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>> Derek: TONIGHT IS THE

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SEMI-FINALS.

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>> Bruno: TWO BIG DANCES, ONE

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BALLROOM, ONE LATIN.

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>> Derek: NO ROOM FOR ERROR.

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>> Carrie Ann: THIS COMPETITION

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STARTED WITH 14 STARS.

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>> Derek: ONLY 5 REMAIN.

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>> Bruno: EVERYBODY WANTS TO BE

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IN THE FINALE.

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>> Carrie Ann: ARIANA IS A

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FIGHTER.

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SHE'S A POWERFUL PERFORMER THAT

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ATTACKS EVERYTHING.

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>> Derek: THE EXECUTION, MY

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DEAR, WAS FLAWLESS.

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>> Bruno: ALYSON IS RELATABLE

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AND IS A NATURAL PERFORMER.

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>> Carrie Ann: IT WAS JUST

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BEAUTIFUL.

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>> Derek: WHAT'S GREAT ABOUT

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JASON IS HE HAS INCREDIBLE

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RHYTHM AND MUSICALITY.

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>> Carrie Ann: CHARITY IS

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GRACEFUL, PRISTINE AND EXECUTES

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BEAUTIFULLY.

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>> Bruno: EVERY LINE PINPOINT

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ACCURACY.

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>> Derek: WHAT I LOVE ABOUT

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XOCHITL IS SHE LIGHTS UP THE

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DANCE FLOOR.

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>> Carrie Ann: THIS GIRL HAS THE

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"IT" FACTOR.

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>> Bruno: WHO'S GOING TO THE

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FINALE?

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>> Derek: THERE'S ONLY ONE WAY

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TO FIND OUT.

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>> Carrie Ann: LET THE

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SEMI-FINALS BEGIN.

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♪♪

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♪♪

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>> Announcer: LIVE, FROM

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HOLLYWOOD, IT'S THE SEMI-FINALS

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OF "DANCING WITH THE STARS."

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[ CHEERS AND APPLAUSE ]

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>> Alfonso: WELCOME TO "DANCING

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WITH THE STARS."

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I'M ALFONSO RIBEIRO.

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>> Julianne: AND I'M JULIANNE

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HOUGH.

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CAN YOU BELIEVE IT?

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THE SEMI-FINALS ARE HERE.

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>> Alfonso: I BELIEVE IT.

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SO, LET'S WELCOME OUR

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SEMI-FINALISTS.

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♪♪

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[ CHEERS AND APPLAUSE ]

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>> Announcer: FROM "VANDERPUMP

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RULES," ARIANA MADIX, AND PASHA

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PASHKOV.

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GRAMMY-WINNING SINGER JASON MRAZ

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AND DANIELLA KARAGACH.

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TV AND FILM STAR XOCHITL GOMEZ,

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AND VAL CHMERKOVSKIY.

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FROM "THE BACHELORETTE," CHARITY

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LAWSON AND ARTEM CHIGVINTSEV.

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AND TV AND FILM STAR ALYSON

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HANNIGAN AND SASHA FARBER.

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♪♪

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[ CHEERS AND APPLAUSE ]

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>> Alfonso: AFTER NINE WEEKS OF

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HARD-FOUGHT BALLROOM BATTLE,

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THESE ARE YOUR FIVE

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SEMI-FINALISTS.

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THEY'VE RISEN TO EVERY CHALLENGE

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SO FAR IN THEIR QUEST TO EARN

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SCORES FROM THE JUDGES AND VOTES

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FROM YOU AT HOME.

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TONIGHT, THEY'RE OUT TO DO IT

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AGAIN.

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>> Julianne: VOTING IS OPEN

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RIGHT NOW AND IS AVAILABLE TO

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THE U.S., ITS TERRITORIES, AND

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CANADA AT ABC.COM. PLUS,

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SUBSCRIBERS OF PARTICIPATING

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U.S. WIRELESS PHONE CARRIERS CAN

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TEXT THE FIRST NAME OF THEIR

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FAVORITE STAR TO THE NUMBER

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2-1-5-2-3.

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MESSAGE AND DATA RATES MAY

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APPLY.

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>> Alfonso: THIS WEEK OUR

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SEMI-FINALISTS WILL FACE TWO

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MORE TESTS OF THEIR ABILITIES IN

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THIS LAST ATTEMPT TO GET INTO

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NEXT WEEK'S FINALE.

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THEY'LL EACH PERFORM ONE LATIN

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STYLE AND ONE BALLROOM STYLE

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DANCE.

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>> Julianne: RIGHT NOW, WE'LL

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START WITH A LATIN STYLE ROUTINE

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FROM OUR STAR FROM "VANDERPUMP

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RULES."

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IT'S ARIANA MADIX AND PASHA

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PASHKOV.

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>> Bruno: HONEY, YOUR BODY WAS

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SPINNING.

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>> Carrie Ann: 9!

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>> WHAT AN AMAZING

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ACCOMPLISHMENT AND I DIDN'T GET

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ANY CRITIQUES FROM THE JUDGES SO

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I'M FEELING GREAT GOING INTO THE

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SEMI-FINALS.

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WE MADE IT TO THE SEMI-FINALS!

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YES!

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>> WHO WOULD HAVE THOUGHT?

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>> NOT ME.

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>> YOU IMAGINE THIS IS HOW MUCH

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WORK IS GOING TO GO INTO IT

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MENTALLY AND PHYSICALLY.

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>> THERE ARE SO MANY THINGS

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ABOUT IT THAT ARE HARD IN WAYS I

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COULDN'T HAVE ANTICIPATED.

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INJURIES, THE MENTAL TOUGHNESS,

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THAT WAS THE TYPE OF STUFF THERE

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WASN'T A WAY TO PREPARE FOR.

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I'VE LOVED BEING ABLE TO COME

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INTO MY OWN AS SOMEONE WHO LOVES

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TO PERFORM.

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>> IMPORTANT THING TO BRING TO

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THE SEMI-FINALS IS ENERGY.

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THIS IS THE FIRST TIME THERE

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WILL BE TWO FULL DANCES.

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OUR FIRST ONE IS A LATIN DANCE.

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IT'S A JIVE.

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JIVE IS THE PERFECT DANCE TO

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SHOWCASE THAT ENERGY.

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>> I'M EXCITED.

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LET'S GO EARN A SPOT IN THE

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FINALE.

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>> JIVE IS ALREADY A TOUGH DANCE

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TO BEGIN WITH.

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SINCE IT'S THE SEMI-FINALS IT'S

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TIME TO ADD FAST PACED

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CHOREOGRAPHY SO ARIANA CAN TAPE

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INTO HER FULL POTENTIAL.

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>> THIS ROUTINE IS REALLY

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PHYSICALLY DEMANDING.

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I AM NOT SLOWING DOWN BECAUSE MY

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PLACE IN THE FINALE IS AT STAKE.

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>> DON'T CHANGE YOUR HEAD.

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>> WHAT IS THIS, WEEK ONE?

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IT IS SO IMPORTANT TO COME OUT

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OF THE GATE IN THE SEMI-FINALS

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WITH A DANCE THAT MAKES AN

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IMPACT.

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THERE ARE NO HAND-OUTS ON

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PERFECT SCORES.

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NO MATTER WHAT IT TAKES, I'LL

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GIVE IT ALL I GOT.

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>> LOOK AT THAT.

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THAT'S FINALE.

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>> Announcer: DANCING THE JIVE,

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WITH HER PARTNER PASHA PASHKOV,

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IT'S ARIANA MADIX.

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♪ AH YES

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CHICKA POW ♪

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♪ WELL LOOKY HERE LOOKY HERE

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AH WHAT DO WE HAVE ♪

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♪ ANOTHER PRETTY THANG READY

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FOR ME TO GRAB ♪

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♪ BUT LITTLE DOES SHE KNOW

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THAT I'M A WOLF IN

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SHEEP'S CLOTHING ♪

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♪ 'CAUSE AT THE END OF THE

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NIGHT IT IS HER I'LL

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BE HOLDING ♪

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♪ I LOVE YOU SO HEY

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THAT'S WHAT YOU'LL SAY

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THAT'S WHAT YOU'LL SAY ♪

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♪ YOU'LL TELL ME BABY BABY

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PLEASE DON'T GO AWAY

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DON'T GO AWAY ♪

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♪ BUT WHEN I PLAY

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BUT WHEN I PLAY ♪

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♪ I NEVER STAY

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I NEVER STAY ♪

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♪ TO EVERY GIRL THAT I MEET

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YEAH THIS IS WHAT I SAY ♪

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♪ RUN RUN RUN AWAY RUN AWAY

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BABY BEFORE I PUT MY

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SPELL ON YOU ♪

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♪ YOU BETTER GET GET GET

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AWAY GET AWAY DARLING ♪

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♪ 'CAUSE EVERYTHING YOU

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HEARD IS TRUE ♪

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♪ YOUR POOR LITTLE HEART

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WILL END UP ALONE ♪

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♪ 'CAUSE LORD KNOWS I'M

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A ROLLING STONE ♪

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♪ SO YOU BETTER RUN RUN RUN

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AWAY RUN AWAY BABY ♪

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♪ UH CHICKA POW ♪

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♪ SEE I AIN'T TRYNA HURT YOU

205
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BABY NO NO NO I JUST WANNA

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WORK YOU BABY ♪

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♪ IF YOU'RE SCARED YOU

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BETTER RUN YOU BETTER RUN ♪

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♪ YOU BETTER RUN

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YOU BETTER RUN

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YOU BETTER RUN ♪

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♪ YOU BETTER RUN

213
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YOU BETTER YOU BETTER

214
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YOU BETTER ♪

215
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♪ RUN RUN RUN AWAY RUN AWAY

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BABY BEFORE I PUT MY

217
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SPELL ON YOU ♪

218
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♪ YOU BETTER GET GET GET

219
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AWAY GET AWAY DARLING ♪

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♪ 'CAUSE EVERYTHING YOU

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HEARD IS TRUE ♪

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♪ YOUR POOR LITTLE HEART

223
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WILL END UP ALONE ♪

224
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♪ 'CAUSE LORD KNOWS I'M

225
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A ROLLING STONE ♪

226
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♪ SO YOU BETTER RUN RUN RUN

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AWAY RUN AWAY BABY ♪

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[ CHEERS AND APPLAUSE ]

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>> Alfonso: LOOKY HERE, ARIANA

230
00:07:15,769 --> 00:07:17,237
AND PASHA RUNNING AWAY WITH A

231
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JIVE.

232
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YES.

233
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THE BALLROOM IS ON FIRE FOR YOU

234
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RIGHT NOW.

235
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YOU GOT FRINGE FALLING ALL OVER

236
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THE PLACE.

237
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ALL RIGHT.

238
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ALL RIGHT.

239
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LET'S HEAR WHAT THE JUDGES HAVE

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TO SAY.

241
00:07:36,022 --> 00:07:38,258
I KNOW WHAT THE AUDIENCE IS

242
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SAYING.

243
00:07:38,825 --> 00:07:39,159
DEREK?

244
00:07:39,159 --> 00:07:41,995
>> Derek: ARIANA, LISTEN, YOU

245
00:07:41,995 --> 00:07:44,631
ARE NOT A RUNAWAY BABY.

246
00:07:44,631 --> 00:07:45,966
YOU ARE RUNNING TOWARDS THAT

247
00:07:45,966 --> 00:07:48,501
FINALE WITH THAT DANCE.

248
00:07:48,501 --> 00:07:49,736
THAT WAS SOLID.

249
00:07:49,736 --> 00:07:51,638
LISTEN, THE TWISTS, THE TURNS, I

250
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LOVED THE THROWAWAY SECTION OVER

251
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THERE, THE SIDE BY SIDE, THE

252
00:07:56,042 --> 00:07:56,376
KICKS.

253
00:07:56,376 --> 00:07:59,946
IT GOT HEAVY IN SOME AREAS, BUT

254
00:07:59,946 --> 00:08:01,381
THAT WAS A FANTASTIC WAY TO

255
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START THE SEMI-FINALS.

256
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GREAT JOB.

257
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>> THANK YOU, DEREK.

258
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>> Alfonso: BRUNO?

259
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>> Bruno: I THINK WE HAVE A

260
00:08:11,191 --> 00:08:13,026
RUNAWAY HIT, DON'T YOU?

261
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COME ON.

262
00:08:13,626 --> 00:08:15,695
THAT WAS A JEWEL OF A JIVE.

263
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BRIGHT, LIGHT, SASSY AND OH, OH,

264
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OH, OH SEXY.

265
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I KNOW THE GIRL CAN'T HELP IT.

266
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I LOVE IT.

267
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>> Alfonso: ALL RIGHT.

268
00:08:27,941 --> 00:08:28,408
CARRIE ANN?

269
00:08:28,408 --> 00:08:29,909
>> Carrie Ann: IT'S HARD TO COME

270
00:08:29,909 --> 00:08:31,678
AFTER THAT.

271
00:08:31,678 --> 00:08:32,912
GOODNESS.

272
00:08:32,912 --> 00:08:33,780
ARIANA, YOU HAVE EVERYTHING YOU

273
00:08:33,780 --> 00:08:36,716
NEED TO WIN THIS COMPETITION.

274
00:08:36,716 --> 00:08:37,817
YOU HAVE ALL THE QUALITIES.

275
00:08:37,817 --> 00:08:40,687
I SEE IT IN YOUR EVERY TIME YOU

276
00:08:40,687 --> 00:08:42,589
GET ON THE DANCE FLOOR.

277
00:08:42,589 --> 00:08:44,758
I WANT TO KNOW -- WHAT'S THE

278
00:08:44,758 --> 00:08:46,326
INJURY YOU'RE DEALING WITH?

279
00:08:46,326 --> 00:08:47,894
SOMETIMES I SEE YOU HOLDING

280
00:08:47,894 --> 00:08:48,228
BACK.

281
00:08:48,228 --> 00:08:50,130
I DON'T KNOW IF IT'S INJURY OR

282
00:08:50,130 --> 00:08:50,563
PERFORMANCE.

283
00:08:50,563 --> 00:08:52,232
>> IT'S RIGHT WHERE MY RIBS

284
00:08:52,232 --> 00:08:53,566
CONNECT TO MY SPINE.

285
00:08:53,566 --> 00:08:54,567
>> Carrie Ann: YOUR ARMS ARE

286
00:08:54,567 --> 00:08:57,604
FROM HERE TO THE FRONT AND THAT

287
00:08:57,604 --> 00:08:59,205
MAKES SENSE WHY YOU'RE NOT GOING

288
00:08:59,205 --> 00:08:59,539
FORWARD.

289
00:08:59,539 --> 00:09:01,307
THAT EXPLAINS IT.

290
00:09:01,307 --> 00:09:02,575
IT WAS AMAZING.

291
00:09:02,575 --> 00:09:08,181
>> Derek: LOWER YOUR SHOULDERS.

292
00:09:08,181 --> 00:09:09,883
>> Carrie Ann: IT WAS FABULOUS,

293
00:09:09,883 --> 00:09:10,417
FABULOUS, FABULOUS.

294
00:09:10,417 --> 00:09:11,518
>> Alfonso: HEAD UP TO JULIANNE

295
00:09:11,518 --> 00:09:13,920
IN THE SKYBOX FOR YOUR SCORES.

296
00:09:13,920 --> 00:09:15,522
AFTER A MAJOR COMEBACK, LAST

297
00:09:15,522 --> 00:09:17,223
WEEK'S LEADERBOARD TOPPERS

298
00:09:17,223 --> 00:09:18,291
JASON MRAZ AND DANIELLA KARAGACH

299
00:09:18,291 --> 00:09:19,492
ARE ON THE WAY WITH THEIR FIRST

300
00:09:19,492 --> 00:09:23,496
DANCE OF THE NIGHT.

301
00:09:23,496 --> 00:09:24,831
JULIANNE, THEY'RE MAKING THEIR

302
00:09:24,831 --> 00:09:26,032
WAY UP TO YOU.

303
00:09:26,032 --> 00:09:28,301
>> Julianne: THANK YOU SO MUCH,

304
00:09:28,301 --> 00:09:28,635
ALFONSO.

305
00:09:28,635 --> 00:09:31,171
COME OVER HERE YOU MULTICOLORED

306
00:09:31,171 --> 00:09:34,674
FRINGY BABIES.

307
00:09:34,674 --> 00:09:36,176
ARIANA, YOU ARE NOT MESSING

308
00:09:36,176 --> 00:09:36,509
AROUND.

309
00:09:36,509 --> 00:09:37,911
YOU CAME OUT HERE FIGHTING YOUR

310
00:09:37,911 --> 00:09:39,012
WAY FOR THE FINALE.

311
00:09:39,012 --> 00:09:40,914
HOW ARE YOU FEELING RIGHT NOW?

312
00:09:40,914 --> 00:09:42,582
>> EXHAUSTED, BUT GREAT.

313
00:09:42,582 --> 00:09:44,317
I'M SO HAPPY TO HAVE DONE THAT

314
00:09:44,317 --> 00:09:46,119
AND DONE IT AS WELL AS WE JUST

315
00:09:46,119 --> 00:09:47,754
DID.

316
00:09:47,754 --> 00:09:49,389
I MEAN -- SORRY.

317
00:09:49,389 --> 00:09:51,291
I'M CATCHING MY BREATH.

318
00:09:51,291 --> 00:09:53,460
>> Julianne: THE JIVE IS NO

319
00:09:53,460 --> 00:09:53,793
JOKE.

320
00:09:53,793 --> 00:09:55,829
YOU SAID IN YOUR PACKAGE THAT

321
00:09:55,829 --> 00:09:59,098
PEOPLE KNOW YOU FROM "VANDERPUMP

322
00:09:59,098 --> 00:10:00,767
RULES."

323
00:10:00,767 --> 00:10:03,736
WHAT DO YOU THINK -- HOW ARE

324
00:10:03,736 --> 00:10:05,205
PEOPLE GOING TO PERCEIVE YOU

325
00:10:05,205 --> 00:10:05,839
NEXT?

326
00:10:05,839 --> 00:10:06,906
>> I DON'T KNOW ABOUT OTHER

327
00:10:06,906 --> 00:10:07,707
PEOPLE.

328
00:10:07,707 --> 00:10:10,510
FOR ME THIS SHOW HAS BEEN

329
00:10:10,510 --> 00:10:13,513
TRANSFORMATIVE, NOT JUST

330
00:10:13,513 --> 00:10:15,582
PHYSICALLY, BUT MENTALLY AND

331
00:10:15,582 --> 00:10:15,982
EMOTIONALLY.

332
00:10:15,982 --> 00:10:18,084
I'M SO GRATEFUL TO HAVE GOTTEN

333
00:10:18,084 --> 00:10:18,618
THIS FAR.

334
00:10:18,618 --> 00:10:20,587
I'M VERY ANXIOUS.

335
00:10:20,587 --> 00:10:21,754
>> Julianne: I'M SURE YOU'RE

336
00:10:21,754 --> 00:10:24,357
ANXIOUS TO GET YOUR SCORES.

337
00:10:24,357 --> 00:10:25,792
LET'S GET THEM AFTER THE BREAK.

338
00:10:34,100 --> 00:10:34,968
♪♪

339
00:10:34,968 --> 00:10:37,036
[ CHEERS AND APPLAUSE ]

340
00:10:37,036 --> 00:10:38,805
>> Julianne: WELCOME BACK TO THE

341
00:10:38,805 --> 00:10:40,073
SEMI-FINALS.

342
00:10:40,073 --> 00:10:41,574
BEFORE THE BREAK, ARIANA AND

343
00:10:41,574 --> 00:10:42,775
PASHA PERFORMED A JIVE.

344
00:10:42,775 --> 00:10:46,980
LET'S GET THEIR SCORES.

345
00:10:46,980 --> 00:10:49,816
>> Announcer: CARRIE ANN INABA?

346
00:10:49,816 --> 00:10:50,416
>> Carrie Ann: 9.

347
00:10:50,416 --> 00:10:53,119
>> Announcer: DEREK HOUGH?

348
00:10:53,119 --> 00:10:53,553
>> Derek: 9.

349
00:10:53,553 --> 00:10:56,389
>> Announcer: BRUNO TONIOLI?

350
00:10:56,389 --> 00:10:57,524
>> Bruno: IT WAS HOT.

351
00:10:57,524 --> 00:10:58,191
10!

352
00:10:58,191 --> 00:11:00,226
>> Julianne: THAT'S A 28 OUT OF

353
00:11:00,226 --> 00:11:03,429
30 FOR ARIANA AND PASHA SO FAR

354
00:11:03,429 --> 00:11:05,298
TONIGHT.

355
00:11:05,298 --> 00:11:07,867
HOW ARE YOU FEELING AFTER THAT

356
00:11:07,867 --> 00:11:08,134
SCORE?

357
00:11:08,134 --> 00:11:09,435
>> I FEEL AMAZING.

358
00:11:09,435 --> 00:11:11,037
I WAS SO NERVOUS ABOUT GOING

359
00:11:11,037 --> 00:11:11,404
FIRST.

360
00:11:11,404 --> 00:11:12,872
I'M VERY, VERY EXCITED WE WERE

361
00:11:12,872 --> 00:11:14,307
ABLE TO GET THOSE SCORES.

362
00:11:14,307 --> 00:11:15,508
THAT WAS AWESOME.

363
00:11:15,508 --> 00:11:16,209
THANK YOU.

364
00:11:16,209 --> 00:11:17,777
>> Alfonso: THEY'LL COMPETE FOR

365
00:11:17,777 --> 00:11:21,014
ANOTHER ROUND OF JUDGES' SCORES

366
00:11:21,014 --> 00:11:21,347
LATER.

367
00:11:21,347 --> 00:11:23,383
YOU CAN VOTE BY TEXT AND ONLINE

368
00:11:23,383 --> 00:11:24,584
AT ABC.COM.

369
00:11:24,584 --> 00:11:29,355
YOU GET TEN VOTES PER COUPLE PER

370
00:11:29,355 --> 00:11:29,789
VOTING METHOD.

371
00:11:29,789 --> 00:11:30,123
ALFONSO?

372
00:11:30,123 --> 00:11:30,823
>> Alfonso: THANKS, JULIANNE.

373
00:11:30,823 --> 00:11:31,624
LAST WEEK, OUR GRAMMY-WINNING

374
00:11:31,624 --> 00:11:34,527
SINGER AND HIS PARTNER SET OUT

375
00:11:34,527 --> 00:11:36,763
TO MAKE THE BIGGEST COMEBACK IN

376
00:11:36,763 --> 00:11:37,497
THE HISTORY OF OUR SHOW.

377
00:11:37,497 --> 00:11:38,198
HE DID IT IN GRAND STYLE WITH

378
00:11:38,198 --> 00:11:38,932
HIS FIRST PERFECT SCORE OF THE

379
00:11:38,932 --> 00:11:39,265
SEASON.

380
00:11:39,265 --> 00:11:40,166
WE'LL SEE IF HE CAN MATCH HIS

381
00:11:40,166 --> 00:11:40,867
PERSONAL BEST WITH A VIENNESE

382
00:11:40,867 --> 00:11:41,734
WALTZ TO ONE OF HIS OWN

383
00:11:41,734 --> 00:11:42,268
MULTI-PLATINUM HITS.

384
00:11:42,268 --> 00:11:42,969
IT'S JASON MRAZ AND DANIELLA

385
00:11:42,969 --> 00:11:48,608
KARAGACH.

386
00:11:48,608 --> 00:11:52,478
♪♪

387
00:11:52,478 --> 00:11:53,079
[ CHEERS AND APPLAUSE ]

388
00:11:53,079 --> 00:11:57,650
>> Derek: MY MAN, JASON MRAZ IS

389
00:11:57,650 --> 00:11:58,017
BACK.

390
00:11:58,017 --> 00:11:59,419
>> Carrie Ann: 10!

391
00:11:59,419 --> 00:12:01,154
>> WE GOT A PERFECT SCORE.

392
00:12:01,154 --> 00:12:04,090
I FEEL INCREDIBLE.

393
00:12:04,090 --> 00:12:05,959
I FEEL REJUVENATED.

394
00:12:05,959 --> 00:12:09,195
I CAME OUT ON TOP OF THE

395
00:12:09,195 --> 00:12:10,663
LEADERBOARD AND I'LL TAKE THAT

396
00:12:10,663 --> 00:12:11,864
MOMENTUM WITH ME TO THE

397
00:12:11,864 --> 00:12:12,265
SEMI-FINALS.

398
00:12:12,265 --> 00:12:12,665
WE DID IT.

399
00:12:12,665 --> 00:12:14,033
>> WE DID IT.

400
00:12:14,033 --> 00:12:16,302
I'M SO HAPPY WE GOT A PERFECT

401
00:12:16,302 --> 00:12:17,070
SCORE.

402
00:12:17,070 --> 00:12:19,105
THIS WEEK WE HAVE TWO DANCES TO

403
00:12:19,105 --> 00:12:23,876
LEARN STARTING WITH THE VIENNESE

404
00:12:23,876 --> 00:12:24,210
WALTZ.

405
00:12:24,210 --> 00:12:26,012
>> I WROTE "I WON'T GIVE UP"

406
00:12:26,012 --> 00:12:30,950
BECAUSE I WENT THROUGH A

407
00:12:30,950 --> 00:12:31,317
BREAKUP.

408
00:12:31,317 --> 00:12:33,853
THE POINT OF THE SONG IS I WON'T

409
00:12:33,853 --> 00:12:36,689
GIVE UP ON BELIEVING IN MYSELF.

410
00:12:36,689 --> 00:12:39,626
A FEW WEEKS AGO I WANTED TO

411
00:12:39,626 --> 00:12:40,193
THROW IN THE TOWEL.

412
00:12:40,193 --> 00:12:42,562
>> Bruno: YOU MESSED UP FOUR

413
00:12:42,562 --> 00:12:42,895
TIMES.

414
00:12:42,895 --> 00:12:44,697
>> I'M SO GLAD I DIDN'T.

415
00:12:44,697 --> 00:12:46,633
I CAME BACK STRONG.

416
00:12:46,633 --> 00:12:48,334
THE BRAVE SPIRIT IN ME WANTS TO

417
00:12:48,334 --> 00:12:49,769
SEE HOW FAR I CAN GET.

418
00:12:49,769 --> 00:12:51,504
>> YOUR WEEK ONE ENERGY IS BACK.

419
00:12:51,504 --> 00:12:53,973
>> WE GOTTA PUT ON A SHOW.

420
00:12:53,973 --> 00:12:57,276
>> ONE, TWO, KEEP TURNING.

421
00:12:57,276 --> 00:12:58,478
EVERYTHING STARTS TO GO.

422
00:12:58,478 --> 00:13:01,981
>> THE VIENNESE WALTZ IS BASED

423
00:13:01,981 --> 00:13:02,548
OFF ROTATION.

424
00:13:02,548 --> 00:13:05,184
HE GETS EXTREMELY DIZZY AND

425
00:13:05,184 --> 00:13:05,551
NAUSEOUS.

426
00:13:05,551 --> 00:13:07,487
>> I FEEL LIKE I'M ON THE TEA

427
00:13:07,487 --> 00:13:08,788
CUPS AT DISNEYLAND.

428
00:13:08,788 --> 00:13:10,757
>> THIS FAR INTO THE COMPETITION

429
00:13:10,757 --> 00:13:12,525
THERE'S NO ROOM FOR MISTAKES.

430
00:13:12,525 --> 00:13:14,227
WE NEED TO LEARN HOW TO SPOT.

431
00:13:14,227 --> 00:13:16,496
>> I'M GOING TO PICK CORNERS TO

432
00:13:16,496 --> 00:13:16,863
LOOK AT.

433
00:13:16,863 --> 00:13:17,864
>> WALL, WALL.

434
00:13:17,864 --> 00:13:20,967
>> THIS IS CHAOTIC.

435
00:13:20,967 --> 00:13:22,902
STILL HAVEN'T GOTTEN MY EYEBALLS

436
00:13:22,902 --> 00:13:24,103
TO GO WALL TO WALL.

437
00:13:24,103 --> 00:13:26,706
THIS ANTHEM FOR ME, I WON'T GIVE

438
00:13:26,706 --> 00:13:29,642
UP, IS GOING TO BE WITH ME EVERY

439
00:13:29,642 --> 00:13:32,145
STEP OF THIS BALLROOM.

440
00:13:32,145 --> 00:13:34,013
I CANNOT DROP DOWN ON THE

441
00:13:34,013 --> 00:13:34,414
LEADERBOARD.

442
00:13:34,414 --> 00:13:36,716
I'M GOING TO DELIVER HOPEFULLY A

443
00:13:36,716 --> 00:13:38,251
FLAWLESS PERFORMANCE THAT PEOPLE

444
00:13:38,251 --> 00:13:38,985
WILL REMEMBER FOR A LONG TIME.

