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>>> TONIGHT --

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♪♪

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>> WE HONOR ONE OF THE WORLD'S

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BIGGEST SUPERSTARS.

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>> WE'RE ABOUT TO GO ON A LITTLE

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ADVENTURE TOGETHER.

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>> 12 GRAMMY WINS, THE MOST

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NUMBER ONE ALBUMS BY A FEMALE

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ARTIST, OVER 36 BILLION STREAMS.

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>> HOW DOES THAT SOUND?

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>> AND SOON, THE HIGHEST

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GROSSING CONCERT TOUR EVER.

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"DANCING WITH THE STARS"

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CELEBRATES TAYLOR SWIFT.

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♪♪

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♪♪

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♪ WE WERE BOTH YOUNG WHEN

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I FIRST SAW YOU I CLOSE MY

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EYES ♪

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♪ AND THE FLASHBACK STARTS

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I'M STANDING THERE

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ON A BALCONY IN SUMMER AIR ♪

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♪ SEE THE LIGHTS SEE THE

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PARTY THE BALL GOWNS SEE YOU

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MAKE YOUR WAY ♪

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♪ THROUGH THE CROWD

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AND SAY HELLO

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LITTLE DID I KNOW ♪

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♪ THAT YOU WERE ROMEO YOU

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WERE THROWING PEBBLES AND MY

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DADDY SAID ♪

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♪ STAY AWAY FROM JULIET ♪

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♪ AND I WAS CRYING ON THE

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STAIRCASE BEGGING YOU

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PLEASE DON'T GO ♪

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♪ AND I SAID ♪

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♪ ROMEO TAKE ME SOMEWHERE

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WE CAN BE ALONE I'LL BE

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WAITING ♪

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♪ ALL THERE'S LEFT TO DO IS

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RUN YOU'LL BE THE PRINCE AND

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I'LL BE THE PRINCESS ♪

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♪ IT'S A LOVE STORY BABY

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JUST SAY YES

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OH OH ♪

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♪ BUT I GOT TIRED OF WAITING

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WONDERING IF YOU WERE EVER

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COMING AROUND ♪

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♪ MY FAITH IN YOU WAS FADING

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WHEN I MET YOU ON THE

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OUTSKIRTS OF TOWN ♪

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♪ AND I SAID ROMEO SAVE ME

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I'VE BEEN FEELING SO ALONE ♪

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♪ I KEEP WAITING FOR YOU BUT

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YOU NEVER COME IS THIS IN

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MY HEAD ♪

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♪ I DON'T KNOW WHAT TO THINK

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HE KNELT TO THE GROUND AND

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PULLED OUT A RING ♪

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♪ AND SAID MARRY ME JULIET

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YOU'LL NEVER HAVE

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TO BE ALONE ♪

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♪ I LOVE YOU AND THAT'S ALL

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I REALLY KNOW I TALKED TO

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YOUR DAD ♪

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♪ GO PICK OUT A WHITE DRESS

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IT'S A LOVE STORY BABY JUST

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SAY YES ♪

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♪ OH OH OH

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OH OH OH ♪

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♪ 'CAUSE WE WERE BOTH YOUNG

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WHEN I FIRST SAW YOU ♪

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♪♪

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>> Announcer: LIVE, FROM

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HOLLYWOOD, IT'S "A CELEBRATION

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OF TAYLOR SWIFT" ON "DANCING

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WITH THE STARS."

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>> Alfonso: WELCOME TO "DANCING

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WITH THE STARS."

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IT'S "A CELEBRATION OF

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TAYLOR SWIFT."

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OUR FANTASTIC OPENING NUMBER WAS

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CHOREOGRAPHED BY OUR GUEST

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JUDGE, THREE TIME EMMY WINNER

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AND CHOREOGRAPHER OF THE ERAS

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TOUR, IT'S MANDY MOORE.

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I'M ALFONSO RIBEIRO.

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>> Julianne: AND I'M

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JULIANNE HOUGH.

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THE RACE TO THE SEMI-FINALS

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STARTS RIGHT NOW.

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>> Alfonso: SO, LET'S GET

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MOVING, AND WELCOME OUR STARS.

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>> Announcer: TV AND FILM STAR

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ALYSON HANNIGAN, AND

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SASHA FARBER.

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FROM "VANDERPUMP RULES,"

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ARIANA MADIX, AND PASHA PASHKOV.

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GRAMMY WINNING SINGER

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JASON MRAZ, AND

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DANIELLA KARAGACH.

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SOCIAL MEDIA AND REALITY TV STAR

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HARRY JOWSEY, AND RYLEE ARNOLD.

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FROM "THE BACHELORETTE"

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CHARITY LAWSON, AND

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ARTEM CHIGVINTSEV.

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AND TV AND FILM STAR

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XOCHITL GOMEZ, AND

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VAL CHMERKOVSKIY.

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>> Alfonso: WE'RE DOWN TO THESE

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SIX COUPLES.

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MANDY, WELCOME BACK TO THE

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JUDGES' TABLE.

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WE KNOW YOU'VE BEEN PAYING CLOSE

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ATTENTION TO THE STARS THIS

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SEASON, WHAT IS IT GOING TO TAKE

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FOR THEM TO GET INTO THE

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SEMI-FINALS?

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>> OKAY.

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IN ORDER TO GET TO THE

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SEMIFINALS, ALL YOU GUYS HAVE TO

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DO IS EXACTLY WHAT YOU'VE DONE

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ALL WEEK.

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YOU'VE PUT IN THE WORK AND THE

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HOURS.

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YOU HAVE TO TRUST THE PROCESS

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AND YOU HAVE TO GO.

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IT'S LIVE.

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IT'S GO TIME, KIDS!

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YOU GOT TO GO.

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>> Alfonso: OKAY STARS, THE

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GAUNTLET HAS BEEN THROWN.

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>> Julianne: WE'VE HEARD FROM

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MANDY.

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NOW LET'S HEAR FROM TAYLOR.

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>> THEY HEY GUYS IT'S TAYLOR.

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I JUST WANT TO SAY THANK YOU SO

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MUCH FOR HAVING THIS ME THEMED

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NIGHT ON "DANCING WITH THE

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STARS."

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I CAN'T WAIT TO SEE WHAT YOUR

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AMAZING CHOREOGRAPHERS AND MY

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FRIEND MANDY MOORE HAVE IN

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STORE.

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I SO WISH I COULD BE THERE.

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>> Alfonso: THANKS, TAYLOR, AND

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THANKS FOR THE GOOD WISHES TO

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OUR STARS.

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THEY'RE ALSO GOING TO NEED VOTES

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FROM YOU AT HOME.

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>> Julianne: VOTING IS OPEN

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RIGHT NOW AND IS AVAILABLE TO

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THE U.S., ITS TERRITORIES, AND

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CANADA AT ABC.COM.

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PLUS, SUBSCRIBERS OF

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PARTICIPATING U.S. WIRELESS

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PHONE CARRIERS CAN TEXT THE

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FIRST NAME OF THEIR FAVORITE

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STAR TO THE NUMBER "2-1-5-2-3."

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MESSAGE AND DATA RATES MAY

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APPLY.

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>> Alfonso: ONLY TWO ROUNDS OF

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COMPETITION STAND BETWEEN OUR

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STARS AND THE SEMI-FINALS, AND

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TONIGHT WE'VE ASKED THEM TO

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PERFORM THEIR ROUTINES TO THEIR

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FAVORITE TAYLOR SWIFT SONGS.

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>> Julianne: WE'LL TELL YOU MORE

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ABOUT TONIGHT'S SECOND ROUND OF

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"RELAY DANCES" IN JUST A BIT.

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RIGHT NOW, WE'LL GET INTO THE

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FIRST ROUND WITH OUR FILM AND TV

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ACTRESS FROM "HOW I MET YOUR

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MOTHER" AND HER PARTNER.

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>> Alfonso: THEY'VE GOT SMILES

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THAT COULD LIGHT UP THE WHOLE

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BALLROOM.

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IT'S ALYSON HANNIGAN AND

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SASHA FARBER.

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>> I WAS SO BEAUTIFUL AND SO

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PURE.

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SO THANK YOU FOR THAT.

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>> A NINE!

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>> A NINE FELT INCREDIBLE.

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I MEAN, TO BE WHERE I AM NOW

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COMPARED TO WHERE I STARTED, I'M

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SO PROUD OF MYSELF.

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>> THIS IS WHAT I HAVE BEEN

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WAITING FOR THE ENTIRE SEASON.

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>> I HEARD THERE'S GOING TO BE A

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TAYLOR SWIFT NIGHT.

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I WAS LIKE, OH, THAT'S MY DREAM.

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I HAVE TO MAKE THAT.

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AND HERE WE ARE.

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MY KIDS AND I ALL LOVE HER

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MUSIC.

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THAT NIGHT WHERE WE GOT TO SEE

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HER IN CONCERT WAS SO SPECIAL

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FOR ALL THREE OF US.

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THAT'S THE ONE ARTIST WE CAN

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PLAY AND NOT BE LIKE, OH, CHANGE

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THIS SONG.

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>> I DON'T THINK THERE'S ANYONE

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THAT'S LEFT IN THE COMPETITION

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IS A TAYLOR FAN LIKE YOU.

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>> NO.

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>> USE THAT TO OUR ADVANTAGE.

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>> Announcer: DANCING THE CHA

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CHA TO "YOU BELONG WITH ME."

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>> LET'S DO IT FOR THE SWIFTIES.

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>> ONE-TWO.

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>> OKAY.

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>> I'M THE COOL GUY BUT I DON'T

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REALIZE THAT ALYSON AND I BELONG

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TOGETHER.

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WITH SPECIFIC TIMING AND VERY

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BEAUTIFUL FEET.

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THIS IS A VERY HARD DANCE TO

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GET.

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>> MY TOES.

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>> YOU HAVE TO DIG YOUR TOES

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HARD INTO THE GROUND FOR THIS

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DANCE.

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IT'S PAINFUL.

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>> THAT FEELS LIKE IT'S GOING TO

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TAKE THE NAIL OFF.

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I JUST KEEP THINKING WHAT WOULD

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TAYLOR DO?

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SHE WOULD DANCE HERSELF OUT OF

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THE WOODS.

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THAT'S EXACTLY WHAT I'M GOING TO

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DO.

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THIS HAS TO BE THE DANCE THAT

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GETS ME TO THE SEMIFINALS.

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IT JUST HAS TO BE.

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>> ARE YOU OKAY?

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>> Announcer: DANCING THE CHA

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CHA, WITH HER PARTNER

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SASHA FARBER, IT'S

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ALYSON HANNIGAN.

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♪ YOU'RE ON THE PHONE WITH

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YOUR GIRLFRIEND SHE'S UPSET

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SHE'S GOING OFF ♪

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♪ ABOUT SOMETHING THAT YOU

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SAID 'CAUSE SHE DOESN'T GET

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YOUR HUMOR LIKE I DO ♪

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♪ 'CAUSE SHE WEARS SHORT

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SKIRTS I WEAR T-SHIRTS ♪

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♪ SHE'S CHEER CAPTAIN AND

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I'M ON THE BLEACHERS ♪

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♪ DREAMING 'BOUT THE DAY

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WHEN YOU WAKE UP AND FIND ♪

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♪ THAT WHAT YOU'RE LOOKING

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FOR HAS BEEN HERE

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THE WHOLE TIME ♪

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♪ IF YOU COULD SEE THAT I'M

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THE ONE WHO

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UNDERSTANDS YOU ♪

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♪ BEEN HERE ALL ALONG SO WHY

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CAN'T YOU SEE AH

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YOU BELONG WITH ME ♪

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♪ STANDING BY AND WAITING AT

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YOUR BACK DOOR ♪

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♪ ALL THIS TIME HOW COULD

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YOU NOT KNOW BABY

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YOU BELONG WITH ME ♪

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00:09:41,114 --> 00:09:45,385
♪ YOU BELONG WITH ME ♪

268
00:09:45,385 --> 00:09:49,622
♪ YOU BELONG WITH ME

269
00:09:49,622 --> 00:09:50,690
HAVE YOU EVER THOUGHT

270
00:09:50,690 --> 00:09:53,326
JUST MAYBE ♪

271
00:09:53,326 --> 00:09:55,895
♪ YOU BELONG WITH ME ♪

272
00:10:00,233 --> 00:10:00,767
[ APPLAUSE ]

273
00:10:00,767 --> 00:10:01,434
>> Alfonso: ALYSON AND SASHA

274
00:10:01,434 --> 00:10:01,801
WITH

275
00:10:01,801 --> 00:10:07,440
A "FEARLESS" CHA CHA.

276
00:10:07,440 --> 00:10:09,642
AND THEY ARE ON THEIR FEET FOR

277
00:10:09,642 --> 00:10:12,045
YOU, ALYSON AND SASHA.

278
00:10:12,045 --> 00:10:12,512
YES, BEAUTIFUL.

279
00:10:12,512 --> 00:10:15,014
ALL RIGHT.

280
00:10:15,014 --> 00:10:18,818
LET'S HEAR WHAT THE JUDGES HAVE

281
00:10:18,818 --> 00:10:19,252
TO SAY.

282
00:10:19,252 --> 00:10:22,489
>> ALYSON, YOUR CHARISMA AND JOY

283
00:10:22,489 --> 00:10:24,023
ALWAYS LIGHTS UP THIS DANCE

284
00:10:24,023 --> 00:10:25,658
FLOOR EVERY SINGLE TIME.

285
00:10:25,658 --> 00:10:26,893
LISTEN, YOU HAVE IMPROVED SO

286
00:10:26,893 --> 00:10:28,495
MUCH FROM WEEK ONE.

287
00:10:28,495 --> 00:10:29,929
WE ARE AT THE POINT IN THE

288
00:10:29,929 --> 00:10:30,663
COMPETITION WHERE WE HAVE TO

289
00:10:30,663 --> 00:10:32,332
POINT OUT THE THINGS, THE LOCK

290
00:10:32,332 --> 00:10:32,699
STEPS.

291
00:10:32,699 --> 00:10:35,869
THE TIMING WAS OFF IN SOME OF

292
00:10:35,869 --> 00:10:37,837
THOSE MOMENTS.

293
00:10:37,837 --> 00:10:38,471
BUT YOU'RE THERE.

294
00:10:38,471 --> 00:10:40,573
IS IT ENOUGH FOR THE SEMIFINALS?

295
00:10:40,573 --> 00:10:41,441
WE'LL SEE.

296
00:10:41,441 --> 00:10:43,376
LISTEN, YOU'VE GOTTEN SO MUCH

297
00:10:43,376 --> 00:10:43,743
BETTER.

298
00:10:43,743 --> 00:10:44,711
YOU SHOULD BE VERY PROUD.

299
00:10:44,711 --> 00:10:45,311
>> MANDY.

300
00:10:45,311 --> 00:10:49,382
>> WE'RE IN THE FEARLESS ERA,

301
00:10:49,382 --> 00:10:49,716
RIGHT?

302
00:10:49,716 --> 00:10:50,550
GIRL, YOU WERE FEARLESS OUT

303
00:10:50,550 --> 00:10:50,884
THERE.

304
00:10:50,884 --> 00:10:51,651
I LOVE THAT.

305
00:10:51,651 --> 00:10:53,219
YOU ARE MOVING THAT FRINGE

306
00:10:53,219 --> 00:10:54,654
EVERYWHERE JUST LIKE TAYLOR

307
00:10:54,654 --> 00:10:56,256
DOES, WHICH YOU SAW.

308
00:10:56,256 --> 00:10:57,957
I REALLY THOUGHT IT WAS A LOVELY

309
00:10:57,957 --> 00:11:02,028
WAY TO START.

310
00:11:02,028 --> 00:11:03,396
YOU HAVE GONE SO FAR FROM THE

311
00:11:03,396 --> 00:11:05,465
START OF THIS COMPETITION.

312
00:11:05,465 --> 00:11:06,332
>> BRUNO.

313
00:11:06,332 --> 00:11:08,234
>> OH MY DARLING, YOU WERE

314
00:11:08,234 --> 00:11:12,572
OBVIOUSLY INSPIRED BY TAYLOR.

315
00:11:12,572 --> 00:11:15,975
WATCHING YOUR PROMO FOR THE

316
00:11:15,975 --> 00:11:19,279
ROMANTIC COMEDY WHEN ALYSON MET

317
00:11:19,279 --> 00:11:20,880
SASHA IN THE CHA CHA.

318
00:11:20,880 --> 00:11:22,115
AND THAT WAS RIGHT.

319
00:11:22,115 --> 00:11:23,349
YOU WERE SO INTO IT.

320
00:11:23,349 --> 00:11:25,285
YOU WERE RACING THROUGH IT, MY

321
00:11:25,285 --> 00:11:25,618
DARLING.

322
00:11:25,618 --> 00:11:27,387
BY RACING THROUGH IT, YOU LOST

323
00:11:27,387 --> 00:11:28,688
YOUR TIMING.

324
00:11:28,688 --> 00:11:31,491
BUT KEEP THAT LEVEL OF

325
00:11:31,491 --> 00:11:33,593
PERFORMANCE WITH NO MISTAKES.

326
00:11:33,593 --> 00:11:35,094
I KNOW WHAT I'M TALKING ABOUT.

327
00:11:35,094 --> 00:11:41,267
>> YES YOU DO, BRUNO.

328
00:11:41,267 --> 00:11:41,668
CARRIE ANN.

329
00:11:41,668 --> 00:11:43,536
>> I LOVE WATCHING YOUR

330
00:11:43,536 --> 00:11:43,937
CONFIDENCE.

331
00:11:43,937 --> 00:11:49,676
IT MAKES ME SO HAPPHAPPY.

332
00:11:49,676 --> 00:11:52,111
I'M GOING TO CHALLENGE YOU TO

333
00:11:52,111 --> 00:11:53,079
CHALLENGE YOURSELF MORE.

334
00:11:53,079 --> 00:11:54,681
SIX COUNTS OF EIGHT.

335
00:11:54,681 --> 00:11:56,282
SHE'S LEARNED HOW TO DANCE.

336
00:11:56,282 --> 00:11:59,485
I THINK WE WANT TO GIVE HER MORE

337
00:11:59,485 --> 00:11:59,852
FEEDBACK.

338
00:11:59,852 --> 00:12:02,088
GIVE HER MORE CHOREOGRAPHY,

339
00:12:02,088 --> 00:12:02,422
PLEASE.

340
00:12:02,422 --> 00:12:04,090
I THINK SHE CAN DO IT.

341
00:12:04,090 --> 00:12:05,992
>> LAST WEEK FANS OF OUR STAR

342
00:12:05,992 --> 00:12:08,928
FROM THE BRADY BUNCH WERE

343
00:12:08,928 --> 00:12:09,896
SHOCK

344
00:12:09,896 --> 00:12:15,501
ED WHEN BARRY WILLIAMS AND PETA

345
00:12:15,501 --> 00:12:17,103
MURGATROYD WERE ELIMINATED.

346
00:12:17,103 --> 00:12:19,806
TEXT AND VOTE ONLINE AT ABC.COM.

347
00:12:19,806 --> 00:12:23,509
YOU GET TEN VOTES PER COUPLE PER

348
00:12:23,509 --> 00:12:24,577
VOTING METHOD.

349
00:12:24,577 --> 00:12:26,879
>> I HAVE TO SAY YOU ARE THE

350
00:12:26,879 --> 00:12:28,915
BIGGEST SWIFTY FAN HERE IN THIS

351
00:12:28,915 --> 00:12:29,282
BALLROOM.

352
00:12:29,282 --> 00:12:30,016
>> OH YEAH.

353
00:12:30,016 --> 00:12:32,585
>> AND YOU EVEN SAID IT WAS YOUR

354
00:12:32,585 --> 00:12:34,887
GOAL TO MAKE IT TO THIS EPISODE,

355
00:12:34,887 --> 00:12:36,556
TAYLOR SWIFT NIGHT.

356
00:12:36,556 --> 00:12:39,626
HOW WAS IT DANCING TO YOUR

357
00:12:39,626 --> 00:12:41,728
FAVORITE TAYLOR SWIFT SONG?

358
00:12:41,728 --> 00:12:43,363
>> IT WAS A DREAM COME TRUE.

359
00:12:43,363 --> 00:12:45,898
I WAS REALLY EXCITED.

360
00:12:45,898 --> 00:12:46,799
THIS IS ME TRYING.

361
00:12:46,799 --> 00:12:48,468
>> WE LOVE YOU TRYING.

362
00:12:48,468 --> 00:12:49,669
WE LOVE YOU TRYING.

363
00:12:49,669 --> 00:12:51,537
NOW, I KNOW YOU SAID YOU'RE IN A

364
00:12:51,537 --> 00:12:52,605
LOT OF PAIN.

365
00:12:52,605 --> 00:12:54,540
YOU GOT TOENAILS COMING OFF AND

366
00:12:54,540 --> 00:12:56,409
ALL THOSE THINGS, BUT YOU ARE IN

367
00:12:56,409 --> 00:12:57,510
INCREDIBLE SHAPE.

368
00:12:57,510 --> 00:12:59,278
HOW HAS THIS SHOW TRANSFORMED

369
00:12:59,278 --> 00:12:59,612
YOU?

370
00:12:59,612 --> 00:13:00,680
>> IT'S INCREDIBLE.

371
00:13:00,680 --> 00:13:01,948
I FEEL SO STRONG.

372
00:13:01,948 --> 00:13:05,451
I'M ALMOST 50 AND I CAN DO A

373
00:13:05,451 --> 00:13:05,952
HANDSTAND.

374
00:13:05,952 --> 00:13:07,153
I'VE NEVER DONE THAT BEFORE.

375
00:13:07,153 --> 00:13:11,424
>> HECK YEAH, HANDHANDSTANDS.

376
00:13:11,424 --> 00:13:13,960
LET'S GET TO YOUR SCORES.

377
00:13:13,960 --> 00:13:17,296
>> Announcer: CARRIE ANN INABA.

378
00:13:17,296 --> 00:13:18,631
>> SEVEN.

379
00:13:18,631 --> 00:13:20,300
>> Announcer: DEREK HOUGH.

380
00:13:20,300 --> 00:13:21,234
>> SEVEN!

381
00:13:21,234 --> 00:13:23,736
>> Announcer: MANDY MOORE.

382
00:13:23,736 --> 00:13:26,506
>> EIGHT!

383
00:13:26,506 --> 00:13:28,641
>> Announcer: BRUNO.

384
00:13:28,641 --> 00:13:29,308
>> SEVEN.

385
00:13:29,308 --> 00:13:35,348
>> THAT IS 29 OUT OF 40 FOR

386
00:13:35,348 --> 00:13:37,650
ALYSON AND SASHA.

387
00:13:37,650 --> 00:13:39,652
IF YOU WANT TO SEE THEM IN THE

388
00:13:39,652 --> 00:13:41,087
SEMIFINALS, YOU'VE GOT TO VOTE

389
00:13:41,087 --> 00:13:41,854
RIGHT NOW.

390
00:13:41,854 --> 00:13:44,524
>> MORE TRIBUTES TO THE ERAS OF

391
00:13:44,524 --> 00:13:46,225
TAYLOR SWIFT ARE STILL AHEAD.

392
00:13:46,225 --> 00:13:48,328
NEXT, THE NUMBER ONE HIT THAT

393
00:13:48,328 --> 00:13:50,229
RETURNED TO THE CHARTS THIS PAST

394
00:13:50,229 --> 00:13:51,264
SUMMER.

395
00:13:51,264 --> 00:13:53,633
ARIANA MADIX AND PASHKOV DANCE

396
00:13:53,633 --> 00:13:54,334
TO HER FAVORITE TAYLOR SWIFT

397
00:13:54,334 --> 00:13:55,068
SONG NEXT.

398
00:14:02,308 --> 00:14:06,312
♪♪

399
00:14:06,312 --> 00:14:07,880
>> Alfonso: WELCOME BACK TO "A

400
00:14:07,880 --> 00:14:09,482
CELEBRATION OF TAYLOR SWIFT."

401
00:14:09,482 --> 00:14:11,084
TONIGHT, OUR STARS ARE DANCING

402
00:14:11,084 --> 00:14:12,685
TO THEIR FAVORITES FROM

403
00:14:12,685 --> 00:14:14,253
TAYLOR SWIFT AS WE PAY TRIBUTE

404
00:14:14,253 --> 00:14:14,921
TO HER CAREER AND "THE ERAS

405
00:14:14,921 --> 00:14:16,356
TOUR."

406
00:14:16,356 --> 00:14:17,423
>> Julianne: AND THIS NEXT

407
00:14:17,423 --> 00:14:19,025
TRIBUTE IS A RUMBA INSPIRED BY

408
00:14:19,025 --> 00:14:21,661
TAYLOR'S "LOVER" ERA.

409
00:14:21,661 --> 00:14:23,229
WILL OUR STAR FROM "VANDERPUMP

410
00:14:23,229 --> 00:14:23,963
RULES" ROLL THE DICE OR ROLL HER

411
00:14:23,963 --> 00:14:25,865
EYES?

412
00:14:25,865 --> 00:14:26,432
IT'S ARIANA MADIX AND

413
00:14:26,432 --> 00:14:30,770
PASHA PASHKOV.

414
00:14:30,770 --> 00:14:39,846
♪♪

415
00:14:39,846 --> 00:14:41,614
>> YOU DOMINATED THAT

416
00:14:41,614 --> 00:14:42,014
PERFORMANCE.

417
00:14:42,014 --> 00:14:47,620
YOU DOMINATED.

418
00:14:47,620 --> 00:14:50,056
>> SO CLOSE TO A PERFECT SCORE,

419
00:14:50,056 --> 00:14:52,325
BUT CARRIE ANN IS A TOUGH NUT TO

420
00:14:52,325 --> 00:14:52,658
CRACK.

421
00:14:52,658 --> 00:14:53,392
I WANT HER TO SEE THAT I HAVE

422
00:14:53,392 --> 00:14:55,995
WHAT IT TAKES.

423
00:14:55,995 --> 00:14:58,831
>> SO THIS WEEK WE'RE HAVING A

424
00:14:58,831 --> 00:15:01,167
CELEBRATION OF TAYLOR SWIFT AND

425
00:15:01,167 --> 00:15:05,171
WE'RE DANCING A RUMBA TO "CRUEL

426
00:15:05,171 --> 00:15:05,538
SUMMER".

427
00:15:05,538 --> 00:15:06,105
>> I'M READY.

428
00:15:06,105 --> 00:15:08,608
WHAT I REALLY LOVE ABOUT TAYLOR

429
00:15:08,608 --> 00:15:10,543
SWIFT IS WHEN SHE PERFORMS SHE

430
00:15:10,543 --> 00:15:11,644
COMMANDS THAT STAGE.

431
00:15:11,644 --> 00:15:13,179
THAT'S WHAT I'M GOING TO

432
00:15:13,179 --> 00:15:13,546
CHANNEL.

433
00:15:13,546 --> 00:15:15,114
>> WHAT DO I HAVE TO DO TO GET

434
00:15:15,114 --> 00:15:15,948
THAT PERFECT SCORE?

435
00:15:15,948 --> 00:15:19,919
>> WITH A RUMBA, WE HAVE TO

436
00:15:19,919 --> 00:15:20,953
FOCUS ON THIS TECHNIQUE, A LOT

437
00:15:20,953 --> 00:15:21,587
OF HIP ACTION.

438
00:15:21,587 --> 00:15:22,054
>> OKAY.

439
00:15:22,054 --> 00:15:24,223
>> THE BACK HAS TO BE SOFT AND

440
00:15:24,223 --> 00:15:24,557
FLUID.

441
00:15:24,557 --> 00:15:24,891
>> OH.

442
00:15:24,891 --> 00:15:26,659
>> I KNOW THAT YOUR BACK WAS

443
00:15:26,659 --> 00:15:28,194
BOTHERING YOU, BECAUSE LAST WEEK

444
00:15:28,194 --> 00:15:29,495
WE DID AN INTENSE DANCE.

445
00:15:29,495 --> 00:15:30,363
>> YEAH.

446
00:15:30,363 --> 00:15:35,268
IT'S SORE.

447
00:15:35,268 --> 00:15:35,835
IT'S DEFINITELY SORE.

448
00:15:35,835 --> 00:15:36,536
>> MY BACK IS SWOLLEN, IT'S

449
00:15:36,536 --> 00:15:39,572
BEING MADE WORSE BY MY SUPER

450
00:15:39,572 --> 00:15:40,006
SOFT MATTRESS.

451
00:15:40,006 --> 00:15:43,643
I SLEPT ON A LITTLE CARDBOARD

452
00:15:43,643 --> 00:15:44,243
BOX GURNEY.

453
00:15:44,243 --> 00:15:45,845
I'M GOING TO IGNORE THE PAIN AND

454
00:15:45,845 --> 00:15:47,280
HOPE I CAN GET TO THE END.

