1 00:00:06,173 --> 00:00:09,309 >> Announcer: LIVE FROM HOLLYWOOD, IT'S WHITNEY HOUSTON 2 00:00:09,309 --> 00:00:14,014 NIGHT ON "DANCING WITH THE STARS." 3 00:00:14,014 --> 00:00:16,650 ♪ THERE'S A BOY I KNOW 4 00:00:16,650 --> 00:00:21,388 HE'S THE ONE I DREAM OF ♪ 5 00:00:21,388 --> 00:00:22,923 ♪ LOOKS INTO MY EYES 6 00:00:22,923 --> 00:00:28,128 TAKES ME TO THE CLOUDS ABOVE MM HMM ♪ 7 00:00:28,128 --> 00:00:30,731 ♪ OOH HOW WILL I KNOW 8 00:00:30,731 --> 00:00:35,402 DON'T TRUST YOUR FEELINGS HOW WILL I KNOW ♪ 9 00:00:35,402 --> 00:00:37,538 ♪ HOW WILL I KNOW 10 00:00:37,538 --> 00:00:43,243 LOVE CAN BE DECEIVING HOW WILL I KNOW ♪ 11 00:00:43,243 --> 00:00:44,811 ♪ HOW WILL I KNOW 12 00:00:44,811 --> 00:00:47,414 IF HE REALLY LOVES ME ♪ 13 00:00:47,414 --> 00:00:48,982 ♪ I SAY A PRAYER 14 00:00:48,982 --> 00:00:50,550 WITH EVERY HEARTBEAT ♪ 15 00:00:50,550 --> 00:00:52,686 ♪ I FALL IN LOVE 16 00:00:52,686 --> 00:00:54,755 WHENEVER WE MEET ♪ 17 00:00:54,755 --> 00:00:55,789 ♪ I'M ASKING YOU 18 00:00:55,789 --> 00:01:02,596 WHAT YOU KNOW ABOUT THESE THINGS ♪ 19 00:01:02,596 --> 00:01:03,130 ♪ HOW WILL I KNOW 20 00:01:03,130 --> 00:01:03,797 IF HE'S THINKING OF ME ♪ 21 00:01:03,797 --> 00:01:04,665 ♪ I TRY TO PHONE 22 00:01:04,665 --> 00:01:06,233 BUT I'M TOO SHY CAN'T SPEAK ♪ 23 00:01:06,233 --> 00:01:07,768 ♪ FALLING IN LOVE 24 00:01:07,768 --> 00:01:19,246 IS SO BITTERSWEET ♪ 25 00:01:19,246 --> 00:01:19,846 ♪ THIS LOVE IS STRONG 26 00:01:19,846 --> 00:01:20,447 WHY DO I FEEL WEAK ♪ 27 00:01:20,447 --> 00:01:21,048 ♪ OOH HOW WILL I KNOW 28 00:01:21,048 --> 00:01:23,917 DON'T TRUST YOUR FEELINGS HOW WILL I KNOW ♪ 29 00:01:23,917 --> 00:01:27,688 ♪ HOW WILL I KNOW 30 00:01:27,688 --> 00:01:28,689 LOVE CAN BE DECEIVING 31 00:01:28,689 --> 00:01:35,996 HOW WILL I KNOW ♪ 32 00:01:35,996 --> 00:01:39,666 >> Announcer: PLEASE WELCOME OUR STARS -- 33 00:01:39,666 --> 00:01:44,838 SOCIAL MEDIA AND REALITY TV STAR HARRY JOWSEY AND RYLEE ARNOLD. 34 00:01:44,838 --> 00:01:46,373 GRAMMY-WINNING SINGER JASON MRAZ 35 00:01:46,373 --> 00:01:59,519 AND DANIELLA KARAGACH. 36 00:01:59,519 --> 00:02:01,021 TV AND FILM STAR ALYSON HANNIGAN AND SASHA FARBER. 37 00:02:01,021 --> 00:02:05,726 TV AND FILM STAR XOCHITL GOMEZ AND VAL CHMERKOVSKIY. 38 00:02:05,726 --> 00:02:11,999 ACTOR BARRY WILLIAMS AND PETA MURGATROYD. 39 00:02:11,999 --> 00:02:14,067 FROM "THE BACHELORETTE," CHARITY LAWSON AND 40 00:02:14,067 --> 00:02:19,272 ARTEM CHIGVINTSEV. AND FROM "VANDERPUMP RULES" 41 00:02:19,272 --> 00:02:24,478 ARIANA MADIX AND PASHA PASHKOV. 42 00:02:24,478 --> 00:02:25,512 ♪ OOH HOW WILL I KNOW 43 00:02:25,512 --> 00:02:29,683 DON'T TRUST YOUR FEELINGS HOW WILL I KNOW ♪ 44 00:02:29,683 --> 00:02:31,284 ♪ IF HE LOVES ME 45 00:02:31,284 --> 00:02:35,489 IF HE LOVES ME LOVES ME LOVES ME ♪ 46 00:02:35,489 --> 00:02:36,990 ♪ IF HE LOVES ME NOT ♪ 47 00:02:36,990 --> 00:02:38,592 ♪ IF HE LOVES ME 48 00:02:38,592 --> 00:02:41,695 IF HE LOVES ME LOVES ME LOVES ME ♪ 49 00:02:41,695 --> 00:02:42,763 ♪ IF HE LOVES ME NOT 50 00:02:42,763 --> 00:02:46,933 LOVES ME NOT OH HOW WILL I KNOW ♪ 51 00:02:46,933 --> 00:02:47,434 ♪ HOW WILL I KNOW 52 00:02:47,434 --> 00:02:50,570 IF HE'S THINKING OF ME ♪ 53 00:02:50,570 --> 00:02:51,104 ♪ I TRY TO PHONE 54 00:02:51,104 --> 00:02:54,708 BUT I'M TOO SHY CAN'T SPEAK ♪ 55 00:02:54,708 --> 00:02:56,810 ♪ FALLING IN LOVE 56 00:02:56,810 --> 00:02:58,378 IS SO BITTERSWEET ♪ 57 00:02:58,378 --> 00:02:59,946 ♪ THIS LOVE IS STRONG 58 00:02:59,946 --> 00:03:07,821 WHY DO I FEEL WEAK HOW WILL I KNOW ♪ 59 00:03:07,821 --> 00:03:15,796 [ CHEERS AND APPLAUSE ] 60 00:03:15,796 --> 00:03:24,104 ♪♪ 61 00:03:24,104 --> 00:03:26,206 >> Alfonso: WELCOME, EVERYONE, TO "DANCING WITH THE STARS." 62 00:03:26,206 --> 00:03:29,843 IT'S "WHITNEY HOUSTON NIGHT." OUR FANTASTIC OPENING NUMBER WAS 63 00:03:29,843 --> 00:03:33,480 CHOREOGRAPHED BY RAY LEEPER. I'M ALFONSO RIBEIRO. 64 00:03:33,480 --> 00:03:37,184 >> Julianne: AND I'M JULIANNE HOUGH. 65 00:03:37,184 --> 00:03:40,287 PERFORMING HIS TRIBUTE TO WHITNEY IN THAT OPENING WAS 66 00:03:40,287 --> 00:03:44,491 TONIGHT'S GUEST JUDGE, THE EMMY, GRAMMY AND TONY-WINNER, WHO HAS 67 00:03:44,491 --> 00:03:51,765 BEEN DESCRIBED AS THE MALE WHITNEY HOUSTON, BILLY PORTER. 68 00:03:51,765 --> 00:04:00,373 >> Alfonso: BILLY, WE'RE SO 69 00:04:00,373 --> 00:04:06,346 HAPPY THAT YOU'RE HERE TONIGHT. WHAT WILL YOU BE LOOKING FOR? 70 00:04:06,346 --> 00:04:10,217 >> Billy: INTENTION AND CONNECTION AND STORYTELLING. 71 00:04:10,217 --> 00:04:11,351 >> Alfonso: YOU HEARD HIM, EVERYONE. 72 00:04:11,351 --> 00:04:12,719 >> Julianne: VOTING IS OPEN RIGHT NOW AND IS AVAILABLE TO 73 00:04:12,719 --> 00:04:15,989 THE U.S., ITS TERRITORIES, AND CANADA AT ABC.COM. 74 00:04:15,989 --> 00:04:19,693 PLUS, SUBSCRIBERS OF PARTICIPATING U.S. WIRELESS 75 00:04:19,693 --> 00:04:22,262 PHONE CARRIERS CAN TEXT THE FIRST NAME OF THEIR FAVORITE 76 00:04:22,262 --> 00:04:23,630 STAR TO THE NUMBER 2-1-5-2-3. MESSAGE AND DATA RATES MAY 77 00:04:23,630 --> 00:04:32,639 APPLY. 78 00:04:32,639 --> 00:04:34,040 TONIGHT, OUR STARS FACE TWO ROUNDS OF COMPETITION, INCLUDING 79 00:04:34,040 --> 00:04:35,442 THE "DANCE-OFFS," IN WHICH TWO COUPLES WILL SQUARE OFF FOR 80 00:04:35,442 --> 00:04:40,247 EXTRA BONUS POINTS. 81 00:04:40,247 --> 00:04:42,249 >> Alfonso: OF COURSE, ALL OF THE ROUTINES 82 00:04:42,249 --> 00:04:43,650 WILL BE PERFORMED TO THE MUSIC OF THE MOST-AWARDED FEMALE 83 00:04:43,650 --> 00:04:44,851 ARTIST OF ALL TIME. BORN TO A MUSICAL FAMILY, 84 00:04:44,851 --> 00:04:46,453 WHITNEY SEEMED DESTINED FOR 85 00:04:46,453 --> 00:04:53,093 STARDOM. 86 00:04:53,093 --> 00:04:58,398 HER CAREER EXPLODED, GARNERING MORE THAN 400 CAREER AWARDS, 87 00:04:58,398 --> 00:05:02,435 INCLUDING SIX GRAMMYS AND 22 AMERICAN MUSIC AWARDS AND 88 00:05:02,435 --> 00:05:06,439 SELLING MORE THAN 200 MILLION ALBUMS, SINGLES AND VIDEOS 89 00:05:06,439 --> 00:05:17,651 WORLDWIDE. 90 00:05:17,651 --> 00:05:20,620 >> Julianne: WE'RE ABOUT TO HEAR SOME OF THAT 91 00:05:20,620 --> 00:05:22,022 AMAZING MUSIC AS WE START THIS FIRST ROUND WITH OUR SOCIAL 92 00:05:22,022 --> 00:05:23,390 MEDIA AND REALITY TV STAR PERFORMING A VIENNESE WALTZ TO 93 00:05:23,390 --> 00:05:29,763 AN ACADEMY-AWARD-NOMINATED SONG FROM "THE BODYGUARD." 94 00:05:29,763 --> 00:05:32,332 >> Alfonso: IT'S HARRY JOWSEY 95 00:05:32,332 --> 00:05:39,506 AND RYLEE ARNOLD. 96 00:05:39,506 --> 00:05:39,906 >> SIX. 97 00:05:39,906 --> 00:05:47,314 >> SIX FEELS LIKE A MASSIVE STEP BACK. WE SMASHED THAT DANCE. 98 00:05:47,314 --> 00:05:51,017 WHAT A CRAZY ROLLER COASTER. I CAN'T BELIEVE IT. 99 00:05:51,017 --> 00:05:53,987 IT FELT SO GOOD. I WISH WE DID A TEAM DANCE 100 00:05:53,987 --> 00:05:54,654 EARLIER IN THE NIGHT. 101 00:05:54,654 --> 00:05:58,024 >> ALL THAT MATTERS IS WE CARRY THE WINNING ENERGY INTO THIS 102 00:05:58,024 --> 00:06:00,727 WEEK. THIS WEEK, WE'RE DANCING TO "I 103 00:06:00,727 --> 00:06:02,729 HAVE NOTHING." 104 00:06:02,729 --> 00:06:06,633 >> I'M EXCITED TO DANCE TO THIS SONG. 105 00:06:06,633 --> 00:06:09,669 I'M TRYING TO OPEN MYSELF UP, SHARE MYSELF WITH THE AUDIENCE. 106 00:06:09,669 --> 00:06:12,138 I LOVE THAT PEOPLE HAVE BEEN SUPPORTING ME, EVEN THOUGH THIS 107 00:06:12,138 --> 00:06:16,009 EXPERIENCE DOESN'T COME NATURAL TO ME. I'M THE AVERAGE JOE. 108 00:06:16,009 --> 00:06:19,112 I GREW UP ON A FARM. I NEVER DANCED IN MY LIFE. 109 00:06:19,112 --> 00:06:22,082 >> THINK ABOUT THE MANY PEOPLE YOU ARE INSPIRING TO TRY 110 00:06:22,082 --> 00:06:23,016 SOMETHING NEW. 111 00:06:23,016 --> 00:06:25,218 >> DIG DEEP AND GET AN EIGHT OR SOMETHING. 112 00:06:25,218 --> 00:06:29,189 >> RUN FAST. RUN FAST. WHAT HARRY STRUGGLES WITH IS NOT 113 00:06:29,189 --> 00:06:36,696 JUSTDOING THE STEPS BUT DANCING THEM. 114 00:06:36,696 --> 00:06:38,832 JUST GO FOR IT. I'M TAKING HIM TO THE FIRST 115 00:06:38,832 --> 00:06:41,902 PLACE I KNOW WHERE MIND AND BODY HAVE TO BE IN TUNE, WHICH IS 116 00:06:41,902 --> 00:06:45,272 BALLET CLASS. 117 00:06:45,272 --> 00:06:49,943 >> FIVE, SIX. TOES. FIVE, SIX. 118 00:06:49,943 --> 00:06:53,546 >> I CAN'T DO THAT. THIS CLASS IS OUT OF MY COMFORT 119 00:06:53,546 --> 00:06:55,649 ZONE. I WANT TO SHOW THE JUDGES I'M 120 00:06:55,649 --> 00:06:58,251 LISTENING AND I WANT TO BE A BETTER DANCER. 121 00:06:58,251 --> 00:07:01,154 >> DON'T TUCK YOUR NECK. SHOULDERS. BREATHE. 122 00:07:01,154 --> 00:07:03,924 >> I THINK BALLET HELPED ME WITH MY ELEGANCE. 123 00:07:03,924 --> 00:07:09,729 HOPEFULLY, I WILL HAVE A GOOD CONNECTION BETWEEN MY MOVEMENT 124 00:07:09,729 --> 00:07:11,531 AND THE MUSIC AND MOVE AROUND THE DANCE FLOOR LIKE NEVER 125 00:07:11,531 --> 00:07:14,000 BEFORE. 126 00:07:14,000 --> 00:07:15,268 >> Announcer: DANCING THE VIENNESE WALTZ, WITH HIS 127 00:07:15,268 --> 00:07:19,639 PARTNER, RYLEE ARNOLD, IT'S HARRY JOWSEY. 128 00:07:27,580 --> 00:07:32,319 ♪ SHARE MY LIFE 129 00:07:32,319 --> 00:07:36,990 TAKE ME FOR WHAT I AM ♪ 130 00:07:36,990 --> 00:07:41,695 ♪ 'CAUSE I'LL NEVER CHANGE 131 00:07:41,695 --> 00:07:45,865 ALL MY COLORS FOR YOU ♪ 132 00:07:45,865 --> 00:07:47,968 ♪ I DON'T REALLY NEED 133 00:07:47,968 --> 00:07:51,071 TO LOOK VERY MUCH FURTHER ♪ 134 00:07:51,071 --> 00:07:52,605 ♪ I DON'T WANNA HAVE TO GO 135 00:07:52,605 --> 00:07:55,775 WHERE YOU DON'T FOLLOW ♪ 136 00:07:55,775 --> 00:07:56,810 ♪ I WON'T HOLD IT BACK AGAIN 137 00:07:56,810 --> 00:07:58,878 THIS PASSION INSIDE ♪ 138 00:07:58,878 --> 00:08:03,049 ♪ I CAN'T RUN FROM MYSELF 139 00:08:03,049 --> 00:08:06,753 THERE'S NOWHERE TO HIDE ♪ 140 00:08:06,753 --> 00:08:08,822 ♪ BUT DON'T MAKE ME 141 00:08:08,822 --> 00:08:14,561 CLOSE ONE MORE DOOR I DON'T WANNA HURT ANYMORE ♪ 142 00:08:14,561 --> 00:08:16,663 ♪ STAY IN MY ARMS 143 00:08:16,663 --> 00:08:18,231 IF YOU DARE ♪ 144 00:08:18,231 --> 00:08:20,834 ♪ OR MUST I 145 00:08:20,834 --> 00:08:24,437 IMAGINE YOU THERE ♪ 146 00:08:24,437 --> 00:08:27,574 ♪ DON'T WALK AWAY FROM ME 147 00:08:27,574 --> 00:08:30,210 I HAVE NOTHING 148 00:08:30,210 --> 00:08:36,950 NOTHING NOTHING ♪ 149 00:08:36,950 --> 00:08:38,051 ♪ IF I DON'T HAVE YOU 150 00:08:38,051 --> 00:08:41,721 OH OH OH ♪ 151 00:08:41,721 --> 00:08:49,529 [ APPLAUSE ] 152 00:08:49,529 --> 00:08:52,832 >> Alfonso: HARRY AND RYLEE, THEY HAVE SOMETHING WITH THAT 153 00:08:52,832 --> 00:08:59,406 VIENNESE WALTZ. 154 00:08:59,406 --> 00:09:02,242 SMOOTH AND LOVELY. LET'S HEAR WHAT THE JUDGES HAVE 155 00:09:02,242 --> 00:09:06,913 TO SAY. DEREK -- 156 00:09:06,913 --> 00:09:10,050 >> Derek: I HAD A DREAM ABOUT YOU LAST NIGHT. 157 00:09:10,050 --> 00:09:13,853 DON'T TAKE THAT THE WRONG WAY. YOU HAD A BREAKTHROUGH MOMENT. 158 00:09:13,853 --> 00:09:18,691 THERE WERE SOME BETTER MOMENTS. IT'S ABOUT MOVING ACROSS THE 159 00:09:18,691 --> 00:09:21,294 FLOOR, GLIDING WITH LONG STRIDES. FOR A BIG GUY, YOU DANCE SMALL 160 00:09:21,294 --> 00:09:25,231 SOMETIMES. USE IT TO YOUR ADVANTAGE. 161 00:09:25,231 --> 00:09:29,402 USE THE SPACE MOVING FORWARD. YOU MIGHT BE HERE NEXT WEEK. 162 00:09:29,402 --> 00:09:34,941 GOOD LUCK. 163 00:09:34,941 --> 00:09:38,878 >> Billy: I'VE BEEN WATCHING. YOU HAVE GROWN EXPONENTIALLY. 164 00:09:38,878 --> 00:09:43,116 IT'S ABOUT THE STORYTELLING, THE CONNECTION BETWEEN THE TWO OF 165 00:09:43,116 --> 00:09:46,686 YOU WAS BRILLIANT. THE SEDUCTION WAS AT A FIVE. 166 00:09:46,686 --> 00:09:48,221 I NEED TO SEE IT AT A TEN. 167 00:09:48,221 --> 00:09:52,826 >> I WILL TURN IT UP. 168 00:09:52,826 --> 00:09:57,897 >> Bruno: NEW YORK CITY BALLET IS CALLING. THEY LOVED YOU. 169 00:09:57,897 --> 00:10:03,169 IN "SWAN LAKE" AS A TREE. HE WILL LOOK FANTASTIC. 170 00:10:03,169 --> 00:10:06,506 ACTUALLY, NO, I TELL YOU THE TRUTH. I WAS COUNTING ALL THE WAY 171 00:10:06,506 --> 00:10:08,641 THROUGH. YOU ACTUALLY TRIED VERY HARD TO 172 00:10:08,641 --> 00:10:15,849 KEEP THE PHRASING OF THE ONE, TWO, THREE. YOU DID. 173 00:10:15,849 --> 00:10:19,853 YOUR BUM STUCK OUT A LOT. KEEP THE BUM UNDER YOU. 174 00:10:19,853 --> 00:10:22,789 YOU DON'T HAVE TO SHRINK DOWN. 175 00:10:22,789 --> 00:10:29,295 IT COMES WITH PLIE. 176 00:10:29,295 --> 00:10:35,502 >> Carrie: I'M SEEING GRACE, TRUE GRACE COMING OUT FROM THE 177 00:10:35,502 --> 00:10:37,036 CORNERS OF EVERY MOVEMENT. THAT'S HUGE. 178 00:10:37,036 --> 00:10:41,808 I KNOW HOW YOU STARTED. HE STARTED WITH THE FOUR. 179 00:10:41,808 --> 00:10:45,211 YOU HAVE COME SO FAR. THERE'S A MAGIC IN YOUR EYES. 180 00:10:45,211 --> 00:10:49,282 THERE'S A BEAUTY AND OPENING UP. THAT'S WHAT "DANCING WITH THE 181 00:10:49,282 --> 00:10:50,884 STARS" IS ALL ABOUT. WELL DONE. 182 00:10:50,884 --> 00:10:54,020 >> Alfonso: HEAD UP TO JULIANNE IN THE SKYBOX FOR YOUR SCORES. 