1 00:00:05,954 --> 00:00:07,346 >>> WELCOME TO THE SEMIFINALS. 2 00:00:07,346 --> 00:00:12,084 >> ONLY FIVE STARS REMAIN. 3 00:00:12,084 --> 00:00:15,221 BUT THEY'RE GOING TO HAVE TO 4 00:00:15,221 --> 00:00:17,456 BRING IT TONIGHT. 5 00:00:17,456 --> 00:00:21,594 IN TWO FULL PERFORMANCES. 6 00:00:21,594 --> 00:00:24,063 >> IF THEY WANT A SHOT AT THAT 7 00:00:24,063 --> 00:00:24,697 MIRROR BALL. 8 00:00:24,697 --> 00:00:27,466 THE COMPETITION IS INTENSE. 9 00:00:27,466 --> 00:00:31,604 >> JOY HAS A WONDERFUL MUSICAL 10 00:00:31,604 --> 00:00:32,037 QUALITY. 11 00:00:32,037 --> 00:00:32,838 HE IS A NATURAL. 12 00:00:32,838 --> 00:00:35,574 >> YOU ARE THE LEADER OF THE 13 00:00:35,574 --> 00:00:36,175 PACK! 14 00:00:36,175 --> 00:00:37,343 >> SHE WILL NOT GO DOWN. 15 00:00:37,343 --> 00:00:41,113 >> THAT WAS A FANTASTIC DANCE! 16 00:00:41,113 --> 00:00:41,914 >> WITHOUT A FIGHT. 17 00:00:41,914 --> 00:00:43,983 >> DANNY HAS BEEN THE DARK HORSE 18 00:00:43,983 --> 00:00:45,784 OF THIS COMPETITION. 19 00:00:45,784 --> 00:00:47,753 >> YOU ARE SO POWERFUL! 20 00:00:47,753 --> 00:00:49,688 >> HE HAS WHAT IT TAKES. 21 00:00:49,688 --> 00:00:52,024 >> CHANDLER INTERPRETS THE MUSIC 22 00:00:52,024 --> 00:00:53,592 LIKE A GODDESS. 23 00:00:53,592 --> 00:00:57,997 >> YOU ARE IN A LEAGUE OF YOUR 24 00:00:57,997 --> 00:00:58,564 OWN. 25 00:00:58,564 --> 00:01:03,369 >> STEPHEN, HE IS CHARM 26 00:01:03,369 --> 00:01:03,902 PERSONIFIED. 27 00:01:03,902 --> 00:01:05,738 >> THIS COUPLE, WHOO! 28 00:01:05,738 --> 00:01:08,173 >> SO THIS IS IT. 29 00:01:08,173 --> 00:01:10,442 >> WHO CAN HANDLE THE PRESSURE? 30 00:01:10,442 --> 00:01:12,244 AS THEY STRIVE FOR THE TOUGHEST 31 00:01:12,244 --> 00:01:20,919 TITLE ON TELEVISION. 32 00:01:20,919 --> 00:01:28,794 ♪♪ 33 00:01:28,794 --> 00:01:30,229 >> Announcer: LIVE, FROM 34 00:01:30,229 --> 00:01:30,963 HOLLYWOOD, IT'S THE SEMI-FINALS 35 00:01:30,963 --> 00:01:33,399 OF "DANCING WITH THE STARS." 36 00:01:33,399 --> 00:01:35,401 ♪ WATCH ME DANCE 37 00:01:35,401 --> 00:01:37,636 DANCE THE NIGHT AWAY ♪ 38 00:01:37,636 --> 00:01:38,804 ♪ MY HEART COULD BE BURNIN' 39 00:01:38,804 --> 00:01:40,739 BUT YOU WON'T 40 00:01:40,739 --> 00:01:41,373 SEE IT ON MY FACE ♪ 41 00:01:41,373 --> 00:01:42,875 ♪ WATCH ME DANCE 42 00:01:42,875 --> 00:01:44,910 DANCE THE NIGHT AWAY ♪ 43 00:01:44,910 --> 00:01:47,313 ♪ I'LL STILL 44 00:01:47,313 --> 00:01:47,946 KEEP THE PARTY RUNNIN' 45 00:01:47,946 --> 00:01:50,783 NOT ONE HAIR OUT OF PLACE ♪ 46 00:01:50,783 --> 00:01:51,817 >> Announcer: NOW PLEASE WELCOME 47 00:01:51,817 --> 00:01:54,386 YOUR STARS -- 48 00:01:54,386 --> 00:01:55,087 TV STAR CHANDLER KINNEY AND 49 00:01:55,087 --> 00:02:03,028 BRANDON ARMSTRONG, 50 00:02:03,028 --> 00:02:03,595 FROM "THE BACHELOR," 51 00:02:03,595 --> 00:02:04,129 JOEY GRAZIADEI AND 52 00:02:04,129 --> 00:02:11,303 JENNA JOHNSON, 53 00:02:11,303 --> 00:02:12,738 OLYMPIC RUGBY PLAYER ILONA MAHER 54 00:02:12,738 --> 00:02:18,577 AND ALAN BERSTEN, 55 00:02:18,577 --> 00:02:19,678 SUPERBOWL CHAMPION 56 00:02:19,678 --> 00:02:20,746 DANNY AMENDOLA AND 57 00:02:20,746 --> 00:02:26,051 WITNEY CARSON, 58 00:02:26,051 --> 00:02:27,753 AND OLYMPIC GYMNAST 59 00:02:27,753 --> 00:02:28,754 STEPHEN NEDOROSCIK AND 60 00:02:28,754 --> 00:02:29,254 RYLEE ARNOLD, 61 00:02:29,254 --> 00:02:30,723 ♪ WATCH ME DANCE 62 00:02:30,723 --> 00:02:33,592 DANCE THE NIGHT AWAY ♪ 63 00:02:33,592 --> 00:02:34,093 ♪ I COULD DANCE 64 00:02:34,093 --> 00:02:34,893 I COULD DANCE 65 00:02:34,893 --> 00:02:37,096 I COULD DANCE ♪ 66 00:02:37,096 --> 00:02:40,165 ♪ DANCE THE NIGHT ♪ 67 00:02:40,165 --> 00:02:40,866 >> Alfonso: OUR FANTASTIC 68 00:02:40,866 --> 00:02:42,267 OPENING NUMBER WAS CHOREOGRAPHED 69 00:02:42,267 --> 00:02:43,869 BY 70 00:02:43,869 --> 00:02:49,074 EZRA SOSA AND SASHA FARBER. 71 00:02:49,074 --> 00:02:49,675 YES. 72 00:02:49,675 --> 00:02:50,175 WELCOME TO THE SEMIFINALS. 73 00:02:50,175 --> 00:02:50,709 I'M ALFONSO RIBEIRO. 74 00:02:50,709 --> 00:02:52,745 >> Julianne: AND I'M 75 00:02:52,745 --> 00:02:55,080 JULIANNE HOUGH. 76 00:02:55,080 --> 00:02:57,015 THESE ARE THE FIVE SEMIFINALISTS 77 00:02:57,015 --> 00:02:58,617 WHO HAVE MADE IT THIS YEAR IN 78 00:02:58,617 --> 00:02:59,952 THE COMPETITION. 79 00:02:59,952 --> 00:03:01,653 VOTING IS OPEN RIGHT NOW AND IS 80 00:03:01,653 --> 00:03:03,722 AVAILABLE TO THE U.S., ITS 81 00:03:03,722 --> 00:03:07,359 TERRITORIES AND CANADA AT 82 00:03:07,359 --> 00:03:07,893 ABC.COM. 83 00:03:07,893 --> 00:03:08,594 PLUS, SUBSCRIBERS ON 84 00:03:08,594 --> 00:03:09,261 PARTICIPATING U.S. WIRELESS 85 00:03:09,261 --> 00:03:09,995 PHONE CARRIERS CAN TEXT THE 86 00:03:09,995 --> 00:03:10,696 FIRST NAME OF THEIR FAVORITE 87 00:03:10,696 --> 00:03:11,597 STAR TO THE NUMBER 21523. 88 00:03:11,597 --> 00:03:12,264 MESSAGE AND DATA RATES MAY 89 00:03:12,264 --> 00:03:16,168 APPLY. 90 00:03:16,168 --> 00:03:17,603 >> Announcer: UH-HUH. 91 00:03:17,603 --> 00:03:19,705 NOW, THIS WEEK, OUR 92 00:03:19,705 --> 00:03:21,073 SEMI-FINALISTS WILL FACE TWO 93 00:03:21,073 --> 00:03:21,807 MORE ROUNDS IN THIS LAST ATTEMPT 94 00:03:21,807 --> 00:03:22,875 TO GET INTO NEXT WEEK'S FINALE. 95 00:03:22,875 --> 00:03:24,476 THEY'LL EACH PERFORM ONE FINAL 96 00:03:24,476 --> 00:03:25,577 LATIN STYLE AND ONE FINAL 97 00:03:25,577 --> 00:03:26,311 BALLROOM STYLE THEY HAVE YET TO 98 00:03:26,311 --> 00:03:31,583 DANCE IN THE COMPETITION. 99 00:03:31,583 --> 00:03:34,720 >> Julianne: WE'LL BEGIN WITH 100 00:03:34,720 --> 00:03:41,260 THE DISNEY STAR 101 00:03:41,260 --> 00:03:41,994 WHO, LAST WEEK, EARNED THE FIRST 102 00:03:41,994 --> 00:03:42,661 PERFECT SCORE OF THE SEASON. 103 00:03:42,661 --> 00:03:43,328 IF THAT WASN'T ENOUGH, SHE 104 00:03:43,328 --> 00:03:44,396 QUICKLY FOLLOWED IT WITH THE 105 00:03:44,396 --> 00:03:45,097 SECOND PERFECT SCORE FOR HER 106 00:03:45,097 --> 00:03:45,931 INSTANT DANCE. 107 00:03:45,931 --> 00:03:47,633 >> Alfonso: WITH TWO ROUNDS 108 00:03:47,633 --> 00:03:48,333 TONIGHT, CAN SHE REACH DOUBLE 109 00:03:48,333 --> 00:03:49,067 PERFECTION AGAIN? 110 00:03:49,067 --> 00:03:50,235 IT'S CHANDLER KINNEY AND 111 00:03:50,235 --> 00:03:51,136 BRANDON ARMSTRONG. 112 00:03:54,039 --> 00:03:55,374 >> THAT WAS FIRE. 113 00:03:55,374 --> 00:03:57,509 THE WORLD NEEDS POWERFUL WOMEN 114 00:03:57,509 --> 00:04:00,012 DANCING LIKE THAT. 115 00:04:00,012 --> 00:04:01,413 >> WE DID IT! 116 00:04:01,413 --> 00:04:05,250 >> NOW WE GOT TO GET READY. 117 00:04:05,250 --> 00:04:06,051 COME ON. 118 00:04:06,051 --> 00:04:11,356 >> YOU ATE THAT AND LEFT NO 119 00:04:11,356 --> 00:04:11,690 CRUMBS. 120 00:04:11,690 --> 00:04:12,958 >> YES! 121 00:04:12,958 --> 00:04:13,725 >> YEAH! 122 00:04:13,725 --> 00:04:15,127 >> I CAN'T BELIEVE IT. 123 00:04:15,127 --> 00:04:16,295 PERFECT SCORES WERE AWESOME. 