1 00:00:04,572 --> 00:00:11,312 [BELL DINGS] 2 00:00:11,345 --> 00:00:12,180 YOUR DOOR'S WONKY. 3 00:00:12,213 --> 00:00:14,348 YEAH. I NEED TO GET THE HINGES ADJUSTED. 4 00:00:14,382 --> 00:00:15,683 DOUBLE CHAI TEA? THANK YOU. 5 00:00:15,716 --> 00:00:17,385 YOU'VE GOT A LITTLE SOMETHING. 6 00:00:17,418 --> 00:00:19,453 OH, YEAH. THE FROST IS MELTING OFF THE ROOF, 7 00:00:19,487 --> 00:00:20,788 AND THIS IS MY FAVORITE COAT. 8 00:00:20,821 --> 00:00:22,056 DO YOU SELL WATER REPELLENT? 9 00:00:22,090 --> 00:00:25,193 YEAH. I SELL VINTAGE WATER REPELLENT 10 00:00:25,226 --> 00:00:26,727 AND USED SHOE POLISH. 11 00:00:26,760 --> 00:00:27,828 OK. FINE. [BELL DINGS] 12 00:00:27,861 --> 00:00:29,297 IT DOESN'T HURT TO ASK. 13 00:00:29,330 --> 00:00:30,298 EXCUSE ME. CUTLER AND BANKS? 14 00:00:30,331 --> 00:00:31,632 YOU KNOW, THE REALTORS NEXT DOOR? 15 00:00:31,665 --> 00:00:32,766 AS A MATTER OF FACT, I DO. 16 00:00:32,800 --> 00:00:34,235 ANY CLUE WHEN THEY'LL BE IN? 17 00:00:34,268 --> 00:00:35,503 DELIA'S OUT OF TOWN FOR THE WEEK. 18 00:00:35,536 --> 00:00:37,105 SHE'S BANKS, AS IN BANKS AND CUTLER. 19 00:00:37,138 --> 00:00:39,173 OK, THANKS. WELL, WAIT A MINUTE. 20 00:00:39,207 --> 00:00:40,241 DO YOU WANT TO LEAVE YOUR INFO? 21 00:00:40,274 --> 00:00:41,742 'CAUSE I TALK TO HER, LIKE, EVERY DAY. 22 00:00:41,775 --> 00:00:43,411 OK. [BELL DINGS] 23 00:00:43,444 --> 00:00:46,580 WELL, I'M LOOKING FOR A LOFT FOR MY OFFICE. 24 00:00:46,614 --> 00:00:47,581 UH, STUDIO, REALLY. 25 00:00:47,615 --> 00:00:48,849 I DRAW. ARE YOU AN ARTIST? 26 00:00:48,882 --> 00:00:49,917 A GRAPHIC NOVELIST, ACTUALLY. 27 00:00:49,950 --> 00:00:53,087 SO I NEED A PLACE THAT GETS GOOD LIGHT, IS QUIET. 28 00:00:53,121 --> 00:00:55,089 I'M IN THE BRADFORD BUILDING NOW, AND, UH-- 29 00:00:55,123 --> 00:00:56,724 OH, A FRIEND OF MINE WORKS OVER THERE. 30 00:00:56,757 --> 00:00:58,359 THAT PLACE IS AMAZING. 31 00:00:58,392 --> 00:01:00,194 WHY ARE YOU LEAVING? MINE'S--WELL, 32 00:01:00,228 --> 00:01:03,097 JUST NOT WORKING OUT FOR ME. IT'S HARD TO EXPLAIN. 33 00:01:03,131 --> 00:01:04,198 ARE YOU FAMOUS? 34 00:01:04,232 --> 00:01:05,666 WOULD WE HAVE HEARD OF YOU? 35 00:01:05,699 --> 00:01:10,171 [CHUCKLES] I DOUBT IT. I HAVE KIND OF A CULT READERSHIP. 36 00:01:10,204 --> 00:01:11,539 MY NAME'S DAMON WEAVER. 37 00:01:11,572 --> 00:01:14,308 SORRY. DON'T KNOW YOU. 38 00:01:14,342 --> 00:01:16,277 HAVE YOU WRITTEN ANYTHING POPULAR I MAY HAVE HEARD OF? 39 00:01:16,310 --> 00:01:18,412 I'VE GOT A NEW BOOK COMING OUT WITH SOME HYPE. 40 00:01:18,446 --> 00:01:19,647 IT'S CALLED "DESTINED." 41 00:01:19,680 --> 00:01:20,381 DOESN'T RING A BELL. 42 00:01:20,414 --> 00:01:22,116 WELL, BECAUSE, LIKE HE JUST SAID, 43 00:01:22,150 --> 00:01:22,816 IT HASN'T COME OUT YET. 44 00:01:22,850 --> 00:01:23,717 HAVE YOU WRITTEN ANYTHING ELSE? 45 00:01:23,751 --> 00:01:27,488 I ALSO WROTE "TRANSCENDER" A FEW YEARS AGO. 46 00:01:27,521 --> 00:01:29,157 NAH, HAVEN'T READ THAT, EITHER. 47 00:01:29,190 --> 00:01:30,224 ELI! 48 00:01:30,258 --> 00:01:31,725 BUT I HAVE HEARD SOME OF MY STUDENTS TALK ABOUT IT. 49 00:01:31,759 --> 00:01:33,527 SO YOU ARE FAMOUS. SEE? YOU FEEL BETTER NOW? 50 00:01:33,561 --> 00:01:36,730 I FEEL FINE. BUT HEY, IF IT'LL MAKE YOU FEEL ANY BETTER, 51 00:01:36,764 --> 00:01:37,865 I'VE GOT SOME FLIERS. 52 00:01:37,898 --> 00:01:40,701 IT'S FOR A SIGNING I'M DOING THIS WEEK FOR THE NEW BOOK 53 00:01:40,734 --> 00:01:42,870 OVER AT BAY RIDGE BOOKSELLERS. 54 00:01:42,903 --> 00:01:44,405 FRANKLY, I COULD USE A CROWD. 55 00:01:44,438 --> 00:01:46,274 DON'T YOU WORRY, MY FAMOUS FRIEND. 56 00:01:46,307 --> 00:01:47,475 WE'LL GET YOU A CROWD. 57 00:01:47,508 --> 00:01:49,777 "DESTINED." I LIKE THE TITLE. 58 00:01:49,810 --> 00:01:52,413 WELL, I WOULD BE HAPPY TO PUT ONE IN THE WINDOW. 59 00:01:52,446 --> 00:01:54,482 THANKS SO MUCH. OH! 60 00:01:54,515 --> 00:01:55,783 AND HERE'S MY NUMBER. 61 00:01:55,816 --> 00:01:58,486 TELL YOUR REALTOR FRIEND TO GIVE ME A CALL, MISS... 62 00:01:58,519 --> 00:02:02,190 UH, MELINDA GORDON, AND THIS IS ELI JAMES. 63 00:02:02,223 --> 00:02:04,725 SEE YOU. 64 00:02:06,194 --> 00:02:09,230 OH, LET ME HELP YOU WITH THAT THING. IT'S... 65 00:02:09,263 --> 00:02:11,199 [GRUNTS] IMPOSSIBLE. 66 00:02:11,232 --> 00:02:15,169 ELI. ELI, WAIT. THERE'S A TRICK TO IT. 67 00:02:15,203 --> 00:02:17,605 [BELL DINGS] [LAUGHS] THANK YOU. 68 00:02:17,638 --> 00:02:20,508 YOU'RE WELCOME. 69 00:02:22,876 --> 00:02:25,879 HEY, THE FROST IS MELTING. 70 00:02:26,847 --> 00:02:30,551 EXCEPT NOT ON YOU. YOU'RE SPARKLING. 71 00:02:31,785 --> 00:02:34,922 THAT'S WEIRD. THE DROPS ARE TURNING INTO ICE. 72 00:02:34,955 --> 00:02:36,290 HOW THE HECK DOES THAT HAPPEN? 73 00:02:36,324 --> 00:02:37,925 IT MUST BE COLDER OUTSIDE THAN IT FEELS. 74 00:02:37,958 --> 00:02:40,194 THE RADIO SAID IT'S ALREADY IN THE FIFTIES. 75 00:02:40,228 --> 00:02:41,862 WELL, THEN, THEY WERE WRONG. 76 00:02:41,895 --> 00:02:45,533 [ICE CRACKS AND SNAPS] 77 00:02:47,468 --> 00:02:49,670 OH, MY GOD. WHAT THE-- 78 00:02:49,703 --> 00:02:52,240 [ICE SNAPS] 79 00:02:52,273 --> 00:02:53,707 OH! 80 00:02:54,942 --> 00:02:56,877 THAT ALMOST HIT YOU. ARE YOU OK? 81 00:02:56,910 --> 00:02:59,580 OH, I'M FINE. 82 00:03:01,349 --> 00:03:03,417 I GOT TO GO. 83 00:03:05,018 --> 00:03:06,587 DID YOU DO THAT? 84 00:03:06,620 --> 00:03:08,356 WHO ARE YOU? 85 00:03:08,389 --> 00:03:09,423 WHAT ARE YOU TRYING TO DO? 86 00:03:09,457 --> 00:03:12,693 HE'S A LIAR AND A THIEF. 87 00:03:12,926 --> 00:03:16,230 BUT HE'LL GET WHAT HE DESERVES. 88 00:03:26,340 --> 00:03:29,377 Child, whispering: Can you see us? 89 00:03:38,486 --> 00:03:42,956 CAPTIONING MADE POSSIBLE BY ABC STUDIOS AND CBS STUDIOS, INC. 90 00:04:03,076 --> 00:04:03,944 HOW COME MY BUILDING IS THE ONLY ONE WITH ICICLES ON IT? 91 00:04:03,977 --> 00:04:04,878 AND WHY WAS THE GHOST WEARING A SKI MASK? 92 00:04:04,912 --> 00:04:06,680 LOOK, IF YOU GOT A THEORY, DON'T HOLD BACK. 93 00:04:06,714 --> 00:04:07,681 JUST SPIT IT OUT. 94 00:04:07,715 --> 00:04:09,717 JIM AND I ARE THINKING HYPOTHERMIA. 95 00:04:09,750 --> 00:04:11,419 BUT SOMETHING STILL BOTHERS ME. 96 00:04:11,452 --> 00:04:12,653 SO THE GUY IS FROZEN TO DEATH. 97 00:04:12,686 --> 00:04:16,424 HE CREATES ICICLES AND FREEZES DROPS OF WATER ON DAMON'S COAT. 98 00:04:16,457 --> 00:04:18,058 WHO DOES THAT? 99 00:04:18,091 --> 00:04:20,027 YOU'VE GOT A THEORY, RIGHT? 100 00:04:20,060 --> 00:04:22,763 WELL, ACTUALLY, NO. I'VE GOT NOTHING. 101 00:04:22,796 --> 00:04:26,534 BECAUSE I GOT A THEORY, BUT IF YOU'RE JUST GONNA MOCK ME-- 102 00:04:26,567 --> 00:04:28,536 ELI. OK, FINE. 103 00:04:28,569 --> 00:04:30,070 DO YOU WANT TO KNOW WHO DOES THAT? 104 00:04:30,103 --> 00:04:31,305 SUPERVILLAINS DO THAT. 105 00:04:31,339 --> 00:04:33,807 THEIR POWERS HEARKEN BACK TO WHAT KILLED THEM, OR ALMOST DID. 106 00:04:33,841 --> 00:04:35,075 POISON IVY, TWO-FACE, ELEKTRA. 107 00:04:35,108 --> 00:04:38,379 THAT'S DAMON'S WORLD. HE'S A GRAPHIC NOVELIST. 108 00:04:38,412 --> 00:04:39,279 YOU'RE NOT MOCKING ME. 109 00:04:39,313 --> 00:04:41,682 WHAT ARE YOU LOOKING AT? IT'S DAMON'S BLOG. 110 00:04:41,715 --> 00:04:44,685 HE'S BEEN POSTING DRAWINGS TO TEASE HIS NEW GRAPHIC NOVEL. 111 00:04:44,718 --> 00:04:46,620 CHECK OUT THE LATEST. 112 00:04:47,020 --> 00:04:49,823 THAT CHARACTER'S ABOUT TO GET SKEWERED BY ICICLES. 