183 00:10:54,020 --> 00:10:57,690 LAST WEEK, LELE PONS AND BRANDON ARMSTRONG FINISHED JUST 184 00:10:57,690 --> 00:11:00,293 ONE POINT BEHIND THE LEADERS AND WERE ELIMINATED. 185 00:11:00,293 --> 00:11:03,963 KEEP YOUR FAVORITES IN THE COMPETITION WHEN YOU VOTE BY 186 00:11:03,963 --> 00:11:06,733 TEXT AND ONLINE AT ABC.COM. YOU GET TEN OF THEM PER COUPLE, 187 00:11:06,733 --> 00:11:09,636 PER VOTING METHOD. JULIANNE -- 188 00:11:09,636 --> 00:11:15,942 >> Julianne: SO IMPORTANT TO VOTE, ALFONSO. WHAT'S UP? 189 00:11:15,942 --> 00:11:19,212 GET OVER HERE. I JUST WANT TO KNOW ABOUT THIS 190 00:11:19,212 --> 00:11:22,215 BALLET CLASS. I SAW YOUR TOES POINTED. 191 00:11:22,215 --> 00:11:23,683 IT WAS GOOD. HOW WAS THAT CLASS? 192 00:11:23,683 --> 00:11:28,588 >> I WAS CRAMPING UP. IT'S CRAZY. I WAS IN PAIN. 193 00:11:28,588 --> 00:11:32,091 THEY LOOK BEAUTIFUL DOING IT. I LOOK LIKE SOMEONE'S DRUNK 194 00:11:32,091 --> 00:11:35,862 UNCLE. 195 00:11:35,862 --> 00:11:39,766 >> Julianne: I LOVE THE EFFORT. YOU SAID THIS SONG, THE LYRICS 196 00:11:39,766 --> 00:11:42,335 WERE REALLY CONNECTED TO THE JOURNEY YOU HAVE BEEN ON WITH 197 00:11:42,335 --> 00:11:44,037 THE SHOW. TELL US ABOUT THAT. 198 00:11:44,037 --> 00:11:47,473 >> I THINK BECAUSE IT'S BEEN SUCH A VULNERABLE EXPERIENCE OF 199 00:11:47,473 --> 00:11:49,409 DOING SO FAR OUT OF MY COMFORT ZONE. 200 00:11:49,409 --> 00:11:52,579 I'M TRYING TO SHARE SO MUCH OF MYSELF WITH THE AUDIENCE AND 201 00:11:52,579 --> 00:11:54,881 EVERYONE HERE. I THINK THE LYRICS SPOKE TO ME 202 00:11:54,881 --> 00:11:59,819 BECAUSE IT FEELS LIKE THE JOURNEY WE'RE ON. 203 00:11:59,819 --> 00:12:02,355 >> Julianne: WE LOVE THE JOURNEY. 204 00:12:02,355 --> 00:12:06,492 LET'S LOOK AT YOUR SCORES. 205 00:12:06,492 --> 00:12:09,195 >> Carrie: SEVEN. 206 00:12:09,195 --> 00:12:10,964 >> Derek: SEVEN. 207 00:12:10,964 --> 00:12:14,434 >> Billy: SEVEN. 208 00:12:14,434 --> 00:12:18,738 >> Bruno: SEVEN. 209 00:12:18,738 --> 00:12:21,808 >> Julianne: THAT'S 28 OUT OF 40 TONIGHT. 210 00:12:21,808 --> 00:12:26,079 THEY WILL COMPETE FOR MORE POINTS LATER ON IN THE DANCE-OFF 211 00:12:26,079 --> 00:12:27,180 ROUND. BUT YOU STILL HAVE TO VOTE BY 212 00:12:27,180 --> 00:12:30,850 TEXT AND ONLINE AT ABC.COM. 213 00:12:30,850 --> 00:12:32,752 >> Alfonso: MORE OF WHITNEY HOUSTON'S BIGGEST SONGS 214 00:12:32,752 --> 00:12:35,888 ARE ON THE WAY. JASON MRAZ AND DANIELLA KARAGACH 215 00:12:35,888 --> 00:12:40,159 DANCE A SAMBA TO THE DOUBLE PLATINUM HIT "HIGHER LOVE" NEXT, 216 00:12:40,159 --> 00:12:42,028 LIVE. 217 00:12:49,902 --> 00:12:52,572 ♪♪ 218 00:12:52,572 --> 00:12:56,242 >> Alfonso: WELCOME BACK TO "WHITNEY HOUSTON NIGHT." 219 00:12:56,242 --> 00:12:58,878 NEXT UP, OUR GRAMMY-WINNING SINGER PERFORMS A SAMBA TO THE 220 00:12:58,878 --> 00:13:00,947 NUMBER ONE DANCE CLUB HIT "HIGHER LOVE." 221 00:13:00,947 --> 00:13:04,617 IT'S JASON MRAZ AND 222 00:13:04,617 --> 00:13:13,192 DANIELLA KARAGACH. 223 00:13:13,192 --> 00:13:19,866 >> THIS WAS A WONDERFUL PERFORMANCE. 224 00:13:19,866 --> 00:13:24,604 >> THE SCORES WERE ALL OVER THE PLACE. IT'S BITTERSWEET. 225 00:13:24,604 --> 00:13:31,477 BUT TO GET A TEN FROM PAULA ABDUL WAS A CAREER HIGHLIGHT. 226 00:13:31,477 --> 00:13:34,480 >> WE GOT A TEN. IT'S PRETTY IMPRESSIVE. 227 00:13:34,480 --> 00:13:36,516 I CARE ABOUT WHAT THE JUDGES HAVE TO SAY. 228 00:13:36,516 --> 00:13:42,088 >> WHAT CAN I DO TO REALLY WOW THEM? 229 00:13:42,088 --> 00:13:44,257 >> WE NEED TO BRING THE NEW ENERGY. 230 00:13:44,257 --> 00:13:47,627 YOU HAVE TO DANCE EVERY DANCE LIKE YOUR LAST. 231 00:13:47,627 --> 00:13:49,729 THIS WEEK IS WHITNEY HOUSTON NIGHT. 232 00:13:49,729 --> 00:13:53,199 WE'RE DANCING TO "HIGHER LOVE." 233 00:13:53,199 --> 00:13:55,868 >> WHITNEY HOUSTON COULD BREATHE SO MUCH EMOTION INTO EVERY 234 00:13:55,868 --> 00:13:59,772 LYRIC. IT'S WHAT I ASPIRE TO ACHIEVE. 235 00:13:59,772 --> 00:14:04,277 MY MOST POPULAR SONG IS "I'M YOURS." THEY'RE VERY SIMILAR. 236 00:14:04,277 --> 00:14:06,846 PLEASE, IF THERE'S LOVE OUT THERE, I'M AVAILABLE. 237 00:14:06,846 --> 00:14:09,348 >> THAT'S WHAT I WANT PEOPLE TO FEEL. 238 00:14:09,348 --> 00:14:13,720 >> LET'S GIVE THEM A REAL WOW MOMENT. 239 00:14:13,720 --> 00:14:19,225 SAMBA CAN GET VERY MESSY VERY QUICKLY. 240 00:14:19,225 --> 00:14:24,597 >> I THOUGHT I WAS GOING IN BETWEEN. THIS IS BANANAS. 241 00:14:24,597 --> 00:14:27,433 LEARNING SO MUCH. I FEEL A LITTLE OVERWHELMED BY 242 00:14:27,433 --> 00:14:31,370 ALL THE FIVE, SIX, SEVEN, EIGHT. THIS IS NOT AN EARLY SEASON 243 00:14:31,370 --> 00:14:31,704 DANCE. 244 00:14:31,704 --> 00:14:34,140 >> IT'S NOT. 245 00:14:34,140 --> 00:14:38,144 >> WE HAVE TAKEN ON A MORE DIFFICULT DANCE TO IMPRESS THE 246 00:14:38,144 --> 00:14:41,948 JUDGES. I HOPE THAT HIGH RISK HIGH 247 00:14:41,948 --> 00:14:45,418 REWARD PAYS OFF. LET'S GET IT! 248 00:14:45,418 --> 00:14:46,652 >> Announcer: DANCING THE SAMBA, WITH HIS PARTNER 249 00:14:46,652 --> 00:14:54,260 DANIELLA KARAGACH, IT'S JASON MRAZ. 250 00:14:54,260 --> 00:14:55,328 ♪ BRING ME HIGHER LOVE 251 00:14:55,328 --> 00:14:55,962 BRING ME HIGHER LOVE ♪ 252 00:14:55,962 --> 00:14:56,863 ♪ THINK ABOUT IT 253 00:14:56,863 --> 00:15:01,067 THERE MUST BE A HIGHER LOVE ♪ 254 00:15:01,067 --> 00:15:02,068 ♪ DOWN IN THE HEART 255 00:15:02,068 --> 00:15:05,204 OR HIDDEN IN THE STARS ABOVE ♪ 256 00:15:05,204 --> 00:15:07,340 ♪ WITHOUT IT 257 00:15:07,340 --> 00:15:09,909 LIFE IS WASTED TIME ♪ 258 00:15:09,909 --> 00:15:12,011 ♪ LOOK INSIDE YOUR HEART 259 00:15:12,011 --> 00:15:15,648 AND I'LL LOOK INSIDE MINE ♪ 260 00:15:15,648 --> 00:15:18,818 ♪ WE WALK THE LINE 261 00:15:18,818 --> 00:15:19,852 AND TRY TO SEE UH TRY TO SEE ♪ 262 00:15:19,852 --> 00:15:21,420 ♪ FALLING BEHIND 263 00:15:21,420 --> 00:15:24,557 IN WHAT COULD BE OH OH ♪ 264 00:15:24,557 --> 00:15:28,194 ♪ BRING ME A HIGHER LOVE UH 265 00:15:28,194 --> 00:15:34,434 BRING ME A HIGHER LOVE OH OH ♪ 266 00:15:34,434 --> 00:15:38,070 ♪ BRING ME A HIGHER LOVE UH 267 00:15:38,070 --> 00:15:45,311 WHERE'S THAT HIGHER LOVE I KEEP THINKING OF ♪ 268 00:15:45,311 --> 00:15:48,481 ♪♪ 269 00:15:48,481 --> 00:15:48,981 ♪ A HIGHER LOVE 270 00:15:48,981 --> 00:15:51,651 BRING ME HIGHER LOVE LOVE ♪ 271 00:15:51,651 --> 00:15:52,151 ♪ A HIGHER LOVE 272 00:15:52,151 --> 00:15:53,219 BRING ME A HIGHER LOVE ♪ 273 00:15:53,219 --> 00:15:54,253 ♪ BRING ME A HIGHER LOVE 274 00:15:54,253 --> 00:15:56,355 OH OH BRING ME LOVE ♪ 275 00:15:56,355 --> 00:15:57,890 ♪ BRING ME A HIGHER LOVE 276 00:15:57,890 --> 00:16:01,527 BRING ME HIGHER LOVE LOVE ♪ 277 00:16:01,527 --> 00:16:02,595 ♪ HIGHER LOVE A HIGHER LOVE 278 00:16:02,595 --> 00:16:05,164 I KEEP THINKING OF ♪ 279 00:16:05,164 --> 00:16:08,801 ♪ BRING ME A HIGHER LOVE 280 00:16:08,801 --> 00:16:10,369 A HIGHER LOVE ♪ 281 00:16:10,369 --> 00:16:11,437 ♪ BRING ME A HIGHER LOVE 282 00:16:11,437 --> 00:16:16,642 LOVE ♪ 283 00:16:16,642 --> 00:16:19,779 [ APPLAUSE ] 284 00:16:19,779 --> 00:16:23,449 >> Alfonso: JASON AND DANIELLA, BRINGING US A HIGHER LOVE WITH 285 00:16:23,449 --> 00:16:29,989 THEIR SAMBA. 286 00:16:29,989 --> 00:16:37,697 COME ON OVER. ALL RIGHT. BILLY, YOU ARE UP FIRST. 287 00:16:37,697 --> 00:16:41,968 >> Billy: I LOVE YOU. I LOVED IT. 288 00:16:41,968 --> 00:16:48,541 YOUR CHARACTER, YOUR CONNECTION. ONE BIG THING, THE FACE. 289 00:16:48,541 --> 00:16:51,444 YOUR MOUTH. THE MOUTHING OF THE WORDS. 290 00:16:51,444 --> 00:16:54,680 >> NOT GOOD? 291 00:16:54,680 --> 00:16:57,350 >> Billy: IT'S DISTRACTING. SAVE THAT FOR WHEN YOU ARE ON 292 00:16:57,350 --> 00:17:00,052 BROADWAY BECAUSE YOU SING AT THE SAME TIME. YOU KNOW WHAT I MEAN? 293 00:17:00,052 --> 00:17:03,956 IT'S A LITTLE DISTRACTING. BUT YOU ARE FANTASTIC. 294 00:17:03,956 --> 00:17:05,758 >> Bruno: I TELL YOU WHAT HAPPENED. 295 00:17:05,758 --> 00:17:12,598 THAT WAS A VERY, VERY HIGH CONTENT, HIGH QUALITY SAMBA. 296 00:17:12,598 --> 00:17:15,234 THE PROBLEM IS THAT YOU MESSED IT UP. 297 00:17:15,234 --> 00:17:16,102 YOU MESSED IT UP FOUR TIMES. 298 00:17:16,102 --> 00:17:19,005 >> I KNOW. 299 00:17:19,005 --> 00:17:22,141 >> Bruno: AT THIS STAGE, YOU REALLY HAVE TO GET IT RIGHT ALL 300 00:17:22,141 --> 00:17:25,177 THE WAY THROUGH. I PRAISE YOU FOR THE QUALITY OF 301 00:17:25,177 --> 00:17:25,845 THE WORK THAT YOU ATTEMPTED. 302 00:17:25,845 --> 00:17:31,517 >> THANK YOU. 303 00:17:31,517 --> 00:17:34,720 >> Carrie: WE'RE AFTER WEEK, YOU ARE SHOWING US YOUR TECHNIQUE. 304 00:17:34,720 --> 00:17:38,024 A BIT OF ADVICE. YOU ARE GETTING LOST IN THE MIX. 305 00:17:38,024 --> 00:17:41,193 IT'S A LITTLE TOO CASUAL. I WONDER IF THAT CONTRIBUTED TO 306 00:17:41,193 --> 00:17:45,231 YOU NOT FINISHING THE MOVE ENOUGH AND THAT'S WHAT BLURRED 307 00:17:45,231 --> 00:17:47,967 THE MOVE INTO THE NEXT MOVE. I WOULD LIKE TO SEE MORE SNAP. 308 00:17:47,967 --> 00:17:51,504 IT WAS STARTING TO COME OUT IN THAT ROUTINE. 309 00:17:51,504 --> 00:17:59,378 >> CAN WE DO IT ONE MORE TIME? 310 00:17:59,378 --> 00:18:04,417 >> Alfonso: ONE MORE TIME AFTER THE SHOW. 311 00:18:04,417 --> 00:18:08,788 >> Derek: THAT WAS PROPER. YOU HAD IT ALL IN THERE. 312 00:18:08,788 --> 00:18:12,024 YOU HAD THE BOUNCE. YOU HAD THE RHYTHM. 313 00:18:12,024 --> 00:18:18,030 I MUST HAVE BLINKED WHEN THE MISTAKES HAPPENED. 314 00:18:18,030 --> 00:18:20,232 >> Alfonso: HEAD UP FOR YOUR SCORES. BY THE WAY, TONIGHT HAS A 315 00:18:20,232 --> 00:18:22,768 SPECIAL MEANING FOR OUR OWN RAY CHEW, WHO WORKED WITH 316 00:18:22,768 --> 00:18:25,304 WHITNEY HOUSTON ON ONE OF HER VERY LAST TV PERFORMANCES. 317 00:18:25,304 --> 00:18:27,606 SO PLEASE, GIVE IT UP FOR OUR MUSIC DIRECTOR, OUR SINGERS AND 318 00:18:27,606 --> 00:18:34,146 OUR BAND. IT'S RAY CHEW LIVE. JULIANNE -- 319 00:18:34,146 --> 00:18:40,686 >> Julianne: THANKS, ALFONSO. WHAT'S UP? 320 00:18:40,686 --> 00:18:44,423 >> KICK A CAN DOWN THE STREET. 321 00:18:44,423 --> 00:18:46,759 >> Julianne: YOU SAID, I WISH I COULD DO IT ONE MORE TIME. 322 00:18:46,759 --> 00:18:48,027 WHAT HAPPENED? 323 00:18:48,027 --> 00:18:50,429 >> WE HAVE DONE THIS SO MANY TIMES. 324 00:18:50,429 --> 00:18:53,699 HITTING IT SO HARD, SO SHARP. I WAS READY TO GO OUT THERE. 325 00:18:53,699 --> 00:18:56,569 I DON'T KNOW WHAT HAPPENED. 326 00:18:56,569 --> 00:19:00,840 >> Julianne: SOMETIMES THE ENERGY OF THE ROOM, THE CROWD. 327 00:19:00,840 --> 00:19:01,540 WAS THERE SOMETHING -- 328 00:19:01,540 --> 00:19:05,711 >> I THINK I KICK BALL CHANGED EARLY. AFTER THAT, THE PATTERN 329 00:19:05,711 --> 00:19:08,848 UNRAVELLED BEFORE ME. 330 00:19:08,848 --> 00:19:11,450 >> Julianne: THOSE DANG KICK BALL CHANGES. 331 00:19:11,450 --> 00:19:13,886 >> KICKED ME IN THE BALL CHANGE. 332 00:19:13,886 --> 00:19:17,023 >> Julianne: LET'S KICK BALL CHANGE TO YOUR SCORES. 333 00:19:17,023 --> 00:19:21,627 >> Carrie: EIGHT. 334 00:19:21,627 --> 00:19:24,897 >> Derek: KICK BALL CHANGE, NINE. 335 00:19:24,897 --> 00:19:28,300 >> Billy: EIGHT. 336 00:19:28,300 --> 00:19:30,636 >> Bruno: EIGHT. 337 00:19:30,636 --> 00:19:35,074 >> Julianne: THAT'S A 33 OUT OF 40. THEY WILL COMPETE FOR BONUS 338 00:19:35,074 --> 00:19:37,877 POINTS LATER. THEY STILL WANT YOUR VOTES RIGHT 339 00:19:37,877 --> 00:19:39,145 NOW. 340 00:19:49,355 --> 00:19:50,923 ♪♪ 341 00:19:50,923 --> 00:19:54,026 >> Alfonso: WE'RE BACK WITH "WHITNEY HOUSTON NIGHT" AND OUR 342 00:19:54,026 --> 00:19:59,999 GUEST JUDGE, BILLY PORTER. NEXT UP IN THIS FIRST ROUND IS 343 00:19:59,999 --> 00:20:01,901 OUR FILM AND TV ACTRESS, PERFORMING A CONTEMPORARY 344 00:20:01,901 --> 00:20:04,136 ROUTINE TO WHITNEY'S THIRD NUMBER ONE HIT, "GREATEST LOVE 345 00:20:04,136 --> 00:20:06,105 OF ALL." IT'S ALYSON HANNIGAN AND 346 00:20:06,105 --> 00:20:19,685 SASHA FARBER. 347 00:20:19,685 --> 00:20:22,321 >> Derek: THAT WAS THE BEST DANCE YET! 348 00:20:22,321 --> 00:20:25,458 >> I HAD TO HOLD BACK TEARS. I WAS SO HAPPY. 