124 00:04:16,295 --> 00:04:17,329 >> TWICE IN A ROW. 125 00:04:17,329 --> 00:04:18,230 >> TWICE IN A ROW. 126 00:04:18,230 --> 00:04:19,665 >> IT FEELS UNREAL. 127 00:04:19,665 --> 00:04:21,467 >> WE HAVE SEEN A LOT OF WORK 128 00:04:21,467 --> 00:04:23,302 FROM YOU WEEK TO WEEK. 129 00:04:23,302 --> 00:04:24,670 IT IS JUST A TESTAMENT TO YOUR 130 00:04:24,670 --> 00:04:25,337 HARD WORK. 131 00:04:25,337 --> 00:04:28,106 SO WE HAVE TWO DANCES THIS WEEK, 132 00:04:28,106 --> 00:04:29,875 LATIN DANCE AND A BALLROOM 133 00:04:29,875 --> 00:04:30,576 DANCE. 134 00:04:30,576 --> 00:04:32,211 OUR FIRST DANCE WILL BE A SALSA. 135 00:04:32,211 --> 00:04:34,313 >> AT THIS POINT IN THE 136 00:04:34,313 --> 00:04:35,614 COMPETITION, I HAVE GOTTEN TO 137 00:04:35,614 --> 00:04:37,649 LEARN SO MANY STYLES OF DANCE. 138 00:04:37,649 --> 00:04:40,052 SO I'M EXCITED FOR THE SALSA 139 00:04:40,052 --> 00:04:41,453 BECAUSE IT IS A WHOLE NEW 140 00:04:41,453 --> 00:04:42,921 VERSION OF MYSELF THAT THE 141 00:04:42,921 --> 00:04:43,956 BALLROOM HASN'T SEEN YET. 142 00:04:43,956 --> 00:04:45,657 >> WE WILL HAVE TO HAVE A LOT OF 143 00:04:45,657 --> 00:04:47,359 TRUST AND A LOT OF STRENGTH. 144 00:04:47,359 --> 00:04:48,327 >> GO! 145 00:04:48,327 --> 00:04:51,563 >> SALSA IS ALWAYS A BIG PARTY, 146 00:04:51,563 --> 00:04:52,798 JAW DROPPING. 147 00:04:52,798 --> 00:04:53,899 WELL, I TURN. 148 00:04:53,899 --> 00:04:55,367 IT IS MORE THAN JUST A DANCE. 149 00:04:55,367 --> 00:04:56,635 >> IS IT HOT ENOUGH? 150 00:04:56,635 --> 00:04:58,036 >> IT IS A WHOLE CULTURE. 151 00:04:58,036 --> 00:05:00,439 >> SO WE WILL TRY TO SHOW IT OFF 152 00:05:00,439 --> 00:05:02,641 IN A NEW SEXY WAY. 153 00:05:02,641 --> 00:05:04,776 >> THE LATIN STYLE HAS BEEN SOME 154 00:05:04,776 --> 00:05:06,712 OF MY LOWEST SCORES, AND I 155 00:05:06,712 --> 00:05:08,280 REALLY WANT TO CHANGE THAT. 156 00:05:08,280 --> 00:05:11,250 BRANDON AND I WANT TO GO TO AN 157 00:05:11,250 --> 00:05:14,386 ACTUAL SALSA CUP TO HELP GET THE 158 00:05:14,386 --> 00:05:15,053 VIBE RIGHT. 159 00:05:15,053 --> 00:05:16,955 >> WOULD YOU LIKE TO DANCE? 160 00:05:16,955 --> 00:05:18,590 >> SALSA IS HARD. 161 00:05:18,590 --> 00:05:19,992 >> WATCH YOUR LEGS. 162 00:05:19,992 --> 00:05:21,894 >> BUT DANCING HERE AT THE SALSA 163 00:05:21,894 --> 00:05:24,229 CLUB HAS HELPED GET ME OUT OF MY 164 00:05:24,229 --> 00:05:24,930 BED. 165 00:05:24,930 --> 00:05:28,767 I'M GOING TO BRING ALL THE FUN, 166 00:05:28,767 --> 00:05:32,604 GOOD VIBES AND ENERGY INTO THE 167 00:05:32,604 --> 00:05:33,305 BALLROOM TONIGHT. 168 00:05:33,305 --> 00:05:33,839 >> Announcer: DANCING THE SALSA, 169 00:05:33,839 --> 00:05:34,740 WITH HER PARTNER 170 00:05:34,740 --> 00:05:35,374 BRANDON ARMSTRONG, IT'S 171 00:05:35,374 --> 00:05:36,341 CHANDLER KINNEY. 172 00:05:37,376 --> 00:05:38,477 ♪ YOU'RE MY 173 00:05:38,477 --> 00:05:39,111 SPICY MARGARITA BABE ♪ 174 00:05:39,111 --> 00:05:41,046 ♪ BURN MY TONGUE 175 00:05:41,046 --> 00:05:43,215 MAKE ME SHAKE ♪ 176 00:05:43,215 --> 00:05:47,352 ♪ MIX IT UP 177 00:05:47,352 --> 00:05:47,986 OR GIVE IT TO ME STRAIGHT 178 00:05:47,986 --> 00:05:51,089 TURN ME ON MAKE ME SAY ♪ 179 00:05:51,089 --> 00:05:53,825 ♪ OH OH-OH 180 00:05:53,825 --> 00:05:56,762 CABO MET THAT GIRL IN CABO 181 00:05:56,762 --> 00:05:57,462 WEARIN' FERRAGAMO ♪ 182 00:05:57,462 --> 00:05:58,563 ♪ WE WAS GOIN' 183 00:05:58,563 --> 00:06:00,065 SHOT FOR SHOT FOR SHOT 184 00:06:00,065 --> 00:06:01,633 LIKE DESPERADOS ♪ 185 00:06:01,633 --> 00:06:03,802 ♪ SNUCK INTO THE BATHROOM 186 00:06:03,802 --> 00:06:04,836 SHE MIGHT BE A PROBLEM ♪ 187 00:06:04,836 --> 00:06:06,872 ♪ I SHOULD PROBABLY 188 00:06:06,872 --> 00:06:08,740 STAY AWAY ♪ 189 00:06:08,740 --> 00:06:10,542 ♪ GIRL YOU CRAZY 190 00:06:10,542 --> 00:06:11,643 COULDN'T EVEN WAIT 191 00:06:11,643 --> 00:06:13,679 FOR THE ROOM ♪ 192 00:06:13,679 --> 00:06:14,746 ♪ WOO-OOH-OH OH-OH ♪ 193 00:06:14,746 --> 00:06:15,814 ♪ YOU'RE MY 194 00:06:15,814 --> 00:06:17,349 SPICY MARGARITA BABE ♪ 195 00:06:17,349 --> 00:06:18,951 ♪ BURN MY TONGUE 196 00:06:18,951 --> 00:06:20,552 MAKE ME SHAKE 197 00:06:20,552 --> 00:06:21,587 OH YEAH ♪ 198 00:06:21,587 --> 00:06:23,221 ♪ MIX IT UP 199 00:06:23,221 --> 00:06:26,425 OR GIVE IT TO ME STRAIGHT ♪ 200 00:06:26,425 --> 00:06:30,629 ♪ TURN ME ON MAKE ME SAY 201 00:06:30,629 --> 00:06:31,663 SHOTS SHOTS SHOTS SHOTS 202 00:06:31,663 --> 00:06:35,400 I JUST CAN'T STOP ♪ 203 00:06:35,400 --> 00:06:36,134 ♪ YOU'RE THE ONLY ONE I WANT 204 00:06:36,134 --> 00:06:37,502 YOU'RE THE ONLY ONE I WANT ♪ 205 00:06:37,502 --> 00:06:39,037 ♪ YOU'RE MY 206 00:06:39,037 --> 00:06:41,607 SPICY MARGARITA BABY ♪ 207 00:06:41,607 --> 00:06:43,241 ♪ YOU'RE MY SPICY GIRL 208 00:06:43,241 --> 00:06:43,875 YOU'RE MY SPICY GIRL ♪ 209 00:06:43,875 --> 00:06:44,810 ♪ BURN MY TONGUE 210 00:06:44,810 --> 00:06:46,378 MAKE ME SAY ♪ 211 00:06:46,378 --> 00:06:47,412 ♪ YOU'RE MY YOU'RE MY 212 00:06:47,412 --> 00:06:48,447 YOU'RE MY DANCIN' FREAK ♪ 213 00:06:48,447 --> 00:06:49,481 ♪ IS IT HOT ENOUGH? 214 00:06:49,481 --> 00:06:52,317 YEAH YEAH IT'S HOT ENOUGH ♪ 215 00:06:52,317 --> 00:06:52,951 ♪ SHOULD I TAKE IT OFF? 216 00:06:52,951 --> 00:06:54,987 MM HELL YEAH 217 00:06:54,987 --> 00:06:55,654 YOU SHOULD TAKE IT OFF ♪ 218 00:06:55,654 --> 00:06:56,355 ♪ IS IT HOT ENOUGH? 219 00:06:56,355 --> 00:06:59,391 YEAH YEAH IT'S HOT ENOUGH ♪ 220 00:06:59,391 --> 00:07:00,225 ♪ SHOULD I TAKE IT OFF? 221 00:07:00,225 --> 00:07:00,826 MM HELL YEAH 222 00:07:00,826 --> 00:07:08,767 YOU SHOULD TAKE IT OFF ♪ 223 00:07:08,767 --> 00:07:10,102 >> Alfonso: CHANDLER AND BRANDON 224 00:07:10,102 --> 00:07:15,707 WITH A "SPICY MARGARITA" SALSA. 225 00:07:15,707 --> 00:07:16,508 OH, YEAH. 226 00:07:16,508 --> 00:07:19,478 THAT'S HOW YOU START THE EVENING 227 00:07:19,478 --> 00:07:20,078 OFF. 228 00:07:20,078 --> 00:07:25,017 THE SEMIFINALS HAVE BEGUN! 229 00:07:25,017 --> 00:07:29,655 [ APPLAUSE ] 230 00:07:29,655 --> 00:07:31,523 >> Alfonso: OKAY. 231 00:07:31,523 --> 00:07:32,891 JUST TO LET EVERYBODY KNOW, 232 00:07:32,891 --> 00:07:35,293 LET'S HEAR WHAT THE JUDGES HAVE 233 00:07:35,293 --> 00:07:35,627 TO SAY. 234 00:07:35,627 --> 00:07:36,495 >> OKAY. 235 00:07:36,495 --> 00:07:37,863 I'M GOING TO AGREE WITH THE 236 00:07:37,863 --> 00:07:39,398 CROWD BECAUSE THAT WAS AMAZING. 237 00:07:39,398 --> 00:07:41,033 YOU WERE ON FIRE, CHANDLER. 238 00:07:41,033 --> 00:07:41,967 YOU ARE SO SPICY. 239 00:07:41,967 --> 00:07:43,602 AND THERE IS A NEW SIDE OF YOU 240 00:07:43,602 --> 00:07:44,336 THAT'S COMING OUT. 241 00:07:44,336 --> 00:07:46,304 THERE IS A COMFORTABILITY THAT'S 242 00:07:46,304 --> 00:07:47,005 HAPPENING. 243 00:07:47,005 --> 00:07:49,141 BUT WHAT'S SO BEAUTIFULLY DONE 244 00:07:49,141 --> 00:07:50,742 WAS THE ARTISTRY. 