1 00:00:06,840 --> 00:00:10,081 TONIGHT, OUR STARS DEDICATE THEIR PERFORMANCE. 2 00:00:10,081 --> 00:00:12,327 >> MEETING MY FIANCE ON THE BACHELOR IS SOMETHING I NEVER 3 00:00:12,327 --> 00:00:12,961 WOULD HAVE EXPECTED. 4 00:00:12,961 --> 00:00:15,597 >> TO THOSE WHO HAVE HAD A HUGE IMPACT ON THEIR LIVES. 5 00:00:15,597 --> 00:00:18,867 >> MY SISTERS WERE THETERS WERE ME.MY SISTERS WERE THETERS WERE 6 00:00:18,867 --> 00:00:22,738 >> I MET SO MANY OF MY CLOSEST FRIENDS BECAUSE OF THE SPORT. 7 00:00:22,738 --> 00:00:26,341 >> MY KIDS MADE ME SEE LIFE FROM A DIFFERENT PERSPECTIVE. 8 00:00:26,341 --> 00:00:28,844 >> I FELT LESS ALONE. 9 00:00:28,844 --> 00:00:30,946 >> MY MOM, A LOT OF OPPORTUNITIES THAT I HAVE, THEY 10 00:00:30,946 --> 00:00:34,049 WEREN'T AVAILABLE TO HER. 11 00:00:34,049 --> 00:00:36,651 >> I LOST A MENTOR. I LOST A FRIEND. 12 00:00:36,651 --> 00:00:39,154 I MISS HIM EVERY DAY. 13 00:00:39,154 --> 00:00:42,758 >> MY TEAMMATES, THEY ARE MY ROCK. 14 00:00:42,758 --> 00:00:46,762 >> MY MOM SACRIFICED HER CAREER FOR MINE. 15 00:00:46,762 --> 00:00:47,496 I DON'T KNOW HOW TO EVER REPAY 16 00:00:47,496 --> 00:00:56,671 HER. ME, THIS DANCE IS JUST A 17 00:00:56,671 --> 00:01:01,309 MOMENT TO SHARE WITH EVERYONE. HE WAS THERE FORIS A MOMENT TO 18 00:01:01,309 --> 00:01:08,517 SHARE WITH EVERYONE. MOMENT TO SHE WAS THERE FOR US. 19 00:01:08,517 --> 00:01:19,494 ♪♪ 20 00:01:19,494 --> 00:01:20,796 >> Announcer: LIVE, FROM HOLLYWOOD, IT'S "DEDICATION 21 00:01:20,796 --> 00:01:21,797 NIGHT" ON "DANCING WITH THE STARS." 22 00:01:21,797 --> 00:01:23,098 >> Alfonso: WELCOME TO "DANCING WITH THE STARS," I'M 23 00:01:23,098 --> 00:01:24,199 ALFONSO RIBEIRO. 24 00:01:24,199 --> 00:01:27,836 >> Julianne: AND I'M JULIANNE HOUGH. 25 00:01:27,836 --> 00:01:30,972 WE'RE IN FOR A NIGHT OF FIERCE COMPETITION, EMOTIONAL STORIES, 26 00:01:30,972 --> 00:01:32,541 AND HEARTFELT DEDICATIONS. 27 00:01:32,541 --> 00:01:37,713 >> Alfonso: SO, LET'S WELCOME OUR STARS. 28 00:01:37,713 --> 00:01:39,848 ♪ OH ♪ 29 00:01:39,848 --> 00:01:40,949 >> Announcer: TV STAR CHANDLER KINNEY AND 30 00:01:40,949 --> 00:01:42,417 BRANDON ARMSTRONG. 31 00:01:42,417 --> 00:01:43,452 ♪ HEY ♪ 32 00:01:43,452 --> 00:01:46,054 >> Announcer: OLYMPIC GYMNAST STEPHEN NEDOROSCIK AND 33 00:01:46,054 --> 00:01:49,191 RYLEE ARNOLD. SUPERBOWL CHAMPION DANNY AMENDOLA AND 34 00:01:49,191 --> 00:01:50,225 WITNEY CARSON. 35 00:01:50,225 --> 00:01:51,827 ♪ HEY ♪ 36 00:01:51,827 --> 00:01:52,994 >> Announcer: NBA CHAMPION DWIGHT HOWARD AND 37 00:01:52,994 --> 00:01:57,199 DANIELLA KARAGACH. REALITY ROYALTY PHAEDRA PARKS 38 00:01:57,199 --> 00:01:57,766 AND VAL CHMERKOVSKIY. 39 00:01:57,766 --> 00:01:59,634 ♪ HEY ♪ 40 00:01:59,634 --> 00:02:01,903 >> Announcer: MODEL AND COVERGIRL BROOKS NADER AND 41 00:02:01,903 --> 00:02:05,974 GLEB SAVCHENKO. FROM "THE BACHELOR," 42 00:02:05,974 --> 00:02:06,975 JOEY GRAZIADEI AND JENNA JOHNSON. 43 00:02:06,975 --> 00:02:07,476 ♪ HEY ♪ 44 00:02:07,476 --> 00:02:08,710 >> Announcer: OLYMPIC RUGBY PLAYER ILONA MAHER AND 45 00:02:08,710 --> 00:02:13,882 ALAN BERSTEN. AND FROM "THE BACHELORETTE," 46 00:02:13,882 --> 00:02:14,749 JENN TRAN AND SASHA FARBER. 47 00:02:14,749 --> 00:02:23,191 ♪ HEY OH ♪ 48 00:02:23,191 --> 00:02:27,429 ♪♪ 49 00:02:27,429 --> 00:02:31,666 >> Alfonso: THIS PROMISES TO BE AN EMOTIONAL NIGHT, FEATURING A 50 00:02:31,666 --> 00:02:34,202 SPECIAL PERFORMANCE FROM DEREK AND HIS WIFE HAYLEY TO CELEBRATE 51 00:02:34,202 --> 00:02:45,647 HER RETURN TO THE BALLROOM. 52 00:02:45,647 --> 00:02:47,415 >> Julianne: PLUS, TO OUR STARS, 53 00:02:47,415 --> 00:02:56,191 THEY HAVE BEEN ASKED TO 54 00:02:56,191 --> 00:02:57,659 PLUS, OUR STARS HAVE BEEN ASKED DEDICATE THEIR DANCES TO PEOPLE 55 00:02:57,659 --> 00:03:03,431 WHO HAVE HAD A MAJOR IMPACT ON THEIR LIVES. 56 00:03:03,431 --> 00:03:07,068 >> Alfonso: AND TO MARK THE HALFWAY POINT IN 57 00:03:07,068 --> 00:03:08,470 THE COMPETITION, THE JUDGES VISITED OUR STARS IN TRAINING TO 58 00:03:08,470 --> 00:03:09,838 GIVE THEM SOME POINTERS ON HOW TO MAKE IT TO THE FINALE. 59 00:03:09,838 --> 00:03:11,273 >> Julianne: AND SPEAKING OF JUDGES, JOINING THEM BEHIND THE 60 00:03:11,273 --> 00:03:12,908 DESK TONIGHT IS THREE-TIME MIRROR BALL CHAMPION MARK BALLAS. 61 00:03:12,908 --> 00:03:14,142 MARK, WELCOME BACK. AFTER 20 SEASONS ON THE SHOW, 62 00:03:14,142 --> 00:03:17,979 IT'S SAFE TO SAY THAT YOU KNOW HOW TO WIN OVER THE JUDGES. 63 00:03:17,979 --> 00:03:25,220 WHAT CAN THE STARS DO TO GET YOUR ATTENTION TONIGHT? 64 00:03:25,220 --> 00:03:27,322 >> TONIGHT IS ABOUT STORY TELLING. 65 00:03:27,322 --> 00:03:30,892 I WILL LOOK FOR THEM TO BACK THAT UP WITH FUNDAMENTALS. 66 00:03:30,892 --> 00:03:36,598 I MEAN FOOTWORK, LEG ACTION, HIP ACTION, BEAUTIFUL DETAILED ARMS 67 00:03:36,598 --> 00:03:39,868 AND CONNECTION TO THEIR PERFORMANCE. 68 00:03:39,868 --> 00:03:42,971 >> Alfonso: HE KNOWS HOW TO DELIVER A MEMORABLE ROUTINE, SO 69 00:03:42,971 --> 00:03:45,574 OUR STARS BETTER BE UP FOR THE CHALLENGE. 70 00:03:45,574 --> 00:03:48,176 >> Julianne: VOTING IS OPEN RIGHT NOW AND IS AVAILABLE TO 71 00:03:48,176 --> 00:03:51,279 THE U.S., ITS TERRITORIES, AND CANADA AT ABC.COM. 72 00:03:51,279 --> 00:03:54,916 PLUS, SUBSCRIBERS ON PARTICIPATING U.S. WIRELESS 73 00:03:54,916 --> 00:03:57,018 PHONE CARRIERS CAN TEXT THE FIRST NAME OF THEIR FAVORITE 74 00:03:57,018 --> 00:04:01,723 STAR TO THE NUMBER 21523. MESSAGE AND DATA RATES MAY APPLY. 75 00:04:01,723 --> 00:04:04,326 >> Alfonso: WE'LL START THE COMPETITION WITH THE DISNEY STAR 76 00:04:04,326 --> 00:04:07,095 WHO TOPPED THE LEADERBOARD ON THE FIRST THREE NIGHTS OF 77 00:04:07,095 --> 00:04:08,496 COMPETITION BEFORE BEING KNOCKED OFF HER PERCH LAST TUESDAY 78 00:04:08,496 --> 00:04:08,797 NIGHT. 79 00:04:08,797 --> 00:04:10,165 >> Julianne: TONIGHT, SHE DEDICATES A CONTEMPORARY ROUTINE 80 00:04:10,165 --> 00:04:15,303 TO THE PERSON WHO GAVE HER BOTH HER LIFE AND HER CAREER. 81 00:04:15,303 --> 00:04:22,244 IT'S CHANDLER KINNEY AND BRANDON ARMSTRONG. 82 00:04:22,244 --> 00:04:24,646 >> WE ARE AT THE HALFWAY POINT OF THE SEASON. 83 00:04:24,646 --> 00:04:28,783 IT'S OUR FIRST WEEK NOT ON THE TOP OF THE LEADERBOARD. 84 00:04:28,783 --> 00:04:34,956 >> JUST MEANS WE HAVE TO WORK TO KEEP PUSHING. 85 00:04:34,956 --> 00:04:38,693 >> I AGREE. IT'S DEDICATION NIGHT. 86 00:04:38,693 --> 00:04:41,129 WHO DID YOU DECIDE TO DEDICATE YOUR PERFORMANCE TO? 87 00:04:41,129 --> 00:04:44,799 >> MY MOM. SHE SACRIFICED SO MUCH FOR ME TO 88 00:04:44,799 --> 00:04:52,007 HAVE A SHOT AT SACRIFICED HER R MINE. 89 00:04:52,007 --> 00:04:54,909 SHE WOULD DRIVE ME FOR AUDITIONS, SOMETIMES OVER 120 90 00:04:54,909 --> 00:04:57,045 MILES A WAY. I WOULD NOT BE A FRACTION OF THE 91 00:04:57,045 --> 00:04:59,014 PERSON I AM TODAY WITHOUT HER. 92 00:04:59,014 --> 00:05:03,084 >> THAT'S AWESOME. I THINK YOU WILL ENJOY IT. 93 00:05:03,084 --> 00:05:06,521 YOUR MOM WAS HOLDING YOUR HANDS LIKE THAT TEACHING YOU HOW TO 94 00:05:06,521 --> 00:05:08,156 DANCE. THE STORY IS A RELATIONSHIP 95 00:05:08,156 --> 00:05:15,030 BETWEEN A MOM AND DAUGHTER. THE MOTHER IS DRIVING THE DREAM. 96 00:05:15,030 --> 00:05:19,100 YOU ARE VULNERABLE. 97 00:05:19,100 --> 00:05:27,509 >> I LOOKED UP TO DEREK. 98 00:05:27,509 --> 00:05:30,211 >> THERE'S NO REAL RULES. YOU ARE CONNECTED TO THIS 99 00:05:30,211 --> 00:05:32,714 THROUGH YOUR MOM AND WITH BRANDON. 100 00:05:32,714 --> 00:05:37,052 IT'S THE BACK THAT -- VERSUS YOUR ARM. 101 00:05:37,052 --> 00:05:39,821 SHE'S GOING TO BE BEAUTIFUL WHEN SHE DANCES. 102 00:05:39,821 --> 00:05:42,924 IT'S IMPORTANT THAT SHE CONNECTS TO THIS DANCE TO ALLOW AMERICA 103 00:05:42,924 --> 00:05:48,463 INTO HER HEART. I WOULD SAY, DON'T SAVE ANYTHING. 104 00:05:48,463 --> 00:05:52,000 THAT COULD BE THE FINAL DANCE, THAT MENTALITY, THAT WILL KEEP 105 00:05:52,000 --> 00:05:52,534 YOUR STANDARD HIGH. 106 00:05:52,534 --> 00:05:54,602 >> YES. 107 00:05:54,602 --> 00:05:59,808 >> MY MOM MEANS THE WORLD TO ME. WHAT BETTER WAY TO REPAY HER 108 00:05:59,808 --> 00:06:09,250 THAN DEDICATE THIS NIGHT TO HER? 109 00:06:09,250 --> 00:06:10,552 >> Announcer: DANCING CONTEMPORARY, WITH HER PARTNER 110 00:06:10,552 --> 00:06:18,493 BRANDON ARMSTRONG, IT'S CHANDLER KINNEY. 111 00:06:18,493 --> 00:06:26,368 ♪♪ 112 00:06:26,368 --> 00:06:26,935 ♪ I HOPE YOU NEVER 113 00:06:26,935 --> 00:06:33,141 LOSE YOUR SENSE OF WONDER ♪ 114 00:06:33,141 --> 00:06:33,842 ♪ YOU GET YOUR FILL TO EAT 115 00:06:33,842 --> 00:06:38,847 BUT ALWAYS KEEP THAT HUNGER ♪ 116 00:06:38,847 --> 00:06:39,347 ♪ PROMISE ME 117 00:06:39,347 --> 00:06:45,120 THAT YOU'LL GIVE FAITH A FIGHTING CHANCE ♪ 118 00:06:45,120 --> 00:06:45,687 ♪ AND WHEN YOU GET 119 00:06:45,687 --> 00:06:50,325 THE CHOICE TO SIT IT OUT OR DANCE ♪ 120 00:06:50,325 --> 00:06:58,700 ♪ I HOPE YOU DANCE DANCE 121 00:06:58,700 --> 00:07:05,473 I HOPE YOU DANCE DANCE ♪ 122 00:07:05,473 --> 00:07:11,546 ♪ I HOPE YOU DANCE 123 00:07:11,546 --> 00:07:27,262 I HOPE YOU DANCE ♪ 124 00:07:27,262 --> 00:07:29,864 >> Alfonso: CHANDLER AND BRANDON WITH A CONTEMPORARY ROUTINE 125 00:07:29,864 --> 00:07:35,336 DEDICATED TO HER MOM. BEAUTIFUL. 126 00:07:35,336 --> 00:07:41,075 FANTASTIC. 127 00:07:41,075 --> 00:07:45,380 SINCE YOU VISITED, YOU ARE UP FIRST. 128 00:07:45,380 --> 00:07:48,650 >> Derek: SHOUTOUT TO ALL THE MOTHERS OUT THERE WHO SACRIFICE 129 00:07:48,650 --> 00:07:53,955 AND GIVE LOVE AND SUPPORT TO ALL OF US. THAT WAS BEAUTIFUL. 130 00:07:53,955 --> 00:07:57,826 THAT WAS SO BEAUTIFUL. YOU HAVE THE MOST GORGEOUS LEG 131 00:07:57,826 --> 00:07:59,561 EXTENSION. THE CONTRACTION IN YOUR 132 00:07:59,561 --> 00:08:01,663 MIDSECTION, CREATING THE QUALITY OF MOVEMENT. 133 00:08:01,663 --> 00:08:07,368 A LITTLE BOBBLE THERE IN THE LIFT AND THE SIDE-BY-SIDE GOT A 134 00:08:07,368 --> 00:08:11,773 LITTLE OUT OF SYNC. 135 00:08:11,773 --> 00:08:14,976 >> YOU ARE A JOY TO WATCH. YOU ARE SO BEAUTIFUL TOGETHER. 136 00:08:14,976 --> 00:08:17,612 I THINK THAT DANCE HAD BEAUTIFUL FLUID MOMENTS. 137 00:08:17,612 --> 00:08:21,282 THERE WAS A COUPLE OF BOBBLES IN AND OUT OF THE LIFT. 138 00:08:21,282 --> 00:08:24,385 I WOULD REALLY LOVE MOVING FORWARD TO SEE YOU DIG DEEPER 139 00:08:24,385 --> 00:08:26,754 WITH YOUR CONNECTION TOGETHER AND TELL THAT STORY MORE. 140 00:08:26,754 --> 00:08:40,468 BEAUTIFUL JOB. 141 00:08:40,468 --> 00:08:40,802 . 142 00:08:40,802 --> 00:08:44,139 >> Bruno: THEY ARE RIGHT. TO GET MORE DRAMATIC INTENSITY, 143 00:08:44,139 --> 00:08:47,976 YOU HAVE IT A LITTLE BIT. USE THE GRAHAM TECHNIQUE. 144 00:08:47,976 --> 00:08:55,850 USE THE CENTER. THAT WILL BRING AND EXTEND ALL 145 00:08:55,850 --> 00:09:00,121 THE EMOTION. 146 00:09:00,121 --> 00:09:06,427 >> Alfonso: OKAY. 147 00:09:06,427 --> 00:09:10,498 >> Carrie Ann: SIMMER DOWN. YOU ARE VERY TALENTED. 148 00:09:10,498 --> 00:09:13,635 YOUR LINES ARE -- THEY ARE SPECTACULAR. 149 00:09:13,635 --> 00:09:19,440 AT THIS POINT, STARS" IS ABOUT CONNECTING WITH 150 00:09:19,440 --> 00:09:23,344 ALL OF US. TO EVERYONE AT HOME AND MOSTLY 151 00:09:23,344 --> 00:09:27,115 TO YOURSELF. I WOULD LIKE TO SEE YOU DIG 152 00:09:27,115 --> 00:09:31,920 DEEPER, AS MARK SAID, AND LET IT OUT. YOU NEED TO GRAB US. 153 00:09:31,920 --> 00:09:35,023 I FEEL LIKE YOU SAY, PLEASE LOOK AT ME. IT'S LOVELY TO SEE. 154 00:09:35,023 --> 00:09:38,026 I NEED YOU TO BE LIKE, LOOK AT ME! I WANT TO WIN! 155 00:09:38,026 --> 00:09:43,798 I'M TAKING IT! 156 00:09:43,798 --> 00:09:45,066 >> Alfonso: HEAD ON UP TO JULIANNE FOR YOUR SCORES. 157 00:09:45,066 --> 00:09:46,935 LAST WEEK, MOVIE STAR ERIC ROBERTS AND FAN FAVORITE 158 00:09:46,935 --> 00:09:49,037 REGINALD VelJOHNSON WERE ELIMINATED. 159 00:09:49,037 --> 00:09:51,639 TONIGHT, ANOTHER STAR WILL EXIT THE COMPETITION. 160 00:09:51,639 --> 00:09:54,242 DON'T LET IT BE ONE OF YOUR FAVORITES. 161 00:09:54,242 --> 00:10:00,715 VOTING CLOSES DURING THE LAST COMMERCIAL BREAK. JULIANNE. 162 00:10:00,715 --> 00:10:03,184 >> Julianne: YOU JUST DANCED A BEAUTIFUL DANCE. 