1 00:00:15,782 --> 00:00:23,557 NEXT. ARE LISTEN, BE CAREFUL 2 00:00:23,557 --> 00:00:25,592 DANCING. THE POSITIONING OF YOUR 3 00:00:25,592 --> 00:00:34,635 HEAD IS REALLY OFF NEXT. 4 00:00:34,635 --> 00:00:41,808 >> OH, DARLING, HAVE TO GET SOME BALLROOM SHOES NEXT. 5 00:00:41,808 --> 00:00:43,977 >> OKAY. 6 00:00:43,977 --> 00:00:49,917 >> ARE WE. OKAY 7 00:00:49,917 --> 00:00:52,185 >> REMEMBER TO FLOW AND TRY NOT 8 00:00:52,185 --> 00:01:14,374 TO BE STIFF. ARE. 9 00:01:14,374 --> 00:01:17,678 LIVE FROM HOLLYWOOD. 10 00:01:17,678 --> 00:01:23,450 >> IT'S MONSTER NIGHT ON DANCING WITH THE STARS. 11 00:01:23,450 --> 00:01:27,654 >> WELCOME TO DANCING WITH THE STARS. IT'S MONSTER NIGHT. I'M 12 00:01:27,654 --> 00:01:29,523 ALFONSO RIBEIRO. AND I'M JULIANNE HOUGH. 13 00:01:29,523 --> 00:01:33,360 >> VOTING IS OPEN RIGHT NOW AND IT'S AVAILABLE TO THE US 14 00:01:33,360 --> 00:01:37,431 TERRITORIES AND CANADA AT ABC.COM PLUS SUBSCRIBERS OF 15 00:01:37,431 --> 00:01:41,401 PARTICIPATING US WIRELESS PHONE CARRIERS CAN TEXT THE FIRST NAME 16 00:01:41,401 --> 00:01:44,438 OF THEIR FAVORITE STAR TO THE NUMBER 21523. 17 00:01:44,438 --> 00:01:46,139 >> MESSAGE AND DATA RATES MAY APPLY. 18 00:01:46,139 --> 00:01:49,509 >> SOMETHING ELSE THAT APPLIES IS A ROUND OF APPLAUSE FOR OUR 19 00:01:49,509 --> 00:01:52,312 SPECIAL GUEST JUDGE, DANCING WITH THE STARS ALUM NIECY NASH. 20 00:01:52,312 --> 00:01:56,450 BET'S WELCOME, NIECY. THANK YOU. 21 00:01:56,450 --> 00:01:58,585 >> OH, YES. 22 00:01:58,585 --> 00:02:00,887 >> ARE YOU READY FOR MONSTER NIGHT? I AM SO READY. 23 00:02:00,887 --> 00:02:04,057 >> I'M SO EXCITED TO BE BACK IN THE BALLROOM ON THIS SIDE. 24 00:02:04,057 --> 00:02:06,259 >> THIS TIME AT. 25 00:02:06,259 --> 00:02:10,697 >> AND THEY TOLD ME THAT THEY WANTED MY COSTUME TO BE SCARY. 26 00:02:10,697 --> 00:02:15,802 >> AND I SAID, BABY, IT IS SCARY. I DON'T HAVE ON A SPANK. 27 00:02:15,802 --> 00:02:17,871 I LOVE THAT. 28 00:02:17,871 --> 00:02:22,509 >> WE ARE SO GLAD THAT YOU ARE HERE AND WE ARE SO GLAD FOR A 29 00:02:22,509 --> 00:02:26,646 GOOD TIME. THANKS FOR NO SPACE. ALL RIGHT. SO YOU KNOW WHAT? 30 00:02:26,646 --> 00:02:32,319 >> LET'S WELCOME OUR MONSTERS. 31 00:02:32,319 --> 00:02:36,923 >> GRAMMY WINNING SINGER JASON MRAZ AND DANIELLA KARAGACH, TV 32 00:02:36,923 --> 00:02:41,328 AND FILM STAR ALYSON HANNIGAN AND SASHA FARBER, TV AND FILM 33 00:02:41,328 --> 00:02:45,699 STAR SOCHI GOMEZ AND VAL CHMERKOVSKIY ON SOCIAL MEDIA AND 34 00:02:45,699 --> 00:02:49,403 REALITY TV STAR HARRY JOWSEY AND RILEY ARNOLD, ACTOR BARRY 35 00:02:49,403 --> 00:02:54,674 WILLIAMS AND PETA MURGATROYD FROM VANDERPUMP RULES, ARIANA 36 00:02:54,674 --> 00:03:00,514 MADIX AND PASHA PASHKOV, SINGER AND SOCIAL MEDIA STAR LELE PONS 37 00:03:00,514 --> 00:03:03,183 AND BRANDON ARMSTRONG. REAL ESTATE MOGUL AND TV STAR 38 00:03:03,183 --> 00:03:05,752 MAURICIO ROMANSKY AND EMMA SLATER. AND FROM THE 39 00:03:05,752 --> 00:03:07,654 BACHELORETTE, CHARITY LAWSON AND 40 00:03:07,654 --> 00:03:18,632 ARTEM CHIGVINTSEV. AND. WHO WE 41 00:03:18,632 --> 00:03:23,570 ARE READY FOR SOME HALLOWEEN FUN TONIGHT AS THESE SCARY STARS 42 00:03:23,570 --> 00:03:28,041 DANCE TO SAVE THEIR SOULS IN TWO DO OR DIE ROUNDS OF COMPETITION. 43 00:03:28,041 --> 00:03:31,812 >> FIRST, THERE INDIVIDUAL ROUTINES AND THE SECOND ROUND 44 00:03:31,812 --> 00:03:35,816 THEY'LL GO CLAW TO CLAW AT THE SAME TIME FOR BONUS POINTS IN A 45 00:03:35,816 --> 00:03:37,084 DANCE MONSTER. 46 00:03:37,084 --> 00:03:39,152 >> FOR THORNE, IT'S LIKE A MARATHON, BUT BIGGER, MORE 47 00:03:39,152 --> 00:03:44,224 TERRIFYING AS THEY HAVE TO NAIL TWO DIFFERENT DANCE STYLES. 48 00:03:44,224 --> 00:03:46,593 >> THAT'S RIGHT. BUT LET'S NOT GET AHEAD OF OURSELVES. WE'LL 49 00:03:46,593 --> 00:03:49,730 KICK OFF ROUND ONE WITH THE GRAMMY WINNING SINGER WHO LAST 50 00:03:49,730 --> 00:03:52,966 WEEK FINISHED JUST ONE POINT BEHIND THE LEADERS. SO LET'S SEE 51 00:03:52,966 --> 00:03:57,304 THE CHALLENGES HE FACED THIS WEEK AS HIM AND HIS PARTNER 52 00:03:57,304 --> 00:03:59,506 DANCED LIKE A PAIR OF MUMMIES. 53 00:03:59,506 --> 00:04:01,274 >> ZOMBIES. IT'S JASON MRAZ AND 54 00:04:01,274 --> 00:04:13,754 DANIELLA KARAGACH. 55 00:04:13,754 --> 00:04:17,591 >> TECHNICALLY, YOU ARE SUPERIOR IN THIS COMPETITION. NICE OH, 56 00:04:17,591 --> 00:04:20,060 HEY, THANK YOU. 57 00:04:20,060 --> 00:04:22,963 >> I FELT AMAZING TO GET ALL NINES. EVEN THOUGH OUR SCORES 58 00:04:22,963 --> 00:04:26,533 WERE BETTER THAN LAST WEEK. I WOULD LOVE TO SEE A TEN SOONER 59 00:04:26,533 --> 00:04:30,370 THAN LATER. THE COMPETITION IS GETTING WAY MORE REAL NOW. 60 00:04:30,370 --> 00:04:34,241 >> WE'RE HALFWAY AND REALLY GOOD. DANCERS ARE STARTING TO GO 61 00:04:34,241 --> 00:04:34,441 HOME. 62 00:04:34,441 --> 00:04:36,977 >> THAT'S THE HARDEST PART. YEAH, IT'S JUST A REMINDER THAT 63 00:04:36,977 --> 00:04:38,411 IT'S ANYONE'S COMPETITION IN ANY WEEK. 64 00:04:38,411 --> 00:04:43,016 >> ANY OF US COULD BE SENT HOME. I'M HERE TO LEARN AND GROW AND 65 00:04:43,016 --> 00:04:46,686 JUST KEEP DOING BETTER. GOOD. IT'S A MONSTER NIGHT FOR 66 00:04:46,686 --> 00:04:46,953 HALLOWEEN. 67 00:04:46,953 --> 00:04:48,155 >> I LOVE THAT. 68 00:04:48,155 --> 00:04:51,124 >> AND WE'RE GOING TO BE LIKE THESE WEIRD MUMMY ZOMBIE THINGS. 69 00:04:51,124 --> 00:04:54,261 >> I'VE NEVER PLAYED A ZOMBIE BEFORE BEFORE, BUT I FEEL LIKE A 70 00:04:54,261 --> 00:04:58,398 ZOMBIE, ESPECIALLY DURING THIS SHOW. I WAKE UP LIKE, OH, THAT'S 71 00:04:58,398 --> 00:05:00,267 ACTUALLY ONE OF OUR MOVES. 72 00:05:00,267 --> 00:05:04,905 >> THREE LIKE AN EXORCISM. I'M REALLY IN THIS CONTEMPORARY. WE 73 00:05:04,905 --> 00:05:08,608 ARE TWO ZOMBIES FIGHTING FOR SURVIVAL. NICE, CONTEMPORARY 74 00:05:08,608 --> 00:05:11,278 MOVEMENT THROUGH YOUR BODY, EXPRESSING HOW YOU'RE FEELING. 75 00:05:11,278 --> 00:05:15,549 AND SINCE THERE AREN'T ANY RULES WE CAN USE LIFTS AND TRICKS TO 76 00:05:15,549 --> 00:05:19,753 HELP TELL OUR STORY THIS WEEK. JASON IS GOING TO BE LIFTING ME 77 00:05:19,753 --> 00:05:24,524 FOR THE VERY FIRST TIME. IT WILL REQUIRE A LOT OF MUSCLE STRENGTH 78 00:05:24,524 --> 00:05:24,658 . 79 00:05:24,658 --> 00:05:29,229 >> THE ONLY THING I'VE LIFTED IN A WHILE IS A GUITAR OR MY CAT. I 80 00:05:29,229 --> 00:05:33,767 DON'T KNOW HOW TO GET YOU DOWN. CONTEMPORARY IS TOUGH WORK. 81 00:05:33,767 --> 00:05:37,170 >> OH, THIS FEELS LIKE I'VE BEEN THROWN OUT OF A VEHICLE. 82 00:05:37,170 --> 00:05:40,840 >> SO WHERE ARE YOUR SEATBELT FITS? MAYBE ONLY ONE OF US 83 00:05:40,840 --> 00:05:43,643 SURVIVES. NO DANCING. 84 00:05:43,643 --> 00:05:47,848 >> CONTEMPORARY WITH HIS PARTNER, DANIELLA KARAGÖZ. IT'S 85 00:05:47,848 --> 00:06:05,799 JASON MRAZ. 86 00:06:05,799 --> 00:06:10,136 ANOTHER HEAD HANGS LOW. 87 00:06:10,136 --> 00:06:16,509 >> LEE, WHO ARE WE? MISTAKE HERE 88 00:06:16,509 --> 00:06:22,616 , BUT YOU'LL SEE. IT'S NOT ME. IT'S NOT MY FAMILY. IN YOUR 89 00:06:22,616 --> 00:06:25,952 HEAD. IN YOUR HEAD. THEY ARE 90 00:06:25,952 --> 00:06:38,665 FIGHTING. THEY. FEEL. SOMETHING 91 00:06:38,665 --> 00:06:44,704 ZOMBIE, ZOMBIE AND MY SENIOR 92 00:06:44,704 --> 00:06:52,178 HEAD IN YOUR HEAD ON ME. ZOMBIE 93 00:06:52,178 --> 00:07:10,463 ZOMBIE AND HEAD. 94 00:07:10,463 --> 00:07:14,301 >> JASON AND DANIELLA GETTING ALL WRAPPED UP IN THEIR MUMMY. 95 00:07:14,301 --> 00:07:21,541 ZOMBIE CONTEMPORARY ROUTINE. YEAH. STANDING OUT FOR YOU. IT 96 00:07:21,541 --> 00:07:25,278 IS SCARY IN THE HOUSE TONIGHT. ALL RIGHT, LET'S. LET'S SEE WHAT 97 00:07:25,278 --> 00:07:27,213 THE JUDGES HAVE TO SAY. DEREK MAN. 98 00:07:27,213 --> 00:07:30,183 >> JASON. WELL, FIRST OF ALL, HOW IS YOUR FACE THAT LOOKS 99 00:07:30,183 --> 00:07:33,386 ITCHY. I GOT A GOOD DERMATOLOGIST IF YOU NEED ONE. 100 00:07:33,386 --> 00:07:37,157 MY MAN. BUT LISTEN, THAT LOVE THE INTRO. IT WAS LIKE SOME 101 00:07:37,157 --> 00:07:39,993 WEIRD MONSTER YOGA. IT WAS SO CREATIVE. IT WAS SO COOL. THE 102 00:07:39,993 --> 00:07:44,364 NECK BREAK MOMENT SO FANTASTIC. THE SIDE BY SIDE. IT DROPPED A 103 00:07:44,364 --> 00:07:47,500 LITTLE BIT OF ENERGY. BUT OVERALL, THAT WAS A FANTASTIC 104 00:07:47,500 --> 00:07:51,838 WAY TO START. MONSTER NIGHT. FANTASTIC MISSY, LET ME TELL YOU 105 00:07:51,838 --> 00:07:52,639 SOMETHING. 106 00:07:52,639 --> 00:07:56,443 >> THE MINUTE YOUR ZOMBIE CAME TO LIFE, I BELIEVED IT. 107 00:07:56,443 --> 00:08:01,081 >> I WAS CONNECTED TO IT THE WHOLE TIME. AND THE TO NOT HAVE 108 00:08:01,081 --> 00:08:05,051 DONE LIFTS BEFORE YOUR THEN PICK THIS WOMAN UP. I THOUGHT YOU DID 109 00:08:05,051 --> 00:08:10,290 A BEAUTIFUL JOB CARRYING HER ALL AROUND THIS FLOOR. 110 00:08:10,290 --> 00:08:13,560 >> OH, I LOVED IT. I WANT TO GIVE YOU A GRAMMY, IF I COULD. 111 00:08:13,560 --> 00:08:14,561 OH, YES, BRUNO. 112 00:08:14,561 --> 00:08:16,830 >> SO HAUNTING. 113 00:08:16,830 --> 00:08:21,067 >> YOU COULD REALLY FEEL, YOU KNOW, THE STRUGGLE, THE TORMENT 114 00:08:21,067 --> 00:08:27,173 OF THE CREATURES. TRY TO RELEASE AND OF THIS FALLING OFF. TRY TO 115 00:08:27,173 --> 00:08:32,445 GET RELEASED FROM THE CURSE. IT WAS LIKE A MINI GOTHIC DRAMA. 116 00:08:32,445 --> 00:08:36,449 YES. YOU WERE SO CONNECTED, SO WELL ACTED, YOU NEARLY MISSED 117 00:08:36,449 --> 00:08:38,118 THE LIFT, THOUGH. SOMETHING HAPPENED. WAS IT INTENTIONAL? 118 00:08:38,118 --> 00:08:41,688 SOMETHING HAPPENED ON THE LIFT, BUT I OVERLOOKED THAT IT DIDN'T 119 00:08:41,688 --> 00:08:43,723 HAPPEN. IT DIDN'T HAPPEN. 120 00:08:43,723 --> 00:08:49,028 >> ALL RIGHT. CARRIE ANN, ARE THE. 121 00:08:49,028 --> 00:08:53,233 >> THAT WAS AMAZING. YOU HAVE THIS INCREDIBLE ABILITY. YOU ARE 122 00:08:53,233 --> 00:08:56,669 SUCH A CHAMELEON. AND IT'S NOT BECAUSE OF THE COSTUME. IT'S THE 123 00:08:56,669 --> 00:08:59,372 WAY YOU MOVE. IT'S THE MUSCLE TENSION. IT'S THE WAY YOU 124 00:08:59,372 --> 00:09:02,509 EXPRESS EVERY BEAT OF DANIELLA'S CHOREOGRAPHY. I THOUGHT IT WAS 125 00:09:02,509 --> 00:09:06,579 FANTASTIC. I WILL SAY TONIGHT, MAYBE YOU WEREN'T AS GROUNDED AS 126 00:09:06,579 --> 00:09:09,249 YOU USUALLY HAD. LITTLE LIKE SKIPS AND LIKE, JUST THE FOOT. I 127 00:09:09,249 --> 00:09:12,719 HEAR A ALMOST BOO TONE IT DOWN. IT'S ONLY THE BEGINNING OF THE 128 00:09:12,719 --> 00:09:13,787 NIGHT. 129 00:09:13,787 --> 00:09:16,456 >> IT MIGHT BE YOU ARE YOU ARE YOU. 130 00:09:16,456 --> 00:09:18,925 >> GIVE ME A LITTLE SORRY. 131 00:09:18,925 --> 00:09:23,730 >> ALL RIGHT, LISTEN, HEAD ON UP TO FOR YOUR SCORES, BUT GET SOME 132 00:09:23,730 --> 00:09:25,098 OINTMENT FOR YOUR FACE. 133 00:09:25,098 --> 00:09:27,967 >> OH, OKAY. GOT TO CLEAN THAT SKIN UP. ALL RIGHT. YOU AT HOME 134 00:09:27,967 --> 00:09:31,604 CAN SAVE YOUR FAVORITE MONSTERS FROM CERTAIN DOOM WHEN YOU VOTE 135 00:09:31,604 --> 00:09:35,842 BY TEXT AND ONLINE AT ABC.COM, YOU GOT TEN VOTES PER COUPLE PER 136 00:09:35,842 --> 00:09:40,180 VOTING METHOD, SO USE THEM UP. IF YOU DARE. HAHAHAHAHA 137 00:09:40,180 --> 00:09:43,149 JULIANNE, YOU'RE REALLY GETTING INTO THIS HALLOWEEN THING. 138 00:09:43,149 --> 00:09:46,519 >> ALFONSO OH I LOVE IT. OH YOU KNOW, SPEAKING OF YOUR FACE, 139 00:09:46,519 --> 00:09:48,521 WHAT IS HAPPENING WITH YOUR FACE? 140 00:09:48,521 --> 00:09:49,489 >> YEAH, GOOD QUESTION. 141 00:09:49,489 --> 00:09:52,525 >> YOU KNOW, EVERYBODY ELSE GOT TO BE SEXY AND LOOK LIKE VERY 142 00:09:52,525 --> 00:09:57,730 ELEGANT MONSTERS, BUT I DON'T KNOW WHAT HAPPENED HERE. I WENT 143 00:09:57,730 --> 00:10:02,535 FIRST. WELL YOU KNOW, I ALWAYS SAY THIS PART OF THE COMPETITION 144 00:10:02,535 --> 00:10:03,570 IS LIKE WEEK SIX. 145 00:10:03,570 --> 00:10:07,240 >> YOU FEEL LIKE YOU'VE BEEN HIT BY A TRUCK. YOU KIND OF LOOK 146 00:10:07,240 --> 00:10:07,574 LIKE YOU DID. 147 00:10:07,574 --> 00:10:08,441 >> THANK YOU. 148 00:10:08,441 --> 00:10:11,478 >> BUT SERIOUSLY, AFTER AFTER THIS MANY WEEKS IN THE 149 00:10:11,478 --> 00:10:13,713 COMPETITION, HOW ARE YOU FEELING? 150 00:10:13,713 --> 00:10:17,183 >> I FEEL LIKE I'VE BEEN HIT BY A TRUCK. YEAH BUT I HOPE TONIGHT 151 00:10:17,183 --> 00:10:21,287 I'M BEING JUDGED ON THE INSIDE AND NOT WHAT YOU SEE ON THE 152 00:10:21,287 --> 00:10:22,021 OUTSIDE. 153 00:10:22,021 --> 00:10:25,925 >> ON THE OUTSIDE SIDE. ALL RIGHT, WELL, LET'S GET YOUR 154 00:10:25,925 --> 00:10:27,694 SCORES. 155 00:10:27,694 --> 00:10:32,265 >> CARRIE ANN INABA, NINE, DEREK 156 00:10:32,265 --> 00:10:37,403 HOUGH, NINE, NIECY NASH. BETS 157 00:10:37,403 --> 00:10:42,575 NINE, BRUNO TONIOLI, NINE. 158 00:10:42,575 --> 00:10:48,148 >> IT'S A 36 OUT OF 40 FOR JASON AND DANIELLA SO FAR TONIGHT. 159 00:10:48,148 --> 00:10:52,118 >> JUST SO YOU KNOW, I LOVE YOUR FACE. LAST WEEK'S ELIMINATION OF 160 00:10:52,118 --> 00:10:55,855 MIRA SORVINO AND GLEB SAVCHENKO SHOWED WHAT HAPPENS WHEN FANS 161 00:10:55,855 --> 00:10:59,158 THINK THEIR FAVORITES CAN GET BY ON JUDGES SCORES ALONE. YOU HAVE 162 00:10:59,158 --> 00:11:01,528 TO VOTE. ALFONSO 163 00:11:01,528 --> 00:11:04,797 >> IMPORTANT REMINDER, JULIANNE. ALL RIGHT. NEXT UP, OUR FILM AND 164 00:11:04,797 --> 00:11:09,536 TV STAR FROM BUFFY THE VAMPIRE SLAYER IS OUT FOR BLOOD WITH A 165 00:11:09,536 --> 00:11:13,139 GHOULISH PASODOBLE ALYSON HANNIGAN AND SASHA OBAMA WILL 166 00:11:13,139 --> 00:11:17,010 COME TO LIFE AFTER THIS NEXT LIVE. 167 00:11:24,691 --> 00:11:28,728 WE'RE BACK CELEBRATING HALLOWEEN WITH MONSTER NIGHT. 168 00:11:28,728 --> 00:11:30,697 >> AND OUR GUEST, JUDGE NIECY NASH BETTS. 169 00:11:30,697 --> 00:11:32,098 >> YEAH, GIVE IT UP. 170 00:11:32,098 --> 00:11:36,603 >> UP NEXT, OUR STAR FROM BUFFY THE VAMPIRE SLAYER SINKS HER 171 00:11:36,603 --> 00:11:40,507 TEETH INTO A BLOOD SUCKING PASODOBLE. IT'S ALISON HANNIGAN 172 00:11:40,507 --> 00:11:49,616 AND SASHA FARBER. 173 00:11:49,616 --> 00:11:52,919 >> IT WAS A TINY FOOT PROBLEM, BUT IT DOESN'T MATTER BECAUSE IT 174 00:11:52,919 --> 00:11:57,057 WAS BETTER. 175 00:11:57,057 --> 00:12:00,960 >> THREE SEVENS. I'M SO HAPPY. IT WAS JUST A GREAT NIGHT. ALL 176 00:12:00,960 --> 00:12:06,666 AROUND. THIS IS THE HALF POINT OF THE SEASON. I KNOW I'M SO 177 00:12:06,666 --> 00:12:08,368 GRATEFUL TO BE A PART OF IT. 178 00:12:08,368 --> 00:12:12,405 >> IT'S GOING TO START TO GET TOUGH NOW. START 179 00:12:12,405 --> 00:12:16,276 >> IT'S BEEN TOUGH THE WHOLE TIME, SO IT'S MONSTER NIGHT. 