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>> Julianne: IT'S A NIGHT OF

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1,000 STARS.

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THE GREATEST FILMS OF ALL TIME.

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LET'S TAKE A LOOK AT WHO IS

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WALKING THE RED CARPET TONIGHT.

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OH, MY GOSH, IT'S CARRIE ANN

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INABO.

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IT'S DEREK HOUGH.

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I LOVED "MILLION DOLLAR BALL

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ROOM."

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THERE'S BRUNO.

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>> Alfonso: I HEARD HE WAS A

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DIVA.

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>> Bruno: THAT'S NOT THE WAY TO

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TALK ABOUT BRUNO.

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>> Alfonso: DIVA BEHAVIOR.

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THAT CONCLUDES OUR BROADCAST.

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♪♪

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[ CHEERS AND APPLAUSE ]

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>> Announcer: LIVE, FROM

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HOLLYWOOD, IT'S "OSCARS NIGHT"

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ON "DANCING WITH THE STARS."

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♪♪

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♪♪

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>> Announcer: PLEASE WELCOME

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YOUR HOSTS, ALFONSO RIBEIRO AND

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JULIANNE HOUGH.

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>> Alfonso: WELCOME TO "DANCING

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WITH THE STARS," AND AS YOU CAN

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SEE FROM ALL THE GOLDEN STATUES,

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IT'S "OSCARS NIGHT."

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>> Julianne: SO, LET'S ROLL OUT

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THE RED CARPET, AND WELCOME OUR

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STARS.

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YN REJ BROOKS NADER

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MOVIE STAR ERIC ROBERTS AND

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BRITT STEWART.

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SUPERBOWL CHAMPION

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DANNY AMENDOLA AND

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WITNEY CARSON.

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CHANDLER KINNEY AND BRANDON

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ARMSTRONG.

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JENN TRAN AND SASHA FARBER.

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FROM "THE BACHELOR,"

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JOEY GRAZIADEI AND

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JENNA JOHNSON.

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REALITY ROYALTY PHAEDRA PARKS

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AND VAL CHMERKOVSKIY.

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ENTREPRENEUR, ANNA DELVEY AND

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EZRA SOSA.

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TORI SPELLING AND PASHA PASHKOV.

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>> Alfonso: HOW'S THAT FOR

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HOLLYWOOD GLAMOUR?

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BY THE WAY, OUR OPENING NUMBER

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WAS CHOREOGRAPHED BY

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BRITT STEWART AND ALAN BERSTEN.

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>> Julianne: AMAZING JOB,

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EVERYBODY.

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WE OWE KUDOS TO YOU AT HOME.

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>> Alfonso: THANK YOU FOR

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JOINING US FOR OUR MOST WATCHED

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PREMIERE IN YEARS.

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>> Julianne: WE ARE GOING ALL

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OUT FOR "OSCARS

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NIGHT" WITH A FULL-ON ORCHESTRA.

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GIVE IT UP FOR OUR BAND, OUR

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SINGERS, AND OUR MUSIC DIRECTOR.

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IT'S RAY CHEW LIVE PLUS STRINGS.

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>> Alfonso: IT'S ALL TO

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CELEBRATE A GRAND TRADITION THAT

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BEGAN AS A SIMPLE, BUT

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STAR-STUDDED BANQUET IN 1929, AT

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THE END OF THE SILENT FILM ERA.

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>> Julianne: AS MOTION PICTURES

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EVOLVED WITH SOUND AND

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CUTTING-EDGE PRODUCTION

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TECHNIQUES, SO DID THE OSCARS.

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THE TELECAST IS A WORLDWIDE

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PHENOMENON THAT PROMOTES THE

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MAGIC OF THE MOVIES AND THEIR

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STARS TO COUNTLESS FANS ACROSS

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THE GLOBE.

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>> Alfonso: OVER THE YEARS, A

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NUMBER OF OSCAR-WINNERS HAVE

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GRACED OUR BALLROOM, BRINGING

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WITH THEM THE LUSTER OF THE FILM

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WORLD'S UNRIVALED RECOGNITION OF

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EXCELLENCE.

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SO, TONIGHT, WE HONOR THE

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ULTIMATE CREATIVE AWARDS, THE

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OSCARS.

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>> Julianne: VOTING IS OPEN

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RIGHT NOW AND IS AVAILABLE TO

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THE U.S., ITS TERRITORIES, AND

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CANADA AT ABC.COM.

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PLUS, SUBSCRIBERS ON

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PARTICIPATING U.S. WIRELESS

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PHONE CARRIERS CAN TEXT THE

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FIRST NAME OF THEIR FAVORITE

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STAR TO THE NUMBER 21523.

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MESSAGE AND DATA RATES MAY

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APPLY.

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>> Alfonso: WE'LL START THE

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NIGHT WITH A TANGO TO A SONG

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FEATURED IN "THE GREAT GATSBY,"

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WHICH WON OSCARS FOR BOTH BEST

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COSTUME AND PRODUCTION DESIGN.

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>> Julianne: DANCING TO "A

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LITTLE PARTY NEVER KILLED

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NOBODY," IT'S OUR STAR FROM "THE

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BACHELORETTE," JENN TRAN AND

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SASHA FARBER.

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>> YOU DID IT.

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WEEK ONE.

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>> I FELT REALLY, REALLY GOOD.

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LAST WEEK'S PERFORMANCE WENT

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BETTER THAN I EXPECTED.

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I WAS ABLE TO LET LOOSE AND HAVE

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FUN.

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>> IT'S OSCARS NIGHT.

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>> I WATCHED THE OSCARS.

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>> THIS IS PERFECT.

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WE ARE DANCING A TANGO TO "A

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LITTLE PARTY NEVER KILLED

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ANYBOD

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".

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>> THAT'S WHAT I WANT TO

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CHANNEL.

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>> LET'S GET THE EIGHT.

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THIS IS ALL NEW TO JENN.

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WE WANT TO CREATE THAT LINE THAT

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GOES FROM HERE TO YOU.

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WE HAVE TO STICK TO THE

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GUIDELINES OF THE TANGO HOLDING

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IN A VERY SPECIFIC WAY.

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LOOK AT YOUR ELBOW.

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>> IT'S A LOT.

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>> I LOVE YOU.

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>> WHATEVER.

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THE LAST THING I WANT IS MY

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DANCING TO BE A BUZZ KILL.

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I HAVE TO BE THE LIFE OF THE

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PARTY.

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>> BEAUTIFUL.

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>> Announcer: DANCING THE TANGO,

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WITH HER PARTNER SASHA FARBER,

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IT'S JENN TRAN.

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♪ JUST ONE NIGHT'S

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ALL WE GOT ♪

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♪ JUST ONE NIGHT'S

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ALL WE GOT ♪

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♪ I AIN'T GOT TIME

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FOR YOU BABY BABY ♪

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♪ EITHER YOU'RE MINE

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OR YOU'RE NOT NOT ♪

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♪ MAKE UP YOUR MIND

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SWEET BABY BABY ♪

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♪ RIGHT HERE RIGHT NOW'S

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ALL WE GOT ♪

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♪ A LITTLE PARTY

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NEVER KILLED NOBODY ♪

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♪ SO WE GON' DANCE

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UNTIL WE DROP

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LET'S GO OFF ♪

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♪ A LITTLE PARTY

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NEVER KILLED NOBODY ♪

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♪ RIGHT HERE RIGHT NOW'S

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ALL WE GOT ♪

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♪ SKI DA BA DA BOP

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AH ♪

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♪ A LITTLE PARTY

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NEVER KILLED NOBODY ♪

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♪ RIGHT HERE RIGHT NOW'S

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ALL WE GOT ♪

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♪ ALL WE GOT ALL WE GOT

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ALL WE GOT ALL WE GOT ♪

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♪ ALL WE GOT ALL WE GOT

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ALL WE GOT ALL WE C'MON

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ALL WE GOT ♪

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♪ GOT GOT GOT GOT GOT

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GOT GOT GOT GOT GOT GOT

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GOT GOT GOT GOT GOT GOT ♪

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♪ GOT

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SKI DA BA DA BOP ♪

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>> Alfonso: JENN AND SASHA,

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GONNA TANGO 'TIL THEY DROP.

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YES.

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TAKE YOUR MICS.

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FANTASTIC.

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ALL RIGHT.

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LET'S HEAR WHAT THE JUDGES HAVE

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TO SAY.

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>> Carrie Ann: YOU ARE SUCH A

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SURPRISE.

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THERE'S SO MUCH GOOD HAPPENING

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HERE.

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YOU ARE BUBBLY.

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YOU HAVE THE STATURE.

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YOU PULLED IT DOWN INTO THE

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TANGO.

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THAT WAS A FAST TANGO, MY

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FRIEND.

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WHAT WAS GOING ON WITH THE

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MUSIC?

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WAS THERE SOMETHING WITH THE

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MUSIC?

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>> THE MUSIC WASN'T LOUD ENOUGH.

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>> Alfonso: IT WASN'T ON THE

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FLOOR.

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>> Carrie Ann: YOU HANDLED THAT

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VERY WELL.

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>> Derek: YOU ARE A NATURAL

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PERFORMER.

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WE ARE IN WEEK TWO.

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WATCH THE SHOULDERS.

216
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THE SHOULDER POPS UP.

217
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WATCH THAT.

218
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YOU DID IT AT TIMES, GLIMPSE OF

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IT.

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>> I DIDN'T KNOW I COULD DO

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THAT.

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>> Derek: KEEP AN EYE ON THE

223
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SIDE BY SIDE.

224
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DON'T FLAIL OUT.

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PLACE THE ARMS.

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HE TOLD ME TO DO THAT.

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IT'S OKAY.

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GREAT JOB.

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WELL DONE.

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>> Bruno: I THINK TONIGHT YOU

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DANCED LIKE A SASSY, GLOSSY,

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MISCHIEVOUS LITTLE KITTEN.

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YOU MEAN BUSINESS.

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THEY'RE RIGHT, SOMETHING

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HAPPENED.

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BUT DON'T TAKE AWAY WHAT YOU

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HAVE ACHIEVED.

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THE PARTS THAT WERE GOOD, THEY

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WERE BRILLIANT!

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>> Alfonso: HEAD ON UP TO

241
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JULIANNE FOR YOUR SCORES.

242
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NO ONE WAS ELIMINATED LAST WEEK,

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SO THE SCORES AND VOTES FROM OUR

244
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PREMIERE WILL CARRY OVER TO

245
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TONIGHT WHEN TWO COUPLES WILL GO

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HOME IN A DOUBLE ELIMINATION.

247
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VOTING CLOSES DURING THE LAST

248
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COMMERCIAL BREAK.

249
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JULIANNE.

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>> Julianne: I DON'T WANT TO SEE

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ANYONE GO HOME TONIGHT, ALFONSO.

252
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FIRST OF ALL, THAT SONG JUST

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MAKES ME WANT TO DANCE.

254
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GOING FROM LAST WEEK WHERE YOU

255
00:09:39,062 --> 00:09:41,931
ARE ALL OPEN INTO FRAME, HOW DID

256
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IT FEEL THE COMPARISON FROM

257
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BEING SO FREE TO THEN GOING INTO

258
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FRAME?

259
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>> SO DIFFICULT.

260
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I HAVE TO REMEMBER I HAVE ELBOWS

261
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AND MY HEAD.

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IT WAS A LOT.

263
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IT WAS REALLY HARD.

264
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I FEEL LIKE I HAD SO MUCH FUN

265
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OUT THERE TONIGHT.

266
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>> Julianne: I LOVE YOU SAID WE

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HAVE TO REMEMBER WE HAVE ELBOWS.

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>> CAN I ADD -- WE HAVE BEEN

269
00:10:02,752 --> 00:10:04,120
PRACTICING AND PRACTICING.

270
00:10:04,120 --> 00:10:06,022
ALL WE HEARD IN THE AUDIENCE AND

271
00:10:06,022 --> 00:10:07,690
AS THE BEGINNING WAS THE CLICK

272
00:10:07,690 --> 00:10:08,024
TRACK.

273
00:10:08,024 --> 00:10:08,691
IT WENT CLICK, CLICK, CLICK.

274
00:10:08,691 --> 00:10:12,495
NOTHING.

275
00:10:12,495 --> 00:10:14,998
SHE STAYED IN TIME.

276
00:10:14,998 --> 00:10:17,967
UNTIL THE MUSIC CAME ON.

277
00:10:17,967 --> 00:10:18,635
>> Julianne: LET'S GET YOUR

278
00:10:18,635 --> 00:10:23,306
SCORES.

279
00:10:23,306 --> 00:10:25,508
>> Carrie Ann: 6.

280
00:10:25,508 --> 00:10:29,245
>> Derek: REMEMBER THOSE ELBOWS.

281
00:10:29,245 --> 00:10:33,249
.

282
00:10:33,249 --> 00:10:36,719
>> Bruno: I THINK IT'S A 7.

283
00:10:36,719 --> 00:10:37,754
>> Julianne: THEIR TOTAL FOR

284
00:10:37,754 --> 00:10:39,422
BOTH NIGHTS IS 38, WHICH THAT

285
00:10:39,422 --> 00:10:40,890
WAS THE SAME SCORE AS LAST WEEK.

286
00:10:40,890 --> 00:10:42,992
BY THE WAY, JOINING US TONIGHT

287
00:10:42,992 --> 00:10:46,496
IS THE GOLDEN BACHELORETTE.

288
00:10:46,496 --> 00:10:48,831
A NEW EPISODE AIRS ON ABC

289
00:10:48,831 --> 00:10:49,999
TOMORROW NIGHT AT 8:00,

290
00:10:49,999 --> 00:10:50,700
CONDITION CENTRAL.

291
00:10:50,700 --> 00:10:52,869
LIKE ALL OF OUR STARS, JENN AND

292
00:10:52,869 --> 00:10:54,404
SASHA WANT YOU TO SAVE THEM FROM

293
00:10:54,404 --> 00:10:55,838
TONIGHT'S DOUBLE ELIMINATION BY

294
00:10:55,838 --> 00:10:57,607
VOTING WITH YOUR TEXTS AND

295
00:10:57,607 --> 00:10:58,675
ONLINE AT ABC.COM.

296
00:10:58,675 --> 00:11:02,045
TEN VOTES PER COUPLE PER VOTE

297
00:11:02,045 --> 00:11:04,647
ING METHOD.

298
00:11:04,647 --> 00:11:05,214
>> Alfonso: WE HAVE AN

299
00:11:05,214 --> 00:11:05,915
OSCAR-NOMINATED ACTOR ON THE

300
00:11:05,915 --> 00:11:06,616
WAY, ALONG WITH A SUPER BOWL

301
00:11:06,616 --> 00:11:07,784
WINNER.

302
00:11:07,784 --> 00:11:08,518
ERIC ROBERTS & BRITT STEWART AND

303
00:11:08,518 --> 00:11:09,252
DANNY AMENDOLA & WITNEY CARSON

304
00:11:09,252 --> 00:11:09,952
WILL BE ON THE FLOOR, WHEN WE

305
00:11:09,952 --> 00:11:10,920
COME BACK, LIVE.

306
00:11:21,664 --> 00:11:24,133
>> Alfonso: WELCOME BACK TO

307
00:11:24,133 --> 00:11:26,102
"OSCARS NIGHT."

308
00:11:26,102 --> 00:11:26,836
NEXT UP WE'VE GOT AN OFFER YOU

309
00:11:26,836 --> 00:11:29,772
CAN'T REFUSE.

310
00:11:29,772 --> 00:11:30,807
DANCING TO THE ICONIC WALTZ FROM

311
00:11:30,807 --> 00:11:32,875
THE LANDMARK OSCAR-WINNING FILM,

312
00:11:32,875 --> 00:11:33,910
"THE GODFATHER," IT'S OUR OWN

313
00:11:33,910 --> 00:11:36,012
ACADEMY AWARD NOMINEE,

314
00:11:36,012 --> 00:11:41,451
ERIC ROBERTS & BRITT STEWART.

315
00:11:41,451 --> 00:11:49,158
>> WE ARE HERE AT THE ACADEMY.

316
00:11:49,158 --> 00:11:54,030
I WANT TO TAKE YOU TO THE

317
00:11:54,030 --> 00:11:54,564
"GODFATHER" EXHIBIT.

318
00:11:54,564 --> 00:11:56,666
IT'S NOT JUST ABOUT THE DANCE

319
00:11:56,666 --> 00:11:56,966
STEPS.

320
00:11:56,966 --> 00:11:59,168
IT'S ABOUT THE PERFORMANCE.

321
00:11:59,168 --> 00:12:01,437
>> MARLON BRANDON WON AN OSCAR

322
00:12:01,437 --> 00:12:03,973
FOR THIS MOVIE.

323
00:12:03,973 --> 00:12:06,676
THIS IS THE MOVIE WE REFER TO

324
00:12:06,676 --> 00:12:08,478
WHEN WE PLAY MOBSTERS.

325
00:12:08,478 --> 00:12:09,746
SEEING THE EXHIBIT REALLY

326
00:12:09,746 --> 00:12:10,279
INSPIRED ME.

327
00:12:10,279 --> 00:12:12,648
THOSE PERFORMANCES WERE PERFECT.

328
00:12:12,648 --> 00:12:14,317
I HOPE TO PAY HOMAGE TO THEM

329
00:12:14,317 --> 00:12:15,051
WITH MY DANCE.

330
00:12:15,051 --> 00:12:17,153
WOW.

331
00:12:17,153 --> 00:12:19,455
WHAT A HOUSE!

332
00:12:19,455 --> 00:12:20,189
>> I HAVE A LITTLE SURPRISE FOR

333
00:12:20,189 --> 00:12:20,456
YOU.

334
00:12:20,456 --> 00:12:21,391
>> COOL.

335
00:12:21,391 --> 00:12:28,464
>> ROLL IT.

336
00:12:28,464 --> 00:12:30,767
>> HOW TO DRESS LIKE A SERIOUS

337
00:12:30,767 --> 00:12:31,701
ACTRESS.

338
00:12:31,701 --> 00:12:32,869
NOMINATED FOR BEST PERFORMANCE

339
00:12:32,869 --> 00:12:37,240
BY AN ACTOR IN A SPORTING

340
00:12:37,240 --> 00:12:37,607
ROLL --

341
00:12:37,607 --> 00:12:39,809
>> LOOK AT YOU.

342
00:12:39,809 --> 00:12:41,811
>> WHEN THEY WERE SAYING THE

343
00:12:41,811 --> 00:12:43,679
NOMINEES, I WAS SURROUNDED BY

344
00:12:43,679 --> 00:12:44,147
LEGENDS.

345
00:12:44,147 --> 00:12:47,583
IT FELT SO SPECIAL AND QUITE

346
00:12:47,583 --> 00:12:47,950
PRIDEFUL.

347
00:12:47,950 --> 00:12:49,519
IT'S OVERWHELMING TO GO BACK TO

348
00:12:49,519 --> 00:12:51,287
THAT MEMORY, BECAUSE IT WAS A

349
00:12:51,287 --> 00:12:57,260
DREAM COME TRUE.

350
00:12:57,260 --> 00:12:58,027
YOU CAN'T IMAGINE WHAT IT FEELS

351
00:12:58,027 --> 00:13:00,329
LIKE.

352
00:13:00,329 --> 00:13:01,564
HOPEFULLY, FOR MY SECOND DANCE,

353
00:13:01,564 --> 00:13:03,366
I CAN BE OSCAR WORTHY.

354
00:13:03,366 --> 00:13:04,500
I'M HAVING THE BEST TIME.

355
00:13:04,500 --> 00:13:05,268
I DON'T WANT TO BE DRUMMED OFF

356
00:13:05,268 --> 00:13:10,940
THE SHOW JUST YET.

357
00:13:10,940 --> 00:13:11,674
>> Announcer: DANCING THE WALTZ,

358
00:13:11,674 --> 00:13:13,042
WITH HIS PARTNER BRITT STEWART,

359
00:13:13,042 --> 00:13:17,146
IT'S ERIC ROBERTS.

360
00:13:18,214 --> 00:13:40,703
♪♪

361
00:13:40,703 --> 00:13:58,421
♪♪

362
00:13:58,421 --> 00:14:14,570
♪♪

363
00:14:14,570 --> 00:14:28,117
♪♪

364
00:14:28,117 --> 00:14:31,454
>> Alfonso: ERIC AND BRITT, WITH

365
00:14:31,454 --> 00:14:35,625
A BEAUTIFUL WALTZ.

366
00:14:35,625 --> 00:14:36,292
THE GODFATHER WOULD BE VERY

367
00:14:36,292 --> 00:14:40,930
PROUD.

368
00:14:40,930 --> 00:14:42,932
>> Derek: I SAID IT LAST WEEK,

369
00:14:42,932 --> 00:14:44,834
IT'S AN HONOR TO HAVE YOU.

370
00:14:44,834 --> 00:14:49,972
TONIGHT, IT SUITS YOU SO

371
00:14:49,972 --> 00:14:51,374
WELL.

372
00:14:51,374 --> 00:14:53,643
THERE WERE A FEW MISTAKES ON THE

373
00:14:53,643 --> 00:14:54,010
FOOTWORK.

374
00:14:54,010 --> 00:14:54,410
THAT'S OKAY.

375
00:14:54,410 --> 00:14:55,945
THE ARMS, I WAS IMPRESSED BY

376
00:14:55,945 --> 00:14:58,748
SOME OF THE ARMS YOU WERE DOING.

377
00:14:58,748 --> 00:15:00,483
IT WAS BEAUTIFUL.

378
00:15:00,483 --> 00:15:01,617
BE PROUD OF THE PERFORMANCE.

379
00:15:01,617 --> 00:15:07,323
I HAVE TO JUDGE YOU ACCORDINGLY.

380
00:15:07,323 --> 00:15:12,428
>> Bruno: YOU ARE IN THE FAMILY.

381
00:15:12,428 --> 00:15:17,967
ERIC, THIS IS NOT PERSONAL.

382
00:15:17,967 --> 00:15:19,135
I STOP THAT.

383
00:15:19,135 --> 00:15:20,536
I WAS GETTING CARRIED AWAY.

384
00:15:20,536 --> 00:15:23,606
WHAT I'M SAYING, YOU BROUGHT ALL

385
00:15:23,606 --> 00:15:28,477
THAT IN.

386
00:15:28,477 --> 00:15:30,413
A COUPLE OF MISTAKES.

387
00:15:30,413 --> 00:15:33,216
IN THE WALTZ, A LITTLE MORE

388
00:15:33,216 --> 00:15:33,616
ROTATION.

389
00:15:33,616 --> 00:15:35,484
SWEEP INTO THE ROUND.

390
00:15:35,484 --> 00:15:36,419
ONE, TWO, THREE.

391
00:15:36,419 --> 00:15:36,886
ONE, TWO, THREE.

392
00:15:36,886 --> 00:15:37,286
THAT'S ALL.

393
00:15:37,286 --> 00:15:42,625
SORRY.

394
00:15:42,625 --> 00:15:43,459
>> Carrie Ann: I HAD A VERY

395
00:15:43,459 --> 00:15:45,962
DIFFICULT TIME SCORING THAT.

396
00:15:45,962 --> 00:15:48,364
I SAW IMPROVEMENT FROM LAST

397
00:15:48,364 --> 00:15:49,498
WEEK.

398
00:15:49,498 --> 00:15:51,434
I ALSO WROTE -- WAIT, WAIT,

399
00:15:51,434 --> 00:15:51,734
WAIT.

400
00:15:51,734 --> 00:15:53,169
I ALSO KNOW WHAT IT'S LIKE TO

401
00:15:53,169 --> 00:15:55,137
LIVE WHEN YOU CANNOT MOVE.

402
00:15:55,137 --> 00:15:56,973
I LIVE IN CHRONIC PAIN ALL THE

403
00:15:56,973 --> 00:15:57,306
TIME.

404
00:15:57,306 --> 00:15:59,375
IT'S NO JOKE TO BE ABLE TO MOVE

405
00:15:59,375 --> 00:16:01,844
THROUGH IT AND GET AND HOLD

406
00:16:01,844 --> 00:16:04,847
YOURSELF WITH SUCH ELEGANCE.

407
00:16:04,847 --> 00:16:06,382
FOR THAT ALONE, I GIVE YOU SO

408
00:16:06,382 --> 00:16:10,019
MUCH RESPECT.

409
00:16:10,019 --> 00:16:10,753
>> Alfonso: HEAD UP TO JULIANNE

410
00:16:10,753 --> 00:16:12,588
IN THE SKYBOX.

411
00:16:12,588 --> 00:16:13,689
NEXT WEEK, DUE TO THE

412
00:16:13,689 --> 00:16:14,390
VICE-PRESIDENTIAL DEBATE, THE

413
00:16:14,390 --> 00:16:17,326
BALLROOM WILL BE CLOSED.

414
00:16:17,326 --> 00:16:18,027
BUT WE'LL BE BACK ON MONDAY,

415
00:16:18,027 --> 00:16:19,428
OCTOBER 7th WITH A SPECIAL,

416
00:16:19,428 --> 00:16:21,497
TWO-NIGHT EVENT.