163 00:10:03,184 --> 00:10:06,154 COMING OUT FIRST IS TOUGH. THE COMMENTS WERE ABOUT DIGGING 164 00:10:06,154 --> 00:10:09,357 DEEPER. I FEEL YOU ARE A LITTLE EMOTIONAL RIGHT NOW. 165 00:10:09,357 --> 00:10:11,559 WHAT DOES THAT MEAN TO YOU? 166 00:10:11,559 --> 00:10:17,999 >> I REALLY FELT LIKE I DID DUG. I FEEL LIKE I DUG REALLY DEEP. 167 00:10:17,999 --> 00:10:23,004 I LOVE MY MOM SO MUCH. I REALLY WANTED TO DEDICATE THIS 168 00:10:23,004 --> 00:10:25,373 PERFORMANCE TO HER, BECAUSE SHE'S BEEN BY MY SIDE THROUGH 169 00:10:25,373 --> 00:10:28,009 EVERYTHING. SHE'S MADE EVERYTHING POSSIBLE 170 00:10:28,009 --> 00:10:29,944 FOR ME. I WOULD NOT BE STANDING HER IF 171 00:10:29,944 --> 00:10:32,947 IT WASN'T FOR HER. I LOVE HER VERY MUCH. 172 00:10:32,947 --> 00:10:34,315 >> Julianne: BEAUTIFUL DEDICATION. 173 00:10:34,315 --> 00:10:37,952 LET'S GET TO YOUR SCORES. 174 00:10:37,952 --> 00:10:40,922 >> Carrie Ann: EIGHT. 175 00:10:40,922 --> 00:10:46,661 >> Derek: EIGHT. 176 00:10:46,661 --> 00:10:47,028 >> EIGHT. 177 00:10:47,028 --> 00:10:53,735 >> Bruno: EIGHT. 178 00:10:53,735 --> 00:10:56,271 >> Julianne: THAT'S A 32. VOTE WITH YOUR TEXTS AND ONLINE. 179 00:10:56,271 --> 00:11:00,742 YOU GET TEN PER VOTING METHOD. 180 00:11:00,742 --> 00:11:02,110 >> Alfonso: THANKS, JULIANNE. WE'VE GOT DEDICATIONS TO OUR 181 00:11:02,110 --> 00:11:03,811 GYMNAST'S FAVORITE SPORT AND OUR NFL STAR'S LATE COLLEGE FOOTBALL 182 00:11:03,811 --> 00:11:07,515 COACH MIKE LEACH. STEPHEN NEDOROSCIK AND 183 00:11:07,515 --> 00:11:09,584 DANNY AMENDOLA ARE COMING TO THE FLOOR WITH THEIR POWERFUL 184 00:11:09,584 --> 00:11:10,718 ROUTINES, LIVE. 185 00:11:28,535 --> 00:11:31,000 >> Alfonso: WELCOME BACK. LAST WEEK, OUR OLYMPIC GYMNAST 186 00:11:31,000 --> 00:11:34,103 EARNED HIS HIGHEST SCORE SO FAR WITH A FOXTROT TO WHITESNAKE. 187 00:11:34,103 --> 00:11:38,274 THAT'S STILL FUN TO SAY. FOR TONIGHT'S SPECIAL 188 00:11:38,274 --> 00:11:39,842 DEDICATION, HE CHOSE THE SPORT THAT MADE HIM A HOUSEHOLD NAME. 189 00:11:39,842 --> 00:11:40,509 IT'S STEPHEN NEDOROSCIK AND 190 00:11:40,509 --> 00:11:48,017 RYLEE ARNOLD. 191 00:11:48,017 --> 00:11:51,387 >> LAST WEEK, YOU DID SO GOOD. 192 00:11:51,387 --> 00:11:58,060 >> OUR HIGHEST SCORE YET. 193 00:11:58,060 --> 00:12:00,463 >> NEXT WEEK, I WANT TO GET OUR FIRST NINE. 194 00:12:00,463 --> 00:12:01,731 >> IT'S DEDICATION NIGHT. 195 00:12:01,731 --> 00:12:05,868 >> I REALLY WANT TO DEDICATE THIS PERFORMANCE TO MEN'S 196 00:12:05,868 --> 00:12:07,770 GYMNASTICS. GYMNASTICS HAS GIVEN ME 197 00:12:07,770 --> 00:12:10,539 EVERYTHING. A FAMILY AT PENN STATE. 198 00:12:10,539 --> 00:12:11,774 INTO THE OLYMPICS. 199 00:12:11,774 --> 00:12:20,016 I OWE MY SUCCESS TO 200 00:12:20,016 --> 00:12:22,518 GYMNASTICS. THE PROGRAM COULD GO AWAY. 201 00:12:22,518 --> 00:12:26,589 THERE'S EXTRA MOTIVATION FOR THIS DANCE BECAUSE I WANT TO 202 00:12:26,589 --> 00:12:27,690 MAKE SURE I REPRESENT WELL. 203 00:12:27,690 --> 00:12:36,165 >> HELLO. 204 00:12:36,165 --> 00:12:39,735 >> Bruno: DEDICATION NIGHT. YOU WILL PERFORM A TANGO. 205 00:12:39,735 --> 00:12:43,939 LET ME SEE WHAT YOU HAVE. 206 00:12:43,939 --> 00:12:47,443 >> STEP. 207 00:12:47,443 --> 00:12:50,579 >> Bruno: THE DANCE LOOK THE SAME, NOT DANCING. 208 00:12:50,579 --> 00:12:51,147 WHO ARE YOU IN THIS? 209 00:12:51,147 --> 00:12:53,983 >> I DON'T KNOW. 210 00:12:53,983 --> 00:12:55,951 >> Bruno: THAT'S THE PROBLEM. YOU HAVE TO BELIEVE THAT YOU ARE 211 00:12:55,951 --> 00:12:58,387 THE CHARACTER. 212 00:12:58,387 --> 00:13:00,790 >> STEP, ONE, TWO, THREE. 213 00:13:00,790 --> 00:13:03,392 >> Bruno: I WANT TO SEE SOMEONE FEELING THE STORY. NO. 214 00:13:03,392 --> 00:13:08,464 LIKE A SNAKE. KEEP YOUR LEGS BENT. BETTER. 215 00:13:08,464 --> 00:13:13,769 HE HAS DETERMINATION. BEAUTIFUL. HE LEARNS QUICKLY. 216 00:13:13,769 --> 00:13:17,940 IF HE APPLIES EVERYTHING WE WORKED ON, HE WILL GO FAR. 217 00:13:17,940 --> 00:13:21,944 >> HIS ADVICE HELPED ME SO MUCH. MEN'S GYMNASTICS MADE ME THE MAN 218 00:13:21,944 --> 00:13:25,448 I AM TODAY. I WANT TO POUR MY HEART INTO 219 00:13:25,448 --> 00:13:27,650 THIS PERFORMANCE FOR MY SPORT. 220 00:13:27,650 --> 00:13:31,854 >> THANK YOU SO MUCH. 221 00:13:31,854 --> 00:13:33,122 >> Announcer: DANCING THE ARGENTINE TANGO, WITH HIS 222 00:13:33,122 --> 00:13:33,956 PARTNER RYLEE ARNOLD, IT'S 223 00:13:33,956 --> 00:13:44,800 STEPHEN NEDOROSCIK. 224 00:13:44,800 --> 00:13:49,004 ♪♪ 225 00:13:49,004 --> 00:13:50,539 ♪ I'M GONNA FIGHT 'EM OFF 226 00:13:50,539 --> 00:13:55,177 A SEVEN NATION ARMY COULDN'T HOLD ME BACK ♪ 227 00:13:55,177 --> 00:13:58,347 ♪ THEY'RE GONNA RIP IT OFF 228 00:13:58,347 --> 00:14:03,052 TAKING THEIR TIME RIGHT BEHIND MY BACK ♪ 229 00:14:03,052 --> 00:14:04,620 ♪ AND THE MESSAGE 230 00:14:04,620 --> 00:14:05,154 COMIN' FROM MY EYES 231 00:14:05,154 --> 00:14:22,371 SAYS LEAVE IT ALONE ♪ 232 00:14:22,371 --> 00:14:25,975 ♪ DON'T WANNA HEAR ABOUT IT 233 00:14:25,975 --> 00:14:30,146 EVERY SINGLE ONE'S GOT A STORY TO TELL ♪ 234 00:14:30,146 --> 00:14:31,213 ♪ AND THE FEELING 235 00:14:31,213 --> 00:14:32,781 COMING FROM MY BONES 236 00:14:32,781 --> 00:14:45,327 SAYS FIND A HOME ♪ 237 00:14:45,327 --> 00:14:49,999 [ APPLAUSE ] 238 00:14:49,999 --> 00:14:52,168 >> Alfonso: STEPHEN AND RYLEE WITH AN ARGENTINE TANGO 239 00:14:52,168 --> 00:14:59,241 DEDICATED TO MEN'S GYMNASTICS. THE BALL ROOM IS ON THEIR FEET. 240 00:14:59,241 --> 00:15:01,944 WE ARE STARTING AGAIN. FANTASTIC. I GOT SOMETHING FOR YOU. 241 00:15:01,944 --> 00:15:07,950 THERE YOU GO. 242 00:15:07,950 --> 00:15:11,720 BRUNO, YOU PAID A VISIT TO THEM. YOU ARE UP FIRST. 243 00:15:11,720 --> 00:15:17,459 >> Bruno: YOU ARE A GOOD STUDENT. NOW WE ARE IN BUSINESS. 244 00:15:17,459 --> 00:15:22,565 NOW YOU HAVE THE DETERMINATION. YOU WERE FOCUSED. YOU CHANGED. 245 00:15:22,565 --> 00:15:24,200 DID YOU FEEL SOMETHING DIFFERENT HAPPENING TONIGHT? 246 00:15:24,200 --> 00:15:26,569 >> I DID. 247 00:15:26,569 --> 00:15:30,472 >> Bruno: WHAT WAS IT? YOU WERE LEADING THE DANCE. 248 00:15:30,472 --> 00:15:33,242 YOU WERE IN CHARACTER. YOU WERE MAKING THE DECISION. 249 00:15:33,242 --> 00:15:36,579 WE WERE THERE WITH YOU. 250 00:15:36,579 --> 00:15:41,650 >> Alfonso: ALL RIGHT. BRUNO LOVED IT. 251 00:15:41,650 --> 00:15:45,154 >> Carrie Ann: THAT DANCE HAD IMPACT. I WILL NOT FORGET THAT. 252 00:15:45,154 --> 00:15:47,990 THAT'S WHAT WE ARE LOOKING FOR. I'M ALWAYS LOOKING FOR SOMETHING 253 00:15:47,990 --> 00:15:54,930 THAT POPS. YOU ARE A TINY WOBBLY. SORRY. 254 00:15:54,930 --> 00:16:02,137 IT'S A LITTLE BIT GOING ON. I SAW IT. OKAY. IT'S OKAY. 255 00:16:02,137 --> 00:16:05,074 BOO ME ALL YOU WANT. 256 00:16:05,074 --> 00:16:09,745 >> Alfonso: THE AUDIENCE GAVE YOU THE STINK EYE. 257 00:16:09,745 --> 00:16:11,914 >> Derek: AT THIS STAGE OF THE COMPETITION, IT'S TIME TO STEP 258 00:16:11,914 --> 00:16:17,119 IT UP. YOU DID JUST THAT. YOU DID. 259 00:16:17,119 --> 00:16:20,222 THAT CHOREOGRAPHY WAS VERY CHALLENGING. 260 00:16:20,222 --> 00:16:23,258 THERE WAS A LOT OF RISK. SOMETIMES YOU GOTTA RISK IT TO 261 00:16:23,258 --> 00:16:30,466 GET THE BISCUIT. YOU DID. USUALLY, IT'S THE BOY. 262 00:16:30,466 --> 00:16:36,071 TONIGHT, IT WAS THE MAN. YOU WERE LEADING THAT. FANTASTIC. 263 00:16:36,071 --> 00:16:37,873 >> Alfonso: MARK? 264 00:16:37,873 --> 00:16:39,408 >> I AGREE. SEEING YOU IN THIS ROLE WITH 265 00:16:39,408 --> 00:16:42,011 MORE INTENSITY IS COOL TO SEE. WHAT A TRANSITION. 266 00:16:42,011 --> 00:16:47,082 I WANT TO GIVE YOU A TIP WITH YOUR FRAME. 267 00:16:47,082 --> 00:16:51,987 THINK OF TWO DIAGONAL LINES FROM YOUR TAIL BONE TO YOUR BREAST 268 00:16:51,987 --> 00:16:54,957 BACK, FROM THE BACK OF YOUR NECK BONE TO YOUR NOSE. 269 00:16:54,957 --> 00:17:02,831 ARMS UP, SOFT KNEES, HEAD LEFT. RIP! I WANT TO SEE THAT FROM YOU. 270 00:17:02,831 --> 00:17:06,235 >> Alfonso: HEAD UP TO JULIANNE IN THE SKYBOX. 271 00:17:06,235 --> 00:17:13,509 FANTASTIC. 272 00:17:13,509 --> 00:17:14,043 ♪ SO RUN WITH ME 273 00:17:14,043 --> 00:17:18,714 AND WE'LL BURN DOWN MORE THAN JUST THE BRIDGES ♪ 274 00:17:18,714 --> 00:17:19,248 ♪ WE'LL LIGHT UP 275 00:17:19,248 --> 00:17:24,486 THIS PERFECT TOWN ♪ 276 00:17:24,486 --> 00:17:25,187 ♪ IT'S US AGAINST THE WORLD 277 00:17:25,187 --> 00:17:30,759 OOH-OOH-OOH-OOH-OOH ♪ 278 00:17:30,759 --> 00:17:33,028 >> Julianne: KEEP IT GOING FOR STEPHANI AND MARQUET FROM OUR 279 00:17:33,028 --> 00:17:40,235 TROUPE. NICELY DONE. ALL RIGHT. I'M UP HERE WITH THESE BEAUTIES. 280 00:17:40,235 --> 00:17:43,806 BRUNO SAID, WHAT'S FEELING DIFFERENT TONIGHT? 281 00:17:43,806 --> 00:17:47,242 >> I BOUGHT INTO THE CHARACTER. I BECAME THE SERIOUS MAN. 282 00:17:47,242 --> 00:17:50,145 I'VE BEEN SHOWING STEVE THE GUY. NOW IT'S STEVE THE MAN. 283 00:17:50,145 --> 00:17:52,748 >> Julianne: DAMN RIGHT. I'M SURE YOU WANT TO FIND OUT 284 00:17:52,748 --> 00:17:55,684 YOUR SCORES. LET'S GET THEM. RIGHT AFTER THIS. 285 00:18:10,530 --> 00:18:13,208 >> Julianne: WELCOME BACK. BEFORE THE BREAK, STEPHEN AND 286 00:18:13,208 --> 00:18:16,344 RYLEE DEDICATED THEIR ARGENTINE TANGO TO MEN'S GYMNASTICS. 287 00:18:16,344 --> 00:18:21,683 LET'S GET THEIR SCORES. 288 00:18:21,683 --> 00:18:26,621 >> Carrie Ann: EIGHT. 289 00:18:26,621 --> 00:18:30,458 >> Derek: STUCK THE LANDING, NINE. 290 00:18:30,458 --> 00:18:33,962 >> LOOKING GOOD. EIGHT. 291 00:18:33,962 --> 00:18:40,602 >> Bruno: EIGHT. 292 00:18:40,602 --> 00:18:45,540 >> Julianne: THAT'S A 33. THAT'S YOUR FIRST NINE. 293 00:18:45,540 --> 00:18:46,975 LIKE ALL OF OUR STARS, THEY WANT YOU TO HELP KEEP THEM IN THE 294 00:18:46,975 --> 00:18:48,343 COMPETITION WITH YOUR VOTES. VOTING CLOSES DURING THE LAST 295 00:18:48,343 --> 00:18:49,711 COMMERCIAL BREAK. ALFONSO -- 296 00:18:49,711 --> 00:18:54,916 >> Alfonso: THANKS, JULIANNE. UP NEXT, OUR SUPER BOWL CHAMPION 297 00:18:54,916 --> 00:18:56,251 DEDICATES HIS ROUTINE TO ONE OF COLLEGE FOOTBALL'S MOST 298 00:18:56,251 --> 00:18:58,553 INFLUENTIAL COACHES WHO MADE A PROFOUND IMPACT ON HIS LIFE, 299 00:18:58,553 --> 00:19:00,655 MIKE LEACH. IT'S DANNY AMENDOLA AND 300 00:19:00,655 --> 00:19:06,528 WITNEY CARSON. 301 00:19:06,528 --> 00:19:09,431 >> LET'S DO THAT AGAIN. IT'S THE SAME FEELING AS IF YOU 302 00:19:09,431 --> 00:19:14,302 ARE GETTING PUNCHED IN THE STOMACH. HI. 303 00:19:14,302 --> 00:19:15,403 >> HOW ARE YOU. 304 00:19:15,403 --> 00:19:20,575 >> Carrie Ann: HOW IS IT GOING? I KNOW THAT YOU HAVE 305 00:19:20,575 --> 00:19:23,178 CONTEMPORARY THIS WEEK. WHO ARE YOU DEDICATING YOUR 306 00:19:23,178 --> 00:19:24,612 PERFORMANCE TO? 307 00:19:24,612 --> 00:19:29,184 >> MY COLLEGE FOOTBALL COACH WHO PASSED AWAY, MIKE LEACH. 308 00:19:29,184 --> 00:19:30,218 >> Carrie Ann: DID YOU SAY GOOD-BYE? 309 00:19:30,218 --> 00:19:34,622 >> IT WAS TRAGIC. I OWE A LOT TO COACH LEACH. 310 00:19:34,622 --> 00:19:38,827 I MET COACH WHEN I WAS 16. HE OFFERED ME A SCHOLARSHIP TO 311 00:19:38,827 --> 00:19:42,297 TEXAS TECH AND GAVE ME AN OPPORTUNITY OF A LIFETIME. 312 00:19:42,297 --> 00:19:46,801 I WILL FOREVER BE THANKFUL. HE WAS INSTRUMENTAL IN MY LIFE 313 00:19:46,801 --> 00:19:51,105 AND MY CAREER. MISS MOTTO WAS TO SWING YOUR 314 00:19:51,105 --> 00:19:52,140 SWORD. YOU WANT TO GET OUT THERE AND 315 00:19:52,140 --> 00:19:56,144 SWING IT. IT FEELS LIKE I GOT A PIECE OF 316 00:19:56,144 --> 00:20:00,648 ME MISSING. I DON'T HAVE MY ROCK, MY -- I 317 00:20:00,648 --> 00:20:02,450 DON'T HAVE MY GUY. 318 00:20:02,450 --> 00:20:04,085 >> Carrie Ann: THIS IS A GOOD OPPORTUNITY TO SAY GOOD-BYE IN A 319 00:20:04,085 --> 00:20:08,456 POWERFUL WAY. DANNY IS STRUGGLING WITH 320 00:20:08,456 --> 00:20:09,557 PERFORMANCE. HE NEEDS TO PRACTICE LEADING 321 00:20:09,557 --> 00:20:16,631 WITH HIS EMOTIONS. THERE. THIS MOMENT, IF YOU WERE AT HIS 322 00:20:16,631 --> 00:20:19,667 BEDSIDE, I WANT TO YOU PUT HER DOWN WITH THAT MUCH CARE. 323 00:20:19,667 --> 00:20:22,704 EACH MOMENT IS AN OPPORTUNITY TO EXPRESS THE MOMENTS THAT MAYBE 324 00:20:22,704 --> 00:20:27,876 YOU DIDN'T HAVE WITH HIM. THIS IS VERY NEW FOR HIM. 325 00:20:27,876 --> 00:20:30,011 GRIEF IS ONE OF THE MOST POWERFUL EMOTIONS. 326 00:20:30,011 --> 00:20:33,481 IF DANNY CAN CHANNEL THAT, IT'S GOING TO BE AN INSPIRATIONAL 327 00:20:33,481 --> 00:20:36,618 MOMENT. 