113 00:04:49,857 --> 00:04:51,024 YEAH. YOU NOTICE ANYTHING ELSE? 114 00:04:51,058 --> 00:04:52,159 YEAH. HE LOOKS A LOT LIKE DAMON. 115 00:04:52,192 --> 00:04:54,562 I GUESS HE DRAWS FROM EXPERIENCE-- ART IMITATING LIFE. 116 00:04:54,595 --> 00:04:58,799 OR THE OTHER WAY AROUND. TAKE A LOOK AT WHEN THAT DRAWING WAS POSTED. 117 00:04:58,832 --> 00:05:01,669 MONDAY, 7 A.M. 118 00:05:01,702 --> 00:05:03,671 TODAY'S TUESDAY. 119 00:05:03,704 --> 00:05:06,774 SO THIS WAS DRAWN BEFORE DAMON EVER SET FOOT IN MY STORE. 120 00:05:06,807 --> 00:05:08,842 MAYBE THAT EXPLAINS WHY HE TOOK OFF SO QUICKLY. 121 00:05:08,876 --> 00:05:11,712 HE RECOGNIZED THAT NEAR-MISS FROM HIS OWN ILLUSTRATION. 122 00:05:11,745 --> 00:05:12,746 HE DID SEEM A LITTLE FREAKED OUT. 123 00:05:12,780 --> 00:05:14,782 I WONDER IF THIS KIND OF THING'S HAPPENED BEFORE. 124 00:05:14,815 --> 00:05:17,851 DOES THAT MEAN HE CAN FORETELL THE FUTURE THROUGH HIS ART? 125 00:05:17,885 --> 00:05:18,752 NO ONE CAN FORETELL THE FUTURE, 126 00:05:18,786 --> 00:05:20,821 BUT THE GHOST PROBABLY SAW DAMON'S DRAWING 127 00:05:20,854 --> 00:05:21,655 AND REENACTED IT SOMEHOW. 128 00:05:21,689 --> 00:05:23,824 SO THE GHOST READS GRAPHIC NOVEL BLOGS, 129 00:05:23,857 --> 00:05:24,825 ACTS LIKE A SUPERVILLAIN? 130 00:05:24,858 --> 00:05:27,528 SOUNDS LIKE SOMEONE WHO'S WAY INTO COMIC BOOKS. 131 00:05:27,561 --> 00:05:28,896 YEAH. LOOKS LIKE WE NEED TO GET INTO THEM, TOO. 132 00:05:28,929 --> 00:05:32,800 OH, LOOK NO FURTHER. ROCKLAND'S GOT AN A TO Z ENCYCLOPEDIA OF COMICS. 133 00:05:32,833 --> 00:05:33,734 AT THE UNIVERSITY LIBRARY? 134 00:05:33,767 --> 00:05:36,870 NOPE. SHE'S IN THE ANTHROPOLOGY DEPARTMENT. 135 00:05:36,904 --> 00:05:38,005 AHH. 136 00:05:38,038 --> 00:05:40,374 I AM NOT OBSESSED WITH COMIC BOOKS. 137 00:05:40,408 --> 00:05:42,876 I AM AN ANTHROPOLOGIST, AND GRAPHIC NOVELS-- 138 00:05:42,910 --> 00:05:44,211 WHICH ARE NOT COMIC BOOKS, BY THE WAY-- 139 00:05:44,244 --> 00:05:50,017 ARE A WINDOW INTO AN ENTIRE GENERATION'S PASSIONS AND FRUSTRATIONS 140 00:05:50,050 --> 00:05:51,719 AND-- 141 00:05:51,752 --> 00:05:54,788 I JUST DIG 'EM, OK? THEY SPEAK TO ME. 142 00:05:54,822 --> 00:05:56,390 THEY HAVE SINCE I WAS AN ANGSTY TEEN 143 00:05:56,424 --> 00:06:00,160 WHO DID NOT FIT INTO THE WORLD. AND A LOT OF MY CLOTHES. 144 00:06:00,193 --> 00:06:03,764 AND I HAPPEN TO KNOW THAT YOU ARE A CLOSET FAN 145 00:06:03,797 --> 00:06:04,932 OF THOSE GUSHY UNDEAD TEEN NOVELS. 146 00:06:04,965 --> 00:06:08,469 I WAS DOING RESEARCH FOR A PAPER ON TEENAGE DISAFFECTION. 147 00:06:08,502 --> 00:06:10,838 [SCOFFS] I SAW YOU CRYING INTO YOUR POPCORN 148 00:06:10,871 --> 00:06:12,806 AT "TWILIGHT," PROFESSOR. YOU KNOW WHAT? 149 00:06:12,840 --> 00:06:14,942 LET'S JUST DEAL WITH THE GHOST AT HAND. 150 00:06:14,975 --> 00:06:17,678 WELL, THE FIRST THING I CAN TELL YOU 151 00:06:17,711 --> 00:06:19,813 IS IF SOMEONE IS HAUNTING DAMON WEAVER, 152 00:06:19,847 --> 00:06:21,014 THAT'S THE MOST ATTENTION HE'S HAD 153 00:06:21,048 --> 00:06:23,651 SINCE HE PUT OUT HIS LAST BOOK 2 YEARS AGO. 154 00:06:23,684 --> 00:06:24,384 WHAT DO YOU MEAN? 155 00:06:24,418 --> 00:06:27,455 HIS CAREER IS DEAD AS A DOORNAIL. 156 00:06:28,989 --> 00:06:30,991 AM I OFFENDING ANYONE? 157 00:06:31,024 --> 00:06:32,693 NO, NO GHOSTS. JUST US. 158 00:06:32,726 --> 00:06:34,094 I USED TO READ HIS STUFF, 159 00:06:34,127 --> 00:06:35,863 BUT THEN HIS PLOTLINES GOT STALE. 160 00:06:35,896 --> 00:06:37,965 IT WAS LIKE HE RAN OUT OF IDEAS, 161 00:06:37,998 --> 00:06:39,733 AND I THINK READERS COULD TELL. 162 00:06:39,767 --> 00:06:40,634 HE FELL OFF THE MAP. 163 00:06:40,668 --> 00:06:41,769 SO WHAT ABOUT HIS NEW BOOK? 164 00:06:41,802 --> 00:06:43,837 IS THAT GONNA PUT HIM BACK ON THE MAP? 165 00:06:43,871 --> 00:06:45,072 IF IT'S ANY GOOD. 166 00:06:45,105 --> 00:06:47,641 ARE YOU SURE THIS IS ABOUT A GHOST? 167 00:06:47,675 --> 00:06:49,743 YOU MEAN, ASIDE FROM THE FACT THAT WE TALKED TO ONE? 168 00:06:49,777 --> 00:06:51,912 YEAH, WHY WOULD YOU ASK THAT? 169 00:06:51,945 --> 00:06:54,014 DAMON NEEDS THIS BOOK TO SELL. 170 00:06:54,047 --> 00:06:55,282 HE NEEDS THE PUBLICITY. 171 00:06:55,315 --> 00:06:58,819 OH, SO THE ICICLE THING WAS A STUNT TO GET PEOPLE'S ATTENTION? 172 00:06:58,852 --> 00:07:00,621 OTHER ARTISTS HAVE TRIED IT. 173 00:07:00,654 --> 00:07:01,522 IT GOT YOUR ATTENTION. 174 00:07:01,555 --> 00:07:03,491 SOMEONE DID MAKE SURE IT WAS ON HIS BLOG. 175 00:07:03,524 --> 00:07:05,526 COME ON. YOU'RE NOT REALLY BUYIN' INTO THIS, ARE YOU? 176 00:07:05,559 --> 00:07:09,497 WE MET THE GHOST. HE'S REAL. HE'S REAL MAD, TOO. 177 00:07:09,530 --> 00:07:10,898 OK, BUT WHAT IS HE MAD ABOUT? 178 00:07:10,931 --> 00:07:16,069 I MEAN, WHAT IF THIS ALL DOES ACTUALLY HAVE TO DO WITH DAMON'S NEW BOOK? 179 00:07:40,260 --> 00:07:41,995 WHA... 180 00:07:45,065 --> 00:07:46,834 [GRUNTING] 181 00:07:46,867 --> 00:07:48,836 AAH! 182 00:07:50,070 --> 00:07:51,805 AAH! 183 00:07:52,305 --> 00:07:54,041 [KNOCK ON DOOR] 184 00:07:54,074 --> 00:07:56,043 IT'S KIND OF A BAD TIME RIGHT NOW! 185 00:07:56,076 --> 00:07:57,911 [POWERS DOWN] 186 00:07:57,945 --> 00:07:59,012 SORRY TO BARGE IN. 187 00:07:59,046 --> 00:08:03,617 I JUST CAME TO SEE IF YOU OPTED TO LEAVE THIS SPACE. 188 00:08:03,651 --> 00:08:05,252 'CAUSE IF YOU WERE LEAVING, I WAS THINKING 189 00:08:05,285 --> 00:08:08,088 I COULD MAYBE TAKE IT MYSELF. 190 00:08:08,121 --> 00:08:10,524 UM... 191 00:08:10,558 --> 00:08:11,859 ELI, RIGHT? YEAH. 192 00:08:11,892 --> 00:08:14,862 YEAH. I'M OUT OF HERE AS SOON AS I FIND A NEW STUDIO. 193 00:08:14,895 --> 00:08:16,764 OK. WELL, YOU PROBABLY SHOULDN'T 194 00:08:16,797 --> 00:08:19,066 TRASH THE PLACE ON THE WAY OUT. 195 00:08:19,099 --> 00:08:20,233 YOU MIGHT LOSE THE DEPOSIT. 196 00:08:20,267 --> 00:08:22,536 THE ICE MAKER JUST DECIDED TO GO HAYWIRE. 197 00:08:22,570 --> 00:08:25,539 I DON'T KNOW WHAT'S WRONG WITH IT. 198 00:08:27,274 --> 00:08:28,809 ICE MAKER, HUH? 199 00:08:28,842 --> 00:08:31,044 YEAH. HMM. 200 00:08:34,114 --> 00:08:36,016 THERE SOMETHIN' ELSE I CAN DO FOR YOU? 201 00:08:36,049 --> 00:08:38,085 MAYBE. SEE, I COULDN'T HELP NOTICE THE DRAWING 202 00:08:38,118 --> 00:08:39,386 THAT YOU POSTED ON YOUR BLOG YESTERDAY. 203 00:08:39,419 --> 00:08:43,156 IT LOOKED A LOT LIKE WHAT HAPPENED TO YOU OUTSIDE MELINDA'S SHOP. 204 00:08:43,190 --> 00:08:43,957 THE ONLY THING IS 205 00:08:43,991 --> 00:08:47,127 YOU DREW IT BEFORE WE RAN INTO YOU. 206 00:08:47,160 --> 00:08:48,829 WHAT ARE YOU TALKIN' ABOUT? 207 00:08:48,862 --> 00:08:50,030 THE TIME STAMP ON YOUR POST, 208 00:08:50,063 --> 00:08:54,134 IT WAS WAY BEFORE THE ICICLES ALMOST ACTUALLY CLOCKED YOU. 209 00:08:54,167 --> 00:08:57,537 OH, MY SITE MUST BE BUGGY AGAIN. 210 00:08:58,071 --> 00:09:01,208 THANKS FOR THE HEADS-UP. I'LL GET MY I.T. GUY ON IT. 211 00:09:01,241 --> 00:09:02,676 HMM. 212 00:09:02,710 --> 00:09:04,845 THAT'S ICE FLYING AT YOU. HMM. 213 00:09:04,878 --> 00:09:08,015 YEAH, LET ME SAVE YOU THE PHONE CALL, DAMON. 214 00:09:08,048 --> 00:09:08,916 I HAVE A GIFT, 215 00:09:08,949 --> 00:09:11,852 A SUPERPOWER, IF THAT CAN HELP YOU RELATE. 216 00:09:11,885 --> 00:09:14,154 I COMMUNICATE WITH GHOSTS, 217 00:09:14,187 --> 00:09:15,122 AND SO DOES MELINDA, 218 00:09:15,155 --> 00:09:17,357 THE WOMAN YOU MET WHO OWNS THE ANTIQUE STORE. 