642 00:31:27,186 --> 00:31:28,820 BY ANY CHANCE WEAR A HEART MONITOR? 643 00:31:28,887 --> 00:31:30,990 ABSOLUTELY, 24 HOURS A DAY. 644 00:31:31,057 --> 00:31:32,324 AND HOW DID IT WORK? 645 00:31:32,391 --> 00:31:33,825 WHEN HER HEART GOT TOO STRESSED, 646 00:31:33,892 --> 00:31:35,361 IT WOULD EMIT A SOUND. 647 00:31:35,427 --> 00:31:36,695 WHAT KIND OF SOUND? 648 00:31:36,762 --> 00:31:38,697 YOU KNOW, LIKE AN ALARM. 649 00:31:44,870 --> 00:31:45,804 SLOANE. 650 00:31:51,343 --> 00:31:52,945 WHAT ARE YOU DOING HERE? 651 00:31:54,213 --> 00:31:56,348 I CAN HELP YOU NOW. 652 00:31:56,415 --> 00:31:57,950 IT DOESN'T MATTER. 653 00:31:58,017 --> 00:31:59,618 I'M LEAVING SCHOOL. 654 00:31:59,685 --> 00:32:01,053 MY PARENTS ARE DRIVING FROM MAINE. 655 00:32:01,120 --> 00:32:02,254 THEY'RE PICKING ME UP TOMORROW. 656 00:32:02,321 --> 00:32:04,223 YEAH, BUT YOU DON'T HAVE TO DO THIS. 657 00:32:04,290 --> 00:32:05,958 BLOODY MARY IS NOT AFTER YOU. 658 00:32:06,025 --> 00:32:07,293 THE GHOST IS RACHEL. 659 00:32:08,760 --> 00:32:10,362 WHAT? I CALLED HER. 660 00:32:10,429 --> 00:32:12,198 SHE CAME. I HEARD THE BELL. 661 00:32:12,264 --> 00:32:14,633 I SAW THE BLOODY HANDS. I SAW WHAT JENNA AND ALLISON SAW, 662 00:32:14,700 --> 00:32:16,635 AND I'M STILL HERE TO TALK TO YOU ABOUT IT. 663 00:32:16,702 --> 00:32:18,504 YOU'RE GONNA BE DEAD IN 4 DAYS. 664 00:32:18,570 --> 00:32:21,673 NO. THAT'S HOW LONG RACHEL WAS IN A COMA BEFORE SHE DIED, 665 00:32:21,740 --> 00:32:23,275 AND THERE'S A REASON FOR THAT. 666 00:32:23,342 --> 00:32:24,376 RACHEL HAD A HEART CONDITION, 667 00:32:24,443 --> 00:32:25,844 AND THE EXCITEMENT OR THE FEAR 668 00:32:25,911 --> 00:32:27,946 OR WHATEVER IT IS THAT HAPPENED IN THAT BATHROOM, 669 00:32:28,014 --> 00:32:30,016 IT WAS TOO MUCH FOR HER BODY TO TAKE. 670 00:32:32,484 --> 00:32:34,086 BUT I HEARD THE BELL. 671 00:32:34,153 --> 00:32:36,355 NO, WHAT YOU HEARD WAS HER HEART MONITOR. 672 00:32:36,422 --> 00:32:39,458 SHE HAD A CONDITION, AND THE SCARE IS WHAT KILLED HER. 673 00:32:42,594 --> 00:32:44,763 OH, MY GOD. 674 00:32:44,830 --> 00:32:46,798 THAT'S WHY SHE DID IT. 675 00:32:46,865 --> 00:32:49,601 THAT'S WHY SHE DID WHAT? 676 00:32:49,668 --> 00:32:51,003 THAT'S WHY SHE CAME FOR US. 677 00:32:51,070 --> 00:32:52,604 THAT'S WHY SHE'S SAVING ME FOR LAST. 678 00:32:52,671 --> 00:32:55,707 WHEN ALLISON SAID SHE KNEW SOMEONE WHO'D SEEN BLOODY MARY, 679 00:32:55,774 --> 00:32:58,210 I THOUGHT SHE WAS JUST LYING TO SCARE US, 680 00:32:58,277 --> 00:32:59,911 SO WHY NOT RETURN THE FAVOR? 