1 00:00:05,939 --> 00:00:08,475 [ APPLAUSE ] 2 00:00:08,475 --> 00:00:09,810 ♪♪ 3 00:00:11,945 --> 00:00:19,386 BECAUSE. AND ALSO BECAUSE OF. 4 00:00:19,386 --> 00:00:29,429 BECAUSE I WAS. I'M NOT 5 00:00:29,429 --> 00:00:30,397 THE BEAT GOES ON'M NOT 6 00:00:30,397 --> 00:00:31,999 THE BEAT GOES ON ♪ 7 00:00:31,999 --> 00:00:32,566 ♪ THE BEAT GOES ON 8 00:00:32,566 --> 00:00:33,033 THE BEAT GOES ON 9 00:00:33,033 --> 00:00:34,534 THE BEAT GOES ON ♪ 10 00:00:34,534 --> 00:00:35,035 ♪ WOO HOO ♪ 11 00:00:35,035 --> 00:00:36,136 ♪ I'M ALIVE 12 00:00:36,136 --> 00:00:36,703 MY HEART ON FIRE ♪ 13 00:00:36,703 --> 00:00:37,237 ♪ I'M ALIVE 14 00:00:37,237 --> 00:00:38,739 MY HEART ON FIRE ♪ 15 00:00:38,739 --> 00:00:39,172 ♪ I'M ALIVE 16 00:00:39,172 --> 00:00:40,207 MY HEART ON FIRE ♪ 17 00:00:40,207 --> 00:00:40,807 ♪ I'M ALIVE LIVE ♪ 18 00:00:40,807 --> 00:00:41,909 ♪ WHEN YOU CALL ON ME 19 00:00:41,909 --> 00:00:42,976 WHEN I HEAR YOU BREATHE ♪ 20 00:00:42,976 --> 00:00:44,011 ♪ I GET WINGS TO FLY 21 00:00:44,011 --> 00:00:44,645 I FEEL THAT I'M ALIVE ♪ 22 00:00:44,645 --> 00:00:46,680 ♪ WHEN YOU BLESS THE DAY 23 00:00:46,680 --> 00:00:48,215 I JUST DRIFT AWAY ♪ 24 00:00:48,215 --> 00:00:54,388 ♪ ALL MY WORRIES DIE 25 00:00:54,388 --> 00:00:55,055 I'M GLAD THAT I'M ALIVE ♪ 26 00:00:55,055 --> 00:01:02,596 ♪ YOU'VE SET. 27 00:01:06,566 --> 00:01:08,635 MADE ME A WOMANE ♪ 28 00:01:08,635 --> 00:01:10,270 ON CLOUDS ABOVE ♪ 29 00:01:10,270 --> 00:01:10,971 ♪ COULDN'T GET MUCH HIGHER 30 00:01:10,971 --> 00:01:11,538 MY SPIRIT TAKES FLIGHT 31 00:01:11,538 --> 00:01:16,109 'CAUSE I AM ALIVE OH ♪ 32 00:01:16,109 --> 00:01:16,710 ♪ WHEN YOU CALL ON ME 33 00:01:16,710 --> 00:01:20,314 WHEN YOU CALL ON ME ♪ 34 00:01:20,314 --> 00:01:21,949 ♪ WHEN I HEAR YOU BREATHE 35 00:01:21,949 --> 00:01:28,221 WHEN I HEAR YOU BREATHE ♪ 36 00:01:28,221 --> 00:01:31,258 I FEEL THAT I'M ALIVE 37 00:01:31,258 --> 00:01:32,192 I AM ALIVE ♪ 38 00:01:32,192 --> 00:01:35,462 ♪ WHEN YOU CALL ON ME 39 00:01:35,462 --> 00:01:36,063 WHEN YOU CALL ON ME ♪ 40 00:01:36,063 --> 00:01:40,233 ♪ WHEN I HEAR YOU BREATHE 41 00:01:40,233 --> 00:01:42,336 WHEN I HEAR YOU BREATHE ♪ 42 00:01:42,336 --> 00:01:46,073 ♪ I GET WINGS TO FLY 43 00:01:46,073 --> 00:01:46,640 I FEEL THAT I'M ALIVE 44 00:01:46,640 --> 00:01:48,208 I AM ALIVE ♪ 45 00:01:48,208 --> 00:01:50,177 ♪ WHEN YOU CALL ON ME 46 00:01:50,177 --> 00:01:51,278 WHEN YOU REACH FOR ME ♪ 47 00:01:51,278 --> 00:01:52,179 ♪ WHEN YOU CALL ON ME 48 00:01:52,179 --> 00:01:54,414 GOD KNOWS THAT ♪ 49 00:01:54,414 --> 00:01:55,482 ♪ WHEN YOU CALL ON ME 50 00:01:55,482 --> 00:01:56,183 COULDN'T GET MUCH HIGHER ♪ 51 00:01:56,183 --> 00:01:58,685 ♪ MY SPIRIT TAKES FLIGHT 52 00:01:58,685 --> 00:02:00,220 'CAUSE I AM ALIVE OH ♪ 53 00:02:00,220 --> 00:02:01,888 ♪ WHEN YOU CALL ON ME 54 00:02:01,888 --> 00:02:08,295 WHEN YOU CALL ON ME ♪ 55 00:02:08,295 --> 00:02:16,203 ♪ WHEN I HEAR YOU BREATHE 56 00:02:16,203 --> 00:02:18,672 ♪ I GET WINGS TO FLY 57 00:02:18,672 --> 00:02:19,706 I FEEL THAI'M ALIVE 58 00:02:19,706 --> 00:02:20,173 I AM ALIVE ♪ 59 00:02:20,173 --> 00:02:21,308 ♪ WHEN YOU CALL ON ME 60 00:02:21,308 --> 00:02:21,908 WHEN YOU CALL ON ME ♪ 61 00:02:21,908 --> 00:02:23,477 ♪ WHEN I HEAR YOU BREATHE 62 00:02:23,477 --> 00:02:24,211 WHEN I HEAR YOU BREATHE ♪ 63 00:02:24,211 --> 00:02:27,147 >> Announcer: PLEASE WELCOME 64 00:02:27,147 --> 00:02:29,216 YOUR HOSTS, ALFONSO RIBEIRO AND 65 00:02:29,216 --> 00:02:31,852 JULIANNE HOUGH. 66 00:02:31,852 --> 00:02:32,452 ♪ I GET WINGS TO FLY 67 00:02:32,452 --> 00:02:34,688 I FEEL THAT I'M ALIVE 68 00:02:34,688 --> 00:02:52,372 I AM ALIVE ♪. 69 00:02:52,372 --> 00:03:08,188 PLEASE WELCOME YOUR HOSTS. 70 00:03:08,761 --> 00:03:08,962 . YESW 71 00:03:08,962 --> 00:03:11,208 THAT'S HOW TO SET OFF THE NEW 72 00:03:11,208 --> 00:03:13,210 SEASON OF DANCING WITHING WITH . 73 00:03:13,210 --> 00:03:14,411 >> YES, SIR. THAT FIERY OPENING 74 00:03:14,411 --> 00:03:16,213 NUMBER WAS CHOREOGRAPHED BY 75 00:03:16,213 --> 00:03:19,449 JAMAL SIMS. AND JAMAL. YOU MADE 76 00:03:19,449 --> 00:03:21,151 THEM WORK. 77 00:03:21,151 --> 00:03:24,354 >> WELCOME BACK TO THE BALLROOM. 78 00:03:24,354 --> 00:03:27,491 TO YOU AT HOME. OUR BAND AND OUR 79 00:03:27,491 --> 00:03:30,127 BEAUTIFUL JUDGES. YES IT'S SO 80 00:03:30,127 --> 00:03:33,163 GREAT TO SEE ALL OF YOU. 81 00:03:33,163 --> 00:03:34,264 >> ABSOLUTELY. SO, WHAT DO YOU 82 00:03:34,264 --> 00:03:36,933 SAY? ARE YOU READY TO MEET OUR 83 00:03:36,933 --> 00:03:38,068 CAST? WELL, LET'S WELCOME THE 84 00:03:38,068 --> 00:03:43,140 STARS OF 2024. 85 00:03:43,140 --> 00:03:44,241 >> FROM THE BACHELOR, JOEY 86 00:03:44,241 --> 00:03:46,243 GRAZIADEI AND JENNA JOHNSON, 87 00:03:46,243 --> 00:03:49,012 MODEL AND COVERGIRL BROOKS NADER 88 00:03:49,012 --> 00:03:51,448 AND GLEB SAVCHENKO, OLYMPIC 89 00:03:51,448 --> 00:03:53,784 RUGBY PLAYER ILONA MAHER AND 90 00:03:53,784 --> 00:03:54,885 ALAN BERSTEN, SITCOM AND MOVIE 91 00:03:54,885 --> 00:03:57,287 ACTOR REGINALD VELJOHNSON AND 92 00:03:57,287 --> 00:04:00,457 EMMA SLATER, SUPER BOWL CHAMPION 93 00:04:00,457 --> 00:04:02,125 DANNY AMENDOLA AND WITNEY 94 00:04:02,125 --> 00:04:05,595 CARSON, TV ICON TORI SPELLING 95 00:04:05,595 --> 00:04:07,898 AND PASHA PASHKOV FROM THE 96 00:04:07,898 --> 00:04:08,999 BACHELORETTE JEN TRAN AND SASHA 97 00:04:08,999 --> 00:04:12,402 FARBER, TV STAR CHANDLER KINNEY 98 00:04:12,402 --> 00:04:15,205 AND BRANDON ARMSTRONG, NBA 99 00:04:15,205 --> 00:04:18,275 CHAMPION DWIGHT HOWARD AND 100 00:04:18,275 --> 00:04:21,645 DANIELLA KARAGACH, MOVIE STAR 101 00:04:21,645 --> 00:04:23,747 ERIC ROBERTS AND BRITT STEWART, 102 00:04:23,747 --> 00:04:24,714 REALITY ROYALTY PHAEDRA PARKS 103 00:04:24,714 --> 00:04:26,983 AND VAL CHMERKOVSKIY, OLYMPIC 104 00:04:26,983 --> 00:04:30,187 GYMNAST STEVEN NEDOROST AND 105 00:04:30,187 --> 00:04:32,556 RILEY ARNOLD, AND FASHIONISTA 106 00:04:32,556 --> 00:04:33,857 AND ENTREPRENEUR ANNA DELVEY AND 107 00:04:33,857 --> 00:04:45,435 EZRA SOSA. 108 00:04:45,435 --> 00:04:48,004 THERE THEY ARE, THE 13 STARS WHO 109 00:04:48,004 --> 00:04:50,640 HAVE ACCEPTED OUR CHALLENGE TO 110 00:04:50,640 --> 00:04:51,641 MASTER BALLROOM AND LATIN 111 00:04:51,641 --> 00:04:53,543 DANCES, AMONG THEM HEADLINE 112 00:04:53,543 --> 00:04:55,579 MAKERS FROM THE SUMMER OLYMPICS. 113 00:04:55,579 --> 00:04:57,948 >> ICONS OF ENTERTAINMENT 114 00:04:57,948 --> 00:05:04,087 CHAMPION ATHLETES AND MORE. AND 115 00:05:04,087 --> 00:05:06,022 BACK IN THE BALLROOM, MY OLD 116 00:05:06,022 --> 00:05:10,894 PARTNER, WITNEY CARSON 117 00:05:10,894 --> 00:05:11,628 PTHE SUMMER OLYMPICS, CHAMPION 118 00:05:11,628 --> 00:05:17,067 ATHLETES, AND MORE., EZRA 119 00:05:17,067 --> 00:05:19,503 SOSAPLUS, OUR NEWEST PRO, A FAN 120 00:05:19,503 --> 00:05:22,205 FAVORITE FROM OUR TROUPE, EZRA 121 00:05:22,205 --> 00:05:25,375 SOSA! 122 00:05:25,375 --> 00:05:26,176 CONGRATULATIONS, EZRA! 123 00:05:26,176 --> 00:05:26,710 WHOO, WHOO! 124 00:05:26,710 --> 00:05:28,445 >> OUR COUPLES WILL BE COMPETING 125 00:05:28,445 --> 00:05:29,846 FOR THE MOST COVETED DANCING 126 00:05:29,846 --> 00:05:34,151 PRIZE ON TELEVISION, OURLEN 127 00:05:34,151 --> 00:05:34,851 GOODMAN MIRROR BALL TROPHY! 128 00:05:34,851 --> 00:05:37,320 THE JUDGES WILL SCORE THE 129 00:05:37,320 --> 00:05:39,356 PERFORMANCES AND AS ALWAYS, YOU 130 00:05:39,356 --> 00:05:41,158 WILL HAVE A BIG SAY IN WHO 131 00:05:41,158 --> 00:05:43,960 BECOMES OUR NEW CHAMPION. 132 00:05:43,960 --> 00:05:44,628 >> Julianne: VOTING IS OPEN 133 00:05:44,628 --> 00:05:45,362 RIGHT NOW AND IS AVAILABLE TO 134 00:05:45,362 --> 00:05:48,732 THE U.S., ITS TERRITORIES, AND 135 00:05:48,732 --> 00:05:49,232 CANADA AT ABC.COM. 136 00:05:49,232 --> 00:05:50,167 PLUS, SUBSCRIBERS ON 137 00:05:50,167 --> 00:05:51,434 PARTICIPATING U.S. WIRELESS 138 00:05:51,434 --> 00:05:52,669 PHONE CARRIERS CAN TEXT THE 139 00:05:52,669 --> 00:05:54,204 FIRST NAME OF THEIR FAVORITE 140 00:05:54,204 --> 00:05:56,139 STAR TO THE NUMBER 21523. 141 00:05:56,139 --> 00:05:58,208 MESSAGE AND DATA RATES MAY 142 00:05:58,208 --> 00:06:00,443 APPLY. 143 00:06:00,443 --> 00:06:01,645 >> ALL RIGHT! 144 00:06:01,645 --> 00:06:03,513 LET'S GET GOING, ALL RIGHT! 145 00:06:03,513 --> 00:06:06,049 WE'VE ASKED EACH OF OUR STARS TO 146 00:06:06,049 --> 00:06:07,617 DANCE TO A SONG THEY'VE PICKED 147 00:06:07,617 --> 00:06:10,620 AS THEIR PERSONAL ANTHEM. 148 00:06:10,620 --> 00:06:11,922 >> Julianne: TO LEAD OFF THE 149 00:06:11,922 --> 00:06:12,622 NIGHT, HE FOUND LOVE ON "THE 150 00:06:12,622 --> 00:06:13,990 BACHELOR," BUT WILL YOU LOVE HIS 151 00:06:13,990 --> 00:06:14,324 DANCING? 152 00:06:14,324 --> 00:06:16,626 IT'S JOEY GRAZIADEI AND 153 00:06:16,626 --> 00:06:18,361 JENNA JOHNSON. 154 00:06:23,099 --> 00:06:24,734 THE MOST RECENT BACHELOR, 155 00:06:24,734 --> 00:06:28,104 WHERE I FELL IN LOVE AND FOUND 156 00:06:28,104 --> 00:06:29,306 MY BEAUTIFUL FIANCEE, KELSEY. 157 00:06:29,306 --> 00:06:34,211 I CAN DANCE, BUT IT TAKES A 158 00:06:34,211 --> 00:06:34,911 LITTLE BIT OF CONFIDENCE TO GET 159 00:06:34,911 --> 00:06:35,245 IT OUT. 160 00:06:35,245 --> 00:06:35,612 >> HELLO! 161 00:06:35,612 --> 00:06:37,948 >> HELLO, WHAT'S UP! 162 00:06:37,948 --> 00:06:38,548 I'M JOEY. 163 00:06:38,548 --> 00:06:39,416 HOW WE DOING? 164 00:06:39,416 --> 00:06:41,184 >> IT'S NICE TO MEET YOU. 165 00:06:41,184 --> 00:06:42,152 YOU LOOK ATHLETIC. 166 00:06:42,152 --> 00:06:43,687 >> I TAUGHT TENNIS BEFORE I WAS 167 00:06:43,687 --> 00:06:44,287 ON THE SHOW. 168 00:06:44,287 --> 00:06:45,288 >> OH, AMAZING! 169 00:06:45,288 --> 00:06:46,656 >> I KNOW HOW TO STAY A LITTLE 170 00:06:46,656 --> 00:06:48,892 LIGHT ON MY FEET. 171 00:06:48,892 --> 00:06:49,926 >> HIS BUBBLY PERSONALITY AND 172 00:06:49,926 --> 00:06:50,927 THAT SMILE IS REALLY GOING TO 173 00:06:50,927 --> 00:06:51,394 HELP US. 174 00:06:51,394 --> 00:06:53,597 >> OKAY, WELL, IT IS PREMIERE 175 00:06:53,597 --> 00:06:53,897 WEEK. 176 00:06:53,897 --> 00:06:55,365 WHAT IS YOUR ANTHEM? 177 00:06:55,365 --> 00:06:57,868 >> MY ANTHEM IS "DANCING IN THE 178 00:06:57,868 --> 00:06:58,835 COUNTRY" BY TYLER HUBBARD. 179 00:06:58,835 --> 00:07:00,237 I MOVED TO NASHVILLE RIGHT OUT 180 00:07:00,237 --> 00:07:00,870 OF COLLEGE. 181 00:07:00,870 --> 00:07:02,205 I HAD TO TRY TO BE A LITTLE LESS 182 00:07:02,205 --> 00:07:04,407 SHY AND A LITTLE MORE OUTGOING. 183 00:07:04,407 --> 00:07:06,176 THIS SONG WILL HELP ME GET 184 00:07:06,176 --> 00:07:09,446 STARTED IN THIS COMPETITION 185 00:07:09,446 --> 00:07:09,779 STRONG. 186 00:07:09,779 --> 00:07:10,513 >> HOW DO YOU FEEL ABOUT BEING 187 00:07:10,513 --> 00:07:10,814 SEXY? 188 00:07:10,814 --> 00:07:12,649 >> I FEEL LIKE I GIVE GOLDEN 189 00:07:12,649 --> 00:07:13,850 RETRIEVER ENERGY MORE THAN BEING 190 00:07:13,850 --> 00:07:14,150 SEXY. 191 00:07:14,150 --> 00:07:17,320 >> THE CHA CHA IS A LOT IN 192 00:07:17,320 --> 00:07:17,621 DANCE. 193 00:07:17,621 --> 00:07:18,855 YOU'VE GOT TO BRING THAT SPICE. 194 00:07:18,855 --> 00:07:20,957 >> THAT DOESN'T LOOK CUTE? 195 00:07:20,957 --> 00:07:21,992 I GOT THE ROSE. 196 00:07:21,992 --> 00:07:23,193 I GOT THE GIRL. 197 00:07:23,193 --> 00:07:24,694 NOW I'M COMING FOR THAT MIRROR 198 00:07:24,694 --> 00:07:26,196 BALL. 199 00:07:26,196 --> 00:07:26,596 >> SPICIER. 200 00:07:26,596 --> 00:07:26,997 >> SPICIER! 201 00:07:26,997 --> 00:07:28,665 >> Announcer: DANCING THE 202 00:07:28,665 --> 00:07:29,966 CHA-CHA WITH HIS PARTNER 203 00:07:29,966 --> 00:07:30,500 JENNA JOHNSON, IT'S 204 00:07:30,500 --> 00:07:32,636 JOEY GRAZIADEI. 205 00:07:32,636 --> 00:07:34,204 ♪ THEM NEON LIGHTS 206 00:07:34,204 --> 00:07:38,174 LOOK GOOD ON YOU 207 00:07:38,174 --> 00:07:39,442 SO GOOD ON YOU ♪ 208 00:07:39,442 --> 00:07:40,010 ♪ BUT WE AIN'T GOT 209 00:07:40,010 --> 00:07:40,677 NO ROOM TO MOVE 210 00:07:40,677 --> 00:07:42,145 NO ROOM TO MOVE ♪ 211 00:07:42,145 --> 00:07:45,248 ♪ WE NEED SOME SPACE 212 00:07:45,248 --> 00:07:46,182 AND I KNOW A PLACE ♪ 213 00:07:46,182 --> 00:07:47,851 ♪ OUTSIDE OF TOWN WHERE 214 00:07:47,851 --> 00:07:48,451 IT DON'T EVER CLOSE DOWN 215 00:07:48,451 --> 00:07:50,053 NO WE NEVER CLOSE DOWN ♪ 216 00:07:50,053 --> 00:07:52,656 ♪ YEAH WE CAN TWO-STEP 217 00:07:52,656 --> 00:07:53,623 PUT CHA BOOTS ON BABY 218 00:07:53,623 --> 00:07:54,157 WE CAN DO THAT ♪ 219 00:07:54,157 --> 00:07:55,725 ♪ GIRL CUT A LITTLE LOOSE 220 00:07:55,725 --> 00:07:56,760 YOU CAN MOVE THAT 221 00:07:56,760 --> 00:07:57,327 MOVE THAT AW YEAH ♪ 222 00:07:57,327 --> 00:07:58,662 ♪ I'LL TAKE YOU 223 00:07:58,662 --> 00:08:02,098 DANCIN' IN THE COUNTRY 224 00:08:02,098 --> 00:08:02,799 LEVI'S IN THEM LOW BEAMS ♪ 225 00:08:02,799 --> 00:08:05,335 ♪ SPIN YOU IN SOME RED DIRT 226 00:08:05,335 --> 00:08:06,169 NEVER WANNA NOT BE 227 00:08:06,169 --> 00:08:11,141 DANCIN' IN THE COUNTRY ♪ 228 00:08:11,141 --> 00:08:14,210 ♪ I KNOW YOU FEEL THAT HEAT 229 00:08:14,210 --> 00:08:16,379 WATERMELON SUMMER ♪ 230 00:08:16,379 --> 00:08:18,148 ♪ GET THEM LUCCHESES 231 00:08:18,148 --> 00:08:22,152 STOMPIN' LIKE THE THUNDER ♪ 232 00:08:22,152 --> 00:08:22,719 ♪ YOU CAN MOVE THAT 233 00:08:22,719 --> 00:08:24,754 MOVE THAT AW YEAH ♪ 234 00:08:24,754 --> 00:08:25,789 ♪ I'LL TAKE YOU 235 00:08:25,789 --> 00:08:26,356 DANCIN' IN THE COUNTRY 236 00:08:26,356 --> 00:08:27,057 LEVI'S IN THEM LOW BEAMS ♪ 237 00:08:27,057 --> 00:08:28,625 ♪ SPIN YOU IN SOME RED DIRT 238 00:08:28,625 --> 00:08:34,164 NEVER WANNA NOT BE 239 00:08:34,164 --> 00:08:38,134 DANCIN' IN THE COUNTRY ♪ 240 00:08:38,134 --> 00:08:40,637 [ APPLAUSE ] 241 00:08:40,637 --> 00:08:42,138 >> Alfonso: WHAT A WAY TO KICK 242 00:08:42,138 --> 00:08:44,741 OFF THE SEASON. 243 00:08:44,741 --> 00:08:46,142 JOEY AND JENNA WITH A COUNTRY 244 00:08:46,142 --> 00:08:50,113 CHA-CHA. 245 00:08:50,113 --> 00:08:51,147 WOW! 246 00:08:51,147 --> 00:08:52,649 THAT'S HOW YOU GET THIS BAD BOY 247 00:08:52,649 --> 00:08:52,982 STARTED! 248 00:08:52,982 --> 00:08:53,350 ALL RIGHT. 249 00:08:53,350 --> 00:08:54,150 LET'S HEAR WHAT THE JUDGES HAVE 250 00:08:54,150 --> 00:08:56,519 TO SAY. 251 00:08:56,519 --> 00:08:57,554 DEREK, TAKE IT AWAY! 252 00:08:57,554 --> 00:09:00,990 >> WHAT A WAY TO KICK OFF THE 253 00:09:00,990 --> 00:09:01,291 SHOW. 254 00:09:01,291 --> 00:09:04,627 IF AMERICA DIDN'T ALREADY LOVE 255 00:09:04,627 --> 00:09:05,462 YOU, THEY'LL LOVE YOU EVEN MORE 256 00:09:05,462 --> 00:09:06,629 AFTER THAT DANCE. 257 00:09:06,629 --> 00:09:07,163 THAT WAS FANTASTIC. 258 00:09:07,163 --> 00:09:09,566 YOU WENT FROM HANDING OUT ROSES 259 00:09:09,566 --> 00:09:11,201 TO HANDING OUT SWEET DANCE MOVES 260 00:09:11,201 --> 00:09:12,402 ON THAT DANCE FLOOR. 261 00:09:12,402 --> 00:09:13,737 FINESSE THE FEET A LITTLE BIT, 262 00:09:13,737 --> 00:09:15,372 WORK ON THE ARMS. 263 00:09:15,372 --> 00:09:17,440 BUT A WEEK ONE DANCE, JOEY, THAT 264 00:09:17,440 --> 00:09:21,144 WAS FANTASTIC! 265 00:09:21,144 --> 00:09:22,612 WELL DONE. 266 00:09:22,612 --> 00:09:23,847 >> BRUNO! 267 00:09:23,847 --> 00:09:27,250 >> JOEY, THE CHA CHA MAMA. 268 00:09:27,250 --> 00:09:28,485 I THINK YOU CHARMED ALL OF US 269 00:09:28,485 --> 00:09:29,018 WITH THIS. 270 00:09:29,018 --> 00:09:29,786 >> I HOPE. 271 00:09:29,786 --> 00:09:30,653 >> OH, YEAH. 272 00:09:30,653 --> 00:09:32,922 THE TORSO HELPS, BY THE WAY. 273 00:09:32,922 --> 00:09:33,923 I KNOW WHAT YOU'RE DOING. 274 00:09:33,923 --> 00:09:35,592 YOU'RE TRYING TO GET EXTRA 275 00:09:35,592 --> 00:09:35,892 VOTES. 276 00:09:35,892 --> 00:09:36,693 >> THAT'S THE GOAL. 277 00:09:36,693 --> 00:09:39,329 >> LISTEN, I KNOW WHAT HE'S 278 00:09:39,329 --> 00:09:39,929 DOING, DON'T WORRY. 279 00:09:39,929 --> 00:09:41,664 BUT ACTUALLY, YOU DON'T NEED IT, 280 00:09:41,664 --> 00:09:44,401 BECAUSE YOU HAVE TIMING, 281 00:09:44,401 --> 00:09:45,368 MUSICALITY, YOU'RE A NATURAL 282 00:09:45,368 --> 00:09:46,536 PERFORMER, YOU HAVE TO WORK ON 283 00:09:46,536 --> 00:09:47,470 YOUR HIP ACTION. 284 00:09:47,470 --> 00:09:48,538 YOU KNOW WHAT IT IS. 285 00:09:48,538 --> 00:09:51,741 IT COMES FROM THE FOOT. 286 00:09:51,741 --> 00:09:54,077 SHOW ME THOSE HIPS. 287 00:09:54,077 --> 00:09:56,112 WRONG -- NO, NO, NO. 288 00:09:56,112 --> 00:09:59,516 NOT -- THOSE ARE NOT CHA-CHA 289 00:09:59,516 --> 00:09:59,816 HIPS. 290 00:09:59,816 --> 00:10:01,518 >> WAIT A SECOND. 291 00:10:01,518 --> 00:10:02,852 ON BEHALF OF FEMALE JUDGES 292 00:10:02,852 --> 00:10:07,357 EVERYWHERE AND ALL THE FEMALES 293 00:10:07,357 --> 00:10:07,991 IN THE HOUSE, THAT NUMBER 294 00:10:07,991 --> 00:10:09,993 STARTED OFF WITH A BOOTY, SO IT 295 00:10:09,993 --> 00:10:10,827 MAY NOT HAVE BEEN HIPS, BUT IT 296 00:10:10,827 --> 00:10:12,028 WAS A GREAT WAY TO START. 297 00:10:12,028 --> 00:10:13,797 IT SHOWS CONFIDENCE. 298 00:10:13,797 --> 00:10:15,799 WHAT I LIKE ABOUT YOU, BESIDES 299 00:10:15,799 --> 00:10:17,333 ALL OF THE CHARISMA AND 300 00:10:17,333 --> 00:10:18,268 SHOWMANSHIP, WHICH IS ALL THERE, 301 00:10:18,268 --> 00:10:20,437 AND SOME DETAILS THAT NEED TO BE 302 00:10:20,437 --> 00:10:22,872 FINESSED, WHAT I REALLY LIKE IS 303 00:10:22,872 --> 00:10:23,339 THE PARTNERSHIP. 304 00:10:23,339 --> 00:10:26,142 THERE'S A REALLY GOOD CHARISMA 305 00:10:26,142 --> 00:10:27,544 AND ENERGY GOING BETWEEN YOU 306 00:10:27,544 --> 00:10:27,911 TWO. 307 00:10:27,911 --> 00:10:28,611 WELL DONE. 308 00:10:28,611 --> 00:10:31,047 >> HEAD ON UP TO JULIANNE FOR 309 00:10:31,047 --> 00:10:31,581 YOUR SCORES. 310 00:10:31,581 --> 00:10:36,719 GREAT JOB, GUYS! 311 00:10:36,719 --> 00:10:37,387 TO GIVE ALL OF OUR STARS A 312 00:10:37,387 --> 00:10:38,088 CHANCE TO GET THEIR FOOTING, 313 00:10:38,088 --> 00:10:38,822 THERE'S NO ELIMINATION TONIGHT. 314 00:10:38,822 --> 00:10:39,489 HOWEVER, YOUR VOTES AND THE 315 00:10:39,489 --> 00:10:40,657 JUDGES' SCORES FROM TONIGHT WILL 316 00:10:40,657 --> 00:10:41,925 CARRY OVER TO NEXT WEEK'S FIRST 317 00:10:41,925 --> 00:10:42,559 ELIMINATION OF THE SEASON. 318 00:10:42,559 --> 00:10:45,361 THIS WEEK, THEY GET OFF EASY. 319 00:10:45,361 --> 00:10:46,229 NEXT WEEK, WE DON'T MESS AROUND. 320 00:10:46,229 --> 00:10:49,065 YOU KNOW WHAT I'M SAYING? 321 00:10:49,065 --> 00:10:50,233 JULIANNE, TAKE IT AWAY. 322 00:10:50,233 --> 00:10:53,470 >> Julianne: NO MESSING AROUND 323 00:10:53,470 --> 00:10:53,903 HERE, ALFONSO. 324 00:10:53,903 --> 00:10:54,604 IT IS TOUGH LOVE. 325 00:10:54,604 --> 00:10:56,106 BUT NOT THAT TOUGH FOR YOU! 326 00:10:56,106 --> 00:10:57,407 WELL DONE OUT THERE! 327 00:10:57,407 --> 00:10:58,575 YOU WERE THE FIRST COUPLE OUT 328 00:10:58,575 --> 00:10:58,875 THERE. 329 00:10:58,875 --> 00:10:59,843 HOW DOES IT FEEL? 330 00:10:59,843 --> 00:11:00,376 >> CRAZY. 331 00:11:00,376 --> 00:11:01,578 AS YOU CAN TELL, I DON'T THINK 332 00:11:01,578 --> 00:11:03,780 I'M BREATHING YET, BUT GOOD TO 333 00:11:03,780 --> 00:11:06,583 GET IT GOING, IT WAS A FUN TWO 334 00:11:06,583 --> 00:11:06,883 WEEKS. 335 00:11:06,883 --> 00:11:08,785 >> WE'VE GOT SUPER BOWL 336 00:11:08,785 --> 00:11:10,220 CHAMPIONS, OLYMPIAN ATHLETES, 337 00:11:10,220 --> 00:11:11,888 ALSO ALL-STARS, BUT AS YOU SAID 338 00:11:11,888 --> 00:11:13,423 IN YOUR PACKAGE, YOU'RE A TENNIS 339 00:11:13,423 --> 00:11:14,991 COACH, SO HOW ARE YOU GOING TO 340 00:11:14,991 --> 00:11:16,359 HOLD YOUR OWN OUT THERE? 341 00:11:16,359 --> 00:11:17,660 >> I'M NOT TAKING THE ATHLETE 342 00:11:17,660 --> 00:11:18,995 TITLE WITH THESE GUYS HERE. 343 00:11:18,995 --> 00:11:20,930 I THINK THE COACHING HELPS. 344 00:11:20,930 --> 00:11:21,931 HOPEFULLY I'M A DECENT STUDENT. 345 00:11:21,931 --> 00:11:23,166 >> HE'S AN AMAZING STUDENT. 346 00:11:23,166 --> 00:11:24,667 >> THAT'S WHAT I'M HOLDING ON 347 00:11:24,667 --> 00:11:24,934 TO. 348 00:11:24,934 --> 00:11:25,602 >> I LOVE IT. 349 00:11:25,602 --> 00:11:27,770 LET'S GET YOUR SCORES. 350 00:11:27,770 --> 00:11:32,876 >> CARRIE ANN INABA. 351 00:11:32,876 --> 00:11:33,409 >> 7. 352 00:11:33,409 --> 00:11:34,377 >> DEREK HOUGH. 353 00:11:34,377 --> 00:11:38,148 >> 7. 354 00:11:38,148 --> 00:11:46,923 >> BRUNO TONIOILY, 7. 355 00:11:46,923 --> 00:11:48,424 >> SHE LOOKS SURPRISED! 356 00:11:48,424 --> 00:11:50,927 >> AND DON'T MISS JOEY'S FUTURE 357 00:11:50,927 --> 00:11:52,695 FATHER-IN-LAW, MARK ANDERSON ON 358 00:11:52,695 --> 00:11:55,098 "THE GOLDEN BACHELORETTE" 359 00:11:55,098 --> 00:11:57,333 PREMIERING ON ABC TOMORROW NIGHT 360 00:11:57,333 --> 00:12:00,336 AT 8/7:00 CENTRAL. 361 00:12:00,336 --> 00:12:01,304 AS FOR TONIGHT, THIS IS YOUR 362 00:12:01,304 --> 00:12:01,971 FIRST CHANCE TO CHOOSE YOUR 363 00:12:01,971 --> 00:12:02,338 FAVORITES. 364 00:12:02,338 --> 00:12:03,473 VOTE BY TEXT AND ONLINE AT 365 00:12:03,473 --> 00:12:03,973 ABC.COM. 366 00:12:03,973 --> 00:12:04,674 ALFONSO. 