455
00:15:47,280 --> 00:15:48,214
>> GOT IT?

456
00:15:48,214 --> 00:15:50,450
>> FEELS GREAT ON THE BACK.

457
00:15:50,450 --> 00:15:53,019
>> RUMBA IS NOT AN EASY DANCE,

458
00:15:53,019 --> 00:15:54,287
BECAUSE YOU CAN SEE ALL THE

459
00:15:54,287 --> 00:15:55,855
DETAILS AND NUANCES IF YOU DON'T

460
00:15:55,855 --> 00:15:57,056
DO THEM PERFECTLY.

461
00:15:57,056 --> 00:15:58,691
>> I FEEL LIKE I'M LITERALLY

462
00:15:58,691 --> 00:16:00,226
LEARNING TO WALK FOR THE FIRST

463
00:16:00,226 --> 00:16:00,560
TIME.

464
00:16:00,560 --> 00:16:00,893
>> YEP.

465
00:16:00,893 --> 00:16:03,396
>> THE RUMBA HAS BEEN DIFFICULT

466
00:16:03,396 --> 00:16:05,932
TO LEARN, BUT WHEN YOU GET A NEW

467
00:16:05,932 --> 00:16:08,534
PERFECT SCORE, THE JUDGES EXPECT

468
00:16:08,534 --> 00:16:10,536
PERFECT DANCES FROM YOU.

469
00:16:10,536 --> 00:16:12,605
NOBODY HAS HIGHER EXPECTATIONS

470
00:16:12,605 --> 00:16:13,406
THAN ME.

471
00:16:13,406 --> 00:16:15,041
I AM FIGHTING THROUGH ALL THE

472
00:16:15,041 --> 00:16:15,808
ACHES AND PAINS TO GET A PERFECT

473
00:16:15,808 --> 00:16:19,278
PERFORMANCE.

474
00:16:19,278 --> 00:16:20,112
LET'S GO.

475
00:16:20,112 --> 00:16:21,180
>> Announcer: DANCING THE RUMBA,

476
00:16:21,180 --> 00:16:22,715
WITH HER PARTNER PASHA PASHKOV,

477
00:16:22,715 --> 00:16:32,258
IT'S ARIANA MADIX.

478
00:16:32,258 --> 00:16:33,826
♪ FEVER DREAM HIGH IN THE

479
00:16:33,826 --> 00:16:35,428
QUIET OF THE NIGHT

480
00:16:35,428 --> 00:16:42,635
YOU KNOW THAT I CAUGHT IT ♪

481
00:16:42,635 --> 00:16:45,404
♪ BADDELEY BOY SHINY TOY WITH A

482
00:16:45,404 --> 00:16:46,973
PRICE

483
00:16:46,973 --> 00:16:47,673
YOU KNOW THAT I BOUGHT IT ♪

484
00:16:47,673 --> 00:16:48,574
♪ KILLING ME SLOW OUT THE

485
00:16:48,574 --> 00:16:49,275
WINDOW ALWAYS WAITING FOR YOU

486
00:16:49,275 --> 00:16:50,142
TO BE WAITING BELOW ♪

487
00:16:50,142 --> 00:16:51,744
♪ DEVILS ROLL THE DICE

488
00:16:51,744 --> 00:16:52,411
ANGELS ROLL THEIR EYES ♪

489
00:16:52,411 --> 00:16:53,346
♪ WHAT DOESN'T KILL ME MAKES

490
00:16:53,346 --> 00:16:57,049
ME WANT YOU MORE ♪

491
00:16:57,049 --> 00:16:59,719
♪ IT'S NEW THE SHAPE OF YOUR

492
00:16:59,719 --> 00:17:01,287
BODY IT'S BLUE THE FEELING

493
00:17:01,287 --> 00:17:03,422
I'VE GOT AND IT'S OOH ♪

494
00:17:03,422 --> 00:17:05,524
♪ WHOA OH

495
00:17:05,524 --> 00:17:09,762
IT'S A CRUEL SUMMER ♪

496
00:17:09,762 --> 00:17:11,330
♪ IT'S COOL THAT'S WHAT I

497
00:17:11,330 --> 00:17:12,398
TELL 'EM NO RULES IN

498
00:17:12,398 --> 00:17:16,068
BREAKABLE HEAVEN ♪

499
00:17:16,068 --> 00:17:17,670
♪ BUT OOH WHOA OH

500
00:17:17,670 --> 00:17:19,238
IT'S A CRUEL SUMMER

501
00:17:19,238 --> 00:17:21,908
WITH YOU ♪

502
00:17:21,908 --> 00:17:22,975
♪ AND I SNUCK IN THROUGH THE

503
00:17:22,975 --> 00:17:24,010
GARDEN GATE EVERY NIGHT ♪

504
00:17:24,010 --> 00:17:26,112
♪ THAT SUMMER JUST TO SEAL

505
00:17:26,112 --> 00:17:27,713
MY FATE AND I SCREAM FOR

506
00:17:27,713 --> 00:17:30,349
WHATEVER IT'S WORTH ♪

507
00:17:30,349 --> 00:17:31,050
♪ I LOVE YOU AIN'T THAT THE

508
00:17:31,050 --> 00:17:31,517
WORST THING YOU

509
00:17:31,517 --> 00:17:36,722
EVER HEARD ♪

510
00:17:36,722 --> 00:17:38,824
♪ IT'S COOL THAT'S WHAT I

511
00:17:38,824 --> 00:17:39,892
TELL 'EM NO RULES IN

512
00:17:39,892 --> 00:17:42,528
BREAKABLE HEAVEN ♪

513
00:17:42,528 --> 00:17:44,630
♪ BUT OOH WHOA OH

514
00:17:44,630 --> 00:17:49,368
IT'S A CRUEL SUMMER

515
00:17:49,368 --> 00:17:50,937
OOH WHOA OH ♪

516
00:17:50,937 --> 00:17:53,572
♪ IT'S A CRUEL SUMMER

517
00:17:53,572 --> 00:17:57,777
WITH YOU ♪

518
00:17:59,412 --> 00:18:01,714
[ APPLAUSE ]

519
00:18:01,714 --> 00:18:02,415
>> Alfonso: ARIANA AND PASHA,

520
00:18:02,415 --> 00:18:02,682
YOU

521
00:18:02,682 --> 00:18:07,119
KNOW THAT I BOUGHT THAT RUMBA.

522
00:18:07,119 --> 00:18:07,486
YEAH.

523
00:18:07,486 --> 00:18:11,123
BEAUTIFUL.

524
00:18:11,123 --> 00:18:11,557
WE LOVE THAT.

525
00:18:11,557 --> 00:18:15,227
WE LOVE IT.

526
00:18:15,227 --> 00:18:15,628
MANDY.

527
00:18:15,628 --> 00:18:17,363
>> YOU DID COMMAND THAT STAGE

528
00:18:17,363 --> 00:18:19,298
OUT THERE, SO YOU DID EXACTLY

529
00:18:19,298 --> 00:18:21,067
WHAT YOU SET OUT TO DO.

530
00:18:21,067 --> 00:18:22,868
YOU WERE A SUPERSTAR.

531
00:18:22,868 --> 00:18:23,903
MY FAVORITE PART WAS THAT YOU

532
00:18:23,903 --> 00:18:26,639
WERE MATCHING THE BEAUTIFUL

533
00:18:26,639 --> 00:18:27,173
MELODIC QUALITY.

534
00:18:27,173 --> 00:18:33,245
OF COURSE WE LOVE A GOOD MELODIC

535
00:18:33,245 --> 00:18:35,414
QUALITY IN TAYLOR'S SONG.

536
00:18:35,414 --> 00:18:38,384
YOU DID THAT WITH YOUR BODY.

537
00:18:38,384 --> 00:18:39,051
THAT WAS BEAUTIFUL.

538
00:18:39,051 --> 00:18:41,354
>> YOUR BODY WAS SINGING!

539
00:18:41,354 --> 00:18:43,422
WHAT I WANT TO POINT OUT THAT

540
00:18:43,422 --> 00:18:46,559
THIS WAS ACTUALLY A CLASSIC,

541
00:18:46,559 --> 00:18:48,394
ELEGANT, TOTALLY FELT AND

542
00:18:48,394 --> 00:18:50,296
PITCHED EXACTLY THE SAME LEVEL

543
00:18:50,296 --> 00:18:51,998
OF SENSUALITY.

544
00:18:51,998 --> 00:18:54,734
YOU COULD HAVE GONE FULL OUT.

545
00:18:54,734 --> 00:18:56,102
YOU RESTRAINED IT.

546
00:18:56,102 --> 00:18:59,005
AND FOR THAT REASON, IT WAS EVEN

547
00:18:59,005 --> 00:19:02,775
MORE BEAUTIFUL.

548
00:19:02,775 --> 00:19:03,576
[ CHEERS AND APPLAUSE ]

549
00:19:03,576 --> 00:19:04,443
>> Alfonso: CARRIE ANN.

550
00:19:04,443 --> 00:19:06,245
>> AT THIS STAGE OF THE

551
00:19:06,245 --> 00:19:08,047
COMPETITION, WE ARE ALWAYS

552
00:19:08,047 --> 00:19:08,848
LOOKING FOR SOMETHING NEW.

553
00:19:08,848 --> 00:19:09,915
THERE'S EXPECTATIONS AND YOU

554
00:19:09,915 --> 00:19:10,950
HAVE TO BEAT THEM.

555
00:19:10,950 --> 00:19:12,985
WHAT I REALLY LOVED, YOU WERE

556
00:19:12,985 --> 00:19:13,719
SHOWCASING TECHNIQUE.

557
00:19:13,719 --> 00:19:15,521
I SAW THE FOCUS ON THE

558
00:19:15,521 --> 00:19:15,888
TECHNIQUE.

559
00:19:15,888 --> 00:19:17,123
I ALSO SAW A NEW QUALITY OF

560
00:19:17,123 --> 00:19:19,892
MOVEMENT THAT WE HAD NOT SEEN.

561
00:19:19,892 --> 00:19:21,560
IT WAS VERY LYRICAL AND SOFT.

562
00:19:21,560 --> 00:19:23,462
YOU DIDN'T ATTACK, WHICH I

563
00:19:23,462 --> 00:19:24,897
REALLY LOVED AS WELL.

564
00:19:24,897 --> 00:19:26,399
IT WAS POWERFUL.

565
00:19:26,399 --> 00:19:26,932
WELL DONE.

566
00:19:26,932 --> 00:19:29,235
>> WHAT I LOVE ABOUT YOU IS YOU

567
00:19:29,235 --> 00:19:30,569
REALLY EMBODY THE CHARACTER AND

568
00:19:30,569 --> 00:19:32,638
TONE OF EACH DANCE YOU DO EVERY

569
00:19:32,638 --> 00:19:33,039
WEEK.

570
00:19:33,039 --> 00:19:34,874
LAST WEEK WAS FIERCE AND SONG.

571
00:19:34,874 --> 00:19:36,742
THIS WEEK WAS SENSUAL AND

572
00:19:36,742 --> 00:19:37,076
REFINED.

573
00:19:37,076 --> 00:19:38,511
IT WAS A PROPER RUMBA WITH ALL

574
00:19:38,511 --> 00:19:40,479
THE CONTENT, SLIDING DOORS,

575
00:19:40,479 --> 00:19:41,414
OPENING OUTS.

576
00:19:41,414 --> 00:19:42,181
BUT THE SIMPLICITY WAS STUNNING.

577
00:19:42,181 --> 00:19:46,218
WELL DONE.

578
00:19:46,218 --> 00:19:46,952
>> Alfonso: HEAD ON UP FOR YOUR

579
00:19:46,952 --> 00:19:48,888
SCORES.

580
00:19:48,888 --> 00:19:49,555
WHICH ERA WILL INSPIRE THE

581
00:19:49,555 --> 00:19:50,656
ROUTINE OF OUR OWN

582
00:19:50,656 --> 00:19:51,223
GRAMMY-WINNING SINGER?

583
00:19:51,223 --> 00:19:52,558
WE'LL FIND OUT WHEN JASON MRAZ

584
00:19:52,558 --> 00:19:53,626
AND DANIELLA KARAGACH TAKE THE

585
00:19:53,626 --> 00:19:54,694
FLOOR WITH A LOVE CRAZY

586
00:19:54,694 --> 00:19:56,295
ARGENTINE TANGO.

587
00:19:56,295 --> 00:19:57,863
THEY'RE ON THE WAY.

588
00:19:57,863 --> 00:20:01,467
JULIANNE --

589
00:20:01,467 --> 00:20:04,036
>> Julianne: THANK YOU.

590
00:20:04,036 --> 00:20:04,570
ALFONSO.

591
00:20:04,570 --> 00:20:08,674
GET UP HERE YOU TWO BEAUTIFUL

592
00:20:08,674 --> 00:20:09,909
IRIDESCENT, GORGEOUS PEOPLE.

593
00:20:09,909 --> 00:20:11,477
THAT WAS SUCH A BEAUTIFUL RUMBA.

594
00:20:11,477 --> 00:20:13,779
I KNOW YOU'VE BEEN IN SO MUCH

595
00:20:13,779 --> 00:20:14,980
PAIN THIS LAST WEEK WITH YOUR

596
00:20:14,980 --> 00:20:15,915
BACK AND EVERYTHING.

597
00:20:15,915 --> 00:20:17,750
HOW HARD WAS IT GETTING THROUGH

598
00:20:17,750 --> 00:20:18,417
THAT DANCE?

599
00:20:18,417 --> 00:20:19,919
>> IT WAS TOUGH, BUT I FEEL LIKE

600
00:20:19,919 --> 00:20:21,787
AT THIS STAGE WE'RE ALL PUTTING

601
00:20:21,787 --> 00:20:23,255
OUR BODIES THROUGH SO MUCH.

602
00:20:23,255 --> 00:20:25,091
EVERY SINGLE PERSON PERFORMING,

603
00:20:25,091 --> 00:20:26,625
ESPECIALLY THESE PROS WITH THE

604
00:20:26,625 --> 00:20:28,928
NUMBER OF DANCES THAT THEY DO,

605
00:20:28,928 --> 00:20:29,562
IT'S CRAZY.

606
00:20:29,562 --> 00:20:32,031
I'M JUST GLAD I GOT THROUGH IT.

607
00:20:32,031 --> 00:20:32,965
>> Julianne: YOU DEFINITELY GOT

608
00:20:32,965 --> 00:20:34,033
MORE THAN THROUGH IT.

609
00:20:34,033 --> 00:20:35,434
TONIGHT YOU'RE DANCING IN THE

610
00:20:35,434 --> 00:20:36,135
RELAY DANCE.

611
00:20:36,135 --> 00:20:37,536
LAST WEEK YOU SKIPPED THAT

612
00:20:37,536 --> 00:20:37,937
COMPETITION.

613
00:20:37,937 --> 00:20:39,138
HOW ARE YOU FEELING ABOUT THIS

614
00:20:39,138 --> 00:20:41,207
FIRST ROUND OF COMPETITION WITH

615
00:20:41,207 --> 00:20:41,574
EVERYBODY?

616
00:20:41,574 --> 00:20:42,875
>> IT'S GOING TO BE FUN.

617
00:20:42,875 --> 00:20:45,544
I'M REALLY EXCITED ABOUT IT.

618
00:20:45,544 --> 00:20:49,215
IT'S A VIENNESE WALTZ, WHICH I

619
00:20:49,215 --> 00:20:49,548
LOVE.

620
00:20:49,548 --> 00:20:51,350
I HAVE SOME FEATHERS ON MY

621
00:20:51,350 --> 00:20:51,884
SKIRT.

622
00:20:51,884 --> 00:20:53,352
>> Julianne: WE LOVE FEATHERS.

623
00:20:53,352 --> 00:20:55,721
LET'S GET TO YOUR SCORES.

624
00:20:55,721 --> 00:20:57,123
>> Announcer: CARRIE ANN INABA.

625
00:20:57,123 --> 00:20:58,324
>> NINE!

626
00:20:58,324 --> 00:20:59,325
>> Announcer: DEREK HOUGH.

627
00:20:59,325 --> 00:21:00,092
>> NINE!

628
00:21:00,092 --> 00:21:02,094
>> Announcer: MANDY MOORE.

629
00:21:02,094 --> 00:21:04,296
>> NINE!

630
00:21:04,296 --> 00:21:05,764
>> Announcer: BRUNO!

631
00:21:05,764 --> 00:21:08,701
>> A REFINED TEN!

632
00:21:08,701 --> 00:21:09,768
>> Julianne: ALL RIGHT.

633
00:21:09,768 --> 00:21:12,705
THAT'S 37 OUT OF 40 FOR ARIANA

634
00:21:12,705 --> 00:21:14,573
AND PASHA.

635
00:21:14,573 --> 00:21:17,042
THEY'LL COMPETE FOR BONUS POINTS

636
00:21:17,042 --> 00:21:19,078
LATER IN THE RELAY DANCE ROUND.

637
00:21:19,078 --> 00:21:21,046
THEY STILL WANT YOU TO VOTE BY

638
00:21:21,046 --> 00:21:22,982
TEXT AND ONLINE AT ABC.COM.

639
00:21:34,627 --> 00:21:36,228
>> Alfonso: WE'RE BACK WITH "A

640
00:21:36,228 --> 00:21:38,330
CELEBRATION OF TAYLOR SWIFT" AND

641
00:21:38,330 --> 00:21:39,398
OUR GUEST JUDGE AND LEAD

642
00:21:39,398 --> 00:21:40,132
CHOREOGRAPHER OF "TAYLOR SWIFT:

643
00:21:40,132 --> 00:21:44,637
THE ERAS TOUR," MANDY MOORE.

644
00:21:44,637 --> 00:21:45,704
NEXT UP, HAVE YOU GUESSED WHICH

645
00:21:45,704 --> 00:21:47,306
SONG OUR GRAMMY-WINNING SINGER

646
00:21:47,306 --> 00:21:48,007
WILL DANCE AN ARGENTINE TANGO

647
00:21:48,007 --> 00:21:48,874
TO?

648
00:21:48,874 --> 00:21:51,510
HERE'S A HINT, THEY'VE GOT BIG

649
00:21:51,510 --> 00:21:53,078
REPUTATIONS.

650
00:21:53,078 --> 00:21:53,612
IT'S JASON MRAZ AND

651
00:21:53,612 --> 00:21:59,285
DANIELLA KARAGACH.

652
00:21:59,285 --> 00:22:03,155
♪♪

653
00:22:03,155 --> 00:22:08,727
>> OH MY GOSH.

654
00:22:08,727 --> 00:22:09,595
>> NINE!

655
00:22:09,595 --> 00:22:12,131
>> MY BEST PLACEMENTS ON THE

656
00:22:12,131 --> 00:22:13,132
LEADERBOARD WERE IN THE FIRST

657
00:22:13,132 --> 00:22:14,934
THREE WEEKS OF THIS COMPETITION.

658
00:22:14,934 --> 00:22:16,302
SINCE THOSE FIRST THREE WEEKS,

659
00:22:16,302 --> 00:22:19,405
IT HAS DROPPED SIGNIFICANTLY.

660
00:22:19,405 --> 00:22:21,674
TO SEE MY NAME LOWER WAS A REAL

661
00:22:21,674 --> 00:22:22,274
WAKEUP CALL.

662
00:22:22,274 --> 00:22:24,710
LAST WEEK WAS THE FIRST NIGHT I

663
00:22:24,710 --> 00:22:26,412
THOUGHT, THIS COULD BE IT.

664
00:22:26,412 --> 00:22:28,280
WHAT DO WE NEED TO DO TO GET

665
00:22:28,280 --> 00:22:29,181
PAST THESE EIGHTS?

666
00:22:29,181 --> 00:22:31,050
>> I WANT TO MAKE SURE WE

667
00:22:31,050 --> 00:22:33,953
PREPARE SO WELL THAT YOU'RE NOT

668
00:22:33,953 --> 00:22:35,654
TRYING TO DO THE NEXT MOVE

669
00:22:35,654 --> 00:22:37,256
WITHOUT FINISHING THE FIRST ONE.

670
00:22:37,256 --> 00:22:37,656
>> RIGHT.

671
00:22:37,656 --> 00:22:40,459
>> THIS WEEK IS A CELEBRATION OF

672
00:22:40,459 --> 00:22:42,261
TAYLOR SWIFT AND WE ARE DANCING

673
00:22:42,261 --> 00:22:43,462
TO "DON'T BLAME ME".

674
00:22:43,462 --> 00:22:46,031
>> I GOT TO PERFORM WITH TAYLOR

675
00:22:46,031 --> 00:22:47,066
BACK IN 2011.

676
00:22:47,066 --> 00:22:49,635
FOR HER TO COVER ONE OF MY SONGS

677
00:22:49,635 --> 00:22:51,537
SHOWS HOW GRACIOUS SHE IS.

678
00:22:51,537 --> 00:22:53,205
I HOPPED UP ON THE STAGE AND

679
00:22:53,205 --> 00:22:54,573
SANG THE SONG WITH HER.

680
00:22:54,573 --> 00:22:55,708
IT WAS TOTALLY SURREAL.

681
00:22:55,708 --> 00:22:57,576
>> BRINGING THAT WHOLE ARENA IS

682
00:22:57,576 --> 00:23:02,147
IN WHAT WE NEED TO DO WITH THIS

683
00:23:02,147 --> 00:23:03,315
ARGENTINE TANGO.

684
00:23:03,315 --> 00:23:04,717
THIS IS OUR REDEMPTION DANCE.

685
00:23:04,717 --> 00:23:06,652
WE NEED TO MAKE THE GREATEST

686
00:23:06,652 --> 00:23:07,386
COMEBACK IN "DANCING WITH THE

687
00:23:07,386 --> 00:23:07,886
STARS" HISTORY.

688
00:23:07,886 --> 00:23:08,420
>> I LOVE IT.

689
00:23:08,420 --> 00:23:10,623
>> ONE OF THE MOST IMPORTANT

690
00:23:10,623 --> 00:23:12,958
PARTS OF THE ARGENTINE TANGO IS

691
00:23:12,958 --> 00:23:16,528
THE INTIMACY IN THE DANCE.

692
00:23:16,528 --> 00:23:17,496
>> HI, GUYS.

693
00:23:17,496 --> 00:23:19,865
>> WHO ELSE IS BETTER TO SHOW IT

694
00:23:19,865 --> 00:23:21,467
THAN MY OWN HUSBAND?

695
00:23:21,467 --> 00:23:23,369
YOU PICK ME UP, VERY STRONG.

696
00:23:23,369 --> 00:23:25,604
>> IT'S SO HELPFUL TO HAVE PASHA

697
00:23:25,604 --> 00:23:27,072
IN THE ROOM.

698
00:23:27,072 --> 00:23:29,541
I COULD SEE FOR MYSELF THE MALE

699
00:23:29,541 --> 00:23:31,677
PERSPECTIVE OF THIS DANCE.

700
00:23:31,677 --> 00:23:33,545
I NEED EVERYTHING TO FALL INTO

701
00:23:33,545 --> 00:23:35,381
PLACE FOR ME.

702
00:23:35,381 --> 00:23:36,048
>> BOOM.

703
00:23:36,048 --> 00:23:37,683
>> BECAUSE I DON'T WANT TO GO

704
00:23:37,683 --> 00:23:37,983
HOME.

705
00:23:37,983 --> 00:23:39,151
>> ONE, TWO.

706
00:23:39,151 --> 00:23:40,352
THAT ACTUALLY LOOKS BETTER.

707
00:23:40,352 --> 00:23:42,087
>> THIS HAS TO BE A REDEMPTION

708
00:23:42,087 --> 00:23:43,188
WEEK FOR ME.

709
00:23:43,188 --> 00:23:45,824
IT HAS TO.

710
00:23:45,824 --> 00:23:46,892
>> Announcer: DANCING THE

711
00:23:46,892 --> 00:23:48,460
ARGENTINE TANGO, WITH HIS

712
00:23:48,460 --> 00:23:50,062
PARTNER, DANIELLA KARAGACH, IT'S

713
00:23:50,062 --> 00:23:51,563
JASON MRAZ.

714
00:23:55,301 --> 00:23:56,368
♪ MMM MMM ♪

715
00:23:56,368 --> 00:24:00,072
♪ I'VE BEEN BREAKING HEARTS

716
00:24:00,072 --> 00:24:00,739
A LONG TIME AND TOYING WITH

717
00:24:00,739 --> 00:24:02,708
THEM OLDER GUYS ♪

718
00:24:02,708 --> 00:24:05,344
♪ JUST PLAYTHINGS FOR ME TO

719
00:24:05,344 --> 00:24:10,115
USE SOMETHING HAPPENED FOR

720
00:24:10,115 --> 00:24:13,285
THE FIRST TIME ♪

721
00:24:13,285 --> 00:24:15,421
♪ IN THE DARKEST LITTLE

722
00:24:15,421 --> 00:24:17,022
PARADISE SHAKING PACING

723
00:24:17,022 --> 00:24:23,862
I JUST NEED YOU ♪

724
00:24:23,862 --> 00:24:25,464
♪ FOR YOU I I WOULD WOULD

725
00:24:25,464 --> 00:24:27,566
FALL FROM GRACE JUST JUST

726
00:24:27,566 --> 00:24:31,203
TO TO TOUCH YOUR FACE ♪

727
00:24:31,203 --> 00:24:33,339
♪ IF IF YOU YOU WALK AWAY

728
00:24:33,339 --> 00:24:34,406
I'D BEG YOU ON MY KNEES

729
00:24:34,406 --> 00:24:37,576
TO STAY ♪

730
00:24:37,576 --> 00:24:39,678
♪ DON'T BLAME ME LOVE MADE

731
00:24:39,678 --> 00:24:40,746
ME CRAZY IF IT DOESN'T

732
00:24:40,746 --> 00:24:44,950
YOU AIN'T DOING IT RIGHT ♪

733
00:24:44,950 --> 00:24:47,119
♪ LORD SAVE ME MY DRUG IS

734
00:24:47,119 --> 00:24:48,153
MY BABY I'LL BE USING FOR THE

735
00:24:48,153 --> 00:24:51,357
REST OF MY LIFE ♪

736
00:24:51,357 --> 00:24:53,525
♪ DON'T BLAME ME

737
00:24:53,525 --> 00:24:54,526
LOVE MADE ME CRAZY

738
00:24:54,526 --> 00:24:55,060
IF IT DOESN'T ♪

739
00:24:55,060 --> 00:24:58,230
♪ YOU AIN'T DOING IT RIGHT

740
00:24:58,230 --> 00:24:58,764
OH LORD SAVE ME

741
00:24:58,764 --> 00:25:00,866
MY DRUG IS MY BABY ♪

742
00:25:00,866 --> 00:25:01,934
♪ I'LL BE USING FOR THE

743
00:25:01,934 --> 00:25:04,002
REST OF MY LIFE ♪

744
00:25:04,002 --> 00:25:05,604
♪ MMM MMM ♪

745
00:25:05,604 --> 00:25:06,672
♪ DON'T BLAME ME

746
00:25:06,672 --> 00:25:08,240
LOVE MADE ME CRAZY

747
00:25:08,240 --> 00:25:08,774
IF IT DOESN'T ♪

748
00:25:08,774 --> 00:25:09,308
♪ YOU AIN'T DOING

749
00:25:09,308 --> 00:25:12,444
IT RIGHT ♪

750
00:25:12,444 --> 00:25:14,079
♪ LORD SAVE ME

751
00:25:14,079 --> 00:25:15,114
MY DRUG IS MY BABY ♪

752
00:25:15,114 --> 00:25:21,954
♪ I'LL BE USING FOR THE REST

753
00:25:21,954 --> 00:25:24,790
OF MY LIFE ♪

754
00:25:24,790 --> 00:25:27,926
>> Alfonso: JASON AND DANIELLA

755
00:25:27,926 --> 00:25:29,028
KEEPING UP THEIR "REPUTATION"

756
00:25:29,028 --> 00:25:35,534
WITH AN ARGENTINE TANGO.

757
00:25:35,534 --> 00:25:35,901
YES!

758
00:25:35,901 --> 00:25:36,635
LOOK, YOUR JUDGES ARE ON THEIR

759
00:25:36,635 --> 00:25:41,240
FEET FOR YOU.

760
00:25:41,240 --> 00:25:43,108
JASON IS BACK!

761
00:25:43,108 --> 00:25:45,644
ALL RIGHT, BRUNO.

762
00:25:45,644 --> 00:25:47,880
>> REPUTATION RESTORED!

763
00:25:47,880 --> 00:25:50,916
YOU ARE BACK WITH A MASSIVE HIT

764
00:25:50,916 --> 00:25:55,954
AS A TRUE LEADING MAN.