349 00:20:25,458 --> 00:20:28,527 I CAN FEEL I'M IMPROVING. 350 00:20:28,527 --> 00:20:31,130 >> THIS WAS THE BREAKTHROUGH WE HAVE BEEN WAITING FOR. 351 00:20:31,130 --> 00:20:34,667 >> WHAT DO YOU THINK I DID TO RAISE MY SCORES? 352 00:20:34,667 --> 00:20:36,635 >> YOU ARE UNDERSTANDING THE MOVEMENT I'M ASKING FOR. 353 00:20:36,635 --> 00:20:41,440 I NEED YOU TO BELIEVE THAT. MOVING ON, IT'S WHITNEY HOUSTON 354 00:20:41,440 --> 00:20:41,774 NIGHT. 355 00:20:41,774 --> 00:20:44,243 >> I CHOSE "GREATEST LOVE OF ALL." 356 00:20:44,243 --> 00:20:48,280 IT'S THE MOST SIGNIFICANT SONG OF MY LIFE. 357 00:20:48,280 --> 00:20:52,651 I HAD A REALLY HARD CHILDHOOD. I WAS ALONE A LOT. 358 00:20:52,651 --> 00:20:57,389 IT WAS THE FIRST SONG THAT INTRODUCED THE IDEA OF SELF-LOVE. 359 00:20:57,389 --> 00:21:00,025 I NEEDED IT SO BAD WHEN I WAS A KID. 360 00:21:00,025 --> 00:21:03,562 SHE WAS THE ONLY PERSON TELLING ME TO LOVE MYSELF. 361 00:21:03,562 --> 00:21:06,799 A TIME THAT I DIDN'T HAVE ANYBODY THERE FOR ME. 362 00:21:06,799 --> 00:21:11,036 THIS DANCE IS FOR THAT YOUNGER SELF. 363 00:21:11,036 --> 00:21:13,606 >> I'M NOT HERE. THIS IS YOUR ENERGY. 364 00:21:13,606 --> 00:21:16,742 THE CONTEMPORARY IS ALL ABOUT TELLING A STORY THROUGH MOVEMENT. 365 00:21:16,742 --> 00:21:19,912 YOU REALLY HAVE TO BE RAW. I WANT IT TO FEEL LIKE SHE'S 366 00:21:19,912 --> 00:21:25,050 DANCING ALONE. I'M HER ANGEL GUIDING HER TO 367 00:21:25,050 --> 00:21:30,256 WHERE SHE'S NOW. KEEP REACHING UNTIL THERE'S A 368 00:21:30,256 --> 00:21:31,090 SAFE PLACE. 369 00:21:31,090 --> 00:21:35,194 >> THE FACT THAT THERE'S LESS RULES AND MORE EMOTION SEEMS 370 00:21:35,194 --> 00:21:37,963 LIKE THAT'S MY WHEELHOUSE. I HAVE TO MAKE SURE I DON'T GET 371 00:21:37,963 --> 00:21:38,397 LOST IN THAT. 372 00:21:38,397 --> 00:21:40,766 >> IN AND OUT. 373 00:21:40,766 --> 00:21:43,502 >> THE SONG GOT ME THROUGH SO MUCH. 374 00:21:43,502 --> 00:21:46,705 I AM GOING TO THANK THE SONG WITH THIS DANCE. 375 00:21:46,705 --> 00:21:49,008 I DON'T KNOW IF I'M GOING TO BE ABLE TO KEEP IT TOGETHER. 376 00:21:49,008 --> 00:21:55,447 >> HERE WE GO. COME HERE. 377 00:21:55,447 --> 00:21:57,016 >> Announcer: DANCING CONTEMPORARY, WITH HER PARTNER 378 00:21:57,016 --> 00:22:04,890 SASHA FARBER, IT'S ALYSON HANNIGAN. 379 00:22:04,890 --> 00:22:05,925 ♪ I BELIEVE THE CHILDREN ♪ 380 00:22:05,925 --> 00:22:06,458 ♪ ARE OUR FUTURE 381 00:22:06,458 --> 00:22:12,198 TEACH THEM WELL AND LET THEM LEAD THE WAY ♪ 382 00:22:12,198 --> 00:22:14,300 ♪ SHOW THEM ALL THE BEAUTY 383 00:22:14,300 --> 00:22:20,506 THEY POSSESS INSIDE GIVE THEM A SENSE OF PRIDE ♪ 384 00:22:20,506 --> 00:22:22,608 ♪ TO MAKE IT EASIER 385 00:22:22,608 --> 00:22:28,314 LET THE CHILDREN'S LAUGHTER ♪ 386 00:22:28,314 --> 00:22:30,382 ♪ REMIND US 387 00:22:30,382 --> 00:22:35,654 HOW WE USED TO BE I DECIDED LONG AGO ♪ 388 00:22:35,654 --> 00:22:37,723 ♪ NEVER TO WALK IN ANYONE'S 389 00:22:37,723 --> 00:22:41,393 SHADOWS IF I FAIL ♪ 390 00:22:41,393 --> 00:22:43,462 ♪ IF I SUCCEED 391 00:22:43,462 --> 00:22:48,701 AT LEAST I'LL LIVE AS I BELIEVE ♪ 392 00:22:48,701 --> 00:22:50,736 ♪ NO MATTER WHAT 393 00:22:50,736 --> 00:22:53,872 THEY TAKE FROM ME THEY CAN'T TAKE AWAY ♪ 394 00:22:53,872 --> 00:22:54,406 ♪ MY DIGNITY 395 00:22:54,406 --> 00:23:00,212 BECAUSE 396 00:23:00,212 --> 00:23:04,350 THE GREATEST LOVE OF ALL ♪ 397 00:23:04,350 --> 00:23:11,824 ♪ IT'S EASY TO ACHIEVE 398 00:23:11,824 --> 00:23:15,961 LEARNING TO LOVE YOURSELF ♪ 399 00:23:15,961 --> 00:23:18,063 ♪ IT IS 400 00:23:18,063 --> 00:23:21,700 THE GREATEST LOVE OF ALL ♪ 401 00:23:21,700 --> 00:23:25,838 [ APPLAUSE ] 402 00:23:25,838 --> 00:23:32,878 >> Alfonso: ALYSON AND SASHA, LOVING THAT CONTEMPORARY ROUTINE. 403 00:23:32,878 --> 00:23:39,752 WOW. YES, YES. OKAY. 404 00:23:39,752 --> 00:23:43,889 BRUNO? 405 00:23:43,889 --> 00:23:49,795 >> Bruno: SIMPLE, EFFECTIVE, DEEPLY FELT AND TRUE. 406 00:23:49,795 --> 00:23:55,200 WHO CAME UP WITH THE IDEA, THAT STEP ON HIS BACK? 407 00:23:55,200 --> 00:24:00,940 EXCUSE ME, THAT WAS A LITTLE -- I SAW A DIFFERENT SIDE OF YOU. 408 00:24:00,940 --> 00:24:05,611 I LIKED IT. 409 00:24:05,611 --> 00:24:10,249 >> Carrie: IT'S BEEN A LONG TIME SINCE I CRIED HERE. 410 00:24:10,249 --> 00:24:14,286 I WASN'T ALONE. I FEEL LIKE I WATCHED YOUR REAL 411 00:24:14,286 --> 00:24:17,756 STORY. I SAW YOU START ALONE. THIS HOPE. IT WAS BEAUTIFUL. 412 00:24:17,756 --> 00:24:20,993 TALK ABOUT STORYTELLING, WHAT BILLY ASKED FOR. 413 00:24:20,993 --> 00:24:27,032 THAT WAS STORYTELLING. I WANT TO THANK YOU. 414 00:24:27,032 --> 00:24:29,635 >> Derek: YOU JUST HAVE SUCH A BEAUTIFUL ENERGY ABOUT YOU. 415 00:24:29,635 --> 00:24:33,639 YOU HAVE THROUGHOUT THIS ENTIRE SEASON. IT'S ENGAGING. 416 00:24:33,639 --> 00:24:37,209 IT REALLY IS. WHAT WAS SO SPECIAL ABOUT THIS 417 00:24:37,209 --> 00:24:40,145 ROUTINE TONIGHT WASN'T ALL THE STEPS AND ALL THE DIFFERENT 418 00:24:40,145 --> 00:24:42,414 THINGS, IT WAS THAT YOU WERE DANCING FOR YOU. 419 00:24:42,414 --> 00:24:44,750 THAT DRAWS US IN. IT WAS SO BEAUTIFUL, SO PURE. 420 00:24:44,750 --> 00:24:48,120 THANK YOU FOR THAT. 421 00:24:48,120 --> 00:24:51,256 >> Billy: COME ON, ACTRESS WOMAN. 422 00:24:51,256 --> 00:24:55,160 CONNECTION IN STORYTELLING. WHAT YOU SAID, THAT IT WAS THE 423 00:24:55,160 --> 00:24:58,030 MOST IMPORTANT SONG OF YOUR LIFE, I FELT THAT. 424 00:24:58,030 --> 00:25:00,532 I UNDERSTOOD THAT. WHAT I LOVE SO MUCH ABOUT WHAT 425 00:25:00,532 --> 00:25:03,902 YOU DID IS THAT YOU DID NOT GET LOST IN IT. 426 00:25:03,902 --> 00:25:07,439 IF YOU ARE CRYING, WE'RE NOT. THAT WAS FABULOUS. 427 00:25:07,439 --> 00:25:13,345 POINT THOSE BISCUITS NEXT TIME. 428 00:25:13,345 --> 00:25:15,447 >> Alfonso: HEAD TO JULIANNE IN THE SKYBOX FOR YOUR SCORES. 429 00:25:15,447 --> 00:25:17,516 THE "DANCE-OFF" ROUND IS FAST APPROACHING, BUT NOT BEFORE THE 430 00:25:17,516 --> 00:25:20,686 REST OF OUR STARS PERFORM TO THEIR WHITNEY HOUSTON HITS. 431 00:25:20,686 --> 00:25:23,489 XOCHITL GOMEZ WANTS TO DANCE WITH SOMEBODY, SO WE'LL SEE HER 432 00:25:23,489 --> 00:25:27,459 TANGO WITH VAL CHMERKOVSKIY. JULIANNE -- 433 00:25:27,459 --> 00:25:33,465 >> Julianne: THANKS, ALFONSO. I JUST HAVE TO SAY IT. 434 00:25:33,465 --> 00:25:36,535 YOU ARE LITERALLY WHAT REPRESENTS THIS ENTIRE SHOW. 435 00:25:36,535 --> 00:25:42,374 YOUR IMPROVEMENT IS BEYOND. EACH WEEK -- YES, EXACTLY. 436 00:25:42,374 --> 00:25:44,910 EACH WEEK, YOU HAVE JUST BROKEN THROUGH. 437 00:25:44,910 --> 00:25:47,913 YOU HAVE HAD BREAKTHROUGHS. HOW ARE YOU FEELING WITH THE 438 00:25:47,913 --> 00:25:48,347 IMPROVEMENTS? 439 00:25:48,347 --> 00:25:51,917 >> I CAN'T BELIEVE IT MYSELF. I'M SO GRATEFUL THAT I'VE BEEN 440 00:25:51,917 --> 00:25:55,621 GIVEN THIS MUCH TIME. I CLEARLY NEEDED IT. 441 00:25:55,621 --> 00:25:58,323 I'M JUST -- I'M ENJOYING EVERY MOMENT OF IT. 442 00:25:58,323 --> 00:25:59,992 IT'S BEEN SUCH AN INCREDIBLE EXPERIENCE. 443 00:25:59,992 --> 00:26:03,062 >> Julianne: WE'RE ENJOYING EVERY MOMENT. 444 00:26:03,062 --> 00:26:06,598 WE LOVE YOU SO MUCH. WE WILL GET YOUR SCORES WHEN WE 445 00:26:06,598 --> 00:26:08,867 COME BACK. I'M SO SORRY. 446 00:26:17,242 --> 00:26:20,479 ♪♪ 447 00:26:20,479 --> 00:26:23,882 >> Julianne: WELCOME BACK. BEFORE THE BREAK, ALYSON AND 448 00:26:23,882 --> 00:26:27,052 SASHA PERFORMED A CONTEMPORARY ROUTINE TO "GREATEST LOVE OF 449 00:26:27,052 --> 00:26:29,655 ALL." LET'S SEE IF THE JUDGES SHOWED 450 00:26:29,655 --> 00:26:34,326 THEM SOME LOVE WITH THEIR SCORES. 451 00:26:34,326 --> 00:26:38,330 >> Carrie: EIGHT. 452 00:26:38,330 --> 00:26:41,934 >> Derek: EIGHT. 453 00:26:41,934 --> 00:26:45,170 >> Billy: NINE. 454 00:26:45,170 --> 00:26:49,775 >> Bruno: EIGHT. 455 00:26:49,775 --> 00:26:52,110 >> Julianne: THAT'S A 33 OUT OF 40. 456 00:26:52,110 --> 00:26:56,315 YOU ARE TIED AT THE TOP OF THE LEADERBOARD. 457 00:26:56,315 --> 00:27:02,287 THEY COULD EARN MORE POINTS IN THEIR 458 00:27:02,287 --> 00:27:03,755 "DANCE-OFF," BUT THEY STILL WANT YOU TO TEXT AND VOTE ON ABC.COM, 459 00:27:03,755 --> 00:27:04,790 RIGHT NOW. AND REMEMBER, VOTING CLOSES 460 00:27:04,790 --> 00:27:06,124 DURING THE LAST COMMERCIAL BREAK. ALFONSO -- 461 00:27:06,124 --> 00:27:09,094 >> Alfonso: THANKS, JULIANNE. NEXT UP, OUR MARVEL STAR 462 00:27:09,094 --> 00:27:12,197 PERFORMS A TANGO TO THE GRAMMY-WINNING HIT THAT WAS JUST 463 00:27:12,197 --> 00:27:15,834 NAMED BILLBOARD'S NUMBER ONE POP SONG OF ALL TIME. 464 00:27:15,834 --> 00:27:17,002 IT'S WHITNEY'S "I WANNA DANCE WITH SOMEBODY." 465 00:27:17,002 --> 00:27:18,437 CHECK OUT XOCHITL GOMEZ AND 466 00:27:18,437 --> 00:27:31,517 VAL CHMERKOVSKIY IN TRAINING. 467 00:27:31,517 --> 00:27:36,288 >> Bruno: YOU WEREN'T QUITE ON IT AS USUAL. YOU KNOW THAT. 468 00:27:36,288 --> 00:27:39,758 >> I WAS DISAPPOINTED WITH THE WARDROBE MISHAP. 469 00:27:39,758 --> 00:27:45,531 TWO NINES AND TWO EIGHTS FELT AWFUL. I WAS MAD. 470 00:27:45,531 --> 00:27:50,035 THE HAT, THE JACKET WORKED EVERYWHERE BUT THE LIVE SHOW. 471 00:27:50,035 --> 00:27:55,040 HAVING THAT HAPPEN REALLY CHANGED MY ENERGY. 472 00:27:55,040 --> 00:27:58,777 IT WAS A GREAT MAKEUP CALL. WE GOT COMFORTABLE. 473 00:27:58,777 --> 00:28:00,879 IT WAS A ROUGH TWO DAYS IN A ROW. 474 00:28:00,879 --> 00:28:03,182 >> YOU TWISTED YOUR ANKLE THE DAY BEFORE. 475 00:28:03,182 --> 00:28:07,920 >> DURING OUR TEAM DANCE REHEARSAL I SPRAINED MY ANKLE. 476 00:28:07,920 --> 00:28:12,758 IT LOOKS NASTY. MY FOOT WENT LIKE THIS. 477 00:28:12,758 --> 00:28:17,629 I INJURED THE SAME FOOT WHEN I WAS FILMING "DR. STRANGE." 478 00:28:17,629 --> 00:28:19,665 I HOPE WE CAN GIVE IT OUR ALL. 479 00:28:19,665 --> 00:28:23,669 >> THE TANGO TO "I WANT TO DANCE WITH SOMEBODY." 480 00:28:23,669 --> 00:28:24,903 DO YOU KNOW THAT SONG? 481 00:28:24,903 --> 00:28:25,737 >> IT'S ICONIC. 482 00:28:25,737 --> 00:28:32,911 >> IT'S A CLASSIC. 483 00:28:32,911 --> 00:28:36,715 >> THE TANGO IS MORE EXPLOSIVE, WAY MORE DYNAMIC. 484 00:28:36,715 --> 00:28:41,186 HOW IS YOUR FOOT? THIS INJURY LIMITS HER. 485 00:28:41,186 --> 00:28:42,654 I WILL BRING YOU ICE. 486 00:28:42,654 --> 00:28:45,524 >> I'M NOT AN AGGRESSIVE PERSON BY NATURE. 487 00:28:45,524 --> 00:28:49,995 I'M A LITTLE OUT OF MY COMFORT ZONE. I FEEL LIKE A FAILURE. 488 00:28:49,995 --> 00:28:53,799 AFTER LAST WEEK'S MISHAP AND NOW THIS ANKLE INJURY, THIS IS THE 489 00:28:53,799 --> 00:28:57,102 FIRST WEEK OF REHEARSALS WHERE I'M WORRIED I MIGHT NOT BE ABLE 490 00:28:57,102 --> 00:29:03,208 TO DO THIS DANCE 100%. 491 00:29:03,208 --> 00:29:04,443 >> Announcer: DANCING THE TANGO, WITH HER PARTNER 492 00:29:04,443 --> 00:29:12,084 VAL CHMERKOVSKIY, IT'S XOCHITL GOMEZ. 493 00:29:12,084 --> 00:29:14,720 ♪ HOO YEAH AH-AH ♪ 494 00:29:14,720 --> 00:29:15,254 ♪ YEAH 495 00:29:15,254 --> 00:29:18,890 CLOCK STRIKES UPON THE HOUR ♪ 496 00:29:18,890 --> 00:29:23,061 ♪ AND THE SUN BEGINS TO FADE 497 00:29:23,061 --> 00:29:28,767 STILL ENOUGH TIME TO FIGURE OUT ♪ 498 00:29:28,767 --> 00:29:31,870 ♪ HOW TO CHASE MY BLUES AWAY 499 00:29:31,870 --> 00:29:34,473 I'VE DONE ALL RIGHT UP TO NOW ♪ 500 00:29:34,473 --> 00:29:35,540 ♪ IT'S THE LIGHT OF DAY 501 00:29:35,540 --> 00:29:41,780 THAT SHOWS ME HOW AND WHEN THE NIGHT FALLS ♪ 502 00:29:41,780 --> 00:29:46,518 ♪ LONELINESS CALLS 503 00:29:46,518 --> 00:29:47,519 YEAH ♪ 504 00:29:47,519 --> 00:29:49,087 ♪ OH I WANNA DANCE 505 00:29:49,087 --> 00:29:52,758 WITH SOMEBODY I WANNA FEEL THE HEAT ♪ 506 00:29:52,758 --> 00:29:54,359 ♪ WITH SOMEBODY 507 00:29:54,359 --> 00:30:00,599 YEAH I WANNA DANCE WITH SOMEBODY ♪ 508 00:30:00,599 --> 00:30:02,134 ♪ WITH SOMEBODY WHO LOVES ME 509 00:30:02,134 --> 00:30:04,770 BODY WHO LOVES ME BODY WHO LOVES ME ♪ 510 00:30:04,770 --> 00:30:06,304 ♪ BODY WHO LOVES ME 511 00:30:06,304 --> 00:30:10,475 LOVES ME LOVES ME ♪ 512 00:30:10,475 --> 00:30:11,076 ♪ YEAH I WANNA DANCE 513 00:30:11,076 --> 00:30:17,282 WITH SOMEBODY WITH SOMEBODY WHO LOVES ME ♪ 514 00:30:17,282 --> 00:30:20,419 ♪ YEAH I WANNA DANCE 515 00:30:20,419 --> 00:30:22,521 WITH SOMEBODY YEAH FEEL THE HEAT ♪ 516 00:30:22,521 --> 00:30:24,623 ♪ WITH SOMEBODY 517 00:30:24,623 --> 00:30:25,123 YEAH I WANNA DANCE 518 00:30:25,123 --> 00:30:34,833 WITH SOMEBODY ♪ 519 00:30:34,833 --> 00:30:38,737 ♪ WITH SOMEBODY WHO LOVES ME ♪ 520 00:30:38,737 --> 00:30:39,237 [ APPLAUSE ] 521 00:30:39,237 --> 00:30:42,374 >> Alfonso: XOCHITL AND VAL. I THINK WE ALL WANNA DANCE ALONG 522 00:30:42,374 --> 00:30:49,548 WITH THAT TANGO. THAT WAS HOT. 523 00:30:49,548 --> 00:30:54,086 YES. YOU LOVE IT WHEN THE JUDGES ARE 524 00:30:54,086 --> 00:30:59,424 ON THEIR FEET. 525 00:30:59,424 --> 00:31:05,931 >> Carrie: THAT WAS FLAWLESS. SO ABSOLUTELY PRISTINE. 