417
00:16:21,497 --> 00:16:23,099
ON MONDAY, IT'S "SOUL TRAIN

418
00:16:23,099 --> 00:16:24,667
NIGHT," FEATURING MUSIC FROM THE

419
00:16:24,667 --> 00:16:26,769
ICONIC TV SHOW.

420
00:16:26,769 --> 00:16:28,337
AND ON TUESDAY, WE'LL BE BACK

421
00:16:28,337 --> 00:16:30,406
LIVE WITH A LOT OF HAIR GEL TO

422
00:16:30,406 --> 00:16:31,974
CELEBRATE SOME OF THE GREATEST

423
00:16:31,974 --> 00:16:36,012
HAIR METAL SONGS OF ALL-TIME.

424
00:16:36,012 --> 00:16:37,613
YOU KNOW I CAN'T WAIT.

425
00:16:37,613 --> 00:16:38,114
JULIANNE.

426
00:16:38,114 --> 00:16:38,648
>> Julianne: WOW.

427
00:16:38,648 --> 00:16:39,315
BACK-TO-BACK NIGHTS, ALFONSO.

428
00:16:39,315 --> 00:16:42,418
I'M HERE FOR IT.

429
00:16:42,418 --> 00:16:43,152
WELL DONE.

430
00:16:43,152 --> 00:16:45,154
NOT ONLY ARE YOU HERE DANCING

431
00:16:45,154 --> 00:16:46,322
TONIGHT, BUT YOU ARE OUR VERY

432
00:16:46,322 --> 00:16:47,290
OWN ACADEMY AWARD NOMINEE.

433
00:16:47,290 --> 00:16:51,294
HOW DID IT FEEL -- YEAH.

434
00:16:51,294 --> 00:16:51,894
[ CHEERS AND APPLAUSE ]

435
00:16:51,894 --> 00:16:53,162
HOW DID IT FEEL CHANNELLING THE

436
00:16:53,162 --> 00:16:56,732
GODFATHER ON STAGE TONIGHT?

437
00:16:56,732 --> 00:16:58,801
>> I WASN'T PETRIFIED, BUT I WAS

438
00:16:58,801 --> 00:17:03,873
NERVOUS.

439
00:17:03,873 --> 00:17:05,174
>> Julianne: YOU DID A GREAT

440
00:17:05,174 --> 00:17:05,474
JOB.

441
00:17:05,474 --> 00:17:05,908
WELL DONE.

442
00:17:05,908 --> 00:17:07,276
WE'RE SO HAPPY YOU ARE HERE.

443
00:17:07,276 --> 00:17:10,413
LET'S GET YOUR SCORES.

444
00:17:10,413 --> 00:17:14,650
>> Carrie Ann: 6.

445
00:17:14,650 --> 00:17:18,187
>> Derek: RESPECTFULLY, 4.

446
00:17:18,187 --> 00:17:26,395
>> Bruno: 5.

447
00:17:26,395 --> 00:17:27,697
>> Julianne: THEIR TOTAL FOR

448
00:17:27,697 --> 00:17:29,031
BOTH NIGHTS IS 30.

449
00:17:29,031 --> 00:17:30,533
THEY WERE AT THE BOTTOM OF THE

450
00:17:30,533 --> 00:17:31,334
LEADERBOARD LAST WEEK.

451
00:17:31,334 --> 00:17:33,636
THEY REALLY WANT YOUR VOTES TO

452
00:17:33,636 --> 00:17:34,336
ESCAPE OUR DOUBLE ELIMINATION

453
00:17:34,336 --> 00:17:36,806
TONIGHT.

454
00:17:36,806 --> 00:17:37,306
ALFONSO.

455
00:17:37,306 --> 00:17:38,007
>> Alfonso: THANKS, JULIANNE.

456
00:17:38,007 --> 00:17:39,942
NOW, IF YOU FEEL THE NEED FOR

457
00:17:39,942 --> 00:17:42,011
SPEED, GRAB YOUR WINGMAN AND

458
00:17:42,011 --> 00:17:43,579
BUCKLE UP FOR A JIVE TO "DANGER

459
00:17:43,579 --> 00:17:44,280
ZONE" FROM THE OSCAR-WINNING

460
00:17:44,280 --> 00:17:46,148
FILM "TOP GUN."

461
00:17:46,148 --> 00:17:48,784
IT'S TWO-TIME SUPER BOWL

462
00:17:48,784 --> 00:17:49,452
CHAMPION, DANNY AMENDOLA &

463
00:17:49,452 --> 00:17:53,923
WITNEY CARSON.

464
00:17:53,923 --> 00:17:56,225
>> LAST WEEK WAS OUR FIRST TIME

465
00:17:56,225 --> 00:17:57,693
DANCING TOGETHER ON TELEVISION.

466
00:17:57,693 --> 00:17:58,894
>> I THINK WE'RE OFF TO A GOOD

467
00:17:58,894 --> 00:17:59,228
START.

468
00:17:59,228 --> 00:18:03,232
FELT LIKE A FOOTBALL GAME.

469
00:18:03,232 --> 00:18:05,267
IN FOOTBALL, YOU HAVE THE HELMET

470
00:18:05,267 --> 00:18:05,601
ON.

471
00:18:05,601 --> 00:18:06,268
WE WANT TO SEE MORE OF THE

472
00:18:06,268 --> 00:18:08,437
CHARACTER OF THE DANCE.

473
00:18:08,437 --> 00:18:10,139
>> THAT'S WHAT I'M GOING TO WORK

474
00:18:10,139 --> 00:18:10,473
ON.

475
00:18:10,473 --> 00:18:13,943
>> WE ARE DANCING TO "DANGER

476
00:18:13,943 --> 00:18:14,276
ZONE."

477
00:18:14,276 --> 00:18:16,312
>> THIS MOVIE IS NEAR AND DEAR

478
00:18:16,312 --> 00:18:17,046
TO MY HEART.

479
00:18:17,046 --> 00:18:19,915
WHEN I SAW THE ORIGINAL, AT MY

480
00:18:19,915 --> 00:18:20,983
GRANDFATHER'S HOUSE, HE WAS IN

481
00:18:20,983 --> 00:18:21,917
THE MILITARY.

482
00:18:21,917 --> 00:18:23,486
>> IT'S A SPECIAL MEMORY FOR

483
00:18:23,486 --> 00:18:23,819
YOU.

484
00:18:23,819 --> 00:18:24,687
>> OF COURSE.

485
00:18:24,687 --> 00:18:26,222
IF FOOTBALL DIDN'T WORK OUT, I

486
00:18:26,222 --> 00:18:27,490
WAS GOING TO THE MILITARY.

487
00:18:27,490 --> 00:18:29,525
I HAVE A HUGH RESPECT FOR THOSE

488
00:18:29,525 --> 00:18:29,825
GUYS.

489
00:18:29,825 --> 00:18:31,060
>> YOU HAVE CHANNELLING TOM

490
00:18:31,060 --> 00:18:31,394
CRUISE.

491
00:18:31,394 --> 00:18:33,496
IT'S A VERY TECHNICAL DANCE.

492
00:18:33,496 --> 00:18:35,898
IT'S HIGH ENERGY, FAST FEET,

493
00:18:35,898 --> 00:18:36,899
KICKS AND FLICKS.

494
00:18:36,899 --> 00:18:38,567
ON TOP OF THAT, HE HAS TO SMILE

495
00:18:38,567 --> 00:18:42,571
AND MAKE IT LOOK EFFORTLESS.

496
00:18:42,571 --> 00:18:42,872
SMILE.

497
00:18:42,872 --> 00:18:44,507
>> THIS DANCE IS A LOT OF

498
00:18:44,507 --> 00:18:44,940
ENERGY.

499
00:18:44,940 --> 00:18:45,941
SWEATING AT THE END.

500
00:18:45,941 --> 00:18:47,343
I'M DETERMINED TO BE MORE

501
00:18:47,343 --> 00:18:47,843
NATURAL WITH IT.

502
00:18:47,843 --> 00:18:49,512
>> WE ARE SMILING.

503
00:18:49,512 --> 00:18:50,246
>> THAT'S WHAT YOU ARE GOING TO

504
00:18:50,246 --> 00:18:53,883
SEE THIS WEEK.

505
00:18:53,883 --> 00:18:54,917
>> Announcer: DANCING THE JIVE,

506
00:18:54,917 --> 00:18:55,651
WITH HIS PARTNER WITNEY CARSON,

507
00:18:55,651 --> 00:19:01,090
IT'S DANNY AMENDOLA.

508
00:19:03,759 --> 00:19:06,395
♪ REVVIN' UP YOUR ENGINE

509
00:19:06,395 --> 00:19:07,430
LISTEN TO HER HOWLIN' ROAR

510
00:19:07,430 --> 00:19:09,532
ROAR ROAR ♪

511
00:19:09,532 --> 00:19:11,133
♪ METAL UNDER TENSION

512
00:19:11,133 --> 00:19:13,702
BEGGIN' YOU

513
00:19:13,702 --> 00:19:18,941
TO TOUCH AND GO ♪

514
00:19:18,941 --> 00:19:23,078
♪ HIGHWAY TO THE DANGER ZONE

515
00:19:23,078 --> 00:19:24,146
GONNA TAKE YOU RIGHT INTO

516
00:19:24,146 --> 00:19:35,057
THE DANGER ZONE ♪

517
00:19:35,057 --> 00:19:35,691
♪ HEADIN' INTO TWILIGHT

518
00:19:35,691 --> 00:19:37,660
SPREADIN' OUT

519
00:19:37,660 --> 00:19:39,228
HER WINGS TONIGHT ♪

520
00:19:39,228 --> 00:19:40,796
♪ SHE GOT YOU

521
00:19:40,796 --> 00:19:42,932
JUMPIN' OFF THE DECK

522
00:19:42,932 --> 00:19:48,137
AND SHOVIN' INTO OVERDRIVE ♪

523
00:19:48,137 --> 00:19:50,773
♪ HIGHWAY TO THE DANGER ZONE

524
00:19:50,773 --> 00:19:55,444
GONNA TAKE YOU RIGHT INTO

525
00:19:55,444 --> 00:20:02,685
THE DANGER ZONE ♪

526
00:20:02,685 --> 00:20:03,352
>> Alfonso: DANNY & WITNEY

527
00:20:03,352 --> 00:20:05,321
TAKING US TO THE "DANGER ZONE"

528
00:20:05,321 --> 00:20:10,593
WITH THEIR SUPERSONIC JIVE.

529
00:20:10,593 --> 00:20:11,527
THERE YOU GO.

530
00:20:11,527 --> 00:20:12,428
IT WAS THERE.

531
00:20:12,428 --> 00:20:16,365
IT WAS THERE.

532
00:20:16,365 --> 00:20:19,902
ALL RIGHT.

533
00:20:19,902 --> 00:20:21,570
BRUNO?

534
00:20:21,570 --> 00:20:22,304
>> Bruno: HE WAS OFF LIKE A JET

535
00:20:22,304 --> 00:20:27,443
FIGHTER.

536
00:20:27,443 --> 00:20:29,044
TALK ABOUT CRUISING AT HIGH

537
00:20:29,044 --> 00:20:31,280
ALTITUDE.

538
00:20:31,280 --> 00:20:32,114
YOU GOT A LITTLE BIT OF

539
00:20:32,114 --> 00:20:34,350
TURBULENCE.

540
00:20:34,350 --> 00:20:34,717
I SEEN IT.

541
00:20:34,717 --> 00:20:37,052
YOU KNOW.

542
00:20:37,052 --> 00:20:39,955
YOU HANDLED IT VERY, VERY WELL.

543
00:20:39,955 --> 00:20:44,793
YOU LANDED SPLENDIDLY.

544
00:20:44,793 --> 00:20:47,630
>> Carrie Ann: CAN WE DO IT

545
00:20:47,630 --> 00:20:47,997
AGAIN?

546
00:20:47,997 --> 00:20:48,831
YOU ARE INCREDIBLE.

547
00:20:48,831 --> 00:20:50,566
THE GROWTH FROM LAST WEEK TO

548
00:20:50,566 --> 00:20:52,501
THIS WEEK, THE COMMAND ON THE

549
00:20:52,501 --> 00:21:00,576
DANCE FLOOR, THE ATHLETIC

550
00:21:00,576 --> 00:21:01,210
PROWESS WAS RIDICULOUS.

551
00:21:01,210 --> 00:21:02,378
THAT WAS ON FIRE.

552
00:21:02,378 --> 00:21:06,982
YOU OKAY?

553
00:21:06,982 --> 00:21:08,384
>> Derek: YOU FELT THE NEED FOR

554
00:21:08,384 --> 00:21:09,318
SPEED IN THAT DANCE.

555
00:21:09,318 --> 00:21:09,685
YOU DID.

556
00:21:09,685 --> 00:21:13,589
I HAD TO SAY IT.

557
00:21:13,589 --> 00:21:14,390
LISTEN, THAT WAS A DIFFICULT

558
00:21:14,390 --> 00:21:16,625
ROUTINE.

559
00:21:16,625 --> 00:21:19,461
THE COMBOS, THE MUSICALITY.

560
00:21:19,461 --> 00:21:21,931
WATCH THE ARMS.

561
00:21:21,931 --> 00:21:23,299
KICKS AND STUFF, MAKE SURE THEY

562
00:21:23,299 --> 00:21:24,333
ARE WORKING.

563
00:21:24,333 --> 00:21:25,601
SOMETIMES THEY ARE FLAILING

564
00:21:25,601 --> 00:21:25,968
AROUND.

565
00:21:25,968 --> 00:21:27,436
BIG IMPROVEMENT FROM LAST WEEK.

566
00:21:27,436 --> 00:21:29,538
I LOVE SEEING YOUR COMMITMENT ON

567
00:21:29,538 --> 00:21:29,939
THIS FLOOR.

568
00:21:29,939 --> 00:21:31,540
KEEP BRINGING THAT EVERY WEEK.

569
00:21:31,540 --> 00:21:32,174
>> Alfonso: HEAD ON UP TO

570
00:21:32,174 --> 00:21:34,743
JULIANNE FOR YOUR SCORES.

571
00:21:34,743 --> 00:21:36,278
IN THE COMING WEEKS, WE'LL

572
00:21:36,278 --> 00:21:39,348
FEATURE AN EMOTIONALLY CHARGED

573
00:21:39,348 --> 00:21:40,950
PERFORMANCE FROM DEREK HOUGH AND

574
00:21:40,950 --> 00:21:42,484
HAYLEY ERBERT, INSPIRED BY THEIR

575
00:21:42,484 --> 00:21:45,621
CHALLENGING YEAR.

576
00:21:45,621 --> 00:21:46,655
IT WILL BE HER FIRST TIME BACK

577
00:21:46,655 --> 00:21:48,190
ON OUR DANCE FLOOR SINCE HER

578
00:21:48,190 --> 00:21:48,924
EMERGENCY SURGERY AND IT IS NOT

579
00:21:48,924 --> 00:21:49,792
TO BE MISSED.

580
00:21:49,792 --> 00:21:50,826
JULIANNE.

581
00:21:50,826 --> 00:21:54,129
>> Julianne: THANKS, ALFONSO.

582
00:21:54,129 --> 00:21:56,465
WELL DONE, YOU TWO.

583
00:21:56,465 --> 00:21:58,434
YOU TALKED A LITTLE ABOUT YOUR

584
00:21:58,434 --> 00:21:58,834
GRANDFATHER.

585
00:21:58,834 --> 00:21:59,935
WHAT DO YOU THINK HE WOULD HAVE

586
00:21:59,935 --> 00:22:01,136
THOUGHT OF THAT PERFORMANCE

587
00:22:01,136 --> 00:22:01,470
TONIGHT?

588
00:22:01,470 --> 00:22:02,371
>> HE WOULD HAVE THOUGHT WE WERE

589
00:22:02,371 --> 00:22:07,009
IN THE DANGER ZONE, FOR SURE.

590
00:22:07,009 --> 00:22:07,543
HE WAS A GREAT MAN.

591
00:22:07,543 --> 00:22:08,777
SHOUTOUT TO ALL THE MILITARY FOR

592
00:22:08,777 --> 00:22:09,178
OUR COUNTRY.

593
00:22:09,178 --> 00:22:09,845
THEY DO A LOT.

594
00:22:09,845 --> 00:22:14,917
APPRECIATE HIM.

595
00:22:14,917 --> 00:22:19,688
>> Julianne: LET'S GET YOUR

596
00:22:19,688 --> 00:22:21,490
SCORES.

597
00:22:21,490 --> 00:22:22,958
>> Carrie Ann: 8.

598
00:22:22,958 --> 00:22:23,392
>> Derek: 7.

599
00:22:23,392 --> 00:22:28,964
>> Bruno: 7.

600
00:22:28,964 --> 00:22:29,565
>> Julianne: ALL RIGHT.

601
00:22:29,565 --> 00:22:32,501
THE TOTAL FOR BOTH NIGHTS IS 41.

602
00:22:32,501 --> 00:22:34,436
IF THEY ARE YOUR FAVORITES, YOU

603
00:22:34,436 --> 00:22:37,606
CAN AWARD THEM YOUR VOTES.

604
00:22:37,606 --> 00:22:38,640
>> Alfonso: OUR CELEBRATION OF

605
00:22:38,640 --> 00:22:39,375
THE OSCARS IS HEADING INTO THE

606
00:22:39,375 --> 00:22:41,777
WORLD OF HIGH FASHION.

607
00:22:41,777 --> 00:22:43,278
ANNA DELVEY & EZRA SOSA

608
00:22:43,278 --> 00:22:44,847
QUICKSTEP TO A SONG FROM "THE

609
00:22:44,847 --> 00:22:46,582
DEVIL WEARS PRADA," NEXT, LIVE.

610
00:22:57,359 --> 00:23:00,295
>> Alfonso: WELCOME BACK.

611
00:23:00,295 --> 00:23:01,930
IF YOU'VE EVER WORKED FOR A

612
00:23:01,930 --> 00:23:03,465
DEMANDING BOSS, THEN YOU CAN

613
00:23:03,465 --> 00:23:05,034
PROBABLY RELATE TO THE TWO-TIME

614
00:23:05,034 --> 00:23:05,768
OSCAR-NOMINATED FILM "THE DEVIL

615
00:23:05,768 --> 00:23:11,674
WEARS PRADA."

616
00:23:11,674 --> 00:23:12,808
>> Julianne: I DON'T KNOW IF I

617
00:23:12,808 --> 00:23:13,208
CAN RELATE.

618
00:23:13,208 --> 00:23:19,181
I LOVE MY BOSS.

619
00:23:19,181 --> 00:23:24,920
I LOVE THAT MOVIE.

620
00:23:24,920 --> 00:23:25,654
IT'S FASHIONISTA & ENTREPRENEUR,

621
00:23:25,654 --> 00:23:28,323
ANNA DELVEY & EZRA SOSA.

622
00:23:28,323 --> 00:23:29,558
>> I WAS REALLY HAPPY.

623
00:23:29,558 --> 00:23:32,227
WHEN I WENT ONLINE, I WAS

624
00:23:32,227 --> 00:23:33,929
REALLY -- THE COMMENTS, I FELT

625
00:23:33,929 --> 00:23:34,263
UPSET.

626
00:23:34,263 --> 00:23:35,531
>> SEEING THE ARTICLES SAID

627
00:23:35,531 --> 00:23:40,969
ABOUT YOU, IT HURTS ME.

628
00:23:40,969 --> 00:23:43,605
>> PEOPLE FEEL NEGATIVELY.

629
00:23:43,605 --> 00:23:44,840
I JUST MOVE ON.

630
00:23:44,840 --> 00:23:47,643
>> WE ARE DANCING TO "SUDDENLY I

631
00:23:47,643 --> 00:23:50,412
SEE" FROM "DEVIL WEARS PRADA."

632
00:23:50,412 --> 00:23:52,448
>> ONE OF MY FAVORITE MOVIES.

633
00:23:52,448 --> 00:23:54,216
I WORKED IN FASHION FOR TEN

634
00:23:54,216 --> 00:23:54,550
YEARS.

635
00:23:54,550 --> 00:23:55,651
>> WE SHOULD CHANNEL THAT.

636
00:23:55,651 --> 00:24:02,257
TURN.

637
00:24:02,257 --> 00:24:02,925
>> I'VE TURNED TO HER FOR

638
00:24:02,925 --> 00:24:05,928
ADVICE.

639
00:24:05,928 --> 00:24:07,796
>> WITH ALL THE HEADLINES, DOES

640
00:24:07,796 --> 00:24:08,697
THAT BUG YOU?

641
00:24:08,697 --> 00:24:10,299
>> WHEN YOU ARE YOUNG, YOU DO

642
00:24:10,299 --> 00:24:12,968
THINGS YOU ARE ASHAMED OF.

643
00:24:12,968 --> 00:24:15,404
IT HAPPENED PUBLICLY.

644
00:24:15,404 --> 00:24:17,506
>> SAD TO SEE ALL THE PEOPLE BE

645
00:24:17,506 --> 00:24:18,407
SO NASTY.

646
00:24:18,407 --> 00:24:19,675
IF IT WERE THERE SISTER OR

647
00:24:19,675 --> 00:24:20,409
MOTHER, THEY WOULD BE ALL FOR A

648
00:24:20,409 --> 00:24:24,246
SECOND CHANCE.

649
00:24:24,246 --> 00:24:25,314
SHE'S SWEET.

650
00:24:25,314 --> 00:24:26,882
YOU WILL WIN OVER AMERICA'S

651
00:24:26,882 --> 00:24:27,216
HEARTS.

652
00:24:27,216 --> 00:24:28,050
>> THANK YOU.

653
00:24:28,050 --> 00:24:30,352
>> SHE PUTS UP THIS TOUGH

654
00:24:30,352 --> 00:24:32,087
EXTERIOR, IT'S A DEFENSE

655
00:24:32,087 --> 00:24:32,454
MECHANISM.

656
00:24:32,454 --> 00:24:33,122
>> YOU WANT TO SEE DANCING?

657
00:24:33,122 --> 00:24:34,490
>> I DO.

658
00:24:34,490 --> 00:24:38,994
>> IT'S BEEN A HARD WEEK.

659
00:24:38,994 --> 00:24:40,162
HATE IS NEVER GOING TO STOP ME.

660
00:24:40,162 --> 00:24:44,399
>> THAT WAS AMAZING.

661
00:24:44,399 --> 00:24:45,033
>> ANNOUNCER: DANCING THE

662
00:24:45,033 --> 00:24:46,969
QUICKSTEP, WITH HER PARTNER

663
00:24:46,969 --> 00:24:50,072
EZRA SOSA, IT'S ANNA DELVEY.

664
00:24:54,810 --> 00:24:55,310
♪ HER FACE

665
00:24:55,310 --> 00:24:56,378
IS A MAP OF THE WORLD

666
00:24:56,378 --> 00:24:59,982
IS A MAP OF THE WORLD ♪

667
00:24:59,982 --> 00:25:00,516
♪ YOU CAN SEE

668
00:25:00,516 --> 00:25:02,117
SHE'S A BEAUTIFUL GIRL

669
00:25:02,117 --> 00:25:05,754
SHE'S A BEAUTIFUL GIRL ♪

670
00:25:05,754 --> 00:25:07,289
♪ AND EVERYTHING AROUND HER

671
00:25:07,289 --> 00:25:12,528
IS A SILVER POOL OF LIGHT ♪

672
00:25:12,528 --> 00:25:13,562
♪ THE PEOPLE WHO

673
00:25:13,562 --> 00:25:14,096
SURROUND HER

674
00:25:14,096 --> 00:25:15,664
FEEL THE BENEFIT OF IT ♪

675
00:25:15,664 --> 00:25:16,265
♪ IT MAKES YOU CALM

676
00:25:16,265 --> 00:25:18,333
SHE HOLDS YOU

677
00:25:18,333 --> 00:25:21,436
CAPTIVATED IN HER PALM ♪

678
00:25:21,436 --> 00:25:23,005
♪ SUDDENLY I SEE

679
00:25:23,005 --> 00:25:23,539
SUDDENLY I SEE

680
00:25:23,539 --> 00:25:24,573
THIS IS WHAT I WANNA BE ♪

681
00:25:24,573 --> 00:25:25,641
♪ SUDDENLY I SEE

682
00:25:25,641 --> 00:25:28,777
SUDDENLY I SEE ♪

683
00:25:28,777 --> 00:25:29,812
♪ WHY THE HELL

684
00:25:29,812 --> 00:25:32,915
IT MEANS SO MUCH TO ME ♪

685
00:25:32,915 --> 00:25:33,448
♪ SUDDENLY I SEE

686
00:25:33,448 --> 00:25:34,983
THIS IS WHAT I WANNA BE ♪

687
00:25:34,983 --> 00:25:36,018
♪ SUDDENLY I SEE

688
00:25:36,018 --> 00:25:38,120
SUDDENLY I SEE ♪

689
00:25:38,120 --> 00:25:39,154
♪ WHY THE HELL

690
00:25:39,154 --> 00:25:40,189
IT MEANS SO MUCH TO ME

691
00:25:40,189 --> 00:25:45,394
YEAH YEAH ♪

692
00:25:45,394 --> 00:25:45,928
♪ SUDDENLY I SEE

693
00:25:45,928 --> 00:25:46,461
SUDDENLY I SEE

694
00:25:46,461 --> 00:25:48,030
SUDDENLY I SEE ♪

695
00:25:48,030 --> 00:25:48,564
♪ WHY THE HELL

696
00:25:48,564 --> 00:25:56,905
IT MEANS SO MUCH TO ME ♪

697
00:25:56,905 --> 00:25:59,007
>> Alfonso: ANNA & EZRA WITH A

698
00:25:59,007 --> 00:26:03,512
QUICKSTEP.