245 00:07:50,742 --> 00:07:52,811 DID I HEAR A YES? 246 00:07:52,811 --> 00:07:54,212 GIVE ME A YES. 247 00:07:54,212 --> 00:07:56,548 COULD I GET AN AMEN FOR THAT? 248 00:07:56,548 --> 00:07:59,551 SUPER BEAUTIFULLY WELL-DEFINED 249 00:07:59,551 --> 00:08:01,353 ARTISTRY PERSONIFIED. 250 00:08:01,353 --> 00:08:02,721 >> Alfonso: ALL RIGHT. 251 00:08:02,721 --> 00:08:03,422 DEREK? 252 00:08:03,422 --> 00:08:05,123 >> LISTEN, IT IS THE SEMIFINAL, 253 00:08:05,123 --> 00:08:07,025 BUT YOU DANCED LIKE YOU WERE 254 00:08:07,025 --> 00:08:08,960 ALREADY IN THE FINALS. 255 00:08:08,960 --> 00:08:11,096 IT WAS CHARISMATIC. 256 00:08:11,096 --> 00:08:11,797 SO SLICK. 257 00:08:11,797 --> 00:08:13,665 I WANT TO SAY ONE THING. 258 00:08:13,665 --> 00:08:17,202 FOR ME, PERSONALLY, IT IS A 259 00:08:17,202 --> 00:08:18,070 PREFERENCE. 260 00:08:18,070 --> 00:08:19,037 THERE WASN'T ENOUGH SALSA 261 00:08:19,037 --> 00:08:20,372 CONTENT IN THERE. 262 00:08:20,372 --> 00:08:25,210 IT WAS MORE LIKE A CHA-CHA. 263 00:08:25,210 --> 00:08:25,811 HOLD ON. 264 00:08:25,811 --> 00:08:27,546 IT DOESN'T TAKE AWAY HOW 265 00:08:27,546 --> 00:08:28,380 INCREDIBLE THAT WAS. 266 00:08:28,380 --> 00:08:30,182 BUT I WOULD LIKE TO SEE MORE 267 00:08:30,182 --> 00:08:30,882 SALSA CONSENT. 268 00:08:30,882 --> 00:08:33,318 YOU KNOW WHAT I'M TALKING ABOUT, 269 00:08:33,318 --> 00:08:33,719 BRANDON. 270 00:08:33,719 --> 00:08:37,155 BUT WELL DONE. 271 00:08:37,155 --> 00:08:37,689 GREAT FIRST DANCE. 272 00:08:37,689 --> 00:08:38,256 >> Alfonso: ALL RIGHT. 273 00:08:38,256 --> 00:08:38,957 BRUNO? 274 00:08:38,957 --> 00:08:43,361 >> ANYWAY, IT IS HAPPY HOUR AT 275 00:08:43,361 --> 00:08:44,062 "DANCING WITH THE STARS." 276 00:08:44,062 --> 00:08:48,400 AND THAT COCKTAIL HIT THE SPOT 277 00:08:48,400 --> 00:08:49,501 BIG-TIME. 278 00:08:49,501 --> 00:08:51,103 THE WAY SHE SEIZED IT. 279 00:08:51,103 --> 00:08:55,140 YOU KNOW, SHE STARTED SMOOTH AND 280 00:08:55,140 --> 00:08:56,341 SENSUAL. 281 00:08:56,341 --> 00:08:57,743 AND THEN SHE'S CRANKING UP THE 282 00:08:57,743 --> 00:09:01,880 HEAT HOTTER AND HOTTER AND 283 00:09:01,880 --> 00:09:02,414 HOTTER. 284 00:09:02,414 --> 00:09:04,249 TO THE MELTING POINT. 285 00:09:04,249 --> 00:09:06,751 LET'S HAVE ANOTHER ROUND FOR ME. 286 00:09:06,751 --> 00:09:07,486 >> Alfonso: ALL RIGHT. 287 00:09:07,486 --> 00:09:09,287 HEAD ON UP TO JULIANNE IN THE 288 00:09:09,287 --> 00:09:10,255 SKY BOX. 289 00:09:10,255 --> 00:09:11,957 IF YOU WANT TO GIVE YOUR 290 00:09:11,957 --> 00:09:12,691 FAVORITES THEIR SHOT AT LIFTING 291 00:09:12,691 --> 00:09:13,558 THE LEN GOODMAN MIRROR BALL 292 00:09:13,558 --> 00:09:14,292 TROPHY ON OUR SEASON FINALE NEXT 293 00:09:14,292 --> 00:09:15,026 TUESDAY NIGHT, YOU HAVE TO VOTE 294 00:09:15,026 --> 00:09:16,194 TONIGHT. 295 00:09:16,194 --> 00:09:16,895 VOTING CLOSES DURING THE LAST 296 00:09:16,895 --> 00:09:18,330 COMMERCIAL BREAK. 297 00:09:18,330 --> 00:09:21,800 JULIANNE. 298 00:09:21,800 --> 00:09:23,702 >> Julianne: YES, THEY ARE, 299 00:09:23,702 --> 00:09:24,402 ALFONSO. 300 00:09:24,402 --> 00:09:25,637 AND CELEBRATING AS THEY SHOULD. 301 00:09:25,637 --> 00:09:26,304 ALL RIGHT. 302 00:09:26,304 --> 00:09:28,073 SO THIS WEEK THERE ARE TWO FULL 303 00:09:28,073 --> 00:09:31,843 AND LONG DANCES. 304 00:09:31,843 --> 00:09:33,478 DID COMING OFF A PERFECT SCORE 305 00:09:33,478 --> 00:09:34,913 LAST WEEK HELP WITH THE 306 00:09:34,913 --> 00:09:35,313 CONFIDENCE? 307 00:09:35,313 --> 00:09:35,947 >> NO. 308 00:09:35,947 --> 00:09:37,215 IT FEELS LIKE MORE PRESSURE. 309 00:09:37,215 --> 00:09:38,583 YOU KNOW, I FEEL LIKE THERE IS 310 00:09:38,583 --> 00:09:40,585 NO ROOM FOR ERROR, AND SO THAT 311 00:09:40,585 --> 00:09:42,020 PLAYS ON MY MIND. 312 00:09:42,020 --> 00:09:43,522 BUT I ALSO JUST REALLY WANT TO 313 00:09:43,522 --> 00:09:44,422 HAVE A GOOD TIME. 314 00:09:44,422 --> 00:09:46,358 WE WORKED SO HARD. 315 00:09:46,358 --> 00:09:50,829 I'M SHAKING MY TAIL FEATHERS OFF 316 00:09:50,829 --> 00:09:51,530 THERE. 317 00:09:51,530 --> 00:09:52,497 >> Julianne: SHAKE THE FEATHERS. 318 00:09:52,497 --> 00:09:53,098 I LOVE IT. 319 00:09:53,098 --> 00:09:55,467 ALL RIGHT. 320 00:09:55,467 --> 00:10:03,175 LET'S GET YOUR SCORES. 321 00:10:03,175 --> 00:10:05,043 >> STRONG NIGHT. 322 00:10:05,043 --> 00:10:05,577 >> BRUNO TONIOLI. 323 00:10:05,577 --> 00:10:06,545 >> IT'S A 10. 324 00:10:06,545 --> 00:10:07,379 >> ALL RIGHT. 325 00:10:07,379 --> 00:10:09,281 THAT'S A 29 OUT OF 30 FOR 326 00:10:09,281 --> 00:10:10,248 CHANDLER AND BRANDON. 327 00:10:10,248 --> 00:10:11,850 THEY WILL COMPETE FOR ANOTHER 328 00:10:11,850 --> 00:10:15,020 ROUND OF SCORES FROM THE JUDGES 329 00:10:15,020 --> 00:10:15,954 LATER. 330 00:10:15,954 --> 00:10:17,856 BUT YOU CAN VOTE RIGHT 331 00:10:17,856 --> 00:10:18,590 NOW WITH YOUR TEXTS AND ONLINE 332 00:10:18,590 --> 00:10:19,291 AT ABC.COM. 333 00:10:19,291 --> 00:10:20,025 YOU GET 10 VOTES PER COUPLE, PER 334 00:10:20,025 --> 00:10:20,759 VOTING METHOD AND THEY WANT YOUR 335 00:10:20,759 --> 00:10:21,459 VOTES TONIGHT MORE THAN EVER 336 00:10:21,459 --> 00:10:21,893 BEFORE. 337 00:10:21,893 --> 00:10:22,928 ALFONSO. 338 00:10:22,928 --> 00:10:23,628 >> Alfonso: THANKS, JULIANNE. 339 00:10:23,628 --> 00:10:24,362 OUR STAR FROM "THE BACHELOR," IS 340 00:10:24,362 --> 00:10:25,063 UP NEXT. 341 00:10:25,063 --> 00:10:26,097 JOEY GRAZIADEI AND JENNA JOHNSON 342 00:10:26,097 --> 00:10:26,831 WILL DANCE A FOXTROT AFTER THIS, 343 00:10:26,831 --> 00:10:28,700 LIVE. 344 00:10:39,311 --> 00:10:41,680 ♪♪ 345 00:10:41,680 --> 00:10:42,714 >> Alfonso: WELCOME BACK. 346 00:10:42,714 --> 00:10:44,849 NEXT UP IN THIS FIRST ROUND, 347 00:10:44,849 --> 00:10:47,586 "THE BACHELOR" STAR WHO DANCED 348 00:10:47,586 --> 00:10:48,253 INTO SECOND PLACE LAST WEEK. 349 00:10:48,253 --> 00:10:48,887 IT'S JOEY GRAZIADEI AND 350 00:10:48,887 --> 00:10:50,522 JENNA JOHNSON. 351 00:10:52,090 --> 00:10:54,659 >> WE MADE IT TO THE SEMIFINALS. 352 00:10:54,659 --> 00:10:55,460 >> CRAZY. 353 00:10:55,460 --> 00:10:57,629 >> LAST WEEK WAS HARD BECAUSE I 354 00:10:57,629 --> 00:11:00,732 REALLY WANTED TO GET THE HIGHEST 355 00:11:00,732 --> 00:11:01,566 SCORES POSSIBLE. 356 00:11:01,566 --> 00:11:05,103 >> THAT WAS VERY POWERFUL. 357 00:11:05,103 --> 00:11:07,505 BEAUTIFULLY CHOREOGRAPHED AND 358 00:11:07,505 --> 00:11:11,343 WELL-PERFORMED. 359 00:11:11,343 --> 00:11:14,079 >> THANK YOU SO MUCH. 360 00:11:14,079 --> 00:11:14,813 >> 9! 361 00:11:14,813 --> 00:11:15,447 >> 10! 362 00:11:15,447 --> 00:11:16,848 >> BUT IT IS EXCITING TO BE 363 00:11:16,848 --> 00:11:17,382 HERE. 364 00:11:17,382 --> 00:11:18,583 I WANT TO TAKE IN THE 365 00:11:18,583 --> 00:11:20,085 CELEBRATION, BUT I ALSO WANT TO 366 00:11:20,085 --> 00:11:21,152 GET BACK TO BUSINESS AS WELL. 367 00:11:21,152 --> 00:11:22,120 >> AMEN TO THAT. 368 00:11:22,120 --> 00:11:24,789 >> IT IS CRAZY TO THINK WE HAVE 369 00:11:24,789 --> 00:11:27,893 TO DIG DEEPER BECAUSE IT IS THE 370 00:11:27,893 --> 00:11:28,593 SEMIFINALS. 