526 00:31:05,931 --> 00:31:10,001 THEY SAY TANGO IS LIKE CAT-LIKE. YOU WERE A BLACK PANTHER OUT 527 00:31:10,001 --> 00:31:12,771 THERE. AMAZING. 528 00:31:12,771 --> 00:31:17,743 >> Derek: THAT IS HOW YOU DO A TANGO, LITERALLY. 529 00:31:17,743 --> 00:31:20,512 IT HAD POWER, INTENTION. IT HAD STRENGTH. 530 00:31:20,512 --> 00:31:23,382 IT HAD DIRECTION. IT HAD A CLEAN UPPER BODY. 531 00:31:23,382 --> 00:31:26,084 LISTEN, YOU GOT ONE OF THE BEST RIGHT HERE WITH VAL. 532 00:31:26,084 --> 00:31:30,756 HE IS ABOUT TO STEP UP HIS GAME. I CAN TELL YOU ARE GOING FOR 533 00:31:30,756 --> 00:31:34,960 GOLD. THAT WAS FANTASTIC. 534 00:31:34,960 --> 00:31:40,398 >> Billy: THE PRESENCE, THE LINE, THE SPOTTING, THE 535 00:31:40,398 --> 00:31:48,373 DIRECTIONAL -- IT'S ALL -- IT WAS MAGICAL. 536 00:31:48,373 --> 00:31:52,611 YOU FELL DOWN AND YOU GOT BACK UP. THAT'S EXTRAORDINARY. 537 00:31:52,611 --> 00:31:57,716 IT WAS FANTASTIC. 538 00:31:57,716 --> 00:32:00,719 >> Bruno: YOU ARE ON TOP OF THE GAME, AREN'T YOU? 539 00:32:00,719 --> 00:32:04,956 I KNOW WHAT YOUR SUPERPOWER IS. TANGO! 540 00:32:04,956 --> 00:32:10,529 THE QUALITY OF MOVEMENT WAS ASTONISHING. 541 00:32:10,529 --> 00:32:15,033 REALLY, IT WAS DANCING AT ITS BEST. 542 00:32:15,033 --> 00:32:18,670 >> Alfonso: HEAD UP TO JULIANNE FOR YOUR SCORES. 543 00:32:18,670 --> 00:32:21,273 NEXT TUESDAY, THREE-TIME EMMY WINNER AND LEAD CHOREOGRAPHER OF 544 00:32:21,273 --> 00:32:24,009 TAYLOR SWIFT'S "THE ERAS TOUR," MANDY MOORE, RETURNS TO OUR 545 00:32:24,009 --> 00:32:28,046 JUDGES' TABLE. AND SHE'S CREATED TWO SPECIAL 546 00:32:28,046 --> 00:32:30,916 PERFORMANCES JUST FOR OUR VERY SPECIAL NIGHT, "A CELEBRATION OF 547 00:32:30,916 --> 00:32:33,018 TAYLOR SWIFT." THAT'S TUESDAY OF THANKSGIVING 548 00:32:33,018 --> 00:32:34,352 WEEK. JULIANNE -- 549 00:32:34,352 --> 00:32:39,324 >> Julianne: THANKS, ALFONSO. MY GOODNESS. 550 00:32:39,324 --> 00:32:42,928 YOU HAD A ROUGH WEEK LAST WEEK. YOU DID NOT HAVE ONE THIS WEEK. 551 00:32:42,928 --> 00:32:46,164 HOW ARE YOU FEELING AFTER THE COMMENTS? 552 00:32:46,164 --> 00:32:49,968 >> REALLY GOOD. THIS WEEK WAS TOUGH. 553 00:32:49,968 --> 00:32:51,536 IT WAS THE SAME WITH FOX TROT WEEK. 554 00:32:51,536 --> 00:32:55,073 I DON'T KNOW WHAT I'M DOING. I HAVE NO CLUE WHAT I'M DOING. 555 00:32:55,073 --> 00:32:58,677 I JUST TAKE VAL'S DIRECTION. MOST OF THE TIME I DON'T KNOW 556 00:32:58,677 --> 00:33:01,046 WHAT I'M DOING. I FELT LIKE A FAILURE. 557 00:33:01,046 --> 00:33:05,083 LOOKING AT TONIGHT, I'M FEELING PRETTY GOOD. 558 00:33:05,083 --> 00:33:07,419 >> Julianne: YOU SHOULD BE, 559 00:33:07,419 --> 00:33:13,658 ESPECIALLY AFTER CARRIE ANN 560 00:33:13,658 --> 00:33:18,997 SAYING IT WAS FLAWLESS. 561 00:33:18,997 --> 00:33:20,665 >> Carrie: TEN. 562 00:33:20,665 --> 00:33:22,334 >> Derek: TEN. 563 00:33:22,334 --> 00:33:24,002 >> Billy: TEN. 564 00:33:24,002 --> 00:33:28,506 >> Bruno: FULL HOUSE, TEN. 565 00:33:28,506 --> 00:33:36,281 >> Julianne: THAT'S A 40 OUT OF 40. THAT IS A PERFECT SCORE, THE 566 00:33:36,281 --> 00:33:37,782 FIRST PERFECT SCORE FOR AN INDIVIDUAL COUPLE. 567 00:33:37,782 --> 00:33:39,751 HOW ARE YOU FEELING? 568 00:33:39,751 --> 00:33:41,253 >> SPEECHLESS. THANK YOU SO MUCH. 569 00:33:41,253 --> 00:33:47,759 THE JUDGES WERE SO KIND. THE FEEDBACK WAS KIND. 570 00:33:47,759 --> 00:33:52,163 VAL WILL TURN THE HEAT ON. THAT'S NOT ALWAYS THE BEST. 571 00:33:52,163 --> 00:33:57,135 I APPRECIATE HER PATIENCE, I APPRECIATE HER PERSEVEPERSEVERA. 572 00:33:57,135 --> 00:34:00,939 THANK YOU SO MUCH. 573 00:34:00,939 --> 00:34:02,340 >> Julianne: WE'LL SEE THEM BACK OUT THERE IN THE "DANCE-OFF 574 00:34:02,340 --> 00:34:03,575 ROUND" WHERE MORE POINTS WILL BE UP FOR GRABS. 575 00:34:03,575 --> 00:34:06,177 OF COURSE, YOU CAN TEXT AND ALSO VOTE ONLINE RIGHT NOW. 576 00:34:06,177 --> 00:34:07,245 ALFONSO -- 577 00:34:07,245 --> 00:34:11,416 >> Alfonso: THANKS, JULIANNE. "DIDN'T WE ALMOST HAVE IT ALL?" 578 00:34:11,416 --> 00:34:14,552 NOT YET, FAR FROM IT. WE'LL HAVE A RUMBA TO THAT 579 00:34:14,552 --> 00:34:16,655 WHITNEY HOUSTON HIT WHEN BARRY WILLIAMS AND 580 00:34:16,655 --> 00:34:19,190 PETA MURGATROYD DANCE AFTER THIS, LIVE. 581 00:34:27,365 --> 00:34:29,467 ♪♪ 582 00:34:29,467 --> 00:34:32,604 >> Alfonso: WELCOME BACK TO "WHITNEY HOUSTON NIGHT," 583 00:34:32,604 --> 00:34:34,139 HONORING THE MUSIC OF THE MOST-AWARDED FEMALE ARTIST OF 584 00:34:34,139 --> 00:34:38,510 ALL TIME. NEXT ON THE FLOOR IN TONIGHT'S 585 00:34:38,510 --> 00:34:40,078 FIRST ROUND, OUR STAR FROM "THE BRADY BUNCH" DANCES A RUMBA TO 586 00:34:40,078 --> 00:34:42,180 WHITNEY'S FIFTH CONSECUTIVE #1 HIT, "DIDN'T WE ALMOST HAVE 587 00:34:42,180 --> 00:34:44,582 IT ALL." IT'S BARRY WILLIAMS AND 588 00:34:44,582 --> 00:34:53,858 PETA MURGATROYD. 589 00:34:53,858 --> 00:34:56,628 >> Bruno: A FEW MISTAKES, BUT YOUR PERFORMANCES ARE ALWAYS 590 00:34:56,628 --> 00:35:00,598 THERE FOR US TO ENJOY. 591 00:35:00,598 --> 00:35:05,904 >> I GOT FOUR SEVENS. OUR SCORES WENT DOWN, WHICH IS 592 00:35:05,904 --> 00:35:08,039 DISAPPOINTING. AT THIS POINT IN THE 593 00:35:08,039 --> 00:35:11,576 COMPETITION, I WOULD LIKE TO MOVE THE NUMBERS UP. 594 00:35:11,576 --> 00:35:14,012 >> THERE WAS A LITTLE DIP IN SCORES. 595 00:35:14,012 --> 00:35:16,247 >> THERE WAS. I'M LOOKING TO SEE WHAT WE CAN 596 00:35:16,247 --> 00:35:17,716 FOCUS ON TO IMPROVE. 597 00:35:17,716 --> 00:35:23,088 >> IT'S KIND OF EVERYTHING. IT IS TO HAVE A DANCE THAT YOU 598 00:35:23,088 --> 00:35:26,191 KNOW EXACTLY WHAT YOU ARE DOING ON WHICH BEAT. 599 00:35:26,191 --> 00:35:29,694 >> NO MORE SLIPPING BACK. LET'S MAKE SURE THIS ONE GETS 600 00:35:29,694 --> 00:35:31,329 THE JUDGES' ATTENTION. 601 00:35:31,329 --> 00:35:36,501 >> IT'S WHITNEY HOUSTON NIGHT. 602 00:35:36,501 --> 00:35:41,873 WE ARE DOING A RUMBA. THERE'S A LOT OF SEXY HITS. 603 00:35:41,873 --> 00:35:45,110 >> MY WIFE HAS A LOT OF EXPERIENCE WITH HIP ACTION. 604 00:35:45,110 --> 00:35:48,113 SHE'S A PROFESSIONAL HULA DANCER. 605 00:35:48,113 --> 00:35:49,080 >> HI, HONEY. 606 00:35:49,080 --> 00:35:53,418 >> MY WIFE. I WOULD LOVE INPUT. 607 00:35:53,418 --> 00:35:59,591 >> YOU HAVE TO HAVE HIPS LUBRICATED. 608 00:35:59,591 --> 00:36:02,627 >> IT'S NOT EASY. 609 00:36:02,627 --> 00:36:04,529 >> ON THE BACK OF THE NECK. 610 00:36:04,529 --> 00:36:08,366 >> THAT WILL GET HIS BRAIN AND HIS TIPS GOING TOGETHER. 611 00:36:08,366 --> 00:36:09,901 >> IT'S GOING TO GET THERE. 612 00:36:09,901 --> 00:36:10,902 >> LOVE YOU. 613 00:36:10,902 --> 00:36:14,305 >> AS THE COMPETITION GOES ON, IT BECOMES MORE DEMANDING. 614 00:36:14,305 --> 00:36:16,274 MY MUSCLES ARE FEELING THAT. 615 00:36:16,274 --> 00:36:17,342 >> TAKE FIVE. 616 00:36:17,342 --> 00:36:19,778 >> IT'S ALWAYS ONE DAY AT A TIME. 617 00:36:19,778 --> 00:36:23,114 BUT I'M CERTAIN THE JUDGES DON'T WANT TO MISS A SECOND OF THIS 618 00:36:23,114 --> 00:36:27,352 SEXY RUMBA. 619 00:36:27,352 --> 00:36:28,920 >> Announcer: DANCING THE RUMBA, WITH HIS PARTNER 620 00:36:28,920 --> 00:36:32,557 PETA MURGATROYD, IT'S BARRY WILLIAMS. 621 00:36:32,557 --> 00:36:44,536 ♪♪ 622 00:36:44,536 --> 00:36:46,638 ♪ REMEMBER WHEN WE HELD 623 00:36:46,638 --> 00:36:50,275 ON IN THE RAIN THE NIGHTS WE ♪ 624 00:36:50,275 --> 00:36:53,411 ♪ ALMOST LOST IT 625 00:36:53,411 --> 00:37:00,218 ONCE AGAIN WE CAN TAKE THE NIGHT ♪ 626 00:37:00,218 --> 00:37:03,888 ♪ INTO TOMORROW 627 00:37:03,888 --> 00:37:10,128 LIVING ON FEELINGS TOUCHING YOU ♪ 628 00:37:10,128 --> 00:37:15,834 ♪ I FEEL IT ALL AGAIN 629 00:37:15,834 --> 00:37:16,868 DIDN'T WE ALMOST 630 00:37:16,868 --> 00:37:24,142 HAVE IT ALL ♪ 631 00:37:24,142 --> 00:37:25,744 ♪ THE NIGHTS WE HOLD ON 632 00:37:25,744 --> 00:37:32,517 'TIL THE MORNING YOU KNOW YOU'LL NEVER ♪ 633 00:37:32,517 --> 00:37:34,619 ♪ LOVE THAT WAY AGAIN 634 00:37:34,619 --> 00:37:36,688 DIDN'T WE ALMOST 635 00:37:36,688 --> 00:37:45,563 HAVE IT ALL ♪ 636 00:37:45,563 --> 00:37:46,131 ♪ DIDN'T WE ALMOST 637 00:37:46,131 --> 00:37:51,269 HAVE IT ALL ♪ 638 00:37:51,269 --> 00:37:59,644 [ APPLAUSE ] 639 00:37:59,644 --> 00:38:06,684 >> Alfonso: BARRY AND PETA WITH A RUMBA. TO A STANDING OVATION. 640 00:38:06,684 --> 00:38:14,025 YES. THOSE HIPS WERE MOVING, BABY. 641 00:38:14,025 --> 00:38:17,462 >> Derek: YOU HAVE CAPTURED THE HEARTS OF AMERICA AND OURS. 642 00:38:17,462 --> 00:38:22,734 WE LOVE WATCHING YOU DANCE. THAT OPENING, OKAY, FIGURE EIGHT 643 00:38:22,734 --> 00:38:26,037 HIPS. I SEE YOU. THE WAY YOU USE YOUR ARMS. 644 00:38:26,037 --> 00:38:29,407 BEAUTIFUL. THERE WERE A FEW THINGS, BUT 645 00:38:29,407 --> 00:38:32,644 OVERALL, GREAT RUMBA. 646 00:38:32,644 --> 00:38:39,184 >> Billy: GREAT WORK. AS A MATTER OF FACT, THE 647 00:38:39,184 --> 00:38:40,518 STORYTELLING IS GREAT. YOU KNOW HOW TO SHOW UP AND SHOW 648 00:38:40,518 --> 00:38:45,456 OUT. IT'S FABULOUS. IT'S A LITTLE TOO EASY FOR YOU. 649 00:38:45,456 --> 00:38:48,760 CHALLENGE YOURSELF A LITTLE BIT MORE IN TERMS OF THE STEPS. 650 00:38:48,760 --> 00:38:55,066 CHALLENGE YOURSELF. YOU CAN DO MORE. 651 00:38:55,066 --> 00:38:58,303 >> Bruno: BARRY, YOU REALLY HAD IT ALL TONIGHT. 652 00:38:58,303 --> 00:39:02,473 YOU DIDN'T DROP THE BALL. NO MISTAKES. 653 00:39:02,473 --> 00:39:09,681 IT MAKES ALL THE DIFFERENCE. YOUR FOCUS WAS UNINTERRUPTED. 654 00:39:09,681 --> 00:39:16,754 YOUR PERFORMANCE WAS TRUE AND SUSTAINED. I'M DONE. 655 00:39:16,754 --> 00:39:22,627 >> Carrie: BARRY, YOU ARE SUCH A SHOWMAN THAT SOMETIMES IT GOES 656 00:39:22,627 --> 00:39:24,862 UNNOTICED. TONIGHT, THERE WAS AN INTENSITY 657 00:39:24,862 --> 00:39:27,465 TO WHAT YOU WERE DOING THAT I HAVE NOT SEEN BEFORE. 658 00:39:27,465 --> 00:39:30,501 THERE WAS A STRENGTH AND MORE OF A BRAVADO. 659 00:39:30,501 --> 00:39:36,474 THE HIPS WERE A LITTLE BIT NOT LUBRICATED. 660 00:39:36,474 --> 00:39:41,045 BUT I HAVE TO SAY -- ARE YOU PINCHING MY NECK? 661 00:39:41,045 --> 00:39:43,348 THAT'S SO WEIRD. I WANT TO SAY I THOUGHT IT WAS 662 00:39:43,348 --> 00:39:44,582 REALLY BEAUTIFUL. 663 00:39:44,582 --> 00:39:51,756 ONE OF YOUR BETTER DANCES. 664 00:39:51,756 --> 00:39:54,092 >> Alfonso: I'M NOT GOING TO PINCH YOUR NECK. 665 00:39:54,092 --> 00:39:58,062 HEAD ON UP TO JULIANNE FOR YOUR SCORES. 666 00:39:58,062 --> 00:39:58,796 LET'S SEE WHAT THE LEADERBOARD 667 00:39:58,796 --> 00:40:07,739 LOOKS LIKE SO FAR. 668 00:40:07,739 --> 00:40:12,977 >> Julianne: GET OVER HERE. YOU HAD A LOT OF INSPIRATION 669 00:40:12,977 --> 00:40:16,447 FROM YOUR WIFE DURING THE REHEARSAL THIS WEEK. 670 00:40:16,447 --> 00:40:17,715 HOW WAS THAT HAVING HER COACH YOU? 671 00:40:17,715 --> 00:40:20,184 >> IT WAS GREAT. I WANT TO DEDICATE THIS DANCE TO 672 00:40:20,184 --> 00:40:24,455 MY WIFE. SHE HAS BEEN FANTASTICALLY 673 00:40:24,455 --> 00:40:26,791 SUPPORTIVE THROUGHOUT THIS CONTEST. 674 00:40:26,791 --> 00:40:31,863 SHE SHOWED UP TO REHEARAL AND BROUGHT HER LIFETIME EXPERIENCE 675 00:40:31,863 --> 00:40:33,698 OF DANCE. I THINK IT HELPED ELEVATE THE 676 00:40:33,698 --> 00:40:36,100 LEVEL OF OUR PERFORMANCE. 677 00:40:36,100 --> 00:40:38,603 >> Julianne: I AGREE. WE WILL GET YOUR SCORES, RIGHT 678 00:40:38,603 --> 00:40:40,305 AFTER THIS. 679 00:40:50,448 --> 00:40:53,084 ♪♪ 680 00:40:53,084 --> 00:40:56,187 >> Julianne: WELCOME BACK TO "WHITNEY HOUSTON NIGHT." 681 00:40:56,187 --> 00:40:58,289 BEFORE THE BREAK, BARRY AND PETA DANCED A RUMBA. 682 00:40:58,289 --> 00:41:03,761 LET'S GET THEIR SCORES. 683 00:41:03,761 --> 00:41:06,731 >> Carrie: EIGHT. 684 00:41:06,731 --> 00:41:10,568 >> Derek: EIGHT. 685 00:41:10,568 --> 00:41:12,970 >> Billy: EIGHT. 686 00:41:12,970 --> 00:41:17,208 >> Bruno: EIGHT. 