328 00:20:36,618 --> 00:20:41,956 >> I'M JUMPING FOR COACH. THIS DANCE WILL TELL A STORY OF 329 00:20:41,956 --> 00:20:46,027 HOW INFLUENTIAL MIKE LEACH WAS FOR ME AND FOR MY LIFE. 330 00:20:46,027 --> 00:20:51,833 SWING YOUR SWORD, MAN. 331 00:20:51,833 --> 00:20:53,134 >> Announcer: DANCING CONTEMPORARY, WITH HIS PARTNER 332 00:20:53,134 --> 00:20:57,038 WITNEY CARSON, IT'S DANNY AMENDOLA. 333 00:20:57,038 --> 00:20:59,641 ♪ HOLD 334 00:20:59,641 --> 00:21:04,312 HOLD ON HOLD ON TO ME ♪ 335 00:21:04,312 --> 00:21:06,381 ♪ 'CAUSE I'M 336 00:21:06,381 --> 00:21:09,017 A LITTLE UNSTEADY 337 00:21:09,017 --> 00:21:17,325 A LITTLE UNSTEADY ♪ 338 00:21:17,325 --> 00:21:17,859 ♪ MOMMA 339 00:21:17,859 --> 00:21:19,961 COME HERE ♪ 340 00:21:19,961 --> 00:21:22,563 ♪ APPROACH 341 00:21:22,563 --> 00:21:24,666 APPEAR ♪ 342 00:21:24,666 --> 00:21:26,734 ♪ DADDY 343 00:21:26,734 --> 00:21:28,836 I'M ALONE ♪ 344 00:21:28,836 --> 00:21:30,939 ♪ 'CAUSE THIS HOUSE 345 00:21:30,939 --> 00:21:34,075 DON'T FEEL LIKE HOME ♪ 346 00:21:34,075 --> 00:21:34,609 ♪ IF YOU LOVE ME 347 00:21:34,609 --> 00:21:40,815 DON'T LET GO AH AH ♪ 348 00:21:40,815 --> 00:21:43,384 ♪ HOLD 349 00:21:43,384 --> 00:21:47,055 HOLD ON HOLD ON TO ME ♪ 350 00:21:47,055 --> 00:21:47,589 ♪ 'CAUSE I'M 351 00:21:47,589 --> 00:21:51,759 A LITTLE UNSTEADY 352 00:21:51,759 --> 00:21:56,965 A LITTLE UNSTEADY ♪ 353 00:21:56,965 --> 00:21:59,634 ♪ HOLD 354 00:21:59,634 --> 00:22:03,271 HOLD ON HOLD ON TO ME ♪ 355 00:22:03,271 --> 00:22:03,771 ♪ 'CAUSE I'M 356 00:22:03,771 --> 00:22:11,613 A LITTLE UNSTEADY ♪ 357 00:22:11,613 --> 00:22:15,249 [ APPLAUSE ] 358 00:22:15,249 --> 00:22:18,519 >> Alfonso: DANNY AND WITNEY WITH A POWERFUL CONTEMPORARY 359 00:22:18,519 --> 00:22:26,461 ROUTINE. 360 00:22:26,461 --> 00:22:33,368 WORE ARE WORE R -- WOW. 361 00:22:33,368 --> 00:22:40,475 YEAH. YOU GAVE THEM SOME TIPS. LET'S START WITH YOU. 362 00:22:40,475 --> 00:22:41,776 >> Carrie Ann: WE ARE HALFWAY THROUGH THE SEASON. 363 00:22:41,776 --> 00:22:44,846 IT'S TIME TO GET SERIOUS. I HAVE TO SAY, THAT WAS A 364 00:22:44,846 --> 00:22:52,754 BREAKTHROUGH. IT WAS SO POWERFUL. I WANT TO STAND AND APPLAUD YOU 365 00:22:52,754 --> 00:22:55,757 FOR YOUR COMMITMENT TO BEING REALLY HONEST IN THAT DANCE. 366 00:22:55,757 --> 00:22:59,694 I FELT YOU. I DON'T DOUBT -- DID EVERYONE 367 00:22:59,694 --> 00:23:02,663 FEEL THAT? YOU WERE THERE THE MINUTE -- HOW 368 00:23:02,663 --> 00:23:05,233 DID IT FEEL FOR YOU? HOW DO YOU FEEL? 369 00:23:05,233 --> 00:23:08,002 >> I FEEL GREAT. 370 00:23:08,002 --> 00:23:11,005 >> Carrie Ann: ARE YOU OKAY? I THINK COACH LEACH WOULD BE SO 371 00:23:11,005 --> 00:23:12,740 PROUD OF YOU. 372 00:23:12,740 --> 00:23:16,477 >> THANK YOU. 373 00:23:16,477 --> 00:23:20,281 >> Derek: I WANT TO TAKE A QUICK OPPORTUNITY TO THANK YOU. 374 00:23:20,281 --> 00:23:23,418 IT IS ATHLETES, SUPER BOWL CHAMPIONS LIKE YOURSELF WHO COME 375 00:23:23,418 --> 00:23:26,888 ON THE SHOW AND PUT THEMSELVES IN THIS BEAUTIFUL ART FORM AND 376 00:23:26,888 --> 00:23:31,426 TO COMMIT TO IT. THANK YOU. THANK YOU FOR TAKING THE TIME TO 377 00:23:31,426 --> 00:23:36,898 LEARN, TO ABSORB THIS AND SHOW AND OPEN UP DANCING TO A NEW 378 00:23:36,898 --> 00:23:38,666 AUDIENCE THAT MIGHT NOT KNOW ABOUT DANCE. 379 00:23:38,666 --> 00:23:41,102 YOU SHOW THEM, DANCING, THIS IS ATHLETIC. 380 00:23:41,102 --> 00:23:43,738 THIS IS NOT JUST ARTISTRY. YOU ARE SHOWING THAT. 381 00:23:43,738 --> 00:23:48,276 THAT WAS A STUNNING PERFORMANCE. THANK YOU. 382 00:23:48,276 --> 00:23:51,446 >> I HAVE ENJOYED WATCHING YOUR GROWTH ALL SEASON LONG. 383 00:23:51,446 --> 00:23:55,116 THIS IS A BREAKOUT PERFORMANCE FOR YOU. 384 00:23:55,116 --> 00:23:57,518 THE STRENGTH AND CONTROL IT TAKES TO DO THOSE PRESS LIFTS 385 00:23:57,518 --> 00:23:59,921 AND MAKE IT LOOK SMOOTH IS SO DIFFICULT. 386 00:23:59,921 --> 00:24:03,491 I CAN TELL YOU DO YOUR HOMEWORK. I CAN TELL HOW COMMITTED YOU ARE 387 00:24:03,491 --> 00:24:08,896 AND HOW COURAGEOUS YOU ARE. GREAT JOB. 388 00:24:08,896 --> 00:24:11,933 >> Bruno: SO HONEST. SO REAL. 389 00:24:11,933 --> 00:24:16,571 BY FAR, YOUR BEST PERFORMANCE SO FAR. NOT JUST THAT. 390 00:24:16,571 --> 00:24:20,808 TECHNICALLY AS WELL. DON'T DOUBT YOURSELF. 391 00:24:20,808 --> 00:24:26,514 YOU CAN DANCE. 392 00:24:26,514 --> 00:24:28,616 >> Alfonso: HEAD UP FOR YOUR SCORES. NEXT WEEK, WE'RE GOING TO 393 00:24:28,616 --> 00:24:31,753 "DISNEY-FY" THE BALLROOM FOR AN ALL-NEW "DISNEY NIGHT." 394 00:24:31,753 --> 00:24:34,055 THE STARS WILL PERFORM TO SOME OF THE BIGGEST DISNEY HITS, AND 395 00:24:34,055 --> 00:24:35,923 WE'LL HAVE A SPECIAL GUEST FROM THE BROADWAY PRODUCTION OF 396 00:24:35,923 --> 00:24:41,129 "ALADDIN." PLUS, FOR THE FIRST TIME, OUR 397 00:24:41,129 --> 00:24:44,332 STARS WILL HAVE TO WORK TOGETHER AS WE TAKE THE COMPETITION TO 398 00:24:44,332 --> 00:24:47,969 THE NEXT LEVEL WITH THE TEAM DANCES. JULIANNE. 399 00:24:47,969 --> 00:24:49,537 >> Julianne: IT'S ALL ABOUT DISNEY AND TEAMWORK NEXT WEEK, 400 00:24:49,537 --> 00:24:55,710 ALFONSO. WE LOVE IT. WOW. THAT WAS SO INCREDIBLE. 401 00:24:55,710 --> 00:25:02,316 I WANT TO KNOW WHAT MADE COACH LEACH SUCH A SPECIAL PERSON TO 402 00:25:02,316 --> 00:25:02,617 YOU. 403 00:25:02,617 --> 00:25:05,620 >> HE SOLD US A DREAM WE COULD PAY THROUGH HARD WORK AND 404 00:25:05,620 --> 00:25:09,690 DEDICATION. BEING A COACH IS A SELFLESS JOB. 405 00:25:09,690 --> 00:25:15,463 I MISS HIM DEARLY. THIS ONE IS FOR HIM. 406 00:25:15,463 --> 00:25:20,701 >> Julianne: YOU CAN SEE THAT. LET'S GET YOUR SCORES. 407 00:25:20,701 --> 00:25:23,638 >> Carrie Ann: NINE. 408 00:25:23,638 --> 00:25:28,309 >> Derek: NINE. 409 00:25:28,309 --> 00:25:31,879 >> HARD WORK AND DEDICATION PAYING OFF, NINE. 410 00:25:31,879 --> 00:25:35,983 >> Bruno: NINE. 411 00:25:35,983 --> 00:25:38,219 >> Julianne: THAT'S A 36 OUT OF 412 00:25:38,219 --> 00:25:53,401 40 FOR DANNY AND WITNEY. 413 00:25:53,401 --> 00:25:53,701 >> THANK YOU. 414 00:25:53,701 --> 00:25:56,437 >> Julianne: IF YOU WERE MOVED BY THEIR 415 00:25:56,437 --> 00:25:57,872 DEDICATION DANCE, THEN SHOW YOUR APPRECIATION WITH YOUR VOTES. 416 00:25:57,872 --> 00:25:58,206 ALFONSO. 417 00:25:58,206 --> 00:26:00,274 >> Alfonso: THANKS, JULIANNE. THE STAR WHO DEREK CALLED THE 418 00:26:00,274 --> 00:26:04,412 "COMEBACK KING" IS UP NEXT. DWIGHT HOWARD HAS A SPECIAL 419 00:26:04,412 --> 00:26:07,648 DEDICATION IN STORE FOR HIS RUMBA WITH DANIELLA KARAGACH, 420 00:26:07,648 --> 00:26:08,115 LIVE. 421 00:26:17,767 --> 00:26:20,970 ♪ OH-OH-OOOH 422 00:26:20,970 --> 00:26:26,809 PROMISE THAT YOU'LL HOLD ME CLOSE ♪ 423 00:26:26,809 --> 00:26:27,343 ♪ DON'T LET ME GO 424 00:26:27,343 --> 00:26:27,810 HEY ♪ 425 00:26:27,810 --> 00:26:28,344 ♪ TAKE MY HEART 426 00:26:28,344 --> 00:26:28,878 DON'T BREAK IT ♪ 427 00:26:28,878 --> 00:26:29,478 ♪ LOVE ME TO MY BONES 428 00:26:29,478 --> 00:26:30,179 ALL THIS TIME I'VE WASTED ♪ 429 00:26:30,179 --> 00:26:30,813 ♪ YOU WERE RIGHT THERE 430 00:26:30,813 --> 00:26:31,247 ALL ALONG ♪ 431 00:26:31,247 --> 00:26:31,881 ♪ YOU AND I STARGAZIN' 432 00:26:31,881 --> 00:26:37,253 INTERTWININ' SOULS WE WERE NEVER STRANGERS ♪ 433 00:26:37,253 --> 00:26:39,789 ♪ YOU WERE RIGHT THERE 434 00:26:39,789 --> 00:26:47,597 ALL ALONG ♪ 435 00:26:47,597 --> 00:26:49,699 >> Alfonso: OUR TROUPE, KAILYN, ROMAN, STEPHANI AND MARCQUET. 436 00:26:49,699 --> 00:26:57,573 FANTASTIC. WELCOME BACK. LAST WEEK, OUR NBA ALL-STAR 437 00:26:57,573 --> 00:27:03,212 SCORED A MAJOR COMEBACK WITH HIS PASODOBLE. 438 00:27:03,212 --> 00:27:04,881 LET'S SEE WHAT HE CAN DO TONIGHT 439 00:27:04,881 --> 00:27:12,855 WHEN HE DANCES A RUMBA WHEN HE 440 00:27:12,855 --> 00:27:16,092 DANCES TO HIS OWN SONG. IT'S DWIGHT HOWARD AND 441 00:27:16,092 --> 00:27:18,194 DANIELLA KARAGACH. 442 00:27:18,194 --> 00:27:23,599 >> LIKE THIS. 443 00:27:23,599 --> 00:27:26,869 >> Derek: I AM ON MY TIPTOES. 444 00:27:26,869 --> 00:27:29,238 >> I'M DEDICATING THIS TO ALL OF MY KIDS. 445 00:27:29,238 --> 00:27:32,842 I HAVE FIVE KIDS BETWEEN 10 AND 16. 446 00:27:32,842 --> 00:27:35,978 I THINK ABOUT THEM EVERY SECOND OF THE DAY. 447 00:27:35,978 --> 00:27:41,083 SEEING THEM AND BEING AROUND THEM AND LOVING THEM IS THE BEST 448 00:27:41,083 --> 00:27:44,253 FEELING IN THE WORLD. I ALWAYS TELL THEM TO SHOOT FOR 449 00:27:44,253 --> 00:27:46,822 THE STARS. THEY CAN DO ANYTHING THAT THEY 450 00:27:46,822 --> 00:27:47,456 BELIEVE IN. 451 00:27:47,456 --> 00:27:52,929 >> Derek: I LOVE THAT. SOME PEOPLE THINK RUMBA IS SEXY. 452 00:27:52,929 --> 00:27:56,866 FOR ME, IT'S ABOUT LOVE AND THE LOVE HE HAS TO GIVE TO HIS 453 00:27:56,866 --> 00:28:01,804 FAMILY AND TO HIMSELF. DON'T LEAVE ANY INCH UNFILLED. 454 00:28:01,804 --> 00:28:06,108 FILL AS MUCH AS YOU CAN FILL. I WANT HIM TO CREATE FLUIDITY IN 455 00:28:06,108 --> 00:28:11,380 HIS ARMS, FIND A FULL EXTENSION. YOU FOCUS ON THE HEIGHT 456 00:28:11,380 --> 00:28:17,353 DIFFERENCE BEING A STRUGGLE. ON THE FOOD. OPEN THE HIP. 457 00:28:17,353 --> 00:28:18,054 THAT'S WHERE YOU SHOULD BE. 458 00:28:18,054 --> 00:28:20,589 >> THAT LOOKS GREAT. 459 00:28:20,589 --> 00:28:26,662 >> Derek: IT'S ABOUT FILLING OUT THE SPACE. 460 00:28:26,662 --> 00:28:32,535 USE EVERYTHING YOU HAVE. BEAUTIFUL. 461 00:28:32,535 --> 00:28:36,272 >> I WANT TO TAKE ALL THAT ADVICE HE HAS GIVEN ME. 462 00:28:36,272 --> 00:28:39,241 >> Derek: PUT YOUR HEAD OVER THE FOOT. 463 00:28:39,241 --> 00:28:41,577 >> PUT IT IN AND GET THE BEST SCORE OF THE SEASON. 464 00:28:41,577 --> 00:28:44,647 >> Derek: JUST GO. THAT'S IT. 465 00:28:44,647 --> 00:28:48,384 >> I DID IT. KIDS, SHOOT FOR THE STARS! 466 00:28:48,384 --> 00:28:50,920 I LOVE YOU! 467 00:28:50,920 --> 00:28:57,159 DAD IS GOING TO EMBARRASS US. 468 00:28:57,159 --> 00:28:59,228 >> Announcer: DANCING THE RUMBA, WITH HIS PARTNER 469 00:28:59,228 --> 00:28:59,829 DANIELLA KARAGACH, IT'S 470 00:28:59,829 --> 00:29:14,410 DWIGHT HOWARD. 471 00:29:14,410 --> 00:29:14,944 ♪ A WORD 472 00:29:14,944 --> 00:29:20,182 COULD CHANGE THE WORLD ♪ 473 00:29:20,182 --> 00:29:21,717 ♪ AND A SMILE 474 00:29:21,717 --> 00:29:24,820 COULD CHANGE A LIFE ♪ 475 00:29:24,820 --> 00:29:26,422 ♪ COUNT ON ME 476 00:29:26,422 --> 00:29:31,060 I'M ON YOUR TEAM AH ♪ 477 00:29:31,060 --> 00:29:31,627 ♪ AND YOU'LL ALWAYS 478 00:29:31,627 --> 00:29:36,298 BE ON MINE ♪ 479 00:29:36,298 --> 00:29:39,902 ♪ EVERY JOURNEY 480 00:29:39,902 --> 00:29:44,640 BEGINS WITH A STEP IT'S AS EASY AS SAYING YES ♪ 481 00:29:44,640 --> 00:29:45,241 ♪ SHOOT FOR THE STARS 482 00:29:45,241 --> 00:29:50,946 WHEREVER YOU ARE ♪ 483 00:29:50,946 --> 00:29:51,547 ♪ WHEN YOU BELIEVE IT 484 00:29:51,547 --> 00:29:54,583 YOU WILL ACHIEVE IT ♪ 485 00:29:54,583 --> 00:29:55,184 ♪ SHOOT FOR THE STARS 486 00:29:55,184 --> 00:29:59,255 WHEREVER YOU ARE ♪ 487 00:29:59,255 --> 00:30:00,790 ♪ GO ON AND AIM 488 00:30:00,790 --> 00:30:05,995 RIGHT WITH YOUR HEART ♪ 489 00:30:05,995 --> 00:30:08,631 ♪ WHEREVER YOU ARE 490 00:30:08,631 --> 00:30:21,677 SHOOT FOR THE STARS ♪ 491 00:30:21,677 --> 00:30:24,013 >> Alfonso: DWIGHT AND DANIELLA, WITH AN EMOTIONAL RUMBA FOR HIS 492 00:30:24,013 --> 00:30:30,886 KIDS. BEAUTIFUL. 493 00:30:30,886 --> 00:30:37,693 BEAUTIFUL. DWIGHT, COME ON THIS WAY. 494 00:30:37,693 --> 00:30:45,067 COME ON OVER HERE YOU BIG PLAYFUL KID YOURSELF. 495 00:30:45,067 --> 00:30:47,470 >> Derek: YOU ARE A BIG MAN IN EVERY SINGLE WAY. 496 00:30:47,470 --> 00:30:51,340 YOUR HEART IS SO HUGE. WHEN I WATCH YOU DANCE, I CAN'T 497 00:30:51,340 --> 00:30:58,514 HELP BUT SMILE. IT'S PURE JOY YOU OOZE. LET'S GO. 498 00:30:58,514 --> 00:31:01,550 I SAW YOU USING THE ARMS. I SEE YOU. 499 00:31:01,550 --> 00:31:07,857 I SEE YOU WORKING HARD APPLYING THE ADVICE. GREAT JOB. WELL DONE. 500 00:31:07,857 --> 00:31:10,092 >> DWIGHT, I REALLY DO LOVE WATCHING YOU DANCE. 501 00:31:10,092 --> 00:31:15,464 I GET SO MUCH JOY FROM IT. IT DID LACK A LITTLE HIP ACTION. 