765
00:25:55,954 --> 00:25:59,558
TECHNICALLY IT WAS A TOUR DE

766
00:25:59,558 --> 00:25:59,958
FORCE.

767
00:25:59,958 --> 00:26:01,660
THE SEQUENCE ESPECIALLY THE

768
00:26:01,660 --> 00:26:04,696
PROMENADE, OUT OF THIS WORLD.

769
00:26:04,696 --> 00:26:05,197
SUPERB!

770
00:26:05,197 --> 00:26:07,066
>> Alfonso: CARRIE ANN.

771
00:26:07,066 --> 00:26:09,134
>> JASON, OFTEN WHEN YOU DANCE I

772
00:26:09,134 --> 00:26:10,769
OFTEN THINK OF THE WATER AND THE

773
00:26:10,769 --> 00:26:11,103
OCEAN.

774
00:26:11,103 --> 00:26:13,205
THERE'S THIS EASY-GOING QUALITY

775
00:26:13,205 --> 00:26:13,672
TO YOU.

776
00:26:13,672 --> 00:26:15,107
BUT TONIGHT YOU WERE THE HEART

777
00:26:15,107 --> 00:26:17,209
OF THE FIRE AND YOU BURNED IT

778
00:26:17,209 --> 00:26:17,543
DOWN.

779
00:26:17,543 --> 00:26:18,444
IT WAS AMAZING.

780
00:26:18,444 --> 00:26:21,180
I'M SO PROUD OF YOU.

781
00:26:21,180 --> 00:26:22,114
THAT ACCENT CAME.

782
00:26:22,114 --> 00:26:25,818
DID YOU GUYS FEEL IT?

783
00:26:25,818 --> 00:26:28,053
IT PULSATED THROUGH HIS WHOLE

784
00:26:28,053 --> 00:26:28,454
BODY.

785
00:26:28,454 --> 00:26:31,090
YOU ARE THE MUSIC AND IT WAS

786
00:26:31,090 --> 00:26:31,657
POWERFUL.

787
00:26:31,657 --> 00:26:32,458
>> Alfonso: DEREK.

788
00:26:32,458 --> 00:26:33,792
>> THAT HAD EVERYTHING.

789
00:26:33,792 --> 00:26:35,561
IT HAD ALL THE MOVES.

790
00:26:35,561 --> 00:26:38,664
THE CONFIDENCE THAT YOU HAD ON

791
00:26:38,664 --> 00:26:40,098
THAT VERY FIRST MOMENT WHEN YOU

792
00:26:40,098 --> 00:26:41,967
SPUN HER AROUND, I WAS IN THE

793
00:26:41,967 --> 00:26:43,001
WHOLE TIME.

794
00:26:43,001 --> 00:26:46,238
MY MAN JASON MRAZ IS BACK!

795
00:26:46,238 --> 00:26:48,707
>> Alfonso: WE LOVE THAT.

796
00:26:48,707 --> 00:26:49,041
MANDY.

797
00:26:49,041 --> 00:26:50,843
>> JASON, I HAVE TWO WORDS FOR

798
00:26:50,843 --> 00:26:51,176
YOU.

799
00:26:51,176 --> 00:26:54,446
THIS IS ALL I WROTE DOWN,

800
00:26:54,446 --> 00:26:56,515
"GROUNDED AND EPIC."

801
00:26:56,515 --> 00:26:58,784
THAT WAS SO EPIC.

802
00:26:58,784 --> 00:26:59,751
LOVED IT.

803
00:26:59,751 --> 00:27:00,519
>> Alfonso: SO BEAUTIFUL.

804
00:27:00,519 --> 00:27:00,886
ALL RIGHT.

805
00:27:00,886 --> 00:27:03,722
HEAD ON UP TO THE SKYBOX WITH

806
00:27:03,722 --> 00:27:05,591
JULIANNE FOR YOUR SCORES.

807
00:27:05,591 --> 00:27:06,992
I HAVE ANOTHER QUIZ FOR YOU.

808
00:27:06,992 --> 00:27:08,961
THIS MIGHT BE FOLKLORE, BUT

809
00:27:08,961 --> 00:27:14,800
WHICH OF OUR HANDSOME STARS

810
00:27:14,800 --> 00:27:20,305
MIGHT FANS FIND TWISTED IN BED

811
00:27:20,305 --> 00:27:21,840
SHEETS?

812
00:27:21,840 --> 00:27:22,207
JULIANNE.

813
00:27:22,207 --> 00:27:23,575
>> Julianne: YOU WENT THERE,

814
00:27:23,575 --> 00:27:23,909
ALFONSO.

815
00:27:23,909 --> 00:27:26,144
OH MY GOSH, WE'RE ALL FREAKING

816
00:27:26,144 --> 00:27:26,879
OUT UP HERE.

817
00:27:26,879 --> 00:27:28,313
YOU HAVE A LOT OF LIKE MOMENTUM

818
00:27:28,313 --> 00:27:30,148
AT THE BEGINNING OF THE SEASON.

819
00:27:30,148 --> 00:27:32,751
SOMETHING KIND OF SHIFTED.

820
00:27:32,751 --> 00:27:33,752
HOW DO YOU HAVE THAT FIGHT AND

821
00:27:33,752 --> 00:27:35,287
THAT SPIRIT TO COME BACK?

822
00:27:35,287 --> 00:27:35,854
>> YEAH.

823
00:27:35,854 --> 00:27:37,523
I MEAN, EVERY DANCE IS AMAZING,

824
00:27:37,523 --> 00:27:39,558
BUT THE WHOLE COMPETITION IS A

825
00:27:39,558 --> 00:27:39,992
MARATHON.

826
00:27:39,992 --> 00:27:40,993
I THINK I HIT MILE EIGHT AND I

827
00:27:40,993 --> 00:27:42,394
STARTED TO GET WEAK, I STARTED

828
00:27:42,394 --> 00:27:43,795
TO FORGET MOVES.

829
00:27:43,795 --> 00:27:44,830
I WAS MORE NERVOUS TONIGHT THAN

830
00:27:44,830 --> 00:27:46,265
I WAS ON THE FIRST NIGHT,

831
00:27:46,265 --> 00:27:48,000
BECAUSE I HAD THAT EXPERIENCE OF

832
00:27:48,000 --> 00:27:48,834
FORGETTING MOVES AND I DIDN'T

833
00:27:48,834 --> 00:27:50,569
WANT TO FORGET THE CHOREOGRAPHY.

834
00:27:50,569 --> 00:27:53,172
I WENT HOME, I PET MY CAT, I

835
00:27:53,172 --> 00:27:55,140
CRIED A LITTLE BIT, I MEDITATED,

836
00:27:55,140 --> 00:27:56,642
I DID MY YOGA.

837
00:27:56,642 --> 00:27:57,709
I'M HERE, I'M BACK.

838
00:27:57,709 --> 00:27:58,977
>> Julianne: I LOVE IT.

839
00:27:58,977 --> 00:28:01,547
SPEAKING OF CHOREOGRAPHY,

840
00:28:01,547 --> 00:28:02,114
DANIELLA, WOW.

841
00:28:02,114 --> 00:28:02,948
>> THANK YOU.

842
00:28:02,948 --> 00:28:03,815
>> Julianne: I DON'T KNOW ABOUT

843
00:28:03,815 --> 00:28:05,651
YOU, BUT I'M REALLY EXCITED TO

844
00:28:05,651 --> 00:28:06,518
GET YOUR SCORES.

845
00:28:06,518 --> 00:28:08,687
WHEN WE COME BACK.

846
00:28:19,431 --> 00:28:20,465
>> Julianne: WELCOME BACK.

847
00:28:20,465 --> 00:28:26,104
BEFORE THE BREAK, JASON AND

848
00:28:26,104 --> 00:28:29,274
DANIELLA PERFORMED AN ARGENTINE

849
00:28:29,274 --> 00:28:31,577
TANGO TO "DON'T BLAME ME."

850
00:28:31,577 --> 00:28:32,277
AND DON'T BLAME ME FOR MAKING

851
00:28:32,277 --> 00:28:32,844
THEM WAIT ANY LONGER.

852
00:28:32,844 --> 00:28:35,948
LET'S GET THEIR SCORES.

853
00:28:35,948 --> 00:28:38,350
>> Announcer: CARRIE ANN INABA.

854
00:28:38,350 --> 00:28:39,818
>> TEN!

855
00:28:39,818 --> 00:28:41,086
>> Announcer: DEREK HOUGH.

856
00:28:41,086 --> 00:28:42,020
>> TEN!

857
00:28:42,020 --> 00:28:42,721
>> Announcer: MANDY MOORE.

858
00:28:42,721 --> 00:28:46,358
>> TEN!

859
00:28:46,358 --> 00:28:48,060
>> Announcer: BRUNO TONIOLI.

860
00:28:48,060 --> 00:28:51,630
>> TEN!

861
00:28:51,630 --> 00:28:53,765
>> Julianne: IT IS A 40 OUT OF

862
00:28:53,765 --> 00:28:56,234
40 FOR JASON AND DANIELLA SO

863
00:28:56,234 --> 00:28:56,568
FAR.

864
00:28:56,568 --> 00:28:57,369
A PERFECT SCORE.

865
00:28:57,369 --> 00:29:00,005
HOW ARE YOU GUYS FEELING RIGHT

866
00:29:00,005 --> 00:29:00,339
NOW?

867
00:29:00,339 --> 00:29:03,642
>> I FEEL 40.

868
00:29:03,642 --> 00:29:08,780
I FEEL 40.

869
00:29:08,780 --> 00:29:09,748
>> Julianne: THAT WAS YOUR FIRST

870
00:29:09,748 --> 00:29:10,182
PERFECT SCORE.

871
00:29:10,182 --> 00:29:11,516
I DON'T KNOW IF IT'S GOING TO BE

872
00:29:11,516 --> 00:29:13,018
YOUR LAST, BUT THEY COULD EARN

873
00:29:13,018 --> 00:29:14,953
MORE POINTS FROM THE JUDGES IF

874
00:29:14,953 --> 00:29:17,089
THEY WIN THEIR RELAY DANCE.

875
00:29:17,089 --> 00:29:18,223
BUT THEY STILL WANT YOU TO TEXT

876
00:29:18,223 --> 00:29:18,924
AND VOTE ON ABC.COM RIGHT NOW.

877
00:29:18,924 --> 00:29:19,591
AND REMEMBER, VOTING CLOSES

878
00:29:19,591 --> 00:29:20,258
DURING THE LAST COMMERCIAL

879
00:29:20,258 --> 00:29:20,559
BREAK.

880
00:29:20,559 --> 00:29:26,064
ALFONSO --

881
00:29:26,064 --> 00:29:26,999
>> Alfonso: WE LOVE THAT.

882
00:29:26,999 --> 00:29:28,900
RIGHT NOW, WE HAVE A RUMBA

883
00:29:28,900 --> 00:29:32,104
HONORING TAYLOR'S "FOLKLORE" ERA

884
00:29:32,104 --> 00:29:33,538
FROM OUR SOCIAL MEDIA AND

885
00:29:33,538 --> 00:29:34,840
REALITY TV STAR.

886
00:29:34,840 --> 00:29:35,407
IT'S HARRY JOWSEY AND

887
00:29:35,407 --> 00:29:37,409
RYLEE ARNOLD.

888
00:29:37,409 --> 00:29:42,781
♪♪

889
00:29:42,781 --> 00:29:43,949
>> DEFINITELY SAW SOME

890
00:29:43,949 --> 00:29:44,916
BREAKTHROUGH MOMENTS.

891
00:29:44,916 --> 00:29:47,819
THERE WERE SOME BETTER MOMENTS,

892
00:29:47,819 --> 00:29:48,253
IMPROVEMENTS.

893
00:29:48,253 --> 00:29:49,154
>> SEVEN!

894
00:29:49,154 --> 00:29:55,761
>> YEAH, I WAS SUPER HAPPY AND

895
00:29:55,761 --> 00:29:56,795
GRATEFUL SO SEE SOME BETTER

896
00:29:56,795 --> 00:29:57,129
SCORES.

897
00:29:57,129 --> 00:29:58,897
>> LAST WEEK, MASSIVE

898
00:29:58,897 --> 00:29:59,331
IMPROVEMENT.

899
00:29:59,331 --> 00:29:59,665
>> YES.

900
00:29:59,665 --> 00:30:00,966
>> WE DIDN'T GET THE BEST SCORES

901
00:30:00,966 --> 00:30:02,968
OF THE NIGHT, BUT THAT'S OKAY,

902
00:30:02,968 --> 00:30:04,436
BECAUSE IT'S ABOUT PEOPLE

903
00:30:04,436 --> 00:30:04,770
VOTING.

904
00:30:04,770 --> 00:30:05,604
>> YES.

905
00:30:05,604 --> 00:30:07,172
IT'S A CELEBRATION OF TAYLOR

906
00:30:07,172 --> 00:30:08,140
SWIFT THIS WEEK.

907
00:30:08,140 --> 00:30:11,276
WE'RE DANCING TO "AUGUST".

908
00:30:11,276 --> 00:30:14,913
>> I'M A MASSIVE FAN OF TAYLOR

909
00:30:14,913 --> 00:30:15,314
SWIFT.

910
00:30:15,314 --> 00:30:16,882
I THINK SHE'S INCREDIBLE.

911
00:30:16,882 --> 00:30:18,417
>> SO WE ARE DANCING A RUMBA.

912
00:30:18,417 --> 00:30:19,084
>> NICE.

913
00:30:19,084 --> 00:30:21,219
>> FOR OUR DANCE-OFF LAST WEEK

914
00:30:21,219 --> 00:30:22,421
WE LOST OUR RUMBA.

915
00:30:22,421 --> 00:30:24,623
WE WERE ABLE TO GET SOME

916
00:30:24,623 --> 00:30:25,924
CRITIQUES FROM THE JUDGES.

917
00:30:25,924 --> 00:30:27,559
>> LOOSEN UP A LITTLE BIT.

918
00:30:27,559 --> 00:30:28,960
NOT JUST BE A TREE TRUNK.

919
00:30:28,960 --> 00:30:30,696
>> HOW CAN I STAND OUT THIS

920
00:30:30,696 --> 00:30:31,029
WEEK?

921
00:30:31,029 --> 00:30:33,198
>> YOU HAVE TO BE IN THIS

922
00:30:33,198 --> 00:30:33,999
CONSTANT FLUID MOTION.

923
00:30:33,999 --> 00:30:36,334
I'M GOING TO GIVE YOU A LOT OF

924
00:30:36,334 --> 00:30:36,702
STEPS.

925
00:30:36,702 --> 00:30:39,504
NO ONE'S GOING TO BE ABLE TO

926
00:30:39,504 --> 00:30:40,872
CALL YOU A TREE TRUNK.

927
00:30:40,872 --> 00:30:43,408
SEE HOW WE DON'T STOP AND START

928
00:30:43,408 --> 00:30:45,043
ANY MOVES?

929
00:30:45,043 --> 00:30:46,511
IT'S JUST CONTINUOUS MONUMENT.

930
00:30:46,511 --> 00:30:47,846
>> IT'S GOING TO BE HARD.

931
00:30:47,846 --> 00:30:49,581
>> YOU'RE ALWAYS MOVING THESE

932
00:30:49,581 --> 00:30:50,148
HIPS.

933
00:30:50,148 --> 00:30:50,849
SHAKE IT.

934
00:30:50,849 --> 00:30:52,551
THIS WEEK MORE THAN EVER HARRY

935
00:30:52,551 --> 00:30:54,753
HAS TO BRING THE FLUID AND

936
00:30:54,753 --> 00:30:56,388
CONNECTIVE MOVEMENTS.

937
00:30:56,388 --> 00:31:00,625
SMOOTH, SOFT, FEEL THOSE HIPS.

938
00:31:00,625 --> 00:31:02,694
WALK, HIP, WALK, HIP.

939
00:31:02,694 --> 00:31:03,762
RAISE YOUR SHIRT UP.

940
00:31:03,762 --> 00:31:04,963
I WANT TO SEE YOUR HIPS.

941
00:31:04,963 --> 00:31:06,832
>> WATCHING THE RUMBA VIDEO WAS

942
00:31:06,832 --> 00:31:08,300
A MASSIVE WAKEUP CALL.

943
00:31:08,300 --> 00:31:09,601
>> MOVE YOUR HIP.

944
00:31:09,601 --> 00:31:10,135
HIP, HIP.

945
00:31:10,135 --> 00:31:11,970
>> THAT'S WHY I'M WORKING SO

946
00:31:11,970 --> 00:31:14,206
HARD, BECAUSE THERE'S NO

947
00:31:14,206 --> 00:31:14,606
SHORTCUTS.

948
00:31:14,606 --> 00:31:15,073
>> GOOD!

949
00:31:15,073 --> 00:31:18,910
>> I'M DONE BEING A BIG GUMBY

950
00:31:18,910 --> 00:31:19,244
TREE.

951
00:31:19,244 --> 00:31:23,115
I REALLY WANT TO MAKE IT TO THE

952
00:31:23,115 --> 00:31:23,515
SEMIFINALS.

953
00:31:23,515 --> 00:31:23,915
>> STOP.

954
00:31:23,915 --> 00:31:24,616
NAILED IT.

955
00:31:24,616 --> 00:31:28,220
>> WITH RYLEE BY MY SIDE AND THE

956
00:31:28,220 --> 00:31:30,222
AMAZING SUPPORT OF THE FANS, I

957
00:31:30,222 --> 00:31:31,323
THINK I CAN DO IT.

958
00:31:31,323 --> 00:31:32,491
>> AMAZING, HARRY.

959
00:31:32,491 --> 00:31:34,259
GOOD!

960
00:31:34,259 --> 00:31:34,993
>> Announcer: DANCING THE RUMBA,

961
00:31:34,993 --> 00:31:35,727
WITH HIS PARTNER, RYLEE ARNOLD,

962
00:31:35,727 --> 00:31:36,294
IT'S HARRY JOWSEY.

963
00:31:41,600 --> 00:31:44,269
♪ SALT AIR AND THE RUST ON

964
00:31:44,269 --> 00:31:47,406
YOUR DOOR I NEVER NEEDED

965
00:31:47,406 --> 00:31:53,245
ANYTHING MORE ♪

966
00:31:53,245 --> 00:31:53,779
♪ WHISPERS

967
00:31:53,779 --> 00:31:54,813
OF ARE YOU SURE

968
00:31:54,813 --> 00:31:58,517
NEVER HAVE I EVER BEFORE ♪

969
00:31:58,517 --> 00:32:02,287
♪ BUT I CAN SEE US LOST IN

970
00:32:02,287 --> 00:32:04,356
THE MEMORY AUGUST SLIPPED

971
00:32:04,356 --> 00:32:05,957
AWAY INTO A MOMENT IN TIME ♪

972
00:32:05,957 --> 00:32:09,127
♪ 'CAUSE IT WAS NEVER MINE

973
00:32:09,127 --> 00:32:10,195
AND I CAN SEE US TWISTED

974
00:32:10,195 --> 00:32:12,864
IN BEDSHEETS ♪

975
00:32:12,864 --> 00:32:14,432
♪ AUGUST SIPPED AWAY

976
00:32:14,432 --> 00:32:17,035
LIKE A BOTTLE OF WINE

977
00:32:17,035 --> 00:32:20,205
'CAUSE YOU WERE NEVER MINE ♪

978
00:32:20,205 --> 00:32:22,574
♪ BACK WHEN WE WERE STILL

979
00:32:22,574 --> 00:32:24,409
CHANGING FOR THE BETTER

980
00:32:24,409 --> 00:32:25,010
WANTING WAS ENOUGH ♪

981
00:32:25,010 --> 00:32:30,215
♪ FOR ME IT WAS ENOUGH

982
00:32:30,215 --> 00:32:30,782
TO LIVE FOR THE HOPE

983
00:32:30,782 --> 00:32:32,918
OF IT ALL ♪

984
00:32:32,918 --> 00:32:35,020
♪ CANCEL PLANS JUST IN CASE

985
00:32:35,020 --> 00:32:35,654
YOU'D CALL AND SAY MEET ME

986
00:32:35,654 --> 00:32:37,656
BEHIND THE MALL ♪

987
00:32:37,656 --> 00:32:40,292
♪ SO MUCH FOR SUMMER LOVE

988
00:32:40,292 --> 00:32:41,893
AND SAYING US 'CAUSE YOU

989
00:32:41,893 --> 00:32:46,665
WEREN'T MINE TO LOSE ♪

990
00:32:46,665 --> 00:32:49,267
♪ YOU WEREN'T MINE TO LOSE

991
00:32:49,267 --> 00:32:52,971
NO ♪

992
00:32:52,971 --> 00:32:54,005
♪ BUT I CAN SEE US

993
00:32:54,005 --> 00:32:55,574
LOST IN THE MEMORY ♪

994
00:32:55,574 --> 00:32:57,209
♪ AUGUST SLIPPED AWAY INTO A

995
00:32:57,209 --> 00:32:58,777
MOMENT IN TIME

996
00:32:58,777 --> 00:33:01,379
'CAUSE IT WAS NEVER MINE ♪

997
00:33:07,786 --> 00:33:09,387
>> Alfonso: HARRY AND RYLEE,

998
00:33:09,387 --> 00:33:15,894
SLIPPING AWAY WITH A RUMBA.

999
00:33:15,894 --> 00:33:16,228
YES.

1000
00:33:16,228 --> 00:33:17,896
THEY'RE LOVING IT, HARRY.

1001
00:33:17,896 --> 00:33:21,566
THEY'RE ON THEIR FEET.

1002
00:33:21,566 --> 00:33:22,968
ALL RIGHT.

1003
00:33:22,968 --> 00:33:26,538
CARRIE ANN, TAKE IT AWAY.

1004
00:33:26,538 --> 00:33:28,373
>> I'M HAVING A LOT OF FEELINGS

1005
00:33:28,373 --> 00:33:29,641
ABOUT THIS DANCE, BECAUSE

1006
00:33:29,641 --> 00:33:32,010
THERE'S A LOT OF CONTENT, MORE

1007
00:33:32,010 --> 00:33:34,579
THAN YOU'VE EVER DONE.

1008
00:33:34,579 --> 00:33:37,148
BRAVO FOR YOU FOR THAT.

1009
00:33:37,148 --> 00:33:38,884
I ALSO BELIEVE THAT YOU ARE HERE

1010
00:33:38,884 --> 00:33:40,418
FOR A REASON, BECAUSE I THINK

1011
00:33:40,418 --> 00:33:42,587
YOU'RE SHOWING A LOT OF PEOPLE

1012
00:33:42,587 --> 00:33:43,889
WHAT IT IS TO NOT HAVE ANY

1013
00:33:43,889 --> 00:33:44,689
EXPERIENCE AND BE VULNERABLE

1014
00:33:44,689 --> 00:33:45,524
THROUGH THE PROCESS.

1015
00:33:45,524 --> 00:33:47,259
I THINK THAT'S WHAT'S CAPTURING

1016
00:33:47,259 --> 00:33:49,961
THE HEARTS OF EVERYBODY.

1017
00:33:49,961 --> 00:33:51,329
IT ALSO DOES SOMETHING FOR ME AS

1018
00:33:51,329 --> 00:33:52,097
A JUDGE.

1019
00:33:52,097 --> 00:33:53,698
IT'S VERY GOOD.

1020
00:33:53,698 --> 00:33:54,699
I'M PROUD OF YOU.

1021
00:33:54,699 --> 00:33:56,334
BUT YOU STILL HAVE WORK TO DO,

1022
00:33:56,334 --> 00:33:58,270
YOU KNOW THAT, RIGHT?

1023
00:33:58,270 --> 00:33:58,803
I'M PROUD.

1024
00:33:58,803 --> 00:34:03,008
>> SOMETIMES WHEN I'M WATCHING

1025
00:34:03,008 --> 00:34:03,775
YOU, YOU HAVE A BIT OF A BLANK

1026
00:34:03,775 --> 00:34:06,578
SPACE FACE SOMETIMES.

1027
00:34:06,578 --> 00:34:11,516
[ CROWD REACTS ]

1028
00:34:11,516 --> 00:34:14,753
>> HOWEVER, TONIGHT YOU WERE

1029
00:34:14,753 --> 00:34:15,153
COMFORTABLE.

1030
00:34:15,153 --> 00:34:16,521
YOU HAD CONFIDENCE.

1031
00:34:16,521 --> 00:34:18,056
IT WAS MUCH BETTER THAN I'VE

1032
00:34:18,056 --> 00:34:18,723
SEEN YOU BEFORE.

1033
00:34:18,723 --> 00:34:23,962
WELL DONE FOR THAT, MY FRIEND.

1034
00:34:23,962 --> 00:34:24,596
>> Alfonso: MANDY.

1035
00:34:24,596 --> 00:34:26,765
>> HARRY, I'VE SPENT A LOT OF

1036
00:34:26,765 --> 00:34:28,300
TIME WORKING WITH PEOPLE THAT

1037
00:34:28,300 --> 00:34:29,167
HAVE NEVER DANCED.

1038
00:34:29,167 --> 00:34:32,003
I APPRECIATED THAT WHAT RYLEE

1039
00:34:32,003 --> 00:34:33,838
GAVE YOU, YOU DID WELL, AND IT

1040
00:34:33,838 --> 00:34:35,607
WAS EASY ON THE EYE AND YOU

1041
00:34:35,607 --> 00:34:36,708
LOOKED CONNECTED TO HER.

1042
00:34:36,708 --> 00:34:38,043
I LOVED IT.

1043
00:34:38,043 --> 00:34:40,478
I THOUGHT IT WAS BEAUTIFUL.

1044
00:34:40,478 --> 00:34:43,648
>> I WAS A VERY, VERY STRONG

1045
00:34:43,648 --> 00:34:43,982
DANCE.

1046
00:34:43,982 --> 00:34:46,051
THE CHEMISTRY WAS TANGIBLE.

1047
00:34:46,051 --> 00:34:46,885
YOU WERE KISSING ACTUALLY.

1048
00:34:46,885 --> 00:34:48,753
>> YEAH, A LITTLE BIT.

1049
00:34:48,753 --> 00:34:51,523
>> IT WORKED VERY WELL WITH THE

1050
00:34:51,523 --> 00:34:51,990
RUMBA.

1051
00:34:51,990 --> 00:34:53,558
IT'S A ROMANTIC DANCE.

1052
00:34:53,558 --> 00:34:54,859
I COULD SEE THE ROMANCE.

1053
00:34:54,859 --> 00:34:56,928
YOU PROVIDED A VERY STRONG FRAME

1054
00:34:56,928 --> 00:35:01,166
FOR YOUR LADY.

1055
00:35:01,166 --> 00:35:02,600
>> Alfonso: HEAD UP TO JULIANNE

1056
00:35:02,600 --> 00:35:04,169
FOR YOUR SCORES, GUYS.

1057
00:35:04,169 --> 00:35:04,970
GREAT JOB.

1058
00:35:04,970 --> 00:35:07,472
LET'S CHECK OUT THE LEADERBOARD.

1059
00:35:07,472 --> 00:35:08,907
CURRENTLY AT THE TOP ARE JASON

1060
00:35:08,907 --> 00:35:10,842
AND DANIELLA WITH 40 AND

1061
00:35:10,842 --> 00:35:12,978
CURRENTLY AT THE BOTTOM ARE

1062
00:35:12,978 --> 00:35:19,084
ALYSON AND SASHA WITH 29.

1063
00:35:19,084 --> 00:35:24,723
>> Julianne: HARRY AND RYLEE,

1064
00:35:24,723 --> 00:35:29,327
LAST WEEK BILLY SAID -- OR I

1065
00:35:29,327 --> 00:35:32,497
SHOULD CALL HIM BLUNT BILLY.

1066
00:35:32,497 --> 00:35:33,965
HOW DID YOU TAKE IT THIS WEEK?

1067
00:35:33,965 --> 00:35:35,834
>> I TOOK IT LIKE A TREE IN THE

1068
00:35:35,834 --> 00:35:37,869
WIND, MOVING A LITTLE BIT LIKE

1069
00:35:37,869 --> 00:35:38,203
THAT.

1070
00:35:38,203 --> 00:35:39,604
>> Julianne: THAT IS A GOOD

1071
00:35:39,604 --> 00:35:39,971
APPROACH.

1072
00:35:39,971 --> 00:35:43,308
LET'S GET YOUR SCORES.

1073
00:35:43,308 --> 00:35:44,109
>> Announcer: CARRIE ANN INABA.

1074
00:35:44,109 --> 00:35:47,812
>> EIGHT!

1075
00:35:47,812 --> 00:35:49,514
>> Announcer: DEREK HOUGH.

1076
00:35:49,514 --> 00:35:50,615
>> SEVEN!