219 00:09:17,390 --> 00:09:19,993 AND THE TRUTH IS YOU GOT ONE. 220 00:09:20,027 --> 00:09:22,796 A GHOST, I MEAN, NOT AN ANTIQUE STORE. 221 00:09:22,830 --> 00:09:24,164 YOU'RE PUTTIN' ME ON, RIGHT? 222 00:09:24,197 --> 00:09:25,198 I WISH I WERE. 223 00:09:25,232 --> 00:09:27,000 THE GHOST MELINDA SAW WAS WEARING A TRENCH COAT, 224 00:09:27,034 --> 00:09:28,636 A SKI MASK AND HAS A THING FOR ICE. 225 00:09:28,669 --> 00:09:31,171 IT'S POSSIBLE HE MAY HAVE FROZEN TO DEATH. 226 00:09:31,204 --> 00:09:33,073 SOUND LIKE ANYONE YOU KNOW? 227 00:09:33,106 --> 00:09:36,109 ELI, WHAT'D YOU SAY YOUR LAST NAME WAS? 228 00:09:36,143 --> 00:09:37,344 JAMES. WHY? 229 00:09:37,377 --> 00:09:41,915 JUST WANNA MAKE SURE I GET IT RIGHT FOR THE RESTRAINING ORDER. 230 00:09:54,728 --> 00:09:57,164 [SIGHS] 231 00:10:12,946 --> 00:10:15,015 WHAT THE HELL? 232 00:11:33,193 --> 00:11:34,494 [GASPS] 233 00:11:34,527 --> 00:11:37,230 WHAT'S HAPPENING TO ME? 234 00:12:09,897 --> 00:12:10,898 IS THAT GUY IN TROUBLE? 235 00:12:10,931 --> 00:12:13,200 OH, NOT IF MOMMY CAN HELP IT. 236 00:12:13,233 --> 00:12:14,301 I WANNA SEE WHAT HAPPENS NEXT. 237 00:12:14,334 --> 00:12:18,538 WHAT HAPPENS NEXT IS YOU GO AND GET READY FOR SCHOOL. 238 00:12:18,571 --> 00:12:19,773 NO FAIR. 239 00:12:19,807 --> 00:12:20,841 MARCH. 240 00:12:20,874 --> 00:12:23,010 WHOA. 241 00:12:23,043 --> 00:12:23,743 WHAT WAS THAT ABOUT? 242 00:12:23,777 --> 00:12:25,813 OH, I'M THE WORLD'S MEANEST MOM 243 00:12:25,846 --> 00:12:27,447 BECAUSE I DIDN'T WANT HIM TO SEE THIS. 244 00:12:27,480 --> 00:12:29,249 IT'S TRUE. 245 00:12:29,282 --> 00:12:30,851 I CAN'T BELIEVE THIS STUFF 246 00:12:30,884 --> 00:12:33,921 HAS REPLACED THE "ARCHIES" OF MY YOUTH. 247 00:12:33,954 --> 00:12:35,989 ISN'T THAT YOUR GRAPHIC NOVELIST 248 00:12:36,023 --> 00:12:37,958 ABOUT TO BE RUN OVER BY A CAR? 249 00:12:37,991 --> 00:12:39,026 OR ATTACKED BY THIS GUY. 250 00:12:39,059 --> 00:12:40,994 THE KID WITH A KNIFE? 251 00:12:41,028 --> 00:12:41,862 HE YOUR GHOST? 252 00:12:41,895 --> 00:12:42,695 NO. GHOST OUTSIDE THE STORE 253 00:12:42,729 --> 00:12:43,663 WAS WEARING A SKI MASK AND TRENCH COAT, 254 00:12:43,696 --> 00:12:46,033 AND I STILL DON'T HAVE A CLUE WHO HE MIGHT BE. 255 00:12:46,066 --> 00:12:49,069 UM, THAT'S BECAUSE I DIDN'T WANNA WAKE YOU WHEN I CAME IN. 256 00:12:49,102 --> 00:12:50,203 I ASKED AROUND THE ER. 257 00:12:50,237 --> 00:12:53,473 THEY ONLY TREATED ONE CASE OF HYPOTHERMIA THIS SEASON, 258 00:12:53,506 --> 00:12:55,976 AND THAT MAN IS NOW ALIVE AND WELL 259 00:12:56,009 --> 00:12:59,112 AND LIVING RETIRED IN SUNNY FLORIDA. 260 00:12:59,146 --> 00:13:00,580 MAYBE DAMON SHOULD CONSIDER RETIRING, TOO, 261 00:13:00,613 --> 00:13:04,217 AT LEAST UNTIL I CAN CONVINCE THIS GHOST TO STOP RECREATING WHAT HE DRAWS. 262 00:13:04,251 --> 00:13:06,987 YOU MEAN MORE THAN THE ICICLES OUTSIDE OF YOUR STORE? 263 00:13:07,020 --> 00:13:09,256 YEAH. ELI TOLD ME DAMON DREW HIMSELF BEING PELTED BY ICE 264 00:13:09,289 --> 00:13:11,024 RIGHT BEFORE THE ICE MAKER IN HIS STUDIO EXPLODED. 265 00:13:11,058 --> 00:13:12,960 AND I'VE BEEN CHECKING THE BLOG FOR NEW ART 266 00:13:12,993 --> 00:13:15,162 TO SEE WHAT ELSE THE GHOST MIGHT HAVE IN STORE. 267 00:13:15,195 --> 00:13:17,931 MAYBE DAMON SHOULD JUST DRAW HIMSELF INTO HARMLESS SCENES, 268 00:13:17,965 --> 00:13:20,267 YOU KNOW, LIKE, IN A HOME, DOORS LOCKED, 269 00:13:20,300 --> 00:13:22,035 AWAY FROM CARS AND CROWDS. 270 00:13:22,069 --> 00:13:22,970 WAIT A MINUTE. 271 00:13:23,003 --> 00:13:26,339 IN THE CROWD, THAT'S HIM. THAT'S THE GHOST. 272 00:13:26,373 --> 00:13:27,340 I THOUGHT DAMON TOLD ELI 273 00:13:27,374 --> 00:13:29,142 HE DIDN'T KNOW ANYONE FITTING THAT DESCRIPTION. 274 00:13:29,176 --> 00:13:31,178 AND YET DAMON DREW HIM EXACTLY THE WAY I SAW HIM, 275 00:13:31,211 --> 00:13:35,949 WHICH EITHER MEANS HE LIED, OR THERE'S SOMETHING I'M MISSING. 276 00:13:35,983 --> 00:13:36,850 WOW. 277 00:13:36,884 --> 00:13:38,351 WELL, YOU'RE NOT THE ONLY ONE IN THE DARK. 278 00:13:38,385 --> 00:13:39,386 CHECK OUT THESE FAN COMMENTS. 279 00:13:39,419 --> 00:13:41,554 "NEW CHARACTERS OUT OF LEFT FIELD. 280 00:13:41,588 --> 00:13:43,356 "NO CONNECTION TO THE UPCOMING NOVEL. 281 00:13:43,390 --> 00:13:44,992 "IS THERE A PART OF ANOTHER NEW COLLABORATION? 282 00:13:45,025 --> 00:13:50,230 ANSWER US, DAMON. WHO ARE BACKPACK BOY AND SKI MASK MAN?" 283 00:13:51,131 --> 00:13:53,867 AND NO RESPONSE FROM THE ARTIST HIMSELF. 284 00:13:53,901 --> 00:13:56,336 WELL, IF DAMON WON'T ANSWER HIS FANS, 285 00:13:56,369 --> 00:13:58,105 MAYBE HE'LL ANSWER ME. 286 00:13:58,138 --> 00:14:00,473 I'M JUST TELLING YOU IF YOU DON'T WANT THIS 287 00:14:00,507 --> 00:14:01,808 TO HAPPEN, YOU SHOULD START TALKING TO ME. 288 00:14:01,841 --> 00:14:06,613 BECAUSE YOU AND YOUR FRIEND THINK A GHOST CAN MAKE THIS COME TRUE. 289 00:14:06,646 --> 00:14:07,814 YOU'VE BEEN READING TOO MANY COMICS. 290 00:14:07,847 --> 00:14:11,952 LOOK, I THINK THE GHOST IS TAKING CUES FROM YOUR DRAWINGS. 291 00:14:11,985 --> 00:14:14,287 I MEAN, THE ICICLES OUTSIDE MY STORE, 292 00:14:14,321 --> 00:14:15,388 YOUR ICE MAKER-- 293 00:14:15,422 --> 00:14:18,391 HE'S LOOKING AT YOUR ARTWORK AND BRINGING IT TO LIFE. 294 00:14:18,425 --> 00:14:19,659 HOW IS THAT EVEN POSSIBLE? 295 00:14:19,692 --> 00:14:21,294 GHOSTS CAN MAKE THINGS MALFUNCTION. 296 00:14:21,328 --> 00:14:23,163 THEY CAN ALSO MESS WITH TEMPERATURE. 297 00:14:23,196 --> 00:14:24,597 LOOK, WHATEVER'S HAPPENING IN YOUR STUDIO, 298 00:14:24,631 --> 00:14:27,000 IT'S NOT GONNA STOP JUST BECAUSE YOU MOVE. 299 00:14:27,034 --> 00:14:27,968 YOU'RE BEING HAUNTED, 300 00:14:28,001 --> 00:14:31,104 AND IF YOU DENY THAT, IT'S NOT GONNA HELP YOU. 301 00:14:31,504 --> 00:14:32,472 WHAT ELSE CAN GHOSTS DO? 302 00:14:32,505 --> 00:14:35,108 WELL, IF YOUR LAST DRAWING WAS ANY INDICATION, 303 00:14:35,142 --> 00:14:38,979 YOU MIGHT WANNA STOP DRAWING YOURSELF INTO THE PANELS. 304 00:14:39,012 --> 00:14:41,548 I WISH I COULD. 305 00:14:41,581 --> 00:14:42,315 WHAT ARE YOU TALKING ABOUT? 306 00:14:42,349 --> 00:14:44,317 I'D SAY THIS IS GONNA SOUND CRAZY, 307 00:14:44,351 --> 00:14:46,519 BUT YOU AND YOUR FRIENDS SEE GHOSTS. 308 00:14:46,553 --> 00:14:48,355 THE ICICLE PANEL, 309 00:14:48,388 --> 00:14:50,523 I HAVE NO MEMORY OF DRAWING IT. 310 00:14:50,557 --> 00:14:52,559 WHAT DO YOU MEAN? 311 00:14:53,126 --> 00:14:55,328 I'LL BE AT MY DESK WORKING 312 00:14:55,362 --> 00:14:57,130 WHEN I BLACK OUT OR LOSE TRACK OF TIME. 313 00:14:57,164 --> 00:15:01,401 I'M NOT SURE, BUT WHEN I COME TO, I'VE GOT A NEW DRAWING SKETCHED, 314 00:15:01,434 --> 00:15:02,669 INKED, AND UPLOADED TO MY BLOG. 315 00:15:02,702 --> 00:15:05,338 OK, SO IF YOU DIDN'T POST THOSE DRAWINGS, 316 00:15:05,372 --> 00:15:07,607 THEN THE TIME STAMP WASN'T AN ERROR, 317 00:15:07,640 --> 00:15:09,642 WHICH MEANS THAT THE GHOST IS TELLING YOU 318 00:15:09,676 --> 00:15:11,478 WHAT HE'S GONNA DO TO YOU BEFORE IT HAPPENS. 319 00:15:11,511 --> 00:15:15,048 HAVE YOU EVER HEARD OF AUTOMATIC WRITING OR DRAWING? 320 00:15:15,082 --> 00:15:17,117 WHEN SOMEONE FORCES YOU TO DRAW SOMETHING. 321 00:15:17,150 --> 00:15:19,286 YOU MEAN LIKE CHANNELING ANOTHER ARTIST? 