367 00:12:04,674 --> 00:12:06,576 >> Alfonso: THANKS, JULIANNE. 368 00:12:06,576 --> 00:12:08,278 WE'VE GOT A GALAXY OF STARS ON 369 00:12:08,278 --> 00:12:10,680 THE WAY, FROM OLYMPIANS STEPHEN 370 00:12:10,680 --> 00:12:11,614 NEDOROSCIK AND 371 00:12:29,232 --> 00:12:30,293 >> Alfonso: WE'RE BACK WITH OUR 372 00:12:30,293 --> 00:12:31,227 SEASON PREMIERE. 373 00:12:31,227 --> 00:12:33,697 IN MAY, OUR NEXT STAR WAS NAMED 374 00:12:33,697 --> 00:12:34,998 A "SPORTS ILLUSTRATED" SWIMSUIT 375 00:12:34,998 --> 00:12:35,732 LEGEND, AND LAST YEAR, SHE WAS 376 00:12:35,732 --> 00:12:38,735 FEATURED ON THE MAGAZINE'S 60th 377 00:12:38,735 --> 00:12:39,235 ANNIVERSARY COVER. 378 00:12:39,235 --> 00:12:43,206 IT'S BROOKS NADER AND 379 00:12:43,206 --> 00:12:43,673 GLEB SAVCHENKO. 380 00:12:43,673 --> 00:12:45,442 >> I AM HERE BECAUSE ME AND 381 00:12:45,442 --> 00:12:47,177 DANCE HAVE SOME UNFINISHED 382 00:12:47,177 --> 00:12:47,811 BUSINESS. 383 00:12:47,811 --> 00:12:49,979 I AM A SUPERMODEL, BUT I HAVE A 384 00:12:49,979 --> 00:12:51,448 BONE TO PICK WITH DANCING. 385 00:12:51,448 --> 00:12:53,249 I DUMPED HIM FOR A LITTLE WHILE 386 00:12:53,249 --> 00:12:55,185 AND I'VE GOT TO TAKE BACK THAT 387 00:12:55,185 --> 00:12:59,222 EX AND LIKE RUN THEIR LIFE. 388 00:12:59,222 --> 00:12:59,723 HELLO! 389 00:12:59,723 --> 00:13:00,390 >> HI! 390 00:13:00,390 --> 00:13:01,157 >> HI. 391 00:13:01,157 --> 00:13:02,525 I DON'T EVEN KNOW WHAT TO SAY. 392 00:13:02,525 --> 00:13:03,293 HOW ARE YOU? 393 00:13:03,293 --> 00:13:05,095 >> HE'S SO HOT. 394 00:13:05,095 --> 00:13:05,829 I'M SO PUMPED. 395 00:13:05,829 --> 00:13:08,031 WE'RE GOING TO CRUSH IT. 396 00:13:08,031 --> 00:13:09,499 THIS IS A HEALTHY LITTLE 397 00:13:09,499 --> 00:13:10,533 FLIRTATIOUS VIBE THAT WILL NOT 398 00:13:10,533 --> 00:13:11,468 DISTRACT US TOO MUCH. 399 00:13:11,468 --> 00:13:13,203 >> ANY DANCE EXPERIENCE? 400 00:13:13,203 --> 00:13:14,237 >> I WAS ON THE HIGH SCHOOL 401 00:13:14,237 --> 00:13:15,171 DANCE TEAM. 402 00:13:15,171 --> 00:13:17,173 STOPPED DANCING WHEN I STARTED 403 00:13:17,173 --> 00:13:18,942 MODELING, THIS WAS A TOTAL SIGN 404 00:13:18,942 --> 00:13:19,542 FROM THE UNIVERSE. 405 00:13:19,542 --> 00:13:20,343 >> IS THERE ANYTHING THAT GETS 406 00:13:20,343 --> 00:13:21,311 YOU REALLY EXCITED? 407 00:13:21,311 --> 00:13:23,113 >> I THINK MUSIC GETS ME PUMPED 408 00:13:23,113 --> 00:13:23,379 UP. 409 00:13:23,379 --> 00:13:27,183 MY ANTHEM IS "PIECE OF ME" BY 410 00:13:27,183 --> 00:13:27,650 BRITNEY SPEARS. 411 00:13:27,650 --> 00:13:28,818 >> I THINK WE CAN DO A REALLY 412 00:13:28,818 --> 00:13:30,420 HOT TANGO TO IT. 413 00:13:30,420 --> 00:13:31,221 ONE, TWO. 414 00:13:31,221 --> 00:13:32,655 >> BRITNEY SPEARS IS A LOUISIANA 415 00:13:32,655 --> 00:13:33,556 GIRL LIKE ME. 416 00:13:33,556 --> 00:13:36,626 I AM NEWLY SINGLE, SO THE LYRICS 417 00:13:36,626 --> 00:13:38,328 ARE SUPER LIBERATING. 418 00:13:38,328 --> 00:13:40,096 >> TANGO HAS A LOT OF TECHNIQUE. 419 00:13:40,096 --> 00:13:42,265 IT'S NOT I AM SEXY AND I KNOW 420 00:13:42,265 --> 00:13:42,532 IT. 421 00:13:42,532 --> 00:13:44,134 >> DANCING AGAIN FEELS 422 00:13:44,134 --> 00:13:44,534 INCREDIBLE. 423 00:13:44,534 --> 00:13:45,435 HOPEFULLY I CAN GIVE THE 424 00:13:45,435 --> 00:13:47,203 AUDIENCE A PIECE OF ME THEY'LL 425 00:13:47,203 --> 00:13:47,637 NEVER FORGET. 426 00:13:47,637 --> 00:13:50,240 >> BEAUTIFUL. 427 00:13:50,240 --> 00:13:51,174 >> Announcer: DANCING THE TANGO, 428 00:13:51,174 --> 00:13:51,908 WITH HER PARTNER GLEB SAVCHENKO, 429 00:13:51,908 --> 00:13:53,409 IT'S BROOKS NADER. 430 00:14:01,317 --> 00:14:03,219 ♪ AH OH YEAH 431 00:14:03,219 --> 00:14:03,686 AH OH YEAH ♪ 432 00:14:03,686 --> 00:14:06,055 ♪ I'M MISS AMERICAN DREAM 433 00:14:06,055 --> 00:14:07,090 SINCE I WAS 17 ♪ 434 00:14:07,090 --> 00:14:07,590 ♪ DON'T MATTER 435 00:14:07,590 --> 00:14:09,692 IF I STEP ON THE SCENE ♪ 436 00:14:09,692 --> 00:14:11,227 ♪ OR SNEAK AWAY 437 00:14:11,227 --> 00:14:12,395 TO THE PHILIPPINES ♪ 438 00:14:12,395 --> 00:14:13,429 ♪ THEY'RE STILL GON' 439 00:14:13,429 --> 00:14:14,998 PUT PICTURES OF MY DERRIERE 440 00:14:14,998 --> 00:14:15,532 IN THE MAGAZINE ♪ 441 00:14:15,532 --> 00:14:18,234 ♪ YOU WANT A PIECE OF ME 442 00:14:18,234 --> 00:14:19,235 YOU WANT A PIECE OF ME ♪ 443 00:14:19,235 --> 00:14:19,936 ♪ I'M MISS BAD MEDIA KARMA 444 00:14:19,936 --> 00:14:21,638 ANOTHER DAY ANOTHER DRAMA ♪ 445 00:14:21,638 --> 00:14:23,173 ♪ GUESS I CAN'T SEE THE HARM 446 00:14:23,173 --> 00:14:27,177 IN WORKING 447 00:14:27,177 --> 00:14:29,212 AND BEING A MAMA ♪ 448 00:14:29,212 --> 00:14:30,346 ♪ AND WITH A KID ON MY ARM 449 00:14:30,346 --> 00:14:31,181 I'M STILL 450 00:14:31,181 --> 00:14:33,449 AN EXCEPTIONAL EARNER ♪ 451 00:14:33,449 --> 00:14:34,184 ♪ YOU WANT A PIECE OF ME ♪ 452 00:14:34,184 --> 00:14:35,084 ♪ I'M MRS. LIFESTYLES 453 00:14:35,084 --> 00:14:37,153 OF THE RICH AND FAMOUS 454 00:14:37,153 --> 00:14:37,821 YOU WANT A PIECE OF ME ♪ 455 00:14:37,821 --> 00:14:39,689 ♪ I'M MRS. OH MY GOD 456 00:14:39,689 --> 00:14:43,226 THAT BRITNEY'S SHAMELESS 457 00:14:43,226 --> 00:14:45,128 YOU WANT A PIECE OF ME ♪ 458 00:14:45,128 --> 00:14:45,762 ♪ I'M MRS. EXTRA EXTRA 459 00:14:45,762 --> 00:14:46,162 THIS JUST IN 460 00:14:46,162 --> 00:14:47,230 YOU WANT A PIECE OF ME ♪ 461 00:14:47,230 --> 00:14:49,833 ♪ I'M MRS. SHE'S TOO BIG 462 00:14:49,833 --> 00:14:50,366 NOW SHE'S TOO THIN 463 00:14:50,366 --> 00:14:51,234 YOU WANT A PIECE OF ME ♪ 464 00:14:51,234 --> 00:14:57,640 ♪ PIECE OF ME ME ME ME 465 00:14:57,640 --> 00:15:02,479 YOU WANT A PIECE OF ME ME ♪ 466 00:15:02,479 --> 00:15:03,179 [ APPLAUSE ] 467 00:15:03,179 --> 00:15:03,913 >> Alfonso: BROOKS AND GLEB WITH 468 00:15:03,913 --> 00:15:08,685 A TANGO TO BRITNEY SPEARS. 469 00:15:08,685 --> 00:15:11,221 OH, THAT WAS HOT! 470 00:15:11,221 --> 00:15:12,689 STANDING O. IN THE ROOM. 471 00:15:12,689 --> 00:15:13,957 THEY'RE STANDING FOR YOU, 472 00:15:13,957 --> 00:15:14,591 BROOKS. 473 00:15:14,591 --> 00:15:16,259 THEY'RE STANDING FOR YOU! 474 00:15:16,259 --> 00:15:18,895 ALL RIGHT, BRUNO, TAKE IT AWAY! 475 00:15:18,895 --> 00:15:21,564 >> BROOKS, YOU'VE GOT THE LOOKS 476 00:15:21,564 --> 00:15:23,233 AND YOU HAVE THE INSTRUMENTS. 477 00:15:23,233 --> 00:15:26,603 AND WHEN YOU USE IT RIGHT, IT'S 478 00:15:26,603 --> 00:15:26,903 GREAT. 479 00:15:26,903 --> 00:15:28,538 NOW, BECAUSE YOU HAVE SO MUCH 480 00:15:28,538 --> 00:15:30,240 POTENTIAL, YOU HAVE TO WORK -- 481 00:15:30,240 --> 00:15:31,841 NOW, ON YOUR STRENGTH AND YOUR 482 00:15:31,841 --> 00:15:32,141 CORE. 483 00:15:32,141 --> 00:15:33,643 BECAUSE SOMETIMES, YOU GO A 484 00:15:33,643 --> 00:15:34,611 LITTLE BIT WOBBLY. 485 00:15:34,611 --> 00:15:36,613 YOU HIT A WONDERFUL LINE, AND 486 00:15:36,613 --> 00:15:37,814 THEN IT KIND OF COLLAPSES A 487 00:15:37,814 --> 00:15:38,214 LITTLE BIT. 488 00:15:38,214 --> 00:15:40,917 AND YOU WENT ON THE WRONG FOOT 489 00:15:40,917 --> 00:15:41,751 IN THE SECTION THERE. 490 00:15:41,751 --> 00:15:42,552 WE SEE THAT. 491 00:15:42,552 --> 00:15:45,555 BUT I'M TELLING YOU, I LOVE THAT 492 00:15:45,555 --> 00:15:45,855 TANGO. 493 00:15:45,855 --> 00:15:47,123 YOU DID VERY, VERY WELL. 494 00:15:47,123 --> 00:15:52,195 WORK ON WHAT I SAID. 495 00:15:52,195 --> 00:15:52,562 THAT'S IT. 496 00:15:52,562 --> 00:15:53,229 >> Alfonso: ALL RIGHT. 497 00:15:53,229 --> 00:15:53,963 ALL RIGHT. 498 00:15:53,963 --> 00:15:55,698 CARRIE ANN. 499 00:15:55,698 --> 00:15:57,700 >> OKAY, SHE'S IN 33 IS KIND OF 500 00:15:57,700 --> 00:15:58,067 HOT. 501 00:15:58,067 --> 00:15:59,202 THAT WAS HOT! 502 00:15:59,202 --> 00:15:59,936 THAT WAS HOT! 503 00:15:59,936 --> 00:16:02,005 BUT WHAT I WANT TO SAY IS YOU DO 504 00:16:02,005 --> 00:16:02,872 HAVE SO MUCH POTENTIAL. 505 00:16:02,872 --> 00:16:04,107 WORKS ON THE POINTS OF CONTACT 506 00:16:04,107 --> 00:16:05,742 AND THE HOLD, BECAUSE THAT WAY 507 00:16:05,742 --> 00:16:07,310 YOU WON'T STEP ON HIM. 508 00:16:07,310 --> 00:16:09,279 THAT'S WHAT I SAW WAS THE MOST 509 00:16:09,279 --> 00:16:12,015 TROUBLING FOR YOU, NOT KNOWING 510 00:16:12,015 --> 00:16:13,549 WHERE YOUR FEET GO. 511 00:16:13,549 --> 00:16:15,685 BUT IF YOU'RE IN A GREAT HOLD, 512 00:16:15,685 --> 00:16:16,920 THAT WON'T HAPPEN. 513 00:16:16,920 --> 00:16:17,954 KEEP TRUSTING YOUR PARTNER AND 514 00:16:17,954 --> 00:16:20,957 KEEP THE HOTNESS ALIVE. 515 00:16:20,957 --> 00:16:21,691 >> Alfonso: DEREK? 516 00:16:21,691 --> 00:16:23,793 >> THE GREAT NEWS IS TONIGHT IS 517 00:16:23,793 --> 00:16:24,527 NIGHT ONE. 518 00:16:24,527 --> 00:16:26,095 WE'RE LOOKING FOR POTENTIAL AND 519 00:16:26,095 --> 00:16:26,963 YOU HAVE BUCKETS OF POTENTIAL. 520 00:16:26,963 --> 00:16:28,164 YOU REALLY, REALLY DO. 521 00:16:28,164 --> 00:16:29,065 YOU DO. 522 00:16:29,065 --> 00:16:31,134 HOWEVER, THE TANGO -- THE TANGO 523 00:16:31,134 --> 00:16:32,869 IS SUPPOSED TO BE LOW IN THE 524 00:16:32,869 --> 00:16:34,938 LEGS, AND IT GETS A LITTLE 525 00:16:34,938 --> 00:16:36,806 UPRIGHT, WHICH MEANS YOU GET 526 00:16:36,806 --> 00:16:39,175 AHEAD OF THE MUSIC, WHICH MEANS 527 00:16:39,175 --> 00:16:41,110 YOU'RE CONSTANTLY TRYING TO SLOW 528 00:16:41,110 --> 00:16:41,411 DOWN. 529 00:16:41,411 --> 00:16:43,212 SO IN THE NEXT FEW WEEKS, GET A 530 00:16:43,212 --> 00:16:44,547 LITTLE BIT MORE GROUNDED IN THE 531 00:16:44,547 --> 00:16:46,015 FLOOR, INTO THE SPACE WHERE YOU 532 00:16:46,015 --> 00:16:49,786 FEEL A LITTLE BIT BALANCED, BUT 533 00:16:49,786 --> 00:16:50,954 IT'S A GREAT FIRST DANCE. 534 00:16:50,954 --> 00:16:51,587 WELL DONE. 535 00:16:51,587 --> 00:16:52,755 >> Alfonso: HEAD ON UP TO 536 00:16:52,755 --> 00:16:53,856 JULIANNE FOR YOUR SCORES. 537 00:16:53,856 --> 00:16:54,591 GREAT JOB. 538 00:16:54,591 --> 00:16:56,426 NEXT WEEK, WE'LL BE CELEBRATING 539 00:16:56,426 --> 00:16:57,460 THE GOLDEN GLAMOROUS OF 540 00:16:57,460 --> 00:16:58,695 HOLLYWOOD, THE MOST IMPORTANT 541 00:16:58,695 --> 00:17:00,730 EVENT OF THE YEAR. 542 00:17:00,730 --> 00:17:02,265 IT'S AN OSCARS NIGHT 543 00:17:02,265 --> 00:17:03,199 SPECTACULAR, FEATURING AWARD 544 00:17:03,199 --> 00:17:06,369 WINNING SONGS FROM THE MOVIES. 545 00:17:06,369 --> 00:17:09,639 JULIANNE, YOU'RE ALWAYS RED 546 00:17:09,639 --> 00:17:10,740 CARPET READY. 547 00:17:10,740 --> 00:17:12,241 >> Julianne: YOU KNOW I AM. 548 00:17:12,241 --> 00:17:15,178 YOU ALWAYS LOOK PRETTY SHARP, 549 00:17:15,178 --> 00:17:17,814 TOO, ALFONSO. 550 00:17:17,814 --> 00:17:19,482 HONESTLY, BROOKS, YOU ARE ONE OF 551 00:17:19,482 --> 00:17:20,950 THE MOST GORGEOUS HUMANS ON THE 552 00:17:20,950 --> 00:17:22,652 PLANET, BUT YOU TWO TOGETHER ARE 553 00:17:22,652 --> 00:17:23,686 LIKE A WORK OF ART. 554 00:17:23,686 --> 00:17:24,454 IT'S REALLY BEAUTIFUL. 555 00:17:24,454 --> 00:17:26,322 WHAT IS YOUR CHEMISTRY LIKE? 556 00:17:26,322 --> 00:17:27,590 >> WHAT IS THE CHEMISTRY LIKE? 557 00:17:27,590 --> 00:17:29,492 >> WE HAVE A LOT OF FUN, AND 558 00:17:29,492 --> 00:17:31,227 IT'S OBVIOUSLY ALL ABOUT 559 00:17:31,227 --> 00:17:31,561 DANCING. 560 00:17:31,561 --> 00:17:31,861 RIGHT? 561 00:17:31,861 --> 00:17:32,195 >> YEAH. 562 00:17:32,195 --> 00:17:32,695 I MEAN. 563 00:17:32,695 --> 00:17:36,466 >> THAT'S WHAT WE'RE HERE TO DO. 564 00:17:36,466 --> 00:17:37,000 >> YEAH. 565 00:17:37,000 --> 00:17:38,568 >> Julianne: Y'ALL ARE FREAKING 566 00:17:38,568 --> 00:17:38,868 CUTE. 567 00:17:38,868 --> 00:17:42,939 ALL RIGHT, SO, YOU OBVIOUSLY 568 00:17:42,939 --> 00:17:46,342 HAVEN'T DANCED, LIKE BEING OUT 569 00:17:46,342 --> 00:17:47,176 THERE ON LIVE TELEVISION IN 570 00:17:47,176 --> 00:17:48,478 FRONT OF A LIVE AUDIENCE? 571 00:17:48,478 --> 00:17:51,180 AND YOUR FAMILY IS OUT THERE. 572 00:17:51,180 --> 00:17:52,982 >> OH, YEAH, THEY'RE OUT HERE. 573 00:17:52,982 --> 00:17:54,017 >> AND DOING BALLROOM. 574 00:17:54,017 --> 00:17:59,188 >> IT WAS A LOT OF FUN. 575 00:17:59,188 --> 00:17:59,856 HE'S THE BEST TEACHER EVER. 576 00:17:59,856 --> 00:18:00,623 BE LESS A.D.D. AND LET YOU LEAD 577 00:18:00,623 --> 00:18:01,424 THE WAY THE NEXT TIME. 578 00:18:01,424 --> 00:18:01,991 >> AMAZING. 579 00:18:01,991 --> 00:18:04,627 LET'S GET TO YOUR SCORES. 580 00:18:04,627 --> 00:18:07,130 >> CARRIE ANN INABO. 581 00:18:07,130 --> 00:18:08,731 >> 6. 582 00:18:08,731 --> 00:18:09,699 >> DEREK HOUGH? 583 00:18:09,699 --> 00:18:12,468 >> PROMISING 6! 584 00:18:12,468 --> 00:18:15,171 >> BRUNNO TONIOLI. 585 00:18:15,171 --> 00:18:15,671 >> 6. 586 00:18:15,671 --> 00:18:18,074 >> THAT'S AN 18 OUT OF 30 FOR 587 00:18:18,074 --> 00:18:18,741 BROOKS AND GLEB. 588 00:18:18,741 --> 00:18:20,043 YOU AT HOME ARE AN IMPORTANT 589 00:18:20,043 --> 00:18:22,011 PART OF THE SHOW, SO GRAB THOSE 590 00:18:22,011 --> 00:18:23,513 DEVICES AND VOTE. 591 00:18:23,513 --> 00:18:26,816 YOU GET TEN VOTES PER COUPLE PER 592 00:18:26,816 --> 00:18:27,250 VOTING METHOD. 593 00:18:27,250 --> 00:18:27,583 ALFONSO. 594 00:18:27,583 --> 00:18:28,418 >> Alfonso: THANKS JULIANNE. 595 00:18:28,418 --> 00:18:29,452 WE'VE GOT A LOT MORE STARS WHO 596 00:18:29,452 --> 00:18:30,186 ARE GOING TO WANT THOSE VOTES. 597 00:18:30,186 --> 00:18:31,220 UP NEXT, THE FIRST OF OUR 598 00:18:31,220 --> 00:18:32,055 ATHLETES FROM THE PARIS OLYMPIC 599 00:18:32,055 --> 00:18:33,589 GAMES, WHO IS ALSO THE 600 00:18:33,589 --> 00:18:34,957 FIRST-EVER RUGBY PLAYER TO DANCE 601 00:18:34,957 --> 00:18:36,259 ON OUR SHOW. 602 00:18:36,259 --> 00:18:37,260 ILONA MAHER AND ALAN BERSTEN 603 00:18:37,260 --> 00:18:37,727 CHA-CHA NEXT, LIVE! 604 00:18:48,042 --> 00:18:48,376 ♪♪ 605 00:18:48,376 --> 00:18:49,510 >> Alfonso: WELCOME BACK. 606 00:18:49,510 --> 00:18:57,517 THIS NEXT VIRAL SENSATION SHARED 607 00:18:57,517 --> 00:18:58,684 HILARIOUS MOMENTS FROM THE PARIS 608 00:18:58,684 --> 00:19:01,854 OLYMPIC GAMES ON HER JOURNEY TO 609 00:19:01,854 --> 00:19:02,355 A MEDAL. 610 00:19:02,355 --> 00:19:03,156 >> Julianne: IT'S OLYMPIC RUGBY 611 00:19:03,156 --> 00:19:05,658 PLAYER ILONA MAHER AND 612 00:19:05,658 --> 00:19:07,193 ALAN BERSTEN. 613 00:19:07,193 --> 00:19:09,162 >> I'M USED TO RUNNING AS HARD 614 00:19:09,162 --> 00:19:10,963 AS I CAN AND STIFF ARMING 615 00:19:10,963 --> 00:19:11,764 SOMEBODY IN THE FACE. 616 00:19:11,764 --> 00:19:14,000 WHILE THAT DID HELP ME GET MY 617 00:19:14,000 --> 00:19:16,069 OLYMPIC MEDAL, I DON'T USUALLY 618 00:19:16,069 --> 00:19:17,203 LET MY SAVAGE COMPETITION SIDE 619 00:19:17,203 --> 00:19:18,838 COME OUT, BECAUSE IT'S LIKE A 620 00:19:18,838 --> 00:19:20,873 CHAINED BEAR INSIDE OF ME. 621 00:19:20,873 --> 00:19:23,109 BUT I FEEL A FEELING "DANCING 622 00:19:23,109 --> 00:19:26,512 WITH THE STARS" MIGHT UNLEASH 623 00:19:26,512 --> 00:19:26,813 THAT. 624 00:19:26,813 --> 00:19:28,581 >> LET'S FREAKING GO! 625 00:19:28,581 --> 00:19:31,117 >> THAT'S EXACTLY WHAT I WANTED! 626 00:19:31,117 --> 00:19:31,951 >> HEY! 627 00:19:31,951 --> 00:19:33,286 >> I'VE ALWAYS LOVED HAVING 628 00:19:33,286 --> 00:19:34,287 COACHES THAT ARE TOUGH ON ME. 629 00:19:34,287 --> 00:19:35,621 AND HE SEEMS TO BE THE EXACT 630 00:19:35,621 --> 00:19:36,522 PERSON TO DO THAT. 631 00:19:36,522 --> 00:19:38,257 >> WHY DID YOU WANT TO DO THE 632 00:19:38,257 --> 00:19:38,558 SHOW? 633 00:19:38,558 --> 00:19:40,426 >> WELL, I'M THIS VERY BIG, 634 00:19:40,426 --> 00:19:41,928 MUSCULAR WOMAN, BUT I ALSO FEEL 635 00:19:41,928 --> 00:19:43,229 SO BEAUTIFUL AND FEMININE. 636 00:19:43,229 --> 00:19:45,865 I MEAN, YOU KNOW, I GREW UP NOT 637 00:19:45,865 --> 00:19:46,933 VERY COMFORTABLE, SO I WANT TO 638 00:19:46,933 --> 00:19:48,334 NOW MAKE IT EASIER FOR YOUNG 639 00:19:48,334 --> 00:19:49,635 GIRLS TO LOVE YOUR BODY. 640 00:19:49,635 --> 00:19:52,271 >> I'M SO EXCITED FOR YOU. 641 00:19:52,271 --> 00:19:53,639 PUSH AND HOOK. 642 00:19:53,639 --> 00:19:55,174 YOU DON'T HAVE -- 643 00:19:55,174 --> 00:19:58,377 >> I AM GRASPING, I'M SORRY, I 644 00:19:58,377 --> 00:19:59,145 CAN FEEL IT. 645 00:19:59,145 --> 00:20:07,153 >> ILOWNA WILL HAVE TO SHOW SOME 646 00:20:07,153 --> 00:20:07,487 FINESSE. 647 00:20:07,487 --> 00:20:08,821 >> NOW WE'RE TALKING. 648 00:20:08,821 --> 00:20:10,857 >> Announcer: DANCING THE 649 00:20:10,857 --> 00:20:11,491 CHA-CHA WITH HER PARTNER 650 00:20:11,491 --> 00:20:13,559 ALAN BERSTEN, IT'S ILONA MAHER. 651 00:20:17,663 --> 00:20:23,169 ♪ LET'S GO GIRLS ♪ 652 00:20:23,169 --> 00:20:27,140 ♪ I'M GOING OUT TONIGHT 653 00:20:27,140 --> 00:20:29,609 I'M FEELIN' ALRIGHT 654 00:20:29,609 --> 00:20:32,478 GONNA LET IT ALL HANG OUT ♪ 655 00:20:32,478 --> 00:20:33,112 ♪ WANNA MAKE SOME NOISE 656 00:20:33,112 --> 00:20:35,148 REALLY RAISE MY VOICE ♪ 657 00:20:35,148 --> 00:20:37,817 ♪ YEAH I WANNA 658 00:20:37,817 --> 00:20:39,152 SCREAM AND SHOUT ♪ 659 00:20:39,152 --> 00:20:40,486 ♪ THE BEST THING 660 00:20:40,486 --> 00:20:41,654 ABOUT BEING A WOMAN ♪ 661 00:20:41,654 --> 00:20:45,691 ♪ IS THE PREROGATIVE 662 00:20:45,691 --> 00:20:47,160 TO HAVE A LITTLE FUN YEAH ♪ 663 00:20:47,160 --> 00:20:49,862 ♪ OH OH OH 664 00:20:49,862 --> 00:20:50,429 GO TOTALLY CRAZY 665 00:20:50,429 --> 00:20:51,164 FORGET I'M A LADY ♪ 666 00:20:51,164 --> 00:20:53,699 ♪ MEN'S SHIRTS 667 00:20:53,699 --> 00:20:55,168 SHORT SKIRTS 668 00:20:55,168 --> 00:20:57,303 OH OH OH ♪ 669 00:20:57,303 --> 00:20:58,304 ♪ I WANNA BE FREE 670 00:20:58,304 --> 00:20:59,138 YEAH TO FEEL THE WAY I FEEL 671 00:20:59,138 --> 00:21:01,974 FEEL THE WAY I FEEL ♪ 672 00:21:01,974 --> 00:21:03,142 ♪ MAN I FEEL LIKE A WOMAN ♪ 673 00:21:03,142 --> 00:21:05,645 ♪ HOO OW OW 674 00:21:05,645 --> 00:21:11,150 I FEEL LIKE A WOMAN ♪ 675 00:21:11,150 --> 00:21:11,617 [ APPLAUSE ] 676 00:21:11,617 --> 00:21:16,122 ♪♪ 677 00:21:16,122 --> 00:21:23,162 ♪ FEEL LIKE A WOMAN ♪♪ 678 00:21:23,162 --> 00:21:24,897 >> Alfonso: ILONA AND ALAN WITH 679 00:21:24,897 --> 00:21:27,166 A CHA-CHA TO THE SONG SHE PICKED 680 00:21:27,166 --> 00:21:30,736 AS HER ANTHEM. 681 00:21:30,736 --> 00:21:32,371 OH, I SAID IT TO YOU EARLIER 682 00:21:32,371 --> 00:21:37,376 TODAY, YOU JUST MAKE ME SMILE! 683 00:21:37,376 --> 00:21:38,811 >> THANK YOU SO MUCH. 684 00:21:38,811 --> 00:21:40,646 >> CARRIE ANN? 685 00:21:40,646 --> 00:21:42,281 >> I LOVE EVERYTHING THAT YOU 686 00:21:42,281 --> 00:21:42,915 ARE ABOUT. 687 00:21:42,915 --> 00:21:45,651 AND THE WAY YOU STEPPED ON THAT 688 00:21:45,651 --> 00:21:48,187 DANCE FLOOR, I KNOW YOU WERE 689 00:21:48,187 --> 00:21:48,521 NERVOUS. 690 00:21:48,521 --> 00:21:49,188 I KNOW YOU WERE NERVOUS. 691 00:21:49,188 --> 00:21:51,257 THAT FIRST MOVE, YOU KIND OF 692 00:21:51,257 --> 00:21:52,024 JUMPED THE GUN A LITTLE BIT, BUT 693 00:21:52,024 --> 00:21:53,492 JUST LIKE RUGBY, YOU KIND OF 694 00:21:53,492 --> 00:21:54,961 JUST GO WITH IT, RIGHT? 695 00:21:54,961 --> 00:21:57,129 THIS IS WHAT I LOVE. 696 00:21:57,129 --> 00:21:58,631 REMEMBER, MUSCLES MAKE YOU MOVE 697 00:21:58,631 --> 00:22:00,566 AND DANCE IS ALL ABOUT MOVEMENT 698 00:22:00,566 --> 00:22:02,802 AND YOU KNOW HOW TO DO THAT. 699 00:22:02,802 --> 00:22:03,936 YOU'RE ON DAY ONE. 700 00:22:03,936 --> 00:22:06,973 WELL DONE FOR DAY ONE! 701 00:22:06,973 --> 00:22:08,174 KEEP IT GOING! 702 00:22:08,174 --> 00:22:11,644 >> Alfonso: DEREK? 703 00:22:11,644 --> 00:22:13,112 >> FIRST OF ALL, ILONA, I LOVE 704 00:22:13,112 --> 00:22:14,280 SEEING YOU IN THIS ARENA. 705 00:22:14,280 --> 00:22:15,681 IT SUITS YOU WELL, MY LOVE. 706 00:22:15,681 --> 00:22:16,983 IT REALLY DOES. 707 00:22:16,983 --> 00:22:17,617 IT REALLY DOES. 708 00:22:17,617 --> 00:22:19,518 FOR ME, KNOWING YOU SORT OF 709 00:22:19,518 --> 00:22:20,886 OUTSIDE, YOU'RE SO CHARISMATIC, 710 00:22:20,886 --> 00:22:22,855 YOU'RE FUNNY, YOU HAVE SO MUCH 711 00:22:22,855 --> 00:22:24,123 ENERGY, I WANTED TO SEE THAT A 712 00:22:24,123 --> 00:22:25,491 LITTLE BIT MORE IN THE DANCE. 713 00:22:25,491 --> 00:22:26,759 I COULD FEEL THE NERVES A LITTLE 714 00:22:26,759 --> 00:22:28,561 BIT, THE TIMIDNESS, BUT YOU COME 715 00:22:28,561 --> 00:22:30,096 FROM A SPORT THAT'S ALL ABOUT 716 00:22:30,096 --> 00:22:30,930 IMPACT, RIGHT? 717 00:22:30,930 --> 00:22:32,531 YOU CAN HAVE IMPACT IN DANCE AS 718 00:22:32,531 --> 00:22:32,832 WELL. 719 00:22:32,832 --> 00:22:33,833 GO OUT THERE WITH THE 720 00:22:33,833 --> 00:22:34,533 CONFIDENCE, WITH ALL THE 721 00:22:34,533 --> 00:22:35,635 CONFIDENCE THAT YOU HAVE, AND WE 722 00:22:35,635 --> 00:22:38,237 WANT TO SEE THAT ON THE DANCE 723 00:22:38,237 --> 00:22:38,571 FLOOR. 724 00:22:38,571 --> 00:22:41,641 BUT REALLY FOR A FIRST DANCE, 725 00:22:41,641 --> 00:22:44,076 GREAT JOB. 726 00:22:44,076 --> 00:22:44,577 >> Alfonso: BRUNO? 727 00:22:44,577 --> 00:22:45,945 >> YES, MY DARLING, THEY'RE 728 00:22:45,945 --> 00:22:46,445 ABSOLUTELY RIGHT. 