699
00:26:03,512 --> 00:26:05,781
SO BEAUTIFUL.

700
00:26:05,781 --> 00:26:06,415
THAT WAS FANTASTIC.

701
00:26:06,415 --> 00:26:06,782
GOOD JOB.

702
00:26:06,782 --> 00:26:11,320
GOOD JOB.

703
00:26:11,320 --> 00:26:13,255
>> Carrie Ann: LISTEN, IT'S HARD

704
00:26:13,255 --> 00:26:14,256
TO DEAL WITH THE HATERS.

705
00:26:14,256 --> 00:26:14,590
IT IS.

706
00:26:14,590 --> 00:26:16,625
I CAN UNDERSTAND THAT.

707
00:26:16,625 --> 00:26:18,927
WHAT I WANT YOU TO DO IS EMBRACE

708
00:26:18,927 --> 00:26:19,928
THIS FULLY.

709
00:26:19,928 --> 00:26:21,163
I FEEL LIKE STILL YOU ARE

710
00:26:21,163 --> 00:26:22,798
HOLDING BACK JUST A HAIR.

711
00:26:22,798 --> 00:26:24,566
WHAT I WANT TO SAY TO YOU IS

712
00:26:24,566 --> 00:26:25,701
LISTEN TO THIS PART BECAUSE THIS

713
00:26:25,701 --> 00:26:27,803
IS IMPORTANT, YOU HAVE BEAUTIFUL

714
00:26:27,803 --> 00:26:28,103
LINES.

715
00:26:28,103 --> 00:26:30,272
YOU HAVE THE POTENTIAL TO GO FAR

716
00:26:30,272 --> 00:26:32,841
IF YOU JUST EMBRACE IT MORE.

717
00:26:32,841 --> 00:26:33,942
SEE THAT SMILE IN YOU ARE PART

718
00:26:33,942 --> 00:26:34,443
OF THE FAMILY NOW.

719
00:26:34,443 --> 00:26:38,614
YOU ARE NOT ALONE OUT THERE.

720
00:26:38,614 --> 00:26:40,415
>> Derek: I SAW A SOFTNESS OUT

721
00:26:40,415 --> 00:26:41,416
THERE WITH YOU TONIGHT.

722
00:26:41,416 --> 00:26:44,052
I STARTED TO SEE ANNA THE

723
00:26:44,052 --> 00:26:44,386
PERSON.

724
00:26:44,386 --> 00:26:46,054
NOT JUST THE PERSONA.

725
00:26:46,054 --> 00:26:47,155
I APPRECIATE THAT.

726
00:26:47,155 --> 00:26:50,626
THERE'S A FEW TECHNICAL THINGS.

727
00:26:50,626 --> 00:26:53,462
KEEP THE ELBOWS UP.

728
00:26:53,462 --> 00:26:54,162
IT'S JUST A BIT MORE OF THE

729
00:26:54,162 --> 00:26:54,496
ENERGY.

730
00:26:54,496 --> 00:26:59,067
THAT'S ALL.

731
00:26:59,067 --> 00:27:00,068
OVERALL, THE TURNS, YOU HAVE

732
00:27:00,068 --> 00:27:00,535
BEAUTIFUL TURNS.

733
00:27:00,535 --> 00:27:01,503
YOU DO.

734
00:27:01,503 --> 00:27:05,474
YOU DO.

735
00:27:05,474 --> 00:27:07,609
>> Bruno: LET ME SAY THAT THAT

736
00:27:07,609 --> 00:27:12,514
WAS A PROPER, CLASSIC, ELEGANT

737
00:27:12,514 --> 00:27:12,848
DANCE.

738
00:27:12,848 --> 00:27:14,650
THE QUICKSTEP WE WOULD LIKE TO

739
00:27:14,650 --> 00:27:14,983
SEE.

740
00:27:14,983 --> 00:27:17,352
WHEN YOU DO IT RIGHT -- EVEN

741
00:27:17,352 --> 00:27:18,620
AMANDA HERSELF WOULD APPROVE.

742
00:27:18,620 --> 00:27:20,589
YOU HAVE TO BELIEVE IN YOURSELF.

743
00:27:20,589 --> 00:27:22,724
JUST DROP THE PERSONA, BE YOU,

744
00:27:22,724 --> 00:27:23,492
BECAUSE WE LOVE YOU FOR WHAT YOU

745
00:27:23,492 --> 00:27:32,200
ARE, MY LOVE.

746
00:27:32,200 --> 00:27:33,168
>> Alfonso: I THINK YOU MEANT

747
00:27:33,168 --> 00:27:36,738
MIRANDA.

748
00:27:36,738 --> 00:27:39,374
ALL RIGHT.

749
00:27:39,374 --> 00:27:40,075
SONGS FROM "BARBIE" AND "DIE

750
00:27:40,075 --> 00:27:40,809
HARD" ARE ON THE WAY ALONG WITH

751
00:27:40,809 --> 00:27:41,543
DISNEY STAR CHANDLER KINNEY AND

752
00:27:41,543 --> 00:27:42,010
MOVIE & TV STAR

753
00:27:42,010 --> 00:27:43,545
REGINALD VelJOHNSON.

754
00:27:43,545 --> 00:27:44,246
HE'S GOT A WALKIE-TALKIE AND

755
00:27:44,246 --> 00:27:45,080
HE'S NOT AFRAID TO USE IT.

756
00:27:45,080 --> 00:27:46,615
JULIANNE.

757
00:27:46,615 --> 00:27:50,786
>> Julianne: THANKS, ALFONSO.

758
00:27:50,786 --> 00:27:52,988
I WANT TO GET RIGHT INTO IT.

759
00:27:52,988 --> 00:27:54,956
HOW HARD IS IT TO READ THE

760
00:27:54,956 --> 00:27:56,291
COMMENTS KNOWING THAT YOU ARE

761
00:27:56,291 --> 00:27:58,026
TRYING SO HARD OUT HERE?

762
00:27:58,026 --> 00:28:00,896
>> I DIDN'T EXPECT SUCH

763
00:28:00,896 --> 00:28:01,263
BACKLASH.

764
00:28:01,263 --> 00:28:01,730
IT'S A NEW WEEK.

765
00:28:01,730 --> 00:28:05,734
I'M TRYING TO GET THROUGH IT.

766
00:28:05,734 --> 00:28:06,468
>> Julianne: THE QUICKSTEP IS

767
00:28:06,468 --> 00:28:09,104
CHALLENGING PHYSICALLY.

768
00:28:09,104 --> 00:28:10,138
WHAT HAS BEEN THE MOST

769
00:28:10,138 --> 00:28:11,306
CHALLENGING THING WHEN IT COMES

770
00:28:11,306 --> 00:28:13,208
TO ACTUALLY DANCING?

771
00:28:13,208 --> 00:28:18,146
>> I THINK JUMPING AROUND.

772
00:28:18,146 --> 00:28:18,880
>> Julianne: LET'S JUMP TO YOUR

773
00:28:18,880 --> 00:28:19,214
SCORES.

774
00:28:19,214 --> 00:28:21,116
HOW ABOUT THAT?

775
00:28:21,116 --> 00:28:25,320
>> Carrie Ann: 6.

776
00:28:25,320 --> 00:28:27,222
>> Derek: 5.

777
00:28:27,222 --> 00:28:32,794
>> Bruno: 6.

778
00:28:32,794 --> 00:28:33,962
>> Julianne: 17 OUT OF 30.

779
00:28:33,962 --> 00:28:34,830
THEIR TOTAL FOR BOTH NIGHTS IS

780
00:28:34,830 --> 00:28:37,265
35.

781
00:28:37,265 --> 00:28:38,033
YOU CAN SHOW ANNA YOUR SUPPORT

782
00:28:38,033 --> 00:28:39,935
WITH YOUR VOTES.

783
00:28:39,935 --> 00:28:40,635
VOTING CLOSES DURING THE LAST

784
00:28:40,635 --> 00:28:41,136
COMMERCIAL BREAK.

785
00:28:41,136 --> 00:28:41,837
AND THEN, SADLY, TWO COUPLES

786
00:28:41,837 --> 00:28:43,305
WILL BE ELIMINATED.

787
00:28:53,815 --> 00:28:56,084
>> Alfonso: WELCOME BACK TO

788
00:28:56,084 --> 00:28:58,487
"OSCARS NIGHT."

789
00:28:58,487 --> 00:29:00,589
NEXT UP, WE'VE GOT A RUMBA TO

790
00:29:00,589 --> 00:29:01,323
THE OSCAR-WINNING BILLIE EILISH

791
00:29:01,323 --> 00:29:03,725
HIT "WHAT WAS I MADE FOR?" FROM

792
00:29:03,725 --> 00:29:04,426
THE INTERNATIONAL PHENOMENON

793
00:29:04,426 --> 00:29:06,862
"BARBIE."

794
00:29:06,862 --> 00:29:07,896
IT'S LAST WEEK'S LEADERS, TV

795
00:29:07,896 --> 00:29:08,497
STAR, CHANDLER KINNEY &

796
00:29:08,497 --> 00:29:13,435
BRANDON ARMSTRONG.

797
00:29:13,435 --> 00:29:15,036
>> YOU DID INCREDIBLE OF THE TOP

798
00:29:15,036 --> 00:29:16,571
OF THE LEADERBOARD.

799
00:29:16,571 --> 00:29:18,940
>> YOU HAVE SET THE STANDARD FOR

800
00:29:18,940 --> 00:29:19,708
SEASON 33.

801
00:29:19,708 --> 00:29:20,876
THAT'S WHAT WE WANT TO SEE.

802
00:29:20,876 --> 00:29:22,344
>> THAT'S OUR EXPECTATION FOR

803
00:29:22,344 --> 00:29:23,812
YOU TO TAKE US ALL THE WAY TO

804
00:29:23,812 --> 00:29:25,247
THE FINALE.

805
00:29:25,247 --> 00:29:26,048
>> LOVE PRESSURE.

806
00:29:26,048 --> 00:29:27,682
>> THIS WEEK, WE ARE GOING TO

807
00:29:27,682 --> 00:29:31,586
DANCE TO "WHAT WAS I MADE FOR."

808
00:29:31,586 --> 00:29:33,588
>> IT TOUCHES ON THINGS I HAVE

809
00:29:33,588 --> 00:29:35,357
FELT BEFORE.

810
00:29:35,357 --> 00:29:37,325
GIRLHOOD IS PICTURE PERFECT,

811
00:29:37,325 --> 00:29:40,362
DRESSED IN PINK.

812
00:29:40,362 --> 00:29:43,331
THEN YOU GROW UP.

813
00:29:43,331 --> 00:29:44,399
EXPERIENCE SELF-DOUBT.

814
00:29:44,399 --> 00:29:47,936
THAT'S WHAT THAT SONG EMBODIES.

815
00:29:47,936 --> 00:29:50,505
>> THE RUMBA IS VERY DIFFICULT.

816
00:29:50,505 --> 00:29:51,640
A LOT OF SHAPING, FASTER, A LOT

817
00:29:51,640 --> 00:29:53,708
OF STEPS.

818
00:29:53,708 --> 00:29:55,911
>> THIS IS HARD.

819
00:29:55,911 --> 00:29:57,212
>> IT'S HIP ACTION.

820
00:29:57,212 --> 00:29:58,380
THAT'S NEW FOR CHANDLER.

821
00:29:58,380 --> 00:30:00,582
IT'S A LOT OF WORK THIS WEEK.

822
00:30:00,582 --> 00:30:01,483
>> MY BAD.

823
00:30:01,483 --> 00:30:02,084
I'M VERY NERVOUS.

824
00:30:02,084 --> 00:30:04,953
>> LOWER THAT HIP.

825
00:30:04,953 --> 00:30:06,721
>> JUDGES HAVE HIGH EXPECTATIONS

826
00:30:06,721 --> 00:30:07,389
OF ME.

827
00:30:07,389 --> 00:30:08,824
THE PRESSURE IS ON.

828
00:30:08,824 --> 00:30:13,528
>> YOU MISSED ONE STEP.

829
00:30:13,528 --> 00:30:14,262
>> Announcer: DANCING THE RUMBA,

830
00:30:14,262 --> 00:30:15,096
WITH HER PARTNER

831
00:30:15,096 --> 00:30:15,697
BRANDON ARMSTRONG, IT'S

832
00:30:15,697 --> 00:30:22,337
CHANDLER KINNEY.

833
00:30:27,108 --> 00:30:28,677
♪ I USED TO FLOAT

834
00:30:28,677 --> 00:30:31,780
NOW I JUST FALL DOWN ♪

835
00:30:31,780 --> 00:30:34,382
♪ I USED TO KNOW

836
00:30:34,382 --> 00:30:40,122
BUT I'M NOT SURE NOW ♪

837
00:30:40,122 --> 00:30:42,724
♪ WHAT I WAS MADE FOR

838
00:30:42,724 --> 00:30:54,236
WHAT WAS I MADE FOR? ♪

839
00:30:54,236 --> 00:30:56,838
♪ 'CAUSE I I

840
00:30:56,838 --> 00:31:05,714
I DON'T KNOW HOW TO FEEL

841
00:31:05,714 --> 00:31:12,154
BUT SOMEDAY I MIGHT ♪

842
00:31:12,154 --> 00:31:22,230
♪ SOMEDAY I MIGHT ♪

843
00:31:22,230 --> 00:31:23,798
>> Alfonso: CHANDLER & BRANDON

844
00:31:23,798 --> 00:31:25,367
TAKING US BACK TO LAST YEAR'S

845
00:31:25,367 --> 00:31:30,172
BLOCKBUSTER WITH A RUMBA.

846
00:31:30,172 --> 00:31:34,242
THEY ARE ON THEIR FEET IN THE

847
00:31:34,242 --> 00:31:34,609
BALLROOM.

848
00:31:34,609 --> 00:31:37,112
THEY ARE LOVING THAT ROUTINE.

849
00:31:37,112 --> 00:31:40,048
YES, THEY ARE.

850
00:31:40,048 --> 00:31:42,817
DID YOU LOVE IT?

851
00:31:42,817 --> 00:31:43,485
>> Derek: YOU WERE MADE FOR

852
00:31:43,485 --> 00:31:47,255
DANCING.

853
00:31:47,255 --> 00:31:48,323
SO BEAUTIFUL.

854
00:31:48,323 --> 00:31:49,891
THE TEXTURE IN YOUR MOVEMENT,

855
00:31:49,891 --> 00:31:52,561
THE CONTROL IN YOUR LEG ACTION,

856
00:31:52,561 --> 00:31:54,829
YOUR FOOTWORK, YOUR BEAUTIFUL

857
00:31:54,829 --> 00:31:55,163
ARMS.

858
00:31:55,163 --> 00:31:56,464
I HAD MORE NOTES FOR BRANDON

859
00:31:56,464 --> 00:31:59,401
THAN YOU.

860
00:31:59,401 --> 00:32:00,602
ACTUALLY, THE SHOW IS ABOUT

861
00:32:00,602 --> 00:32:01,002
IMPROVEMENT.

862
00:32:01,002 --> 00:32:02,571
I WANT TO ADD, MOVING FORWARD,

863
00:32:02,571 --> 00:32:04,573
WHENEVER YOU DO A TURN, DON'T

864
00:32:04,573 --> 00:32:05,607
HAVE YOUR HANDS SO HIGH.

865
00:32:05,607 --> 00:32:08,243
BRING IT DOWN TO THE HEAD.

866
00:32:08,243 --> 00:32:15,417
>> BRANDON MENTIONED THAT.

867
00:32:15,417 --> 00:32:17,185
>> Bruno: I'M LOVING THIS.

868
00:32:17,185 --> 00:32:17,919
YOU NEVER KNOW WHAT'S GOING TO

869
00:32:17,919 --> 00:32:18,687
HAPPEN.

870
00:32:18,687 --> 00:32:22,557
I KNOW WHAT'S HAPPENING.

871
00:32:22,557 --> 00:32:24,326
LISTEN, IT'S LIKE YOU COME OUT

872
00:32:24,326 --> 00:32:26,428
HERE, YOU -- IT'S ONE OF THE

873
00:32:26,428 --> 00:32:27,562
HARDEST DANCE TO DO.

874
00:32:27,562 --> 00:32:29,130
YOU MAKE IT LOOK EASY.

875
00:32:29,130 --> 00:32:31,766
I'M DOING THE RUMBA.

876
00:32:31,766 --> 00:32:32,467
DONE.

877
00:32:32,467 --> 00:32:32,801
BUY.

878
00:32:32,801 --> 00:32:33,134
NEXT.

879
00:32:33,134 --> 00:32:40,475
EXCUSE ME.

880
00:32:40,475 --> 00:32:42,077
>> Carrie Ann: YOU CREATED SOME

881
00:32:42,077 --> 00:32:44,079
MOMENTS THERE THAT -- I THINK IT

882
00:32:44,079 --> 00:32:44,980
TOUCHED US ALL.

883
00:32:44,980 --> 00:32:46,281
WHEN DANCE CAN GO INSIDE AND

884
00:32:46,281 --> 00:32:48,984
PULL ON YOUR ORGANS AND YOUR

885
00:32:48,984 --> 00:32:50,385
HEARTSTRINGS LIKE THAT, IT'S

886
00:32:50,385 --> 00:32:50,752
POWERFUL.

887
00:32:50,752 --> 00:32:51,553
YOU ARE SO YOUNG.

888
00:32:51,553 --> 00:32:52,921
YOU TAPPING INTO THAT SO EARLY

889
00:32:52,921 --> 00:32:54,122
IN THE SEASON MAKES ME THINK YOU

890
00:32:54,122 --> 00:32:56,858
MIGHT DO QUITE WELL.

891
00:32:56,858 --> 00:32:59,127
THAT BEING SAID, ONE CORRECTION.

892
00:32:59,127 --> 00:33:01,096
YOU COULD SETTLE A LITTLE BIT

893
00:33:01,096 --> 00:33:01,429
MORE.

894
00:33:01,429 --> 00:33:02,163
YOU ARE STILL TRYING TO DANCE ON

895
00:33:02,163 --> 00:33:05,834
YOUR OWN.

896
00:33:05,834 --> 00:33:09,838
YOU KNOW WHAT I'M SAYING?

897
00:33:09,838 --> 00:33:11,773
>> Alfonso: YOU ME BE TALKING TO

898
00:33:11,773 --> 00:33:12,173
EACH OTHER.

899
00:33:12,173 --> 00:33:19,447
HEAD ON UP FOR YOUR SCORES.

900
00:33:19,447 --> 00:33:30,058
♪♪

901
00:33:30,058 --> 00:33:34,229
♪♪

902
00:33:34,229 --> 00:33:34,929
>> Julianne: FROM OUR TROUPE,

903
00:33:34,929 --> 00:33:35,797
IT'S KAILYN & ROMAN.

904
00:33:35,797 --> 00:33:39,801
FANTASTIC.

905
00:33:39,801 --> 00:33:40,602
WELCOME UP HERE.

906
00:33:40,602 --> 00:33:42,604
YOU GOT A STANDING OVATION.

907
00:33:42,604 --> 00:33:43,838
YOU ARE THE FRONTRUNNER FROM THE

908
00:33:43,838 --> 00:33:46,074
LEADERBOARD LAST WEEK.

909
00:33:46,074 --> 00:33:49,010
WHAT IS THE PRESSURE LIKE THIS

910
00:33:49,010 --> 00:33:49,344
WEEK?

911
00:33:49,344 --> 00:33:50,345
WHAT HAS BEEN THE MOST

912
00:33:50,345 --> 00:33:51,246
CHALLENGING THING FOR YOU?

913
00:33:51,246 --> 00:33:53,548
>> THE PRESSURE IS THIS.

914
00:33:53,548 --> 00:33:55,150
I GET REALLY SHAKY.

915
00:33:55,150 --> 00:33:57,819
BRANDON IS THE BEST ANCHOR EVER.

916
00:33:57,819 --> 00:33:58,553
I LOOK INTO HIS EYES AND THAT

917
00:33:58,553 --> 00:34:00,755
CENTERS ME.

918
00:34:00,755 --> 00:34:03,024
I THINK THE HARDEST THING IS

919
00:34:03,024 --> 00:34:04,492
MEETING THE EXPECTATIONS AND

920
00:34:04,492 --> 00:34:06,394
ALSO MEETING MY OWN

921
00:34:06,394 --> 00:34:06,828
EXPECTATIONS.

922
00:34:06,828 --> 00:34:08,029
I'M A BIT OF A PERFECTIONIST.

923
00:34:08,029 --> 00:34:10,031
I WANT TO MAKE MYSELF PROUD AT

924
00:34:10,031 --> 00:34:16,004
THE END OF THE DAY.

925
00:34:16,004 --> 00:34:21,009
>> Carrie Ann: 8.

926
00:34:21,009 --> 00:34:21,776
>> Derek: 8.

927
00:34:21,776 --> 00:34:24,979
>> Bruno: 8.

928
00:34:24,979 --> 00:34:26,681
>> Julianne: THAT'S A 24 OUT OF

929
00:34:26,681 --> 00:34:30,452
30 FOR CHANDLER AND BRANDON.

930
00:34:30,452 --> 00:34:32,320
THEIR TOTAL IS 47.

931
00:34:32,320 --> 00:34:33,088
OUR TOP SCORING STARS NEED YOUR

932
00:34:33,088 --> 00:34:36,057
VOTES.

933
00:34:36,057 --> 00:34:37,625
>> Alfonso: THANKS, JULIANNE.

934
00:34:37,625 --> 00:34:38,259
THE MEN WHO FINISHED OUR

935
00:34:38,259 --> 00:34:39,160
PREMIERE IN A TIE FOR THIRD

936
00:34:39,160 --> 00:34:39,894
PLACE ON THE LEADERBOARD ARE ON

937
00:34:39,894 --> 00:34:41,796
THE WAY.

938
00:34:41,796 --> 00:34:42,864
STEPHEN NEDOROSCIK &

939
00:34:42,864 --> 00:34:43,898
JOEY GRAZIADEI DANCE TO THEIR

940
00:34:43,898 --> 00:34:45,600
"OSCARS NIGHT" HITS, LIVE.

941
00:34:55,143 --> 00:34:57,312
>> Alfonso: WELCOME BACK TO

942
00:34:57,312 --> 00:34:59,748
"OSCARS NIGHT."

943
00:34:59,748 --> 00:35:02,350
THIS NEXT SONG JUST MIGHT ANSWER

944
00:35:02,350 --> 00:35:03,017
THE QUESTION "IS DIE HARD A

945
00:35:03,017 --> 00:35:04,986
CHRISTMAS MOVIE?"

946
00:35:04,986 --> 00:35:05,687
>> Julianne: DEFINITELY NOT A

947
00:35:05,687 --> 00:35:10,191
CHRISTMAS MOVIE.

948
00:35:10,191 --> 00:35:11,726
DANCING TO A CLASSICAL PIECE

949
00:35:11,726 --> 00:35:12,827
FROM THE FILM, IT'S "DIE HARD"

950
00:35:12,827 --> 00:35:15,430
AND "FAMILY MATTERS" STAR,

951
00:35:15,430 --> 00:35:16,030
REGINALD VelJOHNSON &

952
00:35:16,030 --> 00:35:22,771
EMMA SLATER.

953
00:35:22,771 --> 00:35:25,240
>> WE DID OUR SALSA.

954
00:35:25,240 --> 00:35:27,041
>> I DIDN'T REALIZE EVERYTHING I

955
00:35:27,041 --> 00:35:27,709
USED TO DO EASILY IS NOW SO

956
00:35:27,709 --> 00:35:29,677
DIFFICULT.

957
00:35:29,677 --> 00:35:31,446
>> WE HAVE ROOM FOR IMPROVEMENT.

958
00:35:31,446 --> 00:35:32,080
MAYBE MORE MOVEMENT.

959
00:35:32,080 --> 00:35:36,584
WHAT YOU DID, YOU DID WELL.

960
00:35:36,584 --> 00:35:38,853
>> IT IS OSCARS NIGHT.

961
00:35:38,853 --> 00:35:44,292
WE ARE DANCING TO "OWED TO JOY"

962
00:35:44,292 --> 00:35:45,727
FROM "DIE HARD".

963
00:35:45,727 --> 00:35:48,930
>> MY FIRST BIG FILM.

964
00:35:48,930 --> 00:35:49,798
>> HANG IN THERE.

965
00:35:49,798 --> 00:35:50,565
>> THANKS.

966
00:35:50,565 --> 00:35:52,767
>> HOW IS IT WORKING WITH BRUCE

967
00:35:52,767 --> 00:35:53,101
WILLIS?

968
00:35:53,101 --> 00:35:54,369
>> IT WAS AN EXPERIENCE I WILL

969
00:35:54,369 --> 00:35:55,570
NEVER FORGET.