445
00:13:38,985 --> 00:13:40,119
>> GOOD.

446
00:13:40,119 --> 00:13:41,521
>> Announcer: DANCING THE

447
00:13:41,521 --> 00:13:45,158
VIENNESE WALTZ, WITH HIS PARTNER

448
00:13:45,158 --> 00:13:45,892
DANIELLA KARAGACH, IT'S JASON

449
00:13:45,892 --> 00:13:49,562
MRAZ.

450
00:13:49,562 --> 00:13:56,903
♪ WHEN I LOOK INTO YOUR EYES

451
00:13:56,903 --> 00:13:59,038
IT'S LIKE WATCHING THE NIGHT

452
00:13:59,038 --> 00:14:09,148
SKY OR A BEAUTIFUL SUNRISE ♪

453
00:14:09,148 --> 00:14:11,250
♪ WELL THERE'S SO MUCH

454
00:14:11,250 --> 00:14:14,420
THEY HOLD ♪

455
00:14:14,420 --> 00:14:17,090
♪ WELL I WON'T GIVE UP ON US

456
00:14:17,090 --> 00:14:18,658
EVEN IF THE SKIES GET ROUGH

457
00:14:18,658 --> 00:14:22,362
I'M GIVING YOU ALL MY LOVE ♪

458
00:14:22,362 --> 00:14:27,166
♪ I'M STILL LOOKING UP ♪

459
00:14:27,166 --> 00:14:31,904
♪ 'CAUSE EVEN THE STARS THEY

460
00:14:31,904 --> 00:14:36,642
BURN SOME EVEN FALL TO THE

461
00:14:36,642 --> 00:14:38,778
EARTH ♪

462
00:14:38,778 --> 00:14:43,549
♪ WE'VE GOT A LOT TO LEARN

463
00:14:43,549 --> 00:14:47,253
GOD KNOWS WE'RE WORTH IT ♪

464
00:14:47,253 --> 00:14:51,491
♪ WELL I WON'T GIVE UP ON US

465
00:14:51,491 --> 00:14:53,092
NO I'M NOT GIVING UP ♪

466
00:14:53,092 --> 00:14:54,660
♪ GOD KNOWS I'M TOUGH ENOUGH

467
00:14:54,660 --> 00:14:58,364
I AM TOUGH I AM LOVED ♪

468
00:14:58,364 --> 00:15:01,567
♪ WE GOT A LOT TO LEARN

469
00:15:01,567 --> 00:15:03,102
WE'RE ALIVE

470
00:15:03,102 --> 00:15:07,340
WE ARE LOVED ♪

471
00:15:07,340 --> 00:15:10,576
♪ GOD KNOWS WE'RE WORTH IT

472
00:15:10,576 --> 00:15:11,177
AND WE'RE WORTH IT ♪

473
00:15:11,177 --> 00:15:12,145
♪ I WON'T GIVE UP ON LOVE

474
00:15:12,145 --> 00:15:14,580
I'M STILL LOOKING UP ♪

475
00:15:14,580 --> 00:15:16,449
[ CHEERS AND APPLAUSE ]

476
00:15:16,449 --> 00:15:17,817
>> Alfonso: JASON AND DANIELLA,

477
00:15:17,817 --> 00:15:21,521
WITH A VIENNESE WALTZ TO HIS

478
00:15:21,521 --> 00:15:25,258
SONG, "I WON'T GIVE UP."

479
00:15:25,258 --> 00:15:27,126
JUST FLOATING, FLOATING ACROSS

480
00:15:27,126 --> 00:15:29,061
THE FLOOR.

481
00:15:29,061 --> 00:15:30,696
BEAUTIFUL.

482
00:15:30,696 --> 00:15:32,365
SO GOOD.

483
00:15:32,365 --> 00:15:33,800
BRUNO, START US OFF.

484
00:15:33,800 --> 00:15:36,436
>> Bruno: A BEAUTIFUL SONG,

485
00:15:36,436 --> 00:15:38,237
BEAUTIFUL WALTZ.

486
00:15:38,237 --> 00:15:38,938
PROPER, CORRECT.

487
00:15:38,938 --> 00:15:41,274
YOU REALLY DANCED LIKE A

488
00:15:41,274 --> 00:15:41,641
GENTLEMAN.

489
00:15:41,641 --> 00:15:45,678
SUCH A WONDERFUL JOB.

490
00:15:45,678 --> 00:15:47,246
VERY WELL PLACED.

491
00:15:47,246 --> 00:15:48,147
TINY LITTLE THING.

492
00:15:48,147 --> 00:15:49,682
ON THE ROTATION A LITTLE BIT

493
00:15:49,682 --> 00:15:51,117
MORE DRIVE.

494
00:15:51,117 --> 00:15:52,652
YOU KNOW WHEN YOU HEAR THE

495
00:15:52,652 --> 00:15:55,221
BARREL OF THE MUSIC, DON'T GO

496
00:15:55,221 --> 00:15:55,521
EVEN.

497
00:15:55,521 --> 00:15:56,756
STRETCH IT.

498
00:15:56,756 --> 00:15:59,025
IT'S A TINY LITTLE THING.

499
00:15:59,025 --> 00:16:01,427
PROPER, PROPER WALTZ.

500
00:16:01,427 --> 00:16:02,562
>> Alfonso: CARRIE ANN?

501
00:16:02,562 --> 00:16:03,763
>> Carrie Ann: IT WAS VERY

502
00:16:03,763 --> 00:16:04,263
REFINED.

503
00:16:04,263 --> 00:16:06,699
YOU HAD INCREDIBLE MOMENTS OF

504
00:16:06,699 --> 00:16:07,099
EXCELLENCE.

505
00:16:07,099 --> 00:16:08,668
SOMETHING I REALLY WANT TO SAY.

506
00:16:08,668 --> 00:16:10,236
IT'S NOT A HUGE DEAL.

507
00:16:10,236 --> 00:16:12,205
I WOULD HAVE LIKED TO SEE MORE

508
00:16:12,205 --> 00:16:13,005
EMOTIONAL FREEDOM.

509
00:16:13,005 --> 00:16:15,041
WHEN I LISTEN TO YOU SING, I

510
00:16:15,041 --> 00:16:17,343
FEEL SO MUCH PASSION.

511
00:16:17,343 --> 00:16:17,810
[AUDIENCE BOOS]

512
00:16:17,810 --> 00:16:18,377
>> Carrie Ann: WAIT.

513
00:16:18,377 --> 00:16:18,945
THIS IS IMPORTANT.

514
00:16:18,945 --> 00:16:22,348
I FEEL LIKE YOU'RE A LITTLE

515
00:16:22,348 --> 00:16:24,484
GUARDED WHEN YOU DANCE.

516
00:16:24,484 --> 00:16:26,385
THIS IS A SAFE SPACE.

517
00:16:26,385 --> 00:16:29,856
WE WILL LOVE IT AND WELCOME IT.

518
00:16:29,856 --> 00:16:30,590
>> Alfonso: DEREK?

519
00:16:30,590 --> 00:16:32,191
>> Derek: JASON, THANK YOU SO

520
00:16:32,191 --> 00:16:35,895
MUCH FOR WRITING SUCH A STUNNING

521
00:16:35,895 --> 00:16:36,195
SONG.

522
00:16:36,195 --> 00:16:36,796
[ CHEERS AND APPLAUSE ]

523
00:16:36,796 --> 00:16:38,130
I LOVE THAT SONG SO MUCH.

524
00:16:38,130 --> 00:16:41,200
IT HAS UNDOUBTEDLY MOVED SO MANY

525
00:16:41,200 --> 00:16:41,534
PEOPLE.

526
00:16:41,534 --> 00:16:45,037
I HOPE TO SEE YOU DANCE ON YOUR

527
00:16:45,037 --> 00:16:45,938
UPCOMING TOUR.

528
00:16:45,938 --> 00:16:47,773
FOR ME IT WAS SO BEAUTIFUL, FULL

529
00:16:47,773 --> 00:16:48,508
OF CONTENT.

530
00:16:48,508 --> 00:16:54,614
IT WAS A PROPER VIENNESE WALTZ.

531
00:16:54,614 --> 00:16:57,250
IT'S NOT THE PLUCKING THE

532
00:16:57,250 --> 00:16:59,151
STRINGS OF THE GUITAR.

533
00:16:59,151 --> 00:17:00,753
IT'S STRUMMING THE STRINGS OF

534
00:17:00,753 --> 00:17:02,989
THE GUITAR.

535
00:17:02,989 --> 00:17:03,589
OVERALL IT WAS BEAUTIFUL

536
00:17:03,589 --> 00:17:04,323
>> Alfonso: HEAD UP TO JULIANNE

537
00:17:04,323 --> 00:17:05,524
FOR YOUR SCORES.

538
00:17:05,524 --> 00:17:05,892
GREAT JOB.

539
00:17:05,892 --> 00:17:06,626
TONIGHT, YOU AT HOME ARE VOTING

540
00:17:06,626 --> 00:17:08,528
FOR THE STARS YOU WANT TO SEE

541
00:17:08,528 --> 00:17:10,329
COMPETING FOR OUR LEN GOODMAN

542
00:17:10,329 --> 00:17:11,063
MIRROR BALL TROPHY IN NEXT

543
00:17:11,063 --> 00:17:12,565
TUESDAY NIGHT'S SEASON FINALE.

544
00:17:12,565 --> 00:17:14,433
SO, VOTE LIKE YOU'VE NEVER VOTED

545
00:17:14,433 --> 00:17:17,970
BEFORE.

546
00:17:17,970 --> 00:17:19,038
JULIANNE?

547
00:17:19,038 --> 00:17:22,241
>> Julianne: THANKS, ALFONSO.

548
00:17:22,241 --> 00:17:26,012
JASON, I GOT TO BE HONEST THAT

549
00:17:26,012 --> 00:17:27,914
VIENNESE WALTZ TOOK MY BREATH

550
00:17:27,914 --> 00:17:28,281
AWAY.

551
00:17:28,281 --> 00:17:29,749
YOUR ARMS AND LINING WERE

552
00:17:29,749 --> 00:17:30,116
STUNNING.

553
00:17:30,116 --> 00:17:34,487
I THINK THE AUDIENCE FELT THAT

554
00:17:34,487 --> 00:17:34,820
WAY.

555
00:17:34,820 --> 00:17:35,888
>> THANK YOU, EVERYONE.

556
00:17:35,888 --> 00:17:36,889
>> Julianne: LET'S BE HONEST AND

557
00:17:36,889 --> 00:17:37,690
BE REAL.

558
00:17:37,690 --> 00:17:40,159
LAST FEW WEEKS -- THE LAST FEW

559
00:17:40,159 --> 00:17:42,094
WEEKS YOU WANTED TO THROW IN THE

560
00:17:42,094 --> 00:17:42,595
TOWEL.

561
00:17:42,595 --> 00:17:44,530
WHAT CHANGED AND WHY DID YOU

562
00:17:44,530 --> 00:17:45,298
DECIDE NOT TO?

563
00:17:45,298 --> 00:17:47,333
>> WELL, THIS IS AN EXPERIENCE

564
00:17:47,333 --> 00:17:48,601
LIKE NO OTHER.

565
00:17:48,601 --> 00:17:49,802
VERY FEW PEOPLE GET TO

566
00:17:49,802 --> 00:17:50,636
EXPERIENCE IT.

567
00:17:50,636 --> 00:17:53,673
MY PARTNER'S AMAZING.

568
00:17:53,673 --> 00:17:55,408
SHE WANTS TO TO BE HERE.

569
00:17:55,408 --> 00:17:56,776
I WANT TO BE HERE.

570
00:17:56,776 --> 00:17:58,377
>> Julianne: YOU TOOK THE WORDS

571
00:17:58,377 --> 00:17:59,879
RIGHT OUT OF MY MOUTH.

572
00:17:59,879 --> 00:18:01,614
I WAS GOING TO ASK WHAT IT'S

573
00:18:01,614 --> 00:18:02,915
BEEN LIKE WORKING WITH DANIELLA

574
00:18:02,915 --> 00:18:04,450
AND LEARNING FROM HER?

575
00:18:04,450 --> 00:18:06,052
>> JUST INCREDIBLE.

576
00:18:06,052 --> 00:18:07,119
SHE'S A WORLD CHAMPION.

577
00:18:07,119 --> 00:18:07,720
SHE'S A MOM.

578
00:18:07,720 --> 00:18:09,956
SHE WORKS SO HARD.

579
00:18:09,956 --> 00:18:13,759
IF I GET TO BE IN THE SAME ROOM

580
00:18:13,759 --> 00:18:14,794
WITH A PERSON LIKE THAT, IT'S AN

581
00:18:14,794 --> 00:18:16,662
OPPORTUNITY I HAVE TO DO.

582
00:18:16,662 --> 00:18:17,396
>> Julianne: THAT WAS

583
00:18:17,396 --> 00:18:18,130
BEAUTIFULLY SAID.

584
00:18:18,130 --> 00:18:20,232
>> SO GRATEFUL.

585
00:18:20,232 --> 00:18:21,634
>> THANK YOU.

586
00:18:21,634 --> 00:18:22,301
>> Julianne: ALL RIGHT.

587
00:18:22,301 --> 00:18:24,337
AS WE WIPE OUR TEARS, LET'S GET

588
00:18:24,337 --> 00:18:27,506
YOUR SCORES.

589
00:18:27,506 --> 00:18:30,076
>> Announcer: CARRIE ANN INABA?

590
00:18:30,076 --> 00:18:31,110
>> Carrie Ann: 9.

591
00:18:31,110 --> 00:18:33,612
>> Announcer: DEREK HOUGH?

592
00:18:33,612 --> 00:18:34,847
>> Derek: 9.

593
00:18:34,847 --> 00:18:36,749
>> Announcer: BRUNO TONIOLI?

594
00:18:36,749 --> 00:18:37,183
>> Bruno: 9.

595
00:18:37,183 --> 00:18:38,084
>> Julianne: THAT'S A 27 OUT OF

596
00:18:38,084 --> 00:18:39,452
30 FOR JASON AND DANIELLA SO

597
00:18:39,452 --> 00:18:40,252
FAR.

598
00:18:40,252 --> 00:18:41,754
THEY'LL COMPETE AGAIN LATER.

599
00:18:41,754 --> 00:18:42,755
YOU DON'T HAVE TO WAIT AGAIN TO

600
00:18:42,755 --> 00:18:43,556
VOTE.

601
00:18:43,556 --> 00:18:45,257
YOU CAN DO IT BY TEXT AND ONLINE

602
00:18:45,257 --> 00:18:46,692
AT ABC.COM.

603
00:18:46,692 --> 00:18:47,426
ALFONSO?

604
00:18:47,426 --> 00:18:49,428
>> Alfonso: JASON'S CLOSEST

605
00:18:49,428 --> 00:18:50,663
COMPETITORS LAST WEEK WERE OUR

606
00:18:50,663 --> 00:18:52,965
MARVEL STAR AND HER PARTNER.

607
00:18:52,965 --> 00:18:54,467
CAN THEY CATCH HIM?

608
00:18:54,467 --> 00:18:55,267
XOCHITL GOMEZ AND

609
00:18:55,267 --> 00:18:58,304
VAL CHMERKOVSKIY ARE NEXT, LIVE.

610
00:19:08,748 --> 00:19:09,081
♪♪

611
00:19:09,081 --> 00:19:09,949
[ CHEERS AND APPLAUSE ]

612
00:19:09,949 --> 00:19:11,384
>> Alfonso: WELCOME BACK TO THE

613
00:19:11,384 --> 00:19:12,852
SEMI-FINALS.

614
00:19:12,852 --> 00:19:14,420
OUR MARVEL STAR IS UP NEXT.

615
00:19:14,420 --> 00:19:16,489
HERE'S HOW SHE TRAINED IN HOPES

616
00:19:16,489 --> 00:19:18,958
OF SCORING HER HIGHEST SCORE OF

617
00:19:18,958 --> 00:19:20,259
THE SEASON.

618
00:19:20,259 --> 00:19:21,794
IT'S XOCHITL GOMEZ AND VAL

619
00:19:21,794 --> 00:19:28,334
CHMERKOVSKIY.

620
00:19:28,334 --> 00:19:29,468
♪♪

621
00:19:29,468 --> 00:19:30,503
[ CHEERS AND APPLAUSE ]

622
00:19:30,503 --> 00:19:34,140
>> Derek: YOU BRING EVERY DANCE

623
00:19:34,140 --> 00:19:34,707
TO LIFE.

624
00:19:34,707 --> 00:19:42,415
I WANT TO SEE YOU IN THE FINALS.

625
00:19:42,415 --> 00:19:43,015
>> Carrie Ann: 9.

626
00:19:43,015 --> 00:19:44,050
>> Bruno: 10!

627
00:19:44,050 --> 00:19:46,585
>> GETTING TO THE SEMI-FINALS,

628
00:19:46,585 --> 00:19:47,520
THIS WASN'T SOMETHING I THOUGHT

629
00:19:47,520 --> 00:19:48,320
WOULD HAPPEN.

630
00:19:48,320 --> 00:19:49,789
I'M SO HAPPY.

631
00:19:49,789 --> 00:19:50,823
>> SEMI-FINALS, BABY.

632
00:19:50,823 --> 00:19:51,257
LET'S GO.

633
00:19:51,257 --> 00:19:54,827
>> LET'S GO.

634
00:19:54,827 --> 00:19:55,261
I'M SO HAPPY.

635
00:19:55,261 --> 00:19:56,595
>> I KNOW.

636
00:19:56,595 --> 00:19:57,296
ME TOO.

637
00:19:57,296 --> 00:19:58,197
>> I DIDN'T THINK I WOULD MAKE

638
00:19:58,197 --> 00:19:59,598
IT THIS FAR.

639
00:19:59,598 --> 00:20:01,634
I THOUGHT I WOULD MAKE IT TO

640
00:20:01,634 --> 00:20:02,601
WEEK FIVE.

641
00:20:02,601 --> 00:20:04,704
AS A LITTLE KID I WOULD FAKE IT

642
00:20:04,704 --> 00:20:06,639
AND PRETEND I KNEW HOW TO DANCE.

643
00:20:06,639 --> 00:20:09,275
SO EMBARRASSING.

644
00:20:09,275 --> 00:20:11,410
HERE WE ARE AT THE SEMI-FINALS.

645
00:20:11,410 --> 00:20:13,746
I HOPE IF THERE'S ROLES OUT

646
00:20:13,746 --> 00:20:15,915
THERE THAT HAVE DANCE INVOLVED,

647
00:20:15,915 --> 00:20:16,782
I CAN DO THAT.

648
00:20:16,782 --> 00:20:18,851
>> YOU GET THAT OSCAR, I'LL BE

649
00:20:18,851 --> 00:20:19,185
THERE.

650
00:20:19,185 --> 00:20:20,553
>> YOU'LL BE THERE.

651
00:20:20,553 --> 00:20:22,455
>> FIRST ROUND IS THE LATIN

652
00:20:22,455 --> 00:20:22,888
ROUND.

653
00:20:22,888 --> 00:20:24,356
WE'RE DOING THE SAMBA.

654
00:20:24,356 --> 00:20:25,224
>> IS IT HARD?

655
00:20:25,224 --> 00:20:26,826
>> VERY HARD, YES.

656
00:20:26,826 --> 00:20:27,660
>> OH, MAN.

657
00:20:27,660 --> 00:20:29,929
>> IT'S A CELEBRATION WHICH IS

658
00:20:29,929 --> 00:20:32,231
PERFECT BECAUSE BEING IN THE

659
00:20:32,231 --> 00:20:33,732
SEMI-FINALS IS A PERFECT TIME TO

660
00:20:33,732 --> 00:20:36,068
NOT JUST WORK HARD, BUT TO

661
00:20:36,068 --> 00:20:36,435
CELEBRATE.

662
00:20:36,435 --> 00:20:39,171
THE SAMBA IS NO EASY FEAT.

663
00:20:39,171 --> 00:20:40,539
>> MY GOSH.

664
00:20:40,539 --> 00:20:42,341
HOW AM I GOING TO BE ABLE TO DO

665
00:20:42,341 --> 00:20:43,309
ALL THAT?

666
00:20:43,309 --> 00:20:47,179
>> TECHNICALLY THIS ROUTINE IS

667
00:20:47,179 --> 00:20:47,880
REALLY HARD.

668
00:20:47,880 --> 00:20:51,951
A LOT OF RHYTHMICAL ACTION AND

669
00:20:51,951 --> 00:20:53,085
PHYSICALLY DEMANDING.

670
00:20:53,085 --> 00:20:54,987
THAT'S GOING TO BE OUR BIGGEST

671
00:20:54,987 --> 00:20:55,354
CHALLENGE.

672
00:20:55,354 --> 00:20:56,555
>> HOW DO I DO THAT?

673
00:20:56,555 --> 00:20:58,557
>> STRAIGHTEN YOUR LEGS.

674
00:20:58,557 --> 00:21:00,025
>> I CAN'T BELIEVE WE SAVED ONE

675
00:21:00,025 --> 00:21:03,596
OF THE HARDEST DANCES FOR THE

676
00:21:03,596 --> 00:21:03,996
SEMI-FINALS.

677
00:21:03,996 --> 00:21:06,298
>> WHOA, THAT IS SO FAR.

678
00:21:06,298 --> 00:21:08,400
I NEED TO BE ABLE TO MASTER THE

679
00:21:08,400 --> 00:21:12,004
RHYTHM, THE TEMPO, THE BEAT.

680
00:21:12,004 --> 00:21:12,838
IT'S HARD.

681
00:21:12,838 --> 00:21:15,141
I HAVE NOT GOTTEN A SINGLE 10

682
00:21:15,141 --> 00:21:16,942
FOR ANY OF THE LATIN DANCES I'VE

683
00:21:16,942 --> 00:21:17,376
DONE.

684
00:21:17,376 --> 00:21:18,110
>> NICE.

685
00:21:18,110 --> 00:21:19,845
>> I'M DETERMINED TO MAKE THIS

686
00:21:19,845 --> 00:21:20,880
PERFORMANCE FLAWLESS.

687
00:21:20,880 --> 00:21:23,115
>> GORGEOUS.

688
00:21:23,115 --> 00:21:25,050
>> Announcer: DANCING THE SAMBA,

689
00:21:25,050 --> 00:21:26,719
WITH HER PARTNER VAL

690
00:21:26,719 --> 00:21:28,187
CHMERKOVSKIY, IT'S XOCHITL

691
00:21:28,187 --> 00:21:33,058
GOMEZ.

692
00:21:33,058 --> 00:21:41,200
[ CHEERS AND APPLAUSE ]

693
00:21:41,200 --> 00:21:41,534
♪♪

694
00:21:41,534 --> 00:21:44,069
♪♪

695
00:21:44,069 --> 00:21:49,508
♪ OH-EH OH-EH

696
00:21:49,508 --> 00:21:52,144
OH-EH OH-EH

697
00:21:52,144 --> 00:21:55,014
ARRIBA CON LA SAMBA ♪

698
00:21:55,014 --> 00:21:56,182
♪ EVERYBODY

699
00:21:56,182 --> 00:21:58,083
GATHER 'ROUND NOW ♪

700
00:21:58,083 --> 00:22:01,153
♪ LET YOUR BODY

701
00:22:01,153 --> 00:22:05,524
FEEL THE HEAT ♪

702
00:22:05,524 --> 00:22:12,765
♪ DON'T YOU WORRY

703
00:22:12,765 --> 00:22:13,566
IF YOU CAN'T DANCE ♪

704
00:22:13,566 --> 00:22:14,099
♪ LET THE MUSIC

705
00:22:14,099 --> 00:22:17,436
MOVE YOUR FEET ♪

706
00:22:17,436 --> 00:22:19,738
♪ COME ON

707
00:22:19,738 --> 00:22:24,076
SHAKE YOUR BODY BABY

708
00:22:24,076 --> 00:22:25,844
DO THE SAMBA ♪

709
00:22:25,844 --> 00:22:28,581
♪ I KNOW

710
00:22:28,581 --> 00:22:29,315
YOU CAN'T CONTROL YOURSELF

711
00:22:29,315 --> 00:22:31,083
ANY LONGER ♪

712
00:22:31,083 --> 00:22:32,084
♪ FEEL THE RHYTHM

713
00:22:32,084 --> 00:22:33,285
OF THE MUSIC

714
00:22:33,285 --> 00:22:34,353
GETTING STRONGER ♪

715
00:22:34,353 --> 00:22:35,421
♪ DON'T YOU FIGHT IT

716
00:22:35,421 --> 00:22:36,555
'TIL YOU'VE TRIED IT

717
00:22:36,555 --> 00:22:37,756
DO THE SAMBA BEAT ♪

718
00:22:37,756 --> 00:22:39,992
♪ OH-EH OH-EH

719
00:22:39,992 --> 00:22:40,826
OH-EH OH-EH

720
00:22:40,826 --> 00:22:42,261
ARRIBA CON LA SAMBA ♪

721
00:22:42,261 --> 00:22:46,298
♪ COME ON

722
00:22:46,298 --> 00:22:48,734
SHAKE YOUR BODY BABY

723
00:22:48,734 --> 00:22:52,204
DO THE SAMBA ♪

724
00:22:52,204 --> 00:22:53,339
♪ I KNOW

725
00:22:53,339 --> 00:22:56,508
YOU CAN'T CONTROL YOURSELF

726
00:22:56,508 --> 00:22:57,142
ANY LONGER ♪

727
00:22:57,142 --> 00:22:58,143
♪ FEEL THE RHYTHM

728
00:22:58,143 --> 00:22:58,644
OF THE MUSIC

729
00:22:58,644 --> 00:22:59,211
GETTING STRONGER ♪

730
00:22:59,211 --> 00:22:59,812
♪ DON'T YOU FIGHT IT

731
00:22:59,812 --> 00:23:00,646
'TIL YOU'VE TRIED IT

732
00:23:00,646 --> 00:23:01,313
DO THE SAMBA BEAT ♪

733
00:23:01,313 --> 00:23:06,185
♪ EY ♪

734
00:23:06,185 --> 00:23:08,153
[ CHEERS AND APPLAUSE ]

735
00:23:08,153 --> 00:23:09,021
>> Alfonso: XOCHITL AND VAL

736
00:23:09,021 --> 00:23:14,793
DANCING A SAMBA TO "SAMBA."

737
00:23:14,793 --> 00:23:15,227
YES.

738
00:23:15,227 --> 00:23:16,228
EVERYBODY IN THE BALLROOM IS

739
00:23:16,228 --> 00:23:21,367
LOVIN' THAT ONE.

740
00:23:21,367 --> 00:23:21,967
SO GOOD.

741
00:23:21,967 --> 00:23:22,434
ALL RIGHT.

742
00:23:22,434 --> 00:23:24,503
I GOT TO SAY SOME STUFF.

743
00:23:24,503 --> 00:23:25,604
YOU CATCH YOUR BREATH.

744
00:23:25,604 --> 00:23:27,773
BEFORE WE HEAR FROM THE JUDGES,

745
00:23:27,773 --> 00:23:28,574
CONGRATULATIONS TO CARRIE ANN

746
00:23:28,574 --> 00:23:31,910
FOR BEING NAMED ONE OF THE 40

747
00:23:31,910 --> 00:23:34,179
MOST POWERFUL WOMEN IN REALITY

748
00:23:34,179 --> 00:23:35,648
TELEVISION BY "VARIETY."

749
00:23:35,648 --> 00:23:38,717
THAT IS A MAJOR HONOR.

750
00:23:38,717 --> 00:23:39,218
CONGRATULATIONS.

751
00:23:39,218 --> 00:23:39,618
ALL RIGHT.

752
00:23:39,618 --> 00:23:43,656
CARRIE ANN, YOU'RE UP FIRST.

753
00:23:43,656 --> 00:23:44,456
WHAT DO YOU THINK OF XOCHITL AND

754
00:23:44,456 --> 00:23:46,258
VAL'S SAMBA?

755
00:23:46,258 --> 00:23:48,460
>> Carrie Ann: THAT WAS

756
00:23:48,460 --> 00:23:48,861
SPECTACULAR!

757
00:23:48,861 --> 00:23:51,263
THE CONTENT WAS OFF THE CHARTS,

758
00:23:51,263 --> 00:23:54,300
MAYBE ONE OF THE MOST DIFFICULT

759
00:23:54,300 --> 00:23:55,768
ROUTINES WE'VE EVER SEEN.

760
00:23:55,768 --> 00:23:57,403
VAL, THE CHOREOGRAPHY WAS

761
00:23:57,403 --> 00:23:58,103
FANTASTIC.