371 00:11:28,593 --> 00:11:30,328 BUT I CAN PROMISE YOU WE WILL 372 00:11:30,328 --> 00:11:32,597 GIVE IT OUR ALL. 373 00:11:32,597 --> 00:11:35,100 >> OUR FIRST IS A FOX TROT. 374 00:11:35,100 --> 00:11:37,669 >> IT'S BEEN A BIT SINCE WE DID 375 00:11:37,669 --> 00:11:38,303 FRAME DANCES. 376 00:11:38,303 --> 00:11:40,505 >> I LOVE FRAME DANCES. 377 00:11:40,505 --> 00:11:42,073 I'VE GOT TO SMASH IT. 378 00:11:42,073 --> 00:11:42,941 I DON'T KNOW WHAT I'M DOING. 379 00:11:42,941 --> 00:11:45,143 >> WE MAY BE CONFIDENT IN FRAME, 380 00:11:45,143 --> 00:11:47,045 BUT THIS IS A JAZZY VERSION OF 381 00:11:47,045 --> 00:11:48,647 FOX TROT, SO WE HAVE TO BE SHARP 382 00:11:48,647 --> 00:11:52,083 WITH OUR LINES, REALLY ENERGETIC 383 00:11:52,083 --> 00:11:53,518 WITH OUR PERFORMANCE. 384 00:11:53,518 --> 00:11:55,253 HE'S GOT A SHOW THAT HE CAN 385 00:11:55,253 --> 00:11:58,089 HANDLE THE STRESS GOING INTO THE 386 00:11:58,089 --> 00:11:58,523 SEMIFINALS. 387 00:11:58,523 --> 00:11:59,224 THAT WAS GOOD. 388 00:11:59,224 --> 00:12:00,425 >> YEAH, THE DANCES AREN'T JUST 389 00:12:00,425 --> 00:12:01,359 LONGER THIS WEEK. 390 00:12:01,359 --> 00:12:03,461 IT IS THE FIRST TIME WE HAVE TWO 391 00:12:03,461 --> 00:12:04,496 COMPLETELY NEW STYLES. 392 00:12:04,496 --> 00:12:07,832 ON TOP OF IT, THERE IS A LOT OF 393 00:12:07,832 --> 00:12:13,939 COMPLICATED CHOREOGRAPHY AND 394 00:12:13,939 --> 00:12:14,572 ROUTINE. 395 00:12:14,572 --> 00:12:18,176 THERE HAS NEVER BEEN A MALE 396 00:12:18,176 --> 00:12:18,910 "BACHELOR" IN THE FINALS. 397 00:12:18,910 --> 00:12:21,179 IF I DO IT, IT WILL BE STARS 398 00:12:21,179 --> 00:12:21,880 HISTORY. 399 00:12:21,880 --> 00:12:23,949 THIS PERFORMANCE HAS TO BE MY 400 00:12:23,949 --> 00:12:24,449 BEST YET. 401 00:12:24,449 --> 00:12:26,284 >> SO MUCH BETTER. 402 00:12:26,284 --> 00:12:28,086 >> I WANT TO MAKE SURE OUR 403 00:12:28,086 --> 00:12:29,621 BALLROOM DANCE IS THE STRONGEST 404 00:12:29,621 --> 00:12:30,155 OF THE NIGHT. 405 00:12:30,155 --> 00:12:32,490 >> GOOD JOB! 406 00:12:32,490 --> 00:12:33,825 >> Announcer: DANCING THE 407 00:12:33,825 --> 00:12:34,459 FOXTROT, WITH HIS PARTNER 408 00:12:34,459 --> 00:12:34,993 JENNA JOHNSON, IT'S 409 00:12:34,993 --> 00:12:38,296 JOEY GRAZIADEI. 410 00:12:47,973 --> 00:12:48,707 ♪♪ 411 00:12:48,707 --> 00:12:50,041 ♪ I WON'T DANCE 412 00:12:50,041 --> 00:12:50,642 DON'T ASK ME ♪ 413 00:12:50,642 --> 00:12:51,643 ♪ I WON'T DANCE 414 00:12:51,643 --> 00:12:52,711 DON'T ASK ME ♪ 415 00:12:52,711 --> 00:12:53,745 ♪ I WON'T DANCE 416 00:12:53,745 --> 00:12:55,847 THIS WAY WITH YOU ♪ 417 00:12:55,847 --> 00:12:56,915 ♪ MY HEART WON'T LET MY FEET 418 00:12:56,915 --> 00:12:58,049 DO THINGS 419 00:12:58,049 --> 00:13:00,085 THAT THEY SHOULD DO ♪ 420 00:13:00,085 --> 00:13:01,653 ♪ YOU KNOW WHAT? 421 00:13:01,653 --> 00:13:02,754 YOU'RE LOVELY ♪ 422 00:13:02,754 --> 00:13:03,321 ♪ RING-A-DING DING 423 00:13:03,321 --> 00:13:05,457 YOU'RE SO LOVELY ♪ 424 00:13:05,457 --> 00:13:08,226 ♪ AND OH 425 00:13:08,226 --> 00:13:08,893 WHAT YOU DO TO ME ME ME ♪ 426 00:13:08,893 --> 00:13:10,128 ♪ I'M LIKE AN OCEAN WAVE 427 00:13:10,128 --> 00:13:10,695 THAT'S BUMPED UP 428 00:13:10,695 --> 00:13:12,263 ON THE SHORE ♪ 429 00:13:12,263 --> 00:13:13,365 ♪ I FEEL SO 430 00:13:13,365 --> 00:13:14,933 ABSOLUTELY STUMPED 431 00:13:14,933 --> 00:13:17,535 ON THE FLOOR ♪ 432 00:13:17,535 --> 00:13:18,603 ♪ WHEN YOU DANCE 433 00:13:18,603 --> 00:13:19,604 YOU'RE CHARMING 434 00:13:19,604 --> 00:13:21,706 AND YOU'RE GENTLE ♪ 435 00:13:21,706 --> 00:13:25,643 ♪ 'SPECIALLY WHEN 436 00:13:25,643 --> 00:13:26,311 YOU DO THE CONTINENTAL ♪ 437 00:13:26,311 --> 00:13:28,013 ♪ BUT THIS FEELING 438 00:13:28,013 --> 00:13:30,148 ISN'T PURELY MENTAL ♪ 439 00:13:30,148 --> 00:13:31,716 ♪ FOR HEAVEN REST US 440 00:13:31,716 --> 00:13:33,351 I AM NOT ASBESTOS ♪ 441 00:13:33,351 --> 00:13:36,688 ♪ AND THAT'S WHY 442 00:13:36,688 --> 00:13:38,089 I WON'T DANCE 443 00:13:38,089 --> 00:13:43,061 I WON'T DANCE ♪ 444 00:13:43,061 --> 00:13:44,529 ♪ AND THAT'S WHY 445 00:13:44,529 --> 00:13:44,963 I WON'T DANCE 446 00:13:44,963 --> 00:13:46,965 I WON'T DANCE ♪ 447 00:13:46,965 --> 00:13:49,834 ♪ I WON'T DANCE 448 00:13:49,834 --> 00:13:50,368 MERCI BEAUCOUP ♪ 449 00:13:50,368 --> 00:13:51,736 ♪ I KNOW THAT MUSIC 450 00:13:51,736 --> 00:13:54,906 LEADS THE WAY TO ROMANCE ♪ 451 00:13:54,906 --> 00:13:55,473 ♪ SO IF I HOLD YOU 452 00:13:55,473 --> 00:14:02,047 IN MY ARMS 453 00:14:02,047 --> 00:14:06,051 I WON'T DANCE ♪ 454 00:14:06,051 --> 00:14:08,553 >> Alfonso: JOEY AND JENNA WITH 455 00:14:08,553 --> 00:14:11,756 A FOXTROT. 456 00:14:11,756 --> 00:14:14,559 HE WON'T DANCE, BUT HE WILL 457 00:14:14,559 --> 00:14:17,462 FOXTROT. 458 00:14:17,462 --> 00:14:20,732 OH, YEAH. 459 00:14:20,732 --> 00:14:25,003 OH, YEAH. 460 00:14:25,003 --> 00:14:25,637 DEREK? 461 00:14:25,637 --> 00:14:28,273 >> JOEY, THAT FOXTROT WAS A 462 00:14:28,273 --> 00:14:29,641 MASTER CLASS WRAPPED IN A BREATH 463 00:14:29,641 --> 00:14:30,575 OF FRESH AIR. 464 00:14:30,575 --> 00:14:33,978 STRAIGHT OUT OF MGM CLASSIC. 465 00:14:33,978 --> 00:14:35,380 FREDS A TEAR IS HIGH-FIVING YOU 466 00:14:35,380 --> 00:14:37,715 RIGHT NOW. 467 00:14:37,715 --> 00:14:40,885 HONESTLY, THE FRAME WAS SO 468 00:14:40,885 --> 00:14:42,353 PRISTINE IT COULD BE HUNG IN A 469 00:14:42,353 --> 00:14:42,754 GALLERY. 470 00:14:42,754 --> 00:14:43,455 TRULY. 471 00:14:43,455 --> 00:14:46,758 THE BODY CONTACT, THE FRAME, THE 472 00:14:46,758 --> 00:14:47,792 STRIDE, THAT WAS ONE OF THE 473 00:14:47,792 --> 00:14:52,931 BEST, IF NOT THE BEST FOXTROTS 474 00:14:52,931 --> 00:14:53,631 I'VE EVER SEEN EVER. 475 00:14:53,631 --> 00:14:54,566 >> Alfonso: OKAY. 476 00:14:54,566 --> 00:14:56,201 ALL RIGHT. 477 00:14:56,201 --> 00:14:56,768 BRUNO? 478 00:14:56,768 --> 00:14:59,771 >> GOLDEN AGE HOLLYWOOD 479 00:14:59,771 --> 00:15:00,472 PERFORMANCE. 480 00:15:00,472 --> 00:15:03,041 YOU ARE THE CHARISMA AND CHARM 481 00:15:03,041 --> 00:15:05,043 OF AN IDOL. 482 00:15:05,043 --> 00:15:11,583 YOU, MY DARLING. 483 00:15:11,583 --> 00:15:13,551 JENNA, I GIVE YOU THE CREDIT. 484 00:15:13,551 --> 00:15:14,986 NOTHING WAS MASKED. 485 00:15:14,986 --> 00:15:18,456 IT WAS PURE, HIGH QUALITY 486 00:15:18,456 --> 00:15:18,890 FOXTROT. 487 00:15:18,890 --> 00:15:22,093 NO IFS, NO BUTS. 488 00:15:22,093 --> 00:15:23,261 BRING IT. 489 00:15:23,261 --> 00:15:25,230 >> Alfonso: OKAY. 490 00:15:25,230 --> 00:15:26,664 CARRIE ANNE? 491 00:15:26,664 --> 00:15:27,765 >> THE RACE IS ON. 492 00:15:27,765 --> 00:15:29,400 I MEAN, IT IS ON! 493 00:15:29,400 --> 00:15:30,969 YOU GUYS ARE BRINGING THE GAME. 494 00:15:30,969 --> 00:15:34,806 THAT -- LOOK, YOU MAY HAVE 495 00:15:34,806 --> 00:15:36,908 BECOME A STAR FROM "THE 496 00:15:36,908 --> 00:15:39,043 BACHELOR," BUT YOUR STARDOME IS 497 00:15:39,043 --> 00:15:40,712 JUST BEGINNING. 