502 00:31:15,464 --> 00:31:18,601 IT WAS BETTER. I WOULD LIKE TO SEE MORE 503 00:31:18,601 --> 00:31:23,005 SQUEEZING THE RIB CAGE. LIKE THAT. 504 00:31:23,005 --> 00:31:27,576 I WOULD LIKE TO SEE YOU USING YOUR LEGS MORE. 505 00:31:27,576 --> 00:31:32,848 GREAT JOB. 506 00:31:32,848 --> 00:31:39,054 >> Bruno: LISTEN, WE ALL LOVE YOU. YOU HAVE A WONDERFUL SOFT, 507 00:31:39,054 --> 00:31:41,290 GENTLE QUALITY. I BELIEVE YOU CARE. 508 00:31:41,290 --> 00:31:46,495 WHEN YOU ARE IN FULL FLIGHT AND FULL EXTENT, IT'S GREAT. 509 00:31:46,495 --> 00:31:50,699 IT STOPS SOMETIMES. THE ARMS AND -- IT'S ALL 510 00:31:50,699 --> 00:31:53,903 CONNECTED. IT'S NOT ONE THING, THE OTHER 511 00:31:53,903 --> 00:31:58,040 THING. EVERYTHING MOVING -- THANK YOU! 512 00:31:58,040 --> 00:31:59,975 NOW HE IS DOING IT. 513 00:31:59,975 --> 00:32:02,511 >> THAT'S IT. 514 00:32:02,511 --> 00:32:07,516 >> Bruno: IN OUR YOU ARE DOING IT. 515 00:32:07,516 --> 00:32:11,887 >> Carrie Ann: I LOVE YOU DEDICATED IT TO YOUR CHILDREN. 516 00:32:11,887 --> 00:32:13,022 YOU SHOW THEM ANYTHING IS POSSIBLE. 517 00:32:13,022 --> 00:32:17,626 I THOUGHT THAT WAS POWERFUL. YOU ARE DOING SOMETHING -- I SAW 518 00:32:17,626 --> 00:32:21,797 REFINEMENT, WHICH I'M LOVING. SOME OF THE LINES WERE BEAUTIFUL. 519 00:32:21,797 --> 00:32:24,266 THERE'S A BOUNCE THING YOU ARE STARTING TO DO. 520 00:32:24,266 --> 00:32:27,269 WHEN YOU GET NERVOUS OR UNCERTAIN, YOU TEND TO BOUNCE. 521 00:32:27,269 --> 00:32:29,805 IT GIVES -- IT TAKES YOU OUT OF THE STYLE OF THE DANCE. 522 00:32:29,805 --> 00:32:32,141 BE AWARE OF THAT AS YOU MOVE FORWARD, IF YOU MOVE FORWARD. 523 00:32:32,141 --> 00:32:37,546 GOOD JOB. 524 00:32:37,546 --> 00:32:41,917 >> Alfonso: YOU ARE TRYING TO DUNK. THAT'S WHAT IT IS. 525 00:32:41,917 --> 00:32:49,325 HEAD UP FOR YOUR SCORES. 526 00:32:49,325 --> 00:32:53,128 DON'T MISS PERFORMANCE TO CELEBRATE HIS WIFE HAYLEY'S 527 00:32:53,128 --> 00:32:57,666 RETURN TO THE BALLROOM IS COMING UP. 528 00:32:57,666 --> 00:33:11,313 >> Julianne: YOU CAN'T ASSUME 529 00:33:11,313 --> 00:33:17,286 >> I WANT TO SAY THANK YOU, JESUS. ALL FIVE TOGETHER. 530 00:33:17,286 --> 00:33:19,355 IT'S BEEN A WHILE SINCE ALL OF THEM ARE HERE. 531 00:33:19,355 --> 00:33:24,693 I GOT MY FIRST BORN. I LOVE YOU. 532 00:33:24,693 --> 00:33:27,263 >> Julianne: LET'S GET YOUR SCORES. 533 00:33:27,263 --> 00:33:32,267 >> Carrie Ann: SEVEN. 534 00:33:32,267 --> 00:33:37,039 >> Derek: EIGHT. 535 00:33:37,039 --> 00:33:40,342 >> WE ARE HALFWAY THROUGH, KEEP GOING. SEVEN. 536 00:33:40,342 --> 00:33:42,645 >> Bruno: SEVEN. 537 00:33:42,645 --> 00:33:45,948 >> Julianne: THAT'S A 29. YOU CAN'T ASSUME ANY OF OUR 538 00:33:45,948 --> 00:33:48,617 STARS ARE SAFE ON JUDGES' SCORES ALONE. 539 00:33:48,617 --> 00:33:49,918 YOU HAVE TO GET BEHIND YOUR FAVORITES WITH YOUR VOTES. 540 00:33:49,918 --> 00:33:50,619 ALFONSO. 541 00:33:50,619 --> 00:33:52,721 >> Alfonso: THANKS, JULIANNE. MORE PERSONAL TRIBUTES TO THE 542 00:33:52,721 --> 00:33:55,257 PEOPLE WHO SHAPED THE LIVES OF OUR STARS ARE ON THE WAY. 543 00:33:55,257 --> 00:34:00,396 NEXT UP, PHAEDRA PARKS AND VAL CHMERKOVSKIY HONOR SOMEONE 544 00:34:00,396 --> 00:34:01,330 SPECIAL IN HER LIFE, LIVE. 545 00:34:13,497 --> 00:34:15,502 >> Alfonso: WELCOME BACK TO "DEDICATION NIGHT." 546 00:34:15,502 --> 00:34:17,537 LAST WEEK ON "HAIR METAL NIGHT," OUR REALITY ROYALTY'S PASO DOBLE 547 00:34:17,537 --> 00:34:21,208 SUFFERED FROM A FEW MISSTEPS. 548 00:34:21,208 --> 00:34:23,777 >> Julianne: LET'S SEE IF SHE CAN REGAIN HER FOOTING TONIGHT 549 00:34:23,777 --> 00:34:25,879 WITH A RUMBA TRIBUTE TO A SPECIAL PERSON IN HER LIFE. 550 00:34:25,879 --> 00:34:33,653 IT'S PHAEDRA PARKS AND VAL CHMERKOVSKIY. 551 00:34:33,653 --> 00:34:38,091 >> LAST NIGHT, WHAT DID YOU THINK? 552 00:34:38,091 --> 00:34:39,459 >> IT WAS FRUSTRATING. THERE WAS NO WAY WE DESERVED A 553 00:34:39,459 --> 00:34:45,899 FIVE. 554 00:34:45,899 --> 00:34:48,835 >> KISS MY PEACH. I'M NOT TALKING ABOUT THE ONE IN 555 00:34:48,835 --> 00:34:49,336 THE PIE. 556 00:34:49,336 --> 00:34:52,439 >> WE HAVE A NEW DANCE. WHO DO YOU DEDICATE THIS 557 00:34:52,439 --> 00:34:52,906 PERFORMANCE TO? 558 00:34:52,906 --> 00:34:57,010 >> MY MOM. I OWE HER EVERYTHING. 559 00:34:57,010 --> 00:35:00,747 MY MOM WAS AN EDUCATOR FOR OVER 30 YEARS. 560 00:35:00,747 --> 00:35:03,517 SHE RETIRED WHEN I HAD MY FIRST SON. 561 00:35:03,517 --> 00:35:08,188 WITHOUT MY MOM'S SACRIFICING HER TIME AND HER LIFE TO HELP ME, I 562 00:35:08,188 --> 00:35:12,926 WOULD NOT BE ABLE TO WORK AND HAVE ALL THE COMPANIES I HAVE. 563 00:35:12,926 --> 00:35:13,660 >> SHE MADE YOU FEEL LOVE? 564 00:35:13,660 --> 00:35:17,497 >> GOSH, YEAH. 565 00:35:17,497 --> 00:35:21,835 >> CHILLS. 566 00:35:21,835 --> 00:35:26,540 >> Bruno: BEAUTIFUL. BOTH OF YOU. 567 00:35:26,540 --> 00:35:28,175 >> LOOK AT THIS BODY. 568 00:35:28,175 --> 00:35:29,943 >> Bruno: I PUMPED UP FOR YOU. 569 00:35:29,943 --> 00:35:33,880 >> HE IS THE ULTIMATE ENTERTAINER. 570 00:35:33,880 --> 00:35:36,516 >> Bruno: YOU BECOME A BIT RIGID. 571 00:35:36,516 --> 00:35:40,654 HE IS MOVING YOU AROUND WITHOUT YOU RESPONDING NATURALLY TO IT. 572 00:35:40,654 --> 00:35:42,155 SHE'S GOTTEN BETTER. SHE PROGRESSED FROM THE FIRST 573 00:35:42,155 --> 00:35:46,560 SHOW. SHE HAS TO FOCUS ON HAVING THE 574 00:35:46,560 --> 00:35:49,596 CONTINUOUS MOTION. RUMBA NEVER STOPS. 575 00:35:49,596 --> 00:35:54,367 IT'S LIKE STRETCHING AND ELASTIC. FEEL YOU ARE ABANDONING 576 00:35:54,367 --> 00:35:57,170 YOURSELF. WHEN SHE RELAXES INTO IT, I'M 577 00:35:57,170 --> 00:36:00,774 GETTING A COMPLETE NEW FEEL. BETTER ALREADY. 578 00:36:00,774 --> 00:36:05,412 DON'T TURN YOUR CHIN. UP TO YOU. I'VE DONE MY BIT. 579 00:36:05,412 --> 00:36:07,147 >> I DID IT. THAT'S LOOKS GOOD. 580 00:36:07,147 --> 00:36:10,517 WITH MY MOTHER IN THE AUDIENCE TONIGHT, I AM DEDICATED AND 581 00:36:10,517 --> 00:36:17,824 COMMITTED TO MAKING THIS RUMBA THE BEST THAT SHE'S SEEN. 582 00:36:17,824 --> 00:36:19,059 >> Announcer: DANCING THE RUMBA, WITH HER PARTNER 583 00:36:19,059 --> 00:36:24,064 VAL CHMERKOVSKIY, IT'S PHAEDRA PARKS. 584 00:36:24,064 --> 00:36:24,664 ♪ FOR ALL THOSE TIMES 585 00:36:24,664 --> 00:36:26,700 YOU STOOD BY ME ♪ 586 00:36:26,700 --> 00:36:28,268 ♪ FOR ALL THE TRUTH 587 00:36:28,268 --> 00:36:29,803 THAT YOU MADE ME SEE ♪ 588 00:36:29,803 --> 00:36:31,938 ♪ FOR ALL THE JOY 589 00:36:31,938 --> 00:36:34,507 YOU BROUGHT TO MY LIFE ♪ 590 00:36:34,507 --> 00:36:35,075 ♪ FOR ALL THE WRONG 591 00:36:35,075 --> 00:36:38,144 THAT YOU MADE RIGHT ♪ 592 00:36:38,144 --> 00:36:40,780 ♪ FOR EVERY DREAM 593 00:36:40,780 --> 00:36:41,381 YOU MADE COME TRUE ♪ 594 00:36:41,381 --> 00:36:41,948 ♪ FOR ALL THE LOVE 595 00:36:41,948 --> 00:36:46,486 I FOUND IN YOU ♪ 596 00:36:46,486 --> 00:36:48,054 ♪ YOU'RE THE ONE WHO 597 00:36:48,054 --> 00:36:52,826 SAW ME THROUGH THROUGH IT ALL ♪ 598 00:36:52,826 --> 00:36:53,460 ♪ YOU WERE MY STRENGTH 599 00:36:53,460 --> 00:36:55,929 WHEN I WAS WEAK ♪ 600 00:36:55,929 --> 00:36:56,496 ♪ YOU WERE MY VOICE 601 00:36:56,496 --> 00:37:00,100 WHEN I COULDN'T SPEAK ♪ 602 00:37:00,100 --> 00:37:00,667 ♪ YOU WERE MY EYES 603 00:37:00,667 --> 00:37:03,737 WHEN I COULDN'T SEE ♪ 604 00:37:03,737 --> 00:37:04,304 ♪ YOU SAW THE BEST 605 00:37:04,304 --> 00:37:06,339 THERE WAS IN ME ♪ 606 00:37:06,339 --> 00:37:06,873 ♪ LIFTED ME UP 607 00:37:06,873 --> 00:37:10,977 WHEN I COULDN'T REACH ♪ 608 00:37:10,977 --> 00:37:11,545 ♪ YOU GAVE ME FAITH 609 00:37:11,545 --> 00:37:15,181 'CAUSE YOU BELIEVED ♪ 610 00:37:15,181 --> 00:37:19,352 ♪ I'M EVERYTHING I AM 611 00:37:19,352 --> 00:37:22,489 BECAUSE YOU LOVED ME OH ♪ 612 00:37:22,489 --> 00:37:29,296 ♪ I'M EVERYTHING I AM 613 00:37:29,296 --> 00:37:40,273 BECAUSE YOU LOVED ME ♪ 614 00:37:40,273 --> 00:37:41,808 >> Alfonso: PHAEDRA AND VAL WITH 615 00:37:41,808 --> 00:37:48,748 A RUMBA DEDICATION TO HER MOM. 616 00:37:48,748 --> 00:37:51,084 IT'S ALWAYS A SPECIAL MOMENT WITH OUR FAMILIES IN THE BALL 617 00:37:51,084 --> 00:37:58,158 ROOM. BEAUTIFUL. ALL RIGHT. THEY ARE LOVING YOU. 618 00:37:58,158 --> 00:38:03,330 THEY ARE LOVING YOU. 619 00:38:03,330 --> 00:38:07,434 >> Bruno: I CAN FEEL IT. I CAN SEE YOU. 620 00:38:07,434 --> 00:38:11,271 THAT'S WHAT YOU HAVE TO DO IN ALL PERFORMING ARTS. 621 00:38:11,271 --> 00:38:15,875 IT HAS TO FEEL REAL. THIS IS A MOMENT, A UNIQUE 622 00:38:15,875 --> 00:38:22,282 MOMENT. IT IS YOURS. MAKE IT REAL. 623 00:38:22,282 --> 00:38:23,950 >> Alfonso: LOVE IT. 624 00:38:23,950 --> 00:38:25,518 >> Carrie Ann: THIS SHOW IS ABOUT GROWTH. 625 00:38:25,518 --> 00:38:27,921 WE WANT TO SEE SOMETHING NEW AND DIFFERENT. 626 00:38:27,921 --> 00:38:31,224 WHAT WE SAW THIS WEEK, I SAW MORE LIGHTNESS OF BEING. 627 00:38:31,224 --> 00:38:34,327 WHAT I LOVE ABOUT YOU WHEN YOU DANCE IS YOU TELL US EXACTLY 628 00:38:34,327 --> 00:38:37,430 WHAT WE SHOULD BE THINKING AND FEELING WHEN WE WATCH. 629 00:38:37,430 --> 00:38:39,866 YOU ARE SO CLEAR. YOU ARE AN AMAZING COMMUNICATOR. 630 00:38:39,866 --> 00:38:46,306 DANCE IS ABOUT COMMUNICATION. 631 00:38:46,306 --> 00:39:06,192 >> Derek: STINKING FIVE. 632 00:39:06,192 --> 00:39:09,029 [ CHEERS AND APPLAUSE ] 633 00:39:09,029 --> 00:39:13,433 >> I MEAN, ENOUGH SAID. ELEGANT, BEAUTIFUL. 634 00:39:13,433 --> 00:39:16,002 GETTING BETTER ON THE CONTINUING THROUGH THE MOVEMENT. 635 00:39:16,002 --> 00:39:19,806 I LOVE SEEING YOU DANCE WITH VAL. YOU CAN PUT MORE TRUST IN VAL. 636 00:39:19,806 --> 00:39:23,309 HE IS A TRUE MASTER AT THIS. HE HAS YOU EVERY STEP OF THE WAY. 637 00:39:23,309 --> 00:39:27,947 DIG A LITTLE BIT MORE. 638 00:39:27,947 --> 00:39:31,685 >> Alfonso: ALL RIGHT. HEAD UP TO JULIANNE 639 00:39:31,685 --> 00:39:33,119 FOR YOUR SCORES AS WE CHECK OUT WHERE THE FIRST FOUR COUPLES 640 00:39:33,119 --> 00:39:33,853 CURRENTLY STAND ON THE JUDGES' 641 00:39:33,853 --> 00:39:42,128 LEADERBOARD. 642 00:39:42,128 --> 00:39:44,230 THE STANDINGS COULD CHANGE WHEN THE REST OF OUR STARS TAKE THE 643 00:39:44,230 --> 00:39:47,267 FLOOR. JULIANNE. 644 00:39:47,267 --> 00:39:52,172 >> Julianne: THERE'S A LOT OF DANCING TO COME, ALFONSO. 645 00:39:52,172 --> 00:39:54,908 I WANT TO KNOW -- YOUR MOM IS HERE. 646 00:39:54,908 --> 00:39:58,278 WHAT HAS IT MEANT TO HAVE HER IN THE AUDIENCE? 647 00:39:58,278 --> 00:40:05,418 >> IT MEANS THE WORLD TO ME. I WOULDN'T BE THE WOMAN I AM IF 648 00:40:05,418 --> 00:40:08,855 IT WASN'T FOR HER. SHE SACRIFICED FOR ME TO DO ALL 649 00:40:08,855 --> 00:40:12,625 THESE WONDERFUL THINGS. TRAVEL THE WORLD. 650 00:40:12,625 --> 00:40:16,062 I GO ALL THE TIME. SHE'S THERE FOR MY KIDS. 651 00:40:16,062 --> 00:40:18,865 I'M A MOM AND ANY MOM KNOWS THERE'S NO SEPARATION BETWEEN 652 00:40:18,865 --> 00:40:21,868 MOTHERS AND CHILDREN. WE GIVE THEM OUR HEART EVERY 653 00:40:21,868 --> 00:40:27,674 DAY. 654 00:40:27,674 --> 00:40:28,374 >> Julianne: YOU WE LOVE YOU, 655 00:40:28,374 --> 00:40:38,685 MAMA. 656 00:40:38,685 --> 00:40:39,853 >> Carrie Ann: EIGHT. 657 00:40:39,853 --> 00:40:41,654 >> Derek: EIGHT. 658 00:40:41,654 --> 00:40:42,789 >> EIGHT. 659 00:40:42,789 --> 00:40:47,393 >> Bruno: WELL DONE MY LOVE, EIGHT. 660 00:40:47,393 --> 00:40:49,496 >> Julianne: 32. THOSE ARE YOUR BEST SCORES OF 661 00:40:49,496 --> 00:40:51,898 THE SEASON. LIKE ALL OF OUR STARS, THEY WANT 662 00:40:51,898 --> 00:40:54,200 YOUR VOTES TO KEEP THEM SAFE FROM TONIGHT'S ELIMINATION. 663 00:40:54,200 --> 00:40:54,701 ALFONSO. 664 00:40:54,701 --> 00:40:57,837 >> Alfonso: THANKS, JULIANNE. NEXT ON THIS NIGHT OF HEARTFELT 665 00:40:57,837 --> 00:41:00,106 MOMENTS, DEREK AND HAYLEY HOUGH WILL PERFORM TO CELEBRATE HER 666 00:41:00,106 --> 00:41:02,108 TRIUMPHANT RETURN TO THE BALLROOM AFTER A LIFE- 667 00:41:02,108 --> 00:41:04,944 THREATENING EMERGENCY. TRUST ME, YOU DON'T WANT TO MISS 668 00:41:04,944 --> 00:41:07,981 IT. WE'RE LIVE AND WE'RE COMING RIGHT BACK. 669 00:41:24,230 --> 00:41:26,903 >> Alfonso: WELCOME BACK. SINCE TONIGHT IS ALL ABOUT 670 00:41:26,903 --> 00:41:30,540 SPECIAL DEDICATIONS, WE WANT TO CELEBRATE THE RETURN OF ONE OF 671 00:41:30,540 --> 00:41:31,641 OUR FAMILY MEMBERS. 672 00:41:31,641 --> 00:41:35,312 >> Julianne: LAST DECEMBER, DEREK AND HAYLEY'S LIVES WERE 673 00:41:35,312 --> 00:41:39,916 CHANGED WHEN SHE SUFFERED A TERRIFYING MEDICAL EMERGENCY. 