762
00:23:58,103 --> 00:24:00,506
XOCHITL, YOUR FLEXIBILITY, THE

763
00:24:00,506 --> 00:24:02,241
BOUNCE, THE SMOOTH, EVERYTHING.

764
00:24:02,241 --> 00:24:08,180
I MEAN, YOU'RE A STAR.

765
00:24:08,180 --> 00:24:09,281
>> Alfonso: DEREK?

766
00:24:09,281 --> 00:24:10,816
>> Derek: I ACTUALLY -- I DIDN'T

767
00:24:10,816 --> 00:24:11,650
LIKE IT.

768
00:24:11,650 --> 00:24:14,320
I LOVED IT!

769
00:24:14,320 --> 00:24:16,555
IT WAS AMAZING.

770
00:24:16,555 --> 00:24:19,425
HONESTLY, THE CONTENT, I MEAN

771
00:24:19,425 --> 00:24:21,827
THE SLING SHOT, THE PROMENADE

772
00:24:21,827 --> 00:24:23,529
RUNS, THE TEXTURE, THE QUALITY

773
00:24:23,529 --> 00:24:24,997
OF MOVEMENT.

774
00:24:24,997 --> 00:24:26,632
YOU COULD SEE THE DETAILS YOU

775
00:24:26,632 --> 00:24:28,867
PUT IN THAT ROUTINE.

776
00:24:28,867 --> 00:24:29,201
FANTASTIC.

777
00:24:29,201 --> 00:24:30,436
THE CRISP TURNS.

778
00:24:30,436 --> 00:24:31,737
THAT WAS JAM PACKED.

779
00:24:31,737 --> 00:24:34,940
THAT WAS A SAMBA.

780
00:24:34,940 --> 00:24:36,909
>> Alfonso: DEREK, YOU ALMOST

781
00:24:36,909 --> 00:24:40,012
HAD EVERYONE COMING AT YOU.

782
00:24:40,012 --> 00:24:40,346
BRUNO?

783
00:24:40,346 --> 00:24:41,880
>> Bruno: I'M STILL PARTYING.

784
00:24:41,880 --> 00:24:44,149
ALL OF AMERICA IS PARTYING AFTER

785
00:24:44,149 --> 00:24:44,483
THIS.

786
00:24:44,483 --> 00:24:46,151
I MEAN, COME ON.

787
00:24:46,151 --> 00:24:47,486
I WAS SHAKING MY HEAD.

788
00:24:47,486 --> 00:24:49,388
THIS IS NOT TRUE.

789
00:24:49,388 --> 00:24:50,622
YOU NEVER DONE THIS BEFORE.

790
00:24:50,622 --> 00:24:54,526
SHE IS THE SAMBA DIVA.

791
00:24:54,526 --> 00:24:57,129
I MEAN, VIBRANT, EXCITING.

792
00:24:57,129 --> 00:24:57,930
LET ME MAKE A POINT.

793
00:24:57,930 --> 00:25:01,967
THE CONTENT, THE CONTENT WAS THE

794
00:25:01,967 --> 00:25:05,004
ESSENCE OF SAMBA.

795
00:25:05,004 --> 00:25:06,939
NOTHING LEFT OUT.

796
00:25:06,939 --> 00:25:08,607
ALWAYS DELIVERED LIKE A STAR.

797
00:25:08,607 --> 00:25:10,809
>> THANK YOU.

798
00:25:10,809 --> 00:25:14,279
>> Alfonso: GREAT JOB, VAL.

799
00:25:14,279 --> 00:25:15,014
HEAD TO JULIANNE IN THE SKYBOX

800
00:25:15,014 --> 00:25:15,814
FOR YOUR SCORES.

801
00:25:15,814 --> 00:25:16,515
GETTING READY FOR THEIR FIRST

802
00:25:16,515 --> 00:25:17,249
DANCE OF THE NIGHT ARE CHARITY

803
00:25:17,249 --> 00:25:19,551
LAWSON AND ARTEM CHIGVINTSEV.

804
00:25:19,551 --> 00:25:20,652
THEY'LL RUMBA TO A SONG PLAYED

805
00:25:20,652 --> 00:25:21,320
BY THE FANTASTIC MUSICIANS

806
00:25:21,320 --> 00:25:22,721
BEHIND ME.

807
00:25:22,721 --> 00:25:23,355
GIVE IT UP FOR OUR MUSIC

808
00:25:23,355 --> 00:25:24,056
DIRECTOR, OUR SINGERS AND OUR

809
00:25:24,056 --> 00:25:25,457
BAND.

810
00:25:25,457 --> 00:25:27,292
IT'S RAY CHEW LIVE.

811
00:25:27,292 --> 00:25:27,893
[ CHEERS AND APPLAUSE ]

812
00:25:27,893 --> 00:25:31,663
HAPPY SEMI-FINALS, RAY.

813
00:25:31,663 --> 00:25:32,431
JULIANNE, TAKE IT AWAY.

814
00:25:32,431 --> 00:25:34,733
>> Julianne: THANKS, ALFONSO.

815
00:25:34,733 --> 00:25:36,568
SO MUCH CELEBRATION HAPPENING.

816
00:25:36,568 --> 00:25:37,770
PRAISE AFTER PRAISE AFTER PRAISE

817
00:25:37,770 --> 00:25:39,438
FROM THE JUDGES.

818
00:25:39,438 --> 00:25:40,672
NOW, YOU HAVE GOT PERFECT SCORES

819
00:25:40,672 --> 00:25:42,541
IN YOUR BALLROOM DANCE, BUT

820
00:25:42,541 --> 00:25:43,208
NEVER LATIN.

821
00:25:43,208 --> 00:25:45,811
>> NEVER MILA CONTINUE, NO.

822
00:25:45,811 --> 00:25:47,146
>> Alfonso: HOW YOU FEELING

823
00:25:47,146 --> 00:25:48,113
RIGHT NOW?

824
00:25:48,113 --> 00:25:50,315
>> I'M SO HAPPY WE DID IT.

825
00:25:50,315 --> 00:25:51,583
I DON'T UNDERSTAND YOU

826
00:25:51,583 --> 00:25:52,017
UNDERSTAND.

827
00:25:52,017 --> 00:25:52,918
I'M SO DRAINED.

828
00:25:52,918 --> 00:25:55,454
YOU PUT SO MUCH STUFF IN THERE,

829
00:25:55,454 --> 00:25:55,821
BRO.

830
00:25:55,821 --> 00:25:58,891
>> I'M 20 YEARS OLDER THAN YOU,

831
00:25:58,891 --> 00:25:59,258
BRO.

832
00:25:59,258 --> 00:25:59,725
>> THAT'S TRUE.

833
00:25:59,725 --> 00:26:02,294
>> Julianne: HEY, BROS, I WANT

834
00:26:02,294 --> 00:26:03,162
TO UNDERSTAND.

835
00:26:03,162 --> 00:26:04,596
YOU HAVE PROBABLY HAD ONE OF THE

836
00:26:04,596 --> 00:26:05,798
BIGGEST TRANSFORMATIONS.

837
00:26:05,798 --> 00:26:07,566
WHAT KIND OF TRANSFORMATION DO

838
00:26:07,566 --> 00:26:09,334
YOU FEEL LIKE YOU'VE HAD ON THE

839
00:26:09,334 --> 00:26:10,335
SHOW?

840
00:26:10,335 --> 00:26:12,571
>> OF COURSE DANCE -- I CAN

841
00:26:12,571 --> 00:26:13,672
DANCE NOW.

842
00:26:13,672 --> 00:26:16,208
LIKE, MAINLY JUST BEING ON A

843
00:26:16,208 --> 00:26:17,810
BUNCH OF PROJECTS YOU FORGET

844
00:26:17,810 --> 00:26:19,978
THERE'S FAMILY INVOLVED IN ALL

845
00:26:19,978 --> 00:26:21,313
OF IT.

846
00:26:21,313 --> 00:26:22,881
BEING ON THE SHOW, EVERYONE IS

847
00:26:22,881 --> 00:26:24,917
LIKE FAMILY HERE.

848
00:26:24,917 --> 00:26:27,019
I'VE FORMED REALLY GENUINE

849
00:26:27,019 --> 00:26:29,021
FRIENDSHIPS WITH EVERYONE.

850
00:26:29,021 --> 00:26:30,255
IT'S JUST BEEN REALLY NICE TO

851
00:26:30,255 --> 00:26:32,424
HAVE THAT AND TO HAVE PEOPLE

852
00:26:32,424 --> 00:26:35,360
TRULY CARE FOR ME AND LOVE ME.

853
00:26:35,360 --> 00:26:36,962
THAT'S REALLY RARE.

854
00:26:36,962 --> 00:26:38,864
HAVING THAT WAS REALLY NICE.

855
00:26:38,864 --> 00:26:40,299
>> Julianne: DEFINITELY THE

856
00:26:40,299 --> 00:26:41,066
"DANCING WITH THE STARS" FAMILY

857
00:26:41,066 --> 00:26:41,500
FOR SURE.

858
00:26:41,500 --> 00:26:42,901
>> IT'S HOW IT SHOULD BE.

859
00:26:42,901 --> 00:26:44,636
>> Julianne: ABSOLUTELY.

860
00:26:44,636 --> 00:26:48,273
LET'S GET YOUR SCORES.

861
00:26:48,273 --> 00:26:49,007
>> Announcer: CARRIE ANN INABA?

862
00:26:49,007 --> 00:26:51,009
>> Carrie Ann: IT'S A 10.

863
00:26:51,009 --> 00:26:53,412
>> Announcer: DEREK HOUGH?

864
00:26:53,412 --> 00:26:54,246
>> Derek: 10!

865
00:26:54,246 --> 00:26:58,183
>> Announcer: BRUNO TONIOLI?

866
00:26:58,183 --> 00:26:59,251
>> Bruno: 10!

867
00:26:59,251 --> 00:27:00,319
>> Julianne: THAT IS A PERFECT

868
00:27:00,319 --> 00:27:00,953
30 OUT OF 30 FOR XOCHITL AND

869
00:27:00,953 --> 00:27:01,653
VAL.

870
00:27:01,653 --> 00:27:02,554
HOW DOES IT FEEL TO GET A

871
00:27:02,554 --> 00:27:04,256
PERFECT SCORE ON A LATIN DANCE?

872
00:27:04,256 --> 00:27:05,424
>> IT FEELS AMAZING.

873
00:27:05,424 --> 00:27:08,627
ALSO, WE WORKED SO HARD.

874
00:27:08,627 --> 00:27:09,695
>> VOTE FOR US.

875
00:27:09,695 --> 00:27:11,330
>> PLEASE VOTE FOR US.

876
00:27:11,330 --> 00:27:12,397
>> Julianne: THEY HAVE MORE

877
00:27:12,397 --> 00:27:14,833
JUDGES SCORES.

878
00:27:14,833 --> 00:27:16,368
AS ALWAYS YOUR VOTES COUNT FOR

879
00:27:16,368 --> 00:27:19,271
HALF OF THEIR TOTALS.

880
00:27:19,271 --> 00:27:20,639
VOTING CLOSES DURING THE LAST

881
00:27:20,639 --> 00:27:21,573
COMMERCIAL BREAK.

882
00:27:21,573 --> 00:27:22,474
[ CHEERS AND APPLAUSE ]

883
00:27:32,351 --> 00:27:32,684
♪♪

884
00:27:32,684 --> 00:27:33,285
[ CHEERS AND APPLAUSE ]

885
00:27:33,285 --> 00:27:34,019
>> Alfonso: WELCOME BACK TO THE

886
00:27:34,019 --> 00:27:35,387
SEMI-FINALS.

887
00:27:35,387 --> 00:27:37,256
TONIGHT, OUR STARS ARE DANCING

888
00:27:37,256 --> 00:27:39,124
FOR A PLACE IN NEXT TUESDAY

889
00:27:39,124 --> 00:27:40,292
NIGHT'S FINALE.

890
00:27:40,292 --> 00:27:42,528
UP NEXT, OUR BACHELORETTE STAR

891
00:27:42,528 --> 00:27:44,263
WHO HIT THE TOP OF THE

892
00:27:44,263 --> 00:27:45,998
LEADERBOARD TWICE THIS SEASON.

893
00:27:45,998 --> 00:27:47,232
>> Julianne: THIS WEEK SHE AND

894
00:27:47,232 --> 00:27:52,170
HER PARTNER TRAIN TO RECREATE

895
00:27:52,170 --> 00:27:56,208
THEIR MAGIC FORMULA AND RECLAIM

896
00:27:56,208 --> 00:27:56,642
FORMER GLORY.

897
00:27:56,642 --> 00:27:57,342
IT'S CHARITY LAWSON AND ARTEM

898
00:27:57,342 --> 00:28:01,847
CHIGVINTSEV.

899
00:28:01,847 --> 00:28:02,214
♪♪

900
00:28:02,214 --> 00:28:08,120
[ CHEERS AND APPLAUSE ]

901
00:28:08,120 --> 00:28:09,488
>> Carrie Ann: NO ONE HAS LINES

902
00:28:09,488 --> 00:28:11,089
AS BEAUTIFUL AS YOU.

903
00:28:11,089 --> 00:28:12,624
JUST FEEL LIKE THERE'S AN OUNCE

904
00:28:12,624 --> 00:28:17,563
MORE IN YOU.

905
00:28:17,563 --> 00:28:19,565
>> LAST WEEK WAS INCREDIBLE.

906
00:28:19,565 --> 00:28:21,300
IT WAS ONE OF MY FAVORITE

907
00:28:21,300 --> 00:28:21,867
DANCES.

908
00:28:21,867 --> 00:28:26,338
GETTING TWO 10s WAS --

909
00:28:26,338 --> 00:28:30,108
>> OH, MY GOD.

910
00:28:30,108 --> 00:28:30,442
WOW.

911
00:28:30,442 --> 00:28:31,910
>> THIS IS A TESTAMENT TO ALL

912
00:28:31,910 --> 00:28:32,778
OUR HARD WORK.

913
00:28:32,778 --> 00:28:34,880
I NEVER THOUGHT THIS REALLY

914
00:28:34,880 --> 00:28:36,448
COULD BE OBTAINABLE.

915
00:28:36,448 --> 00:28:38,383
NONE OF THIS COMES EASY.

916
00:28:38,383 --> 00:28:40,118
SEEING HOW MUCH STRENGTH AND

917
00:28:40,118 --> 00:28:41,086
RESILIENCE I HAVE HAS BEEN THE

918
00:28:41,086 --> 00:28:44,222
HIGHLIGHT FOR ME.

919
00:28:44,222 --> 00:28:47,392
>> THIS WEEK IT'S ANOTHER TWO

920
00:28:47,392 --> 00:28:47,726
DANCES.

921
00:28:47,726 --> 00:28:48,327
>> TWO FULL.

922
00:28:48,327 --> 00:28:51,430
NOT LIKE IT'S 30 SECONDS.

923
00:28:51,430 --> 00:28:53,865
>> IT'S THREE MINUTES TOTAL

924
00:28:53,865 --> 00:28:55,067
DANCING.

925
00:28:55,067 --> 00:28:56,969
OUR FIRST DANCE WE'LL BE DOING A

926
00:28:56,969 --> 00:28:59,438
RUMBA WHICH IS THE LATIN STYLE

927
00:28:59,438 --> 00:29:00,872
OF DANCE.

928
00:29:00,872 --> 00:29:01,907
YOU CAN PUT TOGETHER THE

929
00:29:01,907 --> 00:29:03,342
PERFORMANCE PART OF IT LIKE YOU

930
00:29:03,342 --> 00:29:06,044
DID IN THE CONTEMPORARY WEEK AND

931
00:29:06,044 --> 00:29:07,613
APPLY IT TO THE TECHNIQUE OF THE

932
00:29:07,613 --> 00:29:07,946
DANCE.

933
00:29:07,946 --> 00:29:09,548
THAT'S THE MAGIC COMBINATION.

934
00:29:09,548 --> 00:29:10,582
IF THAT HAPPENS --

935
00:29:10,582 --> 00:29:12,017
>> IT'S GOING TO BE --

936
00:29:12,017 --> 00:29:14,286
>> IT WILL ALL COME TOGETHER.

937
00:29:14,286 --> 00:29:15,754
>> LET'S GET TO WORK.

938
00:29:15,754 --> 00:29:19,825
>> RUMBA IS REALLY PASSIONATE

939
00:29:19,825 --> 00:29:21,360
AND EMOTIONAL.

940
00:29:21,360 --> 00:29:25,931
EVERY SINGLE STEP HAS TO HAVE

941
00:29:25,931 --> 00:29:26,298
EMOTION.

942
00:29:26,298 --> 00:29:26,999
CHARITY IS NOT AN ACTRESS OR

943
00:29:26,999 --> 00:29:27,332
SINGER.

944
00:29:27,332 --> 00:29:29,868
IT'S UNNATURAL FOR CHARITY TO

945
00:29:29,868 --> 00:29:30,168
EMOTE.

946
00:29:30,168 --> 00:29:32,537
WE HAVE TO MAKE IT RIGHT.

947
00:29:32,537 --> 00:29:34,573
>> HEAD MOVEMENT.

948
00:29:34,573 --> 00:29:34,973
BEAUTIFUL.

949
00:29:34,973 --> 00:29:36,041
>> THIS IS A MOMENT FOR ME TO

950
00:29:36,041 --> 00:29:39,444
REALLY STEP UP MY PERFORMANCES

951
00:29:39,444 --> 00:29:43,115
AND WHAT THE JUDGES WANT FROM

952
00:29:43,115 --> 00:29:43,615
ME, WHICH IS MORE.

953
00:29:43,615 --> 00:29:44,316
THERE WE GO.

954
00:29:44,316 --> 00:29:45,817
AT THIS STAGE OF THE

955
00:29:45,817 --> 00:29:48,020
COMPETITION, IT'S NOT ABOUT A

956
00:29:48,020 --> 00:29:48,754
TECHNICALLY BRILLIANT

957
00:29:48,754 --> 00:29:49,154
PERFORMANCE.

958
00:29:49,154 --> 00:29:49,955
>> WAY BETTER.

959
00:29:49,955 --> 00:29:51,790
>> I HAVE TO PERFORM FROM MY

960
00:29:51,790 --> 00:29:52,124
HEART.

961
00:29:52,124 --> 00:29:53,358
>> THIS IS GREAT.

962
00:29:53,358 --> 00:29:54,593
>> THANK YOU.

963
00:29:54,593 --> 00:29:55,327
>> REALLY KEEP PUSHING YOURSELF.

964
00:29:55,327 --> 00:29:57,329
>> OKAY.

965
00:29:57,329 --> 00:30:00,499
>> Announcer: DANCING THE RUMBA,

966
00:30:00,499 --> 00:30:03,635
WITH HER PARTNER ARTEM

967
00:30:03,635 --> 00:30:04,269
CHIGVINTSEV, IT'S CHARITY

968
00:30:04,269 --> 00:30:10,008
LAWSON.

969
00:30:10,008 --> 00:30:14,746
♪ ON THE FIRST PAGE OF OUR

970
00:30:14,746 --> 00:30:15,814
STORY THE FUTURE SEEMED

971
00:30:15,814 --> 00:30:18,483
SO BRIGHT ♪

972
00:30:18,483 --> 00:30:23,755
♪ THEN THE SAINT TURNED OUT

973
00:30:23,755 --> 00:30:24,456
SO EVIL I DON'T KNOW WHY I'M

974
00:30:24,456 --> 00:30:29,094
STILL SURPRISED ♪

975
00:30:29,094 --> 00:30:32,264
♪ EVEN ANGELS HAVE THEIR

976
00:30:32,264 --> 00:30:38,603
WICKED SCHEMES AND YOU TAKE

977
00:30:38,603 --> 00:30:46,011
THAT TO NEW EXTREMES ♪

978
00:30:46,011 --> 00:30:46,712
♪ BUT YOU'LL ALWAYS BE MY

979
00:30:46,712 --> 00:30:47,412
HERO EVEN THOUGH YOU'VE LOST

980
00:30:47,412 --> 00:30:51,283
YOUR MIND ♪

981
00:30:51,283 --> 00:30:54,519
♪ JUST GONNA STAND THERE AND

982
00:30:54,519 --> 00:31:00,859
WATCH ME BURN ♪

983
00:31:00,859 --> 00:31:02,461
♪ WELL THAT'S ALL RIGHT

984
00:31:02,461 --> 00:31:05,097
BECAUSE I LIKE THE WAY

985
00:31:05,097 --> 00:31:08,800
IT HURTS ♪

986
00:31:08,800 --> 00:31:10,869
♪ JUST GONNA STAND THERE AND

987
00:31:10,869 --> 00:31:11,937
HEAR ME CRY ♪

988
00:31:11,937 --> 00:31:14,606
♪ WELL THAT'S ALL RIGHT

989
00:31:14,606 --> 00:31:17,242
BECAUSE I LOVE THE WAY

990
00:31:17,242 --> 00:31:21,980
YOU LIE ♪

991
00:31:21,980 --> 00:31:23,014
♪ I LOVE THE WAY YOU LIE

992
00:31:23,014 --> 00:31:24,116
LOVE THE WAY YOU LIE ♪

993
00:31:24,116 --> 00:31:24,683
♪ THE WAY YOU LIE

994
00:31:24,683 --> 00:31:25,684
THE WAY YOU LIE

995
00:31:25,684 --> 00:31:26,785
THE WAY YOU LIE ♪

996
00:31:26,785 --> 00:31:29,054
♪ I LOVE THE WAY YOU LIE ♪

997
00:31:29,054 --> 00:31:33,058
[ CHEERS AND APPLAUSE ]

998
00:31:33,058 --> 00:31:35,127
>> Alfonso: CHARITY AND ARTEM,

999
00:31:35,127 --> 00:31:39,231
WE LOVE THE WAY THEY RUMBA.

1000
00:31:39,231 --> 00:31:39,598
YES.

1001
00:31:39,598 --> 00:31:41,199
OH, I THINK WE'RE GOING TO LIKE

1002
00:31:41,199 --> 00:31:41,933
THAT ONE.

1003
00:31:41,933 --> 00:31:45,203
I THINK WE'RE GOING TO LIKE THAT

1004
00:31:45,203 --> 00:31:45,837
ONE.

1005
00:31:45,837 --> 00:31:46,505
OKAY.

1006
00:31:46,505 --> 00:31:46,805
DEREK?

1007
00:31:46,805 --> 00:31:48,707
>> Derek: CHARITY, THE RUMBA IS

1008
00:31:48,707 --> 00:31:51,376
A DECEPTIVELY DIFFICULT DANCE,

1009
00:31:51,376 --> 00:31:53,678
BUT YOU MADE THAT LOOK

1010
00:31:53,678 --> 00:31:56,915
EFFORTLESS AND ABSOLUTELY

1011
00:31:56,915 --> 00:31:57,282
FANTASTIC.

1012
00:31:57,282 --> 00:31:59,151
THE WAY YOUR LEG ACTION WAS, THE

1013
00:31:59,151 --> 00:32:00,952
STRAIGHT LEGS AND THE SWIVELS,

1014
00:32:00,952 --> 00:32:02,921
THE WAY YOU ARTICULATED THE

1015
00:32:02,921 --> 00:32:04,356
FEET, THAT'S DIFFICULT.

1016
00:32:04,356 --> 00:32:04,956
SO FANTASTIC.

1017
00:32:04,956 --> 00:32:05,624
REALLY IS.

1018
00:32:05,624 --> 00:32:08,059
IT'S INCREDIBLE.

1019
00:32:08,059 --> 00:32:09,728
FOR ME, THERE WAS STILL A LITTLE

1020
00:32:09,728 --> 00:32:12,964
BIT LACKING OF EMOTION AND

1021
00:32:12,964 --> 00:32:13,365
CONNECTION.

1022
00:32:13,365 --> 00:32:15,066
>> Bruno: EXCUSE ME.

1023
00:32:15,066 --> 00:32:16,001
HOLD ON.

1024
00:32:16,001 --> 00:32:17,536
SHE WAS LIKE VELCRO.

1025
00:32:17,536 --> 00:32:20,172
YOU COULDN'T GET THE GIRL OUT.

1026
00:32:20,172 --> 00:32:21,540
I MEAN, COME ON.

1027
00:32:21,540 --> 00:32:23,508
SHE WAS ON IT, DEREK.

1028
00:32:23,508 --> 00:32:25,243
SHE WAS TOTALLY INTO IT.

1029
00:32:25,243 --> 00:32:27,512
WHO WOULD NOT BE INTO IT WITH

1030
00:32:27,512 --> 00:32:28,280
THOSE PECKS?

1031
00:32:28,280 --> 00:32:31,450
I MEAN, COME ON.

1032
00:32:31,450 --> 00:32:33,251
REALLY.

1033
00:32:33,251 --> 00:32:34,719
>> Derek: IT WAS BETTER.

1034
00:32:34,719 --> 00:32:36,788
>> Bruno: TECHNICALLY WHAT HE

1035
00:32:36,788 --> 00:32:37,989
SAID WAS RIGHT.

1036
00:32:37,989 --> 00:32:40,992
YOU WERE EMOTING, CONNECTING.

1037
00:32:40,992 --> 00:32:42,060
YOU WERE REALLY FEELING THE

1038
00:32:42,060 --> 00:32:43,195
DANCE, MY DARLING.

1039
00:32:43,195 --> 00:32:45,497
I LOVE TO SEE THAT.

1040
00:32:45,497 --> 00:32:46,765
EXCUSE ME, MADAM.

1041
00:32:46,765 --> 00:32:48,533
THE SEX APPEAL IS STARTING TO

1042
00:32:48,533 --> 00:32:51,169
COME OUT AS WELL.

1043
00:32:51,169 --> 00:32:51,536
THANK YOU.

1044
00:32:51,536 --> 00:32:52,137
>> Alfonso: OKAY.

1045
00:32:52,137 --> 00:32:55,640
YOU TWO BOYS ARE CRAZY.

1046
00:32:55,640 --> 00:32:56,942
CARRIE ANN?

1047
00:32:56,942 --> 00:32:57,909
>> Carrie Ann: OKAY.

1048
00:32:57,909 --> 00:32:59,110
"DANCING WITH THE STARS" IS A

1049
00:32:59,110 --> 00:33:02,214
JOURNEY OF SELF-DISCOVERY,

1050
00:33:02,214 --> 00:33:02,547
RIGHT?

1051
00:33:02,547 --> 00:33:03,949
YOU DON'T JUST WATCH DANCE.

1052
00:33:03,949 --> 00:33:05,550
YOU FEEL IT.

1053
00:33:05,550 --> 00:33:06,585
IT IS SO IMPORTANT.

1054
00:33:06,585 --> 00:33:09,654
I WANT YOU TO HAVE THAT

1055
00:33:09,654 --> 00:33:10,088
BREAKTHROUGH.

1056
00:33:10,088 --> 00:33:12,123
AND YOU HAD THE BREAKTHROUGH.

1057
00:33:12,123 --> 00:33:13,692
I AM SO PROUD OF YOU.

1058
00:33:13,692 --> 00:33:15,760
I KNOW IT WAS HARD FOR YOU.

1059
00:33:15,760 --> 00:33:18,763
THE BEAUTY OF THAT DANCE WAS

1060
00:33:18,763 --> 00:33:19,698
ARTISTRY IN MOTION.

1061
00:33:19,698 --> 00:33:21,867
IT WAS -- I'M VERY PROUD OF YOU.

1062
00:33:21,867 --> 00:33:24,269
I KNOW IT WAS HARD.

1063
00:33:24,269 --> 00:33:25,170
>> Alfonso: WE LOVE IT.

1064
00:33:25,170 --> 00:33:27,472
WE KNOW THE JOURNEY.

1065
00:33:27,472 --> 00:33:29,207
HEAD TO JULIANNE FOR YOUR

1066
00:33:29,207 --> 00:33:29,541
SCORES.

1067
00:33:29,541 --> 00:33:30,275
NEXT TUESDAY NIGHT, THE STARS OF

1068
00:33:30,275 --> 00:33:31,309
THE SEASON WILL RETURN TO

1069
00:33:31,309 --> 00:33:32,043
CELEBRATE OUR NEW CHAMPIONS ON

1070
00:33:32,043 --> 00:33:33,478
OUR SEASON FINALE.

1071
00:33:33,478 --> 00:33:35,046
WE'LL ALSO HAVE A SPECTACULAR

1072
00:33:35,046 --> 00:33:36,615
PERFORMANCE FROM OUR REIGNING

1073
00:33:36,615 --> 00:33:38,750
CHAMPS, CHARLI D'AMELIO AND

1074
00:33:38,750 --> 00:33:39,851
MARK BALLAS, DANCING FROM OUR

1075
00:33:39,851 --> 00:33:43,922
PROS, AND SOME SURPRISE GUESTS.

