1
00:00:21,938 --> 00:00:23,897
Mitch?

2
00:00:24,065 --> 00:00:26,066
Ashley?

3
00:00:26,234 --> 00:00:28,110
You out here?

4
00:00:35,118 --> 00:00:36,618
Come on, guys.

5
00:00:36,786 --> 00:00:38,662
Where are you?

6
00:00:39,581 --> 00:00:41,081
[OWL HOOTS]

7
00:00:42,042 --> 00:00:43,792
Hello?

8
00:00:45,462 --> 00:00:47,254
Hello?

9
00:00:51,301 --> 00:00:52,718
[SCREAMS]

10
00:00:52,886 --> 00:00:55,220
-Brodie.
-Ashley and Todd, they're dead.

11
00:00:55,388 --> 00:00:56,555
Wendy, they're dead.

12
00:00:56,723 --> 00:00:59,433
WENDY: Pull it together.
-Pull it together? We don't have a chance.

13
00:00:59,601 --> 00:01:02,144
-We have to get out of here.
-No, we are not leaving.

14
00:01:02,312 --> 00:01:04,563
-We have got to find my sister.
-No.

15
00:01:04,731 --> 00:01:07,316
-No, I am getting out of here right now.
-Brodie!

16
00:01:07,484 --> 00:01:10,235
Brodie get back here! Brodie!

17
00:01:10,403 --> 00:01:12,780
God, you son of a bitch.

18
00:01:19,954 --> 00:01:21,497
[TWIGS SNAP AND WENDY GASPS]

19
00:01:26,211 --> 00:01:30,172
[GASPS THEN SCREAMS]

20
00:01:32,217 --> 00:01:34,510
[INHALES THEN CONTINUES SCREAMING]

21
00:01:35,178 --> 00:01:36,178
[CLEARS THROAT]

22
00:01:36,346 --> 00:01:38,347
Cut. What the hell was that?

23
00:01:38,932 --> 00:01:40,682
[GRUNTS]

24
00:01:41,184 --> 00:01:42,434
Thanks.

25
00:01:44,270 --> 00:01:46,188
WALTER: Here you go.
-Thanks, Walter.

26
00:01:46,356 --> 00:01:48,482
McG:
Don't mark that.

27
00:01:50,318 --> 00:01:53,028
It's all good, Tara. That was great.

28
00:01:53,196 --> 00:01:54,196
Uh, let's do it again.

29
00:01:54,697 --> 00:01:58,200
Uh, maybe we try dialing up
that scream, huh?

30
00:01:58,368 --> 00:02:01,453
I know, I know. I'm just--
I'm having trouble with the tennis ball.

31
00:02:01,621 --> 00:02:03,539
Oh, you know what?
That is for CG registration.

32
00:02:03,706 --> 00:02:07,209
Now, when Ivan and the FX guys
are done, it is going to look terrifying.

33
00:02:07,627 --> 00:02:08,627
[McG SNAPS FINGERS]

34
00:02:08,795 --> 00:02:12,464
-Wanna look at the concept sketches again?
-No, that's okay. I'll find it, I'll find it.

35
00:02:12,632 --> 00:02:14,383
I know you will, huh? Okay.

36
00:02:14,551 --> 00:02:20,180
Going again, everybody.
Ten-minute reload for camera and sound.

37
00:02:20,348 --> 00:02:24,476
Wow, man. I'm telling you, working alone
behind the sets or after wrap...

38
00:02:24,644 --> 00:02:27,062
-Yeah.
-...I catch this weird vibe sometimes.

39
00:02:27,230 --> 00:02:29,064
Oh, like what?

40
00:02:29,232 --> 00:02:30,482
Like something's watching.

41
00:02:30,650 --> 00:02:31,650
[LAUGHS]

42
00:02:31,818 --> 00:02:33,735
-Come on.
-Hey...

43
00:02:33,903 --> 00:02:37,906
...working on a movie like this,
weird crap's bound to happen.

44
00:02:38,074 --> 00:02:41,577
MAN: Frankie thinks the stage is haunted.
Like, for real.

45
00:02:42,162 --> 00:02:47,332
All I'm saying is, they call wrap,
I get done and I get out of here.

46
00:02:48,918 --> 00:02:50,669
Fast.

47
00:02:55,675 --> 00:02:58,260
That guy is definitely off his meds.

48
00:02:58,428 --> 00:03:00,137
[BOTH LAUGH]

49
00:03:00,305 --> 00:03:02,264
Whoo.

50
00:03:03,266 --> 00:03:05,350
[CRYING]
Brodie, come back.

51
00:03:05,518 --> 00:03:06,727
You son of a bitch.

52
00:03:07,395 --> 00:03:09,521
[SCREAMS QUIETLY
THEN CLEARS THROAT]

53
00:03:10,773 --> 00:03:12,399
[SCREAMS]

54
00:03:14,277 --> 00:03:16,486
Brodie, come back, you son of a bitch.

55
00:03:16,654 --> 00:03:17,654
[SCREAMS]

56
00:03:17,822 --> 00:03:19,281
[GRUNT IN DISTANCE]

57
00:03:21,034 --> 00:03:22,743
Hello?

58
00:03:28,333 --> 00:03:30,459
Guys?

59
00:03:35,298 --> 00:03:37,257
Come on, it's not funny.

60
00:03:39,219 --> 00:03:40,302
Okay.

61
00:03:40,470 --> 00:03:42,012
Ha-ha. Very funny.

62
00:03:42,180 --> 00:03:44,056
[GROANING IN DISTANCE]

63
00:03:47,977 --> 00:03:49,645
Hello?

64
00:03:52,315 --> 00:03:54,024
Who's there?

65
00:04:08,081 --> 00:04:11,792
[SCREAMS]

66
00:04:13,127 --> 00:04:15,504
[SHOUTS]
Now, that's what I'm talking about.

67
00:04:31,312 --> 00:04:34,022
GUIDE:
First opened in 1927...

68
00:04:34,190 --> 00:04:36,775
...the lot has been
in continuous operation...

69
00:04:36,943 --> 00:04:38,735
...for eight decades.

70
00:04:38,903 --> 00:04:41,613
Hey, you know this is where
they filmed Creepshow?

71
00:04:44,951 --> 00:04:47,286
GUIDE:
Now, to the right here is Stars Hollow.

72
00:04:47,453 --> 00:04:51,248
It's the setting for the television series
Gilmore Girls.

73
00:04:51,416 --> 00:04:54,376
And if we're lucky,
we might even catch...

74
00:04:54,711 --> 00:04:56,753
...one of the show's stars.

75
00:04:57,046 --> 00:04:58,046
Come on.

76
00:04:58,214 --> 00:04:59,464
Let's finish the tour.

77
00:04:59,632 --> 00:05:01,466
GUIDE:
And then up to the right here we have...

78
00:05:02,176 --> 00:05:06,513
...New York Avenue, and that's where
they shot Lois and Clark.

79
00:05:11,227 --> 00:05:13,895
Sam, check it out, it's Matt Damon.

80
00:05:14,522 --> 00:05:17,024
-Yeah, pretty sure that's not Matt Damon.
-No, it is.

81
00:05:17,191 --> 00:05:20,068
Well, Matt Damon just picked up
a broom and started sweeping.

82
00:05:20,236 --> 00:05:22,237
Well, he's probably researching
a role or something.

83
00:05:22,405 --> 00:05:24,740
Uh, I don't think so.

84
00:05:24,907 --> 00:05:27,576
Hey, this way.
Uh, I think Stage 9's over here.