498 00:15:40,712 --> 00:15:41,346 THAT WAS FABULOUS. 499 00:15:41,346 --> 00:15:41,913 >> Alfonso: HEAD UP TO THE 500 00:15:41,913 --> 00:15:43,448 SKYBOX FOR YOUR SCORES. 501 00:15:43,448 --> 00:15:44,115 GREAT JOB. 502 00:15:44,115 --> 00:15:45,016 LAST WEEK, OUR OLYMPIC RUGBY 503 00:15:45,016 --> 00:15:45,717 PLAYER EARNED HER FIRST 10 OF 504 00:15:45,717 --> 00:15:46,217 THE SEASON. 505 00:15:46,217 --> 00:15:47,685 CAN SHE DO IT AGAIN? 506 00:15:47,685 --> 00:15:48,419 ILONA MAR AND ALAN BERSTEN ARE 507 00:15:48,419 --> 00:15:49,787 ON THE WAY. 508 00:15:49,787 --> 00:15:50,822 JULIANNE. 509 00:15:50,822 --> 00:15:55,260 >> Julianne: THANKS, ALFONSO. 510 00:15:55,260 --> 00:15:56,461 THE AUDIENCE IS ELECTRIC. 511 00:15:56,461 --> 00:16:00,532 THIS IS AMAZING. 512 00:16:00,532 --> 00:16:01,232 OKAY. 513 00:16:01,232 --> 00:16:04,502 YOU JUST DANCED A FOXTROT THAT 514 00:16:04,502 --> 00:16:05,703 DEREK SAID WAS ONE OF THE BEST 515 00:16:05,703 --> 00:16:06,404 HE'S EVER SEEN. 516 00:16:06,404 --> 00:16:07,772 WHAT ARE YOU FEELING RIGHT NOW? 517 00:16:07,772 --> 00:16:08,573 >> EVERYTHING. 518 00:16:08,573 --> 00:16:09,874 THAT'S A CRAZY COMPLIMENT. 519 00:16:09,874 --> 00:16:11,843 I AM SO THANKFUL. 520 00:16:11,843 --> 00:16:13,378 THAT WAS JUST SUCH A FUN DANCE 521 00:16:13,378 --> 00:16:15,046 SHE CREATED THAT I COULDN'T WAIT 522 00:16:15,046 --> 00:16:16,080 TO DO WITH HER. 523 00:16:16,080 --> 00:16:19,050 I'M SAD IT'S THE LAST TIME WE'RE 524 00:16:19,050 --> 00:16:19,684 GOING TO DO IT. 525 00:16:19,684 --> 00:16:20,752 >> Julianne: I THINK WE ALL 526 00:16:20,752 --> 00:16:21,986 AGREE IT WAS AMAZING. 527 00:16:21,986 --> 00:16:24,189 NOW, HERE IS THE BEST QUESTION. 528 00:16:24,189 --> 00:16:27,759 A LOT OF BACHELORETTES TEND TO 529 00:16:27,759 --> 00:16:29,627 WIN THE SHOW, BUT THE BACHELORS 530 00:16:29,627 --> 00:16:30,995 GET KICKED OUT. 531 00:16:30,995 --> 00:16:32,931 IS THIS MORE TRYING TO MAKE 532 00:16:32,931 --> 00:16:33,631 "DANCING WITH THE STARS" 533 00:16:33,631 --> 00:16:36,134 HISTORY, TRYING TO GET INTO THE 534 00:16:36,134 --> 00:16:37,168 FINALE? 535 00:16:37,168 --> 00:16:38,536 >> ONE STEP AT A TIME. 536 00:16:38,536 --> 00:16:39,504 I'M HOPEFUL. 537 00:16:39,504 --> 00:16:41,673 JUST GOT TO DEEP DANCING. 538 00:16:41,673 --> 00:16:42,740 >> KEEP DANCING. 539 00:16:42,740 --> 00:16:43,441 ALL RIGHT. 540 00:16:43,441 --> 00:16:44,475 LET'S GET YOUR SCORES WHEN WE 541 00:16:44,475 --> 00:16:45,476 COME BACK. 542 00:16:51,020 --> 00:16:54,056 ♪♪ 543 00:16:54,056 --> 00:16:56,892 >> Julianne: WELCOME BACK. 544 00:16:56,892 --> 00:16:58,127 IT'S THE SEMIFINALS. 545 00:16:58,127 --> 00:17:00,629 BEFORE THE BREAK, JOEY AND JENNA 546 00:17:00,629 --> 00:17:04,400 PERFORMED A FOXTROT THAT DEREK 547 00:17:04,400 --> 00:17:06,769 CLAIMED AS A MASTER CLASS. 548 00:17:06,769 --> 00:17:09,738 LET'S GET THEIR SCORES. 549 00:17:09,738 --> 00:17:10,806 >> CARRIE ANNE? 550 00:17:10,806 --> 00:17:14,510 >> IT'S A 10. 551 00:17:14,510 --> 00:17:15,344 >> DEREK. 552 00:17:15,344 --> 00:17:17,346 >> 10! 553 00:17:17,346 --> 00:17:19,815 >> BRUNO TONIOLI? 554 00:17:19,815 --> 00:17:20,516 >> 10. 555 00:17:20,516 --> 00:17:22,518 >> Julianne: IT'S A 30 OUT OF 30 556 00:17:22,518 --> 00:17:23,619 SO FAR. 557 00:17:23,619 --> 00:17:25,387 OKAY, YOU GOT A PERFECT SCORE. 558 00:17:25,387 --> 00:17:26,922 HOW ARE YOU FEELING? 559 00:17:26,922 --> 00:17:28,324 >> FEELS GREAT. 560 00:17:28,324 --> 00:17:30,893 NEVER GOT ONE OF THOSE, FEELS 561 00:17:30,893 --> 00:17:31,494 GOOD. 562 00:17:31,494 --> 00:17:32,428 >> Julianne: I LOVE THAT. 563 00:17:32,428 --> 00:17:34,096 I CAN SEE THE TEARS IN YOUR 564 00:17:34,096 --> 00:17:34,797 EYES. 565 00:17:34,797 --> 00:17:36,232 YOU GUYS ARE BOTH REALLY HAPPY 566 00:17:36,232 --> 00:17:37,166 RIGHT NOW. 567 00:17:37,166 --> 00:17:39,068 THAT WAS THEIR BALLROOM ROUTINE, 568 00:17:39,068 --> 00:17:41,770 BUT THEY STILL HAVE A LATIN 569 00:17:41,770 --> 00:17:43,205 ROUTINE COMING UP. 570 00:17:43,205 --> 00:17:44,607 THEY NEED YOUR VOTES. 571 00:17:44,607 --> 00:17:45,908 >> Announcer: THANKS, JEWEL 572 00:17:45,908 --> 00:17:46,609 THAN. 573 00:17:46,609 --> 00:17:49,645 I LOVE THE TEARS IN THEIR EYES. 574 00:17:49,645 --> 00:17:56,051 AN OLYMPIC RUGBY FLAVOR WHO, 575 00:17:56,051 --> 00:17:57,353 LAST WEEK, WAS 576 00:17:57,353 --> 00:17:58,420 PRAISED BY THE JUDGES FOR HER 577 00:17:58,420 --> 00:18:00,189 IMPROVEMENT. 578 00:18:00,189 --> 00:18:00,923 WITH THE PRESSURE ON TO GET INTO 579 00:18:00,923 --> 00:18:01,657 THE FINALE, CAN SHE CONTINUE TO 580 00:18:01,657 --> 00:18:02,358 SCORE? 581 00:18:02,358 --> 00:18:02,658 IT'S ILONA MAR AND ALAN BERSTEN. 582 00:18:06,028 --> 00:18:07,429 >> YOU BOUNCED BACK FROM LAST 583 00:18:07,429 --> 00:18:08,063 WEEK. 584 00:18:08,063 --> 00:18:09,865 THAT WAS A FANTASTIC DANCE! 585 00:18:09,865 --> 00:18:10,666 >> 10! 586 00:18:10,666 --> 00:18:13,135 >> WE GOT A 10! 587 00:18:13,135 --> 00:18:14,804 >> WE GOT OUR FIRST 10. 588 00:18:14,804 --> 00:18:15,905 I'M SO PROUD OF YOU. 589 00:18:15,905 --> 00:18:17,673 >> IT WAS DEFINITELY MY GOAL TO 590 00:18:17,673 --> 00:18:19,441 SHOW PEOPLE I SHOULD STILL BE IN 591 00:18:19,441 --> 00:18:21,577 THIS COMPETITION, AND I REALLY 592 00:18:21,577 --> 00:18:23,078 THINK THAT DANCE DID THAT FOR 593 00:18:23,078 --> 00:18:23,779 US. 594 00:18:23,779 --> 00:18:25,414 >> YOU CAME IN HERE WITH ZERO 595 00:18:25,414 --> 00:18:28,484 DANCE EXPERIENCE, BUT CAME IN 596 00:18:28,484 --> 00:18:29,185 HERE WITH A GOOD ATTITUDE. 597 00:18:29,185 --> 00:18:30,653 >> THIS IS ONE EXPERIENCE I WILL 598 00:18:30,653 --> 00:18:32,154 REMEMBER FOR THE REST OF MY 599 00:18:32,154 --> 00:18:32,855 LIFE. 600 00:18:32,855 --> 00:18:33,923 I DON'T WANT TO BE CUT SHORT. 601 00:18:33,923 --> 00:18:35,624 I THINK I HAVE MORE TO GIVE. 602 00:18:35,624 --> 00:18:37,193 >> IT IS THE SEMIFINALS. 603 00:18:37,193 --> 00:18:38,727 IT IS THE HARDEST WEEK OF 604 00:18:38,727 --> 00:18:40,629 COMPETITION BECAUSE WE HAVE TO 605 00:18:40,629 --> 00:18:42,264 SHOW OUR RANGE. 606 00:18:42,264 --> 00:18:44,133 OUR FIRST DANCE IS A LATIN 607 00:18:44,133 --> 00:18:44,834 DANCE. 608 00:18:44,834 --> 00:18:48,170 >> WATCHING OTHER COUPLES DOING 609 00:18:48,170 --> 00:18:50,506 IT STRONG AND SHOULD PLAY TO MY 610 00:18:50,506 --> 00:18:51,140 STRENGTHS. 611 00:18:51,140 --> 00:18:54,944 IT WILL BE AN ALTER EGO OF 612 00:18:54,944 --> 00:18:57,479 SENSUAL, POWERFUL DANCERS. 613 00:18:57,479 --> 00:18:58,647 >> LET'S BRING UP THE BULL. 614 00:18:58,647 --> 00:18:59,982 >> SHOW THEM THE HORN. 615 00:18:59,982 --> 00:19:01,650 >> SUPER CONTROLLED POWER. 616 00:19:01,650 --> 00:19:03,419 >> I'M A MATADOR. 