674 00:41:39,916 --> 00:41:43,520 HERE'S THE STORY OF HER REMARKABLE COMEBACK. 675 00:41:43,520 --> 00:41:48,992 >> WITH ALL OF MY HEART, I LOVE YOU. IT WAS CRAZY. 676 00:41:48,992 --> 00:41:56,399 THERE WAS SO MUCH HAPPENING. 677 00:41:56,399 --> 00:41:57,734 NEWLYWEDS. 678 00:41:57,734 --> 00:41:59,636 >> I HAVE ALWAYS KNOWN IT'S YOU. 679 00:41:59,636 --> 00:42:06,710 >> FINALE JUST HAPPENED. WE WERE HEADING BACK OUT ON THE 680 00:42:06,710 --> 00:42:11,915 ROAD FOR THE FINAL LEG OF THE TOUR. 681 00:42:11,915 --> 00:42:14,751 LIVING OUT OUR DREAMS ON STAGE. DOING WHAT WE LOVE WITH THE 682 00:42:14,751 --> 00:42:20,857 PERSON THAT WE LOVE. THEN IT JUST ALL CAME TO A 683 00:42:20,857 --> 00:42:27,931 SCREECHING HALT IN THE MOST DEVASTATING WAY. I WAS ON STAGE. 684 00:42:27,931 --> 00:42:31,301 SHE'S SUPPOSED TO COME OUT. THE STAGE MANAGER WALKED OUT AND 685 00:42:31,301 --> 00:42:35,939 SAID, SHE'S NOT COMING ON STAGE. SHE WAS ON THE SIDE OF THE STAGE 686 00:42:35,939 --> 00:42:42,145 HAVING FULL SEIZURES. ESSENTIALLY, DYING. 687 00:42:42,145 --> 00:42:49,519 IT'S HARD TO PUT INTO WORDS OTHER THAN JUST JUST PURE FEAR. 688 00:42:49,519 --> 00:42:52,055 WE RUSH HER TO THE HOSPITAL. SHE'S IN HER COSTUME. 689 00:42:52,055 --> 00:42:54,758 THE DOCTOR CAME TO ME AND HE SAID THAT SHE HAS A SEVERE BRAIN 690 00:42:54,758 --> 00:42:59,996 BLEED. WE HAVE TO OPERATE RIGHT NOW. 691 00:42:59,996 --> 00:43:06,870 HE SAID THAT SHE MIGHT NOT MAKE IT. EVEN IF SHE DOES MAKE IT, SHE 692 00:43:06,870 --> 00:43:11,274 WON'T BE THE SAME PERSON. 693 00:43:11,274 --> 00:43:15,912 HE TOLD ME THAT, YOU HAVE LOST 694 00:43:15,912 --> 00:43:21,885 THE PERSON THAT YOU KNEW. 695 00:43:21,885 --> 00:43:26,990 >> LESS NIGHT SHE UNDERWENT SURGERY TO REPAIR A CRANIAL 696 00:43:26,990 --> 00:43:27,357 HEMATOMA. 697 00:43:27,357 --> 00:43:34,698 >> I REMEMBER LAYING ON THE HOSPITAL FLOOR AND BEGGING -- 698 00:43:34,698 --> 00:43:39,869 PLEASE, PLEASE. 699 00:43:39,869 --> 00:43:44,374 THE NEXT MORNING WHEN I SAW HER, SHE'S MISSING 40% OF HER SKULL. 700 00:43:44,374 --> 00:43:50,013 SHE'S UNRECOGNIZABLE. AS SOON AS THEY TOOK THE TUBES 701 00:43:50,013 --> 00:43:54,317 OUT OF HER MOUTH WHEN SHE WAS STRONG ENOUGH, SHE GOES, WHAT 702 00:43:54,317 --> 00:43:58,355 HAPPENED? WEREN'T WE JUST DANCING? 703 00:43:58,355 --> 00:44:03,693 I CAN'T EVEN TELL YOU. 704 00:44:03,693 --> 00:44:08,064 JUST KNOWING THAT SHE WAS THERE, SHE WAS IN THERE. 705 00:44:08,064 --> 00:44:12,669 THE RELIEF I FELT. SHE WAS HAYLEY. SHE WAS MY WIFE. 706 00:44:12,669 --> 00:44:17,907 THEN THE JOURNEY BEGAN. LEARNING TO WALK AGAIN, BUILDING 707 00:44:17,907 --> 00:44:20,276 HER STRENGTH BACK UP. NOT HAVING A SKULL FOR A COUPLE 708 00:44:20,276 --> 00:44:25,148 OF WEEKS. WALKING AROUND WITH A HELMET. 709 00:44:25,148 --> 00:44:29,986 IT WAS HARD. I WAS STRUGGLING. EVERY TIME I WALKED IN THE ROOM, 710 00:44:29,986 --> 00:44:36,893 HAYLEY HAD A SMILE ON HER FACE. I WAS SO IMPRESSED BY HER 711 00:44:36,893 --> 00:44:41,498 STRENGTH. SHE'S MY BEAUTIFUL MIRACLE. 712 00:44:41,498 --> 00:44:49,339 YOU ARE MY BEAUTIFUL MIRACLE, BABE. COME HERE. 713 00:44:49,339 --> 00:44:50,006 >> HI. 714 00:44:50,006 --> 00:44:50,573 >> HOW ARE YOU DOING? 715 00:44:50,573 --> 00:44:55,812 >> DOING GREAT. WHEN I WOKE UP IN THE HOSPITAL, 716 00:44:55,812 --> 00:44:57,814 THEY DID TELL ME, WE DON'T KNOW IF YOU WILL BE ABLE TO WALK 717 00:44:57,814 --> 00:45:04,387 AGAIN. I LIKE TO SAY I'M A VERY STUBBORN PERSON. 718 00:45:04,387 --> 00:45:06,756 I WAS DETERMINED TO PUSH MYSELF TO THE LIMIT TO BE ABLE TO DANCE 719 00:45:06,756 --> 00:45:11,628 AGAIN. TO SAY IT WAS EASY TO GET THERE 720 00:45:11,628 --> 00:45:14,597 WOULD BE A COMPLETE LIE. I WILL BE FOREVER GRATEFUL TO 721 00:45:14,597 --> 00:45:16,199 EVERYBODY THAT SUPPORTED ME THROUGH THIS. 722 00:45:16,199 --> 00:45:22,138 THAT'S WHY I'M HERE TODAY. HE WAS MY ROCK THROUGHOUT IT 723 00:45:22,138 --> 00:45:26,810 ALL. 724 00:45:26,810 --> 00:45:29,679 >> FOR ME, THIS DANCE IS JUST A MOMENT FOR US TO BE TOGETHER 725 00:45:29,679 --> 00:45:36,786 AGAIN. ON STAGE, DOING WHAT WE LOVE. 726 00:45:36,786 --> 00:45:42,459 THE FACT THAT WE ARE ABLE TO DANCE TOGETHER AGAIN IS NOTHING 727 00:45:42,459 --> 00:45:47,630 SHORT OF A MIRACLE. I'M JUST -- I'M BEYOND THANKFUL. 728 00:45:47,630 --> 00:46:08,451 I'M SO THANKFUL. 729 00:46:08,451 --> 00:46:09,018 ♪ FOR A WHILE THERE 730 00:46:09,018 --> 00:46:12,622 IT WAS ROUGH ♪ 731 00:46:12,622 --> 00:46:13,156 ♪ BUT LATELY 732 00:46:13,156 --> 00:46:16,793 I'VE BEEN DOIN' BETTER ♪ 733 00:46:16,793 --> 00:46:17,861 ♪ THAN THE LAST FOUR 734 00:46:17,861 --> 00:46:24,134 COLD DECEMBERS I RECALL ♪ 735 00:46:24,134 --> 00:46:26,236 ♪ AND I THANK GOD EVERY DAY 736 00:46:26,236 --> 00:46:30,940 FOR THE GIRL HE SENT MY WAY ♪ 737 00:46:30,940 --> 00:46:31,441 ♪ BUT I KNOW 738 00:46:31,441 --> 00:46:32,008 THE THINGS HE GIVES ME 739 00:46:32,008 --> 00:46:41,851 HE CAN TAKE AWAY ♪ 740 00:46:41,851 --> 00:46:42,418 ♪ OH AND I HOLD YOU 741 00:46:42,418 --> 00:46:45,989 EVERY NIGHT ♪ 742 00:46:45,989 --> 00:46:46,623 ♪ AND THAT'S A FEELING 743 00:46:46,623 --> 00:46:51,761 I WANNA GET USED TO ♪ 744 00:46:51,761 --> 00:46:54,364 ♪ BUT THERE'S NO MAN 745 00:46:54,364 --> 00:46:54,964 AS TERRIFIED AS THE MAN 746 00:46:54,964 --> 00:47:05,375 WHO STANDS TO LOSE YOU ♪ 747 00:47:05,375 --> 00:47:07,977 ♪ OH I HOPE I DON'T LOSE YOU 748 00:47:07,977 --> 00:47:13,183 MM PLEASE STAY ♪ 749 00:47:13,183 --> 00:47:13,783 ♪ I WANT YOU I NEED YOU 750 00:47:13,783 --> 00:47:16,786 OH GOD ♪ 751 00:47:16,786 --> 00:47:19,923 ♪ DON'T TAKE 752 00:47:19,923 --> 00:47:24,627 THESE BEAUTIFUL THINGS THAT I'VE GOT ♪ 753 00:47:24,627 --> 00:47:27,230 ♪ PLEASE STAY 754 00:47:27,230 --> 00:47:32,502 I WANT YOU I NEED YOU OH GOD ♪ 755 00:47:32,502 --> 00:47:34,571 ♪ DON'T TAKE 756 00:47:34,571 --> 00:47:38,808 THESE BEAUTIFUL THINGS THAT I'VE GOT ♪ 757 00:47:38,808 --> 00:47:45,548 ♪ OH OOH 758 00:47:45,548 --> 00:47:49,686 PLEASE STAY ♪ 759 00:47:49,686 --> 00:47:50,753 ♪ I WANT YOU I NEED YOU 760 00:47:50,753 --> 00:47:54,390 OH GOD ♪ 761 00:47:54,390 --> 00:47:56,993 ♪ I NEED 762 00:47:56,993 --> 00:47:57,560 THESE BEAUTIFUL THINGS 763 00:47:57,560 --> 00:48:33,563 THAT I'VE GOT ♪ 764 00:48:33,563 --> 00:48:47,644 [ CHEERS AND APPLAUSE ] 765 00:48:47,644 --> 00:48:54,050 >> Alfonso: I WANT TO START WITH YOU. WOW. IMPACTFUL. 766 00:48:54,050 --> 00:48:57,020 WE HAVE SEEN THE RESULT OF THIS REMARKABLE RECOVERY. 767 00:48:57,020 --> 00:49:02,225 WHAT DID THE DOCTORS SAY WERE THE CHANCES THAT HAYLEY WOULD 768 00:49:02,225 --> 00:49:07,096 MAKE A COMPLETE THIS COMPLETE GIVEN HER INJURY? 769 00:49:07,096 --> 00:49:09,899 >> Derek: WE HAD THE OPPORTUNITY TO PERFORM IN WASHINGTON, D.C. 770 00:49:09,899 --> 00:49:12,035 IN FRONT OF THE DOCTORS AND NURSES. 771 00:49:12,035 --> 00:49:17,340 AFTERWARD, THE DOCTORS CAME SAID, THIS IS A MIRACLE. 772 00:49:17,340 --> 00:49:21,577 HE SAID, NO, THIS IS A MIRACLE. 773 00:49:21,577 --> 00:49:30,486 [ APPLAUSE ] 774 00:49:30,486 --> 00:49:32,188 YOU FELT THE WEIGHT OF HOW REMARKABLE THIS WOMAN IS AND HER 775 00:49:32,188 --> 00:49:36,159 DETERMINATION AND HER SPIRIT. SHE INSPIRES SO MUCH. 776 00:49:36,159 --> 00:49:46,469 SHE'S INCREDIBLE. 777 00:49:46,469 --> 00:49:51,708 >> Julianne: NOW, WE WERE ALL IN THE HOSPITAL TOGETHER WHEN YOU 778 00:49:51,708 --> 00:49:55,712 WERE GOING THROUGH EVERYTHING. WOW. WHAT A DIFFERENCE. 779 00:49:55,712 --> 00:50:00,984 FROM THEN UNTIL NOW. MAYBE YOU COULD SHARE WITH ALL 780 00:50:00,984 --> 00:50:04,387 THESE BEAUTIFUL PEOPLE WHO SUPPORTED YOU WHAT THAT JOURNEY 781 00:50:04,387 --> 00:50:07,824 HAS BEEN LIKE. 782 00:50:07,824 --> 00:50:13,296 >> OBVIOUSLY, THIS WAS THE MOST CHALLENGING THING I'VE EVER BEEN 783 00:50:13,296 --> 00:50:16,933 THROUGH IN MY LIFE, PHYSICALLY AND MENTALLY. 784 00:50:16,933 --> 00:50:21,804 IT WAS A LOT ON ALL OF US AS A FAMILY. 785 00:50:21,804 --> 00:50:23,906 YOU NEVER KNOW WHAT YOU ARE CAPABLE OF UNTIL YOU GO THROUGH 786 00:50:23,906 --> 00:50:26,976 SOMETHING LIKE THIS. I'M REALLY PROUD OF MYSELF. 787 00:50:26,976 --> 00:50:29,712 I'M PROUD OF MY BODY, HOW I CAME THROUGH THIS. 788 00:50:29,712 --> 00:50:32,548 [ CHEERS AND APPLAUSE ] 789 00:50:32,548 --> 00:50:37,353 >> Julianne: WE'RE SO PROUD OF YOU. 790 00:50:37,353 --> 00:50:40,923 >> Derek: A HUGE, THANK YOU TO EVERYBODY. 791 00:50:40,923 --> 00:50:43,059 EVERYBODY WHO SAID PRAYERS, THOUGHTS. 792 00:50:43,059 --> 00:50:47,797 WE BELIEVE THAT'S REALLY WHAT HELPED HER RECOVER SO QUICKLY. 793 00:50:47,797 --> 00:50:49,332 IT MEANS A LOT. IT MEANS SO MUCH TO US. 794 00:50:49,332 --> 00:50:50,967 THANK YOU. 795 00:50:50,967 --> 00:50:53,770 >> Alfonso: ANOTHER ROUND OF APPLAUSE. 796 00:50:53,770 --> 00:50:54,370 [ CHEERS AND APPLAUSE ] 797 00:50:54,370 --> 00:50:59,308 WE LOVE YOU GUYS. 798 00:50:59,308 --> 00:51:06,349 ALRIGHT, OUR NIGHT OF SPECIAL DEDICATIONS CONTINUES. 799 00:51:06,349 --> 00:51:09,185 >> Julianne: BROOKS NADER AND GLEB SAVCHENKO WILL BE JOINED BY 800 00:51:09,185 --> 00:51:12,088 SOME SPECIAL GUESTS WHEN WE COME BACK, LIVE. 801 00:51:20,317 --> 00:51:21,652 ♪♪ 802 00:51:21,652 --> 00:51:26,683 [ CHEERS AND APPLAUSE ] 803 00:51:26,683 --> 00:51:29,137 >> Alfonso: WELCOME BACK. LAST WEEK ON "HAIR METAL NIGHT," 804 00:51:29,137 --> 00:51:30,705 OUR "SPORTS ILLUSTRATED" COVER MODEL UNDERSTOOD THE ASSIGNMENT 805 00:51:30,705 --> 00:51:32,307 AND PERFORMED A POWERFUL, POLE-DANCING CHA-CHA. 806 00:51:32,307 --> 00:51:33,875 TONIGHT, FOLLOWING SOME ADVICE FROM CARRIE ANN, SHE DEDICATES A 807 00:51:33,875 --> 00:51:36,544 SALSA TO THREE SPECIAL WOMEN IN HER LIFE. 808 00:51:36,544 --> 00:51:41,783 CHECK OUT TRAINING FOR BROOKS NADER AND GLEB SAVCHENKO. 809 00:51:41,783 --> 00:51:44,619 >> YOU KILLED IT. YOU GOT TECHNICAL 10 AND THEN AN 810 00:51:44,619 --> 00:51:46,554 8. 811 00:51:46,554 --> 00:51:51,293 >> I WAS GOING TO GIVE A 9, BUT I GAVE A 10. 812 00:51:51,293 --> 00:51:53,495 >> Julianne: GENE KEYED IN AT A 9, SO WE HAVE TO CHANGE THE 813 00:51:53,495 --> 00:51:57,799 SCORE. JUST WANT TO CLARIFY THAT. 814 00:51:57,799 --> 00:52:02,437 >> I WANT TO GET A LEGIT 10. WHO ARE YOU DEDICATING YOUR 815 00:52:02,437 --> 00:52:02,804 DANCE TO? 816 00:52:02,804 --> 00:52:05,674 >> MY SISTERS. GROWING UP WE ONLY HAD EACH 817 00:52:05,674 --> 00:52:11,346 OTHER TO ENTERTAIN EACH OTHER AND IT WAS THE BEST CHILDHOOD I 818 00:52:11,346 --> 00:52:12,547 COULD EVER IMAGINE. THIS YEAR I WENT THROUGH A 819 00:52:12,547 --> 00:52:14,349 REALLY HARD DIVORCE AND I REALLY SAW A DIFFERENT SIDE TO THEM. 820 00:52:14,349 --> 00:52:16,451 THEY REALLY RALLIED FOR ME AND THEY ARE RIDE OR DIES. 821 00:52:16,451 --> 00:52:18,053 >> I LOVE THAT. 822 00:52:18,053 --> 00:52:19,621 >> ONE AND TWO. 823 00:52:19,621 --> 00:52:21,222 >> HELLO. 824 00:52:21,222 --> 00:52:22,290 >> HI. 825 00:52:22,290 --> 00:52:25,460 >> OH, MY GOD. 826 00:52:25,460 --> 00:52:27,062 >> CARRIE ANN. 827 00:52:27,062 --> 00:52:28,430 >> CARRIE ANN'S SO SPECIAL. I'VE SEEN ALL SHE'S DONE WITH 828 00:52:28,430 --> 00:52:30,765 MADONNA. SHE'S SO TALENTED. 829 00:52:30,765 --> 00:52:32,901 >> ONE AND TWO. 830 00:52:32,901 --> 00:52:35,003 >> WHAT DID I MESS UP THIS TIME? 831 00:52:35,003 --> 00:52:37,138 >> BROOKS CAME HERE TO SHOW PEOPLE SHE COULD DANCE. 832 00:52:37,138 --> 00:52:43,378 I THINK SHE'S WASTING THE OPPORTUNITY BY NOT USING EVERY 833 00:52:43,378 --> 00:52:48,516 MOVEMENT TO BE GREAT. CONNECT MORE TO THE MOVEMENTS 834 00:52:48,516 --> 00:52:48,984 AND FINISH THEM. 835 00:52:48,984 --> 00:52:49,351 >> UH-HUH. 836 00:52:49,351 --> 00:52:50,785 >> SHE HAS TO REMEMBER EVERY MOVEMENT HAS A BEGINNING, MIDDLE 837 00:52:50,785 --> 00:52:51,920 AN END AND NOT STOP THE MOVEMENT BEFORE THAT. 838 00:52:51,920 --> 00:52:53,121 >> DID YOU FEEL THE DIFFERENCE HALFWAY THROUGH? 839 00:52:53,121 --> 00:52:54,155 YOU GOT SERIOUS AND REALLY POWERFUL. 840 00:52:54,155 --> 00:52:54,889 >> YEAH. 841 00:52:54,889 --> 00:52:58,059 >> I WOULD LIKE FOR HER TO TAKE THE SPOTLIGHT. THAT'S IT. 842 00:52:58,059 --> 00:52:59,127 HOW DOES THAT FEEL? 843 00:52:59,127 --> 00:53:00,962 >> BETTER. I FEEL LIKE MORE IN MY ELEMENT. 