322 00:15:19,319 --> 00:15:20,553 I'VE HEARD OF IT. 323 00:15:20,587 --> 00:15:22,055 YOU'RE SAYING IT'S REAL? 324 00:15:22,089 --> 00:15:23,190 IT'S A FORM OF POSSESSION, 325 00:15:23,223 --> 00:15:26,193 AND I THINK YOU KNOW IT'S REAL. 326 00:15:27,427 --> 00:15:31,331 SO HE MAKES ME DRAW HOW HE'S GONNA HAUNT ME? 327 00:15:31,364 --> 00:15:33,033 WHY? TO SCARE YOU. 328 00:15:33,066 --> 00:15:34,267 TO PUNISH YOU, FOR WHAT, 329 00:15:34,301 --> 00:15:36,503 ONLY THE GHOST KNOWS, UNLESS YOU HAVE A GUESS. 330 00:15:36,536 --> 00:15:38,538 I COULD USE SOME AIR. 331 00:15:38,571 --> 00:15:43,043 DAMON, LOOK, PLEASE. 332 00:15:44,344 --> 00:15:45,712 LOOK, I KNOW THAT YOU DIDN'T DRAW HIM. 333 00:15:45,745 --> 00:15:50,617 I JUST NEED TO KNOW IF YOU RECOGNIZE THE GHOST, THE GUY IN THE SKI MASK. 334 00:15:50,650 --> 00:15:52,052 NO, I DON'T. 335 00:15:52,085 --> 00:15:53,353 BUT AFTER ELI DESCRIBED HIM TO ME, 336 00:15:53,386 --> 00:15:56,456 WHEN I SAW HIM IN THE DRAWING, I GOT NERVOUS. 337 00:15:56,489 --> 00:15:59,026 OK, WHAT ABOUT THE KID WITH THE ORANGE BACKPACK? 338 00:15:59,059 --> 00:15:59,959 YEAH, AND THE KNIFE. 339 00:15:59,993 --> 00:16:01,561 NO, I'VE NEVER SEEN THAT KID BEFORE EITHER. 340 00:16:01,594 --> 00:16:04,697 CAN YOU THINK OF ANYONE WHO MIGHT BE ANGRY WITH YOU? 341 00:16:04,731 --> 00:16:07,434 LIKE UPSET FANS OR OTHER ARTISTS, MAYBE? 342 00:16:07,467 --> 00:16:10,103 THE NEW BOOK IS TOTALLY DIFFERENT FOR ME-- 343 00:16:10,137 --> 00:16:10,937 NEW STYLES, NEW CHARACTERS-- 344 00:16:10,970 --> 00:16:13,006 AND NOT EVERYBODY IS HAPPY WITH THAT. 345 00:16:13,040 --> 00:16:15,208 SO TAKE YOUR PICK. MY FANS, MY RIVALS, 346 00:16:15,242 --> 00:16:16,043 EVERYONE'S GUNNIN' FOR ME. 347 00:16:16,076 --> 00:16:18,311 BUT IF ANY OF THEM HAVE DIED RECENTLY, 348 00:16:18,345 --> 00:16:19,279 I HAVEN'T HEARD ABOUT IT. 349 00:16:19,312 --> 00:16:23,383 BOTTOM LINE, I HAVE NO IDEA WHO THIS GHOST IS. 350 00:16:23,416 --> 00:16:27,354 JUST PLEASE TELL HIM TO LEAVE ME ALONE. 351 00:16:37,497 --> 00:16:39,566 DAMON, WAIT! 352 00:16:39,599 --> 00:16:41,301 STOP! 353 00:16:41,334 --> 00:16:44,637 [GROANING] 354 00:16:44,671 --> 00:16:48,241 I'M SO SORRY. I DON'T KNOW WHAT HAPPENED. 355 00:17:55,875 --> 00:17:58,478 [OVERLAPPING CONVERSATIONS] [GROANING] 356 00:17:58,511 --> 00:18:00,347 ARE YOU OK? 357 00:18:00,380 --> 00:18:02,349 I THINK SO. 358 00:18:04,151 --> 00:18:07,554 HEY! HEY, WAIT! 359 00:18:08,555 --> 00:18:12,692 DID YOU SEE THAT KID WITH THE ORANGE BACKPACK? 360 00:18:12,725 --> 00:18:17,664 NO, BUT I'M NOT STICKIN' AROUND FOR HIM TO COME BACK. 361 00:18:28,341 --> 00:18:30,443 I'M NOT FINDING ANY RECENT REPORTS 362 00:18:30,477 --> 00:18:31,444 OF PEOPLE FALLING THROUGH THE ICE, 363 00:18:31,478 --> 00:18:34,614 BUT I'M PRETTY SURE THAT'S HOW THE GHOST DIED. 364 00:18:34,647 --> 00:18:35,515 HENCE THE ICE HAUNTINGS. 365 00:18:35,548 --> 00:18:36,383 MAYBE HE HASN'T BEEN FOUND. 366 00:18:36,416 --> 00:18:38,351 DAMON HAS NOTHING TO SAY ON THE MATTER? 367 00:18:38,385 --> 00:18:41,388 AT LEAST HE FINALLY ADMITTED TO THE AUTOMATIC DRAWING. 368 00:18:41,421 --> 00:18:44,357 WELL, I LOOSENED HIM UP FOR YOU. 369 00:18:44,857 --> 00:18:46,359 HEY, MELINDA. 370 00:18:46,393 --> 00:18:49,162 I DIDN'T REALIZE YOU WERE VISITING. 371 00:18:49,196 --> 00:18:51,298 YOU JUST HAPPENED TO BE PASSING MY OFFICE 372 00:18:51,331 --> 00:18:52,265 WITH AN ARMLOAD OF COMICS? 373 00:18:52,299 --> 00:18:55,435 UH, YEAH, I WAS JUST CLEANING OUT MY DESK AND-- 374 00:18:55,468 --> 00:18:58,405 OK. WELL, I SAW YOUR CAR OUTSIDE, 375 00:18:58,438 --> 00:19:00,840 AND COME ON. I TEACH ANTHRO OF THE OCCULT, 376 00:19:00,873 --> 00:19:03,276 AND YOU GUYS ARE MESSING WITH GHOSTS. 377 00:19:03,310 --> 00:19:04,544 I JUST WANTED TO HANG. 378 00:19:04,577 --> 00:19:05,412 NO PROBLEM. 379 00:19:05,445 --> 00:19:06,813 I'M NOT SURE THAT THOSE ARE GONNA HELP. 380 00:19:06,846 --> 00:19:08,548 THE GHOST SEEMS TO BE DRAWING HIS OWN SCENES. 381 00:19:08,581 --> 00:19:12,552 OH. SO DAMON'S LATEST BLOG PANEL CAME TRUE? 382 00:19:12,585 --> 00:19:13,653 MOST OF IT. 383 00:19:13,686 --> 00:19:15,555 MELINDA SAW THE GHOST AND THE BOY WITH THE BACKPACK. 384 00:19:15,588 --> 00:19:16,789 EXCEPT HE WASN'T HOLDING A KNIFE. 385 00:19:16,823 --> 00:19:19,359 WELL, IRRELEVANT. I MEAN, YOU WEREN'T IN THE DRAWING EITHER, 386 00:19:19,392 --> 00:19:20,260 BUT YOU WERE THERE WHEN IT HAPPENED. 387 00:19:20,293 --> 00:19:22,195 THAT'S A GOOD POINT. MAYBE YOU BEING THERE 388 00:19:22,229 --> 00:19:23,563 IS THE ONLY THING THAT SAVED DAMON. 389 00:19:23,596 --> 00:19:26,733 YEAH, I THINK THIS GHOST WANTS TO TORMENT DAMON, NOT JUST INJURE HIM. 390 00:19:26,766 --> 00:19:28,801 RIGHT. WHY ELSE WOULD THE GHOST GIVE HIM 391 00:19:28,835 --> 00:19:30,603 A SNEAK PREVIEW ON HIS BLOG EVERY DAY? 392 00:19:30,637 --> 00:19:31,971 WHO WOULD DO SOMETHING LIKE THAT? 393 00:19:32,004 --> 00:19:34,241 SOMEONE WHO'S ANGRY AND CONFUSED 394 00:19:34,274 --> 00:19:36,243 AND QUITE HONESTLY HAS ME CONFUSED. 395 00:19:36,276 --> 00:19:37,277 HOW SO? 396 00:19:37,310 --> 00:19:38,445 THE GHOST SHOWED ME HIS DEATH, 397 00:19:38,478 --> 00:19:40,647 AND HE WAS TRAPPED UNDERWATER BELOW THE ICE. 398 00:19:40,680 --> 00:19:41,714 LIKE HE FELL THROUGH. 399 00:19:41,748 --> 00:19:42,815 YEAH, EXCEPT THE STRANGE THING IS IS THAT THE HOLES 400 00:19:42,849 --> 00:19:45,218 WERE NOT BIG ENOUGH FOR HIM TO HAVE FALLEN THROUGH. 401 00:19:45,252 --> 00:19:47,287 I MEAN, THEY WERE VERY SMALL, PERFECTLY ROUND HOLES 402 00:19:47,320 --> 00:19:49,222 THAT LOOKED LIKE THEY HAD BEEN CARVED. 403 00:19:49,256 --> 00:19:51,558 YEAH, LIKE ICE FISHING HOLES. 404 00:19:52,792 --> 00:19:54,394 OH, YOU GUYS HAVE NEVER BEEN? 405 00:19:54,427 --> 00:19:55,662 TRUST ME. I WISH I HADN'T EITHER. 406 00:19:55,695 --> 00:19:58,531 MY DAD THOUGHT IT WOULD MAKE FOR GREAT FATHER-DAUGHTER BONDING. 407 00:19:58,565 --> 00:19:59,932 HE WOULD SCHLEP US OUT EVERY WINTER 408 00:19:59,966 --> 00:20:02,635 TO SOME LAKE IN STANTON THAT WAS STOCKED WITH FISH. 409 00:20:02,669 --> 00:20:04,337 NEVER CAUGHT ANYTHING BUT A COLD. 410 00:20:04,371 --> 00:20:05,305 STANTON'S NEARBY. 411 00:20:05,338 --> 00:20:06,673 YEAH, IT'S THE ONLY LAKE AROUND 412 00:20:06,706 --> 00:20:07,907 THAT'S SANCTIONED FOR THE SPORT, 413 00:20:07,940 --> 00:20:09,442 AND IT'S ALMOST THE END OF THE SEASON, 414 00:20:09,476 --> 00:20:11,878 AND WHEN THE ICE MELTS, IT GETS REALLY THIN. 415 00:20:11,911 --> 00:20:14,281 RIGHT, BUT IF IT WAS FROZEN, THE GHOST'S BODY 416 00:20:14,314 --> 00:20:15,982 COULD STILL BE TRAPPED UNDERNEATH THERE. 417 00:20:16,015 --> 00:20:18,418 HIS DEAD BODY? 418 00:20:18,851 --> 00:20:21,788 WHAT DO YOU GUYS DO WITH THAT KIND OF INFORMATION? 419 00:20:21,821 --> 00:20:23,323 MM, GOOD QUESTION, MEL. 420 00:20:23,356 --> 00:20:24,791 WHAT DO WE DO WITH THAT INFORMATION? 421 00:20:24,824 --> 00:20:26,293 DETECTIVE BLAIR IS GONE. DETECTIVE SIMON 422 00:20:26,326 --> 00:20:27,960 WAS LESS THAN HAPPY TO MAKE OUR ACQUAINTANCE. 423 00:20:27,994 --> 00:20:29,862 IF WE TURN IN ANOTHER TIP ON A DEAD BODY, 424 00:20:29,896 --> 00:20:31,798 WE'LL BE VISITING A VERY DIFFERENT SET OF BARS 425 00:20:31,831 --> 00:20:34,000 THAN I'D PREFER ON A FRIDAY NIGHT. 426 00:20:34,033 --> 00:20:35,668 WELL, I'LL CALL 911. 427 00:20:35,702 --> 00:20:39,339 I'LL SAY I SPOTTED SOMETHING AT MY DAD'S ICE SHANTY 428 00:20:39,372 --> 00:20:41,608 WHILE I WAS JIGGING FOR BLUEGILLS. 429 00:20:41,641 --> 00:20:42,809 OH, THAT OLD EXCUSE. 