1076
00:33:43,922 --> 00:33:44,289
JULIANNE?

1077
00:33:44,289 --> 00:33:44,990
>> Julianne: I THINK I'M EVEN

1078
00:33:44,990 --> 00:33:45,690
MORE EXCITED TO COME TO WORK

1079
00:33:45,690 --> 00:33:48,193
NEXT WEEK, ALFONSO.

1080
00:33:48,193 --> 00:33:48,627
ALL RIGHT.

1081
00:33:48,627 --> 00:33:50,195
I CAN SEE YOU'RE A LITTLE

1082
00:33:50,195 --> 00:33:51,396
EMOTIONAL RIGHT NOW.

1083
00:33:51,396 --> 00:33:53,265
I THINK OVER THE SEASON THE

1084
00:33:53,265 --> 00:33:54,733
JUDGES HAVE CONSISTENTLY ASKED

1085
00:33:54,733 --> 00:33:56,401
FOR MORE EMOTION.

1086
00:33:56,401 --> 00:33:58,470
IN MY EYES YOU CLEARLY DID THAT.

1087
00:33:58,470 --> 00:34:01,573
I THINK FOR A LOT OF US YOU DID.

1088
00:34:01,573 --> 00:34:03,475
WHAT WAS THE BREAKTHROUGH MOMENT

1089
00:34:03,475 --> 00:34:05,310
FOR YOU THIS WEEK?

1090
00:34:05,310 --> 00:34:07,913
>> I THINK, LIKE, OBVIOUSLY WHEN

1091
00:34:07,913 --> 00:34:09,915
I FOUND OUT I WAS DOING THE

1092
00:34:09,915 --> 00:34:11,316
RUMBA, I KNEW IT WAS ABOUT

1093
00:34:11,316 --> 00:34:12,550
CONNECTING AND EMOTIONS.

1094
00:34:12,550 --> 00:34:14,653
I KNEW I HAD A MOMENT LIKE THAT

1095
00:34:14,653 --> 00:34:16,488
THIS SEASON, WHICH I BROUGHT

1096
00:34:16,488 --> 00:34:17,188
MYSELF BACK.

1097
00:34:17,188 --> 00:34:18,290
I HAD SOME HOMEWORK.

1098
00:34:18,290 --> 00:34:20,358
I HAD TO CONNECT AND, LIKE,

1099
00:34:20,358 --> 00:34:23,962
FIGURE OUT -- IT DOESN'T COME

1100
00:34:23,962 --> 00:34:24,396
NATURAL TO ME.

1101
00:34:24,396 --> 00:34:25,630
I REALLY AM TRYING.

1102
00:34:25,630 --> 00:34:27,198
THIS WEEK WAS THE WEEK I HAD TO

1103
00:34:27,198 --> 00:34:27,933
DO THAT.

1104
00:34:27,933 --> 00:34:29,868
I CLEARLY DELIVERED.

1105
00:34:29,868 --> 00:34:30,769
>> YES!

1106
00:34:30,769 --> 00:34:32,103
>> Julianne: HEARING THOSE

1107
00:34:32,103 --> 00:34:33,171
COMMENTS, WHAT DOES THAT MEAN

1108
00:34:33,171 --> 00:34:33,872
FOR YOU?

1109
00:34:33,872 --> 00:34:35,740
>> IT MEANS A LOT.

1110
00:34:35,740 --> 00:34:37,542
LIKE, I KNOW THEY WANTED THAT

1111
00:34:37,542 --> 00:34:40,178
AND THEY SEE THAT I'M TRULY

1112
00:34:40,178 --> 00:34:40,512
TRYING.

1113
00:34:40,512 --> 00:34:44,215
>> SO, IT'S JUST A LOT TO BE

1114
00:34:44,215 --> 00:34:44,749
REWARDED.

1115
00:34:44,749 --> 00:34:47,285
YES, MY EFFORT IS THERE.

1116
00:34:47,285 --> 00:34:48,853
>> Julianne: IT ABSOLUTELY IS.

1117
00:34:48,853 --> 00:34:52,557
WELL, LET'S SEE YOUR SCORES.

1118
00:34:52,557 --> 00:34:54,192
>> Announcer: CARRIE ANN INABA?

1119
00:34:54,192 --> 00:34:56,628
>> Carrie Ann: I SEE YOU,

1120
00:34:56,628 --> 00:34:57,128
CHARITY.

1121
00:34:57,128 --> 00:34:57,462
10!

1122
00:34:57,462 --> 00:35:00,799
>> Announcer: DEREK HOUGH?

1123
00:35:00,799 --> 00:35:01,299
>> 9.

1124
00:35:01,299 --> 00:35:04,202
>> Announcer: BRUNO TONIOLI?

1125
00:35:04,202 --> 00:35:04,903
>> 10!

1126
00:35:04,903 --> 00:35:05,637
>> Julianne: THAT'S A 29 OUT OF

1127
00:35:05,637 --> 00:35:07,872
30 FOR CHARITY AND ARTEM SO FAR.

1128
00:35:07,872 --> 00:35:09,608
MORE JUDGES SCORES ARE ON THE

1129
00:35:09,608 --> 00:35:10,475
WAY.

1130
00:35:10,475 --> 00:35:12,544
YOU CAN VOTE FOR ALL OUR STARS

1131
00:35:12,544 --> 00:35:13,511
RIGHT NOW.

1132
00:35:13,511 --> 00:35:14,312
ALFONSO?

1133
00:35:14,312 --> 00:35:15,747
>> Alfonso: THANKS, JULIANNE.

1134
00:35:15,747 --> 00:35:17,349
LAST WEEK, WE REVEALED THAT OUR

1135
00:35:17,349 --> 00:35:18,950
FILM AND TV ACTRESS IS A SUPER

1136
00:35:18,950 --> 00:35:20,352
SWIFTIE.

1137
00:35:20,352 --> 00:35:22,253
ALYSON HANNIGAN IS BACK, AND

1138
00:35:22,253 --> 00:35:23,788
SHE'LL PERFORM HER FIRST DANCE

1139
00:35:23,788 --> 00:35:24,756
OF THE NIGHT WITH SASHA FARBER,

1140
00:35:24,756 --> 00:35:25,857
NEXT, LIVE.

1141
00:35:25,857 --> 00:35:26,624
[ CHEERS AND APPLAUSE ]

1142
00:35:35,266 --> 00:35:35,934
♪♪

1143
00:35:35,934 --> 00:35:37,302
[ CHEERS AND APPLAUSE ]

1144
00:35:37,302 --> 00:35:38,703
>> Alfonso: WELCOME BACK TO THE

1145
00:35:38,703 --> 00:35:39,771
SEMI-FINALS.

1146
00:35:39,771 --> 00:35:41,206
LAST WEEK OUR STAR FROM "HOW I

1147
00:35:41,206 --> 00:35:42,574
MET YOUR MOTHER" GOT A PLEASANT

1148
00:35:42,574 --> 00:35:44,542
SURPRISE WHEN SHE BECAME A

1149
00:35:44,542 --> 00:35:45,844
SEMI-FINALIST.

1150
00:35:45,844 --> 00:35:47,345
THIS WEEK IN TRAINING SHE AND

1151
00:35:47,345 --> 00:35:49,247
HER PARTNER PUSHED THEMSELVES TO

1152
00:35:49,247 --> 00:35:51,449
THE LIMIT.

1153
00:35:51,449 --> 00:35:53,485
IT'S ALYSON HANNIGAN AND SASHA

1154
00:35:53,485 --> 00:36:00,692
FARBER.

1155
00:36:00,692 --> 00:36:03,128
>> Carrie Ann: I'M GOING TO

1156
00:36:03,128 --> 00:36:05,263
ENCOURAGE YOU TO CHALLENGE

1157
00:36:05,263 --> 00:36:06,231
YOURSELF MORE.

1158
00:36:06,231 --> 00:36:07,866
GIVE HER MORE CHOREOGRAPHY

1159
00:36:07,866 --> 00:36:08,199
PLEASE.

1160
00:36:08,199 --> 00:36:10,635
I THINK SHE CAN DO IT.

1161
00:36:10,635 --> 00:36:11,169
>> Derek: 7.

1162
00:36:11,169 --> 00:36:13,304
>> LAST WEEK MY SCORES DIPPED

1163
00:36:13,304 --> 00:36:14,739
DOWN FROM THE WEEK BEFORE.

1164
00:36:14,739 --> 00:36:17,809
I THOUGHT FOR SURE IT WAS MY

1165
00:36:17,809 --> 00:36:18,143
TIME.

1166
00:36:18,143 --> 00:36:19,678
>> Alfonso: THE COUPLE GOING

1167
00:36:19,678 --> 00:36:22,580
HOME IS HARRY AND RYLEE.

1168
00:36:22,580 --> 00:36:26,051
>> OH, MY GOSH, I MADE IT TO THE

1169
00:36:26,051 --> 00:36:26,451
SEMI-FINALS.

1170
00:36:26,451 --> 00:36:27,452
I CANNOT BELIEVE IT.

1171
00:36:27,452 --> 00:36:29,154
MY HEART JUST WANTS TO EXPLODE

1172
00:36:29,154 --> 00:36:29,888
WITH LOVE AND HAPPINESS AND

1173
00:36:29,888 --> 00:36:33,992
GRATITUDE.

1174
00:36:33,992 --> 00:36:34,492
>> SEMI-FINALS.

1175
00:36:34,492 --> 00:36:37,062
>> I KNOW.

1176
00:36:37,062 --> 00:36:38,329
>> I WANT TO PINCH MYSELF.

1177
00:36:38,329 --> 00:36:41,533
>> I DON'T BECAUSE WE MIGHT WAKE

1178
00:36:41,533 --> 00:36:41,833
UP.

1179
00:36:41,833 --> 00:36:42,600
>> YOU ARE THE TRUE DEFINITION

1180
00:36:42,600 --> 00:36:43,234
OF "DANCING WITH THE STARS."

1181
00:36:43,234 --> 00:36:45,003
YOU'RE PUTTING IN THE HARD WORK

1182
00:36:45,003 --> 00:36:46,171
AND IT'S SHOWING.

1183
00:36:46,171 --> 00:36:48,807
>> BEING THE UNDERDOG, I'M SO

1184
00:36:48,807 --> 00:36:50,542
PROUD TO BE HERE AND I DO WANT

1185
00:36:50,542 --> 00:36:52,477
TO PROVE TO ALL THE OTHER

1186
00:36:52,477 --> 00:36:53,478
UNDERDOGS IN THE WORLD THAT YOU

1187
00:36:53,478 --> 00:36:54,479
CAN DO IT.

1188
00:36:54,479 --> 00:36:56,815
>> THIS WEEK WE HAVE TWO FULL

1189
00:36:56,815 --> 00:36:57,148
DANCES.

1190
00:36:57,148 --> 00:37:00,718
WE HAVE A BALLROOM ROUND AND

1191
00:37:00,718 --> 00:37:01,152
LATIN ROUND.

1192
00:37:01,152 --> 00:37:01,553
>> OH, BOY.

1193
00:37:01,553 --> 00:37:06,424
>> OUR FIRST DANCE IS THE JIVE

1194
00:37:06,424 --> 00:37:08,493
TO "FOOTLOOSE."

1195
00:37:08,493 --> 00:37:12,430
>> "FOOTLOOSE" RESONATES BECAUSE

1196
00:37:12,430 --> 00:37:14,799
I THOUGHT I WASN'T ALLOWED TO

1197
00:37:14,799 --> 00:37:16,201
DANCE.

1198
00:37:16,201 --> 00:37:18,203
IT WASN'T THE TOWN TELLING ME.

1199
00:37:18,203 --> 00:37:19,671
IT WAS ME TELLING ME.

1200
00:37:19,671 --> 00:37:22,774
>> YOU'RE IN THE SEMI-FINALS OF

1201
00:37:22,774 --> 00:37:23,408
"DANCING WITH THE STARS."

1202
00:37:23,408 --> 00:37:24,109
>> OH MY GOODNESS.

1203
00:37:24,109 --> 00:37:26,778
>> WE'RE GOING STRAIGHT INTO IT.

1204
00:37:26,778 --> 00:37:28,913
I'M GOING TO LISTEN TO CARRIE

1205
00:37:28,913 --> 00:37:29,247
ANN.

1206
00:37:29,247 --> 00:37:30,448
THIS IS TRIPLE THE STEPS YOU

1207
00:37:30,448 --> 00:37:31,483
EVER LEARNED.

1208
00:37:31,483 --> 00:37:33,418
I'M PUSHING ALYSON REALLY HARD

1209
00:37:33,418 --> 00:37:36,421
BECAUSE IT'S A SINK OR SWIM

1210
00:37:36,421 --> 00:37:36,888
SITUATION.

1211
00:37:36,888 --> 00:37:38,623
>> I'M REALLY NERVOUS.

1212
00:37:38,623 --> 00:37:41,860
WE'RE DEFINITELY TAKING BIGGER

1213
00:37:41,860 --> 00:37:42,994
RISKS.

1214
00:37:42,994 --> 00:37:45,797
IF WE CAN PULL IT OFF, I KNOW IT

1215
00:37:45,797 --> 00:37:46,931
WILL BE WORTH IT.

1216
00:37:46,931 --> 00:37:48,333
I'M GOING TO DO EVERYTHING I CAN

1217
00:37:48,333 --> 00:37:50,435
TO PULL OFF A PERFECT

1218
00:37:50,435 --> 00:37:51,436
PERFORMANCE BECAUSE I'M ROOTING

1219
00:37:51,436 --> 00:37:54,105
FOR THE UNDERDOG TOO.

1220
00:37:54,105 --> 00:37:56,841
I JUST NEED THAT BLUEPRINT TO

1221
00:37:56,841 --> 00:37:57,208
GET THERE.

1222
00:37:57,208 --> 00:37:58,443
>> Announcer: DANCING THE JIVE,

1223
00:37:58,443 --> 00:38:00,545
WITH HER PARTNER SASHA FARBER,

1224
00:38:00,545 --> 00:38:07,085
IT'S ALYSON HANNIGAN.

1225
00:38:07,085 --> 00:38:09,187
[ CHEERS AND APPLAUSE ]

1226
00:38:09,187 --> 00:38:09,521
♪♪

1227
00:38:09,521 --> 00:38:12,423
♪ BEEN WORKING SO HARD

1228
00:38:12,423 --> 00:38:13,925
I'M PUNCHING MY CARD

1229
00:38:13,925 --> 00:38:17,162
EIGHT HOURS FOR WHAT ♪

1230
00:38:17,162 --> 00:38:18,997
♪ OH TELL ME WHAT I GOT ♪

1231
00:38:18,997 --> 00:38:20,765
♪ I'VE GOT THIS FEELING

1232
00:38:20,765 --> 00:38:24,736
THAT TIMES ARE HOLDING

1233
00:38:24,736 --> 00:38:25,603
ME DOWN ♪

1234
00:38:25,603 --> 00:38:28,806
♪ I'LL HIT THE CEILING OR

1235
00:38:28,806 --> 00:38:30,942
ELSE I'LL TEAR UP

1236
00:38:30,942 --> 00:38:37,782
THIS TOWN ♪

1237
00:38:37,782 --> 00:38:40,885
♪ NOW I GOTTA CUT LOOSE

1238
00:38:40,885 --> 00:38:42,253
FOOTLOOSE KICK OFF YOUR

1239
00:38:42,253 --> 00:38:46,257
SUNDAY SHOES ♪

1240
00:38:46,257 --> 00:38:49,494
♪ PLEASE LOUISE PULL ME OFF

1241
00:38:49,494 --> 00:38:51,396
OF MY KNEES JACK GET BACK

1242
00:38:51,396 --> 00:38:52,497
COME ON BEFORE WE CRACK ♪

1243
00:38:52,497 --> 00:38:53,932
♪ LOSE YOUR BLUES

1244
00:38:53,932 --> 00:38:58,203
EVERYBODY CUT FOOTLOOSE ♪

1245
00:38:58,203 --> 00:39:00,338
♪ YEAH OOOOH OH OH

1246
00:39:00,338 --> 00:39:04,075
CUT FOOTLOOSE

1247
00:39:04,075 --> 00:39:07,011
YEAH OOOOH OH OH ♪

1248
00:39:07,011 --> 00:39:08,780
♪ CUT FOOTLOOSE

1249
00:39:08,780 --> 00:39:11,316
YEAH OOOOH OH OH

1250
00:39:11,316 --> 00:39:16,120
CUT FOOTLOOSE ♪

1251
00:39:16,120 --> 00:39:18,756
♪ OOOOOOOOOH ♪

1252
00:39:18,756 --> 00:39:19,791
♪ I'M TURNING IT LOOSE

1253
00:39:19,791 --> 00:39:24,162
FOOTLOOSE

1254
00:39:24,162 --> 00:39:26,231
KICK OFF YOUR SUNDAY SHOES ♪

1255
00:39:26,231 --> 00:39:27,999
♪ JACK GET BACK COME ON

1256
00:39:27,999 --> 00:39:28,866
BEFORE WE CRACK

1257
00:39:28,866 --> 00:39:30,868
LOSE YOUR BLUES BLUES ♪

1258
00:39:30,868 --> 00:39:36,007
♪ EVERYBODY CUT FOOTLOOSE ♪

1259
00:39:36,007 --> 00:39:39,344
[ CHEERS AND APPLAUSE ]

1260
00:39:39,344 --> 00:39:40,845
>> Alfonso: ALYSON AND SASHA

1261
00:39:40,845 --> 00:39:46,851
WITH A "FOOTLOOSE" JIVE.

1262
00:39:46,851 --> 00:39:47,485
YES.

1263
00:39:47,485 --> 00:39:49,020
YOU CATCHING YOUR BREATH?

1264
00:39:49,020 --> 00:39:50,154
I THINK YOU GOT IT RIGHT NOW.

1265
00:39:50,154 --> 00:39:53,157
YES, YOU DO.

1266
00:39:53,157 --> 00:39:54,926
THEY'RE LOVING YOU, SWEETIE.

1267
00:39:54,926 --> 00:39:55,493
ALL RIGHT.

1268
00:39:55,493 --> 00:39:59,397
LET'S HEAR WHAT BRUNO HAS TO

1269
00:39:59,397 --> 00:39:59,697
SAY.

1270
00:39:59,697 --> 00:40:01,499
>> Bruno: FOOTLOOSE AND FANCY

1271
00:40:01,499 --> 00:40:01,833
FREE.

1272
00:40:01,833 --> 00:40:03,334
LET YOUR HAIR DOWN AND HAVE FUN.

1273
00:40:03,334 --> 00:40:03,968
I LOVE IT.

1274
00:40:03,968 --> 00:40:06,604
I LOVED THE COUNTRY WESTERN FEEL

1275
00:40:06,604 --> 00:40:07,772
YOU GAVE TO IT.

1276
00:40:07,772 --> 00:40:11,309
A LITTLE BIT OF LINE DANCING WAS

1277
00:40:11,309 --> 00:40:11,676
DELICIOUS.

1278
00:40:11,676 --> 00:40:13,177
THERE WERE A COUPLE THINGS.

1279
00:40:13,177 --> 00:40:15,346
YOU KNOW WHAT I'M TALKING ABOUT.

1280
00:40:15,346 --> 00:40:16,981
I MEAN, COME ON.

1281
00:40:16,981 --> 00:40:19,550
IT'S THE SEMI-FINALS.

1282
00:40:19,550 --> 00:40:20,084
[AUDIENCE BOOS]

1283
00:40:20,084 --> 00:40:21,719
LISTEN, YOU'VE IMPROVED SO MUCH

1284
00:40:21,719 --> 00:40:22,654
FROM WEEK ONE.

1285
00:40:22,654 --> 00:40:25,256
IT'S UNBELIEVABLE.

1286
00:40:25,256 --> 00:40:27,392
THERE WERE A COUPLE OF ERRORS.

1287
00:40:27,392 --> 00:40:28,059
>> Alfonso: OKAY.

1288
00:40:28,059 --> 00:40:29,193
ALL RIGHT.

1289
00:40:29,193 --> 00:40:30,028
OKAY.

1290
00:40:30,028 --> 00:40:30,428
CARRIE ANN?

1291
00:40:30,428 --> 00:40:32,630
>> Carrie Ann: SASHA, THANK YOU

1292
00:40:32,630 --> 00:40:34,332
FOR ADDING ALL THE CHOREOGRAPHY.

1293
00:40:34,332 --> 00:40:35,166
>> I GOT YOU.

1294
00:40:35,166 --> 00:40:36,868
>> Carrie Ann: THAT WAS A TOUGH

1295
00:40:36,868 --> 00:40:37,201
ROUTINE.

1296
00:40:37,201 --> 00:40:38,503
IT WAS LONG.

1297
00:40:38,503 --> 00:40:40,538
IT WAS ARDUOUS AND YOU WERE OUT

1298
00:40:40,538 --> 00:40:43,074
THERE LIKE THIS, OH, YEAH, I

1299
00:40:43,074 --> 00:40:43,675
DON'T CARE.

1300
00:40:43,675 --> 00:40:47,612
I'M KILLING THE DANCE.

1301
00:40:47,612 --> 00:40:50,848
I REMEMBER WEEK ONE AND YOUR

1302
00:40:50,848 --> 00:40:52,483
JOURNEY HAS BEEN FANTASTIC.

1303
00:40:52,483 --> 00:40:53,985
YOU REALLY MAKE EVERYBODY THINK

1304
00:40:53,985 --> 00:40:54,819
THEY CAN DANCE BECAUSE YOU

1305
00:40:54,819 --> 00:40:57,221
STARTED AS A BEGINNER AND

1306
00:40:57,221 --> 00:40:58,022
EVERYBODY CAN DANCE.

1307
00:40:58,022 --> 00:41:00,191
THAT'S BEAUTIFUL.

1308
00:41:00,191 --> 00:41:02,827
>> Alfonso: SO TRUE.

1309
00:41:02,827 --> 00:41:03,161
DEREK?

1310
00:41:03,161 --> 00:41:04,362
>> Derek: ALYSON, YOU'RE AN

1311
00:41:04,362 --> 00:41:05,263
ABSOLUTE FIGHTER.

1312
00:41:05,263 --> 00:41:06,898
YOU ARE FIGHTING TO BE IN THAT

1313
00:41:06,898 --> 00:41:07,799
FINALE.

1314
00:41:07,799 --> 00:41:10,268
I RAN INTO YOU IN THE HALL WAY

1315
00:41:10,268 --> 00:41:13,271
AND SAID WHOEVER INVENTED THE

1316
00:41:13,271 --> 00:41:16,207
JIVE WAS DRUNK AND HATED HUMAN

1317
00:41:16,207 --> 00:41:16,541
BEINGS.

1318
00:41:16,541 --> 00:41:17,742
I DIDN'T SEE THAT.

1319
00:41:17,742 --> 00:41:19,644
I LOVED WATCHING YOU.

1320
00:41:19,644 --> 00:41:21,679
THERE WERE A FEW MOMENTS, BUT

1321
00:41:21,679 --> 00:41:24,048
OVERALL I LOVE WATCHING YOU.

1322
00:41:24,048 --> 00:41:24,749
I CAN'T HELP BUT ROOT FOR YOU.

1323
00:41:24,749 --> 00:41:25,483
>> Alfonso: HEAD UP TO JULIANNE

1324
00:41:25,483 --> 00:41:27,919
FOR YOUR SCORES.

1325
00:41:27,919 --> 00:41:29,787
REMEMBER, YOU'RE VOTING FOR THE

1326
00:41:29,787 --> 00:41:30,521
STARS YOU WANT TO SEE COMPETING

1327
00:41:30,521 --> 00:41:32,023
FOR OUR LEN GOODMAN MIRROR BALL

1328
00:41:32,023 --> 00:41:33,758
TROPHY IN NEXT TUESDAY'S SEASON

1329
00:41:33,758 --> 00:41:34,826
FINALE.

1330
00:41:34,826 --> 00:41:35,526
YOU GET TEN VOTES PER COUPLE,

1331
00:41:35,526 --> 00:41:36,527
PER VOTING METHOD.

1332
00:41:36,527 --> 00:41:38,096
HOPING TO GET SOME OF THOSE

1333
00:41:38,096 --> 00:41:39,697
VOTES ARE JASON AND DANIELLA.

1334
00:41:39,697 --> 00:41:42,667
THEIR PASO DOBLE IS ON THE WAY.

1335
00:41:42,667 --> 00:41:43,000
JULIANNE?

1336
00:41:43,000 --> 00:41:45,403
>> Julianne: THANKS, ALFONSO.

1337
00:41:45,403 --> 00:41:46,971
WE'RE JUST UP HERE DOING SOME

1338
00:41:46,971 --> 00:41:48,006
KICKS AND FLICKS.

1339
00:41:48,006 --> 00:41:49,941
>> THAT'S ALL YOU, BABY.

1340
00:41:49,941 --> 00:41:50,908
>> Julianne: AFTER THE COMMENTS

1341
00:41:50,908 --> 00:41:53,644
FROM LAST WEEK, YOU REALLY PUT

1342
00:41:53,644 --> 00:41:55,847
SO MUCH MORE CONTENT, MORE

1343
00:41:55,847 --> 00:41:56,180
STEPS.

1344
00:41:56,180 --> 00:41:58,316
ALSO THE DANCES ARE LONGER THIS

1345
00:41:58,316 --> 00:41:58,649
WEEK.

1346
00:41:58,649 --> 00:42:02,220
AND NOT TO MENTION IT'S THE

1347
00:42:02,220 --> 00:42:02,553
JIVE.

1348
00:42:02,553 --> 00:42:03,554
HOW ARE YOU PHYSICALLY HOLDING

1349
00:42:03,554 --> 00:42:04,355
UP RIGHT NOW?

1350
00:42:04,355 --> 00:42:08,993
>> I THINK I'M GOING ON PURE

1351
00:42:08,993 --> 00:42:10,495
ADRENALINE.

1352
00:42:10,495 --> 00:42:12,096
I'M GLAD I NEVER HAVE TO DO THAT

1353
00:42:12,096 --> 00:42:12,430
AGAIN.

1354
00:42:12,430 --> 00:42:14,732
>> Julianne: THAT'S WHAT YOU

1355
00:42:14,732 --> 00:42:15,066
THINK.

1356
00:42:15,066 --> 00:42:17,568
>> WEREN'T YOU IN THE MOVIE

1357
00:42:17,568 --> 00:42:17,969
"FOOTLOOSE"?

1358
00:42:17,969 --> 00:42:19,504
>> Julianne: I WAS INDEED.

1359
00:42:19,504 --> 00:42:21,005
>> WERE YOU A BABY?

1360
00:42:21,005 --> 00:42:21,839
>> Julianne: I WAS A BABY.

1361
00:42:21,839 --> 00:42:23,708
LET'S GET YOUR SCORES.

1362
00:42:23,708 --> 00:42:26,377
>> Announcer: CARRIE ANN INABA?

1363
00:42:26,377 --> 00:42:28,312
>> Carrie Ann: FOOTLOOSE AND

1364
00:42:28,312 --> 00:42:30,214
FANCY FREE.

1365
00:42:30,214 --> 00:42:30,648
IT'S A 9.

1366
00:42:30,648 --> 00:42:32,283
>> Announcer: DEREK HOUGH?

1367
00:42:32,283 --> 00:42:32,784
>> Derek: 8.

1368
00:42:32,784 --> 00:42:34,819
>> Announcer: BRUNO TONIOLI?

1369
00:42:34,819 --> 00:42:36,020
>> Bruno: 8.

1370
00:42:36,020 --> 00:42:37,488
>> Julianne: THAT'S A 25 OUT OF

1371
00:42:37,488 --> 00:42:39,323
30 FOR ALYSON AND A VERY EXCITED

1372
00:42:39,323 --> 00:42:40,892
SASHA.

1373
00:42:40,892 --> 00:42:42,727
THAT'S YOUR FIRST 9 FROM CARRIE

1374
00:42:42,727 --> 00:42:43,227
ANN.

1375
00:42:43,227 --> 00:42:44,429
HOW ARE YOU FEELING?

1376
00:42:44,429 --> 00:42:45,463
>> THAT'S AMAZING.

1377
00:42:45,463 --> 00:42:46,431
I'M SO GRATEFUL.

1378
00:42:46,431 --> 00:42:48,199
I CAN'T BELIEVE IT.

1379
00:42:48,199 --> 00:42:48,933
>> Julianne: THEY HAVE ANOTHER

1380
00:42:48,933 --> 00:42:52,170
DANCE COMING UP.