687 00:41:17,208 --> 00:41:23,648 >> Julianne: THAT'S A 32 OUT OF 40. THEY HAVE A CHANCE TO WIN 688 00:41:23,648 --> 00:41:28,052 DANCE-OFF POINTS ON THE WAY. NO ONE GETS BY ON JUDGE'S SCORES 689 00:41:28,052 --> 00:41:34,826 ALONE. 690 00:41:34,826 --> 00:41:36,260 >> Alfonso: THANKS, JULIANNE. UP NEXT IN THE FIRST ROUND, OUR 691 00:41:36,260 --> 00:41:37,962 "BACHELORETTE" STAR PERFORMS A VIENNESE WALTZ TO THE 692 00:41:37,962 --> 00:41:39,230 BEST-SELLING SINGLE BY A FEMALE ARTIST OF ALL TIME. 693 00:41:39,230 --> 00:41:40,665 AS SHE TRAINED TO DANCE TO "I WILL ALWAYS LOVE YOU," CHECK OUT 694 00:41:40,665 --> 00:41:42,633 CHARITY LAWSON AND 695 00:41:42,633 --> 00:41:55,179 ARTEM CHIGVINTSEV. 696 00:41:55,179 --> 00:41:57,715 >> Derek: WE ARE LOOKING FOR MORE ENERGY. 697 00:41:57,715 --> 00:42:00,651 >> EIGHTS ARE LIKE SIXES AT THE STAGE WE ARE AT. 698 00:42:00,651 --> 00:42:03,454 I'M IN THE MIDDLE OF THE LEADERBOARD. I'M NOT HAPPY. 699 00:42:03,454 --> 00:42:06,224 AT ALL. 700 00:42:06,224 --> 00:42:07,325 >> HOW DO YOU FEEL? 701 00:42:07,325 --> 00:42:12,230 >> FRUSTRATED. IT'S HARD TO GET THE SAME 702 00:42:12,230 --> 00:42:14,899 CRITIQUE. THE MAIN CRITIQUE IS MORE ENERGY 703 00:42:14,899 --> 00:42:17,101 WAS NEEDED. WHAT IS IT GOING TO TAKE? 704 00:42:17,101 --> 00:42:18,002 I DON'T KNOW. 705 00:42:18,002 --> 00:42:24,409 >> WE WILL TRY TO FIGURE IT OUT. IT'S WHITNEY HOUSTON NIGHT. 706 00:42:24,409 --> 00:42:26,911 WE HAVE "I WILL ALWAYS LOVE YOU." 707 00:42:26,911 --> 00:42:32,450 >> YES! IT'S ONE OF WHITNEY'S BIGGEST 708 00:42:32,450 --> 00:42:36,387 HITS. IT MAKES ME THINK OF MY FIANCE. 709 00:42:36,387 --> 00:42:42,093 I'M GRATEFUL FOR A LOVE LIKE THIS BECAUSE IT'S BEAUTIFUL. 710 00:42:42,093 --> 00:42:45,329 GET MY ENERGY ON POINT. THERE WE GO. 711 00:42:45,329 --> 00:42:50,334 >> STEP ONE. STEP TWO. 712 00:42:50,334 --> 00:42:56,574 VIENNESE IS VERY ELEGANT. HER ENERGY NEEDS TO GO FROM ZERO 713 00:42:56,574 --> 00:43:02,346 TO 100. GO! GO! A LITTLE DIFFERENT APPROACH TO 714 00:43:02,346 --> 00:43:09,887 HELP HER BE MORE POWERFUL. ENERGY! MORE POWER. 715 00:43:09,887 --> 00:43:11,923 MAKING HER RUN FASTER AND FASTER, SHE UNDERSTANDS THE 716 00:43:11,923 --> 00:43:16,494 CHANGE WITH THE ENERGY. ENERGY. PUT THAT ENERGY INTO THE DANCE. 717 00:43:16,494 --> 00:43:20,098 >> EVERYONE IN THE AUDIENCE WILL BE WAITING FOR THAT BIG ICONIC 718 00:43:20,098 --> 00:43:22,500 MOMENT IN THE SONG. I HAVE TO PULL IT OFF. 719 00:43:22,500 --> 00:43:25,636 IT'S NOW OR NEVER AT THIS POINT. NOW OR NEVER. 720 00:43:25,636 --> 00:43:29,807 >> THERE YOU GO. 721 00:43:29,807 --> 00:43:31,909 >> Announcer: DANCING THE VIENNESE WALTZ, WITH HER PARTNER 722 00:43:31,909 --> 00:43:34,979 ARTEM CHIGVINTSEV, IT'S CHARITY LAWSON. 723 00:43:40,818 --> 00:43:43,921 ♪ IF I SHOULD STAY 724 00:43:43,921 --> 00:43:45,490 I WOULD ONLY 725 00:43:45,490 --> 00:43:54,866 BE IN YOUR WAY ♪ 726 00:43:54,866 --> 00:43:55,900 ♪ SO I'LL GO BUT I KNOW 727 00:43:55,900 --> 00:44:00,571 I'LL THINK OF YOU 728 00:44:00,571 --> 00:44:15,219 EVERY STEP OF THE WAY ♪ 729 00:44:15,219 --> 00:44:25,096 ♪ AND I WILL ALWAYS LOVE YOU 730 00:44:25,096 --> 00:44:33,938 I WILL ALWAYS LOVE YOU 731 00:44:33,938 --> 00:44:41,245 ♪ I WILL ALWAYS LOVE YOU 732 00:44:41,245 --> 00:44:55,426 I WILL ALWAYS LOVE YOU ♪ 733 00:44:55,426 --> 00:45:01,132 ♪ I WILL ALWAYS LOVE YOU 734 00:45:01,132 --> 00:45:07,905 I I WILL ALWAYS LOVE YOU ♪ 735 00:45:07,905 --> 00:45:11,509 [ APPLAUSE ] 736 00:45:11,509 --> 00:45:13,077 >> Alfonso: CHARITY AND ARTEM SENDING SOME LOVE TO WHITNEY 737 00:45:13,077 --> 00:45:19,584 WITH THEIR VIENNESE WALTZ. HOW ABOUT THIS LOVE FOR THE 738 00:45:19,584 --> 00:45:24,322 AMAZING VOCALS? SO BEAUTIFUL. THANKS TO ALL OF OUR LEAD 739 00:45:24,322 --> 00:45:29,894 SINGERS ON WHITNEY SONGS TONIGHT. YOU SOUND AMAZING. 740 00:45:29,894 --> 00:45:33,898 LET'S GET INTO YOU. 741 00:45:33,898 --> 00:45:39,036 >> Billy: GORGEOUS. THE STORYTELLING IS GREAT. 742 00:45:39,036 --> 00:45:46,944 THE ARMS, YOUR LIMBS, THEY ARE LOVELY. A LITTLE OLIVE OILY. 743 00:45:46,944 --> 00:45:52,783 MAKE SURE THE ELEGANCE IS THERE. YOU ARE VERY, VERY CLOSE. 744 00:45:52,783 --> 00:45:57,254 SPOTTING. SPOTTING IN YOUR TURNS WILL HELP 745 00:45:57,254 --> 00:45:59,991 YOU NOT LOSE -- BECAUSE YOU ARE FALLING OUT OF STEP BECAUSE YOU 746 00:45:59,991 --> 00:46:03,461 ARE NOT SPOTTING. 747 00:46:03,461 --> 00:46:10,301 >> Bruno: MY DARLING, SO, SOPHISTICATED, SO CLASSY. 748 00:46:10,301 --> 00:46:14,572 YOU WERE SO ON IT. EVERYTHING FOLLOWED THE LYRICS 749 00:46:14,572 --> 00:46:21,178 BEAUTIFULLY. SO CLOSE. 750 00:46:21,178 --> 00:46:24,482 WHAT YOU HAD IN THAT SECTION, WHEN YOU WERE DANCING AND WHEN 751 00:46:24,482 --> 00:46:29,186 YOU HAVE A FREE HAND, MAKE SURE YOU DON'T CUT IT SHORT. 752 00:46:29,186 --> 00:46:32,189 IT NEVER STOPS. IT LINKS FROM ONE MOVEMENT TO 753 00:46:32,189 --> 00:46:38,095 THE OTHER. I'M TELLING YOU, BEAUTIFUL. 754 00:46:38,095 --> 00:46:40,097 >> Carrie: YOU ARE A BEAUTIFUL DANCER. 755 00:46:40,097 --> 00:46:43,401 YOU HAVE SO MUCH FACILITY. WHAT WE ARE ASKING FOR, IF YOU 756 00:46:43,401 --> 00:46:46,837 WANT TO KNOW, IS JUST -- IT'S MORE ABOUT THE CONNECTION TO THE 757 00:46:46,837 --> 00:46:48,472 MOVEMENT. SOMETIMES -- WHEN YOU ARE DOING 758 00:46:48,472 --> 00:46:51,242 THIS, WHY ARE YOU DOING THIS? HOW DOES IT FEEL? 759 00:46:51,242 --> 00:46:54,111 WHAT ARE YOU TRYING TO TELL US? ARE YOU REACHING? 760 00:46:54,111 --> 00:47:00,084 ARE YOU DESPERATE? ARE YOU HAPPY? WHAT I DID SEE TONIGHT WAS MORE 761 00:47:00,084 --> 00:47:05,856 JOY. I WILL GIVE YOU THAT. 762 00:47:05,856 --> 00:47:08,292 >> Derek: YOU ARE SO CLASSY, SO ELEGANT. 763 00:47:08,292 --> 00:47:11,696 I WANT TO GIVE YOU A TEN SO BAD. THERE'S A FEW THINGS. 764 00:47:11,696 --> 00:47:14,298 I THINK MOVING FORWARD, ESPECIALLY IN THE BALL ROOM 765 00:47:14,298 --> 00:47:17,268 DANCE, WATCH THE RIGHT ARM. IT SHOULD NEVER BE LOCKED. 766 00:47:17,268 --> 00:47:20,004 IT SHOULD BE BENT TO CREATE THE SHOULDER LINE. 767 00:47:20,004 --> 00:47:24,208 THE ENERGY WE SPEAK OF, IN BALL ROOM DANCE -- IT'S NOT ENERGY, 768 00:47:24,208 --> 00:47:27,945 IT'S FROM THE TORSO, THE BACK, EVERYTHING MOVES FROM HERE. 769 00:47:27,945 --> 00:47:29,714 THERE'S A REASON WHY WE'RE MOVING THAT WAY. 770 00:47:29,714 --> 00:47:33,150 WE ARE SAYING THIS BECAUSE YOU ARE MAGNIFICENT. 771 00:47:33,150 --> 00:47:35,820 I WANT TO LET YOU KNOW THAT. 772 00:47:35,820 --> 00:47:38,422 >> Alfonso: HEAD ON UP TO JULIANNE IN THE SKYBOX. 773 00:47:38,422 --> 00:47:42,059 LAST FRIDAY, TAYLOR SWIFT MADE GRAMMY HISTORY AS THE SONGWRITER 774 00:47:42,059 --> 00:47:44,662 WITH THE MOST NOMINATIONS FOR "SONG OF THE YEAR." 775 00:47:44,662 --> 00:47:47,364 NEXT TUESDAY, WE'LL MAKE HISTORY IN THE BALLROOM WITH "A 776 00:47:47,364 --> 00:47:50,935 CELEBRATION OF TAYLOR SWIFT." ALL OF OUR COUPLES WILL BE 777 00:47:50,935 --> 00:47:57,675 DANCING TO THEIR FAVORITE HITS FROM HER CATALOGUE. JULIANNE -- 778 00:47:57,675 --> 00:47:59,276 >> Julianne: ALFONSO, SINCE YOU'RE MY FRIEND, I JUST MIGHT 779 00:47:59,276 --> 00:48:03,948 BRING YOU A SWIFTIE BRACELET. YOU ARE GOING BACK AND FORTH 780 00:48:03,948 --> 00:48:08,419 WITH THE JUDGES ABOUT BIGGER ENERGY. 781 00:48:08,419 --> 00:48:12,556 WHAT DOES THAT FEEL LIKE WHEN YOU GET A WALTZ? 782 00:48:12,556 --> 00:48:17,228 >> IT'S HOW YOU CONNECT YOUR MOVEMENTS TO YOUR BODY BUT IT'S 783 00:48:17,228 --> 00:48:20,264 A ONE, TWO, THREE. PUNCHING THE FIRST COUNT OF THE 784 00:48:20,264 --> 00:48:22,833 STEPS AND MAKING SURE YOU ARE DELIVERING. 785 00:48:22,833 --> 00:48:25,302 >> Julianne: WE ARE THREE WEEKS AWAY FROM THE FINALE. 786 00:48:25,302 --> 00:48:28,272 WHAT DO YOU THINK YOU HAVE TO DO TO GET TO THAT SPOT? 787 00:48:28,272 --> 00:48:30,040 >> BRING MORE. TAKE WHAT THEY ARE GIVING ME AND 788 00:48:30,040 --> 00:48:34,845 APPLY IT. JUST TRYING. I'M TRYING. 789 00:48:34,845 --> 00:48:38,349 >> Julianne: YOU ARE. WE'RE ALL TRYING. AREN'T WE? 790 00:48:38,349 --> 00:48:41,652 LET'S LOOK AT YOUR SCORES. 791 00:48:41,652 --> 00:48:45,689 >> Carrie: NINE. 792 00:48:45,689 --> 00:48:49,426 >> Derek: NINE. 793 00:48:49,426 --> 00:48:52,763 >> Billy: NINE. 794 00:48:52,763 --> 00:48:57,168 >> Bruno: GETTING CLOSE. NINE. 795 00:48:57,168 --> 00:48:59,804 >> Julianne: THAT'S A 36 OUT OF 40. 796 00:48:59,804 --> 00:49:05,042 NO ONE IS SAFE FROM ELIMINATION. IF YOU HAVEN'T VOTED, GET TO IT. 797 00:49:05,042 --> 00:49:06,844 VOTING CLOSES DURING THE LAST COMMERCIAL BREAK. 798 00:49:06,844 --> 00:49:09,547 >> Alfonso: THANKS, JULIANNE. WE'LL FINISH THE FIRST ROUND 799 00:49:09,547 --> 00:49:12,716 WITH A PASO DOBLE FROM OUR STAR FROM "VANDERPUMP RULES." 800 00:49:12,716 --> 00:49:16,287 ARIANA MADIX AND PASHA PASHKOV ARE NEXT, LIVE. 801 00:49:24,128 --> 00:49:26,630 ♪♪ 802 00:49:26,630 --> 00:49:29,233 >> Alfonso: WELCOME BACK. WE'LL WRAP UP TONIGHT'S FIRST 803 00:49:29,233 --> 00:49:31,468 ROUND WITH OUR STAR FROM "VANDERPUMP RULES" WHO SHARED 804 00:49:31,468 --> 00:49:35,439 THE TOP OF LAST WEEK'S LEADERBOARD. 805 00:49:35,439 --> 00:49:38,876 >> Julianne: TONIGHT, SHE PERFORMED A PASO 806 00:49:38,876 --> 00:49:42,279 DOBLE TO THE WHITNEY HOUSTON HIT "QUEEN OF THE NIGHT." 807 00:49:42,279 --> 00:49:45,382 IT'S ARIANA MADIX AND 808 00:49:45,382 --> 00:49:55,626 PASHA PASHKOV. 809 00:49:55,626 --> 00:50:00,831 >> I'M IMMUNE. I GOT MY SECOND TEN OF THE 810 00:50:00,831 --> 00:50:07,104 SEASON. I'M SUPER PUMPED. AFTER A TOUGH WEEK OF LATE NIGHT 811 00:50:07,104 --> 00:50:10,908 REHEARSALS, THAT FELT SO AMAZING. DOING THIS COMPETITION IS VERY, 812 00:50:10,908 --> 00:50:15,246 VERY GRUELING. ON TOP OF THAT, THERE'S 813 00:50:15,246 --> 00:50:19,884 INTERVIEWS, TRYING TO OPEN A SANDWICH SHOP. 814 00:50:19,884 --> 00:50:23,153 REHEARAL IS THE TOP PRIORITY. 815 00:50:23,153 --> 00:50:26,690 >> YOU MADE EVERY MINUTE COUNT. 816 00:50:26,690 --> 00:50:32,029 >> I DON'T HAVE RICH PARENTS. THE HARDER I WORK, THE MORE I'M 817 00:50:32,029 --> 00:50:34,198 ABLE TO GET CLOSER TO MY DREAMS. 818 00:50:34,198 --> 00:50:37,668 >> I'M PLEASED TO HAVE A PARTNER THAT WORKS HARD. 819 00:50:37,668 --> 00:50:42,506 THIS WEEK WILL BE THE HARDEST YET. IT'S WHITNEY HOUSTON NIGHT. 820 00:50:42,506 --> 00:50:45,743 WE ARE DANCING TO "QUEEN OF THE NIGHT." 821 00:50:45,743 --> 00:50:49,813 >> SHE HAS THE MOST INCREDIBLE VOICE OF ALL TIME. 822 00:50:49,813 --> 00:50:53,183 NO ONE CAN TOUCH HER. 823 00:50:53,183 --> 00:50:59,757 >> PASO DOBLE IS A CHALLENGE FOR ANYBODY TO LEARN. IT'S EXTREME. 824 00:50:59,757 --> 00:51:01,625 MORE. 825 00:51:01,625 --> 00:51:05,429 >> NOT HAVING TO DO THE DANCE-OFF THIS WEEK, IT'S GOING 826 00:51:05,429 --> 00:51:09,433 TO GIVE US A CHANCE TO PUT THE EXTRA EFFORT INTO THIS DANCE. 827 00:51:09,433 --> 00:51:15,039 PEOPLE ARE GOING TO EXPECT A LOT. 828 00:51:15,039 --> 00:51:18,709 PEOPLE SAY YOU DON'T DESERVE IT. WE HAVE TO SHOW THEM NOT ONLY WE 829 00:51:18,709 --> 00:51:22,513 DESERVE TO BE THERE, BUT WE ARE HERE TO STAY. 830 00:51:22,513 --> 00:51:24,615 >> Announcer: DANCING THE PASO DOBLE, WITH HER PARTNER 831 00:51:24,615 --> 00:51:29,353 PASHA PASHKOV, IT'S ARIANA MADIX. 832 00:51:29,353 --> 00:51:32,990 ♪♪ 833 00:51:32,990 --> 00:51:33,590 ♪ I'VE GOT THE STUFF 834 00:51:33,590 --> 00:51:35,693 THAT YOU WANT I'VE GOT THE THING ♪ 835 00:51:35,693 --> 00:51:37,695 ♪ THAT YOU NEED 836 00:51:37,695 --> 00:51:40,297 I'VE GOT MORE THAN ENOUGH TO MAKE YOU DROP ♪ 837 00:51:40,297 --> 00:51:40,864 ♪ TO YOUR KNEES 838 00:51:40,864 --> 00:51:43,934 'CAUSE I'M THE QUEEN OF THE NIGHT ♪ 839 00:51:43,934 --> 00:51:46,003 ♪ THE QUEEN OF THE NIGHT 840 00:51:46,003 --> 00:51:51,709 OH YEAH, OH YEAH OH YEAH YEAH ♪ 841 00:51:51,709 --> 00:51:53,811 ♪ DON'T MAKE NO DIFFERENCE 842 00:51:53,811 --> 00:51:57,982 IF I'M WRONG OR I'M RIGHT I'VE GOT THE FEELING ♪ 843 00:51:57,982 --> 00:52:02,219 ♪ AND I'M WILLING TONIGHT 844 00:52:02,219 --> 00:52:07,958 BUT I AIN'T NOBODY'S ANGEL WHAT CAN I SAY ♪ 845 00:52:07,958 --> 00:52:08,692 ♪ WELL I'M JUST THAT WAY, AY 846 00:52:08,692 --> 00:52:10,561 I'VE GOT THE STUFF THAT YOU WANT ♪ 847 00:52:10,561 --> 00:52:11,628 ♪ I'VE GOT THE THING 848 00:52:11,628 --> 00:52:14,732 THAT YOU NEED I'VE GOT MORE THAN ENOUGH ♪ 849 00:52:14,732 --> 00:52:16,300 ♪ TO MAKE YOU DROP 850 00:52:16,300 --> 00:52:18,369 TO YOUR KNEES 'CAUSE I'M THE ♪ 851 00:52:18,369 --> 00:52:20,437 ♪ QUEEN OF THE NIGHT 852 00:52:20,437 --> 00:52:26,176 QUEEN OF THE NIGHT OH YEAH, OH YEAH ♪ 853 00:52:26,176 --> 00:52:30,881 ♪ OH YEAH YEAH 854 00:52:30,881 --> 00:52:36,086 OH OH OOH I'VE GOT THE STUFF ♪ 855 00:52:36,086 --> 00:52:36,620 ♪ THAT YOU WANT 856 00:52:36,620 --> 00:52:39,757 I'VE GOT THE THING THAT YOU NEED ♪ 857 00:52:39,757 --> 00:52:40,824 ♪ I'VE GOT MORE THAN ENOUGH 858 00:52:40,824 --> 00:52:43,427 TO MAKE YOU DROP TO YOUR KNEES ♪ 859 00:52:43,427 --> 00:52:45,496 ♪ 'CAUSE I'M THE 860 00:52:45,496 --> 00:52:48,132 QUEEN OF THE NIGHT QUEEN OF THE NIGHT ♪ 861 00:52:48,132 --> 00:52:51,201 ♪ OH YEAH, OH YEAH 862 00:52:51,201 --> 00:52:53,804 OH YEAH YEAH ♪ 863 00:52:53,804 --> 00:52:59,543 [ APPLAUSE ] 864 00:52:59,543 --> 00:53:06,550 >> Alfonso: ARIANA AND PASHA, QUEEN OF THE PASO DOBLE. 