430 00:20:42,842 --> 00:20:45,712 UM, WE CAN'T ASK YOU TO DO THAT. 431 00:20:45,745 --> 00:20:46,646 YOU DIDN'T ASK, 432 00:20:46,679 --> 00:20:47,480 BUT I WANNA CALL ANYWAY. 433 00:20:47,514 --> 00:20:49,649 I'D WANT SOMEONE TO DO THE SAME FOR ME 434 00:20:49,682 --> 00:20:52,419 IF I WAS FROZEN STIFF UNDER THAT ICE. 435 00:20:54,487 --> 00:20:55,788 Jim: THE POLICE FOLLOWED AVERY'S LEAD, 436 00:20:55,822 --> 00:20:57,524 AND THEY FOUND THE BODY IN THE LAKE, 437 00:20:57,557 --> 00:21:01,060 BUT THEY'RE STILL TRYING TO DISCOVER HIS IDENTITY. 438 00:21:01,093 --> 00:21:01,861 BUT HE'S YOUNG. 439 00:21:01,894 --> 00:21:03,796 WELL, IF HE'S BEEN REPORTED MISSING, 440 00:21:03,830 --> 00:21:06,466 THEY'RE GONNA FIND OUT SOON. 441 00:21:12,805 --> 00:21:13,673 TALK TO ME. 442 00:21:13,706 --> 00:21:16,943 TELL ME WHAT DAMON HAS TO DO WITH ALL THIS. 443 00:21:16,976 --> 00:21:20,513 DAMON TOOK MY LIFE. 444 00:21:35,462 --> 00:21:36,529 CHECK IT OUT. WE MADE THE FRONT PAGE. 445 00:21:36,563 --> 00:21:39,599 NO. SADLY, A DEAD RUNAWAY KID NAMED SHANE DUNNING DID. 446 00:21:39,632 --> 00:21:40,867 YOU ALREADY KNEW THE I.D. OF THE GHOST? 447 00:21:40,900 --> 00:21:42,034 LITTLE THING CALLED THE INTERNET. 448 00:21:42,068 --> 00:21:43,102 THAT AND JIM FILLED ME IN AFTER HE TALKED TO THE CORONER. 449 00:21:43,135 --> 00:21:45,672 WELL, I BET HE DIDN'T MENTION THIS LITTLE TIDBIT. 450 00:21:45,705 --> 00:21:47,374 THE LAKE WHERE THEY FOUND SHANE'S BODY-- 451 00:21:47,407 --> 00:21:48,941 IS LESS THAN A MILE FROM DAMON'S HOUSE. 452 00:21:48,975 --> 00:21:51,744 I KNOW. HE'S BEEN LIVING UP THERE AND COMMUTING TO HIS STUDIO FOR ABOUT 10 YEARS. 453 00:21:51,778 --> 00:21:53,646 HOW ARE YOU ALWAYS ONE STEP AHEAD OF ME? 454 00:21:53,680 --> 00:21:54,714 QUESTION IS IS IT A COINCIDENCE? 455 00:21:54,747 --> 00:21:56,115 THAT YOU'RE ALWAYS ONE STEP AHEAD? 456 00:21:56,148 --> 00:21:57,550 NO, THAT WE HAVE A GHOST SAYING DAMON TOOK HIS LIFE 457 00:21:57,584 --> 00:22:01,454 AND NOW THE GHOST TURNS UP PRACTICALLY RIGHT NEXT DOOR TO DAMON'S HOUSE. 458 00:22:01,488 --> 00:22:02,655 DAMON SAID HE NEVER EVEN SAW THE GHOST, 459 00:22:02,689 --> 00:22:03,856 BUT HE MIGHT JUST BE A BIG, FAT LIAR. 460 00:22:03,890 --> 00:22:05,958 I'M NOT SURE. THE GHOST FORCED DAMON TO DRAW THOSE PICTURES. 461 00:22:05,992 --> 00:22:07,494 HE'S TRYING TO TELL US SOMETHING. 462 00:22:07,527 --> 00:22:08,528 THAT DAMON KILLED HIM? 463 00:22:08,561 --> 00:22:09,796 BY SOMEHOW LURING HIM OUT ONTO THIN ICE, AND WHY? 464 00:22:09,829 --> 00:22:11,330 I MEAN, THERE'S NO APPARENT CONNECTION BETWEEN SHANE AND DAMON. 465 00:22:11,364 --> 00:22:16,102 AND WHAT DOES THE ANGRY KID WITH THE ORANGE BACKPACK HAVE TO DO WITH ANY OF IT? 466 00:22:16,135 --> 00:22:18,538 OH. WAIT. ARE YOU ASKING ME? 467 00:22:18,571 --> 00:22:21,541 NOPE. I'M GONNA ASK SHANE'S FAMILY. 468 00:22:24,811 --> 00:22:27,714 I DON'T EVEN KNOW WHY I TRY. 469 00:22:30,983 --> 00:22:33,420 Mariah: COME ON, HONEY, LET'S GO. LET'S GET YOU OUT OF HERE. 470 00:22:33,453 --> 00:22:35,555 Jeff: ARE YOU READY? COME ON. 471 00:22:40,760 --> 00:22:42,395 MR. AND MRS. DUNNING. 472 00:22:42,429 --> 00:22:44,597 HI. MY NAME IS MELINDA GORDON, 473 00:22:44,631 --> 00:22:45,865 AND I AM SO SORRY FOR YOUR LOSS. 474 00:22:45,898 --> 00:22:50,069 ARE YOU THE HOSPITAL GRIEF COUNSELOR? 475 00:22:50,737 --> 00:22:51,604 NOT EXACTLY, 476 00:22:51,638 --> 00:22:54,674 BUT I THINK I CAN HELP. 477 00:22:55,942 --> 00:22:58,545 [P.A.] DR. FORREST, DIAL 118, PLEASE. 478 00:22:58,578 --> 00:23:02,415 SO YOU'VE ACTUALLY SEEN, TALKED TO MY SON SINCE HE-- 479 00:23:02,449 --> 00:23:05,552 I KNOW IT'S A LOT TO PROCESS. 480 00:23:05,585 --> 00:23:07,454 IS SHANE HERE NOW? 481 00:23:07,487 --> 00:23:08,220 NO, 482 00:23:08,254 --> 00:23:09,856 BUT I'M SURE HE'S NOT VERY FAR. 483 00:23:09,889 --> 00:23:13,593 I JUST NEED TO FIGURE OUT WHAT HE'S ANGRY ABOUT 484 00:23:13,626 --> 00:23:15,728 OR WHY HE FEELS LIKE HE WAS WRONGED SOMEHOW. 485 00:23:15,762 --> 00:23:17,196 IT'S BECAUSE OF ME. 486 00:23:17,229 --> 00:23:20,567 YOU CAN'T KEEP BEATING YOURSELF UP, BABY. 487 00:23:20,600 --> 00:23:23,903 WE ALL TRIED OUR BEST WITH SHANE. 488 00:23:24,236 --> 00:23:27,440 HE HAD TROUBLE AT SCHOOL AND TROUBLE AT HOME. 489 00:23:27,474 --> 00:23:29,809 SHANE'S MOTHER WASN'T ANY HELP. 490 00:23:29,842 --> 00:23:32,879 SHE TOOK OFF AFTER THE DIVORCE. 491 00:23:32,912 --> 00:23:34,647 SHANE NEVER SAW HER AGAIN. 492 00:23:34,681 --> 00:23:36,716 THAT MUST HAVE BEEN HARD ON HIM. 493 00:23:36,749 --> 00:23:39,619 THIS IS A SECOND MARRIAGE FOR BOTH OF US. 494 00:23:39,652 --> 00:23:44,657 WE TRIED TO BLEND OUR FAMILIES, BUT IT WASN'T EASY. 495 00:23:44,691 --> 00:23:47,860 SHANE SEEMED TO TAKE IT THE WORST. 496 00:23:47,894 --> 00:23:49,228 WE TRIED COUNSELING. 497 00:23:49,261 --> 00:23:51,864 WE WORKED WITH TEACHERS AND FRIENDS. 498 00:23:51,898 --> 00:23:53,500 NOTHING HELPED. 499 00:23:53,533 --> 00:23:58,771 DID ANYTHING HAPPEN RIGHT BEFORE HE RAN AWAY? 500 00:23:59,706 --> 00:24:00,540 A LOT. 501 00:24:00,573 --> 00:24:03,109 THERE WAS A LAST STRAW, 502 00:24:03,142 --> 00:24:04,844 FOR ME, ANYWAY. 503 00:24:04,877 --> 00:24:07,880 IT SEEMS SO SMALL NOW. 504 00:24:07,914 --> 00:24:11,684 SHANE FOUND A PREAPPROVED CREDIT CARD IN THE MAIL, 505 00:24:11,718 --> 00:24:13,986 AND HE OPENED AN ACCOUNT IN JEFF'S NAME. 506 00:24:14,020 --> 00:24:16,923 WHEN THE BANK CALLED US AND TOLD US-- 507 00:24:16,956 --> 00:24:17,757 I LOST IT. 508 00:24:17,790 --> 00:24:21,794 I WAS DESPERATE TO GET THROUGH TO HIM. 509 00:24:22,529 --> 00:24:23,295 I TOLD SHANE 510 00:24:23,329 --> 00:24:27,166 HE HAD TO EITHER SHAPE UP OR GET OUT. 511 00:24:28,167 --> 00:24:33,540 I JUST THOUGHT IF HE WAS FACED WITH AN ULTIMATUM, THEN... 512 00:24:38,310 --> 00:24:41,748 HE DECIDED TO LEAVE, 513 00:24:41,781 --> 00:24:44,817 AND WE NEVER SAW HIM AGAIN. 514 00:24:46,218 --> 00:24:48,120 U-UNTIL... 515 00:24:49,622 --> 00:24:50,657 I'M SO SORRY. 516 00:24:50,690 --> 00:24:55,762 I JUST WANTED HIM TO GET ON THE RIGHT TRACK IN LIFE. 517 00:24:56,829 --> 00:24:59,832 I DIDN'T WANT TO LOSE HIM. 518 00:25:02,702 --> 00:25:10,042 WOULD YOU TELL SHANE THAT WE'D GIVE ANYTHING TO HAVE HIM BACK AGAIN? 519 00:25:10,076 --> 00:25:12,278 OF COURSE. 520 00:25:12,712 --> 00:25:13,813 WHEN HE'S READY. 521 00:25:13,846 --> 00:25:16,549 RIGHT NOW, I JUST HAVE TO FIGURE OUT 522 00:25:16,583 --> 00:25:18,751 WHAT'S KEEPING HIM HERE. 523 00:25:18,785 --> 00:25:20,687 LOOK, I KNOW THAT THIS IS GONNA SOUND STRANGE, 524 00:25:20,720 --> 00:25:24,657 BUT I THINK IT MIGHT HAVE SOMETHING TO DO WITH COMIC BOOKS. 525 00:25:24,691 --> 00:25:25,625 WHAT? 526 00:25:25,658 --> 00:25:26,626 NO, SHANE HATED COMIC BOOKS. 527 00:25:26,659 --> 00:25:30,630 HE TEASED HIS STEPBROTHER ABOUT IT ALL THE TIME. 528 00:25:30,663 --> 00:25:31,831 STEPBROTHER? 529 00:25:31,864 --> 00:25:34,066 MY SON COLIN FROM MY FIRST MARRIAGE. 530 00:25:34,100 --> 00:25:37,103 HE'S THE ONE WHO LOVES GRAPHIC NOVELS. 531 00:25:37,136 --> 00:25:39,772 WERE THEY CLOSE? 532 00:25:40,339 --> 00:25:43,743 WHEN WE GOT MARRIED, MARIAH AND I HOPED 533 00:25:43,776 --> 00:25:46,045 THAT IT WOULD BRING THEM TOGETHER, 534 00:25:46,078 --> 00:25:48,314 BUT IT HAD THE OPPOSITE EFFECT. 535 00:25:48,347 --> 00:25:50,783 THEY FOUGHT A LOT, 536 00:25:50,817 --> 00:25:52,885 SO COLIN MOSTLY AVOIDED SHANE 537 00:25:52,919 --> 00:25:58,024 BY HIDING IN HIS ROOM ALL THE TIME WITH HIS COMICS. 