729 00:22:46,445 --> 00:22:49,982 AS A CHA-CHA-CHA, IT WAS VERY 730 00:22:49,982 --> 00:22:50,416 CORRECT. 731 00:22:50,416 --> 00:22:51,984 BUT I'M TELLING YOU, GO MORE 732 00:22:51,984 --> 00:22:52,518 THAN THAT. 733 00:22:52,518 --> 00:22:53,653 YOU'RE GREAT, YOU'RE BEAUTIFUL, 734 00:22:53,653 --> 00:22:56,422 LET IT ALL HANG OUT AND SHOW 735 00:22:56,422 --> 00:22:57,123 THEM. 736 00:22:57,123 --> 00:22:59,158 DON'T FEEL AFRAID! 737 00:22:59,158 --> 00:23:00,426 NEVER BE AFRAID! 738 00:23:00,426 --> 00:23:01,427 >> Alfonso: ALL RIGHT, HEAD ON 739 00:23:01,427 --> 00:23:03,162 UP TO JULIANNE FOR YOUR SCORES. 740 00:23:03,162 --> 00:23:04,430 GREAT JOB, GREAT JOB. 741 00:23:04,430 --> 00:23:06,365 GETTING READY FOR THEIR FIRST 742 00:23:06,365 --> 00:23:07,833 DANCES ARE THE TV DAD FROM 743 00:23:07,833 --> 00:23:11,070 "FAMILY MATTERS" AND A TWO-TIME 744 00:23:11,070 --> 00:23:11,604 SUPER BOWL CHAMPION. 745 00:23:11,604 --> 00:23:12,204 REGINALD VelJOHNSON AND 746 00:23:12,204 --> 00:23:12,872 DANNY AMENDOLA WILL SOON BE 747 00:23:12,872 --> 00:23:14,940 MAKING THEIR WAY TO THE FLOOR. 748 00:23:14,940 --> 00:23:15,308 JULIANNE. 749 00:23:15,308 --> 00:23:18,077 >> Julianne: THANKS, ALFONSO. 750 00:23:18,077 --> 00:23:19,145 HELLO YOU BEAUTIFUL PEOPLE! 751 00:23:19,145 --> 00:23:23,049 >> I DID WHAT I COULD! 752 00:23:23,049 --> 00:23:26,419 >> Julianne: ALL RIGHT, ILONA, 753 00:23:26,419 --> 00:23:27,086 YOU ARE SUCH A ROLE MODEL. 754 00:23:27,086 --> 00:23:27,853 YOU HAVE SHOWN WOMEN EVERYWHERE 755 00:23:27,853 --> 00:23:29,055 NOT JUST TO LOVE THEIR BODIES, 756 00:23:29,055 --> 00:23:29,855 BUT THEMSELVES. 757 00:23:29,855 --> 00:23:31,624 HOW DID YOU HARNESS -- YES, 758 00:23:31,624 --> 00:23:32,224 EXACTLY! 759 00:23:32,224 --> 00:23:34,026 HOW DID YOU HARNESS THAT 760 00:23:34,026 --> 00:23:34,794 CONFIDENCE WITHIN YOURSELF? 761 00:23:34,794 --> 00:23:36,696 >> I DON'T KNOW IF IT CAME FROM 762 00:23:36,696 --> 00:23:37,630 MYSELF -- I THINK IT CAME FROM 763 00:23:37,630 --> 00:23:39,031 MY TEAMMATES, THE FRIENDS AND 764 00:23:39,031 --> 00:23:40,466 FAMILY AROUND ME. 765 00:23:40,466 --> 00:23:41,300 I THINK BEING AROUND STRONG 766 00:23:41,300 --> 00:23:43,169 WOMEN AND CONFIDENT WOMEN, IT 767 00:23:43,169 --> 00:23:44,103 TRICKLES DOWN INTO YOU. 768 00:23:44,103 --> 00:23:45,871 SO I'M RUNNING A PYRAMID SCHEME, 769 00:23:45,871 --> 00:23:47,640 THAT MY TEAMMATES ARE GIVING ME 770 00:23:47,640 --> 00:23:48,974 CONFIDENCE, I WANT TO GIVE OTHER 771 00:23:48,974 --> 00:23:50,176 PEOPLE CONFIDENCE, AND HOPEFULLY 772 00:23:50,176 --> 00:23:51,544 THEY CAN GIVE OTHER PEOPLE 773 00:23:51,544 --> 00:23:51,944 CONFIDENCE. 774 00:23:51,944 --> 00:23:52,945 >> Julianne: I THINK THAT'S THE 775 00:23:52,945 --> 00:23:54,513 BEST SCHEME I'VE EVER HEARD, 776 00:23:54,513 --> 00:23:55,147 JUST SAYING. 777 00:23:55,147 --> 00:23:56,916 ALL RIGHT, WELL, ALSO, YOU KNOW, 778 00:23:56,916 --> 00:23:59,085 BEING ON THE RUGBY FIELD, IT'S 779 00:23:59,085 --> 00:24:00,519 ALL ABOUT POWER, AND THEN 780 00:24:00,519 --> 00:24:01,253 DANCING, THERE'S A LITTLE BIT 781 00:24:01,253 --> 00:24:02,722 MORE OF A SOFTER SIDE TO IT. 782 00:24:02,722 --> 00:24:05,291 HOW ARE YOU FINDING THAT 783 00:24:05,291 --> 00:24:05,691 TRANSITION? 784 00:24:05,691 --> 00:24:08,260 >> IT'S VERY HARD. 785 00:24:08,260 --> 00:24:09,795 HE'LL A LOT OF TIMES TELL ME, 786 00:24:09,795 --> 00:24:11,664 PLEASE DON'T BREAK MY ARM, SO 787 00:24:11,664 --> 00:24:14,000 I'M GETTING BETTER AT BEING 788 00:24:14,000 --> 00:24:14,333 SOFTER. 789 00:24:14,333 --> 00:24:14,834 >> I SAY PLEASE. 790 00:24:14,834 --> 00:24:16,335 >> HE SAYS PLEASE. 791 00:24:16,335 --> 00:24:17,336 >> Julianne: ALL RIGHT. 792 00:24:17,336 --> 00:24:20,439 WELL, LET'S PLEASE GET YOUR 793 00:24:20,439 --> 00:24:20,773 SCORES. 794 00:24:20,773 --> 00:24:26,212 >> Alfonso: CARRIE ANN INABA. 795 00:24:26,212 --> 00:24:26,812 >> 6. 796 00:24:26,812 --> 00:24:27,913 >> Alfonso: DEREK HOUGH? 797 00:24:27,913 --> 00:24:33,152 >> 6. 798 00:24:33,152 --> 00:24:37,757 >> BRUNO TONIOLI. 799 00:24:37,757 --> 00:24:39,358 >> 6. 800 00:24:39,358 --> 00:24:40,126 >> Julianne: WHAT DO YOU THINK 801 00:24:40,126 --> 00:24:40,559 ABOUT THAT? 802 00:24:40,559 --> 00:24:41,627 >> I WAS NOT EXPECTING THAT. 803 00:24:41,627 --> 00:24:42,595 >> Julianne: YOUR VOTES FROM 804 00:24:42,595 --> 00:24:44,030 HELPED 32 CHAMPIONS LIFT OUR 805 00:24:44,030 --> 00:24:44,363 TROPHY. 806 00:24:44,363 --> 00:24:45,765 ONE OF THE STARS YOU SEE TONIGHT 807 00:24:45,765 --> 00:24:46,932 WILL BECOME THE CHAMPION OF 808 00:24:46,932 --> 00:24:47,500 SEASON 33. 809 00:24:47,500 --> 00:24:48,467 BUT, ONLY IF YOU VOTE. 810 00:24:48,467 --> 00:24:49,235 VOTING CLOSES SHORTLY AFTER THE 811 00:24:49,235 --> 00:24:49,568 FINAL DANCE. 812 00:25:09,409 --> 00:25:10,685 >> Alfonso: WELCOME BACK TO OUR 813 00:25:10,685 --> 00:25:11,219 SEASON PREMIERE. 814 00:25:11,219 --> 00:25:12,988 THROUGHOUT TV HISTORY, THERE 815 00:25:12,988 --> 00:25:13,722 HAVE BEEN COUNTLESS TV DADS, BUT 816 00:25:13,722 --> 00:25:14,923 ONLY ONE OF THEM ALSO HELPED 817 00:25:14,923 --> 00:25:15,991 BRUCE WILLIS SAVE THE DAY ON THE 818 00:25:15,991 --> 00:25:16,959 BIG SCREEN, TWICE. 819 00:25:16,959 --> 00:25:19,127 IT'S "FAMILY MATTERS" AND 820 00:25:19,127 --> 00:25:19,595 "DIE HARD" STAR 821 00:25:19,595 --> 00:25:20,929 REGINALD VelJOHNSON AND 822 00:25:20,929 --> 00:25:23,665 EMMA SLATER. 823 00:25:23,665 --> 00:25:25,400 >> I'VE BEEN ACTING FOR HALF MY 824 00:25:25,400 --> 00:25:25,701 LIFE. 825 00:25:25,701 --> 00:25:27,936 I SWEAR, I'M NOT A COP. 826 00:25:27,936 --> 00:25:29,738 ALTHOUGH I'VE PLAYED SEVERAL 827 00:25:29,738 --> 00:25:30,539 COPS IN SEVERAL MOVIES. 828 00:25:30,539 --> 00:25:31,840 >> I'M SENDING YOU SOMETHING 829 00:25:31,840 --> 00:25:32,241 RIGHT NOW. 830 00:25:32,241 --> 00:25:35,877 >> HOLD ON A SECOND, COWBOY. 831 00:25:35,877 --> 00:25:38,647 >> BUT I DANCED ON BROADWAY IN 832 00:25:38,647 --> 00:25:39,648 "FAMILY MATTERS." 833 00:25:39,648 --> 00:25:41,283 I DID MOVE WELL WHEN I WAS A 834 00:25:41,283 --> 00:25:44,920 KID, BUT AS AN OLD MAN, WE'LL 835 00:25:44,920 --> 00:25:45,187 SEE. 836 00:25:45,187 --> 00:25:45,754 >> HELLO! 837 00:25:45,754 --> 00:25:47,723 >> EMMA! 838 00:25:47,723 --> 00:25:48,957 OH, BOY! 839 00:25:48,957 --> 00:25:50,692 >> I'M ACTUALLY EMOTIONAL. 840 00:25:50,692 --> 00:25:52,361 HE'S FROM "DIE HARD." 841 00:25:52,361 --> 00:25:53,328 IS THERE ANYBODY YOU'RE DOING 842 00:25:53,328 --> 00:25:54,129 THE SHOW FOR? 843 00:25:54,129 --> 00:25:54,730 >> MYSELF. 844 00:25:54,730 --> 00:25:55,931 I GOT A LOT OF SOUL. 845 00:25:55,931 --> 00:25:58,033 >> I SEE IT, I SEE IT! 846 00:25:58,033 --> 00:25:59,568 >> OH, YOU SEE IT? 847 00:25:59,568 --> 00:26:00,569 >> I SEE IT! 848 00:26:00,569 --> 00:26:02,170 >> I LEARNED BALLROOM DANCING 849 00:26:02,170 --> 00:26:03,438 FROM MY PARENTS. 850 00:26:03,438 --> 00:26:04,673 THAT'S WHY IT HOLDS A SPECIAL 851 00:26:04,673 --> 00:26:07,376 PLACE IN MY HEART. 852 00:26:07,376 --> 00:26:08,744 >> REGGIE'S ABILITY TO PERFORM 853 00:26:08,744 --> 00:26:10,012 ADDS AN ACTOR IS GOING TO BE 854 00:26:10,012 --> 00:26:11,113 REALLY KEY. 855 00:26:11,113 --> 00:26:12,347 IN THE SALSA, FOR INSTANCE, 856 00:26:12,347 --> 00:26:14,783 REGGIE IS GOING TO PLAY THE ROLE 857 00:26:14,783 --> 00:26:18,487 OF A SEXY CUBAN MAN. 858 00:26:18,487 --> 00:26:19,921 >> OH, THIS IS EASY. 859 00:26:19,921 --> 00:26:21,657 >> I'M 72 YEARS OLD, BUT I'M 860 00:26:21,657 --> 00:26:23,058 READY TO DANCE. 861 00:26:23,058 --> 00:26:23,825 I JUST HOPE I DON'T DIE HARD 862 00:26:23,825 --> 00:26:28,930 DOING IT. 863 00:26:28,930 --> 00:26:29,765 >> Announcer: DANCING THE SALSA 864 00:26:29,765 --> 00:26:30,465 WITH HIS PARTNER EMMA SLATER, 865 00:26:30,465 --> 00:26:36,905 IT'S REGINALD VelJOHNSON. 866 00:26:36,905 --> 00:26:37,372 ♪ BOYZ II MEN 867 00:26:37,372 --> 00:26:40,809 BOYZ II MEN 868 00:26:40,809 --> 00:26:41,176 MHMM ♪ 869 00:26:41,176 --> 00:26:46,581 ♪ MOTOWNPHILLY BACK AGAIN 870 00:26:46,581 --> 00:26:47,249 GO GO GO GO GO GO GO GO ♪ 871 00:26:47,249 --> 00:26:48,150 ♪ DOIN' A LITTLE 872 00:26:48,150 --> 00:26:48,917 EAST COAST SWING 873 00:26:48,917 --> 00:26:50,819 GO GO GO GO GO GO GO GO ♪ 874 00:26:50,819 --> 00:26:51,853 ♪ BOYZ II MEN GOING OFF 875 00:26:51,853 --> 00:26:52,521 GO GO GO GO GO GO GO GO ♪ 876 00:26:52,521 --> 00:26:53,555 ♪ NOT TOO HARD NOT TOO SOFT 877 00:26:53,555 --> 00:27:00,929 GO GO GO GO GO GO GO GO ♪ 878 00:27:00,929 --> 00:27:03,965 ♪ IT'S LONG OVERDUE BUT NOW 879 00:27:03,965 --> 00:27:04,533 PHILLY IS SLAMMIN' ♪ 880 00:27:04,533 --> 00:27:07,369 ♪ EVERYBODY IT'S 881 00:27:07,369 --> 00:27:07,903 BOYZ II MEN ABC BBD 882 00:27:07,903 --> 00:27:09,805 THE EAST COAST FAMILY ♪ 883 00:27:09,805 --> 00:27:12,874 ♪ DA DA DAA DA DA 884 00:27:12,874 --> 00:27:13,508 DA DA DA DA DA DA 885 00:27:13,508 --> 00:27:17,746 AH AH OH ♪ 886 00:27:17,746 --> 00:27:19,414 ♪ MOTOWNPHILLY BACK AGAIN 887 00:27:19,414 --> 00:27:24,953 GO GO GO GO GO GO GO GO ♪ 888 00:27:24,953 --> 00:27:27,723 ♪ DOIN' A LITTLE 889 00:27:27,723 --> 00:27:28,757 EAST COAST SWING 890 00:27:28,757 --> 00:27:29,424 GO GO GO GO GO GO GO GO ♪ 891 00:27:29,424 --> 00:27:29,991 ♪ BOYZ II MEN BOYZ 892 00:27:29,991 --> 00:27:31,393 BOYZ BOYZ BOYZ ♪ 893 00:27:31,393 --> 00:27:31,860 ♪ BOYZ II MEN 894 00:27:31,860 --> 00:27:32,527 ABC BBD 895 00:27:32,527 --> 00:27:34,096 MHMM ♪ 896 00:27:34,096 --> 00:27:36,932 [ APPLAUSE ] 897 00:27:36,932 --> 00:27:40,902 >> Alfonso: REGINALD AND EMMA 898 00:27:40,902 --> 00:27:44,406 WITH A MOTOWNPHILLY-STYLE SALSA. 899 00:27:44,406 --> 00:27:48,243 OH, COME ON OVER HERE, GUYS! 900 00:27:48,243 --> 00:27:48,510 YES! 901 00:27:48,510 --> 00:27:49,544 COME HERE, REGGIE. 902 00:27:49,544 --> 00:27:50,412 RIGHT OVER HERE. 903 00:27:50,412 --> 00:27:51,379 RIGHT OVER HERE. 904 00:27:51,379 --> 00:27:51,980 GREAT JOB. 905 00:27:51,980 --> 00:27:52,647 GREAT JOB. 906 00:27:52,647 --> 00:27:54,216 ALL RIGHT, DEREK, TAKE IT AWAY. 907 00:27:54,216 --> 00:27:58,120 >> MY MAN, WELCOME TO THE 908 00:27:58,120 --> 00:27:58,854 "DANCING WITH THE STARS" FAMILY. 909 00:27:58,854 --> 00:27:59,554 IT'S A PLEASURE TO HAVE YOU 910 00:27:59,554 --> 00:28:00,088 HERE, SIR. 911 00:28:00,088 --> 00:28:01,356 YOU HAVE THE MOST AMAZING 912 00:28:01,356 --> 00:28:02,357 SPIRIT, AMAZING PERFORMANCE. 913 00:28:02,357 --> 00:28:03,892 THAT WAS THE MOST COMPACT SALSA 914 00:28:03,892 --> 00:28:04,926 I'VE EVER SEEN. 915 00:28:04,926 --> 00:28:06,828 NOT A LOT OF FOOTWORK. 916 00:28:06,828 --> 00:28:08,296 NOT A LOT OF FOOTWORK, BUT YOU 917 00:28:08,296 --> 00:28:09,464 STILL MADE IT WORK. 918 00:28:09,464 --> 00:28:10,766 AND I REALLY APPRECIATED THAT. 919 00:28:10,766 --> 00:28:12,234 IT'S SO GREAT SEEING YOU OUT 920 00:28:12,234 --> 00:28:14,669 THERE, MY MAN. 921 00:28:14,669 --> 00:28:15,170 THANK YOU SO MUCH. 922 00:28:15,170 --> 00:28:15,537 BEAUTIFUL. 923 00:28:15,537 --> 00:28:15,904 WELL DONE. 924 00:28:15,904 --> 00:28:16,438 >> Alfonso: BRUNO? 925 00:28:16,438 --> 00:28:17,806 >> YES, I KNOW WHAT YOU WERE 926 00:28:17,806 --> 00:28:18,507 DOING. 927 00:28:18,507 --> 00:28:20,642 IT WAS VERY CENTERED, 928 00:28:20,642 --> 00:28:21,576 INTERNALIZED, MINIMAL. 929 00:28:21,576 --> 00:28:24,946 ALL OF THE Is. 930 00:28:24,946 --> 00:28:26,615 YOU KNOW, STORY TELLING IS ALL 931 00:28:26,615 --> 00:28:27,048 HERE. 932 00:28:27,048 --> 00:28:31,286 NOW, I GET IT. 933 00:28:31,286 --> 00:28:35,157 MOVING FORWARD, A BIT MORE 934 00:28:35,157 --> 00:28:36,825 STEPS, PLEASE. 935 00:28:36,825 --> 00:28:38,026 >> Alfonso: OKAY, CARRIE ANN. 936 00:28:38,026 --> 00:28:39,594 >> YOU HAVE A LITTLE CONFETTI ON 937 00:28:39,594 --> 00:28:41,897 YOUR HEAD, IF YOU WOULDN'T MIND, 938 00:28:41,897 --> 00:28:42,197 SIR. 939 00:28:42,197 --> 00:28:43,331 SOMETIMES IT FEELS LIKE IT'S A 940 00:28:43,331 --> 00:28:44,733 YOUNG PERSON'S WORLD OUT THERE, 941 00:28:44,733 --> 00:28:46,768 BUT IT'S PEOPLE LIKE YOU WHO 942 00:28:46,768 --> 00:28:48,136 COME OUT AND DO THINGS LIKE 943 00:28:48,136 --> 00:28:49,304 THIS, YOU PROVE THEM WRONG. 944 00:28:49,304 --> 00:28:50,605 YOU HAVE THE GROOVE. 945 00:28:50,605 --> 00:28:53,441 YOU WERE SPEAKING MY LOVE 946 00:28:53,441 --> 00:28:53,809 LANGUAGE. 947 00:28:53,809 --> 00:28:54,876 MY FLY GIRL WAS LIKE, OH, I'M 948 00:28:54,876 --> 00:28:55,911 CRUSHING, I'M CRUSHING. 949 00:28:55,911 --> 00:28:57,212 IT CAN BE SIMPLE AND IT CAN BE 950 00:28:57,212 --> 00:28:58,513 DONE WELL. 951 00:28:58,513 --> 00:28:59,314 YES, WE HAVE ROOM FOR 952 00:28:59,314 --> 00:29:00,415 IMPROVEMENT AND MAYBE MORE 953 00:29:00,415 --> 00:29:03,652 MOVEMENT, BUT WHAT YOU DID, YOU 954 00:29:03,652 --> 00:29:04,219 DID WELL. 955 00:29:04,219 --> 00:29:04,886 >> Alfonso: YEAH. 956 00:29:04,886 --> 00:29:05,754 ALL RIGHT, ALL RIGHT. 957 00:29:05,754 --> 00:29:08,490 WE WILL FIND OUT WHAT THOSE 958 00:29:08,490 --> 00:29:09,858 COMMENTS MEAN IN SCORES WHEN WE 959 00:29:09,858 --> 00:29:10,325 COME BACK. 960 00:29:10,325 --> 00:29:11,560 RIGHT NOW, WE'VE GOT AN 961 00:29:11,560 --> 00:29:14,696 EXCLUSIVE LOOK AT THE NEW DRAMA, 962 00:29:14,696 --> 00:29:18,900 "HIGH POTENTIAL," STARRING 963 00:29:18,900 --> 00:29:19,601 KAITLIN OLSON, WHICH PREMIERS 964 00:29:19,601 --> 00:29:21,603 TONIGHT, RIGHT AFTER US. 965 00:29:21,603 --> 00:29:22,270 AS YOU'LL SEE, SHE HAS SOME 966 00:29:22,270 --> 00:29:22,971 IMPRESSIVE DANCE MOVES OF HER 967 00:29:22,971 --> 00:29:23,171 OWN. 968 00:29:26,341 --> 00:29:27,676 >> YOU KNOW HOW WHEN YOU'RE 969 00:29:27,676 --> 00:29:29,211 LIVING YOUR LIFE -- 970 00:29:29,211 --> 00:29:30,545 >>♪ JUST KEEP ON DANCING ♪ 971 00:29:30,545 --> 00:29:33,949 >> AND THERE'S A TINY SNAFU AT 972 00:29:33,949 --> 00:29:34,249 WORK. 973 00:29:34,249 --> 00:29:35,684 >> HOW DO YOU DO THAT? 974 00:29:35,684 --> 00:29:39,154 >> I HAVE AN IQ OF 160. 975 00:29:39,154 --> 00:29:40,088 >> WE COULD USE SOMEONE WITH 976 00:29:40,088 --> 00:29:40,655 YOUR TALENT. 977 00:29:40,655 --> 00:29:42,224 >> THEN ALL OF A SUDDEN YOU'RE 978 00:29:42,224 --> 00:29:43,925 OUT THERE HELPING COPS SOLVE 979 00:29:43,925 --> 00:29:44,259 CRIMES. 980 00:29:44,259 --> 00:29:47,195 >> ISN'T THAT OUR CLEANING LADY. 981 00:29:47,195 --> 00:29:48,196 >> I SEE YOU BROUGHT YOUR BABY. 982 00:29:48,196 --> 00:29:49,297 TO A CRIME SCENE. 983 00:29:49,297 --> 00:29:50,465 >> WHAT IS SHE SUPPOSED TO DO? 984 00:29:50,465 --> 00:29:51,867 >> SPOT THE THINGS MY DETECTIVES 985 00:29:51,867 --> 00:29:52,400 MISS. 986 00:29:52,400 --> 00:29:54,970 >> MORGAN IS A HIGH POTENTIAL 987 00:29:54,970 --> 00:29:55,403 INTELLECTUAL. 988 00:29:55,403 --> 00:29:57,873 SHE HAS ADVANCED COGNITIVE 989 00:29:57,873 --> 00:29:58,240 ABILITIES. 990 00:29:58,240 --> 00:29:59,341 >> I THINK IT WAS MURDER AND A 991 00:29:59,341 --> 00:30:00,475 COVER-UP, BUT I WANT TO KNOW HOW 992 00:30:00,475 --> 00:30:00,876 YOU KNOW. 993 00:30:00,876 --> 00:30:03,111 >> SOUNDS LIKE A CHALLENGE. 994 00:30:03,111 --> 00:30:04,880 >> MOM'S GOING TO SOLVE THE 995 00:30:04,880 --> 00:30:05,180 CASE. 996 00:30:05,180 --> 00:30:05,647 >> TADA. 997 00:30:05,647 --> 00:30:07,382 >> THEN SHE'LL NEVER HAVE TO 998 00:30:07,382 --> 00:30:08,016 SCRUB OTHER PEOPLE'S TOILETS. 999 00:30:08,016 --> 00:30:09,451 >> CAN WE RUN THE SIREN. 1000 00:30:09,451 --> 00:30:10,151 >> ABSOLUTELY NOT. 1001 00:30:10,151 --> 00:30:11,052 >> SURE. 1002 00:30:11,052 --> 00:30:12,053 >> MOM, STOP. 1003 00:30:12,053 --> 00:30:12,654 >> WE HAVE AN APB OUT ON TWO 1004 00:30:12,654 --> 00:30:13,588 EXTREME CUTIE PIES. 1005 00:30:13,588 --> 00:30:14,756 ♪ SO LET'S JUST KEEP ON 1006 00:30:14,756 --> 00:30:15,123 DANCING ♪ 1007 00:30:27,082 --> 00:30:33,713 ♪♪ 1008 00:30:33,713 --> 00:30:34,511 >> Julianne: WELCOME BACK! 1009 00:30:34,511 --> 00:30:37,981 BEFORE THE BREAK, REGINALD AND 1010 00:30:37,981 --> 00:30:41,017 EMMA PERFORMED A SALSA THAT 1011 00:30:41,017 --> 00:30:42,285 CARRIE ANN SAID WAS SPEAKING HER 1012 00:30:42,285 --> 00:30:43,220 LOVE LANGUAGE. 1013 00:30:43,220 --> 00:30:47,357 WHAT DOES THAT MEAN TO YOU? 1014 00:30:47,357 --> 00:30:48,024 SPEAKING HER LOVE LANGUAGE? 1015 00:30:48,024 --> 00:30:49,192 >> IT MEANS LIFE AND IT WAS 1016 00:30:49,192 --> 00:30:49,493 GOOD. 1017 00:30:49,493 --> 00:30:50,260 >> Julianne: KNOWING THAT THERE 1018 00:30:50,260 --> 00:30:51,661 ARE SO MANY ATHLETES OUT HERE IN 1019 00:30:51,661 --> 00:30:53,663 THIS SEASON, YOU KNOW, YOU'RE 70 1020 00:30:53,663 --> 00:30:54,231 YEARS OLD. 1021 00:30:54,231 --> 00:30:55,999 YOU DANCED OBVIOUSLY ON "FAMILY 1022 00:30:55,999 --> 00:30:57,501 MATTERS" AND ON BROADWAY, BUT 1023 00:30:57,501 --> 00:30:58,969 HOW ARE YOU FEELING COMING INTO 1024 00:30:58,969 --> 00:31:00,771 THIS COMPETITION? 1025 00:31:00,771 --> 00:31:01,338 >> NERVOUS. 1026 00:31:01,338 --> 00:31:05,742 AND CAN I DO THIS? 1027 00:31:05,742 --> 00:31:09,079 YES! 1028 00:31:09,079 --> 00:31:09,913 >> Julianne: THAT'S WHAT I'M 1029 00:31:09,913 --> 00:31:10,347 TALKING ABOUT. 1030 00:31:10,347 --> 00:31:11,114 LOOK AT THIS. 1031 00:31:11,114 --> 00:31:12,849 LOOK AT ALL OF THESE PEOPLE, 1032 00:31:12,849 --> 00:31:13,950 HOLLERING YOUR NAME. 1033 00:31:13,950 --> 00:31:16,953 LET'S GET YOUR SCORES. 1034 00:31:16,953 --> 00:31:21,591 >> Alfonso: CARRIE ANN INABA? 1035 00:31:21,591 --> 00:31:22,859 >> 6. 1036 00:31:22,859 --> 00:31:24,694 >> Alfonso: DEREK HOUGH? 1037 00:31:24,694 --> 00:31:25,996 >> 5. 1038 00:31:25,996 --> 00:31:30,834 >> Alfonso: BRUNO TONIOLI? 1039 00:31:30,834 --> 00:31:31,601 >> 5. 1040 00:31:31,601 --> 00:31:33,570 >> 16 OUT OF 30 FOR REGINALD AND 1041 00:31:33,570 --> 00:31:33,870 EMMA. 1042 00:31:33,870 --> 00:31:37,674 WHAT ARE YOU THINKING RIGHT NOW? 1043 00:31:37,674 --> 00:31:39,543 >> I DID IT. 1044 00:31:39,543 --> 00:31:40,477 >> Julianne: THAT SHOCK ON YOUR 1045 00:31:40,477 --> 00:31:41,811 FACE SAYS IT ALL. 1046 00:31:41,811 --> 00:31:42,913 IF YOU WANT THEM TO SURVIVE 1047 00:31:42,913 --> 00:31:44,481 ELIMINATION, VOTE WITH YOUR 1048 00:31:44,481 --> 00:31:47,184 TEXTS AND ON AT ABC.COM. 1049 00:31:47,184 --> 00:31:48,218 ALFONSO. 1050 00:31:48,218 --> 00:31:48,952 >> Alfonso: THANKS, JULIANNE. 1051 00:31:48,952 --> 00:31:49,653 OUR NEXT STAR IS A FORMER NFL 1052 00:31:49,653 --> 00:31:50,353 WIDE RECEIVER WHO KNOWS A LOT 1053 00:31:50,353 --> 00:31:51,087 ABOUT MAKING THE BIGGEST PLAYS 1054 00:31:51,087 --> 00:31:53,023 WHEN THE STAKES ARE THE HIGHEST. 1055 00:31:53,023 --> 00:31:53,990 BUT CAN HE SCORE WHEN HE 1056 00:31:53,990 --> 00:31:57,827 ATTEMPTS TO TANGO, OR FUMBLE? 1057 00:31:57,827 --> 00:31:59,396 IT'S TWO-TIME SUPER BOWL 1058 00:31:59,396 --> 00:32:00,430 CHAMPION, DANNY AMENDOLA AND 1059 00:32:00,430 --> 00:32:03,333 WITNEY CARSON. 1060 00:32:03,333 --> 00:32:06,002 >> DANCE EXPERIENCE? 1061 00:32:06,002 --> 00:32:06,269 NO. 1062 00:32:06,269 --> 00:32:07,404 I DIDN'T EVEN HAVE A TOUCHDOWN 1063 00:32:07,404 --> 00:32:07,904 DANCE. 1064 00:32:07,904 --> 00:32:10,440 I'M DANNY AMENDOLA, PLAYED WIDE 1065 00:32:10,440 --> 00:32:11,942 RECEIVER IN THE NFL FOR 14 1066 00:32:11,942 --> 00:32:12,242 YEARS. 1067 00:32:12,242 --> 00:32:13,343 I WON TWO SUPER BOWLS. 1068 00:32:13,343 --> 00:32:14,945 I HAVE A WINNER'S MENTALITY. 1069 00:32:14,945 --> 00:32:15,879 I'M VERY COMPETITIVE BY NATURE. 1070 00:32:15,879 --> 00:32:17,214 AND I'M FROM TEXAS. 1071 00:32:17,214 --> 00:32:22,118 I GOT THE ENTIRE STATE TO 1072 00:32:22,118 --> 00:32:23,587 REPRESENT. 1073 00:32:23,587 --> 00:32:25,222 YEAH! 1074 00:32:25,222 --> 00:32:25,589 LET'S GO! 1075 00:32:25,589 --> 00:32:25,956 >> DANNY! 1076 00:32:25,956 --> 00:32:28,124 ALL THE BOYS IN MY LIFE ARE HUGE 1077 00:32:28,124 --> 00:32:29,392 FOOTBALL FANS. 1078 00:32:29,392 --> 00:32:31,194 THEY ARE GOING TO ABSOLUTELY 1079 00:32:31,194 --> 00:32:32,128 LOSE THEIR MINDS. 1080 00:32:32,128 --> 00:32:33,997 TWO PEOPLE WHO HAVE WON THE SHOW 1081 00:32:33,997 --> 00:32:34,831 HAVE BEEN WIDE RECEIVERS. 1082 00:32:34,831 --> 00:32:37,133 WHAT DOES IT TAKE TO WIN IN YOUR 1083 00:32:37,133 --> 00:32:37,734 OPINION? 1084 00:32:37,734 --> 00:32:38,835 >> DEDICATION, DISCIPLINE. 1085 00:32:38,835 --> 00:32:41,204 I'M NOT MESSING UP THESE DANCE 1086 00:32:41,204 --> 00:32:41,504 MOVES. 1087 00:32:41,504 --> 00:32:42,272 THIS IS COMPLETELY OUTSIDE MY 1088 00:32:42,272 --> 00:32:43,807 COMFORT ZONE, BUT I'M EXCITED TO 1089 00:32:43,807 --> 00:32:46,476 SEE HOW FAR I CAN GET IN THIS 1090 00:32:46,476 --> 00:32:46,877 COMPETITION. 1091 00:32:46,877 --> 00:32:49,646 >> OUR FIRST DANCE IS TANGO. 1092 00:32:49,646 --> 00:32:50,780 THE FRAME IS SO HARD TO GRASP, 1093 00:32:50,780 --> 00:32:52,716 AND IT'S MAKING HIM VERY CLUNKY. 