865 00:53:06,550 --> 00:53:12,356 YES! LOVELY. 866 00:53:12,356 --> 00:53:14,892 BRUNO. 867 00:53:14,892 --> 00:53:21,732 >> Bruno: YOU GOT THE POWER. AND I GOT THE MEMO. 868 00:53:21,732 --> 00:53:25,569 I WANT TO BE YOUR BODYGUARD BECAUSE EVERYONE WILL BE AFTER 869 00:53:25,569 --> 00:53:27,604 YOU. YOU DOMINATED THAT PERFORMANCE. 870 00:53:27,604 --> 00:53:28,772 YOU DOMINATED. 871 00:53:28,772 --> 00:53:33,510 >> THANK YOU. 872 00:53:33,510 --> 00:53:37,681 >> Carrie: WHAT I LOVE MOST ABOUT YOU IS YOU DO NOT MISS A 873 00:53:37,681 --> 00:53:40,684 MOMENT. YOU ATTACK EVERYTHING WITH 874 00:53:40,684 --> 00:53:43,954 EVERYTHING YOU'VE GOT. WHAT WAS LACKING FOR ME -- THERE 875 00:53:43,954 --> 00:53:46,156 WAS THESE MOMENTS THAT SEEMED AWKWARD FOR YOU, WHICH WAS ODD 876 00:53:46,156 --> 00:53:52,229 TO ME. MY GOODNESS, ALL RIGHT. 877 00:53:52,229 --> 00:53:55,732 YOU GUYS VOTE. 878 00:53:55,732 --> 00:53:58,969 >> Derek: LISTEN, NOBODY HAS BEEN USING THEIR ARMS LIKE YOU 879 00:53:58,969 --> 00:54:01,338 DO. THE WAY YOU HAD THE TEXTURE IN 880 00:54:01,338 --> 00:54:03,740 YOUR BODY, IT WAS LIKE -- 881 00:54:03,740 --> 00:54:05,909 >> THANK YOU. 882 00:54:05,909 --> 00:54:10,347 >> Derek: THE DETAIL THAT YOU MIGHT NOT SEE ON TV BUT I SAW IT 883 00:54:10,347 --> 00:54:13,884 HERE. YOU WERE CONTRACTING YOUR TORSO. 884 00:54:13,884 --> 00:54:20,758 FANTASTIC. FANTASTIC. 885 00:54:20,758 --> 00:54:28,065 >> Billy: I FEEL LIKE I NEED TO DANCE. IT WAS SO CLEAN. 886 00:54:28,065 --> 00:54:33,470 IT WAS SO SHARP. I PICKED THAT BODY ROLL UP. 887 00:54:33,470 --> 00:54:37,441 THAT WAS ONE OF MY FAVORITE. YOUR QUADS WITH THE HINGES. 888 00:54:37,441 --> 00:54:38,308 YOU WORKED IT OUT. 889 00:54:38,308 --> 00:54:40,911 >> THANK YOU SO MUCH. 890 00:54:40,911 --> 00:54:43,547 >> Alfonso: HEAD UP TO JULIANNE FOR YOUR SCORES. 891 00:54:43,547 --> 00:54:46,150 BY THE WAY, PASHA IS JUST ONE OF THE PROS YOU CAN SEE IN PERSON 892 00:54:46,150 --> 00:54:47,918 WHEN THE ALL-NEW "DANCING WITH THE STARS" TOUR TRAVELS TO A 893 00:54:47,918 --> 00:54:51,922 TOWN NEAR YOU. TICKETS AND FULL DETAILS ARE 894 00:54:51,922 --> 00:54:55,559 AVAILABLE NOW AT DWTSTOUR.COM. YOU CAN ALSO FIND OUT WHERE AND 895 00:54:55,559 --> 00:54:58,695 WHEN JULIANNE WILL BE PERFORMING WITH THE CAST. JULIANNE -- 896 00:54:58,695 --> 00:55:00,764 >> Julianne: TICKETS ARE GOING FAST, ALFONSO. 897 00:55:00,764 --> 00:55:06,270 I WANT TO SEE YOU THERE. ALL RIGHT, ALL RIGHT, ALL RIGHT. 898 00:55:06,270 --> 00:55:09,273 I WANT TO KNOW, YOU HAVE IMMUNITY FROM THE DANCE-OFF. 899 00:55:09,273 --> 00:55:13,443 HAVING THAT LITTLE EXTRA TIME, DO YOU THINK THAT PAID OFF? 900 00:55:13,443 --> 00:55:18,982 >> I FEEL LIKE PASHA PUT EXTRA STUFF IN THERE. 901 00:55:18,982 --> 00:55:21,785 >> Julianne: ALL THOSE CONTRACTIONS. 902 00:55:21,785 --> 00:55:25,289 YOU OBVIOUSLY, EVEN WITH THAT EXTRA TIME, YOU HAVE SO MUCH 903 00:55:25,289 --> 00:55:28,425 GOING ON. TELL US ABOUT JUGGLING ALL OF 904 00:55:28,425 --> 00:55:29,293 THAT. 905 00:55:29,293 --> 00:55:34,832 >> I JUST -- I'VE ALWAYS BEEN A HARD WORKER. 906 00:55:34,832 --> 00:55:38,435 ADDING DANCING -- IT MOTIVATES ME IN A WAY. 907 00:55:38,435 --> 00:55:40,938 THE HARDER I WORK, I HARDER I WANT TO WORK. 908 00:55:40,938 --> 00:55:44,708 >> Julianne: I UNDERSTAND THAT. HOPEFULLY, YOU DIDN'T HAVE TO 909 00:55:44,708 --> 00:55:48,846 WORK TOO HARD FOR THESE SCORES. 910 00:55:48,846 --> 00:55:54,084 >> Carrie: NINE. 911 00:55:54,084 --> 00:55:57,921 >> Derek: HARD WORK PAYS OFF, TEN. 912 00:55:57,921 --> 00:56:03,627 >> Billy: TEN, TEN. 913 00:56:03,627 --> 00:56:05,596 >> Bruno: TEN. 914 00:56:05,596 --> 00:56:10,968 >> Julianne: THAT'S A 39 OUT OF 40. YOU ARE ONE POINT AWAY FROM A 915 00:56:10,968 --> 00:56:18,108 PERFECT SCORE. HOW ARE YOU FEELING? 916 00:56:18,108 --> 00:56:20,544 >> I HAVE NO WORDS. 917 00:56:20,544 --> 00:56:23,580 >> Julianne: YOU ARE SO EXCITED, YOUR MICROPHONE THING POPPED 918 00:56:23,580 --> 00:56:27,317 OFF. I LOVE IT. SINCE THEY WERE AT THE TOP OF 919 00:56:27,317 --> 00:56:32,155 THE LEADERBOARD, THEY WON'T HAVE TO COMPETE IN TONIGHT'S 920 00:56:32,155 --> 00:56:34,057 DANCE-OFF. THEY WON THREE EXTRA POINTS FROM 921 00:56:34,057 --> 00:56:39,696 THE JUDGES. HOWEVER, THEY ARE NOT SAFE FROM 922 00:56:39,696 --> 00:56:43,967 TONIGHT'S ELIMINATION. THEY STILL WANT YOUR VOTES. 923 00:56:43,967 --> 00:56:45,068 >> PLEASE, PLEASE VOTE FOR US. 924 00:56:53,443 --> 00:56:55,912 ♪♪ 925 00:56:55,912 --> 00:56:58,515 >> Alfonso: WELCOME BACK. NOW THAT ALL OF THE SCORES ARE 926 00:56:58,515 --> 00:57:01,118 IN FOR TONIGHT'S FIRST ROUND, LET'S TAKE A LOOK AT THE 927 00:57:01,118 --> 00:57:13,664 LEADERBOARD. 928 00:57:13,664 --> 00:57:16,533 THE POINTS UP FOR GRABS IN THE "DANCE-OFF ROUND" 929 00:57:16,533 --> 00:57:20,537 COULD CHANGE THE SCORES, AND THE STANDINGS. 930 00:57:20,537 --> 00:57:23,206 >> Julianne: THEY WILL DANCE TO THE MUSIC OF WHITNEY HOUSTON AND 931 00:57:23,206 --> 00:57:26,777 THE MOST CREATIVE RELATIONSHIP IN HER CAREER WAS WITH THE 932 00:57:26,777 --> 00:57:30,547 LEGENDARY EXECUTIVE WHO SIGNED HER AS A TEENAGER AND 933 00:57:30,547 --> 00:57:36,486 COLLABORATED WITH HER FOR DECADES. 934 00:57:36,486 --> 00:57:41,958 >> Alfonso: WE ASKED CLIVE DAVIS TO REFLECT ON WHAT MADE HER SUCH 935 00:57:41,958 --> 00:57:45,395 A UNIQUE TALENT. 936 00:57:45,395 --> 00:57:48,699 >> I REMEMBER VIVIDLY AS THOUGH IT WAS YESTERDAY WHEN I FIRST 937 00:57:48,699 --> 00:57:53,170 SAW HER. SHE WAS IN HER LATE TEENS. 938 00:57:53,170 --> 00:57:55,205 SHE STARTED SINGING "THE 939 00:57:55,205 --> 00:58:02,980 GREATEST LOVE OF ALL." 940 00:58:02,980 --> 00:58:05,182 SHE BLEW ME AWAY. 941 00:58:05,182 --> 00:58:08,952 ♪ THE GREATEST LOVE OF ALL ♪ 942 00:58:08,952 --> 00:58:09,653 >> I HAD NEVER HEARD A VOICE 943 00:58:09,653 --> 00:58:17,461 LIKE THAT BEFORE. 944 00:58:17,461 --> 00:58:21,531 MY RELATIONSHIP WITH WHITNEY WAS UNIQUE AND SPECIAL FROM THE 945 00:58:21,531 --> 00:58:24,868 BEGINNING. SHE LOVED MUSIC. WE BONDED. 946 00:58:24,868 --> 00:58:28,338 >> I'M SINGING MUSIC FROM MY HEART, FROM MY SOUL. 947 00:58:28,338 --> 00:58:32,509 >> EVERY ALBUM, IT WAS JUST WHITNEY AND ME. 948 00:58:32,509 --> 00:58:39,182 WE WERE IN SYNC WITH EACH OTHER. SHE HAD SEVEN CONSECUTIVE NUMBER 949 00:58:39,182 --> 00:58:45,055 ONE HITS. NOBODY HAD DONE THAT BEFORE. 950 00:58:45,055 --> 00:58:53,563 YOU CAN'T HELP BUT SAY WOW. 951 00:58:53,563 --> 00:58:58,702 PROFESSIONALLY, I MISS MAKING RECORDS WITH HER. 952 00:58:58,702 --> 00:59:03,106 PERSONALLY, WE WERE FAMILY TO EACH OTHER. 953 00:59:03,106 --> 00:59:05,008 ♪ TONIGHT IS THE NIGHT ♪ 954 00:59:05,008 --> 00:59:10,380 >> SHE WAS THE GREATEST CONTEMPORARY SINGER OF ALL TIME. 955 00:59:10,380 --> 00:59:12,682 WHITNEY'S LEGACY IS HER MUSIC. IT WILL BE LISTENED TO AND 956 00:59:12,682 --> 00:59:16,019 STUDIED FOREVER. 957 00:59:16,019 --> 00:59:24,060 ♪ SAVING ALL MY LOVE FOR YOU ♪ 958 00:59:24,060 --> 00:59:25,328 >> Alfonso: WITH US IN THE BALLROOM TONIGHT IS THE 959 00:59:25,328 --> 00:59:27,731 PRESIDENT AND CEO OF THE WHITNEY HOUSTON ESTATE, HER 960 00:59:27,731 --> 00:59:31,568 SISTER-IN-LAW, PAT HOUSTON. PAT, WHITNEY PERFORMED IN THIS 961 00:59:31,568 --> 00:59:33,970 BALLROOM. WHAT DO YOU THINK SHE'D MAKE OF 962 00:59:33,970 --> 00:59:37,074 TONIGHT? 963 00:59:37,074 --> 00:59:40,610 >> FIRST OF ALL, THIS ROOM IS FULL OF SO MUCH ENERGY. 964 00:59:40,610 --> 00:59:47,150 IT'S AWESOME. WHITNEY WAS A PART OF THE TEAM. 965 00:59:47,150 --> 00:59:52,022 SHE WOULD BE ELATED YOU ARE HONORING HER TONIGHT. 966 00:59:52,022 --> 00:59:54,090 >> Alfonso: THANKS SO MUCH FOR BEING HERE. 967 00:59:54,090 --> 00:59:55,659 IT'S OUR PRIVILEGE TO HONOR WHITNEY WITH THIS NIGHT. 968 00:59:55,659 --> 00:59:58,094 PAT HOUSTON, EVERYONE. 969 00:59:58,094 --> 01:00:03,867 [ APPLAUSE ] 970 01:00:03,867 --> 01:00:09,673 NOW, IN THIS SECOND ROUND, THE COUPLES WILL DANCE SIDE BY SIDE 971 01:00:09,673 --> 01:00:15,412 TO THE SAME SONG. LET'S FIND OUT WHICH COUPLES 972 01:00:15,412 --> 01:00:19,549 WILL BATTLE IT OUT FIRST. 973 01:00:19,549 --> 01:00:24,221 >> THEY ARE A LOT OF FUN. THE THING IS, WHO DO WE WANT TO 974 01:00:24,221 --> 01:00:28,625 GO AGAINST? 975 01:00:28,625 --> 01:00:35,198 WHO IS IT GOING TO BE? 976 01:00:35,198 --> 01:00:39,169 >> WE HAVE BECOME FRIENDS. WE WILL NOT SHOW ANY MERCY. 977 01:00:39,169 --> 01:00:43,140 I DON'T WANT TO BE THE BAD GUY, BUT WE ARE HERE TO WIN. 978 01:00:43,140 --> 01:00:49,179 >> HE WAS TEAM CAPTAIN AND I WAS TEAM CAPTAIN. I NEED REVENGE. 979 01:00:49,179 --> 01:00:54,851 DO YOU WANT TO SEE WHAT WE'RE DANCING TO? 980 01:00:54,851 --> 01:00:59,990 RUMBA TO "ONE MOMENT IN TIME." 981 01:00:59,990 --> 01:01:03,126 >> NEITHER OF YOU HAVE HAD THE RUMBA YET. 982 01:01:03,126 --> 01:01:06,596 >> IT'S THE DANCE OF LOVE. THEY HAVE A LITTLE CONNECTION. 983 01:01:06,596 --> 01:01:10,634 WE CAN DO THAT. COME HERE. 984 01:01:10,634 --> 01:01:15,005 >> I WILL FORFEIT. 985 01:01:15,005 --> 01:01:18,708 >> BEING ABLE TO COMPARE THE COUPLES SIDE BY SIDE. 986 01:01:18,708 --> 01:01:21,144 >> OUT. TAKE A STEP. 987 01:01:21,144 --> 01:01:24,014 >> A BOW? FOR THE RUMBA? 988 01:01:24,014 --> 01:01:28,451 >> THE COUPLE THAT IS GOING TO WIN IS GOING TO NEED TO HAVE THE 989 01:01:28,451 --> 01:01:29,119 WHOLE PACKAGE. 990 01:01:29,119 --> 01:01:34,190 >> CAN YOU BE ROMANTIC. 991 01:01:34,190 --> 01:01:36,626 >> Carrie: THEY HAVE BEEN AT THE BOTTOM OFTEN. 992 01:01:36,626 --> 01:01:38,295 IT'S A FAIR MATCHUP. 993 01:01:38,295 --> 01:01:41,131 >> EXTRA POINTS WOULD MEAN SO MUCH TO US. 994 01:01:41,131 --> 01:01:43,433 IF WE CAN HAVE A MASSIVE JUMP, IT COULD KEEP ME IN THE 995 01:01:43,433 --> 01:01:44,601 COMPETITION. 996 01:01:44,601 --> 01:01:48,038 >> YES, HARRY. 997 01:01:48,038 --> 01:01:53,310 >> THERE'S A CHANCE I COULD GO HOME. I DON'T WANT TO GO HOME. 998 01:01:53,310 --> 01:01:56,646 >> HARRY IS GOING DOWN. 999 01:01:56,646 --> 01:01:59,316 >> WE BEAT YOU LAST WEEK AND WE'RE GOING TO BEAT YOU AGAIN. 1000 01:01:59,316 --> 01:02:02,285 >> WE NEED ALL THE POINTS WE CAN GET. WE ARE COMING FOR YOU. 1001 01:02:02,285 --> 01:02:08,024 THE POINTS ARE OURS. 1002 01:02:08,024 --> 01:02:09,759 >> Announcer: DANCING THE RUMBA, IT'S HARRY JOWSEY AND RYLEE 1003 01:02:09,759 --> 01:02:13,230 ARNOLD VS. ALYSON HANNIGAN AND SASHA FARBER. 1004 01:02:13,230 --> 01:02:16,800 LET THE DANCE-OFF BEGIN. 1005 01:02:24,140 --> 01:02:26,776 ♪ EACH DAY I LIVE 1006 01:02:26,776 --> 01:02:30,447 I WANT TO BE ♪ 1007 01:02:30,447 --> 01:02:32,482 ♪ A DAY TO GIVE 1008 01:02:32,482 --> 01:02:37,220 THE BEST OF ME ♪ 1009 01:02:37,220 --> 01:02:37,754 ♪ I RISE AND FALL 1010 01:02:37,754 --> 01:02:41,358 YET THROUGH IT ALL 1011 01:02:41,358 --> 01:02:49,199 THIS MUCH REMAINS ♪ 1012 01:02:49,199 --> 01:02:51,835 ♪ GIVE ME ONE MOMENT IN TIME 1013 01:02:51,835 --> 01:02:59,042 WHEN I'M RACING WITH DESTINY ♪ 1014 01:02:59,042 --> 01:03:00,110 ♪ THEN IN THAT 1015 01:03:00,110 --> 01:03:05,315 ONE MOMENT OF TIME ♪ 1016 01:03:05,315 --> 01:03:06,349 ♪ I WILL FEEL 1017 01:03:06,349 --> 01:03:09,019 I WILL FEEL 1018 01:03:09,019 --> 01:03:14,724 I WILL BE FREE ♪ 1019 01:03:14,724 --> 01:03:22,065 [ APPLAUSE ] 1020 01:03:22,065 --> 01:03:24,634 >> Alfonso: HARRY AND RYLEE, AND ALYSON, AND SASHA WITH A RUMBA 1021 01:03:24,634 --> 01:03:32,042 DANCE-OFF. ABSOLUTELY. 