970
00:35:55,570 --> 00:35:57,372
HE WAS VERY KIND TO ME IN MY

971
00:35:57,372 --> 00:35:58,239
FIRST MAJOR ROLE.

972
00:35:58,239 --> 00:35:59,808
I THANKED HIM FOR THAT.

973
00:35:59,808 --> 00:36:01,776
NOW I'M ON "DANCING WITH THE

974
00:36:01,776 --> 00:36:04,078
STARS" AND CAN'T MOVE.

975
00:36:04,078 --> 00:36:05,446
>> STEP KICK.

976
00:36:05,446 --> 00:36:09,450
IT'S DRAMATIC.

977
00:36:09,450 --> 00:36:11,219
IT'S THE DANCE BETWEEN THE BULL

978
00:36:11,219 --> 00:36:12,454
FIGHTER AND THE CAPE.

979
00:36:12,454 --> 00:36:13,221
OF COURSE, THERE'S A LOT OF

980
00:36:13,221 --> 00:36:13,555
STEPS.

981
00:36:13,555 --> 00:36:16,191
LEFT LEG.

982
00:36:16,191 --> 00:36:16,958
OTHER LEFT LEG.

983
00:36:16,958 --> 00:36:18,893
>> THIS WEEK, IT'S A TRIBUTE TO

984
00:36:18,893 --> 00:36:20,328
MY FRIEND BRUCE WILLIS.

985
00:36:20,328 --> 00:36:21,996
IF YOU THINK I'M GOING OUT ON

986
00:36:21,996 --> 00:36:29,737
DOUBLE ELIMINATION, THEN

987
00:36:29,737 --> 00:36:34,342
YIPPY --

988
00:36:34,342 --> 00:36:34,976
>> Announcer: DANCING THE

989
00:36:34,976 --> 00:36:35,643
PASODOBLE, WITH HIS PARTNER

990
00:36:35,643 --> 00:36:36,444
EMMA SLATER, IT'S

991
00:36:36,444 --> 00:36:39,247
REGINALD VelJOHNSON.

992
00:36:39,247 --> 00:36:41,349
>> I NEED BACKUP NOW!

993
00:36:41,349 --> 00:36:48,156
♪♪

994
00:36:48,156 --> 00:36:51,793
[ SINGING IN GERMAN ]

995
00:36:51,793 --> 00:36:58,099
♪♪

996
00:36:58,099 --> 00:37:16,351
♪♪

997
00:37:16,351 --> 00:37:23,124
[ SINGING IN GERMAN ]

998
00:37:23,124 --> 00:37:38,907
♪♪

999
00:37:38,907 --> 00:37:41,142
>> WELCOME TO THE PARTY, PAL.

1000
00:37:41,142 --> 00:37:42,176
>> Alfonso: REGINALD & EMMA,

1001
00:37:42,176 --> 00:37:47,148
WITH AN ARRESTING PASODOBLE.

1002
00:37:47,148 --> 00:37:47,582
YES.

1003
00:37:47,582 --> 00:37:50,118
THE BALLROOM LOVES REGINALD.

1004
00:37:50,118 --> 00:37:50,451
COME ON.

1005
00:37:50,451 --> 00:37:51,686
RIGHT OVER HERE.

1006
00:37:51,686 --> 00:37:54,455
YES!

1007
00:37:54,455 --> 00:37:54,789
SO GOOD.

1008
00:37:54,789 --> 00:37:56,291
AWESOME.

1009
00:37:56,291 --> 00:37:59,093
BRUNO, COME ON.

1010
00:37:59,093 --> 00:38:04,499
>> Bruno: MOVE OVER BEETHOVEN.

1011
00:38:04,499 --> 00:38:07,402
I HAVE TO SAY, YOU ARE STARTING

1012
00:38:07,402 --> 00:38:11,572
TO NICELY DEFROST.

1013
00:38:11,572 --> 00:38:13,107
I THINK WE HAVE TO PUT MORE

1014
00:38:13,107 --> 00:38:19,080
DRIVE IN THE UNDERCARRIAGE.

1015
00:38:19,080 --> 00:38:19,614
IT EXTENDS.

1016
00:38:19,614 --> 00:38:22,083
YOU PROPEL YOUR HIPS.

1017
00:38:22,083 --> 00:38:26,955
WE ARE GETTING THERE.

1018
00:38:26,955 --> 00:38:28,423
>> Carrie Ann: FOR ME IN THAT

1019
00:38:28,423 --> 00:38:29,624
COMPETITION, THE WAY I JUDGE IS

1020
00:38:29,624 --> 00:38:30,458
EVERYONE HAS A 10.

1021
00:38:30,458 --> 00:38:31,659
IT'S GOING TO LOOK DIFFERENT

1022
00:38:31,659 --> 00:38:32,427
FROM PERSON TO PERSON TO PERSON

1023
00:38:32,427 --> 00:38:35,029
AND ABILITY TO ABILITY.

1024
00:38:35,029 --> 00:38:37,332
YOU ARE NOT QUITE AT THE 10.

1025
00:38:37,332 --> 00:38:38,066
BUT YOU ARE BABY STEPPING YOUR

1026
00:38:38,066 --> 00:38:40,935
WAY THERE.

1027
00:38:40,935 --> 00:38:42,837
TO QUOTE A VERY FAMOUS ACTOR,

1028
00:38:42,837 --> 00:38:47,608
YOU HANG IN THERE.

1029
00:38:47,608 --> 00:38:48,309
>> Derek: YOU ARE AN AMERICAN

1030
00:38:48,309 --> 00:38:48,876
TREASURE.

1031
00:38:48,876 --> 00:38:51,479
TRULY.

1032
00:38:51,479 --> 00:38:53,281
YOU CAN'T HELP BUT ROOT FOR YOU

1033
00:38:53,281 --> 00:38:54,282
WHEN YOU ARE WATCHING.

1034
00:38:54,282 --> 00:38:55,817
I WATCH YOU AND YOU ARE IN IT

1035
00:38:55,817 --> 00:38:56,884
AND YOUR FACE AND YOU PUT

1036
00:38:56,884 --> 00:38:57,285
REACTION IN.

1037
00:38:57,285 --> 00:38:57,685
YOU GO, MAN.

1038
00:38:57,685 --> 00:39:00,021
YOU GO.

1039
00:39:00,021 --> 00:39:01,422
THIS IS THE ONLY PLACE IN THE

1040
00:39:01,422 --> 00:39:07,128
WORLD YOU WILL SEE A COP IN A

1041
00:39:07,128 --> 00:39:08,663
CUMBERBUN.

1042
00:39:08,663 --> 00:39:10,298
WELL DONE.

1043
00:39:10,298 --> 00:39:11,032
>> Alfonso: WE'LL FIND OUT WHAT

1044
00:39:11,032 --> 00:39:11,733
THOSE COMMENTS MEAN IN SCORES

1045
00:39:11,733 --> 00:39:12,567
WHEN WE COME BACK.

1046
00:39:12,567 --> 00:39:13,401
AND THEN, OLYMPIC GYMNAST

1047
00:39:13,401 --> 00:39:14,435
STEPHEN NEDOROSCIK &

1048
00:39:14,435 --> 00:39:15,169
RYLEE ARNOLD DANCE A PASODOBLE,

1049
00:39:15,169 --> 00:39:15,937
LIVE.

1050
00:39:26,848 --> 00:39:30,351
>> Julianne: WELCOME BACK.

1051
00:39:30,351 --> 00:39:32,987
BEFORE THE BREAK, REGINALD &

1052
00:39:32,987 --> 00:39:34,022
EMMA PERFORMED AN "OSCARS NIGHT"

1053
00:39:34,022 --> 00:39:35,089
PASODOBLE TO A SONG FROM THE

1054
00:39:35,089 --> 00:39:39,827
"DIE HARD" SOUNDTRACK.

1055
00:39:39,827 --> 00:39:41,462
THAT MOVIE CHANGED YOUR LIFE.

1056
00:39:41,462 --> 00:39:43,765
WHAT WAS IT LIKE TO RE-VISIT

1057
00:39:43,765 --> 00:39:44,198
THAT TONIGHT?

1058
00:39:44,198 --> 00:39:48,736
>> SCARY.

1059
00:39:48,736 --> 00:39:49,270
IT WAS A GOOD THING.

1060
00:39:49,270 --> 00:39:51,839
I REMEMBER IT WELL.

1061
00:39:51,839 --> 00:39:52,507
>> Julianne: LET'S GET YOUR

1062
00:39:52,507 --> 00:39:55,410
SCORES TONIGHT.

1063
00:39:55,410 --> 00:40:00,715
>> Carrie Ann: 6.

1064
00:40:00,715 --> 00:40:03,818
>> Derek: 4.

1065
00:40:03,818 --> 00:40:05,019
>> Bruno: 5.

1066
00:40:05,019 --> 00:40:07,989
>> Julianne: THAT'S A 15 OUT OF

1067
00:40:07,989 --> 00:40:10,758
30 FOR REGINALD AND EMMA.

1068
00:40:10,758 --> 00:40:12,193
THEIR TOTAL IS 31.

1069
00:40:12,193 --> 00:40:13,995
IF YOU WANT THEM TO SURVIVE, YOU

1070
00:40:13,995 --> 00:40:15,596
HAVE TO LET US KNOW.

1071
00:40:15,596 --> 00:40:18,833
VOTE WITH YOUR TEXTS AND AT

1072
00:40:18,833 --> 00:40:21,969
ABC.COM.

1073
00:40:21,969 --> 00:40:22,503
ALFONSO.

1074
00:40:22,503 --> 00:40:23,204
>> Alfonso: THANKS, JULIANNE.

1075
00:40:23,204 --> 00:40:23,905
NO CELEBRATION OF THE OSCARS

1076
00:40:23,905 --> 00:40:24,639
WOULD BE COMPLETE WITHOUT A SONG

1077
00:40:24,639 --> 00:40:25,373
FROM THE MOST-NOMINATED LIVING

1078
00:40:25,373 --> 00:40:26,140
ARTIST, LEGENDARY COMPOSER

1079
00:40:26,140 --> 00:40:26,674
JOHN WILLIAMS.

1080
00:40:26,674 --> 00:40:29,811
DANCING TO HIS THEME FROM THE

1081
00:40:29,811 --> 00:40:30,478
OSCAR-WINNING "SUPERMAN THE

1082
00:40:30,478 --> 00:40:31,879
MOVIE," IT'S OUR MILD-MANNERED

1083
00:40:31,879 --> 00:40:40,722
GYMNAST, STEPHEN NEDOROSCIK.

1084
00:40:40,722 --> 00:40:41,823
>> THAT WAS SO GOOD.

1085
00:40:41,823 --> 00:40:43,458
YOU KILLED THAT JIVE.

1086
00:40:43,458 --> 00:40:45,393
>> I WANTED A SINGLE 7.

1087
00:40:45,393 --> 00:40:46,127
WE CAME OUT WITH THREE, WHICH IS

1088
00:40:46,127 --> 00:40:54,102
AWE MANY.

1089
00:40:54,102 --> 00:40:56,537
WE ARE DANCING TO SUPERMAN.

1090
00:40:56,537 --> 00:40:58,339
>> EVERYONE SAID I WAS CLARK

1091
00:40:58,339 --> 00:40:58,673
KENT.

1092
00:40:58,673 --> 00:41:00,141
I TOOK MY GLASSES OFF.

1093
00:41:00,141 --> 00:41:00,875
KILLED IT.

1094
00:41:00,875 --> 00:41:03,511
CAME HOME WITH BRONZE.

1095
00:41:03,511 --> 00:41:08,783
PEOPLE STARTED CALL MEG --

1096
00:41:08,783 --> 00:41:10,218
CALLING ME SUPERMAN.

1097
00:41:10,218 --> 00:41:11,886
>> LAST WEEK, HE DID A JIVE

1098
00:41:11,886 --> 00:41:14,255
WHICH WAS UPBEAT AND HAPPY.

1099
00:41:14,255 --> 00:41:15,723
THIS IS A COMPLETE SWITCH.

1100
00:41:15,723 --> 00:41:16,457
HE HAS TO BE INTENSE, BOLD AND

1101
00:41:16,457 --> 00:41:23,164
STRONG.

1102
00:41:23,164 --> 00:41:25,199
>> THESE THINGS I'M LEARNING ARE

1103
00:41:25,199 --> 00:41:25,566
UNNATURAL.

1104
00:41:25,566 --> 00:41:27,568
THE PRESSURE WILL HELP ME.

1105
00:41:27,568 --> 00:41:29,737
I'M PUMPED TO GET OUT ON THE

1106
00:41:29,737 --> 00:41:30,505
DANCE FLOOR.

1107
00:41:30,505 --> 00:41:31,072
HOLD ON.

1108
00:41:31,072 --> 00:41:32,707
I NEED TO GET LOCKED IN.

1109
00:41:32,707 --> 00:41:38,446
>> THERE WE GO.

1110
00:41:38,446 --> 00:41:39,080
>> Announcer: DANCING THE

1111
00:41:39,080 --> 00:41:39,747
PASODOBLE, WITH HIS PARTNER

1112
00:41:39,747 --> 00:41:40,982
RYLEE ARNOLD, IT'S

1113
00:41:40,982 --> 00:41:43,518
STEPHEN NEDOROSCIK.

1114
00:41:47,221 --> 00:42:07,141
♪♪

1115
00:42:07,141 --> 00:42:23,758
♪♪

1116
00:42:23,758 --> 00:42:33,201
♪♪

1117
00:42:33,201 --> 00:42:48,816
♪♪

1118
00:42:48,816 --> 00:42:50,885
>> Alfonso: STEPHEN & RYLEE,

1119
00:42:50,885 --> 00:42:51,519
LOOKING HEROIC WITH THEIR

1120
00:42:51,519 --> 00:42:57,191
PASODOBLE.

1121
00:42:57,191 --> 00:42:58,426
CLARK KENT, YOU MAY PUT YOUR

1122
00:42:58,426 --> 00:43:00,695
GLASSES BACK ON.

1123
00:43:00,695 --> 00:43:06,801
THEY ARE LOVING YOU.

1124
00:43:06,801 --> 00:43:07,535
>> Carrie Ann: YOU ARE SO MUCH

1125
00:43:07,535 --> 00:43:09,470
FUN.

1126
00:43:09,470 --> 00:43:10,905
FROM BRONZE TO GOLDEN.

1127
00:43:10,905 --> 00:43:12,373
THAT WAS GOLDEN.

1128
00:43:12,373 --> 00:43:13,808
YOU ARE SO MUCH FUN TO WATCH.

1129
00:43:13,808 --> 00:43:15,576
THE LIKABILITY FACTOR IN YOUR

1130
00:43:15,576 --> 00:43:16,944
ROUTINE IS SO AMAZING.

1131
00:43:16,944 --> 00:43:19,380
IT'S BECAUSE YOU DO EVERYTHING

1132
00:43:19,380 --> 00:43:20,147
FULL OUT.

1133
00:43:20,147 --> 00:43:22,016
YOUR LINE, YOUR EXTENSIONS WERE

1134
00:43:22,016 --> 00:43:22,416
NICE.

1135
00:43:22,416 --> 00:43:23,884
WE HAVE SHAPING ISSUES THAT WE

1136
00:43:23,884 --> 00:43:27,255
WILL GET TO LATER IN THE SEASON.

1137
00:43:27,255 --> 00:43:32,326
SUPERMAN IN THE HOUSE!

1138
00:43:32,326 --> 00:43:34,428
>> Derek: IT'S UNDENIABLE YOU

1139
00:43:34,428 --> 00:43:35,496
ARE CHARMING.

1140
00:43:35,496 --> 00:43:37,098
SPEEDING AROUND LIKE A SPEEDING

1141
00:43:37,098 --> 00:43:37,465
BULLET.

1142
00:43:37,465 --> 00:43:45,706
I LOVE THE CAPE AND THE KNEE

1143
00:43:45,706 --> 00:43:46,340
WALKS AND I LOVED IT.

1144
00:43:46,340 --> 00:43:49,010
>>> SO MANY THINGS IN THERE.

1145
00:43:49,010 --> 00:43:51,279
THE HIPS ARE A LITTLE BACK.

1146
00:43:51,279 --> 00:43:53,447
YOU GET THOSE FORWARD, KREEFT

1147
00:43:53,447 --> 00:43:54,181
THE CHEST OPEN, SHOULDERS DOWN.

1148
00:43:54,181 --> 00:44:06,027
DUDE, I LOVE YOU.

1149
00:44:06,027 --> 00:44:07,028
>> Bruno: I LOVE SUPERMAN AND

1150
00:44:07,028 --> 00:44:07,428
SUPERPOWER.

1151
00:44:07,428 --> 00:44:08,729
YOU HAVE SO MUCH ENERGY.

1152
00:44:08,729 --> 00:44:11,699
YOU HAVE TO LEARN HOW TO CONTROL

1153
00:44:11,699 --> 00:44:12,033
IT.

1154
00:44:12,033 --> 00:44:14,669
YOU CANNOT ATTACK, ATTACK,

1155
00:44:14,669 --> 00:44:16,804
ATTACK ENDLESSLY.

1156
00:44:16,804 --> 00:44:21,142
YOU HAVE TO ADD FINESSE.

1157
00:44:21,142 --> 00:44:21,542
REFINEMENT.

1158
00:44:21,542 --> 00:44:23,944
DON'T ANTICIPATE.

1159
00:44:23,944 --> 00:44:26,080
PUNCH, PUNCH, PUNCH, BUT THEN WE

1160
00:44:26,080 --> 00:44:28,215
NEED A CARESS.

1161
00:44:28,215 --> 00:44:28,916
>> Alfonso: FLY ON UP TO THE

1162
00:44:28,916 --> 00:44:30,751
SKYBOX FOR YOUR SCORES.

1163
00:44:30,751 --> 00:44:31,819
GETTING READY TO TAKE THE FLOOR

1164
00:44:31,819 --> 00:44:33,354
IS THE COUPLE WHO TIED WITH

1165
00:44:33,354 --> 00:44:35,956
STEPHEN & RYLEE ON OUR PREMIERE.

1166
00:44:35,956 --> 00:44:37,024
JOEY GRAZIADEI & JENNA JOHNSON

1167
00:44:37,024 --> 00:44:38,059
DANCE TO A HIT FROM AN

1168
00:44:38,059 --> 00:44:41,228
OSCAR-NOMINATED ACTRESS WHO IS

1169
00:44:41,228 --> 00:44:42,763
ALSO AN OSCAR-WINNING COMPOSER.

1170
00:44:42,763 --> 00:44:43,497
FIND OUT WHO, JUST MINUTES FROM

1171
00:44:43,497 --> 00:44:43,798
NOW.

1172
00:44:43,798 --> 00:44:45,933
JULIANNE.

1173
00:44:45,933 --> 00:44:46,667
>> Julianne: NICE OSCAR TRIVIA,

1174
00:44:46,667 --> 00:44:49,637
ALFONSO.

1175
00:44:49,637 --> 00:44:53,174
MY GOODNESS, SUPERMAN IS HERE.

1176
00:44:53,174 --> 00:44:54,809
WE KNOW THAT DURING THE OLYMPICS

1177
00:44:54,809 --> 00:44:56,577
YOU WERE ALL IN THAT MEDITATIVE

1178
00:44:56,577 --> 00:44:56,911
STATE.

1179
00:44:56,911 --> 00:44:57,945
IS THAT SOMETHING THAT YOU FEEL

1180
00:44:57,945 --> 00:44:59,914
LIKE GIVES YOU AN ADVANTAGE?

1181
00:44:59,914 --> 00:45:02,083
>> IT GIVES ANYBODY AN ADVANTAGE

1182
00:45:02,083 --> 00:45:02,450
ANYWHERE.

1183
00:45:02,450 --> 00:45:03,150
LEARNING HOW TO CONTROL YOUR

1184
00:45:03,150 --> 00:45:06,520
HEART RATE, CALMING YOURSELF

1185
00:45:06,520 --> 00:45:09,857
DOWN, THAT'S ADVANTAGEOUS.

1186
00:45:09,857 --> 00:45:10,891
>> Julianne: YOU ARE WONDERFUL.

1187
00:45:10,891 --> 00:45:11,659
THANK YOU SO MUCH FOR ALL THE

1188
00:45:11,659 --> 00:45:16,130
ENERGY YOU PUT OUT HERE.

1189
00:45:16,130 --> 00:45:19,533
THIS WAS THE FIRST TIME YOU WERE

1190
00:45:19,533 --> 00:45:20,468
IN HOLD TONIGHT.

1191
00:45:20,468 --> 00:45:22,036
>> THIS WAS SO DIFFERENT.

1192
00:45:22,036 --> 00:45:24,238
I HAD TO BE SERIOUS, STIFF, PUT

1193
00:45:24,238 --> 00:45:26,407
MY HIPS OUT.

1194
00:45:26,407 --> 00:45:27,341
HONESTLY, IT WAS FUN LEARNING

1195
00:45:27,341 --> 00:45:28,576
BECAUSE OF HOW DIFFERENT IT WAS.

1196
00:45:28,576 --> 00:45:29,977
I ENJOYED THIS JOURNEY.

1197
00:45:29,977 --> 00:45:32,246
I'M PROUD OF WHAT I DID.

1198
00:45:32,246 --> 00:45:32,913
>> Julianne: YOU SHOULD BE.

1199
00:45:32,913 --> 00:45:34,715
LET'S GET YOUR SCORES.

1200
00:45:34,715 --> 00:45:39,720
>> Carrie Ann: 8.

1201
00:45:39,720 --> 00:45:41,589
>> Derek: 7.

1202
00:45:41,589 --> 00:45:45,526
>> Bruno: 7.

1203
00:45:45,526 --> 00:45:46,260
>> Julianne: THAT'S A 22 OUT OF

1204
00:45:46,260 --> 00:45:47,862
30.

1205
00:45:47,862 --> 00:45:50,564
THEIR TOTAL FOR BOTH NIGHTS IS

1206
00:45:50,564 --> 00:45:50,898
43.

1207
00:45:50,898 --> 00:45:52,299
EVEN IF YOU VOTED FOR THEM LAST

1208
00:45:52,299 --> 00:45:54,368
WEEK, YOU HAVE TO VOTE AGAIN

1209
00:45:54,368 --> 00:45:54,702
TONIGHT.

1210
00:45:54,702 --> 00:45:55,903
RIGHT NOW TO KEEP THEM SAFE FROM

1211
00:45:55,903 --> 00:46:00,674
TONIGHT'S DOUBLE ELIMINATION.

1212
00:46:00,674 --> 00:46:01,375
>> Alfonso: THANKS, JULIANNE.

1213
00:46:01,375 --> 00:46:02,109
THE WAIT IS OVER, THIS NEXT HIT

1214
00:46:02,109 --> 00:46:02,777
EARNED A BEST SONG OSCAR IN

1215
00:46:02,777 --> 00:46:08,449
2019 FOR LADY GAGA.

1216
00:46:08,449 --> 00:46:09,183
PERFORMING TO "SHALLOW" FROM "A

1217
00:46:09,183 --> 00:46:09,984
STAR IS BORN,"

1218
00:46:09,984 --> 00:46:10,551
IT'S JOEY GRAZIADEI &

1219
00:46:10,551 --> 00:46:18,025
JENNA JOHNSON.

1220
00:46:18,025 --> 00:46:19,827
>> WHAT A WAY TO KICK OFF THE

1221
00:46:19,827 --> 00:46:20,194
PREMIERE.

1222
00:46:20,194 --> 00:46:21,796
>> I THOUGHT THAT WAS AS GOOD AS

1223
00:46:21,796 --> 00:46:23,931
IT COULD HAVE WENT.

1224
00:46:23,931 --> 00:46:27,168
>> CARRIE ANN WAS POSITIVE.

1225
00:46:27,168 --> 00:46:27,902
>> THERE'S AN ENERGY BETWEEN YOU

1226
00:46:27,902 --> 00:46:29,837
TWO.

1227
00:46:29,837 --> 00:46:33,574
>> THIS WEEK, WE ARE DANCING A

1228
00:46:33,574 --> 00:46:34,642
RUMBA TO "SHALLOW."

1229
00:46:34,642 --> 00:46:36,977
>> I LOVE THAT SONG.

1230
00:46:36,977 --> 00:46:39,213
>> THE RUMBA IS THE DANCE OF

1231
00:46:39,213 --> 00:46:41,649
LOVE AND EMOTION.

1232
00:46:41,649 --> 00:46:43,384
>> MY EMOTIONS WHEN I SHOW THEM,

1233
00:46:43,384 --> 00:46:45,486
THEY ARE BEHIND CLOSED DOORS.

1234
00:46:45,486 --> 00:46:47,021
>> OSCAR PERFORMANCE.

1235
00:46:47,021 --> 00:46:48,355
THAT RAW EMOTION.

1236
00:46:48,355 --> 00:46:49,890
>> THAT'S WHAT WE HAVE TO

1237
00:46:49,890 --> 00:46:50,224
EMBODY.

1238
00:46:50,224 --> 00:46:50,891
>> WE HAVE TO BE BELIEVABLE.

1239
00:46:50,891 --> 00:46:54,895
>> ALL RIGHT.