844 00:53:00,962 --> 00:53:08,670 >> DANCE WITH CONFIDENCE. DANCE FOR YOUR FAMILY. 845 00:53:08,670 --> 00:53:10,271 >> ONE AND TWO AND RETURN. 846 00:53:10,271 --> 00:53:13,208 >> MY BABIES. 847 00:53:13,208 --> 00:53:13,541 >> HI. 848 00:53:13,541 --> 00:53:19,614 >> THIS IS SO EXCITING I'M DEDICATING MY SONG TO YOU GUYS. 849 00:53:19,614 --> 00:53:20,148 >> I'M GOING TO CRY. 850 00:53:20,148 --> 00:53:20,682 >> YOU'RE MY HERO. 851 00:53:20,682 --> 00:53:23,852 >> LET'S GET INTO IT. ONE, TWO. 852 00:53:23,852 --> 00:53:25,553 >> HAVING MY SISTERS BY MY SIDE ON THE DANCE FLOOR WILL GIVE ME 853 00:53:25,553 --> 00:53:27,255 THE EXTRA POWER AND BOOST I NEED 854 00:53:27,255 --> 00:53:38,400 TO RUN WITH CONFIDENCE. 855 00:53:38,400 --> 00:53:39,467 >> IS IT SAFE TO SAY YOU APPROVE OF GLEB? 856 00:53:39,467 --> 00:53:40,001 >> AS A BOYFRIEND? 857 00:53:40,001 --> 00:53:40,568 >> YES. 858 00:53:40,568 --> 00:53:43,171 >> I SEE WHY YOU LIKE HIM, BROOKS. 859 00:53:43,171 --> 00:53:55,316 THAT'S THE ONLY WAY THOUGH. 860 00:53:55,316 --> 00:53:58,486 >> Announcer: DANCING THE SALSA, WITH HER PARTNER GLEB SAVCHENKO, 861 00:53:58,486 --> 00:54:06,594 IT'S BROOKS NADER. 862 00:54:06,594 --> 00:54:07,629 ♪ HOO ♪ 863 00:54:07,629 --> 00:54:12,500 ♪♪ 864 00:54:12,500 --> 00:54:13,168 [ SINGING IN A NON-ENGLISH 865 00:54:13,168 --> 00:54:21,009 LANGUAGE ] 866 00:54:21,009 --> 00:54:21,509 ♪♪ 867 00:54:21,509 --> 00:54:30,051 ♪♪ 868 00:54:30,051 --> 00:54:30,718 [ SINGING IN A NON-ENGLISH 869 00:54:30,718 --> 00:54:31,086 LANGUAGE ] 870 00:54:31,086 --> 00:54:38,893 ♪ FREEZE ♪ 871 00:54:38,893 --> 00:54:39,561 [ SINGING IN A NON-ENGLISH 872 00:54:39,561 --> 00:54:39,961 LANGUAGE ] 873 00:54:39,961 --> 00:54:41,029 ♪ FREEZE ♪ 874 00:54:41,029 --> 00:54:41,563 ♪♪ 875 00:54:41,563 --> 00:54:42,130 [ SINGING IN SPANISH ] 876 00:54:42,130 --> 00:55:06,788 ♪♪ 877 00:55:06,788 --> 00:55:08,656 [ CHEERS AND APPLAUSE ] 878 00:55:08,656 --> 00:55:11,726 >> Alfonso: BROOKS AND GLEB, WITH THE NADER SISTERS, 879 00:55:11,726 --> 00:55:19,567 MARY HOLLAND, GRACE ANN, AND SARAH JANE. 880 00:55:19,567 --> 00:55:20,635 YES. WE TORE THE ROOF DOWN ON THIS 881 00:55:20,635 --> 00:55:28,510 ONE. ALL RIGHT. ANOTHER DOUBLE NAME, CARRIE ANN? 882 00:55:28,510 --> 00:55:31,513 >> Carrie Ann: BROOKS! OKAY, I SAW IT. 883 00:55:31,513 --> 00:55:33,448 YOU DID WHAT WE WERE TALKING ABOUT. 884 00:55:33,448 --> 00:55:36,918 YOU WERE FINISHING YOUR MOVES. YOU WERE GROUNDED INTO THE FLOOR. 885 00:55:36,918 --> 00:55:47,395 I FELT YOU DANCING IN YOUR 886 00:55:47,395 --> 00:55:48,429 POWER. AND IT LOOKS LIKE, IF I EVER 887 00:55:48,429 --> 00:55:49,898 NEED A PLACE TO STAY CAN I COME LIVE WITH YOUR SISTERS AND YOU 888 00:55:49,898 --> 00:55:51,166 BECAUSE YOU GUYS LOOK LIKE YOU HAVE THE BEST TIME. 889 00:55:51,166 --> 00:55:52,200 >> Alfonso: PRETTY SURE THEY DO. DEREK? 890 00:55:52,200 --> 00:56:00,909 >> Derek: I HAVE FOUR SISTERS. 891 00:56:00,909 --> 00:56:03,378 IT WAS LIKE A FAMILY REUNION. GLEB, HOW WERE REHEARSALS? 892 00:56:03,378 --> 00:56:03,945 WERE THEY FUN? 893 00:56:03,945 --> 00:56:05,713 >> SO FUN. I HAD A BLAST. 894 00:56:05,713 --> 00:56:07,215 >> Derek: GREAT JOB. YOU HAVE SUCH AMAZING TALENT. 895 00:56:07,215 --> 00:56:08,850 THE STEPS WERE A LITTLE BIG IN THAT SALSA FOR ME. 896 00:56:08,850 --> 00:56:11,386 OVERALL IT WAS A FANTASTIC PERFORMANCE. WELL DONE. 897 00:56:11,386 --> 00:56:12,420 >> Alfonso: MARK? 898 00:56:12,420 --> 00:56:14,422 >> Mark: BROOKS, SO FUN. WHAT A MEMORY TO BE ABLE TO DO 899 00:56:14,422 --> 00:56:19,060 THAT WITH YOUR SISTERS. YOU HAVE ALL THE ELEMENTS TO BE 900 00:56:19,060 --> 00:56:20,895 A REALLY, REALLY GREAT DANCER. I WANT YOU TO THINK OF YOU 901 00:56:20,895 --> 00:56:23,464 RHYTHM DANCE LIKE A LAYER CAKE. RIGHT? 902 00:56:23,464 --> 00:56:27,936 THERE'S THE TOP LAYER, MIDDLE LAYER AND LOWER LAYER. RIGHT? 903 00:56:27,936 --> 00:56:30,805 I WANT YOU TO GET TO THE MIDDLE AND LOWER LAYER. 904 00:56:30,805 --> 00:56:32,340 IT SITS A LITTLE UP TOP SOMETIMES. 905 00:56:32,340 --> 00:56:33,541 IT WAS A GREAT PERFORMANCE. LOTS OF IMPROVEMENT. 906 00:56:33,541 --> 00:56:36,044 FUN TO WATCH. 907 00:56:36,044 --> 00:56:38,179 >> Alfonso: BRUNO? 908 00:56:38,179 --> 00:56:41,282 >> Bruno: I'M GETTING THE HOT LAYER. HOLD ON. 909 00:56:41,282 --> 00:56:47,622 I'M TELLING YOU THAT WAS MOUTH WATERING, SPICY, EXTRA SPICY. 910 00:56:47,622 --> 00:56:53,428 SPICE AT THE BEGINNING WITH EXTRA TOPPINGS. THAT'S A DEAL. 911 00:56:53,428 --> 00:56:55,029 I'M TELLING YOU THAT WAS A VERY, VERY GOOD PERFORMANCE. 912 00:56:55,029 --> 00:56:58,967 SHE'S ABSOLUTELY RIGHT, CARRIE ANN, GREAT JOB. 913 00:56:58,967 --> 00:57:03,504 >> Alfonso: HEAD UP TO JULIANNE FOR YOUR SCORES. 914 00:57:03,504 --> 00:57:08,409 "THE BACHELOR" STAR WHO LAST WEEK UNSEATED OUR LEADERBOARD 915 00:57:08,409 --> 00:57:13,381 TOPPER IS ON THE WAY. WE'LL SEE IF THEY CAN RETURN TO 916 00:57:13,381 --> 00:57:14,582 THE TOP. JULIANNE? 917 00:57:14,582 --> 00:57:19,587 >> Julianne: EVERYBODY IS VYING FOR THIS SPOT RIGHT HERE. OKAY. 918 00:57:19,587 --> 00:57:22,023 YOU HAD A DREAM COME TRUE DANCING WITH YOUR SISTERS. 919 00:57:22,023 --> 00:57:24,525 NOT ONLY DID YOU DANCE WITH THEM, THEY'RE LIKE YOUR BEST 920 00:57:24,525 --> 00:57:28,129 FRIENDS. HOW WAS IT TONIGHT? 921 00:57:28,129 --> 00:57:30,398 >> OH, MY GOD. IT WAS AMAZING. 922 00:57:30,398 --> 00:57:33,001 MY LITTLE KIDS DID SUCH A GOOD JOB TONIGHT. SO PROUD OF THEM. 923 00:57:33,001 --> 00:57:35,737 HAPPY THEY'RE HERE WITH ME. WE WATCHED THE SHOW GROWING UP. 924 00:57:35,737 --> 00:57:39,207 SO SPECIAL. I'M OUT OF BREATH. THEY DIDN'T WORK AS HARD. 925 00:57:39,207 --> 00:57:41,209 THEY'RE NOT OUT OF BREATH. 926 00:57:41,209 --> 00:57:43,411 >> Julianne: I'M GOING TO JOIN THE NADER SISTERS. 927 00:57:43,411 --> 00:57:45,413 LET'S GET YOUR SCORES, WHEN WE COME BACK. 928 00:57:45,413 --> 00:57:45,747 ♪♪ 929 00:57:45,747 --> 00:57:46,247 [ CHEERS AND APP 930 00:58:04,152 --> 00:58:07,249 >> Julianne: WELCOME BACK. BEFORE THE BREAK, BROOKS AND 931 00:58:07,249 --> 00:58:14,690 GLEB PERFORMED A SALSA DEDICATED TO HER SISTERS. 932 00:58:14,690 --> 00:58:18,727 WE HEARS THAT -- WE HEARD YOU HAVE ANOTHER SPECIAL GUEST IN 933 00:58:18,727 --> 00:58:19,495 THE AUDIENCE. 934 00:58:19,495 --> 00:58:21,497 >> MY GRANDMOTHER IS IN THE AUDIENCE. 935 00:58:21,497 --> 00:58:27,836 SHE'S SO EXCITED. 936 00:58:27,836 --> 00:58:32,741 >> Julianne: WE ARE HAPPY YOU ARE HERE. LET'S GET YOUR SCORES. 937 00:58:32,741 --> 00:58:38,013 >> Carrie Ann: EIGHT. 938 00:58:38,013 --> 00:58:39,782 >> Derek: HI, GRANDMA. EIGHT. 939 00:58:39,782 --> 00:58:42,751 >> EIGHT. 940 00:58:42,751 --> 00:58:47,089 >> Bruno: EIGHT. 941 00:58:47,089 --> 00:58:53,629 >> Julianne: 32 OUT OF 40. VOTE WITH YOUR TEXTS AND ONLINE. 942 00:58:53,629 --> 00:58:56,198 YOU GET 10 VOTES PER COUPLE, PER VOTING METHOD. ALFONSO. 943 00:58:56,198 --> 00:59:02,437 >> Alfonso: THANKS, JULIANNE. UP NEXT, "THE BACHELOR" STAR 944 00:59:02,437 --> 00:59:04,740 WHO, LAST WEEK, TURNED IN A ROCKIN' TANGO AND SHOT TO THE 945 00:59:04,740 --> 00:59:09,745 TOP OF THE LEADERBOARD. FOR TONIGHT'S DEDICATION TO HIS 946 00:59:09,745 --> 00:59:11,880 FIANCEE, HE'S TRAINED TO DANCE A VIENNESE WALTZ. 947 00:59:11,880 --> 00:59:17,753 IT'S JOEY GRAZIADEI AND JENNA JOHNSON. 948 00:59:17,753 --> 00:59:21,657 >> DID YOU EVER THINK YOU WOULD BE AT THE TOP OF THE LEADERBOARD 949 00:59:21,657 --> 00:59:22,891 ON "DANCING WITH THE STARS"? 950 00:59:22,891 --> 00:59:28,197 >> NO. 951 00:59:28,197 --> 00:59:34,736 >> Bruno: THAT IS HOW YOU ROCK AND TANGO. 952 00:59:34,736 --> 00:59:38,040 >> WHO DO YOU WANT TO DEDICATE THIS PERFORMANCE TO? 953 00:59:38,040 --> 00:59:43,846 >> MY BEAUTIFUL FIANCEE KELSEY. SHE'S BEEN MY NUMBER ONE 954 00:59:43,846 --> 00:59:45,681 SUPPORTER. KELSEY SACRIFICED A LOT. 955 00:59:45,681 --> 00:59:48,750 SHE LEFT THE JOB THAT SHE WAS AT IN NEW ORLEANS TO BE ABLE TO 956 00:59:48,750 --> 00:59:55,858 COME HERE WITH ME. IT DOESN'T GO UNNOTICED. 957 00:59:55,858 --> 01:00:00,295 THE PRESSURE IS ON. 958 01:00:00,295 --> 01:00:05,834 >> Bruno: WELL, WELL, WELL. THE LEADER OF THE PACK. 959 01:00:05,834 --> 01:00:09,838 HE IS TOP OF THE LEADERBOARD. EVERYBODY IS GOING TO LOOK TO 960 01:00:09,838 --> 01:00:12,741 SEE, DOES HE DESERVE TO BE THERE? IT SHOULD FEEL LIKE WALKING ON 961 01:00:12,741 --> 01:00:13,809 AIR. 962 01:00:13,809 --> 01:00:18,280 >> I LIKE THAT. 963 01:00:18,280 --> 01:00:21,650 >> Bruno: THINK OF THE ROTATION IN THE TRAVEL. 964 01:00:21,650 --> 01:00:26,188 YOU SHOULD NEVER FEEL THIS. ONE PERSON IS PUSHING THE OTHER. 965 01:00:26,188 --> 01:00:29,057 STEP IS TOO WIDE. YOU ARE PUSHING HER. 966 01:00:29,057 --> 01:00:35,364 THE BUM STUCK OUT. IT HAS TO BE IMPERCEPTIBLE. 967 01:00:35,364 --> 01:00:39,701 THE PRESSURE NOW IS ON HIM. MAINTAIN IT. 968 01:00:39,701 --> 01:00:45,641 IF YOU CAN GET THE FEELING OF TWO PEOPLE INTO EACH OTHER -- 969 01:00:45,641 --> 01:00:48,176 >> THAT'S WHEN THE MAGIC HAPPENS. 970 01:00:48,176 --> 01:00:51,380 >> I OWE SO MUCH TO HER. I WOULDN'T BE HERE IF IT WASN'T 971 01:00:51,380 --> 01:00:53,749 FOR HER. I'M SO EXCITED TO DEDICATE THIS 972 01:00:53,749 --> 01:00:55,784 DANCE TO KELSEY TONIGHT. 973 01:00:55,784 --> 01:00:58,320 >> Bruno: LET ME FEEL THE DREAM. 974 01:00:58,320 --> 01:01:04,626 >> FEEL THE DREAM. 975 01:01:04,626 --> 01:01:05,994 >> Announcer: DANCING THE VIENNESE WALTZ, WITH HIS PARTNER 976 01:01:05,994 --> 01:01:11,366 JENNA JOHNSON, IT'S JOEY GRAZIADEI. 977 01:01:11,366 --> 01:01:11,900 ♪ SOMETHING'S GOT 978 01:01:11,900 --> 01:01:15,003 A HOLD OF ME LATELY ♪ 979 01:01:15,003 --> 01:01:15,571 ♪ NO I DON'T 980 01:01:15,571 --> 01:01:21,276 KNOW MYSELF ANYMORE ♪ 981 01:01:21,276 --> 01:01:21,910 ♪ FEELS LIKE THE WALLS 982 01:01:21,910 --> 01:01:24,446 ARE ALL CLOSING IN ♪ 983 01:01:24,446 --> 01:01:24,980 ♪ AND THE DEVIL'S 984 01:01:24,980 --> 01:01:30,185 KNOCKING AT MY DOOR WHOA ♪ 985 01:01:30,185 --> 01:01:30,719 ♪ OUTTA MY MIND 986 01:01:30,719 --> 01:01:31,253 HOW MANY TIMES ♪ 987 01:01:31,253 --> 01:01:31,787 ♪ DID I TELL YOU 988 01:01:31,787 --> 01:01:37,492 I'M NO GOOD AT BEING ALONE? ♪ 989 01:01:37,492 --> 01:01:38,060 ♪ YEAH IT'S TAKING 990 01:01:38,060 --> 01:01:41,096 A TOLL ON ME ♪ 991 01:01:41,096 --> 01:01:41,763 ♪ TRYING MY BEST TO KEEP 992 01:01:41,763 --> 01:01:45,834 FROM TEARING THE SKIN OFF MY BONES ♪ 993 01:01:45,834 --> 01:01:47,903 ♪ DON'T YOU KNOW 994 01:01:47,903 --> 01:01:56,745 I LOSE CONTROL ♪ 995 01:01:56,745 --> 01:02:00,549 ♪ WHEN YOU'RE NOT NEXT TO ME 996 01:02:00,549 --> 01:02:01,583 WHEN YOU'RE NOT HERE WITH ME ♪ 997 01:02:01,583 --> 01:02:02,150 ♪ I'M FALLING APART 998 01:02:02,150 --> 01:02:03,218 RIGHT IN FRONT OF YOU CAN'T YOU SEE ♪ 999 01:02:03,218 --> 01:02:08,824 ♪ I LOSE CONTROL 1000 01:02:08,824 --> 01:02:16,598 WHEN YOU'RE NOT HERE WITH ME ♪ 1001 01:02:16,598 --> 01:02:18,667 ♪ YEAH YOU'RE 1002 01:02:18,667 --> 01:02:20,769 BREAKING MY HEART BABY 1003 01:02:20,769 --> 01:02:31,213 YOU MAKE A MESS OF ME ♪ 1004 01:02:31,213 --> 01:02:33,882 >> Alfonso: JOEY AND JENNA WITH A LOVELY VIENNESE WALTZ 1005 01:02:33,882 --> 01:02:41,023 DEDICATED TO HIS FIANCEE KELSEY. BEAUTIFUL, DUDE. POWERFUL. 1006 01:02:41,023 --> 01:02:47,029 VERY STRONG. ALL RIGHT. BRUNO, TAKE IT AWAY. 1007 01:02:47,029 --> 01:02:50,565 >> Bruno: YOU HAVE EXCEEDED MY EXPECTATIONS. 1008 01:02:50,565 --> 01:02:55,170 I ASKED FOR A PRINCE. YOU GAVE ME A KING. 1009 01:02:55,170 --> 01:03:01,076 THE KING OF BALL ROOM. YOU HAVE CONFIDENCE, AUTHORITY 1010 01:03:01,076 --> 01:03:04,613 AT THE SAME TIME, SO SMOOTH, SO CORRECT. 1011 01:03:04,613 --> 01:03:09,818 THANK YOU FOR GIVING ME THIS. 1012 01:03:09,818 --> 01:03:12,687 >> Carrie Ann: YOU ARE A PHENOMENAL DANCER. 1013 01:03:12,687 --> 01:03:17,192 WHAT YOU ARE DOING OUT HERE, SO COMPLICATED, SO DETAIL ORIENTED. 1014 01:03:17,192 --> 01:03:19,995 BECAUSE OF THE DETAIL, I WANT TO SAY ONE TINY THING. 