1022 01:03:32,042 --> 01:03:33,643 IT'S GREAT, BECAUSE YOU HAVE SUCH A GREAT FRIENDSHIP. 1023 01:03:33,643 --> 01:03:36,946 WE LOVE THIS. WE HATE YOU HAVE TO GO AGAINST 1024 01:03:36,946 --> 01:03:40,016 EACH OTHER. 1025 01:03:40,016 --> 01:03:43,520 >> Carrie: THERE'S A LOT AT STAKE HERE. THIS MATTERS FOR YOU. 1026 01:03:43,520 --> 01:03:46,923 THIS IS A HARD DECISION. BOTH OF YOU HAVE GROWN SO MUCH. 1027 01:03:46,923 --> 01:03:50,660 IT WAS REALLY A PLEASURE TO SEE THAT. 1028 01:03:50,660 --> 01:03:55,799 HARRY, I THOUGHT YOU WERE MORE TELLING THE STORY. 1029 01:03:55,799 --> 01:03:58,001 YOU DANCED TINY CIRCLES AROUND 1030 01:03:58,001 --> 01:04:03,907 HARRY. 1031 01:04:03,907 --> 01:04:06,876 >> Alfonso: DEREK? 1032 01:04:06,876 --> 01:04:09,913 >> Derek: THE WHOLE PERFORMANCE, I THINK I MIGHT HAVE PREFERRED 1033 01:04:09,913 --> 01:04:16,686 HARRY'S. I DID. HOWEVER, IF I WERE JUST TO 1034 01:04:16,686 --> 01:04:19,823 ISOLATE AND LOOK AT THE ACTUAL DANCING THAT'S HAPPENING, YOU 1035 01:04:19,823 --> 01:04:29,099 HAD A LEG UP. 1036 01:04:29,099 --> 01:04:33,870 >> Billy: YEAH, BOTH PERFORMANCES WERE FANTASTIC. 1037 01:04:33,870 --> 01:04:38,942 THE GROWTH IS EXPONENTIAL. HARRY, YOU CAN LOOSEN UP A 1038 01:04:38,942 --> 01:04:42,445 LITTLE BIT AND YOU CAN CHALLENGE YOURSELF TO DO MORE STEPS NOW 1039 01:04:42,445 --> 01:04:49,652 AND NOT JUST BE A TREE TRUNK FOR HER TO USE AND ABUSE. 1040 01:04:49,652 --> 01:04:53,490 >> Bruno: LISTEN, I REALLY FELT YOU WERE VERY INSPIRED BY THE 1041 01:04:53,490 --> 01:04:54,657 MUSIC. MY FAVORITE SONG, BY THE WAY, 1042 01:04:54,657 --> 01:05:00,196 EVER. YOU WERE SO INTO IT. THE ROMANCE. WAS IT REAL? 1043 01:05:00,196 --> 01:05:06,436 IT FELT REAL TO ME. YEAH. 1044 01:05:06,436 --> 01:05:14,077 YOU CAN SLINK IF YOU WANT TO. WAIT AND SEE. 1045 01:05:14,077 --> 01:05:16,146 >> Alfonso: HEAD UP TO JULIANNE IN THE SKYBOX. 1046 01:05:16,146 --> 01:05:17,547 NEXT TUESDAY IN THE BALLROOM, IT'S "A CELEBRATION OF TAYLOR 1047 01:05:17,547 --> 01:05:21,951 SWIFT." IN HONOR OF HER RECORD-BREAKING 1048 01:05:21,951 --> 01:05:25,121 "THE ERAS TOUR," OUR GUEST JUDGE WILL BE THE TOUR'S LEAD 1049 01:05:25,121 --> 01:05:28,424 CHOREOGRAPHER, MANDY MOORE. THE PRESSURE WILL BE ON FOR OUR 1050 01:05:28,424 --> 01:05:30,393 REMAINING STARS AS THEY DANCE TO THEIR FAVORITE TAYLOR SWIFT 1051 01:05:30,393 --> 01:05:32,896 SONGS. JULIANNE -- 1052 01:05:32,896 --> 01:05:38,835 >> Julianne: THANKS, ALFONSO. I THINK THAT WAS KIND OF A 1053 01:05:38,835 --> 01:05:41,938 REVENGE OF THE TEAM CAPTAINS. WHAT DO YOU THINK? 1054 01:05:41,938 --> 01:05:45,108 I DON'T THINK THEY HEARD ME. HOW ABOUT THIS? 1055 01:05:45,108 --> 01:05:48,244 YOU TWO HAVE HAD SOME REALLY GOOD CHEMISTRY THIS ENTIRE 1056 01:05:48,244 --> 01:05:51,314 SEASON. DO YOU THINK DOING AN INTIMATE 1057 01:05:51,314 --> 01:05:51,748 RUMBA HELPED? 1058 01:05:51,748 --> 01:05:58,154 >> OF COURSE. 1059 01:05:58,154 --> 01:06:02,525 >> Julianne: ALYSON, WHAT ABOUT YOU FOR YOU? 1060 01:06:02,525 --> 01:06:03,092 >> WE HAVE CHEMISTRY. 1061 01:06:03,092 --> 01:06:05,662 >> WE DO. 1062 01:06:05,662 --> 01:06:09,833 >> WE HAVE CHEMISTRY. IT'S MORE COMEDIC. 1063 01:06:09,833 --> 01:06:11,534 >> IT'S BROTHER/SISTER. 1064 01:06:11,534 --> 01:06:16,139 >> Julianne: IT'S TIME FOR THE JUDGES' DECISIONS. 1065 01:06:16,139 --> 01:06:22,712 >> Bruno: WE ALL HAVE DECIDED THAT THE WINNERS ARE ALYSON AND 1066 01:06:22,712 --> 01:06:25,114 SASHA. 1067 01:06:25,114 --> 01:06:28,751 >> Julianne: YOU GET THREE BONUS POINTS ADDED TO YOUR TOTAL FOR 1068 01:06:28,751 --> 01:06:30,253 THE NIGHT. YOU AT HOME HAVE TO VOTE TO SAVE 1069 01:06:30,253 --> 01:06:32,288 YOUR FAVORITES. 1070 01:06:32,288 --> 01:06:35,325 >> Alfonso: THANKS, JULIANNE. WHICH COUPLES WILL BATTLE IT OUT 1071 01:06:35,325 --> 01:06:37,494 SIDE-BY-SIDE IN THE NEXT DANCE-OFF? 1072 01:06:37,494 --> 01:06:41,064 FIND OUT AFTER THIS, LIVE. 1073 01:06:48,972 --> 01:06:51,241 ♪♪ 1074 01:06:51,241 --> 01:06:52,809 >> Alfonso: WELCOME BACK TO "WHITNEY HOUSTON NIGHT" AND OUR 1075 01:06:52,809 --> 01:06:55,612 NEXT "DANCE-OFF." LET'S SEE WHICH COUPLES WILL GO 1076 01:06:55,612 --> 01:07:01,050 HEAD-TO-HEAD. 1077 01:07:01,050 --> 01:07:03,186 >> THIS IS THE DANCE-OFF. 1078 01:07:03,186 --> 01:07:09,192 >> IT'S A TALENTED GROUP THAT'S LEFT THERE. 1079 01:07:09,192 --> 01:07:10,260 >> COME ON. 1080 01:07:10,260 --> 01:07:13,596 >> JASON IS TOUGH. HE IS VERY ADAPTABLE. 1081 01:07:13,596 --> 01:07:15,932 I HAVE TO MOVE THE BAR UP. 1082 01:07:15,932 --> 01:07:17,066 >> HE IS ON FIRE. 1083 01:07:17,066 --> 01:07:20,870 >> I WAS NOT EXCITED TO SEE BARRY AND PETA. 1084 01:07:20,870 --> 01:07:24,540 WE ARE BOTH PERFORMERS. HE IS A SCENE STEALER. 1085 01:07:24,540 --> 01:07:31,247 >> WE ARE DANCING TO WHITNEY 1086 01:07:31,247 --> 01:07:36,653 HOUSTON'S "IT'S NOT RIGHT, IT'S OKAY." 1087 01:07:36,653 --> 01:07:39,956 IT'S SALSA. 1088 01:07:39,956 --> 01:07:45,495 >> Carrie: YOU HAVE TO HAVE GREAT HIP ACTION. 1089 01:07:45,495 --> 01:07:50,633 IT'S ABOUT INTERPRETING THE MUSIC WITH FLARE. 1090 01:07:50,633 --> 01:07:53,403 >> STAY LOW AND FREE. 1091 01:07:53,403 --> 01:07:55,305 >> DO THIS. ROLL, ROLL. 1092 01:07:55,305 --> 01:07:58,207 >> BARRY KNOWS HOW TO PUT ON A GOOD SHOW. 1093 01:07:58,207 --> 01:08:01,978 I NEED THE BIGGEST BARRY YOU GOT. 1094 01:08:01,978 --> 01:08:07,750 I WILL GET BARRY TO PULL ALL THE ATTENTION SO NOBODY LOOKS AT 1095 01:08:07,750 --> 01:08:08,952 DANIELLA AND JASON. 1096 01:08:08,952 --> 01:08:12,121 >> THEY ARE SO LOVABLE. YOU DON'T WANT TO TAKE YOUR EYES 1097 01:08:12,121 --> 01:08:15,058 OFF THEM. WE HAVE TO BRING CLEAN TECHNIQUE. 1098 01:08:15,058 --> 01:08:20,930 >> WE WANT EVERYBODY TO BE CHANTING, BARRY, BARRY. 1099 01:08:20,930 --> 01:08:24,067 >> I DIPPED LAST WEEK. THESE POINTS COULD HELP ME GET 1100 01:08:24,067 --> 01:08:26,803 BACK TO THE TOP. 1101 01:08:26,803 --> 01:08:30,406 >> WE NEED THE POINTS. IT COULD BE A MAKE OR BREAK 1102 01:08:30,406 --> 01:08:32,508 SITUATION. I'M NOT READY TO GO HOME. 1103 01:08:32,508 --> 01:08:34,911 HOPE YOU HAVE A GLASS OF MILK NEAR BY. 1104 01:08:34,911 --> 01:08:39,248 BECAUSE OUR SALSA WILL BE SPICY. 1105 01:08:39,248 --> 01:08:41,351 >> Announcer: DANCING THE SALSA, IT'S JASON MRAZ AND 1106 01:08:41,351 --> 01:08:42,518 DANIELLA KARAGACH VERSUS BARRY WILLIAMS AND 1107 01:08:42,518 --> 01:08:47,557 PETA MURGATROYD. LET THE DANCE-OFF BEGIN. 1108 01:08:57,533 --> 01:09:01,170 ♪♪ 1109 01:09:01,170 --> 01:09:01,704 ♪ IT'S NOT RIGHT 1110 01:09:01,704 --> 01:09:02,939 BUT IT'S OKAY I'M GONNA MAKE IT ANYWAY ♪ 1111 01:09:02,939 --> 01:09:03,473 ♪ PACK YOUR BAGS 1112 01:09:03,473 --> 01:09:07,410 UP AND LEAVE LEAVE ♪ 1113 01:09:07,410 --> 01:09:09,012 ♪ I'D RATHER BE ALONE 1114 01:09:09,012 --> 01:09:14,751 THAN UNHAPPY YEAH AH ♪ 1115 01:09:14,751 --> 01:09:15,818 ♪ FRIDAY NIGHT 1116 01:09:15,818 --> 01:09:23,660 YOU AND YOUR BOYS WENT OUT TO EAT OH ♪ 1117 01:09:23,660 --> 01:09:29,899 ♪ THEN THEY HUNG OUT ♪ 1118 01:09:29,899 --> 01:09:30,933 ♪ BUT YOU CAME HOME 1119 01:09:30,933 --> 01:09:32,468 AROUND THREE YES YOU DID ♪ 1120 01:09:32,468 --> 01:09:33,469 ♪ IT'S NOT RIGHT 1121 01:09:33,469 --> 01:09:35,571 BUT IT'S OKAY ♪ 1122 01:09:35,571 --> 01:09:36,105 ♪ IT'S NOT RIGHT 1123 01:09:36,105 --> 01:09:39,776 IT'S OKAY BABY ♪ 1124 01:09:39,776 --> 01:09:40,476 ♪ I'M GONNA MAKE IT ANYWAY 1125 01:09:40,476 --> 01:09:46,516 I CAN PAY MY OWN RENT UH ♪ 1126 01:09:46,516 --> 01:09:47,216 ♪ CLOSE THE DOOR BEHIND YOU 1127 01:09:47,216 --> 01:09:47,750 LEAVE YOUR KEY ♪ 1128 01:09:47,750 --> 01:09:48,351 ♪ PAY MY LAND LADY 1129 01:09:48,351 --> 01:09:48,951 TAKE CARE MY BABIES ♪ 1130 01:09:48,951 --> 01:09:49,552 ♪ I'D RATHER BE ALONE 1131 01:09:49,552 --> 01:09:52,822 THAN UNHAPPY YEAH OH OH OH-OH ♪ 1132 01:09:52,822 --> 01:09:56,492 [ APPLAUSE ] 1133 01:09:56,492 --> 01:09:59,295 >> Alfonso: JASON AND DANIELLA AND BARRY AND PETA WITH A SALSA 1134 01:09:59,295 --> 01:10:07,070 "DANCE-OFF." WOW. 1135 01:10:07,070 --> 01:10:14,844 THEY ARE SCREAMING FOR BARRY HERE IN THE BALL ROOM. COME ON. 1136 01:10:14,844 --> 01:10:20,249 THE SHIRT IS OPEN. LET THE PARTY BEGIN. 1137 01:10:20,249 --> 01:10:27,457 >> Derek: BARRY, WHEN I GROW UP, I WANT TO BE LIKE YOU. 1138 01:10:27,457 --> 01:10:32,161 I MEAN, THE GYRATIONS. THE MOVEMENT. 1139 01:10:32,161 --> 01:10:37,133 YOU ARE SUCH A COMPETITOR. LET'S GO, LET'S GO. 1140 01:10:37,133 --> 01:10:40,236 THAT WAS ASTOUNDING TO WATCH. I LOVED IT. 1141 01:10:40,236 --> 01:10:42,338 JASON, YOU ARE FANTASTIC. YOU ARE PHENOMENAL. 1142 01:10:42,338 --> 01:10:47,677 THAT'S GOING TO BE A TOUGH ONE TO JUDGE. 1143 01:10:47,677 --> 01:10:51,414 >> Billy: I GOTTA STAND UP, TOO. Y'ALL SHOWED UP AND SHOWED OUT, 1144 01:10:51,414 --> 01:10:55,985 BOTH OF YOU. BARRY, SKIN ALWAYS WINS. 1145 01:10:55,985 --> 01:10:58,588 THE LAST NOTE I GAVE YOU WAS, DO MORE STEPS. 1146 01:10:58,588 --> 01:11:03,559 HOW DID YOU GET IN SO FAST? AMAZING. 1147 01:11:03,559 --> 01:11:06,629 WONDERFUL WORK. 1148 01:11:06,629 --> 01:11:08,531 >> Bruno: BARRY, YOU ARE GOING TO KILL ME. 1149 01:11:08,531 --> 01:11:15,037 HE IS GOING FOR THE FULL MONTY. IT'S A NIGHT TO REMEMBER. 1150 01:11:15,037 --> 01:11:20,309 YOU DREW MY ATTENTION. 1151 01:11:20,309 --> 01:11:25,148 SHAKING IT FOR ALL YOU GOT. 1152 01:11:25,148 --> 01:11:29,752 VERY, VERY HARD TO CALL. 1153 01:11:29,752 --> 01:11:34,490 >> Carrie: YOU GUYS ARE -- IT'S LIKE COMPARING APPLES AND 1154 01:11:34,490 --> 01:11:36,392 ORANGES. YOU ARE ON OTHER ENDS OF THE 1155 01:11:36,392 --> 01:11:37,960 SPECTRUM. JASON, I THOUGHT YOU WERE HAVING 1156 01:11:37,960 --> 01:11:42,031 FUN. YOU NEVER STOPPED MOVING. BARRY, THE SHIRT OFF AND 1157 01:11:42,031 --> 01:11:45,001 STEALING THE MOVES. 1158 01:11:45,001 --> 01:11:51,808 I DON'T KNOW WHAT TO SAY. 1159 01:11:51,808 --> 01:11:54,911 >> Alfonso: HEAD UP TO JULIANNE IN THE SKYBOX. 1160 01:11:54,911 --> 01:11:58,548 THE BONUS POINTS FROM THIS ROUND HAVE THE POWER TO HELP OUR 1161 01:11:58,548 --> 01:12:02,785 LOW-SCORING STARS AND KEEP THEM SAFE FROM TONIGHT'S ELIMINATION. 1162 01:12:02,785 --> 01:12:05,087 OF COURSE, YOUR VOTES STILL COUNT FOR HALF OF EACH COUPLES' 1163 01:12:05,087 --> 01:12:10,993 FINAL TOTAL. JULIANNE -- 1164 01:12:10,993 --> 01:12:13,996 >> Julianne: THANKS. YOU ARE KNOW WHAT? 1165 01:12:13,996 --> 01:12:19,902 THIS IS WILD UP HERE. I GOTTA BE HONEST. 1166 01:12:19,902 --> 01:12:22,972 JASON HAS SCORED HIGHER THAN YOU THROUGHOUT THE COMPETITION 1167 01:12:22,972 --> 01:12:26,309 CONSISTENTLY. WHAT WAS YOUR TACTIC TONIGHT? 1168 01:12:26,309 --> 01:12:33,749 >> GIVE IT ALL, LEAVE IT ALL ON THE FLOOR AND HAVE A GREAT TIME. 1169 01:12:33,749 --> 01:12:37,320 >> Julianne: YOU DID THAT. BOTH OF YOU ACTUALLY HAD TWO NEW 1170 01:12:37,320 --> 01:12:39,989 STYLES THIS WEEK. HOW CHALLENGING WAS THAT FOR 1171 01:12:39,989 --> 01:12:41,123 YOU, JASON? 1172 01:12:41,123 --> 01:12:42,425 >> VERY. ESPECIALLY SHARING A STAGE WITH 1173 01:12:42,425 --> 01:12:45,895 BARRY. I COULDN'T LOOK TO HIS SIDE OF 1174 01:12:45,895 --> 01:12:47,363 THE STAGE. BUT I COULD FEEL SOMETHING WAS 1175 01:12:47,363 --> 01:12:52,168 GOING ON. I WAS HAPPY TO BE DOING A SALSA 1176 01:12:52,168 --> 01:12:54,170 TONIGHT WITH MY PARTNER. 1177 01:12:54,170 --> 01:12:57,440 >> Julianne: WE LOVED THIS TEAM EFFORT. IT WAS REALLY FUN. 1178 01:12:57,440 --> 01:13:03,980 RIGHT NOW, IT'S TIME FOR THE JUDGES' DECISION. 1179 01:13:03,980 --> 01:13:04,480 >> Carrie: OKAY. 1180 01:13:04,480 --> 01:13:14,023 IT'S A TOUGH ONE. 1181 01:13:14,023 --> 01:13:18,728 BARRY AND PETA. 1182 01:13:18,728 --> 01:13:21,397 >> Julianne: THEY GET THREE BONUS POINTS ADDED TO THEIR 1183 01:13:21,397 --> 01:13:26,035 SCORES FOR THE NIGHT. I DON'T KNOW IF I CAN GET A 1184 01:13:26,035 --> 01:13:28,604 REACTION AFTER THIS WITH EVERYBODY GOING TO BARRY. 1185 01:13:28,604 --> 01:13:30,006 I LOVE THIS. HOW ARE YOU FEELING RIGHT NOW? 1186 01:13:30,006 --> 01:13:32,842 >> EXCITED. 1187 01:13:32,842 --> 01:13:40,316 >> Julianne: YOU GOT THREE EXTRA POINTS. 1188 01:13:40,316 --> 01:13:46,155 I'M GETTING ALL FLUSTERED HERE. EACH COUPLE WANTS VOTES FROM YOU. 1189 01:13:46,155 --> 01:13:49,625 >> Alfonso: IT'S A PARTY IN THE SKYBOX. 