617 00:19:03,419 --> 00:19:06,689 THAT JUST MAKES SENSE FOR ME 618 00:19:06,689 --> 00:19:07,189 SPIRITUALLY. 619 00:19:07,189 --> 00:19:07,890 ALAN IS THE BULL. 620 00:19:07,890 --> 00:19:10,693 >> IT IS A POWERFUL DANCE. 621 00:19:10,693 --> 00:19:14,463 AND ILONA IS EXTREMELY POWERFUL 622 00:19:14,463 --> 00:19:15,798 ON THE RUGBY PITCH. 623 00:19:15,798 --> 00:19:17,366 THIS SHOULD BE FINE AS LONG AS 624 00:19:17,366 --> 00:19:20,002 SHE REFINES HER ARMS. 625 00:19:20,002 --> 00:19:21,503 YOU'RE NOT RUSHED. 626 00:19:21,503 --> 00:19:22,571 TAKE YOUR TIME. 627 00:19:22,571 --> 00:19:24,206 >> PEOPLE SEE MY STRENGTH. 628 00:19:24,206 --> 00:19:25,474 THEY SEE ME DO LIFTS. 629 00:19:25,474 --> 00:19:27,076 THIS DANCE IS A DIFFERENT SORT 630 00:19:27,076 --> 00:19:29,211 OF POWER, A POWER IN MOVEMENT 631 00:19:29,211 --> 00:19:29,912 AND FACE. 632 00:19:29,912 --> 00:19:31,146 >> YOU WANT TO GET AWAY FROM THE 633 00:19:31,146 --> 00:19:31,847 BULL, RIGHT? 634 00:19:31,847 --> 00:19:33,682 >> I HAVE BEEN THROUGH A LOT OF 635 00:19:33,682 --> 00:19:35,117 SEMIFINALS IN RUGBY, AND I AM 636 00:19:35,117 --> 00:19:37,319 NOT READY TO LOSE THIS ONE. 637 00:19:37,319 --> 00:19:38,420 >> GREAT. 638 00:19:38,420 --> 00:19:40,122 WHO THE HELL ARE YOU, DUDE? 639 00:19:40,122 --> 00:19:42,858 >> IT'S ONLY TAKEN TEN WEEKS. 640 00:19:42,858 --> 00:19:43,859 >> Announcer: DANCING THE 641 00:19:43,859 --> 00:19:46,362 PASODOBLE, WITH HER PARTNER 642 00:19:46,362 --> 00:19:47,029 ALAN BERSTEN, IT'S ILONA MAHER. 643 00:19:48,597 --> 00:19:49,632 ♪ MUMMY DON'T KNOW 644 00:19:49,632 --> 00:19:51,333 DADDY'S GETTING HOT ♪ 645 00:19:51,333 --> 00:19:52,868 ♪ AT THE BODY SHOP ♪ 646 00:19:52,868 --> 00:19:55,437 DOIN' SOMETHIN' UNHOLY 647 00:19:55,437 --> 00:19:57,006 ♪ MMM YOUR BODY BODY THAT 648 00:19:57,006 --> 00:20:02,344 YOUR BODY BODY THAT ♪ 649 00:20:02,344 --> 00:20:03,412 ♪ A LUCKY LUCKY GIRL 650 00:20:03,412 --> 00:20:04,346 SHE GOT MARRIED 651 00:20:04,346 --> 00:20:07,049 TO A BOY LIKE YOU ♪ 652 00:20:07,049 --> 00:20:09,118 ♪ SHE'D KICK YOU OUT 653 00:20:09,118 --> 00:20:11,020 IF SHE EVER EVER KNEW ♪ 654 00:20:11,020 --> 00:20:12,288 ♪ 'BOUT ALL THE HUH 655 00:20:12,288 --> 00:20:16,492 YOU TELL ME THAT YOU DO ♪ 656 00:20:16,492 --> 00:20:19,628 ♪ DIRTY DIRTY BOY 657 00:20:19,628 --> 00:20:21,230 YOU KNOW EVERYONE 658 00:20:21,230 --> 00:20:22,264 IS TALKIN' ON THE SCENE ♪ 659 00:20:22,264 --> 00:20:23,332 ♪ I HEAR THEM WHISPERIN' 660 00:20:23,332 --> 00:20:25,100 'BOUT THE PLACES 661 00:20:25,100 --> 00:20:25,701 THAT YOU'VE BEEN ♪ 662 00:20:25,701 --> 00:20:26,335 ♪ AND HOW YOU DON'T KNOW 663 00:20:26,335 --> 00:20:27,536 HOW TO KEEP 664 00:20:27,536 --> 00:20:32,441 YOUR BUSINESS CLEAN ♪ 665 00:20:32,441 --> 00:20:34,009 ♪ MUMMY DON'T KNOW 666 00:20:34,009 --> 00:20:34,610 DADDY'S GETTING HOT ♪ 667 00:20:34,610 --> 00:20:38,180 ♪ AT THE BODY SHOP 668 00:20:38,180 --> 00:20:38,847 DOIN' SOMETHIN' UNHOLY ♪ 669 00:20:38,847 --> 00:20:40,115 ♪ HE'S SAT BACK 670 00:20:40,115 --> 00:20:42,384 WHILE SHE'S DROPPIN' IT ♪ 671 00:20:42,384 --> 00:20:42,952 ♪ SHE BE POPPIN' IT 672 00:20:42,952 --> 00:20:43,886 YEAH SHE PUT IT DOWN 673 00:20:43,886 --> 00:20:46,021 SLOWLY ♪ 674 00:20:46,021 --> 00:20:47,523 ♪ OH-EE-OH-EE-OH 675 00:20:47,523 --> 00:20:50,359 HE LEFT HIS KIDS AT 676 00:20:50,359 --> 00:20:52,561 HO-EE-OH-EE-OME ♪ 677 00:20:52,561 --> 00:20:53,228 ♪ SO HE CAN GET THAT ♪ 678 00:20:53,228 --> 00:20:54,363 ♪ MUMMY DON'T KNOW 679 00:20:54,363 --> 00:20:55,964 DADDY'S GETTING HOT ♪ 680 00:20:55,964 --> 00:20:58,067 ♪ AT THE BODY SHOP 681 00:20:58,067 --> 00:21:04,373 DOIN' SOMETHIN' UNHOLY ♪ 682 00:21:04,373 --> 00:21:10,346 ♪ AT THE BODY SHOP 683 00:21:10,346 --> 00:21:12,781 YOUR BODY BODY THAT ♪ 684 00:21:12,781 --> 00:21:14,316 ♪ AT THE BODY SHOP 685 00:21:14,316 --> 00:21:15,984 YOUR BODY BODY THAT ♪ 686 00:21:15,984 --> 00:21:17,519 ♪ AT THE BODY SHOP 687 00:21:17,519 --> 00:21:18,120 YOUR BODY BODY THAT ♪ 688 00:21:18,120 --> 00:21:18,721 ♪ AT THE BODY SHOP 689 00:21:18,721 --> 00:21:19,655 DOIN' SOMETHIN' UNHOLY ♪ 690 00:21:19,655 --> 00:21:22,825 >> Alfonso: ILONA AND ALAN WITH 691 00:21:22,825 --> 00:21:28,697 A PASODOBLE. 692 00:21:28,697 --> 00:21:32,468 AND THE ROOM HAS ERUPTED! 693 00:21:32,468 --> 00:21:38,874 EVERYONE IS LOVING THAT ONE. 694 00:21:38,874 --> 00:21:42,745 OH, THE APPLAUSE IS DEAFENING IN 695 00:21:42,745 --> 00:21:43,345 THE HOUSE. 696 00:21:43,345 --> 00:21:44,813 ALL RIGHT, BRUNO. 697 00:21:44,813 --> 00:21:46,382 >> WHAT AN ENTRANCE! 698 00:21:46,382 --> 00:21:49,284 TALK ABOUT A DRAMA QUEEN. 699 00:21:49,284 --> 00:21:54,189 I HAVE TO HAVE THAT CANDLE BACK. 700 00:21:54,189 --> 00:21:58,460 SALMA HAYAK IN "FROM DUSK TO 701 00:21:58,460 --> 00:21:59,728 DAWN," TEASING THE BOYS. 702 00:21:59,728 --> 00:22:00,696 YOU CAN HAVE EVERYTHING YOU 703 00:22:00,696 --> 00:22:01,563 WANT, MY DARLING. 704 00:22:01,563 --> 00:22:03,499 THAT WAS SO STRONG, SO FOCUSED. 705 00:22:03,499 --> 00:22:04,433 YOU LOOKED BEAUTIFUL. 706 00:22:04,433 --> 00:22:06,902 A TINY, TINY LITTLE THING. 707 00:22:06,902 --> 00:22:13,475 YOU HAVE TO BE MORE ON THE 708 00:22:13,475 --> 00:22:14,076 FLAMENCO FLAVOR. 709 00:22:14,076 --> 00:22:15,477 WHAT AN INCREDIBLE 710 00:22:15,477 --> 00:22:15,944 TRANSFORMATION. 711 00:22:15,944 --> 00:22:18,046 YOU LOOKED GREAT! 712 00:22:18,046 --> 00:22:20,249 >> ILONA, DON'T YOU EVER DOUBT 713 00:22:20,249 --> 00:22:21,984 YOUR RIGHT TO BE HERE IN THE 714 00:22:21,984 --> 00:22:22,684 SEMIFINALS. 715 00:22:22,684 --> 00:22:23,218 YOU ARE THE ONE THAT HAS COME 716 00:22:23,218 --> 00:22:24,920 THE FURTHEST IN THIS 717 00:22:24,920 --> 00:22:25,554 COMPETITION. 718 00:22:25,554 --> 00:22:26,488 I LOOK BACK AT YOUR SCORES. 719 00:22:26,488 --> 00:22:28,824 YOU STARTED WITH THE LOWEST 720 00:22:28,824 --> 00:22:29,525 SCORES. 721 00:22:29,525 --> 00:22:30,392 YOU HAVE PROVEN YOUR WORTH IN SO 722 00:22:30,392 --> 00:22:31,093 MANY WAYS. 723 00:22:31,093 --> 00:22:32,761 THIS SHOW IS ABOUT 724 00:22:32,761 --> 00:22:33,462 TRANSFORMATION. 725 00:22:33,462 --> 00:22:35,497 YOU HAVE MADE SUCH AN INCREDIBLE 726 00:22:35,497 --> 00:22:36,298 TRANSFORMATION, AND YOU CONTINUE 727 00:22:36,298 --> 00:22:37,499 TO INSPIRE ME. 728 00:22:37,499 --> 00:22:39,768 BUT I DO HAVE TO SAY THERE WAS 729 00:22:39,768 --> 00:22:40,469 ONE THING. 730 00:22:40,469 --> 00:22:41,804 IT GOT A LITTLE CLOSE AT MOMENTS 731 00:22:41,804 --> 00:22:43,138 AND THAT THREW IT OFF. 732 00:22:43,138 --> 00:22:51,113 BUT, WOW, NEVER DOUBT HER. 733 00:22:51,113 --> 00:22:51,613 NEVER. 734 00:22:51,613 --> 00:22:52,114 >> Announcer: DEREK? 735 00:22:52,114 --> 00:22:54,283 >> ILONA, LET'S GO! 736 00:22:54,283 --> 00:22:54,983 LET'S GO. 737 00:22:54,983 --> 00:22:56,084 I FEEL LIKE YOU HAVE BEEN 738 00:22:56,084 --> 00:22:57,186 WAITING FOR THIS DANCE. 