85
00:05:27,744 --> 00:05:30,537
-Come on, man. Let's keep going this way.
-No, come on, we gotta work.

86
00:05:30,705 --> 00:05:31,705
[DEAN SIGHS]

87
00:05:31,873 --> 00:05:34,082
SAM: You wanted to come to L.A.
DEAN: Yeah, for vacation.

88
00:05:34,250 --> 00:05:37,127
I mean, swimming pools
and movie stars. Not to work.

89
00:05:37,295 --> 00:05:39,880
Does this seem like swimming-pool
weather to you, Dean?

90
00:05:40,048 --> 00:05:42,591
-I mean, it's practically Canadian.
-Yeah.

91
00:05:42,759 --> 00:05:45,594
I just figured that after everything
that happened with...

92
00:05:45,762 --> 00:05:48,055
...Madison, you could use
a little R and R.

93
00:05:48,222 --> 00:05:50,724
SAM: Well, maybe I wanna work.
It keeps my mind off things.

94
00:05:50,892 --> 00:05:52,684
DEAN:
Okay. Okay. All right.

95
00:05:52,852 --> 00:05:55,312
So this crew guy, what did he--?
He died on set?

96
00:05:55,480 --> 00:05:58,607
Yeah, rumor's spreading
like wildfire online.

97
00:05:58,775 --> 00:06:00,692
They're saying the set's haunted.

98
00:06:00,860 --> 00:06:02,486
What, like Poltergeist?

99
00:06:02,653 --> 00:06:06,156
-Could be a poltergeist.
-No, no, no. The movie Poltergeist.

100
00:06:06,324 --> 00:06:09,201
You know nothing
of your cultural heritage, do you?

101
00:06:09,369 --> 00:06:11,995
It was rumored that the set
of Poltergeist was cursed.

102
00:06:12,163 --> 00:06:15,374
That they used real human bones
as, uh, props.

103
00:06:15,541 --> 00:06:18,627
Like, at least three of the actors
died in it.

104
00:06:18,795 --> 00:06:21,254
Yeah, it might be something like that.

105
00:06:21,422 --> 00:06:23,799
-So this crew guy, what's his name?
-Frank Jaffy.

106
00:06:23,966 --> 00:06:26,927
Frank Jaffy, you got a death certificate
or a coroner's report?

107
00:06:27,095 --> 00:06:30,680
Well, no, but, uh, it's L.A., you know?
Might not even be his real name.

108
00:06:30,848 --> 00:06:33,392
But the girl who found him,
she said she saw something.

109
00:06:33,559 --> 00:06:34,643
A vanishing figure.

110
00:06:34,811 --> 00:06:36,645
-What's the girl's name?
-Uh, Tara Benchley.

111
00:06:36,813 --> 00:06:38,438
Whoa, whoa, whoa. Tara Benchley?

112
00:06:39,190 --> 00:06:41,691
From FeardotCom
and Ghost Ship, Tara Benchley?

113
00:06:41,859 --> 00:06:43,443
Dude, why didn't you say so?

114
00:06:44,153 --> 00:06:46,738
Well, so now you're suddenly onboard?

115
00:06:47,865 --> 00:06:50,033
I'm just-- I mean, I'm a fan of her work.

116
00:06:50,827 --> 00:06:52,494
It's very good.

117
00:06:55,039 --> 00:06:57,833
Look, don't get me wrong.
Everyone at the studio loves the dailies.

118
00:06:58,000 --> 00:07:01,545
Myself included.
We were just wondering if it could be...

119
00:07:01,712 --> 00:07:03,422
...you know, a little brighter.

120
00:07:04,340 --> 00:07:06,716
-Brighter?
-Yeah, Jay. More color.

121
00:07:07,135 --> 00:07:09,719
McG, you know what I'm saying.
You're the master.

122
00:07:09,887 --> 00:07:13,265
-Brad, this is a horror movie.
-And who says horror has to be dark?

123
00:07:13,433 --> 00:07:16,101
It's just-- It's sort of depressing.
Don't you think?

124
00:07:16,269 --> 00:07:18,979
Uh, excuse me, uh, green-shirt guy.

125
00:07:19,147 --> 00:07:20,939
Yeah, yeah, you, come here.

126
00:07:22,525 --> 00:07:24,151
Could you get me a...

127
00:07:24,318 --> 00:07:25,569
...uh, smoothie from craft?

128
00:07:27,196 --> 00:07:28,655
You want a what from who?

129
00:07:30,032 --> 00:07:33,076
You are a PA. This is what you do.

130
00:07:33,244 --> 00:07:35,370
Yeah, yeah, he, uh....

131
00:07:35,538 --> 00:07:36,997
One smoothie coming right up.

132
00:07:41,210 --> 00:07:44,421
-What's a PA?
-I think they're kind of like slaves.

133
00:07:47,049 --> 00:07:49,885
They'll let anybody
into this business, huh?

134
00:07:51,053 --> 00:07:52,888
WORKER 1: Got it?
WORKER 2: Yeah.

135
00:07:53,347 --> 00:07:56,224
-Yeah, one of the grips left that.
MAN 1: That's good right there.

136
00:07:56,392 --> 00:07:59,352
MAN 2: Hey, guys. Come here.
WOMAN: All right, let's go, people.

137
00:07:59,520 --> 00:08:00,520
MAN 3:
Thanks, man.

138
00:08:00,688 --> 00:08:03,231
ACTOR: So when Tara's saying her lines,
can I step forward...

139
00:08:03,399 --> 00:08:06,902
-...and make this new spot my new mark?
McG: Sure, sure, sure, treat yourself.

140
00:08:07,069 --> 00:08:09,529
-Go ahead.
MAN 2: Quiet, please.

141
00:08:09,697 --> 00:08:11,698
[INDISTINCT CHATTER]

142
00:08:18,039 --> 00:08:19,539
MAN 2:
Quiet, hold the bell.

143
00:08:19,707 --> 00:08:21,041
WOMAN:
Lights.

144
00:08:21,209 --> 00:08:22,834
MAN 4:
Hold the noise, we're rolling.

145
00:08:23,002 --> 00:08:24,044
[BELL RINGS]

146
00:08:24,795 --> 00:08:26,505
MAN 5:
Six, take six. Mark.

147
00:08:29,050 --> 00:08:30,050
MAN 6:
Frame.

148
00:08:30,218 --> 00:08:34,012
McG: Why don't we take it from
"Come on, it'll be fun." And action.

149
00:08:34,180 --> 00:08:36,640
TARA [AS WENDY]:
Come on, it'll be fun.

150
00:08:36,807 --> 00:08:38,850
[SPEAKING IN LATIN]

151
00:09:09,590 --> 00:09:11,299
McG:
Maybe you can finish this tomorrow?

152
00:09:11,467 --> 00:09:13,051
-I hate you so much right now.
-Cut.

153
00:09:13,219 --> 00:09:14,219
[CREW LAUGHS]

154
00:09:14,387 --> 00:09:16,096
Very nice.

155
00:09:16,264 --> 00:09:17,305
MAN:
Ready to go again.

156
00:09:17,473 --> 00:09:20,225
SAM: So?
-No EMF anywhere.

157
00:09:20,393 --> 00:09:21,810
Great. So, what do you think?

158
00:09:21,978 --> 00:09:24,854
Well, I think being a PA sucks.

159
00:09:25,815 --> 00:09:29,150
But the food these people get,
are you kidding me? Look at these things.

160
00:09:29,986 --> 00:09:33,863
They're like miniature Philly cheesesteak
sandwiches. Their delicious.