681 00:32:59,978 --> 00:33:04,550 RIGHT? BUT I FIGURED ALLISON OR JENNA WOULD TAKE THE DARE, BUT... 682 00:33:04,616 --> 00:33:07,319 THEN IT WAS RACHEL. 683 00:33:07,386 --> 00:33:09,055 SHE WAS SO QUIET. 684 00:33:09,121 --> 00:33:10,689 YOU KNOW, I BARELY EVEN KNEW HER, 685 00:33:10,756 --> 00:33:14,026 AND THEN JUST OUT OF NOWHERE, SHE JUST STEPS UP. 686 00:33:22,301 --> 00:33:23,469 [SHUDDERS] 687 00:33:27,005 --> 00:33:29,408 OK, I'M BORED ALREADY. I'M GONNA GO TO BED. 688 00:33:29,475 --> 00:33:30,909 WHATEVER. 689 00:33:30,976 --> 00:33:32,344 WHATEVER. 690 00:33:32,411 --> 00:33:34,146 BLOODY MARY. 691 00:33:36,682 --> 00:33:38,284 BLOODY MARY. 692 00:33:41,253 --> 00:33:44,123 [GASPING] 693 00:33:44,190 --> 00:33:45,857 BLOODY MARY. 694 00:33:47,093 --> 00:33:49,161 [DING] 695 00:33:49,228 --> 00:33:51,730 [DING] 696 00:33:51,797 --> 00:33:53,365 [GASPING] [DING] 697 00:33:54,700 --> 00:33:57,336 [RAPID CLANGING] 698 00:34:05,944 --> 00:34:08,013 [DING] 699 00:34:10,182 --> 00:34:13,119 ALLISON AND JENNA DIDN'T EVEN KNOW WHAT I'D DONE. 700 00:34:13,185 --> 00:34:17,189 BUT I DIDN'T-- I DIDN'T MEAN TO HURT ANYONE. 701 00:34:17,256 --> 00:34:19,391 YEAH, BUT RACHEL DIDN'T KNOW THAT. 702 00:34:19,458 --> 00:34:21,527 SO I DID THIS. 703 00:34:21,593 --> 00:34:22,528 I KILLED HER. 704 00:34:22,594 --> 00:34:25,131 IT WAS AN ACCIDENT, AND I KNOW THAT, 705 00:34:25,197 --> 00:34:27,199 BUT WE HAVE TO MAKE SURE THAT RACHEL KNOWS THAT. 706 00:34:27,266 --> 00:34:28,634 SHE NEEDS YOUR HELP TO MOVE ON. 707 00:34:30,936 --> 00:34:32,304 YOU SAY THAT LIKE... 708 00:34:34,906 --> 00:34:36,142 IS SHE HERE? 709 00:34:36,208 --> 00:34:39,044 NO, BUT I THINK I KNOW WHERE SHE MIGHT BE. 710 00:34:39,111 --> 00:34:41,280 WHERE DID IT HAPPEN? IN THE HALL BATHROOM. 711 00:34:43,449 --> 00:34:45,784 COME ON. 712 00:34:45,851 --> 00:34:47,819 SLOANE. 713 00:34:47,886 --> 00:34:49,855 I CAN'T. 714 00:34:56,895 --> 00:34:59,097 RACHEL... 715 00:34:59,165 --> 00:35:01,733 I KNOW WHO YOU ARE 716 00:35:01,800 --> 00:35:03,902 AND HOW YOU DIED. 717 00:35:03,969 --> 00:35:05,971 [HEADPHONES] * FOREVER YOURS * 718 00:35:06,037 --> 00:35:08,174 * ALWAYS * 719 00:35:08,240 --> 00:35:10,409 * FOREVER YOURS * 720 00:35:10,476 --> 00:35:12,678 * ALWAYS * 721 00:35:12,744 --> 00:35:14,246 * FOREVER YOURS * 722 00:35:14,313 --> 00:35:16,815 * ALWAYS * 723 00:35:16,882 --> 00:35:18,750 * FOREVER YOURS... * 724 00:35:18,817 --> 00:35:21,287 [WATER RUSHING] 725 00:35:26,258 --> 