1077
00:35:50,615 --> 00:35:51,383
>> Announcer: MANDY MOORE.

1078
00:35:51,383 --> 00:35:55,153
>> EIGHT!

1079
00:35:55,153 --> 00:35:56,354
>> Announcer: BRUNO TONIOLI.

1080
00:35:56,354 --> 00:35:56,888
>> SEVEN!

1081
00:35:56,888 --> 00:35:57,489
>> Julianne: ALL RIGHT.

1082
00:35:57,489 --> 00:35:59,958
THAT IS 30 OUT OF 40 FOR HARRY

1083
00:35:59,958 --> 00:36:01,793
AND RYLEE SO FAR.

1084
00:36:01,793 --> 00:36:05,263
THEY'RE VERY HAPPY.

1085
00:36:05,263 --> 00:36:11,169
OF COURSE THEY WILL ACCEPT YOUR

1086
00:36:11,169 --> 00:36:14,372
VOTES BY TEXT AND ONLINE.

1087
00:36:14,372 --> 00:36:15,407
>> Alfonso: THANKS, JULIANNE.

1088
00:36:15,407 --> 00:36:15,974
OUR "CELEBRATION OF

1089
00:36:15,974 --> 00:36:16,674
TAYLOR SWIFT" CONTINUES ON A

1090
00:36:16,674 --> 00:36:17,342
SLIGHTLY TILTED STAGE WITH

1091
00:36:17,342 --> 00:36:17,876
CHARITY LAWSON AND

1092
00:36:17,876 --> 00:36:18,610
ARTEM CHIGVINTSEV STARRING IN AN

1093
00:36:18,610 --> 00:36:19,144
ARGENTINE TANGO.

1094
00:36:19,144 --> 00:36:21,179
IT'S NEXT, LIVE.

1095
00:36:32,791 --> 00:36:34,359
>> Alfonso: WELCOME BACK TO "A

1096
00:36:34,359 --> 00:36:35,994
CELEBRATION OF TAYLOR SWIFT."

1097
00:36:35,994 --> 00:36:38,596
WE'RE HONORING THE UNPRECEDENTED

1098
00:36:38,596 --> 00:36:40,198
CAREER OF THE ARTIST WHO MADE

1099
00:36:40,198 --> 00:36:41,266
GRAMMY HISTORY THIS MONTH AS THE

1100
00:36:41,266 --> 00:36:42,333
SONGWRITER WITH THE MOST

1101
00:36:42,333 --> 00:36:43,001
NOMINATIONS FOR "SONG OF THE

1102
00:36:43,001 --> 00:36:45,970
YEAR."

1103
00:36:45,970 --> 00:36:46,538
WHAT A "REPUTATION."

1104
00:36:46,538 --> 00:36:48,106
AND THAT'S THE ERA OF OUR

1105
00:36:48,106 --> 00:36:48,673
"BACHELORETTE" STAR'S

1106
00:36:48,673 --> 00:36:50,208
TAYLOR SWIFT SONG.

1107
00:36:50,208 --> 00:36:50,809
IT'S CHARITY LAWSON AND

1108
00:36:50,809 --> 00:36:57,182
ARTEM CHIGVINTSEV.

1109
00:36:57,182 --> 00:37:05,090
♪♪

1110
00:37:05,090 --> 00:37:07,959
>> WHAT I DID SEE TONIGHT WAS

1111
00:37:07,959 --> 00:37:10,028
MUCH MORE JOY.

1112
00:37:10,028 --> 00:37:11,262
>> NINE!

1113
00:37:11,262 --> 00:37:12,664
>> I GOT ALL NINES.

1114
00:37:12,664 --> 00:37:18,069
I'M VERY HAPPY.

1115
00:37:18,069 --> 00:37:20,605
AFTER SHE GOT A PERFECT SCORE,

1116
00:37:20,605 --> 00:37:21,372
FELT INCREDIBLE.

1117
00:37:21,372 --> 00:37:26,277
>> I'M REALLY PROUD OF MYSELF.

1118
00:37:26,277 --> 00:37:27,879
>> AMAZING.

1119
00:37:27,879 --> 00:37:30,415
I FINALLY FELT LIKE I BROUGHT A

1120
00:37:30,415 --> 00:37:31,549
LOT MORE ENERGY.

1121
00:37:31,549 --> 00:37:33,651
>> I THINK WHAT REALLY CHANGED

1122
00:37:33,651 --> 00:37:36,087
WAS YOU REALIZED YOU COULD BE

1123
00:37:36,087 --> 00:37:38,289
AGAINST SOMEONE ELSE.

1124
00:37:38,289 --> 00:37:38,656
>> YEAH.

1125
00:37:38,656 --> 00:37:39,858
>> THAT'S WHAT MADE YOU BETTER.

1126
00:37:39,858 --> 00:37:43,394
>> EVERYONE IS COMPETING AT THE

1127
00:37:43,394 --> 00:37:44,696
TOP OF THEIR GAME.

1128
00:37:44,696 --> 00:37:46,498
IT'S BRINGING ME BACK TO MY

1129
00:37:46,498 --> 00:37:47,665
CHEER LEADING DAYS.

1130
00:37:47,665 --> 00:37:52,170
>> THIS WEEK IS A CELEBRATION OF

1131
00:37:52,170 --> 00:37:53,438
TAYLOR SWIFT.

1132
00:37:53,438 --> 00:37:56,608
>> TAYLOR CLEARLY HAS EXCELLED

1133
00:37:56,608 --> 00:37:58,476
IN EVERY SINGLE THING SHE HAS

1134
00:37:58,476 --> 00:37:58,776
DONE.

1135
00:37:58,776 --> 00:38:00,678
THIS WOMAN IS UNBEATABLE RIGHT

1136
00:38:00,678 --> 00:38:01,079
NOW.

1137
00:38:01,079 --> 00:38:08,019
THIS WEEK I NEED TO PRETEND I'M

1138
00:38:08,019 --> 00:38:09,320
IN A DANCE-OFF.

1139
00:38:09,320 --> 00:38:11,222
>> YOU ARE IN A DANCE-OFF.

1140
00:38:11,222 --> 00:38:14,192
CHARITY IS REALLY GOOD AT LIFTS

1141
00:38:14,192 --> 00:38:15,894
AND TRICKS.

1142
00:38:15,894 --> 00:38:18,396
THE ARGENTINE TANGO IS VERY

1143
00:38:18,396 --> 00:38:18,796
THEATRICAL.

1144
00:38:18,796 --> 00:38:20,465
WE CAN REALLY USE THEM TO WOW

1145
00:38:20,465 --> 00:38:21,366
THE JUDGES.

1146
00:38:21,366 --> 00:38:23,835
>> I WANT TO JUST MAKE SURE IT'S

1147
00:38:23,835 --> 00:38:26,337
CLEAN AND VERY PRECISE.

1148
00:38:26,337 --> 00:38:28,106
WINNING THE DANCE-OFF HAS GIVEN

1149
00:38:28,106 --> 00:38:30,108
ME A RENEWED CONFIDENCE AND FIRE

1150
00:38:30,108 --> 00:38:32,610
IN MY BELLY TO FIGHT MY WAY UP

1151
00:38:32,610 --> 00:38:33,244
THE LEADERBOARD.

1152
00:38:33,244 --> 00:38:35,146
I KNOW EXACTLY WHAT IT TAKES TO

1153
00:38:35,146 --> 00:38:38,049
GO TEN TIMES HARDER.

1154
00:38:38,049 --> 00:38:40,752
BABY, LET THE GAMES BEGIN.

1155
00:38:40,752 --> 00:38:44,055
>> SHARPNESS, TEN.

1156
00:38:44,055 --> 00:38:45,123
>> Announcer: DANCING THE

1157
00:38:45,123 --> 00:38:46,691
ARGENTINE TANGO, WITH HER

1158
00:38:46,691 --> 00:38:47,425
PARTNER ARTEM CHIGVINTSEV, IT'S

1159
00:38:47,425 --> 00:38:48,193
CHARITY LAWSON.

1160
00:38:49,828 --> 00:39:06,711
♪♪

1161
00:39:06,711 --> 00:39:07,779
♪ I DON'T LIKE YOUR

1162
00:39:07,779 --> 00:39:10,949
LITTLE GAMES ♪

1163
00:39:10,949 --> 00:39:12,016
♪ DON'T LIKE YOUR

1164
00:39:12,016 --> 00:39:14,686
TILTED STAGE

1165
00:39:14,686 --> 00:39:16,821
THE ROLE YOU MADE ME PLAY ♪

1166
00:39:16,821 --> 00:39:17,856
♪ OF THE FOOL

1167
00:39:17,856 --> 00:39:20,491
NO I DON'T LIKE YOU ♪

1168
00:39:20,491 --> 00:39:21,593
♪ BUT I GOT SMARTER

1169
00:39:21,593 --> 00:39:23,161
I GOT HARDER

1170
00:39:23,161 --> 00:39:24,195
IN THE NICK OF TIME ♪

1171
00:39:24,195 --> 00:39:25,797
♪ HONEY I ROSE UP

1172
00:39:25,797 --> 00:39:26,331
FROM THE DEAD

1173
00:39:26,331 --> 00:39:28,433
I DO IT ALL THE TIME ♪

1174
00:39:28,433 --> 00:39:29,500
♪ I'VE GOT A LIST OF NAMES

1175
00:39:29,500 --> 00:39:30,001
AND YOURS IS IN RED

1176
00:39:30,001 --> 00:39:32,103
UNDERLINED ♪

1177
00:39:32,103 --> 00:39:33,171
♪ I CHECK IT ONCE

1178
00:39:33,171 --> 00:39:33,738
THEN I CHECK IT TWICE

1179
00:39:33,738 --> 00:39:35,807
OH ♪

1180
00:39:35,807 --> 00:39:36,874
♪ OOH LOOK WHAT YOU

1181
00:39:36,874 --> 00:39:37,942
MADE ME DO

1182
00:39:37,942 --> 00:39:38,977
LOOK WHAT YOU MADE ME DO ♪

1183
00:39:38,977 --> 00:39:40,578
♪ LOOK WHAT YOU

1184
00:39:40,578 --> 00:39:41,079
JUST MADE ME DO

1185
00:39:41,079 --> 00:39:42,680
LOOK WHAT YOU JUST MADE ME ♪

1186
00:39:42,680 --> 00:39:43,748
♪ OOH LOOK WHAT YOU

1187
00:39:43,748 --> 00:39:45,316
MADE ME DO

1188
00:39:45,316 --> 00:39:46,951
LOOK WHAT YOU MADE ME DO ♪

1189
00:39:46,951 --> 00:39:47,986
♪ LOOK WHAT YOU

1190
00:39:47,986 --> 00:39:48,519
JUST MADE ME DO ♪

1191
00:39:48,519 --> 00:39:49,587
♪ LOOK WHAT YOU

1192
00:39:49,587 --> 00:39:50,622
JUST MADE ME DO ♪

1193
00:39:50,622 --> 00:39:52,223
♪ I DON'T TRUST NOBODY

1194
00:39:52,223 --> 00:39:54,325
AND NOBODY TRUSTS ME ♪

1195
00:39:54,325 --> 00:39:55,927
♪ I'LL BE THE ACTRESS

1196
00:39:55,927 --> 00:39:57,495
STARRING IN YOUR

1197
00:39:57,495 --> 00:39:58,029
BAD DREAMS ♪

1198
00:39:58,029 --> 00:39:58,663
♪ I DON'T TRUST NOBODY

1199
00:39:58,663 --> 00:40:01,199
AND NOBODY TRUSTS ME ♪

1200
00:40:01,199 --> 00:40:02,800
♪ I'LL BE THE ACTRESS

1201
00:40:02,800 --> 00:40:04,869
STARRING IN YOUR

1202
00:40:04,869 --> 00:40:06,471
BAD DREAMS ♪

1203
00:40:06,471 --> 00:40:07,038
♪ OOH LOOK WHAT YOU

1204
00:40:07,038 --> 00:40:08,039
MADE ME DO LOOK WHAT YOU MADE ME

1205
00:40:08,039 --> 00:40:10,141
DO ♪

1206
00:40:10,141 --> 00:40:10,742
♪ LOOK WHAT YOU JUST

1207
00:40:10,742 --> 00:40:11,242
MADE ME DO

1208
00:40:11,242 --> 00:40:12,810
LOOK WHAT YOU JUST MADE ME ♪

1209
00:40:12,810 --> 00:40:13,878
♪ OOH LOOK WHAT YOU

1210
00:40:13,878 --> 00:40:15,446
MADE ME DO

1211
00:40:15,446 --> 00:40:17,048
LOOK WHAT YOU MADE ME DO ♪

1212
00:40:17,048 --> 00:40:17,649
♪ LOOK WHAT YOU JUST

1213
00:40:17,649 --> 00:40:18,116
MADE ME DO ♪

1214
00:40:18,116 --> 00:40:18,716
♪ LOOK WHAT YOU JUST

1215
00:40:18,716 --> 00:40:20,718
MADE ME DO ♪

1216
00:40:20,718 --> 00:40:22,854
♪♪

1217
00:40:22,854 --> 00:40:26,724
[ CHEERS AND APPLAUSE ]

1218
00:40:26,724 --> 00:40:27,458
>> Alfonso: CHARITY AND ARTEM,

1219
00:40:27,458 --> 00:40:33,097
WITH AN ARGENTINE TANGO.

1220
00:40:33,097 --> 00:40:34,732
LOOK WHAT YOU JUST MADE THIS

1221
00:40:34,732 --> 00:40:35,133
AUDIENCE DO.

1222
00:40:35,133 --> 00:40:40,104
THEY'RE ON THEIR FEET.

1223
00:40:40,104 --> 00:40:40,438
YES.

1224
00:40:40,438 --> 00:40:40,805
FANTASTIC.

1225
00:40:40,805 --> 00:40:43,675
FANTASTIC.

1226
00:40:43,675 --> 00:40:44,375
ALL RIGHT.

1227
00:40:44,375 --> 00:40:46,377
DEREK, YOU'RE UP FIRST.

1228
00:40:46,377 --> 00:40:49,447
>> CHARITY, THIS WAS CLEAN,

1229
00:40:49,447 --> 00:40:52,850
CLINICAL, PRECISE, STUNNING

1230
00:40:52,850 --> 00:40:53,785
ARGENTINE TANGO.

1231
00:40:53,785 --> 00:40:56,487
YOU HAVE THE BEST LEGS IN THIS

1232
00:40:56,487 --> 00:40:57,455
COMPETITION.

1233
00:40:57,455 --> 00:40:59,190
YOUR EXTENSION, THE EXTENSION,

1234
00:40:59,190 --> 00:41:01,392
THE WAY YOUR FEET POINT, THEY

1235
00:41:01,392 --> 00:41:02,560
ARTICULATE, THAT WAS A VERY

1236
00:41:02,560 --> 00:41:04,729
DIFFICULT TANGO AND YOU DID A

1237
00:41:04,729 --> 00:41:06,397
SENSATIONAL JOB.

1238
00:41:06,397 --> 00:41:07,332
WELL DONE.

1239
00:41:07,332 --> 00:41:08,333
>> Alfonso: MANDY.

1240
00:41:08,333 --> 00:41:10,301
>> ALSO FOR ME I FEEL LIKE IT

1241
00:41:10,301 --> 00:41:11,402
TICKED ALL THE BOXES.

1242
00:41:11,402 --> 00:41:13,004
IT WAS EXACTLY WHAT IT NEEDED TO

1243
00:41:13,004 --> 00:41:13,338
BE.

1244
00:41:13,338 --> 00:41:14,639
I'M GOING TO GIVE YOU ONE

1245
00:41:14,639 --> 00:41:16,274
THOUGHT BECAUSE I KNOW YOU CAN

1246
00:41:16,274 --> 00:41:16,908
UNDERSTAND THIS.

1247
00:41:16,908 --> 00:41:19,277
I WANT MORE OF THE

1248
00:41:19,277 --> 00:41:22,046
UNPREDICTABILITY OF A SNAKE'S

1249
00:41:22,046 --> 00:41:23,114
BITE.

1250
00:41:23,114 --> 00:41:24,949
I FEEL LIKE I NEED SOMETHING

1251
00:41:24,949 --> 00:41:27,118
THAT HAS A LITTLE MORE DYNAMIC

1252
00:41:27,118 --> 00:41:27,819
TO IT.

1253
00:41:27,819 --> 00:41:32,790
THINK OF THAT AS A GENERAL NOTE.

1254
00:41:32,790 --> 00:41:34,525
>> Alfonso: BRUNO.

1255
00:41:34,525 --> 00:41:37,595
>> YOU BIT ME, I CAN TELL YOU

1256
00:41:37,595 --> 00:41:38,229
THAT.

1257
00:41:38,229 --> 00:41:41,399
SHE WAS STRIKING EVERY LINE,

1258
00:41:41,399 --> 00:41:45,002
EVERY SHAPE WITH PINPOINT

1259
00:41:45,002 --> 00:41:46,371
ACCURACY.

1260
00:41:46,371 --> 00:41:48,473
EVERY PICTURE, PICTURE PERFECT.

1261
00:41:48,473 --> 00:41:50,708
>> THANK YOU.

1262
00:41:50,708 --> 00:41:52,443
>> Alfonso: BEAUTIFUL.

1263
00:41:52,443 --> 00:41:52,844
CARRIE ANN.

1264
00:41:52,844 --> 00:41:55,246
>> YOUR LINES ARE UNMATCHED IN

1265
00:41:55,246 --> 00:41:56,047
THIS COMPETITION.

1266
00:41:56,047 --> 00:41:56,814
NO ONE HAS LINES AS BEAUTIFUL AS

1267
00:41:56,814 --> 00:42:03,755
YOU.

1268
00:42:03,755 --> 00:42:05,823
I KNOW THIS SOUNDS RIDICULOUS,

1269
00:42:05,823 --> 00:42:08,026
BUT I HONESTLY FEEL THERE'S AN

1270
00:42:08,026 --> 00:42:09,193
OUNCE MORE IN YOU.

1271
00:42:09,193 --> 00:42:10,628
SOMETIMES YOUR FACE GOES A

1272
00:42:10,628 --> 00:42:11,229
LITTLE BIT BLANK.

1273
00:42:11,229 --> 00:42:12,663
EVEN THOUGH THE PASSION IS

1274
00:42:12,663 --> 00:42:13,898
THERE, I DOESN'T TRANSLATE.

1275
00:42:13,898 --> 00:42:15,733
I KNOW IT'S THERE.

1276
00:42:15,733 --> 00:42:19,404
LET US HAVE IT!

1277
00:42:19,404 --> 00:42:20,138
>> Alfonso: HEAD UP TO JULIANNE

1278
00:42:20,138 --> 00:42:20,605
FOR YOUR SCORES.

1279
00:42:20,605 --> 00:42:21,239
IF YOU LOVE SHINY THINGS,

1280
00:42:21,239 --> 00:42:21,739
XOCHITL GOMEZ AND

1281
00:42:21,739 --> 00:42:22,540
VAL CHMERKOVSKIY HAVE A DANCE

1282
00:42:22,540 --> 00:42:23,608
FOR YOU.

1283
00:42:23,608 --> 00:42:24,642
THEIR PERFORMANCE IS ON THE WAY.

1284
00:42:24,642 --> 00:42:25,843
JULIANNE.

1285
00:42:25,843 --> 00:42:28,312
THEY'RE MAKING THEIR WAY TO YOU.

1286
00:42:28,312 --> 00:42:30,848
>> Julianne: GET OUT OF HERE YOU

1287
00:42:30,848 --> 00:42:32,517
FIERY BEAUTIFUL THING.

1288
00:42:32,517 --> 00:42:34,018
LAST WEEK YOU WERE IN THE MIDDLE

1289
00:42:34,018 --> 00:42:34,986
OF THE LEADERBOARD.

1290
00:42:34,986 --> 00:42:37,488
HOW DOES THAT FEEL COMING IN?

1291
00:42:37,488 --> 00:42:39,624
IT'S ELIMINATION COMING UP.

1292
00:42:39,624 --> 00:42:41,793
ARE YOU READY TO GO HOME?

1293
00:42:41,793 --> 00:42:43,828
>> LET'S NOT TALK ABOUT THAT.

1294
00:42:43,828 --> 00:42:45,763
I'VE ENJOYED MY TIME.

1295
00:42:45,763 --> 00:42:47,432
I THINK WE ALL ARE, EVERYONE

1296
00:42:47,432 --> 00:42:47,899
HERE.

1297
00:42:47,899 --> 00:42:49,100
IT'S ONE BIG FAMILY.

1298
00:42:49,100 --> 00:42:55,807
I'M SO GRATEFUL AND HUMBLE TO BE

1299
00:42:55,807 --> 00:42:56,974
ENJOYING THIS EXPERIENCE.

1300
00:42:56,974 --> 00:42:57,809
>> Julianne: ABSOLUTELY.

1301
00:42:57,809 --> 00:42:59,544
LET'S GET YOUR SCORES.

1302
00:42:59,544 --> 00:43:01,012
>> Announcer: CARRIE ANN INABA.

1303
00:43:01,012 --> 00:43:01,979
>> NINE!

1304
00:43:01,979 --> 00:43:03,347
>> Announcer: DEREK HOUGH.

1305
00:43:03,347 --> 00:43:04,515
>> TEN!

1306
00:43:04,515 --> 00:43:06,851
>> Announcer: MANDY MOORE.

1307
00:43:06,851 --> 00:43:08,119
>> NINE!

1308
00:43:08,119 --> 00:43:10,021
>> Announcer: BRUNO TONIOLI.

1309
00:43:10,021 --> 00:43:11,522
>> AN ARGENTINE TANGO WITH A

1310
00:43:11,522 --> 00:43:11,856
BITE.

1311
00:43:11,856 --> 00:43:14,525
TEN!

1312
00:43:14,525 --> 00:43:15,126
>> Julianne: ALL RIGHT.

1313
00:43:15,126 --> 00:43:17,695
THAT IS A 38 OUT OF 40 FOR ARTEM

1314
00:43:17,695 --> 00:43:19,831
AND CHARITY SO FAR.

1315
00:43:19,831 --> 00:43:21,532
WHICH IS YOUR BEST OVERALL

1316
00:43:21,532 --> 00:43:21,899
SCORE.

1317
00:43:21,899 --> 00:43:23,601
THEY'VE GOT A CHANCE TO WIN MORE

1318
00:43:23,601 --> 00:43:25,470
POINTS IN THE RELAY DANCE ROUND,

1319
00:43:25,470 --> 00:43:27,572
BUT NO ONE WILL GET INTO NEXT

1320
00:43:27,572 --> 00:43:30,141
WEEK'S SEMIFINALS WITH JUDGES'

1321
00:43:30,141 --> 00:43:30,775
SCORES ALONE.

1322
00:43:30,775 --> 00:43:32,009
YOU HAVE TO VOTE.

1323
00:43:32,009 --> 00:43:33,711
YOU GET TEN OF THEM PER COUPLE

1324
00:43:33,711 --> 00:43:35,546
PER VOTING METHOD.

1325
00:43:46,958 --> 00:43:48,593
>> Alfonso: WELCOME BACK.

1326
00:43:48,593 --> 00:43:50,695
WE'LL WRAP UP TONIGHT'S FIRST

1327
00:43:50,695 --> 00:43:52,263
ROUND WITH OUR MARVEL STAR WHO,

1328
00:43:52,263 --> 00:43:53,297
LAST WEEK, EARNED THE FIRST

1329
00:43:53,297 --> 00:43:54,365
PERFECT SCORE OF THE SEASON FOR

1330
00:43:54,365 --> 00:43:55,967
AN INDIVIDUAL ROUTINE.

1331
00:43:55,967 --> 00:43:57,502
LET'S SEE WHAT SHE CAN DO WITH A

1332
00:43:57,502 --> 00:43:58,569
QUICKSTEP HONORING

1333
00:43:58,569 --> 00:44:00,171
TAYLOR SWIFT'S "LOVER" ERA.

1334
00:44:00,171 --> 00:44:01,205
IT'S XOCHITL GOMEZ AND

1335
00:44:01,205 --> 00:44:02,740
VAL CHMERKOVSKIY.

1336
00:44:04,475 --> 00:44:11,182
♪♪

1337
00:44:11,182 --> 00:44:12,550
>> I CAN TELL YOU'RE GOING FOR

1338
00:44:12,550 --> 00:44:12,884
GOLD.

1339
00:44:12,884 --> 00:44:18,456
THAT WAS FANTASTIC.

1340
00:44:18,456 --> 00:44:19,724
>> THE FIRST PERFECT SCORE OF

1341
00:44:19,724 --> 00:44:24,128
THIS SEASON FOR A COUPLE, THAT'S

1342
00:44:24,128 --> 00:44:24,996
PRETTY SAW SOME.

1343
00:44:24,996 --> 00:44:28,065
I THINK IT'S A MOMENT VAL AND I

1344
00:44:28,065 --> 00:44:29,000
WILL NEVER FORGET.

1345
00:44:29,000 --> 00:44:29,667
I FEEL SO GOOD.

1346
00:44:29,667 --> 00:44:30,968
>> EXPECTATIONS ARE HIGH.

1347
00:44:30,968 --> 00:44:33,237
>> WE'RE DOING THE QUICKSTEP TO

1348
00:44:33,237 --> 00:44:36,841
"PAPER RINGS" BY TAYLOR SWIFT.

1349
00:44:36,841 --> 00:44:38,843
>> I WENT TO THE ERAS TOUR WITH

1350
00:44:38,843 --> 00:44:39,510
MY FRIENDS.

1351
00:44:39,510 --> 00:44:41,279
I LOVE TAYLOR SWIFT.

1352
00:44:41,279 --> 00:44:43,514
I THINK SHE'S A WONDERFUL ROLE

1353
00:44:43,514 --> 00:44:43,848
MODEL.

1354
00:44:43,848 --> 00:44:45,116
WE HAVE A LOT IN COMMON.

1355
00:44:45,116 --> 00:44:46,317
SHE WAS SUCCESSFUL AT A YOUNG

1356
00:44:46,317 --> 00:44:48,786
AGE AND SHE HAS A REALLY CLOSE

1357
00:44:48,786 --> 00:44:51,689
RELATIONSHIP WITH HER MOM, AND I

1358
00:44:51,689 --> 00:44:52,723
HAVE THAT TOO.

1359
00:44:52,723 --> 00:44:54,425
MY MOM WAS ALWAYS THERE FOR ME.

1360
00:44:54,425 --> 00:44:56,627
SHE COMES EVERY DAY TO

1361
00:44:56,627 --> 00:44:58,296
REHEARSALS FOR ME.

1362
00:44:58,296 --> 00:45:00,164
SHE'S SACRIFICED A LOT FOR ME.

1363
00:45:00,164 --> 00:45:01,566
I COULDN'T HAVE DONE ANY OF THIS

1364
00:45:01,566 --> 00:45:02,166
WITHOUT MY MOM.

1365
00:45:02,166 --> 00:45:03,968
>> WE HAVE TO MAKE TAYLOR PROUD.

1366
00:45:03,968 --> 00:45:04,502
>> WE DO.

1367
00:45:04,502 --> 00:45:07,004
>> THE SPEED OF THE QUICKSTEP,

1368
00:45:07,004 --> 00:45:08,706
YOU'RE DOING A THOUSAND STEPS

1369
00:45:08,706 --> 00:45:09,840
PER MINUTE WHILE IN FRAME.

1370
00:45:09,840 --> 00:45:11,142
>> I HATE THIS.

1371
00:45:11,142 --> 00:45:12,610
>> ANY LITTLE LAPSE OF STRENGTH

1372
00:45:12,610 --> 00:45:15,313
WILL SHOW UP IMMEDIATELY.

1373
00:45:15,313 --> 00:45:16,214
>> HEY!

1374
00:45:16,214 --> 00:45:18,649
MY TEAM CONSISTS OF ME, MY MOM

1375
00:45:18,649 --> 00:45:19,250
AND VAL.

1376
00:45:19,250 --> 00:45:20,785
>> YOU'RE ALWAYS OUTSIDE.

1377
00:45:20,785 --> 00:45:21,152
>> YES.

1378
00:45:21,152 --> 00:45:23,087
>> WE WANTED TO INVITE YOU IN.

1379
00:45:23,087 --> 00:45:23,654
>> THANK YOU.

1380
00:45:23,654 --> 00:45:25,556
>> WE WANTED TO SHOW YOU OUR

1381
00:45:25,556 --> 00:45:27,058
DANCE THIS WEEK.

1382
00:45:27,058 --> 00:45:29,293
>> HAVING HER HERE HAS BEEN

1383
00:45:29,293 --> 00:45:31,495
REALLY BENEFICIAL TO THIS

1384
00:45:31,495 --> 00:45:31,829
PROCESS.