180 00:12:16,276 --> 00:12:18,111 >> HALLOWEEN IS MY WEEK. 181 00:12:18,111 --> 00:12:21,915 >> YOU DON'T EVEN KNOW HOW I WORKED ON A SHOW THAT HAD A LOT 182 00:12:21,915 --> 00:12:27,587 OF GOOD HALLOWEEN LIKE PROPS AND THEY WOULD GIVE ME COFFINS. I 183 00:12:27,587 --> 00:12:32,359 HAVE SKELETONS THAT LOOKED REAL. WELL, IT MAKES OUR HALLOWEEN AN 184 00:12:32,359 --> 00:12:32,559 EPIC. 185 00:12:32,559 --> 00:12:35,095 >> YOU'RE GOING TO BE PLAYING A VAMPIRE. 186 00:12:35,095 --> 00:12:37,931 >> I'VE HAD SOME EXPERIENCE. I MIGHT HAVE TO TEACH YOU SOME 187 00:12:37,931 --> 00:12:38,331 THINGS. THIS WEEK. 188 00:12:38,331 --> 00:12:39,032 >> YEAH. 189 00:12:39,032 --> 00:12:42,135 >> I DON'T KNOW HOW TO KILL VAMPIRES, BUT WHAT I'M GOING TO 190 00:12:42,135 --> 00:12:44,037 TEACH YOU IS HOW TO KILL A PASODOBLE. 191 00:12:44,037 --> 00:12:44,938 >> BAM! 192 00:12:44,938 --> 00:12:49,209 >> PASODOBLE IS LEADING WITH THE HEEL ONE AND TWO. THIS IS A VERY 193 00:12:49,209 --> 00:12:52,879 HARD DANCE WHICH REQUIRES LOTS OF ROUND SHAPES. SPECIFIC 194 00:12:52,879 --> 00:12:56,516 TIMING. WHEN YOU SPIN AROUND, THINK WIDE. 195 00:12:56,516 --> 00:13:00,387 >> LAST WEEK'S PERFORMANCE WAS A REAL TURNING POINT FOR ME. YES 196 00:13:00,387 --> 00:13:02,856 THAT WAS REALLY GOOD AND I HAVE TO KEEP THAT IMPROVEMENT BECAUSE 197 00:13:02,856 --> 00:13:06,459 THE COMPETITION IS GETTING SO INTENSE. STEPH STEP, STEP. 198 00:13:06,459 --> 00:13:10,096 >> TO ME, THE SUPPORT FROM MY FANS IS SO HEARTWARMING. 199 00:13:10,096 --> 00:13:14,601 >> IT'S JUST AMAZING THAT AFTER ALL THESE DECADES, THEY'RE STILL 200 00:13:14,601 --> 00:13:17,937 WITH ME. SO I'M DOING THIS DANCE FOR THEM. 201 00:13:17,937 --> 00:13:19,105 >> THAT'S WHAT I'M TALKING ABOUT. 202 00:13:19,105 --> 00:13:26,646 >> I KNOW DANCING THE PASO DOBLE WITH HER PARTNER, SASHA FARBER. 203 00:13:26,646 --> 00:13:39,192 >> IT'S ALYSON HANNIGAN. 204 00:13:39,192 --> 00:13:45,465 YOU KNOW, 60 ALL BABY CAN'T YOU HEAR ME? 205 00:13:45,465 --> 00:13:49,502 >> BORN AIN'T CALL ME TO FALSE 206 00:13:49,502 --> 00:13:53,606 PRETENSES. HOW I LOVE YOU FOR 207 00:13:53,606 --> 00:14:00,947 YOU LET ME HEAR. YOU. IN LOVE 208 00:14:00,947 --> 00:14:21,701 SONG. I I. 209 00:14:24,437 --> 00:14:44,090 CANNOT SONG. THE BLACK. FLAG. 210 00:14:44,090 --> 00:14:48,027 ALISON AND SASHA SLAYING THAT 211 00:14:48,027 --> 00:14:55,668 PASODOBLE. THE TEST. YEAH. 212 00:14:55,668 --> 00:14:58,271 >> I REALIZED I COULDN'T GET ALL THE WAY DOWN TO THE GROUND WITH 213 00:14:58,271 --> 00:15:00,740 YOU GUYS. ALL RIGHT, TAKE IT AWAY. 214 00:15:00,740 --> 00:15:04,811 >> LISTEN, LET ME. FIRST OF ALL, I LOVE YOU. I LOVE YOU. SECOND 215 00:15:04,811 --> 00:15:08,414 OF ALL, I THOUGHT YOU COULD HAVE HAD A LITTLE MORE GRACE COMING 216 00:15:08,414 --> 00:15:10,383 DOWN THE STEPS, BUT THE ENERGY. 217 00:15:10,383 --> 00:15:16,956 >> I SAID WHAT I SAID, BUT THE ENERGY THAT YOU BROUGHT TO THIS 218 00:15:16,956 --> 00:15:20,560 WAS AMAZING. AND WHEN YOU SPIN AROUND ON THIS FLOOR, YOUR GIRL, 219 00:15:20,560 --> 00:15:22,228 I CLUTCH MY PEARLS. 220 00:15:22,228 --> 00:15:26,266 >> I LOVED IT. YEAH YEAH. LOVE IT, BRUNO. 221 00:15:26,266 --> 00:15:31,671 >> AND YOU'LL CRUSH MY SEQUINS AS WELL, HONEY, THOSE THAT WAS A 222 00:15:31,671 --> 00:15:36,209 PUZZLE WITH A BITE. NOW YOU GOT HOLDING YOUR JAWS AND YOU'LL 223 00:15:36,209 --> 00:15:39,913 NEVER LET GO. YOU PUT MUCH MORE CONTENT THAN YOU USUALLY DO. YOU 224 00:15:39,913 --> 00:15:43,116 KNOW, THERE WAS A LOT OF STUFF THERE. A LOT OF VERY DIFFICULT 225 00:15:43,116 --> 00:15:44,884 STUFF. YOU DID IT. 226 00:15:44,884 --> 00:15:50,590 >> THERE WAS A LITTLE INCIDENT WHICH I'M OVERLOOKING. 227 00:15:50,590 --> 00:15:53,159 >> SHE'S RIGHT. YOU HAVE TO BE IN CHARACTER FROM THE BEGINNING. 228 00:15:53,159 --> 00:15:57,897 DON'T ASSUME WHEN YOU GET OUT THERE, IT HAS TO START THE 229 00:15:57,897 --> 00:16:01,067 MOMENT YOU ENTER THE ARENA, YOU HAVE TO BE IT. REMEMBER THAT. 230 00:16:01,067 --> 00:16:02,902 BUT VERY WELL DONE BEING IT. 231 00:16:02,902 --> 00:16:07,807 >> BEING IT, IT. YOU KNOW WHAT WAS IT EVERY TIME YOU GUYS 232 00:16:07,807 --> 00:16:11,611 DANCED SIDE BY SIDE THAT CAPE WORK WAS IN IT WAS LIKE, PERFECT. 233 00:16:11,611 --> 00:16:16,182 >> YOU GUYS WERE SO IN SYNC WHEN YOU GET DOWN HERE, YOU DID A 234 00:16:16,182 --> 00:16:18,318 LITTLE MICHAEL JACKSON, YOU GAVE THAT. 235 00:16:18,318 --> 00:16:20,920 >> THAT WAS THE BEST I'VE SEEN YOU DANCE AND PERFORM. 236 00:16:20,920 --> 00:16:23,356 >> YOU WERE FULLY IN CHARACTER. THERE WERE MISTAKES. BUT OTHER 237 00:16:23,356 --> 00:16:26,392 THAN THAT, YOU GOT TO CELEBRATE THE WINS. WAIT, LET'S CELEBRATE 238 00:16:26,392 --> 00:16:30,663 THE WINS, RIGHT? 239 00:16:30,663 --> 00:16:33,566 >> THEY KNOW HOW TO CELEBRATE IN THIS ROOM. DEREK, TAKE IT AWAY. 240 00:16:33,566 --> 00:16:35,768 >> ALISON. I FEEL LIKE I KEEP ASKING FOR MORE POWER AND 241 00:16:35,768 --> 00:16:39,739 ATTACK. AND TODAY YOU SHOWED THAT WHICH SHOWS YOUR COMMITMENT 242 00:16:39,739 --> 00:16:42,241 AND YOUR DETERMINATION IN THIS COMPETITION THAT FIRST RUN DOWN 243 00:16:42,241 --> 00:16:43,977 THE STEPS. 244 00:16:43,977 --> 00:16:47,180 >> YES. SASHA SAID IT IN THE PACKAGE. 245 00:16:47,180 --> 00:16:49,916 >> THIS IS THE HALFWAY POINT IN THE COMPETITION IS GOING TO BE 246 00:16:49,916 --> 00:16:53,386 HARDER. IS IT EVEN MORE DIFFICULT? WE HAVE TO BE A 247 00:16:53,386 --> 00:16:55,455 LITTLE BIT MORE, YOU KNOW, ATTENTIVE TO DETAIL. SO THERE 248 00:16:55,455 --> 00:16:58,591 WERE A FEW MISTAKES THERE. BUT, MY DEAR, WELL DONE. THAT WAS 249 00:16:58,591 --> 00:17:02,795 REALLY GOOD. ALL RIGHT. HEAD ON UP TO JULIANNE FOR YOUR SCORES. 250 00:17:02,795 --> 00:17:05,698 >> STILL TO TERRORIZE THE BALLROOM WITH THEIR SPINE 251 00:17:05,698 --> 00:17:08,968 TINGLING CONTEMPORARY ROUTINES, OUR LAST WEEK CO-LEADERS SOCHI, 252 00:17:08,968 --> 00:17:14,107 GOMEZ AND BASHMAKOVSKY ARE ON THE WAY. JULIANNE, TAKE IT AWAY. 253 00:17:14,107 --> 00:17:17,143 >> HEY. ALL RIGHT, ALL RIGHT, ALL RIGHT. 254 00:17:17,143 --> 00:17:19,979 >> LOOK AT ALL THIS SUPPORT RIGHT HERE. OKAY, SO AS THE 255 00:17:19,979 --> 00:17:23,449 WEEKS HAVE BEEN GOING ON, I WANT TO KNOW, HAS THERE BEEN ANY 256 00:17:23,449 --> 00:17:24,450 CHANGES WITHIN YOURSELF? 257 00:17:24,450 --> 00:17:27,520 >> YES, ABSOLUTELY. I FEEL LIKE I CATCH ON TO THE CHOREOGRAPHY 258 00:17:27,520 --> 00:17:31,891 QUICKER SO THEN WE CAN WORK ON LIKE THE DETAILS AND ALL THE 259 00:17:31,891 --> 00:17:36,629 STUFF THAT THE JUDGES ARE ASKING ME TO WORK ON. SO I STILL HAVE A 260 00:17:36,629 --> 00:17:40,333 LOT OF WORK TO DO. I'D LIKE TO STAY TO BE ABLE TO DO THAT WORK. 261 00:17:40,333 --> 00:17:44,303 >> WELL, IT'S CLEARLY SHOWING. AND SASHA, HALLOWEEN IS YOUR 262 00:17:44,303 --> 00:17:46,072 NIGHT. THIS IS MY NIGHT. 263 00:17:46,072 --> 00:17:50,743 >> LIKE, I CAN'T EVEN TALK. THIS IS. NO, BUT WE'RE HAVING SO MUCH 264 00:17:50,743 --> 00:17:54,681 FUN. YES WE WERE SCARING PEOPLE, BUT AT THE SAME TIME, THIS ONE 265 00:17:54,681 --> 00:17:58,484 IS WORKING SO HARD. SHE COMES IN LIKE AN HOUR EARLY INTO THE 266 00:17:58,484 --> 00:18:02,388 STUDIO TO STRETCH, TO WARM UP. SHE IS JUST AMAZING. I'M SO I 267 00:18:02,388 --> 00:18:03,556 LOVE THIS PARTNERSHIP SO MUCH. 268 00:18:03,556 --> 00:18:10,063 >> WELL, LET'S GET YOUR SCORES AFTER THIS LIVE HAHAHAHAHA. 269 00:18:20,068 --> 00:18:24,339 WELCOME BACK. BEFORE THE BREAK, ALLISON AND SASHA GOT INTO THE 270 00:18:24,339 --> 00:18:27,409 FRIGHTFUL FUN OF MONSTER NIGHT WITH A PASO DOBLE. 271 00:18:27,409 --> 00:18:29,878 >> LET'S GET THEIR SCORES. 272 00:18:29,878 --> 00:18:32,314 >> CARRIE ANN INABA, SEVEN. 273 00:18:32,314 --> 00:18:38,286 DEREK HOUGH, SEVEN, NIECY NASH 274 00:18:38,286 --> 00:18:45,560 BEDS, SEVEN. BRUNO TONIOLI, 275 00:18:45,560 --> 00:18:48,897 EIGHT BACK AND 29 OUT OF 40 FOR ALLISON AND SASHA SO FAR. 276 00:18:48,897 --> 00:18:51,933 >> HANG ON YOU GOT YOUR FIRST EIGHT EVER. 277 00:18:51,933 --> 00:18:52,901 >> HOW ARE YOU FEELING? 278 00:18:52,901 --> 00:18:56,304 >> I NEVER THOUGHT I'D SEE AN EIGHT, ESPECIALLY NOT FOR BRUNO. 279 00:18:56,304 --> 00:19:00,175 >> THANK YOU. WELL THEY WILL COMPETE FOR MORE POINTS LATER IN 280 00:19:00,175 --> 00:19:02,577 THE DANCE MONSTER THON. BUT THEY STILL WANT YOUR VOTES RIGHT NOW. 281 00:19:02,577 --> 00:19:03,779 >> ALFONSO. THANKS, JULIANNE. 282 00:19:03,779 --> 00:19:07,582 >> ALL RIGHT. LAST WEEK, OUR MARVEL STAR EARNED HER FIRST TEN 283 00:19:07,582 --> 00:19:11,820 AND TIED FOR THE TOP SPOT. THIS WEEK, SHE'S DUG UP A 284 00:19:11,820 --> 00:19:15,524 CONTEMPORARY ROUTINE FIT FOR THE UNDEAD. IT'S SOCHI. GOMEZ AND 285 00:19:15,524 --> 00:19:27,836 VAL CHMERKOVSKIY. 286 00:19:27,836 --> 00:19:30,572 >> THE MATURITY OF MOVEMENT WAS. WAS PERFECTION. 287 00:19:30,572 --> 00:19:36,878 >> THANK YOU SO MUCH. YEAH. NICE. HEY I GOT MY FIRST TEN AND 288 00:19:36,878 --> 00:19:39,681 I LITERALLY WAS, LIKE, JUMPING FOR JOY. 289 00:19:39,681 --> 00:19:46,421 >> I WAS SO EXCITED. I WAS NOT EXPECTING A TEN, ESPECIALLY FROM 290 00:19:46,421 --> 00:19:50,992 DEREK. I WAS JUST LIKE, YEAH, THAT'S A BIG DEAL. WE DID THAT. 291 00:19:50,992 --> 00:19:51,760 I JUST FEEL PROUD. 292 00:19:51,760 --> 00:19:55,130 >> WE JUST GOT TO KEEP GOING, RIGHT? THE EXPECTATIONS ARE NOW 293 00:19:55,130 --> 00:19:55,363 HIGHER. 294 00:19:55,363 --> 00:19:56,798 >> FINGERS CROSSED. IT WORKS OUT ALL RIGHT. 295 00:19:56,798 --> 00:19:59,868 >> IT'S MONSTER NIGHT. HOW DO YOU FEEL ABOUT HALLOWEEN? 296 00:19:59,868 --> 00:20:02,637 >> AS A KID, I HAD A HARD TIME TRICK OR TREATING. I GET SCARED 297 00:20:02,637 --> 00:20:06,508 SO EASILY. I'M LIKE A LITTLE BABY. IT'S NOT GOOD. SO THIS IS 298 00:20:06,508 --> 00:20:08,376 A LITTLE OUT OF MY COMFORT ZONE. 299 00:20:08,376 --> 00:20:11,713 >> SO YOU DON'T GO OUT ON HALLOWEEN AT ALL? 300 00:20:11,713 --> 00:20:12,581 >> I TRY NOT TO. 301 00:20:12,581 --> 00:20:16,117 >> OKAY. LAST WEEK, WE SAW FIVE CONTEMPORARIES THAT WERE VERY 302 00:20:16,117 --> 00:20:21,189 REFLECTIVE OF AN EMOTIONAL STORY . BUT MONSTERS NIGHT IS AN 303 00:20:21,189 --> 00:20:24,493 OPPORTUNITY TO TELL FICTIONAL STORIES. SO I'M PLAYING A 304 00:20:24,493 --> 00:20:27,562 CHARACTER INSPIRED BY MOONLIGHT COMICS. IT'S SOCHI GOMEZ. IT HAS 305 00:20:27,562 --> 00:20:31,166 THE POWER TO BRING SOCHI BACK TO LIFE FROM THE DEAD. IT EVOLVES 306 00:20:31,166 --> 00:20:34,936 INTO A TRIUMPHANT MOMENT FOR BOTH OF US. 307 00:20:34,936 --> 00:20:38,573 >> I'M FEELING PRETTY GOOD ABOUT THIS CONTEMPORARY BECAUSE IT 308 00:20:38,573 --> 00:20:41,409 ALLOWS ME TO USE MY ACTING SKILLS TO TELL A STORY WHICH IS 309 00:20:41,409 --> 00:20:47,182 PERFECT FOR ME. COSTAR THERE'S A LOT OF PRESSURE TO KEEP UP WITH 310 00:20:47,182 --> 00:20:49,584 THE NEW STANDARD WE SET LAST WEEK, BUT I'M PRETTY CONFIDENT 311 00:20:49,584 --> 00:20:52,687 THAT THIS DANCE WILL RESURRECT THE TEN PADDLE AGAIN. WHAT THEY 312 00:20:52,687 --> 00:20:56,958 TAUGHT YOU IN SUPERHERO SCHOOL? YEAH 313 00:20:56,958 --> 00:21:01,029 >> DANCING CONTEMPORARY WITH HER PARTNER, VAL CHMERKOVSKIY. IT'S 314 00:21:01,029 --> 00:21:15,443 SOCHI GOMEZ. 315 00:21:15,443 --> 00:21:17,412 HOLDING THE SHIRT. 316 00:21:17,412 --> 00:21:21,049 >> THEY DON'T. WHO'S READY TO 317 00:21:21,049 --> 00:21:26,855 PLAY? ARE WE? THE HIGHLANDER OR 318 00:21:26,855 --> 00:21:30,625 ARE WE THE PREY? 319 00:21:30,625 --> 00:21:49,477 >> WE. 320 00:22:01,389 --> 00:22:14,536 PLAYING US. 321 00:22:14,536 --> 00:22:24,012 SURVIVE. WHO SOCHI AND VAL 322 00:22:24,012 --> 00:22:25,780 LIVING IT UP WITH AN UNDEAD 323 00:22:25,780 --> 00:22:38,660 CONTEMPORARY ROUTINE IN. UH. OH 324 00:22:38,660 --> 00:22:42,797 OKAY. ALL RIGHT. 325 00:22:42,797 --> 00:22:45,734 >> YOU OKAY? ALL RIGHT. HERE. I'LL GOT YOU. I GOT YOU ON THIS 326 00:22:45,734 --> 00:22:46,735 SIDE. ALL RIGHT. 327 00:22:46,735 --> 00:22:48,603 >> OH, YOU ALL RIGHT, MY LOVE? YOU OKAY? 328 00:22:48,603 --> 00:22:49,471 >> I'M GREAT. 329 00:22:49,471 --> 00:22:52,073 >> OH, I'M FABULOUS. IT'S A GAME OF SURVIVAL. 330 00:22:52,073 --> 00:22:53,041 >> YEAH. OH DEFINITELY. 331 00:22:53,041 --> 00:22:55,143 >> I'M TELLING YOU, YOU CREATED A MONSTER. 332 00:22:55,143 --> 00:23:01,683 >> VAL, HAVEN'T YOU? I'M TELLING YOU BACK FROM THE DEAD, READY TO 333 00:23:01,683 --> 00:23:03,218 RULE THE DANCE FLOOR. 334 00:23:03,218 --> 00:23:07,889 >> I COULD REALLY SEE IT WAS SO GOOD. YOU SHOULD PITCH IT AS A 335 00:23:07,889 --> 00:23:09,791 MOVIE BECAUSE YOU COULD SEE THE STORY. YOU KNOW, THE TWO 336 00:23:09,791 --> 00:23:12,694 SUPERHEROES FIGHTING FOR SUPREMACY. I LOVE THE MARTIAL 337 00:23:12,694 --> 00:23:17,298 ARTS SEQUENCES YOU PUT INTO IT IS YOU'RE SUCH A POWERFUL 338 00:23:17,298 --> 00:23:22,237 PERFORMER. YOU REALLY DO COMMAND THE SCREEN AND THE STAGE, WHICH 339 00:23:22,237 --> 00:23:26,875 THIS ONE ABSOLUTELY CARRY IN, YOU KNOW, DANCE, DANCE CAN BE SO 340 00:23:26,875 --> 00:23:27,776 MANY THINGS. 341 00:23:27,776 --> 00:23:30,345 >> AND THAT'S WHY IT DOES WELL FOR DIFFERENT PEOPLE IN 342 00:23:30,345 --> 00:23:32,580 DIFFERENT WAYS. BUT I THINK THE MOST POWERFUL PART OF DANCE IS 343 00:23:32,580 --> 00:23:36,317 THE STORYTELLING. AND TONIGHT, THE WAY YOU TOLD THAT STORY WAS 344 00:23:36,317 --> 00:23:38,453 SO POWERFUL THAT I KEPT LOOKING TO SEE, WHAT ARE YOU DOING? 345 00:23:38,453 --> 00:23:41,956 >> IT MADE ME INTRIGUED AND YOU BROUGHT ME IN. 346 00:23:41,956 --> 00:23:45,026 >> IT WAS REALLY POWERFUL. AND THE AERIAL MOVES WERE JUST THAT. 347 00:23:45,026 --> 00:23:47,028 >> YOU WERE LIKE AN AERIALIST, A BRILLIANT AERIALIST. 348 00:23:47,028 --> 00:23:47,695 >> IT WAS WONDERFUL. 349 00:23:47,695 --> 00:23:51,099 >> ALL RIGHT, DEREK, TAKE IT AWAY. JOSE YOU SENT SHIVERS DOWN 350 00:23:51,099 --> 00:23:54,002 MY SPINE EVERY TIME YOU PERFORM IT. 351 00:23:54,002 --> 00:23:57,939 >> SO CAPTIVATE THE MOMENT. WE WERE LIKE, GREAT. I WAS LIKE, 352 00:23:57,939 --> 00:23:58,139 WHAT? 353 00:23:58,139 --> 00:23:59,174 >> YEAH. 354 00:23:59,174 --> 00:24:02,343 >> AND I FEEL LIKE I'M BEING GRANDPA HOUGH RIGHT NOW. ARE YOU 355 00:24:02,343 --> 00:24:07,849 OKAY? I'M GREAT. OKAY I'M. OH, I'M LIKE. I'M LIKE, ARE YOU 356 00:24:07,849 --> 00:24:08,683 OKAY? ALL RIGHT. 