1381
00:42:52,170 --> 00:42:53,671
LIKE ALL OF OUR STARS, THEY NEED

1382
00:42:53,671 --> 00:42:55,239
YOUR VOTES.

1383
00:42:55,239 --> 00:42:55,740
[ CHEERS AND APPLAUSE ]

1384
00:43:01,946 --> 00:43:02,280
♪♪

1385
00:43:02,280 --> 00:43:06,217
[ CHEERS AND APPLAUSE ]

1386
00:43:06,217 --> 00:43:08,152
>> Alfonso: WELCOME BACK.

1387
00:43:08,152 --> 00:43:09,854
RIGHT NOW, WE WANT TO FEATURE

1388
00:43:09,854 --> 00:43:12,590
THE INCREDIBLY TALENTED PROS WHO

1389
00:43:12,590 --> 00:43:13,624
WE IN THE BALLROOM HAVE THE

1390
00:43:13,624 --> 00:43:14,559
PLEASURE OF SEEING LIVE, IN

1391
00:43:14,559 --> 00:43:16,294
PERSON, EVERY WEEK.

1392
00:43:16,294 --> 00:43:17,929
AND YOU CAN SEE THEM IN PERSON,

1393
00:43:17,929 --> 00:43:19,297
TOO, WHEN THE ALL-NEW "DANCING

1394
00:43:19,297 --> 00:43:20,031
WITH THE STARS" TOUR COMES TO A

1395
00:43:20,031 --> 00:43:22,567
TOWN NEAR YOU.

1396
00:43:22,567 --> 00:43:24,335
CHOREOGRAPHED BY THREE-TIME EMMY

1397
00:43:24,335 --> 00:43:25,269
WINNER MANDY MOORE, HERE ARE THE

1398
00:43:25,269 --> 00:43:29,707
PROS.

1399
00:43:29,707 --> 00:43:34,045
[ CHEERS AND APPLAUSE ]

1400
00:43:34,045 --> 00:43:40,318
♪ YEAH

1401
00:43:40,318 --> 00:43:43,221
BABY DON'T MAKE ME

1402
00:43:43,221 --> 00:43:47,124
SPELL IT OUT FOR YOU ♪

1403
00:43:47,124 --> 00:43:54,265
♪ ALL OF THE FEELINGS

1404
00:43:54,265 --> 00:43:57,101
THAT I'VE GOT FOR YOU

1405
00:43:57,101 --> 00:43:59,270
CAN'T BE EXPLAINED ♪

1406
00:43:59,270 --> 00:44:01,205
♪ BUT I CAN TRY FOR YOU

1407
00:44:01,205 --> 00:44:04,342
YEAH ♪

1408
00:44:04,342 --> 00:44:08,012
♪ BABY DON'T MAKE ME

1409
00:44:08,012 --> 00:44:10,781
SPELL IT OUT FOR YOU ♪

1410
00:44:10,781 --> 00:44:14,051
♪ YOU KEEP ON ASKING ME

1411
00:44:14,051 --> 00:44:15,453
THE SAME QUESTIONS

1412
00:44:15,453 --> 00:44:16,654
WHY ♪

1413
00:44:16,654 --> 00:44:17,755
♪ AND SECOND GUESSING

1414
00:44:17,755 --> 00:44:18,923
ALL MY INTENTIONS ♪

1415
00:44:18,923 --> 00:44:20,158
♪ SHOULD KNOW BY THE WAY

1416
00:44:20,158 --> 00:44:21,259
I USE MY COMPRESSION

1417
00:44:21,259 --> 00:44:23,327
THAT YOU'VE GOT ♪

1418
00:44:23,327 --> 00:44:24,495
♪ THE ANSWERS

1419
00:44:24,495 --> 00:44:25,496
TO MY CONFESSIONS ♪

1420
00:44:25,496 --> 00:44:27,532
♪ IT'S LIKE I'M POWERFUL

1421
00:44:27,532 --> 00:44:28,166
WITH A LITTLE

1422
00:44:28,166 --> 00:44:29,200
BIT OF TENDER ♪

1423
00:44:29,200 --> 00:44:29,934
♪ AN EMOTIONAL SEXUAL BENDER

1424
00:44:29,934 --> 00:44:30,368
MESS ME UP YEAH

1425
00:44:30,368 --> 00:44:31,068
BUT NO ONE DOES IT BETTER ♪

1426
00:44:31,068 --> 00:44:31,702
♪ HAH

1427
00:44:31,702 --> 00:44:33,004
THERE'S NOTHING BETTER

1428
00:44:33,004 --> 00:44:34,238
AAH ♪

1429
00:44:34,238 --> 00:44:35,306
♪ DAMN

1430
00:44:35,306 --> 00:44:36,741
THAT'S JUST THE WAY

1431
00:44:36,741 --> 00:44:38,276
YOU MAKE ME FEEL ♪

1432
00:44:38,276 --> 00:44:39,911
♪ THAT'S JUST THE WAY

1433
00:44:39,911 --> 00:44:41,879
YOU MAKE ME FEEL ♪

1434
00:44:41,879 --> 00:44:45,750
♪ THAT'S JUST THE WAY

1435
00:44:45,750 --> 00:44:48,152
YOU MAKE ME FEEL ♪

1436
00:44:48,152 --> 00:44:50,788
♪ OOH

1437
00:44:50,788 --> 00:44:51,789
THAT'S JUST THE WAY

1438
00:44:51,789 --> 00:44:53,524
YOU MAKE ME FEEL ♪

1439
00:44:53,524 --> 00:44:55,259
♪ AH-AH

1440
00:44:55,259 --> 00:44:59,664
SO GOOD SO GOOD

1441
00:44:59,664 --> 00:45:01,198
SO REAL ♪

1442
00:45:01,198 --> 00:45:01,899
♪ SO SO SO SO SO GOOD YEAH

1443
00:45:01,899 --> 00:45:04,969
SO GOOD SO GOOD ♪

1444
00:45:04,969 --> 00:45:05,570
♪ THAT'S JUST THE WAY

1445
00:45:05,570 --> 00:45:06,537
YOU MAKE ME FEEL ♪

1446
00:45:06,537 --> 00:45:08,172
♪ THAT'S JUST THE WAY

1447
00:45:08,172 --> 00:45:08,706
YOU MAKE ME FEEL

1448
00:45:08,706 --> 00:45:18,015
WOO ♪

1449
00:45:18,015 --> 00:45:18,616
[ CHEERS AND APPLAUSE ]

1450
00:45:18,616 --> 00:45:19,216
>> Alfonso: OUR PROS.

1451
00:45:19,216 --> 00:45:20,218
SO GOOD.

1452
00:45:20,218 --> 00:45:22,987
AWESOME JOB.

1453
00:45:22,987 --> 00:45:23,321
AWESOME.

1454
00:45:23,321 --> 00:45:23,955
EMMA DID SUCH A GREAT JOB

1455
00:45:23,955 --> 00:45:24,655
HOSTING LAST YEAR'S TOUR THAT

1456
00:45:24,655 --> 00:45:25,289
SHE'S BACK TO HOST AGAIN.

1457
00:45:25,289 --> 00:45:26,190
EMMA, WHAT CAN THE FANS EXPECT

1458
00:45:26,190 --> 00:45:29,160
TO SEE IN THE NEW SHOW?

1459
00:45:29,160 --> 00:45:31,596
>> WELL, I MEAN, YOU CAN SEE

1460
00:45:31,596 --> 00:45:33,864
REALLY HIGH ENERGY, AMAZING

1461
00:45:33,864 --> 00:45:34,232
ROUTINES.

1462
00:45:34,232 --> 00:45:35,399
GREAT MUSIC.

1463
00:45:35,399 --> 00:45:40,338
GREAT COSTUMES.

1464
00:45:40,338 --> 00:45:43,140
ALL THE PROS DANCING TOGETHER

1465
00:45:43,140 --> 00:45:46,611
AND MANDY MOORE'S CHOREOGRAPHY

1466
00:45:46,611 --> 00:45:47,078
IS SENSATIONAL.

1467
00:45:47,078 --> 00:45:47,812
>> Alfonso: TICKETS ARE ON SALE

1468
00:45:47,812 --> 00:45:48,312
NOW.

1469
00:45:48,312 --> 00:45:49,380
AS IF YOU DIDN'T KNOW I WAS

1470
00:45:49,380 --> 00:45:50,114
GOING TO ASK, WHERE CAN PEOPLE

1471
00:45:50,114 --> 00:45:50,481
FIND THEM?

1472
00:45:50,481 --> 00:45:51,515
>> GO TO DWTSTOUR.COM FOR

1473
00:45:51,515 --> 00:45:52,550
TICKETS AND FULL DETAILS.

1474
00:45:52,550 --> 00:45:53,651
AND YOU CAN FIND OUT WHEN AND

1475
00:45:53,651 --> 00:45:54,252
WHERE JULIANNE WILL BE

1476
00:45:54,252 --> 00:45:56,621
PERFORMING WITH US.

1477
00:45:56,621 --> 00:45:57,455
SHE'S AMAZING.

1478
00:45:57,455 --> 00:45:58,356
>> Alfonso: THAT SHE IS, EMMA

1479
00:45:58,356 --> 00:46:06,530
AND HERE SHE IS.

1480
00:46:06,530 --> 00:46:07,331
>> Julianne: THANK YOU VERY

1481
00:46:07,331 --> 00:46:09,934
MUCH, EMMA.

1482
00:46:09,934 --> 00:46:11,869
I CANNOT WAIT TO SEE ALL OF YOU

1483
00:46:11,869 --> 00:46:12,737
ON TOUR.

1484
00:46:12,737 --> 00:46:14,839
WE'LL SEE ALL OF YOU HERE IN THE

1485
00:46:14,839 --> 00:46:15,606
FINALE NEXT WEEK.

1486
00:46:15,606 --> 00:46:20,177
THANK YOU SO MUCH, EVERYBODY.

1487
00:46:20,177 --> 00:46:21,512
BUT RIGHT NOW WE HAVE THIS

1488
00:46:21,512 --> 00:46:25,182
WEEK'S COMPETITION TO COMPLETE.

1489
00:46:25,182 --> 00:46:25,916
AFTER THE FIRST ROUND OF DANCES

1490
00:46:25,916 --> 00:46:26,617
TONIGHT, LET'S TAKE A LOOK AT

1491
00:46:26,617 --> 00:46:29,053
EVERYONE'S SCORES.

1492
00:46:29,053 --> 00:46:30,721
AT THE TOP OF THE LEADERBOARD

1493
00:46:30,721 --> 00:46:32,623
ARE XOCHITL AND VAL WITH 30.

1494
00:46:32,623 --> 00:46:35,259
AT THE BOTTOM ARE ALYSON AND

1495
00:46:35,259 --> 00:46:35,693
SASHA WITH 25.

1496
00:46:35,693 --> 00:46:36,994
>> Alfonso: COMING TO THE FLOOR

1497
00:46:36,994 --> 00:46:38,562
FOR THEIR SECOND AND FINAL DANCE

1498
00:46:38,562 --> 00:46:39,597
OF THE NIGHT, IT'S JASON AND

1499
00:46:39,597 --> 00:46:43,934
DANIELLA.

1500
00:46:43,934 --> 00:46:45,736
[ CHEERS AND APPLAUSE ]

1501
00:46:45,736 --> 00:46:47,071
>> THERE'S ONE DANCE STANDING

1502
00:46:47,071 --> 00:46:48,639
BETWEEN YOU AND THE FINALE.

1503
00:46:48,639 --> 00:46:49,707
>> OH, MY GOSH.

1504
00:46:49,707 --> 00:46:51,075
I REALLY WANT TO DELIVER

1505
00:46:51,075 --> 00:46:52,576
SOMETHING SPECIAL FOR THE

1506
00:46:52,576 --> 00:46:53,444
AUDIENCE, FOR THE JUDGES.

1507
00:46:53,444 --> 00:46:55,012
>> SO CLOSE.

1508
00:46:55,012 --> 00:46:57,148
>> LET'S GET IT.

1509
00:46:57,148 --> 00:46:58,449
TO BE IN THE FINALE IS AN

1510
00:46:58,449 --> 00:47:00,718
OPPORTUNITY TO PROVE I'M NOT MY

1511
00:47:00,718 --> 00:47:04,455
MISTAKES AND THAT I'M MORE

1512
00:47:04,455 --> 00:47:05,489
TALENTED THAN MY FEARS.

1513
00:47:05,489 --> 00:47:08,025
>> WE HAVE A PASO DOBLE FOR OUR

1514
00:47:08,025 --> 00:47:09,226
SECOND DANCE.

1515
00:47:09,226 --> 00:47:12,296
YOU ARE THE LEAD.

1516
00:47:12,296 --> 00:47:13,597
THAT STRENGTH YOU HAD LAST WEEK

1517
00:47:13,597 --> 00:47:15,466
HAS TO TRICKLE OVER TO THIS

1518
00:47:15,466 --> 00:47:15,800
WEEK.

1519
00:47:15,800 --> 00:47:17,835
>> I REMEMBER SEEING ARIANA GET

1520
00:47:17,835 --> 00:47:22,940
THREE 10s FOR HER PASO.

1521
00:47:22,940 --> 00:47:24,041
THE PRESSURE IS ON.

1522
00:47:24,041 --> 00:47:25,943
I'M EXCITED TO GO INTO THIS AND

1523
00:47:25,943 --> 00:47:27,411
LEAVE A MARK OUT THERE.

1524
00:47:27,411 --> 00:47:28,379
>> 100%.

1525
00:47:28,379 --> 00:47:30,481
HIPS REALLY FORWARD.

1526
00:47:30,481 --> 00:47:32,483
AND STEP.

1527
00:47:32,483 --> 00:47:34,919
IN THE PASO THERE'S NO HIP

1528
00:47:34,919 --> 00:47:37,121
ACTION WHICH MEANS JASON HAS TO

1529
00:47:37,121 --> 00:47:39,056
MOVE AS ONE PIECE.

1530
00:47:39,056 --> 00:47:40,291
STAY AT THE SAME LEVEL.

1531
00:47:40,291 --> 00:47:44,195
THE POSTURE IS VERY MUCH HIPS

1532
00:47:44,195 --> 00:47:45,796
FORWARD, CHEST UP.

1533
00:47:45,796 --> 00:47:47,765
THAT'S NOT OUR FORTE AT THE

1534
00:47:47,765 --> 00:47:48,132
MOMENT.

1535
00:47:48,132 --> 00:47:49,433
WE'RE RUNNING OUT OF TIME.

1536
00:47:49,433 --> 00:47:50,968
WE HAVE TO GET THIS PERFECTLY IF

1537
00:47:50,968 --> 00:47:53,704
WE WANT TO MAKE THE FINALE.

1538
00:47:53,704 --> 00:48:00,845
BEND YOUR KNEES.

1539
00:48:00,845 --> 00:48:05,149
>> I'M COTORTING MYSELF IN WAYS

1540
00:48:05,149 --> 00:48:06,283
I NEVER HAVE BEFORE.

1541
00:48:06,283 --> 00:48:08,319
THIS IS OUR TIME TO PUT IT ALL

1542
00:48:08,319 --> 00:48:12,590
OUT THERE AND FOCUS ON THE

1543
00:48:12,590 --> 00:48:15,126
PERFORMANCE BECAUSE I KNOW I

1544
00:48:15,126 --> 00:48:18,095
HAVE THE MOMENTUM AND THE WILL

1545
00:48:18,095 --> 00:48:20,931
TO GET MYSELF TO THE FINALE.

1546
00:48:20,931 --> 00:48:22,867
CAN WE DO IT ONE MORE TIME?

1547
00:48:22,867 --> 00:48:23,167
>> YEAH.

1548
00:48:23,167 --> 00:48:25,169
>> Announcer: DANCING THE PASO

1549
00:48:25,169 --> 00:48:26,203
DOBLE, WITH HIS PARTNER DANIELLA

1550
00:48:26,203 --> 00:48:29,006
KARAGACH, IT'S JASON MRAZ.

1551
00:48:29,006 --> 00:48:29,340
CHAUSZ

1552
00:48:29,340 --> 00:48:33,644
[ CHEERS AND APPLAUSE ]

1553
00:48:33,644 --> 00:48:36,147
♪♪

1554
00:48:36,147 --> 00:49:01,438
♪♪

1555
00:49:01,438 --> 00:49:01,772
♪♪

1556
00:49:01,772 --> 00:49:26,130
♪♪

1557
00:49:26,130 --> 00:49:26,464
♪♪

1558
00:49:26,464 --> 00:49:53,724
♪♪

1559
00:49:53,724 --> 00:49:54,058
♪♪

1560
00:49:54,058 --> 00:50:04,735
♪♪

1561
00:50:04,735 --> 00:50:05,336
[ CHEERS AND APPLAUSE ]

1562
00:50:05,336 --> 00:50:06,170
>> Alfonso: JASON AND DANIELLA

1563
00:50:06,170 --> 00:50:11,475
WITH A RED HOT PASO DOBLE.

1564
00:50:11,475 --> 00:50:16,614
A POWERFUL PASO.

1565
00:50:16,614 --> 00:50:19,617
SO STRONG.

1566
00:50:19,617 --> 00:50:21,252
OH, EVEN DANIELLA'S TRYING TO

1567
00:50:21,252 --> 00:50:22,753
GET AIR ON THAT ONE.

1568
00:50:22,753 --> 00:50:23,053
OKAY.

1569
00:50:23,053 --> 00:50:28,192
CARRIE ANN?

1570
00:50:28,192 --> 00:50:29,860
>> Carrie Ann: JASON, MAY I GIVE

1571
00:50:29,860 --> 00:50:30,928
YOU A HUG?

1572
00:50:30,928 --> 00:50:32,530
MAY I GIVE YOU A HUG?

1573
00:50:32,530 --> 00:50:43,007
WOULD IT BE OKAY?

1574
00:50:43,007 --> 00:50:45,843
THAT WAS AMAZING.

1575
00:50:45,843 --> 00:50:46,377
OKAY.

1576
00:50:46,377 --> 00:50:46,710
WAIT.

1577
00:50:46,710 --> 00:50:49,780
I NEED MY TIME.

1578
00:50:49,780 --> 00:50:50,581
WAIT.

1579
00:50:50,581 --> 00:50:52,516
I NEED TO COMMENT.

1580
00:50:52,516 --> 00:50:53,517
IT'S NOT ALWAYS ABOUT

1581
00:50:53,517 --> 00:50:53,918
PERFECTION.

1582
00:50:53,918 --> 00:50:55,519
I'M LOOKING FOR MAGIC.

1583
00:50:55,519 --> 00:51:00,157
THAT WAS MAGIC.

1584
00:51:00,157 --> 00:51:02,459
>> Alfonso: DEREK?

1585
00:51:02,459 --> 00:51:06,297
>> Derek: MY MAN, YOU PASOed.

1586
00:51:06,297 --> 00:51:08,933
THE KNEE WALKS, MOST CELEBRITIES

1587
00:51:08,933 --> 00:51:11,368
DON'T ATTEMPT THE HIPS FORWARD.

1588
00:51:11,368 --> 00:51:13,437
THAT WAS A PROPER PASO DOBLE.

1589
00:51:13,437 --> 00:51:15,139
YOU WERE FIERCE.

1590
00:51:15,139 --> 00:51:15,472
FIERCE.

1591
00:51:15,472 --> 00:51:17,675
MY MAN, THAT'S THE WAY TO MAKE

1592
00:51:17,675 --> 00:51:22,513
IT TO THE FINALS RIGHT THERE.

1593
00:51:22,513 --> 00:51:22,913
FANTASTIC.

1594
00:51:22,913 --> 00:51:24,515
>> Bruno: THAT WAS DIABOLICAL!

1595
00:51:24,515 --> 00:51:28,085
YOU WERE A MAN POSSESSED BY THE

1596
00:51:28,085 --> 00:51:28,485
DEVIL.

1597
00:51:28,485 --> 00:51:29,586
YOU WERE EVERYTHING.

1598
00:51:29,586 --> 00:51:30,521
OH, YEAH.

1599
00:51:30,521 --> 00:51:31,956
I'M DOING IT.

1600
00:51:31,956 --> 00:51:36,927
I MEAN, COME ON.

1601
00:51:36,927 --> 00:51:38,696
THIS WAS EXTRA DIFFICULT BECAUSE

1602
00:51:38,696 --> 00:51:42,666
THE TEMPO WAS -- USUAL THE TEMPO

1603
00:51:42,666 --> 00:51:43,500
IS EVEN.

1604
00:51:43,500 --> 00:51:51,642
YOU GOT ALL THE SYNCOPATIONS

1605
00:51:51,642 --> 00:51:54,378
LIKE A MACHINE.

1606
00:51:54,378 --> 00:51:54,745
DANIELLA!

1607
00:51:54,745 --> 00:51:55,379
>> Alfonso: HEAD ON UP TO

1608
00:51:55,379 --> 00:51:57,481
JULIANNE IN THE SKYBOX.

1609
00:51:57,481 --> 00:51:58,649
I DON'T EVEN ATTEMPT THE KNEE

1610
00:51:58,649 --> 00:51:58,983
WALKS.

1611
00:51:58,983 --> 00:51:59,717
THE SECOND DANCE OF XOCHITL AND

1612
00:51:59,717 --> 00:52:00,250
VAL IS ON THE WAY.

1613
00:52:00,250 --> 00:52:00,985
AND WE'VE GOT SOME EXCITING NEWS

1614
00:52:00,985 --> 00:52:01,685
ABOUT NEXT TUESDAY NIGHT'S

1615
00:52:01,685 --> 00:52:06,991
FINALE.

1616
00:52:06,991 --> 00:52:07,524
REIGNING CHAMPIONS

1617
00:52:07,524 --> 00:52:08,258
CHARLI D'AMELIO AND MARK BALLAS

1618
00:52:08,258 --> 00:52:10,628
WILL BE BACK TO DANCE.

1619
00:52:10,628 --> 00:52:12,930
WHETHER JASON STAYS IN THE

1620
00:52:12,930 --> 00:52:17,735
COMPETITION OR NOT HE'LL PERFORM

1621
00:52:17,735 --> 00:52:19,203
HIS SINGLE "I FEEL LIKE

1622
00:52:19,203 --> 00:52:19,570
DANCING."

1623
00:52:19,570 --> 00:52:19,937
JULIANNE?

1624
00:52:19,937 --> 00:52:20,671
>> Julianne: AND THAT'S NOT ALL.

1625
00:52:20,671 --> 00:52:21,405
WE'LL HAVE SOME SURPRISE GUESTS

1626
00:52:21,405 --> 00:52:22,139
AND ALFONSO AND I ARE COOKING UP

1627
00:52:22,139 --> 00:52:22,706
A SURPRISE OF OUR OWN.

1628
00:52:22,706 --> 00:52:23,407
IT'S GOING TO BE A FANTASTIC

1629
00:52:23,407 --> 00:52:24,041
FINALE TO THIS INCREDIBLE

1630
00:52:24,041 --> 00:52:26,310
SEASON.

1631
00:52:26,310 --> 00:52:26,810
ALL RIGHT.

1632
00:52:26,810 --> 00:52:28,746
GETTING OVER TO JASON AND

1633
00:52:28,746 --> 00:52:29,847
DANIELLA, THOSE COMMENTS ARE

1634
00:52:29,847 --> 00:52:32,616
COMING IN PRETTY HOT LIKE THAT

1635
00:52:32,616 --> 00:52:33,550
PASO DOBLE.

1636
00:52:33,550 --> 00:52:34,618
SO, HOW ARE YOU FEELING?

1637
00:52:34,618 --> 00:52:36,887
>> I FEEL INCREDIBLE.

1638
00:52:36,887 --> 00:52:38,489
I -- YOU KNOW -- SHE -- CARRIE

1639
00:52:38,489 --> 00:52:40,090
ANN SAID SHE WANTED TO SEE MORE

1640
00:52:40,090 --> 00:52:41,091
FREEDOM.

1641
00:52:41,091 --> 00:52:42,826
I WANTED TO GO OUT THERE AND NOT

1642
00:52:42,826 --> 00:52:45,529
LEAVE ANY CRUMBS.

1643
00:52:45,529 --> 00:52:46,530
>> Julianne: THERE WERE NO

1644
00:52:46,530 --> 00:52:47,431
CRUMBS.

1645
00:52:47,431 --> 00:52:48,766
I'M SURE YOU WANT TO HEAR YOUR

1646
00:52:48,766 --> 00:52:49,099
SCORES.

1647
00:52:49,099 --> 00:52:50,734
AND SO, YOU SHALL, RIGHT AFTER

1648
00:52:50,734 --> 00:52:51,502
THIS.

1649
00:53:01,245 --> 00:53:01,578
♪♪

1650
00:53:01,578 --> 00:53:02,379
[ CHEERS AND APPLAUSE ]

1651
00:53:02,379 --> 00:53:04,048
>> Julianne: WELCOME BACK.

1652
00:53:04,048 --> 00:53:05,949
BEFORE THE BREAK, JASON AND

1653
00:53:05,949 --> 00:53:07,951
DANIELLA DANCED A PASO DOBLE.

1654
00:53:07,951 --> 00:53:11,121
LET'S GET THEIR SCORES.

1655
00:53:11,121 --> 00:53:13,557
>> Announcer: CARRIE ANN INABA?

1656
00:53:13,557 --> 00:53:15,225
>> Carrie Ann: NO CRUMBS.

1657
00:53:15,225 --> 00:53:16,593
IT'S A 10!

1658
00:53:16,593 --> 00:53:19,430
>> Announcer: DEREK HOUGH?

1659
00:53:19,430 --> 00:53:20,230
>> Derek: 10!

1660
00:53:20,230 --> 00:53:21,565
>> Announcer: BRUNO TONIOLI?

1661
00:53:21,565 --> 00:53:24,735
>> Bruno: YOU KILLED IT.

1662
00:53:24,735 --> 00:53:25,069
10!

1663
00:53:25,069 --> 00:53:28,372
>> Julianne: THAT WAS A 30 OUT

1664
00:53:28,372 --> 00:53:29,406
OF 30 FOR JASON AND DANIELLA, A

1665
00:53:29,406 --> 00:53:31,375
PERFECT SCORE FOR YOU ALL.

1666
00:53:31,375 --> 00:53:33,477
THEIR TOTAL FOR THE NIGHT IS 57.

1667
00:53:33,477 --> 00:53:35,979
THEY DON'T WANT TO RELY ON

1668
00:53:35,979 --> 00:53:37,281
JUDGES' SCORES ALONE.

1669
00:53:37,281 --> 00:53:38,982
GET YOUR VOTES IN SOON.

1670
00:53:38,982 --> 00:53:41,785
VOTING CLOSES DURING THE LAST

1671
00:53:41,785 --> 00:53:51,428
COMMERCIAL BREAK.

1672
00:53:51,428 --> 00:53:53,764
ALFONSO?

1673
00:53:53,764 --> 00:53:56,033
>> Alfonso: UP NEXT WITH A

1674
00:53:56,033 --> 00:53:59,436
WALTZ, HERE ARE XOCHITL AND VAL

1675
00:53:59,436 --> 00:54:00,637
IN TRAINING.

1676
00:54:00,637 --> 00:54:02,506
>> OUR SECOND DANCE WILL BE A

1677
00:54:02,506 --> 00:54:03,474
BALLROOM DANCE.

1678
00:54:03,474 --> 00:54:05,509
THIS DANCE WILL POTENTIALLY GET

1679
00:54:05,509 --> 00:54:06,677
US INTO THE FINALE.

1680
00:54:06,677 --> 00:54:08,746
>> WE'VE HAD SUCH A JOURNEY.

1681
00:54:08,746 --> 00:54:10,914
THIS EXPERIENCE HAS BEEN LIFE

1682
00:54:10,914 --> 00:54:11,615
CHANGING.

1683
00:54:11,615 --> 00:54:12,883
I NEVER THOUGHT I WOULD BE THIS

1684
00:54:12,883 --> 00:54:15,018
GOOD OF A DANCER.

1685
00:54:15,018 --> 00:54:16,787
GETTING INTO THE FINALE WOULD BE

1686
00:54:16,787 --> 00:54:17,154
FABULOUS.

1687
00:54:17,154 --> 00:54:18,922
A LOT OF KIDS HAVE BEEN TELLING

1688
00:54:18,922 --> 00:54:19,923
ME, IT'S SO COOL.

1689
00:54:19,923 --> 00:54:22,659
I HAVE WANT TO DO THAT TOO.

1690
00:54:22,659 --> 00:54:26,063
>> BECAUSE YOU'RE COOL.