739 00:22:57,186 --> 00:22:58,554 THIS FELT LIKE YOUR DANCE. 740 00:22:58,554 --> 00:23:00,789 IT WAS SO SHARP, SO DELIBERATE, 741 00:23:00,789 --> 00:23:03,325 SO INTENTIONAL, SO POWERFUL, SO 742 00:23:03,325 --> 00:23:04,026 STRONG. 743 00:23:04,026 --> 00:23:05,794 THE OPENING MOMENT FELT LIKE AN 744 00:23:05,794 --> 00:23:07,763 INTENSE ROAD CEREMONY PICKING 745 00:23:07,763 --> 00:23:10,365 WHAT GOD YOU WANTED, YOU KNOW? 746 00:23:10,365 --> 00:23:12,634 BUT LISTEN, LISTEN, YOU WERE 747 00:23:12,634 --> 00:23:16,305 CARVING ART ON THAT DANCE FLOOR. 748 00:23:16,305 --> 00:23:16,839 WELL DONE. 749 00:23:16,839 --> 00:23:18,574 >> Alfonso: BEAUTIFUL. 750 00:23:18,574 --> 00:23:19,808 HEAD OFF TO THE 751 00:23:19,808 --> 00:23:20,442 SKYBOX FOR YOUR SCORES. 752 00:23:20,442 --> 00:23:21,110 NEXT TUESDAY NIGHT, WE ARE 753 00:23:21,110 --> 00:23:22,110 TAKING OVER ALL OF ABC PRIME 754 00:23:22,110 --> 00:23:22,811 TIME FOR A MASSIVE THREE-HOUR 755 00:23:22,811 --> 00:23:24,046 SEASON FINALE. 756 00:23:24,046 --> 00:23:26,348 WE'LL CELEBRATE WITH AN AMAZING 757 00:23:26,348 --> 00:23:27,950 PERFORMANCE BY DEREK HOUGH AND 758 00:23:27,950 --> 00:23:28,650 MARK BALLAS, THE RETURN OF 759 00:23:28,650 --> 00:23:30,319 REIGNING CHAMPIONS XOCHITL GOMEZ 760 00:23:30,319 --> 00:23:31,420 AND VAL CHMERKOVSKIY, AND 761 00:23:31,420 --> 00:23:32,754 SPECIAL TREATS FROM THE STARS OF 762 00:23:32,754 --> 00:23:33,388 THIS INCREDIBLE SEASON. 763 00:23:33,388 --> 00:23:35,157 JULIANNE. 764 00:23:35,157 --> 00:23:36,191 >> Julianne: AND OF COURSE, 765 00:23:36,191 --> 00:23:37,226 WE'VE GOT THE MUCH-ANTICIPATED 766 00:23:37,226 --> 00:23:38,327 FREESTYLES. 767 00:23:38,327 --> 00:23:39,061 FROM WHAT I'VE BEEN HEARING FROM 768 00:23:39,061 --> 00:23:39,761 THE PROS, THEY ARE NOT TO BE 769 00:23:39,761 --> 00:23:42,931 MISSED. 770 00:23:42,931 --> 00:23:43,966 OH, MY GOODNESS. 771 00:23:43,966 --> 00:23:46,602 THOSE COMMENTS FROM CARRIE ANNE, 772 00:23:46,602 --> 00:23:48,337 I LOVE WATCHING YOU GET 773 00:23:48,337 --> 00:23:49,037 EMOTIONAL. 774 00:23:49,037 --> 00:23:49,905 HOW MUCH DID THOSE COMMENTS MEAN 775 00:23:49,905 --> 00:23:50,405 TO YOU? 776 00:23:50,405 --> 00:23:51,740 >> I GET EMOTIONAL. 777 00:23:51,740 --> 00:23:53,542 BUT YOU SEE ONLINE PEOPLE 778 00:23:53,542 --> 00:23:55,110 SAYING, YOU'RE NOT COMING BACK. 779 00:23:55,110 --> 00:23:57,446 I AM IMPROVING. 780 00:23:57,446 --> 00:23:58,747 AND I THINK I SHOWED IT, THAT I 781 00:23:58,747 --> 00:24:00,616 DO DESERVE TO BE HERE BECAUSE I 782 00:24:00,616 --> 00:24:01,216 AM DOING WELL. 783 00:24:01,216 --> 00:24:02,284 >> Julianne: YES, YOU ARE. 784 00:24:02,284 --> 00:24:04,086 WELL, I THINK WE SHOULD JUST GO 785 00:24:04,086 --> 00:24:07,556 RIGHT TO YOUR SCORES. 786 00:24:07,556 --> 00:24:13,395 >> Announcer: CARRIE ANN? 787 00:24:13,395 --> 00:24:15,697 >> 9. 788 00:24:15,697 --> 00:24:21,136 >> Announcer: DEREK HOUGH. 789 00:24:21,136 --> 00:24:22,204 >> 9. 790 00:24:22,204 --> 00:24:24,339 >> Announcer: BRUNO TONIOLI? 791 00:24:24,339 --> 00:24:25,040 >> 10! 792 00:24:25,040 --> 00:24:26,141 >> Julianne: THAT'S YOUR FIRST 793 00:24:26,141 --> 00:24:27,709 10 FROM DEREK. 794 00:24:27,709 --> 00:24:29,178 HOW DO YOU FEEL ABOUT THAT? 795 00:24:29,178 --> 00:24:31,747 >> I LOVE YOU, DEREK. 796 00:24:31,747 --> 00:24:32,414 THEY'VE GOT MORE 797 00:24:32,414 --> 00:24:32,948 JUDGES' SCORES COMING UP FOR 798 00:24:32,948 --> 00:24:33,615 THEIR BALLROOM DANCE. 799 00:24:33,615 --> 00:24:34,182 EVERYONE IS DESPERATE TO GET 800 00:24:34,182 --> 00:24:34,883 INTO THE FINALE. 801 00:24:34,883 --> 00:24:35,517 AS ALWAYS, YOUR VOTES COUNT FOR 802 00:24:35,517 --> 00:24:36,451 HALF OF OUR COUPLES' FINAL 803 00:24:36,451 --> 00:24:37,152 TOTALS. 804 00:24:37,152 --> 00:24:37,686 VOTING CLOSES DURING THE LAST 805 00:24:37,686 --> 00:24:39,087 COMMERCIAL BREAK. 806 00:24:39,087 --> 00:24:39,788 ALFONSO. 807 00:24:39,788 --> 00:24:42,257 >> Alfonso: THANKS, JULIANNE. 808 00:24:42,257 --> 00:24:44,326 AS THE FIRST ROUND OF THE 809 00:24:44,326 --> 00:24:45,060 SEMI-FINALS HEATS UP, WILL OUR 810 00:24:45,060 --> 00:24:45,928 SUPER BOWL CHAMPION BRING HIS 811 00:24:45,928 --> 00:24:48,030 "A" GAME? 812 00:24:48,030 --> 00:24:50,165 FIND OUT WHEN DANNY AMENDOLA AND 813 00:24:50,165 --> 00:24:52,000 WITNEY CARSON DANCE NEXT, LIVE. 814 00:25:01,810 --> 00:25:03,979 ♪♪ 815 00:25:03,979 --> 00:25:06,248 >> Alfonso: WELCOME BACK. 816 00:25:06,248 --> 00:25:10,552 UP NEXT, THE TWO-TIME SUPER BOWL 817 00:25:10,552 --> 00:25:14,990 CHAMPION WHO TIED FOR THE TOP OF 818 00:25:14,990 --> 00:25:18,961 THE LEADERBOARD ON DEDICATION 819 00:25:18,961 --> 00:25:19,628 NIGHT 820 00:25:19,628 --> 00:25:19,995 AND HAS YET TO RETURN TO THE 821 00:25:19,995 --> 00:25:20,562 TOP. 822 00:25:20,562 --> 00:25:20,896 IS THIS HIS NIGHT FOR A 823 00:25:20,896 --> 00:25:21,763 COMEBACK? 824 00:25:21,763 --> 00:25:22,497 WITH THEIR BALLROOM DANCE, IT'S 825 00:25:22,497 --> 00:25:23,031 DANNY AMENDOLA AND 826 00:25:23,031 --> 00:25:23,899 WITNEY CARSON. 827 00:25:26,001 --> 00:25:28,570 >> WE MADE IT TO THE SEMIFINALS. 828 00:25:28,570 --> 00:25:29,204 CONGRATS! 829 00:25:29,204 --> 00:25:30,105 >> I BELIEVE WE CAN GET HERE. 830 00:25:30,105 --> 00:25:33,442 WE PUT A LOT OF WORK IN. 831 00:25:33,442 --> 00:25:34,977 >> DANNY, JUST THINKING OF WHERE 832 00:25:34,977 --> 00:25:36,712 YOU STARTED THIS COMPETITION TO 833 00:25:36,712 --> 00:25:39,014 WHAT YOU JUST PERFORMED ON THIS 834 00:25:39,014 --> 00:25:41,550 DANCE FLOOR IS MIND-BLOWING. 835 00:25:41,550 --> 00:25:43,185 >> YOU HAVE BEEN KIND OF THE 836 00:25:43,185 --> 00:25:43,785 UNDERDOG. 837 00:25:43,785 --> 00:25:45,053 BUT YOU REALLY DEDICATED 838 00:25:45,053 --> 00:25:47,256 YOURSELF TO THIS COMPETITION, SO 839 00:25:47,256 --> 00:25:48,323 I'M REALLY PROUD OF YOU. 840 00:25:48,323 --> 00:25:49,524 >> THANKS, CHAMP. 841 00:25:49,524 --> 00:25:51,226 >> I THINK IT'S FAIR THAT I'M 842 00:25:51,226 --> 00:25:52,227 SEEN AS THE UNDERDOG. 843 00:25:52,227 --> 00:25:53,629 I HAVE NO DANCING EXPERIENCE. 844 00:25:53,629 --> 00:25:55,063 BUT I LOVE THAT TITLE BECAUSE I 845 00:25:55,063 --> 00:25:56,465 GET TO PROVE PEOPLE WRONG. 846 00:25:56,465 --> 00:25:58,467 >> OUR FIRST DANCE IS A BALLROOM 847 00:25:58,467 --> 00:26:01,470 DANCE AND WE ARE DOING A WALTZ. 848 00:26:01,470 --> 00:26:02,337 >> LET'S GET IT. 849 00:26:02,337 --> 00:26:05,140 >> YOU WON THE MIRROR BALL. 850 00:26:05,140 --> 00:26:05,807 WHAT DOES IT TAKE? 851 00:26:05,807 --> 00:26:07,009 >> WE HAVE TO HAVE THOSE WOW 852 00:26:07,009 --> 00:26:11,113 MOMENTS NOW AND LET PEOPLE FEEL 853 00:26:11,113 --> 00:26:11,513 YOUR HEART. 854 00:26:11,513 --> 00:26:12,247 >> I'M READY. 855 00:26:12,247 --> 00:26:12,948 LEGS ARE FOCUSED. 