357 00:24:08,683 --> 00:24:09,918 >> BUT LISTEN, I POWER THROUGH. 358 00:24:09,918 --> 00:24:13,088 >> WE'RE GOING TO CELEBRATE BECAUSE THAT WAS A BEAUTIFUL, 359 00:24:13,088 --> 00:24:13,955 BEAUTIFUL DANCE. THANK YOU. ABSOLUTELY 360 00:24:13,955 --> 00:24:19,761 >> DC I AM GOING TO TELL YOU, YOU ARE SO CAPTIVE WAITING. 361 00:24:19,761 --> 00:24:22,997 >> YOU HAD ME THE MOMENT YOU CAME OUT FROM UNDERNEATH THE 362 00:24:22,997 --> 00:24:26,034 CAKE. THIS PERFORMANCE WAS GORGEOUS. 363 00:24:26,034 --> 00:24:30,038 >> AND IN IN THIS MOMENT, YOU ARE A PERFECT EXAMPLE OF THE 364 00:24:30,038 --> 00:24:30,772 SHOW. 365 00:24:30,772 --> 00:24:34,576 >> MUST GO ON. I KNOW YOU GOT SOMETHING GOING ON OVER THERE, 366 00:24:34,576 --> 00:24:36,978 BABY GIRL. BUT YOU DID YOUR THING TONIGHT. 367 00:24:36,978 --> 00:24:38,947 >> THANK YOU. REALLY THANK YOU. 368 00:24:38,947 --> 00:24:41,583 >> ALL RIGHT. ARE YOU GOING TO CARRY HER UP? 369 00:24:41,583 --> 00:24:45,186 >> OKAY. SO THE CARRIER UP. ALL RIGHT. YOU'RE GOING UP TO 370 00:24:45,186 --> 00:24:48,957 JULIANNE. SHE'LL GET THEIR SCORES. ALL RIGHT. THE STAR WHO 371 00:24:48,957 --> 00:24:51,626 SANK TO THE BOTTOM OF LAST WEEK'S LEADERBOARD IS BACK FOR 372 00:24:51,626 --> 00:24:55,063 REVENGE. HARRY JOWSEY AND RILEY ARNOLD ARE COMING OUR WAY WITH 373 00:24:55,063 --> 00:24:59,367 AN ARGENTINE TANGO FROM ANOTHER WORLD. JULIANNE, THANKS, ALFONSO. 374 00:24:59,367 --> 00:25:02,337 >> YOU'RE LIKE KERRI SHRUG. YOU KNOW, LIKE YOU GET HURT. AND 375 00:25:02,337 --> 00:25:05,006 YOUR TRUE COMPETITOR FOR YOU JUST KEEP GOING. SO I'M NOT 376 00:25:05,006 --> 00:25:08,243 GOING TO ASK YOU ABOUT IT BECAUSE I KNOW YOU. I'M VERY 377 00:25:08,243 --> 00:25:11,312 SIMILAR. WE'LL HANDLE WE'LL HANDLE IT LATER. BUT HERE'S MY 378 00:25:11,312 --> 00:25:14,349 QUESTION FOR YOU. ARE YOU REALLY A SCAREDY CAT? LIKE, ARE THESE 379 00:25:14,349 --> 00:25:17,485 COSTUMES OR ARE THESE GUYS THERE'S SOMETHING AROUND YOU 380 00:25:17,485 --> 00:25:17,685 GUYS. 381 00:25:17,685 --> 00:25:21,723 >> THIS IS NOT FUNNY. THIS IS NOT FUNNY. THERE'S GOING TO BE 382 00:25:21,723 --> 00:25:25,193 SOMETHING AND I'M OKAY. YOU GUYS ARE REALLY CREEPING ME OUT RIGHT 383 00:25:25,193 --> 00:25:26,427 NOW. ALL RIGHT? 384 00:25:26,427 --> 00:25:29,063 >> WE'RE NOT GOING TO MESS WITH YOU ANYMORE. LET'S GO BACK TO 385 00:25:29,063 --> 00:25:31,766 ACTUALLY THE IDEA THAT YOU ARE AN ACTRESS CONTEMPORARY IS ALL 386 00:25:31,766 --> 00:25:35,904 ABOUT EXPRESSING YOURSELF, EVEN IF YOU PUSH THEM, SCARING PEOPLE 387 00:25:35,904 --> 00:25:39,307 AWAY. SO DO YOU THINK BEING AN ACTRESS AND YOUR TRAINING AND 388 00:25:39,307 --> 00:25:40,742 EVERYTHING HAS HELPED YOU WITH CONTEMPORARY? 389 00:25:40,742 --> 00:25:43,945 >> YEAH, IT WAS JUST A LOT OF FUN, YOU KNOW, EXPRESS MY 390 00:25:43,945 --> 00:25:47,382 EMOTIONS OUT AND I MEAN, I HAVE ZERO REAL DANCE EXPERIENCE, YOU 391 00:25:47,382 --> 00:25:50,785 KNOW, ALL I DO IS LIKE TIKTOK. THAT'S IT, YOU KNOW? SO THIS IS 392 00:25:50,785 --> 00:25:53,688 DEFINITELY A CHALLENGE, BUT OH, MY, YOU'RE SO CLOSE, BRO. YOU 393 00:25:53,688 --> 00:25:56,457 ARE SO CLOSE RIGHT NOW. 394 00:25:56,457 --> 00:26:02,964 >> ALL RIGHT, LET'S GET YOUR SCORES. CARRIE ANN INABA, NINE, 395 00:26:02,964 --> 00:26:05,967 DEREK LUTZ, NINE. 396 00:26:05,967 --> 00:26:10,972 >> NIECY NASH BEDS, TEN, BABY. 397 00:26:10,972 --> 00:26:18,446 BRUNO TONIOLI, NINE. HEY, 37 OUT OF 40 FOR SOCHI AND VAL SO FAR. 398 00:26:18,446 --> 00:26:23,418 >> THEY WILL DANCE FOR BONUS POINTS IN ROUND TWO. ARE YOU 399 00:26:23,418 --> 00:26:26,988 GOING TO BE GOOD? COMING IN HOT FOR THE NEXT ROUND FOR SURE. 400 00:26:26,988 --> 00:26:29,924 OKAY, GOOD. BUT OF COURSE YOU CAN VOTE FOR THEM WITH YOUR 401 00:26:29,924 --> 00:26:33,261 TEXTS AND AT ABC.COM RIGHT NOW. AND REMEMBER, VOTING CLOSES 402 00:26:33,261 --> 00:26:36,831 DURING THE LAST COMMERCIAL BREAK 403 00:26:45,873 --> 00:26:48,476 WELL COME BACK. 404 00:26:48,476 --> 00:26:52,714 >> LAST WEEK, OUR SOCIAL MEDIA AND REALITY TV STAR LANDED DEAD 405 00:26:52,714 --> 00:26:55,984 LAST ON THE LEADERBOARD. BUT YOUR VOTES BROUGHT HIM BACK TO 406 00:26:55,984 --> 00:26:59,687 LIFE. THIS WEEK. HE AND HIS PARTNER HAD A SPECIAL VISITOR AS 407 00:26:59,687 --> 00:27:01,456 THEY TRAINED. IT'S HARRY JOWSEY 408 00:27:01,456 --> 00:27:11,099 AND RILEY ARNOLD. SO YOU HAVE 409 00:27:11,099 --> 00:27:14,235 TAKEN A LITTLE BIT OF A STEP BACKWARDS FROM LAST WEEK, I 410 00:27:14,235 --> 00:27:14,535 THINK SIX. 411 00:27:14,535 --> 00:27:17,639 >> WE GAVE IT OUR ALL AND IT JUST WASN'T GOOD ENOUGH. AND 412 00:27:17,639 --> 00:27:21,242 THAT REALLY SUCKS. AND NOW WE'RE AT THE BOTTOM OF THE LEADERBOARD 413 00:27:21,242 --> 00:27:26,214 AGAIN. SO I'M FEELING REALLY DEFLATED. IT'S BEEN TOUGH. HOW 414 00:27:26,214 --> 00:27:26,581 ARE YOU FEELING? 415 00:27:26,581 --> 00:27:28,116 >> DEVASTATED. 416 00:27:28,116 --> 00:27:30,084 >> OBVIOUSLY, THE JUDGES SAW THAT WE NEEDED SOME WORK AND 417 00:27:30,084 --> 00:27:31,986 THAT'S OKAY. 418 00:27:31,986 --> 00:27:35,156 >> IT JUST FEELS HUMILIATING BECAUSE I'M DOING MY BEST. BUT 419 00:27:35,156 --> 00:27:38,693 APPARENTLY IT'S JUST NEVER GOOD ENOUGH AND THEN JUST READING 420 00:27:38,693 --> 00:27:40,528 COMMENTS, EVERYONE'S JUST LIKE, SAYING ALL THIS, LIKE, HORRIBLE 421 00:27:40,528 --> 00:27:43,331 STUFF. LIKE, YEAH, HARRY JUST STANDS THERE AND, LIKE, DANCES 422 00:27:43,331 --> 00:27:47,335 AROUND HIM. PEOPLE DON'T REALIZE THAT IT'S ACTUAL HUMAN. ON THE 423 00:27:47,335 --> 00:27:50,471 OTHER SIDE OF THAT ACCOUNT, THAT'S READING THE COMMENTS. I'M 424 00:27:50,471 --> 00:27:55,376 JUST UP THERE GETTING LAUGHED AT. SO IF THERE WAS NO COMMENTS 425 00:27:55,376 --> 00:27:58,112 AND IF THERE WAS NO JUDGES SCORES, WE WOULD BE HAPPY WE'RE 426 00:27:58,112 --> 00:28:02,250 HERE FOR ANOTHER WEEK AND ALL WE CAN FOCUS ON IS OUR DANCE THIS 427 00:28:02,250 --> 00:28:02,450 WEEK. 428 00:28:02,450 --> 00:28:05,320 >> NOT EVERY WEEK IS GOING TO BE SUPER POSITIVE AND UPBEAT, SO 429 00:28:05,320 --> 00:28:08,656 IT'S GOOD TO HAVE THOSE MOMENTS WHERE WE'RE KIND OF PUT DOWN SO 430 00:28:08,656 --> 00:28:11,125 WE CAN GET BETTER FOR THE NEXT DANCE BECAUSE WE'RE GOING TO 431 00:28:11,125 --> 00:28:18,800 WORK HARD AND THEN SEE IF WE CAN SURVIVE, KEEP WORKING AT IT. 432 00:28:18,800 --> 00:28:21,135 IT'S GOING TO CLICK AND WE'RE GOING TO GET IT TODAY, FIVE AND 433 00:28:21,135 --> 00:28:25,006 SIX. IT'S BEEN A REALLY TOUGH WEEK FOR ME AND HARRY, BUT I 434 00:28:25,006 --> 00:28:28,576 HAVE AN IDEA I THINK CAN REALLY HELP US. MY OLDEST SISTER, 435 00:28:28,576 --> 00:28:32,780 LINDSAY, HAS OBVIOUSLY BEEN THROUGH EVERYTHING ON THE SHOW 436 00:28:32,780 --> 00:28:35,316 AND SHE KNOWS EXACTLY HOW WE ARE FEELING. 437 00:28:35,316 --> 00:28:37,952 >> I KNOW THIS WEEK HAS BEEN TOUGH. I HAVE BEEN THERE TOO 438 00:28:37,952 --> 00:28:39,320 MANY TIMES, HONESTLY. 439 00:28:39,320 --> 00:28:42,857 >> SO I THINK IT'S REALLY IMPORTANT FOR HER TO COME IN AND 440 00:28:42,857 --> 00:28:45,760 HELP US BEING IN THE BOTTOM SUCKS, BUT IT'S AN OPPORTUNITY 441 00:28:45,760 --> 00:28:46,327 TO HAVE A FREAKING COMEBACK. 442 00:28:46,327 --> 00:28:49,697 >> AND AN ARGENTINE TANGO IS PERFECT FOR THAT. I THINK THE 443 00:28:49,697 --> 00:28:52,734 BIGGEST ADVICE THAT I COULD GIVE HARRY WITH THIS DANCE IS JUST 444 00:28:52,734 --> 00:28:55,236 ATTACKING EVERY MOVE AND BEING CONFIDENT. NICE SWIPE. FIVE, 445 00:28:55,236 --> 00:28:57,038 SIX, SEVEN, EIGHT. 446 00:28:57,038 --> 00:28:57,939 >> GO. WALK. 447 00:28:57,939 --> 00:29:01,342 >> WE ARE REALLY PUSHING HARRY BY ADDING MORE MOVEMENT SO WE 448 00:29:01,342 --> 00:29:04,345 CAN REALLY SHOW WHAT HARRY CAN PULL OFF AS A DANCER. 449 00:29:04,345 --> 00:29:05,580 >> NICE TO BACK. 450 00:29:05,580 --> 00:29:08,182 >> SO LINDSAY HAS GOT SOME SOUND ADVICE. SHE WANTS US TO CHANNEL 451 00:29:08,182 --> 00:29:12,220 THE ENERGY INTO THIS DANCE AND FIGHT LIKE THIS IS YOUR MOMENT. 452 00:29:12,220 --> 00:29:12,553 >> FIVE, SIX. 453 00:29:12,553 --> 00:29:15,423 >> I WANT TO TRY IT. REALLY AMBITIOUS ROUTINE THIS WEEK. IT 454 00:29:15,423 --> 00:29:18,559 MIGHT NOT BE PERFECT. OH, WAIT, THAT WAS AMAZING. BECAUSE I 455 00:29:18,559 --> 00:29:21,829 REALLY WANT TO BE HERE AND I'M NOT GOING TO GIVE UP WITHOUT A 456 00:29:21,829 --> 00:29:27,402 FIGHT. NOW WE'RE TALKING. DANCING. 457 00:29:27,402 --> 00:29:31,439 >> THE ARGENTINE TANGO WITH HIS PARTNER, RILEY ARNOLD. AND IT'S 458 00:29:31,439 --> 00:29:50,191 HARRY JOWSEY. 459 00:29:50,191 --> 00:29:54,662 I'VE BEEN TRYING TO CALL. 460 00:29:54,662 --> 00:30:01,436 >> I'VE BEEN ON MY OWN FOR LONG ENOUGH. MAYBE YOU CAN SHOW ME 461 00:30:01,436 --> 00:30:09,410 HOW TO LOVE ME. MAYBE. SEEN 462 00:30:09,410 --> 00:30:15,883 CITIES COLD AND EMPTY. NO ONE'S AROUND TO JUDGE ME. I CAN SEE 463 00:30:15,883 --> 00:30:19,887 CLEARLY WHEN YOU'RE ALL ALONE. 464 00:30:19,887 --> 00:30:29,363 OH, OH, OH. I SAID. I'M BLINDED. 465 00:30:29,363 --> 00:30:36,471 BY THE MOMENTS. NO, I CAN'T SLEEP TILL I FEEL YOUR OWN TOUCH 466 00:30:36,471 --> 00:30:45,279 . I SAID. THE. FIVE MOTIVATE NO, 467 00:30:45,279 --> 00:30:48,382 I CAN'T SLEEP IN TONIGHT. DO YOU 468 00:30:48,382 --> 00:30:58,159 TOUCH. HARRY AND RILEY? RUN IN 469 00:30:58,159 --> 00:31:03,564 CROP CIRCLES AROUND US WITH THEIR ALIEN ARGENTINE TANGO? 470 00:31:03,564 --> 00:31:07,301 >> YES. LOOKING GOOD. 471 00:31:07,301 --> 00:31:09,570 >> ALL RIGHT. 472 00:31:09,570 --> 00:31:12,907 >> WE'RE GOING TO START WITH YOU, CARRIE ANNE. I'M PROUD OF 473 00:31:12,907 --> 00:31:13,074 YOU. 474 00:31:13,074 --> 00:31:16,677 >> YOU WENT THERE AND YOU DEFINITELY HAD YOUR MOMENTS LIKE 475 00:31:16,677 --> 00:31:20,515 THE CLAP. AND I WANT TO JUST ASK YOU SOMETHING LIKE WHEN YOU HAD 476 00:31:20,515 --> 00:31:22,817 THOSE MOMENTS WHERE IT FELT GOOD. RIGHT DID IT FEEL 477 00:31:22,817 --> 00:31:25,720 DIFFERENT TO YOU? IT FEELS GREAT. OKAY SO IN THE BEGINNING 478 00:31:25,720 --> 00:31:26,220 OF THE DANCE. 479 00:31:26,220 --> 00:31:27,288 >> HOLD ON, HOLD ON. 480 00:31:27,288 --> 00:31:30,758 >> THE BEGINNING OF THE DANCE, WHEN YOU DID THE REACHES, THEY 481 00:31:30,758 --> 00:31:33,060 WERE SMALLER AND IT DOESN'T FEEL AS GOOD. THAT'S WHY WE'RE 482 00:31:33,060 --> 00:31:35,530 ENCOURAGING YOU. YOU NEED TO GIVE IT A FULL BODY DANCE 483 00:31:35,530 --> 00:31:38,165 EXPERIENCE, WHICH IS THROW IT ALL. YOU ARE SIX FOUR. YOU COULD 484 00:31:38,165 --> 00:31:41,502 COME ON THIS DANCE FLOOR. OKAY, SO KEEP GOING ON THIS ONE. 485 00:31:41,502 --> 00:31:43,704 >> YOU ARE GOING IN THE RIGHT DIRECTION. 486 00:31:43,704 --> 00:31:45,339 >> ABSOLUTELY. DEREK HEY, AWESOME. 487 00:31:45,339 --> 00:31:48,009 >> SO HERE'S THE THING. WHAT'S BAD IS ALWAYS AVAILABLE, BUT SO 488 00:31:48,009 --> 00:31:51,846 WAS WHAT'S GOOD. SO AND WHATEVER YOU FOCUSED ON IS WHAT YOU FEEL. 489 00:31:51,846 --> 00:31:54,448 SO FOCUS ON THE LEGION OF FANS WHO'VE BEEN VOTING FOR YOU WEEK 490 00:31:54,448 --> 00:31:55,583 AFTER WEEK. THANK YOU, GUYS. 491 00:31:55,583 --> 00:31:59,687 >> YOU KNOW WHAT I'M SAYING? LIKE, FOCUS ON THAT, MY MAN, BUT 492 00:31:59,687 --> 00:32:02,623 ALSO FOCUS ON WHAT SHE SAID, THOUGH, BECAUSE YOU'RE A BIG GUY. 493 00:32:02,623 --> 00:32:04,191 >> YOU CAN ACTUALLY USE THE SPACE. I WANT YOU TO 494 00:32:04,191 --> 00:32:07,428 OVEREXAGGERATE THE MOVEMENTS. MOVING FORWARD. I WANT YOU TO 495 00:32:07,428 --> 00:32:09,564 BREATHE, TOO, BECAUSE WHEN WE BREATHE, WE NATURALLY DANCE. 496 00:32:09,564 --> 00:32:11,632 IT'S LIKE IN BETWEEN THE MOMENTS. LIFT, LIFT, LIFT, 497 00:32:11,632 --> 00:32:13,734 BREATHE. BECAUSE WATCH WHAT HAPPENS. MY BODY MOVES 498 00:32:13,734 --> 00:32:16,637 NATURALLY. THAT'S ALL YOU GOT TO DO IS BREATHE. OH, MY GOD. 499 00:32:16,637 --> 00:32:19,273 >> IT'S FUNNY. WHEN I BREATHE MY BODY. DON'T DO THAT. I JUST. 500 00:32:19,273 --> 00:32:23,077 YEAH, YEAH, YEAH. IT DON'T LOOK LIKE THAT WHEN I DO IT. I DON'T 501 00:32:23,077 --> 00:32:25,813 KNOW. YEAH LOOK BETTER ON YOU. I DON'T KNOW WHY MISSY. 502 00:32:25,813 --> 00:32:30,585 >> LET AUNTIE TELL YOU SOMETHING, BABY. NOT EVERYBODY 503 00:32:30,585 --> 00:32:34,655 IS GOING TO LIKE YOU. YEAH, BUT I LIKE YOU. 504 00:32:34,655 --> 00:32:38,326 >> I LIKE YOU. I LOVE YOU. I LOVE YOU. AND I THOUGHT YOU 505 00:32:38,326 --> 00:32:40,161 MOVED AROUND THIS FLOOR TONIGHT. 506 00:32:40,161 --> 00:32:44,465 >> BEAUTIFULLY. WELL DONE. THANK YOU. THANK YOU SO MUCH. 507 00:32:44,465 --> 00:32:45,399 >> THANK YOU. 508 00:32:45,399 --> 00:32:49,637 >> WHAT HAVE WE GOT HERE? IS THE INVASION OF THE BODY BEAUTIFUL? 509 00:32:49,637 --> 00:32:55,376 OH, THAT WORKED VERY, VERY WELL. BUT I HAVE TO SAY NOW, HONESTLY, 510 00:32:55,376 --> 00:32:59,780 YOU WERE VERY, VERY HARD. YOU'VE APPLIED YOURSELF. YOU ADDED 511 00:32:59,780 --> 00:33:04,018 CONTENT, YOUR MUSICALITY IS BETTER. I WAS CHECKING WHEN YOU 512 00:33:04,018 --> 00:33:07,154 DOING ALL THE LITTLE QUICK STEP IN PROMENADE, THEY WERE ON TIME, 513 00:33:07,154 --> 00:33:13,327 SO I GUESS WHAT PEOPLE IF YOU LISTEN WHAT PEOPLE SAY, YOU'LL 514 00:33:13,327 --> 00:33:19,200 NEVER GO ANYWHERE. FOCUS ON WHAT YOU WANT TO DO AND MAKE IT 515 00:33:19,200 --> 00:33:20,234 HAPPEN. I LOVE YOU. 516 00:33:20,234 --> 00:33:23,604 >> I LOVE YOU. GREAT ADVICE RIGHT THERE. HEADING UP TO 517 00:33:23,604 --> 00:33:26,674 JULIANNE IN THE SKYBOX FOR THE SCORES NEXT WEEK, EMMY AND 518 00:33:26,674 --> 00:33:30,544 GRAMMY WINNER PAULA ABDUL JOINS OUR JUDGES AS THE STARS PAY 519 00:33:30,544 --> 00:33:33,614 TRIBUTE TO THE MOST MEMORABLE MUSIC VIDEOS OF ALL TIME. 520 00:33:33,614 --> 00:33:36,684 >> IT'S MUSIC VIDEO NIGHT. TAKE IT AWAY, JULIANNE. 521 00:33:36,684 --> 00:33:40,988 >> IT'S SO FUN TO. OKAY, HARRY, I HAVE TO TELL YOU AND RILEY 522 00:33:40,988 --> 00:33:45,493 THAT WAS THE BEST TIME I HAVE SEEN YOU DO THAT ROUTINE IN 523 00:33:45,493 --> 00:33:47,995 CAMERA BLOCKING IN IN REHEARSAL. 524 00:33:47,995 --> 00:33:51,666 >> IN DRESS REHEARSAL. OH, MY GOD. HOW ARE YOU FEELING WITH 525 00:33:51,666 --> 00:33:52,333 THOSE JUDGES COMMENTS AS WELL? 526 00:33:52,333 --> 00:33:53,367 >> I FEEL GREAT. 