1094 00:32:52,716 --> 00:32:54,751 >> OH, MY GOD, I'M SORRY. 1095 00:32:54,751 --> 00:32:55,952 >> I'M DOING "DANCING WITH THE 1096 00:32:55,952 --> 00:32:57,387 STARS" FOR MY MOM. 1097 00:32:57,387 --> 00:32:59,522 SHE MEANS THE MOST FOR ME AND 1098 00:32:59,522 --> 00:33:00,790 SHE'S REALLY EXCITED I GET THIS 1099 00:33:00,790 --> 00:33:01,191 OPPORTUNITY. 1100 00:33:01,191 --> 00:33:02,192 >> WE'RE WORKING HARD, MOM. 1101 00:33:02,192 --> 00:33:03,493 >> I'M SO PROUD OF YOU. 1102 00:33:03,493 --> 00:33:04,427 >> THANK YOU, MOM. 1103 00:33:04,427 --> 00:33:04,928 I LOVE YOU. 1104 00:33:04,928 --> 00:33:05,996 >> I LOVE YOU TOO. 1105 00:33:05,996 --> 00:33:06,496 >> PRESSURE'S ON. 1106 00:33:06,496 --> 00:33:07,931 LET'S GO. 1107 00:33:07,931 --> 00:33:08,665 >> Announcer: DANCING THE TANGO 1108 00:33:08,665 --> 00:33:10,000 WITH HIS PARTNER WITNEY CARSON, 1109 00:33:10,000 --> 00:33:17,974 IT'S DANNY AMENDOLA. 1110 00:33:17,974 --> 00:33:21,945 ♪ MY BABY WANT A BIRKIN 1111 00:33:21,945 --> 00:33:25,215 SHE'S BEEN TELLIN' ME 1112 00:33:25,215 --> 00:33:25,749 ALL NIGHT LONG ♪ 1113 00:33:25,749 --> 00:33:29,019 ♪ GASOLINE AND GROCERIES 1114 00:33:29,019 --> 00:33:32,489 THE LIST GOES ON AND ON ♪ 1115 00:33:32,489 --> 00:33:35,825 ♪ ONE HERE COMES THE TWO 1116 00:33:35,825 --> 00:33:36,826 TO THE THREE TO THE FOUR ♪ 1117 00:33:36,826 --> 00:33:37,394 ♪ TELL 'EM 1118 00:33:37,394 --> 00:33:37,994 BRING ANOTHER ROUND 1119 00:33:37,994 --> 00:33:40,030 WE NEED PLENTY MORE ♪ 1120 00:33:40,030 --> 00:33:41,998 ♪ TWO-STEPPIN' ON THE TABLE 1121 00:33:41,998 --> 00:33:49,973 SHE DON'T NEED A DANCE FLOOR 1122 00:33:49,973 --> 00:33:53,977 OH MY GOOD LORD ♪ 1123 00:33:53,977 --> 00:33:57,914 ♪ THERE'S A PARTY 1124 00:33:57,914 --> 00:33:58,648 DOWNTOWN NEAR FIFTH STREET ♪ 1125 00:33:58,648 --> 00:34:01,618 ♪ EVERYBODY AT THE BAR 1126 00:34:01,618 --> 00:34:02,118 GETTIN' TIPSY ♪ 1127 00:34:02,118 --> 00:34:03,753 ♪ EVERYBODY AT THE BAR 1128 00:34:03,753 --> 00:34:04,788 GETTIN' TIPSY ♪ 1129 00:34:04,788 --> 00:34:05,422 ♪ EVERYBODY AT THE BAR 1130 00:34:05,422 --> 00:34:13,997 GETTIN' TIPSY ♪ 1131 00:34:13,997 --> 00:34:20,470 [ APPLAUSE ] 1132 00:34:20,470 --> 00:34:25,975 >> Alfonso: DANNY AND WITNEY 1133 00:34:25,975 --> 00:34:26,509 WITH A TIPSY TANGO. 1134 00:34:26,509 --> 00:34:27,610 YEAH, GOOD JOB, DUDE! 1135 00:34:27,610 --> 00:34:31,481 LET'S HOPE THEY'RE NOT 1136 00:34:31,481 --> 00:34:32,415 BRUNO, TAKE IT AWAY! 1137 00:34:32,415 --> 00:34:33,817 >> WOW! 1138 00:34:33,817 --> 00:34:34,784 I KNOW WHAT I SEE. 1139 00:34:34,784 --> 00:34:37,987 WHAT DO YOU THINK I SEE? 1140 00:34:37,987 --> 00:34:41,491 I SEE POWER, FOCUS, 1141 00:34:41,491 --> 00:34:41,925 DETERMINATION. 1142 00:34:41,925 --> 00:34:44,327 YOU WANT TO SUCCEED, YOU LED 1143 00:34:44,327 --> 00:34:45,929 WITH SUCH BELIEF AND IT'S VERY, 1144 00:34:45,929 --> 00:34:47,297 VERY HARD IN TANGO. 1145 00:34:47,297 --> 00:34:48,365 IT'S GOOD WHEN SOMEBODY BRINGS 1146 00:34:48,365 --> 00:34:49,999 YOU AROUND. 1147 00:34:49,999 --> 00:34:51,868 YOU ACTUALLY LED ALL THROUGH THE 1148 00:34:51,868 --> 00:34:52,168 DANCE. 1149 00:34:52,168 --> 00:34:54,504 >> 100%. 1150 00:34:54,504 --> 00:34:55,538 >> WITH TOTAL CONVICTION. 1151 00:34:55,538 --> 00:34:57,974 >> OKAY, AT TIMES YOU WENT A BIT 1152 00:34:57,974 --> 00:34:58,341 SKIPPY. 1153 00:34:58,341 --> 00:35:00,944 YOU CANNOT BE SKIPPY, YOU HAVE 1154 00:35:00,944 --> 00:35:02,879 TO GLIDE, BUT MY TIME IS UP. 1155 00:35:02,879 --> 00:35:03,313 NEXT? 1156 00:35:03,313 --> 00:35:04,881 >> Alfonso: CARRIE ANN. 1157 00:35:04,881 --> 00:35:07,183 >> WHITNEY, WELCOME BACK! 1158 00:35:07,183 --> 00:35:09,753 IT'S SO GOOD TO SEE YOU. 1159 00:35:09,753 --> 00:35:13,957 AND THANK YOU FOR KEEPING YOUR 1160 00:35:13,957 --> 00:35:14,791 TOES ON THE GROUND DURING THOSE 1161 00:35:14,791 --> 00:35:15,091 DRAGS. 1162 00:35:15,091 --> 00:35:15,625 >> I KNOW YOU. 1163 00:35:15,625 --> 00:35:16,459 >> LISTEN, SIR. 1164 00:35:16,459 --> 00:35:19,629 I LOVE YOUR FOCUS. 1165 00:35:19,629 --> 00:35:20,263 YOU WERE VERY DETERMINED. 1166 00:35:20,263 --> 00:35:22,065 I LOVE IT BUT YOU KNOW WHAT -- 1167 00:35:22,065 --> 00:35:25,802 AND IT WAS VERY AMBITIOUS 1168 00:35:25,802 --> 00:35:26,202 COROGRAPHY. 1169 00:35:26,202 --> 00:35:27,837 AND IT EXECUTED FINELY. 1170 00:35:27,837 --> 00:35:29,239 BUT I WANT TO SEE THE FINE 1171 00:35:29,239 --> 00:35:30,340 PERSONALITY, ALL OF THAT COME 1172 00:35:30,340 --> 00:35:30,673 THROUGH. 1173 00:35:30,673 --> 00:35:33,109 HAVE A LITTLE BIT MORE JOY, 1174 00:35:33,109 --> 00:35:34,043 BECAUSE JOY COMES ACROSS IN 1175 00:35:34,043 --> 00:35:35,078 DANCING. 1176 00:35:35,078 --> 00:35:38,448 BUT I CAN TELL THAT HE PRACTICED 1177 00:35:38,448 --> 00:35:39,249 HARD. 1178 00:35:39,249 --> 00:35:40,450 MAMA, DID HE DO GOOD? 1179 00:35:40,450 --> 00:35:41,217 IS THAT YOUR MAMA? 1180 00:35:41,217 --> 00:35:44,020 >> THAT'S MY MAMA. 1181 00:35:44,020 --> 00:35:45,488 >> MAMA KNOWS! 1182 00:35:45,488 --> 00:35:46,022 >> Alfonso: DEREK? 1183 00:35:46,022 --> 00:35:47,524 >> HONESTLY, I WAS TRULY 1184 00:35:47,524 --> 00:35:47,891 IMPRESSED. 1185 00:35:47,891 --> 00:35:49,259 YOU LED THAT VERY, VERY WELL. 1186 00:35:49,259 --> 00:35:49,959 NOT A BAD FRAME. 1187 00:35:49,959 --> 00:35:50,960 A LITTLE HUNCHED OVER. 1188 00:35:50,960 --> 00:35:52,429 IT CAN GET A LITTLE BIT BETTER. 1189 00:35:52,429 --> 00:35:53,596 BUT IN FOOTBALL, YOU KNOW, YOU 1190 00:35:53,596 --> 00:35:55,331 HAVE THE HELMET ON, YOU'RE SORT 1191 00:35:55,331 --> 00:35:56,733 OF COVERED UP. 1192 00:35:56,733 --> 00:35:58,501 NOW YOU'RE EXPOSED, LIKE, OH, 1193 00:35:58,501 --> 00:35:59,669 SHOOT, HI, HERE'S MY FACE. 1194 00:35:59,669 --> 00:36:02,038 WE WANT TO SEE A BIT MORE OF THE 1195 00:36:02,038 --> 00:36:03,239 CHARACTER OF THE DANCE. 1196 00:36:03,239 --> 00:36:05,975 MOVING FORWARD, WORK ON THAT A 1197 00:36:05,975 --> 00:36:06,643 LITTLE BIT MORE. 1198 00:36:06,643 --> 00:36:08,077 BUT SOME OF THE DETAILS, NOT TOO 1199 00:36:08,077 --> 00:36:08,344 BAD. 1200 00:36:08,344 --> 00:36:09,679 I SEE YOU, MAN. 1201 00:36:09,679 --> 00:36:10,613 >> OKAY. 1202 00:36:10,613 --> 00:36:12,048 >> A GOOD TEAM. 1203 00:36:12,048 --> 00:36:12,682 I SEE. 1204 00:36:12,682 --> 00:36:12,949 IT. 1205 00:36:12,949 --> 00:36:13,883 >> Alfonso: HEAD ON UP TO 1206 00:36:13,883 --> 00:36:14,851 JULIANNE FOR YOUR SCORES. 1207 00:36:14,851 --> 00:36:18,021 GREAT JOB, DUDE. 1208 00:36:18,021 --> 00:36:19,589 A MULTITUDE OF STARS HAVE YET TO 1209 00:36:19,589 --> 00:36:22,025 PERFORM THEIR DEBUT DANCES, 1210 00:36:22,025 --> 00:36:22,692 INCLUDING AN ACTRESS WHOSE 1211 00:36:22,692 --> 00:36:23,393 CAREER SPANS THEATER, TV, AND 1212 00:36:23,393 --> 00:36:23,693 FILM. 1213 00:36:23,693 --> 00:36:24,761 TORI SPELLING AND PASHA PASHKOV 1214 00:36:24,761 --> 00:36:25,995 ARE ON THE WAY WITH A FOXTROT. 1215 00:36:25,995 --> 00:36:28,765 JULIANNE. 1216 00:36:28,765 --> 00:36:30,200 >> Julianne: THANKS, ALFONSO. 1217 00:36:30,200 --> 00:36:32,068 GET OVER HERE, YOU TWO! 1218 00:36:32,068 --> 00:36:33,436 ALL RIGHT, I'VE GOT A BIG 1219 00:36:33,436 --> 00:36:33,803 QUESTION. 1220 00:36:33,803 --> 00:36:34,571 WHAT IS THE BIGGEST DIFFERENCE 1221 00:36:34,571 --> 00:36:35,572 BETWEEN TRAINING FOR THIS 1222 00:36:35,572 --> 00:36:36,306 COMPETITION VERSUS FOOTBALL? 1223 00:36:36,306 --> 00:36:39,042 >> THERE'S NOT 300-POUND LINEMAN 1224 00:36:39,042 --> 00:36:40,810 CHASING AFTER ME. 1225 00:36:40,810 --> 00:36:41,211 SO. 1226 00:36:41,211 --> 00:36:43,246 BUT I'VE GOT A GREAT COACH, IT'S 1227 00:36:43,246 --> 00:36:45,782 BEEN A GREAT WEEK. 1228 00:36:45,782 --> 00:36:48,117 WE'RE LOOKING SO FORWARD TO WHAT 1229 00:36:48,117 --> 00:36:49,986 WE CAN DO. 1230 00:36:49,986 --> 00:36:51,554 >> Julianne: YOU MENTIONED THAT 1231 00:36:51,554 --> 00:36:54,757 YOUR MOM IS A BIG FAN, DOES SHE 1232 00:36:54,757 --> 00:36:55,391 HAVE A FAVORITE DANCER? 1233 00:36:55,391 --> 00:36:58,194 >> WHITNEY HAS ALWAYS BEEN HER 1234 00:36:58,194 --> 00:36:59,195 FAVORITE DANCER. 1235 00:36:59,195 --> 00:37:00,763 >> Julianne: LET'S GET YOUR 1236 00:37:00,763 --> 00:37:01,464 SCORES. 1237 00:37:01,464 --> 00:37:07,103 >> Alfonso: CARRIE ANN INABO? 1238 00:37:07,103 --> 00:37:07,403 >> 7. 1239 00:37:07,403 --> 00:37:09,973 >> Alfonso: DEREK HOUGH? 1240 00:37:09,973 --> 00:37:10,273 >> 6. 1241 00:37:10,273 --> 00:37:13,576 >> Alfonso: BRUNO TONIOLI? 1242 00:37:13,576 --> 00:37:13,877 >> 7. 1243 00:37:13,877 --> 00:37:15,478 >> THAT'S 20 OUT OF 30 FOR DANNY 1244 00:37:15,478 --> 00:37:16,312 AND WHITNEY. 1245 00:37:16,312 --> 00:37:17,347 REMEMBER, NO ONE CAN SURVIVE 1246 00:37:17,347 --> 00:37:18,648 NEXT WEEK'S ELIMINATION ON 1247 00:37:18,648 --> 00:37:19,549 JUDGE'S SCORES ALONE. 1248 00:37:19,549 --> 00:37:21,417 YOU AT HOME HAVE TO USE YOUR 1249 00:37:21,417 --> 00:37:21,718 VOTES. 1250 00:37:21,718 --> 00:37:23,419 YOU GET TEN VOTES PER COUPLE PER 1251 00:37:23,419 --> 00:37:24,320 VOTING METHOD. 1252 00:37:24,320 --> 00:37:25,989 AND YOU CAN GIVE THEM ANY WAY 1253 00:37:25,989 --> 00:37:27,590 YOU WANT. 1254 00:37:27,590 --> 00:37:27,924 ALFONSO? 1255 00:37:27,924 --> 00:37:29,125 >> Alfonso: THANKS, JULIANNE. 1256 00:37:29,125 --> 00:37:30,360 TWO WEEKS AGO, OUR 1257 00:37:30,360 --> 00:37:31,361 "BACHELORETTE" FACED HEARTBREAK 1258 00:37:31,361 --> 00:37:32,028 ON LIVE TV AND JUST A FEW HOURS 1259 00:37:32,028 --> 00:37:32,762 LATER, SHE WAS MEETING HER NEW 1260 00:37:32,762 --> 00:37:34,063 PARTNER. 1261 00:37:34,063 --> 00:37:35,165 WITH THE SHORTEST AMOUNT OF TIME 1262 00:37:35,165 --> 00:37:36,032 TO TRAIN, WE'LL SEE HOW JEN TRAN 1263 00:37:36,032 --> 00:37:36,733 DANCING WITH SASHA FARBER, LIVE. 1264 00:37:49,419 --> 00:37:55,177 ♪♪ 1265 00:37:55,177 --> 00:37:56,459 >> Alfonso: WELCOME BACK! 1266 00:37:56,459 --> 00:37:57,327 NEXT UP TONIGHT, A FIVE-TIME 1267 00:37:57,327 --> 00:37:58,027 "NEW YORK TIMES" BEST-SELLING 1268 00:37:58,027 --> 00:38:00,130 AUTHOR, PRODUCER, PODCASTER, AND 1269 00:38:00,130 --> 00:38:01,331 ACTOR WHO IS BEST KNOWN FOR 1270 00:38:01,331 --> 00:38:03,833 PLAYING DONNA MARTIN ON THE HIT 1271 00:38:03,833 --> 00:38:07,070 SHOW "BEVERLY HILLS, 90210." 1272 00:38:07,070 --> 00:38:09,305 IT'S TV ICON, TORI SPELLING AND 1273 00:38:09,305 --> 00:38:11,407 PASHA PASHKOV. 1274 00:38:11,407 --> 00:38:14,310 >> I'M FROM THE MOST FAMOUS ZIP 1275 00:38:14,310 --> 00:38:15,779 CODE IN AMERICA. 1276 00:38:15,779 --> 00:38:16,079 90210. 1277 00:38:16,079 --> 00:38:21,284 I ALWAYS SAY, I AM 50% DONNA, 1278 00:38:21,284 --> 00:38:25,054 50% TORI, I'M JUST A LITTLE MORE 1279 00:38:25,054 --> 00:38:25,488 INAPPROPRIATE. 1280 00:38:25,488 --> 00:38:28,958 I REALLY DON'T HAVE DANCING 1281 00:38:28,958 --> 00:38:29,359 EXPERIENCE. 1282 00:38:29,359 --> 00:38:34,931 SO THIS COULD BE A COMPLETE 1283 00:38:34,931 --> 00:38:36,332 DISASTER. 1284 00:38:36,332 --> 00:38:37,133 >> TORI! 1285 00:38:37,133 --> 00:38:38,835 >> I GOT YOU! 1286 00:38:38,835 --> 00:38:40,770 OH, MY GOD, IT'S PASHA. 1287 00:38:40,770 --> 00:38:42,305 I SECRETLY WANTED HIM. 1288 00:38:42,305 --> 00:38:44,174 >> I PASSED ON THE SHOW 32 1289 00:38:44,174 --> 00:38:44,607 SEASONS. 1290 00:38:44,607 --> 00:38:47,477 >> HOW COME YOU SAID "YES" NOW 1291 00:38:47,477 --> 00:38:47,777 THEN? 1292 00:38:47,777 --> 00:38:49,879 >> LITERALLY, 50 HIT AND MY LIFE 1293 00:38:49,879 --> 00:38:51,648 EXPLODED. 1294 00:38:51,648 --> 00:38:52,315 I'M GOING THROUGH A REALLY 1295 00:38:52,315 --> 00:38:53,049 PUBLIC DIVORCE. 1296 00:38:53,049 --> 00:38:55,185 >> EVERYTHING I THOUGHT I WAS 1297 00:38:55,185 --> 00:38:56,686 HAS BEEN BURNED TO THE GROUND. 1298 00:38:56,686 --> 00:38:59,255 I'M TRYING TO FIND MYSELF AGAIN. 1299 00:38:59,255 --> 00:39:00,623 IN FRONT OF MILLIONS OF PEOPLE. 1300 00:39:00,623 --> 00:39:05,094 >> MY ANTHEM IS "TRUST FALL" BY 1301 00:39:05,094 --> 00:39:05,395 PETE. 1302 00:39:05,395 --> 00:39:09,065 >> NOW WE'RE GOING TO GO INTO 1303 00:39:09,065 --> 00:39:09,532 THE TRUST FALLS. 1304 00:39:09,532 --> 00:39:13,169 >> IF I'M GOING TO FALL, I'M 1305 00:39:13,169 --> 00:39:14,137 GOING TO CATCH MYSELF. 1306 00:39:14,137 --> 00:39:15,371 BECAUSE I TRUST ME. 1307 00:39:15,371 --> 00:39:15,805 >> NAILED. 1308 00:39:15,805 --> 00:39:16,072 IT 1309 00:39:16,072 --> 00:39:18,575 >> REALLY? 1310 00:39:18,575 --> 00:39:19,676 >> Announcer: DANCING THE 1311 00:39:19,676 --> 00:39:20,677 FOXTROT, WITH HER PARTNER 1312 00:39:20,677 --> 00:39:21,211 PASHA PASHKOV, IT'S 1313 00:39:21,211 --> 00:39:27,784 TORI SPELLING. 1314 00:39:27,784 --> 00:39:33,289 ♪ TRUST FALL BABY 1315 00:39:33,289 --> 00:39:34,023 IT'S A TRUST FALL BABY OOH ♪ 1316 00:39:34,023 --> 00:39:34,958 ♪ PICTURE A PLACE 1317 00:39:34,958 --> 00:39:36,459 WHERE IT ALL DOESN'T HURT ♪ 1318 00:39:36,459 --> 00:39:37,327 ♪ WHERE EVERYTHING'S SAFE 1319 00:39:37,327 --> 00:39:42,432 AND IT DOESN'T GET WORSE 1320 00:39:42,432 --> 00:39:43,399 OH MY MY MY MY ♪ 1321 00:39:43,399 --> 00:39:44,467 ♪ WE SEE THROUGH 1322 00:39:44,467 --> 00:39:45,301 BLOODSHOT EYES OOH OOH ♪ 1323 00:39:45,301 --> 00:39:45,802 ♪ WE'VE BEEN 1324 00:39:45,802 --> 00:39:48,671 RUNNING FOR OUR LIVES ♪ 1325 00:39:48,671 --> 00:39:49,138 ♪ WE'VE BEEN 1326 00:39:49,138 --> 00:39:49,772 HIDING FROM THE LIGHT ♪ 1327 00:39:49,772 --> 00:39:53,309 ♪ WE'VE BEEN 1328 00:39:53,309 --> 00:39:59,182 FAR TOO SCARED TO FIGHT 1329 00:39:59,182 --> 00:40:01,284 FOR WHAT WE WANT TONIGHT ♪ 1330 00:40:01,284 --> 00:40:07,090 ♪ CLOSE YOUR EYES 1331 00:40:07,090 --> 00:40:07,757 AND LEAVE IT ALL BEHIND ♪ 1332 00:40:07,757 --> 00:40:09,292 ♪ GO WHERE LOVE 1333 00:40:09,292 --> 00:40:09,826 IS ON OUR SIDE ♪ 1334 00:40:09,826 --> 00:40:13,329 ♪ IT'S A TRUST FALL BABY 1335 00:40:13,329 --> 00:40:15,798 IT'S A TRUST FALL BABY 1336 00:40:15,798 --> 00:40:17,333 WHAT IF WE JUST FALL? ♪ 1337 00:40:17,333 --> 00:40:21,337 ♪ WHAT IF WE JUST FALL? 1338 00:40:21,337 --> 00:40:27,143 WHAT IF WE JUST FALL? ♪ 1339 00:40:27,143 --> 00:40:27,744 [ APPLAUSE ] 1340 00:40:27,744 --> 00:40:33,082 >> Alfonso: TORI AND PASHA WITH 1341 00:40:33,082 --> 00:40:37,754 A WONDERFUL FOXTROT! 1342 00:40:37,754 --> 00:40:38,187 YES! 1343 00:40:38,187 --> 00:40:39,555 OH, SHE LOOKS SO HAPPY. 1344 00:40:39,555 --> 00:40:40,557 SHE'S LOOKING HAPPY. 1345 00:40:40,557 --> 00:40:41,157 THE SMILE IS THERE. 1346 00:40:41,157 --> 00:40:41,624 YOU LOOK HAPPY. 1347 00:40:41,624 --> 00:40:44,294 ALL RIGHT! 1348 00:40:44,294 --> 00:40:45,228 CARRIE ANN? 1349 00:40:45,228 --> 00:40:46,362 TAKE IT AWAY. 1350 00:40:46,362 --> 00:40:49,899 >> TORI, NOW, 50s -- DID YOU SAY 1351 00:40:49,899 --> 00:40:50,233 50? 1352 00:40:50,233 --> 00:40:51,234 >> 51! 1353 00:40:51,234 --> 00:40:53,303 >> 50s IS ALL ABOUT RECLAIMING 1354 00:40:53,303 --> 00:40:55,038 YOUR TRUEST SELF, RIGHT? 1355 00:40:55,038 --> 00:40:56,839 AND I THINK THIS IS DAY ONE OF 1356 00:40:56,839 --> 00:40:57,707 THAT JOURNEY. 1357 00:40:57,707 --> 00:40:59,642 THIS PERFORMANCE, YES, A LITTLE 1358 00:40:59,642 --> 00:41:00,543 SHAKY, A LITTLE VULNERABLE. 1359 00:41:00,543 --> 00:41:02,445 BUT WHAT I SEE YOU DOING IS 1360 00:41:02,445 --> 00:41:03,613 REACHING FOR THAT, AND I KNOW 1361 00:41:03,613 --> 00:41:04,480 YOU CAN DO IT. 1362 00:41:04,480 --> 00:41:07,483 SO STAY IN THERE AND DON'T BE SO 1363 00:41:07,483 --> 00:41:07,784 TIMID. 1364 00:41:07,784 --> 00:41:09,285 WE WANT TO SEE IT ALL. 1365 00:41:09,285 --> 00:41:10,753 >> I'M TRYING! 1366 00:41:10,753 --> 00:41:14,691 I'LL DO IT, I'LL DO IT! 1367 00:41:14,691 --> 00:41:15,024 >> YAY! 1368 00:41:15,024 --> 00:41:15,792 >> Alfonso: LET IT FLY! 1369 00:41:15,792 --> 00:41:17,694 >> THAT SONG IS SO RELEVANT, 1370 00:41:17,694 --> 00:41:18,461 BECAUSE IT'S ABOUT TRUST. 1371 00:41:18,461 --> 00:41:20,163 AND DANCE IS ALL ABOUT TRUST, 1372 00:41:20,163 --> 00:41:21,798 NOT JUST TRUSTING KBRARN, BUT 1373 00:41:21,798 --> 00:41:22,832 REALLY TRUSTING YOURSELF, AND 1374 00:41:22,832 --> 00:41:25,335 KNOWING THAT YOU CAN DO THIS. 1375 00:41:25,335 --> 00:41:26,002 AND YOU KNOW WHAT, YOU CAN. 1376 00:41:26,002 --> 00:41:26,502 YOU REALLY CAN. 1377 00:41:26,502 --> 00:41:27,704 IT DEFINITELY FELT A LITTLE 1378 00:41:27,704 --> 00:41:28,771 STIFF, YOU COULD FEEL THE 1379 00:41:28,771 --> 00:41:29,305 TENSION THERE. 1380 00:41:29,305 --> 00:41:30,473 BUT THERE'S POTENTIAL THERE. 1381 00:41:30,473 --> 00:41:31,641 THERE'S SOME BEAUTIFUL LINES. 1382 00:41:31,641 --> 00:41:33,343 YOU DID THIS OVERSWAY OVER HERE 1383 00:41:33,343 --> 00:41:34,811 WHERE THE LINE WAS BEAUTIFULLY 1384 00:41:34,811 --> 00:41:36,112 POINTED OUT THERE. 1385 00:41:36,112 --> 00:41:36,946 FIND THAT CONSISTENCY 1386 00:41:36,946 --> 00:41:39,782 THROUGHOUT, BUT A GREAT FIRST 1387 00:41:39,782 --> 00:41:40,550 DANCE. 1388 00:41:40,550 --> 00:41:41,284 WELL DONE. 1389 00:41:41,284 --> 00:41:44,554 >> Alfonso: BRUNO? 1390 00:41:44,554 --> 00:41:45,088 >> OH, MY DARLING. 1391 00:41:45,088 --> 00:41:46,756 YOU KNOW, AT THE BEGINNING, ON 1392 00:41:46,756 --> 00:41:49,392 YOUR BACK, FLOATING, FLOWING, AT 1393 00:41:49,392 --> 00:41:49,892 EASE. 1394 00:41:49,892 --> 00:41:51,527 THAT IS A QUALITY OF THE DANCE. 1395 00:41:51,527 --> 00:41:54,297 YOU HAVE TO RETAIN THAT ON THE 1396 00:41:54,297 --> 00:41:55,498 FOXTROT. 1397 00:41:55,498 --> 00:41:58,701 IT IS LIKE ELEGANCE, WEIGHTLESS, 1398 00:41:58,701 --> 00:41:59,035 SMOOTH. 1399 00:41:59,035 --> 00:42:00,536 IS VERY, VERY HARD TO DO, 1400 00:42:00,536 --> 00:42:01,571 ESPECIALLY AS THE FIRST DANCE. 1401 00:42:01,571 --> 00:42:02,605 YOU DID VERY WELL. 1402 00:42:02,605 --> 00:42:04,407 THERE'S A LOT OF WORK TO DO, BUT 1403 00:42:04,407 --> 00:42:05,675 REMEMBER HOW EASY IT IS ON YOUR 1404 00:42:05,675 --> 00:42:06,209 BACK. 1405 00:42:06,209 --> 00:42:08,911 THAT'S THE WAY, YEAH? 1406 00:42:08,911 --> 00:42:09,345 >> THANK YOU! 1407 00:42:09,345 --> 00:42:12,115 >> Alfonso: HEAD ON UP FOR YOUR 1408 00:42:12,115 --> 00:42:12,448 SCORES. 1409 00:42:12,448 --> 00:42:13,116 GREAT JOB. 1410 00:42:13,116 --> 00:42:14,484 IF YOU'VE ALREADY LOST TRACK OF 1411 00:42:14,484 --> 00:42:15,718 WHO'S IN THE LEAD, WE'LL CHECK 1412 00:42:15,718 --> 00:42:17,286 OUT TONIGHT'S JUDGE'S 1413 00:42:17,286 --> 00:42:18,855 LEADERBOARD AFTER THE FIRST FIVE 1414 00:42:18,855 --> 00:42:19,188 COUPLES. 1415 00:42:19,188 --> 00:42:21,257 AT THE TOP, FOR NOW, ARE JOEY 1416 00:42:21,257 --> 00:42:23,659 AND JENNA WITH 21 AND AT THE 1417 00:42:23,659 --> 00:42:24,961 BOTTOM, ALSO FOR NOW, ARE 1418 00:42:24,961 --> 00:42:28,531 REGINALD AND EMMA WITH 16. 1419 00:42:28,531 --> 00:42:29,832 JULIANNE? 1420 00:42:29,832 --> 00:42:31,234 >> Julianne: THANK YOU, ALFONSO. 1421 00:42:31,234 --> 00:42:32,769 THANK YOU FOR THAT REFRESHER. 1422 00:42:32,769 --> 00:42:35,004 CAN I JUST SAY, WATCHING YOU, 1423 00:42:35,004 --> 00:42:36,372 THERE WAS JUST THIS PURE 1424 00:42:36,372 --> 00:42:36,939 CHILDLIKE EXPRESSION. 1425 00:42:36,939 --> 00:42:38,207 THANK YOU SO MUCH FOR JUST DOING 1426 00:42:38,207 --> 00:42:38,508 THAT. 1427 00:42:38,508 --> 00:42:39,809 >> OH, I FOUND HER! 1428 00:42:39,809 --> 00:42:42,812 IT ONLY TOOK ME 51 YEARS! 1429 00:42:42,812 --> 00:42:44,013 >> Julianne: OH, MY GOSH, I LOVE 1430 00:42:44,013 --> 00:42:44,947 THAT ANSWER. 1431 00:42:44,947 --> 00:42:47,050 WELL, HOW NERVOUS WERE YOU GOING 1432 00:42:47,050 --> 00:42:48,751 INTO TONIGHT? 1433 00:42:48,751 --> 00:42:49,752 >> I WAS REALLY NERVOUS. 1434 00:42:49,752 --> 00:42:51,120 I'VE NEVER DONE THIS. 1435 00:42:51,120 --> 00:42:53,089 THIS IS LIKE REALLY OUT MY 1436 00:42:53,089 --> 00:42:53,756 COMFORT ZONE. 1437 00:42:53,756 --> 00:42:55,158 I WAS TERRIFIED, BUT I REALLY 1438 00:42:55,158 --> 00:42:56,292 WENT FOR IT. 1439 00:42:56,292 --> 00:43:00,129 AND I BELIEVED IN MYSELF. 1440 00:43:00,129 --> 00:43:01,230 >> Julianne: WELL, WE FELT THAT. 1441 00:43:01,230 --> 00:43:02,632 LET'S SEE IF THE JUDGES MATCHED 1442 00:43:02,632 --> 00:43:04,767 THAT WITH THEIR SCORES. 1443 00:43:04,767 --> 00:43:08,938 >> Alfonso: CARRIE ANN INABA. 1444 00:43:08,938 --> 00:43:10,073 >> I COULDN'T FIND THE RIGHT 1445 00:43:10,073 --> 00:43:12,542 PADDLE, BUT IT'S A 6. 1446 00:43:12,542 --> 00:43:14,143 >> Alfonso: DEREK HOUGH? 1447 00:43:14,143 --> 00:43:15,144 >> 6. 1448 00:43:15,144 --> 00:43:18,381 >> Alfonso: BRUNO TONIOLI? 1449 00:43:18,381 --> 00:43:18,681 >> 5. 1450 00:43:18,681 --> 00:43:21,184 >> ALL RIGHT. 1451 00:43:21,184 --> 00:43:22,185 >> Julianne: ALL RIGHT, THAT IS 1452 00:43:22,185 --> 00:43:26,055 A 17 OUT OF 30 FOR TORI AND 1453 00:43:26,055 --> 00:43:27,790 PASHA. 1454 00:43:27,790 --> 00:43:28,725 IF YOU WANT OUR 90210 STAR TO 1455 00:43:28,725 --> 00:43:31,360 SURVIVE NEXT WEEK'S ELIMINATION, 1456 00:43:31,360 --> 00:43:32,128 YOU HAVE TO VOTE. 1457 00:43:32,128 --> 00:43:33,896 >> I LOVE THE UPSIDE DOWN 9. 