538 00:25:58,057 --> 00:26:00,693 THERE HE IS NOW. 539 00:26:03,162 --> 00:26:05,865 IT'S OK. 540 00:26:14,941 --> 00:26:16,976 I'M SORRY TO HEAR ABOUT YOUR STEPBROTHER. 541 00:26:17,009 --> 00:26:19,045 YOUR MOM SAID THAT YOU AND SHANE WEREN'T CLOSE, 542 00:26:19,078 --> 00:26:20,146 BUT I'M SURE IT'S STILL HARD FOR YOU. 543 00:26:20,179 --> 00:26:24,817 SO YOU'VE REALLY SEEN SHANE, OR HIS GHOST OR WHATEVER? 544 00:26:24,851 --> 00:26:27,286 YES, I HAVE. 545 00:26:27,319 --> 00:26:28,120 HE'S ANGRY. 546 00:26:28,154 --> 00:26:30,890 HE SAID THAT DAMON WEAVER IS A THIEF. 547 00:26:30,923 --> 00:26:34,393 I DON'T KNOW WHAT THAT MEANT, BUT YOU MIGHT. 548 00:26:34,426 --> 00:26:35,728 NOT REALLY. 549 00:26:35,762 --> 00:26:38,831 OK, WELL, YOUR MOM SAID THAT YOU'RE THE ONE WHO'S INTO COMICS, 550 00:26:38,865 --> 00:26:43,035 AND I SAW YOU AT DAMON'S STUDIO, SO YOU'RE A FAN, RIGHT? 551 00:26:43,069 --> 00:26:45,171 [SCOFFS] WAS. 552 00:26:45,204 --> 00:26:46,305 HOW COME? 553 00:26:46,338 --> 00:26:48,941 DAMON'S NEW NOVEL, 554 00:26:48,975 --> 00:26:50,943 IT'S MINE, 555 00:26:50,977 --> 00:26:51,778 I THINK. 556 00:26:51,811 --> 00:26:54,080 WHAT DO YOU MEAN? 557 00:26:54,814 --> 00:26:57,750 I FINISHED A GRAPHIC NOVEL OF MY OWN. 558 00:26:57,784 --> 00:26:59,118 DID SHANE KNOW ABOUT IT? 559 00:26:59,151 --> 00:27:02,154 YEAH. I NEVER SHOWED IT TO HIM, BUT HE KNEW I WAS FINISHING ONE UP. 560 00:27:02,188 --> 00:27:03,956 HE THOUGHT IT WAS LAME. 561 00:27:03,990 --> 00:27:06,726 AND THEN RIGHT BEFORE HE LEFT, HE STOLE MY LAPTOP 562 00:27:06,759 --> 00:27:08,795 AND ALL MY ORIGINAL DRAWINGS. 563 00:27:08,828 --> 00:27:11,664 HIS WAY OF TAUNTING YOU ONE LAST TIME. 564 00:27:11,698 --> 00:27:12,899 THAT'S WHAT I THOUGHT, 565 00:27:12,932 --> 00:27:16,335 BUT THEN DAMON WEAVER RELEASES A SPOILER ABOUT HIS NEW BOOK, 566 00:27:16,368 --> 00:27:19,038 AND EVERYTHING ABOUT IT IS JUST LIKE MINE-- 567 00:27:19,071 --> 00:27:21,340 I MEAN, CHARACTERS, THE STORY, EVERYTHING. 568 00:27:21,373 --> 00:27:24,443 SO WHAT ARE YOU SAYING, THAT DAMON STOLE YOUR STORY? 569 00:27:24,476 --> 00:27:27,814 OR SHANE STOLE IT AND HE SOLD IT TO DAMON, 570 00:27:27,847 --> 00:27:29,916 PRETENDING IT WAS HIS WORK. 571 00:27:29,949 --> 00:27:33,219 IS THAT WHEN YOU STARTED SHOWING UP IN DAMON'S DRAWINGS? 572 00:27:33,252 --> 00:27:34,887 THAT'S A NEW THING, 573 00:27:34,921 --> 00:27:36,422 TOTALLY UNRELATED TO MY WORK. 574 00:27:36,455 --> 00:27:38,691 I MEAN, WHY WOULD DAMON WEAVER DRAW ME 575 00:27:38,725 --> 00:27:41,961 AND MY STEPBROTHER INTO HIS BLOG COMICS? 576 00:27:42,795 --> 00:27:45,898 ACTUALLY, I THINK SHANE'S BEEN DOING IT. 577 00:27:45,932 --> 00:27:46,665 WHAT DO YOU MEAN? 578 00:27:46,699 --> 00:27:48,968 I THINK THAT HE'S POSSESSING DAMON 579 00:27:49,001 --> 00:27:51,704 AND MAKING HIM DO THE DRAWINGS. 580 00:27:52,004 --> 00:27:53,272 WHY WOULD HE DO THAT? 581 00:27:53,305 --> 00:27:55,341 I MEAN, IT SEEMS POINTLESS. 582 00:27:55,374 --> 00:27:56,142 DOES IT? 583 00:27:56,175 --> 00:27:57,276 I MEAN, THERE HAS TO BE SOME REASON 584 00:27:57,309 --> 00:27:59,946 WHY YOU WERE STANDING IN THE PICTURE, HOLDING A KNIFE. 585 00:27:59,979 --> 00:28:00,980 I DIDN'T HAVE A KNIFE. 586 00:28:01,013 --> 00:28:04,050 WHY DID YOU GO TO THE SQUARE IN THE FIRST PLACE? 587 00:28:04,851 --> 00:28:06,719 I WANTED TO TALK TO DAMON, 588 00:28:06,753 --> 00:28:08,287 SEE IF I COULD GET SOME ANSWERS. 589 00:28:08,320 --> 00:28:09,588 MAYBE HE WOULD TELL ME WHERE SHANE WAS. 590 00:28:09,621 --> 00:28:13,459 NOT THAT HE WOULD TELL ME THAT SHANE WAS AT THE BOTTOM OF A LAKE. 591 00:28:13,492 --> 00:28:15,094 SO YOU THINK THAT DAMON KILLED SHANE 592 00:28:15,127 --> 00:28:19,065 TO HIDE THE FACT THAT IT'S NOT HIS NOVEL? 593 00:28:19,098 --> 00:28:22,802 YOU'RE THE ONE THAT SAID THAT SHANE WAS ANGRY. 594 00:28:22,835 --> 00:28:25,171 MAYBE THAT'S WHY. 595 00:28:27,974 --> 00:28:29,909 NOW, WHY DOESN'T THIS KID, UH-- COLIN. 596 00:28:29,942 --> 00:28:31,143 WHY DOESN'T COLIN BUST DAMON FOR PLAGIARISM? 597 00:28:31,177 --> 00:28:34,246 UM, BECAUSE HE CAN'T PROVE IT. SHANE TOOK ALL OF HIS ARTWORK. 598 00:28:34,280 --> 00:28:38,818 AND SOLD IT TO DAMON, WHO IS CLAIMING IT AS HIS OWN. THAT IS LOW. 599 00:28:38,851 --> 00:28:39,718 I MEAN, BUT WOULD DAMON WEAVER 600 00:28:39,752 --> 00:28:41,220 REALLY KILL THIS KID TO PROTECT HIS SECRET? 601 00:28:41,253 --> 00:28:42,755 I DON'T KNOW. MAYBE IT WAS AN ACCIDENT, 602 00:28:42,789 --> 00:28:46,793 OR MAYBE HE REALIZED THAT HE WAS IN A POSITION WHERE HE COULD LOSE EVERYTHING. 603 00:28:46,826 --> 00:28:47,559 EVERYTHING, HUH? 604 00:28:47,593 --> 00:28:48,928 YEAH. HIS REPUTATION, HIS CAREER. 605 00:28:48,961 --> 00:28:50,129 HEY, WHY DOESN'T THE GHOST 606 00:28:50,162 --> 00:28:51,964 FORCE DAMON TO DRAW A CONFESSION? 607 00:28:51,998 --> 00:28:53,165 MAYBE THAT'S WHAT HE HAS IN MIND. 608 00:28:53,199 --> 00:28:54,100 I MEAN, IT'S ALL PRETTY PUBLIC. 609 00:28:54,133 --> 00:28:56,135 YOU KNOW, MAYBE HE'S TRYING TO TORMENT DAMON 610 00:28:56,168 --> 00:28:57,904 SO THAT HE'LL CONFESS WHAT HE DID. 611 00:28:57,937 --> 00:29:00,172 AND WILL THAT BE PLAGIARISM OR MURDER? 612 00:29:00,206 --> 00:29:02,208 MAYBE BOTH. AH. 613 00:30:28,060 --> 00:30:29,862 OK, SHANE. 614 00:30:29,896 --> 00:30:31,563 MAYBE YOU'RE RIGHT. 615 00:30:55,621 --> 00:30:57,056 HMM. 616 00:30:57,456 --> 00:30:59,992 ALMOST MAKES THE INTEREST RATE INCREASE WORTH IT. 617 00:31:00,026 --> 00:31:01,928 DO YOU PEOPLE BREAK AND ENTER OFTEN? 618 00:31:01,961 --> 00:31:03,996 UH, IT'S NOT CONSIDERED BREAKING AND ENTERING 619 00:31:04,030 --> 00:31:08,200 UNLESS WE PEOPLE GET CAUGHT, SO YOU WANNA CLOSE THE DOOR? 620 00:31:11,003 --> 00:31:12,071 HMM. 621 00:31:12,104 --> 00:31:14,640 WELL, YOU'RE THE GRAPHIC NOVELISTA. 622 00:31:14,673 --> 00:31:16,575 GO SNIFF OUT THE KID'S ARTWORK. 623 00:31:16,608 --> 00:31:17,709 WHAT IF DAMON COMES BACK? 624 00:31:17,743 --> 00:31:19,912 MELINDA'S GOT THE PERFECT VANTAGE POINT FROM HER SHOP. 625 00:31:19,946 --> 00:31:23,149 SHE'LL GIVE US A HEADS-UP IF SHE SEES HIM. 626 00:31:23,182 --> 00:31:24,583 HOW 'BOUT THE GHOST? 627 00:31:24,616 --> 00:31:25,584 OH, HIM. 628 00:31:25,617 --> 00:31:28,620 I REALLY WON'T KNOW HE'S HERE UNTIL I HEAR HIM. 629 00:31:28,654 --> 00:31:31,123 SO HE COULD POSSESS ONE OF US LIKE HE DID TO DAMON? 630 00:31:31,157 --> 00:31:33,059 YEP. [SIGHS] 631 00:31:33,092 --> 00:31:35,661 [BEEPING] 632 00:31:43,369 --> 00:31:45,704 OH, NO. I THINK I UPSET HIM. 633 00:31:45,737 --> 00:31:50,376 SHANE, WE'RE HERE BECAUSE WE WANNA HELP. 634 00:31:52,711 --> 00:31:54,981 I DON'T THINK HE CARES. 635 00:31:55,014 --> 00:31:57,583 WE KNOW YOU TOOK YOUR STEPBROTHER'S ARTWORK. 636 00:31:57,616 --> 00:31:59,585 DID YOU REALLY SELL IT TO DAMON? 637 00:31:59,618 --> 00:32:03,022 IT'S TIME TO SET THINGS RIGHT, SHANE. 638 00:32:03,055 --> 00:32:05,024 JUST TALK TO ME. 639 00:32:07,326 --> 00:32:07,926 OK. 640 00:32:07,960 --> 00:32:10,396 WE CAN SHOW OURSELVES OUT. 641 00:32:11,330 --> 00:32:13,332 WHAT IS THAT? 642 00:32:16,502 --> 00:32:19,305 I THINK HE'S GONE. 643 00:32:24,543 --> 00:32:25,744 [GASPS] 644 00:32:25,777 --> 00:32:29,015 DO YOU KNOW HOW MUCH THESE ARE WORTH? 645 00:32:29,048 --> 00:32:30,649 THESE ARE SIGNED BY FRANK MILLER. 646 00:32:30,682 --> 00:32:31,650 THEY'RE ORIGINALS. 