527 00:33:53,367 --> 00:33:57,371 >> THIS WAS A REALLY HARD DANCE. WE HAD A REALLY TOUGH WEEK AND 528 00:33:57,371 --> 00:34:00,341 WE CAME. WE DID IT AND WE LOOKED SILLY. SO LOOK AT THAT. 529 00:34:00,341 --> 00:34:02,009 >> I THINK YOU GUYS LOOK GREAT. 530 00:34:02,009 --> 00:34:03,177 >> I THINK YOU LOOK GREAT. 531 00:34:03,177 --> 00:34:05,079 >> I MEAN, THAT MAKEUP LOOKS SILLY. 532 00:34:05,079 --> 00:34:08,049 >> ONE OF THE THINGS ONE OF THE THINGS THAT I RECOGNIZE 533 00:34:08,049 --> 00:34:10,651 SOMETIMES LISTENING TO THE JUDGES IS IF THEY'RE GIVING YOU 534 00:34:10,651 --> 00:34:13,087 CONSTRUCTIVE FEEDBACK, THEY CLEARLY SEE POTENTIAL. DO YOU 535 00:34:13,087 --> 00:34:15,723 FEEL THAT SAME POTENTIAL RIGHT NOW? YEAH, I HOPE SO. 536 00:34:15,723 --> 00:34:17,525 >> YEAH. I FEEL LIKE IT'S GETTING TOUGHER AND TOUGHER. 537 00:34:17,525 --> 00:34:21,262 TOUGHER AND TOUGHER AND YEAH, I FEEL LIKE THE POTENTIAL. I FEEL 538 00:34:21,262 --> 00:34:22,430 LIKE I CAN BE HERE. 539 00:34:22,430 --> 00:34:23,064 >> I CAN DO IT. 540 00:34:23,064 --> 00:34:26,434 >> OKAY, WELL, WE FEEL THAT WAY TOO. BELIEVE IN YOURSELVES. 541 00:34:26,434 --> 00:34:28,636 >> ALL RIGHT, LET'S GET YOUR SCORES. 542 00:34:28,636 --> 00:34:32,139 >> CARRIE ANN INABA, SEVEN, 543 00:34:32,139 --> 00:34:38,913 DEREK HOUGH, SEVEN. NIECY. 544 00:34:38,913 --> 00:34:45,453 NASH-BETTS, SEVEN. BRUNO TONIOLI, SEVEN 28 OUT OF 40 FOR 545 00:34:45,453 --> 00:34:46,454 HARRY AND RILEY. 546 00:34:46,454 --> 00:34:51,525 >> SO FAR, BUT YOU CAN HELP THEM SURVIVE ANOTHER ELIMINATION. 547 00:34:51,525 --> 00:34:55,162 WHEN YOU PUT DOWN THE CANDY, YOU PICK UP THE PHONE AND YOU TEXT. 548 00:34:55,162 --> 00:34:57,998 YOU CAN ALSO VOTE ONLINE. ALFONSO THANK YOU, JULIANNE. 549 00:34:57,998 --> 00:35:01,001 >> HE'S HERE FOR A REASON. IT'S BECAUSE WE LOVE HIM. ALL RIGHT. 550 00:35:01,001 --> 00:35:04,538 THE REST OF OUR COSTUME CASH, IS DYING TO SHOW YOU THEIR 551 00:35:04,538 --> 00:35:07,441 MONSTROUS ROUTINES UP NEXT, BARRY WILLIAMS AND PETA 552 00:35:07,441 --> 00:35:13,247 MURGATROYD REVIVE A RED RIDING HOOD AND HER WOLF LIVE. 553 00:35:22,623 --> 00:35:25,826 WELCOME BACK TO MONSTER NIGHT. 554 00:35:25,826 --> 00:35:29,196 >> THINGS ARE ABOUT TO GET HAIRY FOR OUR STAR FROM THE BRADY 555 00:35:29,196 --> 00:35:32,032 BUNCH BEFORE HE TAKES ON THE VIENNESE WALTZ. 556 00:35:32,032 --> 00:35:33,100 >> LET'S SEE. 557 00:35:33,100 --> 00:35:34,135 >> BARRY WILLIAMS AND PETA 558 00:35:34,135 --> 00:35:43,944 MURGATROYD IN TRAINING. NO 559 00:35:43,944 --> 00:35:46,113 MISTAKES. 560 00:35:46,113 --> 00:35:49,183 >> AND IT WAS A REAL HUSTLE. DOUBLE. YEAH. 561 00:35:49,183 --> 00:35:51,819 >> BARRY. HEY. HEY 562 00:35:51,819 --> 00:35:55,689 >> I DIDN'T MAKE ANY MISTAKES. AND WE GOT OUR BEST SCORES YET. 563 00:35:55,689 --> 00:35:58,526 I NEEDED A BREAKTHROUGH, AND I THINK THAT WAS IT. WE GOT THIS 564 00:35:58,526 --> 00:36:00,828 TEAM WENT HOME HAPPY. 565 00:36:00,828 --> 00:36:05,099 >> WE ARE EXACTLY HALFWAY THROUGH THE COMPETITION, AND 566 00:36:05,099 --> 00:36:07,401 THIS IS WHERE IT GETS TOUGHER. 567 00:36:07,401 --> 00:36:09,937 >> IT'S HARD FOR ME TO IMAGINE HOW MUCH TOUGHER IT CAN GET. 568 00:36:09,937 --> 00:36:13,808 >> THERE'S JUST MORE PRESSURE BECAUSE YOU WANT TO GET TO THE 569 00:36:13,808 --> 00:36:14,041 FINALS. 570 00:36:14,041 --> 00:36:16,577 >> WE DEFINITELY CAN'T MAKE ANY MORE MISTAKES NOW, AND I DON'T 571 00:36:16,577 --> 00:36:19,680 WANT TO MAKE ANY EXCUSES. I REALLY THINK YOU CAN GET THERE 572 00:36:19,680 --> 00:36:22,249 BECAUSE PEOPLE LOVE YOU. THAT'S NICE TO KNOW. WE'RE HITTING 573 00:36:22,249 --> 00:36:25,753 MID-SEASON AND I FEEL LIKE I'M JUST HITTING MY STRIDE AND I'M 574 00:36:25,753 --> 00:36:27,955 HAVING THE TIME OF MY LIFE. I DON'T WANT TO MISS ANY PART OF 575 00:36:27,955 --> 00:36:28,122 IT. 576 00:36:28,122 --> 00:36:31,826 >> SO IT'S MONSTER NIGHT FOR HALLOWEEN ON DANCING WITH THE 577 00:36:31,826 --> 00:36:34,662 STARS. SO YOU'RE GOING TO BE PLAYING THE WOLF. AND I'M GOING 578 00:36:34,662 --> 00:36:37,431 TO BE PLAYING LITTLE RED RIDING HOOD ALL THROUGH THE WOODS. ALL 579 00:36:37,431 --> 00:36:38,365 THROUGH THE WOODS. 580 00:36:38,365 --> 00:36:39,066 >> I WILL CHASE YOU. 581 00:36:39,066 --> 00:36:42,770 >> ONE, TWO, THREE, ONE. THE VIENNESE WALTZ IS A BEAUTIFUL 582 00:36:42,770 --> 00:36:45,639 AND GRACEFUL BALLROOM DANCE. ONE OTHER WAY WITH THE ARM. IT'S 583 00:36:45,639 --> 00:36:49,343 ALSO FAST AND THE TIMING IS EVERYTHING. 584 00:36:49,343 --> 00:36:52,179 >> I NEED TO HAVE IT CLEAR IN MY HEAD WHAT I'M DOING. 585 00:36:52,179 --> 00:36:55,716 >> IF BARRY CAN'T KEEP UP WITH THE CHOREOGRAPHY, THE WHOLE 586 00:36:55,716 --> 00:36:56,050 DANCE IS GONE. 587 00:36:56,050 --> 00:36:57,418 >> AM I DOING ONE TOO FEW? 588 00:36:57,418 --> 00:36:59,220 >> YEAH. BUT YOU DID EVERYTHING ELSE RIGHT? 589 00:36:59,220 --> 00:37:00,187 >> BIG, BEAUTIFUL ARM. 590 00:37:00,187 --> 00:37:03,224 >> I'M TRYING HARD TO NAIL THIS CHOREOGRAPHY LIKE. 591 00:37:03,224 --> 00:37:03,858 >> OH, SORRY. 592 00:37:03,858 --> 00:37:07,561 >> BECAUSE COMING OFF A BIG WEEK WITH BIG SCORES, IT'S CRUCIAL 593 00:37:07,561 --> 00:37:09,997 THAT I DELIVER A GOOD PERFORMANCE. YES. SO THE JUDGES 594 00:37:09,997 --> 00:37:11,031 KNOW I'M A REAL CONTENDER. 595 00:37:11,031 --> 00:37:16,437 >> YEP. I LIKE THAT. OH DANCING. 596 00:37:16,437 --> 00:37:20,441 >> THE VIENNESE WALTZ WITH HIS PARTNER, PETER MURGATROYD. IT'S 597 00:37:20,441 --> 00:37:26,614 BARRY WILLIAMS. THIS IS A MAN DANCE. 598 00:37:26,614 --> 00:37:37,725 >> WHY. ME HAND ME THE CAR WAS 599 00:37:37,725 --> 00:37:43,964 TO TAKE US OVER THE ROAD. 600 00:37:43,964 --> 00:37:51,272 >> MAN MADE THE TRAIN TO CARRY THE HEAVY LOAD. 601 00:37:51,272 --> 00:37:57,711 >> ME AND MADE ELECTRIC LIGHT. 602 00:37:57,711 --> 00:38:05,653 TO TAKE US OUT OF THE DARK. ME AND ME THE BOAT FOR THE WATER. 603 00:38:05,653 --> 00:38:09,523 FOR LIKE. LIKE NO. MAYBE YOU'RE. 604 00:38:09,523 --> 00:38:15,162 THIS IS ME IN WORLD. WOULDN'T BE 605 00:38:15,162 --> 00:38:23,137 NOTHING. TO ME IS WORLD WHEN ME 606 00:38:23,137 --> 00:38:38,085 LOVE ME. OH WITHOUT A WOMAN OR A 607 00:38:38,085 --> 00:38:48,862 GIRL. 608 00:38:48,862 --> 00:38:54,935 PETER AND HER WOLF, BARRY AND PETER WITH A VIENNESE WALTZ. 609 00:38:54,935 --> 00:38:59,139 >> THE WOLF? YES OH, THEY'RE ON 610 00:38:59,139 --> 00:39:05,579 THEIR FEET AGAIN FOR YOU. THEY LOVE IT HERE. 611 00:39:05,579 --> 00:39:11,251 >> ALL RIGHT, DERRICK BARRY. SO. ALL RIGHT, SO I'M ON TOUR RIGHT 612 00:39:11,251 --> 00:39:14,722 NOW, AND WHEN I'M GOING AROUND, I'M ASKING PEOPLE WHO THEY LOVE. 613 00:39:14,722 --> 00:39:17,091 >> AND I'LL TELL YOU WHAT, YOU HAVE SOME FANS OUT THERE. BARRY 614 00:39:17,091 --> 00:39:18,225 PEOPLE LOVE YOU. WE LOVE YOU. 615 00:39:18,225 --> 00:39:21,161 >> AND LISTEN, I LOVE YOU. I LOVE YOU. 616 00:39:21,161 --> 00:39:24,531 >> HOWEVER, I FEEL LIKE TONIGHT THE CHARACTER OF THE DANCE TOOK 617 00:39:24,531 --> 00:39:28,135 OVER A LITTLE BIT AND THE DANCE ITSELF SUFFERED. HE'S GOT A 618 00:39:28,135 --> 00:39:30,004 JUDGE. 619 00:39:30,004 --> 00:39:31,105 >> HE'S GOT A JUDGE. 620 00:39:31,105 --> 00:39:35,542 >> I GOT A JUDGE. I GOT TO DO MY JUDGING. BUT BUT LISTEN, THAT 621 00:39:35,542 --> 00:39:37,911 DOESN'T TAKE AWAY HOW MUCH I THINK HOW FANTASTIC BEEN DOING 622 00:39:37,911 --> 00:39:41,148 EACH AND EVERY WEEK. I JUST LOVE WATCHING YOU PERFORM. BUT IN THE 623 00:39:41,148 --> 00:39:44,718 FUTURE, I WANT TO SEE A LITTLE BIT MORE LIKE VIENNESE WALTZ, A 624 00:39:44,718 --> 00:39:47,688 BIT MORE CONTENT, A LITTLE BIT MORE RISE AND FALL. THERE'S JUST 625 00:39:47,688 --> 00:39:50,591 MORE THINGS TO WORK ON A LITTLE BIT, BUT I LOVE YOU, BARRY. 626 00:39:50,591 --> 00:39:54,495 >> I LOVE YOU, NIECY WELL, LET ME SAY THAT I LOVE LOVED YOU 627 00:39:54,495 --> 00:39:54,728 TONIGHT. 628 00:39:54,728 --> 00:39:56,563 >> I THOUGHT THE FOOTWORK WAS GORGEOUS. 629 00:39:56,563 --> 00:39:59,166 >> I LOVE THE PASSION OF THE DANCE. AND I ALSO THINK IF MY 630 00:39:59,166 --> 00:40:03,771 SPOUSE PUT THAT ON, I WOULD LET HER CHASE ME AROUND THIS 631 00:40:03,771 --> 00:40:04,038 BALLROOM. 632 00:40:04,038 --> 00:40:04,738 >> UH OH. UH OH. 633 00:40:04,738 --> 00:40:07,775 >> WE GOING TO KEEP THIS PARTY MOVING? BRUNO? IS SHE CHASING 634 00:40:07,775 --> 00:40:08,942 YOU? 635 00:40:08,942 --> 00:40:12,946 >> YOU'RE IN TROUBLE BECAUSE YOU KNOW, PETER HAS TAMED THE WOLF 636 00:40:12,946 --> 00:40:16,917 AND TURNED HIM INTO A COMPLETE, PLIANT PUSSYCAT. 637 00:40:16,917 --> 00:40:17,151 >> YES. 638 00:40:17,151 --> 00:40:21,021 >> NOW, I WAS ACTUALLY. I WAS COUNTING BECAUSE I KNOW WHAT 639 00:40:21,021 --> 00:40:24,191 YOUR PROBLEM IS. YOU KNOW. ONE, TWO, THREE. ONE, TWO, THREE. 640 00:40:24,191 --> 00:40:28,062 STAIN ON IT. STAIN. AND YOU DID. YOU DID THAT. YOU LOST. 641 00:40:28,062 --> 00:40:32,866 >> IT IS RIGHT AS WELL. THE ONCE YOU WENT INTO THE KIND OF ALL 642 00:40:32,866 --> 00:40:38,105 OZZY OSBOURNE STUFF, YOU KIND OF LOST YOUR SHOULDERS AND YOU GOT 643 00:40:38,105 --> 00:40:39,206 IT BACK AT THE END. 644 00:40:39,206 --> 00:40:42,342 >> SO YOU HAVE TO KEEP THE TECHNIQUE AND THE FLOW CONSTANT. 645 00:40:42,342 --> 00:40:47,548 BUT OTHERWISE, GOOD JOB. CARRY ON. I THOUGHT IT WAS ABSOLUTELY 646 00:40:47,548 --> 00:40:47,848 INCREDIBLE. 647 00:40:47,848 --> 00:40:51,285 >> THOSE PORTER BROS, EVERYTHING. WHAT I LOVE SO MUCH 648 00:40:51,285 --> 00:40:55,089 ABOUT WHAT YOU DID OUT THERE IS WHAT YOU GAVE AN EDUCATION ON. 649 00:40:55,089 --> 00:40:58,659 HOW TO MOVE THE SPACE WHEN YOU COME OUT THERE. THIS IS WHY 650 00:40:58,659 --> 00:41:01,729 EVERYBODY LOVES YOU, BECAUSE YOU ACTUALLY CONNECT. YOU SEND THAT 651 00:41:01,729 --> 00:41:03,597 ENERGY, YOU USE EVERY SPACE BETWEEN US. 652 00:41:03,597 --> 00:41:04,598 >> IT WAS WONDERFUL. 653 00:41:04,598 --> 00:41:07,434 >> OKAY. ABSOLUTELY. 654 00:41:07,434 --> 00:41:09,269 >> HEAD ON UP, JULIANNE, FOR YOUR SCORES. ALL RIGHT, BUDDY. 655 00:41:09,269 --> 00:41:13,507 AS WE TAKE A LOOK AT THE JUDGES LEADERBOARD SO FAR, CURRENTLY AT 656 00:41:13,507 --> 00:41:16,376 THE TOP, ARE SOCHI AND VAL WITH 37. AND CURRENTLY AT THE BOTTOM 657 00:41:16,376 --> 00:41:20,314 ARE HARRY AND RILEY WITH 28. LET'S FIND OUT THE NUMBERS. PETE 658 00:41:20,314 --> 00:41:24,151 BARRY AND PETA WILL PUT UP ON THAT BOARD. JULIANNE, WAKE UP ON 659 00:41:24,151 --> 00:41:26,854 THE WOO WOO WOO WOO. 660 00:41:26,854 --> 00:41:31,759 >> BARRY OKAY, SO YOU HAVE A CHANCE NOW WITH THE DANCE 661 00:41:31,759 --> 00:41:32,759 MONSTER THON COMING UP. 662 00:41:32,759 --> 00:41:34,761 >> HOW BADLY DO YOU WANT THOSE EXTRA POINTS? 663 00:41:34,761 --> 00:41:38,765 >> VERY BADLY. LAST WEEK WAS THE FIRST WEEK I REALLY FELT THAT WE 664 00:41:38,765 --> 00:41:42,336 HAD A BREAK THROUGH AND I WANT TO KEEP THAT GOING. I HOPE THE 665 00:41:42,336 --> 00:41:45,339 SCORES WILL MATCH OR IMPROVE TONIGHT. I WANT TO BE HERE AT 666 00:41:45,339 --> 00:41:48,675 THE END. WE WANT TO SEE YOU HERE AT HOME AGAIN. 667 00:41:48,675 --> 00:41:50,544 >> LET'S GET YOUR SCORES. 668 00:41:50,544 --> 00:41:57,050 >> CARRIE ANN INABA, EIGHT, DEREK HOUGH, SEVEN. 669 00:41:57,050 --> 00:42:02,389 >> NOW NIECY NASH BETS EIGHT. 670 00:42:02,389 --> 00:42:08,662 >> BRUNO TONIOLI. HEY THAT IS A 31 OUT OF 40 FOR BARRY AND PETA. 671 00:42:08,662 --> 00:42:11,999 >> SO FAR IN THE COMPETITION THEY'VE GOT A CHANCE TO EARN 672 00:42:11,999 --> 00:42:15,536 SOME BONUS POINTS THOUGH. COMING UP. BUT YOU DON'T HAVE TO WAIT. 673 00:42:15,536 --> 00:42:18,705 YOU GET TEN VOTES PER COUPLE PER VOTING METHOD. 674 00:42:18,705 --> 00:42:21,108 >> ALFONSO, THANKS, JULIANNE. ALL RIGHT. MONSTER NIGHT RAGES 675 00:42:21,108 --> 00:42:25,279 ON WHEN ARIANA MADDOX AND PASHA PASHKOV DANCE UP A STORM. NEXT, 676 00:42:25,279 --> 00:42:27,681 LIVE. 677 00:42:36,223 --> 00:42:39,593 WE WELCOME BACK TO MONSTER NIGHT. 678 00:42:39,593 --> 00:42:42,829 >> IF YOU LOVE ARGENTINE TANGOS AND MYTHOLOGICAL CREATURES WHO 679 00:42:42,829 --> 00:42:46,667 ARE HALF BIRD, HALF WOMAN, THEN THIS NEXT DANCE IS FOR YOU FROM 680 00:42:46,667 --> 00:42:48,669 VANDERPUMP RULES. IT'S ARIANA 681 00:42:48,669 --> 00:42:57,611 MADDOX AND PASHA. PASHA. I LOVE 682 00:42:57,611 --> 00:43:01,815 WATCHING HOW MUCH OF A FIGHTER YOU ARE WHEN THAT MUSIC KICKED 683 00:43:01,815 --> 00:43:03,050 UP AND YOU LET YOUR HEAD GO. 684 00:43:03,050 --> 00:43:04,618 >> I JUST FELT IT. EIGHT. 685 00:43:04,618 --> 00:43:08,722 >> WE GOT A NINE PREVIOUSLY, I DIDN'T GET MY BEST SCORES, SO I 686 00:43:08,722 --> 00:43:12,526 CANNOT SLIP. I HAVE TO KEEP GETTING BETTER THIS WEEK. 687 00:43:12,526 --> 00:43:14,895 >> IT'S MONSTER NIGHT. 688 00:43:14,895 --> 00:43:18,765 >> OH, MY GOSH. HALLOWEEN IS LIKE MY CHRISTMAS. I LOVE SCARY 689 00:43:18,765 --> 00:43:21,835 STUFF. I LOVE TO PLAY THESE, LIKE, DIFFERENT TYPES OF 690 00:43:21,835 --> 00:43:25,706 CHARACTERS. ONE YEAR I DID FROZEN AND I PAINTED MYSELF 691 00:43:25,706 --> 00:43:29,343 WHITE AND BLUE, AND THEN I DID WHITE CONTACTS. 692 00:43:29,343 --> 00:43:32,879 >> THAT'S A LOT OF COMMITMENT. YEAH, IT TOOK ME LIKE 4 OR 5 693 00:43:32,879 --> 00:43:34,081 HOURS, BUT IT WAS WORTH IT. 694 00:43:34,081 --> 00:43:36,250 >> IT'S REALLY FUN. NICE 695 00:43:36,250 --> 00:43:39,453 >> WELL, WE'RE DANCING. AN ARGENTINE TANGO. VERY INTENSE 696 00:43:39,453 --> 00:43:45,926 ICE DANCE. GREAT FOR A MONSTER NIGHT. OH AND LIKE THAT. LIKE 697 00:43:45,926 --> 00:43:51,131 WITH POWER. ARGENTINE TANGO IS VERY, VERY TECHNICAL. CHANGE 698 00:43:51,131 --> 00:43:56,270 YOUR FEET, FANCY FOOTWORK. THERE ARE HOOKS AND FLAKES. AS IF ONE 699 00:43:56,270 --> 00:44:00,907 STEP GOES WRONG. LIKE A DOMINO EFFECT. OH AHA. 700 00:44:00,907 --> 00:44:03,577 >> STEPPED ON MY OWN FOOT. THAT TIME. 701 00:44:03,577 --> 00:44:07,447 >> IT CAN MESS UP THE REST OF THE ROUTINE. SIX, SEVEN. MICHAEL 702 00:44:07,447 --> 00:44:11,118 THIS WEEK IS JUST TO GO OUT THERE AND DO MY PERSONAL BEST. 703 00:44:11,118 --> 00:44:14,388 >> THAT'S IT. IF I'M LOOKING AROUND AND THINKING ABOUT LIKE 704 00:44:14,388 --> 00:44:16,423 WHAT SCORES OTHER PEOPLE ARE GETTING, THAT'S JUST GOING TO 705 00:44:16,423 --> 00:44:19,927 MESS ME UP FOR THE REST OF THE COMPETITION. SO I'M GOING TO 706 00:44:19,927 --> 00:44:22,929 LEAVE EVERYTHING ALL OUT THERE ON THE DANCE FLOOR BECAUSE IF I 707 00:44:22,929 --> 00:44:30,037 DON'T KILL THIS DANCE, IT'S GOING TO KILL ME LITERALLY ME 708 00:44:30,037 --> 00:44:34,274 DANCING THE ARGENTINE TANGO WITH HER PARTNER, PASHA PASHKOV, IT'S 709 00:44:34,274 --> 00:44:53,994 ARIANA MADIX. 