1458 00:43:33,896 --> 00:43:35,731 IT WORKS EVERY TIME. 1459 00:43:35,731 --> 00:43:39,802 HOW'S THIS FOR A TURNAROUND? 1460 00:43:39,802 --> 00:43:42,138 OUR NEXT STAR WENT FROM 1461 00:43:42,138 --> 00:43:44,507 HEARTBREAK TO JOINING OUR CAST 1462 00:43:44,507 --> 00:43:45,108 IN LESS THAN 24 HOURS. 1463 00:43:45,108 --> 00:43:45,808 FROM "THE BACHELORETTE," IT'S 1464 00:43:45,808 --> 00:43:48,678 JENN TRAN AND SASHA FARBER. 1465 00:43:48,678 --> 00:43:52,982 >> MY TIME ON "THE BACHELORETTE" 1466 00:43:52,982 --> 00:43:54,951 DIDN'T END THE WAY I HAD HOPED. 1467 00:43:54,951 --> 00:43:57,053 I FLOOIT FELT LIKE MY HEART WAS 1468 00:43:57,053 --> 00:43:58,321 GETTING RIPPED OUT OF MY CHEST. 1469 00:43:58,321 --> 00:44:00,223 BUT AS ONE DOOR CLOSES, ANOTHER 1470 00:44:00,223 --> 00:44:00,757 ONE OPENS. 1471 00:44:00,757 --> 00:44:02,258 ALMOST IMMEDIATELY AFTER I GOT 1472 00:44:02,258 --> 00:44:05,328 OFF THE STAGE, I MET SASHA AT 1473 00:44:05,328 --> 00:44:07,897 THE AIRPORT, WENT TO GOOD 1474 00:44:07,897 --> 00:44:09,765 MORNING AMERICA. 1475 00:44:09,765 --> 00:44:13,402 >> SASHA AND BACHELORETTE JEN 1476 00:44:13,402 --> 00:44:13,703 TRAN. 1477 00:44:13,703 --> 00:44:15,505 NOW I'M HERE WITH A LITTLE BIT 1478 00:44:15,505 --> 00:44:16,472 OF VENGEANCE. 1479 00:44:16,472 --> 00:44:18,207 >> WELCOME TO YOUR FIRST DANCE 1480 00:44:18,207 --> 00:44:18,574 REHEARSAL. 1481 00:44:18,574 --> 00:44:20,543 HOW ARE YOU DOING? 1482 00:44:20,543 --> 00:44:22,779 >> BEING ON THE SET OF "DANCING 1483 00:44:22,779 --> 00:44:24,280 WITH THE STARS" IS COMING AT THE 1484 00:44:24,280 --> 00:44:25,715 MOST PERFECT TIME IN MY LIFE. 1485 00:44:25,715 --> 00:44:26,682 I WANT TO POUR INTO MYSELF AND 1486 00:44:26,682 --> 00:44:27,650 NOT GIVE TO A MAN. 1487 00:44:27,650 --> 00:44:28,885 >> SO, CHA-CHA. 1488 00:44:28,885 --> 00:44:30,186 >> I WANT TO BE INDEPENDENT. 1489 00:44:30,186 --> 00:44:31,053 >> GO, ONE. 1490 00:44:31,053 --> 00:44:32,522 >> OH, THAT'S TOO COMPLICATED. 1491 00:44:32,522 --> 00:44:34,524 >> I TOOK ONE BALLROOM DANCING 1492 00:44:34,524 --> 00:44:35,458 CLASS IN COLLEGE. 1493 00:44:35,458 --> 00:44:36,959 >> TAP, TAP, FORWARD FAST. 1494 00:44:36,959 --> 00:44:38,795 >> AND SINCE THEN, NOTHING. 1495 00:44:38,795 --> 00:44:41,097 "FLOWERS" BY MILEY CYRUS IS THE 1496 00:44:41,097 --> 00:44:42,165 PERFECT ANTHEM FOR THIS MOMENT. 1497 00:44:42,165 --> 00:44:43,166 >> I CAN DO IT! 1498 00:44:43,166 --> 00:44:44,000 >> YEAH, YOU CAN. 1499 00:44:44,000 --> 00:44:45,334 >> I WANT TO BE ABLE TO POUR 1500 00:44:45,334 --> 00:44:46,869 EVERYTHING INTO THIS AND FEEL 1501 00:44:46,869 --> 00:44:48,738 LIKE I REALLY LEFT IT ALL OUT 1502 00:44:48,738 --> 00:44:49,038 THERE. 1503 00:44:49,038 --> 00:44:51,807 IT'S GOING TO BE EMPOWERING. 1504 00:44:51,807 --> 00:44:53,009 >> YEAH, BABY. 1505 00:44:53,009 --> 00:44:53,609 >> Announcer: DANCING THE 1506 00:44:53,609 --> 00:44:54,243 CHA-CHA, WITH HER PARTNER 1507 00:44:54,243 --> 00:45:01,284 SASHA FARBER, IT'S JENN TRAN. 1508 00:45:01,284 --> 00:45:03,786 ♪ WE WERE GOOD 1509 00:45:03,786 --> 00:45:05,288 WE WERE GOLD ♪ 1510 00:45:05,288 --> 00:45:08,257 ♪ KINDA DREAM 1511 00:45:08,257 --> 00:45:09,292 THAT CAN'T BE SOLD ♪ 1512 00:45:09,292 --> 00:45:13,329 ♪ WE WERE RIGHT 1513 00:45:13,329 --> 00:45:13,863 'TIL WE WEREN'T ♪ 1514 00:45:13,863 --> 00:45:15,665 ♪ BUILT A HOME 1515 00:45:15,665 --> 00:45:16,199 AND WATCHED IT BURN 1516 00:45:16,199 --> 00:45:17,266 BURN BURN ♪ 1517 00:45:17,266 --> 00:45:17,833 ♪ MM I DIDN'T WANNA 1518 00:45:17,833 --> 00:45:19,902 LEAVE YOU 1519 00:45:19,902 --> 00:45:20,503 I DIDN'T WANNA LIE ♪ 1520 00:45:20,503 --> 00:45:21,304 ♪ STARTED TO CRY 1521 00:45:21,304 --> 00:45:24,207 BUT THEN REMEMBERED I 1522 00:45:24,207 --> 00:45:33,282 I CAN BUY MYSELF FLOWERS ♪ 1523 00:45:33,282 --> 00:45:33,983 ♪ WRITE MY NAME IN THE SAND 1524 00:45:33,983 --> 00:45:36,219 TALK TO MYSELF FOR HOURS ♪ 1525 00:45:36,219 --> 00:45:37,286 ♪ SAY THINGS 1526 00:45:37,286 --> 00:45:45,328 YOU DON'T UNDERSTAND ♪ 1527 00:45:45,328 --> 00:45:54,737 ♪ I CAN TAKE MYSELF DANCING 1528 00:45:54,737 --> 00:45:56,272 AND I CAN HOLD MY OWN HAND ♪ 1529 00:45:56,272 --> 00:45:56,973 ♪ YEAH I CAN LOVE ME BETTER 1530 00:45:56,973 --> 00:45:57,473 THAN YOU CAN ♪ 1531 00:45:57,473 --> 00:45:58,407 ♪ AHHHH 1532 00:45:58,407 --> 00:46:01,277 CAN LOVE ME BETTER 1533 00:46:01,277 --> 00:46:03,012 I CAN LOVE ME BETTER BABY ♪ 1534 00:46:03,012 --> 00:46:03,412 [ APPLAUSE ] 1535 00:46:03,412 --> 00:46:04,146 >> Alfonso: JENN AND SASHA WITH 1536 00:46:04,146 --> 00:46:05,281 A CHA-CHA TO HER PERSONAL 1537 00:46:05,281 --> 00:46:09,585 ANTHEM. 1538 00:46:09,585 --> 00:46:09,885 YEAH! 1539 00:46:09,885 --> 00:46:13,289 YOU GOT THOSE FLOWERS, GIRL! 1540 00:46:13,289 --> 00:46:13,723 >> THANK YOU. 1541 00:46:13,723 --> 00:46:15,424 >> Alfonso: YES, YOU DO. 1542 00:46:15,424 --> 00:46:15,758 HOTNESS! 1543 00:46:15,758 --> 00:46:17,126 ALL RIGHT, DEREK, TAKE IT AWAY. 1544 00:46:17,126 --> 00:46:18,761 >> LISTEN, FORGET ABOUT THE 1545 00:46:18,761 --> 00:46:19,996 BACHELORETTE, BECAUSE YOU FOUND 1546 00:46:19,996 --> 00:46:20,997 YOUR PERFECT MATCH RIGHT HERE 1547 00:46:20,997 --> 00:46:21,831 WITH SASHA. 1548 00:46:21,831 --> 00:46:25,268 I'LL TELL YOU WHAT! 1549 00:46:25,268 --> 00:46:26,636 Y'ALL ARE LIKE ADORABLE. 1550 00:46:26,636 --> 00:46:27,270 I LOVE IT! 1551 00:46:27,270 --> 00:46:28,604 >> PUT US ON A CAKE. 1552 00:46:28,604 --> 00:46:30,873 >> LISTEN, YOU HAVE SO MUCH 1553 00:46:30,873 --> 00:46:31,240 POTENTIAL. 1554 00:46:31,240 --> 00:46:32,775 I SEE ALL THE BEAUTIFUL LINES, 1555 00:46:32,775 --> 00:46:33,309 THE LEGS. 1556 00:46:33,309 --> 00:46:35,544 WE NEED TO WORK ON STRAIGHTENING 1557 00:46:35,544 --> 00:46:37,280 THEM A LITTLE BIT, EXTENDING THE 1558 00:46:37,280 --> 00:46:39,515 ARMS, A LITTLE BIT MORE 1559 00:46:39,515 --> 00:46:39,882 STRENGTH. 1560 00:46:39,882 --> 00:46:41,584 GOT A LITTLE AHEAD OF THE MUSIC. 1561 00:46:41,584 --> 00:46:44,887 BUT I'M BEING PICKY. 1562 00:46:44,887 --> 00:46:46,322 REALLY GREAT FIRST DANCE. 1563 00:46:46,322 --> 00:46:49,025 >> Alfonso: REALLY, REALLY GOOD. 1564 00:46:49,025 --> 00:46:51,360 >> BRUNO, MY LOVE, YOU'RE 1565 00:46:51,360 --> 00:46:52,895 BLOSSOMING IN FRONT OF US. 1566 00:46:52,895 --> 00:46:55,464 IT HAD ALL THE QUALITY OF THE 1567 00:46:55,464 --> 00:46:56,732 CHA-CHA-CHA, BRIGHT, LIVELY, 1568 00:46:56,732 --> 00:46:57,033 HAPPY. 1569 00:46:57,033 --> 00:46:58,134 YOU HAVE A NATURAL SENSE OF 1570 00:46:58,134 --> 00:46:59,235 MUSIC, WHICH IS GREAT. 1571 00:46:59,235 --> 00:47:00,503 HE'S ABSOLUTELY RIGHT, YOU JUST 1572 00:47:00,503 --> 00:47:01,904 NEED TO WORK ON THE FOOT 1573 00:47:01,904 --> 00:47:02,271 PLACEMENT. 1574 00:47:02,271 --> 00:47:04,073 ONCE YOU GET THAT RIGHT, ALL THE 1575 00:47:04,073 --> 00:47:05,374 CORRECT ACTION WILL HAPPEN 1576 00:47:05,374 --> 00:47:05,741 NATURALLY. 1577 00:47:05,741 --> 00:47:08,711 BUT I TELL YOU, I LOVED IT. 1578 00:47:08,711 --> 00:47:09,278 GREAT JOB. 1579 00:47:09,278 --> 00:47:10,646 >> Alfonso: AWESOME, AWESOME. 1580 00:47:10,646 --> 00:47:11,414 CARRIE ANN? 1581 00:47:11,414 --> 00:47:13,816 >> AS A PERFORMANCE, THAT WAS SO 1582 00:47:13,816 --> 00:47:14,250 ENTERTAINING. 1583 00:47:14,250 --> 00:47:15,818 I LOVED EVERY MINUTE OF IT. 1584 00:47:15,818 --> 00:47:18,020 I THINK WHAT I LIKED IS THAT YOU 1585 00:47:18,020 --> 00:47:19,588 HAVE ALL OF THESE QUALITIES, 1586 00:47:19,588 --> 00:47:20,823 LIKE, YOU'RE SNATCHED AND THEN 1587 00:47:20,823 --> 00:47:21,290 YOU'RE RAW. 1588 00:47:21,290 --> 00:47:22,892 I LIKE THAT. 1589 00:47:22,892 --> 00:47:24,293 THAT'S GOING TO WORK REALLY 1590 00:47:24,293 --> 00:47:24,593 WELL. 1591 00:47:24,593 --> 00:47:27,496 WE'VE GOT TWO HOTTIES TONIGHT! 1592 00:47:27,496 --> 00:47:29,365 >> HOTTIES! 1593 00:47:29,365 --> 00:47:30,933 >> Alfonso: WELL, TAKE Y'ALL 1594 00:47:30,933 --> 00:47:32,902 HOTTIES UP TO JULIANNE FOR YOUR 1595 00:47:32,902 --> 00:47:33,235 SCORES. 1596 00:47:33,235 --> 00:47:34,904 REMEMBER TO TEXT THE FIRST NAME 1597 00:47:34,904 --> 00:47:37,306 OF YOUR FAVORITE STARS TO THE 1598 00:47:37,306 --> 00:47:38,975 NUMBER 21253. 1599 00:47:38,975 --> 00:47:39,809 AND YOU CAN ALSO VOTE AT 1600 00:47:39,809 --> 00:47:40,509 ABC.COM. 1601 00:47:40,509 --> 00:47:41,277 YOU GET TEN VOTES PER COUPLE, 1602 00:47:41,277 --> 00:47:41,977 PER METHOD, AND VOTING CLOSES 1603 00:47:41,977 --> 00:47:42,712 SHORTLY AFTER THE FINAL DANCE OF 1604 00:47:42,712 --> 00:47:44,113 THE NIGHT. 1605 00:47:44,113 --> 00:47:45,281 JULIANNE. 1606 00:47:45,281 --> 00:47:47,483 >> Julianne: THANKS, ALFONSO. 1607 00:47:47,483 --> 00:47:48,551 OH, MY GOODNESS! 1608 00:47:48,551 --> 00:47:51,020 I JUST LOVE YOU TWO. 1609 00:47:51,020 --> 00:47:53,222 OKAY, LET ME GET MY BEARINGS 1610 00:47:53,222 --> 00:47:53,522 HERE. 1611 00:47:53,522 --> 00:47:55,057 YOUR LIFE HAS CHANGED SO MUCH 1612 00:47:55,057 --> 00:47:57,126 OVER THE LAST FEW WEEKS. 1613 00:47:57,126 --> 00:47:57,793 >> YEAH. 1614 00:47:57,793 --> 00:48:01,530 >> Julianne: HOW ARE YOU FEELING 1615 00:48:01,530 --> 00:48:02,598 RIGHT NOW? 1616 00:48:02,598 --> 00:48:06,235 >> I'M JUST FEELING SO, SO 1617 00:48:06,235 --> 00:48:06,969 GRATEFUL TO BE HERE AND HAVE 1618 00:48:06,969 --> 00:48:09,839 HONESTLY THE BEST PARTNER 1619 00:48:09,839 --> 00:48:10,206 POSSIBLE. 1620 00:48:10,206 --> 00:48:10,940 HE'S BEEN LIFTING ME UP IN EVERY 1621 00:48:10,940 --> 00:48:11,374 CORNER HE CAN. 1622 00:48:11,374 --> 00:48:12,141 AND IT'S BEEN TRULY AMAZING TO 1623 00:48:12,141 --> 00:48:13,743 HAVE SUCH A BEST FRIEND ALREADY. 1624 00:48:13,743 --> 00:48:14,610 >> Julianne: YOU CAN FEEL IT. 1625 00:48:14,610 --> 00:48:15,311 YOU CAN SEE IT. 1626 00:48:15,311 --> 00:48:17,646 I LOVE THIS PARTNERSHIP. 1627 00:48:17,646 --> 00:48:19,448 SO, THIS IS CRAZY TO ME, BUT I 1628 00:48:19,448 --> 00:48:20,516 HEAR YOU HAVE STAGE FRIGHT. 1629 00:48:20,516 --> 00:48:23,386 HOW ARE YOU DEALING WITH THAT 1630 00:48:23,386 --> 00:48:23,719 TONIGHT? 1631 00:48:23,719 --> 00:48:25,321 >> I BLACKED OUT. 1632 00:48:25,321 --> 00:48:27,556 I DON'T KNOW WHAT HAPPENED. 1633 00:48:27,556 --> 00:48:29,291 THAT'S HOW I'M DEALING WITH IT. 1634 00:48:29,291 --> 00:48:30,126 I'M BLACKING OUT. 1635 00:48:30,126 --> 00:48:31,660 >> Julianne: LET'S SEE WHAT YOUR 1636 00:48:31,660 --> 00:48:32,161 SCORES ARE. 1637 00:48:32,161 --> 00:48:37,299 >> Alfonso: CARRIE ANN INABA? 1638 00:48:37,299 --> 00:48:37,600 >> 7. 1639 00:48:37,600 --> 00:48:41,237 >> Alfonso: DEREK HOUGH? 1640 00:48:41,237 --> 00:48:41,704 >> 6. 1641 00:48:41,704 --> 00:48:43,439 >> THAT IS A 19 OUT OF 30 FOR 1642 00:48:43,439 --> 00:48:44,473 JEN AND SASHA. 1643 00:48:44,473 --> 00:48:46,876 THEY WANT YOU TO USE UP EVERY 1644 00:48:46,876 --> 00:48:50,246 VOTE YOU CAN, EVERY WAY YOU CAN. 1645 00:48:50,246 --> 00:48:50,646 ALFONSO? 1646 00:48:50,646 --> 00:48:51,447 >> Alfonso: THANKS, JULIANNE. 1647 00:48:51,447 --> 00:48:52,815 THERE ARE MORE STARS ON THE WAY, 1648 00:48:52,815 --> 00:48:54,583 DWIGHT HOWARD, ERIC ROBERTS, ANA 1649 00:49:05,602 --> 00:49:12,141 ♪♪ 1650 00:49:12,141 --> 00:49:13,087 >> Alfonso: WELCOME BACK TO OUR 1651 00:49:13,087 --> 00:49:13,554 SEASON PREMIERE. 1652 00:49:13,554 --> 00:49:16,357 OUR NEXT STAR IS KNOWN AS TABBY 1653 00:49:16,357 --> 00:49:22,830 IN "PRETTY LITTLE LIARS" AND 1654 00:49:22,830 --> 00:49:26,033 WILLA THE WEREWOLF IN THE 1655 00:49:26,033 --> 00:49:29,036 DISNEY'S "ZOMBIES" FRANCHISE. 1656 00:49:29,036 --> 00:49:29,770 >> Julianne: A WEREWOLF IN THE 1657 00:49:29,770 --> 00:49:30,438 BALLROOM AND IT'S NOT EVEN 1658 00:49:30,438 --> 00:49:30,871 HALLOWEEN YET. 1659 00:49:30,871 --> 00:49:31,238 I LOVE IT. 1660 00:49:31,238 --> 00:49:31,972 IT'S TV STAR CHANDLER KINNEY AND 1661 00:49:31,972 --> 00:49:34,108 BRANDON ARMSTRONG. 1662 00:49:34,108 --> 00:49:37,611 >> MOST PEOPLE WOULD KNOW ME 1663 00:49:37,611 --> 00:49:38,412 FROM "PRETTY LITTLE LIARS" AND 1664 00:49:38,412 --> 00:49:40,448 DISNEY'S FRANCHISE, "ZOMBIES." 1665 00:49:40,448 --> 00:49:43,117 DANCE WAS ALWAYS MY FIRST LOVE. 1666 00:49:43,117 --> 00:49:44,652 I'VE NEVER BEEN BALLROOM BEFORE, 1667 00:49:44,652 --> 00:49:49,090 BUT ONCE A DANCER, ALWAYS A 1668 00:49:49,090 --> 00:49:50,891 DANCER. 1669 00:49:50,891 --> 00:49:51,258 AHH! 1670 00:49:51,258 --> 00:49:52,860 >> OH, MY GOSH! 1671 00:49:52,860 --> 00:49:54,361 >> I'M SO EXCITED TO BE PAIRED 1672 00:49:54,361 --> 00:49:55,129 WITH BRANDON. 1673 00:49:55,129 --> 00:49:56,363 WE ARE GOING TO HAVE SOME GREAT 1674 00:49:56,363 --> 00:49:56,931 VIBES GOING. 1675 00:49:56,931 --> 00:49:58,732 >> WHAT GOT YOU INTERESTED IN 1676 00:49:58,732 --> 00:49:59,366 "DANCING WITH THE STARS"? 1677 00:49:59,366 --> 00:50:00,835 >> WHEN I WAS 9 YEARS OLD, I 1678 00:50:00,835 --> 00:50:02,803 ENDED UP DOING A DANCER 1679 00:50:02,803 --> 00:50:05,039 COMMERCIAL, THAT WENT LIKE WENT 1680 00:50:05,039 --> 00:50:06,207 VIRAL. 1681 00:50:06,207 --> 00:50:08,375 I GOT REALLY LUCKY AND ACTING 1682 00:50:08,375 --> 00:50:09,043 JUST TOOK OFF. 1683 00:50:09,043 --> 00:50:10,010 BEING ON "DANCING WITH THE 1684 00:50:10,010 --> 00:50:11,645 STARS" IS GOING TO ANSWER THAT 1685 00:50:11,645 --> 00:50:14,381 "WHAT IF YOU KEPT DANCING?" 1686 00:50:14,381 --> 00:50:16,884 >> YOU'LL TAKE THIS ELBOW AND 1687 00:50:16,884 --> 00:50:18,853 MAKE IT ALMOST STRAIGHT. 1688 00:50:18,853 --> 00:50:20,254 IN THE TANGO, THE FRAME IS LONG 1689 00:50:20,254 --> 00:50:21,055 AND ANGULAR. 1690 00:50:21,055 --> 00:50:23,090 DANCERS WITH LONG ARMS CAN 1691 00:50:23,090 --> 00:50:23,457 STRUGGLE. 1692 00:50:23,457 --> 00:50:24,692 >> I'M NOT DOING THAT RIGHT. 1693 00:50:24,692 --> 00:50:26,193 THE WORLD OF BALLROOM IS VERY 1694 00:50:26,193 --> 00:50:27,194 INTIMIDATING TO ME. 1695 00:50:27,194 --> 00:50:29,029 I JUST HOPE I DON'T TRIP AND RUN 1696 00:50:29,029 --> 00:50:29,563 OFF INTO THE WINGS. 1697 00:50:29,563 --> 00:50:33,067 THAT'S THE WORST-CASE SCENARIO. 1698 00:50:33,067 --> 00:50:34,301 >> Announcer: DANCING THE TANGO 1699 00:50:34,301 --> 00:50:35,903 WITH HER PARTNER 1700 00:50:35,903 --> 00:50:37,071 BRANDON ARMSTRONG, IT'S 1701 00:50:37,071 --> 00:50:41,075 CHANDLER KINNEY. 1702 00:50:41,075 --> 00:50:43,310 ♪ FIVE SIX 1703 00:50:43,310 --> 00:50:43,944 FIVE SIX SEVEN EIGHT ♪ 1704 00:50:43,944 --> 00:50:45,012 ♪ I COULD BE THE ONE 1705 00:50:45,012 --> 00:50:47,515 OR YOUR NEW ADDICTION ♪ 1706 00:50:47,515 --> 00:50:49,116 ♪ IT'S ALL IN MY HEAD 1707 00:50:49,116 --> 00:50:52,820 BUT I WANT NON-FICTION ♪ 1708 00:50:52,820 --> 00:50:53,487 ♪ I DON'T WANT THE WORLD 1709 00:50:53,487 --> 00:50:55,556 BUT I'LL TAKE THIS CITY ♪ 1710 00:50:55,556 --> 00:50:57,091 ♪ WHO CAN BLAME A GIRL 1711 00:50:57,091 --> 00:50:58,626 CALL ME HOT NOT PRETTY ♪ 1712 00:50:58,626 --> 00:50:59,593 ♪ BABY DO YOU 1713 00:50:59,593 --> 00:51:01,061 LIKE THIS BEAT? 1714 00:51:01,061 --> 00:51:01,595 LA LA LA LA LA ♪ 1715 00:51:01,595 --> 00:51:02,329 ♪ I MADE IT SO 1716 00:51:02,329 --> 00:51:04,865 YOU'D DANCE WITH ME 1717 00:51:04,865 --> 00:51:05,399 LA LA LA LA LA ♪ 1718 00:51:05,399 --> 00:51:06,500 ♪ IT'S LIKE 1719 00:51:06,500 --> 00:51:07,201 A HUNDRED NINETY-NINE DEGREES 1720 00:51:07,201 --> 00:51:08,102 LA LA LA LA LA ♪ 1721 00:51:08,102 --> 00:51:09,036 ♪ WHEN YOU'RE 1722 00:51:09,036 --> 00:51:09,670 DOING IT WITH ME 1723 00:51:09,670 --> 00:51:13,040 DOING IT WITH ME ♪ 1724 00:51:13,040 --> 00:51:14,909 ♪ H-O-T-T-O-G-O 1725 00:51:14,909 --> 00:51:15,976 SNAP N' CLAP N' 1726 00:51:15,976 --> 00:51:17,077 TOUCH YOUR TOES ♪ 1727 00:51:17,077 --> 00:51:19,113 ♪ RAISE YOUR HANDS 1728 00:51:19,113 --> 00:51:19,613 NOW BODY ROLL ♪ 1729 00:51:19,613 --> 00:51:20,114 ♪ DANCE IT OUT 1730 00:51:20,114 --> 00:51:25,085 YOU'RE HOT TO GO ♪ 1731 00:51:25,085 --> 00:51:30,191 ♪ H-O-T-T-O-G-O 1732 00:51:30,191 --> 00:51:30,658 SNAP N' CLAP N' 1733 00:51:30,658 --> 00:51:31,592 TOUCH YOUR TOES ♪ 1734 00:51:31,592 --> 00:51:32,860 ♪ RAISE YOUR HANDS 1735 00:51:32,860 --> 00:51:33,260 NOW BODY ROLL 1736 00:51:33,260 --> 00:51:34,461 H-O-T-T-O-G-O ♪ 1737 00:51:34,461 --> 00:51:35,462 ♪ H-O-T-T-O-G-O 1738 00:51:35,462 --> 00:51:36,530 YOU CAN TAKE ME HOT TO GO ♪ 1739 00:51:36,530 --> 00:51:37,064 ♪ H-O-T-T-O-G-O 1740 00:51:37,064 --> 00:51:40,768 YOU CAN TAKE ME HOT TO GO ♪ 1741 00:51:40,768 --> 00:51:41,168 [ APPLAUSE ] 1742 00:51:41,168 --> 00:51:43,571 >> Alfonso: CHANDLER AND BRANDON 1743 00:51:43,571 --> 00:51:48,609 WITH A "HOT TO GO" TANGO. 1744 00:51:48,609 --> 00:51:48,876 YES! 1745 00:51:48,876 --> 00:51:49,276 BEAUTIFUL! 1746 00:51:49,276 --> 00:51:49,844 YOU DID IT! 1747 00:51:49,844 --> 00:51:53,047 YOU DID IT! 1748 00:51:53,047 --> 00:52:01,088 BRUNO, YOU GO FIRST? 1749 00:52:01,088 --> 00:52:05,759 >> WHAT ARE YOU DOING TO ME? 1750 00:52:05,759 --> 00:52:07,962 YOU'VE GOT TO BE KIDDING ME. 1751 00:52:07,962 --> 00:52:11,632 FIRST LINE, FIRST SHAPE, THEN IS 1752 00:52:11,632 --> 00:52:15,970 NAOMI AT HER BEST! 1753 00:52:15,970 --> 00:52:19,306 TAKING ON THIS TANGO ON WEEK 1754 00:52:19,306 --> 00:52:20,908 ONE, I'VE DONE THIS SHOW FOR A 1755 00:52:20,908 --> 00:52:21,809 VERY LONG TIME. 1756 00:52:21,809 --> 00:52:26,380 OH, MY GOD, IT WAS ONE OF THE 1757 00:52:26,380 --> 00:52:26,680 BEST. 1758 00:52:26,680 --> 00:52:28,582 >> THANK YOU! 1759 00:52:28,582 --> 00:52:30,084 OH, THERE'S A LITTLE BIT? 1760 00:52:30,084 --> 00:52:31,952 >> Alfonso: OKAY, CARRIE ANN? 1761 00:52:31,952 --> 00:52:37,091 >> TWO CAN PLAY AT THAT GAME, 1762 00:52:37,091 --> 00:52:39,226 BRUNO! 1763 00:52:39,226 --> 00:52:39,994 THAT WAS AMAZING! 1764 00:52:39,994 --> 00:52:41,562 YOU HAVE SET THE STANDARD FOR 1765 00:52:41,562 --> 00:52:42,463 SEASON 33. 1766 00:52:42,463 --> 00:52:44,765 YOU GUYS, THAT IS THE STANDARD! 1767 00:52:44,765 --> 00:52:47,368 THAT'S WHAT WE WANT TO SEE! 1768 00:52:47,368 --> 00:52:50,237 SHE HAS SET THE BAR SO HIGH. 1769 00:52:50,237 --> 00:52:51,238 YOU ARE A BEAUTIFUL DANCER. 1770 00:52:51,238 --> 00:52:52,606 BRING IT ON. 1771 00:52:52,606 --> 00:52:53,140 I WANT MORE. 1772 00:52:53,140 --> 00:52:55,075 >> THANK YOU. 1773 00:52:55,075 --> 00:52:56,110 I'LL TRY! 1774 00:52:56,110 --> 00:52:57,378 >> Alfonso: DEREK? 1775 00:52:57,378 --> 00:53:03,517 >> I WAS JUST, H-O-T-T-O-G-O! 1776 00:53:03,517 --> 00:53:04,518 THAT WAS SO HOT. 1777 00:53:04,518 --> 00:53:05,753 IT WAS INCREDIBLE. 1778 00:53:05,753 --> 00:53:07,688 LIKE HE SAID, THE FINESSE, THE 1779 00:53:07,688 --> 00:53:09,089 ELEGANCE IN THE NECKLINE, THE 1780 00:53:09,089 --> 00:53:10,791 FRAME, THE EASE IN WHICH YOU 1781 00:53:10,791 --> 00:53:11,091 MOVED. 1782 00:53:11,091 --> 00:53:12,693 IF THIS IS THE BEGINNING, I AM 1783 00:53:12,693 --> 00:53:14,461 SCARED TO SEE WHAT YOU HAVE 1784 00:53:14,461 --> 00:53:16,363 NEXT, BECAUSE YOU HAVE SO MUCH 1785 00:53:16,363 --> 00:53:16,730 POTENTIAL. 1786 00:53:16,730 --> 00:53:19,266 I WILL SAY THIS, FOR TANGO, I'M 1787 00:53:19,266 --> 00:53:20,934 GOING TO LITTLE STICKLER, IN 1788 00:53:20,934 --> 00:53:22,503 GENERAL, IN ALL THE TANGOS THAT 1789 00:53:22,503 --> 00:53:24,371 I'VE SEEN, GET A LITTLE BIT 1790 00:53:24,371 --> 00:53:27,608 LOWER IN THOSE LEGS. 1791 00:53:27,608 --> 00:53:28,342 AND LISTEN, BECAUSE YOU CAN -- 1792 00:53:28,342 --> 00:53:29,576 YOU ARE A SUPERSTAR. 1793 00:53:29,576 --> 00:53:31,178 YOU'RE A SUPERSTAR! 1794 00:53:31,178 --> 00:53:31,779 >> Alfonso: ALL RIGHT. 1795 00:53:31,779 --> 00:53:32,479 WE KNEW IT. 1796 00:53:32,479 --> 00:53:35,082 HEAD ON UP TO JULIANNE FOR YOUR 1797 00:53:35,082 --> 00:53:35,416 SCORES! 1798 00:53:35,416 --> 00:53:36,383 I'VE TAKEN ON WARDROBE. 1799 00:53:36,383 --> 00:53:37,551 AND LET'S KEEP THE APPLAUSE 1800 00:53:37,551 --> 00:53:40,054 GOING FOR THE TALENTED FOLKS ON 1801 00:53:40,054 --> 00:53:41,121 OUR BRAND-NEW BANDSTANDS. 1802 00:53:41,121 --> 00:53:45,926 OUR SINGERS, OUR BAND AND 1803 00:53:45,926 --> 00:53:49,163 MUSICAL DIRECTOR, IT'S RAY CHEW 1804 00:53:49,163 --> 00:53:49,563 LIVE. 1805 00:53:49,563 --> 00:53:51,065 IT'S GREAT TO HAVE YOU OUT 1806 00:53:51,065 --> 00:53:51,498 FRONT, RAY. 1807 00:53:51,498 --> 00:53:51,865 JULIANNE. 1808 00:53:51,865 --> 00:53:54,368 >> Julianne: THANKS, ALFONSO. 1809 00:53:54,368 --> 00:53:56,337 WE ARE GETTING HOT UP HERE. 1810 00:53:56,337 --> 00:53:57,004 WOW! 1811 00:53:57,004 --> 00:53:58,205 CHANDLER, YOU SAID THAT DANCE 1812 00:53:58,205 --> 00:53:59,740 HAS BEEN YOUR FIRST LOVE, BUT 1813 00:53:59,740 --> 00:54:02,609 YOU HAVEN'T DANCED IN MANY, MANY 1814 00:54:02,609 --> 00:54:02,910 YEARS. 1815 00:54:02,910 --> 00:54:03,610 HOW ARE YOU FEELING TONIGHT? 