1190 01:13:49,625 --> 01:13:53,596 THERE'S ONE MORE "DANCE-OFF" TO GO BEFORE TONIGHT'S ELIMINATION. 1191 01:13:53,596 --> 01:13:57,233 XOCHITL AND VAL AND CHARITY AND ARTEM WILL BATTLE FOR THE BONUS 1192 01:13:57,233 --> 01:13:59,835 POINTS WHEN WE COME BACK, LIVE. 1193 01:14:07,843 --> 01:14:10,613 ♪♪ 1194 01:14:10,613 --> 01:14:13,716 >> Alfonso: WELCOME BACK TO "WHITNEY HOUSTON NIGHT." 1195 01:14:13,716 --> 01:14:16,352 LAST UP IN THE "DANCE-OFF" ROUND, XOCHITL AND VAL AND 1196 01:14:16,352 --> 01:14:20,523 CHARITY AND ARTEM WILL GO TOE-TO-TOE IN A CHA CHA BATTLE. 1197 01:14:20,523 --> 01:14:26,228 HERE'S HOW THEY TRAINED TO WIN THE JUDGES' BONUS POINTS. 1198 01:14:26,228 --> 01:14:30,399 >>> WIN THE MARATHON, TEAM DANCE, YOU KNOW WHICH ONE WE'RE 1199 01:14:30,399 --> 01:14:31,534 GOING FOR, TRIFECTA. 1200 01:14:31,534 --> 01:14:36,038 >> NO WAY. NO WAY. 1201 01:14:36,038 --> 01:14:41,210 I'M SAD I HAVE TO GO AGAINST CHARITY. 1202 01:14:41,210 --> 01:14:42,845 >> SHE'S FEELING GUILT. 1203 01:14:42,845 --> 01:14:44,547 >> WE ARE GOING TO WIN. 1204 01:14:44,547 --> 01:14:45,715 >> MAY THE BEST WIN. 1205 01:14:45,715 --> 01:14:49,518 >> I LOVE YOU. THIS IS NOT A FRIEND FEST. 1206 01:14:49,518 --> 01:14:52,388 THIS IS A FIGHT FEST. 1207 01:14:52,388 --> 01:14:59,395 >> WE ARE DOING A CHA-CHA TO "SO EMOTIONAL." 1208 01:14:59,395 --> 01:15:01,998 >> YOU HAVE DONE CHA-CHA. THAT WAS OUR FIRST DANCE. 1209 01:15:01,998 --> 01:15:03,366 WE GOT SIXES. 1210 01:15:03,366 --> 01:15:06,602 >> I THINK WE GOT ALL SEVENS. 1211 01:15:06,602 --> 01:15:07,370 >> WHAT? 1212 01:15:07,370 --> 01:15:11,407 >> I'M NOT BACKING OFF. 1213 01:15:11,407 --> 01:15:14,343 >> ONE, TWO, THREE. 1214 01:15:14,343 --> 01:15:18,214 >> A GOOD CHA-CHA IS SHARP, QUICK MOVEMENTS. 1215 01:15:18,214 --> 01:15:20,716 BEAUTIFUL HIP ACTION. A LOT OF ENERGY BETWEEN THE 1216 01:15:20,716 --> 01:15:23,819 PARTNERS. GOOD SHOWMANSHIP ON THE FLOOR. 1217 01:15:23,819 --> 01:15:25,755 >> THAT'S NOT RIGHT. 1218 01:15:25,755 --> 01:15:31,260 >> CHARITY IS VERY CLEAN AND 1219 01:15:31,260 --> 01:15:35,698 PRECISE. 1220 01:15:35,698 --> 01:15:41,036 XOCHITL IS VIBRANT AND ALIVE. 1221 01:15:41,036 --> 01:15:43,839 >> I KNOW SHE WILL BRING THE ENERGY. 1222 01:15:43,839 --> 01:15:45,174 >> IF YOU KICK -- 1223 01:15:45,174 --> 01:15:45,741 >> KICK WITH ENERGY. 1224 01:15:45,741 --> 01:15:47,910 >> BEAUTIFUL. 1225 01:15:47,910 --> 01:15:51,313 >> THEY ARE PRECISE. WHEN I DID THE CHA-CHA, THE 1226 01:15:51,313 --> 01:15:56,652 JUDGES SAID MY ARMS WERE FLOPPY. I WILL HAVE TO STEP UP MY GAME. 1227 01:15:56,652 --> 01:15:58,687 >> THE POINTS ARE RIGHT HERE. 1228 01:15:58,687 --> 01:15:59,455 >> THEY'RE MINE! 1229 01:15:59,455 --> 01:16:04,827 >> I WILL BRING MY BEST. GOOD LUCK. 1230 01:16:04,827 --> 01:16:08,030 >> YOU WANT A CHA-CHA AGAINST US? 1231 01:16:08,030 --> 01:16:14,170 >> CHA-CHA CHALLENGE ACCEPTED. 1232 01:16:14,170 --> 01:16:16,806 >> Announcer: DANCING THE CHA CHA, IT'S XOCHITL GOMEZ AND 1233 01:16:16,806 --> 01:16:18,374 VAL CHMERKOVSKIY VERSUS CHARITY LAWSON AND 1234 01:16:18,374 --> 01:16:23,546 ARTEM CHIGVINTSEV. LET THE DANCE-OFF BEGIN. 1235 01:16:27,783 --> 01:16:29,351 ♪ I DON'T KNOW WHY I LIKE IT ♪ 1236 01:16:29,351 --> 01:16:30,953 ♪ MM I JUST DO 1237 01:16:30,953 --> 01:16:41,397 OOH-OOH ♪ 1238 01:16:41,397 --> 01:16:41,964 ♪ I'VE BEEN HEARING 1239 01:16:41,964 --> 01:16:45,534 YOUR HEARTBEAT INSIDE OF ME ♪ 1240 01:16:45,534 --> 01:16:46,102 ♪ I KEEP YOUR PHOTO 1241 01:16:46,102 --> 01:16:48,637 RIGHT BESIDE MY BED ♪ 1242 01:16:48,637 --> 01:16:50,239 ♪ LIVIN' IN A WORLD 1243 01:16:50,239 --> 01:16:52,308 OF FANTASIES ♪ 1244 01:16:52,308 --> 01:16:52,842 ♪ I CAN'T GET YOU 1245 01:16:52,842 --> 01:16:56,512 OUT OF MY HEAD ♪ 1246 01:16:56,512 --> 01:16:57,546 ♪ I REMEMBER THE WAY 1247 01:16:57,546 --> 01:17:00,683 THAT WE TOUCHED ♪ 1248 01:17:00,683 --> 01:17:03,819 ♪ I WISH I DIDN'T LIKE IT 1249 01:17:03,819 --> 01:17:09,058 SO MUCH UH OOH 1250 01:17:09,058 --> 01:17:13,195 I GET SO EMOTIONAL BABY ♪ 1251 01:17:13,195 --> 01:17:16,332 ♪ EVERY TIME I THINK OF YOU 1252 01:17:16,332 --> 01:17:20,503 I GET SO EMOTIONAL BABY AIN'T IT SHOCKING ♪ 1253 01:17:20,503 --> 01:17:26,208 ♪ WHAT LOVE CAN DO ♪ 1254 01:17:26,208 --> 01:17:27,810 [ APPLAUSE ] 1255 01:17:27,810 --> 01:17:31,647 >> Alfonso: XOCHITL AND VAL AND CHARITY AND ARTEM WITH A CHA CHA 1256 01:17:31,647 --> 01:17:38,387 "DANCE-OFF." WOW. 1257 01:17:38,387 --> 01:17:44,827 IT WAS A BATTLE OF THE TITANS. SO GOOD. 1258 01:17:44,827 --> 01:17:49,231 YOU GUYS BOTH PUT IT OUT THERE. IT WAS FANTASTIC. 1259 01:17:49,231 --> 01:17:50,499 BILLY, YOU ARE UP FIRST. 1260 01:17:50,499 --> 01:17:54,203 >> Billy: I WILL SAY THIS. THIS IS LIKE THE TOP LEVEL OF 1261 01:17:54,203 --> 01:17:58,040 EVERYTHING. EVERY LITTLE THING COUNTS. RIGHT? 1262 01:17:58,040 --> 01:18:00,709 YOUR PERFORMANCE TONIGHT, AMAZING. 1263 01:18:00,709 --> 01:18:05,147 YOUR PERFORMANCE TONIGHT, UNBELIEVABLE. THE PANTS. 1264 01:18:05,147 --> 01:18:08,484 IT WORKED FOR YOU. 1265 01:18:08,484 --> 01:18:15,391 >> Bruno: MY GOD, IT WAS LIKE WATCHING THE BATTLE OF THE 1266 01:18:15,391 --> 01:18:20,863 DIVAS. BOTH SO OFF THE CHARTS. IT'S VERY, VERY DIFFICULT. 1267 01:18:20,863 --> 01:18:25,901 YOU HAD A VERY, VERY INDIVIDUAL, VERY, VERY GOOD STYLE. 1268 01:18:25,901 --> 01:18:29,371 SOMEONE TICKLED ME A LITTLE BIT MORE. 1269 01:18:29,371 --> 01:18:32,041 YOU BOTH DID YOUR BEST WORK. 1270 01:18:32,041 --> 01:18:35,077 >> Alfonso: WHEN YOU SAID BATTLE OF DIVAS, I WAS THINKING ABOUT 1271 01:18:35,077 --> 01:18:38,147 ARTEM AND VAL. 1272 01:18:38,147 --> 01:18:41,116 >> Carrie: THAT WAS REALLY GOOD AND EXCITING TO WATCH. 1273 01:18:41,116 --> 01:18:43,485 I THINK YOU WERE BOTH COMPETITIVE. 1274 01:18:43,485 --> 01:18:50,092 YOU SHOWED A LOT OF CONTENT. ONE OF YOU WAS MORE COMPETITIVE. 1275 01:18:50,092 --> 01:18:52,895 NOT THAT I'M LOOKING AT ANYONE. IT WAS LIKE EYE OF THE TIGER. 1276 01:18:52,895 --> 01:18:57,333 FANTASTIC. 1277 01:18:57,333 --> 01:18:59,668 >> Derek: THAT WAS SO DIFFICULT. IT WAS LIKE BATTLE OF THE FRINGE 1278 01:18:59,668 --> 01:19:06,742 COSTUMES. THE ENERGY. CLEAN, PRECISE. 1279 01:19:06,742 --> 01:19:10,713 IT WAS -- I DON'T KNOW. WHAT IS IT GOING TO BE? 1280 01:19:10,713 --> 01:19:15,284 IT'S A COIN TOSS AT THIS POINT. BOTH FANTASTIC. 1281 01:19:15,284 --> 01:19:22,124 >> Alfonso: HEAD UP TO JULIANNE IN THE SKYBOX. 1282 01:19:22,124 --> 01:19:23,525 ONLY ONE OF THOSE TWO COUPLES WILL WIN THE BONUS POINTS FOR 1283 01:19:23,525 --> 01:19:24,760 THEIR "DANCE-OFF." YOUR VOTES ARE AS IMPORTANT AS 1284 01:19:24,760 --> 01:19:26,829 EVER TO KEEP YOUR FAVORITES SAFE FROM TONIGHT'S ELIMINATION. 1285 01:19:26,829 --> 01:19:33,268 JULIANNE -- 1286 01:19:33,268 --> 01:19:38,607 >> Julianne: GET ON OVER HERE. CHARITY, THIS IS THE FIRST TIME 1287 01:19:38,607 --> 01:19:41,410 YOU HAVE DANCED THE CHA-CHA WITH ARTEM. 1288 01:19:41,410 --> 01:19:47,049 >> LISTEN, I LOVED IT. I MATCHED HIS ENERGY. 1289 01:19:47,049 --> 01:19:50,185 >> Julianne: YOU WON THE DANCE MARATHON AND TEAM DANCE. 1290 01:19:50,185 --> 01:19:51,487 IS TONIGHT A TRIFECTA? 1291 01:19:51,487 --> 01:19:55,791 >> I DON'T KNOW. 1292 01:19:55,791 --> 01:19:58,127 >> Julianne: THIS IS A TOUGH ONE. LET'S GET TO IT. 1293 01:19:58,127 --> 01:20:03,532 IT'S TIME FOR THE JUDGES' DECISION. 1294 01:20:03,532 --> 01:20:08,504 >> Derek: I HATE IT HAS TO BE ME FOR THIS ONE. HERE WE ARE. 1295 01:20:08,504 --> 01:20:11,674 FOR US, IT WAS A TOUGH ONE. IT WAS TIGHT. 1296 01:20:11,674 --> 01:20:17,746 THE WINNER FOR THIS DANCE-OFF IS CHARITY AND ARTEM. 1297 01:20:17,746 --> 01:20:21,550 >> Julianne: CHARITY AND ARTEM WILL HAVE THREE BONUS POINTS 1298 01:20:21,550 --> 01:20:25,120 ADDED TO THEIR FIRST ROUND SCORES. WE SAY THIS EVERY WEEK. 1299 01:20:25,120 --> 01:20:29,291 NO ONE IS SAFE WITH JUDGES' SCORES ALONE. 1300 01:20:29,291 --> 01:20:32,394 THEY NEED PHONES FROM YOU. 1301 01:20:32,394 --> 01:20:33,962 >> Alfonso: THANKS, JULIANNE. LET'S TAKE A LOOK AT THE FINAL 1302 01:20:33,962 --> 01:20:34,630 LEADERBOARD WITH THE BONUS 1303 01:20:34,630 --> 01:20:44,340 POINTS ADDED IN. 1304 01:20:44,340 --> 01:20:47,409 NOW, HERE ARE THE VOTING DETAILS FOR ALL OF OUR COUPLES. 1305 01:20:47,409 --> 01:20:50,546 COMPLETE VOTING INFORMATION CAN BE FOUND ON ABC.COM. 1306 01:20:50,546 --> 01:20:51,980 EVEN WITH THE BONUS POINTS, NO ONE IS GUARANTEED TO BE SAFE 1307 01:20:51,980 --> 01:20:56,952 FROM ELIMINATION. YOU HAVE TO DO YOUR PART. 1308 01:20:56,952 --> 01:20:59,722 SCORES WITH YOUR VOTES AND REVEAL WHO IS GOING HOME WHEN WE 1309 01:20:59,722 --> 01:21:01,623 COME BACK, LIVE. 1310 01:21:11,066 --> 01:21:13,869 ♪♪ 1311 01:21:13,869 --> 01:21:17,406 >> Alfonso: WELCOME BACK. NEXT WEEK, WE HAVE A CELEBRATION 1312 01:21:17,406 --> 01:21:21,577 OF TAYLOR SWIFT. HERE IS A SPECIAL MESSAGE. 1313 01:21:21,577 --> 01:21:25,581 >> I CAN'T WAIT TO SEE "DANCING WITH THE STARS" CELEBRATION NEXT 1314 01:21:25,581 --> 01:21:30,119 WEEK. I'M ON TOUR IN BRAZIL BUT I WILL 1315 01:21:30,119 --> 01:21:31,120 BE THERE IN SPIRIT, AND I WILL 1316 01:21:31,120 --> 01:21:42,431 BE WATCHING. 1317 01:21:42,431 --> 01:21:46,135 >> Alfonso: VOTING IS NOW CLOSED AND HERE ARE THE RESULTS. 1318 01:21:46,135 --> 01:21:47,903 >> Julianne: GOOD LUCK TO ALL OF YOU. WE'VE COMBINED THE JUDGES' 1319 01:21:47,903 --> 01:21:49,004 SCORES FROM TONIGHT WITH YOUR LIVE VOTES. 1320 01:21:49,004 --> 01:21:52,441 NOW, IN NO PARTICULAR ORDER, LET'S FIND OUT WHICH COUPLES ARE 1321 01:21:52,441 --> 01:21:59,214 SAFE AND WHO IS GOING HOME. 1322 01:21:59,214 --> 01:21:59,948 >> Alfonso: THE FIRST COUPLE WHO 1323 01:21:59,948 --> 01:22:10,692 IS SAFE IS -- 1324 01:22:10,692 --> 01:22:13,729 YOU REALLY WANTED TO MAKE IT TO 1325 01:22:13,729 --> 01:22:20,602 TAYLOR NIGHT, ALYSON AND SASHA. 1326 01:22:20,602 --> 01:22:21,270 >> Julianne: THE NEXT SAFE 1327 01:22:21,270 --> 01:22:31,847 COUPLE IS -- ARIANA AND PASHA. 1328 01:22:31,847 --> 01:22:43,125 >> Alfonso: JOINING THEM ARE -- 1329 01:22:43,125 --> 01:22:48,197 VAL AND XOCHITL. 1330 01:22:48,197 --> 01:22:49,364 >> Julianne: THE NEXT SAFE 1331 01:22:49,364 --> 01:22:59,308 COUPLE IS -- HARRY AND RYLEE. 1332 01:22:59,308 --> 01:23:01,610 >> Alfonso: NOT NECESSARILY THE BOTTOM THREE, TWO OF THESE 1333 01:23:01,610 --> 01:23:03,979 COUPLES ARE SAFE, THE OTHER IS GOING HOME TONIGHT. 1334 01:23:03,979 --> 01:23:16,592 IT'S TIME FOR THE FINAL RESULT. 1335 01:23:16,592 --> 01:23:20,395 >> Julianne: BASED ON THE COMBINATION AND VIEWER VOTES THE 1336 01:23:20,395 --> 01:23:28,971 COUPLE GOING HOME IS -- BARRY 1337 01:23:28,971 --> 01:23:31,707 AND PETA. 1338 01:23:31,707 --> 01:23:34,943 >> Julianne: JOIN US FOR A FINAL MOMENT. 1339 01:23:34,943 --> 01:23:42,851 COME ON OVER HERE. YOU ARE GETTING BOOS IN THE 1340 01:23:42,851 --> 01:23:50,726 HOUSE. NOW YOU ARE GETTING THE CELEBRATION. HOW DOES IT FEEL? 1341 01:23:50,726 --> 01:23:53,128 TO HAVE GONE OUT THE WAY YOU DID TONIGHT. 1342 01:23:53,128 --> 01:23:55,731 HOW DOES IT FEEL TO HAVE DONE THIS COMPETITION AND GOING OUT 1343 01:23:55,731 --> 01:23:57,065 WITH SUCH A BIG BANG? 1344 01:23:57,065 --> 01:24:02,771 >> THIS HAS BEEN THE MOST WONDERFUL EXPERIENCE OF MY LIFE. 1345 01:24:02,771 --> 01:24:07,910 THE SUPPORT, THE FANS, FAMILY AND EVERYONE HERE HAS MADE THIS 1346 01:24:07,910 --> 01:24:10,245 A COMPLETE DELIGHT FROM START TO FINISH. 1347 01:24:10,245 --> 01:24:14,783 I KNEW I WON AFTER THE FIRST NIGHT. 1348 01:24:14,783 --> 01:24:17,386 >> Alfonso: WE LOVED EVERY MINUTE. YOU ARE A SUPERSTAR. 1349 01:24:17,386 --> 01:24:20,923 WE LOVE YOU. LET'S HAVE ANOTHER HAND FOR 1350 01:24:20,923 --> 01:24:26,562 BARRY AND PETA. THANKS AGAIN TO BILLY PORTER. 1351 01:24:26,562 --> 01:24:27,829 HIS ALBUM "BLACK MONA LISA" WILL BE OUT THIS FRIDAY. 1352 01:24:27,829 --> 01:24:32,000 OUR REMAINING STARS WILL BE BACK TO DANCE AGAIN NEXT TUESDAY, AT 1353 01:24:32,000 --> 01:24:36,438 8:00, 7:00 CENTRAL ON "A CELEBRATION OF TAYLOR SWIFT." 1354 01:24:36,438 --> 01:24:38,907 >> Julianne: OUR GUEST JUDGE IS THREE TIME EMMY WINNER, 1355 01:24:38,907 --> 01:24:41,810 MANDY MOORE. WE'LL SEE YOU LIVE IN THE 1356 01:24:41,810 --> 01:24:48,650 BALLROOM ON ABC AND DISNEY+. GOODNIGHT.