647 00:32:31,683 --> 00:32:36,155 YEAH, WELL, GUESS WHAT OTHER ORIGINALS DAMON HAS, 648 00:32:36,188 --> 00:32:37,389 COLIN'S. 649 00:32:37,423 --> 00:32:40,592 THESE ARE REALLY GOOD. THE KID'S GOT TALENT. 650 00:32:40,626 --> 00:32:42,394 [CELL PHONE RINGS] 651 00:32:42,428 --> 00:32:45,764 MELINDA. IS DAMON ON THE MOVE? 652 00:32:45,797 --> 00:32:48,600 ARE WE ABOUT TO BE MADE? 653 00:32:48,634 --> 00:32:49,668 NO, HE'S AT THE BOOK SIGNING. 654 00:32:49,701 --> 00:32:51,403 OH, OK. DID YOU FIND ANYTHING? 655 00:32:51,437 --> 00:32:56,008 WELL, WE FOUND COLIN'S ARTWORK. 656 00:32:56,042 --> 00:32:58,077 AND A COPY OF DAMON'S NEW BOOK. 657 00:32:58,110 --> 00:33:02,548 NOW WE'LL SEE IF DAMON REALLY DID RIP IT OFF. 658 00:33:04,616 --> 00:33:08,087 THERE ARE DIFFERENCES IN DAMON'S BACKGROUND ART AND DETAILS, 659 00:33:08,120 --> 00:33:11,423 BUT THE STORY, THE CONTENT, IT'S THE SAME AS COLIN'S. 660 00:33:11,457 --> 00:33:13,759 YEAH. COLIN SAID THAT THE MATERIAL WAS PERSONAL. HE'S RIGHT. 661 00:33:13,792 --> 00:33:16,162 SO THIS CHARACTER, THE ONE WHO'S LOSING HIS POWERS, 662 00:33:16,195 --> 00:33:17,429 THAT'S SUPPOSED TO BE SHANE? MM-HMM. 663 00:33:17,463 --> 00:33:18,464 WELL, I MEAN, IT SEEMS TO FIT. 664 00:33:18,497 --> 00:33:21,133 THE CHARACTER IN THE STORY IS ABANDONED BY HIS MOM 665 00:33:21,167 --> 00:33:22,801 BECAUSE HIS POWERS MAKE HER SICK. 666 00:33:22,834 --> 00:33:25,671 RIGHT. THE ABSENTEE MOM WHO DROPPED OUT OF SHANE'S LIFE. 667 00:33:25,704 --> 00:33:27,073 CUSTODY ISSUES CAN DO A NUMBER ON KIDS. 668 00:33:27,106 --> 00:33:28,774 THAT'S PROBABLY WHAT MADE SHANE ACT OUT 669 00:33:28,807 --> 00:33:30,709 AND CAUSE TROUBLE FOR HIS DAD AND STEPMOM. 670 00:33:30,742 --> 00:33:34,313 SO I GUESS WHEN THE GHOST SAID THAT DAMON TOOK HIS LIFE, 671 00:33:34,346 --> 00:33:36,082 HE MEANT THIS STORY, HIS STORY. 672 00:33:36,115 --> 00:33:38,650 WELL, CHECK THIS OUT. 673 00:33:38,684 --> 00:33:39,851 THAT OBVIOUSLY IS COLIN, 674 00:33:39,885 --> 00:33:43,389 AND HE'S GOT SHANE HOOKED UP TO THESE WEIRD TUBES AND WIRES, 675 00:33:43,422 --> 00:33:45,491 LIKE MAYBE HE'S TORTURING HIM. 676 00:33:45,524 --> 00:33:47,426 NO WONDER THE GHOST WAS SO ANGRY. 677 00:33:47,459 --> 00:33:49,261 HIS STEPBROTHER WAS GETTING HIS KICKS 678 00:33:49,295 --> 00:33:51,230 OFF SHANE'S PERSONAL PAIN. 679 00:33:51,263 --> 00:33:53,399 THEN WHY ISN'T SHANE HAUNTING COLIN? 680 00:33:53,432 --> 00:33:55,167 I THINK THAT THE GHOST IS USING THE DRAWINGS 681 00:33:55,201 --> 00:33:58,104 TO GET COLIN TO GO AFTER DAMON, LIKE THEY DID WITH THE KNIFE. 682 00:33:58,137 --> 00:34:00,806 YOU KNOW, TRYING TO GET THE STEPBROTHER TO DO SOMETHING STUPID. 683 00:34:00,839 --> 00:34:03,075 BUT THAT KNIFE ATTACK DIDN'T HAPPEN. 684 00:34:03,109 --> 00:34:05,311 NOT YET. 685 00:34:05,344 --> 00:34:06,245 WHAT'S WRONG? 686 00:34:06,278 --> 00:34:08,414 A LOT IF WE DON'T GET TO THAT BOOK SIGNING. 687 00:34:08,447 --> 00:34:12,584 OH. WELL, I GUESS I'LL HOLD DOWN THE FORT. 688 00:34:20,392 --> 00:34:21,660 OH, NO. 689 00:34:21,693 --> 00:34:24,530 [OVERLAPPING CONVERSATIONS] 690 00:34:26,498 --> 00:34:28,634 WOULD YOU MAKE THIS ONE OUT TO "MY BIGGEST FAN"? 691 00:34:28,667 --> 00:34:30,836 ZACH. THAT'S SHORT FOR ZACHARY. 692 00:34:30,869 --> 00:34:32,104 SURE. 693 00:34:32,138 --> 00:34:34,673 TO MY BIGGEST FAN, ZACH. 694 00:34:34,706 --> 00:34:36,175 HOW MANY WOULD YOU LIKE? 695 00:34:36,208 --> 00:34:38,210 JUST ONE. THAT'LL BE 4.95. 696 00:34:38,244 --> 00:34:41,613 YOU SHOULD BE SIGNING THOSE BOOKS, COLIN, 697 00:34:41,647 --> 00:34:43,882 NOT HIM. 698 00:34:43,915 --> 00:34:46,485 HERE'S YOUR CHANGE. 699 00:34:46,518 --> 00:34:48,487 THANK YOU. 700 00:34:48,520 --> 00:34:49,455 I LOVE THE EXPLOSION. 701 00:34:49,488 --> 00:34:52,658 THE GENESIS OF THE HERO'S POWERS IS SO, UH-- 702 00:34:52,691 --> 00:34:54,126 WHAT WAS YOUR INSPIRATION? 703 00:34:54,160 --> 00:34:55,327 THE WORDS YOU CREATE ARE SO INTENSE. 704 00:34:55,361 --> 00:34:56,862 I NEVER KNOW IF YOUR CHARACTERS 705 00:34:56,895 --> 00:34:57,696 ARE GOING TO LIVE OR DIE. 706 00:34:57,729 --> 00:34:59,598 UH, WHO--WHO SHOULD I MAKE IT OUT TO? 707 00:34:59,631 --> 00:35:00,799 "MY COOLEST FAN, MONIQUE." 708 00:35:00,832 --> 00:35:03,235 "TO MY COOLEST FAN, MONIQUE." 709 00:35:03,702 --> 00:35:06,138 THANK YOU, MR. WEAVER. 710 00:35:09,175 --> 00:35:10,676 LOOK, I NEED TO TAKE A BREAK. 711 00:35:10,709 --> 00:35:12,378 WE'VE GOT A LINE OF PEOPLE WAITING. 712 00:35:12,411 --> 00:35:13,912 YES. I GOTTA GET OUT OF HERE. 713 00:35:13,945 --> 00:35:14,913 I'M SORRY. EXCUSE ME. 714 00:35:14,946 --> 00:35:15,781 Eli: EXCUSE US, COMING THROUGH. 715 00:35:15,814 --> 00:35:19,285 HEY, HEY, HOLD IT RIGHT THERE. COLIN! NO! 716 00:35:34,200 --> 00:35:36,202 HOW COULD YOU DO THIS? 717 00:35:36,235 --> 00:35:38,437 I CAN'T BELIEVE I LOOKED UP TO YOU FOR YEARS. 718 00:35:38,470 --> 00:35:39,638 GET THIS KID OUT OF HERE. 719 00:35:39,671 --> 00:35:43,375 HEY, DROP THE KNIFE, DROP IT! 720 00:35:44,710 --> 00:35:46,845 LET'S GO. 721 00:35:51,550 --> 00:35:53,919 WAIT. WAIT, WAIT, WAIT, WAIT. 722 00:35:53,952 --> 00:35:55,587 HOLD ON. LET HIM GO. 723 00:35:55,621 --> 00:35:57,756 ARE YOU NUTS? HE CAME AT YOU WITH A KNIFE. 724 00:35:57,789 --> 00:36:01,293 JUST PLEASE LET HIM GO. HE HAD EVERY RIGHT. 725 00:36:05,364 --> 00:36:08,700 UH, I'M SORRY, EVERYBODY. 726 00:36:09,335 --> 00:36:11,703 I'M SO SORRY. UH... 727 00:36:13,639 --> 00:36:15,941 THERE'S SOMETHING I GOTTA SAY. 728 00:36:20,679 --> 00:36:24,316 I CAN'T BELIEVE DAMON ADMITTED THAT HE RIPPED OFF MY WORK. 729 00:36:24,350 --> 00:36:27,486 YOU DIDN'T REALLY GIVE HIM ANY CHOICE. 730 00:36:28,354 --> 00:36:30,222 SHANE'S HERE, ISN'T HE? 731 00:36:30,256 --> 00:36:31,590 YES. 732 00:36:32,691 --> 00:36:36,395 I DIDN'T--I DIDN'T FEEL HIM NEAR ME, 733 00:36:36,428 --> 00:36:37,563 NOT UNTIL A FEW DAYS AGO. 734 00:36:37,596 --> 00:36:39,331 BEFORE THAT, THE HOUSE JUST FELT 735 00:36:39,365 --> 00:36:42,468 AS COLD AND AS EMPTY AS WHEN HE LEFT. 736 00:36:42,501 --> 00:36:47,005 IT FELT COLD AND EMPTY TO ME WAY BEFORE THAT. 737 00:36:47,038 --> 00:36:50,309 HE FELT THAT WAY, TOO, WHEN HE WAS ALIVE. 738 00:36:50,342 --> 00:36:53,812 AND COLIN, HE WAS ALWAYS IN HIS ROOM, 739 00:36:53,845 --> 00:36:57,383 HIS HEAD DOWN, DRAWING AWAY. 740 00:36:57,416 --> 00:36:58,750 SHANE FELT REALLY ALONE, 741 00:36:58,784 --> 00:37:04,923 AND HE ENVIED YOU FOR BEING ABLE TO TUNE IT ALL OUT. 742 00:37:05,957 --> 00:37:06,992 IT PISSED ME OFF, 743 00:37:07,025 --> 00:37:09,461 BUT THANKS FOR PUTTING IT NICELY. 744 00:37:09,495 --> 00:37:12,364 AND THAT'S WHEN YOU TOOK COLIN'S DRAWINGS. 745 00:37:12,398 --> 00:37:13,432 WAS IT TO HURT ME? 746 00:37:13,465 --> 00:37:17,769 BECAUSE ALL YOU EVER DID WAS MAKE FUN OF THEM, OF ME. 747 00:37:17,803 --> 00:37:20,539 I DIDN'T REALLY KNOW WHAT YOU WERE DOING, 748 00:37:20,572 --> 00:37:21,607 NOT THE WHOLE STORY. 749 00:37:21,640 --> 00:37:24,476 WHEN MY DAD KICKED ME OUT, I WAS LOOKIN' FOR CASH. 750 00:37:24,510 --> 00:37:26,812 I WAS GOIN' THROUGH EVERYBODY'S DRAWERS, 751 00:37:26,845 --> 00:37:31,016 AND WHEN I SAW WHAT COLIN WAS WORKING ON... 752 00:37:32,083 --> 00:37:35,521 HE WASN'T AS OBLIVIOUS AS I THOUGHT. 