161
00:09:34,907 --> 00:09:36,575
Maybe later.

162
00:09:38,744 --> 00:09:41,246
What did you find out about
the dead crew guy?

163
00:09:44,375 --> 00:09:46,501
Uh, Frank Jaffy
was just filling in for the day.

164
00:09:46,669 --> 00:09:48,587
Nobody here knew him or where he lived.

165
00:09:49,005 --> 00:09:50,880
Oh, great. So you found out
as much as I did.

166
00:09:51,048 --> 00:09:52,340
-Not quite I--
WALTER: Hey, guys.

167
00:09:52,508 --> 00:09:53,842
SAM: Hey.
DEAN: Oh, hey.

168
00:09:54,010 --> 00:09:55,510
They're wonderful.

169
00:09:55,678 --> 00:09:58,138
Listen, I did dig up some stuff
about Stage 9's history.

170
00:09:58,306 --> 00:09:59,556
-Yeah?
-Yeah.

171
00:09:59,724 --> 00:10:01,516
Four people died messy here
over 80 years.

172
00:10:01,684 --> 00:10:03,435
Two suicides and two fatal accidents.

173
00:10:03,603 --> 00:10:06,771
-Any of those could be a vengeful spirit.
-Yeah.

174
00:10:06,939 --> 00:10:08,273
Just gotta narrow it down more.

175
00:10:14,196 --> 00:10:15,322
I'll get right on that.

176
00:10:17,408 --> 00:10:18,408
[TARA LAUGHS]

177
00:10:18,576 --> 00:10:21,411
TARA: I won't say anything.
WOMAN: We've got about four changes.

178
00:10:21,579 --> 00:10:22,912
Hey!

179
00:10:27,209 --> 00:10:29,377
Are you supposed to get one of these?

180
00:10:34,759 --> 00:10:36,801
I don't really know what I'm doing so--

181
00:10:37,386 --> 00:10:38,386
First day?

182
00:10:38,554 --> 00:10:40,930
Yeah, my big break.

183
00:10:41,349 --> 00:10:42,682
[LAUGHS]

184
00:10:42,850 --> 00:10:46,728
You know, I know it's really uncool
to say this, but I'm a big fan.

185
00:10:46,896 --> 00:10:48,104
I loved you in Boogeyman.

186
00:10:48,272 --> 00:10:50,649
Oh, God. What a terrible script.

187
00:10:51,400 --> 00:10:54,319
-Uh, but thank you.
DEAN: Yeah.

188
00:10:56,739 --> 00:10:59,866
You found him, right, the dead guy?

189
00:11:04,246 --> 00:11:06,748
I'm sorry, you probably don't
wanna talk about this.

190
00:11:06,916 --> 00:11:08,208
No, actually it's--

191
00:11:08,376 --> 00:11:12,045
It's okay, but nobody around here
really brings it up very much.

192
00:11:12,213 --> 00:11:15,507
I think they're all scared I'm gonna have
some kind of breakdown.

193
00:11:15,675 --> 00:11:17,342
That must have been awful.

194
00:11:20,638 --> 00:11:21,680
What happened?

195
00:11:22,098 --> 00:11:23,640
It was horrible.

196
00:11:24,100 --> 00:11:28,561
There-- There was all this blood
coming from his eyes...

197
00:11:28,729 --> 00:11:31,940
...and from his mouth, and, uh....

198
00:11:32,817 --> 00:11:34,901
I saw this, um....

199
00:11:37,571 --> 00:11:38,947
What?

200
00:11:41,867 --> 00:11:43,118
I saw this shape.

201
00:11:44,620 --> 00:11:47,038
To tell you the truth,
I don't know actually...

202
00:11:47,206 --> 00:11:49,290
...what I saw. I just know I saw it.

203
00:11:49,458 --> 00:11:51,793
WALTER: Here you go, Tara.
TARA: Thanks, Walter.

204
00:11:54,463 --> 00:11:58,967
Uh, so this crew guy, Frank.
I mean, did you know him?

205
00:11:59,135 --> 00:12:00,593
Uh, no. Not that well.

206
00:12:00,761 --> 00:12:03,888
That's funny. It's like no one around here
actually knew the guy.

207
00:12:04,056 --> 00:12:06,933
-I've got his picture. Um....
-You do?

208
00:12:07,101 --> 00:12:09,978
Yeah, I take Polaroid's
of all the crew.

209
00:12:10,146 --> 00:12:12,814
It's just one of those things you do
to kill time on set.

210
00:12:12,982 --> 00:12:14,482
-Yeah.
TARA: Um....

211
00:12:15,151 --> 00:12:17,652
Um, right there.

212
00:12:23,492 --> 00:12:24,951
Son of a bitch.

213
00:12:25,119 --> 00:12:27,120
[KNOCKING ON DOOR]

214
00:12:27,621 --> 00:12:29,247
[MUSIC PLAYS OVER SPEAKERS]

215
00:12:32,501 --> 00:12:34,794
-Gerard St. James?
-Yes.

216
00:12:34,962 --> 00:12:36,129
You're still alive.

217
00:12:36,297 --> 00:12:39,007
-And you're not Frank Jaffy.
GERARD: Uh, no.

218
00:12:39,175 --> 00:12:43,595
You were Desert Soldier #4
in Metalstorm: Destruction of Jared-Syn?

219
00:12:43,763 --> 00:12:45,972
-I was.
DEAN: I knew I recognized you.

220
00:12:46,515 --> 00:12:48,808
I am a huge fan. Ha-ha.

221
00:12:48,976 --> 00:12:51,352
Your turn as a tractor-crash
victim in Critters 3?

222
00:12:51,520 --> 00:12:52,562
-Critters 3.
-Wow.

223
00:12:53,189 --> 00:12:55,982
-Yeah.
-All right, well, please. Come in.

224
00:12:56,150 --> 00:12:57,859
DEAN:
Oh, cool.

225
00:13:04,825 --> 00:13:05,825
Thanks.

226
00:13:05,993 --> 00:13:09,871
Yeah, it was the producers. I mean, they
brought me in for the day to play Frank.

227
00:13:10,039 --> 00:13:13,792
-Just to fake your death?
-Well, rumors of a haunted film set.

228
00:13:13,959 --> 00:13:17,378
Free publicity. Especially
when you're making a horror movie.

229
00:13:17,546 --> 00:13:20,340
I mean, uh, it's already
all over the Internet.

230
00:13:20,508 --> 00:13:22,008
Yeah, we know.

231
00:13:22,176 --> 00:13:26,679
Well, these days, it's all about new media.
Building buzz.

232
00:13:26,847 --> 00:13:28,097
They say...

233
00:13:28,265 --> 00:13:30,308
...I'm the new Lonelygirl.

234
00:13:30,726 --> 00:13:33,061
-Who?
-And the ghost Tara saw?

235
00:13:33,229 --> 00:13:35,605
Projected on a screen of diffusion.

236
00:13:37,024 --> 00:13:39,943
Isn't that kind of cruel?
Messing with their heads like that?

237
00:13:40,110 --> 00:13:43,321
Hey, I just play the part.
I don't write the script.

238
00:13:43,864 --> 00:13:47,534
Speaking of, I'm playing Willy...

239
00:13:47,701 --> 00:13:51,246
...in a dinner-theater production
of Salesman at Costa Mesa all next month.

240
00:13:52,414 --> 00:13:54,624
You get a free pepper steak
with the coupon.

241
00:13:54,792 --> 00:13:56,042
Ha.