1385
00:45:31,829 --> 00:45:33,631
>> SACRIFICING MY JOB AND ALL

1386
00:45:33,631 --> 00:45:36,467
THE LONG HOURS, THE REHEARSALS,

1387
00:45:36,467 --> 00:45:38,736
THE DRIVING BACK AND FORTH, IT'S

1388
00:45:38,736 --> 00:45:42,139
ALL BEEN WORTH IT TO SEE XOCHITL

1389
00:45:42,139 --> 00:45:43,007
LIVING OUT HER DREAM.

1390
00:45:43,007 --> 00:45:44,475
>> I MESSED UP A LITTLE BIT.

1391
00:45:44,475 --> 00:45:45,643
>> THAT'S OKAY.

1392
00:45:45,643 --> 00:45:46,611
>> CONGRATULATIONS.

1393
00:45:46,611 --> 00:45:47,078
>> THANK YOU.

1394
00:45:47,078 --> 00:45:49,046
>> THAT SEEMS REALLY HARD TO DO.

1395
00:45:49,046 --> 00:45:49,513
>> YEAH.

1396
00:45:49,513 --> 00:45:51,115
>> YOU GUYS GET BACK TO WORK.

1397
00:45:51,115 --> 00:45:51,983
>> THANK YOU.

1398
00:45:51,983 --> 00:45:53,451
>> HAVING ANOTHER PERFECT SCORE

1399
00:45:53,451 --> 00:45:54,685
WOULD BE AMAZING.

1400
00:45:54,685 --> 00:45:57,054
NOT ONLY WOULD IT MAKE MY MOM

1401
00:45:57,054 --> 00:45:57,788
PROUD, BUT IT WOULD MEAN SO MUCH

1402
00:45:57,788 --> 00:45:59,991
TO ME.

1403
00:45:59,991 --> 00:46:00,625
>> Announcer: DANCING THE

1404
00:46:00,625 --> 00:46:02,627
QUICKSTEP, WITH HER PARTNER

1405
00:46:02,627 --> 00:46:03,694
VAL CHMERKOVSKIY, IT'S

1406
00:46:03,694 --> 00:46:06,797
XOCHITL GOMEZ.

1407
00:46:09,967 --> 00:46:10,701
♪ THE MOON IS HIGH LIKE YOUR

1408
00:46:10,701 --> 00:46:11,268
FRIENDS WERE THE NIGHT

1409
00:46:11,268 --> 00:46:12,103
THAT WE FIRST MET ♪

1410
00:46:12,103 --> 00:46:13,170
♪ WENT HOME AND TRIED TO

1411
00:46:13,170 --> 00:46:14,238
STALK YOU ON THE INTERNET ♪

1412
00:46:14,238 --> 00:46:14,939
♪ NOW I'VE READ ALL OF THE

1413
00:46:14,939 --> 00:46:21,379
BOOKS BESIDE YOUR BED

1414
00:46:21,379 --> 00:46:23,080
THE DRINKS ARE COLD ♪

1415
00:46:23,080 --> 00:46:23,781
♪ LIKE THE SHOULDER THAT I

1416
00:46:23,781 --> 00:46:24,348
GAVE YOU IN THE STREET

1417
00:46:24,348 --> 00:46:25,049
CAT AND MOUSE FOR A MONTH ♪

1418
00:46:25,049 --> 00:46:25,783
♪ OR TWO OR THREE NOW I WAKE

1419
00:46:25,783 --> 00:46:26,250
UP IN THE NIGHT

1420
00:46:26,250 --> 00:46:28,953
AND WATCH YOU BREATHE ♪

1421
00:46:28,953 --> 00:46:29,987
♪ AYY KISS ME ONCE 'CAUSE

1422
00:46:29,987 --> 00:46:30,521
YOU KNOW I HAD A

1423
00:46:30,521 --> 00:46:31,055
LONG NIGHT OH ♪

1424
00:46:31,055 --> 00:46:32,089
♪ KISS ME TWICE 'CAUSE IT'S

1425
00:46:32,089 --> 00:46:32,690
GONNA BE ALRIGHT UH ♪

1426
00:46:32,690 --> 00:46:33,691
♪ THREE TIMES 'CAUSE I

1427
00:46:33,691 --> 00:46:34,759
WAITED MY WHOLE LIFE

1428
00:46:34,759 --> 00:46:37,395
1 2 1 2 3 4 ♪

1429
00:46:37,395 --> 00:46:38,996
♪ I LIKE SHINY THINGS BUT

1430
00:46:38,996 --> 00:46:40,598
I'D MARRY YOU WITH PAPER

1431
00:46:40,598 --> 00:46:43,200
RINGS UH HUH THAT'S RIGHT ♪

1432
00:46:43,200 --> 00:46:45,302
♪ DARLING YOU'RE THE ONE I

1433
00:46:45,302 --> 00:46:46,904
WANT AND I HATE ACCIDENTS

1434
00:46:46,904 --> 00:46:48,472
EXCEPT WHEN WE WENT ♪

1435
00:46:48,472 --> 00:46:51,108
♪ FROM FRIENDS TO THIS ♪

1436
00:46:51,108 --> 00:46:52,710
♪ UH HUH THAT'S RIGHT

1437
00:46:52,710 --> 00:46:53,744
DARLING YOU'RE THE ONE

1438
00:46:53,744 --> 00:46:55,379
I WANT ♪

1439
00:46:55,379 --> 00:46:59,583
♪ IN PAPER RINGS IN PICTURE

1440
00:46:59,583 --> 00:47:02,787
FRAMES IN DIRTY DREAMS

1441
00:47:02,787 --> 00:47:06,524
OH YOU'RE THE ONE I WANT ♪

1442
00:47:06,524 --> 00:47:07,558
♪ I LIKE SHINY THINGS BUT

1443
00:47:07,558 --> 00:47:08,626
I'D MARRY YOU WITH PAPER

1444
00:47:08,626 --> 00:47:12,330
RINGS UH HUH THAT'S RIGHT ♪

1445
00:47:12,330 --> 00:47:13,364
♪ DARLING YOU'RE THE ONE I

1446
00:47:13,364 --> 00:47:15,466
WANT AND I HATE ACCIDENTS

1447
00:47:15,466 --> 00:47:16,567
EXCEPT WHEN WE WENT ♪

1448
00:47:16,567 --> 00:47:18,636
♪ FROM FRIENDS TO THIS ♪

1449
00:47:18,636 --> 00:47:20,771
♪ UH HUH THAT'S RIGHT

1450
00:47:20,771 --> 00:47:21,806
DARLING YOU'RE THE ONE

1451
00:47:21,806 --> 00:47:24,442
I WANT ♪

1452
00:47:24,442 --> 00:47:27,611
♪ IN PAPER RINGS IN PICTURE

1453
00:47:27,611 --> 00:47:30,281
FRAMES IN DIRTY DREAMS OH

1454
00:47:30,281 --> 00:47:32,316
YOU'RE THE ONE I WANT AYY ♪

1455
00:47:39,256 --> 00:47:40,358
>> Alfonso: XOCHITL AND VAL WITH

1456
00:47:40,358 --> 00:47:47,498
A QUICKSTEP TO "PAPER RINGS."

1457
00:47:47,498 --> 00:47:50,868
AND THIS WALL BALLROOM IS ON

1458
00:47:50,868 --> 00:47:53,404
THEIR FEET AGAIN.

1459
00:47:53,404 --> 00:47:55,473
SO FANTASTIC, BEAUTIFUL.

1460
00:47:55,473 --> 00:47:57,141
AND SHE LOVES TAYLOR.

1461
00:47:57,141 --> 00:47:59,176
IT'S A PERFECT NIGHT.

1462
00:47:59,176 --> 00:47:59,977
ALL RIGHT, MANDY.

1463
00:47:59,977 --> 00:48:00,978
>> OKAY.

1464
00:48:00,978 --> 00:48:03,080
SO MY DEAR FRIEND TAYLOR, WE'RE

1465
00:48:03,080 --> 00:48:05,249
FRIENDS BECAUSE SHE SAID ON THE

1466
00:48:05,249 --> 00:48:07,685
VIDEO IS A POET WITH HER LYRICS,

1467
00:48:07,685 --> 00:48:08,018
RIGHT?

1468
00:48:08,018 --> 00:48:10,187
I FEEL LIKE YOU GUYS WERE POETRY

1469
00:48:10,187 --> 00:48:11,489
IN MOTION RIGHT THERE.

1470
00:48:11,489 --> 00:48:13,657
THAT WAS SO BEAUTIFUL.

1471
00:48:13,657 --> 00:48:15,526
AND I HAVE A FRIENDSHIP BRACELET

1472
00:48:15,526 --> 00:48:17,628
FOR YOU I WOULD LOVE TO GIVE YOU

1473
00:48:17,628 --> 00:48:19,163
BECAUSE YOU WERE SO GOOD.

1474
00:48:19,163 --> 00:48:24,268
>> THANK YOU!

1475
00:48:24,268 --> 00:48:26,237
>> Alfonso: YES.

1476
00:48:26,237 --> 00:48:27,371
MANDY, PUT IN YOUR SCORE.

1477
00:48:27,371 --> 00:48:29,373
I NEED MY BRACELET.

1478
00:48:29,373 --> 00:48:30,908
NOBODY WANTS TO BE FRIENDS WITH

1479
00:48:30,908 --> 00:48:32,743
ME, IT HURTS SO MUCH.

1480
00:48:32,743 --> 00:48:33,677
BRUNO, YOU'RE UP.

1481
00:48:33,677 --> 00:48:36,814
>> OH YES!

1482
00:48:36,814 --> 00:48:40,284
YOU HAD SUCH A WONDERFUL SENSE

1483
00:48:40,284 --> 00:48:42,953
OF CELEBRATION AND SUCH AN EASE

1484
00:48:42,953 --> 00:48:43,654
OF MOVEMENT.

1485
00:48:43,654 --> 00:48:46,690
THE MOTION REALLY LOOKED LIKE

1486
00:48:46,690 --> 00:48:48,426
SWIFTS CHASING EACH OTHER IN THE

1487
00:48:48,426 --> 00:48:49,226
SKY, LIGHT, BEAUTIFUL AND

1488
00:48:49,226 --> 00:48:53,831
EXTREMELY ENJOYABLE.

1489
00:48:53,831 --> 00:49:00,704
>> Alfonso: OKAY.

1490
00:49:00,704 --> 00:49:02,139
CARRIE ANN.

1491
00:49:02,139 --> 00:49:05,776
>> YOU ARE THE MOST ANIMATED AND

1492
00:49:05,776 --> 00:49:07,044
ENTHUSIASTIC PERFORMER WE'VE

1493
00:49:07,044 --> 00:49:09,046
EVER HAD AND IT'S SUCH A JOY TO

1494
00:49:09,046 --> 00:49:10,080
WATCH YOU.

1495
00:49:10,080 --> 00:49:11,148
HOWEVER, I FELT LIKE THERE WERE

1496
00:49:11,148 --> 00:49:12,783
A FEW MOMENTS WHERE YOU LOST

1497
00:49:12,783 --> 00:49:13,918
YOUR FOCUS A LITTLE BIT.

1498
00:49:13,918 --> 00:49:22,960
THE QUICKSTEP IS SO DIFFICULT.

1499
00:49:22,960 --> 00:49:25,029
>> Alfonso: DEREK.

1500
00:49:25,029 --> 00:49:27,364
>> YOU ARE INCREDIBLE.

1501
00:49:27,364 --> 00:49:29,166
YOU BRING EVERY DANCE TO LIFE.

1502
00:49:29,166 --> 00:49:31,802
ONE THING I WOULD SAY IN THE

1503
00:49:31,802 --> 00:49:33,604
BALLROOM DANCE WE WANT TO MAKE

1504
00:49:33,604 --> 00:49:35,239
SURE TO MAINTAIN THAT BODY

1505
00:49:35,239 --> 00:49:37,808
CONTACT THROUGHOUT THE ENTIRE

1506
00:49:37,808 --> 00:49:38,142
DANCE.

1507
00:49:38,142 --> 00:49:41,879
I WANT TO SEE YOU IN THE FINALS.

1508
00:49:41,879 --> 00:49:42,513
>> Alfonso: HEAD ON UP TO

1509
00:49:42,513 --> 00:49:43,113
JULIANNE IN THE SKYBOX.

1510
00:49:43,113 --> 00:49:43,747
HANG ON, I'M GETTING SOME

1511
00:49:43,747 --> 00:49:48,752
BREAKING NEWS.

1512
00:49:48,752 --> 00:49:49,486
YES, IT'S CONFIRMED, RAY CHEW IS

1513
00:49:49,486 --> 00:49:51,422
A SWIFTIE.

1514
00:49:51,422 --> 00:49:52,456
IN FACT, WE'VE GOT A WHOLE

1515
00:49:52,456 --> 00:49:53,524
BANDSTAND FULL OF THEM.

1516
00:49:53,524 --> 00:49:54,158
GIVE IT UP FOR OUR MUSIC

1517
00:49:54,158 --> 00:49:54,892
DIRECTOR, OUR SINGERS, AND OUR

1518
00:49:54,892 --> 00:49:55,626
BAND.

1519
00:49:55,626 --> 00:49:58,796
IT'S RAY CHEW LIVE.

1520
00:49:58,796 --> 00:50:00,898
I HAD TO DO IT, RAY.

1521
00:50:00,898 --> 00:50:02,500
JULIANNE.

1522
00:50:02,500 --> 00:50:06,136
>> Julianne: THANKS, ALFONSO.

1523
00:50:06,136 --> 00:50:06,470
OKAY.

1524
00:50:06,470 --> 00:50:08,305
SO YOU SAID IT IN YOUR PACKAGE.

1525
00:50:08,305 --> 00:50:09,106
YOUR MOM HAS BEEN ONE OF THE

1526
00:50:09,106 --> 00:50:09,840
BIGGEST SUPPORTERS IN YOUR LIFE.

1527
00:50:09,840 --> 00:50:10,741
HOW MUCH DOES SHE MEAN TO YOU?

1528
00:50:10,741 --> 00:50:12,409
>> IT'S MY MOM, YOU KNOW?

1529
00:50:12,409 --> 00:50:15,946
SHE MADE THE WORLD, OBVIOUSLY.

1530
00:50:15,946 --> 00:50:16,280
YEAH.

1531
00:50:16,280 --> 00:50:21,085
LIKE MOST MOMS, YEAH, SHE'S

1532
00:50:21,085 --> 00:50:21,418
AMAZING.

1533
00:50:21,418 --> 00:50:22,553
>> THANKS FOR LUNCH AND

1534
00:50:22,553 --> 00:50:22,953
BREAKFAST.

1535
00:50:22,953 --> 00:50:24,421
>> AND COFFEE.

1536
00:50:24,421 --> 00:50:26,023
>> Julianne: BEFORE WE GET THERE

1537
00:50:26,023 --> 00:50:27,191
TALKING ABOUT LUNCH, LET'S GET

1538
00:50:27,191 --> 00:50:29,660
YOUR SCORES RIGHT AFTER THIS.

1539
00:50:41,805 --> 00:50:42,873
>> Julianne: WELCOME BACK.

1540
00:50:42,873 --> 00:50:43,941
BEFORE THE BREAK, XOCHITL AND

1541
00:50:43,941 --> 00:50:44,642
VAL FINISHED THE FIRST ROUND

1542
00:50:44,642 --> 00:50:45,309
WITH A QUICKSTEP TO "PAPER

1543
00:50:45,309 --> 00:50:46,544
RINGS."

1544
00:50:46,544 --> 00:50:51,782
LET'S GET THEIR SCORES.

1545
00:50:51,782 --> 00:50:56,086
>> Alfonso: CARRIE ANN INABA.

1546
00:50:56,086 --> 00:50:58,956
>> NINE!

1547
00:50:58,956 --> 00:51:00,124
>> Announcer: DEREK HOUGH.

1548
00:51:00,124 --> 00:51:00,991
>> NINE!

1549
00:51:00,991 --> 00:51:03,093
>> Announcer: MANDY MOORE.

1550
00:51:03,093 --> 00:51:03,794
>> TEN!

1551
00:51:03,794 --> 00:51:06,430
>> Announcer: BRUNO TONIOLI.

1552
00:51:06,430 --> 00:51:07,231
>> TEN!

1553
00:51:07,231 --> 00:51:10,668
>> Julianne: THAT'S A 38 OUT OF

1554
00:51:10,668 --> 00:51:14,238
40 FOR XOCHITL AND VAL SO FAR.

1555
00:51:14,238 --> 00:51:16,740
HOW ARE YOU FEELING ABOUT THOSE

1556
00:51:16,740 --> 00:51:17,074
SCORES?

1557
00:51:17,074 --> 00:51:18,943
>> I FEEL GREAT, HONESTLY.

1558
00:51:18,943 --> 00:51:20,377
THE DANCE WAS ABOUT HOW MUCH

1559
00:51:20,377 --> 00:51:21,912
EXCITEMENT AND FUN WE HAD.

1560
00:51:21,912 --> 00:51:23,447
I HAD SO MUCH FUN.

1561
00:51:23,447 --> 00:51:24,281
THANK YOU, VAL.

1562
00:51:24,281 --> 00:51:26,283
>> AFTER LAST WEEK'S TANGO, THIS

1563
00:51:26,283 --> 00:51:27,217
WAS REALLY NICE.

1564
00:51:27,217 --> 00:51:28,452
>> THIS WAS REALLY NICE.

1565
00:51:28,452 --> 00:51:29,787
>> Julianne: YOU HAD SO MUCH FUN

1566
00:51:29,787 --> 00:51:31,622
AND WE HAD SO MUCH FUN.

1567
00:51:31,622 --> 00:51:32,957
EVERYBODY NEEDS YOUR VOTES TO

1568
00:51:32,957 --> 00:51:34,892
GET INTO NEXT WEEK'S SEMIFINALS.

1569
00:51:34,892 --> 00:51:36,360
VOTING CLOSES DURING THE LAST

1570
00:51:36,360 --> 00:51:36,961
COMMERCIAL BREAK.

1571
00:51:36,961 --> 00:51:39,263
THIS WINTER YOU CAN SEE

1572
00:51:39,263 --> 00:51:40,831
SENSATIONAL DANCING OF OUR PROS

1573
00:51:40,831 --> 00:51:45,169
IN PERSON WHEN THE ALL NEW

1574
00:51:45,169 --> 00:51:45,936
"DANCING WITH THE STARS"

1575
00:51:45,936 --> 00:51:48,906
CHOREOGRAPHED BY THE AMAZING

1576
00:51:48,906 --> 00:51:52,643
MANDY MOORE COMES TO A CITY NEAR

1577
00:51:52,643 --> 00:51:53,077
YOU.

1578
00:51:53,077 --> 00:51:56,180
IT'S MY BLESS TO INTRODUCE THIS

1579
00:51:56,180 --> 00:51:57,014
SPECIAL PERFORMANCE.

1580
00:51:57,014 --> 00:52:16,934
GIVE IT UP FOR OUR PROS.

1581
00:52:16,934 --> 00:52:20,070
♪ MIDNIGHT COME AND

1582
00:52:20,070 --> 00:52:27,177
PICK ME UP NO HEADLIGHTS

1583
00:52:27,177 --> 00:52:30,247
♪ LONG DRIVE, COULD END IN

1584
00:52:30,247 --> 00:52:36,887
BURNING FLAMES OR PARADISE ♪

1585
00:52:36,887 --> 00:52:40,024
♪ FADE INTO VIEW OH IT'S

1586
00:52:40,024 --> 00:52:43,727
BEEN A WHILE SINCE I HAVE

1587
00:52:43,727 --> 00:52:48,432
EVEN HEARD FROM YOU ♪

1588
00:52:48,432 --> 00:52:51,769
♪ HEARD FROM YOU ♪

1589
00:52:51,769 --> 00:52:52,803
♪ I SHOULD JUST TELL YOU TO

1590
00:52:52,803 --> 00:52:55,439
LEAVE 'CAUSE I KNOW EXACTLY

1591
00:52:55,439 --> 00:52:56,507
WHERE THIS LEADS BUT I ♪

1592
00:52:56,507 --> 00:53:00,744
♪ WATCH US GO 'ROUND AND

1593
00:53:00,744 --> 00:53:02,880
ROUND EACH TIME ♪

1594
00:53:02,880 --> 00:53:03,547
♪ YOU GOT THAT JAMES DEAN

1595
00:53:03,547 --> 00:53:04,982
DAYDREAM LOOK IN

1596
00:53:04,982 --> 00:53:11,355
YOUR EYE ♪

1597
00:53:11,355 --> 00:53:12,022
♪ AND I GOT THAT RED LIP

1598
00:53:12,022 --> 00:53:12,523
CLASSIC THING THAT

1599
00:53:12,523 --> 00:53:17,161
YOU LIKE ♪

1600
00:53:17,161 --> 00:53:17,828
♪ AND WHEN WE GO CRASHING

1601
00:53:17,828 --> 00:53:18,328
DOWN WE COME BACK

1602
00:53:18,328 --> 00:53:21,932
EVERY TIME ♪

1603
00:53:21,932 --> 00:53:23,000
♪ 'CAUSE WE NEVER GO OUT OF

1604
00:53:23,000 --> 00:53:23,567
STYLE WE NEVER GO OUT

1605
00:53:23,567 --> 00:53:26,670
OF STYLE ♪

1606
00:53:26,670 --> 00:53:28,238
♪ YOU GOT THAT LONG HAIR

1607
00:53:28,238 --> 00:53:30,374
SLICKED BACK

1608
00:53:30,374 --> 00:53:32,476
WHITE T-SHIRT ♪

1609
00:53:32,476 --> 00:53:34,578
♪ AND I GOT THAT GOOD GIRL

1610
00:53:34,578 --> 00:53:40,417
FAITH AND A TIGHT

1611
00:53:40,417 --> 00:53:42,519
LITTLE SKIRT ♪

1612
00:53:42,519 --> 00:53:43,587
♪ AND WHEN WE GO CRASHING

1613
00:53:43,587 --> 00:53:44,121
DOWN WE COME BACK

1614
00:53:44,121 --> 00:53:45,722
EVERY TIME ♪

1615
00:53:45,722 --> 00:53:48,892
♪ 'CAUSE WE NEVER GO OUT OF

1616
00:53:48,892 --> 00:53:52,062
STYLE NO WE NEVER GO OUT OF

1617
00:53:52,062 --> 00:53:54,598
STYLE AYY AYY ♪

1618
00:54:04,141 --> 00:54:06,810
>> Alfonso: OUR PROS DANCING TO

1619
00:54:06,810 --> 00:54:09,480
"STYLE (TAYLOR'S VERSION)."

1620
00:54:09,480 --> 00:54:11,582
YOU DEFINITELY WANT TO SEE THEM

1621
00:54:11,582 --> 00:54:14,218
IN PERSON IN THE ALL-NEW TOUR.

1622
00:54:14,218 --> 00:54:15,853
EMMA, YOU'RE HOSTING AGAIN.

1623
00:54:15,853 --> 00:54:16,887
WHAT DO YOU LOOK FORWARD TO WHEN

1624
00:54:16,887 --> 00:54:22,192
YOU TRAVEL FROM CITY TO CITY?

1625
00:54:22,192 --> 00:54:24,595
>> EASILY IT'S ALL OF US GOING

1626
00:54:24,595 --> 00:54:26,196
AROUND AND MEETING THE PEOPLE AT

1627
00:54:26,196 --> 00:54:27,798
HOME THAT GET TO WATCH THE SHOW.

1628
00:54:27,798 --> 00:54:30,033
WE LOVE THAT SO MUCH.

1629
00:54:30,033 --> 00:54:31,668
IT'S SUPER SPECIAL AND IT'S A

1630
00:54:31,668 --> 00:54:32,603
REALLY PERSONAL EXPERIENCE.

1631
00:54:32,603 --> 00:54:34,204
WE GET TO BRING FAMILIES

1632
00:54:34,204 --> 00:54:35,739
TOGETHER, FRIENDS, NEIGHBORS.

1633
00:54:35,739 --> 00:54:37,508
IT'S REALLY, REALLY AWESOME AND

1634
00:54:37,508 --> 00:54:39,843
IT MEANS A LOT TO US.

1635
00:54:39,843 --> 00:54:40,577
>> Alfonso: I KNOW YOU LIVE FOR

1636
00:54:40,577 --> 00:54:40,978
THIS MOMENT.

1637
00:54:40,978 --> 00:54:41,979
DO YOUR THING.

1638
00:54:41,979 --> 00:54:43,046
>> GO TO DWTSTOUR.COM FOR

1639
00:54:43,046 --> 00:54:45,682
TICKETS AND FULL DETAILS.

1640
00:54:45,682 --> 00:54:47,851
>> Alfonso: YOU CAN ALSO FIND

1641
00:54:47,851 --> 00:54:48,585
OUT WHERE AND WHEN JULIANNE WILL

1642
00:54:48,585 --> 00:54:49,386
BE PERFORMING WITH THE CAST.

1643
00:54:49,386 --> 00:54:50,988
THANKS, EMMA.

1644
00:54:50,988 --> 00:54:52,055
THANKS EVERYONE.

1645
00:54:52,055 --> 00:54:55,926
OUR PROS.

1646
00:54:55,926 --> 00:54:59,062
GIVE IT UP FOR THEM, Y'ALL.

1647
00:54:59,062 --> 00:54:59,463
[ APPLAUSE ]

1648
00:54:59,463 --> 00:55:00,497
>> Alfonso: GET ON OUT OF THERE.

1649
00:55:00,497 --> 00:55:00,998
GET ON OVER HERE.

1650
00:55:00,998 --> 00:55:01,565
ALL RIGHT.

1651
00:55:01,565 --> 00:55:02,599
WE'LL GET BACK INTO TONIGHT'S

1652
00:55:02,599 --> 00:55:03,667
COMPETITION WITH A LOOK AT THE

1653
00:55:03,667 --> 00:55:04,301
SCORES FROM TONIGHT'S FIRST

1654
00:55:04,301 --> 00:55:07,804
ROUND.

1655
00:55:07,804 --> 00:55:09,139
CURRENTLY AT THE TOP OF THE

1656
00:55:09,139 --> 00:55:10,808
LEADERBOARD ARE JASON AND

1657
00:55:10,808 --> 00:55:12,509
DANIELLA WITH A PERFECT 40.

1658
00:55:12,509 --> 00:55:15,546
AND AT THE BOTTOM ARE ALYSON AND

1659
00:55:15,546 --> 00:55:17,214
SASHA WITH 29.

1660
00:55:17,214 --> 00:55:20,417
THE RELAY DANCE ROUND COULD

1661
00:55:20,417 --> 00:55:21,885
REALLY SHAKE THINGS UP.

1662
00:55:21,885 --> 00:55:23,520
THIS IS THE LAST CHANCE FOR OUR

1663
00:55:23,520 --> 00:55:24,988
COUPLES TO SECURE A PLACE IN

1664
00:55:24,988 --> 00:55:26,857
NEXT WEEK'S SEMIFINALS.

1665
00:55:26,857 --> 00:55:27,724
THEY'VE BEEN DIVIDED INTO THREE

1666
00:55:27,724 --> 00:55:30,727
RELAY GROUPS.

1667
00:55:30,727 --> 00:55:32,329
EACH GROUP WILL PERFORM THEIR

1668
00:55:32,329 --> 00:55:33,130
OWN SEPARATE STYLE.

1669
00:55:33,130 --> 00:55:35,199
THE COUPLES WILL DANCE ONE AFTER

1670
00:55:35,199 --> 00:55:37,301
THE OTHER, AND THE JUDGES WILL

1671
00:55:37,301 --> 00:55:39,303
AWARD THREE BONUS POINTS TO THE

1672
00:55:39,303 --> 00:55:41,939
WINNER OF EACH RELAY.

1673
00:55:41,939 --> 00:55:43,006
LET'S FIND OUT WHICH COUPLES

1674
00:55:43,006 --> 00:55:48,245
LEAVE THE CHRISTMAS LIGHTS UP

1675
00:55:48,245 --> 00:55:49,413
UNTIL JANUARY.

1676
00:55:49,413 --> 00:55:52,282
IT'S ARIANA AND PASHA AND

1677
00:55:52,282 --> 00:55:54,518
XOCHITL AND VAL.

1678
00:55:54,518 --> 00:55:56,119
>> WE'RE GOING TO FIND OUT WHICH

1679
00:55:56,119 --> 00:55:57,821
STYLE WE'RE DANCING AND WHO

1680
00:55:57,821 --> 00:55:58,655
WE'RE GOING UP AGAINST.

1681
00:55:58,655 --> 00:55:59,823
>> HIT ME WITH IT.

1682
00:55:59,823 --> 00:56:00,724
>> COUPLES.