00:35:28,960 PLEASE LET ME HELP YOU. 726 00:35:30,896 --> 00:35:32,564 * FOREVER YOURS * 727 00:35:32,631 --> 00:35:35,000 * ALWAYS * 728 00:35:35,066 --> 00:35:36,502 * FOREVER YOURS * 729 00:35:36,568 --> 00:35:39,004 * FOREVER YOURS * 730 00:35:39,070 --> 00:35:40,339 * FOREVER YOURS * 731 00:35:40,406 --> 00:35:43,409 * ALWAYS * 732 00:35:43,475 --> 00:35:44,876 * FOREVER YOURS * 733 00:35:44,943 --> 00:35:47,112 * FOREVER YOURS * 734 00:35:47,179 --> 00:35:49,114 * FOREVER YOURS * 735 00:35:49,181 --> 00:35:51,250 * ALWAYS * 736 00:35:58,290 --> 00:36:00,259 * FOREVER YOURS * 737 00:36:00,326 --> 00:36:02,661 *FOREVER YOURS * 738 00:36:04,796 --> 00:36:06,798 Melinda: RACHEL, STOP IT. STOP IT! 739 00:36:06,865 --> 00:36:07,933 THEY KILLED ME. 740 00:36:07,999 --> 00:36:09,435 YOU TOOK A DARE THAT WENT WRONG. 741 00:36:09,501 --> 00:36:10,569 THAT'S WHAT HAPPENED. 742 00:36:10,636 --> 00:36:12,170 LEFT FOR DEAD... 743 00:36:12,238 --> 00:36:13,539 BY YOU. 744 00:36:13,605 --> 00:36:16,642 SLOANE DIDN'T KNOW THAT YOU WERE GONNA TAKE THAT DARE. 745 00:36:16,708 --> 00:36:18,244 NONE OF THEM DID. YOU HAVE TO FORGIVE THEM. 746 00:36:18,310 --> 00:36:20,479 DOESN'T MATTER NOW. 747 00:36:20,546 --> 00:36:22,281 THEY CALLED MY NAME. 748 00:36:22,348 --> 00:36:26,285 YOUR NAME IS RACHEL. YOU'RE NOT BLOODY MARY. 749 00:36:26,352 --> 00:36:28,854 SHE WAS A DIFFERENT GIRL BURIED ALIVE BY HER PARENTS. 750 00:36:31,089 --> 00:36:33,225 SO WAS I. 751 00:36:35,294 --> 00:36:36,895 WAIT. I DON'T SEE HER. 752 00:36:36,962 --> 00:36:39,064 IS SHE GONE? IS IT OVER? 753 00:36:39,130 --> 00:36:40,732 NOT YET, 754 00:36:40,799 --> 00:36:43,669 BUT I THINK I KNOW WHERE I CAN FIND HER. 755 00:36:49,375 --> 00:36:51,277 I CAN'T FIND IT. 756 00:36:51,343 --> 00:36:53,845 WHERE IS IT? 757 00:36:53,912 --> 00:36:56,348 YOUR GRAVE'S NOT HERE, RACHEL. 758 00:36:56,415 --> 00:36:58,016 THIS WAS NEVER YOUR HOME. 759 00:36:58,083 --> 00:37:00,619 YOU HAVE TO REMEMBER WHO YOU REALLY ARE. 760 00:37:00,686 --> 00:37:03,054 YOU HAVE TO REMEMBER HOW THIS ALL STARTED. 761 00:37:03,121 --> 00:37:04,222 LOOK AT YOUR HANDS. 762 00:37:07,559 --> 00:37:10,662 YOU WERE HOLDING A GLASS, AND IT BROKE IN YOUR HAND. 763 00:37:10,729 --> 00:37:13,899 YOUR HEART STOPPED BECAUSE YOU WERE SCARED. 764 00:37:17,269 --> 00:37:18,737 I COULDN'T BREATHE. 765 00:37:18,804 --> 00:37:20,105 [DING] FELT LIKE AN EMPTY, COLD BOX 766 00:37:20,171 --> 00:37:21,573 IN MY CHEST. [DING] 767 00:37:21,640 --> 00:37:23,409 THEN I SAW HER, SLOANE... 