242
00:13:56,210 --> 00:13:59,003
Well, if you're seen in public,
won't that ruin the hoax?

243
00:13:59,171 --> 00:14:00,755
Please. Ha.

244
00:14:00,923 --> 00:14:03,591
Frank and Willy,
totally different characters.

245
00:14:04,426 --> 00:14:05,802
You know what?

246
00:14:05,970 --> 00:14:09,264
Thanks very much, Mr. St. James.
It was just nagging at us, you know.

247
00:14:09,431 --> 00:14:11,182
But we're very glad that, you know...

248
00:14:11,350 --> 00:14:13,768
...you're alive and well.

249
00:14:13,936 --> 00:14:15,603
Yeah.

250
00:14:16,772 --> 00:14:18,231
DEAN:
Absolutely.

251
00:14:18,399 --> 00:14:22,569
Hey, uh, I wanted to ask you,
what was it like working with Richard Moll?

252
00:14:26,156 --> 00:14:30,785
Metalstorm. He was Hurok,
king of the Cyclops people.

253
00:14:32,162 --> 00:14:33,538
Gentleman's gentleman.

254
00:14:33,706 --> 00:14:35,373
Yeah? Ha-ha.

255
00:14:35,958 --> 00:14:38,126
All right. Pepper steak.

256
00:14:41,297 --> 00:14:44,382
When we read from that book,
we must've brought them back.

257
00:14:44,550 --> 00:14:45,550
Back from hell.

258
00:14:46,844 --> 00:14:49,053
[GROWLING ON HEADSET]

259
00:14:49,221 --> 00:14:50,430
MITCH:
It doesn't matter.

260
00:14:50,598 --> 00:14:53,850
We're not going anywhere until we
find Wendy and her sister. Got it?

261
00:14:54,018 --> 00:14:56,811
Good. Now, let's get busy.

262
00:14:56,979 --> 00:14:57,979
Cut.

263
00:14:58,147 --> 00:14:59,314
Very nice work. Mark it.

264
00:14:59,481 --> 00:15:01,524
No good for sound.
I'm getting some kind of feedback.

265
00:15:01,692 --> 00:15:04,068
WOMAN:
Ugh. Back to one.

266
00:15:04,695 --> 00:15:06,446
Another costly sound delay.

267
00:15:06,614 --> 00:15:10,283
-We're going again for sound, people.
-Thank you.

268
00:15:10,451 --> 00:15:13,703
No, no, no, look, see, it's great scene.
Really. Dynamite...

269
00:15:13,871 --> 00:15:17,624
...but I still got a few--
Not-- Not problems, just questions.

270
00:15:17,791 --> 00:15:19,500
Like what?

271
00:15:19,668 --> 00:15:20,710
Well, for one thing...

272
00:15:20,878 --> 00:15:21,878
[SIGHS]

273
00:15:22,046 --> 00:15:23,713
...the rules aren't really landing for me.

274
00:15:23,881 --> 00:15:28,968
Like, the kids do this Latin chant
and that makes the ghost show up?

275
00:15:29,136 --> 00:15:30,136
Yeah.

276
00:15:30,304 --> 00:15:33,097
See, but if the ghosts are in hell,
how do they hear the chanting?

277
00:15:33,265 --> 00:15:35,767
I mean, what,
do they have super hearing?

278
00:15:35,935 --> 00:15:38,686
Well, it's a logic bump.
The rules don't track.

279
00:15:40,230 --> 00:15:41,481
Marty, you're the writer.

280
00:15:41,649 --> 00:15:43,149
What if I throw in an explainer?

281
00:15:43,317 --> 00:15:46,235
Yeah, that'd be super. Excuse me,
I gotta check some messages.

282
00:15:48,864 --> 00:15:50,740
Suits.

283
00:16:01,669 --> 00:16:03,461
[CELL PHONE BEEPING]

284
00:16:07,216 --> 00:16:08,591
Has McG seen this?

285
00:16:08,759 --> 00:16:14,055
I like the whole body-paint,
black-and-white thing, but, gee...

286
00:16:14,223 --> 00:16:18,142
...I don't think those neck wounds
are really gonna read on camera.

287
00:16:18,310 --> 00:16:20,269
They need to be red.

288
00:16:20,437 --> 00:16:21,980
You know what I'm saying?

289
00:16:22,147 --> 00:16:24,732
Hey, Jay? I need you to speak
to Makeup right away.

290
00:16:27,987 --> 00:16:29,445
Yeah?

291
00:16:48,257 --> 00:16:49,799
Wait up.

292
00:16:49,967 --> 00:16:53,094
MITCH: When we read from that book,
we must've brought them back.

293
00:16:53,262 --> 00:16:54,595
Back from hell.

294
00:16:54,763 --> 00:16:58,057
But I don't understand. If they
were in hell, how could they hear?

295
00:16:58,225 --> 00:16:59,600
MITCH:
They must have super hearing.

296
00:17:00,644 --> 00:17:01,853
McG:
What the--? Whoa!

297
00:17:03,230 --> 00:17:04,397
[SCREAMS]

298
00:17:04,565 --> 00:17:06,774
Oh, jeez. Oh--

299
00:17:17,202 --> 00:17:18,494
[DIAL TONE BEEPING]

300
00:17:38,474 --> 00:17:41,434
MITCH: Wendy.
-Oh, Mitch. God, you're alive.

301
00:17:41,602 --> 00:17:43,311
MITCH:
You couldn't get rid of me that easy.

302
00:17:43,479 --> 00:17:45,271
McG:
Rumble, rumble, rumble!

303
00:17:46,190 --> 00:17:48,149
Salt. Okay, we need salt.

304
00:17:48,317 --> 00:17:51,152
I read in that book that it keeps
ghosts away.

305
00:17:51,320 --> 00:17:54,197
MITCH:
Sandra, Logan, you guys check the back.

306
00:17:54,364 --> 00:17:56,240
Jay, the poor bastard killed himself...

307
00:17:56,408 --> 00:17:59,035
...like, for real.
Shouldn't we shut it down or something?

308
00:17:59,203 --> 00:18:01,871
We had a moment
of silence for him at breakfast.

309
00:18:02,039 --> 00:18:03,581
He was just a studio guy. Come on.

310
00:18:03,749 --> 00:18:05,166
McG:
Shh.

311
00:18:05,334 --> 00:18:08,127
WENDY: I love you.
MITCH: I know.

312
00:18:09,004 --> 00:18:10,004
I'm sorry.

313
00:18:10,422 --> 00:18:11,631
[SIGHS]

314
00:18:12,049 --> 00:18:14,342
Can we--? Can we cut or something?

315
00:18:15,469 --> 00:18:18,012
Uh, uh, yeah, cut. Cut!

316
00:18:18,180 --> 00:18:19,680
That's a cut.

317
00:18:19,848 --> 00:18:21,599
[BELL RINGS]

318
00:18:22,810 --> 00:18:24,018
Only I can say, "cut."

319
00:18:25,813 --> 00:18:27,230
Hey, what's up?

320
00:18:27,397 --> 00:18:29,148
I'm sorry, I'm just a little upset.

321
00:18:29,316 --> 00:18:32,860
With everything that's been going on
around here, who can blame you, huh?

322
00:18:33,028 --> 00:18:35,363
I just can't wrap my head around
the dialogue.

323
00:18:35,531 --> 00:18:37,865
You know, salt?
Doesn't that sound silly?

324
00:18:38,033 --> 00:18:40,201
I mean, why would a ghost
be afraid of salt?