753 00:37:35,887 --> 00:37:36,588 WHAT DO YOU MEAN? 754 00:37:36,622 --> 00:37:38,890 THE STORY, IT WAS ABOUT THIS KID 755 00:37:38,924 --> 00:37:40,326 WHOSE HOUSE GETS BLOWN UP, 756 00:37:40,359 --> 00:37:43,429 AND WHEN HE WAKES UP, HE GETS THESE POWERS. 757 00:37:43,462 --> 00:37:47,433 HE CAN DISAPPEAR. HE CAN DESTROY STUFF. 758 00:37:51,637 --> 00:37:52,804 EXCEPT HIS MOM, 759 00:37:52,838 --> 00:37:58,910 TURNS OUT SHE'S ALLERGIC TO HIS NEW CHEMISTRY OR WHATEVER... 760 00:38:01,347 --> 00:38:04,750 SO SHE HAS TO GO AWAY FROM HIM. 761 00:38:06,418 --> 00:38:09,388 YOU SAID DAMON TOOK YOUR LIFE. 762 00:38:10,389 --> 00:38:12,858 YOU MEANT WHAT COLIN WROTE ABOUT YOU. 763 00:38:12,891 --> 00:38:15,394 THAT WAS YOUR LIFE STORY. 764 00:38:15,861 --> 00:38:17,963 AFTER THE DIVORCE... 765 00:38:19,064 --> 00:38:21,567 MY MOM DIDN'T WANT ME. 766 00:38:21,600 --> 00:38:23,969 MY DAD SAID IT WAS THIS BIG CUSTODY BATTLE, 767 00:38:24,002 --> 00:38:27,373 BUT I HEARD HIM TALKING TO COLIN'S MOM ONE NIGHT, 768 00:38:27,406 --> 00:38:32,978 SAYING HOW SHE HAD SAID THAT LEAVING WAS HER CHANCE TO BE FREE. 769 00:38:34,546 --> 00:38:37,349 FREE OF ME. 770 00:38:37,816 --> 00:38:40,386 SHANE READ YOUR STORY, 771 00:38:40,419 --> 00:38:42,421 THE PART ABOUT THE MOM. 772 00:38:42,454 --> 00:38:43,489 WAS HE MAD? 773 00:38:43,522 --> 00:38:47,025 I MEAN, THOSE DRAWINGS ARE JUST FOR ME. 774 00:38:47,058 --> 00:38:50,562 TELL HIM IT'S OK. IT'S OK. 775 00:38:51,029 --> 00:38:55,767 WHEN I SAW THEM, I FINALLY FELT LESS ALONE, 776 00:38:55,801 --> 00:38:58,069 LIKE HE GOT IT. 777 00:38:58,103 --> 00:39:01,473 BUT BY THEN, I HAD DONE SO MANY CRAPPY THINGS, 778 00:39:01,507 --> 00:39:04,410 I BASICALLY GOT MYSELF KICKED OUT. 779 00:39:04,910 --> 00:39:10,449 I THOUGHT AT LEAST I COULD DO ONE GOOD THING... 780 00:39:11,750 --> 00:39:13,519 FOR COLIN. 781 00:39:14,920 --> 00:39:17,889 AND THAT'S WHEN YOU BROUGHT DAMON HIS DRAWINGS. 782 00:39:17,923 --> 00:39:20,426 I JUST WANTED HIM TO SEE THEM. 783 00:39:20,459 --> 00:39:22,027 HE WAS COLIN'S HERO. 784 00:39:22,060 --> 00:39:24,430 AND COLIN'S SO TALENTED. 785 00:39:24,463 --> 00:39:28,767 I FIGURED WHY WOULDN'T HE WANT TO HELP HIM? 786 00:39:29,568 --> 00:39:32,738 AND DAMON WOULDN'T EVEN LOOK AT 'EM. 787 00:39:33,639 --> 00:39:34,606 BUT I LEFT THE DRAWINGS. 788 00:39:34,640 --> 00:39:38,577 WHEN I LEFT, I TOOK A SHORTCUT ACROSS THE LAKE. 789 00:39:43,515 --> 00:39:45,484 IT WAS A STUPID MISTAKE, 790 00:39:45,517 --> 00:39:48,086 LIKE SO MANY I HAD MADE. 791 00:39:59,665 --> 00:40:02,434 AAH! 792 00:40:02,901 --> 00:40:07,138 SHANE DIED TAKING A SHORTCUT FROM YOUR HOUSE. 793 00:40:08,239 --> 00:40:09,875 I DIDN'T KNOW. 794 00:40:09,908 --> 00:40:10,976 I SWEAR. 795 00:40:11,009 --> 00:40:13,445 HE SAID THAT HE TRIED TO SHOW YOU COLIN'S DRAWINGS, 796 00:40:13,479 --> 00:40:14,245 BUT YOU WEREN'T INTERESTED. 797 00:40:14,279 --> 00:40:15,514 I WASN'T. I NEVER EVEN GLANCED AT IT 798 00:40:15,547 --> 00:40:19,585 UNTIL MY PUBLISHER CAME TO MY HOUSE AND SAW IT NEXT TO MY DESK. 799 00:40:19,618 --> 00:40:22,087 SHE THOUGHT THE STUFF WAS FANTASTIC. 800 00:40:22,120 --> 00:40:24,523 I WAS SO STUCK. 801 00:40:24,556 --> 00:40:27,025 I WAS SO OVER. 802 00:40:27,058 --> 00:40:29,528 I JUST NEEDED TO DIG OUT, 803 00:40:29,561 --> 00:40:31,930 SO I REDREW IT ALL AS MY OWN. 804 00:40:31,963 --> 00:40:34,199 BUT IF SHANE COULD MAKE YOU DRAW, 805 00:40:34,232 --> 00:40:37,903 THEN HE COULD HAVE MADE YOU CONFESS. 806 00:40:38,203 --> 00:40:40,005 I MEAN, HE COULD HAVE STOPPED YOU. 807 00:40:40,038 --> 00:40:41,640 SO WHY DIDN'T HE? 808 00:40:41,673 --> 00:40:43,609 WHY'D HE MAKE ME DO IT? 809 00:40:43,642 --> 00:40:45,511 I THOUGHT THE LEAST DAMON COULD DO 810 00:40:45,544 --> 00:40:48,079 AFTER WHAT HE DID WAS GET YOUR WORK PUBLISHED. 811 00:40:48,113 --> 00:40:50,749 EVERYONE'S GONNA KNOW YOUR NAME. 812 00:40:50,782 --> 00:40:54,853 THEY'RE GONNA CARE WHO YOU ARE, 813 00:40:54,886 --> 00:40:57,689 AND YOU'LL NEVER FEEL ALONE. 814 00:40:57,723 --> 00:41:00,492 HE REALLY WANTED YOUR NOVEL TO BE PUBLISHED. 815 00:41:00,526 --> 00:41:04,730 MAYBE IF PEOPLE COULD SEE HOW SPECIAL YOU WERE, 816 00:41:04,763 --> 00:41:09,601 THEN YOU WOULD NEVER FEEL ALONE THE WAY THAT HE DID. 817 00:41:09,801 --> 00:41:10,936 I'M GONNA MAKE SURE OF THAT. 818 00:41:10,969 --> 00:41:13,805 LOOK, IF IT'S OK WITH YOU, I'D LIKE TO HELP. 819 00:41:13,839 --> 00:41:15,574 PUBLISHING GETS PRETTY BRUTAL SOMETIMES, 820 00:41:15,607 --> 00:41:20,245 AND YOU'RE ALREADY HAVING A PRETTY STRANGE LAUNCH. 821 00:41:20,278 --> 00:41:22,714 IT'S THE LEAST I COULD DO, 822 00:41:22,748 --> 00:41:24,550 IF YOU'LL LET ME. 823 00:41:25,150 --> 00:41:27,753 TELL COLIN I THINK HE SHOULD TRUST THIS GUY. 824 00:41:27,786 --> 00:41:33,258 WE ALL DESERVE THE CHANCE TO CLEAN UP OUR MISTAKES. 825 00:41:37,228 --> 00:41:38,897 AND BESIDES... 826 00:41:39,665 --> 00:41:41,600 I MAY NOT BE AROUND TO LOOK OUT FOR HIM. 827 00:41:41,633 --> 00:41:43,669 YOU SEE THE LIGHT, DON'T YOU? 828 00:41:43,702 --> 00:41:46,705 IT'S SO BEAUTIFUL. 829 00:41:46,972 --> 00:41:50,108 YOU CAN'T EVEN BELIEVE IT'S REAL. 830 00:41:50,676 --> 00:41:52,010 HE'S READY. 831 00:41:52,043 --> 00:41:54,613 THE LIGHT? 832 00:41:54,646 --> 00:41:55,814 WHAT'S IT LOOK LIKE? 833 00:41:55,847 --> 00:42:01,887 EVEN YOU, YOU COULDN'T DRAW IT. 834 00:42:11,697 --> 00:42:14,900 HE SAID EVEN YOU COULDN'T DRAW IT. 835 00:42:22,674 --> 00:42:23,408 COME ON, SLOWPOKE, 836 00:42:23,441 --> 00:42:25,043 OR YOU'RE GONNA BE LATE FOR CLASS. 837 00:42:25,076 --> 00:42:25,811 HEY, I THOUGHT YOU FINISHED 838 00:42:25,844 --> 00:42:27,178 YOUR SCHOOL PROJECT LAST NIGHT. 839 00:42:27,212 --> 00:42:28,614 THIS ISN'T FOR SCHOOL. 840 00:42:28,647 --> 00:42:29,581 IT'S JUST FOR FUN. 841 00:42:29,615 --> 00:42:30,749 OH. OK, WELL, THAT'S SHANE, 842 00:42:30,782 --> 00:42:33,218 AND THAT'S HIS SIDEKICK COLIN. NOT BAD. 843 00:42:33,251 --> 00:42:37,789 NO, MOMMY. THIS IS ME, AND THAT'S MY BROTHER. 844 00:42:37,823 --> 00:42:39,991 UH, WHAT BROTHER IS THAT, SPORT? 845 00:42:40,025 --> 00:42:42,628 WELL, HE'S JUST MADE UP. 846 00:42:42,828 --> 00:42:43,762 LIKE MY TEACHER SAYS, 847 00:42:43,795 --> 00:42:45,363 A FIG OF MY IMAGINATION. 848 00:42:45,396 --> 00:42:47,098 HEH HEH. EXACTLY. 849 00:42:47,132 --> 00:42:49,668 IT WOULD BE COOL TO HAVE A BROTHER. 850 00:42:49,701 --> 00:42:51,369 HE MIGHT BE DIFFERENT, LIKE ME. 851 00:42:51,402 --> 00:42:53,639 WELL, DO YOU FEEL THAT DIFFERENT? 852 00:42:53,672 --> 00:42:57,643 I'M DIFFERENT FROM EVERYONE, EVEN YOU, MOM. 853 00:42:57,676 --> 00:42:59,678 YEAH, BUT, YOU KNOW, THERE'S MORE THINGS 854 00:42:59,711 --> 00:43:01,780 THAT MAKE US THE SAME THAN DIFFERENT. 855 00:43:01,813 --> 00:43:03,649 LIKE WHAT? 856 00:43:03,682 --> 00:43:06,752 LIKE WHAT WE FEEL. 857 00:43:06,785 --> 00:43:07,986 WHAT DO YOU FEEL? 858 00:43:08,019 --> 00:43:11,990 RIGHT NOW, NOTHIN' BUT LOVE. 859 00:43:12,924 --> 00:43:13,859 COME HERE. 860 00:43:13,892 --> 00:43:15,226 OH, MY BABY. 861 00:43:15,260 --> 00:43:17,996 I'LL SECOND THAT ONE. 862 00:43:18,029 --> 00:43:19,765 GUYS, YOU'RE SQUISHING ME. 863 00:43:19,798 --> 00:43:21,232 OH. ALL RIGHT. 864 00:43:21,266 --> 00:43:24,169 LET'S GO TO SCHOOL. 865 00:43:24,936 --> 00:43:27,873 GET YOUR BACKPACK, SPORT. OK. 866 00:43:31,042 --> 00:43:34,212 CAPTIONING MADE POSSIBLE BY ABC STUDIOS AND CBS STUDIOS, INC. 867 00:43:34,245 --> 00:43:38,684 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--