710 00:45:48,081 --> 00:45:57,691 AND. ARIANA AND PASHA STARING UP 711 00:45:57,691 --> 00:45:59,793 THE SPIRITS WITH THEIR ARGENTINE TANGO. 712 00:45:59,793 --> 00:46:05,899 >> YES, YES. FANTASTIC 713 00:46:05,899 --> 00:46:09,770 >> WONDERFUL, WONDERFUL. 714 00:46:09,770 --> 00:46:13,940 >> ALL RIGHT, TAKE IT AWAY, NEESON, BABY GIRL, THAT WAS 715 00:46:13,940 --> 00:46:16,443 AMAZING. 716 00:46:16,443 --> 00:46:22,149 >> ME THE LEG. BLIX EVERYTHING THAT YOU DID WAS SO BEAUTIFUL. 717 00:46:22,149 --> 00:46:23,884 >> I AM OBSESSED WITH YOU. 718 00:46:23,884 --> 00:46:29,089 >> THANK YOU. WITH YOU. ALL RIGHT, BRUNO. 719 00:46:29,089 --> 00:46:29,389 >> TERRIFIC. 720 00:46:29,389 --> 00:46:31,625 >> THRILLING. 721 00:46:31,625 --> 00:46:35,629 >> AND SO, SO HOT. I'M TELLING YOU. 722 00:46:35,629 --> 00:46:41,501 >> AND HONESTLY, THANK YOU VERY MUCH, BOTH OF YOU, FOR DOING AN 723 00:46:41,501 --> 00:46:45,272 AUTHENTIC, REAL, PURE ARGENTINE TANGO. 724 00:46:45,272 --> 00:46:49,109 >> THIS IS HOW YOU DO IT. THAT'S 725 00:46:49,109 --> 00:46:54,614 ALL. ALL RIGHT, CARRIE ANN FROM ICE CREAM TO ICE CREAM. 726 00:46:54,614 --> 00:47:00,654 >> I'M DEAD. THAT WAS SO GREAT. YOU HAVE THE MOST. LISTEN, I 727 00:47:00,654 --> 00:47:04,391 THINK YOU HAVE WHAT IT TAKES TO WIN. IT AFTER A PERFORMANCE LIKE 728 00:47:04,391 --> 00:47:09,095 THAT. I JUST DO. I THINK YOU HAVE SOMETHING SPECTACULAR. 729 00:47:09,095 --> 00:47:11,598 >> I DON'T NEED TO SAY ANYTHING ELSE, DEREK. 730 00:47:11,598 --> 00:47:15,669 >> NO PRESSURE. NO PRESSURE. LISTEN, SLINKY, SEDUCTIVE. GIVE. 731 00:47:15,669 --> 00:47:19,372 IT WAS SO BEAUTIFUL. THE BOLILLOS, THE GANCHOS, THE 732 00:47:19,372 --> 00:47:23,643 EMBRACES, THE EMBELLISHMENTS. IT WAS A TRUE, AUTHENTIC, PROPER 733 00:47:23,643 --> 00:47:28,348 ARGENTINE TANGO. THANK YOU. THE CONTENT IN THERE. BUT THE 734 00:47:28,348 --> 00:47:31,918 EXECUTION, MY DEAR, WAS FLAWLESS . 735 00:47:31,918 --> 00:47:34,554 >> ALL RIGHT, HEAD ON UP TO JULIANNE FOR YOUR SCORES BEFORE 736 00:47:34,554 --> 00:47:38,325 YOU MOLT. MORPH THIS FUND IS ON THE WAY AS LILY PONS AND BRENDAN 737 00:47:38,325 --> 00:47:41,695 ARMSTRONG INVITE US INTO A SPIDER'S LAIR WITH THEIR 738 00:47:41,695 --> 00:47:45,065 PASODOBLE. AND LATER, CRITICAL BONUS POINTS THAT COULD CHANGE 739 00:47:45,065 --> 00:47:48,068 EVERYTHING. THEY ARE UP FOR GRABS. AND THE DANCE MONSTER 740 00:47:48,068 --> 00:47:49,703 THON. JULIANNE, TAKE IT AWAY. 741 00:47:49,703 --> 00:47:54,941 >> THANKS, ALFONZO. ALL RIGHT, GET ON OVER HERE. 742 00:47:54,941 --> 00:47:57,277 >> WE HAVE TO GO RIGHT TO IT. 743 00:47:57,277 --> 00:48:00,580 >> CARRIE ANN, JUST SAID THAT SHE BELIEVES THAT YOU HAVE A 744 00:48:00,580 --> 00:48:03,884 CHANCE TO WIN THIS THING. HOW ARE YOU FEELING ABOUT THAT RIGHT 745 00:48:03,884 --> 00:48:04,050 NOW? 746 00:48:04,050 --> 00:48:05,552 >> NO. LITERALLY NO PRESSURE. 747 00:48:05,552 --> 00:48:06,419 >> NO PRESSURE. 748 00:48:06,419 --> 00:48:08,655 >> I MEAN, THAT IS AN INCREDIBLE, INCREDIBLE COMMENT. 749 00:48:08,655 --> 00:48:12,993 THANK YOU SO MUCH, CARRIE ANN. I MEAN, WE'RE JUST GOING TO KEEP 750 00:48:12,993 --> 00:48:15,996 WORKING HARD. AND LIKE PASHA SAID, KEEP OUR EYES ON OUR OWN 751 00:48:15,996 --> 00:48:17,731 PAPER AND JUST STAY COMMITTED. 752 00:48:17,731 --> 00:48:21,234 >> WELL, BY THE WAY, I CANNOT WAIT TO SEE WHAT THESE SCORES 753 00:48:21,234 --> 00:48:22,202 ARE. LET'S GET THEM. 754 00:48:22,202 --> 00:48:27,374 >> CARRIE ANN INABA, NINE, DEREK 755 00:48:27,374 --> 00:48:31,545 HOUGH, NINE. NIECY NASH, BET'S 756 00:48:31,545 --> 00:48:39,986 NA. BRUNO TONIOLI. IT'S A REAL. 757 00:48:39,986 --> 00:48:42,522 TEN 37 OUT OF 30 FOR MARIANNA AND PASHA. 758 00:48:42,522 --> 00:48:47,294 >> SO FAR THAT IS YOUR FIRST TEN FROM BRUNO. HOW ARE YOU FEELING 759 00:48:47,294 --> 00:48:50,263 RIGHT NOW? I MEAN, I DON'T THINK I HAVE TO ASK THAT. I THINK 760 00:48:50,263 --> 00:48:52,666 THEY'RE FEELING PRETTY GOOD. THEY'RE DOING SOME HIGH KICKS. 761 00:48:52,666 --> 00:48:55,635 ALL RIGHT. WELL, IF YOU WERE BLOWN AWAY, JUST LIKE THEM BY 762 00:48:55,635 --> 00:48:58,438 THEIR ARGENTINO, MAKE SURE TO VOTE FOR THEM. 763 00:48:58,438 --> 00:49:00,994 >> AND REMEMBER VOTING CLOSES DURING THE LAST COMMERCIAL BREAK . 764 00:49:08,433 --> 00:49:15,388 ♪♪ 765 00:49:15,388 --> 00:49:18,992 >>> IT'S MONSTER NIGHT ON HALLOWEEN. RIGHT? IS THAT -- 766 00:49:18,992 --> 00:49:22,462 >> RAAA! 767 00:49:22,462 --> 00:49:26,132 >> SOMETHING ABOUT SCARY MOVIES THAT SCARES ME THE MOST IS THE 768 00:49:26,132 --> 00:49:27,968 STUFF -- OH, MY GOD! 769 00:49:27,968 --> 00:49:32,105 >> MONSTER NIGHT -- 770 00:49:32,105 --> 00:49:33,740 >> THE ARGENTINE -- AAAH! 771 00:49:33,740 --> 00:49:39,045 >> THIS IS THE DUMBEST THING FOR HALLOWEEN FOR SURE. 772 00:49:39,045 --> 00:49:43,617 >> OH! 773 00:49:43,617 --> 00:49:44,784 [ SCREAMING ] 774 00:49:44,784 --> 00:49:47,854 >> PASHA! 775 00:49:47,854 --> 00:49:52,726 >> THAT WAS GOOD. 776 00:49:52,726 --> 00:49:53,593 [ BLEEP ]. 777 00:49:53,593 --> 00:49:55,428 >> HEY, BABE. 778 00:49:55,428 --> 00:49:55,996 >> I QUIT. 779 00:49:55,996 --> 00:49:59,432 >> Alfonso: WELCOME BACK. NEXT UP ON "MONSTER NIGHT," OUR 780 00:49:59,432 --> 00:50:01,401 SINGER AND SOCIAL MEDIA STAR WILL TRY TO CAPTURE SOME HIGH 781 00:50:01,401 --> 00:50:05,805 SCORES IN HER WEB WITH A SPIDERY PASO DOBLE. 782 00:50:05,805 --> 00:50:08,708 CHECK OUT THIS WEEK'S TRAINING FOR LELE PONS AND 783 00:50:08,708 --> 00:50:15,015 BRANDON ARMSTRONG. 784 00:50:15,015 --> 00:50:18,785 ♪♪ 785 00:50:18,785 --> 00:50:20,587 >> YOU HAVE BEEN PROGRESSING EVERY SINGLE WEEK. 786 00:50:20,587 --> 00:50:22,489 YOU REALLY HAVE. CELEBRATE YOURSELF. WELL DONE. 787 00:50:22,489 --> 00:50:24,357 >> THANK YOU. THANK YOU. 788 00:50:24,357 --> 00:50:24,924 >> 8! 789 00:50:24,924 --> 00:50:28,261 >> I'M VERY HAPPY I'M GOING UP AND UP AND UP TO GET MY HIGHEST 790 00:50:28,261 --> 00:50:31,431 SCORE OF THE SEASON ON THAT DANCE MEANT A LOT, MEANT LIKE TO 791 00:50:31,431 --> 00:50:34,734 BE MYSELF AND BE FREE. 792 00:50:34,734 --> 00:50:36,169 >> THIS WEEK IT'S ACTUALLY HALLOWEEN. 793 00:50:36,169 --> 00:50:38,538 >> FOR ME HALLOWEEN IS THE BEST DAY OF THE YEAR. 794 00:50:38,538 --> 00:50:42,942 MY DAD'S IN THE AUDIENCE TONIGHT. SO SORRY, PAPA, I'M JUST GOING 795 00:50:42,942 --> 00:50:45,445 TO SAY THIS STORY. I THREW A PARTY AT MY DAD'S 796 00:50:45,445 --> 00:50:46,913 HOUSE. I TOLD HIM IT WAS GOING TO BE 50 797 00:50:46,913 --> 00:50:50,550 PEOPLE AND AT THE END IT WAS LIKE 350 PEOPLE, LIKE LEGIT. 798 00:50:50,550 --> 00:50:57,023 >> THIS PARTY WAS SO LIT DIPLO CAME IN LIKE A JET TO DJ AT MY 799 00:50:57,023 --> 00:50:59,325 PARTY. AND THE COPS CAME. AND THEY STAYED. 800 00:50:59,325 --> 00:51:00,126 >> YOU TORE IT UP. 801 00:51:00,126 --> 00:51:00,960 >> YEAH. 802 00:51:00,960 --> 00:51:03,363 >> I'VE NEVER MET SOMEONE WHO WAS MORE PASSIONATE ABOUT 803 00:51:03,363 --> 00:51:06,366 HALLOWEEN THAN YOU. OKAY. SO I FEEL LIKE RIGHT NOW WE'RE 804 00:51:06,366 --> 00:51:08,935 STILL GETTING STUCK IN LIKE THAT MIDDLE OF THE PACK WORLD. 805 00:51:08,935 --> 00:51:11,971 I REALLY WANT TO PUSH OURSELVES TO THAT UPPER GROUP OF DANCERS. 806 00:51:11,971 --> 00:51:12,572 >> YEAH. 807 00:51:12,572 --> 00:51:15,775 >> STEP AND CLOSE. STEP AND CLOSE. READY? 808 00:51:15,775 --> 00:51:18,978 >> THE PASO DOBLE IS OUR CHANCE TO BREAK OUT FROM THE MIDDLE OF 809 00:51:18,978 --> 00:51:21,247 THE PACK. BUT BECAUSE IT'S SO TECHNICAL -- 810 00:51:21,247 --> 00:51:22,982 >> CLOSE YOUR FEET. 811 00:51:22,982 --> 00:51:27,087 >> I'M GOING TO BE DRILLING LELE OVER THE SAME METICULOUS LITTLE 812 00:51:27,087 --> 00:51:27,420 DETAILS. 813 00:51:27,420 --> 00:51:27,921 >> WHERE IS THIS? 814 00:51:27,921 --> 00:51:28,421 >> OKAY. 815 00:51:28,421 --> 00:51:30,256 >> SO IF YOU KNOW IT, YOU HAVE TO DO IT. 816 00:51:30,256 --> 00:51:33,893 >> I'M PUTTING SO MUCH PRESSURE ON MYSELF TO GET THE BEST SCORES. 817 00:51:33,893 --> 00:51:34,394 IT'S OVERWHELMING. 818 00:51:34,394 --> 00:51:38,431 >> YOU TOLD ME TO STOP IT, AND THAT ONE YOU DIDN'T STOP IT. 819 00:51:38,431 --> 00:51:39,666 >> OF COURSE I DID. 820 00:51:39,666 --> 00:51:43,036 >> I REALLY HOPE I CAN SHOW THE JUDGES THAT I'M UP FOR A BIG 821 00:51:43,036 --> 00:51:45,105 CHALLENGE. BUT I'M NERVOUS BECAUSE I HOPE 822 00:51:45,105 --> 00:51:46,639 THAT I CAN PULL IT OFF IN TIME. 823 00:51:46,639 --> 00:51:47,607 >> I SUCK, DON'T I? 824 00:51:47,607 --> 00:51:50,577 >> NO, NO, YOU'RE JUST LEARNING IT. 825 00:51:50,577 --> 00:51:52,045 >> Announcer: DANCING THE PASO DOBLE, WITH HER PARTNER BRANDON 826 00:51:52,045 --> 00:51:56,015 ARMSTRONG, IT'S LELE PONS. 827 00:51:56,015 --> 00:52:03,056 [ CHEERS AND APPLAUSE ] 828 00:52:04,691 --> 00:52:05,358 ♪ MONEY MONEY MONEY MONEY 829 00:52:05,358 --> 00:52:05,692 AH ♪ 830 00:52:05,692 --> 00:52:06,292 ♪ LOVE IS JUST 831 00:52:06,292 --> 00:52:07,994 A HISTORY THAT THEY MAY PROVE ♪ 832 00:52:07,994 --> 00:52:08,728 ♪ AND WHEN YOU'RE GONE 833 00:52:08,728 --> 00:52:11,131 I'LL TELL THEM MY RELIGION'S YOU ♪ 834 00:52:11,131 --> 00:52:12,599 ♪ WHEN PUNKTIOUS COMES 835 00:52:12,599 --> 00:52:14,467 TO KILL THE KING UPON HIS THRONE ♪ 836 00:52:14,467 --> 00:52:16,770 ♪ I'M READY 837 00:52:16,770 --> 00:52:18,138 FOR THEIR STONES ♪ 838 00:52:18,138 --> 00:52:20,106 ♪ I'LL DANCE DANCE DANCE 839 00:52:20,106 --> 00:52:23,476 WITH MY HANDS HANDS HANDS ♪ 840 00:52:23,476 --> 00:52:26,312 ♪ ABOVE MY HEAD HEAD HEAD 841 00:52:26,312 --> 00:52:26,946 JUST LIKE JESUS SAID ♪ 842 00:52:26,946 --> 00:52:27,413 ♪ I'M GONNA 843 00:52:27,413 --> 00:52:28,114 DANCE DANCE DANCE ♪ 844 00:52:28,114 --> 00:52:28,848 ♪ WITH MY HANDS HANDS HANDS 845 00:52:28,848 --> 00:52:29,949 ABOVE MY HEAD ♪ 846 00:52:29,949 --> 00:52:30,784 ♪ HANDS TOGETHER 847 00:52:30,784 --> 00:52:35,054 FORGIVE HIM BEFORE HE'S DEAD BECAUSE ♪ 848 00:52:35,054 --> 00:52:36,055 ♪ I WON'T CRY FOR YOU 849 00:52:36,055 --> 00:52:41,161 I WON'T CRUCIFY THE THINGS YOU DO ♪ 850 00:52:41,161 --> 00:52:42,829 ♪ I WON'T CRY FOR YOU 851 00:52:42,829 --> 00:52:44,631 AH AH AH AH ♪ 852 00:52:44,631 --> 00:52:48,568 ♪ SEE WHEN YOU'RE GONE 853 00:52:48,568 --> 00:52:51,104 I'LL STILL BE BLOODY MARY AH AH AH AH ♪ 854 00:52:51,104 --> 00:52:53,673 ♪ OH-OH-OH-OH-OH 855 00:52:53,673 --> 00:53:02,215 AH AH AH AH AH AH AH AH ♪ 856 00:53:02,215 --> 00:53:03,016 ♪ OH LIBERATE MI AMOR 857 00:53:03,016 --> 00:53:08,021 AMOR AMOR AMOR ♪♪ 858 00:53:08,021 --> 00:53:09,622 [ CHEERS AND APPLAUSE ] 859 00:53:09,622 --> 00:53:13,426 >> Alfonso: LELE AND BRANDON WITH A PASO DOBLE THAT IS NOT 860 00:53:13,426 --> 00:53:21,134 FOR ARACHNOPHOBES. YES! ALL I KNOW IS THE POLICE ARE 861 00:53:21,134 --> 00:53:25,205 HERE AND THEY'RE STAYING ALSO. ABSOLUTELY. BRUNO. 862 00:53:25,205 --> 00:53:29,576 >> Bruno: OH, THE BLACK WIDOW IS GOING FOR THE KILL! 863 00:53:29,576 --> 00:53:37,250 THAT WAS A LETHAL PASO DOBLE. IN THE BEST POSSIBLE WAY. 864 00:53:37,250 --> 00:53:41,287 NOW, WHAT YOU'VE DONE, NOW YOU ARE IN BUSINESS, HONEY, BECAUSE 865 00:53:41,287 --> 00:53:43,223 YOU GAINED CONTROL. YOU STILL HAVE ALL THE POWER 866 00:53:43,223 --> 00:53:45,959 THAT WE LOVE. BUT TONIGHT MUCH CLEANER, MUCH 867 00:53:45,959 --> 00:53:52,332 SHARPER. BETTER FINISH. YOU WERE ON IT. 868 00:53:52,332 --> 00:53:52,966 >> ABSOLUTELY. 869 00:53:52,966 --> 00:53:54,033 >> Alfonso: CARRIE ANN. 870 00:53:54,033 --> 00:53:54,968 >> Carrie Ann: OKAY. REAL TALK. 871 00:53:54,968 --> 00:53:57,570 AND REAL TALK IS COMING BECAUSE I THINK YOU HAVE SOMETHING -- 872 00:53:57,570 --> 00:54:02,308 YOUR SPARK IS SO MAJOR. SOMETHING -- WHAT'S NOT 873 00:54:02,308 --> 00:54:04,611 HAPPENING IS YOU'RE NOT FINISHING YOUR MOVES. STILL. 874 00:54:04,611 --> 00:54:07,847 WE'VE SAID THIS A LOT. 875 00:54:07,847 --> 00:54:08,982 [ BOOS ] 876 00:54:08,982 --> 00:54:11,818 NO, I ASK YOU TO BE QUIET. I NEED TO HAVE THIS. 877 00:54:11,818 --> 00:54:14,087 YOU NEED TO FINISH YOUR MOVES. YOU NEED TO HIT THE SHAPES. 878 00:54:14,087 --> 00:54:15,989 THEY ALL NEED TO END AT THE SAME MOMENT. 879 00:54:15,989 --> 00:54:18,391 THERE'S JUST A LITTLE BIT OF SLOPPINESS GOING ON FOR LACK OF 880 00:54:18,391 --> 00:54:21,895 A BETTER WORD. I'M SO SORRY. BUT I WANT YOU TO JUST TAKE THAT 881 00:54:21,895 --> 00:54:26,666 FIRE AND DUMP IT INTO THE DANCE. YOU SHOULD OWN IT. 882 00:54:26,666 --> 00:54:27,767 >> Alfonso: THEY'VE GOT TO JUDGE. 883 00:54:27,767 --> 00:54:30,403 THEY'VE GOT TO JUDGE, PEOPLE. DEREK, TAKE IT AWAY. 884 00:54:30,403 --> 00:54:33,840 >> Derek: LISTEN, WE LOVE YOUR POWER AND ATTACK, AND YOU ALWAYS 885 00:54:33,840 --> 00:54:37,844 PERFORM AT A 10. ALWAYS. BUT I HAVE TO AGREE, MY LOVE. 886 00:54:37,844 --> 00:54:40,446 A LITTLE BIT. IT LACKED A LITTLE BIT OF 887 00:54:40,446 --> 00:54:42,849 REFINEMENT. THERE'S A DIP OVER THERE THAT 888 00:54:42,849 --> 00:54:45,752 GETS A LITTLE WILD HERE. AND ALSO ON PASO DOBLE IT'S 889 00:54:45,752 --> 00:54:48,388 ABOUT OVAL SHAPES. EVERYTHING'S OVAL AND IT'S VERY 890 00:54:48,388 --> 00:54:49,956 ANGULAR. THAT DOESN'T TAKE AWAY IT'S A 891 00:54:49,956 --> 00:54:51,491 STRONG PERFORMANCE. BUT WE ARE HALFWAY THROUGH THE 892 00:54:51,491 --> 00:54:53,393 SEASON, SO WE'VE GOT TO BE A LITTLE STRONGER. 893 00:54:53,393 --> 00:54:56,829 AND KEVIN, KEVIN HERE, HE LOVED IT. 894 00:54:56,829 --> 00:55:00,633 >> Alfonso: KEVIN LOVED IT. THAT'S JUST WEIRD. ALL RIGHT. 895 00:55:00,633 --> 00:55:01,301 NIECY. 896 00:55:01,301 --> 00:55:05,204 >> Niecy: LISTEN, I DID THINK YOU NEED A LITTLE WORK IN THE 897 00:55:05,204 --> 00:55:09,075 ARMS. BUT THE FOOTWORK. THE FOOTWORK WAS BEAUTIFUL. 898 00:55:09,075 --> 00:55:11,110 I THOUGHT YOU WERE REALLY STRONG IN THE FOOTWORK. 