1816 00:54:03,610 --> 00:54:04,745 >> IT'S BEEN OVER TEN YEARS 1817 00:54:04,745 --> 00:54:06,113 SINCE I'VE LIKE PROPERLY DANCED 1818 00:54:06,113 --> 00:54:07,047 LIKE THAT. 1819 00:54:07,047 --> 00:54:09,450 SO I JUST FEEL ELATED AND SO 1820 00:54:09,450 --> 00:54:10,250 OVERWHELMED WITH GRATITUDE THAT 1821 00:54:10,250 --> 00:54:13,087 I GET TO BE IN THIS BALLROOM. 1822 00:54:13,087 --> 00:54:15,856 I GREW UP WATCHING THE SHOW, SO 1823 00:54:15,856 --> 00:54:19,860 IT'S SURREAL, IT'S SURREAL. 1824 00:54:19,860 --> 00:54:20,627 >> Julianne: YOU DEFINITELY SET 1825 00:54:20,627 --> 00:54:21,562 THE STANDARD LIKE THE JUDGES 1826 00:54:21,562 --> 00:54:23,063 SAID, SO LET'S SEE WHAT THAT 1827 00:54:23,063 --> 00:54:25,065 STANDARD LOOKS LIKE WITH YOUR 1828 00:54:25,065 --> 00:54:25,566 SCORES. 1829 00:54:25,566 --> 00:54:29,036 >> Alfonso: CARRIE ANN INABA? 1830 00:54:29,036 --> 00:54:30,571 >> AMAZING! 1831 00:54:30,571 --> 00:54:30,804 8. 1832 00:54:30,804 --> 00:54:32,306 >> Alfonso: DEREK HOUGH? 1833 00:54:32,306 --> 00:54:34,174 >> 7. 1834 00:54:34,174 --> 00:54:35,109 >> Alfonso: BRUNO TONIOLI? 1835 00:54:35,109 --> 00:54:35,509 >> 8. 1836 00:54:35,509 --> 00:54:37,378 >> THAT IS A 23 OUT OF 30 FOR 1837 00:54:37,378 --> 00:54:38,479 CHANDLER AND BRANDON! 1838 00:54:38,479 --> 00:54:40,614 THAT MEANS YOU'RE AT THE TOP OF 1839 00:54:40,614 --> 00:54:41,348 THE LEADERBOARD. 1840 00:54:41,348 --> 00:54:42,216 HOW ARE YOU FEELING RIGHT NOW? 1841 00:54:42,216 --> 00:54:43,851 >> LIKE I NEED TO CATCH MY 1842 00:54:43,851 --> 00:54:44,351 BREATH. 1843 00:54:44,351 --> 00:54:45,819 BUT, WOW, I'M LIKE -- I FEEL 1844 00:54:45,819 --> 00:54:47,187 LIKE I'M ON CLOUD NINE. 1845 00:54:47,187 --> 00:54:48,288 THIS IS JUST SO INCREDIBLE. 1846 00:54:48,288 --> 00:54:49,156 I'M SO GRATEFUL. 1847 00:54:49,156 --> 00:54:51,792 THIS IS SUCH A BEAUTIFUL NIGHT. 1848 00:54:51,792 --> 00:54:52,960 >> Julianne: IT REALLY IS. 1849 00:54:52,960 --> 00:54:54,595 YOU ALL GET TEN VOTES PER 1850 00:54:54,595 --> 00:54:55,396 COUPLE, PER VOTING METHOD AND 1851 00:54:55,396 --> 00:54:56,530 YOU CAN SPREAD THEM OUT, HOWEVER 1852 00:54:56,530 --> 00:54:56,897 YOU LIKE. 1853 00:54:56,897 --> 00:54:57,231 ALFONSO? 1854 00:54:57,231 --> 00:54:58,699 >> Alfonso: THANKS, JULIANNE. 1855 00:54:58,699 --> 00:54:59,767 ONE OF THE GREATEST PLAYERS IN 1856 00:54:59,767 --> 00:55:00,467 THE NBA, DWIGHT HOWARD, WILL 1857 00:55:00,467 --> 00:55:01,201 BREAK OUT HIS SALSA SKILLS WITH 1858 00:55:01,201 --> 00:55:01,835 DANIELLA KARAGACH NEXT, LIVE. 1859 00:55:20,432 --> 00:55:21,194 >> Alfonso: WELCOME BACK. 1860 00:55:21,194 --> 00:55:23,829 NEXT UP, ONE OF THE GREATEST 1861 00:55:23,829 --> 00:55:25,898 DEFENSIVE PLAYERS OF THE MODERN 1862 00:55:25,898 --> 00:55:28,067 ERA AND ONE OF THE TALLEST STARS 1863 00:55:28,067 --> 00:55:30,136 TO COMPETE ON OUR SHOW. 1864 00:55:30,136 --> 00:55:31,704 AT 6'11", IT'S NBA ALL-STAR 1865 00:55:31,704 --> 00:55:34,340 DWIGHT HOWARD WITH 5'3" 1866 00:55:34,340 --> 00:55:41,480 DANIELLA KARAGACH. 1867 00:55:41,480 --> 00:55:43,416 >> SUPERMAN IS IN THE BUILDING! 1868 00:55:43,416 --> 00:55:45,551 I'M AN EIGHT-TIME NBA ALL-STAR 1869 00:55:45,551 --> 00:55:47,420 AND A THREE-TIME DEFENSIVE 1870 00:55:47,420 --> 00:55:48,754 PLAYER OF THE YEAR. 1871 00:55:48,754 --> 00:55:49,622 LET'S GET THIS SLAM DUNK! 1872 00:55:49,622 --> 00:55:54,493 BOOM! 1873 00:55:54,493 --> 00:55:55,928 >> OH, MY GOD! 1874 00:55:55,928 --> 00:56:00,199 YEAH, YOU GOT TO GIVE ME A HIGH 1875 00:56:00,199 --> 00:56:00,533 FIVE. 1876 00:56:00,533 --> 00:56:01,400 >> OH, MY GOD! 1877 00:56:01,400 --> 00:56:06,439 OH, MY GOSH. 1878 00:56:06,439 --> 00:56:07,240 HE IS SO TALL. 1879 00:56:07,240 --> 00:56:07,974 >> HOW TALL ARE YOU? 1880 00:56:07,974 --> 00:56:09,075 >> 6' 11. 1881 00:56:09,075 --> 00:56:10,810 >> YOU ARE SO [ BLEEP ] TALL! 1882 00:56:10,810 --> 00:56:12,011 THIS IS GOING TO BE THE HARDEST 1883 00:56:12,011 --> 00:56:14,113 CHALLENGE I THINK I'VE EVER HAD 1884 00:56:14,113 --> 00:56:14,947 ON THE SHOW. 1885 00:56:14,947 --> 00:56:16,182 WHY DO YOU WANT TO DO THE SHOW? 1886 00:56:16,182 --> 00:56:17,183 >> MY FAMILY. 1887 00:56:17,183 --> 00:56:18,250 THEY'RE ALWAYS TELLING ME, YOU 1888 00:56:18,250 --> 00:56:19,252 SHOULD DO "DANCING WITH THE 1889 00:56:19,252 --> 00:56:19,585 STARS". 1890 00:56:19,585 --> 00:56:20,553 >> THAT'S AMAZING. 1891 00:56:20,553 --> 00:56:22,121 >> I'VE BEEN LOOKING FOR THIS 1892 00:56:22,121 --> 00:56:23,656 OPPORTUNITY FOR YEARS, AND IT'S 1893 00:56:23,656 --> 00:56:24,323 FINALLY HERE. 1894 00:56:24,323 --> 00:56:26,058 >> THERE'S NO WAY WE CAN DO THIS 1895 00:56:26,058 --> 00:56:28,828 THE TRADITIONAL WAY. 1896 00:56:28,828 --> 00:56:29,562 YOU'RE GOING TO BE BENT KNEE AND 1897 00:56:29,562 --> 00:56:30,529 I'M GOING TO BE STRETCHING AS 1898 00:56:30,529 --> 00:56:34,700 HIGH AS I CAN GO. 1899 00:56:34,700 --> 00:56:39,205 >> I'M DANI'S BIGGEST PARTNER. 1900 00:56:39,205 --> 00:56:40,239 BUT TO OVERCOME THIS 1901 00:56:40,239 --> 00:56:40,640 CHALLENGE -- 1902 00:56:40,640 --> 00:56:41,073 >> STAY LOW. 1903 00:56:41,073 --> 00:56:42,074 >> TRUST DANI'S MOVEMENTS. 1904 00:56:42,074 --> 00:56:42,775 >> AND JUST GO OUT THERE AND 1905 00:56:42,775 --> 00:56:43,976 HAVE FUN. 1906 00:56:43,976 --> 00:56:45,211 >> Announcer: DANCING THE SALSA 1907 00:56:45,211 --> 00:56:45,711 WITH HIS PARTNER 1908 00:56:45,711 --> 00:56:47,113 DANIELLA KARAGACH, IT'S 1909 00:56:47,113 --> 00:56:53,953 DWIGHT HOWARD. 1910 00:56:53,953 --> 00:56:54,587 ♪ THIS IS HOW WE DO IT 1911 00:56:54,587 --> 00:56:58,224 THIS IS HOW WE DO IT 1912 00:56:58,224 --> 00:57:00,326 A LA LA LA LA DA DOW ♪ 1913 00:57:00,326 --> 00:57:04,030 ♪ THIS IS HOW WE DO IT ♪ 1914 00:57:04,030 --> 00:57:05,598 ♪ IT'S FRIDAY NIGHT 1915 00:57:05,598 --> 00:57:11,037 AND I FEEL ALRIGHT ♪ 1916 00:57:11,037 --> 00:57:11,604 ♪ THE PARTY IS HERE 1917 00:57:11,604 --> 00:57:12,438 ON THE WEST SIDE ♪ 1918 00:57:12,438 --> 00:57:13,472 ♪ SO I REACH FOR MY 40 1919 00:57:13,472 --> 00:57:21,414 AND I TURN IT UP ♪ 1920 00:57:21,414 --> 00:57:21,981 ♪ DESIGNATED DRIVER 1921 00:57:21,981 --> 00:57:22,682 TAKE THE KEYS TO MY TRUCK ♪ 1922 00:57:22,682 --> 00:57:23,182 ♪ HIT THE 'SHAW 1923 00:57:23,182 --> 00:57:24,016 'CAUSE I'M FADED ♪ 1924 00:57:24,016 --> 00:57:24,717 ♪ HONEYS IN THE STREET SAY 1925 00:57:24,717 --> 00:57:25,584 MONTY YO WE MADE IT ♪ 1926 00:57:25,584 --> 00:57:26,652 ♪ IT FEELS SO GOOD 1927 00:57:26,652 --> 00:57:34,060 IN MY HOOD TONIGHT ♪ 1928 00:57:34,060 --> 00:57:34,694 ♪ THE SUMMERTIME SKIRTS 1929 00:57:34,694 --> 00:57:35,628 AND THE GUYS IN KANI ♪ 1930 00:57:35,628 --> 00:57:36,262 ♪ ALL THE GANG BANGERS 1931 00:57:36,262 --> 00:57:36,962 FORGOT ABOUT THE DRIVE-BY ♪ 1932 00:57:36,962 --> 00:57:37,763 ♪ YOU GOTTA GET 1933 00:57:37,763 --> 00:57:38,264 YOUR GROOVE ON 1934 00:57:38,264 --> 00:57:39,332 BEFORE YOU GO GET PAID ♪ 1935 00:57:39,332 --> 00:57:39,932 ♪ SO TIP UP YOUR CUP 1936 00:57:39,932 --> 00:57:40,599 AND THROW YOUR HANDS UP ♪ 1937 00:57:40,599 --> 00:57:41,434 ♪ AND LET ME HEAR 1938 00:57:41,434 --> 00:57:42,468 THE PARTY SAY ♪ 1939 00:57:42,468 --> 00:57:45,104 ♪ I'M KINDA BUZZED 1940 00:57:45,104 --> 00:57:45,638 AND IT'S ALL BECAUSE 1941 00:57:45,638 --> 00:57:47,707 THIS IS HOW WE DO IT ♪ 1942 00:57:47,707 --> 00:57:49,608 ♪ SOUTH CENTRAL DOES IT 1943 00:57:49,608 --> 00:57:51,444 LIKE NOBODY DOES 1944 00:57:51,444 --> 00:57:54,613 THIS IS HOW WE DO IT ♪ 1945 00:57:54,613 --> 00:57:55,214 ♪ TO ALL MY NEIGHBORS 1946 00:57:55,214 --> 00:57:56,182 YOU GOT MUCH FLAVOR 1947 00:57:56,182 --> 00:57:56,816 THIS IS HOW WE DO IT ♪ 1948 00:57:56,816 --> 00:57:57,450 ♪ LET'S FLIP THE TRACK 1949 00:57:57,450 --> 00:57:58,284 BRING THE OLD SCHOOL BACK 1950 00:57:58,284 --> 00:57:59,285 THIS IS HOW WE DO IT ♪ 1951 00:57:59,285 --> 00:58:01,087 [ APPLAUSE ] 1952 00:58:01,087 --> 00:58:01,821 >> Alfonso: DWIGHT AND DANIELLA, 1953 00:58:01,821 --> 00:58:06,926 THAT'S HOW THEY DO A SALSA. 1954 00:58:06,926 --> 00:58:10,763 HE'S GOT EVERYBODY ON THEIR 1955 00:58:10,763 --> 00:58:12,865 FEET! 1956 00:58:12,865 --> 00:58:15,701 YEAH, FROM NOW ON, THAT'S HOW 1957 00:58:15,701 --> 00:58:16,335 YOU SALSA! 1958 00:58:16,335 --> 00:58:19,038 THAT'S HOW YOU SALSA! 1959 00:58:19,038 --> 00:58:20,639 MY MAN! 1960 00:58:20,639 --> 00:58:21,040 ALL RIGHT. 1961 00:58:21,040 --> 00:58:22,775 ALL RIGHT, LISTEN, CARRIE ANN, 1962 00:58:22,775 --> 00:58:25,244 TALK TO THE ADULT IN THE ROOM. 1963 00:58:25,244 --> 00:58:31,917 >> NOW, THAT IS HOW YOU DO IT! 1964 00:58:31,917 --> 00:58:32,251 OKAY. 1965 00:58:32,251 --> 00:58:33,719 I MIGHT HAVE SPOKEN A LITTLE 1966 00:58:33,719 --> 00:58:34,887 EARLY ABOUT CHANDLER. 1967 00:58:34,887 --> 00:58:36,555 CHANDLER, THAT WAS AMAZING, BUT 1968 00:58:36,555 --> 00:58:39,992 ALSO, THIS WAS -- I MEAN, WHAT?! 1969 00:58:39,992 --> 00:58:40,326 WHAT?! 1970 00:58:40,326 --> 00:58:41,560 I WOULD SAY, WHAT?! 1971 00:58:41,560 --> 00:58:42,895 IT'S MORE THAN JUST LIFTS, IT'S 1972 00:58:42,895 --> 00:58:44,730 THE GROOVE, IT'S THE HOW YOU SET 1973 00:58:44,730 --> 00:58:47,133 THIS HOUSE ON FIRE! 1974 00:58:47,133 --> 00:58:53,639 THAT IS WHAT I WANT! 1975 00:58:53,639 --> 00:58:54,540 YES! 1976 00:58:54,540 --> 00:58:56,342 >> Alfonso: DEREK? 1977 00:58:56,342 --> 00:58:58,310 >> HE'S DOING IT RIGHT, SHE'S 1978 00:58:58,310 --> 00:58:58,978 TAKING FLIGHT. 1979 00:58:58,978 --> 00:59:01,647 IT'S LIKE WATCHING A GIRAFFE AND 1980 00:59:01,647 --> 00:59:02,815 A GAZELLE DANCE TOGETHER. 1981 00:59:02,815 --> 00:59:03,916 BUT HONESTLY, THE HEIGHT 1982 00:59:03,916 --> 00:59:06,152 DIFFERENCE IS BIG, BUT SO IS THE 1983 00:59:06,152 --> 00:59:06,552 PERFORMANCE. 1984 00:59:06,552 --> 00:59:06,986 IT REALLY IS. 1985 00:59:06,986 --> 00:59:08,254 THE PERFORMANCE IS SO BIG. 1986 00:59:08,254 --> 00:59:10,890 THE CHARISMA, THE CHEMISTRY IS 1987 00:59:10,890 --> 00:59:11,657 SO FANTASTIC. 1988 00:59:11,657 --> 00:59:13,225 THAT IS -- DUDE, YOUR ENERGY, 1989 00:59:13,225 --> 00:59:16,095 YOUR SMILE LIGHTS UP THIS ROOM 1990 00:59:16,095 --> 00:59:19,432 LIKE NOBODY. 1991 00:59:19,432 --> 00:59:22,201 UNBELIEVABLE! 1992 00:59:22,201 --> 00:59:24,537 >> THIS IS WHAT WE CALL A TRULY 1993 00:59:24,537 --> 00:59:25,371 SPARKLING DEBUT. 1994 00:59:25,371 --> 00:59:27,239 BECAUSE, YOU HAVE THE EASE OF 1995 00:59:27,239 --> 00:59:28,908 MOVEMENT, OFF GREAT QUALITY 1996 00:59:28,908 --> 00:59:32,278 WITHIN YOURSELF, BUT YOU HAVE A 1997 00:59:32,278 --> 00:59:35,514 NATURAL CONNECTION, AND YOU GOT 1998 00:59:35,514 --> 00:59:38,551 THE MEMO, THAT IS BIGGER THAN 1999 00:59:38,551 --> 00:59:39,185 MINE. 2000 00:59:39,185 --> 00:59:39,985 MUCH BIGGER. 2001 00:59:39,985 --> 00:59:41,587 >> BIGGER'S BETTER. 2002 00:59:41,587 --> 00:59:44,256 >> YEAH, OF COURSE, BIGGER IS 2003 00:59:44,256 --> 00:59:46,992 BETTER! 2004 00:59:46,992 --> 00:59:48,828 >> Alfonso: HEAD UP ON FOR YOUR 2005 00:59:48,828 --> 00:59:49,795 SCORES, Y'ALL. 2006 00:59:49,795 --> 00:59:51,030 AND AS THEY MAKE THEIR WAY TO 2007 00:59:51,030 --> 00:59:53,098 THE SKY BOX, LET'S SEE HOW THEIR 2008 00:59:53,098 --> 00:59:53,866 COMPETITION STACKS UP. 2009 00:59:53,866 --> 00:59:55,701 CURRENTLY AT THE TOP OF THE 2010 00:59:55,701 --> 00:59:56,936 JUDGE'S LEADERBOARD ARE CHANDLER 2011 00:59:56,936 --> 00:59:59,104 AND BRANDON WITH 23, AND AT THE 2012 00:59:59,104 --> 01:00:00,706 BOTTOM WITH REGINALD AND EMMA 2013 01:00:00,706 --> 01:00:01,574 WITH 16. 2014 01:00:01,574 --> 01:00:06,946 LET'S FIND OUT WHERE DWIGHT AND 2015 01:00:06,946 --> 01:00:07,379 DANIELLA LAND. 2016 01:00:07,379 --> 01:00:07,746 JULIANNE? 2017 01:00:07,746 --> 01:00:08,881 >> Julianne: THANKS, ALFONSO. 2018 01:00:08,881 --> 01:00:10,482 OH, MY GOSH, I WANT TO BE THROWN 2019 01:00:10,482 --> 01:00:11,717 AROUND LIKE THAT, DEFINITELY. 2020 01:00:11,717 --> 01:00:13,385 BUT I WANT TO KNOW, WHAT IS THE 2021 01:00:13,385 --> 01:00:15,621 REAL REASON THAT YOU DID 2022 01:00:15,621 --> 01:00:16,255 "DANCING WITH THE STARS"? 2023 01:00:16,255 --> 01:00:18,157 >> OH, LORD! 2024 01:00:18,157 --> 01:00:21,560 I TELL YOU, REALLY, FOR MY SON. 2025 01:00:21,560 --> 01:00:26,565 HE'S HERE IN THE AUDIENCE, TRAY 2026 01:00:26,565 --> 01:00:27,733 HOWARD. 2027 01:00:27,733 --> 01:00:29,635 I ALWAYS TELL HIM, HE CAN DO ALL 2028 01:00:29,635 --> 01:00:34,340 THINGS THROUGH CHRIST, SO MY 2029 01:00:34,340 --> 01:00:35,074 SON, YOU CAN DO EVERYTHING YOU 2030 01:00:35,074 --> 01:00:36,809 PUT YOUR MIND TO. 2031 01:00:36,809 --> 01:00:37,576 >> Julianne: IF THIS IS HOW YOU 2032 01:00:37,576 --> 01:00:39,311 DO IT NOW, I CAN'T WAIT FOR THE 2033 01:00:39,311 --> 01:00:40,112 REST OF THE SEASON. 2034 01:00:40,112 --> 01:00:42,014 BUT LET'S GET YOUR SCORES FIRST. 2035 01:00:42,014 --> 01:00:44,750 >> Alfonso: CARRIE ANN INABA? 2036 01:00:44,750 --> 01:00:45,451 >> 8. 2037 01:00:45,451 --> 01:00:47,620 >> Alfonso: DEREK HOUGH? 2038 01:00:47,620 --> 01:00:49,855 >> 7. 2039 01:00:49,855 --> 01:00:50,623 >> Alfonso: BRUNO TONIOLI? 2040 01:00:50,623 --> 01:00:51,323 >> 7! 2041 01:00:51,323 --> 01:00:53,325 >> ALL RIGHT, THAT IS 22 OUT OF 2042 01:00:53,325 --> 01:00:56,462 30 FOR DWIGHT AND DANIELLE, 2043 01:00:56,462 --> 01:00:57,396 WHICH IS PUTTING YOU BOTH INTO 2044 01:00:57,396 --> 01:00:58,998 SECOND PLACE ON THE LEADERBOARD. 2045 01:00:58,998 --> 01:00:59,999 YOU CAN'T ASSUME ANY OF OUR 2046 01:00:59,999 --> 01:01:01,834 STARS ARE SAFE FROM OUR FIRST 2047 01:01:01,834 --> 01:01:03,068 ELIMINATION OF THE SEASON NEXT 2048 01:01:03,068 --> 01:01:03,435 WEEK. 2049 01:01:03,435 --> 01:01:05,604 THEY ALL NEED YOUR VOTES. 2050 01:01:05,604 --> 01:01:05,938 ALFONSO? 2051 01:01:05,938 --> 01:01:07,573 >> THANKS, JULIANNE. 2052 01:01:07,573 --> 01:01:09,742 STILL AHEAD, PHAEDRA PARKS, 2053 01:01:09,742 --> 01:01:10,809 STEPHEN NEDOROSCIK, AND ANNA 2054 01:01:10,809 --> 01:01:11,877 DELVEY. 2055 01:01:11,877 --> 01:01:13,279 AND NEXT, ERIC ROBERTS IS CAST 2056 01:01:13,279 --> 01:01:14,780 AS A DANCER FOR A CHA-CHA WITH 2057 01:01:14,780 --> 01:01:15,247 BRITT STEWART, LIVE. 2058 01:01:21,947 --> 01:01:28,214 ♪♪ 2059 01:01:28,214 --> 01:01:29,503 >> Alfonso: WELCOME BACK. 2060 01:01:29,503 --> 01:01:31,105 DURING OUR NEXT STAR'S 2061 01:01:31,105 --> 01:01:32,139 FIVE-DECADE CAREER, HE HAS 2062 01:01:32,139 --> 01:01:35,309 APPEARED IN -- GET THIS -- MORE 2063 01:01:35,309 --> 01:01:36,377 THAN 700 FILMS AND TV SHOWS. 2064 01:01:36,377 --> 01:01:38,479 I DON'T KNOW IF I'VE EVEN 2065 01:01:38,479 --> 01:01:42,149 WATCHED 700 FILMS AND TV SHOWS. 2066 01:01:42,149 --> 01:01:43,517 >> Julianne: OH, MY GOODNESS, 2067 01:01:43,517 --> 01:01:45,786 THAT IS A LOT OF BINGING. 2068 01:01:45,786 --> 01:01:47,488 WELL, GET OUT THE POPCORN, 2069 01:01:47,488 --> 01:01:48,722 BECAUSE IT'S ACADEMY AWARD 2070 01:01:48,722 --> 01:01:52,126 NOMINEE ERIC ROBERTS AND BRITT 2071 01:01:52,126 --> 01:01:53,227 STEWART. 2072 01:01:53,227 --> 01:01:54,795 >> WELL, I'M FINALLY HERE. 2073 01:01:54,795 --> 01:01:56,130 I'VE BEEN MAKING MOVIES FOR 45 2074 01:01:56,130 --> 01:01:56,464 YEARS. 2075 01:01:56,464 --> 01:01:58,699 BUT I WAS ASKED TO DO "DANCING 2076 01:01:58,699 --> 01:01:59,900 WITH THE STARS" 19 YEARS AGO. 2077 01:01:59,900 --> 01:02:05,339 ONE DAY I'M FILMING A MOVIE, 2078 01:02:05,339 --> 01:02:07,241 OVERLAPPED, AND I WAS DEVASTATED 2079 01:02:07,241 --> 01:02:08,776 BY THAT BECAUSE I AM SUCH A HUGE 2080 01:02:08,776 --> 01:02:09,410 FAN OF THE SHOW. 2081 01:02:09,410 --> 01:02:11,946 AND I'M READY TO MAKE UP FOR 2082 01:02:11,946 --> 01:02:13,247 LOST TIME. 2083 01:02:13,247 --> 01:02:13,547 WHOA! 2084 01:02:13,547 --> 01:02:14,181 >> HELLO! 2085 01:02:14,181 --> 01:02:15,282 >> OH, MY GOODNESS. 2086 01:02:15,282 --> 01:02:16,317 >> I'M BRITT. 2087 01:02:16,317 --> 01:02:17,885 >> I'M SO GLAD IT'S YOU. 2088 01:02:17,885 --> 01:02:19,120 >> BEFORE WE REALLY GET INTO 2089 01:02:19,120 --> 01:02:20,087 DANCE MOVES, ANYTHING THAT I 2090 01:02:20,087 --> 01:02:20,988 SHOULD KNOW ABOUT? 2091 01:02:20,988 --> 01:02:23,290 >> I HAD AN AUTOMOBILE ACCIDENT. 2092 01:02:23,290 --> 01:02:25,259 WHEN I CAME OUT OF THE COMA, MY 2093 01:02:25,259 --> 01:02:26,961 RIGHT SIDE WAS A QUARTER BEAT 2094 01:02:26,961 --> 01:02:27,294 BEHIND. 2095 01:02:27,294 --> 01:02:27,962 >> A QUARTER BEAT? 2096 01:02:27,962 --> 01:02:29,930 >> A QUARTER BEAT. 2097 01:02:29,930 --> 01:02:31,298 >> NOT A HUGE DEAL. 2098 01:02:31,298 --> 01:02:32,533 >> I'M A LITTLE CONCERNED, 2099 01:02:32,533 --> 01:02:34,034 BECAUSE CHA-CHA IS ONE OF THE 2100 01:02:34,034 --> 01:02:38,205 QUICKEST DANCES. 2101 01:02:38,205 --> 01:02:38,539 CHA-CHA. 2102 01:02:38,539 --> 01:02:39,440 SO KEEPING IN TIME WITH EACH 2103 01:02:39,440 --> 01:02:41,142 OTHER IS GOING TO BE MORE OF A 2104 01:02:41,142 --> 01:02:42,076 CHALLENGE FOR ERIC THAN IT 2105 01:02:42,076 --> 01:02:42,977 USUALLY IS. 2106 01:02:42,977 --> 01:02:43,811 >> THAT WAS SUPER CLOSE. 2107 01:02:43,811 --> 01:02:45,379 >> CLOSE, BUT NO CIGAR. 2108 01:02:45,379 --> 01:02:46,714 >> I'VE BEEN WAITING 19 YEARS 2109 01:02:46,714 --> 01:02:48,148 FOR THIS MOMENT, AND I'M NOT 2110 01:02:48,148 --> 01:02:53,087 GOING TO MESS IT UP, HOPEFULLY. 2111 01:02:53,087 --> 01:02:54,154 >> Announcer: DANCING THE 2112 01:02:54,154 --> 01:02:55,189 CHA-CHA WITH HIS PARTNER 2113 01:02:55,189 --> 01:02:56,790 BRITT STEWART, IT'S 2114 01:02:56,790 --> 01:03:02,029 ERIC ROBERTS. 2115 01:03:02,029 --> 01:03:03,631 ♪ JUST TAKE 2116 01:03:03,631 --> 01:03:05,232 THOSE OLD RECORDS 2117 01:03:05,232 --> 01:03:06,300 OFF THE SHELF ♪ 2118 01:03:06,300 --> 01:03:09,470 ♪ I'LL SIT AND LISTEN 2119 01:03:09,470 --> 01:03:10,037 TO 'EM BY MYSELF ♪ 2120 01:03:10,037 --> 01:03:12,072 ♪ TODAY'S MUSIC 2121 01:03:12,072 --> 01:03:14,208 AIN'T GOT THE SAME SOUL ♪ 2122 01:03:14,208 --> 01:03:18,112 ♪ I LIKE THAT 2123 01:03:18,112 --> 01:03:18,746 OLD-TIME ROCK 'N ROLL ♪ 2124 01:03:18,746 --> 01:03:19,980 ♪ DON'T TRY TO TAKE ME 2125 01:03:19,980 --> 01:03:21,048 TO A DISCO ♪ 2126 01:03:21,048 --> 01:03:22,616 ♪ YOU'LL NEVER EVEN GET ME 2127 01:03:22,616 --> 01:03:25,586 OUT ON THE FLOOR ♪ 2128 01:03:25,586 --> 01:03:31,058 ♪ IN TEN MINUTES 2129 01:03:31,058 --> 01:03:33,160 I'LL BE LATE FOR THE DOOR ♪ 2130 01:03:33,160 --> 01:03:34,228 ♪ I LIKE THAT 2131 01:03:34,228 --> 01:03:47,107 OLD-TIME ROCK 'N ROLL OW ♪ 2132 01:03:47,107 --> 01:03:49,510 ♪ STILL LIKE THAT 2133 01:03:49,510 --> 01:03:50,144 OLD-TIME ROCK 'N ROLL ♪ 2134 01:03:50,144 --> 01:03:52,146 ♪ THAT KIND OF MUSIC 2135 01:03:52,146 --> 01:03:52,780 JUST SOOTHES MY SOUL ♪ 2136 01:03:52,780 --> 01:03:57,384 ♪ I REMINISCE 2137 01:03:57,384 --> 01:03:58,018 ABOUT THE DAYS OF OLD ♪ 2138 01:03:58,018 --> 01:03:58,452 ♪ WITH THAT 2139 01:03:58,452 --> 01:04:07,561 OLD-TIME ROCK 'N ROLL ♪ 2140 01:04:07,561 --> 01:04:08,662 [ APPLAUSE ] 2141 01:04:08,662 --> 01:04:10,264 >> Alfonso: ERIC AND BRITT, 2142 01:04:10,264 --> 01:04:11,298 GIVING US SOME "OLD-TIME ROCK 'N 2143 01:04:11,298 --> 01:04:15,869 ROLL" WITH THEIR CHA-CHA. 2144 01:04:15,869 --> 01:04:16,704 ALL RIGHT! 2145 01:04:16,704 --> 01:04:17,638 ALL RIGHT, ERIC. 2146 01:04:17,638 --> 01:04:20,307 IT'S GOOD, IT'S GOOD. 2147 01:04:20,307 --> 01:04:20,641 DEREK? 2148 01:04:20,641 --> 01:04:22,543 >> ERIC, LISTEN, I KNOW IT TOOK 2149 01:04:22,543 --> 01:04:24,244 US 20 YEARS TO GET YOU, BUT IT'S 2150 01:04:24,244 --> 01:04:26,380 A PLEASURE TO HAVE YOU HERE, 2151 01:04:26,380 --> 01:04:26,680 SIR. 2152 01:04:26,680 --> 01:04:28,282 TO HAVE AN ACTING LEGEND HERE TO 2153 01:04:28,282 --> 01:04:29,450 GRACE OUR FLOOR, THANK YOU SO 2154 01:04:29,450 --> 01:04:29,783 MUCH. 2155 01:04:29,783 --> 01:04:30,117 TRULY. 2156 01:04:30,117 --> 01:04:31,418 FIRST OF ALL, I LOVE THAT SONG. 2157 01:04:31,418 --> 01:04:33,420 MY DAD AND I LOVE THAT SONG, SO 2158 01:04:33,420 --> 01:04:35,256 I WAS FEELING ALL NOSTALGIC. 2159 01:04:35,256 --> 01:04:36,890 IT'S A LITTLE BIT LIKE 2160 01:04:36,890 --> 01:04:38,993 ASSEMBLING IKEA FURNITURE, SOME 2161 01:04:38,993 --> 01:04:40,728 PIECES FIT REALLY NICE, AND SOME 2162 01:04:40,728 --> 01:04:41,962 WAS A BIT OF A PUZZLE. 2163 01:04:41,962 --> 01:04:43,430 BUT OVERALL, YOU BRING YOUR 2164 01:04:43,430 --> 01:04:44,832 SPIRIT, BRING THE SMILE, AND WE 2165 01:04:44,832 --> 01:04:46,200 LOVE TO HAVE YOU HERE, THANK 2166 01:04:46,200 --> 01:04:46,567 YOU. 2167 01:04:46,567 --> 01:04:47,468 >> THANK YOU SO MUCH. 2168 01:04:47,468 --> 01:04:51,105 >> WE ALL LOVE A BIT OF N ROLL, 2169 01:04:51,105 --> 01:04:51,872 DON'T WE! 2170 01:04:51,872 --> 01:04:54,875 WE NEED MORE OF IT. 2171 01:04:54,875 --> 01:04:55,776 AND YOU WERE GOING FOR STORY 2172 01:04:55,776 --> 01:04:56,143 TELLING. 2173 01:04:56,143 --> 01:04:58,312 YOU WERE TALKING IT ALL THE WAY 2174 01:04:58,312 --> 01:04:59,380 THROUGH, WHICH IS VERY GOOD, 2175 01:04:59,380 --> 01:05:00,714 VERY HELPFUL. 