1683
00:56:00,724 --> 00:56:02,726
>> HI, CARRIE ANN.

1684
00:56:02,726 --> 00:56:03,727
>> THIS IS VERY EXCITING.

1685
00:56:03,727 --> 00:56:05,028
>> WELCOME TO THE "DANCING WITH

1686
00:56:05,028 --> 00:56:05,896
THE STARS" RELAY DANCE.

1687
00:56:05,896 --> 00:56:07,831
FOR THIS CHALLENGE, YOU WILL BE

1688
00:56:07,831 --> 00:56:10,167
DOING THE VIENNESE WALTZ TO

1689
00:56:10,167 --> 00:56:11,468
TAYLOR SWIFT'S "LOVER".

1690
00:56:11,468 --> 00:56:14,905
>> I LOVE THAT OKAY.

1691
00:56:14,905 --> 00:56:15,239
OKAY.

1692
00:56:15,239 --> 00:56:17,274
>> THAT'S A GREAT SONG FOR

1693
00:56:17,274 --> 00:56:17,874
VIENNESE WALTZ.

1694
00:56:17,874 --> 00:56:20,811
>> YOU BOTH DID THE VIENNESE

1695
00:56:20,811 --> 00:56:21,878
WALTZ IN WEEK FIVE.

1696
00:56:21,878 --> 00:56:23,547
>> THAT WAS 15 YEARS AGO.

1697
00:56:23,547 --> 00:56:25,515
>> I WANT TO SEE KEEPING UP THE

1698
00:56:25,515 --> 00:56:27,451
TEMPO, ROTATION, GRACE AND

1699
00:56:27,451 --> 00:56:27,818
FLUIDITY.

1700
00:56:27,818 --> 00:56:32,122
LET'S SEE WHO GOES FIRST.

1701
00:56:32,122 --> 00:56:33,223
ARIANA.

1702
00:56:33,223 --> 00:56:35,826
>> WE GOT OUR WORK CUT OUT FOR

1703
00:56:35,826 --> 00:56:36,159
US.

1704
00:56:36,159 --> 00:56:38,495
>> THAT MEANS, XOCHITL, YOU ARE

1705
00:56:38,495 --> 00:56:39,196
UP SECOND.

1706
00:56:39,196 --> 00:56:40,864
THE JUDGES WILL AWARD THE

1707
00:56:40,864 --> 00:56:43,267
WINNING COUPLE AN EXTRA THREE

1708
00:56:43,267 --> 00:56:43,600
POINTS.

1709
00:56:43,600 --> 00:56:44,234
>> WE NEED THAT.

1710
00:56:44,234 --> 00:56:44,868
>> GOOD LUCK.

1711
00:56:44,868 --> 00:56:45,769
>> LET'S GO.

1712
00:56:45,769 --> 00:56:47,571
>> WE'RE GOING AGAINST VERY

1713
00:56:47,571 --> 00:56:48,972
STRONG COMPETITORS.

1714
00:56:48,972 --> 00:56:52,709
>> THE FIRST TEN WAS ON VIENNESE

1715
00:56:52,709 --> 00:56:53,043
WALTZ.

1716
00:56:53,043 --> 00:56:53,377
>> TEN!

1717
00:56:53,377 --> 00:56:56,280
>> ARIANA LAST WEEK WAS ON THE

1718
00:56:56,280 --> 00:56:57,547
TOP OF THE LEADERBOARD.

1719
00:56:57,547 --> 00:56:59,650
I'VE REALLY GOT TO TURN IT ON

1720
00:56:59,650 --> 00:56:59,983
NOW.

1721
00:56:59,983 --> 00:57:01,818
>> KEEP RUNNING FORWARD, DON'T

1722
00:57:01,818 --> 00:57:02,119
STOP.

1723
00:57:02,119 --> 00:57:02,719
>> GOT YOU.

1724
00:57:02,719 --> 00:57:04,121
>> FORWARD, FORWARD, FORWARD.

1725
00:57:04,121 --> 00:57:07,291
>> BEING AGAINST ARIANA, SHE HAS

1726
00:57:07,291 --> 00:57:11,328
THAT LITTLE SASSINESS.

1727
00:57:11,328 --> 00:57:14,331
I'M READY TO AMP IT UP A LITTLE.

1728
00:57:14,331 --> 00:57:16,900
>> XOCHITL IS REALLY GOOD AT

1729
00:57:16,900 --> 00:57:18,535
DELIVERING SUPER COMPLICATED

1730
00:57:18,535 --> 00:57:19,169
ROUTINES.

1731
00:57:19,169 --> 00:57:20,637
WE'RE GOING TO HAVE TO UP OUR

1732
00:57:20,637 --> 00:57:24,541
GAME BY GIVING A SUPER ELEGANT

1733
00:57:24,541 --> 00:57:25,976
VIENNESE WALTZ WITH NO BREAKS

1734
00:57:25,976 --> 00:57:27,110
FROM START TO FINISH.

1735
00:57:27,110 --> 00:57:28,845
>> I JUST LITERALLY BURNED.

1736
00:57:28,845 --> 00:57:30,914
>> I DIDN'T WIN THE DANCE-OFF

1737
00:57:30,914 --> 00:57:31,715
LAST WEEK.

1738
00:57:31,715 --> 00:57:33,550
I'M DETERMINED TO REDEEM MYSELF

1739
00:57:33,550 --> 00:57:34,818
WITH THE JUDGES.

1740
00:57:34,818 --> 00:57:36,186
NO ONE IS GUARANTEED A PLACE IN

1741
00:57:36,186 --> 00:57:38,755
THE SEMIFINALS, AND EVERY POINT

1742
00:57:38,755 --> 00:57:39,089
COUNTS.

1743
00:57:39,089 --> 00:57:39,623
>> I'M DIZZY.

1744
00:57:39,623 --> 00:57:40,991
>> THIS IS MY FIRST HEAD TO HEAD

1745
00:57:40,991 --> 00:57:41,858
AS AN INDIVIDUAL.

1746
00:57:41,858 --> 00:57:44,594
I REALLY HAVE TO WIN THIS.

1747
00:57:44,594 --> 00:57:47,764
>> BEAUTIFUL.

1748
00:57:47,764 --> 00:57:48,398
>> Alfonso: YES, ANOTHER

1749
00:57:48,398 --> 00:57:48,832
CLIFFHANGER.

1750
00:57:48,832 --> 00:57:49,900
WHICH COUPLE WILL WIN THE BONUS

1751
00:57:49,900 --> 00:57:52,235
POINTS?

1752
00:57:52,235 --> 00:57:53,804
>> Julianne: ARIANA AND PASHA

1753
00:57:53,804 --> 00:57:55,939
AND XOCHITL AND VAL WILL PERFORM

1754
00:57:55,939 --> 00:57:56,673
THEIR LAST DANCE TO GET INTO THE

1755
00:57:56,673 --> 00:57:58,075
SEMI-FINALS WHEN WE COME BACK,

1756
00:57:58,075 --> 00:57:59,476
LIVE.

1757
00:58:10,554 --> 00:58:11,621
>> Alfonso: WELCOME BACK TO "A

1758
00:58:11,621 --> 00:58:14,257
CELEBRATION OF TAYLOR SWIFT."

1759
00:58:14,257 --> 00:58:15,292
ARIANA AND PASHA AND XOCHITL AND

1760
00:58:15,292 --> 00:58:16,360
VAL HAVE WAITED LONG ENOUGH.

1761
00:58:16,360 --> 00:58:19,529
LET'S SEE THEIR RELAY.

1762
00:58:19,529 --> 00:58:20,564
>> Announcer: DANCING THE

1763
00:58:20,564 --> 00:58:21,631
VIENNESE WALTZ RELAY, IT'S

1764
00:58:21,631 --> 00:58:23,767
ARIANA MADIX AND PASHA PASHKOV

1765
00:58:23,767 --> 00:58:24,368
VERSUS XOCHITL GOMEZ AND

1766
00:58:24,368 --> 00:58:28,438
VAL CHMERKOVSKIY.

1767
00:58:33,276 --> 00:58:40,650
♪♪

1768
00:58:40,650 --> 00:58:41,284
♪ WE COULD LEAVE THE

1769
00:58:41,284 --> 00:58:42,819
CHRISTMAS LIGHTS UP

1770
00:58:42,819 --> 00:58:48,125
'TIL JANUARY ♪

1771
00:58:48,125 --> 00:58:51,261
♪ THIS IS OUR PLACE

1772
00:58:51,261 --> 00:58:54,965
WE MAKE THE RULES ♪

1773
00:58:54,965 --> 00:58:58,135
♪ AND THERE'S A

1774
00:58:58,135 --> 00:59:00,771
DAZZLING HAZE

1775
00:59:00,771 --> 00:59:01,338
A MYSTERIOUS WAY ♪

1776
00:59:01,338 --> 00:59:06,042
♪ ABOUT YOU DEAR

1777
00:59:06,042 --> 00:59:06,710
HAVE I KNOWN YOU 20 SECONDS

1778
00:59:06,710 --> 00:59:10,313
OR 20 YEARS ♪

1779
00:59:10,313 --> 00:59:12,416
♪ CAN I GO WHERE YOU GO

1780
00:59:12,416 --> 00:59:14,050
CAN WE ALWAYS BE

1781
00:59:14,050 --> 00:59:16,720
THIS CLOSE ♪

1782
00:59:16,720 --> 00:59:19,356
♪ FOREVER AND EVER

1783
00:59:19,356 --> 00:59:26,296
AND AH TAKE ME OUT

1784
00:59:26,296 --> 00:59:34,137
AND TAKE ME HOME ♪

1785
00:59:34,137 --> 00:59:35,739
♪ YOU'RE MY MY MY MY

1786
00:59:35,739 --> 00:59:48,985
OH YOU'RE MY MY MY MY

1787
00:59:48,985 --> 00:59:51,621
LOVER ♪

1788
00:59:51,621 --> 00:59:54,891
♪♪

1789
00:59:54,891 --> 00:59:56,493
[ APPLAUSE ]

1790
00:59:56,493 --> 00:59:58,595
>> Alfonso: ARIANA AND PASHA AND

1791
00:59:58,595 --> 01:00:00,197
XOCHITL AND VAL WITH A VIENNESE

1792
01:00:00,197 --> 01:00:07,904
WALTZ RELAY TO "LOVER."

1793
01:00:07,904 --> 01:00:08,238
YES.

1794
01:00:08,238 --> 01:00:10,640
SO GOOD, GUYS.

1795
01:00:10,640 --> 01:00:11,074
FANTASTIC.

1796
01:00:11,074 --> 01:00:13,376
WHAT A COMPETITION HERE.

1797
01:00:13,376 --> 01:00:13,710
OKAY.

1798
01:00:13,710 --> 01:00:15,645
HERE WE GO.

1799
01:00:15,645 --> 01:00:16,079
CARRIE ANN.

1800
01:00:16,079 --> 01:00:17,347
>> OKAY.

1801
01:00:17,347 --> 01:00:19,816
TALK ABOUT WHOA, TIGHT, BOTH OF

1802
01:00:19,816 --> 01:00:21,351
YOU ARE SO GREAT.

1803
01:00:21,351 --> 01:00:25,222
TWO COMPLETELY DIFFERENT

1804
01:00:25,222 --> 01:00:26,289
INTERPRETATIONS OF THE SAME

1805
01:00:26,289 --> 01:00:26,623
SONG.

1806
01:00:26,623 --> 01:00:30,460
IT DEFINED YOU BOTH SO

1807
01:00:30,460 --> 01:00:30,861
BEAUTIFULLY.

1808
01:00:30,861 --> 01:00:32,963
XOCHITL, YOU WERE SO DYNAMIC AND

1809
01:00:32,963 --> 01:00:34,998
THE TECHNIQUE WAS ON POINT,

1810
01:00:34,998 --> 01:00:35,298
GIRL.

1811
01:00:35,298 --> 01:00:38,335
I LOVE THE WAY YOU WENT FOR A

1812
01:00:38,335 --> 01:00:38,735
TRADITIONAL.

1813
01:00:38,735 --> 01:00:40,704
YOU WERE REALLY SHOWING US THE

1814
01:00:40,704 --> 01:00:41,271
HOLD.

1815
01:00:41,271 --> 01:00:43,173
IT'S HARD.

1816
01:00:43,173 --> 01:00:45,542
I DON'T KNOW.

1817
01:00:45,542 --> 01:00:46,076
>> Alfonso: DEREK.

1818
01:00:46,076 --> 01:00:49,045
>> THAT'S A REALLY DIFFICULT ONE

1819
01:00:49,045 --> 01:00:50,180
TO CHOOSE FROM, BECAUSE IT IS SO

1820
01:00:50,180 --> 01:00:50,547
DIFFERENT.

1821
01:00:50,547 --> 01:00:55,185
I LOVED ARIANA, YOUR AND PASHA'S

1822
01:00:55,185 --> 01:00:55,986
INTERPRETATION AS FAR AS THE

1823
01:00:55,986 --> 01:00:59,022
CLASSIC VIENNESE WALTZ.

1824
01:00:59,022 --> 01:01:01,191
IT'S SO REFRESHING TO SEE THE

1825
01:01:01,191 --> 01:01:03,160
CLEAN AND CLASSIC VIENNESE

1826
01:01:03,160 --> 01:01:03,593
WALTZ.

1827
01:01:03,593 --> 01:01:08,031
BUT XOCHITL AND VAL, YOU DID

1828
01:01:08,031 --> 01:01:08,431
SENSATIONAL.

1829
01:01:08,431 --> 01:01:08,965
I DON'T KNOW.

1830
01:01:08,965 --> 01:01:10,767
I DON'T KNOW WHAT WE'RE GOING TO

1831
01:01:10,767 --> 01:01:11,868
DO HONESTLY.

1832
01:01:11,868 --> 01:01:13,436
THIS IS A ROUGH ONE.

1833
01:01:13,436 --> 01:01:14,137
>> Alfonso: MANDY.

1834
01:01:14,137 --> 01:01:16,406
>> THIS IS A TRUE EVEN MATCHUP.

1835
01:01:16,406 --> 01:01:16,740
YES.

1836
01:01:16,740 --> 01:01:18,942
BUT I ALSO LOVED ARIANA, THAT

1837
01:01:18,942 --> 01:01:25,348
YOU CAME OUT GUNS ABLAZING.

1838
01:01:25,348 --> 01:01:27,384
AND XOCHITL, GIRL, WHEN YOU CAME

1839
01:01:27,384 --> 01:01:29,252
IN, YOU WERE LIKE UH-UH, YOU'RE

1840
01:01:29,252 --> 01:01:30,854
NOT OUT DANCING ME.

1841
01:01:30,854 --> 01:01:33,056
THIS IS STILL A RELAY.

1842
01:01:33,056 --> 01:01:33,623
>> Alfonso: BRUNO.

1843
01:01:33,623 --> 01:01:36,059
>> I LOVE IT SO COMPETITIVE,

1844
01:01:36,059 --> 01:01:38,762
BECAUSE THE STANDARDS ARE REALLY

1845
01:01:38,762 --> 01:01:42,365
GETTING HIGHER AND HIGHER.

1846
01:01:42,365 --> 01:01:43,800
YOU CHALLENGE EACH OTHER AND

1847
01:01:43,800 --> 01:01:45,502
COMPETE AND GET BETTER.

1848
01:01:45,502 --> 01:01:46,903
BEAUTIFUL, FLUID, INCREDIBLE

1849
01:01:46,903 --> 01:01:49,806
DRIVE, AMAZING SPIN WITH THE

1850
01:01:49,806 --> 01:01:50,140
SWAY.

1851
01:01:50,140 --> 01:01:51,841
IT'S LIKE CHOOSING BETWEEN

1852
01:01:51,841 --> 01:01:54,611
DIAMOND AND PEARLS.

1853
01:01:54,611 --> 01:01:55,812
WHATEVER HAPPENS, YOU SHOULD BE

1854
01:01:55,812 --> 01:01:58,915
PROUD OF WHAT YOU ACHIEVE.

1855
01:01:58,915 --> 01:01:59,649
>> Alfonso: HEAD UP TO JULIANNE

1856
01:01:59,649 --> 01:02:00,083
IN THE SKYBOX.

1857
01:02:00,083 --> 01:02:00,784
THE FIVE COUPLES WHO SURVIVE

1858
01:02:00,784 --> 01:02:01,484
TONIGHT'S ELIMINATION WILL

1859
01:02:01,484 --> 01:02:02,085
COMPETE IN NEXT WEEK'S

1860
01:02:02,085 --> 01:02:02,586
SEMI-FINALS.

1861
01:02:02,586 --> 01:02:03,220
THEY'RE GETTING CLOSER TO

1862
01:02:03,220 --> 01:02:05,255
WINNING OUR LEN GOODMAN

1863
01:02:05,255 --> 01:02:06,323
MIRRORBALL TROPHY.

1864
01:02:06,323 --> 01:02:09,826
JULIANNE.

1865
01:02:09,826 --> 01:02:11,194
THEY'RE MAKING THEIR WAY UP TO

1866
01:02:11,194 --> 01:02:13,096
YOU RIGHT NOW.

1867
01:02:13,096 --> 01:02:19,135
>> Julianne: YES, THEY ARE.

1868
01:02:19,135 --> 01:02:20,570
THANK YOU SO MUCH, ALFONSO.

1869
01:02:20,570 --> 01:02:23,106
WITH YOUR BEAUTIFUL FEATHERS.

1870
01:02:23,106 --> 01:02:24,140
ARIANA, THIS IS YOUR FIRST HEAD

1871
01:02:24,140 --> 01:02:25,041
TO HEAD.

1872
01:02:25,041 --> 01:02:26,977
HOW DID UFRL WHEN YOU FOUND OUT

1873
01:02:26,977 --> 01:02:30,246
YOU WERE GOING TO GO UP AGAINST

1874
01:02:30,246 --> 01:02:31,047
XOCHITL AND VAL?

1875
01:02:31,047 --> 01:02:32,182
>> TERRIFIED.

1876
01:02:32,182 --> 01:02:33,483
>> DITTO.

1877
01:02:33,483 --> 01:02:34,317
>> Julianne: YOU BOTH HAVE BEEN

1878
01:02:34,317 --> 01:02:38,788
AT THE TOP OF THE LEADERBOARD.

1879
01:02:38,788 --> 01:02:43,293
XOCHITL IS THIS OR IS ARIANA

1880
01:02:43,293 --> 01:02:45,762
YOUR BIGGEST COMPETITION?

1881
01:02:45,762 --> 01:02:48,164
>> ALL OF US ARE FAMILY.

1882
01:02:48,164 --> 01:02:49,432
I DON'T SEE IT LIKE THAT.

1883
01:02:49,432 --> 01:02:49,799
>> SAME.

1884
01:02:49,799 --> 01:02:51,935
>> WE'RE JUST OUT THERE HAVING

1885
01:02:51,935 --> 01:02:52,268
FUN.

1886
01:02:52,268 --> 01:02:53,503
>> COME ON.

1887
01:02:53,503 --> 01:02:57,107
>> Julianne: HANG ON ONE SECOND.

1888
01:02:57,107 --> 01:02:58,208
BOYS, WHAT DO YOU HAVE TO SAY?

1889
01:02:58,208 --> 01:03:02,278
>> WHAT I GOT TO SAY IS PASHA

1890
01:03:02,278 --> 01:03:03,346
AND I HAVE BEEN COMPETING

1891
01:03:03,346 --> 01:03:04,648
AGAINST EACH OTHER SINCE WE WERE

1892
01:03:04,648 --> 01:03:06,049
15 YEARS OLD.

1893
01:03:06,049 --> 01:03:07,817
THE COMPLIMENT TOWARDS OUR

1894
01:03:07,817 --> 01:03:09,386
LADIES IS A TESTAMENT TO

1895
01:03:09,386 --> 01:03:10,120
BALLROOM DANCE.

1896
01:03:10,120 --> 01:03:12,055
WE ARE PROUD THESE TWO LADIES

1897
01:03:12,055 --> 01:03:14,457
BOUGHT INTO THIS AND HAVE NEARLY

1898
01:03:14,457 --> 01:03:15,125
MASTERED IT.

1899
01:03:15,125 --> 01:03:16,192
>> Julianne: ALL RIGHT.

1900
01:03:16,192 --> 01:03:18,628
WELL, CARRIE ANN, THE TIME IS

1901
01:03:18,628 --> 01:03:19,095
NOW.

1902
01:03:19,095 --> 01:03:22,332
WHICH COUPLE GETS THE JUDGES'

1903
01:03:22,332 --> 01:03:23,233
BONUS POINTS?

1904
01:03:23,233 --> 01:03:24,300
>> THEY WERE BOTH AMAZING.

1905
01:03:24,300 --> 01:03:25,568
YOU KNOW, THIS WAS DIFFICULT.

1906
01:03:25,568 --> 01:03:27,704
THE WINNER IS XOCHITL AND VAL.

1907
01:03:27,704 --> 01:03:29,239
>> Julianne: XOCHITL AND VAL GET

1908
01:03:29,239 --> 01:03:31,341
THREE BONUS POINTS ADDED TO

1909
01:03:31,341 --> 01:03:33,310
THEIR TOTAL FOR THE NIGHT.

1910
01:03:33,310 --> 01:03:35,278
YOU AT HOME STILL HAVE TO VOTE

1911
01:03:35,278 --> 01:03:39,983
TO SAVE YOUR FAVORITES.

1912
01:03:39,983 --> 01:03:40,316
ALFONSO.

1913
01:03:40,316 --> 01:03:43,787
>> Alfonso: THANKS, JULIANNE.

1914
01:03:43,787 --> 01:03:45,155
WHO WILL WIN OUR NEXT RELAY

1915
01:03:45,155 --> 01:03:46,189
DANCE?

1916
01:03:46,189 --> 01:03:46,890
WHICH COUPLES WILL "SHAKE IT

1917
01:03:46,890 --> 01:03:47,624
OFF" IN THE NEXT "RELAY DANCE?"

1918
01:03:47,624 --> 01:03:49,025
FIND OUT AFTER THIS, LIVE.

1919
01:04:00,837 --> 01:04:02,972
>> Alfonso: WE'RE BACK WITH "A

1920
01:04:02,972 --> 01:04:04,040
CELEBRATION OF TAYLOR SWIFT" AND

1921
01:04:04,040 --> 01:04:08,278
OUR NEXT "RELAY DANCE."

1922
01:04:08,278 --> 01:04:14,117
>> Julianne: HARRY AND RYLEE AND

1923
01:04:14,117 --> 01:04:18,855
ALYSON AND SASHA CAN'T AND WON'T

1924
01:04:18,855 --> 01:04:19,489
STOP GROOVIN'.

1925
01:04:19,489 --> 01:04:21,324
>> ARE YOU READY TO FIND OUT?

1926
01:04:21,324 --> 01:04:21,791
>> YES.

1927
01:04:21,791 --> 01:04:22,559
>> HERE WE GO.

1928
01:04:22,559 --> 01:04:24,794
>> WELCOME TO THE RELAY DANCE.

1929
01:04:24,794 --> 01:04:25,428
>> OKAY.

1930
01:04:25,428 --> 01:04:27,063
>> HE LOOKS GREAT.

1931
01:04:27,063 --> 01:04:29,199
>> TONIGHT WE ARE SERVING UP A

1932
01:04:29,199 --> 01:04:31,234
JIVE TO "SHAKE IT OFF".

1933
01:04:31,234 --> 01:04:34,704
>> WE GOT "SHAKE IT OFF."

1934
01:04:34,704 --> 01:04:35,038
OKAY.

1935
01:04:35,038 --> 01:04:36,272
>> THIS IS A NEW STYLE FOR BOTH

1936
01:04:36,272 --> 01:04:37,874
OF YOU.

1937
01:04:37,874 --> 01:04:39,776
I'D BE VERY HAPPY IF YOU COULD

1938
01:04:39,776 --> 01:04:42,245
DO THE JIVE CLEAN, SLICK AND

1939
01:04:42,245 --> 01:04:42,612
PRECISE.

1940
01:04:42,612 --> 01:04:43,480
>> I DON'T KNOW WHAT JIVE IN.

1941
01:04:43,480 --> 01:04:47,617
>> DANCING FIRST IS HARRY.

1942
01:04:47,617 --> 01:04:49,252
>> THAT'S HONESTLY AN ADVANTAGE.

1943
01:04:49,252 --> 01:04:50,286
>> REALLY?

1944
01:04:50,286 --> 01:04:50,920
>> YEAH.

1945
01:04:50,920 --> 01:04:52,689
IF WE HAVE REALLY GOOD ENERGY,

1946
01:04:52,689 --> 01:04:53,590
THEY HAVE TO MATCH IT.

1947
01:04:53,590 --> 01:04:55,625
>> ALYSON, YOU ARE DANCING

1948
01:04:55,625 --> 01:04:55,959
SECOND.

1949
01:04:55,959 --> 01:04:58,795
>> THESE POINTS CAN GET US TO

1950
01:04:58,795 --> 01:05:00,964
THE SEMIFINALS.

1951
01:05:00,964 --> 01:05:01,898
>> HERE WE COME.

1952
01:05:01,898 --> 01:05:02,966
>> I CAN'T WAIT TO SEE YOUR

1953
01:05:02,966 --> 01:05:03,299
JIVE.

1954
01:05:03,299 --> 01:05:05,635
GOOD LUCK!

1955
01:05:05,635 --> 01:05:08,304
>> WE REALLY NEED A COMEBACK

1956
01:05:08,304 --> 01:05:08,638
WEEK.

1957
01:05:08,638 --> 01:05:09,539
>> NEED BADLY.

1958
01:05:09,539 --> 01:05:11,741
>> THIS IS WHERE STAKES GET

1959
01:05:11,741 --> 01:05:12,075
HIGH.

1960
01:05:12,075 --> 01:05:12,909
I KNOW YOU CAN DO IT.

1961
01:05:12,909 --> 01:05:14,277
>> IT'S TAYLOR.

1962
01:05:14,277 --> 01:05:15,945
SHE CAN GET ME THROUGH ANYTHING.

1963
01:05:15,945 --> 01:05:17,580
>> I THOUGHT THAT WAS ME.

1964
01:05:17,580 --> 01:05:20,750
>> I WANT THIS TO BE SO GOOD

1965
01:05:20,750 --> 01:05:22,886
THEY DON'T EVEN BOTHER COMING

1966
01:05:22,886 --> 01:05:23,219
OUT.

1967
01:05:23,219 --> 01:05:24,354
>> I'M NERVOUS TO DO THE JIVE

1968
01:05:24,354 --> 01:05:25,922
FOR THE FIRST TIME, BECAUSE YOU

1969
01:05:25,922 --> 01:05:27,524
HAVE TO BE QUICK ON YOUR FEET.

1970
01:05:27,524 --> 01:05:28,958
I'M HOPING MY ATHLETICISM WILL

1971
01:05:28,958 --> 01:05:30,927
HELP ME WIN OUT OVER ALYSON.

1972
01:05:30,927 --> 01:05:33,496
>> GOING UP AGAINST HARRY AND

1973
01:05:33,496 --> 01:05:34,964
RYLEE IS GOING TO BE

1974
01:05:34,964 --> 01:05:35,865
INTIMIDATING BECAUSE THEY'RE SO

1975
01:05:35,865 --> 01:05:37,967
FUN TO WATCH, AND HIS TEAM BEAT

1976
01:05:37,967 --> 01:05:39,469
MY TEAM IN THE TEAM DANCE.

1977
01:05:39,469 --> 01:05:41,171
>> THE WINNER OF THIS WILL

1978
01:05:41,171 --> 01:05:43,540
PROBABLY MAKE IT THROUGH TO THE

1979
01:05:43,540 --> 01:05:43,873
SEMIS.

1980
01:05:43,873 --> 01:05:46,242
I REALLY NEED ALL THE EXTRA

1981
01:05:46,242 --> 01:05:47,977
POINTS I CAN GET, BECAUSE WE'VE

1982
01:05:47,977 --> 01:05:49,212
BEEN JUST SCRAPING BY.

1983
01:05:49,212 --> 01:05:50,880
>> TO BEAT HARRY, I'M GOING TO

1984
01:05:50,880 --> 01:05:52,982
HAVE TO DO SOME REALLY

1985
01:05:52,982 --> 01:05:53,883
COMPLICATED TECHNICAL

1986
01:05:53,883 --> 01:05:56,719
CHOREOGRAPHY TO MAKE SURE WE WOW

1987
01:05:56,719 --> 01:05:57,120
THE JUDGES.

1988
01:05:57,120 --> 01:05:58,454
>> OH MY GOSH, IT'S SO QUICK.

1989
01:05:58,454 --> 01:05:59,389
>> HARRY!