899 00:55:11,110 --> 00:55:14,714 AND EVEN WHEN THERE WAS A LITTLE MESS-UP, YOU STAYED WITH IT. 900 00:55:14,714 --> 00:55:18,651 AND THAT'S THE MOST IMPORTANT PART. 901 00:55:18,651 --> 00:55:19,919 >> Alfonso: ALL RIGHT. HEAD UP TO JULIANNE FOR YOUR 902 00:55:19,919 --> 00:55:21,220 SCORES. BY THE WAY, BRANDON IS JUST ONE 903 00:55:21,220 --> 00:55:25,925 OF THE PROS YOU CAN SEE IN PERSON, WHEN THE ALL-NEW 904 00:55:25,925 --> 00:55:31,531 "DANCING WITH THE STARS" TOUR COMES TO A TOWN NEAR YOU. 905 00:55:31,531 --> 00:55:34,567 TICKETS ARE ON SALE NOW AT DWTSTOUR.COM WHERE YOU CAN FIND 906 00:55:34,567 --> 00:55:36,769 THE FULL DETAILS AND YOU CAN SEE WHERE AND WHEN JULIANNE WILL BE 907 00:55:36,769 --> 00:55:38,338 PERFORMING. JULIANNE? 908 00:55:38,338 --> 00:55:41,441 >> Julianne: I AM SO EXCITED TO JOIN OUR PROS, ALFONSO. 909 00:55:41,441 --> 00:55:45,411 ALL RIGHT. A LITTLE BIT OF TOUGH LOVE FROM 910 00:55:45,411 --> 00:55:46,980 THE JUDGES. AND YOU WANT TO GET OUT FROM THE 911 00:55:46,980 --> 00:55:48,648 MIDDLE OF THE PACK. HOW ARE YOU FEELING RIGHT NOW? 912 00:55:48,648 --> 00:55:50,383 >> I'M HAPPY. I'M REALLY EXCITED. 913 00:55:50,383 --> 00:55:54,253 IT'S A LITTLE -- I'M NERVOUS BECAUSE LIKE BRANDON, YOU KNOW, 914 00:55:54,253 --> 00:55:57,991 HE SAID TO ME, HE'S JUST LIKE I WANT TO GO PAST HALLOWEEN 915 00:55:57,991 --> 00:56:00,193 BECAUSE I HAVEN'T -- WELL, THE LAST THREE SEASONS. 916 00:56:00,193 --> 00:56:04,397 I'M LIKE OH MY GOD, I'M DOING THIS FOR HIM. 917 00:56:04,397 --> 00:56:05,631 >> THANK YOU. 918 00:56:05,631 --> 00:56:08,601 >> Julianne: WELL, LET'S GET YOUR SCORES. 919 00:56:08,601 --> 00:56:11,170 >> Announcer: CARRIE ANN INABA. 920 00:56:11,170 --> 00:56:13,239 >> Carrie Ann: 8! 921 00:56:13,239 --> 00:56:14,307 >> Announcer: DEREK HOUGH. 922 00:56:14,307 --> 00:56:14,974 >> Derek: 8! 923 00:56:14,974 --> 00:56:18,845 >> Announcer: NIECY NASH-BETTS. 924 00:56:18,845 --> 00:56:20,079 >> Niecy: 8! 925 00:56:20,079 --> 00:56:21,681 >> Announcer: BRUNO TONIOLI. 926 00:56:21,681 --> 00:56:23,616 >> Bruno: IT'S A 9! 927 00:56:23,616 --> 00:56:28,855 >> Julianne: 33 OUT OF 40 FOR LELE AND BRANDON SO FAR. 928 00:56:28,855 --> 00:56:31,858 LELE, THAT IS YOUR FIRST 9. BY THE WAY, BRUNO IS IN A GOOD 929 00:56:31,858 --> 00:56:35,595 MOOD TONIGHT. I'M JUST SAYING. HOW ARE YOU FEELING ABOUT THAT 930 00:56:35,595 --> 00:56:37,030 FIRST 9? 931 00:56:37,030 --> 00:56:40,800 >> A 9! A 9! 932 00:56:40,800 --> 00:56:46,339 >> Julianne: THEY WILL SOON DANCE FOR BONUS POINTS. 933 00:56:46,339 --> 00:56:48,841 BUT THEY STILL WANT YOUR VOTES. ALFONSO? 934 00:56:48,841 --> 00:56:50,243 >> Alfonso: THANKS JULIANNE. THE CHILLS AND THRILLS CONTINUE 935 00:56:50,243 --> 00:56:51,744 AS MAURICIO UMANSKY AND EMMA SLATER TAKE THEIR GORY 936 00:56:51,744 --> 00:56:53,346 ARGENTINE TANGO TO OUR FLOOR, LIVE. 937 00:57:01,687 --> 00:57:08,302 ♪♪ 938 00:57:08,302 --> 00:57:11,939 >>> Alfonso: WE'RE BACK. FOR A MATADOR, THE ONLY THING 939 00:57:11,939 --> 00:57:14,809 MORE GRUESOME THAN BEING GORED BY A BULL IS BEING GORED BY A 940 00:57:14,809 --> 00:57:18,613 BULL AND THEN HAVING TO DANCE AN ARGENTINE TANGO. 941 00:57:18,613 --> 00:57:20,014 >> Julianne: LET'S LURK IN THE SHADOWS AND PEEK INTO THIS 942 00:57:20,014 --> 00:57:22,483 WEEK'S TRAINING FOR REAL ESTATE MOGUL AND TV STAR 943 00:57:22,483 --> 00:57:26,387 MAURICIO UMANSKY AND EMMA SLATER. 944 00:57:26,387 --> 00:57:34,328 ♪♪ 945 00:57:34,328 --> 00:57:39,801 >> Bruno: YOU GAVE IT ALL YOU'VE GOT. YOUR BEST DANCE YET. 946 00:57:39,801 --> 00:57:40,334 >> 8! 947 00:57:40,334 --> 00:57:44,305 >> TRIPLE 8s, MAN. FINALLY. THAT FELT GREAT. 948 00:57:44,305 --> 00:57:49,110 GOING INTO THIS WEEK I'M FEELING ENERGIZED AND CONFIDENT. 949 00:57:49,110 --> 00:57:50,044 >> WE HAVE 8s. 950 00:57:50,044 --> 00:57:52,313 >> IT JUST FELT AMAZING. IT WAS A BREAKTHROUGH. 951 00:57:52,313 --> 00:57:54,448 >> I THINK THAT YOU MADE YOURSELF A CONTENDER. 952 00:57:54,448 --> 00:57:55,116 >> I LOVE THAT. 953 00:57:55,116 --> 00:57:57,051 >> WE'VE GOT TO KEEP THAT BALL ROLLING. 954 00:57:57,051 --> 00:57:58,920 >> WE ARE HERE IN NEW YORK BECAUSE I HAVE A WORK EVENT. 955 00:57:58,920 --> 00:58:01,789 BUT WE ARE FITTING IN AS MUCH REHEARSALS AS POSSIBLE BECAUSE I 956 00:58:01,789 --> 00:58:03,724 AM DETERMINED TO STAY IN THIS COMPETITION. 957 00:58:03,724 --> 00:58:05,793 >> IT'S HALLOWEEN NIGHT ON "DANCING WITH THE STARS." 958 00:58:05,793 --> 00:58:06,160 >> SPOOKY. 959 00:58:06,160 --> 00:58:06,561 >> SPOOKY. 960 00:58:06,561 --> 00:58:07,728 >> I LOVE HALLOWEEN. 961 00:58:07,728 --> 00:58:10,097 >> I DEFINITELY BELIEVE IN GHOSTS. 962 00:58:10,097 --> 00:58:13,067 IN FACT, THE HOUSE THAT MICHAEL JACKSON DIED IN, I THEN SOLD. 963 00:58:13,067 --> 00:58:15,870 I WAS THE ONLY ONE WITH KEYS. I CLOSED EVERYTHING. 964 00:58:15,870 --> 00:58:19,407 I TRIPLE-CHECKED THAT I TURNED OFF THE STEREO SYSTEM. 965 00:58:19,407 --> 00:58:23,144 AND I CAME BACK THE NEXT MORNING AND SURE ENOUGH, THE WINDOWS 966 00:58:23,144 --> 00:58:27,782 WERE OPEN, THE STEREO SYSTEM WAS ON, AND THERE WAS NO QUESTION IN 967 00:58:27,782 --> 00:58:31,786 MY MIND THAT MICHAEL WAS THERE. 968 00:58:31,786 --> 00:58:34,121 >> THIS IS A STEERING WHEEL. 969 00:58:34,121 --> 00:58:37,325 >> I REALLY THINK THE ARGENTINE TANGO IS GOING TO BE SOMETHING 970 00:58:37,325 --> 00:58:39,527 THAT MAURICIO WILL REALLY BE GOOD AT. 971 00:58:39,527 --> 00:58:44,365 BECAUSE HE REALLY LIKES BEING THAT STRONG SUAVE CLASSY GUY WHO 972 00:58:44,365 --> 00:58:44,699 LEADS. 973 00:58:44,699 --> 00:58:48,135 >> THAT'S A BEAUTIFUL LOOK AND YOU LOOK SEXY AND I LOOK STRONG. 974 00:58:48,135 --> 00:58:51,239 >> I'M REALLY EMBODYING THE ROLE. 975 00:58:51,239 --> 00:58:53,808 THE REAL CHALLENGE RIGHT NOW IS THAT THE COMPETITION'S GETTING 976 00:58:53,808 --> 00:58:55,910 FIERCE. SO THAT MEANS EVERY MOVEMENT HAS 977 00:58:55,910 --> 00:58:56,444 TO BE PERFECT. 978 00:58:56,444 --> 00:59:00,181 >> I AM WORKING EXTRA HARD THIS WEEK BECAUSE I WANT TO PROVE TO 979 00:59:00,181 --> 00:59:04,018 THE JUDGES AND EVERYONE THAT I AM A SERIOUS CONTENDER. 980 00:59:04,018 --> 00:59:06,354 >> YEAH, YEAH, YEAH, YEAH. THAT WAS PRETTY GOOD. 981 00:59:06,354 --> 00:59:08,856 >> Announcer: DANCING THE ARGENTINE TANGO, WITH HIS 982 00:59:08,856 --> 00:59:15,296 PARTNER EMMA SLATER, IT'S MAURICIO UMANSKY. 983 00:59:18,165 --> 00:59:36,851 ♪♪ 984 00:59:37,752 --> 00:59:43,824 ♪♪ 985 00:59:43,824 --> 00:59:45,893 ♪ I'M JUST AN AVERAGE MAN 986 00:59:45,893 --> 00:59:48,029 WITH AN AVERAGE LIFE ♪ 987 00:59:48,029 --> 00:59:50,631 ♪ I WORK FROM 9:00 TO 5:00 988 00:59:50,631 --> 00:59:57,872 HEY HELL I PAY THE PRICE ♪ 989 00:59:57,872 --> 00:59:59,273 ♪ ALL I WANT IS TO BE 990 00:59:59,273 --> 01:00:00,441 LEFT ALONE IN MY AVERAGE HOME ♪ 991 01:00:00,441 --> 01:00:01,142 ♪ BUT WHY DO I ALWAYS FEEL 992 01:00:01,142 --> 01:00:01,842 I'M IN THE TWILIGHT ZONE ♪ 993 01:00:01,842 --> 01:00:03,611 ♪ AND I ALWAYS FEEL LIKE 994 01:00:03,611 --> 01:00:05,379 SOMEBODY'S WATCHING ME ♪ 995 01:00:05,379 --> 01:00:07,214 ♪ AND I HAVE NO PRIVACY 996 01:00:07,214 --> 01:00:13,354 WHOA I ALWAYS FEEL LIKE SOMEBODY'S WATCHING ME ♪ 997 01:00:13,354 --> 01:00:14,322 ♪ TELL ME IS 998 01:00:14,322 --> 01:00:17,992 IT JUST A DREAM ♪ 999 01:00:17,992 --> 01:00:20,294 ♪ IS IT JUST A DREAM 1000 01:00:20,294 --> 01:00:27,802 I FEEL LIKE SOMEBODY'S WATCHING ME ♪♪ 1001 01:00:31,906 --> 01:00:33,441 >> Alfonso: MAURICIO AND EMMA, WE'RE ALL WATCHING THAT 1002 01:00:33,441 --> 01:00:37,745 ARGENTINE TANGO. THAT'S NO BULL. 1003 01:00:37,745 --> 01:00:39,580 [ CHEERS AND APPLAUSE ] 1004 01:00:39,580 --> 01:00:46,253 YES! MY MAN. 1005 01:00:46,253 --> 01:00:50,791 ALL RIGHT, ALL RIGHT. CARRIE ANN, TAKE IT AWAY. 1006 01:00:50,791 --> 01:00:55,663 >> Carrie Ann: OH, SORRY. I CAN'T HEAR NOTHING. 1007 01:00:55,663 --> 01:01:00,434 YOU HAVE COME SO FAR FROM WEEK 1. THERE'S AN INTENSITY TO YOUR 1008 01:01:00,434 --> 01:01:05,539 DANCING THAT I SEE NOW. I WOULD LIKE TO SEE JUST A HAIR 1009 01:01:05,539 --> 01:01:09,210 MORE OF THE POSTURE AND JUST A LITTLE BIT MORE STRENGTH IN YOUR 1010 01:01:09,210 --> 01:01:10,945 CORE BECAUSE SOMETIMES IT GETS A LITTLE WOBBLY. 1011 01:01:10,945 --> 01:01:14,148 I KNOW YOU WANT TO GET OUT OF THE MIDDLE OF THE PACK. 1012 01:01:14,148 --> 01:01:18,953 IT WAS A GREAT PERFORMANCE. BUT THAT WOULD BE MY ADVICE. 1013 01:01:18,953 --> 01:01:19,587 >> Alfonso: DEREK. 1014 01:01:19,587 --> 01:01:20,955 >> Derek: YOU HAVE COME A LONG WAY. 1015 01:01:20,955 --> 01:01:23,024 AND FOR ME YOUR LINES, YOU'RE SO MUCH STRONGER. 1016 01:01:23,024 --> 01:01:25,393 THE CONFIDENCE ACTUALLY IN YOUR UPPER BODY IS SO BRILLIANT. 1017 01:01:25,393 --> 01:01:27,628 FOR ME IT'S ACTUALLY THE LEGS. I WANT TO SEE MORE RESISTANCE IN 1018 01:01:27,628 --> 01:01:30,297 THE LEGS GETTING MORE GROUNDED BECAUSE ACTUALLY UP HERE I WAS 1019 01:01:30,297 --> 01:01:35,603 LIKE LET'S GO, MAURICIO, LET'S GO. REALLY GOOD. 1020 01:01:35,603 --> 01:01:36,937 >> Alfonso: ALL RIGHT. NIECY. 1021 01:01:36,937 --> 01:01:39,540 >> Niecy: I'M GOING TO TELL YOU THIS. 1022 01:01:39,540 --> 01:01:42,176 YOU DEFINITELY MANHANDLED THIS WOMAN. 1023 01:01:42,176 --> 01:01:45,546 AND SOMETHING YOU SAID IN THE PACKAGE, YOU SAID EMMA LOOKS 1024 01:01:45,546 --> 01:01:50,284 SEXY AND YOU LOOK STRONG, AND YOU DID NOT LIE. 1025 01:01:50,284 --> 01:01:50,885 >> THANK YOU. 1026 01:01:50,885 --> 01:01:52,686 >> Alfonso: YEAH. BRUNO. 1027 01:01:52,686 --> 01:01:55,389 >> Bruno: I THINK YOU GOT STUCK ON THE BULL, BY THE WAY. 1028 01:01:55,389 --> 01:01:59,393 SOMETHING IS STICKING OUT THERE. BUT I KNOW YOU WENT FOR THE 1029 01:01:59,393 --> 01:02:02,763 POWER. THE POWER THAT YOU'VE GAINED IS 1030 01:02:02,763 --> 01:02:04,698 GREAT. ARGENTINE TANGO'S ACTION, YOU 1031 01:02:04,698 --> 01:02:08,803 HAVE TO IMAGINE A CAT GOING PROWLING, STALKING THROUGH THE 1032 01:02:08,803 --> 01:02:11,706 JUNGLE. THE STEP WAS THERE, BUT WE'RE 1033 01:02:11,706 --> 01:02:14,675 STILL MORE BULL THAN CAT. LET'S PUT IT THIS WAY. 1034 01:02:14,675 --> 01:02:21,449 NO, BUT IT WASN'T BAD. BUT THE STYLE WAS NOT CORRECT. 1035 01:02:21,449 --> 01:02:23,284 >> Alfonso: ALL RIGHT. HEAD ON UP TO JULIANNE FOR YOUR 1036 01:02:23,284 --> 01:02:26,454 SCORES, GUYS. ALL RIGHT. THE "DANCE MONSTERTHON" IS 1037 01:02:26,454 --> 01:02:28,222 COMING UP. BUT NOT BEFORE LAST WEEK'S 1038 01:02:28,222 --> 01:02:32,693 CO-LEADERS COMPLETE THIS FIRST ROUND. CHARITY LAWSON AND 1039 01:02:32,693 --> 01:02:36,097 ARTEM CHIGVINTSEV WILL CONNECT THE FOOT BONE TO THE ANKLE 1040 01:02:36,097 --> 01:02:38,599 SXWOEN JIVE. JULIANNE? 1041 01:02:38,599 --> 01:02:45,740 >> Julianne: THANKS, ALFONSO. HEY, HEY, HEY. I LOVE THIS. 1042 01:02:45,740 --> 01:02:48,209 YOU DID THE PASO DOBLE A COUPLE WEEKS AGO. 1043 01:02:48,209 --> 01:02:50,744 YOU ARE INTO THE ARGENTINE TANGO CHARACTER. 1044 01:02:50,744 --> 01:02:52,613 WHAT IS IT ABOUT THIS DANCE YOU CONNECT TO SO MUCH? 1045 01:02:52,613 --> 01:02:55,282 >> I JUST LOVE THIS DANCE. IT'S SO MUCH FUN. 1046 01:02:55,282 --> 01:02:59,453 IT'S LIKE A MATADOR, YOU KNOW, AND IT'S SPANISH AND IT REALLY 1047 01:02:59,453 --> 01:03:01,388 GETS ME IN THE SOUL, AND I ABSOLUTELY LOVE IT. 1048 01:03:01,388 --> 01:03:03,858 >> Julianne: I LOVE IT TOO. LET'S FIND OUT YOUR JUDGES' 1049 01:03:03,858 --> 01:03:06,260 SCORES WHEN WE COME BACK. 1050 01:03:12,900 --> 01:03:16,665 ♪♪ 1051 01:03:16,665 --> 01:03:17,693 >> Julianne: WELCOME BACK. 1052 01:03:17,693 --> 01:03:25,167 BEFORE THE BREAK, MAURICIO AND 1053 01:03:25,167 --> 01:03:28,704 EMMA PERFORMED A GORY ARGENTINE TANGO. LET'S GOAT THEIR SCORES. 1054 01:03:28,704 --> 01:03:30,906 >> Announcer: CARRIE ANN INABA. 1055 01:03:30,906 --> 01:03:31,606 >> Carrie Ann: 8! 1056 01:03:31,606 --> 01:03:33,575 >> Announcer: DEREK HOUGH. 1057 01:03:33,575 --> 01:03:34,242 >> Derek: 8! 1058 01:03:34,242 --> 01:03:37,012 >> Announcer: NIECY NASH-BETTS. 1059 01:03:37,012 --> 01:03:37,679 >> Niecy: 7! 1060 01:03:37,679 --> 01:03:39,548 >> Announcer: BRUNO TONIOLI. 1061 01:03:39,548 --> 01:03:42,651 >> Bruno: 8! 1062 01:03:42,651 --> 01:03:46,421 >> Julianne: 31 OUT OF 40 FOR MAURICIO AND EMMA SO FAR. 1063 01:03:46,421 --> 01:03:49,925 WE'LL FIND OUT HOW MANY BONUS POINTS THEY CAN EARN IN THE 1064 01:03:49,925 --> 01:03:53,061 DANCE MONSTER-THON. BUT YOU STILL HAVE TO VOTE RIGHT 1065 01:03:53,061 --> 01:03:53,729 NOW. ALFONSO? 1066 01:03:53,729 --> 01:03:56,398 >> Alfonso: THANKS, JULIANNE. CLOSING THE LID ON TONIGHT'S 1067 01:03:56,398 --> 01:03:58,767 FIRST ROUND IS THE "BACHELORETTE" STAR WHO EARNED 1068 01:03:58,767 --> 01:04:04,673 THE FIRST 10 OF THE SEASON AND SHARED THE TOP OF LAST WEEK'S 1069 01:04:04,673 --> 01:04:07,476 LEADERBOARD. TONIGHT, A BONE-RATTLING JIVE IS 1070 01:04:07,476 --> 01:04:14,649 ON TAP FOR CHARITY LAWSON AND ARTEM CHIGVINTSEV. 1071 01:04:18,487 --> 01:04:20,722 >> Carrie Ann: I FEEL LIKE WHAT YOU JUST DID IS WHAT EVERYONE'S 1072 01:04:20,722 --> 01:04:27,095 GOING TO REMEMBER ABOUT THIS SEASON. THAT WAS SPECTACULAR. 1073 01:04:27,095 --> 01:04:27,629 >> 9! 1074 01:04:27,629 --> 01:04:30,832 >> I GOT MY VERY FIRST 10 OF THE SEASON. I'M AT THE TOP OF THE 1075 01:04:30,832 --> 01:04:34,770 LEADERBOARD TIED FOR FIRST. I AM FEELING SO, SO GOOD. 1076 01:04:34,770 --> 01:04:38,006 >> FIRST 10 OF THE SEASON. CAN YOU BELIEVE IT? 1077 01:04:38,006 --> 01:04:39,941 >> I CAN'T. WE ACTUALLY DID IT. 1078 01:04:39,941 --> 01:04:42,110 >> GOOD JOB. I'M VERY PROUD OF YOU. 1079 01:04:42,110 --> 01:04:43,645 >> THANK YOU. 1080 01:04:43,645 --> 01:04:50,719 >> ARTEM PUSHING ME TO DRAW FROM MY EMOTIONAL SIDE IS PUSHING ME 1081 01:04:50,719 --> 01:04:53,155 AS A PERSON AND A DANCER. 1082 01:04:53,155 --> 01:04:57,426 >> THIS WEEK WE ARE DANCING A JIVE. A VERY FAST-PACED DANCE. 1083 01:04:57,426 --> 01:04:58,727 NOW THE PRESSURE IS ON. 1084 01:04:58,727 --> 01:05:01,930 >> GO AND KICK AND STEP AND KICK AND STEP. 1085 01:05:01,930 --> 01:05:04,566 >> YOU HAVE TO BE PHYSICALLY CONDITIONED TO DO THIS DANCE. 1086 01:05:04,566 --> 01:05:07,102 >> AND KICK AND STEP AND KICK AND STEP. 1087 01:05:07,102 --> 01:05:08,937 >> BECAUSE IF YOU'RE OUT OF BREATH GUESS WHAT, YOU'RE NOT 1088 01:05:08,937 --> 01:05:11,640 GOING TO BE ABLE TO PERFORM. THE TRAINER ARTEM'S GOING TO BE 1089 01:05:11,640 --> 01:05:14,776 COMING IN WITH A WHISTLE AND GO, GO, GO, GO, GO. 1090 01:05:14,776 --> 01:05:16,978 >> GO. GO. GO. GO. 1091 01:05:16,978 --> 01:05:19,481 >> THE JIVE IS SO FAST. I'M NERVOUS ABOUT MY STAMINA. 