325
00:18:40,369 --> 00:18:42,411
McG:
Okay, um....

326
00:18:42,579 --> 00:18:43,579
-Marty.
MARTY: Yo.

327
00:18:43,747 --> 00:18:45,248
What do you think?

328
00:18:45,415 --> 00:18:48,543
I'm not married to salt. What do you want?
We still sticking with condiments?

329
00:18:48,710 --> 00:18:51,420
McG:
Mm, just sounds different. Not better.

330
00:18:51,588 --> 00:18:54,841
-What else would a ghost be scared of?
-Uh, you gotta be kidding me.

331
00:18:55,843 --> 00:18:57,301
What would a ghost be scared of?

332
00:18:57,469 --> 00:19:00,138
Maybe, uh-- Maybe shotguns.

333
00:19:00,305 --> 00:19:02,014
Okay, that makes
even less sense than salt.

334
00:19:03,892 --> 00:19:06,060
These people are idiots.

335
00:19:08,647 --> 00:19:12,608
-Walter's a little testy for a PA, huh?
-How's it going in here?

336
00:19:12,776 --> 00:19:15,194
It's going good. Tara's stepped up
her performance.

337
00:19:15,362 --> 00:19:17,947
Probably from all the sense memory
she's drawing on.

338
00:19:18,115 --> 00:19:19,866
-Sense memory?
-Yeah.

339
00:19:21,702 --> 00:19:24,912
When I ask how it's going here,
I'm talking about the case, right?

340
00:19:25,080 --> 00:19:26,247
We don't really work here.

341
00:19:26,415 --> 00:19:29,125
You know, I thought
you hated being a PA.

342
00:19:31,295 --> 00:19:34,255
I don't know. It's not so bad.
I kind of feel like part of the team.

343
00:19:35,215 --> 00:19:37,758
It's good. Oh, taquito?
They're wonderful.

344
00:19:37,926 --> 00:19:41,888
No, um, listen, I conned my way
into the morgue.

345
00:19:42,055 --> 00:19:43,806
DEAN: And?
-News reports are right.

346
00:19:43,974 --> 00:19:45,725
Brad's a doornail, no question.

347
00:19:45,893 --> 00:19:47,393
Copy that. Sorry, what?

348
00:19:47,561 --> 00:19:48,936
-Copy that?
-What'd you say?

349
00:19:49,104 --> 00:19:51,939
-News reports are right. Brad's a doornail.
-They're aware.

350
00:19:52,107 --> 00:19:54,108
-Who's aware?
-Sorry, what were you saying?

351
00:19:54,276 --> 00:19:59,071
Uh, what-- The newspaper's right.
Brad's a doornail, no question about it.

352
00:19:59,239 --> 00:20:00,990
It's a good thing we didn't skip town.

353
00:20:01,158 --> 00:20:03,576
Oh, come here.
I want you to hear something.

354
00:20:03,744 --> 00:20:05,953
Copy that. On my way.

355
00:20:07,831 --> 00:20:11,000
Hey, Dave, can you play him that thing
you were playing me earlier?

356
00:20:11,168 --> 00:20:12,543
DAVE:
Sure.

357
00:20:12,711 --> 00:20:14,253
Thanks.

358
00:20:14,546 --> 00:20:15,630
[RECORDING REWINDS]

359
00:20:17,257 --> 00:20:19,717
MITCH [ON HEADSET]:
Doesn't matter, we're not leaving till we--

360
00:20:19,885 --> 00:20:22,220
[AUDIO CRACKLES]

361
00:20:28,185 --> 00:20:30,937
SAM: E.V.P.
DEAN: From the night of Brad's stage dive.

362
00:20:31,104 --> 00:20:34,232
All of a sudden, I'm getting electromagnetic
readings up the wazoo.

363
00:20:34,399 --> 00:20:37,610
-It's a legit haunting now.
-Who's the ghost, Dean? What's it want?

364
00:20:37,778 --> 00:20:40,655
I don't know. I think we should take a look
at Brad's death scene.

365
00:21:02,177 --> 00:21:04,929
SAM: Hey, where'd you get this DVD?
-They're called dailies.

366
00:21:05,097 --> 00:21:08,182
I got it from Cindy.
She's got this on-and-off thing with Drew.

367
00:21:08,350 --> 00:21:10,017
He dubbed me an extra copy.

368
00:21:13,397 --> 00:21:15,481
Here's where the guy
fell through the roof.

369
00:21:15,649 --> 00:21:16,983
Right.

370
00:21:18,860 --> 00:21:20,069
All right, here we go.

371
00:21:20,237 --> 00:21:22,446
MITCH [ON TV]:
They must have super hearing.

372
00:21:22,614 --> 00:21:23,614
[GIRL SCREAMS ON TV]

373
00:21:23,782 --> 00:21:25,157
DEAN:
Cut.

374
00:21:25,867 --> 00:21:27,326
Hey, wait. Go back. Go back.

375
00:21:29,037 --> 00:21:31,247
Right after-- Right after-- Yeah, right.

376
00:21:32,165 --> 00:21:33,499
Wait.

377
00:21:34,918 --> 00:21:36,377
There.

378
00:21:38,880 --> 00:21:41,048
It's like Three Men and a Baby
all over again.

379
00:21:43,051 --> 00:21:47,179
Selleck, Danson and Guttenberg.
And I don't know who played the baby.

380
00:21:47,347 --> 00:21:48,514
What's your point?

381
00:21:48,682 --> 00:21:52,018
There's a scene where people say
that the camera caught a ghost on film.

382
00:21:52,185 --> 00:21:53,561
In the background of one scene...

383
00:21:53,729 --> 00:21:57,189
...there was this boy that nobody
remembers from set. Spirit photography.

384
00:22:01,111 --> 00:22:02,570
I've seen her before.

385
00:22:08,869 --> 00:22:11,370
-Here, check this out.
MAN [ON RADIO]: Got your ears on? Over.

386
00:22:11,830 --> 00:22:14,915
-Yeah, go for Ozzy.
MAN: You have your eyes on Tara?

387
00:22:15,584 --> 00:22:18,044
No, I don't have a 20 on Tara.
I think she's 10-100.

388
00:22:18,211 --> 00:22:20,087
MAN:
Copy that. Send her my way.

389
00:22:20,255 --> 00:22:21,255
Okay, copy that.

390
00:22:22,758 --> 00:22:24,550
I'm sorry, what were you saying?

391
00:22:26,928 --> 00:22:30,056
SAM:
Elise Drummond. Starlet back in the '30s.

392
00:22:33,977 --> 00:22:35,436
Had an affair with a studio exec.

393
00:22:35,604 --> 00:22:38,314
He uses her up, fires her,
leaves her destitute.

394
00:22:38,482 --> 00:22:42,443
So Elise hangs herself from Stage 9's rafters
right into a scene they're shooting.

395
00:22:42,611 --> 00:22:43,611
DEAN:
Like our man Brad.

396
00:22:43,779 --> 00:22:46,614
-What, she's got it in for the studio brass?
-Possibly.

397
00:22:47,074 --> 00:22:50,451
I mean, it's a motive, and Brad's death
matches hers exactly.

398
00:22:50,619 --> 00:22:52,745
We're digging tonight, aren't we?

399
00:22:53,622 --> 00:22:58,667
That's a wrap, people.
Six a.m. call for crew tomorrow.

400
00:22:59,628 --> 00:23:01,796
JAY:
Great work, everybody.

401
00:23:01,963 --> 00:23:04,673
McG, you're a genius.