1240
00:46:54,895 --> 00:46:56,697
I'M WORRIED ABOUT THE RUMBA.

1241
00:46:56,697 --> 00:46:57,731
>> I'M NOT BELIEVING IT.

1242
00:46:57,731 --> 00:46:59,767
>> I'M TRYING TO FIND A WAY TO

1243
00:46:59,767 --> 00:47:01,602
ACT WITH SOMEONE I DON'T HAVE A

1244
00:47:01,602 --> 00:47:02,269
ROMANTIC RELATIONSHIP WITH.

1245
00:47:02,269 --> 00:47:02,736
>> WE NEED HELP.

1246
00:47:02,736 --> 00:47:05,940
>> SNAP.

1247
00:47:05,940 --> 00:47:07,174
WE'RE TRYING TO RUMBA.

1248
00:47:07,174 --> 00:47:10,244
>> I WANT TO WORK ON THIS.

1249
00:47:10,244 --> 00:47:14,114
>> IT'S UNNATURAL.

1250
00:47:14,114 --> 00:47:15,082
>> BEING PASSIONATE.

1251
00:47:15,082 --> 00:47:16,517
>> I'M MORE NERVOUS ABOUT THE

1252
00:47:16,517 --> 00:47:17,218
DANCE THIS WEEK.

1253
00:47:17,218 --> 00:47:18,953
I KNOW THERE'S NOW EXPECTATION,

1254
00:47:18,953 --> 00:47:22,656
BECAUSE WE DID SO WELL.

1255
00:47:22,656 --> 00:47:25,693
>> IT'S ABOUT A MINUTE.

1256
00:47:25,693 --> 00:47:27,728
>> IT FEELS WEIRD.

1257
00:47:27,728 --> 00:47:28,262
THERE'S PRESSURE.

1258
00:47:28,262 --> 00:47:29,463
YOU HAVE TO DELIVER FOR A STRONG

1259
00:47:29,463 --> 00:47:31,599
THIS SONG.

1260
00:47:31,599 --> 00:47:32,333
>> Announcer: DANCING THE RUMBA,

1261
00:47:32,333 --> 00:47:34,235
WITH HIS PARTNER JENNA JOHNSON,

1262
00:47:34,235 --> 00:47:44,645
IT'S JOEY GRAZIADEI.

1263
00:47:44,645 --> 00:47:49,316
♪ TELL ME SOMETHIN' GIRL

1264
00:47:49,316 --> 00:47:49,783
ARE YOU HAPPY

1265
00:47:49,783 --> 00:47:55,022
IN THIS MODERN WORLD? ♪

1266
00:47:55,022 --> 00:47:59,226
♪ I'M FALLING

1267
00:47:59,226 --> 00:48:00,761
AND IN THE BAD TIMES

1268
00:48:00,761 --> 00:48:03,397
I FEAR MYSELF ♪

1269
00:48:03,397 --> 00:48:05,499
♪ I'M OFF THE DEEP END

1270
00:48:05,499 --> 00:48:11,772
WATCH AS I DIVE IN

1271
00:48:11,772 --> 00:48:13,340
I'LL NEVER MEET THE GROUND ♪

1272
00:48:13,340 --> 00:48:14,375
♪ CRASH THROUGH THE SURFACE

1273
00:48:14,375 --> 00:48:16,977
WHERE THEY CAN'T HURT US ♪

1274
00:48:16,977 --> 00:48:18,012
♪ WE'RE FAR

1275
00:48:18,012 --> 00:48:22,149
FROM THE SHALLOW NOW ♪

1276
00:48:22,149 --> 00:48:25,786
♪ IN THE

1277
00:48:25,786 --> 00:48:27,388
SHA-HA-SHA-HA-HA-LOW ♪

1278
00:48:27,388 --> 00:48:29,456
♪ WE'RE FAR

1279
00:48:29,456 --> 00:48:41,502
FROM THE SHALLOW NOW ♪

1280
00:48:41,502 --> 00:48:42,570
>> Alfonso: JOEY & JENNA,

1281
00:48:42,570 --> 00:48:43,270
NOTHING "SHALLOW" ABOUT THAT

1282
00:48:43,270 --> 00:48:46,807
RUMBA.

1283
00:48:46,807 --> 00:48:47,141
MY MAN.

1284
00:48:47,141 --> 00:48:50,344
YEAH.

1285
00:48:50,344 --> 00:48:51,679
ANOTHER STANDING O.

1286
00:48:51,679 --> 00:48:52,446
I FEEL LIKE THERE'S A LOT OF IT

1287
00:48:52,446 --> 00:48:56,317
TONIGHT OF THE GREAT JOB.

1288
00:48:56,317 --> 00:48:58,185
>> Derek: YOU ARE A LEADING MAN.

1289
00:48:58,185 --> 00:49:00,187
YOU REALLY ARE ON THAT DANCE

1290
00:49:00,187 --> 00:49:00,521
FLOOR.

1291
00:49:00,521 --> 00:49:02,189
YOU ARE A FANTASTIC PARTNER.

1292
00:49:02,189 --> 00:49:04,425
BEAUTIFUL SLIDING DOORS, OPENING

1293
00:49:04,425 --> 00:49:04,992
OUT.

1294
00:49:04,992 --> 00:49:05,593
CLASSIC ROUTINE WHICH I

1295
00:49:05,593 --> 00:49:07,461
APPRECIATE.

1296
00:49:07,461 --> 00:49:10,497
THE WAY YOU FILL THE SPACE WAS

1297
00:49:10,497 --> 00:49:10,864
BEAUTIFUL.

1298
00:49:10,864 --> 00:49:12,066
WORK ON MOVING FORWARD, BECAUSE

1299
00:49:12,066 --> 00:49:13,767
I THINK YOU WILL STAY IN THE

1300
00:49:13,767 --> 00:49:14,168
COMPETITION.

1301
00:49:14,168 --> 00:49:17,071
WATCH THIS ARM.

1302
00:49:17,071 --> 00:49:18,405
>> IT STARTED HERE BEFORE.

1303
00:49:18,405 --> 00:49:20,307
WE ARE WORKING.

1304
00:49:20,307 --> 00:49:21,809
>> Derek: ALL BACK MUSCLE.

1305
00:49:21,809 --> 00:49:25,679
OPEN UP HERE.

1306
00:49:25,679 --> 00:49:27,381
OTHERWISE, IT RUINS THE LINE.

1307
00:49:27,381 --> 00:49:30,484
YOU ARE INCREDIBLE.

1308
00:49:30,484 --> 00:49:31,318
>> Bruno: HELLO.

1309
00:49:31,318 --> 00:49:32,319
LOOK AT ME.

1310
00:49:32,319 --> 00:49:34,822
I DON'T MIND THE MUSCLE, MR.

1311
00:49:34,822 --> 00:49:36,690
SLINKY, SILKY.

1312
00:49:36,690 --> 00:49:37,658
NOTHING SHALLOW ABOUT THAT.

1313
00:49:37,658 --> 00:49:40,527
IT WAS DIGGING DEEP.

1314
00:49:40,527 --> 00:49:42,262
I'M TELLING YOU, THOSE SHAPES,

1315
00:49:42,262 --> 00:49:45,099
IT'S HARD FOR A MAN TO LEAD IN

1316
00:49:45,099 --> 00:49:46,567
THE RUMBA.

1317
00:49:46,567 --> 00:49:48,836
IT'S DEDICATED TO THE WOMAN.

1318
00:49:48,836 --> 00:49:49,637
YOU DID THAT.

1319
00:49:49,637 --> 00:49:52,039
YOU WERE INTO HER.

1320
00:49:52,039 --> 00:49:53,107
YOU EMBRACING HER, CONNECTING TO

1321
00:49:53,107 --> 00:49:55,743
HER.

1322
00:49:55,743 --> 00:49:56,877
A LITTLE THING, DON'T PUSH THE

1323
00:49:56,877 --> 00:50:00,114
HIPS SIDE TO SIDE.

1324
00:50:00,114 --> 00:50:00,748
IT HAS TO BE FIGURE EIGHT.

1325
00:50:00,748 --> 00:50:06,754
YOU KNOW.

1326
00:50:06,754 --> 00:50:07,388
>> Carrie Ann: YOU HAVE

1327
00:50:07,388 --> 00:50:09,423
SOMETHING HAPPENING THAT

1328
00:50:09,423 --> 00:50:10,958
NORMALLY DOESN'T HAPPEN UNTIL

1329
00:50:10,958 --> 00:50:13,294
LATER IN THE SEASON.

1330
00:50:13,294 --> 00:50:15,496
MOMENTUM.

1331
00:50:15,496 --> 00:50:16,096
YOU KNOW WHEN TO SHIFT.

1332
00:50:16,096 --> 00:50:17,998
IT'S NOT ABOUT SPEEDING UP THE

1333
00:50:17,998 --> 00:50:18,365
MOVEMENT.

1334
00:50:18,365 --> 00:50:18,999
IT'S ENERGY.

1335
00:50:18,999 --> 00:50:21,902
IT'S JUST REALLY -- IT'S

1336
00:50:21,902 --> 00:50:25,072
MESMERIZING TO WATCH.

1337
00:50:25,072 --> 00:50:25,739
>> Julianne: RUMBA ON UP TO

1338
00:50:25,739 --> 00:50:26,373
JULIANNE FOR YOUR SCORES.

1339
00:50:26,373 --> 00:50:28,742
LET'S TAKE A LOOK AT WHERE THE

1340
00:50:28,742 --> 00:50:29,777
FIRST SEVEN COUPLES CURRENTLY

1341
00:50:29,777 --> 00:50:31,312
STAND ON THE LEADERBOARD WITH

1342
00:50:31,312 --> 00:50:34,581
LAST WEEK'S SCORES ADDED IN.

1343
00:50:34,581 --> 00:50:37,551
AT THE TOP ARE CHANDLER AND

1344
00:50:37,551 --> 00:50:38,352
BRANDON WITH 47.

1345
00:50:38,352 --> 00:50:41,522
AT THE BOTTOM ARE ERIC AND BRITT

1346
00:50:41,522 --> 00:50:42,256
WITH 30.

1347
00:50:42,256 --> 00:50:43,857
THE SCORES TELL ONLY HALF THE

1348
00:50:43,857 --> 00:50:44,158
STORY.

1349
00:50:44,158 --> 00:50:44,858
YOU TELL THE OTHER HALF WITH

1350
00:50:44,858 --> 00:50:47,628
YOUR VOTES.

1351
00:50:47,628 --> 00:50:48,328
>> Julianne: SO IMPORTANT TO

1352
00:50:48,328 --> 00:50:51,198
VOTE, ALFONSO.

1353
00:50:51,198 --> 00:50:52,433
YOU ARE GETTING STANDING

1354
00:50:52,433 --> 00:50:52,800
OVATIONS.

1355
00:50:52,800 --> 00:50:53,534
ARE YOU SURPRISED HOW GOOD YOU

1356
00:50:53,534 --> 00:50:53,801
ARE?

1357
00:50:53,801 --> 00:50:56,904
>> THANK YOU.

1358
00:50:56,904 --> 00:50:58,472
I'M JUST TRYING TO LISTEN TO

1359
00:50:58,472 --> 00:50:58,806
HER.

1360
00:50:58,806 --> 00:51:00,441
I'M TRYING TO TAKE THIS WEEK BY

1361
00:51:00,441 --> 00:51:00,808
WEEK.

1362
00:51:00,808 --> 00:51:03,711
I APPRECIATE THAT.

1363
00:51:03,711 --> 00:51:05,379
>> Julianne: I KNOW VAL CAME IN

1364
00:51:05,379 --> 00:51:09,083
TO HELP YOU WITH SENSUALITY.

1365
00:51:09,083 --> 00:51:09,616
HOW WEIRD WAS THAT?

1366
00:51:09,616 --> 00:51:15,022
>> VAL IS A GOOD DANCER.

1367
00:51:15,022 --> 00:51:16,056
IT DID HELP A TON.

1368
00:51:16,056 --> 00:51:16,757
WHEREVER YOU ARE, VAL, I LOVE

1369
00:51:16,757 --> 00:51:18,459
YOU.

1370
00:51:18,459 --> 00:51:19,126
>> Julianne: LET'S GET YOUR

1371
00:51:19,126 --> 00:51:22,429
SCORES.

1372
00:51:22,429 --> 00:51:27,401
>> Carrie Ann: LOVED IT, 8.

1373
00:51:27,401 --> 00:51:29,002
>> Derek: STRONG 7.

1374
00:51:29,002 --> 00:51:32,306
>> Bruno: 7.

1375
00:51:32,306 --> 00:51:34,174
>> Julianne: THAT'S A 22 OUT OF

1376
00:51:34,174 --> 00:51:35,642
30 FOR JOEY AND JENNA.

1377
00:51:35,642 --> 00:51:37,945
THE TOTAL IS 43.

1378
00:51:37,945 --> 00:51:38,645
I'M GOING TO KEEP SAYING IT

1379
00:51:38,645 --> 00:51:40,681
UNTIL YOU DO IT.

1380
00:51:40,681 --> 00:51:41,348
ALL OF OUR STARS WANT YOU TO

1381
00:51:41,348 --> 00:51:43,283
VOTE.

1382
00:51:43,283 --> 00:51:43,784
ALFONSO.

1383
00:51:43,784 --> 00:51:44,485
>> Alfonso: CAN'T GET ENOUGH

1384
00:51:44,485 --> 00:51:45,919
VOTES, JULIANNE.

1385
00:51:45,919 --> 00:51:46,920
UP NEXT, THE REALITY STAR WHO

1386
00:51:46,920 --> 00:51:47,654
TIED WITH OUR BACHELORETTE LAST

1387
00:51:47,654 --> 00:51:49,056
WEEK.

1388
00:51:49,056 --> 00:51:51,125
PHAEDRA PARKS AND

1389
00:51:51,125 --> 00:51:52,159
VAL CHMERKOVSKIY PAY TRIBUTE TO

1390
00:51:52,159 --> 00:51:53,293
AN OSCAR-WINNER WHEN WE COME

1391
00:51:53,293 --> 00:51:54,194
BACK, LIVE.

1392
00:52:04,071 --> 00:52:06,774
>> Alfonso: WELCOME BACK TO

1393
00:52:06,774 --> 00:52:08,175
"OSCARS NIGHT."

1394
00:52:08,175 --> 00:52:09,777
NEXT UP, A FOXTROT TO THE

1395
00:52:09,777 --> 00:52:10,844
POWERFUL HIT PERFORMED IN THE

1396
00:52:10,844 --> 00:52:11,879
FILM "DREAMGIRLS" BY

1397
00:52:11,879 --> 00:52:16,784
OSCAR-WINNER JENNIFER HUDSON.

1398
00:52:16,784 --> 00:52:21,155
IT'S REALITY ROYALTY.

1399
00:52:21,155 --> 00:52:23,624
>> WEEK ONE IN THE BAG.

1400
00:52:23,624 --> 00:52:24,224
>> IT WAS EXHILARATING.

1401
00:52:24,224 --> 00:52:28,128
>> YOU'VE GOT IT.

1402
00:52:28,128 --> 00:52:29,530
NOW YOU HAVE TO LEARN TO CONTROL

1403
00:52:29,530 --> 00:52:29,830
IT.

1404
00:52:29,830 --> 00:52:31,665
>> NOW YOU NEED A LITTLE

1405
00:52:31,665 --> 00:52:32,065
REFINEMENT.

1406
00:52:32,065 --> 00:52:33,734
THIS WEEK, I'M GOING TO BE A

1407
00:52:33,734 --> 00:52:34,501
LITTLE STRICTER.

1408
00:52:34,501 --> 00:52:35,169
>> LEAN IN.

1409
00:52:35,169 --> 00:52:45,212
>> WE ARE DOING A FOXTROT TO --

1410
00:52:45,212 --> 00:52:45,979
.

1411
00:52:45,979 --> 00:52:48,248
>> MY GRANDMOTHER LOVED IT.

1412
00:52:48,248 --> 00:52:48,916
WOMEN DIDN'T HAVE A LOT OF

1413
00:52:48,916 --> 00:52:50,984
OPPORTUNITIES.

1414
00:52:50,984 --> 00:52:54,288
TO WATCH A MOVIE WITH THREE

1415
00:52:54,288 --> 00:52:54,988
COURAGEOUS WOMEN, THAT'S WHAT

1416
00:52:54,988 --> 00:52:56,690
SHE LOVED ABOUT IT.

1417
00:52:56,690 --> 00:52:57,391
I GOT A LOT OF MY SPARK FROM

1418
00:52:57,391 --> 00:53:03,730
HER.

1419
00:53:03,730 --> 00:53:06,266
>> FOXTROT HAS A LOT OF CHANGES

1420
00:53:06,266 --> 00:53:06,800
IN SPEED.

1421
00:53:06,800 --> 00:53:10,804
WE HAVE TO REFINE HER MOVES.

1422
00:53:10,804 --> 00:53:14,408
OTHERWISE, WE WILL LOOK LIKE WE

1423
00:53:14,408 --> 00:53:15,375
ARE ALL OVER THE PLACE.

1424
00:53:15,375 --> 00:53:17,611
>> MAYBE I'M A DREAMGIRL, TOO.

1425
00:53:17,611 --> 00:53:20,714
GRANDMA, HELP ME.

1426
00:53:20,714 --> 00:53:21,315
>> ANNOUNCER: DANCING THE

1427
00:53:21,315 --> 00:53:21,949
FOXTROT, WITH HER PARTNER

1428
00:53:21,949 --> 00:53:22,549
VAL CHMERKOVSKIY, IT'S

1429
00:53:22,549 --> 00:53:27,454
PHAEDRA PARKS.

1430
00:53:27,454 --> 00:53:31,625
♪ AND I AM TELLING YOU

1431
00:53:31,625 --> 00:53:35,829
I'M NOT GOING ♪

1432
00:53:35,829 --> 00:53:38,432
♪ YOU'RE THE BEST MAN

1433
00:53:38,432 --> 00:53:39,533
I'LL EVER KNOW ♪

1434
00:53:39,533 --> 00:53:41,568
♪ THERE'S NO WAY

1435
00:53:41,568 --> 00:53:45,772
I CAN EVER GO ♪

1436
00:53:45,772 --> 00:53:47,841
♪ TEAR DOWN THE MOUNTAINS ♪

1437
00:53:47,841 --> 00:53:48,475
♪ YELL SCREAM AND SHOUT

1438
00:53:48,475 --> 00:53:48,942
LIKE YOU CAN SAY

1439
00:53:48,942 --> 00:53:51,512
WHAT YOU WANT ♪

1440
00:53:51,512 --> 00:53:52,512
♪ I'M NOT WALKING OUT

1441
00:53:52,512 --> 00:53:55,616
STOP ALL THE RIVERS ♪

1442
00:53:55,616 --> 00:53:56,250
♪ PUSH STRIKE AND KILL

1443
00:53:56,250 --> 00:53:57,184
I'M NOT GONNA LEAVE YOU

1444
00:53:57,184 --> 00:54:07,127
THERE'S NO WAY I WILL ♪

1445
00:54:07,127 --> 00:54:13,934
♪ I'M STAYING I'M STAYING

1446
00:54:13,934 --> 00:54:17,971
AND YOU AND YOU AND YOU ♪

1447
00:54:17,971 --> 00:54:26,346
♪ YOU'RE GONNA LOVE ME ♪

1448
00:54:26,346 --> 00:54:26,980
>> Alfonso: PHAEDRA & VAL,

1449
00:54:26,980 --> 00:54:28,348
TELLING US THEY'RE NOT GOING

1450
00:54:28,348 --> 00:54:32,686
WITH THEIR FOXTROT.

1451
00:54:32,686 --> 00:54:33,320
BRUNO, YOU WILL BE FIRST.

1452
00:54:33,320 --> 00:54:35,689
WOW.

1453
00:54:35,689 --> 00:54:36,623
ANOTHER STANDING O.

1454
00:54:36,623 --> 00:54:39,226
ANOTHER ONE.

1455
00:54:39,226 --> 00:54:41,595
I THINK THIS AUDIENCE IS LOVING

1456
00:54:41,595 --> 00:54:42,329
EVERYBODY TONIGHT AS WELL AS I.

1457
00:54:42,329 --> 00:54:45,532
SO WONDERFUL.

1458
00:54:45,532 --> 00:54:46,566
BRUNO, YOU ARE UP.

1459
00:54:46,566 --> 00:54:48,702
>> Bruno: I'VE GOT THE FEELING

1460
00:54:48,702 --> 00:54:49,436
THAT THIS DREAMGIRL IS HERE TO

1461
00:54:49,436 --> 00:54:54,508
STAY!

1462
00:54:54,508 --> 00:54:57,277
YOU'VE TAKEN THE NOTES FROM THE

1463
00:54:57,277 --> 00:54:59,479
JUDGES, YOU APPLIED IT.

1464
00:54:59,479 --> 00:55:01,748
MUCH MORE CONTROL.

1465
00:55:01,748 --> 00:55:02,482
MUCH MORE PRESENCE ON THE DANCE

1466
00:55:02,482 --> 00:55:04,451
FLOOR.

1467
00:55:04,451 --> 00:55:06,320
YOU KNEW EXACTLY WHAT YOU WERE

1468
00:55:06,320 --> 00:55:06,653
DOING.

1469
00:55:06,653 --> 00:55:07,454
THAT IS THE WAY TO GO.

1470
00:55:07,454 --> 00:55:11,858
WELL DONE, MY DARLING.

1471
00:55:11,858 --> 00:55:13,193
>> Carrie Ann: I THINK YOUR

1472
00:55:13,193 --> 00:55:14,194
GRANDMOTHER WOULD BE PROUD OF

1473
00:55:14,194 --> 00:55:14,494
YOU.

1474
00:55:14,494 --> 00:55:15,429
THAT WAS VERY TOUCHING.

1475
00:55:15,429 --> 00:55:16,897
YOU HAVE EMOTIONS WHEN YOU

1476
00:55:16,897 --> 00:55:17,230
DANCE.

1477
00:55:17,230 --> 00:55:18,865
YOU KNOW HOW TO CHANNEL YOUR

1478
00:55:18,865 --> 00:55:21,068
EMOTIONS INTO POWER ON THE DANCE

1479
00:55:21,068 --> 00:55:21,401
FLOOR.

1480
00:55:21,401 --> 00:55:22,803
THAT READS.

1481
00:55:22,803 --> 00:55:24,037
ANYBODY, EVEN IF THEY'RE NOT A

1482
00:55:24,037 --> 00:55:25,372
PRO DANCER, THEY FEEL THAT.

1483
00:55:25,372 --> 00:55:25,839
YOU HAVE IMPACT.

1484
00:55:25,839 --> 00:55:29,776
I LOVE IT.

1485
00:55:29,776 --> 00:55:31,878
>> Derek: I JUST CAN'T HELP BUT

1486
00:55:31,878 --> 00:55:33,447
SMILE AND SMIRK WHEN I'M

1487
00:55:33,447 --> 00:55:34,047
WATCHING YOU.

1488
00:55:34,047 --> 00:55:38,352
YOU OOZE SENSUALITY.

1489
00:55:38,352 --> 00:55:39,620
STOP IT.

1490
00:55:39,620 --> 00:55:44,191
BRING IT.

1491
00:55:44,191 --> 00:55:47,127
IS THIS THE SHOWMANCE?

1492
00:55:47,127 --> 00:55:48,328
I'M OUT OF TIME.

1493
00:55:48,328 --> 00:55:48,962
THAT WAS REALLY BEAUTIFUL.

1494
00:55:48,962 --> 00:55:51,098
WELL DONE.

1495
00:55:51,098 --> 00:55:51,732
>> Alfonso: HEAD ON UP TO

1496
00:55:51,732 --> 00:55:55,802
JULIANNE FOR YOUR SCORES.

1497
00:55:55,802 --> 00:55:57,037
WHEN YOU THINK OF GLAMOROUS

1498
00:55:57,037 --> 00:55:57,771
MOVIE STARS YOU THINK OF BEVERLY

1499
00:55:57,771 --> 00:55:58,405
HILLS.

1500
00:55:58,405 --> 00:55:59,973
AND WHEN YOU THINK OF

1501
00:55:59,973 --> 00:56:01,508
BEVERLY HILLS, YOU THINK OF

1502
00:56:01,508 --> 00:56:05,946
TORI SPELLING.

1503
00:56:05,946 --> 00:56:07,414
SHE AND PASHA ARE READY TO RUMBA

1504
00:56:07,414 --> 00:56:08,949
NEXT.

1505
00:56:08,949 --> 00:56:13,353
>> Julianne THANKS, ALFONSO.

1506
00:56:13,353 --> 00:56:15,255
FROM DRESS REHEARSAL TO THAT

1507
00:56:15,255 --> 00:56:17,224
MOMENT, I HAVE CHILLS.

1508
00:56:17,224 --> 00:56:18,759
THAT WAS INCREDIBLE.

1509
00:56:18,759 --> 00:56:20,360
VAL WANTED TO WORK ON

1510
00:56:20,360 --> 00:56:20,761
REFINEMENT.

1511
00:56:20,761 --> 00:56:21,528
WHAT WAS THE DIFFERENT BETWEEN

1512
00:56:21,528 --> 00:56:23,397
LAST WEEK AND THIS WEEK?