768 00:37:23,475 --> 00:37:24,943 [DING] 769 00:37:25,010 --> 00:37:27,646 [RAPID CLANGING] 770 00:37:29,815 --> 00:37:32,017 [SCREAMING] 771 00:37:32,083 --> 00:37:33,452 I SAW HOW I SCARED HER, 772 00:37:33,519 --> 00:37:36,755 HOW I SCARED THEM ALL. 773 00:37:44,530 --> 00:37:47,366 AND THAT FEAR THAT THEY FELT, 774 00:37:47,433 --> 00:37:50,001 I KNEW THAT FEELING SO WELL. 775 00:37:50,068 --> 00:37:52,738 AND THEY LOOK AT ME NOW, 776 00:37:52,804 --> 00:37:55,941 AND THEY'RE THE ONES WHO ARE FROZEN IN FEAR. 777 00:37:56,007 --> 00:37:58,310 YOU MEAN ALLISON AND JENNA. 778 00:38:00,211 --> 00:38:01,780 I'M WITH THEM ALL THE TIME. 779 00:38:01,847 --> 00:38:05,884 I CAN GO ANYWHERE, DO ANYTHING. 780 00:38:05,951 --> 00:38:08,420 I NEVER HAVE TO REST, 781 00:38:08,487 --> 00:38:13,392 AND MY PARENTS, THEY CAN'T STOP ME ANYMORE. 782 00:38:13,459 --> 00:38:16,695 SO THAT'S WHY YOU UNDERSTOOD MARY. 783 00:38:16,762 --> 00:38:20,031 YOU KNEW WHAT IT WAS LIKE TO BE BURIED ALIVE. 784 00:38:20,098 --> 00:38:24,102 BUT SOMEWHERE ALONG THE WAY, YOU LOST WHO YOU REALLY ARE 785 00:38:24,169 --> 00:38:27,873 AND WHO YOU WERE TO EVERYBODY WHO REALLY LOVED YOU. 786 00:38:30,008 --> 00:38:31,276 I CAN HELP YOU, 787 00:38:31,343 --> 00:38:34,079 BUT YOU HAVE TO LET MARY GO. 788 00:38:41,319 --> 00:38:43,254 I KNOW IT'S HARD TO ACCEPT. 789 00:38:43,321 --> 00:38:47,593 I DON'T CARE IF YOU THINK THAT YOU CAN SEE SPIRITS OR--OR UFOs. 790 00:38:47,659 --> 00:38:48,760 I'VE HEARD ENOUGH. 791 00:38:50,662 --> 00:38:53,632 TELL HIM I DROVE HIS SNOWMOBILE INTO A TREE. 792 00:38:53,699 --> 00:38:58,437 SHE WANTS YOU TO KNOW THAT SHE DROVE YOUR SNOWMOBILE INTO A TREE. 793 00:39:00,806 --> 00:39:03,141 OH, MY GOD. 794 00:39:03,208 --> 00:39:05,944 SHE WAS ONLY 13. 795 00:39:09,815 --> 00:39:10,749 LISA... 796 00:39:10,816 --> 00:39:12,551 WHAT'S SHE TALKING ABOUT? 797 00:39:13,652 --> 00:39:15,253 THERE WAS A BLIZZARD. 798 00:39:15,320 --> 00:39:17,355 DAD SAID I COULDN'T GO OUTSIDE, 799 00:39:17,423 --> 00:39:19,391 BUT MOM COULD TELL I WAS JUST DYING, 800 00:39:19,458 --> 00:39:20,726 WATCHING ALL THE SNOW PILE UP. 801 00:39:20,792 --> 00:39:23,595 SHE MADE ME PROMISE NEVER TO TELL. 802 00:39:23,662 --> 00:39:27,232 SHE LET ME DRIVE THE SNOWMOBILE AROUND THE YARD. 803 00:39:27,298 --> 00:39:28,900 THAT WAS A BAD IDEA. 804 00:39:28,967 --> 00:39:32,604 THERE WAS A SNOWSTORM, AND... 805 00:39:32,671 --> 00:39:35,073 I LET HER DRIVE YOUR SNOWMOBILE. 