402
00:23:04,841 --> 00:23:07,676
-You're kicking ass and taking names.
-Night, Jay.

403
00:23:09,221 --> 00:23:10,471
JAY:
Yeah.

404
00:23:12,891 --> 00:23:14,308
SAM:
Which way?

405
00:23:14,476 --> 00:23:17,561
DEAN:
Uh, over here.

406
00:23:23,151 --> 00:23:24,985
DEAN: Hey.
-Yeah.

407
00:23:25,946 --> 00:23:29,740
DEAN:
Ha. This map is totally worth the 5 bucks.

408
00:23:29,908 --> 00:23:32,993
We gotta go check out Johnny Ramone's
grave when we're done here.

409
00:23:33,161 --> 00:23:34,829
SAM:
You wanna dig him up too?

410
00:23:34,996 --> 00:23:36,914
DEAN:
Bite your tongue, heathen.

411
00:23:37,082 --> 00:23:38,207
That's cool.

412
00:23:38,375 --> 00:23:40,042
SAM:
Dean, what I don't get is why now?

413
00:23:40,210 --> 00:23:44,338
After 75 years, Elise Drummond suddenly
goes homicidal, you know. Why this movie?

414
00:23:44,506 --> 00:23:47,174
Maybe she's mad
they're making a scary ghost flick.

415
00:23:47,342 --> 00:23:49,176
-Come on, is it really that scary?
-Here we go.

416
00:23:49,553 --> 00:23:50,970
SAM:
Yeah.

417
00:23:52,055 --> 00:23:55,266
-All right.
DEAN: Yahtzee.

418
00:24:05,527 --> 00:24:09,405
I know. No, I frigging hate McG's dailies.

419
00:24:09,573 --> 00:24:14,493
I can't control the guy. I'm telling you,
next one, I'm directing myself.

420
00:24:14,661 --> 00:24:15,995
What, you?

421
00:24:16,163 --> 00:24:18,038
No, Bob. You, I love.

422
00:24:18,206 --> 00:24:21,542
You're a genius, you're kicking ass
and taking names.

423
00:24:21,710 --> 00:24:26,005
Yeah, okay. Yeah, talk to you later, babe.
Uh-huh.

424
00:24:26,756 --> 00:24:27,756
What a dick.

425
00:24:29,551 --> 00:24:31,385
Oh, great.

426
00:24:34,014 --> 00:24:35,764
Hey, guys.

427
00:24:35,932 --> 00:24:38,559
Producer walking here. Hello?

428
00:25:36,910 --> 00:25:38,202
Hey.

429
00:25:39,955 --> 00:25:40,955
Hey, pal.

430
00:25:41,122 --> 00:25:45,417
Can you, uh, show me to the exit?
I can't see a damn thing here.

431
00:25:49,548 --> 00:25:50,589
Hey.

432
00:25:51,299 --> 00:25:54,635
Hey, putz, I'm talking to you.
Somebody could get hurt here.

433
00:25:56,972 --> 00:25:58,097
Aah!

434
00:25:58,473 --> 00:25:59,974
Ow!

435
00:26:02,811 --> 00:26:03,811
What the hell?

436
00:26:15,115 --> 00:26:16,323
[GRUNTS]

437
00:26:17,784 --> 00:26:20,119
Aah! Aah!

438
00:26:20,287 --> 00:26:21,287
No!

439
00:26:21,496 --> 00:26:23,497
[YELLING AND GRUNTING]

440
00:26:50,233 --> 00:26:51,609
ANNOUNCER 1:
They never forgive.

441
00:26:51,776 --> 00:26:53,110
[GHOSTLY VOICE SPEAKING IN LATIN]

442
00:26:55,238 --> 00:26:57,698
Mitch? Ashley?

443
00:26:57,866 --> 00:27:00,117
ANNOUNCER 1: And this summer,
they're coming back again...

444
00:27:00,285 --> 00:27:03,537
...to settle the score, again.

445
00:27:03,705 --> 00:27:05,414
WENDY:
You out here?

446
00:27:06,791 --> 00:27:08,250
[SCREAMS]

447
00:27:08,418 --> 00:27:11,045
BRODIE: Ashley and Todd, they're dead.
Wendy, they're dead.

448
00:27:11,212 --> 00:27:13,672
These bastards aren't taking us.
Not without a fight.

449
00:27:13,840 --> 00:27:15,883
BRODIE: I'm getting out of here now!
WENDY: Brodie!

450
00:27:16,051 --> 00:27:17,051
[SCREAMS]

451
00:27:17,218 --> 00:27:20,429
ANNOUNCER 1: From the producers
Of Cornfield Massacre, Monster Truck.

452
00:27:20,597 --> 00:27:23,891
And the director of Charlie’s Angels,
Charlie's Angels: Full Throttle...

453
00:27:24,059 --> 00:27:27,436
...and Hell Hazers,
comes a new experience in terror.

454
00:27:27,604 --> 00:27:29,063
[WOMAN SCREAMS]

455
00:27:29,230 --> 00:27:32,733
MITCH: We must've brought them back.
Back from hell. Again.

456
00:27:33,902 --> 00:27:36,236
ANNOUNCER 1:
Hell Hazers II: The Reckoning.

457
00:27:36,404 --> 00:27:38,322
ANNOUNCER 2:
This film is not yet rated.

458
00:27:42,494 --> 00:27:44,411
SAM:
Run-in with a giant fan.

459
00:27:44,579 --> 00:27:46,914
Same thing happened
to an electrician back in '66.

460
00:27:47,082 --> 00:27:49,583
-Guy named Billy Beard.
-What the hell, dude?

461
00:27:49,751 --> 00:27:52,711
I don't know. Doesn't seem like
Elise this time. It's not her m.o.

462
00:27:52,879 --> 00:27:55,130
We torched her.
Are we dealing with another ghost?

463
00:27:55,298 --> 00:27:57,925
-Maybe.
-Yeah, these things don't usually tag team.

464
00:28:01,721 --> 00:28:04,139
Everybody, gather around, okay?

465
00:28:04,307 --> 00:28:07,768
Got an announcement to make.
Hold that for me.

466
00:28:09,562 --> 00:28:10,604
Everyone...

467
00:28:11,106 --> 00:28:12,648
...huddle in.

468
00:28:15,318 --> 00:28:17,945
In light of Jay's accident last night...

469
00:28:18,113 --> 00:28:21,115
...and in cooperation
with the authorities...

470
00:28:21,282 --> 00:28:23,951
...we're shutting down production
for a few days.

471
00:28:24,119 --> 00:28:25,119
[CHATTERING]

472
00:28:25,286 --> 00:28:26,328
I know, I know.

473
00:28:26,955 --> 00:28:30,457
Look, I'm not gonna lie to you,
we've had a few setbacks this week.

474
00:28:31,292 --> 00:28:35,295
But we all know what Jay and Brad
wanted more than anything...

475
00:28:36,464 --> 00:28:39,133
...and that was to see
Hell Hazers II: The Reckoning...

476
00:28:39,300 --> 00:28:41,301
...on screens all across America.

477
00:28:42,178 --> 00:28:45,973
Now, we owe it to them
to go on and to pull together...

478
00:28:46,141 --> 00:28:49,143
...and make this damn movie, huh?

479
00:28:50,478 --> 00:28:53,605
But not-- Not today.

480
00:28:53,773 --> 00:28:55,983
Go home. Someone will call you.

481
00:28:56,526 --> 00:28:57,526
Okay, I'll take that.