1990
01:05:59,389 --> 01:06:01,157
>> ALYSON, I LET YOU HAVE THE

1991
01:06:01,157 --> 01:06:03,359
WIN LAST WEEK, BUT THIS WEEK THE

1992
01:06:03,359 --> 01:06:04,661
POINTS ARE MINE.

1993
01:06:04,661 --> 01:06:05,695
>> JIVE IS YOUR DANCE.

1994
01:06:05,695 --> 01:06:06,496
>> I HOPE SO.

1995
01:06:06,496 --> 01:06:08,898
>> HARRY, I LOVE YOU SO MUCH,

1996
01:06:08,898 --> 01:06:09,532
BUT I WANT THESE POINTS.

1997
01:06:09,532 --> 01:06:13,570
>> BEAUTIFUL.

1998
01:06:13,570 --> 01:06:14,637
>> Announcer: DANCING THE JIVE

1999
01:06:14,637 --> 01:06:15,338
RELAY, IT'S HARRY JOWSEY AND

2000
01:06:15,338 --> 01:06:15,872
RYLEE ARNOLD VERSUS

2001
01:06:15,872 --> 01:06:18,308
ALYSON HANNIGAN AND

2002
01:06:18,308 --> 01:06:18,775
SASHA FARBER.

2003
01:06:25,215 --> 01:06:25,715
♪♪

2004
01:06:25,715 --> 01:06:26,783
♪ I STAY OUT TOO LATE

2005
01:06:26,783 --> 01:06:31,054
GOT NOTHING IN MY BRAIN

2006
01:06:31,054 --> 01:06:32,088
THAT'S WHAT PEOPLE SAY ♪

2007
01:06:32,088 --> 01:06:32,622
♪ MMM-MMM

2008
01:06:32,622 --> 01:06:34,224
THAT'S WHAT PEOPLE SAY

2009
01:06:34,224 --> 01:06:36,860
MMM-MMM ♪

2010
01:06:36,860 --> 01:06:37,927
♪ BUT I KEEP CRUISING

2011
01:06:37,927 --> 01:06:38,962
CAN'T STOP

2012
01:06:38,962 --> 01:06:41,097
WON'T STOP MOVING ♪

2013
01:06:41,097 --> 01:06:43,733
♪ IT'S LIKE I GOT THIS MUSIC

2014
01:06:43,733 --> 01:06:45,401
IN MY MIND SAYING

2015
01:06:45,401 --> 01:06:48,471
IT'S GONNA BE ALL RIGHT ♪

2016
01:06:48,471 --> 01:06:50,573
♪ 'CAUSE THE PLAYERS GONNA

2017
01:06:50,573 --> 01:06:53,276
PLAY PLAY PLAY PLAY PLAY

2018
01:06:53,276 --> 01:06:54,277
AND THE HATERS GONNA ♪

2019
01:06:54,277 --> 01:06:56,913
♪ HATE HATE HATE HATE HATE

2020
01:06:56,913 --> 01:06:57,547
BABY I'M JUST GONNA SHAKE

2021
01:06:57,547 --> 01:06:58,514
SHAKE SHAKE SHAKE SHAKE ♪

2022
01:06:58,514 --> 01:06:59,449
♪ I SHAKE IT OFF

2023
01:06:59,449 --> 01:07:01,184
I SHAKE IT OFF ♪

2024
01:07:01,184 --> 01:07:01,918
♪ HEART-BREAKERS GONNA BREAK

2025
01:07:01,918 --> 01:07:03,319
BREAK BREAK BREAK BREAK

2026
01:07:03,319 --> 01:07:05,421
AND THE FAKERS GONNA FAKE ♪

2027
01:07:05,421 --> 01:07:07,023
♪ FAKE FAKE FAKE FAKE

2028
01:07:07,023 --> 01:07:07,657
BABY I'M JUST GONNA SHAKE

2029
01:07:07,657 --> 01:07:09,659
SHAKE, SHAKE, SHAKE, SHAKE ♪

2030
01:07:09,659 --> 01:07:10,727
♪ I SHAKE IT OFF

2031
01:07:10,727 --> 01:07:12,829
I SHAKE IT OFF ♪

2032
01:07:12,829 --> 01:07:14,430
♪ MY EX-MAN BROUGHT

2033
01:07:14,430 --> 01:07:15,498
HIS NEW GIRLFRIEND

2034
01:07:15,498 --> 01:07:17,567
SHE'S LIKE OH, MY GOD ♪

2035
01:07:17,567 --> 01:07:18,601
♪ BUT I'M JUST GONNA SHAKE

2036
01:07:18,601 --> 01:07:20,203
AND TO THE FELLA OVER THERE

2037
01:07:20,203 --> 01:07:21,237
WITH THE HELLA GOOD HAIR ♪

2038
01:07:21,237 --> 01:07:22,338
♪ WON'T YOU

2039
01:07:22,338 --> 01:07:22,839
COME ON OVER BABY

2040
01:07:22,839 --> 01:07:26,542
WE CAN SHAKE SHAKE SHAKE ♪

2041
01:07:26,542 --> 01:07:28,144
♪ YEAH OHHH

2042
01:07:28,144 --> 01:07:32,348
'CAUSE THE PLAYERS GONNA

2043
01:07:32,348 --> 01:07:36,085
PLAY PLAY PLAY PLAY PLAY ♪

2044
01:07:36,085 --> 01:07:37,120
♪ AND THE HATERS GONNA HATE

2045
01:07:37,120 --> 01:07:37,654
HATE HATE HATE HATE

2046
01:07:37,654 --> 01:07:38,721
I'M JUST GONNA SHAKE ♪

2047
01:07:38,721 --> 01:07:39,789
♪ SHAKE SHAKE SHAKE SHAKE

2048
01:07:39,789 --> 01:07:41,324
I SHAKE IT OFF

2049
01:07:41,324 --> 01:07:43,493
I SHAKE IT OFF ♪

2050
01:07:43,493 --> 01:07:44,027
♪ I SHAKE IT OFF

2051
01:07:44,027 --> 01:07:44,560
I SHAKE IT OFF ♪

2052
01:07:44,560 --> 01:07:48,765
♪♪

2053
01:07:48,765 --> 01:07:49,499
>> Alfonso: HARRY AND RYLEE AND

2054
01:07:49,499 --> 01:07:52,969
ALYSON AND SASHA WITH A RELAY

2055
01:07:52,969 --> 01:07:53,703
JIVE TO "SHAKE IT OFF (TAYLOR'S

2056
01:07:53,703 --> 01:07:58,141
VERSION.)"

2057
01:07:58,141 --> 01:07:58,541
YES.

2058
01:07:58,541 --> 01:08:00,209
OH, I LOVE THE FRIENDSHIPS THAT

2059
01:08:00,209 --> 01:08:01,844
ARE MADE HERE.

2060
01:08:01,844 --> 01:08:03,079
THEY'RE ON THEIR FEET FOR BOTH

2061
01:08:03,079 --> 01:08:04,347
OF YOU GUYS.

2062
01:08:04,347 --> 01:08:06,649
SO BEAUTIFUL.

2063
01:08:06,649 --> 01:08:06,983
BRUNO.

2064
01:08:06,983 --> 01:08:09,652
>> I'M STILL SHAKING!

2065
01:08:09,652 --> 01:08:13,656
ALYSON, HOW MUCH SUGAR DID YOU

2066
01:08:13,656 --> 01:08:15,992
HAVE TONIGHT?

2067
01:08:15,992 --> 01:08:18,695
HARRY, WHAT WAS THAT STEP, LIKE

2068
01:08:18,695 --> 01:08:20,096
I'M NOT QUITE SURE.

2069
01:08:20,096 --> 01:08:21,898
BUT I HAVE TO SAY TONIGHT YOU

2070
01:08:21,898 --> 01:08:23,232
WERE ON TIME ALL THE WAY

2071
01:08:23,232 --> 01:08:23,566
THROUGH.

2072
01:08:23,566 --> 01:08:27,904
AND YOU, YOU DID THE MOST

2073
01:08:27,904 --> 01:08:29,973
CORRECT SEQUENCE OF KICKS AND

2074
01:08:29,973 --> 01:08:30,974
FLICKS THERE THAT I DON'T KNOW

2075
01:08:30,974 --> 01:08:33,810
WHERE IT CAME FROM, BUT ACTUALLY

2076
01:08:33,810 --> 01:08:36,245
COMPETITION SUITS YOU.

2077
01:08:36,245 --> 01:08:38,314
>> Alfonso: CARRIE ANN.

2078
01:08:38,314 --> 01:08:40,817
>> FIRST OF ALL, BOTH OF YOU,

2079
01:08:40,817 --> 01:08:43,586
IT'S SUCH A JOY TO SEE YOU COME

2080
01:08:43,586 --> 01:08:43,920
SO FAR.

2081
01:08:43,920 --> 01:08:45,989
ALYSON, YOU ARE FEARLESS.

2082
01:08:45,989 --> 01:08:47,857
BUT HARRY, I WILL SAY I WAS

2083
01:08:47,857 --> 01:08:51,728
REALLY IMPRESSED WITH THE SIDE

2084
01:08:51,728 --> 01:08:54,497
BY SIDE.

2085
01:08:54,497 --> 01:08:56,232
ALYSON, THERE'S GOOD AND GOOD

2086
01:08:56,232 --> 01:08:57,834
AND GOOD AND GOOD AND MAYBE SOME

2087
01:08:57,834 --> 01:09:00,870
NOT SO GOOD, BUT STILL GOOD AND

2088
01:09:00,870 --> 01:09:01,571
GOOD AND GOOD.

2089
01:09:01,571 --> 01:09:02,105
>> Alfonso: DEREK.

2090
01:09:02,105 --> 01:09:03,606
>> I WAS SO IMPRESSED WITH THE

2091
01:09:03,606 --> 01:09:05,108
KICKS AND FLICKS.

2092
01:09:05,108 --> 01:09:07,210
ALSO HARRY THE THROW AWAY, THE

2093
01:09:07,210 --> 01:09:10,480
ARM IN THERE, THE WEAK ONE

2094
01:09:10,480 --> 01:09:11,981
LITTLE MOVE IN THERE, YOU KNOW,

2095
01:09:11,981 --> 01:09:12,915
ALL THAT.

2096
01:09:12,915 --> 01:09:14,250
ALYSON, AGAIN, YOU WERE SHAKING

2097
01:09:14,250 --> 01:09:15,718
IT FOR YOUR LIFE, BABY.

2098
01:09:15,718 --> 01:09:16,753
I LOVED IT.

2099
01:09:16,753 --> 01:09:18,187
I ACTUALLY LOVED IT.

2100
01:09:18,187 --> 01:09:19,222
SO MUCH FUN.

2101
01:09:19,222 --> 01:09:20,923
I LOVE THIS COMPETITIVE

2102
01:09:20,923 --> 01:09:21,324
ATMOSPHERE.

2103
01:09:21,324 --> 01:09:25,895
IT BRINGS OUT THE BEST IN YOU

2104
01:09:25,895 --> 01:09:26,229
GUYS.

2105
01:09:26,229 --> 01:09:26,629
WELL DONE.

2106
01:09:26,629 --> 01:09:27,630
>> Alfonso: BEAUTIFUL.

2107
01:09:27,630 --> 01:09:27,964
MANDY.

2108
01:09:27,964 --> 01:09:30,767
>> GUYS, I HAVE CHOREOGRAPHED TO

2109
01:09:30,767 --> 01:09:32,101
THIS SONG AND I UNDERSTAND HOW

2110
01:09:32,101 --> 01:09:32,802
FAST IT IS.

2111
01:09:32,802 --> 01:09:35,405
I FELT FOR YOU BECAUSE I COULD

2112
01:09:35,405 --> 01:09:37,640
FEEL YOU IN THE BACK GOING IT'S

2113
01:09:37,640 --> 01:09:38,408
REALLY FAST.

2114
01:09:38,408 --> 01:09:40,176
YOU GUYS DID SUCH A GOOD JOB.

2115
01:09:40,176 --> 01:09:42,445
I LOVED WHEN YOU TOOK THE FLOOR

2116
01:09:42,445 --> 01:09:43,780
ALYSON, BECAUSE IT'S ALSO ABOUT

2117
01:09:43,780 --> 01:09:46,115
WHERE YOU PUT OUR EYE.

2118
01:09:46,115 --> 01:09:50,553
YOU TOOK THAT FLOOR.

2119
01:09:50,553 --> 01:09:51,287
>> Alfonso: HEAD UP TO JULIANNE

2120
01:09:51,287 --> 01:09:52,622
IN THE SKYBOX.

2121
01:09:52,622 --> 01:09:53,690
THE BONUS POINTS FROM THIS ROUND

2122
01:09:53,690 --> 01:09:55,291
COULD MEAN THE DIFFERENCE

2123
01:09:55,291 --> 01:09:56,859
BETWEEN GOING INTO NEXT WEEK'S

2124
01:09:56,859 --> 01:09:57,894
SEMI-FINALS AND GOING HOME IN

2125
01:09:57,894 --> 01:09:58,961
TONIGHT'S ELIMINATION.

2126
01:09:58,961 --> 01:10:00,563
OF COURSE, YOUR VOTES STILL

2127
01:10:00,563 --> 01:10:01,297
COUNT FOR HALF OF EACH COUPLES'

2128
01:10:01,297 --> 01:10:02,131
FINAL TOTAL.

2129
01:10:02,131 --> 01:10:08,004
JULIANNE.

2130
01:10:08,004 --> 01:10:10,706
>> Julianne: THANK YOU SO MUCH,

2131
01:10:10,706 --> 01:10:11,040
ALFONSO.

2132
01:10:11,040 --> 01:10:11,507
ALL RIGHT.

2133
01:10:11,507 --> 01:10:13,943
BEAUTIFUL SUNSHINE, BEAUTIFUL

2134
01:10:13,943 --> 01:10:14,844
BLUE SKY.

2135
01:10:14,844 --> 01:10:16,345
I LOVE IT.

2136
01:10:16,345 --> 01:10:17,580
SO YOU ARE GOING HEAD TO HEAD

2137
01:10:17,580 --> 01:10:18,448
AGAIN THIS WEEK.

2138
01:10:18,448 --> 01:10:21,084
HOW DID THAT FEEL?

2139
01:10:21,084 --> 01:10:23,019
ALSO, YOU LOST TO ALYSON LAST

2140
01:10:23,019 --> 01:10:23,352
WEEK.

2141
01:10:23,352 --> 01:10:25,455
WHAT DID YOU DO TO UP YOUR GAME

2142
01:10:25,455 --> 01:10:26,355
THIS WEEK?

2143
01:10:26,355 --> 01:10:28,124
>> IT'S TOUGH BECAUSE I'VE GOT

2144
01:10:28,124 --> 01:10:29,892
SO MUCH LOVE FOR HER.

2145
01:10:29,892 --> 01:10:31,194
THEY'RE THE BEST PEOPLE.

2146
01:10:31,194 --> 01:10:32,662
SO IT SUCKS.

2147
01:10:32,662 --> 01:10:34,464
BUT I WANT THEM TO KEEP GOING.

2148
01:10:34,464 --> 01:10:36,132
>> Julianne: EVERYBODY'S SO

2149
01:10:36,132 --> 01:10:36,466
NICE.

2150
01:10:36,466 --> 01:10:38,234
YOU GUYS KNOW THIS IS A

2151
01:10:38,234 --> 01:10:38,835
COMPETITION, RIGHT?

2152
01:10:38,835 --> 01:10:41,003
>> WE'RE FAMILY, THOUGH.

2153
01:10:41,003 --> 01:10:42,038
>> Julianne: IT IS FAMILY, BUT

2154
01:10:42,038 --> 01:10:47,777
YOU STILL WANT TO WIN.

2155
01:10:47,777 --> 01:10:49,879
>> YEAH.

2156
01:10:49,879 --> 01:10:51,514
>> Julianne: BUT, ALYSON, YOU

2157
01:10:51,514 --> 01:10:52,515
HAVE SAID AGAIN THIS WAS THE

2158
01:10:52,515 --> 01:10:54,183
WEEK THAT YOU REALLY WANTED TO

2159
01:10:54,183 --> 01:10:55,318
MAKE IT TO.

2160
01:10:55,318 --> 01:10:56,486
HOW BAD DO YOU WANT TO MAKE IT

2161
01:10:56,486 --> 01:10:57,720
TO THE SEMIFINALS?

2162
01:10:57,720 --> 01:11:01,858
>> OH, I MEAN, YES, IT WOULD BE

2163
01:11:01,858 --> 01:11:03,826
EVERYTHING.

2164
01:11:03,826 --> 01:11:06,329
I LOVE THIS PROCESS SO MUCH.

2165
01:11:06,329 --> 01:11:07,930
I'M SO GRATEFUL.

2166
01:11:07,930 --> 01:11:10,733
I LOVE THAT I'M IMPROVING AND I

2167
01:11:10,733 --> 01:11:11,801
FEEL IT.

2168
01:11:11,801 --> 01:11:13,770
>> Julianne: AND RYLEE, THIS IS

2169
01:11:13,770 --> 01:11:15,071
YOUR FIRST SEASON, AND YOU ARE

2170
01:11:15,071 --> 01:11:16,105
AT THE QUARTERFINALS.

2171
01:11:16,105 --> 01:11:17,440
WHAT WOULD IT MEAN TO YOU TO

2172
01:11:17,440 --> 01:11:18,941
MAKE IT TO THE SEMIFINALS?

2173
01:11:18,941 --> 01:11:21,177
>> SERIOUSLY, MAKING IT THIS FAR

2174
01:11:21,177 --> 01:11:22,578
LITERALLY MAKES ME CRY LIKE

2175
01:11:22,578 --> 01:11:23,813
EVERY DAY.

2176
01:11:23,813 --> 01:11:25,515
I JUST CAN'T BELIEVE I'M HERE.

2177
01:11:25,515 --> 01:11:26,749
THIS IS LITERALLY MY DREAM, AND

2178
01:11:26,749 --> 01:11:30,186
I'M JUST SO GRATEFUL.

2179
01:11:30,186 --> 01:11:31,087
>> Julianne: BEAUTIFUL.

2180
01:11:31,087 --> 01:11:31,721
ALL RIGHT.

2181
01:11:31,721 --> 01:11:33,890
BRUNO, WE'RE COMING OVER TO YOU.

2182
01:11:33,890 --> 01:11:35,758
WHICH COUPLE GETS THE JUDGES'

2183
01:11:35,758 --> 01:11:36,659
BONUS POINTS?

2184
01:11:36,659 --> 01:11:39,562
>> WELL, WELL DONE, BOTH OF YOU.

2185
01:11:39,562 --> 01:11:43,132
WE ARE GOING FOR ALYSON AND

2186
01:11:43,132 --> 01:11:43,499
SASHA!

2187
01:11:43,499 --> 01:11:46,869
>> Julianne: ALYSON AND SASHA

2188
01:11:46,869 --> 01:11:47,570
WILL GET THREE BONUS POINTS

2189
01:11:47,570 --> 01:11:48,771
ADDED TO THEIR SCORES FOR THE

2190
01:11:48,771 --> 01:11:49,071
NIGHT.

2191
01:11:49,071 --> 01:11:50,773
HOW ARE YOU FEELING ABOUT THIS?

2192
01:11:50,773 --> 01:11:54,977
>> MY FIRST WEEK I GOT A 13,

2193
01:11:54,977 --> 01:11:56,212
WHICH WAS TAYLOR'S FAVORITE

2194
01:11:56,212 --> 01:11:57,346
NUMBER, SO THAT WAS THE ONLY

2195
01:11:57,346 --> 01:11:58,080
POSITIVE THING.

2196
01:11:58,080 --> 01:12:01,617
TO COME THIS FAR, I'M SO HAPPY

2197
01:12:01,617 --> 01:12:04,020
AND APPRECIATIVE AND GRATEFUL.

2198
01:12:04,020 --> 01:12:05,488
>> Julianne: AWESOME.

2199
01:12:05,488 --> 01:12:06,622
LUCKY NUMBER 13.

2200
01:12:06,622 --> 01:12:07,990
OF COURSE, EACH COUPLE WANTS

2201
01:12:07,990 --> 01:12:09,926
VOTES FROM YOU.

2202
01:12:09,926 --> 01:12:12,028
ALFONSO.

2203
01:12:12,028 --> 01:12:12,728
>> Alfonso: THANKS, JULIANNE.

2204
01:12:12,728 --> 01:12:14,397
THERE'S ONE MORE "RELAY DANCE"

2205
01:12:14,397 --> 01:12:15,698
TO GO BEFORE TONIGHT'S

2206
01:12:15,698 --> 01:12:16,098
ELIMINATION.

2207
01:12:16,098 --> 01:12:18,534
JASON AND DANIELLA AND CHARITY

2208
01:12:18,534 --> 01:12:20,102
AND ARTEM VIE FOR THE BONUS

2209
01:12:20,102 --> 01:12:20,770
POINTS, AND WE'LL SEE THEM

2210
01:12:20,770 --> 01:12:23,039
BEFORE MIDNIGHT, WHEN WE COME

2211
01:12:23,039 --> 01:12:24,106
BACK, LIVE.

2212
01:12:35,351 --> 01:12:36,085
>> Alfonso: WELCOME BACK TO "A

2213
01:12:36,085 --> 01:12:37,954
CELEBRATION OF TAYLOR SWIFT."

2214
01:12:37,954 --> 01:12:40,089
LAST UP IN THE "RELAY DANCE

2215
01:12:40,089 --> 01:12:41,157
ROUND," JASON AND DANIELLA AND

2216
01:12:41,157 --> 01:12:41,858
CHARITY AND ARTEM WILL BATTLE

2217
01:12:41,858 --> 01:12:47,630
FOR ALL THE POINTS.

2218
01:12:47,630 --> 01:12:48,297
>> Julianne: HERE'S WHAT

2219
01:12:48,297 --> 01:12:49,899
HAPPENED WHEN THEY FOUND OUT

2220
01:12:49,899 --> 01:12:50,633
WHICH DANCE STYLE AND SONG THEY

2221
01:12:50,633 --> 01:12:53,836
THOSE.

2222
01:12:53,836 --> 01:12:55,504
>> NICE TO NOT PRESS THE BUTTON

2223
01:12:55,504 --> 01:12:58,975
AND HAVE A MOMENT OF PEACE.

2224
01:12:58,975 --> 01:12:59,375
ALL RIGHT.

2225
01:12:59,375 --> 01:13:01,544
>> FOR THE RELAY DANCE YOU'RE

2226
01:13:01,544 --> 01:13:04,447
GOING TO BE DANCING A CHA CHA TO

2227
01:13:04,447 --> 01:13:05,514
"LAVENDER HAZE."

2228
01:13:05,514 --> 01:13:07,016
YOU BOTH DANCED THE CHA CHA

2229
01:13:07,016 --> 01:13:08,551
BEFORE, SO I CAN'T WAIT TO SEE

2230
01:13:08,551 --> 01:13:08,851
IT.

2231
01:13:08,851 --> 01:13:12,321
THE CHA CHA HAS A VERY DISTINCT

2232
01:13:12,321 --> 01:13:13,689
CUBAN HIP ACTION WITH BEAUTIFUL

2233
01:13:13,689 --> 01:13:15,558
AND SHARP LEGS AND, OF COURSE, A

2234
01:13:15,558 --> 01:13:16,359
LOT OF FUN.

2235
01:13:16,359 --> 01:13:18,027
>> I'M INTO THE CUBAN HIPS.

2236
01:13:18,027 --> 01:13:18,961
>> I'M INTO THE FUN.

2237
01:13:18,961 --> 01:13:20,630
>> JASON, YOU'RE GOING FIRST.

2238
01:13:20,630 --> 01:13:24,100
>> I'D MUCH RATHER GO FIRST.

2239
01:13:24,100 --> 01:13:24,567
>> GET IT DONE.

2240
01:13:24,567 --> 01:13:26,602
>> CHARITY, YOU'RE GOING SECOND.

2241
01:13:26,602 --> 01:13:28,904
>> GOING SECOND IS GOOD.

2242
01:13:28,904 --> 01:13:30,106
YOU CAN FINISH THE SONG.

2243
01:13:30,106 --> 01:13:32,275
>> THE WINNER OF THE RELAY GETS

2244
01:13:32,275 --> 01:13:33,910
AN EXTRA THREE POINTS.

2245
01:13:33,910 --> 01:13:36,812
>> LAST WEEK, SEEING MY NAME SO

2246
01:13:36,812 --> 01:13:38,648
CLOSE TO THE BOTTOM OF THE

2247
01:13:38,648 --> 01:13:39,682
LEADERBOARD, THESE THREE POINTS

2248
01:13:39,682 --> 01:13:40,316
MEAN A LOT.

2249
01:13:40,316 --> 01:13:42,785
>> YOU DID THE CHA CHA WEEK ONE.

2250
01:13:42,785 --> 01:13:44,587
THIS TIME AROUND YOU HAVE SO

2251
01:13:44,587 --> 01:13:45,187
MUCH MORE KNOWLEDGE.

2252
01:13:45,187 --> 01:13:47,990
>> WE NEED TO MAKE YOU MOVE

2253
01:13:47,990 --> 01:13:49,492
MORE, MORE CONTENT.

2254
01:13:49,492 --> 01:13:51,694
READY TO CHA CHA, CHARITY?

2255
01:13:51,694 --> 01:13:52,762
>> I'M READY.

2256
01:13:52,762 --> 01:13:53,796
>> THE ONE THING YOU WANT TO

2257
01:13:53,796 --> 01:13:55,197
TAKE FROM THE PREVIOUS WEEK IS

2258
01:13:55,197 --> 01:13:56,966
TAKE THE ATTACK OF THE STEP.

2259
01:13:56,966 --> 01:13:58,934
>> JASON CAN BE SPONTANEOUS, BUT

2260
01:13:58,934 --> 01:14:00,936
I'M NOT TAKING ANY RISK.

2261
01:14:00,936 --> 01:14:01,904
>> FOUR, FIVE.

2262
01:14:01,904 --> 01:14:04,173
>> TO WIN AGAINST JASON'S LOOSER

2263
01:14:04,173 --> 01:14:05,608
MOVES, I'M GOING TO ATTACK WITH

2264
01:14:05,608 --> 01:14:07,944
POWER IN EVERY SINGLE STEP.

2265
01:14:07,944 --> 01:14:09,045
>> OKAY.

2266
01:14:09,045 --> 01:14:11,414
JUST BEAR WITH ME, PLEASE.

2267
01:14:11,414 --> 01:14:11,747
STEP.

2268
01:14:11,747 --> 01:14:13,816
>> UNLIKE ME, I DON'T THINK

2269
01:14:13,816 --> 01:14:17,486
CHARITY HAS EVER MISSED A STEP.

2270
01:14:17,486 --> 01:14:19,255
SO I'M GOING TO MAKE SURE THIS

2271
01:14:19,255 --> 01:14:22,091
ROUTINE IS PERFECT.

2272
01:14:22,091 --> 01:14:24,794
>> ONE MORE TIME.

2273
01:14:24,794 --> 01:14:26,696
>> BECAUSE I WON THE DANCE-OFF

2274
01:14:26,696 --> 01:14:28,631
LAST WEEK WITH THE CHA CHA, THE

2275
01:14:28,631 --> 01:14:29,865
JUDGES ARE GOING TO HAVE REALLY

2276
01:14:29,865 --> 01:14:31,267
HIGH EXPECTATIONS FOR ME.

2277
01:14:31,267 --> 01:14:34,537
>> YOU DON'T GO ON SIX.

2278
01:14:34,537 --> 01:14:35,037
THAT'S THE POINT.

2279
01:14:35,037 --> 01:14:37,006
>> I CAN'T AFFORD ANY MISTAKES.

2280
01:14:37,006 --> 01:14:39,008
ONE MISSTEP, AND I COULD BE

2281
01:14:39,008 --> 01:14:39,342
GOING.

2282
01:14:39,342 --> 01:14:40,443
>> ONE AND TWO.

2283
01:14:40,443 --> 01:14:40,810
EXACTLY.

2284
01:14:40,810 --> 01:14:41,844
>> I'M THE UNDERDOG.

2285
01:14:41,844 --> 01:14:43,312
I HAVEN'T DANCED THE CHA CHA

2286
01:14:43,312 --> 01:14:45,081
SINCE WEEK ONE, BUT THAT'S GOING

2287
01:14:45,081 --> 01:14:48,317
TO MAKE MY VICTORY SO MUCH

2288
01:14:48,317 --> 01:14:48,684
SWEETER.

2289
01:14:48,684 --> 01:14:50,453
>> SIX AND SEVEN, EIGHT.

2290
01:14:50,453 --> 01:14:51,187
THAT'S IT.