1015 01:03:19,995 --> 01:03:24,666 IT WAS AN AMAZING PERFORMANCE. THERE WAS A LITTLE GLITCHINESS 1016 01:03:24,666 --> 01:03:27,436 IN THE SMALL STEPS. SOMETIMES YOUR FOOTWORK DIDN'T 1017 01:03:27,436 --> 01:03:31,673 SEEM SMOOTH AND YOU WERE GLIDING. YOU SET A HIGH STANDARD. 1018 01:03:31,673 --> 01:03:38,080 IT'S OKAY. REALLY, SOMETHING TO THINK ABOUT. 1019 01:03:38,080 --> 01:03:46,021 >> Derek: WHAT ARE YOU TALKING ABOUT? 1020 01:03:46,021 --> 01:03:55,030 JOEY, I LOVE YOU. 1021 01:03:55,030 --> 01:03:58,900 LISTEN, IT WAS SO SMOOTH. THE PIVOTS WERE SO EFFORTLESS. 1022 01:03:58,900 --> 01:04:01,937 I ENJOY WATCHING YOU SO MUCH. YOUR MUSICALITY IS ON POINT. 1023 01:04:01,937 --> 01:04:06,174 WELL DONE. 1024 01:04:06,174 --> 01:04:12,747 >> THAT WAS -- THERE'S AN EXPRESSION, STAY FLAT AND FLY 1025 01:04:12,747 --> 01:04:16,184 ACROSS THE FLOOR. YOU DID THAT. YOU MOVED AROUND THE FLOOR. 1026 01:04:16,184 --> 01:04:23,759 THE FRAME IS AN ILLUSION. IT IS THERE BUT THERE'S 1027 01:04:23,759 --> 01:04:25,761 MUSICALITY IN YOUR BODY. YOU HAD THAT. 1028 01:04:25,761 --> 01:04:26,995 >> Alfonso: HEAD ON UP TO JULIANNE IN THE SKYBOX. 1029 01:04:26,995 --> 01:04:28,396 NOW, LET'S GIVE SOME APPLAUSE TO THE FANTASTIC ARTISTS WHO ARE 1030 01:04:28,396 --> 01:04:32,501 DEDICATED TO DELIVERING THRILLING MUSIC WEEK AFTER WEEK. 1031 01:04:32,501 --> 01:04:34,769 OUR BAND, OUR SINGERS, AND OUR MUSIC DIRECTOR, IT'S RAY CHEW 1032 01:04:34,769 --> 01:04:39,808 LIVE. LOVING THE VIBES TONIGHT, RAY. 1033 01:04:39,808 --> 01:04:41,376 JULIANNE. 1034 01:04:41,376 --> 01:04:45,947 >> Julianne: RAY ALWAYS DELIVERS, ALFONSO. 1035 01:04:45,947 --> 01:04:48,517 IT IS THE FIFTH WEEK OF COMPETITION. 1036 01:04:48,517 --> 01:04:50,519 YOU DEDICATED THIS DANCE TO. 1037 01:04:50,519 --> 01:04:54,356 >> Kyle: -- KELSEY. DID THAT MAKE IT EASIER? 1038 01:04:54,356 --> 01:04:56,124 >> NO. I WANT TO DO WELL FOR HER. 1039 01:04:56,124 --> 01:04:59,928 THIS IS HONESTLY SOMETHING I WAS LOOKING FORWARD TO TO DO 1040 01:04:59,928 --> 01:05:02,230 SOMETHING SPECIAL FOR HER. SHE DOES SO MANY SPECIAL THINGS 1041 01:05:02,230 --> 01:05:08,737 FOR ME. I LOVE YOU. I SHOULD SAY IT MORE. I LOVE YOU. 1042 01:05:08,737 --> 01:05:11,807 >> Julianne: LET'S GET YOUR SCORES. 1043 01:05:11,807 --> 01:05:14,309 >> Carrie Ann: STILL GOOD. IT WAS A NINE. 1044 01:05:14,309 --> 01:05:17,846 >> Derek: NINE. 1045 01:05:17,846 --> 01:05:21,716 >> LET'S GO. NINE. 1046 01:05:21,716 --> 01:05:27,656 >> Bruno: THANK YOU. NINE. 1047 01:05:27,656 --> 01:05:32,127 >> Julianne: THAT'S A 36 OUT OF 40. IT MEANS YOU ARE TIED AT THE 1048 01:05:32,127 --> 01:05:38,266 TOP. NO MATTER WHAT THE PADDLES SAY, 1049 01:05:38,266 --> 01:05:42,437 YOU GOT YOUR SAY WITH YOUR VOTES. ALFONSO. 1050 01:05:42,437 --> 01:05:43,839 >> Alfonso: THANKS, JULIANNE. MORE DEDICATION DANCES ARE ON 1051 01:05:43,839 --> 01:05:45,540 THE WAY. NEXT, THE RUGBY STAR WHOSE JIVE 1052 01:05:45,540 --> 01:05:47,943 SUFFERED A BIT OF A BREAKDOWN LAST WEEK. 1053 01:05:47,943 --> 01:05:50,845 WE'LL SEE IF ILONA MAR AND ALAN BERSTEN CAN REBOUND WITH A 1054 01:05:50,845 --> 01:05:52,614 RUMBA NEXT, LIVE. 1055 01:06:00,122 --> 01:06:02,127 ♪ ANGEL OF MY DREAMS 1056 01:06:02,127 --> 01:06:02,794 I WILL ALWAYS LOVE YOU ♪ 1057 01:06:02,794 --> 01:06:03,261 ♪ AND HATE YOU 1058 01:06:03,261 --> 01:06:03,762 IT'S NOT FAIR ♪ 1059 01:06:03,762 --> 01:06:04,362 ♪ IT'S SO BITTERSWEET 1060 01:06:04,362 --> 01:06:05,030 I WILL ALWAYS WANT YOU ♪ 1061 01:06:05,030 --> 01:06:05,630 ♪ AND NEED YOU 1062 01:06:05,630 --> 01:06:08,767 YOU DON'T CARE ♪ 1063 01:06:08,767 --> 01:06:09,301 ♪ LOVE WHEN YOU 1064 01:06:09,301 --> 01:06:10,368 CALL ME A STAR ♪ 1065 01:06:10,368 --> 01:06:10,902 ♪ YOU LET ME DOWN 1066 01:06:10,902 --> 01:06:12,404 IN THE DARK ♪ 1067 01:06:12,404 --> 01:06:13,038 ♪ WANT YOU AND NEED YOU 1068 01:06:13,038 --> 01:06:15,040 YOU DON'T CARE ♪ 1069 01:06:15,040 --> 01:06:19,211 ♪ IT'S NOT FAIR 1070 01:06:19,211 --> 01:06:26,017 IT'S NOT FAIR ♪ 1071 01:06:26,017 --> 01:06:30,689 >> Alfonso: OUR PROS, EMMA, PASHA, BRITT, AND EZRA. 1072 01:06:30,689 --> 01:06:34,893 WELCOME BACK TO DEDICATION NIGHT. UP NEXT, THE OLYMPIAN WHO, LAST 1073 01:06:34,893 --> 01:06:37,996 WEEK, COULDN'T OVERCOME SOME FAULTY FOOTWORK. 1074 01:06:37,996 --> 01:06:39,564 TONIGHT, WITH SOME COACHING FROM CARRIE ANN, SHE ATTEMPTS TO 1075 01:06:39,564 --> 01:06:42,167 REDEEM HERSELF WITH A RUMBA DEDICATED TO A GROUP OF WOMEN 1076 01:06:42,167 --> 01:06:44,803 WHO CHANGED HER LIFE. IT'S ILONA MAHER AND 1077 01:06:44,803 --> 01:06:50,275 ALAN BERSTEN. 1078 01:06:50,275 --> 01:06:51,943 >> THE LAST PERFORMANCE, THERE 1079 01:06:51,943 --> 01:07:04,656 WAS A HUMAN MOMENT FROM YOU. 1080 01:07:04,656 --> 01:07:07,325 >> Carrie Ann: YOU JUST GOT OFF THE BEAT. ARE YOU OKAY? 1081 01:07:07,325 --> 01:07:14,733 >> I'VE BEEN BETTER. 1082 01:07:14,733 --> 01:07:17,369 >> TAKE A SECOND. IT'S OKAY. 1083 01:07:17,369 --> 01:07:21,506 >> I FELT LIKE, I GUESS, A FAILURE FOR DISAPPOINTING YOU. 1084 01:07:21,506 --> 01:07:26,178 >> YOU WOULD NEVER DISAPPOINT ME. 1085 01:07:26,178 --> 01:07:31,016 YOU ARE PUTTING SO MUCH PRESSURE ON YOURSELF. YOU ARE AMAZING. 1086 01:07:31,016 --> 01:07:36,955 >> OKAY. I LIKE TO BOTTLE MY EMOTIONS UP. 1087 01:07:36,955 --> 01:07:39,858 I THINK I'M AT THAT POINT WHERE IT'S EXPLODING OUT OF ME. 1088 01:07:39,858 --> 01:07:43,328 >> WE ARE DANCING TO "MY WAY." WHAT DOES THIS MEAN TO YOU? 1089 01:07:43,328 --> 01:07:45,130 >> AT THE CLOSING CEREMONIES 1090 01:07:45,130 --> 01:07:54,506 THEY PERFORMED THIS SONG.EMBERII 1091 01:07:54,506 --> 01:07:58,176 HAD DONE. I WANT TO DO THIS FOR THEM. 1092 01:07:58,176 --> 01:07:59,244 >> I LOVE THAT. 1093 01:07:59,244 --> 01:08:03,682 >> HI. 1094 01:08:03,682 --> 01:08:05,016 >> Carrie Ann: LAST WEEK, I SAW YOU WERE SHAKEN. 1095 01:08:05,016 --> 01:08:07,185 >> I WAS A MESS. 1096 01:08:07,185 --> 01:08:09,521 >> Carrie Ann: WHEN SHE'S HAVING FUN, IT'S SUNLIGHT. 1097 01:08:09,521 --> 01:08:12,190 WHEN SHE'S THINKING TOO MUCH, SHE SHRINKS IN. 1098 01:08:12,190 --> 01:08:18,496 THIS IS THE TIME TO LET IT OUT. 1099 01:08:18,496 --> 01:08:24,502 THE TOUGHEST PART IS ALLOWING HER FULLEST FEMINIITY TO SHRINE 1100 01:08:24,502 --> 01:08:27,439 THROUGH. YOU ARE IN A POSITION TO BE 1101 01:08:27,439 --> 01:08:29,474 FEMININE, LOOK AND LIKE WHAT YOU SEE. 1102 01:08:29,474 --> 01:08:33,578 IF SHE'S TRUE AND OPEN, PEOPLE WILL FALL IN LOVE ALL OVER AGAIN. 1103 01:08:33,578 --> 01:08:37,516 IT'S REALLY ABOUT YOU STEPPING OUT OF YOUR WAY. 1104 01:08:37,516 --> 01:08:40,385 >> TO MY TEAMMATES, THIS IS FOR YOU. YOU MEAN SO MUCH TO ME. 1105 01:08:40,385 --> 01:08:46,391 KNOW I LOVE YOU. 1106 01:08:46,391 --> 01:08:50,028 >> Announcer DANCING THE RUMBA, WITH HER PARTNER ALAN BERSTEN, 1107 01:08:50,028 --> 01:09:00,438 IT'S ILONA MAHER. 1108 01:09:00,438 --> 01:09:02,007 ♪ AND NOW 1109 01:09:02,007 --> 01:09:05,644 THE END IS NEAR ♪ 1110 01:09:05,644 --> 01:09:08,880 ♪ AND SO I FACE 1111 01:09:08,880 --> 01:09:12,984 THE FINAL CURTAIN ♪ 1112 01:09:12,984 --> 01:09:13,552 ♪ MY FRIEND 1113 01:09:13,552 --> 01:09:17,188 I'LL SAY IT CLEAR ♪ 1114 01:09:17,188 --> 01:09:17,789 ♪ I'LL STATE MY CASE 1115 01:09:17,789 --> 01:09:24,462 OF WHICH I'M CERTAIN ♪ 1116 01:09:24,462 --> 01:09:24,963 ♪ I'VE LIVED 1117 01:09:24,963 --> 01:09:29,134 A LIFE THAT'S FULL ♪ 1118 01:09:29,134 --> 01:09:29,668 ♪ I TRAVELED EACH 1119 01:09:29,668 --> 01:09:36,441 AND EVERY HIGHWAY ♪ 1120 01:09:36,441 --> 01:09:36,975 ♪ AND MORE 1121 01:09:36,975 --> 01:09:41,179 MUCH MORE THAN THIS 1122 01:09:41,179 --> 01:09:48,987 I DID IT MY WAY ♪ 1123 01:09:48,987 --> 01:09:49,521 ♪ OH NO 1124 01:09:49,521 --> 01:09:55,794 OH NO NOT ME 1125 01:09:55,794 --> 01:10:03,068 I DID IT MY WAY ♪ 1126 01:10:03,068 --> 01:10:10,842 [ APPLAUSE ] 1127 01:10:10,842 --> 01:10:17,582 >> Alfonso: A R MU -- RUMBA DEDICATED TO THE RUGBY TEAM. 1128 01:10:17,582 --> 01:10:24,322 THEY ARE UP THERE LOVING YOU. SO BEAUTIFUL. 1129 01:10:24,322 --> 01:10:30,028 FANTASTIC. 1130 01:10:30,028 --> 01:10:36,534 >> Carrie Ann: I'M SO PROUD OF YOU. YOU DID IT. YOU WENT THERE. 1131 01:10:36,534 --> 01:10:41,206 SHE WANTED TO TAP INTO HER TRUE FEMININITY AND VULNERABILITY. 1132 01:10:41,206 --> 01:10:44,776 THIS WAS THE MOST DELICATE AND REFRESHING DANCE I HAVE SEEN. 1133 01:10:44,776 --> 01:10:49,914 YOU NOT ONLY WERE DELICATE AND SOFT, YOU DISPLAYED TREMENDOUS 1134 01:10:49,914 --> 01:10:54,786 COURAGE. THE WAY YOU DID NOT SHORT CHANGE 1135 01:10:54,786 --> 01:11:00,492 ANY MOVE WAS SO POWERFUL. SORRY. 1136 01:11:00,492 --> 01:11:02,260 >> Derek: DON'T TAKE THIS THE WRONG WAY. 1137 01:11:02,260 --> 01:11:06,431 I'M GLAD THAT HAPPENED LAST WEEK. SOMETIMES IN THOSE MOMENTS, IT 1138 01:11:06,431 --> 01:11:09,467 UNLOCKS SOMETHING. IT UNLOCKS SOMETHING IN YOU. 1139 01:11:09,467 --> 01:11:13,905 I SAW THE SENSE OF DETAIL AND DETERMINATION AND THE FLUIDITY. 1140 01:11:13,905 --> 01:11:16,775 IT'S ONE OF THE HARDEST DANCES, BECAUSE IT'S SLOW. 1141 01:11:16,775 --> 01:11:19,144 IT TAKES MORE CONTROL. YOU DISPLAYED THAT BEAUTIFUL 1142 01:11:19,144 --> 01:11:24,582 TONIGHT. 1143 01:11:24,582 --> 01:11:27,419 >> THAT WAS GRACEFUL. THAT WAS SOFT. 1144 01:11:27,419 --> 01:11:30,622 THAT WAS BEAUTIFUL. THAT SHOWS -- IT DOESN'T MATTER 1145 01:11:30,622 --> 01:11:32,891 HOW HARD YOU FALL, IT'S HOW YOU GET BACK UP. 1146 01:11:32,891 --> 01:11:36,194 THAT'S WHAT YOU DID TONIGHT. MOVING FORWARD, YES, YOU HAD 1147 01:11:36,194 --> 01:11:39,798 BEAUTIFUL ARMS. NOW I WANT YOU TO OVER 1148 01:11:39,798 --> 01:11:43,468 EXAGGERATE, LIKE YOU ARE MAKING FUN OF YOUR PARTNER. LIKE THIS. 1149 01:11:43,468 --> 01:11:47,739 STRETCH. YOU CAN'T GO HARD ENOUGH. 1150 01:11:47,739 --> 01:11:50,375 AMAZING JOB TONIGHT. 1151 01:11:50,375 --> 01:11:53,812 >> Bruno: I LOVE IT. LISTEN, MY DARLING, TOTAL 1152 01:11:53,812 --> 01:11:57,716 REDEMPTION. WHEN THE GOING GETS TOUGH, SHE 1153 01:11:57,716 --> 01:12:02,720 GETS GOING. 1154 01:12:02,720 --> 01:12:03,321 [ CHEERS AND APPLAUSE ] 1155 01:12:03,321 --> 01:12:06,224 IT GIVES YOU DETERMINATION TO GET BETTER. 1156 01:12:06,224 --> 01:12:10,061 YOU ARE VERY GOOD SHAPE, LINE. EVERYTHING IS BEAUTIFUL. 1157 01:12:10,061 --> 01:12:14,232 DON'T DOUBT YOURSELF. 1158 01:12:14,232 --> 01:12:17,368 >> Alfonso: HEAD ON UP TO JULIANNE FOR YOUR SCORES. 1159 01:12:17,368 --> 01:12:19,971 SWIFTIES, GET YOUR BRACELETS READY, BECAUSE WE'LL SOON CLOSE 1160 01:12:19,971 --> 01:12:22,207 OUT TONIGHT'S COMPETITION WITH OUR "BACHELORETTE" STAR'S 1161 01:12:22,207 --> 01:12:27,345 TRIBUTE TO TAYLOR SWIFT. JENN TRAN AND SASHA FARBER WILL 1162 01:12:27,345 --> 01:12:29,647 FOXTROT TO "THE ARCHER," BEFORE WE ADD UP THE VOTES AND SCORES 1163 01:12:29,647 --> 01:12:31,516 AND SEND ONE COUPLE PACKING. JULIANNE. 1164 01:12:31,516 --> 01:12:39,724 >> Julianne: THANKS, ALFONSO. 1165 01:12:39,724 --> 01:12:43,895 IT S -- SEEMS YOU HAD A BREAKTHROUGH TONIGHT. 1166 01:12:43,895 --> 01:12:46,397 WHAT DOES IT FEEL TO HAVE YOUR TEAMMATES BEHIND YOU? 1167 01:12:46,397 --> 01:12:48,766 >> I'M SO -- WE DID SO MUCH TOGETHER. 1168 01:12:48,766 --> 01:12:51,469 WE WENT THROUGH A LOT TOGETHER TO GET THAT MEDAL. 1169 01:12:51,469 --> 01:13:04,782 WE GOT IT FOR OUR COUNTRY. 1170 01:13:04,782 --> 01:13:09,287 >> Carrie Ann: EIGHT. 1171 01:13:09,287 --> 01:13:12,757 >> Derek: FROM A SIX TO AN EIGHT. 1172 01:13:12,757 --> 01:13:15,193 >> BIG IMPROVEMENT. EIGHT. 1173 01:13:15,193 --> 01:13:18,863 >> Bruno: EIGHT. 1174 01:13:18,863 --> 01:13:22,901 >> Julianne: 32 OUT OF 40. YOU CAN HELP THEM STAY IN THE 1175 01:13:22,901 --> 01:13:25,303 COMPETITION WHEN YOU TEXT AND VOTE ONLINE AT ABC.COM. 1176 01:13:25,303 --> 01:13:27,038 VOTING CLOSES DURING THE LAST COMMERCIAL BREAK. 1177 01:13:45,394 --> 01:13:47,654 >> Alfonso: WE'RE BACK WITH THE FINAL DANCE OF "DEDICATION 1178 01:13:47,654 --> 01:13:51,792 NIGHT," AND "THE BACHELORETTE" 1179 01:13:51,792 --> 01:13:57,497 STAR WHO, LAST WEEK, BLEW BRUNO'S FUSES WITH HER PASODOBLE. 1180 01:13:57,497 --> 01:13:58,865 >> Julianne: WHAT KIND OF ELECTRICAL MAYHEM CAN SHE CAUSE 1181 01:13:58,865 --> 01:14:00,634 TONIGHT WITH A FOXTROT DEDICATED TO TAYLOR SWIFT? 