482
00:28:57,694 --> 00:28:58,694
[CHATTERING]

483
00:28:58,862 --> 00:29:00,571
[SPEAKING IN LATIN]

484
00:29:00,739 --> 00:29:02,573
Wendy, don't.

485
00:29:02,741 --> 00:29:04,324
WENDY:
What, are you afraid of ghosts?

486
00:29:04,492 --> 00:29:06,034
Come on, it'll be fun.

487
00:29:08,538 --> 00:29:09,955
TARA [ON TV]:
Sorry, can I go again?

488
00:29:10,123 --> 00:29:11,415
DEAN: Hey.
TARA: Okay.

489
00:29:11,583 --> 00:29:13,333
SAM:
Hey.

490
00:29:13,501 --> 00:29:16,503
So you find out
where the electrician's buried?

491
00:29:16,671 --> 00:29:19,006
He wasn't. Billy Beard was cremated.

492
00:29:20,008 --> 00:29:22,134
Great. Now what?

493
00:29:22,677 --> 00:29:23,927
No idea.

494
00:29:24,095 --> 00:29:26,597
Any more ghost cameos in the dailies?

495
00:29:26,765 --> 00:29:28,390
Not in the first six hours.

496
00:29:29,851 --> 00:29:31,727
You know, maybe the spirits are...

497
00:29:31,895 --> 00:29:34,855
...trying to shut down the movie
because they think it sucks.

498
00:29:35,023 --> 00:29:36,732
Because, I mean, it kind of does.

499
00:29:37,275 --> 00:29:39,026
McG [ON TV]:
"Come on, it'll be fun."

500
00:29:39,194 --> 00:29:41,487
WENDY:
Come on, it'll be fun.

501
00:29:41,654 --> 00:29:43,864
[SPEAKING IN LATIN]

502
00:29:55,168 --> 00:29:57,461
Listen to the invocation.

503
00:29:59,214 --> 00:30:01,381
Dean, that's the real deal.

504
00:30:01,674 --> 00:30:03,717
A necromantic summoning ritual.

505
00:30:06,971 --> 00:30:09,556
What the hell is that doing
in a Hollywood movie?

506
00:30:09,724 --> 00:30:13,393
No, dude, we're down for a few days.
Force majeure. Yeah.

507
00:30:13,561 --> 00:30:16,396
It's cool, it gives me time to pitch
that time-travel thing.

508
00:30:16,564 --> 00:30:19,650
Yeah. All right, well, look,
get back to me on this, seriously.

509
00:30:19,818 --> 00:30:21,360
No, I'm serious.

510
00:30:21,528 --> 00:30:24,238
Dude, are you serious?
Because I'm serious.

511
00:30:24,405 --> 00:30:26,281
All right, cool.

512
00:30:26,449 --> 00:30:28,700
Guys, we're all shut down.
What are you still doing here?

513
00:30:28,868 --> 00:30:31,370
Yeah, um, just....

514
00:30:31,538 --> 00:30:34,748
Sorry, man. We-- We--
We couldn't help ourselves.

515
00:30:35,124 --> 00:30:37,376
We just had to tell you
that we read the script.

516
00:30:37,544 --> 00:30:38,752
And?

517
00:30:39,462 --> 00:30:41,088
Yeah.

518
00:30:41,714 --> 00:30:44,925
-It's, uh-- It's awesome.
-Awesome.

519
00:30:45,093 --> 00:30:47,594
SAM: Really awesome.
-I know, it's pretty rocking, right?

520
00:30:47,762 --> 00:30:50,430
-I'm glad you guys liked it.
-Yeah, I really liked, uh...

521
00:30:50,598 --> 00:30:52,099
...all the attention to detail.

522
00:30:52,267 --> 00:30:55,644
Dude, right on, that's my thing.
I mean, color me guilty, but that is me.

523
00:30:55,812 --> 00:30:57,437
I mean, I'm a total detail buff.

524
00:30:57,605 --> 00:31:01,024
No, I can tell. The way you worked in
all those Enochian summoning rituals...

525
00:31:01,192 --> 00:31:03,193
...in all the authentic language, and....

526
00:31:03,444 --> 00:31:04,778
What, you mean that Latin crap?

527
00:31:07,490 --> 00:31:08,991
No, man. That's Walter.

528
00:31:09,158 --> 00:31:11,618
Walter Dixon, the original writer.

529
00:31:11,786 --> 00:31:12,953
You like that garbage?

530
00:31:13,121 --> 00:31:14,496
Wait, Walter the PA, Walter?

531
00:31:14,664 --> 00:31:18,458
He's not a PA. He's got a clause in his
contract that allows him to come on set.

532
00:31:18,626 --> 00:31:19,960
But he wrote the invocations?

533
00:31:20,128 --> 00:31:22,462
He wrote a whack-job screenplay.
There's no pace...

534
00:31:22,630 --> 00:31:24,798
...no love interest,
it's all wackadoo exposition.

535
00:31:24,966 --> 00:31:27,342
I cut like 90 percent of it
to make it readable.

536
00:31:27,510 --> 00:31:29,011
Another 10 percent to make it good.

537
00:31:29,178 --> 00:31:30,178
Ha.

538
00:31:33,516 --> 00:31:37,311
Should've kept Walter's original script.
It's actually pretty good.

539
00:31:37,478 --> 00:31:38,979
Yeah.

540
00:31:39,772 --> 00:31:42,232
And it reads like a how-to manual
of conjuration.

541
00:31:42,400 --> 00:31:46,153
Like a textbook on how to summon ghosts
and get them to do whatever you want.

542
00:31:46,321 --> 00:31:48,947
-Yeah, like kill people.
-Yep.

543
00:31:49,991 --> 00:31:53,160
Let's say somewhere down the line
Walter learned some Black Magic.

544
00:31:53,328 --> 00:31:56,496
Yeah, and let's say he's pissed
at these people for wrecking his movie.

545
00:31:56,873 --> 00:31:58,206
Motive and means.

546
00:31:58,374 --> 00:31:59,833
It's worth checking out.

547
00:32:10,219 --> 00:32:12,429
MARTY:
So...

548
00:32:12,597 --> 00:32:14,514
...you wanted to meet?

549
00:32:16,434 --> 00:32:19,186
Hey, I'm a little busy here, buddy.
I'm working on a script.

550
00:32:19,354 --> 00:32:21,188
Oh, yeah, you guys worked on it a lot.

551
00:32:21,606 --> 00:32:24,399
It needed work. Why couldn't
we have done this in my office?

552
00:32:24,567 --> 00:32:28,570
You know the history, the lore
in my draft was completely accurate.

553
00:32:29,614 --> 00:32:31,865
We could've gotten it right
for the first time ever...

554
00:32:32,033 --> 00:32:33,659
...in this whorehouse of a town.

555
00:32:33,826 --> 00:32:36,036
But you tore it to shreds.

556
00:32:37,246 --> 00:32:41,208
You replaced it with cleavage
and fart jokes.

557
00:32:42,043 --> 00:32:43,043
It was real.

558
00:32:43,211 --> 00:32:45,587
Who gives a rat's ass about real?

559
00:32:45,755 --> 00:32:48,048
We're talking about ghosts here,
there's no such thing.

560
00:32:48,216 --> 00:32:50,384
That's where you're wrong, Martin.

561
00:32:52,303 --> 00:32:54,304
[SPEAKING IN LATIN]

562
00:33:02,063 --> 00:33:05,232
Okay, nut job. End of meeting.

563
00:33:07,735 --> 00:33:09,069
[SCREAMS]

564
00:33:16,244 --> 00:33:18,662
Oh, God, no. Please, no.