806 00:39:35,140 --> 00:39:40,045 I THOUGHT SHE'D BE SITTING AND HER HEART WOULD BE SAFE. 807 00:39:45,584 --> 00:39:47,719 THIS IS GONNA SOUND REALLY LAME, 808 00:39:47,786 --> 00:39:51,389 BUT I THINK THAT WAS THE BEST DAY OF MY LIFE. 809 00:39:51,457 --> 00:39:54,926 SHE WANTS TO THANK YOU FOR THAT DAY. 810 00:39:54,993 --> 00:39:59,364 OH, YEAH. I SUPPOSE SHE'S GRATEFUL THAT WE LET HER LIVE IN THE DORM, TOO. 811 00:40:00,932 --> 00:40:03,134 TELL HIM SAFETY IS OVERRATED. 812 00:40:03,201 --> 00:40:07,072 SHE SAID THAT SAFETY IS OVERRATED. 813 00:40:07,138 --> 00:40:10,075 SOMETIMES IT'S BETTER TO LET THINGS GO, 814 00:40:10,141 --> 00:40:13,311 NO MATTER WHAT HAPPENS. 815 00:40:13,378 --> 00:40:17,816 I LET GO OF RACHEL, AND LOOK WHAT I GOT. 816 00:40:17,883 --> 00:40:21,587 TELL HIM THAT HE GAVE ME THE BEST GIFT HE COULD EVER GIVE ME, 817 00:40:21,653 --> 00:40:23,054 MY FREEDOM. 818 00:40:24,490 --> 00:40:26,091 SHE KNOWS YOU MISS HER, 819 00:40:26,157 --> 00:40:30,061 BUT SHE WANTS YOU TO UNDERSTAND HOW HAPPY YOU MADE HER. 820 00:40:31,162 --> 00:40:32,698 I... 821 00:40:36,201 --> 00:40:38,970 I DIDN'T WANT HER HAPPY. 822 00:40:39,037 --> 00:40:41,139 I WANTED HER ALIVE. 823 00:40:41,206 --> 00:40:44,976 AND I WAS, THANKS TO THEM. 824 00:40:45,043 --> 00:40:46,244 SHE WAS ALIVE. 825 00:40:46,311 --> 00:40:49,648 YOU GAVE THAT TO HER. 826 00:40:54,586 --> 00:40:56,555 SHE'S RIGHT. 827 00:40:56,622 --> 00:40:58,790 LISTEN TO RACHEL. 828 00:41:08,466 --> 00:41:10,268 Sloane: IS SHE HERE? 829 00:41:11,970 --> 00:41:13,404 IS IT SAFE NOW? 830 00:41:15,574 --> 00:41:17,609 UM, THIS IS SLOANE. 831 00:41:17,676 --> 00:41:19,545 SHE WENT TO SCHOOL WITH RACHEL. 832 00:41:20,646 --> 00:41:23,048 SHE LOOKS JUST AS SCARED AS I WAS. 833 00:41:23,114 --> 00:41:25,483 IS THAT HOW YOU WANT HER TO STAY? 834 00:41:27,252 --> 00:41:29,521 SHE FORGIVES YOU. 835 00:41:29,588 --> 00:41:31,322 HEH. 836 00:41:36,662 --> 00:41:38,229 DO YOU SEE THIS? 837 00:41:38,296 --> 00:41:40,566 THIS LIGHT, ARE YOU FEELING THIS? 838 00:41:40,632 --> 00:41:42,834 NO. 839 00:41:42,901 --> 00:41:44,102 IT'S JUST FOR YOU. 840 00:41:47,172 --> 00:41:48,907 WHAT IS SHE SAYING? 841 00:41:48,974 --> 00:41:52,077 SHE'S SAYING SHE'S FREE NOW. 842 00:41:52,143 --> 00:41:53,779 SHE'S SAYING GOOD-BYE. 843 00:41:56,982 --> 00:41:59,651 [WEEPING] 844 00:41:59,718 --> 00:42:01,219 IT'S OK. 845 00:42:22,540 --> 00:42:25,944 * WAKING UP * 846 00:42:26,011 --> 00:42:28,213 * LOST IN A FOG * 847 00:42:28,279 --> 00:42:32,450 * YOU WERE THE LIGHT THAT LED ME HOME * 848 