1513
00:56:23,397 --> 00:56:25,399
>> VAL IS A TASK MASTER.

1514
00:56:25,399 --> 00:56:28,368
HE WOULD NOT GIVE UP ON MY

1515
00:56:28,368 --> 00:56:28,735
FOOTWORK.

1516
00:56:28,735 --> 00:56:31,004
WE DID IT A MILLION TIMES.

1517
00:56:31,004 --> 00:56:33,640
>> Julianne: WE KNOW.

1518
00:56:33,640 --> 00:56:34,875
WHAT ABOUT THIS ENVIRONMENT AND

1519
00:56:34,875 --> 00:56:36,276
THE ATMOSPHERE TONIGHT WITH THE

1520
00:56:36,276 --> 00:56:37,444
DOUBLE ELIMINATION?

1521
00:56:37,444 --> 00:56:38,111
WHAT ARE YOU FEELING?

1522
00:56:38,111 --> 00:56:40,414
WHAT IS EVERYBODY FEELING?

1523
00:56:40,414 --> 00:56:42,115
>> WELL, IF SOMEONE IS GOING TO

1524
00:56:42,115 --> 00:56:49,056
WIN, SOMEBODY HAS TO GO.

1525
00:56:49,056 --> 00:56:50,724
>> IT'S JUST MATH.

1526
00:56:50,724 --> 00:56:51,491
>> Julianne: LET'S GET THE MATH

1527
00:56:51,491 --> 00:56:54,628
OF YOUR SCORES.

1528
00:56:54,628 --> 00:56:57,230
>> Carrie Ann: 7.

1529
00:56:57,230 --> 00:57:00,901
>> Derek: 7.

1530
00:57:00,901 --> 00:57:05,706
>> Bruno: 7.

1531
00:57:05,706 --> 00:57:06,673
>> Julianne: THAT'S A 21 OUT OF

1532
00:57:06,673 --> 00:57:09,209
30.

1533
00:57:09,209 --> 00:57:11,678
THEIR TOTAL FOR BOTH NIGHTS IS

1534
00:57:11,678 --> 00:57:12,179
40.

1535
00:57:12,179 --> 00:57:14,815
YOU GET TEN VOTES PER COUPLE PER

1536
00:57:14,815 --> 00:57:16,516
VOTING METHODS.

1537
00:57:16,516 --> 00:57:17,217
SAVE YOUR FAVORITES FROM

1538
00:57:17,217 --> 00:57:18,051
TONIGHT'S DOUBLE ELIMINATION.

1539
00:57:28,595 --> 00:57:31,498
>> Alfonso: WE'RE BACK WITH A

1540
00:57:31,498 --> 00:57:33,066
DYNAMIC OSCAR-NOMINATED SONG

1541
00:57:33,066 --> 00:57:35,135
FROM "THE GREATEST SHOWMAN."

1542
00:57:35,135 --> 00:57:37,738
>> Julianne: DANCING A RUMBA TO

1543
00:57:37,738 --> 00:57:38,805
"THIS IS ME," IT'S TV ICON

1544
00:57:38,805 --> 00:57:48,648
TORI SPELLING & PASHA PASHKOV.

1545
00:57:48,648 --> 00:57:51,518
>> IT'S DEFINITELY NOT A BAD

1546
00:57:51,518 --> 00:57:51,852
START.

1547
00:57:51,852 --> 00:57:54,454
>> I LIKE THE TWO 6s AND A 5.

1548
00:57:54,454 --> 00:57:54,955
A LITTLE SHAKY.

1549
00:57:54,955 --> 00:57:56,990
A LITTLE VULNERABLE.

1550
00:57:56,990 --> 00:57:59,926
>> YOU ARE HERE!

1551
00:57:59,926 --> 00:58:00,527
>> THIS WEEK IS DOUBLE

1552
00:58:00,527 --> 00:58:03,263
ELIMINATION.

1553
00:58:03,263 --> 00:58:05,699
WE'RE DANCING TO THE SONG "THIS

1554
00:58:05,699 --> 00:58:11,638
IS ME" FROM "THE GREATEST

1555
00:58:11,638 --> 00:58:12,806
SHOWMAN."

1556
00:58:12,806 --> 00:58:14,141
IT GETS US THROUGH.

1557
00:58:14,141 --> 00:58:15,776
MY GIRLS HAVE GONE THROUGH A LOT

1558
00:58:15,776 --> 00:58:17,377
OF BULLYING.

1559
00:58:17,377 --> 00:58:19,446
THIS MOVIE IS AN ADVOCATE FOR

1560
00:58:19,446 --> 00:58:20,814
BELIEVE IN YOURSELF.

1561
00:58:20,814 --> 00:58:23,283
THIS IS ALL ABOUT MY FAMILY.

1562
00:58:23,283 --> 00:58:23,850
>> A LITTLE HIGHER.

1563
00:58:23,850 --> 00:58:26,653
>> MY GOD.

1564
00:58:26,653 --> 00:58:29,422
>> FOR THIS TO STAND OUT, I WANT

1565
00:58:29,422 --> 00:58:30,891
TORI TO CONNECT EMOTION SHE HAS

1566
00:58:30,891 --> 00:58:31,658
FOR THE SONG AND PUT IT INTO OUR

1567
00:58:31,658 --> 00:58:33,660
DANCE.

1568
00:58:33,660 --> 00:58:34,528
STAY ENGAGED.

1569
00:58:34,528 --> 00:58:36,196
>> I WANT MY KIDS TO KNOW, YOU

1570
00:58:36,196 --> 00:58:37,998
CAN BE ANYTHING YOU WANT TO BE.

1571
00:58:37,998 --> 00:58:39,166
>> SHOW ME BRAVE.

1572
00:58:39,166 --> 00:58:41,034
>> I'M PUTTING IT ALL OUT THERE.

1573
00:58:41,034 --> 00:58:45,205
THIS IS ME.

1574
00:58:45,205 --> 00:58:45,939
>> Announcer: DANCING THE RUMBA,

1575
00:58:45,939 --> 00:58:46,773
WITH HER PARTNER PASHA PASHKOV,

1576
00:58:46,773 --> 00:58:50,377
IT'S TORI SPELLING.

1577
00:58:56,616 --> 00:58:57,217
♪ I'M NOT A STRANGER

1578
00:58:57,217 --> 00:59:00,820
TO THE DARK ♪

1579
00:59:00,820 --> 00:59:02,389
♪ HIDE AWAY THEY SAY

1580
00:59:02,389 --> 00:59:02,923
'CAUSE WE DON'T WANT

1581
00:59:02,923 --> 00:59:07,060
YOUR BROKEN PARTS ♪

1582
00:59:07,060 --> 00:59:08,128
♪ BUT I WON'T LET THEM

1583
00:59:08,128 --> 00:59:09,129
BREAK ME DOWN TO DUST ♪

1584
00:59:09,129 --> 00:59:09,729
♪ I KNOW THAT THERE'S

1585
00:59:09,729 --> 00:59:13,934
A PLACE FOR US

1586
00:59:13,934 --> 00:59:18,605
FOR WE ARE GLORIOUS ♪

1587
00:59:18,605 --> 00:59:20,707
♪ WHEN THE SHARPEST WORDS

1588
00:59:20,707 --> 00:59:23,310
WANNA CUT ME DOWN ♪

1589
00:59:23,310 --> 00:59:23,977
♪ I'M GONNA SEND A FLOOD

1590
00:59:23,977 --> 00:59:27,480
GONNA DROWN THEM OUT ♪

1591
00:59:27,480 --> 00:59:30,584
♪ I AM BRAVE I AM BRUISED

1592
00:59:30,584 --> 00:59:31,184
I AM WHO I'M MEANT TO BE

1593
00:59:31,184 --> 00:59:34,754
THIS IS ME ♪

1594
00:59:34,754 --> 00:59:35,288
♪ LOOK OUT

1595
00:59:35,288 --> 00:59:35,889
'CAUSE HERE I COME ♪

1596
00:59:35,889 --> 00:59:36,856
♪ LOOK OUT

1597
00:59:36,856 --> 00:59:38,959
'CAUSE HERE I COME ♪

1598
00:59:38,959 --> 00:59:39,960
♪ AND I'M MARCHING ON

1599
00:59:39,960 --> 00:59:42,028
TO THE BEAT I DRUM

1600
00:59:42,028 --> 00:59:44,731
MARCHING MARCHING ON ♪

1601
00:59:44,731 --> 00:59:45,232
♪ THIS IS BRAVE

1602
00:59:45,232 --> 00:59:46,233
THIS IS BRUISED ♪

1603
00:59:46,233 --> 00:59:46,800
♪ THIS IS WHO

1604
00:59:46,800 --> 00:59:47,300
I'M MEANT TO BE

1605
00:59:47,300 --> 00:59:55,709
THIS IS ME ♪

1606
00:59:55,709 --> 00:59:59,813
>> Alfonso: TORI & PASHA WITH A

1607
00:59:59,813 --> 01:00:03,950
RUMBA.

1608
01:00:03,950 --> 01:00:07,454
YES.

1609
01:00:07,454 --> 01:00:08,555
>> MY BABIES, ALL FIVE OF THEM

1610
01:00:08,555 --> 01:00:13,793
HERE.

1611
01:00:13,793 --> 01:00:14,828
>> Carrie Ann: THIS SHOW IS

1612
01:00:14,828 --> 01:00:16,096
ABOUT A JOURNEY.

1613
01:00:16,096 --> 01:00:16,997
A TRUE JOURNEY.

1614
01:00:16,997 --> 01:00:18,531
YOU DON'T GET THE BENEFITS FROM

1615
01:00:18,531 --> 01:00:20,433
BEING ON "DANCING WITH THE

1616
01:00:20,433 --> 01:00:21,935
STARS" UNLESS YOU EMBARK UPON

1617
01:00:21,935 --> 01:00:22,902
IT.

1618
01:00:22,902 --> 01:00:25,272
TONIGHT, I SAW YOU REALLY TAKE A

1619
01:00:25,272 --> 01:00:26,906
RISK.

1620
01:00:26,906 --> 01:00:29,075
YOU OPENED YOUR HEART.

1621
01:00:29,075 --> 01:00:30,243
LOVED WATCHING YOU SING.

1622
01:00:30,243 --> 01:00:31,745
THESE WHAT WE WILL LOOK FOR.

1623
01:00:31,745 --> 01:00:33,146
WE WILL REFINE.

1624
01:00:33,146 --> 01:00:33,713
TORI, WELCOME TO THE

1625
01:00:33,713 --> 01:00:40,387
COMPETITION!

1626
01:00:40,387 --> 01:00:44,090
>> Derek: IT'S A GREAT EXAMPLE

1627
01:00:44,090 --> 01:00:45,225
OUT THERE TO YOUR KIDS, DANCING

1628
01:00:45,225 --> 01:00:45,558
TONIGHT.

1629
01:00:45,558 --> 01:00:51,865
I LOVE SEEING YOU ENJOY THE

1630
01:00:51,865 --> 01:00:52,198
MOMENT.

1631
01:00:52,198 --> 01:00:53,800
FIND THE BALANCE BETWEEN

1632
01:00:53,800 --> 01:00:54,734
STRENGTH AND FLUIDITY.

1633
01:00:54,734 --> 01:00:55,468
I LOVED YOUR SPIRIT OUT THERE.

1634
01:00:55,468 --> 01:00:59,806
WELL DONE.

1635
01:00:59,806 --> 01:01:00,874
>> Bruno: MY DARLING, THAT'S

1636
01:01:00,874 --> 01:01:01,775
WHAT HAPPENED.

1637
01:01:01,775 --> 01:01:04,311
YOU WERE TOTALLY INTO IT.

1638
01:01:04,311 --> 01:01:05,345
YOU LOVE THE SONG.

1639
01:01:05,345 --> 01:01:06,946
YOU LET YOURSELF GO.

1640
01:01:06,946 --> 01:01:09,582
YOU LET YOURSELF EMBRACE THE

1641
01:01:09,582 --> 01:01:11,685
SITUATION AND THE MUSIC.

1642
01:01:11,685 --> 01:01:12,686
IT ALL HAPPENED.

1643
01:01:12,686 --> 01:01:13,420
OF COURSE, THERE ARE

1644
01:01:13,420 --> 01:01:15,722
TECHNICAL -- IT'S NOT PERFECT.

1645
01:01:15,722 --> 01:01:17,090
WE GOTTA WORK AND A FEW THINGS.

1646
01:01:17,090 --> 01:01:19,492
BUT THAT'S THE SPIRIT.

1647
01:01:19,492 --> 01:01:21,294
YOU HAVE TO -- IT'S LIKE ACTING.

1648
01:01:21,294 --> 01:01:23,163
YOU HAVE TO LIVE THE MOMENT AND

1649
01:01:23,163 --> 01:01:24,731
BE BELIEVABLE AS YOU DO IT.

1650
01:01:24,731 --> 01:01:25,298
BE TRUE TO YOURSELF.

1651
01:01:25,298 --> 01:01:29,469
THERE YOU GO.

1652
01:01:29,469 --> 01:01:30,070
>> Alfonso: OUR DOUBLE

1653
01:01:30,070 --> 01:01:32,105
ELIMINATION IS ON THE WAY.

1654
01:01:32,105 --> 01:01:33,139
EVEN IF YOU VOTED LAST WEEK, YOU

1655
01:01:33,139 --> 01:01:34,674
HAVE TO DO IT AGAIN TONIGHT TO

1656
01:01:34,674 --> 01:01:36,276
SAVE YOUR FAVORITE COUPLES.

1657
01:01:36,276 --> 01:01:36,976
VOTING CLOSES DURING THE LAST

1658
01:01:36,976 --> 01:01:38,878
COMMERCIAL BREAK.

1659
01:01:38,878 --> 01:01:39,579
AND THEN, SADLY, TWO COUPLES

1660
01:01:39,579 --> 01:01:41,982
WILL BE ELIMINATED.

1661
01:01:41,982 --> 01:01:43,016
JULIANNE.

1662
01:01:43,016 --> 01:01:46,019
>> Julianne: THANKS, ALFONSO.

1663
01:01:46,019 --> 01:01:51,091
HUGGING IT OUT.

1664
01:01:51,091 --> 01:01:53,226
TORI SAYING SHE LOVES YOU ALL.

1665
01:01:53,226 --> 01:01:54,494
LAST WEEK YOU SAID YOU WERE SO

1666
01:01:54,494 --> 01:01:55,929
NERVOUS TO PERFORM.

1667
01:01:55,929 --> 01:01:56,663
THIS FELT DIFFERENT.

1668
01:01:56,663 --> 01:01:57,931
HOW ARE YOU FEELING?

1669
01:01:57,931 --> 01:02:00,367
>> MY GOSH, I WAS JUST SO PUMPED

1670
01:02:00,367 --> 01:02:02,268
TO GO OUT THERE.

1671
01:02:02,268 --> 01:02:05,605
MY KIDS ARE GOING TO BE, WHY DID

1672
01:02:05,605 --> 01:02:06,906
SHE SAY PUMPED?

1673
01:02:06,906 --> 01:02:08,308
I WANTED TO MAKE THEM PROUD.

1674
01:02:08,308 --> 01:02:10,744
I'M SO HAPPY.

1675
01:02:10,744 --> 01:02:11,845
>> Julianne: I'M PUMPED.

1676
01:02:11,845 --> 01:02:15,482
LET'S GET YOUR SCORES.

1677
01:02:15,482 --> 01:02:16,249
>> Carrie Ann: I THINK YOU MADE

1678
01:02:16,249 --> 01:02:20,754
THEM PROUD, 7.

1679
01:02:20,754 --> 01:02:21,454
>> Derek: 6.

1680
01:02:21,454 --> 01:02:25,058
>> Bruno: 6.

1681
01:02:25,058 --> 01:02:26,926
>> Julianne: 19 OUT OF 30 FOR

1682
01:02:26,926 --> 01:02:29,929
TORI AND PASHA.

1683
01:02:29,929 --> 01:02:31,531
HOW PUMPED ARE YOU FEELING ABOUT

1684
01:02:31,531 --> 01:02:32,165
THAT 7?

1685
01:02:32,165 --> 01:02:32,866
>> REALLY PUMPED.

1686
01:02:32,866 --> 01:02:37,170
I GOT A 7!

1687
01:02:37,170 --> 01:02:38,238
>> Julianne: WE'RE ALL PUMPED.

1688
01:02:38,238 --> 01:02:44,711
THAT'S THE NEW WORD TONIGHT.

1689
01:02:44,711 --> 01:02:46,446
REMEMBER, YOU GET TEN VOTES PER

1690
01:02:46,446 --> 01:02:49,582
COUPLE, PER VOTING METHOD.

1691
01:02:49,582 --> 01:02:50,083
ALFONSO.

1692
01:02:50,083 --> 01:02:50,784
>> Alfonso: THANKS, JULIANNE.

1693
01:02:50,784 --> 01:02:51,518
ONE OF LAST WEEK'S BIGGEST, AND

1694
01:02:51,518 --> 01:02:52,685
TALLEST, SURPRISES WAS OUR NBA

1695
01:02:52,685 --> 01:02:53,219
CHAMPION.

1696
01:02:53,219 --> 01:02:54,921
DWIGHT HOWARD &

1697
01:02:54,921 --> 01:02:55,655
DANIELLA KARAGACH WILL TAKE US

1698
01:02:55,655 --> 01:02:56,289
TO "LA LA LAND" WHEN THEY

1699
01:02:56,289 --> 01:02:58,258
FOXTROT, LIVE.

1700
01:03:08,601 --> 01:03:11,938
>> Alfonso: WELCOME BACK.

1701
01:03:11,938 --> 01:03:12,972
NEXT UP, A FOXTROT TO THE

1702
01:03:12,972 --> 01:03:14,541
OSCAR-WINNING SONG "CITY OF

1703
01:03:14,541 --> 01:03:16,609
STARS" FROM "LA LA LAND."

1704
01:03:16,609 --> 01:03:17,343
IT'S NBA ALL-STAR, DWIGHT HOWARD

1705
01:03:17,343 --> 01:03:24,417
& DANIELLA KARAGACH.

1706
01:03:24,417 --> 01:03:26,719
>> LAST WEEK, WE DID A SALSA.

1707
01:03:26,719 --> 01:03:28,154
>> THAT WAS A LOT OF FUN.

1708
01:03:28,154 --> 01:03:30,290
>> WE GOT OUR FIRST 8.

1709
01:03:30,290 --> 01:03:31,758
THEY DON'T GIVE OUT 8 ON THE

1710
01:03:31,758 --> 01:03:32,358
FIRST WEEK.

1711
01:03:32,358 --> 01:03:33,092
THIS WEEK, THINGS ARE GETTING

1712
01:03:33,092 --> 01:03:35,228
WAY HARDER.

1713
01:03:35,228 --> 01:03:38,331
THIS IS YOUR FIRST DANCE IN

1714
01:03:38,331 --> 01:03:38,665
HOLD.

1715
01:03:38,665 --> 01:03:42,969
>> THE HIP AND HIP AND HEART AND

1716
01:03:42,969 --> 01:03:43,303
HEART.

1717
01:03:43,303 --> 01:03:45,939
>> THERE'S NO WAY WE CAN DO THE

1718
01:03:45,939 --> 01:03:46,706
TRADITIONAL HOLD.

1719
01:03:46,706 --> 01:03:49,008
USUALLY IT'S HIP TO HIP, ARMS ON

1720
01:03:49,008 --> 01:03:49,542
EACH OTHER.

1721
01:03:49,542 --> 01:03:51,444
>> HOW IS THIS GOING TO WORK?

1722
01:03:51,444 --> 01:03:54,981
>> I CAN'T REACH HIS HAND.

1723
01:03:54,981 --> 01:03:56,349
MAYBE IT'S THIS.

1724
01:03:56,349 --> 01:03:58,585
WE WILL TRY TO DO CONNECTION.

1725
01:03:58,585 --> 01:04:00,854
I HOPE THE JUDGES GIVE US A

1726
01:04:00,854 --> 01:04:01,521
LITTLE ROOM AND DON'T TAKE

1727
01:04:01,521 --> 01:04:04,157
POINTS OFF.

1728
01:04:04,157 --> 01:04:06,693
>> THANK YOU FOR HELPING US.

1729
01:04:06,693 --> 01:04:07,560
>> HIGH FIVE.

1730
01:04:07,560 --> 01:04:09,562
LAST WEEK, I GOT A CHANCE TO

1731
01:04:09,562 --> 01:04:12,198
FLIP HER UP AND DO TRICKS.

1732
01:04:12,198 --> 01:04:14,033
THAT TOOK THE FOCUS OFF OUR

1733
01:04:14,033 --> 01:04:15,201
HEIGHT DIFFERENCE.

1734
01:04:15,201 --> 01:04:15,969
THIS WEEK, IT'S STRICTLY

1735
01:04:15,969 --> 01:04:18,471
BALLROOM AND TECHNIQUE.

1736
01:04:18,471 --> 01:04:19,005
THE PRESSURE IS ON.

1737
01:04:19,005 --> 01:04:24,744
>> NICE.

1738
01:04:24,744 --> 01:04:25,378
>> Announcer: DANCING THE

1739
01:04:25,378 --> 01:04:26,012
FOXTROT, WITH HIS PARTNER

1740
01:04:26,012 --> 01:04:27,313
DANIELLA KARAGACH, IT'S

1741
01:04:27,313 --> 01:04:43,963
DWIGHT HOWARD.

1742
01:04:43,963 --> 01:04:47,667
♪ CITY OF STARS

1743
01:04:47,667 --> 01:04:48,201
ARE YOU SHINING

1744
01:04:48,201 --> 01:04:54,974
JUST FOR ME? ♪

1745
01:04:54,974 --> 01:04:57,577
♪ CITY OF STARS

1746
01:04:57,577 --> 01:04:58,111
THERE'S SO MUCH

1747
01:04:58,111 --> 01:05:03,816
THAT I CAN'T SEE ♪

1748
01:05:03,816 --> 01:05:06,419
♪ WHO KNOWS? ♪

1749
01:05:06,419 --> 01:05:07,453
♪ IS THIS THE START OF

1750
01:05:07,453 --> 01:05:11,658
SOMETHING

1751
01:05:11,658 --> 01:05:16,296
WONDERFUL AND NEW? ♪

1752
01:05:16,296 --> 01:05:19,999
♪ OR ONE MORE DREAM

1753
01:05:19,999 --> 01:05:32,011
THAT I CANNOT MAKE TRUE? ♪

1754
01:05:32,011 --> 01:05:33,546
>> Alfonso: DWIGHT & DANIELLA

1755
01:05:33,546 --> 01:05:34,280
HONORING "LA LA LAND" WITH THEIR

1756
01:05:34,280 --> 01:05:38,551
FOXTROT.

1757
01:05:38,551 --> 01:05:40,553
YEAH, BUDDY.

1758
01:05:40,553 --> 01:05:44,591
ANOTHER STANDING O.

1759
01:05:44,591 --> 01:05:45,191
LOVE IT.

1760
01:05:45,191 --> 01:05:47,060
>> Derek: I HAVE TO SAY, FOR A

1761
01:05:47,060 --> 01:05:49,662
TALL ATHLETE, I WAS COMPLETELY

1762
01:05:49,662 --> 01:05:51,731
BLOWN AWAY HOW SMOOTH THAT WAS.

1763
01:05:51,731 --> 01:05:54,067
THAT WAS REALLY IMPRESSIVE.

1764
01:05:54,067 --> 01:05:57,537
I WAS WORRIED ABOUT HOW YOU WERE

1765
01:05:57,537 --> 01:05:58,938
GOING TO TACKLE THE FRAME ISSUE.

1766
01:05:58,938 --> 01:06:05,478
IT WAS PRETTY GOOD.

1767
01:06:05,478 --> 01:06:07,113
A LITTLE OUT OF SEQUENCE, BUT

1768
01:06:07,113 --> 01:06:07,780
THAT'S OKAY.

1769
01:06:07,780 --> 01:06:09,582
EVEN THOUGH YOU ARE TALL, TRY TO

1770
01:06:09,582 --> 01:06:11,050
GET THE BUM UNDER.

1771
01:06:11,050 --> 01:06:14,220
IT'S LIKE AN OLYMPIC SKI JUMP.

1772
01:06:14,220 --> 01:06:14,921
TUCK THAT UNDER.

1773
01:06:14,921 --> 01:06:15,722
MY MAN, THAT WAS INCREDIBLE.

1774
01:06:15,722 --> 01:06:20,460
WELL DONE.

1775
01:06:20,460 --> 01:06:22,662
>> Bruno: AN INCREDIBLE QUALITY.

1776
01:06:22,662 --> 01:06:23,529
SO LIGHT.

1777
01:06:23,529 --> 01:06:24,664
SO CARING.

1778
01:06:24,664 --> 01:06:26,132
SO GRACEFUL.

1779
01:06:26,132 --> 01:06:27,033
IT SHOULDN'T HAPPEN.

1780
01:06:27,033 --> 01:06:29,168
IT'S LIKE HAVING A MAJESTIC

1781
01:06:29,168 --> 01:06:31,304
CONDOR TRYING TO TAKE CARE OF A

1782
01:06:31,304 --> 01:06:31,671
BUTTERFLY.