2176 01:05:00,714 --> 01:05:02,750 ON THE CHA-CHA-CHA, YOUR WEIGHT 2177 01:05:02,750 --> 01:05:04,118 WAS ALWAYS ON THE BACK, ALWAYS 2178 01:05:04,118 --> 01:05:05,085 ON THE HEEL OF THE FOOT. 2179 01:05:05,085 --> 01:05:07,154 BY DOING SO, IT STOPS YOU DOING 2180 01:05:07,154 --> 01:05:08,689 THE CORRECT ACTION. 2181 01:05:08,689 --> 01:05:11,425 SO GOING FORWARD, YOU KNOW, 2182 01:05:11,425 --> 01:05:13,427 REALLY LISTEN TO WHAT SHE HAS. 2183 01:05:13,427 --> 01:05:16,664 IF YOUR FOOT IS NOT PLACED 2184 01:05:16,664 --> 01:05:18,432 CORRECTLY, THE WHOLE THING FALLS 2185 01:05:18,432 --> 01:05:18,766 APART. 2186 01:05:18,766 --> 01:05:23,003 BUT VERY, VERY GOOD TRY. 2187 01:05:23,003 --> 01:05:23,937 >> Alfonso: CARRIE ANN? 2188 01:05:23,937 --> 01:05:25,172 >> YOU KNOW I HAVE THE UTMOST 2189 01:05:25,172 --> 01:05:26,073 RESPECT FOR YOU. 2190 01:05:26,073 --> 01:05:27,274 YOU ARE ONE OF THE BIGGEST STARS 2191 01:05:27,274 --> 01:05:28,809 WE'VE EVER HAD ON THIS SHOW, TO 2192 01:05:28,809 --> 01:05:29,743 GRACE THIS BALLROOM. 2193 01:05:29,743 --> 01:05:31,378 THANK YOU FOR BEING HERE. 2194 01:05:31,378 --> 01:05:33,113 IT IS LIKE AN HONOR. 2195 01:05:33,113 --> 01:05:36,016 BUT YOU -- I WANT TO SAY, THAT 2196 01:05:36,016 --> 01:05:37,318 ROUTINE WAS SIMPLE AND HONT 2197 01:05:37,318 --> 01:05:38,886 BASIC SIDE, RIGHT, WHICH IS 2198 01:05:38,886 --> 01:05:40,187 ALWAYS FINE. 2199 01:05:40,187 --> 01:05:41,455 BUT BECAUSE THERE ARE ALSO A LOT 2200 01:05:41,455 --> 01:05:44,425 OF MISTAKES, IN JUST THE BASIC, 2201 01:05:44,425 --> 01:05:46,460 I JUST WANT TO WARN YOU, MY 2202 01:05:46,460 --> 01:05:47,895 SCORE MIGHT NOT BE SO GREAT. 2203 01:05:47,895 --> 01:05:49,129 BUT WHAT I WANT TO SAY IS YOU 2204 01:05:49,129 --> 01:05:50,698 ARE A STAR AND IT SHOWED THE 2205 01:05:50,698 --> 01:05:53,334 WHOLE TIME, THE WAY YOU CARRIED 2206 01:05:53,334 --> 01:05:54,835 YOURSELF THROUGH, THE MISTAKES, 2207 01:05:54,835 --> 01:05:56,670 ALL THE WAY THROUGH THE END. 2208 01:05:56,670 --> 01:05:58,772 >> Alfonso: HEAD ON UP TO 2209 01:05:58,772 --> 01:06:00,307 JULIANNE, AND WE'LL CHECK OUT 2210 01:06:00,307 --> 01:06:02,009 OUR ALL-NEW TROUPE. 2211 01:06:02,009 --> 01:06:03,811 YOU'VE ALREADY SEEN THEM IN A 2212 01:06:03,811 --> 01:06:04,745 FEW TIMES TONIGHT. 2213 01:06:04,745 --> 01:06:07,081 AND WE'RE LOOKING FORWARD TO 2214 01:06:07,081 --> 01:06:07,815 SEEING THEIR AMAZING TALENTS ALL 2215 01:06:07,815 --> 01:06:10,284 SEASON. 2216 01:06:10,284 --> 01:06:15,556 KAILYN, ROMAN, STEPHANI, 2217 01:06:15,556 --> 01:06:21,695 MARCQUET. 2218 01:06:21,695 --> 01:06:24,264 >> Julianne: NICE JOB, YOU GUYS! 2219 01:06:24,264 --> 01:06:25,566 WE'LL BE SEEING A LOT MORE OF 2220 01:06:25,566 --> 01:06:26,233 THEM THIS SEASON. 2221 01:06:26,233 --> 01:06:28,335 ALL RIGHT, ERIC AND BRITT, WELL 2222 01:06:28,335 --> 01:06:28,669 DONE. 2223 01:06:28,669 --> 01:06:30,104 YOU FINALLY MADE IT INTO THE 2224 01:06:30,104 --> 01:06:31,238 BALLROOM AFTER 19 YEARS. 2225 01:06:31,238 --> 01:06:33,240 HOW DID IT FEEL? 2226 01:06:33,240 --> 01:06:35,142 >> PETRIFYING. 2227 01:06:35,142 --> 01:06:36,009 >> Julianne: YOU'VE GOT YOUR 2228 01:06:36,009 --> 01:06:37,444 BIGGEST SUPPORT HERE, YOUR WIFE. 2229 01:06:37,444 --> 01:06:39,880 >> I KNOW, MY HERO. 2230 01:06:39,880 --> 01:06:41,915 >> Julianne: WELL, LET'S SEE IF 2231 01:06:41,915 --> 01:06:45,252 YOUR SCORES MATCH HER HEROISM. 2232 01:06:45,252 --> 01:06:48,956 >> OH, OH. 2233 01:06:48,956 --> 01:06:50,891 >> Alfonso: CARRIE ANN INABA? 2234 01:06:50,891 --> 01:06:51,525 >> 5. 2235 01:06:51,525 --> 01:06:52,359 >> Alfonso: DEREK HOUGH? 2236 01:06:52,359 --> 01:06:54,061 >> 5. 2237 01:06:54,061 --> 01:06:56,396 >> Alfonso: BRUNO TONIOLI? 2238 01:06:56,396 --> 01:06:57,064 >> 5! 2239 01:06:57,064 --> 01:06:57,865 >> Julianne: ALL RIGHT. 2240 01:06:57,865 --> 01:06:59,700 THAT'S A 15 OUT OF 30 FOR ERIC 2241 01:06:59,700 --> 01:07:01,502 AND BRITT. 2242 01:07:01,502 --> 01:07:02,903 IF YOU THOUGHT THAT WAS AN 2243 01:07:02,903 --> 01:07:03,670 AWARD-WINNING PERFORMANCE, GRAB 2244 01:07:03,670 --> 01:07:05,005 YOUR PHONE, GET ONLINE AND VOTE 2245 01:07:05,005 --> 01:07:05,672 FOR THEM. 2246 01:07:05,672 --> 01:07:06,006 ALFONSO? 2247 01:07:06,006 --> 01:07:07,674 >> Alfonso: THANKS, JULIANNE. 2248 01:07:07,674 --> 01:07:09,076 OUR NEXT STAR PROMISES TO BRING 2249 01:07:09,076 --> 01:07:10,477 BRAINS, BEAUTY, AND BUSINESS TO 2250 01:07:10,477 --> 01:07:11,512 THE BALLROOM. 2251 01:07:11,512 --> 01:07:12,312 PHAEDRA PARKS GETS THEIR CHANCE 2252 01:07:12,312 --> 01:07:14,481 WHEN SHE AND VAL CHMERKOVSKIY 2253 01:07:14,481 --> 01:07:14,982 DANCE A CHA CHA NEXT. 2254 01:07:29,359 --> 01:07:29,995 >> Alfonso: WELCOME BACK TO OUR 2255 01:07:29,995 --> 01:07:32,098 SEASON PREMIERE. 2256 01:07:32,098 --> 01:07:34,767 NEXT UP, AN ATTORNEY, SOCIAL 2257 01:07:34,767 --> 01:07:36,335 ACTIVIST, BUSINESSWOMAN, AUTHOR, 2258 01:07:36,335 --> 01:07:37,403 TELEVISION PERSONALITY, 2259 01:07:37,403 --> 01:07:39,705 MOTIVATIONAL SPEAKER, AND 2260 01:07:39,705 --> 01:07:40,106 MORTICIAN -- 2261 01:07:40,106 --> 01:07:43,209 MORTICIAN? 2262 01:07:43,209 --> 01:07:47,113 AS IF HER RESUME ISN'T 2263 01:07:47,113 --> 01:07:47,847 IMPRESSIVE ENOUGH, TONIGHT SHE 2264 01:07:47,847 --> 01:07:48,981 ADDS BALLROOM DANCER. 2265 01:07:48,981 --> 01:07:49,548 IT'S REALITY ROYALTY 2266 01:07:49,548 --> 01:07:50,549 PHAEDRA PARKS AND 2267 01:07:50,549 --> 01:07:54,687 VAL CHMERKOVSKIY. 2268 01:07:54,687 --> 01:07:58,858 >> MOST PEOPLE KNOW ME FROM 2269 01:07:58,858 --> 01:08:01,293 "REAL HOUSEWIVES OF ATLANTA" AND 2270 01:08:01,293 --> 01:08:03,629 "THE TRAITORS," BUT I'M ALSO AN 2271 01:08:03,629 --> 01:08:05,297 ATTORNEY, A MOTHER, AUTHOR, AND 2272 01:08:05,297 --> 01:08:06,031 A MORTICIAN. 2273 01:08:06,031 --> 01:08:08,200 MY KIDS ASK ME, WHY WOULD YOU DO 2274 01:08:08,200 --> 01:08:08,834 "DANCING WITH THE STARS"? 2275 01:08:08,834 --> 01:08:09,802 YOU'RE GOING TO MAKE A THE FOOL 2276 01:08:09,802 --> 01:08:10,803 OUT OF YOURSELVES. 2277 01:08:10,803 --> 01:08:14,740 I'M GOING TO PROVE THOSE YOUNG 2278 01:08:14,740 --> 01:08:16,976 MEN WRONG. 2279 01:08:16,976 --> 01:08:18,410 OH, THANK YOU, JESUS. 2280 01:08:18,410 --> 01:08:19,245 HE'S WON NUMEROUS TIMES. 2281 01:08:19,245 --> 01:08:21,647 >> I'M VAL. 2282 01:08:21,647 --> 01:08:22,114 >> I'M PHAEDRA. 2283 01:08:22,114 --> 01:08:24,016 >> I'M IN GOOD HANDS. 2284 01:08:24,016 --> 01:08:25,584 >> NO HOUSEWIFE HAS EVER MADE IT 2285 01:08:25,584 --> 01:08:26,285 TO THE FINALS. 2286 01:08:26,285 --> 01:08:28,120 >> WE'RE GOING TO CHANGE THAT 2287 01:08:28,120 --> 01:08:28,454 CURSE. 2288 01:08:28,454 --> 01:08:29,755 >> CHA-CHA-CHA IS IN THE HIPS. 2289 01:08:29,755 --> 01:08:31,090 >> I TRIED TO COME OUT AND 2290 01:08:31,090 --> 01:08:32,691 SUPPORT A FEW OF MY HOUSEWIVES 2291 01:08:32,691 --> 01:08:34,059 FRIENDS, BUT THEY ALL GET KICKED 2292 01:08:34,059 --> 01:08:36,028 OFF BEFORE I CAN MAKE IT. 2293 01:08:36,028 --> 01:08:37,930 OH, DANG, I CAN HEAR, BUT I'M 2294 01:08:37,930 --> 01:08:38,497 NOT LISTENING. 2295 01:08:38,497 --> 01:08:40,766 >> I CAN SEE THAT SHE'S A 2296 01:08:40,766 --> 01:08:41,133 BEGINNER. 2297 01:08:41,133 --> 01:08:43,536 BUT THERE'S NOTHING MORE 2298 01:08:43,536 --> 01:08:47,473 VALUABLE THAN ENTHUSIASM. 2299 01:08:47,473 --> 01:08:50,042 >> MY ANTHEM IS "I'M EVERY 2300 01:08:50,042 --> 01:08:51,277 WOMAN" BY WHITNEY HOUSTON 2301 01:08:51,277 --> 01:08:52,578 BECAUSE I CAN DO ANYTHING I WANT 2302 01:08:52,578 --> 01:08:52,978 TO DO. 2303 01:08:52,978 --> 01:08:53,846 >> BIG STEPS! 2304 01:08:53,846 --> 01:08:56,348 >> AND I CAN OUTWORK ANYBODY. 2305 01:08:56,348 --> 01:08:57,216 >> LORD, LET ME BE A GOOD 2306 01:08:57,216 --> 01:08:58,884 STUDENT! 2307 01:08:58,884 --> 01:09:00,019 >> Announcer: DANCING THE 2308 01:09:00,019 --> 01:09:00,986 CHA-CHA WITH HER PARTNER 2309 01:09:00,986 --> 01:09:02,521 VAL CHMERKOVSKIY, IT'S 2310 01:09:02,521 --> 01:09:12,631 PHAEDRA PARKS. 2311 01:09:12,631 --> 01:09:18,938 ♪ I'M EVERY WOMAN 2312 01:09:18,938 --> 01:09:20,005 IT'S ALL IN ME ♪ 2313 01:09:20,005 --> 01:09:23,175 ♪ ANYTHING 2314 01:09:23,175 --> 01:09:24,210 YOU WANT DONE BABY 2315 01:09:24,210 --> 01:09:25,277 I'LL DO IT NATURALLY ♪ 2316 01:09:25,277 --> 01:09:31,016 ♪ WHOA OH WHOA OH WHOA ♪ 2317 01:09:31,016 --> 01:09:32,084 ♪ I CAN CAST A SPELL 2318 01:09:32,084 --> 01:09:32,751 SECRETS YOU CAN'T TELL ♪ 2319 01:09:32,751 --> 01:09:35,788 ♪ MIX A SPECIAL BREW 2320 01:09:35,788 --> 01:09:36,822 PUT FIRE INSIDE OF YOU ♪ 2321 01:09:36,822 --> 01:09:37,890 ♪ ANYTIME YOU FEEL 2322 01:09:37,890 --> 01:09:41,594 DANGER OR FEAR ♪ 2323 01:09:41,594 --> 01:09:42,661 ♪ THEN INSTANTLY 2324 01:09:42,661 --> 01:09:52,671 I WILL APPEAR OH ♪ 2325 01:09:52,671 --> 01:09:53,939 ♪ I'M EVERY WOMAN 2326 01:09:53,939 --> 01:09:54,473 IT'S ALL IN ME ♪ 2327 01:09:54,473 --> 01:09:56,075 ♪ I CAN READ 2328 01:09:56,075 --> 01:10:01,580 YOUR THOUGHTS RIGHT NOW 2329 01:10:01,580 --> 01:10:02,214 EVERY ONE, FROM A TO Z ♪ 2330 01:10:02,214 --> 01:10:05,784 ♪ WHOA WHOA WHOA 2331 01:10:05,784 --> 01:10:07,052 WHOA OH WHOA OH WHOA ♪ 2332 01:10:07,052 --> 01:10:08,053 [ APPLAUSE ] 2333 01:10:08,053 --> 01:10:14,226 >> Alfonso: PHAEDRA AND VAL WITH 2334 01:10:14,226 --> 01:10:18,364 A CHA-CHA TO HER ANTHEM. 2335 01:10:18,364 --> 01:10:19,765 >> WONDERFUL! 2336 01:10:19,765 --> 01:10:20,900 YEAH, GIRL! 2337 01:10:20,900 --> 01:10:22,167 YOU GOT THIS? 2338 01:10:22,167 --> 01:10:23,936 ALL RIGHT, BRUNO? 2339 01:10:23,936 --> 01:10:26,372 >> THAT WAS A VERY SEXY 2340 01:10:26,372 --> 01:10:27,373 MORTICIAN HERE! 2341 01:10:27,373 --> 01:10:28,908 OH, MY JOLLY. 2342 01:10:28,908 --> 01:10:30,242 CAN I SENSE ALL THAT FIRE AND 2343 01:10:30,242 --> 01:10:31,510 ALL THAT SPICE. 2344 01:10:31,510 --> 01:10:32,344 YOU'VE GOT IT. 2345 01:10:32,344 --> 01:10:33,979 NOW YOU HAVE TO LEARN TO CONTROL 2346 01:10:33,979 --> 01:10:36,048 IT, BECAUSE YOU WENT WRONG. 2347 01:10:36,048 --> 01:10:38,183 YOU KNOW THAT. 2348 01:10:38,183 --> 01:10:39,585 YOU WENT ON THE WRONG FOOT, YOU 2349 01:10:39,585 --> 01:10:42,321 COVERED -- OH, IT WAS YOU, VAL. 2350 01:10:42,321 --> 01:10:43,822 WHAT A GENTLEMEN. 2351 01:10:43,822 --> 01:10:45,190 WHAT A GENTLEMEN -- BUT DON'T 2352 01:10:45,190 --> 01:10:46,425 LET THAT STOP YOU, BECAUSE YOU 2353 01:10:46,425 --> 01:10:47,626 HAVE ALL THE ELEMENTS. 2354 01:10:47,626 --> 01:10:48,694 YOU CAN SELL IT, YOU HAVE TO 2355 01:10:48,694 --> 01:10:50,696 FOCUS A LITTLE BIT MORE ON THE 2356 01:10:50,696 --> 01:10:52,264 DETAIL, BUT VERY WELL DONE FOR A 2357 01:10:52,264 --> 01:10:53,499 FIRST TIME. 2358 01:10:53,499 --> 01:10:54,266 >> THANK YOU. 2359 01:10:54,266 --> 01:10:55,134 >> Alfonso: BEAUTIFUL. 2360 01:10:55,134 --> 01:10:56,135 CARRIE ANN? 2361 01:10:56,135 --> 01:10:59,471 >> PHAEDRA, I AM GENUINELY 2362 01:10:59,471 --> 01:10:59,905 IMPRESSED. 2363 01:10:59,905 --> 01:11:01,674 THAT WAS A REALLY GREAT 2364 01:11:01,674 --> 01:11:02,074 PERFORMANCE. 2365 01:11:02,074 --> 01:11:03,909 IT HAD ALL THE NUANCES AND ALL 2366 01:11:03,909 --> 01:11:05,711 OF THE DIFFERENT FLAVORS. 2367 01:11:05,711 --> 01:11:07,079 YOU KNOW WHO YOU ARE, AND IT 2368 01:11:07,079 --> 01:11:08,647 COMES OUT IN YOUR DANCE AND I 2369 01:11:08,647 --> 01:11:10,449 CAN APPRECIATE THAT. 2370 01:11:10,449 --> 01:11:11,383 >> Alfonso: ALL RIGHT. 2371 01:11:11,383 --> 01:11:11,717 DEREK? 2372 01:11:11,717 --> 01:11:14,520 >> PHAEDRA, YOU LOOK -- YOU LOOK 2373 01:11:14,520 --> 01:11:14,920 INCREDIBLE. 2374 01:11:14,920 --> 01:11:15,854 YOU LOOK FABULOUS. 2375 01:11:15,854 --> 01:11:18,657 YOU REALLY, TRULY -- OH, MY 2376 01:11:18,657 --> 01:11:19,024 GOODNESS. 2377 01:11:19,024 --> 01:11:20,559 I FEEL LIKE I GOT TO TALK TO YOU 2378 01:11:20,559 --> 01:11:22,528 LIKE THIS, THE WHOLE TIME. 2379 01:11:22,528 --> 01:11:26,732 I JUST FEEL THAT ENERGY BETWEEN 2380 01:11:26,732 --> 01:11:27,066 US! 2381 01:11:27,066 --> 01:11:29,768 >> I'M GETTING DISTRACTED RIGHT 2382 01:11:29,768 --> 01:11:30,102 THERE. 2383 01:11:30,102 --> 01:11:31,337 >> WE'VE GOT TO CLEAN UP THE 2384 01:11:31,337 --> 01:11:32,171 FOOTWORK A LITTLE BIT. 2385 01:11:32,171 --> 01:11:33,539 A LITTLE SLIPPERY OUT THERE 2386 01:11:33,539 --> 01:11:33,872 TONIGHT. 2387 01:11:33,872 --> 01:11:35,507 BUT LISTEN, YOU ARE SUCH A 2388 01:11:35,507 --> 01:11:36,275 PHENOMENAL PERFORMER. 2389 01:11:36,275 --> 01:11:37,142 I CAN'T WAIT TO SEE WHAT YOU 2390 01:11:37,142 --> 01:11:38,577 HAVE IN STORE FOR US NEXT. 2391 01:11:38,577 --> 01:11:39,678 WELL DONE. 2392 01:11:39,678 --> 01:11:40,379 WELL DONE. 2393 01:11:40,379 --> 01:11:41,547 >> Alfonso: HEAD ON UP TO 2394 01:11:41,547 --> 01:11:43,148 JULIANNE FOR YOUR SCORES. 2395 01:11:43,148 --> 01:11:45,317 GREAT JOB. 2396 01:11:45,317 --> 01:11:46,018 STILL TO PERFORM THEIR FIRST 2397 01:11:46,018 --> 01:11:46,652 DANCES OF THE SEASON, TWO 2398 01:11:46,652 --> 01:11:47,386 HEADLINE-MAKING STARS AND THEIR 2399 01:11:47,386 --> 01:11:47,820 PRO PARTNERS. 2400 01:11:47,820 --> 01:11:49,188 OLYMPIC GYMNAST 2401 01:11:49,188 --> 01:11:49,788 STEPHEN NEDOROSCIK AND 2402 01:11:49,788 --> 01:11:52,691 RYLEE ARNOLD, AND SOCIALITE 2403 01:11:52,691 --> 01:11:54,793 ANNA DELVEY AND EZRA SOSA WILL 2404 01:11:54,793 --> 01:11:55,327 CLOSE OUT THE NIGHT. 2405 01:11:55,327 --> 01:12:01,700 JULIANNE. 2406 01:12:01,700 --> 01:12:02,801 ZBLOUL. 2407 01:12:02,801 --> 01:12:03,736 >> Julianne: THANKS, ALFONSO. 2408 01:12:03,736 --> 01:12:04,770 OH, MY GOODNESS, YOU ARE A 2409 01:12:04,770 --> 01:12:05,571 NATURAL PERFORMER. 2410 01:12:05,571 --> 01:12:06,138 COME ON! 2411 01:12:06,138 --> 01:12:07,373 WHAT HAS BEEN THE HARDEST THING 2412 01:12:07,373 --> 01:12:08,240 ABOUT THIS COMPETITION SO FAR? 2413 01:12:08,240 --> 01:12:09,775 >> WELL, I WANT TO MAKE MY 2414 01:12:09,775 --> 01:12:10,776 PARTNER HAPPY. 2415 01:12:10,776 --> 01:12:12,344 HE'S A WINNER AND I MIGHT NOT BE 2416 01:12:12,344 --> 01:12:14,580 THE BEST DANCER, BUT HONEY, MY 2417 01:12:14,580 --> 01:12:18,650 WORK ETHIC IS UNMATCHED. 2418 01:12:18,650 --> 01:12:19,318 >> Julianne: I BELIEVE IT, 2419 01:12:19,318 --> 01:12:20,652 BECAUSE I SAW IT JUST NOW NOW, 2420 01:12:20,652 --> 01:12:24,723 YOU DID A SHOW "TRADERS," WITH 2421 01:12:24,723 --> 01:12:25,691 VAL'S BROTHER, MAX. 2422 01:12:25,691 --> 01:12:29,528 WHO DO YOU LIKE MORE HANGING OUT 2423 01:12:29,528 --> 01:12:29,862 WITH? 2424 01:12:29,862 --> 01:12:32,097 >> I LIKE THEM BOTH, THEY'RE 2425 01:12:32,097 --> 01:12:33,165 LIKE MOTORCYCLES. 2426 01:12:33,165 --> 01:12:40,038 SEXY, FAST, ONE'S A DUCATI AND 2427 01:12:40,038 --> 01:12:41,206 ONE'S A HARLEY. 2428 01:12:41,206 --> 01:12:43,275 SO SMOOTH RIDE VERSUS A -- 2429 01:12:43,275 --> 01:12:44,610 >> Julianne: I CAN'T WAIT TO SEE 2430 01:12:44,610 --> 01:12:45,477 WHICH ONE'S WHICH. 2431 01:12:45,477 --> 01:12:47,346 BUT LET'S GET TO YOUR SCORES 2432 01:12:47,346 --> 01:12:47,713 FIRST. 2433 01:12:47,713 --> 01:12:49,982 >> Alfonso: CARRIE ANN INABA. 2434 01:12:49,982 --> 01:12:52,184 >> 7! 2435 01:12:52,184 --> 01:12:53,752 >> Alfonso: DEREK HOUGH? 2436 01:12:53,752 --> 01:12:54,620 >> 6. 2437 01:12:54,620 --> 01:12:56,388 >> Alfonso: BRUNO TONIOLI? 2438 01:12:56,388 --> 01:12:56,922 >> 6! 2439 01:12:56,922 --> 01:12:58,056 >> Julianne: THAT IS A 19 OUT OF 2440 01:12:58,056 --> 01:13:00,959 30 FOR PHAEDRA AND VAL. 2441 01:13:00,959 --> 01:13:01,560 THE JUDGES HAVE WEIGHED IN ON 2442 01:13:01,560 --> 01:13:02,161 OUR ATTORNEYS' DANCE, NOW IT'S 2443 01:13:02,161 --> 01:13:02,761 YOUR TURN TO RENDER YOUR VERDICT 2444 01:13:02,761 --> 01:13:03,095 WITH YOUR VOTES. 2445 01:13:14,857 --> 01:13:15,785 >> Alfonso: WELCOME BACK. 2446 01:13:15,785 --> 01:13:18,421 JUST TWO MONTHS AGO AT THE PARIS 2447 01:13:18,421 --> 01:13:20,489 OLYMPIC GAMES, OUR NEXT STAR 2448 01:13:20,489 --> 01:13:21,223 CAPTURED HEARTS WHEN HIS SKILLS 2449 01:13:21,223 --> 01:13:23,692 HELPED PROPEL THE U.S. MEN'S 2450 01:13:23,692 --> 01:13:26,829 GYMNASTICS TEAM TO THEIR FIRST 2451 01:13:26,829 --> 01:13:28,431 TEAM MEDAL IN 16 YEARS. 2452 01:13:28,431 --> 01:13:29,465 >> Julianne: TONIGHT, WE'LL FIND 2453 01:13:29,465 --> 01:13:30,199 OUT IF THE "POMMEL HORSE GUY" IS 2454 01:13:30,199 --> 01:13:31,267 A DANCING GUY. 2455 01:13:31,267 --> 01:13:31,834 IT'S OLYMPIC GYMNAST 2456 01:13:31,834 --> 01:13:36,839 STEPHEN NEDOROSCIK AND 2457 01:13:36,839 --> 01:13:39,742 RYLEE ARNOLD. 2458 01:13:39,742 --> 01:13:41,343 >> BEING THE OLYMPIC GAMES WAS A 2459 01:13:41,343 --> 01:13:43,245 DREAM COME TRUE FOR ME AND I'M A 2460 01:13:43,245 --> 01:13:44,713 TWO-TIME OLYMPIC MEDALIST. 2461 01:13:44,713 --> 01:13:46,282 THERE HAVE BEEN A COUPLE OF 2462 01:13:46,282 --> 01:13:48,117 FEMALE GYMNASTS, AND A COUPLE 2463 01:13:48,117 --> 01:13:49,685 WON, BUT I'M THE FIRST MALE HERE 2464 01:13:49,685 --> 01:13:51,954 AND I'M HOPING TO MAKE MY MARK 2465 01:13:51,954 --> 01:13:53,122 THIS SEASON. 2466 01:13:53,122 --> 01:13:53,923 >> I'M STEPHEN. 2467 01:13:53,923 --> 01:13:56,025 >> SO NICE TO MEET YOU! 2468 01:13:56,025 --> 01:13:57,293 >> I'M RYLEE. 2469 01:13:57,293 --> 01:13:59,061 I AM OBSESSED WITH YOU. 2470 01:13:59,061 --> 01:14:00,729 SO BEFORE BECOMING A GYMNAST, 2471 01:14:00,729 --> 01:14:03,165 YOU WENT TO SCHOOL, RIGHT? 2472 01:14:03,165 --> 01:14:06,101 >> I GOT A DEGREE IN ELECTRICAL 2473 01:14:06,101 --> 01:14:06,502 ENGINEERING. 2474 01:14:06,502 --> 01:14:09,738 IT GETS NERDIER, RUBICS CUBE, 2475 01:14:09,738 --> 01:14:10,506 CHESS, GAMING. 2476 01:14:10,506 --> 01:14:12,608 >> HOW QUICKLY CAN YOU DO A 2477 01:14:12,608 --> 01:14:13,175 RUBIK'S CUBE? 2478 01:14:13,175 --> 01:14:15,111 >> MY RECORD IS 8.6 SECONDS. 2479 01:14:15,111 --> 01:14:15,978 >> THAT IS CRAZY. 2480 01:14:15,978 --> 01:14:17,513 >> I'M COUNTING ON MY 2481 01:14:17,513 --> 01:14:19,081 MATHEMATICAL BRAINS TO HELP ME 2482 01:14:19,081 --> 01:14:20,282 REMEMBER THESE DANCE MOVES. 2483 01:14:20,282 --> 01:14:21,417 >> STEPHEN DOESN'T HAVE MUCH 2484 01:14:21,417 --> 01:14:22,718 DANCE EXPERIENCE, SO WE'RE KIND 2485 01:14:22,718 --> 01:14:25,387 OF STARTING FROM THE VERY 2486 01:14:25,387 --> 01:14:25,721 BOTTOM. 2487 01:14:25,721 --> 01:14:26,155 BACK TOGETHER. 2488 01:14:26,155 --> 01:14:26,989 >> MESSED IT UP. 2489 01:14:26,989 --> 01:14:28,190 >> THAT'S OKAY. 2490 01:14:28,190 --> 01:14:30,426 >> IT REMINDS ME OF WHEN I FIRST 2491 01:14:30,426 --> 01:14:32,828 LEARNED HOW TO DO THE RUBIK'S 2492 01:14:32,828 --> 01:14:33,162 CUBE. 2493 01:14:33,162 --> 01:14:34,396 >> STEP SIDE. 2494 01:14:34,396 --> 01:14:35,965 >> IT WAS SUPER TRICKY AT FIRST. 2495 01:14:35,965 --> 01:14:37,566 BUT THEN I MASTERED IT. 2496 01:14:37,566 --> 01:14:39,101 >> HOPEFULLY I CAN MASTER THIS 2497 01:14:39,101 --> 01:14:39,835 DANCE, TOO. 2498 01:14:39,835 --> 01:14:41,770 >> OH, MY GOSH! 2499 01:14:41,770 --> 01:14:42,505 >> Announcer: DANCING THE JIVE, 2500 01:14:42,505 --> 01:14:44,473 WITH HIS PARTNER RYLEE ARNOLD, 2501 01:14:44,473 --> 01:14:49,745 IT'S STEPHEN NEDOROSCIK. 2502 01:14:49,745 --> 01:14:51,347 ♪ DON'T STOP ME NOW 2503 01:14:51,347 --> 01:14:53,149 DON'T STOP ME ♪ 2504 01:14:53,149 --> 01:14:54,016 ♪ 'CAUSE I'M 2505 01:14:54,016 --> 01:14:56,819 HAVING A GOOD TIME 2506 01:14:56,819 --> 01:14:57,419 HAVING A GOOD TIME ♪ 2507 01:14:57,419 --> 01:15:00,823 ♪ I'M A SHOOTING STAR 2508 01:15:00,823 --> 01:15:01,490 LEAPING THROUGH THE SKY ♪ 2509 01:15:01,490 --> 01:15:02,424 LIKE A TIGER ♪ 2510 01:15:02,424 --> 01:15:03,159 ♪ DEFYING THE 2511 01:15:03,159 --> 01:15:03,692 LAWS OF GRAVITY ♪ 2512 01:15:03,692 --> 01:15:05,060 ♪ I'M A RACING CAR 2513 01:15:05,060 --> 01:15:06,128 PASSING BY 2514 01:15:06,128 --> 01:15:07,196 LIKE LADY GODIVA ♪ 2515 01:15:07,196 --> 01:15:10,366 ♪ I'M GONNA GO GO GO 2516 01:15:10,366 --> 01:15:11,433 THERE'S NO STOPPING ME ♪ 2517 01:15:11,433 --> 01:15:12,468 ♪ I'M BURNING 2518 01:15:12,468 --> 01:15:13,502 THROUGH THE SKY YEAH ♪ 2519 01:15:13,502 --> 01:15:14,570 ♪ TWO HUNDRED DEGREES 2520 01:15:14,570 --> 01:15:25,247 THAT'S WHY THEY CALL ME 2521 01:15:25,247 --> 01:15:26,248 MISTER FAHRENHEIT ♪ 2522 01:15:26,248 --> 01:15:26,782 ♪ I'M TRAVELING 2523 01:15:26,782 --> 01:15:27,816 AT THE SPEED OF LIGHT ♪ 2524 01:15:27,816 --> 01:15:28,884 ♪ I WANNA MAKE A 2525 01:15:28,884 --> 01:15:29,952 SUPERSONIC MAN OUT OF YOU ♪ 2526 01:15:29,952 --> 01:15:30,519 ♪ DON'T STOP ME NOW 2527 01:15:30,519 --> 01:15:35,224 I'M HAVING SUCH A GOOD TIME 2528 01:15:35,224 --> 01:15:35,791 I'M HAVING A BALL ♪ 2529 01:15:35,791 --> 01:15:36,358 ♪ DON'T STOP ME NOW 2530 01:15:36,358 --> 01:15:37,293 IF YOU WANNA HAVE A GOOD TIME 2531 01:15:37,293 --> 01:15:42,565 JUST GIVE ME A CALL ♪ 2532 01:15:42,565 --> 01:15:43,132 ♪ DON'T STOP ME NOW 2533 01:15:43,132 --> 01:15:43,766 YES I'M HAVING A GOOD TIME 2534 01:15:43,766 --> 01:15:48,370 I DON'T WANNA STOP AT ALL ♪ 2535 01:15:48,370 --> 01:15:49,405 [ APPLAUSE ] 2536 01:15:49,405 --> 01:15:55,644 >> Alfonso: STEPHEN AND RYLEE, 2537 01:15:55,644 --> 01:15:56,579 YOU CAN'T STOP THEIR JIVE. 2538 01:15:56,579 --> 01:16:00,683 OH, THE BALLROOM IS ON FIRE! 2539 01:16:00,683 --> 01:16:01,016 YES! 2540 01:16:01,016 --> 01:16:02,751 HERE YOU GO, SIR! 2541 01:16:02,751 --> 01:16:04,219 SUCH A BEAUTIFUL JOB. 2542 01:16:04,219 --> 01:16:04,987 >> THANK YOU. 2543 01:16:04,987 --> 01:16:07,289 >> Alfonso: THAT WAS SO AMAZING! 