00:42:32,517 --> 00:42:34,620 * OVERCOME * 849 00:42:34,686 --> 00:42:36,855 * THOUGHT I WAS STRONG * 850 00:42:36,922 --> 00:42:41,226 * THOUGHT I COULD MAKE IT ON MY OWN * 851 00:42:41,292 --> 00:42:44,930 * I FOOLED MYSELF * 852 00:42:44,996 --> 00:42:49,067 * 'CAUSE I DON'T WANT TO LET YOU GO * 853 00:42:49,134 --> 00:42:54,072 * I'D BE LOST WITHOUT YOU, I THINK YOU SHOULD KNOW * 854 00:42:54,139 --> 00:42:57,208 * OHH * 855 00:42:57,275 --> 00:42:59,778 * I'M HERE * 856 00:42:59,845 --> 00:43:03,148 * AND I DON'T WANT TO LET YOU GO * 857 00:43:03,214 --> 00:43:05,283 HEY. 858 00:43:05,350 --> 00:43:06,618 I HOPE YOU'RE HAPPY. 859 00:43:06,685 --> 00:43:07,953 ARE YOU HAPPY? 860 00:43:08,019 --> 00:43:09,487 UH, GENERALLY, YES. WHY? 861 00:43:09,554 --> 00:43:10,521 'CAUSE THOSE COMATOSE GIRLS 862 00:43:10,588 --> 00:43:12,123 HAVE NOW WOKEN UP BECAUSE OF YOU, 863 00:43:12,190 --> 00:43:14,425 AND RUBLOODYMARY.COM GETS, LIKE, 5 HITS A DAY, 864 00:43:14,492 --> 00:43:16,094 MOSTLY FROM ME. 865 00:43:16,161 --> 00:43:17,595 AND THE CRICKETS HAVE RETURNED TO MY CLASSROOM. 866 00:43:17,663 --> 00:43:20,165 I'M DOING MY LECTURES FOR NOBODY, PRACTICALLY, OK, 867 00:43:20,231 --> 00:43:23,301 AND THE STARK, RAVING TERROR THAT HAD THIS TOWN IN ITS GRIPS 868 00:43:23,368 --> 00:43:25,203 IS NOW JUST GONE, ALL BECAUSE OF YOU. 869 00:43:25,270 --> 00:43:28,106 WELL, I'M SO SORRY. I SHOULD'VE KNOWN HOW IT WOULD AFFECT YOU. 870 00:43:28,173 --> 00:43:32,077 YOU KNOW, I WAS THINKING OF LETTING YOU SKATE ON THAT $138 YOU OWE ME, 871 00:43:32,143 --> 00:43:33,544 BUT NOW I'VE CHANGED MY MIND, 872 00:43:33,611 --> 00:43:34,545 SO PAY UP. 873 00:43:34,612 --> 00:43:36,481 SORRY. NO CASH. 874 00:43:36,547 --> 00:43:38,717 BUT YOU CAN TAKE YOUR PAYMENT IN KIND. 875 00:43:38,784 --> 00:43:40,919 WHAT, SOMETHING FROM HERE? SOME OF THIS JUNK? 876 00:43:40,986 --> 00:43:42,253 DO I HAVE BLUE HAIR? 877 00:43:42,320 --> 00:43:44,422 DO I LIVE AT THE END OF THE BLOCK WITH 15 CATS? 878 00:43:44,489 --> 00:43:46,792 FORGET IT. YOU OWE ME $138. 879 00:43:46,858 --> 00:43:49,127 THIS IS ME LEAVING DISGRUNTLED. 880 00:43:49,194 --> 00:43:50,328 [CHUCKLES] 881 00:43:50,395 --> 00:43:51,930 HIYA, JIM. 882 00:43:51,997 --> 00:43:53,732 HEY. 883 00:43:53,799 --> 00:43:55,633 WHAT TIME IS OUR RESERVATION? 884 00:43:55,701 --> 00:43:57,736 8:00. WE'RE GOOD. 885 00:43:57,803 --> 00:44:00,806 YOU KNOW WHAT? I THINK MAYBE WE ARE. 886 00:44:16,688 --> 00:44:18,623 [BELL DINGS] 887 00:44:19,925 --> 00:44:21,592 [RINGING]