1783
01:06:31,671 --> 01:06:32,872
AND YET, IT DOES.

1784
01:06:32,872 --> 01:06:35,274
IT'S UNBELIEVABLE.

1785
01:06:35,274 --> 01:06:37,410
YOU HAVE TO CHECK THE FOOTWORK.

1786
01:06:37,410 --> 01:06:37,944
SOMETHING HAPPENED.

1787
01:06:37,944 --> 01:06:39,779
YOU KNOW.

1788
01:06:39,779 --> 01:06:41,881
I HAVEN'T GOT TIME TO DIVULGE ON

1789
01:06:41,881 --> 01:06:42,215
IT.

1790
01:06:42,215 --> 01:06:42,649
CHECK ON THAT.

1791
01:06:42,649 --> 01:06:46,085
BUT WELL DONE.

1792
01:06:46,085 --> 01:06:48,688
>> Carrie Ann: THAT FOXTROT MADE

1793
01:06:48,688 --> 01:06:50,757
THE IMPOSSIBLE POSSIBLE.

1794
01:06:50,757 --> 01:06:51,758
I WAS SO CONCERNED WITH HOW YOU

1795
01:06:51,758 --> 01:06:53,693
WERE GOING TO GET THROUGH THAT.

1796
01:06:53,693 --> 01:06:56,095
WHAT YOU DID, THE CHOICES WERE

1797
01:06:56,095 --> 01:06:56,896
STRONG CHOICES.

1798
01:06:56,896 --> 01:06:58,731
I WOULD LIKE TO SEE AS YOU MOVE

1799
01:06:58,731 --> 01:06:59,799
FORWARD EVEN EXPERIMENT WITH

1800
01:06:59,799 --> 01:07:01,701
OTHER WAYS OF HOLD DEPENDING ON

1801
01:07:01,701 --> 01:07:02,235
THE DANCE.

1802
01:07:02,235 --> 01:07:03,770
WOULD IT BE BETTER IN THIS DANCE

1803
01:07:03,770 --> 01:07:05,371
TO HAVE A LITTLE MORE BODY

1804
01:07:05,371 --> 01:07:09,409
CONTACT AS OPPOSED TO FOREARMS?

1805
01:07:09,409 --> 01:07:10,410
YOU ARE A POET.

1806
01:07:10,410 --> 01:07:13,546
THAT WAS GORGEOUS.

1807
01:07:13,546 --> 01:07:14,280
>> Alfonso: HEAD UP TO JULIANNE

1808
01:07:14,280 --> 01:07:15,615
IN THE SKYBOX.

1809
01:07:15,615 --> 01:07:17,717
NEXT WEEK, WE GET A NIGHT OFF.

1810
01:07:17,717 --> 01:07:18,418
BUT WE'LL BE BACK BIGGER THAN

1811
01:07:18,418 --> 01:07:20,286
EVER THE FOLLOWING WEEK WITH A

1812
01:07:20,286 --> 01:07:21,854
TWO-NIGHT SPECIAL EVENT.

1813
01:07:21,854 --> 01:07:22,555
ON MONDAY, OCTOBER 7th, IT'S

1814
01:07:22,555 --> 01:07:24,957
"SOUL TRAIN NIGHT."

1815
01:07:24,957 --> 01:07:25,692
AND ON TUESDAY, IT'S "HAIR METAL

1816
01:07:25,692 --> 01:07:28,127
NIGHT."

1817
01:07:28,127 --> 01:07:29,662
THERE'S A LOT OF GREAT MUSIC,

1818
01:07:29,662 --> 01:07:30,697
AND A LOT OF GREAT DANCING ON

1819
01:07:30,697 --> 01:07:33,332
OUR DOUBLE BILL, OCTOBER 7th AND

1820
01:07:33,332 --> 01:07:33,933
8th ON ABC AND DISNEY+.

1821
01:07:33,933 --> 01:07:35,435
JULIANNE.

1822
01:07:35,435 --> 01:07:36,502
>> Julianne: I'M GLAD WE GET A

1823
01:07:36,502 --> 01:07:37,136
WEEK TO REST UP FOR THAT,

1824
01:07:37,136 --> 01:07:40,006
ALFONSO.

1825
01:07:40,006 --> 01:07:41,941
I HAVE TO ASK YOU, BECAUSE ONE

1826
01:07:41,941 --> 01:07:43,609
OF MY FAVORITE THINGS IS YOU ARE

1827
01:07:43,609 --> 01:07:45,645
UP HERE IN THE SKYBOX

1828
01:07:45,645 --> 01:07:46,045
PRACTICING.

1829
01:07:46,045 --> 01:07:47,513
YOU TAKE THIS SERIOUSLY.

1830
01:07:47,513 --> 01:07:48,948
I KNOW THERE WAS A LITTLE FUMBLE

1831
01:07:48,948 --> 01:07:50,049
AT THE BEGINNING.

1832
01:07:50,049 --> 01:07:51,317
YOU SAID SOMETHING AT THE END OF

1833
01:07:51,317 --> 01:07:52,118
THE ROUTINE.

1834
01:07:52,118 --> 01:07:53,286
WHAT WAS THAT?

1835
01:07:53,286 --> 01:07:54,153
>> I SAID, YOU ARE PERFECT.

1836
01:07:54,153 --> 01:08:00,193
YEAH.

1837
01:08:00,193 --> 01:08:01,094
>> Julianne: YOU ARE TOO SWEET.

1838
01:08:01,094 --> 01:08:04,897
LET'S GET TO YOUR SCORES.

1839
01:08:04,897 --> 01:08:05,531
>> Carrie Ann: I LOVED IT.

1840
01:08:05,531 --> 01:08:09,769
8.

1841
01:08:09,769 --> 01:08:10,770
>> Derek: DWIGHT, YOU ARE

1842
01:08:10,770 --> 01:08:11,104
PERFECT.

1843
01:08:11,104 --> 01:08:13,172
7.

1844
01:08:13,172 --> 01:08:16,676
>> Bruno: 7.

1845
01:08:16,676 --> 01:08:17,410
>> Julianne: ALL RIGHT.

1846
01:08:17,410 --> 01:08:21,581
THAT'S A 22 OUT OF 30 FOR DWIGHT

1847
01:08:21,581 --> 01:08:23,416
AND DANIELLA.

1848
01:08:23,416 --> 01:08:27,787
TO VOTE, GRAB YOUR TABLET, YOUR

1849
01:08:27,787 --> 01:08:33,359
LAPTOP, YOUR PHONE.

1850
01:08:33,359 --> 01:08:34,060
>> Alfonso: THANKS, JULIANNE.

1851
01:08:34,060 --> 01:08:34,794
IF YOU'VE EVER WANTED TO SEE A

1852
01:08:34,794 --> 01:08:35,428
SWIMSUIT MODEL DANCE A

1853
01:08:35,428 --> 01:08:36,462
BALLET-THEMED QUICKSTEP TO AN

1854
01:08:36,462 --> 01:08:38,064
OSCAR-NOMINATED SONG BY

1855
01:08:38,064 --> 01:08:38,798
DOLLY PARTON, THIS IS PROBABLY

1856
01:08:38,798 --> 01:08:40,700
THE ONLY PLACE THAT'S GONNA

1857
01:08:40,700 --> 01:08:41,534
HAPPEN.

1858
01:08:41,534 --> 01:08:42,235
BROOKS NADER & GLEB SAVCHENKO

1859
01:08:42,235 --> 01:08:43,603
ARE NEXT, LIVE.

1860
01:08:53,246 --> 01:08:55,214
>> Alfonso: WELCOME BACK.

1861
01:08:55,214 --> 01:08:57,016
NEXT UP, A QUICKSTEP TO

1862
01:08:57,016 --> 01:08:58,718
DOLLY PARTON'S OSCAR-NOMINATED

1863
01:08:58,718 --> 01:09:00,486
TITLE SONG FROM THE MOVIE "9 TO

1864
01:09:00,486 --> 01:09:02,321
5."

1865
01:09:02,321 --> 01:09:04,157
>> Julianne: IT'S SPORTS

1866
01:09:04,157 --> 01:09:08,361
ILLUSTRATED COVER MODEL,

1867
01:09:08,361 --> 01:09:10,663
BROOKS NADER AND GLEB SAVCHENKO.

1868
01:09:10,663 --> 01:09:12,632
>> LAST WEEK, WE GOT THREE 6s,

1869
01:09:12,632 --> 01:09:15,935
WHICH IS AN OKAY SCORE.

1870
01:09:15,935 --> 01:09:17,003
>> IT WAS SO SCARY.

1871
01:09:17,003 --> 01:09:17,603
I LIKE THEY SAID I HAVE

1872
01:09:17,603 --> 01:09:18,037
POTENTIAL.

1873
01:09:18,037 --> 01:09:19,105
>> THIS WEEK IS OSCARS NIGHT.

1874
01:09:19,105 --> 01:09:20,173
WE ARE DANCING THE QUICKSTEP TO

1875
01:09:20,173 --> 01:09:22,108
"9 TO 5."

1876
01:09:22,108 --> 01:09:24,177
>> I LOVE DOLLY PARDON.

1877
01:09:24,177 --> 01:09:24,610
SOUTHERN GIRL.

1878
01:09:24,610 --> 01:09:26,245
>> THIS WEEK IS GREAT FOR US.

1879
01:09:26,245 --> 01:09:27,914
WE ARE SO CONNECTED.

1880
01:09:27,914 --> 01:09:33,052
THE MOST IMPORTANT PART IS WE

1881
01:09:33,052 --> 01:09:33,686
HAVE TO BE CLOSE IN THE

1882
01:09:33,686 --> 01:09:34,053
QUICKSTEP.

1883
01:09:34,053 --> 01:09:34,754
>> OUR PARTNERSHIP IS AMAZING.

1884
01:09:34,754 --> 01:09:35,788
WE HAVE A NICE TIME TOGETHER

1885
01:09:35,788 --> 01:09:36,355
DANCING.

1886
01:09:36,355 --> 01:09:38,458
ALL DANCING.

1887
01:09:38,458 --> 01:09:42,695
WE HAVE TO BE A LITTLE CLOSER.

1888
01:09:42,695 --> 01:09:44,630
THAT DOESN'T MAKE ME MAD AT ALL.

1889
01:09:44,630 --> 01:09:47,500
>> FORWARD, TOGETHER.

1890
01:09:47,500 --> 01:09:49,402
>> GLEB SAYS HAVING A STRONG

1891
01:09:49,402 --> 01:09:51,003
CONNECTION IS KEY TO THIS DANCE.

1892
01:09:51,003 --> 01:09:51,571
IT'S AN ENERGY THING.

1893
01:09:51,571 --> 01:09:52,572
SOMETHING TELLS ME THAT WILL NOT

1894
01:09:52,572 --> 01:09:53,139
BE AN ISSUE.

1895
01:09:53,139 --> 01:09:53,806
>> I'M TRYING TO TEACH THE

1896
01:09:53,806 --> 01:09:54,173
QUICKSTEP.

1897
01:09:54,173 --> 01:09:55,241
IT'S HARD BECAUSE SHE'S

1898
01:09:55,241 --> 01:09:57,810
DISTRACTING.

1899
01:09:57,810 --> 01:09:59,078
WE NEED TO REHEARSE.

1900
01:09:59,078 --> 01:10:01,581
>> I'M COMING.

1901
01:10:01,581 --> 01:10:02,281
WE'RE PUTTING A NEW SPIN ON AN

1902
01:10:02,281 --> 01:10:05,017
OLD CLASSIC.

1903
01:10:05,017 --> 01:10:05,551
GLEB IS THE TEACHER.

1904
01:10:05,551 --> 01:10:06,152
I'M THE STUDENT.

1905
01:10:06,152 --> 01:10:08,588
I HAVE LITERALLY NEVER BEEN MORE

1906
01:10:08,588 --> 01:10:09,956
EXCITED TO GO BACK TO SCHOOL.

1907
01:10:09,956 --> 01:10:11,057
>> Announcer: DANCING THE

1908
01:10:11,057 --> 01:10:15,695
QUICKSTEP, WITH HER PARTNER

1909
01:10:15,695 --> 01:10:19,031
GLEB SAVCHENKO, IT'S BROOKS

1910
01:10:19,031 --> 01:10:19,365
NADER.

1911
01:10:19,365 --> 01:10:19,966
[ CHEERS AND APPLAUSE ]

1912
01:10:19,966 --> 01:10:20,766
♪ TUMBLE OUTTA BED AND I STUMBLE

1913
01:10:20,766 --> 01:10:21,300
TO THE KITCHEN ♪

1914
01:10:21,300 --> 01:10:22,201
♪ POUR MYSELF A CUP OF

1915
01:10:22,201 --> 01:10:23,803
AMBITION ♪

1916
01:10:23,803 --> 01:10:24,871
♪ AND YAWN AND STRETCH AND TRY

1917
01:10:24,871 --> 01:10:28,040
TO COME TO LIFE ♪

1918
01:10:28,040 --> 01:10:30,710
♪ JUMP IN THE SHOWER AND THE

1919
01:10:30,710 --> 01:10:33,880
BLOOD STARTS PUMPIN' ♪

1920
01:10:33,880 --> 01:10:37,049
♪ OUT ON THE STREET THE TRAFFIC

1921
01:10:37,049 --> 01:10:39,151
STARTS JUMPIN' ♪

1922
01:10:39,151 --> 01:10:41,821
♪ THE FOLKS LIKE ME ON THE JOB

1923
01:10:41,821 --> 01:10:44,457
FROM 9 TO 5 ♪

1924
01:10:44,457 --> 01:10:46,058
♪ WORKIN' 9 TO 5 WHAT A WAY TO

1925
01:10:46,058 --> 01:10:49,762
MAKE A LIVIN' ♪

1926
01:10:49,762 --> 01:10:52,965
♪ BARELY GETTIN' BY IT'S ALL

1927
01:10:52,965 --> 01:10:55,601
TAKIN' AND NO GIVIN' ♪

1928
01:10:55,601 --> 01:10:59,839
♪ THEY JUST USE YOUR MIND AND

1929
01:10:59,839 --> 01:11:00,573
THEY NEVER GIVE YOU CREDIT ♪

1930
01:11:00,573 --> 01:11:01,407
♪ IT'S ENOUGH TO DRIVE YOU CRAZY

1931
01:11:01,407 --> 01:11:02,475
IF YOU LET IT ♪

1932
01:11:02,475 --> 01:11:03,276
♪ 9 TO 5 YEAH THEY GOT YOU WHERE

1933
01:11:03,276 --> 01:11:04,644
THEY WANT YOU ♪

1934
01:11:04,644 --> 01:11:07,413
♪ THERE'S A BETTER LIFE AND YOU

1935
01:11:07,413 --> 01:11:08,581
DREAM ABOUT IT, DON'T YOU ♪

1936
01:11:08,581 --> 01:11:09,615
♪ IT'S A RICH MAN'S GAME NO

1937
01:11:09,615 --> 01:11:11,217
MATTER WHAT THEY CALL IT ♪

1938
01:11:11,217 --> 01:11:13,886
♪ AND YOU SPEND YOUR LIFE

1939
01:11:13,886 --> 01:11:21,093
PUTTIN' MONEY IN HIS WALLET ♪

1940
01:11:21,093 --> 01:11:26,632
[ CHEERS AND APPLAUSE ]

1941
01:11:26,632 --> 01:11:28,501
>> Alfonso: BROOKS AND GLEB

1942
01:11:28,501 --> 01:11:29,235
WORKING AFTER HOURS WITH THEIR

1943
01:11:29,235 --> 01:11:30,069
QUICKSTEP.

1944
01:11:30,069 --> 01:11:34,874
YEP, YEP.

1945
01:11:34,874 --> 01:11:35,441
ANOTHER STANDING "O."

1946
01:11:35,441 --> 01:11:35,908
GREAT JOB.

1947
01:11:35,908 --> 01:11:38,010
BRUNO?

1948
01:11:38,010 --> 01:11:39,111
>> Bruno: I CAN FEEL YOU LIKE

1949
01:11:39,111 --> 01:11:40,980
STRICT DISCIPLINE.

1950
01:11:40,980 --> 01:11:42,448
I CAN FEEL YOU PUT A LOT OF

1951
01:11:42,448 --> 01:11:46,419
OVERTIME INTO THIS.

1952
01:11:46,419 --> 01:11:46,819
HAVEN'T YOU?

1953
01:11:46,819 --> 01:11:47,320
IT REALLY WORKED.

1954
01:11:47,320 --> 01:11:49,755
>> A LOT OF OVERTIME.

1955
01:11:49,755 --> 01:11:52,725
>> Bruno: A LOT OF OVERTIME AND

1956
01:11:52,725 --> 01:11:53,025
HOLD.

1957
01:11:53,025 --> 01:11:56,195
I'M MAKING THE POINT, NOW, ON

1958
01:11:56,195 --> 01:11:56,729
HOLD IT WAS SO GOOD.

1959
01:11:56,729 --> 01:11:57,363
YOU REALLY HAD THE PROPER

1960
01:11:57,363 --> 01:11:59,765
QUALITY OF A QUICKSTEP, LIGHT

1961
01:11:59,765 --> 01:12:02,435
FOOT, PLENTY OF STEPS.

1962
01:12:02,435 --> 01:12:04,136
AT THE BEGINNING, YOU WENT WRONG

1963
01:12:04,136 --> 01:12:05,471
ON THE FIRST HALF WHEN YOU WERE

1964
01:12:05,471 --> 01:12:07,506
MUCKING ABOUT.

1965
01:12:07,506 --> 01:12:09,342
THERE IS NO NEED TO MUCKING

1966
01:12:09,342 --> 01:12:09,675
ABOUT.

1967
01:12:09,675 --> 01:12:10,443
YOU CAN DO THE PROPER THING.

1968
01:12:10,443 --> 01:12:18,417
JUST GO FOR IT.

1969
01:12:18,417 --> 01:12:22,288
>> Alfonso: ALL RIGHT.

1970
01:12:22,288 --> 01:12:22,688
CARRIE ANN?

1971
01:12:22,688 --> 01:12:23,389
>> Carrie Ann: WHERE WAS THE

1972
01:12:23,389 --> 01:12:23,923
KISS IN THE ROUTINE?

1973
01:12:23,923 --> 01:12:24,657
I WAS WAITING FOR THE KISS TO BE

1974
01:12:24,657 --> 01:12:25,124
IN THE ROUTINE.

1975
01:12:25,124 --> 01:12:26,092
WASN'T THERE A KISS?

1976
01:12:26,092 --> 01:12:28,894
>> Alfonso: IT'S JUST WEEK TWO.

1977
01:12:28,894 --> 01:12:29,628
>> Carrie Ann: OKAY.

1978
01:12:29,628 --> 01:12:31,530
I'M TEASING YOU.

1979
01:12:31,530 --> 01:12:32,264
BROOKS, YOU HAVE THE FACILITY.

1980
01:12:32,264 --> 01:12:33,199
YOU ARE A BEAUTIFUL DANCER.

1981
01:12:33,199 --> 01:12:33,933
I'M GLAD YOU ARE COMING BACK TO

1982
01:12:33,933 --> 01:12:36,569
YOUR LOVE OF DANCE.

1983
01:12:36,569 --> 01:12:36,936
IT SHOWS.

1984
01:12:36,936 --> 01:12:37,770
YOU ARE GORGEOUS LINES.

1985
01:12:37,770 --> 01:12:39,972
YOU TEND TO RUSH.

1986
01:12:39,972 --> 01:12:40,339
I NOTICED.

1987
01:12:40,339 --> 01:12:41,040
GLEB BRINGS YOU BACK INTO IT.

1988
01:12:41,040 --> 01:12:41,674
>> I GET EXCITED.

1989
01:12:41,674 --> 01:12:45,311
I CAN'T HELP IT.

1990
01:12:45,311 --> 01:12:46,479
>> Carrie Ann: WE GOT EXCITED

1991
01:12:46,479 --> 01:12:50,716
AND THERE WAS KISSING.

1992
01:12:50,716 --> 01:12:51,150
>> Bruno: HEY!

1993
01:12:51,150 --> 01:12:51,884
>> Derek: I SEE THAT BALLET AT

1994
01:12:51,884 --> 01:12:54,720
THE BEGINNING.

1995
01:12:54,720 --> 01:12:56,622
BEAUTIFUL, BY THE WAY.

1996
01:12:56,622 --> 01:12:59,859
YOU HAVE ALL THE INGREDIENTS.

1997
01:12:59,859 --> 01:13:00,993
YOU REALLY DO.

1998
01:13:00,993 --> 01:13:04,230
YOU JUST NEED MORE TIME BAKING

1999
01:13:04,230 --> 01:13:04,630
IN THE OVEN.

2000
01:13:04,630 --> 01:13:05,264
I FEEL LIKE -- QUESTION.

2001
01:13:05,264 --> 01:13:05,998
MR. GLEB, WAS THAT A TANGO FRAME

2002
01:13:05,998 --> 01:13:08,401
IN A QUICKSTEP?

2003
01:13:08,401 --> 01:13:08,834
>> Bruno: YES.

2004
01:13:08,834 --> 01:13:09,969
>> HE TOLD ME TO DO THAT.

2005
01:13:09,969 --> 01:13:12,171
>> THAT'S THE PROBLEM.

2006
01:13:12,171 --> 01:13:15,174
WE DID THE FIRST ONE WITH THE

2007
01:13:15,174 --> 01:13:17,710
TANGO AND THE QUICKSTEP AND

2008
01:13:17,710 --> 01:13:18,044
THE --

2009
01:13:18,044 --> 01:13:18,644
>> Bruno: BAD, BAD, BAD.

2010
01:13:18,644 --> 01:13:21,080
BAD TEACHER.

2011
01:13:21,080 --> 01:13:22,548
>> Alfonso: THEY'RE IN TROUBLE

2012
01:13:22,548 --> 01:13:22,948
NOW.

2013
01:13:22,948 --> 01:13:23,783
THEY'RE IN TROUBLE.

2014
01:13:23,783 --> 01:13:26,018
GO UP TO JULIANNE FOR YOUR

2015
01:13:26,018 --> 01:13:27,086
SCORES.

2016
01:13:27,086 --> 01:13:27,620
THEY'RE IN TROUBLE.

2017
01:13:27,620 --> 01:13:28,921
I'M HAPPY TO ANNOUNCE THAT WE

2018
01:13:28,921 --> 01:13:29,622
HAVE RECEIVED EVEN MORE VOTES

2019
01:13:29,622 --> 01:13:31,157
THAN LAST WEEK.

2020
01:13:31,157 --> 01:13:31,991
KEEP IT UP.

2021
01:13:31,991 --> 01:13:33,125
DON'T LET YOUR FAVORITES GO HOME

2022
01:13:33,125 --> 01:13:34,694
FROM LACK OF VOTES.

2023
01:13:34,694 --> 01:13:35,761
YOU HAVE THE POWER TO KEEP THEM

2024
01:13:35,761 --> 01:13:39,398
IN THE COMPETITION.

2025
01:13:39,398 --> 01:13:39,965
ALL RIGHT.

2026
01:13:39,965 --> 01:13:41,033
TAKE IT AWAY, JULIANNE.

2027
01:13:41,033 --> 01:13:41,667
>> Julianne: AN IMPORTANT

2028
01:13:41,667 --> 01:13:43,302
REMINDER, ALFONSO.

2029
01:13:43,302 --> 01:13:43,669
ALL RIGHT.

2030
01:13:43,669 --> 01:13:44,403
THERE'S A LOT OF DISCIPLINE IN

2031
01:13:44,403 --> 01:13:46,105
QUICKSTEP.

2032
01:13:46,105 --> 01:13:47,373
HOW DO YOU BALANCE DISCIPLINE

2033
01:13:47,373 --> 01:13:49,141
AND THE CHEMISTRY?

2034
01:13:49,141 --> 01:13:50,776
>> YOU WANT TO TAKE THAT?

2035
01:13:50,776 --> 01:13:51,944
YOU ARE MY TEACHER.

2036
01:13:51,944 --> 01:13:54,714
THAT'S YOUR ANSWER.

2037
01:13:54,714 --> 01:13:56,582
>> I THINK IT'S IMPORTANT TO GET

2038
01:13:56,582 --> 01:13:58,484
INTO CHARACTER.

2039
01:13:58,484 --> 01:14:00,986
YOU KNOW, WE PRACTICED A LOT

2040
01:14:00,986 --> 01:14:02,455
GETTING INTO CHARACTER.

2041
01:14:02,455 --> 01:14:03,489
>> Julianne: LET'S GET INTO THE

2042
01:14:03,489 --> 01:14:06,258
SCORES.

2043
01:14:06,258 --> 01:14:06,726
HOW ABOUT THAT.

2044
01:14:06,726 --> 01:14:10,529
I WILL SAVE YOU.

2045
01:14:10,529 --> 01:14:11,263
>> Announcer: CARRIE ANN INABA.

2046
01:14:11,263 --> 01:14:13,699
>> Carrie Ann: CHARACTER, 7.

2047
01:14:13,699 --> 01:14:14,467
>> Announcer: DEREK HOUGH.