2544 01:16:07,289 --> 01:16:07,623 AMAZING! 2545 01:16:07,623 --> 01:16:11,493 >> CARRIE ANN? 2546 01:16:11,493 --> 01:16:13,395 >> THAT WAS SO FUN! 2547 01:16:13,395 --> 01:16:14,630 YOU ARE SO ENTERTAINING AND SO 2548 01:16:14,630 --> 01:16:15,798 LIGHT ON YOUR FEET. 2549 01:16:15,798 --> 01:16:17,499 LOOK, I MEAN, I HAD A FEELING 2550 01:16:17,499 --> 01:16:19,868 YOU MIGHT BE AGILE AND 2551 01:16:19,868 --> 01:16:20,269 INCREDIBLE. 2552 01:16:20,269 --> 01:16:23,472 THAT -- BUT YOU, SIR, HAVE TO 2553 01:16:23,472 --> 01:16:24,406 POINT THOSE TOES! 2554 01:16:24,406 --> 01:16:25,407 PLEASE, IF YOU'RE GOING TO BE 2555 01:16:25,407 --> 01:16:26,508 THAT GOOD, YOU HAVE TO POINT 2556 01:16:26,508 --> 01:16:28,544 YOUR TOES, BECAUSE IT'S SO 2557 01:16:28,544 --> 01:16:28,944 DISTRACTING. 2558 01:16:28,944 --> 01:16:31,680 IT ALMOST MADE ME LIKE, RAWR! 2559 01:16:31,680 --> 01:16:32,915 BUT WHEN SOMEBODY IS REALLY 2560 01:16:32,915 --> 01:16:33,849 GOOD, AND SOMETHING LIKE THAT 2561 01:16:33,849 --> 01:16:35,918 STANDS OUT, IT STANDS OUT MORE. 2562 01:16:35,918 --> 01:16:37,953 SO WHEN YOU'RE THAT GOOD, THAT 2563 01:16:37,953 --> 01:16:38,754 STANDS OUT. 2564 01:16:38,754 --> 01:16:40,889 AND I WAS LIKE, AHH! 2565 01:16:40,889 --> 01:16:42,825 BUT AMAZING! 2566 01:16:42,825 --> 01:16:43,826 WAY TO GO! 2567 01:16:43,826 --> 01:16:47,563 >> Alfonso: THAT FACE YOU MADE, 2568 01:16:47,563 --> 01:16:47,963 CARRIE ANN! 2569 01:16:47,963 --> 01:16:48,430 THAT SCARED ME! 2570 01:16:48,430 --> 01:16:50,232 ALL RIGHT, DEREK? 2571 01:16:50,232 --> 01:16:51,000 >> FIRST OF ALL, LET'S GIVE IT 2572 01:16:51,000 --> 01:16:55,170 UP FOR THE MEN OF GYMNASTICS! 2573 01:16:55,170 --> 01:16:56,572 LET'S GO, MAN! 2574 01:16:56,572 --> 01:16:57,339 >> WHOO? 2575 01:16:57,339 --> 01:16:58,841 >> THAT JIVE WAS KIND OF LIKE A 2576 01:16:58,841 --> 01:17:00,676 RUBIK'S CUBE, IT HAD A LOT OF 2577 01:17:00,676 --> 01:17:02,011 TWISTS AND TURNS AND COLORFUL 2578 01:17:02,011 --> 01:17:02,544 SURPRISES IN THERE. 2579 01:17:02,544 --> 01:17:04,346 I LOVED THAT YOU USED YOUR 2580 01:17:04,346 --> 01:17:05,314 ATHLETICISM TO SHOW THIS 2581 01:17:05,314 --> 01:17:06,915 AUDIENCE A GREAT TIME. 2582 01:17:06,915 --> 01:17:07,683 THERE IS DEFINITELY SOME 2583 01:17:07,683 --> 01:17:09,118 TECHNIQUE, YOU RUSHED THE 2584 01:17:09,118 --> 01:17:10,519 BEGINNING, THE ADRENALINE WAS 2585 01:17:10,519 --> 01:17:10,853 GOING. 2586 01:17:10,853 --> 01:17:11,920 SLOW DOWN, SLOW DOWN. 2587 01:17:11,920 --> 01:17:18,894 BUT LISTEN, THIS COUPLE, WHOO! 2588 01:17:18,894 --> 01:17:19,728 >> Alfonso: BRUNO? 2589 01:17:19,728 --> 01:17:21,397 >> THIS WAS AN UNSTOPPABLE 2590 01:17:21,397 --> 01:17:22,698 EXPLOSION OF ENERGY! 2591 01:17:22,698 --> 01:17:25,100 YOU WERE BOUNCING OFF THE WALLS. 2592 01:17:25,100 --> 01:17:26,769 NO ONE COULD CATCH YOU! 2593 01:17:26,769 --> 01:17:29,672 I MEAN, COME ON! 2594 01:17:29,672 --> 01:17:34,843 I MEAN, BUT I LOVE THAT ENERGY. 2595 01:17:34,843 --> 01:17:36,345 I LOVE THE INPUT. 2596 01:17:36,345 --> 01:17:37,913 NOW, WORK ON THE DETAILS. 2597 01:17:37,913 --> 01:17:40,349 >> YES, SIR. 2598 01:17:40,349 --> 01:17:41,583 >> DETAIL, DETAILS, DETAILS. 2599 01:17:41,583 --> 01:17:42,184 >> Alfonso: ALL RIGHT. 2600 01:17:42,184 --> 01:17:44,019 HEAD ON UP FOR YOUR SCORES, 2601 01:17:44,019 --> 01:17:44,319 GUYS. 2602 01:17:44,319 --> 01:17:45,220 WHAT A BEAUTIFUL JOB. 2603 01:17:45,220 --> 01:17:47,289 NEXT WEEK, WE'RE PUTTING THE 2604 01:17:47,289 --> 01:17:48,257 ACADEMY AWARDS IN THE SPOTLIGHT 2605 01:17:48,257 --> 01:17:49,358 FOR A SPECTACULAR EVENING OF 2606 01:17:49,358 --> 01:17:51,093 COMPETITION FEATURING 2607 01:17:51,093 --> 01:17:52,294 UNFORGETTABLE HITS FROM THE 2608 01:17:52,294 --> 01:17:52,628 MOVIES. 2609 01:17:52,628 --> 01:17:55,264 IT'S OSCARS NIGHTS AND IT'S LIVE 2610 01:17:55,264 --> 01:18:00,636 TUESDAY AT 8/7:00 CENTRAL ON ABC 2611 01:18:00,636 --> 01:18:01,103 AND DISNEY PLUS. 2612 01:18:01,103 --> 01:18:03,605 >> Jimmy: THANKS, ALFONSO. 2613 01:18:03,605 --> 01:18:07,676 YOU GUYS ARE SO MUCH JOY. 2614 01:18:07,676 --> 01:18:10,979 WHAT IS HARDER? 2615 01:18:10,979 --> 01:18:15,984 POMMELS HORSE, JIVE, RUBIK'S 2616 01:18:15,984 --> 01:18:16,318 CUBE! 2617 01:18:16,318 --> 01:18:18,787 >> IT TOOK ME 20 YEARS TO GET 2618 01:18:18,787 --> 01:18:21,123 GOOD AT THE POMMELS HORSE. 2619 01:18:21,123 --> 01:18:23,025 >> YOU TOOK YOUR GLASSES OFF AT 2620 01:18:23,025 --> 01:18:23,959 THE BEGINNING AND THAT'S WHAT 2621 01:18:23,959 --> 01:18:25,494 YOU DID AT THE OLYMPICS. 2622 01:18:25,494 --> 01:18:27,096 ARE YOU FEELING COMFORTABLE IN 2623 01:18:27,096 --> 01:18:28,263 THE BALLROOM? 2624 01:18:28,263 --> 01:18:29,465 >> I'M FEELING MORE COMFORTABLE 2625 01:18:29,465 --> 01:18:30,833 THAN I EVER HAVE AND IT'S ALL 2626 01:18:30,833 --> 01:18:32,701 THANKS TO THIS GREAT COACH. 2627 01:18:32,701 --> 01:18:33,602 >> Julianne: I'M IN LOVE. 2628 01:18:33,602 --> 01:18:35,938 LET'S GET TO YOUR SCORES. 2629 01:18:35,938 --> 01:18:39,842 >> Alfonso: CARRIE ANN INANBA. 2630 01:18:39,842 --> 01:18:40,576 >> 7. 2631 01:18:40,576 --> 01:18:42,811 >> Alfonso: DEREK HOUGH? 2632 01:18:42,811 --> 01:18:44,580 >> 7. 2633 01:18:44,580 --> 01:18:48,016 >> Alfonso: BRUNO TONIOLI? 2634 01:18:48,016 --> 01:18:49,752 >> 7. 2635 01:18:49,752 --> 01:18:51,153 >> ALL RIGHT, ALFONSO? 2636 01:18:51,153 --> 01:18:52,254 >> Alfonso: THANKS, JULIANNE. 2637 01:18:52,254 --> 01:18:54,089 WHEN WE COME BACK, WE'LL SEE IF 2638 01:18:54,089 --> 01:18:55,391 FASHIONISTA AND ENTREPRENEUR 2639 01:18:55,391 --> 01:18:56,625 ANNA DELVEY CAN CHARM OUR JUDGES 2640 01:18:56,625 --> 01:18:57,659 WHEN SHE DANCES WITH EZRA SOSA, 2641 01:18:57,659 --> 01:18:57,960 LIVE! 2642 01:19:05,893 --> 01:19:12,574 ♪♪ 2643 01:19:12,574 --> 01:19:13,550 >> Alfonso: WE'RE BACK WITH THE 2644 01:19:13,550 --> 01:19:14,184 FINAL DANCE OF OUR SEASON 2645 01:19:14,184 --> 01:19:16,286 PREMIERE, AND THE SOCIALITE 2646 01:19:16,286 --> 01:19:17,554 WHOSE INCREDIBLE STORY CAPTURED 2647 01:19:17,554 --> 01:19:19,456 THE HEADLINES AND INSPIRED A HIT 2648 01:19:19,456 --> 01:19:21,025 STREAMING SERIES. 2649 01:19:21,025 --> 01:19:22,092 >> Julianne: IT'S FASHIONISTA 2650 01:19:22,092 --> 01:19:28,065 AND ENTREPRENEUR ANNA DELVEY AND 2651 01:19:28,065 --> 01:19:30,501 OUR NEW PRO, EZRA SOSA. 2652 01:19:30,501 --> 01:19:32,870 >> I'M ANNA DELVEY AND I'M A NEW 2653 01:19:32,870 --> 01:19:34,471 YORK-BASED FASHIONISTA. 2654 01:19:34,471 --> 01:19:38,342 IN 2017, I WAS ACCUSED OF 2655 01:19:38,342 --> 01:19:39,243 MULTIPLE KINDS OF GRAND LARCENY. 2656 01:19:39,243 --> 01:19:41,478 I DID SERVE MY TIME, AND 2657 01:19:41,478 --> 01:19:42,212 "DANCING WITH THE STARS" IS A 2658 01:19:42,212 --> 01:19:44,114 WAY FOR ME TO SHOW PEOPLE A 2659 01:19:44,114 --> 01:19:45,683 DIFFERENT SIDE OF ME. 2660 01:19:45,683 --> 01:19:46,850 MY PRIOR HISTORY SHOWS I'M 2661 01:19:46,850 --> 01:19:47,851 PRETTY DETERMINED. 2662 01:19:47,851 --> 01:19:49,820 IT'S A GOOD QUALITY TO CHANNEL 2663 01:19:49,820 --> 01:19:53,924 INTO SOMETHING POSITIVE. 2664 01:19:53,924 --> 01:19:56,827 >> WHO'S IT GOING TO BE? 2665 01:19:56,827 --> 01:19:57,528 >> HI! 2666 01:19:57,528 --> 01:19:58,796 >> MY NAME IS EZRA. 2667 01:19:58,796 --> 01:20:00,030 >> NICE TO MEET YOU. 2668 01:20:00,030 --> 01:20:01,198 >> NICE TO MEET YOU. 2669 01:20:01,198 --> 01:20:02,966 >> THERE IS A LOT OF PUBLICITY 2670 01:20:02,966 --> 01:20:04,601 SURROUNDING ANNA, SO THIS IS A 2671 01:20:04,601 --> 01:20:05,536 LOT OF RESPONSIBILITY TO GUIDE 2672 01:20:05,536 --> 01:20:07,771 HER AND HOPEFULLY GIVE HER THAT 2673 01:20:07,771 --> 01:20:08,405 SECOND CHANCE. 2674 01:20:08,405 --> 01:20:09,340 >> WHAT DANCE EXPERIENCE DO YOU 2675 01:20:09,340 --> 01:20:09,673 HAVE? 2676 01:20:09,673 --> 01:20:11,375 >> I DID BALLET BETWEEN THE AGES 2677 01:20:11,375 --> 01:20:14,678 OF 4 AND 12, BUT NOW I WANTED TO 2678 01:20:14,678 --> 01:20:15,446 TRY SOMETHING NEW. 2679 01:20:15,446 --> 01:20:17,047 I HOPE THAT EVERYBODY WHO FEELS 2680 01:20:17,047 --> 01:20:18,282 NEGATIVELY ABOUT ME, THAT THEY 2681 01:20:18,282 --> 01:20:19,516 WILL BE ABLE TO TURN THEIR 2682 01:20:19,516 --> 01:20:21,518 OPINION OF ME AROUND. 2683 01:20:21,518 --> 01:20:23,153 >> CHA-CHA 1, GO. 2684 01:20:23,153 --> 01:20:23,454 TWO. 2685 01:20:23,454 --> 01:20:25,356 >> I AM WEARING AN ANKLE 2686 01:20:25,356 --> 01:20:25,723 BRACELET. 2687 01:20:25,723 --> 01:20:28,258 I OVERSTAYED MY VISA, BECAUSE I 2688 01:20:28,258 --> 01:20:30,427 WAS IN JAIL, SO IT'S HARD TO 2689 01:20:30,427 --> 01:20:30,761 LEAVE. 2690 01:20:30,761 --> 01:20:31,195 >> BACK! 2691 01:20:31,195 --> 01:20:32,996 >> THAT ANKLE MONITOR IS REALLY 2692 01:20:32,996 --> 01:20:33,797 PROHIBITING YOU TODAY. 2693 01:20:33,797 --> 01:20:34,531 >> I KNOW. 2694 01:20:34,531 --> 01:20:37,267 >> I'VE REINVENTED MYSELF MANY 2695 01:20:37,267 --> 01:20:40,003 TIMES, AND THIS TIME I'M GOING 2696 01:20:40,003 --> 01:20:41,338 TO BE A BALLROOM DANCER. 2697 01:20:41,338 --> 01:20:41,972 >> Announcer: DANCING THE 2698 01:20:41,972 --> 01:20:42,706 CHA-CHA WITH HER PARTNER 2699 01:20:42,706 --> 01:20:50,614 EZRA SOSA, IT'S ANNA DELVEY. 2700 01:20:50,614 --> 01:20:51,715 ♪ NOW HE'S THINKIN' 2701 01:20:51,715 --> 01:20:52,750 'BOUT ME EVERY NIGHT OH ♪ 2702 01:20:52,750 --> 01:20:54,351 ♪ IS IT THAT SWEET? 2703 01:20:54,351 --> 01:20:59,623 I GUESS SO ♪ 2704 01:20:59,623 --> 01:21:00,691 ♪ SAY YOU CAN'T SLEEP 2705 01:21:00,691 --> 01:21:01,225 BABY I KNOW 2706 01:21:01,225 --> 01:21:04,027 THAT'S THAT ME ESPRESSO ♪ 2707 01:21:04,027 --> 01:21:04,561 ♪ I CAN'T RELATE 2708 01:21:04,561 --> 01:21:05,429 TO DESPERATION ♪ 2709 01:21:05,429 --> 01:21:06,997 ♪ MY GIVE A DAMNS 2710 01:21:06,997 --> 01:21:09,533 ARE ON VACATION ♪ 2711 01:21:09,533 --> 01:21:10,667 ♪ AND I GOT THIS ONE BOY 2712 01:21:10,667 --> 01:21:15,072 AND HE WON'T STOP CALLING ♪ 2713 01:21:15,072 --> 01:21:16,006 ♪ WHEN THEY ACT THIS WAY 2714 01:21:16,006 --> 01:21:16,974 I KNOW I GOT EM' ♪ 2715 01:21:16,974 --> 01:21:17,508 ♪ TOO BAD YOUR EX 2716 01:21:17,508 --> 01:21:19,076 DON'T DO IT FOR YA ♪ 2717 01:21:19,076 --> 01:21:20,144 ♪ WALKED IN 2718 01:21:20,144 --> 01:21:21,712 AND DREAM CAME TRUED 2719 01:21:21,712 --> 01:21:22,746 IT FOR YA ♪ 2720 01:21:22,746 --> 01:21:24,882 ♪ ONE TOUCH 2721 01:21:24,882 --> 01:21:26,483 AND I BRAND NEWED 2722 01:21:26,483 --> 01:21:27,751 IT FOR YA ♪ 2723 01:21:27,751 --> 01:21:28,318 ♪ NOW HE'S THINKIN' 2724 01:21:28,318 --> 01:21:28,986 'BOUT ME EVERY NIGHT OH ♪ 2725 01:21:28,986 --> 01:21:29,553 ♪ IS IT THAT SWEET? 2726 01:21:29,553 --> 01:21:32,823 I GUESS SO ♪ 2727 01:21:32,823 --> 01:21:34,057 ♪ SAY YOU CAN'T SLEEP 2728 01:21:34,057 --> 01:21:34,458 BABY I KNOW 2729 01:21:34,458 --> 01:21:41,231 THAT'S THAT ME ESPRESSO ♪ 2730 01:21:41,231 --> 01:21:43,834 ♪ IS IT THAT SWEET? 2731 01:21:43,834 --> 01:21:49,339 I GUESS SO ♪ 2732 01:21:49,339 --> 01:21:49,706 ♪ MM MM 2733 01:21:49,706 --> 01:21:50,707 THAT'S THAT ME ESPRESSO ♪ 2734 01:21:50,707 --> 01:21:51,241 [ APPLAUSE ] 2735 01:21:51,241 --> 01:21:52,309 >> Alfonso: ANNA AND EZRA WITH A 2736 01:21:52,309 --> 01:21:53,310 CAFFEINATED CHA CHA TO 2737 01:21:53,310 --> 01:21:55,646 "ESPRESSO." 2738 01:21:55,646 --> 01:21:57,414 THAT'S THE FINAL DANCE. 2739 01:21:57,414 --> 01:21:59,149 VOTING WILL BE CLOSING SOON. 2740 01:21:59,149 --> 01:21:59,683 ALL RIGHT. 2741 01:21:59,683 --> 01:22:00,651 THERE YOU GO! 2742 01:22:00,651 --> 01:22:01,285 GREAT JOB. 2743 01:22:01,285 --> 01:22:01,852 GREAT JOB. 2744 01:22:01,852 --> 01:22:03,654 ALL RIGHT, DEREK, TAKE IT AWAY. 2745 01:22:03,654 --> 01:22:04,421 >> ME? 2746 01:22:04,421 --> 01:22:04,922 I'M FIRST! 2747 01:22:04,922 --> 01:22:06,990 OH, THAT'S MY NAME. 2748 01:22:06,990 --> 01:22:09,159 ANNA, I'M -- I'M KIND OF LIKE AT 2749 01:22:09,159 --> 01:22:10,494 A LOSS FOR WORDS A LITTLE BIT. 2750 01:22:10,494 --> 01:22:11,728 YOU ACTUALLY HAVE THE FACILITY 2751 01:22:11,728 --> 01:22:13,597 TO BE A REALLY BEAUTIFUL DANCER, 2752 01:22:13,597 --> 01:22:13,931 TRULY. 2753 01:22:13,931 --> 01:22:15,766 YOU REALLY DO. 2754 01:22:15,766 --> 01:22:17,201 YOU HAVE LIKE GREAT ARMS, THE 2755 01:22:17,201 --> 01:22:17,968 LEGS ARE THERE. 2756 01:22:17,968 --> 01:22:19,570 YOU MISSED SOME STEPS IN THERE, 2757 01:22:19,570 --> 01:22:21,305 GOT A LITTLE BIT STIFF HERE AND 2758 01:22:21,305 --> 01:22:23,173 THERE, BUT OVERALL, I WAS KIND 2759 01:22:23,173 --> 01:22:23,807 OF SURPRISED. 2760 01:22:23,807 --> 01:22:25,275 I'M AT A LITTLE LOSS FOR WORDS 2761 01:22:25,275 --> 01:22:26,410 RIGHT NOW, TO BE HONEST WITH 2762 01:22:26,410 --> 01:22:26,743 YOU. 2763 01:22:26,743 --> 01:22:28,145 GO AHEAD, BRUNO. 2764 01:22:28,145 --> 01:22:31,315 >> REINVENTING ANNA YET AGAIN! 2765 01:22:31,315 --> 01:22:33,717 AND IT COULD BE WORKING, BECAUSE 2766 01:22:33,717 --> 01:22:34,685 HE'S ABSOLUTELY RIGHT. 2767 01:22:34,685 --> 01:22:37,154 WHEN YOU HIT THE RIGHT LINES, IT 2768 01:22:37,154 --> 01:22:38,856 REALLY LOOKS GOOD, MY DARLING. 2769 01:22:38,856 --> 01:22:41,458 YOU DON'T KNOW HOW TO LINK IT. 2770 01:22:41,458 --> 01:22:43,126 YOU KNOW, YOU GO FROM "A" TO 2771 01:22:43,126 --> 01:22:45,128 "B," IT'S LIKE A SPEECH. 2772 01:22:45,128 --> 01:22:46,730 YOU HAVE TO LINK ALL THE 2773 01:22:46,730 --> 01:22:47,097 MOVEMENT. 2774 01:22:47,097 --> 01:22:49,099 AND MAKE A COHESIVE DANCE. 2775 01:22:49,099 --> 01:22:50,667 A COHESIVE PERFORMANCE. 2776 01:22:50,667 --> 01:22:52,135 BUT YOU HAVE ALL THE BITS IN 2777 01:22:52,135 --> 01:22:52,769 YOUR HAND. 2778 01:22:52,769 --> 01:22:54,204 JUST HOW TO PUT IT TOGETHER. 2779 01:22:54,204 --> 01:22:55,572 THAT IS THE TRICK, ALL RIGHT? 2780 01:22:55,572 --> 01:22:56,640 >> ALL RIGHT. 2781 01:22:56,640 --> 01:22:57,207 CARRIE ANN? 2782 01:22:57,207 --> 01:22:59,076 >> I JUST WANT TO STHANG. 2783 01:22:59,076 --> 01:23:00,410 WHEN YOU KALE OUT ON THE DANCE 2784 01:23:00,410 --> 01:23:01,545 FLOOR, THERE WAS A SHIFT IN THE 2785 01:23:01,545 --> 01:23:02,646 ENERGY IN THIS ROOM. 2786 01:23:02,646 --> 01:23:04,214 AND I WOULD JUST LIKE TO SAY, 2787 01:23:04,214 --> 01:23:05,849 LET'S ALL JUST GIVE THIS A 2788 01:23:05,849 --> 01:23:07,284 CHANCE, BECAUSE I CAN IMAGINE, 2789 01:23:07,284 --> 01:23:08,919 BECAUSE THIS IS SCARY FOR YOU. 2790 01:23:08,919 --> 01:23:10,954 I'M NOT PRO OR FOR OR AGAINST 2791 01:23:10,954 --> 01:23:12,422 ANYTHING THAT YOU'VE DONE, BUT 2792 01:23:12,422 --> 01:23:14,191 THIS IS ABOUT YOUR DANCING HERE. 2793 01:23:14,191 --> 01:23:17,895 LET'S ALL GIVE HER THAT -- ON 2794 01:23:17,895 --> 01:23:19,897 THAT NOTE, I GUESS I'M DONE. 2795 01:23:19,897 --> 01:23:23,066 >> HEAD ON UP FOR YOUR SCORES. 2796 01:23:23,066 --> 01:23:24,101 THANK YOU, GREAT JOB. 2797 01:23:24,101 --> 01:23:25,536 TIME IS RUNNING OUT. 2798 01:23:25,536 --> 01:23:26,503 IF YOU HAVEN'T USED UP ALL OF 2799 01:23:26,503 --> 01:23:28,605 YOUR VOTES, YOU CAN DO IT NOW! 2800 01:23:28,605 --> 01:23:29,740 LISTEN, ALSO, THANK YOU SO MUCH 2801 01:23:29,740 --> 01:23:32,342 FOR YOUR VOTES. 2802 01:23:32,342 --> 01:23:33,043 SO FAR, BECAUSE WE'VE ALREADY 2803 01:23:33,043 --> 01:23:34,344 RECEIVED MORE VOTES THAN LAST 2804 01:23:34,344 --> 01:23:36,079 SEASON'S PREMIERE AND THIS SHOW 2805 01:23:36,079 --> 01:23:37,180 IS 30 MINUTES SHORTER. 2806 01:23:37,180 --> 01:23:38,849 SO GOOD JOB, Y'ALL! 2807 01:23:38,849 --> 01:23:39,750 KEEP IT GOING. 2808 01:23:39,750 --> 01:23:40,550 KEEP IT GOING. 2809 01:23:40,550 --> 01:23:46,790 VOTE BY TEXT AND AT ABC.COM. 2810 01:23:46,790 --> 01:23:48,292 >> Julianne: THANKS, ALFONSO. 2811 01:23:48,292 --> 01:23:51,194 AND WELCOME TO THE SHOW AS A 2812 01:23:51,194 --> 01:23:52,596 PRO, EZRA. 2813 01:23:52,596 --> 01:23:53,630 SO THIS IS THE FIRST THING 2814 01:23:53,630 --> 01:23:54,731 YOU'VE BEEN ABLE TO DO SINCE 2815 01:23:54,731 --> 01:23:56,433 YOU'VE BEEN ABLE TO TRAVEL. 2816 01:23:56,433 --> 01:23:57,467 WHY DID YOU WANT TO DO "DANCING 2817 01:23:57,467 --> 01:23:58,035 WITH THE STARS"? 2818 01:23:58,035 --> 01:23:59,603 >> JUST, WHY NOT? 2819 01:23:59,603 --> 01:24:00,837 >> Julianne: SO THERE'S A BIT OF 2820 01:24:00,837 --> 01:24:02,472 A BUZZ AROUND YOU DOING THE 2821 01:24:02,472 --> 01:24:02,806 SHOW. 2822 01:24:02,806 --> 01:24:03,907 WHAT IS IT THAT YOU'RE HOPING 2823 01:24:03,907 --> 01:24:05,809 THAT PEOPLE WILL TAKE FROM YOU 2824 01:24:05,809 --> 01:24:07,210 AND LIKE YOU SAID, IN YOUR 2825 01:24:07,210 --> 01:24:09,446 PACKAGE, LIKE A NEW TAKE ON YOU? 2826 01:24:09,446 --> 01:24:10,414 >> YES. 2827 01:24:10,414 --> 01:24:11,648 I HOPE THAT AMERICA WILL GET A 2828 01:24:11,648 --> 01:24:14,718 CHANCE TO SEE A DIFFERENT SIDE 2829 01:24:14,718 --> 01:24:16,820 OF ME. 2830 01:24:16,820 --> 01:24:17,788 >> Julianne:. 2831 01:24:17,788 --> 01:24:19,523 WELL, LET'S GET YOUR SCORES. 2832 01:24:19,523 --> 01:24:23,460 >> Alfonso: CARRIE ANN INABA? 2833 01:24:23,460 --> 01:24:24,861 >> 6. 2834 01:24:24,861 --> 01:24:25,762 >> Alfonso: DEREK HOUGH? 2835 01:24:25,762 --> 01:24:28,198 >> YOU'RE STILL SO MYSTERIOUS. 2836 01:24:28,198 --> 01:24:28,532 6. 2837 01:24:28,532 --> 01:24:30,233 >> Alfonso: BRUNO TONIOLI? 2838 01:24:30,233 --> 01:24:35,072 >> YES, WE ALL ARE MYSTERIOUS. 2839 01:24:35,072 --> 01:24:35,405 6. 2840 01:24:35,405 --> 01:24:36,473 >> Julianne: THAT IS AN 18 OUT 2841 01:24:36,473 --> 01:24:39,943 OF 30 FOR ANNA AND EZRA? 2842 01:24:39,943 --> 01:24:42,179 HOW ARE YOU FEELING, ANNA? 2843 01:24:42,179 --> 01:24:43,413 >> I FEEL HAPPY THAT I DON'T 2844 01:24:43,413 --> 01:24:45,182 HAVE TO DO THIS DANCE AGAIN. 2845 01:24:45,182 --> 01:24:46,249 >> Julianne: MAYBE YOU'LL HAVE 2846 01:24:46,249 --> 01:24:49,553 TO DO A NEW ONE NEXT ONE. 2847 01:24:49,553 --> 01:24:52,389 AS ALFONZO SAID, THAT WAS THE 2848 01:24:52,389 --> 01:24:54,091 LAST DANCE OF THE NIGHT, SO GET 2849 01:24:54,091 --> 01:24:55,425 YOUR VOTES IN NOW. 2850 01:24:55,425 --> 01:24:58,795 THIS HAS BEEN A MARATHON 2851 01:24:58,795 --> 01:25:02,599 PREMIERE NIGHT. 2852 01:25:02,599 --> 01:25:03,934 >> LET'S CHECK OUT THE FINAL 2853 01:25:03,934 --> 01:25:04,868 JUDGE'S LEADERBOARD OF THE 2854 01:25:04,868 --> 01:25:05,168 NIGHT. 2855 01:25:05,168 --> 01:25:06,903 AT THE TOP WITH CHANDLER AND 2856 01:25:06,903 --> 01:25:08,772 BRANDON WITH 23 AND AT THE 2857 01:25:08,772 --> 01:25:10,974 BOTTOM ARE ERIC AND BRITT WITH 2858 01:25:10,974 --> 01:25:11,541 15. 2859 01:25:11,541 --> 01:25:15,379 EACH AND EVERY STAR NEEDS YOUR 2860 01:25:15,379 --> 01:25:16,213 VOTES TO SURVIVE ELIMINATION 2861 01:25:16,213 --> 01:25:17,147 NEXT WEEK. 2862 01:25:17,147 --> 01:25:18,982 WE'LL TAKE ONE LAST LOOK AT THE 2863 01:25:18,982 --> 01:25:21,018 VOTING DETAILS FOR ALL OF OUR 2864 01:25:21,018 --> 01:25:21,351 COUPLES. 2865 01:25:21,351 --> 01:25:22,119 COMPLETE VOTING INFORMATION CAN 2866 01:25:22,119 --> 01:25:24,521 BE FOUND ON ABC.COM. 2867 01:25:24,521 --> 01:25:26,790 >> ALL OF OUR COUPLES WILL BE 2868 01:25:26,790 --> 01:25:28,225 BACK ON THE DANCE FLOOR NEXT 2869 01:25:28,225 --> 01:25:28,625 TUESDAY. 2870 01:25:28,625 --> 01:25:30,761 NOW, LISTEN UP, WE CAN NOW 2871 01:25:30,761 --> 01:25:35,198 REVEAL THAT NOT ONE, BUT TWO 2872 01:25:35,198 --> 01:25:37,134 COUPLES WILL BE GOING HOME IN A 2873 01:25:37,134 --> 01:25:38,468 DOUBLE ELIMINATION NEXT WEEK. 2874 01:25:38,468 --> 01:25:39,002 >> YES. 2875 01:25:39,002 --> 01:25:41,004 >> GOOD LUCK TO ALL OF YOU. 2876 01:25:41,004 --> 01:25:44,408 YOU'RE GOING TO NEED IT. 2877 01:25:44,408 --> 01:25:45,742 >> Alfonso: THAT'S RIGHT. 2878 01:25:45,742 --> 01:25:47,778 AND IT PROMISES TO BE A 2879 01:25:47,778 --> 01:25:48,578 SPECTACULAR OSCARS NIGHT 2880 01:25:48,578 --> 01:25:48,979 COMPETITION. 2881 01:25:48,979 --> 01:25:51,648 WE'LL SEE YOU LIVE IN THE 2882 01:25:51,648 --> 01:25:53,517 BALLROOM AT 8/7:00 CENTRAL ON 2883 01:25:53,517 --> 01:25:54,551 ABC AND DISNEY PLUS. 2884 01:25:54,551 --> 01:26:02,793 AND RIGHT NOW ON KAITLIN 2885 01:26:02,793 --> 01:26:03,894 OLSON STARS IN THE SERIES 2886 01:26:03,894 --> 01:26:04,461 PREMIERE OF "HIGH POTENTIAL." 2887 01:26:04,461 --> 01:26:04,828 GOOD NIGHT, Y'ALL.