565
00:33:18,830 --> 00:33:19,997
[MARTY GRUNTING]

566
00:33:20,164 --> 00:33:23,750
You ruined it, Martin.
Everything I worked for.

567
00:33:23,918 --> 00:33:26,378
Oh, God! Walter!

568
00:33:26,546 --> 00:33:28,630
You're gonna find out
what being a ghost is like.

569
00:33:28,798 --> 00:33:30,590
Walter, please!

570
00:33:30,758 --> 00:33:32,259
Walter, help me!

571
00:33:32,427 --> 00:33:34,386
[SCREAMS]

572
00:33:34,554 --> 00:33:35,929
[GUNSHOT]

573
00:33:43,187 --> 00:33:45,022
You are one hell of a PA.

574
00:33:45,773 --> 00:33:47,441
Yeah, I know.

575
00:33:48,985 --> 00:33:50,277
What are you doing?

576
00:33:50,445 --> 00:33:51,987
I could ask you the same thing.

577
00:33:52,196 --> 00:33:54,614
Raising these spirits from the dead...

578
00:33:54,782 --> 00:33:57,743
...making them murder for you,
that's playing with fire, Walter.

579
00:33:58,578 --> 00:34:00,704
You don't understand.

580
00:34:00,955 --> 00:34:03,290
You know what, you're right,
I don't understand.

581
00:34:04,959 --> 00:34:08,795
Wait, look, you put your heart
and soul into something.

582
00:34:08,963 --> 00:34:12,466
Years of hard work.
Years. And then they take it...

583
00:34:12,633 --> 00:34:15,302
...and they crap all over it!

584
00:34:15,636 --> 00:34:18,764
And then-- And then they want you
to smile and say thank you.

585
00:34:18,931 --> 00:34:20,724
Walter, listen,
it's just a movie. That's it.

586
00:34:24,979 --> 00:34:26,396
Look...

587
00:34:27,857 --> 00:34:30,150
...I got nothing against you, man.
You're not part of this.

588
00:34:30,318 --> 00:34:32,903
Just please, please, just leave.

589
00:34:33,071 --> 00:34:34,488
But Martin's gotta stay.

590
00:34:34,655 --> 00:34:36,239
Sorry, can't do that.

591
00:34:36,407 --> 00:34:40,160
It's not that we like him or anything,
it's just a matter of principle.

592
00:34:40,328 --> 00:34:42,662
Then I'm sorry too.

593
00:34:42,830 --> 00:34:45,749
Walter. Walter, pl-- Don't.

594
00:34:45,917 --> 00:34:47,918
[SPEAKING IN LATIN]

595
00:34:53,091 --> 00:34:54,966
[GHOSTLY VOICE SCREAMS]

596
00:35:06,187 --> 00:35:07,771
Sam!

597
00:35:11,150 --> 00:35:12,150
[SPIRIT GRUNTS]

598
00:35:12,652 --> 00:35:13,902
Son of a--

599
00:35:17,198 --> 00:35:18,532
Come on, come on.

600
00:35:25,123 --> 00:35:26,123
[SPIRIT GRUNTS]

601
00:35:29,210 --> 00:35:31,503
DEAN:
Come on, come on, move.

602
00:35:44,517 --> 00:35:45,517
[GUN CLICKS]

603
00:35:45,685 --> 00:35:49,229
"Come to the coast,
we'll get together, have a few laughs."

604
00:35:54,068 --> 00:35:55,068
Oh, man.

605
00:35:56,988 --> 00:35:59,906
-I can't believe these ghosts are real.
DEAN: What makes you say that?

606
00:36:03,995 --> 00:36:04,995
[GUN COCKS]

607
00:36:10,585 --> 00:36:11,585
MARTY:
I don't understand.

608
00:36:11,752 --> 00:36:13,587
How is Walter controlling them?

609
00:36:13,754 --> 00:36:15,088
Probably with that talisman.

610
00:36:22,722 --> 00:36:23,722
What are you doing?

611
00:36:23,890 --> 00:36:26,683
I mean, if film cameras
pick these suckers up, then...

612
00:36:27,101 --> 00:36:29,144
...maybe, uh....

613
00:36:33,774 --> 00:36:35,317
Dean, right there!

614
00:36:37,570 --> 00:36:39,112
Got him.

615
00:36:40,990 --> 00:36:42,240
Hey, right there!

616
00:36:48,664 --> 00:36:50,207
-Here, you get the idea?
-Yeah.

617
00:36:50,374 --> 00:36:52,834
All right, you hold them off,
I'm going after Walter.

618
00:36:53,461 --> 00:36:54,461
[GUN COCKS]

619
00:36:57,340 --> 00:37:00,759
-I cannot believe there's an afterlife.
-There's an afterlife, all right.

620
00:37:00,927 --> 00:37:03,470
But mostly it's a pain in the ass.

621
00:37:04,805 --> 00:37:05,805
There!

622
00:37:10,102 --> 00:37:11,311
It's over, Walter.

623
00:37:11,979 --> 00:37:13,396
Now, give it to me.

624
00:37:16,692 --> 00:37:19,778
There, okay, now no one can have it.

625
00:37:22,114 --> 00:37:24,324
-I wouldn't have done that if I were you.
-Oh, yeah?

626
00:37:24,492 --> 00:37:25,951
SAM: Yeah.
-And why not?

627
00:37:26,118 --> 00:37:27,410
Because you just freed them.

628
00:37:28,412 --> 00:37:30,664
We can't stop them now.

629
00:37:30,831 --> 00:37:32,457
Walter, you brought them back...

630
00:37:33,251 --> 00:37:34,793
...forced them to murder.

631
00:37:34,961 --> 00:37:37,003
They're not gonna be very happy
with you.

632
00:37:37,171 --> 00:37:39,464
Yeah, so why not?

633
00:37:40,925 --> 00:37:42,759
[SPIRIT GROWLS THEN WALTER SCREAMS]

634
00:37:44,929 --> 00:37:47,180
[GRUNTS AND MOANS]

635
00:37:47,348 --> 00:37:49,349
[SCREAMING]

636
00:38:04,407 --> 00:38:06,199
SANDRA:
Oh, God.

637
00:38:06,450 --> 00:38:08,285
Oh, God.

638
00:38:09,829 --> 00:38:11,079
There!

639
00:38:12,456 --> 00:38:15,542
I don't understand, how can the spirits
appear in the camera phone?

640
00:38:15,710 --> 00:38:18,837
The video must pick up their frequencies
in a way that our eyes can't.

641
00:38:19,005 --> 00:38:20,255
[BULLET CASINGS CLATTER]

642
00:38:23,092 --> 00:38:24,551
Right there.

643
00:38:24,719 --> 00:38:25,719
[GUNSHOT]

644
00:38:26,721 --> 00:38:30,140
Cut! Oh, print that one.
That's in the movie.

645
00:38:30,308 --> 00:38:32,726
Oh, loved it, kids. Loved it.

646
00:38:35,855 --> 00:38:39,691
You find out there's an afterlife,
and this is what you do with it?

647
00:38:40,151 --> 00:38:42,319
I needed a little jazz on the page.

648
00:39:01,964 --> 00:39:03,673
You're one hell of a PA.

649
00:39:05,301 --> 00:39:07,093
Thank you.

650
00:39:09,388 --> 00:39:10,847
Hi.

651
00:39:34,789 --> 00:39:36,456
DEAN:
God, I love this town.

652
00:40:20,251 --> 00:40:22,252
[ENGLISH - US - SDH]