1691
00:54:26,063 --> 00:54:27,798
I DIDN'T SHARE BALLROOM DANCE

1692
00:54:27,798 --> 00:54:29,333
WITH MY HIGH SCHOOL FRIENDS.

1693
00:54:29,333 --> 00:54:30,667
>> IT'S SO EXCITING.

1694
00:54:30,667 --> 00:54:32,202
>> IT'S SO IMPORTANT TO HAVE

1695
00:54:32,202 --> 00:54:33,403
PEOPLE LIKE YOU EMBRACE THE

1696
00:54:33,403 --> 00:54:33,737
STYLE.

1697
00:54:33,737 --> 00:54:36,373
I WANT TO HONOR THE EFFORT WE

1698
00:54:36,373 --> 00:54:36,807
PUT IN.

1699
00:54:36,807 --> 00:54:38,442
>> BEING A 17-YEAR-OLD AND DOING

1700
00:54:38,442 --> 00:54:40,077
THE SHOW, I'VE GAINED A LOT OF

1701
00:54:40,077 --> 00:54:41,612
RESPECT FOR DANCERS.

1702
00:54:41,612 --> 00:54:43,780
THE MOST AMAZING THING TO HAPPEN

1703
00:54:43,780 --> 00:54:46,016
IS PEOPLE WHO TRULY SUPPORT YOU.

1704
00:54:46,016 --> 00:54:49,186
>> YOU'LL HAVE A FEW MOMENTS

1705
00:54:49,186 --> 00:54:50,020
THAT ARE DRIVEN.

1706
00:54:50,020 --> 00:54:52,389
I WANT TO CELEBRATE YOU BEING A

1707
00:54:52,389 --> 00:54:53,223
REAL BALLROOM STAR.

1708
00:54:53,223 --> 00:54:54,124
>> THAT'S NICE.

1709
00:54:54,124 --> 00:54:54,792
THANK YOU.

1710
00:54:54,792 --> 00:54:56,460
>> HOPEFULLY IT'S ENOUGH TO GET

1711
00:54:56,460 --> 00:54:57,161
US INTO THE FINALE.

1712
00:54:57,161 --> 00:54:59,696
>> I HOPE SO.

1713
00:54:59,696 --> 00:55:00,964
>> IT WILL BE ENOUGH FOR ME.

1714
00:55:00,964 --> 00:55:03,901
>> ME TOO.

1715
00:55:03,901 --> 00:55:05,903
>> IT STARTS WITH YOU BY THE

1716
00:55:05,903 --> 00:55:06,270
PIANO.

1717
00:55:06,270 --> 00:55:18,282
>> WE'RE DANCING TO "LA VIE EN

1718
00:55:18,282 --> 00:55:18,649
ROSE."

1719
00:55:18,649 --> 00:55:20,851
>> WE'RE GOING TO SHOWCASE A

1720
00:55:20,851 --> 00:55:23,020
SIDE TO YOU WE HAVEN'T SEEN THIS

1721
00:55:23,020 --> 00:55:23,520
SEASON.

1722
00:55:23,520 --> 00:55:25,889
YOU'RE NOT JUST BECOMING A STAR.

1723
00:55:25,889 --> 00:55:27,224
YOU'RE BECOMING A WOMAN.

1724
00:55:27,224 --> 00:55:27,991
IT'S A CHALLENGE.

1725
00:55:27,991 --> 00:55:29,660
>> THAT'S WHERE IT IS?

1726
00:55:29,660 --> 00:55:30,394
>> YES.

1727
00:55:30,394 --> 00:55:32,763
BESIDES THE TECHNIQUE, FOOTWORK

1728
00:55:32,763 --> 00:55:35,632
AND FRAME, THE REAL MAGIC OF

1729
00:55:35,632 --> 00:55:38,402
THIS PERFORMANCE WILL BE IN HOW

1730
00:55:38,402 --> 00:55:41,471
DEEP XOCHITL IS WILLING TO GO

1731
00:55:41,471 --> 00:55:41,905
EMOTIONALLY.

1732
00:55:41,905 --> 00:55:43,207
>> I'M PROUD OF THIS WALTZ

1733
00:55:43,207 --> 00:55:44,908
BECAUSE IT'S VERY EMOTIONAL FOR

1734
00:55:44,908 --> 00:55:46,143
THE BOTH OF US.

1735
00:55:46,143 --> 00:55:47,377
GETTING TO THE FINALE,

1736
00:55:47,377 --> 00:55:48,512
ESPECIALLY WITH THIS DANCE AND

1737
00:55:48,512 --> 00:55:50,480
OUR CONCEPT, IT WOULD MEAN THE

1738
00:55:50,480 --> 00:55:51,048
WORLD TO ME.

1739
00:55:51,048 --> 00:55:51,682
>> PERFECT.

1740
00:55:51,682 --> 00:55:54,117
THAT'S AWESOME.

1741
00:55:54,117 --> 00:55:56,186
>> Announcer: DANCING THE WALTZ,

1742
00:55:56,186 --> 00:55:57,287
WITH HER PARTNER VAL

1743
00:55:57,287 --> 00:55:57,955
CHMERKOVSKIY, IT'S XOCHITL

1744
00:55:57,955 --> 00:56:00,791
GOMEZ.

1745
00:56:00,791 --> 00:56:08,465
[ CHEERS AND APPLAUSE ]

1746
00:56:11,702 --> 00:56:12,369
[ SINGING IN A NON-ENGLISH

1747
00:56:12,369 --> 00:56:54,278
LANGUAGE ]

1748
00:56:54,278 --> 00:56:54,945
[ SINGING IN A NON-ENGLISH

1749
00:56:54,945 --> 00:57:21,705
LANGUAGE ]

1750
00:57:21,705 --> 00:57:22,372
[ SINGING IN A NON-ENGLISH

1751
00:57:22,372 --> 00:57:31,181
LANGUAGE ]

1752
00:57:35,619 --> 00:57:36,219
[ CHEERS AND APPLAUSE ]

1753
00:57:36,219 --> 00:57:39,623
>> Alfonso: XOCHITL AND VAL WITH

1754
00:57:39,623 --> 00:57:41,792
A BEAUTIFUL WALTZ ASSISTED BY

1755
00:57:41,792 --> 00:57:46,196
RAY CHEW ON PIANO.

1756
00:57:46,196 --> 00:57:50,467
A POWERFUL MOMENT.

1757
00:57:50,467 --> 00:57:51,635
HOW ARE YOU FEELING?

1758
00:57:51,635 --> 00:57:52,836
>> GOOD.

1759
00:57:52,836 --> 00:57:54,071
>> Alfonso: YOU FEELING ALL

1760
00:57:54,071 --> 00:57:56,039
RIGHT?

1761
00:57:56,039 --> 00:57:56,406
BEAUTIFUL.

1762
00:57:56,406 --> 00:57:58,108
SHE NEVER WANTS TO GIVE UP.

1763
00:57:58,108 --> 00:57:59,710
GIVE IT UP.

1764
00:57:59,710 --> 00:58:00,010
DEREK?

1765
00:58:00,010 --> 00:58:00,911
>> Derek: YOU KNOW, I WAS

1766
00:58:00,911 --> 00:58:02,279
THINKING ABOUT HOW IMPORTANT

1767
00:58:02,279 --> 00:58:06,183
THIS SEASON IS, WHAT THE GRAVITY

1768
00:58:06,183 --> 00:58:08,285
OF THE SEASON MEANS TO WIN THIS

1769
00:58:08,285 --> 00:58:08,618
SEASON.

1770
00:58:08,618 --> 00:58:10,554
IT'S THE FIRST TIME WE HAVE THE

1771
00:58:10,554 --> 00:58:12,055
LEN GOODMAN TROPHY.

1772
00:58:12,055 --> 00:58:17,861
LEN WOULD HAVE LOVED THAT DANCE.

1773
00:58:17,861 --> 00:58:22,966
THAT WAS ABSOLUTELY PERFECT.

1774
00:58:22,966 --> 00:58:24,167
PERFECT.

1775
00:58:24,167 --> 00:58:25,702
>> Alfonso: CARRIE ANN, PUT IN

1776
00:58:25,702 --> 00:58:27,571
YOUR SCORE PLEASE.

1777
00:58:27,571 --> 00:58:28,338
>> Carrie Ann: SORRY.

1778
00:58:28,338 --> 00:58:33,944
I'M A LITTLE TAKEN ABACK.

1779
00:58:33,944 --> 00:58:36,246
>> Alfonso: BRUNO?

1780
00:58:36,246 --> 00:58:36,913
[ SPEAKING IN A NON-ENGLISH

1781
00:58:36,913 --> 00:58:37,280
LANGUAGE ]

1782
00:58:37,280 --> 00:58:38,782
>> Bruno: THIS GIRL IS AN

1783
00:58:38,782 --> 00:58:39,116
ARTIST.

1784
00:58:39,116 --> 00:58:40,450
THIS GIRL BECAME THE ROSE IN

1785
00:58:40,450 --> 00:58:41,918
FRONT OF OUR EYES.

1786
00:58:41,918 --> 00:58:44,287
FOR SOMEBODY SO YOUNG, YOUR

1787
00:58:44,287 --> 00:58:46,990
MATURITY IN THE INTERPRETATION

1788
00:58:46,990 --> 00:58:48,392
GOES BEYOND DANCING.

1789
00:58:48,392 --> 00:58:50,193
THERE IS DANCING AND THERE IS

1790
00:58:50,193 --> 00:58:50,560
ARTISTRY.

1791
00:58:50,560 --> 00:58:52,329
THIS IS WHAT YOU DID, MY LOVE.

1792
00:58:52,329 --> 00:58:53,930
YOU HAVE AN AMAZING FUTURE IN

1793
00:58:53,930 --> 00:58:57,267
FRONT OF YOU.

1794
00:58:57,267 --> 00:58:58,568
I KNOW.

1795
00:58:58,568 --> 00:58:59,603
>> Alfonso: CARRIE ANN?

1796
00:58:59,603 --> 00:59:00,537
>> Carrie Ann: YOU REALLY

1797
00:59:00,537 --> 00:59:02,472
TOUCHED MY HEART.

1798
00:59:02,472 --> 00:59:07,411
YOU JUST DID.

1799
00:59:07,411 --> 00:59:09,346
THAT WAS -- IT TRANSPORTED ME TO

1800
00:59:09,346 --> 00:59:10,180
ANOTHER WORLD.

1801
00:59:10,180 --> 00:59:11,782
I JUST FELT LIKE I NEVER WANTED

1802
00:59:11,782 --> 00:59:12,849
IT TO END.

1803
00:59:12,849 --> 00:59:13,717
THAT'S SO RARE.

1804
00:59:13,717 --> 00:59:16,286
AFTER 32 SEASONS OF WATCHING

1805
00:59:16,286 --> 00:59:24,928
DANCES AND DANCES, THAT WAS

1806
00:59:24,928 --> 00:59:26,630
STUNNING.

1807
00:59:26,630 --> 00:59:28,331
>> Alfonso: LAST WEEK, WE

1808
00:59:28,331 --> 00:59:29,966
RECEIVED THE MOST VOTES OF ANY

1809
00:59:29,966 --> 00:59:30,734
NIGHT THIS SEASON.

1810
00:59:30,734 --> 00:59:31,435
IF YOU HAVEN'T VOTED YET, WHAT

1811
00:59:31,435 --> 00:59:32,502
ARE YOU WAITING FOR?

1812
00:59:32,502 --> 00:59:33,236
THIS IS YOUR LAST CHANCE TO TELL

1813
00:59:33,236 --> 00:59:33,970
US WHO YOU WANT TO SEE DANCING

1814
00:59:33,970 --> 00:59:34,704
FOR THE LEN GOODMAN MIRROR BALL

1815
00:59:34,704 --> 00:59:38,375
TROPHY NEXT TUESDAY NIGHT.

1816
00:59:38,375 --> 00:59:39,576
JULIANNE?

1817
00:59:39,576 --> 00:59:40,977
>> Julianne: THANK YOU, ALFONSO.

1818
00:59:40,977 --> 00:59:43,413
AS THEY MAKE THEIR WAY UP HERE,

1819
00:59:43,413 --> 00:59:46,016
OBVIOUSLY THOSE COMMENTS WERE SO

1820
00:59:46,016 --> 00:59:48,118
MAGICAL AND, YOU KNOW, VAL

1821
00:59:48,118 --> 00:59:50,821
MENTIONED TO YOU THAT NO MATTER

1822
00:59:50,821 --> 00:59:52,088
WHAT HAPPENS AFTER TONIGHT WHAT

1823
00:59:52,088 --> 00:59:53,290
YOU HAVE DONE IS ENOUGH.

1824
00:59:53,290 --> 00:59:54,658
HEARING THOSE COMMENTS, HOW ARE

1825
00:59:54,658 --> 00:59:57,360
YOU FEELING, THE EMOTIONS?

1826
00:59:57,360 --> 00:59:59,496
>> IT'S CRAZY BECAUSE I NEVER

1827
00:59:59,496 --> 01:00:00,530
THOUGHT I WOULD EVER MAKE IT

1828
01:00:00,530 --> 01:00:01,398
THIS FAR.

1829
01:00:01,398 --> 01:00:03,700
TO BE HERE AND TO, LIKE, RECEIVE

1830
01:00:03,700 --> 01:00:06,069
SUCH BEAUTIFUL COMPLIMENTS AND

1831
01:00:06,069 --> 01:00:08,672
STUFF, IT'S JUST -- YEAH.

1832
01:00:08,672 --> 01:00:10,340
THERE'S NO WORDS TO DESCRIBE

1833
01:00:10,340 --> 01:00:13,410
WHAT IS GOING ON.

1834
01:00:13,410 --> 01:00:14,578
>> Julianne: WELL, LET'S

1835
01:00:14,578 --> 01:00:15,846
DESCRIBE YOUR SCORES.

1836
01:00:15,846 --> 01:00:18,548
HOW ABOUT THAT?

1837
01:00:18,548 --> 01:00:20,383
>> Announcer: CARRIE ANN INABA?

1838
01:00:20,383 --> 01:00:22,018
>> Carrie Ann: AS DEREK SAID, IF

1839
01:00:22,018 --> 01:00:24,688
IT WAS LEN, HE WOULD GIVE A 10.

1840
01:00:24,688 --> 01:00:26,323
>> Announcer: DEREK HOUGH?

1841
01:00:26,323 --> 01:00:27,057
>> Derek: 10!

1842
01:00:27,057 --> 01:00:30,627
>> Announcer: BRUNO TONIOLI?

1843
01:00:30,627 --> 01:00:31,294
>> Bruno: 10!

1844
01:00:31,294 --> 01:00:33,063
>> Julianne: IT'S A 30 OUT OF 30

1845
01:00:33,063 --> 01:00:34,965
FOR XOCHITL AND VAL FOR THEIR

1846
01:00:34,965 --> 01:00:36,132
LAST DANCE OF THE SEMI-FINALS,

1847
01:00:36,132 --> 01:00:37,601
WHICH MEANS THEIR TOTAL FOR THE

1848
01:00:37,601 --> 01:00:39,769
NIGHT IS 60.

1849
01:00:39,769 --> 01:00:41,671
THEY DON'T WANT TO TRY TO GET

1850
01:00:41,671 --> 01:00:43,773
THROUGH THIS COMPETITION ON

1851
01:00:43,773 --> 01:00:44,541
JUDGES' SCORES ALONE.

1852
01:00:44,541 --> 01:00:46,109
HELP THEM OUT WITH THE POWER OF

1853
01:00:46,109 --> 01:00:47,144
YOUR VOTES.

1854
01:00:47,144 --> 01:00:47,677
ALFONSO?

1855
01:00:47,677 --> 01:00:48,812
>> Alfonso: THANKS, JULIANNE.

1856
01:00:48,812 --> 01:00:50,514
WE'LL CONTINUE WITH A QUICKSTEP

1857
01:00:50,514 --> 01:00:52,148
FROM CHARITY AND ARTEM WHEN WE

1858
01:00:52,148 --> 01:00:53,884
COME BACK, LIVE.

1859
01:00:53,884 --> 01:00:55,252
[ CHEERS AND APPLAUSE ]

1860
01:01:03,493 --> 01:01:04,160
♪♪

1861
01:01:04,160 --> 01:01:06,696
[ CHEERS AND APPLAUSE ]

1862
01:01:06,696 --> 01:01:08,665
>> Alfonso: WE'RE BACK AND SO

1863
01:01:08,665 --> 01:01:10,267
FAR, THIS IS ONE OF THE MOST

1864
01:01:10,267 --> 01:01:12,736
EXCITING SEMI-FINALS I'VE SEEN.

1865
01:01:12,736 --> 01:01:13,970
PERIOD.

1866
01:01:13,970 --> 01:01:15,238
LET'S KEEP IT GOING WITH THE

1867
01:01:15,238 --> 01:01:17,541
COUPLE WHO EARLIER TONIGHT

1868
01:01:17,541 --> 01:01:20,110
EARNED 29 FOR THEIR RUMBA.

1869
01:01:20,110 --> 01:01:21,344
TRAINING FOR THEIR LAST CHANCE

1870
01:01:21,344 --> 01:01:23,446
TO GET INTO THE FINALE, HERE ARE

1871
01:01:23,446 --> 01:01:26,650
CHARITY AND ARTEM.

1872
01:01:26,650 --> 01:01:28,451
>> FOR THE FINAL STRETCH TO GET

1873
01:01:28,451 --> 01:01:30,287
TO THAT FINALE WE'RE DOING

1874
01:01:30,287 --> 01:01:30,854
BALLROOM.

1875
01:01:30,854 --> 01:01:31,755
IT'S A QUICKSTEP.

1876
01:01:31,755 --> 01:01:32,589
>> FAST.

1877
01:01:32,589 --> 01:01:34,157
>> QUICKSTEP.

1878
01:01:34,157 --> 01:01:36,860
>> WHAT IS THE FOCAL POINT OF

1879
01:01:36,860 --> 01:01:38,695
THIS STYLE OF DANCE THAT'S GOING

1880
01:01:38,695 --> 01:01:40,130
TO CARRY ME INTO THE FINALE?

1881
01:01:40,130 --> 01:01:42,399
>> I WANT PEOPLE TO SEE NOT JUST

1882
01:01:42,399 --> 01:01:44,834
HOW HARD YOU WORK HERE, BUT ALSO

1883
01:01:44,834 --> 01:01:46,570
HOW MUCH YOU WANT TO BE ON THAT

1884
01:01:46,570 --> 01:01:47,470
DANCE FLOOR.

1885
01:01:47,470 --> 01:01:50,307
YOU HAVE WHAT IT TAKES TO TAKE

1886
01:01:50,307 --> 01:01:51,408
THAT FIGHT.

1887
01:01:51,408 --> 01:01:53,410
THE FIRST TIME WE DID THE

1888
01:01:53,410 --> 01:01:55,879
DANCE-OFF IS WHAT YOU NEED TO

1889
01:01:55,879 --> 01:01:56,246
CHANNEL.

1890
01:01:56,246 --> 01:01:58,648
>> THIS JOURNEY HAS BEEN SO LIFE

1891
01:01:58,648 --> 01:01:59,015
CHANGING.

1892
01:01:59,015 --> 01:02:00,650
I'M LOOKING FORWARD TO KEEPING

1893
01:02:00,650 --> 01:02:01,851
THIS MOMENTUM AND IT CARRYING ME

1894
01:02:01,851 --> 01:02:03,053
ALL THE WAY.

1895
01:02:03,053 --> 01:02:04,554
I KNOW THIS WILL BE THE LAST

1896
01:02:04,554 --> 01:02:05,789
DANCE THAT PEOPLE WILL SEE

1897
01:02:05,789 --> 01:02:08,224
BEFORE GETTING INTO THE FINALE.

1898
01:02:08,224 --> 01:02:09,859
IT'S ALL OR NOTHING.

1899
01:02:09,859 --> 01:02:11,928
GO BIG OR DO NOT GO HOME.

1900
01:02:11,928 --> 01:02:13,930
>> IT'S GOING TO BE THAT PERFECT

1901
01:02:13,930 --> 01:02:14,264
SCORE.

1902
01:02:14,264 --> 01:02:14,598
>> YES.

1903
01:02:14,598 --> 01:02:16,166
>> THE SPEED IS THE KEY, BUT

1904
01:02:16,166 --> 01:02:20,437
BEING ON TIME COUNTS.

1905
01:02:20,437 --> 01:02:21,805
QUICKSTEP HAS MORE STEPS THAN

1906
01:02:21,805 --> 01:02:22,706
THE USUAL DANCE.

1907
01:02:22,706 --> 01:02:25,342
ON TOP OF THAT ANY MISSTEP YOU

1908
01:02:25,342 --> 01:02:26,943
CAN FALL OUT OF TIMING.

1909
01:02:26,943 --> 01:02:29,913
IT NEEDS TO BE SHARPER AND

1910
01:02:29,913 --> 01:02:30,280
TIGHTER.

1911
01:02:30,280 --> 01:02:31,781
>> HOW CAN I CONTROL MY

1912
01:02:31,781 --> 01:02:33,383
BREATHING, BUT STILL --

1913
01:02:33,383 --> 01:02:35,719
>> GO ON THE TREADMILL.

1914
01:02:35,719 --> 01:02:37,120
GO SPEED OF TEN.

1915
01:02:37,120 --> 01:02:38,688
SMILE AND BREATHE THROUGH YOUR

1916
01:02:38,688 --> 01:02:39,256
NOSE.

1917
01:02:39,256 --> 01:02:40,824
>> THE DANCE STYLE IS CALLED

1918
01:02:40,824 --> 01:02:42,125
QUICKSTEP FOR A REASON.

1919
01:02:42,125 --> 01:02:44,094
THERE'S NOT A MOMENT WHERE I AM

1920
01:02:44,094 --> 01:02:44,427
RESTING.

1921
01:02:44,427 --> 01:02:46,062
I'M FEELING THE PRESSURE.

1922
01:02:46,062 --> 01:02:46,730
SORRY, SORRY.

1923
01:02:46,730 --> 01:02:49,199
>> THAT'S OKAY.

1924
01:02:49,199 --> 01:02:50,433
>> IT'S BRINGING OUT THE FIRE IN

1925
01:02:50,433 --> 01:02:50,734
ME.

1926
01:02:50,734 --> 01:02:51,835
>> THERE YOU GO, YES.

1927
01:02:51,835 --> 01:02:53,670
>> I'M MOTIVATED.

1928
01:02:53,670 --> 01:02:55,372
I KNOW THAT ALL THE WEEKS THAT

1929
01:02:55,372 --> 01:02:57,474
HAVE LED UP TO THIS MOMENTUM

1930
01:02:57,474 --> 01:02:59,843
HAVE BEEN HARD, HAVE BEEN

1931
01:02:59,843 --> 01:03:00,210
GRUELING.

1932
01:03:00,210 --> 01:03:03,813
THEY'VE ALSO BEEN REWARDING.

1933
01:03:03,813 --> 01:03:04,581
I'M THIS CLOSE AND GOING FOR IT

1934
01:03:04,581 --> 01:03:05,315
MORE THAN EVER.

1935
01:03:05,315 --> 01:03:05,982
>> KEEP SMILING THROUGH IT.

1936
01:03:05,982 --> 01:03:09,185
BEAUTIFUL.

1937
01:03:09,185 --> 01:03:12,222
>> Announcer: DANCING THE

1938
01:03:12,222 --> 01:03:13,223
QUICKSTEP, WITH HER PARTNER

1939
01:03:13,223 --> 01:03:15,425
ARTEM CHIGVINTSEV, IT'S CHARITY

1940
01:03:15,425 --> 01:03:18,628
LAWSON.

1941
01:03:18,628 --> 01:03:19,229
[ CHEERS AND APPLAUSE ]

1942
01:03:19,229 --> 01:03:21,731
♪ EVERYDAY IS PAYDAY

1943
01:03:21,731 --> 01:03:23,233
SWIPE MY CARD THEN I DO

1944
01:03:23,233 --> 01:03:28,038
THE NAE NAE ♪

1945
01:03:28,038 --> 01:03:29,406
♪ YOU TALKING TO A LADY

1946
01:03:29,406 --> 01:03:30,073
I WANT A KANYE YE NOT

1947
01:03:30,073 --> 01:03:31,641
A RAY J ♪

1948
01:03:31,641 --> 01:03:32,642
♪ SO THAT'S A NO NO I'M A

1949
01:03:32,642 --> 01:03:33,276
MAYBACH AND YOU'S A VOLVO

1950
01:03:33,276 --> 01:03:34,644
THIS CONVO'S BEAT ♪

1951
01:03:34,644 --> 01:03:36,513
♪ LIKE DRE AYE

1952
01:03:36,513 --> 01:03:37,514
I ALREADY KNOW WHAT YOU

1953
01:03:37,514 --> 01:03:38,081
TRYING TO SAY HEY ♪

1954
01:03:38,081 --> 01:03:38,782
♪ YOU SAY THAT YOU A BALLER

1955
01:03:38,782 --> 01:03:41,184
AND I SEE YOU TRYING HOLLA ♪

1956
01:03:41,184 --> 01:03:43,887
♪ BUT THAT AIN'T HOW I WAS

1957
01:03:43,887 --> 01:03:46,489
BROUGHT UP NEXT

1958
01:03:46,489 --> 01:03:47,590
WORKING FOR THE MONEY ♪

1959
01:03:47,590 --> 01:03:48,491
♪ 'CAUSE THAT WHAT MY MOMMA

1960
01:03:48,491 --> 01:03:49,559
TAUGHT ME SO YO ASS BETTER

1961
01:03:49,559 --> 01:03:50,193
SHOW ME SOME RESPECT ♪

1962
01:03:50,193 --> 01:03:50,560
♪ BOSS

1963
01:03:50,560 --> 01:03:51,695
MICHELLE OBAMA HOO ♪

1964
01:03:51,695 --> 01:03:55,231
♪ PURSE ALL HEAVY

1965
01:03:55,231 --> 01:03:56,199
GETTIN' OPRAH DOLLARS ♪

1966
01:03:56,199 --> 01:03:56,800
♪ BOSS

1967
01:03:56,800 --> 01:03:57,400
MICHELLE OBAMA HOO ♪

1968
01:03:57,400 --> 01:03:57,934
♪ PURSE ALL HEAVY

1969
01:03:57,934 --> 01:03:58,535
GETTIN' OPRAH DOLLARS ♪

1970
01:03:58,535 --> 01:03:59,102
♪ C-O-N-F-I-D-E-N-T

1971
01:03:59,102 --> 01:04:00,437
THAT'S ME I'M CONFIDENT

1972
01:04:00,437 --> 01:04:02,272
DON'T WANT YO COMPLIMENTS ♪

1973
01:04:02,272 --> 01:04:04,941
♪ USE COMMON SENSE

1974
01:04:04,941 --> 01:04:06,342
I'M ON MY MICHELLE

1975
01:04:06,342 --> 01:04:07,711
OBAMA SHHH ♪

1976
01:04:07,711 --> 01:04:09,879
♪ SHUT YO MOUTH

1977
01:04:09,879 --> 01:04:15,185
BOY I THINK YOU KNOW

1978
01:04:15,185 --> 01:04:15,785
WHO RUN THIS HOUSE ♪

1979
01:04:15,785 --> 01:04:16,753
♪ I AIN'T THIRSTIN FOR NO

1980
01:04:16,753 --> 01:04:17,821
BAE 'CAUSE I ALREADY KNOW

1981
01:04:17,821 --> 01:04:20,990
WATCHU TRYING TO SAY HEY ♪

1982
01:04:20,990 --> 01:04:21,691
♪ YOU SAY THAT YOU A BALLER

1983
01:04:21,691 --> 01:04:22,392
AND I SEE YOU TRYING TO HOLLA

1984
01:04:22,392 --> 01:04:22,959
BUT THAT AIN'T ♪

1985
01:04:22,959 --> 01:04:23,660
♪ HOW I WAS BROUGHT UP NEXT

1986
01:04:23,660 --> 01:04:24,294
WORKING FOR THE MONEY ♪

1987
01:04:24,294 --> 01:04:24,961
♪ 'CAUSE THAT'S WHAT MY

1988
01:04:24,961 --> 01:04:25,662
MOMMA TAUGHT ME SO YO ASS ♪

1989
01:04:25,662 --> 01:04:26,196
♪ BETTER SHOW ME

1990
01:04:26,196 --> 01:04:27,330
SOME RESPECT ♪

1991
01:04:27,330 --> 01:04:28,932
♪ BOSS

1992
01:04:28,932 --> 01:04:29,532
MICHELLE OBAMA HOO ♪

1993
01:04:29,532 --> 01:04:30,066
♪ PURSE ALL HEAVY

1994
01:04:30,066 --> 01:04:31,568
GETTIN' OPRAH DOLLARS

1995
01:04:31,568 --> 01:04:33,169
OOH OH ♪

1996
01:04:33,169 --> 01:04:34,170
♪ BOSS

1997
01:04:34,170 --> 01:04:36,840
MICHELLE OBAMA HOO ♪

1998
01:04:36,840 --> 01:04:37,907
♪ PURSE ALL HEAVY

1999
01:04:37,907 --> 01:04:40,009
GETTIN' OPRAH DOLLARS

2000
01:04:40,009 --> 01:04:41,611
OH OH OH OH OH ♪

2001
01:04:41,611 --> 01:04:42,145
♪ BOSS

2002
01:04:42,145 --> 01:04:44,280
WOO HOO

2003
01:04:44,280 --> 01:04:49,119
OH AH ♪

2004
01:04:49,119 --> 01:04:49,719
[ CHEERS AND APPLAUSE ]

2005
01:04:49,719 --> 01:04:51,554
>> Alfonso: CHARITY AND ARTEM

2006
01:04:51,554 --> 01:04:53,223
DOING A QUICKSTEP LIKE A BOSS.