2048
01:14:14,467 --> 01:14:19,004
>> Derek: I SEE THAT, 6.

2049
01:14:19,004 --> 01:14:19,672
>> Announcer: BRUNO TONIOLI.

2050
01:14:19,672 --> 01:14:20,072
>> Bruno: 7.

2051
01:14:20,072 --> 01:14:21,273
>> Julianne: THAT'S A 20 OUT OF

2052
01:14:21,273 --> 01:14:21,941
30 FOR BROOKS AND GLEB.

2053
01:14:21,941 --> 01:14:22,675
THEIR TOTAL FOR BOTH NIGHTS IS

2054
01:14:22,675 --> 01:14:25,644
38.

2055
01:14:25,644 --> 01:14:27,847
IF BROOKS AND GLEB ARE YOUR

2056
01:14:27,847 --> 01:14:29,148
FAVORITES, VOTE NOW TO KEEP THEM

2057
01:14:29,148 --> 01:14:29,448
SAFE.

2058
01:14:29,448 --> 01:14:30,182
TONIGHT'S DOUBLE ELIMINATION IS

2059
01:14:30,182 --> 01:14:33,252
COMING UP.

2060
01:14:33,252 --> 01:14:33,586
ALFONSO?

2061
01:14:33,586 --> 01:14:34,286
>> Alfonso: THANKS, JULIANNE.

2062
01:14:34,286 --> 01:14:35,020
LAST WEEK, CARRIE ANN SAID THAT

2063
01:14:35,020 --> 01:14:35,921
SHE LOVES EVERYTHING OUR OLYMPIC

2064
01:14:35,921 --> 01:14:38,457
RUGBY PLAYER IS ABOUT.

2065
01:14:38,457 --> 01:14:39,525
ILONA MAR AND ALAN BERSTEN WILL

2066
01:14:39,525 --> 01:14:40,259
CLOSE OUT THE COMPETITION WHEN

2067
01:14:40,259 --> 01:14:41,193
WE COME BACK.

2068
01:14:41,193 --> 01:14:42,128
AND THEN, TWO COUPLES WILL BE

2069
01:14:42,128 --> 01:14:43,329
ELIMINATED, LIVE.

2070
01:14:55,040 --> 01:14:56,075
>> Alfonso: WE'RE BACK.

2071
01:14:56,075 --> 01:14:58,677
FOR THE FINAL DANCE OF "OSCARS

2072
01:14:58,677 --> 01:14:59,778
NIGHT," WE'VE GOT A SALSA TO AN

2073
01:14:59,778 --> 01:15:00,446
OSCAR-WINNING CLASSIC FROM

2074
01:15:00,446 --> 01:15:02,848
"DIRTY DANCING."

2075
01:15:02,848 --> 01:15:04,917
IT'S OLYMPIC RUGBY PLAYER,

2076
01:15:04,917 --> 01:15:11,190
ILONA MAR & ALAN BERSTEN.

2077
01:15:11,190 --> 01:15:12,792
>> WE GOT 6s.

2078
01:15:12,792 --> 01:15:14,693
>> WHICH SOUNDED COOL.

2079
01:15:14,693 --> 01:15:17,229
>> WE HAVE SET THE BAR FOR US TO

2080
01:15:17,229 --> 01:15:17,530
GROW.

2081
01:15:17,530 --> 01:15:19,131
>> WE WILL COME UP FROM HERE.

2082
01:15:19,131 --> 01:15:21,200
I HAVE TO LET MY CONFIDENCE AND

2083
01:15:21,200 --> 01:15:21,800
PERSONALITY SHOW.

2084
01:15:21,800 --> 01:15:23,102
IT'S HARD TO HAVE FUN WHEN YOU

2085
01:15:23,102 --> 01:15:24,303
ARE COMPETING, TRYING TO FIGURE

2086
01:15:24,303 --> 01:15:26,238
OUT STEPS, REMEMBERING IT, WHEN

2087
01:15:26,238 --> 01:15:26,772
IT'S SO NEW.

2088
01:15:26,772 --> 01:15:28,741
>> WHAT MOVIES DO YOU LIKE?

2089
01:15:28,741 --> 01:15:30,543
>> ROMANTIC COMEDIES.

2090
01:15:30,543 --> 01:15:32,344
I DON'T LIKE SCARY MOVIES.

2091
01:15:32,344 --> 01:15:33,779
I LIKE TO SLEEP WELL AT NIGHT.

2092
01:15:33,779 --> 01:15:36,715
>> LET'S MAKE THIS SALSA A

2093
01:15:36,715 --> 01:15:37,183
ROMANTIC COMEDY.

2094
01:15:37,183 --> 01:15:37,583
NOT HORROR.

2095
01:15:37,583 --> 01:15:39,351
>> PERFECT.

2096
01:15:39,351 --> 01:15:42,555
>> THE SALSA IS A FUN, ENERGETIC

2097
01:15:42,555 --> 01:15:43,822
PLAYFUL DANCE.

2098
01:15:43,822 --> 01:15:45,591
IT'S PERFECT FOR ALONA TO SHOW

2099
01:15:45,591 --> 01:15:49,962
HER PERSONALITY AND CONFIDENCE.

2100
01:15:49,962 --> 01:15:50,996
>> MY SONG IS, "I HAD THE TIME

2101
01:15:50,996 --> 01:15:52,398
OF MY LIFE."

2102
01:15:52,398 --> 01:15:53,899
THERE'S A MOMENT WITH A

2103
01:15:53,899 --> 01:15:54,366
PARTICULAR LIFT.

2104
01:15:54,366 --> 01:15:59,305
WE WILL PUT OUR SPIN ON IT.

2105
01:15:59,305 --> 01:16:00,573
>> LET GO.

2106
01:16:00,573 --> 01:16:01,840
OTHERWISE, YOU TAKE ME WITH YOU.

2107
01:16:01,840 --> 01:16:03,576
>> THIS IS TOUGH.

2108
01:16:03,576 --> 01:16:04,577
I AM EXCITED.

2109
01:16:04,577 --> 01:16:13,786
I HOPE IT SHOWS ON MY FACE.

2110
01:16:13,786 --> 01:16:14,820
>> Announcer: DANCING THE SALSA,

2111
01:16:14,820 --> 01:16:16,388
WITH HER PARTNER ALAN BERSTEN,

2112
01:16:16,388 --> 01:16:17,356
IT'S ILONA MAHER!

2113
01:16:20,025 --> 01:16:20,526
♪ NOW I'VE HAD

2114
01:16:20,526 --> 01:16:22,094
THE TIME OF MY LIFE

2115
01:16:22,094 --> 01:16:28,601
AND I OWE IT ALL TO YOU ♪

2116
01:16:28,601 --> 01:16:29,168
♪ I'VE BEEN WAITING

2117
01:16:29,168 --> 01:16:30,502
FOR SO LONG ♪

2118
01:16:30,502 --> 01:16:32,571
♪ NOW I'VE FINALLY FOUND

2119
01:16:32,571 --> 01:16:35,708
SOMEONE TO STAND BY ME ♪

2120
01:16:35,708 --> 01:16:36,775
♪ WE SAW

2121
01:16:36,775 --> 01:16:39,378
THE WRITING ON THE WALL ♪

2122
01:16:39,378 --> 01:16:42,448
♪ AS WE FELT

2123
01:16:42,448 --> 01:16:45,050
THIS MAGICAL FANTASY ♪

2124
01:16:45,050 --> 01:16:47,686
♪ JUST REMEMBER

2125
01:16:47,686 --> 01:16:50,289
YOU'RE THE ONE THING

2126
01:16:50,289 --> 01:16:55,494
I CAN'T GET ENOUGH OF ♪

2127
01:16:55,494 --> 01:16:59,198
♪ SO I'LL TELL YOU SOMETHING

2128
01:16:59,198 --> 01:17:00,766
THIS COULD BE LOVE

2129
01:17:00,766 --> 01:17:07,506
BECAUSE ♪

2130
01:17:07,506 --> 01:17:09,308
♪ I'VE HAD

2131
01:17:09,308 --> 01:17:09,908
THE TIME OF MY LIFE ♪

2132
01:17:09,908 --> 01:17:10,643
♪ NO I NEVER

2133
01:17:10,643 --> 01:17:14,313
FELT THIS WAY BEFORE ♪

2134
01:17:14,313 --> 01:17:15,314
♪ YES I SWEAR

2135
01:17:15,314 --> 01:17:19,485
IT'S THE TRUTH

2136
01:17:19,485 --> 01:17:27,359
AND I OWE IT ALL TO YOU ♪

2137
01:17:27,359 --> 01:17:28,093
>> Alfonso: ILONA & ALAN HAVING

2138
01:17:28,093 --> 01:17:28,894
THE TIME OF THEIR LIVES WITH A

2139
01:17:28,894 --> 01:17:31,363
SALSA.

2140
01:17:31,363 --> 01:17:34,800
WOW.

2141
01:17:34,800 --> 01:17:41,940
YES!

2142
01:17:41,940 --> 01:17:43,575
THE BALLROOM IS ON FIRE TONIGHT.

2143
01:17:43,575 --> 01:17:44,610
YES.

2144
01:17:44,610 --> 01:17:47,680
YES.

2145
01:17:47,680 --> 01:17:48,380
COME ON.

2146
01:17:48,380 --> 01:17:50,449
YOU BETTER PUT THEM SHOULDERS

2147
01:17:50,449 --> 01:17:50,783
BACK.

2148
01:17:50,783 --> 01:17:52,051
THAT'S THE FINAL DANCE OF THE

2149
01:17:52,051 --> 01:17:52,384
NIGHT.

2150
01:17:52,384 --> 01:17:56,922
VOTING WILL BE CLOSING SOON.

2151
01:17:56,922 --> 01:17:59,858
>> Carrie Ann: THAT WAS AMAZING.

2152
01:17:59,858 --> 01:18:01,760
LISTEN, SERIOUSLY, NOT ONLY WAS

2153
01:18:01,760 --> 01:18:03,028
THAT A MOMENT PEOPLE WILL TALK

2154
01:18:03,028 --> 01:18:07,566
ABOUT FOR YEARS TO COME, BUT YOU

2155
01:18:07,566 --> 01:18:09,301
ARE RESTRUCTURING THE WHOLE

2156
01:18:09,301 --> 01:18:09,735
CONVERSATION.

2157
01:18:09,735 --> 01:18:10,769
YOU ARE LEADING THIS

2158
01:18:10,769 --> 01:18:12,738
CONVERSATION ON WHAT FEMININITY

2159
01:18:12,738 --> 01:18:13,105
IS.

2160
01:18:13,105 --> 01:18:16,675
THAT IS THE IMPORTANT ASPECT.

2161
01:18:16,675 --> 01:18:21,246
YOU ARE GOING TO GET A LOT OF

2162
01:18:21,246 --> 01:18:21,680
OFFERS.

2163
01:18:21,680 --> 01:18:24,383
>> Derek: THAT WAS JUST -- THE

2164
01:18:24,383 --> 01:18:26,986
CONFIDENCE THIS WEEK WAS SO

2165
01:18:26,986 --> 01:18:27,353
FANTASTIC.

2166
01:18:27,353 --> 01:18:33,926
YOU ARE THE MOST BEAUTIFUL

2167
01:18:33,926 --> 01:18:34,326
PERSONALITY.

2168
01:18:34,326 --> 01:18:35,327
I SAW THE HIPS.

2169
01:18:35,327 --> 01:18:36,028
THE FIGURE EIGHTS GOING.

2170
01:18:36,028 --> 01:18:40,432
MY GOSH.

2171
01:18:40,432 --> 01:18:41,133
>> Bruno: THIS GIRL CAN MOVE.

2172
01:18:41,133 --> 01:18:43,769
COME ON.

2173
01:18:43,769 --> 01:18:46,705
THOSE HIPS WERE SINGING.

2174
01:18:46,705 --> 01:18:49,908
YOUR FOOTWORK WAS SO LIGHT.

2175
01:18:49,908 --> 01:18:51,510
REALLY, REALLY MUSICAL.

2176
01:18:51,510 --> 01:18:52,411
VERY, VERY SMOOTH.

2177
01:18:52,411 --> 01:18:53,579
I LOVE THE LIFTS.

2178
01:18:53,579 --> 01:18:55,848
BE CAREFUL WITH DISMOUNTS.

2179
01:18:55,848 --> 01:18:56,648
IT'S EASY GOING UP.

2180
01:18:56,648 --> 01:19:00,219
YOU HAVE TO WATCH THE LANDING.

2181
01:19:00,219 --> 01:19:02,421
>> I NEVER REALLY GET LIFTED.

2182
01:19:02,421 --> 01:19:03,989
SO IT'S TOUGH FOR ME.

2183
01:19:03,989 --> 01:19:04,690
>> Alfonso: HEAD UP FOR YOUR

2184
01:19:04,690 --> 01:19:05,624
SCORES.

2185
01:19:05,624 --> 01:19:06,258
THE COUNTDOWN TO THE LAST

2186
01:19:06,258 --> 01:19:07,659
COMMERCIAL BREAK HAS BEGUN.

2187
01:19:07,659 --> 01:19:09,261
THAT'S WHEN VOTING CLOSES, SO

2188
01:19:09,261 --> 01:19:10,829
VOTE BEFORE IT'S TOO LATE AND

2189
01:19:10,829 --> 01:19:11,530
DON'T SAY WE DIDN'T WARN YOU,

2190
01:19:11,530 --> 01:19:13,432
BECAUSE WE LITERALLY HAVE

2191
01:19:13,432 --> 01:19:15,000
21 TIMES.

2192
01:19:15,000 --> 01:19:17,603
JULIANNE.

2193
01:19:17,603 --> 01:19:21,774
>> Julianne: THANKS, ALFONSO.

2194
01:19:21,774 --> 01:19:23,709
YOU WERE LITERALLY SAYING, I

2195
01:19:23,709 --> 01:19:25,310
WILL BE HONEST, I DON'T GET

2196
01:19:25,310 --> 01:19:26,044
LIFTED VERY OFTEN.

2197
01:19:26,044 --> 01:19:28,680
WHO CAME UP WITH THAT OFTEN?

2198
01:19:28,680 --> 01:19:29,782
>> EVERYONE HAS BEEN SAYING THEY

2199
01:19:29,782 --> 01:19:31,683
WANT ME TO LIFT HIM.

2200
01:19:31,683 --> 01:19:33,152
HE WAS LIKE, LET'S DO IT.

2201
01:19:33,152 --> 01:19:34,853
IN OUR SPORT, WE DO LIFTING.

2202
01:19:34,853 --> 01:19:35,954
I NEVER GET LIFTED.

2203
01:19:35,954 --> 01:19:37,256
IT WAS A LOT OF TRUST TO PUT

2204
01:19:37,256 --> 01:19:39,058
INTO HIM TO GET LIFTED.

2205
01:19:39,058 --> 01:19:41,460
IT WAS TOUGH BUT VERY FUN.

2206
01:19:41,460 --> 01:19:43,162
>> Julianne: IT LOOKED FUN.

2207
01:19:43,162 --> 01:19:44,496
YOU WERE FREE AND ENERGETIC.

2208
01:19:44,496 --> 01:19:47,566
LET'S GET YOUR SCORES.

2209
01:19:47,566 --> 01:19:52,070
>> Carrie Ann: 7.

2210
01:19:52,070 --> 01:19:53,005
>> Derek: 7.

2211
01:19:53,005 --> 01:19:57,109
>> Bruno: 7.

2212
01:19:57,109 --> 01:19:58,010
>> Julianne: THAT'S A 21 OUT OF

2213
01:19:58,010 --> 01:20:01,647
30.

2214
01:20:01,647 --> 01:20:03,048
39 IS THEIR TOTAL FOR BOTH

2215
01:20:03,048 --> 01:20:05,784
NIGHTS.

2216
01:20:05,784 --> 01:20:06,518
THAT WAS THE LAST DANCE OF THE

2217
01:20:06,518 --> 01:20:08,320
NIGHT.

2218
01:20:08,320 --> 01:20:10,956
GET YOUR VOTES IN NOW.

2219
01:20:10,956 --> 01:20:11,457
ALFONSO.

2220
01:20:11,457 --> 01:20:12,157
>> Alfonso: THANKS, JULIANNE.

2221
01:20:12,157 --> 01:20:12,791
LET'S CHECK OUT THE FINAL

2222
01:20:12,791 --> 01:20:13,525
JUDGES' LEADERBOARD OF THE NIGHT

2223
01:20:13,525 --> 01:20:14,593
WITH LAST WEEK'S SCORES ADDED

2224
01:20:14,593 --> 01:20:18,730
IN.

2225
01:20:18,730 --> 01:20:23,202
AT THE TOP ARE CHANDLER AND

2226
01:20:23,202 --> 01:20:23,535
BRANDON.

2227
01:20:23,535 --> 01:20:24,870
THE BOTTOM IS ERIC AND BRITT.

2228
01:20:24,870 --> 01:20:25,871
ONE LAST LOOK AT THE VOTING

2229
01:20:25,871 --> 01:20:29,308
DETAILS.

2230
01:20:29,308 --> 01:20:32,244
EVERY STAR NEEDS YOUR VOTE.

2231
01:20:32,244 --> 01:20:33,245
COMPLETE VOTING INFORMATION CAN

2232
01:20:33,245 --> 01:20:35,514
BE FOUND ON ABC.COM.

2233
01:20:35,514 --> 01:20:36,982
AS MUCH AS WE DON'T WANT TO SEE

2234
01:20:36,982 --> 01:20:37,716
IT HAPPEN, TWO COUPLES WILL BE

2235
01:20:37,716 --> 01:20:38,584
ELIMINATED WHEN WE COME BACK,

2236
01:20:38,584 --> 01:20:40,652
LIVE.

2237
01:20:50,762 --> 01:20:53,232
>> Alfonso: WELCOME BACK TO

2238
01:20:53,232 --> 01:20:55,200
"OSCARS NIGHT."

2239
01:20:55,200 --> 01:20:56,735
VOTING IS NOW CLOSED AND HERE

2240
01:20:56,735 --> 01:20:58,837
ARE THE RESULTS.

2241
01:20:58,837 --> 01:20:59,571
>> Julianne: GOOD LUCK TO ALL OF

2242
01:20:59,571 --> 01:21:00,906
YOU.

2243
01:21:00,906 --> 01:21:02,975
WE'VE COMBINED THE JUDGES'

2244
01:21:02,975 --> 01:21:04,042
SCORES FROM TONIGHT AND LAST

2245
01:21:04,042 --> 01:21:04,776
WEEK WITH YOUR LIVE VOTES FROM

2246
01:21:04,776 --> 01:21:06,645
BOTH NIGHTS.

2247
01:21:06,645 --> 01:21:08,714
NOW, IN NO PARTICULAR ORDER,

2248
01:21:08,714 --> 01:21:10,782
LET'S FIND OUT WHICH COUPLES ARE

2249
01:21:10,782 --> 01:21:11,817
SAFE AND THE TWO COUPLES WHO

2250
01:21:11,817 --> 01:21:18,924
WILL BE GOING HOME TONIGHT.

2251
01:21:18,924 --> 01:21:20,158
>> Alfonso: THE FIRST FIVE

2252
01:21:20,158 --> 01:21:28,800
COUPLES WHO ARE SAFE ARE DANNY

2253
01:21:28,800 --> 01:21:30,435
AND WITNEY.

2254
01:21:30,435 --> 01:21:36,975
CHANDLER AND BRANDON.

2255
01:21:36,975 --> 01:21:43,615
ERIC AND BRITT.

2256
01:21:43,615 --> 01:21:50,088
JOEY AND JENNA.

2257
01:21:50,088 --> 01:21:55,260
AND ILONA AND ALAN.

2258
01:21:55,260 --> 01:21:59,398
>> THE NEXT FIVE COUPLES WHO ARE

2259
01:21:59,398 --> 01:22:06,038
SAFE ARE DWIGHT AND DANIELLA.

2260
01:22:06,038 --> 01:22:14,713
JENN AND SASHA.

2261
01:22:14,713 --> 01:22:17,716
BROOKS AND GLEB.

2262
01:22:17,716 --> 01:22:28,393
STEPHEN AND RYLEE.

2263
01:22:28,393 --> 01:22:29,861
PHAEDRA APRIL VAL.

2264
01:22:29,861 --> 01:22:30,896
>> Alfonso: ONE OF THESE

2265
01:22:30,896 --> 01:22:32,364
REMAINING COUPLES IS SAFE.

2266
01:22:32,364 --> 01:22:34,333
THE OTHER TWO HAVE THE LOWEST

2267
01:22:34,333 --> 01:22:36,335
COMBINED TOTAL OF JUDGES' SCORES

2268
01:22:36,335 --> 01:22:37,736
AND VIEWER VOTES FROM OUR FIRST

2269
01:22:37,736 --> 01:22:40,372
TWO NIGHTS OF COMPETITION AND

2270
01:22:40,372 --> 01:22:43,108
WILL BOTH BE LEAVING TONIGHT.

2271
01:22:43,108 --> 01:22:56,655
IT'S TIME FOR THE FINAL RESULT.

2272
01:22:56,655 --> 01:22:57,522
>> Julianne: THE FINAL COUPLE

2273
01:22:57,522 --> 01:23:05,897
WHO IS SAFE IS --

2274
01:23:13,105 --> 01:23:17,576
REGINALD AND EMMA.

2275
01:23:17,576 --> 01:23:20,679
>> Alfonso: TORI AND PASHA AND

2276
01:23:20,679 --> 01:23:27,653
ANNA AND EZRA ARE GOING HOME.

2277
01:23:27,653 --> 01:23:29,021
COME ON DOWN.

2278
01:23:29,021 --> 01:23:30,522
TORI, I WANT TO START WITH YOU.

2279
01:23:30,522 --> 01:23:32,057
I KNOW HOW MUCH THIS MEANT TO

2280
01:23:32,057 --> 01:23:32,424
YOU.

2281
01:23:32,424 --> 01:23:33,625
HOW INCREDIBLE WAS THIS JOURNEY

2282
01:23:33,625 --> 01:23:33,992
FOR YOU?

2283
01:23:33,992 --> 01:23:36,161
>> UNBELIEVABLE.

2284
01:23:36,161 --> 01:23:37,296
I'M JUST GOING TO STAY HERE.

2285
01:23:37,296 --> 01:23:37,629
SORRY.

2286
01:23:37,629 --> 01:23:41,166
YOU ARE STUCK WITH ME.

2287
01:23:41,166 --> 01:23:42,234
>> Alfonso: HANG OUT.

2288
01:23:42,234 --> 01:23:43,635
I KNOW YOUR KIDS ARE HERE.

2289
01:23:43,635 --> 01:23:45,037
WHAT DO YOU WANT TO SAY TO THEM?

2290
01:23:45,037 --> 01:23:46,171
>> I LOVE YOU.

2291
01:23:46,171 --> 01:23:46,905
YOU CAN DO ANYTHING YOU PUT YOUR

2292
01:23:46,905 --> 01:23:51,176
MIND TO.

2293
01:23:51,176 --> 01:23:52,577
>> Julianne: ANNA, WHAT WILL YOU

2294
01:23:52,577 --> 01:23:53,679
TAKE AWAY FROM THE COMPETITION?

2295
01:23:53,679 --> 01:23:56,848
>> NOTHING.

2296
01:23:56,848 --> 01:23:58,183
>> Julianne: THERE YOU HAVE IT.

2297
01:23:58,183 --> 01:24:02,587
ABSOLUTELY NOTHING.

2298
01:24:02,587 --> 01:24:03,188
>> Alfonso: YOU HAD FUN.

2299
01:24:03,188 --> 01:24:05,640
STOP IT.

2300
01:24:05,640 --> 01:24:07,272
LISTEN, LET'S HAVE ANOTHER HAND

2301
01:24:07,272 --> 01:24:09,875
FOR TORI AND PASHA, ANNA AND

2302
01:24:09,875 --> 01:24:12,069
EZRA.

2303
01:24:12,069 --> 01:24:14,004
THE BALLROOM WILL BE CLOSED NEXT

2304
01:24:14,004 --> 01:24:14,338
WEEK.

2305
01:24:14,338 --> 01:24:15,773
WE WILL BE BACK ON MONDAY,

2306
01:24:15,773 --> 01:24:18,242
OCTOBER 7th TO KICK OFF A

2307
01:24:18,242 --> 01:24:21,211
TWO-NIGHT SPECIAL EVENT WITH

2308
01:24:21,211 --> 01:24:22,546
SOUL TRAIN NIGHT.

2309
01:24:22,546 --> 01:24:23,714
>> Julianne: IT CONTINUES LIVE

2310
01:24:23,714 --> 01:24:25,983
ON TUESDAY, OCTOBER 8, WITH HAIR

2311
01:24:25,983 --> 01:24:26,583
METAL NIGHT.

2312
01:24:26,583 --> 01:24:30,220
SEE YOU BOTH NIGHTS ON ABC AND

2313
01:24:30,220 --> 01:24:32,556
DISNEY PLUS.

2314
01:24:32,556 --> 01:24:34,892
STARTING NOW, "HIGH POTENTIAL."

2315
01:24:34,892 --> 01:24:37,695
GOOD NIGHT.