1092 01:05:19,481 --> 01:05:21,583 >> DON'T DROP IT. FIX IT. 1093 01:05:21,583 --> 01:05:24,853 >> BUT I DO LIKE HOW ARTEM'S DRILLS ARE PUSHING ME TO REACH 1094 01:05:24,853 --> 01:05:26,221 MY FULL PHYSICAL POTENTIAL. 1095 01:05:26,221 --> 01:05:28,256 >> CONNECT YOUR ANKLE TO YOUR FOOT. 1096 01:05:28,256 --> 01:05:30,625 >> I'M NOT COMFORTABLE EVEN THOUGH I'M AT THE TOP. 1097 01:05:30,625 --> 01:05:31,193 >> WALK. 1098 01:05:31,193 --> 01:05:34,429 >> IN ORDER TO STAND OUT YOU HAVE TO LIKE ADAPT DIFFERENT 1099 01:05:34,429 --> 01:05:36,364 SKILLS WEEK AFTER WEEK AND YOU DON'T HAVE ALL THE TIME IN THE 1100 01:05:36,364 --> 01:05:38,166 WORLD TO DO THAT. 1101 01:05:38,166 --> 01:05:39,668 >> KICK BALL CHANGE. THAT'S IT. 1102 01:05:39,668 --> 01:05:42,671 >> SO I'M GOING TO KEEP PUSHING AND FIGHTING BECAUSE I AM AIM 1103 01:05:42,671 --> 01:05:44,606 FORGET ALL 10s ACROSS THE BOARD. 1104 01:05:44,606 --> 01:05:45,707 >> GOOD. JUST LACK OF A LOT OF ENERGY. 1105 01:05:45,707 --> 01:05:47,809 >> OKAY. 1106 01:05:47,809 --> 01:05:50,145 >> Announcer: DANCING THE JIVE, WITH HER PARTNER 1107 01:05:50,145 --> 01:05:57,519 ARTEM CHIGVINTSEV, IT'S CHARITY LAWSON. 1108 01:05:57,519 --> 01:05:58,520 ♪ WE GATHER HERE 1109 01:05:58,520 --> 01:05:59,888 FOR THIS SPECIAL OCCASION ♪ 1110 01:05:59,888 --> 01:06:01,356 ♪ ONE NIGHT ONLY 1111 01:06:01,356 --> 01:06:02,290 AND LIMITED ENGAGEMENT ♪ 1112 01:06:02,290 --> 01:06:04,593 ♪ SO STOMP YOUR FEET 1113 01:06:04,593 --> 01:06:06,962 AND CLAP YOUR HANDS ♪ 1114 01:06:06,962 --> 01:06:09,598 ♪ FOR SKELETON SAM 1115 01:06:09,598 --> 01:06:10,298 AND HIS GRAVEYARD BAND ♪ 1116 01:06:10,298 --> 01:06:10,999 ♪ I WAS JUST A LITTLE GHOUL 1117 01:06:10,999 --> 01:06:11,633 WHEN I HEARD HIS NAME ♪ 1118 01:06:11,633 --> 01:06:13,168 ♪ HE'S THE GRAVEYARD LEGEND 1119 01:06:13,168 --> 01:06:14,736 OF THE DANCING GAME ♪ 1120 01:06:14,736 --> 01:06:17,205 ♪ RUMOR HAS IT 1121 01:06:17,205 --> 01:06:18,240 HE INVENTED HOW TO KNOCK 'EM DEAD ♪ 1122 01:06:18,240 --> 01:06:18,773 ♪ HE'S THE REASON 1123 01:06:18,773 --> 01:06:20,709 THAT WE ALL SAY BREAK A LEG ♪ 1124 01:06:20,709 --> 01:06:22,410 ♪ WHEN THE SUN GOES DOWN 1125 01:06:22,410 --> 01:06:23,712 ALL THE GHOSTS COME OUT ♪ 1126 01:06:23,712 --> 01:06:25,413 ♪ ZOMBIES RISE UP 1127 01:06:25,413 --> 01:06:26,615 FROM THE GROUND ♪ 1128 01:06:26,615 --> 01:06:28,750 ♪ MONSTERS COME FROM 1129 01:06:28,750 --> 01:06:31,386 ALL THE LANDS ♪ 1130 01:06:31,386 --> 01:06:32,954 ♪ JUST TO SEE THE BONES 1131 01:06:32,954 --> 01:06:35,023 OF SKELETON SAM ♪ 1132 01:06:35,023 --> 01:06:36,992 ♪ DANCE DANCE DANCE 1133 01:06:36,992 --> 01:06:41,830 THE WAY HE MOVE YOU IN A TRANCE TRANCE TRANCE ♪ 1134 01:06:41,830 --> 01:06:42,731 ♪ OOH HE MAKE YOU WANNA 1135 01:06:42,731 --> 01:06:45,634 DANCE DANCE DANCE UNTIL YOU CAN'T ♪ 1136 01:06:45,634 --> 01:06:46,868 ♪ SHAKING EVERY BONE 1137 01:06:46,868 --> 01:06:49,037 LIKE SKELETON SAM OOH OOH OOH OOH ♪ 1138 01:06:49,037 --> 01:06:49,704 ♪ DANCE DANCE DANCE 1139 01:06:49,704 --> 01:06:50,839 OOH OOH OOH OHH ♪ 1140 01:06:50,839 --> 01:06:52,474 ♪ THE WAY HE MOVE YOU IN A 1141 01:06:52,474 --> 01:06:53,875 TRANCE TRANCE TRANCE OOH OOH OOH OOH ♪ 1142 01:06:53,875 --> 01:06:54,709 ♪ OOH HE MAKE YOU WANNA 1143 01:06:54,709 --> 01:06:56,011 DANCE DANCE DANCE OOH OOH OOH OOH ♪ 1144 01:06:56,011 --> 01:06:57,679 ♪ UNTIL YOU CAN'T 1145 01:06:57,679 --> 01:07:02,617 SHAKING EVERY BONE LIKE SKELETON SAM ♪♪ 1146 01:07:02,617 --> 01:07:11,192 [ WHISTLING ] 1147 01:07:15,163 --> 01:07:17,766 >> Alfonso: CHARITY AND ARTEM SHAKING UP THE JOINT WITH THEIR 1148 01:07:17,766 --> 01:07:21,469 JIVE. OH, MY HIPS MAKE THE SAME NOISE 1149 01:07:21,469 --> 01:07:26,741 WHEN I DO THAT MOVE. ALL RIGHT. DEREK, TAKE IT AWAY. 1150 01:07:26,741 --> 01:07:29,377 >> Derek: LISTEN, I WANT TO GIVE IT UP FOR THE MAKEUP TEAM AND 1151 01:07:29,377 --> 01:07:31,780 HAIR TEAM FOR THE WHOLE SHOW BECAUSE THIS IS UNBELIEVABLE. 1152 01:07:31,780 --> 01:07:33,315 YOU ALL LOOK INCREDIBLE. 1153 01:07:33,315 --> 01:07:33,915 [ CHEERS AND APPLAUSE ] 1154 01:07:33,915 --> 01:07:37,018 AMAZING. WHAT I LOVE ABOUT THIS DANCE IS 1155 01:07:37,018 --> 01:07:39,554 THAT THE CONCEPT WAS SEEN THROUGH FROM THE BEGINNING. 1156 01:07:39,554 --> 01:07:41,289 THERE WAS BEAUTIFUL JIVE CONTENT WITH THAT DANCE. 1157 01:07:41,289 --> 01:07:43,658 AND THEN YOU SAW THE CONTENT THROUGH TO THE END. 1158 01:07:43,658 --> 01:07:46,795 I WILL SAY ONE LITTLE THING, REAL FAST. 1159 01:07:46,795 --> 01:07:49,230 ALMOST LIKE LELE AND YOU SHOULD REHEARSE TOGETHER BECAUSE I FEEL 1160 01:07:49,230 --> 01:07:50,832 LIKE YOU COULD BORROW FROM EACH OTHER. 1161 01:07:50,832 --> 01:07:52,500 YOUR REFINEMENT, HER POWER AND ATTACK. 1162 01:07:52,500 --> 01:07:55,070 SO IN THE FUTURE I WANT TO SEE A LITTLE MORE ATTACK, MORE POWER. 1163 01:07:55,070 --> 01:08:02,077 BUT OVERALL THAT WAS A FANTASTIC JIVE. 1164 01:08:02,077 --> 01:08:03,645 >> Alfonso: NIECY. 1165 01:08:03,645 --> 01:08:06,514 >> Niecy: I WANTED TO SEE A LITTLE MORE POWER IN THE DANCE. 1166 01:08:06,514 --> 01:08:09,351 YOU SLID THROUGH HIS LEGS AND IT WAS A LITTLE CLUNKY. 1167 01:08:09,351 --> 01:08:12,053 BUT LET ME TELL YOU SOMETHING. I HAD TO SLIDE THROUGH 1168 01:08:12,053 --> 01:08:16,491 SOMEBODY'S LEGS OUT HERE. AND IF I CAN SLIDE ALL THIS 1169 01:08:16,491 --> 01:08:18,093 THROUGH LIKE BUTTER YOU CAN TOO. 1170 01:08:18,093 --> 01:08:21,062 >> Alfonso: WE'RE JUST GOING TO MOVE RIGHT ON TO BRUNO. 1171 01:08:21,062 --> 01:08:24,299 >> Bruno: I THINK IT WAS DELICIOUSLY SPOOKY FUN. 1172 01:08:24,299 --> 01:08:26,601 I LOVE IT BECAUSE IT'S GOT SENSE OF HUMOR. 1173 01:08:26,601 --> 01:08:32,407 IT REALLY WAS A HALLOWEEN TREAT FOR ALL OF US TO ENJOY. 1174 01:08:32,407 --> 01:08:34,209 >> Alfonso: CARRIE ANN. 1175 01:08:34,209 --> 01:08:37,278 >> Carrie Ann: IT WAS GREAT, BEAUTIFULLY EXECUTED. 1176 01:08:37,278 --> 01:08:39,814 YOU'RE VERY TIGHT AND VERY CLEAN. HERE'S ONE THING. 1177 01:08:39,814 --> 01:08:43,018 I'M GIVING PEOPLE THINGS TO WORK ON BECAUSE IT'S GETTING -- OKAY. 1178 01:08:43,018 --> 01:08:47,188 SO YOUR LEGS DON'T ALWAYS FEEL LIKE THEY'RE LIKE SHARP. 1179 01:08:47,188 --> 01:08:50,191 DID SOMEBODY SAY YEAH? WE'VE GOT ADDITIONAL JUDGES. 1180 01:08:50,191 --> 01:08:53,395 I LOVE THAT. JOIN IN. NO, I FEEL LIKE THAT'S WHAT WAS 1181 01:08:53,395 --> 01:08:54,663 MISSING. AND I THINK IT COULD SPREAD OUT 1182 01:08:54,663 --> 01:08:56,698 TO THE REST OF YOUR BODY JUST A LITTLE BIT MORE. 1183 01:08:56,698 --> 01:08:59,534 WE WENT BACK DOWN UNDER THE COSTUME JUST A LITTLE BIT OF 1184 01:08:59,534 --> 01:09:02,203 HIDING. BUT IT WAS STILL AMAZING. 1185 01:09:02,203 --> 01:09:04,406 >> Alfonso: HEAD ON UP TO JULIANNE FOR YOUR SCORES, GUYS. 1186 01:09:04,406 --> 01:09:06,775 GREAT JOB. IN TWO WEEKS, EMMY, GRAMMY, AND 1187 01:09:06,775 --> 01:09:12,047 TONY WINNER BILLY PORTER JOINS THE JUDGES AS OUR STARS DANCE TO 1188 01:09:12,047 --> 01:09:13,448 THE HITS OF THE MOST AWARDED FEMALE VOCALIST OF ALL TIME, 1189 01:09:13,448 --> 01:09:18,553 WHITNEY HOUSTON. THAT'S TWO WEEKS FROM TONIGHT, 1190 01:09:18,553 --> 01:09:18,920 JULIANNE? 1191 01:09:18,920 --> 01:09:21,289 >> Julianne: I'M SAVING ALL MY LOVE FOR WHITNEY. ALL RIGHT. 1192 01:09:21,289 --> 01:09:26,261 I WANT TO UNDERSTAND. YOU HAVE BASICALLY BEEN IN 1193 01:09:26,261 --> 01:09:27,929 ARTEM'S BOOT CAMP THIS WHOLE WEEK. 1194 01:09:27,929 --> 01:09:28,863 ARE YOU GLAD THIS WEEK IS OVER? 1195 01:09:28,863 --> 01:09:30,699 >> YES. I'M SORRY, ARTEM, BUT YES. 1196 01:09:30,699 --> 01:09:33,034 IT'S BEEN A LOT. THE JIVE IS NO JOKE. 1197 01:09:33,034 --> 01:09:35,036 >> Julianne: IT'S ALL ABOUT THE STAMINA, BABY. 1198 01:09:35,036 --> 01:09:37,972 WELL, LET'S SEE WHAT YOUR SCORES ARE. 1199 01:09:37,972 --> 01:09:41,009 >> Announcer: CARRIE ANN INABA. 1200 01:09:41,009 --> 01:09:41,509 >> Carrie Ann: 9! 1201 01:09:41,509 --> 01:09:43,978 >> Announcer: DEREK HOUGH. 1202 01:09:43,978 --> 01:09:44,546 >> Derek: 9! 1203 01:09:44,546 --> 01:09:47,849 >> Announcer: NIECY NASH-BETTS. 1204 01:09:47,849 --> 01:09:48,750 >> Niecy: 8! 1205 01:09:48,750 --> 01:09:51,386 >> Announcer: BRUNO TONIOLI. 1206 01:09:51,386 --> 01:09:52,053 >> Bruno: 9! 1207 01:09:52,053 --> 01:09:55,657 >> Julianne: THAT'S A 35 OUT OF 40 FOR CHARITY AND ARTEM SO FAR. 1208 01:09:55,657 --> 01:09:58,460 BUT THEY WILL BE BACK ON THE FLOOR IN JUST A FEW MINUTES. 1209 01:09:58,460 --> 01:10:00,562 AND YOU CAN VOTE RIGHT NOW. ALFONSO? 1210 01:10:00,562 --> 01:10:03,531 >> Alfonso: ALL RIGHT. THANKS, JULIANNE. 1211 01:10:03,531 --> 01:10:05,834 IS THE LEADERBOARD ABOUT TO GET TURNED UPSIDE DOWN? 1212 01:10:05,834 --> 01:10:07,836 WE'LL FIND OUT WHO WILL WIN THE MOST BONUS POINTS IN THE "DANCE 1213 01:10:07,836 --> 01:10:09,104 MONSTERTHON" NEXT, LIVE. 1214 01:10:16,611 --> 01:10:23,452 ♪♪ 1215 01:10:23,452 --> 01:10:25,688 >> Alfonso: WELCOME BACK TO "MONSTER NIGHT." 1216 01:10:25,688 --> 01:10:28,824 TONIGHT'S FIRST ROUND IS COMPLETE, BUT VOTING IS STILL 1217 01:10:28,824 --> 01:10:36,499 OPEN BECAUSE THERE IS ONE ROUND TO GO, THE "DANCE MONSTERTHON" 1218 01:10:36,499 --> 01:10:39,335 FOR BONUS JUDGES' POINTS. 1219 01:10:39,335 --> 01:10:41,003 >> Julianne: BUT FIRST LET'S CHECK OUT THE JUDGES' 1220 01:10:41,003 --> 01:10:43,272 LEADERBOARD TO SEE WHO WILL BENEFIT THE MOST FROM THOSE 1221 01:10:43,272 --> 01:10:45,641 CRUCIAL POINTS. CURRENTLY TIED AT THE TOP ARE 1222 01:10:45,641 --> 01:10:48,244 ARIANA AND PASHA AND XOCHITL AND VAL WITH 37. 1223 01:10:48,244 --> 01:10:53,149 AND CURRENTLY AT THE BOTTOM ARE HEARRY AND RYLEE WITH 28. 1224 01:10:53,149 --> 01:10:55,484 ALL OF THAT IS ABOUT TO CHANGE. 1225 01:10:55,484 --> 01:10:58,688 >> Alfonso: THAT'S RIGHT. NOW, BEFORE WE KICK OFF OUR 1226 01:10:58,688 --> 01:11:01,557 "DANCE MONSTER-THON," PLEASE GIVE IT UP FOR OUR MUSIC 1227 01:11:01,557 --> 01:11:07,363 DIRECTOR, OUR SINGERS AND OUR BAND. IT'S RAY CHEW LIVE. 1228 01:11:07,363 --> 01:11:07,964 [ CHEERS AND APPLAUSE ] 1229 01:11:07,964 --> 01:11:09,999 YES, YES. THEY REALLY KNOW HOW TO CARRY A 1230 01:11:09,999 --> 01:11:11,868 TOMB. 1231 01:11:11,868 --> 01:11:16,806 >> Julianne: I NEVER GET TIRED OF THOSE HALLOWEEN PUNS, ALFONSO. 1232 01:11:16,806 --> 01:11:17,940 HERE IS HOW THE MONSTERTHON IS 1233 01:11:17,940 --> 01:11:25,448 GOING TO WORK. 1234 01:11:25,448 --> 01:11:28,017 >> IN THE BALLROOM WORLD WE ARE ALL ON THE FLOOR AT THE SAME 1235 01:11:28,017 --> 01:11:30,086 TIME. SO THIS DANCE MARATHON IS AS 1236 01:11:30,086 --> 01:11:32,955 CLOSE AS WE GET TO A REAL BALLROOM COMPETITION. 1237 01:11:32,955 --> 01:11:34,323 >> THE FIRST DANCE IS THE HUSTLE. 1238 01:11:34,323 --> 01:11:37,760 THE FLOOR WILL BE DIVIDED. YOU NEED TO STAY WITHIN YOUR 1239 01:11:37,760 --> 01:11:38,094 SPACE. 1240 01:11:38,094 --> 01:11:42,465 >> IF YOU GET TAPPED ON THE SHOULDER, YOU'RE OUT. 1241 01:11:42,465 --> 01:11:44,967 >> THE LONGER YOU STAY ON THE DANCE FLOOR THE MORE POINTS YOU 1242 01:11:44,967 --> 01:11:48,504 GET. SO I'M NOT LEAVING. 1243 01:11:48,504 --> 01:11:51,474 >> THE MONSTERTHON IS GOING TO SHAKE UP THIS COMPETITION. 1244 01:11:51,474 --> 01:11:56,078 >> THE WHOLE LEADERBOARD CAN COMPLETELY BE TURNED UPSIDE DOWN. 1245 01:11:56,078 --> 01:11:57,513 AND THIS IS THE FIRST TIME AS WELL WHEN WE'RE ALL DANCING ON 1246 01:11:57,513 --> 01:11:58,547 THE FLOOR AT THE SAME TIME. 1247 01:11:58,547 --> 01:11:59,448 >> GOT TO STAND OUT. 1248 01:11:59,448 --> 01:12:02,118 >> YOU DON'T KNOW WHEN THE JUDGES ARE LOOKING AT YOU. 1249 01:12:02,118 --> 01:12:04,987 >> GETTING EXTRA BONUS POINTS CAN TAKE YOU FROM THE BOTTOM OF 1250 01:12:04,987 --> 01:12:08,391 THE PACK TO THE TOP. 1251 01:12:08,391 --> 01:12:10,860 >> WHEN THE SONG CHANGES FOR THE CHARLESTON, THE WHOLE FLOOR 1252 01:12:10,860 --> 01:12:15,498 OPENS UP AND YOU'RE ABLE TO MOVE ANYWHERE YOU WANT, WHICH IS A 1253 01:12:15,498 --> 01:12:16,932 HUGE STRATEGY IN STANDING OUT. 1254 01:12:16,932 --> 01:12:22,538 >> I THINK THE MOST IMPORTANT PART IS TO REALLY GIVE FACE. 1255 01:12:22,538 --> 01:12:23,539 >> OH, LET'S GO. 1256 01:12:23,539 --> 01:12:26,876 >> WE'RE GOING TO HAVE TO TOSS IN SOME TRICKS. 1257 01:12:26,876 --> 01:12:27,209 >> STEP. 1258 01:12:27,209 --> 01:12:27,576 >> SORRY. 1259 01:12:27,576 --> 01:12:30,513 >> MY STRATEGY IS TO GO UNNOTICED FOR LONG ENOUGH TO I 1260 01:12:30,513 --> 01:12:31,113 ACCIDENTALLY WIN. 1261 01:12:31,113 --> 01:12:36,218 >> WHENEVER YOU GET TIRED, TOUCH YOUR NOSE. 1262 01:12:36,218 --> 01:12:41,657 I'LL GIVE YOU A LITTLE BREAK. 1263 01:12:41,657 --> 01:12:42,591 >> POP ME UP. 1264 01:12:42,591 --> 01:12:44,927 >> ONE THING WE'VE DONE WELL IS THE LIFTS. 1265 01:12:44,927 --> 01:12:47,330 RYLEE'S FEET ARE JUST NEVER GOING TO TOUCH THE GROUND. 1266 01:12:47,330 --> 01:12:48,698 >> LET'S COME BACK TO THAT ONE. 1267 01:12:48,698 --> 01:12:50,800 >> BUT ALSO, YOU HAVE TO HAVE STAMINA. 1268 01:12:50,800 --> 01:12:54,370 >> IT'S ABOUT FOUR MINUTES OF DANCING. 1269 01:12:54,370 --> 01:12:57,006 >> THIS WEEK IS REALLY GOING TO PUT THAT STAMINA AND ENDURANCE 1270 01:12:57,006 --> 01:12:57,573 TO THE TEST. 1271 01:12:57,573 --> 01:13:03,179 >> I'M REALLY GOING TO RELY ON BARRY'S SHOWMANSHIP TO WOW THE 1272 01:13:03,179 --> 01:13:04,013 JUDGES. 1273 01:13:04,013 --> 01:13:04,914 >> GO. 1274 01:13:04,914 --> 01:13:06,982 >> I'M PRETTY SURE I CAN DANCE FOR FOUR MINUTES. 1275 01:13:06,982 --> 01:13:10,619 I JUST DON'T THINK I CAN DANCE VERY WELL FOR FOUR MINUTES. 1276 01:13:10,619 --> 01:13:14,824 >> THAT'S PRETTY EASY TO ME. I'M IN REALLY GOOD SHAPE AND I'M 1277 01:13:14,824 --> 01:13:17,727 GOING TO BE ABLE TO OUTLAST ALL THESE YOUNGER GUYS. 1278 01:13:17,727 --> 01:13:20,863 >> AND THESE EXTRA POINTS MIGHT BE THE DIFFERENCE BETWEEN BEING 1279 01:13:20,863 --> 01:13:22,598 ELIMINATED AND STAYING IN THE COMPETITION. 1280 01:13:22,598 --> 01:13:25,668 >> IT COULD ALL COME DOWN TO THE DANCE MARATHON. 1281 01:13:25,668 --> 01:13:28,437 >> I WANT THESE POINTS SO BAD. 1282 01:13:28,437 --> 01:13:30,206 >> LET'S GO. WHERE'S MY WHISTLE? 1283 01:13:30,206 --> 01:13:31,607 [ WHISTLE ] 1284 01:13:31,607 --> 01:13:35,010 >> MAY THE BEST ONE WIN. 1285 01:13:35,010 --> 01:13:38,214 >> Announcer: DANCING IN THE DANCE MONSTERTHON, PLEASE 1286 01:13:38,214 --> 01:13:43,853 WELCOME ALL OF OUR COUPLES. 