2007
01:04:53,223 --> 01:04:57,394
WHOO!

2008
01:04:57,394 --> 01:04:58,461
YES.

2009
01:04:58,461 --> 01:05:01,831
OH, THE FACIAL EXPRESSIONS HAVE

2010
01:05:01,831 --> 01:05:03,233
COME ALIVE.

2011
01:05:03,233 --> 01:05:05,402
BRUNO, TAKE IT AWAY.

2012
01:05:05,402 --> 01:05:07,070
>> Bruno: CHARITY, YOU HIT THE

2013
01:05:07,070 --> 01:05:08,304
SWEET TIME, BIG TIME.

2014
01:05:08,304 --> 01:05:10,607
IT'S WHAT I LOVED.

2015
01:05:10,607 --> 01:05:14,043
IT WAS A GREAT QUICKSTEP.

2016
01:05:14,043 --> 01:05:14,711
THERE WAS SO MUCH SASS AND

2017
01:05:14,711 --> 01:05:18,214
PIZAZZ WHICH I'VE NEVER SEEN

2018
01:05:18,214 --> 01:05:19,015
BEFORE, HONEY.

2019
01:05:19,015 --> 01:05:24,087
WORK IT BECAUSE YOU'VE GOT IT.

2020
01:05:24,087 --> 01:05:24,988
>> Alfonso: CARRIE ANN?

2021
01:05:24,988 --> 01:05:28,191
>> Carrie Ann: OKAY.

2022
01:05:28,191 --> 01:05:30,460
IT JUST IS GREAT WHEN YOU'RE

2023
01:05:30,460 --> 01:05:31,661
HAVING FUN.

2024
01:05:31,661 --> 01:05:33,763
WHEN YOU HAVE FUN, WE'RE HAVING

2025
01:05:33,763 --> 01:05:34,097
FUN.

2026
01:05:34,097 --> 01:05:34,864
WAS THAT FUN?

2027
01:05:34,864 --> 01:05:36,466
IT WAS FILLED WITH CONTENT.

2028
01:05:36,466 --> 01:05:38,301
IT WAS A CHALLENGING ROUTINE.

2029
01:05:38,301 --> 01:05:39,769
I THOUGHT YOU WERE LOSING

2030
01:05:39,769 --> 01:05:41,604
MOMENTUM AND YOU WERE LIKE, NO,

2031
01:05:41,604 --> 01:05:43,873
I'M NOT GOING TO LOSE MOMENTUM

2032
01:05:43,873 --> 01:05:47,544
AND I'LL FINISH THIS STRONG, AND

2033
01:05:47,544 --> 01:05:48,945
YOU DID.

2034
01:05:48,945 --> 01:05:49,746
>> Alfonso: DEREK?

2035
01:05:49,746 --> 01:05:51,848
>> Derek: CHARITY, YOU'RE BACK.

2036
01:05:51,848 --> 01:05:52,382
LET'S GO.

2037
01:05:52,382 --> 01:05:54,117
>> Alfonso: YOU GOT THE CLAP.

2038
01:05:54,117 --> 01:05:54,918
>> Derek: THAT'S IT.

2039
01:05:54,918 --> 01:05:57,420
THAT ENERGY, THAT EXCITEMENT,

2040
01:05:57,420 --> 01:06:00,056
THAT'S WHAT WE'VE BEEN TALKING

2041
01:06:00,056 --> 01:06:00,356
ABOUT.

2042
01:06:00,356 --> 01:06:01,458
THAT WAS IT.

2043
01:06:01,458 --> 01:06:02,826
THAT WAS A DIFFICULT QUICKSTEP.

2044
01:06:02,826 --> 01:06:05,361
YOU MADE IT LOOK EASY, FUN AND

2045
01:06:05,361 --> 01:06:06,129
EXCITING.

2046
01:06:06,129 --> 01:06:06,496
WELL DONE.

2047
01:06:06,496 --> 01:06:07,230
>> Alfonso: HEAD UP TO JULIANNE

2048
01:06:07,230 --> 01:06:08,231
IN THE SKYBOX.

2049
01:06:08,231 --> 01:06:10,333
ALYSON AND SASHA WILL SOON

2050
01:06:10,333 --> 01:06:11,000
RETURN TO THE FLOOR FOR THEIR

2051
01:06:11,000 --> 01:06:12,468
SECOND AND FINAL DANCE OF THE

2052
01:06:12,468 --> 01:06:16,139
SEMI-FINALS.

2053
01:06:16,139 --> 01:06:18,241
NEXT TUESDAY NIGHT, OUR

2054
01:06:18,241 --> 01:06:18,908
FINALISTS WILL COMPETE IN A

2055
01:06:18,908 --> 01:06:21,744
ROUND OF REDEMPTION DANCES.

2056
01:06:21,744 --> 01:06:23,279
EACH FINALIST WILL BE CHALLENGED

2057
01:06:23,279 --> 01:06:25,448
TO PERFORM A NEW ROUTINE AND

2058
01:06:25,448 --> 01:06:29,085
THEN THEY'LL PUT OUT ALL THE

2059
01:06:29,085 --> 01:06:31,688
STOPS IN THE FREE STYLES.

2060
01:06:31,688 --> 01:06:32,055
JULIANNE?

2061
01:06:32,055 --> 01:06:33,056
>> Julianne: MANY CHAMPIONSHIPS

2062
01:06:33,056 --> 01:06:34,424
HAVE BEEN WON OR LOST BY THE

2063
01:06:34,424 --> 01:06:37,193
FREE STYLES, ALFONSO.

2064
01:06:37,193 --> 01:06:38,461
THERE IS SO MUCH PRAISE

2065
01:06:38,461 --> 01:06:38,995
HAPPENING.

2066
01:06:38,995 --> 01:06:40,563
I HONESTLY DON'T WANT TO KEEP

2067
01:06:40,563 --> 01:06:41,764
YOU WAITING.

2068
01:06:41,764 --> 01:06:43,933
SHOULD WE JUST GET RIGHT TO

2069
01:06:43,933 --> 01:06:44,267
SCORES?

2070
01:06:44,267 --> 01:06:45,168
>> I WOULD LOVE THAT.

2071
01:06:45,168 --> 01:06:47,203
>> Announcer: CARRIE ANN INABA?

2072
01:06:47,203 --> 01:06:48,204
>> Carrie Ann: 10!

2073
01:06:48,204 --> 01:06:50,773
>> Announcer: DEREK HOUGH?

2074
01:06:50,773 --> 01:06:51,708
>> Derek: 10!

2075
01:06:51,708 --> 01:06:54,177
>> Announcer: BRUNO TONIOLI?

2076
01:06:54,177 --> 01:06:57,247
>> Bruno: YOU GOT IT, HONEY.

2077
01:06:57,247 --> 01:06:58,081
10.

2078
01:06:58,081 --> 01:06:58,815
>> Julianne: ALL RIGHT.

2079
01:06:58,815 --> 01:07:00,483
THAT IS A 30 OUT OF 30 FOR

2080
01:07:00,483 --> 01:07:02,285
CHARITY AND ARTEM FOR THEIR LAST

2081
01:07:02,285 --> 01:07:04,053
DANCE OF THE SEMI-FINALS.

2082
01:07:04,053 --> 01:07:06,389
THAT IS YOUR FIRST EVER PERFECT

2083
01:07:06,389 --> 01:07:07,223
SCORE.

2084
01:07:07,223 --> 01:07:08,124
WHOO HOO.

2085
01:07:08,124 --> 01:07:09,859
THAT MEANS THEIR TOTAL FOR THE

2086
01:07:09,859 --> 01:07:11,361
NIGHT IS 59.

2087
01:07:11,361 --> 01:07:13,463
LIKE ALL OF OUR STARS, THEY WANT

2088
01:07:13,463 --> 01:07:14,230
YOUR VOTES.

2089
01:07:14,230 --> 01:07:17,433
TEXT AND VOTE ONLINE AT ABC.COM.

2090
01:07:17,433 --> 01:07:18,001
[ CHEERS AND APPLAUSE ]

2091
01:07:25,141 --> 01:07:25,942
♪♪

2092
01:07:25,942 --> 01:07:27,710
[ CHEERS AND APPLAUSE ]

2093
01:07:27,710 --> 01:07:28,778
>> Alfonso: WELCOME BACK.

2094
01:07:28,778 --> 01:07:31,314
NEXT UP THE COUPLE WHO EARNED 25

2095
01:07:31,314 --> 01:07:33,249
FOR THEIR JIVE.

2096
01:07:33,249 --> 01:07:34,784
>> Julianne: BEFORE THEY WALTZ,

2097
01:07:34,784 --> 01:07:36,352
LET'S SEE ALYSON AND SASHA IN

2098
01:07:36,352 --> 01:07:38,388
TRAINING.

2099
01:07:38,388 --> 01:07:40,590
>> THIS IS THE DANCE THAT MIGHT

2100
01:07:40,590 --> 01:07:42,425
TAKE US TO THE FINALS.

2101
01:07:42,425 --> 01:07:43,426
>> WHAT?

2102
01:07:43,426 --> 01:07:44,994
I NEVER THOUGHT I WOULD MAKE IT

2103
01:07:44,994 --> 01:07:45,728
THIS FAR.

2104
01:07:45,728 --> 01:07:48,231
I MEAN THE FINALE IS, LIKE,

2105
01:07:48,231 --> 01:07:49,032
WITHIN REACH.

2106
01:07:49,032 --> 01:07:51,568
THERE ARE MANY DAYS WHERE I'M,

2107
01:07:51,568 --> 01:07:53,202
LIKE, I DON'T KNOW IF I CAN DO

2108
01:07:53,202 --> 01:07:53,536
THIS.

2109
01:07:53,536 --> 01:07:55,605
I KEPT SHOWING UP AND DOING THE

2110
01:07:55,605 --> 01:07:55,939
WORK.

2111
01:07:55,939 --> 01:07:57,173
IT WOULD MEAN THE WORLD TO ME TO

2112
01:07:57,173 --> 01:07:59,309
MAKE IT TO THE FINALE.

2113
01:07:59,309 --> 01:08:02,345
THAT'S JUST SUCH A REWARD.

2114
01:08:02,345 --> 01:08:04,080
WHAT WILL WE HAVE TO DO TO GET

2115
01:08:04,080 --> 01:08:04,914
INTO THE FINALE?

2116
01:08:04,914 --> 01:08:07,584
>> WE'RE GOING TO HAVE TO STAND

2117
01:08:07,584 --> 01:08:07,917
OUT.

2118
01:08:07,917 --> 01:08:10,286
I'M GOING TO BE HONEST, WHEN WE

2119
01:08:10,286 --> 01:08:12,121
THINK WHO'S IN THE SEMI-FINALS,

2120
01:08:12,121 --> 01:08:13,056
THEY'RE ALL AMAZING.

2121
01:08:13,056 --> 01:08:13,656
>> EVERYONE.

2122
01:08:13,656 --> 01:08:15,625
I'M GOING TO HAVE TO WORK TEN

2123
01:08:15,625 --> 01:08:17,427
TIMES HARDER THAN ANY OF THE

2124
01:08:17,427 --> 01:08:19,362
OTHER DANCERS BECAUSE I WANT TO

2125
01:08:19,362 --> 01:08:20,396
PROVE TO EVERYONE AND MYSELF

2126
01:08:20,396 --> 01:08:23,066
THAT I DESERVE A SPOT IN THE

2127
01:08:23,066 --> 01:08:23,399
FINAL.

2128
01:08:23,399 --> 01:08:23,933
>> ARE YOU READY?

2129
01:08:23,933 --> 01:08:24,968
>> I'M READY.

2130
01:08:24,968 --> 01:08:28,871
>> NO STOPPING US NOW.

2131
01:08:28,871 --> 01:08:31,574
THIS IS A BEAUTIFUL LOVE STORY.

2132
01:08:31,574 --> 01:08:32,709
YOU ARE THE ARTIST.

2133
01:08:32,709 --> 01:08:34,310
YOU ARE PAINTING A PICTURE.

2134
01:08:34,310 --> 01:08:36,980
WHEN WE HAVE ANY LINES, ONE,

2135
01:08:36,980 --> 01:08:38,047
TWO, THREE.

2136
01:08:38,047 --> 01:08:40,750
OUR BALLROOM DANCE IS A SLOW

2137
01:08:40,750 --> 01:08:41,184
WALTZ.

2138
01:08:41,184 --> 01:08:43,386
WE HAVE TO PAINT BEAUTIFUL

2139
01:08:43,386 --> 01:08:43,753
LINES.

2140
01:08:43,753 --> 01:08:45,288
SOMETHING ALYSON'S BEEN

2141
01:08:45,288 --> 01:08:45,922
STRUGGLING WITH.

2142
01:08:45,922 --> 01:08:47,557
>> OKAY.

2143
01:08:47,557 --> 01:08:48,124
STRAIGHT.

2144
01:08:48,124 --> 01:08:51,160
>> WE'RE FULLY FOCUSSED ON

2145
01:08:51,160 --> 01:08:53,796
DELIVERING OUR BEST PERFORMANCE

2146
01:08:53,796 --> 01:08:54,330
YET.

2147
01:08:54,330 --> 01:08:55,832
>> CHANNELLING EVERYTHING I'VE

2148
01:08:55,832 --> 01:08:58,868
LEARNED IN BALLROOM DANCE IS NO

2149
01:08:58,868 --> 01:09:00,136
EASY FEAT.

2150
01:09:00,136 --> 01:09:00,670
THIS WAY.

2151
01:09:00,670 --> 01:09:01,537
>> YES.

2152
01:09:01,537 --> 01:09:04,507
>> IT'S THE SEMI-FINALS.

2153
01:09:04,507 --> 01:09:05,608
LITTLE MISTAKES ARE GIANT

2154
01:09:05,608 --> 01:09:06,109
MISTAKES NOW.

2155
01:09:06,109 --> 01:09:06,843
>> IT'S OKAY.

2156
01:09:06,843 --> 01:09:08,644
>> I REALLY HAVE TO JUST DO

2157
01:09:08,644 --> 01:09:10,113
EVERYTHING PERFECTLY.

2158
01:09:10,113 --> 01:09:11,547
>> PAINT THAT RAINBOW.

2159
01:09:11,547 --> 01:09:12,548
THAT'S IT.

2160
01:09:12,548 --> 01:09:13,383
YES, YES.

2161
01:09:13,383 --> 01:09:13,716
NICE.

2162
01:09:13,716 --> 01:09:17,053
>> I MAY BE ON THE BOTTOM OF THE

2163
01:09:17,053 --> 01:09:19,589
LEADERBOARD, BUT DON'T

2164
01:09:19,589 --> 01:09:20,523
UNDERESTIMATE ME BECAUSE I'M

2165
01:09:20,523 --> 01:09:22,425
GOING TO LEAVE EVERYTHING I HAVE

2166
01:09:22,425 --> 01:09:24,627
ON THAT BALLROOM FLOOR.

2167
01:09:24,627 --> 01:09:25,662
>> BEAUTIFUL.

2168
01:09:25,662 --> 01:09:26,195
>> YEAH, BABY.

2169
01:09:26,195 --> 01:09:27,597
>> Announcer: DANCING THE WALTZ,

2170
01:09:27,597 --> 01:09:28,998
WITH HER PARTNER SASHA FARBER,

2171
01:09:28,998 --> 01:09:33,336
IT'S ALYSON HANNIGAN.

2172
01:09:33,336 --> 01:09:39,208
[ CHEERS AND APPLAUSE ]

2173
01:09:39,208 --> 01:09:43,946
♪♪

2174
01:09:43,946 --> 01:09:54,023
♪ COME AWAY WITH ME

2175
01:09:54,023 --> 01:09:59,829
IN THE NIGHT

2176
01:09:59,829 --> 01:10:01,431
COME AWAY WITH ME ♪

2177
01:10:01,431 --> 01:10:03,032
♪ AND I WILL WRITE

2178
01:10:03,032 --> 01:10:11,441
YOU A SONG ♪

2179
01:10:11,441 --> 01:10:13,576
♪ COME AWAY WITH ME

2180
01:10:13,576 --> 01:10:17,814
ON A BUS COME AWAY WHERE

2181
01:10:17,814 --> 01:10:22,618
THEY CAN'T TEMPT US ♪

2182
01:10:22,618 --> 01:10:30,059
♪ WITH THEIR LIES ♪

2183
01:10:30,059 --> 01:10:31,627
♪ AND I WANT TO WAKE UP

2184
01:10:31,627 --> 01:10:36,933
WITH THE RAIN FALLING ON

2185
01:10:36,933 --> 01:10:38,468
A TIN ROOF ♪

2186
01:10:38,468 --> 01:10:40,069
♪ WHILE I'M SAFE THERE IN

2187
01:10:40,069 --> 01:10:41,637
YOUR ARMS SO ALL I ASK IS FOR

2188
01:10:41,637 --> 01:10:44,273
YOU ♪

2189
01:10:44,273 --> 01:10:51,714
♪ TO COME AWAY WITH ME IN

2190
01:10:51,714 --> 01:10:52,215
THE NIGHT

2191
01:10:52,215 --> 01:10:59,122
COME AWAY WITH ME ♪

2192
01:10:59,122 --> 01:10:59,722
[ CHEERS AND APPLAUSE ]

2193
01:10:59,722 --> 01:11:00,423
>> Alfonso: ALYSON AND SASHA

2194
01:11:00,423 --> 01:11:03,459
WITH A WALTZ.

2195
01:11:03,459 --> 01:11:04,560
DON'T GO THAT WAY.

2196
01:11:04,560 --> 01:11:08,564
COME AWAY WITH ME THIS WAY.

2197
01:11:08,564 --> 01:11:08,898
YEAH.

2198
01:11:08,898 --> 01:11:10,399
SO BEAUTIFUL.

2199
01:11:10,399 --> 01:11:11,367
ABSOLUTELY GRACEFUL.

2200
01:11:11,367 --> 01:11:13,736
ALL RIGHT.

2201
01:11:13,736 --> 01:11:14,337
CARRIE ANN?

2202
01:11:14,337 --> 01:11:15,538
>> Carrie Ann: I'M JUST PROUD OF

2203
01:11:15,538 --> 01:11:15,872
YOU.

2204
01:11:15,872 --> 01:11:17,974
YOU HAVE THE ABILITY TO MAKE US

2205
01:11:17,974 --> 01:11:19,442
FEEL SO MUCH.

2206
01:11:19,442 --> 01:11:22,879
THE WAY YOU DANCE WITH SUCH

2207
01:11:22,879 --> 01:11:24,280
EMOTIONAL VULNERABILITY YOU DRAW

2208
01:11:24,280 --> 01:11:26,215
US INTO EVERY MOVE AND WE CARE.

2209
01:11:26,215 --> 01:11:27,917
THIS IS A LIFE MOMENT.

2210
01:11:27,917 --> 01:11:29,385
IT'S NICE TO FEEL THAT WAY.

2211
01:11:29,385 --> 01:11:32,155
THERE WERE A FEW MOMENTS I'M NOT

2212
01:11:32,155 --> 01:11:34,357
SURE IF THE FOOTWORK WAS RIGHT.

2213
01:11:34,357 --> 01:11:36,659
IT JUST FELT A LITTLE --

2214
01:11:36,659 --> 01:11:37,126
[AUDIENCE BOOS]

2215
01:11:37,126 --> 01:11:39,662
WE'RE HEADING TO THE FINALS.

2216
01:11:39,662 --> 01:11:40,930
I HAVE TO.

2217
01:11:40,930 --> 01:11:41,864
IT'S BECAUSE I CARE.

2218
01:11:41,864 --> 01:11:44,000
I KNOW YOU DON'T BELIEVE THAT,

2219
01:11:44,000 --> 01:11:45,301
BUT IT IS.

2220
01:11:45,301 --> 01:11:46,369
>> Alfonso: DEREK?

2221
01:11:46,369 --> 01:11:47,770
>> Derek: ALYSON, IN MY OPINION

2222
01:11:47,770 --> 01:11:49,405
THAT WAS YOUR BEST DANCE.

2223
01:11:49,405 --> 01:11:50,840
IT REALLY WAS.

2224
01:11:50,840 --> 01:11:52,341
PERFECT EXAMPLE OF HOW TO

2225
01:11:52,341 --> 01:11:53,309
APPROACH THIS SHOW.

2226
01:11:53,309 --> 01:11:54,877
YOU COME IN WEEK AFTER WEEK,

2227
01:11:54,877 --> 01:11:56,712
WHATEVER IS THROWN AT YOU, YOU

2228
01:11:56,712 --> 01:11:58,614
COME AWAY WITH A BEAUTIFUL

2229
01:11:58,614 --> 01:11:58,981
ATTITUDE.

2230
01:11:58,981 --> 01:12:00,750
YOU DON'T COMPLAIN OR TAKE

2231
01:12:00,750 --> 01:12:01,984
THINGS PERSONALLY.

2232
01:12:01,984 --> 01:12:03,553
YOU COME OUT HERE AND GET ON

2233
01:12:03,553 --> 01:12:04,086
WITH IT.

2234
01:12:04,086 --> 01:12:08,057
WE LOVE YOU FOR IT.

2235
01:12:08,057 --> 01:12:08,925
>> Alfonso: BRUNO?

2236
01:12:08,925 --> 01:12:12,094
>> Bruno: DARLING, IT WAS SO

2237
01:12:12,094 --> 01:12:13,162
PRETTY.

2238
01:12:13,162 --> 01:12:16,365
THAT IMAGE YOU WERE EMERGING

2239
01:12:16,365 --> 01:12:19,101
FROM A CLOUD AND STAYED IN THE

2240
01:12:19,101 --> 01:12:19,635
DREAM.

2241
01:12:19,635 --> 01:12:20,736
YOU WERE NOT OVERDOING IT.

2242
01:12:20,736 --> 01:12:22,505
YOU WERE LISTENING TO THE MUSIC.

2243
01:12:22,505 --> 01:12:24,941
IT WAS JUST -- THE TIMING WAS

2244
01:12:24,941 --> 01:12:25,274
GOOD.

2245
01:12:25,274 --> 01:12:26,909
NO MISTAKES.

2246
01:12:26,909 --> 01:12:28,077
YOU DIDN'T TRY TOO HARD.

2247
01:12:28,077 --> 01:12:30,379
IT CAME OUT OF YOU NATURALLY, MY

2248
01:12:30,379 --> 01:12:30,713
DARLING.

2249
01:12:30,713 --> 01:12:34,116
>> Alfonso: HEAD UP TO JULIANNE

2250
01:12:34,116 --> 01:12:34,584
IN THE SKY BOX.

2251
01:12:34,584 --> 01:12:35,351
BE SURE TO BE HERE TO VOTE FOR

2252
01:12:35,351 --> 01:12:36,085
YOUR NEW CHAMPIONS NEXT TUESDAY

2253
01:12:36,085 --> 01:12:38,020
NIGHT.

2254
01:12:38,020 --> 01:12:39,488
WE'VE GOT A SPECTACULAR

2255
01:12:39,488 --> 01:12:41,624
CELEBRATION IN THE WORKS WITH

2256
01:12:41,624 --> 01:12:44,627
AN ALL-NEW PERFORMANCE FROM OUR

2257
01:12:44,627 --> 01:12:46,929
REIGNING CHAMPS, CHARLI D'AMELIO

2258
01:12:46,929 --> 01:12:49,398
AND MARK BALLAS.

2259
01:12:49,398 --> 01:12:50,266
JULIANNE?

2260
01:12:50,266 --> 01:12:53,236
>> Julianne: THANKS, ALFONSO.

2261
01:12:53,236 --> 01:12:55,104
ALYSON, I AGREE THAT WAS ONE OF

2262
01:12:55,104 --> 01:12:57,073
YOUR BEST DANCES.

2263
01:12:57,073 --> 01:12:58,741
WHAT DID THAT DANCE AND THOSE

2264
01:12:58,741 --> 01:12:59,642
COMMENTS MEAN TO YOU?

2265
01:12:59,642 --> 01:13:01,310
>> IT MEANS THE WORLD.

2266
01:13:01,310 --> 01:13:03,512
IF THAT'S MY LAST DANCE WITH

2267
01:13:03,512 --> 01:13:05,882
YOU, I JUST LOVE YOU SO MUCH AND

2268
01:13:05,882 --> 01:13:06,582
I THANK YOU.

2269
01:13:06,582 --> 01:13:08,284
>> Julianne: BEAUTIFUL.

2270
01:13:08,284 --> 01:13:10,019
ON THAT NOTE, I THINK WE SHOULD

2271
01:13:10,019 --> 01:13:11,654
GET YOUR SCORES.

2272
01:13:11,654 --> 01:13:15,658
>> Announcer: CARRIE ANN INABA?

2273
01:13:15,658 --> 01:13:16,325
>> Carrie Ann: 8.

2274
01:13:16,325 --> 01:13:18,361
>> Announcer: DEREK HOUGH?

2275
01:13:18,361 --> 01:13:20,896
>> Derek: YOU KNOW WHAT, ALYSON,

2276
01:13:20,896 --> 01:13:21,264
9.

2277
01:13:21,264 --> 01:13:23,633
>> Announcer: BRUNO TONIOLI?

2278
01:13:23,633 --> 01:13:27,403
>> Bruno: KEEP DREAMING, HONEY.

2279
01:13:27,403 --> 01:13:27,737
9.

2280
01:13:27,737 --> 01:13:29,238
>> Julianne: 26 OUT OF 30 FOR

2281
01:13:29,238 --> 01:13:31,207
ALYSON AND SASHA FOR THEIR LAST

2282
01:13:31,207 --> 01:13:32,608
DANCE OF THE SEMI-FINALS.

2283
01:13:32,608 --> 01:13:34,143
HOW ARE YOU FEELING WITH THOSE

2284
01:13:34,143 --> 01:13:34,477
SCORES?

2285
01:13:34,477 --> 01:13:36,912
>> OH, GREAT.

2286
01:13:36,912 --> 01:13:37,980
>> Julianne: THEIR TOTAL FOR THE

2287
01:13:37,980 --> 01:13:39,248
NIGHT IS 51.

2288
01:13:39,248 --> 01:13:40,750
IF YOU'VE BEEN SUPPORTING THEM

2289
01:13:40,750 --> 01:13:43,519
ALL SEASON, NOW IS NOT THE TIME

2290
01:13:43,519 --> 01:13:44,787
TO LET THEM DOWN.

2291
01:13:44,787 --> 01:13:45,821
YOU HAVE TO VOTE.

2292
01:13:45,821 --> 01:13:46,155
ALFONSO?

2293
01:13:46,155 --> 01:13:47,590
>> Alfonso: THANKS, JULIANNE.

2294
01:13:47,590 --> 01:13:49,258
THERE'S ONE DANCE TO GO IN THE

2295
01:13:49,258 --> 01:13:50,826
SEMI-FINALS AND IT BELONGS TO

2296
01:13:50,826 --> 01:13:52,361
ARIANA AND PASHA.

2297
01:13:52,361 --> 01:13:54,463
SEE THEM NEXT, LIVE.

2298
01:13:54,463 --> 01:13:55,131
[ CHEERS AND APPLAUSE ]

2299
01:14:02,905 --> 01:14:03,272
♪♪

2300
01:14:03,272 --> 01:14:05,007
[ CHEERS AND APPLAUSE ]

2301
01:14:05,007 --> 01:14:06,208
>> Alfonso: WELCOME BACK.

2302
01:14:06,208 --> 01:14:07,810
LET'S CLOSE OUT THE SEMI-FINALS

2303
01:14:07,810 --> 01:14:09,345
WITH THE COUPLE WHO EARNED 28

2304
01:14:09,345 --> 01:14:10,780
FOR THEIR JIVE.