2291
01:14:51,187 --> 01:14:52,221
>> Announcer: DANCING THE

2292
01:14:52,221 --> 01:14:53,289
CHA-CHA RELAY, IT'S JASON MRAZ

2293
01:14:53,289 --> 01:14:53,990
AND DANIELLA KARAGACH VERSUS

2294
01:14:53,990 --> 01:14:54,523
CHARITY LAWSON AND

2295
01:14:54,523 --> 01:14:57,460
ARTEM CHIGVINTSEV.

2296
01:15:00,162 --> 01:15:00,730
♪♪

2297
01:15:00,730 --> 01:15:01,397
♪ STARING AT THE CEILING

2298
01:15:01,397 --> 01:15:02,298
WITH YOU ♪

2299
01:15:02,298 --> 01:15:02,865
♪ OH YOU DON'T EVER

2300
01:15:02,865 --> 01:15:07,570
SAY TOO MUCH ♪

2301
01:15:07,570 --> 01:15:10,206
♪ I'VE BEEN UNDER SCRUTINY

2302
01:15:10,206 --> 01:15:11,807
YOU HANDLE IT BEAUTIFULLY ♪

2303
01:15:11,807 --> 01:15:17,613
♪ ALL THIS IS NEW TO ME

2304
01:15:17,613 --> 01:15:18,214
I FEEL THE LAVENDER HAZE

2305
01:15:18,214 --> 01:15:19,181
CREEPING UP ON ME ♪

2306
01:15:19,181 --> 01:15:21,851
♪ SURREAL

2307
01:15:21,851 --> 01:15:22,518
I'M DAMNED IF I DO GIVE A

2308
01:15:22,518 --> 01:15:24,520
DAMN WHAT PEOPLE SAY ♪

2309
01:15:24,520 --> 01:15:26,122
♪ NO DEAL

2310
01:15:26,122 --> 01:15:28,724
THE 1950s THEY WANT FROM ME

2311
01:15:28,724 --> 01:15:31,394
I JUST WANNA STAY ♪

2312
01:15:31,394 --> 01:15:41,404
♪ IN THAT LAVENDER HAZE

2313
01:15:41,404 --> 01:15:48,811
I FEEL THE LAVENDER HAZE

2314
01:15:48,811 --> 01:15:49,378
CREEPING UP ON ME ♪

2315
01:15:49,378 --> 01:15:50,413
♪ I JUST WANNA STAY

2316
01:15:50,413 --> 01:15:50,980
IN THAT LAVENDER HAZE

2317
01:15:50,980 --> 01:15:52,014
THE LAVENDER HAZE ♪

2318
01:15:52,014 --> 01:15:52,548
♪ TALK YOUR TALK

2319
01:15:52,548 --> 01:15:53,048
AND GO VIRAL ♪

2320
01:15:53,048 --> 01:15:53,616
♪ I JUST NEED THIS

2321
01:15:53,616 --> 01:15:54,083
LOVE SPIRAL ♪

2322
01:15:54,083 --> 01:15:54,717
♪ GET IT OFF YOUR CHEST

2323
01:15:54,717 --> 01:15:57,853
GET IT OFF MY DESK ♪

2324
01:15:57,853 --> 01:15:58,554
♪ I FEEL THE LAVENDER HAZE

2325
01:15:58,554 --> 01:15:59,054
CREEPING UP ON ME

2326
01:15:59,054 --> 01:16:02,091
SURREAL ♪

2327
01:16:02,091 --> 01:16:02,792
♪ I'M DAMNED IF I DO GIVE A

2328
01:16:02,792 --> 01:16:04,727
DAMN WHAT PEOPLE SAY ♪

2329
01:16:04,727 --> 01:16:06,829
♪ NO DEAL

2330
01:16:06,829 --> 01:16:08,964
THE 1950s THEY WANT FROM ME

2331
01:16:08,964 --> 01:16:10,566
I JUST WANNA STAY ♪

2332
01:16:10,566 --> 01:16:14,203
♪ IN THAT LAVENDER HAZE

2333
01:16:14,203 --> 01:16:15,805
THE LAVENDER HAZE

2334
01:16:15,805 --> 01:16:18,474
I JUST WANNA STAY ♪

2335
01:16:18,474 --> 01:16:19,508
♪ I JUST WANNA STAY

2336
01:16:19,508 --> 01:16:21,110
IN THAT LAVENDER HAZE ♪

2337
01:16:21,110 --> 01:16:23,312
♪♪

2338
01:16:23,312 --> 01:16:27,349
[ CHEERS AND APPLAUSE ]

2339
01:16:27,349 --> 01:16:29,351
>> Julianne: JASON AND DANIELLA

2340
01:16:29,351 --> 01:16:31,654
AND CHARITY AND ARTEM WITH A

2341
01:16:31,654 --> 01:16:35,458
CHA-CHA RELAY TO "LAVENDER

2342
01:16:35,458 --> 01:16:35,791
HAZE."

2343
01:16:35,791 --> 01:16:36,792
YET ANOTHER TIGHT ONE.

2344
01:16:36,792 --> 01:16:38,828
AND THEY'RE ON THEIR FEET AGAIN.

2345
01:16:38,828 --> 01:16:41,130
THIS BALLROOM IS ON FIRE

2346
01:16:41,130 --> 01:16:41,630
TONIGHT.

2347
01:16:41,630 --> 01:16:43,199
WELL, THAT IS THE LAST DANCE OF

2348
01:16:43,199 --> 01:16:44,033
THE NIGHT.

2349
01:16:44,033 --> 01:16:45,468
VOTING WILL BE CLOSING SOON.

2350
01:16:45,468 --> 01:16:45,868
OKAY.

2351
01:16:45,868 --> 01:16:47,336
DEREK, YOU'RE UP FIRST.

2352
01:16:47,336 --> 01:16:50,372
>> WOW.

2353
01:16:50,372 --> 01:16:53,075
AGAIN, THAT IS A REALLY CLOSE

2354
01:16:53,075 --> 01:16:54,176
RELAY DANCE.

2355
01:16:54,176 --> 01:16:56,212
CHARITY, SO CLEAN, SO PRECISE.

2356
01:16:56,212 --> 01:16:57,646
THOSE FRENCH PANTS ARE WORKING.

2357
01:16:57,646 --> 01:16:59,148
SO GOOD.

2358
01:16:59,148 --> 01:17:04,019
JASON, MY MAN, THOSE CHA-CHA

2359
01:17:04,019 --> 01:17:05,955
LOCKS, THE WALKS, ALL THE

2360
01:17:05,955 --> 01:17:07,590
TECHNIQUE IN THAT, WE JUST DON'T

2361
01:17:07,590 --> 01:17:08,224
SEE THAT.

2362
01:17:08,224 --> 01:17:12,428
THAT WAS INSANELY IMPRESSIVE.

2363
01:17:12,428 --> 01:17:14,130
THE WAY YOU USE YOUR BACK, THE

2364
01:17:14,130 --> 01:17:18,334
WAY YOU USE YOUR HIPS, I SEE IT

2365
01:17:18,334 --> 01:17:18,667
ALL.

2366
01:17:18,667 --> 01:17:21,237
THE TWO OF YOU, SENSATIONAL.

2367
01:17:21,237 --> 01:17:22,938
WELL DONE.

2368
01:17:22,938 --> 01:17:23,472
>> Alfonso: MANDY.

2369
01:17:23,472 --> 01:17:27,543
>> THIS ONE IS HARD.

2370
01:17:27,543 --> 01:17:28,978
CHARITY, AGAIN, CHECKED BOXES

2371
01:17:28,978 --> 01:17:29,512
FOR ME.

2372
01:17:29,512 --> 01:17:31,747
I REALLY FELT IT WAS CLEAN.

2373
01:17:31,747 --> 01:17:34,150
I THOUGHT IT WAS WELL EXECUTED.

2374
01:17:34,150 --> 01:17:35,551
CONTENT, TOTALLY THERE, LIKE YOU

2375
01:17:35,551 --> 01:17:36,819
SAID IN THE PACKAGE.

2376
01:17:36,819 --> 01:17:38,954
SOMETHING ABOUT YOU, JASON,

2377
01:17:38,954 --> 01:17:41,090
THOUGH, I'M GOING TO SAY TO YOU.

2378
01:17:41,090 --> 01:17:43,292
YOU HAD A LITTLE EXTRA SAUCE IN

2379
01:17:43,292 --> 01:17:43,626
THERE.

2380
01:17:43,626 --> 01:17:45,327
I'M LIKE WHO IS THIS GUY AND I

2381
01:17:45,327 --> 01:17:47,696
GOT A LITTLE BIT OF LIKE GOOSE

2382
01:17:47,696 --> 01:17:51,100
BUMPS.

2383
01:17:51,100 --> 01:17:51,433
NICE!

2384
01:17:51,433 --> 01:17:55,471
>> CHA-CHA, LOOK AT ME!

2385
01:17:55,471 --> 01:17:57,439
YOU WERE JUST KILLING EVERY

2386
01:17:57,439 --> 01:17:57,773
MOVE.

2387
01:17:57,773 --> 01:17:59,975
IN THOSE PANTS, IT WAS LIKE

2388
01:17:59,975 --> 01:18:01,143
DRIVING THROUGH THE MOST

2389
01:18:01,143 --> 01:18:05,981
GLAMOROUS CAR WASH IN THE WORLD.

2390
01:18:05,981 --> 01:18:08,584
JASON, LEG, BODY, TECHNIQUE.

2391
01:18:08,584 --> 01:18:10,119
WE WERE SAYING WHERE IS THAT

2392
01:18:10,119 --> 01:18:10,519
COMING FROM?

2393
01:18:10,519 --> 01:18:12,788
YOU WORKED SO HARD ON THE

2394
01:18:12,788 --> 01:18:14,890
TECHNIQUE, MY DARLING, AND IT

2395
01:18:14,890 --> 01:18:15,624
SHOWS, BECAUSE YOUR MOTION WAS

2396
01:18:15,624 --> 01:18:18,460
PERFECTION.

2397
01:18:18,460 --> 01:18:21,830
>> Alfonso: CARRIE ANN.

2398
01:18:21,830 --> 01:18:24,300
>> THEY'VE ALL BEEN VERY

2399
01:18:24,300 --> 01:18:25,134
COMPETITIVE, BUT THIS WAS THE

2400
01:18:25,134 --> 01:18:27,002
MOST COMPETITIVE RELAY OF ALL.

2401
01:18:27,002 --> 01:18:28,037
THAT WAS REALLY INTENSE.

2402
01:18:28,037 --> 01:18:30,472
YOU GUYS ARE BOTH AT THIS LEVEL.

2403
01:18:30,472 --> 01:18:32,074
IT'S REALLY BEAUTIFUL TO SEE.

2404
01:18:32,074 --> 01:18:33,909
I WILL SAY, CHARITY, YOU ARE SO

2405
01:18:33,909 --> 01:18:35,844
TIGHT AND SO CLEAN THAT IN THE

2406
01:18:35,844 --> 01:18:37,313
CHA-CHA THAT WORKS SO WELL.

2407
01:18:37,313 --> 01:18:41,550
IT WAS LIKE -- JASON, YOU

2408
01:18:41,550 --> 01:18:45,955
BROUGHT SOME SWAGGER BACK!

2409
01:18:45,955 --> 01:18:48,224
YOU ARE BRINGING SWAGGER BACK,

2410
01:18:48,224 --> 01:18:48,657
MY FRIEND.

2411
01:18:48,657 --> 01:18:50,292
>> Alfonso: HEAD UP TO JULIANNE

2412
01:18:50,292 --> 01:18:52,294
FOR YOUR SCORES.

2413
01:18:52,294 --> 01:18:54,129
ONLY ONE OF THOSE TWO COUPLES

2414
01:18:54,129 --> 01:18:56,599
WILL WIN THE BONUS POINTS FOR

2415
01:18:56,599 --> 01:18:56,999
THEIR RELAY.

2416
01:18:56,999 --> 01:18:58,534
YOUR VOTES ARE IMPORTANT AS EVER

2417
01:18:58,534 --> 01:19:00,202
TO SEND YOUR FAVORITES TO THE

2418
01:19:00,202 --> 01:19:01,170
SEMIFINALS.

2419
01:19:01,170 --> 01:19:03,005
JULIANNE, THEY'RE THERE.

2420
01:19:03,005 --> 01:19:04,607
>> Julianne: YES, THEY ARE.

2421
01:19:04,607 --> 01:19:06,308
THANKS, ALFONSO.

2422
01:19:06,308 --> 01:19:07,876
JASON AND CHA-CHA CHARITY.

2423
01:19:07,876 --> 01:19:10,145
I LOVE THAT, BRUNO, BY THE WAY.

2424
01:19:10,145 --> 01:19:11,714
SO GOOD.

2425
01:19:11,714 --> 01:19:13,415
JASON, YOU HAVEN'T DONE THE

2426
01:19:13,415 --> 01:19:14,817
CHA-CHA SINCE WEEK ONE.

2427
01:19:14,817 --> 01:19:17,386
WAS IT LIKE A BONUS FOR YOU, OR

2428
01:19:17,386 --> 01:19:18,787
WERE YOU FEELING LIKE YOU

2429
01:19:18,787 --> 01:19:19,622
ALREADY LOST EVERYTHING FROM

2430
01:19:19,622 --> 01:19:20,656
THAT MOMENT?

2431
01:19:20,656 --> 01:19:22,224
>> I DEFINITELY HAD TO REMEMBER

2432
01:19:22,224 --> 01:19:23,726
WHAT I DID, BUT IT WAS LIKE

2433
01:19:23,726 --> 01:19:25,094
CONNECTING WITH AN OLD FRIEND.

2434
01:19:25,094 --> 01:19:26,362
IT WAS REALLY FUN.

2435
01:19:26,362 --> 01:19:27,596
>> Julianne: I LOVE IT.

2436
01:19:27,596 --> 01:19:28,464
MUSCLE MEMORY.

2437
01:19:28,464 --> 01:19:31,500
IT'S THE DANCER WAY, I'M JUST

2438
01:19:31,500 --> 01:19:32,368
TELLING YOU.

2439
01:19:32,368 --> 01:19:33,569
CHARITY, SO WE TALKED ABOUT THIS

2440
01:19:33,569 --> 01:19:34,970
A COUPLE WEEKS AGO.

2441
01:19:34,970 --> 01:19:37,106
I SAID WHO IS YOUR BIGGEST

2442
01:19:37,106 --> 01:19:37,506
COMPETITION?

2443
01:19:37,506 --> 01:19:39,341
YOU SAID ME, MYSELF, MY HEAD.

2444
01:19:39,341 --> 01:19:41,243
BUT AFTER LAST WEEK, I SAW YOU

2445
01:19:41,243 --> 01:19:43,579
BE LIKE, OH, I GOT COMPETITION

2446
01:19:43,579 --> 01:19:45,047
ON THE DANCE FLOOR.

2447
01:19:45,047 --> 01:19:46,415
HAS YOUR APPROACH SHIFTED?

2448
01:19:46,415 --> 01:19:49,618
>> I MEAN, IT'S STILL THE SAME,

2449
01:19:49,618 --> 01:19:51,887
BUT I MEAN, OBVIOUSLY IT'S

2450
01:19:51,887 --> 01:19:52,254
SMALLER.

2451
01:19:52,254 --> 01:19:54,757
THERE'S LESS OF US, SO IT'S LIKE

2452
01:19:54,757 --> 01:19:55,224
EVERYONE.

2453
01:19:55,224 --> 01:19:57,693
I JUST REALLY HAVE HIGH

2454
01:19:57,693 --> 01:19:58,661
EXPECTATIONS FOR MYSELF AND

2455
01:19:58,661 --> 01:20:01,296
REALLY WANT TO WORK REALLY HARD

2456
01:20:01,296 --> 01:20:02,665
WEEK AFTER WEEK.

2457
01:20:02,665 --> 01:20:03,298
>> Julianne: ABSOLUTELY.

2458
01:20:03,298 --> 01:20:05,234
I HAVE TO TALK TO OUR PROS,

2459
01:20:05,234 --> 01:20:06,168
BECAUSE NOBODY REALLY

2460
01:20:06,168 --> 01:20:07,469
UNDERSTANDS HOW MUCH OF A JOB IT

2461
01:20:07,469 --> 01:20:09,104
IS TO BE A PRO ON THIS SHOW.

2462
01:20:09,104 --> 01:20:11,507
NOT ONLY ARE YOU TEACHING,

2463
01:20:11,507 --> 01:20:15,377
YOU'RE CHOREOGRAPHING.

2464
01:20:15,377 --> 01:20:16,512
THERE ARE SO MANY THINGS THAT

2465
01:20:16,512 --> 01:20:17,146
ARE HAPPENING.

2466
01:20:17,146 --> 01:20:20,716
AND YEAH, YOU GET DRAINED.

2467
01:20:20,716 --> 01:20:22,284
HOW ARE YOU BOTH FEELING AND

2468
01:20:22,284 --> 01:20:24,553
KEEPING UP AFTER THIS MANY

2469
01:20:24,553 --> 01:20:24,887
WEEKS?

2470
01:20:24,887 --> 01:20:26,488
>> I'M LOOKING FORWARD TO

2471
01:20:26,488 --> 01:20:28,724
ANOTHER WEEK, HOPEFULLY.

2472
01:20:28,724 --> 01:20:30,326
JUST SEEING EVERYTHING COME

2473
01:20:30,326 --> 01:20:31,860
TOGETHER ON THE DANCE FLOOR AND

2474
01:20:31,860 --> 01:20:34,229
SEEING YOU GUYS PERFORM AND

2475
01:20:34,229 --> 01:20:36,131
ENJOY, THAT'S WHAT REALLY THE

2476
01:20:36,131 --> 01:20:37,032
SHOW IS ABOUT.

2477
01:20:37,032 --> 01:20:39,935
WHEN THAT HAPPENS, THAT'S THE

2478
01:20:39,935 --> 01:20:40,269
MAGIC.

2479
01:20:40,269 --> 01:20:41,036
>> Julianne: ELIMINATION IS

2480
01:20:41,036 --> 01:20:41,704
COMING UP.

2481
01:20:41,704 --> 01:20:43,605
I KNOW YOU BOTH ARE LOOKING SO

2482
01:20:43,605 --> 01:20:45,708
FORWARD TO SEEING WHO GETS THESE

2483
01:20:45,708 --> 01:20:46,041
POINTS.

2484
01:20:46,041 --> 01:20:48,444
SO, DEREK, WHICH COUPLE GETS THE

2485
01:20:48,444 --> 01:20:53,749
JUDGES' BONUS POINTS?

2486
01:20:53,749 --> 01:20:55,551
>> THIS WAS EXTREMELY, EXTREMELY

2487
01:20:55,551 --> 01:20:55,951
CLOSE.

2488
01:20:55,951 --> 01:20:56,452
YOU DID FANTASTIC.

2489
01:20:56,452 --> 01:20:58,087
THE COUPLE THAT'S GOING TO WIN

2490
01:20:58,087 --> 01:21:01,457
THIS IS GOING TO BE JASON AND

2491
01:21:01,457 --> 01:21:01,824
DANIELLA!

2492
01:21:01,824 --> 01:21:04,193
>> Julianne: JASON AND DANIELLA

2493
01:21:04,193 --> 01:21:05,661
WILL HAVE THREE BONUS POINTS

2494
01:21:05,661 --> 01:21:07,229
ADDED TO THEIR FIRST-ROUND

2495
01:21:07,229 --> 01:21:07,629
SCORES.

2496
01:21:07,629 --> 01:21:09,598
NOW, ALL OF OUR COUPLES STILL

2497
01:21:09,598 --> 01:21:13,268
NEED YOUR VOTES FOR THEM TO

2498
01:21:13,268 --> 01:21:14,636
DANCE IN THE SEMIFINALS.

2499
01:21:14,636 --> 01:21:15,771
>> Alfonso: LET'S ALONG AT THE

2500
01:21:15,771 --> 01:21:17,339
FINAL LEADERBOARD WITH THE RELAY

2501
01:21:17,339 --> 01:21:18,307
POINTS ADDED IN.

2502
01:21:18,307 --> 01:21:20,776
AT THE TOP, JASON AND DANIELLA

2503
01:21:20,776 --> 01:21:23,679
WITH 43.

2504
01:21:23,679 --> 01:21:26,382
AT THE BOTTOM ARE HARRY AND

2505
01:21:26,382 --> 01:21:27,816
RYLEE WITH 30.

2506
01:21:27,816 --> 01:21:29,184
COMPLETE VOTING INFORMATION CAN

2507
01:21:29,184 --> 01:21:30,119
BE FOUND ON ABC.COM.

2508
01:21:30,119 --> 01:21:31,820
EVEN WITH THE BONUS POINTS, NO

2509
01:21:31,820 --> 01:21:33,388
ONE IS GUARANTEED A PLACE IN THE

2510
01:21:33,388 --> 01:21:33,789
SEMIFINALS.

2511
01:21:33,789 --> 01:21:35,023
THERE ARE ONLY TWO WEEKS LEFT IN

2512
01:21:35,023 --> 01:21:36,825
THE COMPETITION, AND YOUR VOTES

2513
01:21:36,825 --> 01:21:38,460
MEAN MORE THAN EVER.

2514
01:21:38,460 --> 01:21:40,462
WE WILL COMBINE THE JUDGES'

2515
01:21:40,462 --> 01:21:41,897
SCORES AND REVEAL WHO IS GOING

2516
01:21:41,897 --> 01:21:44,032
TO THE SEMIFINALS AND WHO IS NOT

2517
01:21:44,032 --> 01:21:45,968
WHEN WE COME BACK, LIVE.

2518
01:21:51,106 --> 01:21:55,577
♪♪

2519
01:21:55,577 --> 01:21:56,211
>> Alfonso: WELCOME BACK.

2520
01:21:56,211 --> 01:22:02,518
VOTING IS NOW CLOSED, AND HERE

2521
01:22:02,518 --> 01:22:04,853
IT LOOKS LIKE THE SWIFTIES CAME

2522
01:22:04,853 --> 01:22:05,888
OUT IN FULL FORCE.

2523
01:22:05,888 --> 01:22:07,189
WE HAD MORE VOTES TONIGHT THAN

2524
01:22:07,189 --> 01:22:09,658
ANY OTHER SEASON.

2525
01:22:09,658 --> 01:22:10,492
HERE ARE THE RESULTS.

2526
01:22:10,492 --> 01:22:11,226
>> Julianne: GOOD LUCK TO ALL OF

2527
01:22:11,226 --> 01:22:11,527
YOU.

2528
01:22:11,527 --> 01:22:12,194
WE'VE COMBINED THE JUDGES'

2529
01:22:12,194 --> 01:22:12,895
SCORES FROM TONIGHT WITH YOUR

2530
01:22:12,895 --> 01:22:13,662
LIVE VOTES.

2531
01:22:13,662 --> 01:22:14,363
NOW, IN NO PARTICULAR ORDER,

2532
01:22:14,363 --> 01:22:15,264
LET'S FIND OUT WHICH COUPLES ARE

2533
01:22:15,264 --> 01:22:16,331
GOING TO THE SEMI-FINALS AND WHO

2534
01:22:16,331 --> 01:22:20,202
IS GOING HOME.

2535
01:22:20,202 --> 01:22:24,473
♪♪

2536
01:22:24,473 --> 01:22:26,141
>> Alfonso: THE FIRST COUPLE WHO

2537
01:22:26,141 --> 01:22:28,210
IS DANCING IN THE SEMIFINALS

2538
01:22:28,210 --> 01:22:30,946
IS --

2539
01:22:30,946 --> 01:22:38,253
♪♪

2540
01:22:38,253 --> 01:22:40,722
>> Alfonso: ARIANA AND PASHA!

2541
01:22:40,722 --> 01:22:43,892
[ CHEERS AND APPLAUSE ]

2542
01:22:43,892 --> 01:22:45,527
>> Julianne: ALSO, COMPETING IN

2543
01:22:45,527 --> 01:22:48,163
THE SEMIFINALS ARE --

2544
01:22:48,163 --> 01:22:58,273
♪♪

2545
01:22:58,273 --> 01:23:03,078
>> Julianne: XOCHITL AND VAL.

2546
01:23:03,078 --> 01:23:03,478
[ APPLAUSE ]

2547
01:23:03,478 --> 01:23:04,746
>> Alfonso: IN NO PARTICULAR

2548
01:23:04,746 --> 01:23:05,447
ORDER, THE NEXT SEMIFINALISTS

2549
01:23:05,447 --> 01:23:06,114
ARE --

2550
01:23:06,114 --> 01:23:11,854
♪♪

2551
01:23:11,854 --> 01:23:14,289
>> Alfonso: JASON AND DANIELLA.

2552
01:23:14,289 --> 01:23:18,060
[ APPLAUSE ]

2553
01:23:18,060 --> 01:23:18,927
>> Alfonso: WHILE NOT

2554
01:23:18,927 --> 01:23:20,095
NECESSARILY THE BOTTOM THREE,

2555
01:23:20,095 --> 01:23:23,065
TWO OF THESE COUPLES ARE SAFE TO

2556
01:23:23,065 --> 01:23:23,799
DANCE IN THE SEMIFINALS.

2557
01:23:23,799 --> 01:23:25,534
THE OTHER IS GOING HOME TONIGHT.

2558
01:23:25,534 --> 01:23:31,707
IT'S TIME FOR THE FINAL RESULT.

2559
01:23:31,707 --> 01:23:33,809
>> Julianne: CHARITY AND ARTEM,

2560
01:23:33,809 --> 01:23:35,711
HARRY AND RYLEE, ALYSON AND

2561
01:23:35,711 --> 01:23:38,780
SASHA.

2562
01:23:38,780 --> 01:23:40,148
>> Alfonso: BASED ON THE

2563
01:23:40,148 --> 01:23:42,084
COMBINATION OF THE JUDGES'

2564
01:23:42,084 --> 01:23:43,952
SCORES AND VIEWER VOTES, THE

2565
01:23:43,952 --> 01:23:45,420
COUPLE GOING HOME IS --

2566
01:23:45,420 --> 01:23:48,357
♪♪

2567
01:23:48,357 --> 01:23:51,627
>> Alfonso: HARRY AND RYLEE.

2568
01:23:51,627 --> 01:23:56,031
>> Julianne: HARRY AND RYLEE,

2569
01:23:56,031 --> 01:23:57,733
PLEASE JOIN US FOR A FINAL

2570
01:23:57,733 --> 01:23:58,066
MOMENT.

2571
01:23:58,066 --> 01:23:59,401
COME ON DOWN HERE.

2572
01:23:59,401 --> 01:24:02,204
HARRY, RYLEE, WHY DON'T YOU GIVE

2573
01:24:02,204 --> 01:24:03,906
US A LITTLE PEEK INTO YOUR

2574
01:24:03,906 --> 01:24:05,407
EXPERIENCE HERE ON THE SHOW.

2575
01:24:05,407 --> 01:24:07,342
>> IT'S BEEN SO SPECIAL.

2576
01:24:07,342 --> 01:24:10,679
I CAN'T BELIEVE WE'VE MADE IT

2577
01:24:10,679 --> 01:24:11,046
THIS FAR.

2578
01:24:11,046 --> 01:24:13,048
FOR RYLEE'S FIRST SEASON, IT'S

2579
01:24:13,048 --> 01:24:15,150
SO INCREDIBLE TO SEE HER LIVE

2580
01:24:15,150 --> 01:24:18,453
OUT HER DREAMS.

2581
01:24:18,453 --> 01:24:19,187
>> Julianne: THANK YOU SO MUCH.

2582
01:24:19,187 --> 01:24:20,122
>> Alfonso: LET'S HAVE ANOTHER

2583
01:24:20,122 --> 01:24:23,392
HAND FOR HARRY AND RYLEE.

2584
01:24:23,392 --> 01:24:25,794
THANKS TO TAYLOR SWIFT FOR THIS

2585
01:24:25,794 --> 01:24:27,629
INCREDIBLE EXHILARATING,

2586
01:24:27,629 --> 01:24:28,664
EXTRAORDINARY NIGHT OF MUSIC.

2587
01:24:28,664 --> 01:24:31,533
AND THANKS AGAIN TO MANDY MOORE.

2588
01:24:31,533 --> 01:24:33,001
>> Julianne: JOIN US FOR THE

2589
01:24:33,001 --> 01:24:36,738
SEMIFINALS NEXT TUESDAY AT

2590
01:24:36,738 --> 01:24:37,706
8:00/7:00 CENTRAL.

2591
01:24:37,706 --> 01:24:39,141
WE'LL SEE YOU LIVE IN THE

2592
01:24:39,141 --> 01:24:41,209
BALLROOM ON ABC AND DISNEY PLUS.

2593
01:24:41,209 --> 01:24:42,177
>> Alfonso: HAPPY THANKSGIVING!

2594
01:24:42,177 --> 01:24:43,979
♪♪