1287 01:13:43,853 --> 01:13:47,656 >> Alfonso: AND HERE WE GO WITH THE DANCE MONSTERTHON ON 1288 01:13:47,656 --> 01:13:48,858 "DANCING WITH THE STARS." IT'S HALLOWEEN NIGHT. 1289 01:13:48,858 --> 01:13:52,928 AND WE'RE GOING TO MONSTER IT UP. THEY'RE GOING TO DANCE THEIR 1290 01:13:52,928 --> 01:13:56,032 HEART OUT TO THE HUSTLE, TRYING TO HAVE A GREAT TIME. 1291 01:13:56,032 --> 01:13:59,702 AND BOY, ARE THEY EVER. IT'S A LONG TIME. FOUR MINUTES. 1292 01:13:59,702 --> 01:14:03,773 FOR THEM TO GET THEIR DANCING ON. WHILE THE JUDGES ARE 1293 01:14:03,773 --> 01:14:05,608 DELIBERATING TO FIGURE OUT WHO THEY WANT TO KIND OF REMOVE 1294 01:14:05,608 --> 01:14:13,516 FIRST. THERE'S MAURICIO AND EMMA. 1295 01:14:13,516 --> 01:14:18,888 THEY HAVEN'T PUT HER ON THE LIFT YET. BUT I KNOW THEY WILL. 1296 01:14:18,888 --> 01:14:20,356 AND THE JUDGES HAVE DELIBERATED AND THEY'RE GOING TO REMOVE 1297 01:14:20,356 --> 01:14:23,826 BARRY AND PETA FIRST. THEY GET ONE BONUS POINT ADDED 1298 01:14:23,826 --> 01:14:30,466 TO THEIR TOTAL. OH, THE HUSTLE IS FUN. 1299 01:14:30,466 --> 01:14:35,704 BUT IT'S A GOOD TIME WHEN YOU'VE GOT TO DO IT AS A MONSTER. 1300 01:14:35,704 --> 01:14:39,074 HERE'S SASHA AND ALYSON. WELL, UNFORTUNATELY, THE NEXT TO 1301 01:14:39,074 --> 01:14:42,111 GO IS HARRY AND RYLEE. THE JUDGES HAVE DECIDED THAT 1302 01:14:42,111 --> 01:14:43,579 THEY ARE NEXT TO GO. THEY'RE GOING TO GET ONE POINT 1303 01:14:43,579 --> 01:14:46,749 ADDED TO THEIR TOTAL. 1304 01:14:46,749 --> 01:14:47,416 ♪ YOU KNOW IT'S ALL RIGHT 1305 01:14:47,416 --> 01:14:48,117 IT'S OKAY ♪ 1306 01:14:48,117 --> 01:14:48,684 ♪ I'LL LIVE TO SEE 1307 01:14:48,684 --> 01:14:52,488 ANOTHER DAY ♪ 1308 01:14:52,488 --> 01:14:55,825 >> Alfonso: BRANDON AND LELE, LOOKS LIKE THEY'RE HAVING A GOOD 1309 01:14:55,825 --> 01:14:58,427 OLD TIME. AND THERE'S XOCHITL AND VAL. 1310 01:14:58,427 --> 01:15:02,164 LOOKS LIKE SHE'S JUST FINE. BUT UNFORTUNATELY, THE JUDGES 1311 01:15:02,164 --> 01:15:05,534 HAVE DELIBERATED AND MAURICIO AND EMMA ARE NEXT TO GO. 1312 01:15:05,534 --> 01:15:10,806 THEY WILL GET TWO POINTS ADDED TO THEIR TOTAL. 1313 01:15:10,806 --> 01:15:13,742 LELE AND BRANDON ARE IN THE AIR FOR THAT ONE. 1314 01:15:13,742 --> 01:15:17,713 ♪ STAYIN' ALIVE ♪ 1315 01:15:17,713 --> 01:15:20,950 XOCHITL AND VAL DELIVERING. WOW. LOOK AT THAT MOVE. 1316 01:15:20,950 --> 01:15:23,819 PASHA AND ARIANA. WELL, UNFORTUNATELY, THE NEXT TO 1317 01:15:23,819 --> 01:15:26,388 GO, THE JUDGES HAVE DELIBERATED. ALYSON AND SASHA. 1318 01:15:26,388 --> 01:15:33,796 YES. 1319 01:15:33,796 --> 01:15:36,732 THEY'RE GOING TO GET TWO POINTS ADDED TO THEIR TOTAL. 1320 01:15:36,732 --> 01:15:39,301 BRANDON AND LELE, ALL THE ENERGY IN THE WORLD, BUT UNFORTUNATELY 1321 01:15:39,301 --> 01:15:41,837 THE NEXT TO GO. THE JUDGES HAVE DECIDED THAT 1322 01:15:41,837 --> 01:15:44,340 IT'S CHARITY AND ARTEM. THEY WILL GET THREE POINTS ADDED 1323 01:15:44,340 --> 01:15:51,814 TO THEIR TOTAL. WELL, NOW IT'S TIME TO SWITCH UP 1324 01:15:51,814 --> 01:15:54,150 THE DANCE STYLE. IT'S NOT THE CARLTON. 1325 01:15:54,150 --> 01:15:57,353 IT'S THE CHARLESTON. THERE ARE FOUR COUPLES LEFT. 1326 01:15:57,353 --> 01:16:02,691 AND HERE THEY GO. THIS ONE TAKES A LOT OF ENERGY. 1327 01:16:02,691 --> 01:16:08,564 OH, XOCHITL AND VAL AGAIN, LOOKS LIKE THEY'RE HAVING A GREAT 1328 01:16:08,564 --> 01:16:11,133 TIME. JASON AND DANIELLA LOOKING GREAT, BUT UNFORTUNATELY THE 1329 01:16:11,133 --> 01:16:14,904 JUDGES HAVE DECIDED THE NEXT TO GO IS JASON AND DANIELLA. 1330 01:16:14,904 --> 01:16:19,642 THEY WILL GET THREE POINTS ADDED TO THEIR TOTAL. THE GRIM REAPER. 1331 01:16:19,642 --> 01:16:21,277 NOBODY WANTS TO SEE THE GRIM REAPER TONIGHT. 1332 01:16:21,277 --> 01:16:26,015 WE'RE DOWN TO OUR FINAL THREE. AND XOCHITL AND VAL DOING IT. 1333 01:16:26,015 --> 01:16:29,685 LELE AND BRANDON. UNFORTUNATELY, YOU'RE GIVING IT 1334 01:16:29,685 --> 01:16:34,423 YOUR ALL, BUT THE JUDGES HAVE DECIDED THAT YOU ARE NEXT TO GO. 1335 01:16:34,423 --> 01:16:36,725 YOU WILL GET FOUR POINTS ADDED TO YOUR TOTAL SCORE. ALL RIGHT. 1336 01:16:36,725 --> 01:16:44,266 WE'RE DOWN TO THE FINAL TWO. WE'VE GOT PASHA AND ARIANA, VAL 1337 01:16:44,266 --> 01:16:47,002 AND XOCHITL. WHO WILL WIN? WHO WILL BE THE NEXT TO GO? 1338 01:16:47,002 --> 01:16:53,008 WE'LL FIND OUT IN JUST A FEW SECONDS. 1339 01:16:53,008 --> 01:16:56,679 AND THE JUDGES HAVE DECIDED THAT IT'S ARIANA AND PASHA. 1340 01:16:56,679 --> 01:17:02,151 THEY WILL GET FOUR POINTS ADDED TO THEIR TOTAL. 1341 01:17:02,151 --> 01:17:04,687 AND THE WINNER OF THE DANCE 1342 01:17:04,687 --> 01:17:10,893 MONSTERTHON IS XOCHITL AND VAL! 1343 01:17:14,263 --> 01:17:18,067 [ CHEERS AND APPLAUSE ] 1344 01:17:18,367 --> 01:17:21,570 >> Julianne: WOW, WOW, WOW! TALK ABOUT STAMINA! 1345 01:17:21,570 --> 01:17:26,008 I DON'T KNOW ABOUT YOU GUYS, WAS THAT FOUR MINUTES OF DANCING? 1346 01:17:26,008 --> 01:17:28,210 THAT WAS INSANE! WHOO, WHOO, WHOO! 1347 01:17:28,210 --> 01:17:34,383 GIVE IT UP FOR XOCHITL AND VAL. COME ON UP HERE. 1348 01:17:34,383 --> 01:17:37,920 BY THE WAY, THAT WAS "GRIM GRINNING GHOSTS" FROM DISNEY'S 1349 01:17:37,920 --> 01:17:40,656 "HAUNTED MANSION" SOUNDTRACK. THAT IS THE FINAL DANCE OF THE 1350 01:17:40,656 --> 01:17:42,291 NIGHT. VOTING WILL BE CLOSING SOON. 1351 01:17:42,291 --> 01:17:43,859 ALL RIGHT. CONGRATULATIONS. 1352 01:17:43,859 --> 01:17:44,460 >> THANK YOU. 1353 01:17:44,460 --> 01:17:47,529 >> Julianne: XOCHITL AND VAL. YOU STAYED ON THE LONGEST. 1354 01:17:47,529 --> 01:17:50,566 SO YOU HAVE EARNED A TOTAL OF FIVE BONUS POINTS FROM THE 1355 01:17:50,566 --> 01:17:52,167 JUDGES. AND THOSE POINTS WILL BE ADDED 1356 01:17:52,167 --> 01:17:55,671 TO YOUR FIRST-ROUND SCORES. HOW ARE YOU TWO FEELING ABOUT 1357 01:17:55,671 --> 01:18:00,342 THAT RIGHT NOW? ARE YOU EXHAUSTED? 1358 01:18:00,342 --> 01:18:04,113 [ BREATHING HEAVILY ] 1359 01:18:04,113 --> 01:18:05,147 IT'S GOOD YOU'RE 17. 1360 01:18:05,147 --> 01:18:07,850 >> BUT I'M NOT. 1361 01:18:07,850 --> 01:18:11,086 >> Julianne: PAPA. PAPA. WELL WEEFRKS GOT SOMETHING ELSE 1362 01:18:11,086 --> 01:18:13,522 FOR YOU. YOU'VE SEEN THE MOVIE "CARRIE" 1363 01:18:13,522 --> 01:18:13,989 RIGHT? 1364 01:18:13,989 --> 01:18:14,456 >> NO. 1365 01:18:14,456 --> 01:18:17,259 >> Julianne: I WANT YOU TO SEE YOU STAND RIGHT HERE. 1366 01:18:17,259 --> 01:18:18,661 AND THE WINNER OF OUR DANCE 1367 01:18:18,661 --> 01:18:29,538 MONSTERTHON -- 1368 01:18:29,538 --> 01:18:30,139 [ CHEERS AND APPLAUSE ] 1369 01:18:30,139 --> 01:18:33,175 IT IS XOCHITL AND VAL. YOU GUYS, THEY TOTALLY POURED IT 1370 01:18:33,175 --> 01:18:36,211 ALL OVER ME. BUT YOU CAN JOIN THE COUPLES AND 1371 01:18:36,211 --> 01:18:38,180 GET READY FOR THE RESULTS. ALFONSO? 1372 01:18:38,180 --> 01:18:40,883 >> Alfonso: OH, THANKS, JULIANNE. THAT WAS PRICELESS. 1373 01:18:40,883 --> 01:18:43,285 YOU DIDN'T GET IT ON THEM. IT WAS ALL OVER YOU. 1374 01:18:43,285 --> 01:18:45,621 IT WAS BEAUTIFUL. OH, CONGRATULATIONS, GUYS. GREAT. 1375 01:18:45,621 --> 01:18:47,489 NOW, DEREK. WE'RE AT THE HALFWAY POINT OF 1376 01:18:47,489 --> 01:18:49,925 THE SEASON. WHAT DO THE COUPLES HAVE TO DO 1377 01:18:49,925 --> 01:18:52,194 TO GO THE DISTANCE? 1378 01:18:52,194 --> 01:18:55,097 >> Derek: WELL, FROM HERE ON OUT IT'S GOING TO GET A LOT HARDER, 1379 01:18:55,097 --> 01:18:57,299 ESPECIALLY TO GET GOOD SCORES. WE'RE LOOKING FOR THE WHOLE 1380 01:18:57,299 --> 01:19:02,705 PACKAGE, TECHNIQUE, CONTENT, GOOD CHOREOGRAPHY, PERFORMANCE. 1381 01:19:02,705 --> 01:19:05,507 EVERYTHING. IT REALLY IS AT THIS POINT IF 1382 01:19:05,507 --> 01:19:08,444 YOU'VE LEARNED HOW TO DANCE, BUT 1383 01:19:08,444 --> 01:19:15,517 NOW YOU HAVE TO "DAHNCE." 1384 01:19:15,517 --> 01:19:16,618 >> YOU HAVE TO DANCE. 1385 01:19:16,618 --> 01:19:19,254 >> Derek: THE STANDARD HAS BEEN RAISED. 1386 01:19:19,254 --> 01:19:21,490 >> Alfonso: NOW, NIECY, WAS THIS EVERYTHING YOU HOPED IT WOULD 1387 01:19:21,490 --> 01:19:21,824 BE? 1388 01:19:21,824 --> 01:19:23,325 >> Niecy: EVERYTHING AND THEN SOME. 1389 01:19:23,325 --> 01:19:24,827 THANK YOU SO MUCH FOR HAVING ME. 1390 01:19:24,827 --> 01:19:26,328 >> Bruno: WASN'T SHE GREAT? 1391 01:19:26,328 --> 01:19:26,929 [ CHEERS AND APPLAUSE ] 1392 01:19:26,929 --> 01:19:29,732 >> Alfonso: WE'RE SO HAPPY TO HAVE YOU HERE TONIGHT. 1393 01:19:29,732 --> 01:19:32,668 LET'S TAKE A LOOK AT HOW THE DANCE MONSTERTHON BONUS POINTS 1394 01:19:32,668 --> 01:19:35,037 ARE DISTRIBUTED. XOCHITL AND VAL HAVE FIVE POINTS. 1395 01:19:35,037 --> 01:19:38,707 ARIANA AND PASHA, LELE AND BRANDON EACH GET FOUR POINTS. 1396 01:19:38,707 --> 01:19:42,678 CHARITY AND ARTEM, JASON AND DANIELLA GET THREE POINTS APIECE. 1397 01:19:42,678 --> 01:19:45,781 ALYSON AND SASHA, MAURICIO AND EMMA WILL GET TWO POINTS ADDED 1398 01:19:45,781 --> 01:19:48,717 TO THEIR SCORES. BARRY AND PETA, HARRY AND RYLEE 1399 01:19:48,717 --> 01:19:53,889 EACH GET ONE POINT. NOW LET'S SEE HOW THOSE POINTS 1400 01:19:53,889 --> 01:19:56,892 AFFECT THE LEADERBOARD. WITH THE BONUS POINTS ADDED IN, 1401 01:19:56,892 --> 01:19:59,728 AT THE TOP ARE XOCHITL AND VAL WITH 42. 1402 01:19:59,728 --> 01:20:04,266 AND AT THE BOTTOM ARE HARRY AND RYLEE WITH 29. 1403 01:20:04,266 --> 01:20:06,435 >> Julianne: HERE'S ONE LAST LOOK AT THE VOTING DETAILS FOR 1404 01:20:06,435 --> 01:20:11,340 ALL OF OUR COUPLES. COMPLETE VOTING INFORMATION CAN 1405 01:20:11,340 --> 01:20:15,511 BE FOUND ON ABC.COM. DON'T LET YOUR FAVORITES SUFFER 1406 01:20:15,511 --> 01:20:17,646 THE AX TONIGHT. YOU CAN SPARE THEM THAT HORRIBLE 1407 01:20:17,646 --> 01:20:18,213 FATE WITH YOUR VOTES. 1408 01:20:18,213 --> 01:20:19,681 >> Alfonso: WE WILL COMBINE THE JUDGES' SCORES WITH YOUR VOTES 1409 01:20:19,681 --> 01:20:24,286 AND REVEAL OUR RESULTS WHEN WE COME BACK, LIVE. 1410 01:20:31,393 --> 01:20:38,200 ♪♪ 1411 01:20:38,200 --> 01:20:39,201 [ CHEERS AND APPLAUSE ] 1412 01:20:39,201 --> 01:20:41,503 >> Alfonso: WELCOME BACK. VOTING IS NOW CLOSED AND HERE 1413 01:20:41,503 --> 01:20:43,605 ARE THE RESULTS. 1414 01:20:43,605 --> 01:20:48,577 >> Julianne: GOOD LUCK TO ALL OF YOU. WE'VE COMBINED THE JUDGES' 1415 01:20:48,577 --> 01:20:51,013 SCORES FROM TONIGHT WITH YOUR LIVE VOTES. 1416 01:20:51,013 --> 01:20:53,682 NOW, IN NO PARTICULAR ORDER, LET'S FIND OUT WHICH COUPLES ARE 1417 01:20:53,682 --> 01:20:59,555 SAFE AND WHO IS GOING HOME. 1418 01:20:59,555 --> 01:21:01,223 >> Alfonso: THE FIRST COUPLE WHO 1419 01:21:01,223 --> 01:21:08,163 IS SAFE IS -- 1420 01:21:08,163 --> 01:21:10,766 CHARITY AND ARTEM. 1421 01:21:10,766 --> 01:21:14,169 [ CHEERS AND APPLAUSE ] 1422 01:21:14,169 --> 01:21:14,837 >> Julianne: THE NEXT SAFE 1423 01:21:14,837 --> 01:21:26,248 COUPLE IS -- 1424 01:21:26,248 --> 01:21:28,484 XOCHITL AND VAL! 1425 01:21:28,484 --> 01:21:29,585 [ CHEERS AND APPLAUSE ] 1426 01:21:29,585 --> 01:21:32,287 >> Alfonso: AND JOINING THEM 1427 01:21:32,287 --> 01:21:40,229 ARE -- ARIANA AND PASHA! 1428 01:21:40,229 --> 01:21:41,630 [ CHEERS AND APPLAUSE ] 1429 01:21:41,630 --> 01:21:53,842 >> Julianne: ALSO SAFE ARE -- 1430 01:21:53,842 --> 01:21:56,478 JASON AND DANIELLA! 1431 01:21:56,478 --> 01:22:00,115 [ CHEERS AND APPLAUSE ] 1432 01:22:00,115 --> 01:22:00,816 >> Alfonso: AND STILL IN THE 1433 01:22:00,816 --> 01:22:11,860 COMPETITION ARE -- 1434 01:22:11,860 --> 01:22:13,228 LELE AND BRANDON! 1435 01:22:13,228 --> 01:22:20,202 [ CHEERS AND APPLAUSE ] 1436 01:22:20,202 --> 01:22:22,304 >> Julianne: NOW, IN NO PARTICULAR ORDER, THE NEXT SAFE 1437 01:22:22,304 --> 01:22:34,750 COUPLE IS -- 1438 01:22:34,750 --> 01:22:35,250 BARRY AND PETA! 1439 01:22:35,250 --> 01:22:41,023 [ CHEERS AND APPLAUSE ] 1440 01:22:41,023 --> 01:22:42,891 >> Alfonso: WHILE NOT NECESSARILY THE BOTTOM THREE, 1441 01:22:42,891 --> 01:22:47,062 TWO OF THESE COUPLES ARE SAFE, THE OTHER IS GOING HOME TONIGHT. 1442 01:22:47,062 --> 01:22:54,102 IT'S TIME FOR THE FINAL RESULT. 1443 01:22:54,102 --> 01:22:57,005 >> Julianne: HARRY AND RYLEE, ALYSON AND SASHA, MAURICIO AND 1444 01:22:57,005 --> 01:22:58,507 EMMA. 1445 01:22:58,507 --> 01:23:00,042 >> Alfonso: BASED ON THE COMBINATION OF THE JUDGES' 1446 01:23:00,042 --> 01:23:01,076 SCORES AND VIEWER VOTES, THE 1447 01:23:01,076 --> 01:23:10,152 COUPLE GOING HOME IS -- 1448 01:23:10,152 --> 01:23:14,323 MAURICIO AND EMMA. 1449 01:23:14,323 --> 01:23:17,225 >> Julianne: MAURICIO AND EMMA, PLEASE JOIN US FOR A FINAL 1450 01:23:17,225 --> 01:23:22,764 MOMENT. 1451 01:23:22,764 --> 01:23:25,701 >> Alfonso: MAURICIO, WHAT HAS THIS COMPETITION MEANT TO YOU? 1452 01:23:25,701 --> 01:23:27,836 >> OH, MAN. IT'S BEEN AMAZING. 1453 01:23:27,836 --> 01:23:30,305 IT'S BEEN SO MUCH FUN. IT'S BEEN AN INCREDIBLE JOURNEY. 1454 01:23:30,305 --> 01:23:33,141 IT'S SOMETHING THAT I WOULD NEVER HAVE DONE IN MY ENTIRE 1455 01:23:33,141 --> 01:23:36,044 LIFE. AND I HAD AN OPPORTUNITY TO EXPERIENCE SOMETHING 1456 01:23:36,044 --> 01:23:37,746 EXTRAORDINARY. AND IT WAS JUST A BEAUTIFUL, 1457 01:23:37,746 --> 01:23:40,015 BEAUTIFUL JOURNEY. 1458 01:23:40,015 --> 01:23:42,050 >> Julianne: BEAUTIFUL. AND WORKING AND DANCING 1459 01:23:42,050 --> 01:23:45,821 ALONGSIDE EMMA, WHAT HAS THIS PARTNERSHIP MEANT TO BOTH OF YOU? 1460 01:23:45,821 --> 01:23:50,125 >> OH, IT'S BEEN AMAZING. LIKE IT'S BEEN JUST A TRUE 1461 01:23:50,125 --> 01:23:54,196 BLESSING AT A TIME WHERE I FEEL LIKE IT REALLY MEANT A LOT TO US. 1462 01:23:54,196 --> 01:23:58,100 SO YEAH. YOU'RE AMAZING. 1463 01:23:58,100 --> 01:24:01,303 >> Alfonso: WELL, GIVE IT UP FOR MAURICIO AND EMMA. 1464 01:24:01,303 --> 01:24:05,173 THANK YOU, GUYS. WE LOVE YOU. AND THANKS AGAIN TO NIECY 1465 01:24:05,173 --> 01:24:08,543 NASH-BETTS. YOU WERE AWESOME. GREAT JOB. 1466 01:24:08,543 --> 01:24:10,345 OUR REMAINING COUPLES WILL BE BACK TO DANCE AGAIN NEXT 1467 01:24:10,345 --> 01:24:14,282 TUESDAY, AT 8:00/7:00 CENTRAL ON "MUSIC VIDEO NIGHT." 1468 01:24:14,282 --> 01:24:16,418 >> Julianne: AND OUR GUEST JUDGE IS PAULA ABDUL. 1469 01:24:16,418 --> 01:24:18,787 WE'LL SEE YOU LIVE IN THE BALLROOM ON ABC AND DISNEY+. 1470 01:24:18,787 --> 01:24:19,763 HAPPY HALLOWEEN! 1471 01:24:19,763 --> 01:24:22,533 >> Alfonso: HAPPY HALLOWEEN!