1182 01:14:00,634 --> 01:14:06,239 IT'S JENN TRAN AND SASHA FARBER. 1183 01:14:06,239 --> 01:14:08,875 >> THIS WEEK, YOU CHOSE THE SONG. 1184 01:14:08,875 --> 01:14:15,615 >> "ARCHER" BY TAYLOR SWIFT. HER MUSIC TRANSPORTED ME TO A 1185 01:14:15,615 --> 01:14:17,017 DIFFERENT PLACE WHEN I WAS FEELING LOW. 1186 01:14:17,017 --> 01:14:20,587 I FELT LIKE I NEEDED TO PUT ON A BRAVE FACE WHEN THINGS WERE 1187 01:14:20,587 --> 01:14:22,522 GOING WRONG AT HOME. I FELT ASHAMED. 1188 01:14:22,522 --> 01:14:25,592 MY PARENTS HAD A VOLATILE RELATIONSHIP. 1189 01:14:25,592 --> 01:14:28,128 I REMEMBER WALKING HOME FROM SCHOOL AND SEEING COP CARS IN MY 1190 01:14:28,128 --> 01:14:32,732 DRIVEWAY. FEELING SCARED AND ALONE. 1191 01:14:32,732 --> 01:14:35,469 TAYLOR SWIFT'S MUSIC HELPED ME REALIZE THERE'S SO MUCH STRENGTH 1192 01:14:35,469 --> 01:14:39,339 IN BEING VULNERABLE AND ALLOWING OTHER PEOPLE TO SEE YOU FOR WHO 1193 01:14:39,339 --> 01:14:40,040 YOU ARE. 1194 01:14:40,040 --> 01:14:42,475 >> IT'S ABOUT GETTING THAT ON THE DANCE FLOOR AND FINISHING 1195 01:14:42,475 --> 01:14:43,577 STRONG. 1196 01:14:43,577 --> 01:14:51,751 SLOW AND THEN QUICK. 1197 01:14:51,751 --> 01:14:52,085 . 1198 01:14:52,085 --> 01:14:56,056 >> Derek: HOW ARE YOU? HOW ARE YOU FEELING? 1199 01:14:56,056 --> 01:14:56,623 >> GOOD. 1200 01:14:56,623 --> 01:15:00,727 >> Derek: DANCE IS AN AMAZING WAY TO EXPRESS YOURSELF. 1201 01:15:00,727 --> 01:15:07,968 I HAVE SEEN JENN IMPROVEMENT. PRECISION NEEDS EXPRESSION. 1202 01:15:07,968 --> 01:15:13,173 IN THE FOXTROT, YOU NEED EXPRESSION AND PRECISION. 1203 01:15:13,173 --> 01:15:19,446 HER HANDS DO THIS WEIRD THING. WE DON'T WANT, LOOK AT MY THUMB. 1204 01:15:19,446 --> 01:15:23,016 SOFTEN HER HANDS. HELLO. CREATE THAT SOFT, BEAUTIFUL 1205 01:15:23,016 --> 01:15:25,519 FEELING. MUCH BETTER. 1206 01:15:25,519 --> 01:15:30,257 >> IT'S TOUGH TO BALANCE DANCING AND BEING EMOTIONAL. 1207 01:15:30,257 --> 01:15:35,262 I'M THANKFUL FOR TAYLOR SWIFT'S MUSIC TO HELP ME BARE MY SOUL. 1208 01:15:35,262 --> 01:15:39,232 IT'S MY HEART ON THE DANCE FLOOR. 1209 01:15:39,232 --> 01:15:40,166 >> Derek: THAT WAS GOOD. 1210 01:15:40,166 --> 01:15:42,836 >> THANK YOU. 1211 01:15:42,836 --> 01:15:44,905 >> Announcer: DANCING THE FOXTROT, WITH HER PARTNER 1212 01:15:44,905 --> 01:15:48,541 SASHA FARBER, IT'S JENN TRAN. 1213 01:15:48,541 --> 01:15:49,042 ♪ COMBAT 1214 01:15:49,042 --> 01:15:54,848 I'M READY FOR COMBAT ♪ 1215 01:15:54,848 --> 01:15:55,515 ♪ I SAY I DON'T WANT THAT 1216 01:15:55,515 --> 01:16:02,088 BUT WHAT IF I DO? ♪ 1217 01:16:02,088 --> 01:16:02,622 ♪ EASY THEY COME 1218 01:16:02,622 --> 01:16:06,826 EASY THEY GO ♪ 1219 01:16:06,826 --> 01:16:07,460 ♪ I JUMP FROM THE TRAIN 1220 01:16:07,460 --> 01:16:09,930 I RIDE OFF ALONE ♪ 1221 01:16:09,930 --> 01:16:10,964 ♪ I NEVER GREW UP 1222 01:16:10,964 --> 01:16:17,737 IT'S GETTING SO OLD HELP ME HOLD ON TO YOU ♪ 1223 01:16:17,737 --> 01:16:20,373 ♪ I'VE BEEN THE ARCHER 1224 01:16:20,373 --> 01:16:24,511 I'VE BEEN THE PREY ♪ 1225 01:16:24,511 --> 01:16:26,112 ♪ SCREAMING WHO COULD EVER 1226 01:16:26,112 --> 01:16:31,851 LEAVE ME DARLING BUT WHO COULD STAY? ♪ 1227 01:16:31,851 --> 01:16:32,519 ♪ I SEE RIGHT THROUGH ME 1228 01:16:32,519 --> 01:16:33,186 I SEE RIGHT THROUGH ME ♪ 1229 01:16:33,186 --> 01:16:33,820 ♪ ALL THE KING'S HORSES 1230 01:16:33,820 --> 01:16:36,556 ALL THE KING'S MEN ♪ 1231 01:16:36,556 --> 01:16:37,090 ♪ COULDN'T PUT ME 1232 01:16:37,090 --> 01:16:41,261 TOGETHER AGAIN ♪ 1233 01:16:41,261 --> 01:16:43,330 ♪ 'CAUSE ALL OF MY ENEMIES 1234 01:16:43,330 --> 01:16:47,467 STARTED OUT FRIENDS HELP ME HOLD ON TO YOU ♪ 1235 01:16:47,467 --> 01:16:55,308 ♪ I'VE BEEN THE ARCHER 1236 01:16:55,308 --> 01:17:04,718 I'M READY FOR COMBAT ♪ 1237 01:17:04,718 --> 01:17:06,920 >> Alfonso: JENN AND SASHA WITH A FOXTROT DEDICATED TO 1238 01:17:06,920 --> 01:17:14,527 TAYLOR SWIFT. BEAUTIFUL. 1239 01:17:14,527 --> 01:17:15,528 THAT WAS THE FINAL DANCE OF THE NIGHT. 1240 01:17:15,528 --> 01:17:19,332 VOTING WILL BE CLOSING SOON. 1241 01:17:19,332 --> 01:17:23,069 >> Derek: THAT WAS BEAUTIFUL. WHAT A BEAUTIFUL WAY TO END THE 1242 01:17:23,069 --> 01:17:25,939 SHOW. I SEE YOUR IMPROVEMENT. IT'S GRATEFUL OUT THERE. 1243 01:17:25,939 --> 01:17:30,877 ONE THING I HAVE TO SAY IN THE DANCE, THE ARMS WERE BETTER. 1244 01:17:30,877 --> 01:17:33,346 HANDS WERE BETTER. THE SHOULDER CREEPED BACK IN A 1245 01:17:33,346 --> 01:17:35,815 LITTLE BIT. WHEN YOU DO YOUR TURNS, CLOSE 1246 01:17:35,815 --> 01:17:39,452 THE FEET. OTHERWISE, THEY ARE OVER YOUR 1247 01:17:39,452 --> 01:17:41,888 AXIS. YOU WOBBLE. IN THE FUTURE, CLOSE THEM UP AND 1248 01:17:41,888 --> 01:17:46,159 YOU WILL HAVE BEAUTIFUL TURNS. WELL DONE. 1249 01:17:46,159 --> 01:17:48,862 >> GREAT JOB. I LOVE HOW WILD YOU ARE AND HOW 1250 01:17:48,862 --> 01:17:52,465 YOU THROW YOUR BODY INTO IT. I WOULD LIKE TO HAVE SEEN IT BE 1251 01:17:52,465 --> 01:17:56,369 A LITTLE SMOOTHER. WHEN YOU ARE IN YOUR FRAME, 1252 01:17:56,369 --> 01:18:00,273 THINK OF YOUR TORSO AS LONG, SHOULDERS BACK, CREATING THAT V. 1253 01:18:00,273 --> 01:18:07,647 WHEN YOU ARE IN FRAME -- WE ARE SITTING HERE. 1254 01:18:07,647 --> 01:18:10,583 YOU KNOW WHAT I MEAN? SOFT AND OPEN. YOU ARE IMPROVING. 1255 01:18:10,583 --> 01:18:13,953 KEEP IT GOING. 1256 01:18:13,953 --> 01:18:18,324 >> Bruno: WHAT A WELL-CHOSEN TROT. SHE WAS MOVING ABOUT LIKE A 1257 01:18:18,324 --> 01:18:22,328 SWIFT IN THE AIR. YOU PUT SO MUCH INTO IT. 1258 01:18:22,328 --> 01:18:25,598 HOW YOU KEEP UP WITH HIM, I HAVE NO IDEA. 1259 01:18:25,598 --> 01:18:28,968 I BLAME HIM BECAUSE YOUR FRAME CAN BE VERY, VERY GOOD. 1260 01:18:28,968 --> 01:18:33,473 WHAT HAPPENS AT TIMES, YOU LOST IT A LITTLE BIT. IT IS THERE. 1261 01:18:33,473 --> 01:18:37,877 YOU ARE GREAT. 1262 01:18:37,877 --> 01:18:40,380 >> Carrie Ann: WHAT I LOVE MOST ABOUT YOU WHEN YOU DANCE IS HOW 1263 01:18:40,380 --> 01:18:42,949 MUCH YOU TRUST THE PROCESS. YOU GIVE IT FULL OUT. 1264 01:18:42,949 --> 01:18:45,985 YOU ARE NOT AFRAID TO FALL OR BE LOOSE. 1265 01:18:45,985 --> 01:18:49,422 WE ARE AT THE HALFWAY POINT. TIGHTEN UP AND TAKE MORE 1266 01:18:49,422 --> 01:18:52,392 OWNERSHIP OF YOUR OWN MOVEMENT. THINK OF IT AS PERFORMANCE FROM 1267 01:18:52,392 --> 01:18:55,862 THE MOMENT YOU STEP OUT TO THE END. 1268 01:18:55,862 --> 01:18:58,431 I MIGHT CALL LIFTS SOON AGAIN. 1269 01:18:58,431 --> 01:19:06,372 THAT LIFT FELT A LITTLE OUT OF PLACE. 1270 01:19:06,372 --> 01:19:10,009 >> Alfonso: YOU STILL GOOD. HEAD UP TO THE SKYBOX FOR YOUR 1271 01:19:10,009 --> 01:19:13,279 SCORES. THE LAST COMMERCIAL BREAK IS 1272 01:19:13,279 --> 01:19:14,647 JUST MINUTES AWAY, AND SO IS THE CLOSE OF TONIGHT'S VOTING. 1273 01:19:14,647 --> 01:19:17,450 DON'T WAIT UNTIL THE LAST SECOND. VOTE BEFORE IT'S TOO LATE AND 1274 01:19:17,450 --> 01:19:23,923 LIVE A LIFE WITHOUT REGRETS. 1275 01:19:23,923 --> 01:19:27,727 >> Julianne: WISE WORDS. I LOVE YOUR FACE. 1276 01:19:27,727 --> 01:19:32,265 TAYLOR'S MUSIC HAS GOT YOU THROUGH SO MANY UPS AND DOWNS. 1277 01:19:32,265 --> 01:19:34,734 WHAT WOULD YOU SAY TO HER? 1278 01:19:34,734 --> 01:19:37,137 >> JUST THANK YOU FOR MAKING NOT ONLY ME FEEL LESS ALONE BUT 1279 01:19:37,137 --> 01:19:42,008 EVERYBODY ELSE IN THE WORLD. HER MUSIC -- TO REACH INTO 1280 01:19:42,008 --> 01:19:44,511 SOMEBODY'S SOUL AND WHEN THEY ARE IN THAT DARK PLACE AND TO 1281 01:19:44,511 --> 01:19:47,413 TAKE YOU OUT OF IT, THAT'S A GIFT. 1282 01:19:47,413 --> 01:19:48,915 >> Julianne: IT IS. LET'S GET YOUR SCORES. 1283 01:19:48,915 --> 01:19:52,886 >> Carrie Ann: EIGHT. 1284 01:19:52,886 --> 01:19:57,323 >> Derek: EIGHT. 1285 01:19:57,323 --> 01:20:00,727 >> SMOOTH IT OUT AND SIMPLIFY. EIGHT. 1286 01:20:00,727 --> 01:20:03,363 >> Bruno: EIGHT. 1287 01:20:03,363 --> 01:20:09,335 >> Julianne: THAT'S A 32. THAT WAS THE LAST DANCE OF THE 1288 01:20:09,335 --> 01:20:10,403 NIGHT, SO GET YOUR VOTES IN NOW. ALFONSO. 1289 01:20:10,403 --> 01:20:11,938 >> Alfonso: THANKS, JULIANNE. LET'S TAKE A LOOK AT THE FINAL 1290 01:20:11,938 --> 01:20:21,681 LEADERBOARD OF THE NIGHT. 1291 01:20:21,681 --> 01:20:23,116 WE'LL TAKE ONE LAST LOOK AT THE VOTING DETAILS FOR ALL OF OUR 1292 01:20:23,116 --> 01:20:25,485 COUPLES. YOU'VE BEEN BREAKING VOTING 1293 01:20:25,485 --> 01:20:27,921 RECORDS WEEK AFTER WEEK. KEEP IT UP. 1294 01:20:27,921 --> 01:20:30,557 YOUR INVOLVEMENT MEANS EVERYTHING TO OUR STARS. 1295 01:20:30,557 --> 01:20:34,727 COMPLETE VOTING INFORMATION CAN BE FOUND ON ABC.COM. 1296 01:20:34,727 --> 01:20:37,263 WE WILL COMBINE YOUR VOTES WITH THE JUDGES' SCORES AND ANOTHER 1297 01:20:37,263 --> 01:20:39,199 COUPLE WILL BE ELIMINATED WHEN WE COME BACK, LIVE. 1298 01:20:50,076 --> 01:20:54,881 >> Alfonso: WELCOME BACK. VOTING IS NOW CLOSED AND HERE 1299 01:20:54,881 --> 01:20:56,849 ARE THE RESULTS. 1300 01:20:56,849 --> 01:21:01,788 >> Julianne: GOOD LUCK TO ALL OF YOU. 1301 01:21:01,788 --> 01:21:04,691 WE HAVE COMBINED THE SCORES WITH YOUR LIVE VOTES. 1302 01:21:04,691 --> 01:21:08,895 NOW IN NO PARTICULAR ORDER, LET'S FIND OUT WHICH COUPLES ARE 1303 01:21:08,895 --> 01:21:14,934 SAFE AND WHO WILL BE GOING HOME TONIGHT. 1304 01:21:14,934 --> 01:21:15,668 >> Alfonso: THE FIRST COUPLE WHO 1305 01:21:15,668 --> 01:21:28,448 IS SAFE IS JENN AND SASHA. 1306 01:21:28,448 --> 01:21:29,115 >> Julianne: THE NEXT SAFE 1307 01:21:29,115 --> 01:21:40,660 COUPLE IS ILONA AND ALAN. 1308 01:21:40,660 --> 01:21:52,939 >> Alfonso: JOINING THEM ARE 1309 01:21:52,939 --> 01:21:55,275 PHAEDRA AND VAL. 1310 01:21:55,275 --> 01:22:02,348 >> Julianne: ALSO SAFE ARE JOEY 1311 01:22:02,348 --> 01:22:06,986 AND JENNA. 1312 01:22:06,986 --> 01:22:07,687 >> Alfonso: AND STILL IN THE 1313 01:22:07,687 --> 01:22:17,530 COMPETITION ARE STEPHEN AND 1314 01:22:17,530 --> 01:22:21,334 RYLEE. 1315 01:22:21,334 --> 01:22:24,337 >> Julianne: NOW, IN NO PARTICULAR ORDER, THE NEXT SAFE 1316 01:22:24,337 --> 01:22:37,951 COUPLE IS DANNY AND WITNEY. 1317 01:22:37,951 --> 01:22:39,619 >> Alfonso: WHILE NOT NECESSARILY THE BOTTOM THREE, 1318 01:22:39,619 --> 01:22:41,521 TWO OF THESE REMAINING COUPLES ARE SAFE. 1319 01:22:41,521 --> 01:22:46,225 THE OTHER IS GOING HOME TONIGHT. 1320 01:22:46,225 --> 01:22:51,364 >> Julianne: IT'S TIME FOR THE FINAL RESULT. 1321 01:22:51,364 --> 01:22:57,770 BROOKS AND GLEB, CHANDLER AND BRANDON, DWIGHT AND DANIELLA. 1322 01:22:57,770 --> 01:22:58,938 S AFTER. 1323 01:22:58,938 --> 01:23:02,608 >> Alfonso: THE COUPLE GOING 1324 01:23:02,608 --> 01:23:13,586 HOME IS BROOKS AND GLEB. 1325 01:23:13,586 --> 01:23:19,792 >> Julianne: BROOKS AND GLEB, JOIN US FOR A FINAL MOMENT. 1326 01:23:19,792 --> 01:23:23,930 >> Alfonso: COME ON DOWN. BROOKS, HOW MUCH HAS THIS 1327 01:23:23,930 --> 01:23:26,432 PARTNERSHIP MEANT TO YOU WITH GLEB? 1328 01:23:26,432 --> 01:23:31,204 >> IT'S BEEN AMAZING. WE HAVE HAD SO MUCH FUN. 1329 01:23:31,204 --> 01:23:33,639 >> Alfonso: WHAT DO YOU WANT TO SAY TO BROOKS? 1330 01:23:33,639 --> 01:23:37,543 >> I WANT TO THANK YOU FOR AN AMAZING SEASON I'VE HAD. 1331 01:23:37,543 --> 01:23:41,414 IT WAS UNEXPECTED. I THINK WE'RE GOING TO WIN. 1332 01:23:41,414 --> 01:23:45,251 I HAD A BLAST WORKING WITH YOU. YOU ARE SUPER TALENTED. 1333 01:23:45,251 --> 01:23:51,357 I LOVE YOU. YOU ARE AMAZING. . 1334 01:23:51,357 --> 01:23:52,625 >> Julianne: HOW ARE YOU FEELING? 1335 01:23:52,625 --> 01:23:58,398 >> I SAID, IMAGINE IF IT WAS US. I MANIFESTED IT. 1336 01:23:58,398 --> 01:24:04,504 WE HAD SO MUCH FUN TOGETHER. 1337 01:24:04,504 --> 01:24:07,373 >> Alfonso: ANOTHER HAND FOR BROOKS AND GLEB. 1338 01:24:07,373 --> 01:24:09,976 AND SPECIAL THANKS TO MARK BALLAS. 1339 01:24:09,976 --> 01:24:11,544 OUR COUPLES WILL BE BACK NEXT WEEK ON AN ALL-NEW "DISNEY 1340 01:24:11,544 --> 01:24:13,646 NIGHT." 1341 01:24:13,646 --> 01:24:16,983 >> Julianne: PLUS, FOR THE FIRST TIME THIS SEASON, OUR STARS WILL 1342 01:24:16,983 --> 01:24:20,453 WORK TOGETHER IN THE TEAM DANCES. WE'LL SEE YOU ON ABC AND 1343 01:24:20,453 --> 01:24:22,655 DISNEY+. STARTING RIGHT NOW ON ABC, "HIGH 1344 01:24:22,655 --> 01:24:23,856 POTENTIAL." 1345 01:24:23,856 --> 01:24:26,426 >> Both: GOODNIGHT.