2305
01:14:10,780 --> 01:14:14,750
HERE ARE ARIANA AND PASHA IN

2306
01:14:14,750 --> 01:14:15,151
TRAINING.

2307
01:14:15,151 --> 01:14:16,752
>> WE HAVE TO MAKE IT TO THE

2308
01:14:16,752 --> 01:14:17,320
END.

2309
01:14:17,320 --> 01:14:18,654
WE'RE SO CLOSE.

2310
01:14:18,654 --> 01:14:20,890
>> THAT COMPETITIVE DRIVE WILL

2311
01:14:20,890 --> 01:14:23,559
HELP US MAKE IT TO THE LAST

2312
01:14:23,559 --> 01:14:23,893
WEEK.

2313
01:14:23,893 --> 01:14:25,161
>> I DON'T KNOW IF I EVER

2314
01:14:25,161 --> 01:14:27,096
THOUGHT I WOULD MAKE IT TO THE

2315
01:14:27,096 --> 01:14:27,496
SEMI-FINALS.

2316
01:14:27,496 --> 01:14:29,799
GOING INTO THIS WEEK I'M FEELING

2317
01:14:29,799 --> 01:14:31,434
EMPOWERED AND SO EXCITED.

2318
01:14:31,434 --> 01:14:33,069
>> FOR OUR SECOND DANCE WE'RE

2319
01:14:33,069 --> 01:14:34,737
DOING A FOXTROT.

2320
01:14:34,737 --> 01:14:36,405
WE HAVEN'T DONE BALLROOM IN A

2321
01:14:36,405 --> 01:14:36,739
WHILE.

2322
01:14:36,739 --> 01:14:37,306
>> YEAH.

2323
01:14:37,306 --> 01:14:40,009
>> WE GOT GOOD SCORES IN LATIN.

2324
01:14:40,009 --> 01:14:43,746
WE'VE GOTTEN 10s.

2325
01:14:43,746 --> 01:14:45,815
WE HAVE TO STEP UP OUR BALLROOM

2326
01:14:45,815 --> 01:14:47,550
AND GET 10s THERE AS WELL.

2327
01:14:47,550 --> 01:14:49,318
>> IT'S GOING TO BE SO IMPORTANT

2328
01:14:49,318 --> 01:14:51,954
TO PERFECT AS MUCH AS I CAN.

2329
01:14:51,954 --> 01:14:54,123
>> WE'RE TEN WEEKS INTO THE

2330
01:14:54,123 --> 01:14:56,258
COMPETITION AND WE'RE FATIGUED

2331
01:14:56,258 --> 01:14:58,361
AND TIRED MENTALLY, PHYSICALLY.

2332
01:14:58,361 --> 01:15:00,262
>> I DON'T PLAN ON SLOWING

2333
01:15:00,262 --> 01:15:01,931
DOWNEY TIME SOON BECAUSE WE ARE

2334
01:15:01,931 --> 01:15:03,866
ONE WEEK AWAY.

2335
01:15:03,866 --> 01:15:06,302
SO I'M GOING TO FREAKIN' FIGHT.

2336
01:15:06,302 --> 01:15:08,337
I'VE BEEN GETTING REALLY GOOD

2337
01:15:08,337 --> 01:15:08,671
SCORES.

2338
01:15:08,671 --> 01:15:10,206
THIS WEEK CAN'T BE ANY

2339
01:15:10,206 --> 01:15:10,573
DIFFERENT.

2340
01:15:10,573 --> 01:15:12,541
I HAVE TO PROVE MY WORTH TO BE

2341
01:15:12,541 --> 01:15:13,976
IN THE FINALE.

2342
01:15:13,976 --> 01:15:15,745
>> YEAH.

2343
01:15:15,745 --> 01:15:16,078
NICE.

2344
01:15:16,078 --> 01:15:18,981
IN FOXTROT THE HARDEST THING FOR

2345
01:15:18,981 --> 01:15:21,150
ARIANA WILL BE TO MAKE IT SUPER

2346
01:15:21,150 --> 01:15:22,918
SMOOTH WHILE WE TRAVEL ACROSS

2347
01:15:22,918 --> 01:15:23,953
THE FLOOR.

2348
01:15:23,953 --> 01:15:27,356
THE TRICK TO MAKING BACK STEPS

2349
01:15:27,356 --> 01:15:29,492
BIG IS REACHING WITH YOUR TOE

2350
01:15:29,492 --> 01:15:29,825
FIRST.

2351
01:15:29,825 --> 01:15:31,961
THERE'S NO PLACE FOR MISTAKES.

2352
01:15:31,961 --> 01:15:36,265
FOR THE FORWARD, SO THE SHAPE IS

2353
01:15:36,265 --> 01:15:37,199
BIGGER.

2354
01:15:37,199 --> 01:15:37,533
BIGGER.

2355
01:15:37,533 --> 01:15:39,301
>> THIS IS SO HARD.

2356
01:15:39,301 --> 01:15:41,504
I'M REALLY STRUGGLING WITH THIS

2357
01:15:41,504 --> 01:15:43,606
AWKWARD BODY POSTURE ON MY

2358
01:15:43,606 --> 01:15:46,308
ALREADY ACHING BACK.

2359
01:15:46,308 --> 01:15:46,642
OW.

2360
01:15:46,642 --> 01:15:48,577
PAIN HASN'T STOPPED ME BEFORE.

2361
01:15:48,577 --> 01:15:51,480
IT'S CERTAINLY NOT GOING TO STOP

2362
01:15:51,480 --> 01:15:52,248
ME NOW.

2363
01:15:52,248 --> 01:15:56,118
>> THREE, FOUR, FIVE, SIX.

2364
01:15:56,118 --> 01:16:00,356
>> MY WHOLE LIFE I'VE FOUGHT FOR

2365
01:16:00,356 --> 01:16:00,856
EVERYTHING I HAVE.

2366
01:16:00,856 --> 01:16:02,158
>> ALL RIGHT.

2367
01:16:02,158 --> 01:16:02,992
THAT'S THE DIFFERENT STORY.

2368
01:16:02,992 --> 01:16:05,494
>> THERE'S A PLACE FOR ME IN

2369
01:16:05,494 --> 01:16:07,730
THAT FINALE AND I'M COMING FOR

2370
01:16:07,730 --> 01:16:08,064
IT.

2371
01:16:08,064 --> 01:16:10,166
>> Announcer: DANCING THE

2372
01:16:10,166 --> 01:16:11,000
FOXTROT, WITH HER PARTNER

2373
01:16:11,000 --> 01:16:11,667
PASHA PASHKOV, IT'S ARIANA

2374
01:16:11,667 --> 01:16:15,604
MADIX.

2375
01:16:15,604 --> 01:16:19,141
[ CHEERS AND APPLAUSE ]

2376
01:16:19,141 --> 01:16:22,311
♪ DREAMS DREAMS DREAMS

2377
01:16:22,311 --> 01:16:23,379
I'VE BEEN HAVING DREAMS

2378
01:16:23,379 --> 01:16:29,218
JUMPING ON A TRAMPOLINE ♪

2379
01:16:29,218 --> 01:16:31,320
♪ FLIPPING IN THE AIR

2380
01:16:31,320 --> 01:16:32,021
I NEVER LAND JUST FLOAT THERE

2381
01:16:32,021 --> 01:16:35,024
AS I'M LOOKING UP ♪

2382
01:16:35,024 --> 01:16:38,727
♪ AS I'M LOOKING UP ♪

2383
01:16:38,727 --> 01:16:39,829
♪ SUDDENLY THE SKY ERUPTS

2384
01:16:39,829 --> 01:16:40,863
SKY ERUPTS SKY ERUPTS

2385
01:16:40,863 --> 01:16:45,034
FLAMES ALIGHT THE TREES ♪

2386
01:16:45,034 --> 01:16:47,670
♪ SPREAD TO FALLING LEAVES

2387
01:16:47,670 --> 01:16:57,780
NOW THEY'RE RIGHT UPON ME ♪

2388
01:16:57,780 --> 01:16:58,380
♪ WAIT IF I'M ON FIRE

2389
01:16:58,380 --> 01:17:04,153
HOW AM I SO DEEP IN LOVE

2390
01:17:04,153 --> 01:17:07,323
WHEN I DREAM OF DYING ♪

2391
01:17:07,323 --> 01:17:08,924
♪ I NEVER FEEL SO LOVED

2392
01:17:08,924 --> 01:17:14,730
SO LOVED ♪

2393
01:17:14,730 --> 01:17:15,798
♪ AH AH

2394
01:17:15,798 --> 01:17:18,400
AH AH AH ♪

2395
01:17:18,400 --> 01:17:20,002
♪ I NEVER FEEL SO LOVED

2396
01:17:20,002 --> 01:17:21,604
SO LOVED SO LOVED ♪

2397
01:17:21,604 --> 01:17:22,638
♪ AH AH

2398
01:17:22,638 --> 01:17:24,773
AH ♪

2399
01:17:24,773 --> 01:17:25,808
♪ I NEVER FEEL SO LOVED

2400
01:17:25,808 --> 01:17:26,408
SO LOVED ♪

2401
01:17:26,408 --> 01:17:27,042
♪ WAIT IF I'M ON FIRE

2402
01:17:27,042 --> 01:17:32,715
SO LOVED ♪

2403
01:17:32,715 --> 01:17:33,749
♪ HOW AM I SO DEEP IN LOVE

2404
01:17:33,749 --> 01:17:34,817
DEEP IN LOVE SO LOVED ♪

2405
01:17:34,817 --> 01:17:38,053
♪ WHEN I DREAM OF DYING

2406
01:17:38,053 --> 01:17:41,223
SO LOVED SO LOVED ♪

2407
01:17:41,223 --> 01:17:42,791
♪ I NEVER FEEL SO LOVED

2408
01:17:42,791 --> 01:17:48,330
SO LOVED LOVED ♪

2409
01:17:48,330 --> 01:17:51,200
[ CHEERS AND APPLAUSE ]

2410
01:17:51,200 --> 01:17:53,702
>> Alfonso: ARIANA AND PASHA

2411
01:17:53,702 --> 01:17:57,940
WITH A SUPER, SUPER FOXTROT.

2412
01:17:57,940 --> 01:18:01,210
BEAUTIFUL AND STRONG.

2413
01:18:01,210 --> 01:18:01,710
YES.

2414
01:18:01,710 --> 01:18:02,044
OKAY.

2415
01:18:02,044 --> 01:18:03,679
THAT'S THE FINAL DANCE OF THE

2416
01:18:03,679 --> 01:18:04,046
NIGHT.

2417
01:18:04,046 --> 01:18:05,481
VOTING WILL BE CLOSING SOON.

2418
01:18:05,481 --> 01:18:06,482
DEREK, YOU'RE UP.

2419
01:18:06,482 --> 01:18:09,118
>> Derek: ARIANA, THAT WAS --

2420
01:18:09,118 --> 01:18:10,019
THAT WAS SMOOTH.

2421
01:18:10,019 --> 01:18:11,287
IT WAS SILKY.

2422
01:18:11,287 --> 01:18:12,421
IT WAS SENSUAL.

2423
01:18:12,421 --> 01:18:16,458
IT WAS SENSATIONAL.

2424
01:18:16,458 --> 01:18:20,429
THAT WAS A JAM-PACKED FOXTROT.

2425
01:18:20,429 --> 01:18:22,665
YOU WERE FOXING, YOU WERE

2426
01:18:22,665 --> 01:18:23,198
TROTTING.

2427
01:18:23,198 --> 01:18:25,467
YOU HAD THIS CONTROL, MATURITY,

2428
01:18:25,467 --> 01:18:27,703
ELEGANCE THROUGHOUT THE WHOLE

2429
01:18:27,703 --> 01:18:29,972
ROUTINE WHICH WAS CAPTIVATING

2430
01:18:29,972 --> 01:18:31,707
FROM START TO FINISH.

2431
01:18:31,707 --> 01:18:32,608
>> Alfonso: BRUNO?

2432
01:18:32,608 --> 01:18:36,545
>> Bruno: YOU UNLEASHED THE FOX

2433
01:18:36,545 --> 01:18:37,179
IN THE TROT.

2434
01:18:37,179 --> 01:18:39,048
HE'S OUT OF THE BAG I'M TELLING

2435
01:18:39,048 --> 01:18:39,415
YOU.

2436
01:18:39,415 --> 01:18:41,684
THE QUALITY OF MOVEMENT, THE

2437
01:18:41,684 --> 01:18:43,118
DIFFERENCE FROM THE MOMENT WHEN

2438
01:18:43,118 --> 01:18:45,020
YOU HAD FLUIDITY, LONG PASSES

2439
01:18:45,020 --> 01:18:47,856
AND THEN HOPPING, SKIPPING.

2440
01:18:47,856 --> 01:18:49,558
>> Derek: I LOVED IT.

2441
01:18:49,558 --> 01:18:50,926
>> Bruno: WASN'T IT GREAT?

2442
01:18:50,926 --> 01:18:53,095
ALL THE FOXY MOMENTS YOU THREW

2443
01:18:53,095 --> 01:18:55,831
IN JUST TO REMIND US WHO'S THE

2444
01:18:55,831 --> 01:18:56,732
BOSS.

2445
01:18:56,732 --> 01:18:58,033
BRILLIANT.

2446
01:18:58,033 --> 01:18:58,434
BRILLIANT.

2447
01:18:58,434 --> 01:18:59,168
>> Alfonso: I NEVER KNEW THERE

2448
01:18:59,168 --> 01:19:01,470
WAS A FOX IN THE TROT.

2449
01:19:01,470 --> 01:19:02,238
OKAY.

2450
01:19:02,238 --> 01:19:02,638
CARRIE ANN?

2451
01:19:02,638 --> 01:19:08,277
>> Carrie Ann: SHE'S BACK!

2452
01:19:08,277 --> 01:19:10,412
ARIANA, IF THERE WAS EVER A TIME

2453
01:19:10,412 --> 01:19:12,181
TO GLIDE AND GIVE IT YOUR ALL,

2454
01:19:12,181 --> 01:19:14,216
AND I SEE YOU'RE IN PAIN, YOU

2455
01:19:14,216 --> 01:19:15,918
LEFT IT RIGHT HERE ON THIS

2456
01:19:15,918 --> 01:19:18,220
BALLROOM FOR ALL OF US TO SEE.

2457
01:19:18,220 --> 01:19:22,558
WONDERFUL WAY TO END THE

2458
01:19:22,558 --> 01:19:22,992
SEMI-FINALS.

2459
01:19:22,992 --> 01:19:28,063
>> Alfonso: SO GOOD.

2460
01:19:28,063 --> 01:19:28,764
HEAD UP TO JULIANNE FOR YOUR

2461
01:19:28,764 --> 01:19:30,432
SCORES.

2462
01:19:30,432 --> 01:19:30,866
SO BEAUTIFUL.

2463
01:19:30,866 --> 01:19:31,600
THE MOST IMPORTANT DANCES OF THE

2464
01:19:31,600 --> 01:19:32,268
SEASON, THE FREESTYLES, WILL

2465
01:19:32,268 --> 01:19:33,002
TAKE PLACE ONE WEEK FROM TONIGHT

2466
01:19:33,002 --> 01:19:33,569
ON OUR SEASON FINALE.

2467
01:19:33,569 --> 01:19:34,703
IT'S YOUR LAST CHANCE TO SEE THE

2468
01:19:34,703 --> 01:19:35,738
STARS IN ACTION AND VOTE FOR

2469
01:19:35,738 --> 01:19:38,107
YOUR NEW CHAMPIONS.

2470
01:19:38,107 --> 01:19:40,142
JULIANNE, THEY'RE MAKING THEIR

2471
01:19:40,142 --> 01:19:42,111
WAY TO YOU.

2472
01:19:42,111 --> 01:19:43,779
>> Julianne: THANK YOU, ALFONSO.

2473
01:19:43,779 --> 01:19:44,446
ALL RIGHT.

2474
01:19:44,446 --> 01:19:47,049
GET OVER HERE, ARIANA.

2475
01:19:47,049 --> 01:19:47,449
OKAY.

2476
01:19:47,449 --> 01:19:49,852
I THINK SOMEBODY IS MOTIVATED TO

2477
01:19:49,852 --> 01:19:51,687
GET INTO THAT FINALE.

2478
01:19:51,687 --> 01:19:53,222
WHY DOES IT MEAN SO MUCH FOR YOU

2479
01:19:53,222 --> 01:19:57,760
TO MAKE IT TO THE FINALE?

2480
01:19:57,760 --> 01:19:58,894
>> I JUST FEEL LIKE THIS HAS

2481
01:19:58,894 --> 01:20:01,230
JUST BEEN THE MOST INCREDIBLE

2482
01:20:01,230 --> 01:20:01,563
JOURNEY.

2483
01:20:01,563 --> 01:20:03,866
I JUST DON'T WANT IT TO END.

2484
01:20:03,866 --> 01:20:05,634
I HAVE THE MOST AMAZING PARTNER.

2485
01:20:05,634 --> 01:20:08,470
I FEEL LIKE HE DESERVES TO BE IN

2486
01:20:08,470 --> 01:20:10,272
THE FINALE SO BAD.

2487
01:20:10,272 --> 01:20:11,173
>> Julianne: LET'S JUST GET

2488
01:20:11,173 --> 01:20:12,775
RIGHT TO IT.

2489
01:20:12,775 --> 01:20:14,610
LET'S GET YOUR SCORES.

2490
01:20:14,610 --> 01:20:16,278
>> Announcer: CARRIE ANN INABA?

2491
01:20:16,278 --> 01:20:18,547
>> Carrie Ann: IT'S A 10!

2492
01:20:18,547 --> 01:20:20,215
>> Announcer: DEREK HOUGH?

2493
01:20:20,215 --> 01:20:22,318
>> Derek: IT'S A 10!

2494
01:20:22,318 --> 01:20:25,320
>> Announcer: BRUNO TONIOLI?

2495
01:20:25,320 --> 01:20:30,059
>> Bruno: IT'S A 10!

2496
01:20:30,059 --> 01:20:31,627
>> Julianne: YOUR FIRST PERFECT

2497
01:20:31,627 --> 01:20:32,394
SCORE.

2498
01:20:32,394 --> 01:20:33,362
IT'S A 30 OUT OF 30.

2499
01:20:33,362 --> 01:20:35,831
THEIR TOTAL FOR THE NIGHT IS 58.

2500
01:20:35,831 --> 01:20:37,466
WE'LL SOON FIND OUT WHICH

2501
01:20:37,466 --> 01:20:38,834
COUPLES WILL BE BACK TO COMPETE

2502
01:20:38,834 --> 01:20:39,702
NEXT WEEK.

2503
01:20:39,702 --> 01:20:43,038
ALL OF THEM WANT VOTES FROM YOU.

2504
01:20:43,038 --> 01:20:43,372
ALFONSO?

2505
01:20:43,372 --> 01:20:44,073
>> Alfonso: THANKS, JULIANNE.

2506
01:20:44,073 --> 01:20:44,807
LET'S TAKE A LOOK AT THE FINAL

2507
01:20:44,807 --> 01:20:47,976
LEADERBOARD OF THE SEMI-FINALS.

2508
01:20:47,976 --> 01:20:49,511
AT THE TOP ARE XOCHITL AND VAL

2509
01:20:49,511 --> 01:20:50,546
WITH 60.

2510
01:20:50,546 --> 01:20:52,348
AT THE BOTTOM ARE ALYSON AND

2511
01:20:52,348 --> 01:20:55,117
SASHA WITH 51.

2512
01:20:55,117 --> 01:20:56,752
NOW, HERE ARE THE VOTING DETAILS

2513
01:20:56,752 --> 01:20:57,986
FOR ALL OUR COUPLES.

2514
01:20:57,986 --> 01:20:59,354
COMPLETE VOTING INFORMATION CAN

2515
01:20:59,354 --> 01:21:01,590
BE FOUND ON ABC.COM.

2516
01:21:01,590 --> 01:21:03,325
YOU'VE BEEN VOTING FOR OUR STARS

2517
01:21:03,325 --> 01:21:04,426
ALL SEASON.

2518
01:21:04,426 --> 01:21:05,661
DON'T LET UP NOW.

2519
01:21:05,661 --> 01:21:08,664
USE EVERY VOTE YOU HAVE.

2520
01:21:08,664 --> 01:21:10,032
WE'LL COMBINE THE JUDGES' SCORES

2521
01:21:10,032 --> 01:21:11,266
WITH YOUR VOTES AND REVEAL THE

2522
01:21:11,266 --> 01:21:14,136
RESULTS WHEN WE COME BACK, LIVE.

2523
01:21:21,844 --> 01:21:22,511
♪♪

2524
01:21:22,511 --> 01:21:24,980
[ CHEERS AND APPLAUSE ]

2525
01:21:24,980 --> 01:21:25,881
>> Alfonso: WELCOME BACK.

2526
01:21:25,881 --> 01:21:28,217
VOTING IS NOW CLOSED AND HERE

2527
01:21:28,217 --> 01:21:29,651
ARE THE RESULTS.

2528
01:21:29,651 --> 01:21:31,253
>> Julianne: GOOD LUCK TO ALL OF

2529
01:21:31,253 --> 01:21:31,620
YOU.

2530
01:21:31,620 --> 01:21:33,589
WE'VE COMBINED THE JUDGES'

2531
01:21:33,589 --> 01:21:34,690
SCORES FROM TONIGHT WITH YOUR

2532
01:21:34,690 --> 01:21:35,991
LIVE VOTES.

2533
01:21:35,991 --> 01:21:37,593
>> Alfonso: NOW, IN NO

2534
01:21:37,593 --> 01:21:38,594
PARTICULAR ORDER, LET'S FIND OUT

2535
01:21:38,594 --> 01:21:39,695
WHICH COUPLES ARE GOING TO DANCE

2536
01:21:39,695 --> 01:21:41,797
FOR THE LEN GOODMAN MIRROR BALL

2537
01:21:41,797 --> 01:21:42,531
TROPHY AND WHO IS GOING HOME ONE

2538
01:21:42,531 --> 01:21:50,539
WEEK SHORT OF OUR SEASON FINALE.

2539
01:21:50,539 --> 01:21:52,307
THE FIRST COUPLE DANCING IN THE

2540
01:21:52,307 --> 01:22:04,686
FINALE IS --

2541
01:22:04,686 --> 01:22:05,721
ALYSON AND SASHA!

2542
01:22:05,721 --> 01:22:12,961
[ CHEERS AND APPLAUSE ]

2543
01:22:12,961 --> 01:22:14,730
>> Julianne: THE NEXT COUPLE WHO

2544
01:22:14,730 --> 01:22:25,274
HAS MADE IT TO THE FINALE IS --

2545
01:22:25,274 --> 01:22:26,108
JASON AND DANIELLA!

2546
01:22:26,108 --> 01:22:29,311
[ CHEERS AND APPLAUSE ]

2547
01:22:29,311 --> 01:22:30,345
>> Alfonso: THE NEXT FINALISTS

2548
01:22:30,345 --> 01:22:39,188
ARE --

2549
01:22:39,188 --> 01:22:43,158
CHARITY AND ARTEM!

2550
01:22:43,158 --> 01:22:43,759
[ CHEERS AND APPLAUSE ]

2551
01:22:43,759 --> 01:22:47,129
TWO COUPLES ARE LEFT.

2552
01:22:47,129 --> 01:22:48,730
THE QUESTION IS WHICH COUPLE

2553
01:22:48,730 --> 01:22:52,067
WILL COMPETE IN THE FINALE?

2554
01:22:52,067 --> 01:22:56,238
IT'S TIME FOR THE FINAL RESULT.

2555
01:22:56,238 --> 01:22:58,173
>> Julianne: XOCHITL AND VAL,

2556
01:22:58,173 --> 01:22:59,107
ARIANA AND PASHA.

2557
01:22:59,107 --> 01:23:01,210
>> Alfonso: BASED ON THE

2558
01:23:01,210 --> 01:23:01,877
COMBINATION OF THE JUDGES'

2559
01:23:01,877 --> 01:23:02,811
SCORES AND VIEWER VOTES, THE

2560
01:23:02,811 --> 01:23:04,913
COUPLE DANCING IN THE FINALE

2561
01:23:04,913 --> 01:23:11,687
IS --

2562
01:23:11,687 --> 01:23:15,524
BOTH OF YOU!

2563
01:23:15,524 --> 01:23:16,158
[ CHEERS AND APPLAUSE ]

2564
01:23:16,158 --> 01:23:16,959
>> Julianne: THAT'S RIGHT.

2565
01:23:16,959 --> 01:23:19,494
NO ONE IS GOING HOME TONIGHT.

2566
01:23:19,494 --> 01:23:24,099
EVERYONE HERE HAS MADE IT TO THE

2567
01:23:24,099 --> 01:23:24,433
FINALE.

2568
01:23:24,433 --> 01:23:25,968
FOR THE FIRST TIME EVER WE'LL

2569
01:23:25,968 --> 01:23:27,769
SEE FIVE COUPLES DANCING FOR THE

2570
01:23:27,769 --> 01:23:28,103
TROPHY.

2571
01:23:28,103 --> 01:23:30,706
ALL THE JUDGES' SCORES AND

2572
01:23:30,706 --> 01:23:32,808
VIEWERS VOTES WILL CARRY OVER TO

2573
01:23:32,808 --> 01:23:35,177
NEXT WEEK'S SCORES TO DETERMINE

2574
01:23:35,177 --> 01:23:37,212
OUR NEW CHAMPION.

2575
01:23:37,212 --> 01:23:40,782
>> Alfonso: ALYSON, GET OVER

2576
01:23:40,782 --> 01:23:41,783
HERE.

2577
01:23:41,783 --> 01:23:42,150
ALYSON.

2578
01:23:42,150 --> 01:23:42,885
>> Julianne: ALYSON, WE HAVE A

2579
01:23:42,885 --> 01:23:43,752
QUESTION FOR YOU.

2580
01:23:43,752 --> 01:23:45,954
YOU SAID YOU DIDN'T EVEN THINK

2581
01:23:45,954 --> 01:23:47,356
YOU WOULD MAKE IT TO TAYLOR

2582
01:23:47,356 --> 01:23:47,656
NIGHT.

2583
01:23:47,656 --> 01:23:48,524
HOW ARE YOU FEELING?

2584
01:23:48,524 --> 01:23:50,192
>> THIS IS INCREDIBLE.

2585
01:23:50,192 --> 01:23:51,793
I'M SO GRATEFUL.

2586
01:23:51,793 --> 01:23:52,528
I CAN'T TALK.

2587
01:23:52,528 --> 01:23:56,131
I SOUND LIKE A FROG.

2588
01:23:56,131 --> 01:23:58,100
>> Alfonso: ARIANA, HOW EXCITING

2589
01:23:58,100 --> 01:24:00,135
IS IT FOR YOU THAT IT'S GOING TO

2590
01:24:00,135 --> 01:24:01,904
BE FIVE COUPLES IN THE FINALE?

2591
01:24:01,904 --> 01:24:03,805
>> IT'S GOING TO BE AMAZING.

2592
01:24:03,805 --> 01:24:05,641
I'M SO EXCITED TO SEE

2593
01:24:05,641 --> 01:24:06,775
EVERYBODY'S DANCES.

2594
01:24:06,775 --> 01:24:09,044
LITERALLY I THOUGHT I WAS GOING

2595
01:24:09,044 --> 01:24:10,245
TO THROW UP JUST NOW.

2596
01:24:10,245 --> 01:24:11,780
I'M JUST REALLY GLAD.

2597
01:24:11,780 --> 01:24:13,715
>> Julianne: YOU'RE WELCOME.

2598
01:24:13,715 --> 01:24:14,917
>> Alfonso: LET'S HAVE A HAND

2599
01:24:14,917 --> 01:24:18,954
FOR ALL THESE FIVE COUPLES THAT

2600
01:24:18,954 --> 01:24:21,290
WILL BE BACK TO COMPETE NEXT

2601
01:24:21,290 --> 01:24:22,224
WEEK.

2602
01:24:22,224 --> 01:24:23,659
JOIN US NEXT TUESDAY AT

2603
01:24:23,659 --> 01:24:28,730
8:00/7:00 CENTRAL FOR OUR

2604
01:24:28,730 --> 01:24:31,033
BIGGEST EVER SEASON FINALE!

2605
01:24:31,033 --> 01:24:31,967
>> Julianne: WE'VE GOT RETURNING

2606
01:24:31,967 --> 01:24:34,236
CHAMPIONS AND ALFONSO AND I HAVE

2607
01:24:34,236 --> 01:24:36,772
PUT SOMETHING TOGETHER.