856 00:26:12,948 --> 00:26:14,750 >> I WANTED TO TELL THE STORY 857 00:26:14,750 --> 00:26:16,351 ABOUT A RELATIONSHIP THAT YOU 858 00:26:16,351 --> 00:26:18,120 REALLY WANT TO WORK BUT KNOW 859 00:26:18,120 --> 00:26:19,221 THAT ISN'T GOOD FOR YOU. 860 00:26:19,221 --> 00:26:20,722 THE LAST TIME WE HAD A STORY 861 00:26:20,722 --> 00:26:22,124 LIKE THIS WAS THE CONTEMPORARY 862 00:26:22,124 --> 00:26:23,392 AND THAT WAS A BREAKTHROUGH 863 00:26:23,392 --> 00:26:24,226 MOMENT FOR DANNY. 864 00:26:24,226 --> 00:26:26,595 SO HE'S GOING TO HAVE TO DIG 865 00:26:26,595 --> 00:26:28,063 EVEN DEEPER AND REALLY PERFORM 866 00:26:28,063 --> 00:26:29,765 THE BEST OF HIS ABILITY. 867 00:26:29,765 --> 00:26:31,400 THINK OF THIS WHOLE DANCE AS 868 00:26:31,400 --> 00:26:32,100 FLOATING. 869 00:26:32,100 --> 00:26:33,468 WE'RE JUST FLOATING IN THE SKY. 870 00:26:33,468 --> 00:26:38,240 >> I CAN'T WOW THE JUDGES WITH 871 00:26:38,240 --> 00:26:38,940 TRICKS. 872 00:26:38,940 --> 00:26:42,511 I HAVE TO MOVE WITH ELEGANCE AND 873 00:26:42,511 --> 00:26:44,613 GRACE, WHICH IS TOUGH FOR MY 874 00:26:44,613 --> 00:26:45,213 BODY. 875 00:26:45,213 --> 00:26:46,748 >> I FORGOT WHAT THAT IS. 876 00:26:46,748 --> 00:26:48,583 >> EACH WEEK, IT FEELS LIKE 877 00:26:48,583 --> 00:26:49,751 WE'RE ASSIGNED THE UP POSSIBLE. 878 00:26:49,751 --> 00:26:51,586 >> THAT'S SO BAD. 879 00:26:51,586 --> 00:26:54,389 BY THE END OF THE WEEK, THE 880 00:26:54,389 --> 00:26:55,957 IMPOSSIBLE FEELS OBTAINABLE. 881 00:26:55,957 --> 00:26:57,626 NOW MY COMPETITIVE NATURE IS 882 00:26:57,626 --> 00:26:59,561 COMING OUT. 883 00:26:59,561 --> 00:27:00,262 >> LET'S GO! 884 00:27:00,262 --> 00:27:02,597 >> SO IT'S TIME TO CRANK THIS 885 00:27:02,597 --> 00:27:03,198 UP. 886 00:27:03,198 --> 00:27:03,899 >> Announcer: DANCING THE 887 00:27:03,899 --> 00:27:04,399 VIENNESE WALTZ, WITH HIS PARTNER 888 00:27:04,399 --> 00:27:05,167 WITNEY CARSON, IT'S 889 00:27:05,167 --> 00:27:08,270 DANNY AMENDOLA. 890 00:27:18,280 --> 00:27:21,483 ♪ GRAVITY IS WORKING 891 00:27:21,483 --> 00:27:27,789 AGAINST ME ♪ 892 00:27:27,789 --> 00:27:30,992 ♪ AND GRAVITY WANTS 893 00:27:30,992 --> 00:27:36,231 TO BRING ME DOWN ♪ 894 00:27:36,231 --> 00:27:38,834 ♪ OH I'LL NEVER KNOW 895 00:27:38,834 --> 00:27:41,002 WHAT MAKES THIS MAN ♪ 896 00:27:41,002 --> 00:27:43,105 ♪ WITH ALL THE LOVE 897 00:27:43,105 --> 00:27:46,274 THAT HIS HEART CAN STAND ♪ 898 00:27:46,274 --> 00:27:48,810 ♪ DREAM OF WAYS 899 00:27:48,810 --> 00:28:03,792 TO THROW IT ALL AWAY ♪ 900 00:28:03,792 --> 00:28:05,694 TO THROW IT ALL AWAY ♪ 901 00:28:05,694 --> 00:28:06,194 ♪♪ 902 00:28:06,194 --> 00:28:09,564 ♪ OH TWICE AS MUCH 903 00:28:09,564 --> 00:28:10,165 AIN'T TWICE AS GOOD ♪ 904 00:28:10,165 --> 00:28:12,501 ♪ AND CAN'T SUSTAIN 905 00:28:12,501 --> 00:28:14,069 LIKE ONE HALF COULD ♪ 906 00:28:14,069 --> 00:28:15,070 ♪ IT'S WANTING MORE 907 00:28:15,070 --> 00:28:17,205 THAT'S GONNA 908 00:28:17,205 --> 00:28:21,877 SEND ME TO MY KNEES ♪ 909 00:28:21,877 --> 00:28:26,648 ♪ OH GRAVITY 910 00:28:26,648 --> 00:28:30,852 STAY THE HELL AWAY FROM ME ♪ 911 00:28:30,852 --> 00:28:31,887 ♪ JUST KEEP ME 912 00:28:31,887 --> 00:28:35,624 WHERE THE LIGHT IS OH OH ♪ 913 00:28:35,624 --> 00:28:37,259 ♪ JUST KEEP ME 914 00:28:37,259 --> 00:28:45,767 WHERE THE LIGHT IS OH OH ♪ 915 00:28:45,767 --> 00:28:51,006 >> Alfonso: DANNY AND WITNEY 916 00:28:51,006 --> 00:28:51,807 CLOSING THE DOOR ON THEIR 917 00:28:51,807 --> 00:28:52,340 EMOTIONS 918 00:28:52,340 --> 00:28:54,409 WITH A VIENNESE WALTZ. 919 00:28:54,409 --> 00:28:57,712 YEAH, BROTHER. 920 00:28:57,712 --> 00:28:59,247 WOW! 921 00:28:59,247 --> 00:29:00,782 SO SMOOTH. 922 00:29:00,782 --> 00:29:02,951 CARRIE ANNE, YOU'RE UP FIRST. 923 00:29:02,951 --> 00:29:04,719 >> THAT WAS REALLY IMPRESSIVE. 924 00:29:04,719 --> 00:29:06,421 IT'S REALLY HARD TO LEARN WHAT 925 00:29:06,421 --> 00:29:10,025 YOU WERE SEARCHING FOR IN THIS 926 00:29:10,025 --> 00:29:10,725 DANCE, WHICH IS ELEGANCE AND 927 00:29:10,725 --> 00:29:13,762 GRACE. IT COMES FROM THIS REALLY 928 00:29:13,762 --> 00:29:14,696 AUTHENTIC PLACE. 929 00:29:14,696 --> 00:29:17,466 DANNY, I'M PROUD OF YOU. 930 00:29:17,466 --> 00:29:19,167 WHEN I WATCH THIS PARTNERSHIP, 931 00:29:19,167 --> 00:29:20,802 THE CHEMISTRY AND THIS TRUST, IT 932 00:29:20,802 --> 00:29:22,704 IS REALLY WHAT MAKES THE MAGIC. 933 00:29:22,704 --> 00:29:24,840 YOU ARE SO DETERMINED TO DO WHAT 934 00:29:24,840 --> 00:29:26,408 WHITNEY HAS ASKED YOU TO DO AND 935 00:29:26,408 --> 00:29:28,043 YOU DO IT WITH BEAUTIFUL 936 00:29:28,043 --> 00:29:31,813 INTEGRITY AND SO MUCH EMOTION. 937 00:29:31,813 --> 00:29:34,182 >> I'M JUST SO IMPRESSED WITH 938 00:29:34,182 --> 00:29:34,783 YOU. 939 00:29:34,783 --> 00:29:36,418 THE FRAME HAS DEFINITELY 940 00:29:36,418 --> 00:29:37,118 IMPROVED. 941 00:29:37,118 --> 00:29:38,920 THE CHOREOGRAPHY WAS BEAUTIFUL. 942 00:29:38,920 --> 00:29:40,322 THE INTENTION WAS THERE. 943 00:29:40,322 --> 00:29:42,190 FOR ME, ONE THING I FELT WHEN I 944 00:29:42,190 --> 00:29:43,492 SAW THAT WAS ALL THE MOVEMENTS 945 00:29:43,492 --> 00:29:44,526 WERE FANTASTIC. 946 00:29:44,526 --> 00:29:45,994 YOUR PARTNERSHIP IS SO STRONG, 947 00:29:45,994 --> 00:29:46,895 SO SOLID. 948 00:29:46,895 --> 00:29:47,829 IT IS JUST SOMETIMES THE 949 00:29:47,829 --> 00:29:48,430 EMOTION, RIGHT? 950 00:29:48,430 --> 00:29:50,031 I LOSE A LITTLE IN THE 951 00:29:50,031 --> 00:29:50,832 PERFORMANCE ASPECT. 952 00:29:50,832 --> 00:29:52,734 HOLD ON, HOLD ON, HOLD ON. 953 00:29:52,734 --> 00:29:54,803 NO, NO, NO, BECAUSE IT'S FIND 954 00:29:54,803 --> 00:29:56,738 THE BALANCE BETWEEN FOCUS AND 955 00:29:56,738 --> 00:29:58,206 PERFORMANCE BECAUSE PRECISION IS 956 00:29:58,206 --> 00:30:00,008 WHAT GUIDES THE STEPS, BUT 957 00:30:00,008 --> 00:30:01,343 PERFORMANCE IS WHAT STEALS THE 958 00:30:01,343 --> 00:30:02,878 SHOW. 959 00:30:02,878 --> 00:30:04,479 FOR ME, I LOST A LITTLE BIT OF 960 00:30:04,479 --> 00:30:05,146 THAT. 961 00:30:05,146 --> 00:30:07,849 BUT, MY MAN, THAT WAS SUCH A 962 00:30:07,849 --> 00:30:10,452 FANTASTIC DANCE REGARDLESS. 963 00:30:10,452 --> 00:30:11,353 >> Alfonso: BRUNO? 964 00:30:11,353 --> 00:30:13,288 >> YOUR DETERMINATION, YOUR 965 00:30:13,288 --> 00:30:15,123 CONNECTION TO YOUR PARTNER, THE 966 00:30:15,123 --> 00:30:17,659 WAY YOU LOOK AT HER REALLY WARMS 967 00:30:17,659 --> 00:30:18,159 MY HEART. 968 00:30:18,159 --> 00:30:20,061 I HAVE TO BE HONEST. 969 00:30:20,061 --> 00:30:21,763 I CAN SEE HOW MUCH YOU WORK. 970 00:30:21,763 --> 00:30:23,131 AND NOTHING IS IMPOSSIBLE WHEN 971 00:30:23,131 --> 00:30:24,766 YOU GO FOR IT AND YOU PUT YOUR 972 00:30:24,766 --> 00:30:25,467 HEART INTO IT. 973 00:30:25,467 --> 00:30:26,801 AND IT SHOWS BECAUSE YOU WILL 974 00:30:26,801 --> 00:30:28,503 HAVE IMPROVED AT EVERY LEVEL. 975 00:30:28,503 --> 00:30:31,506 THERE IS A COUPLE LITTLE THINGS. 976 00:30:31,506 --> 00:30:33,475 YOUR BUM KEEPS STICKING OUT, 977 00:30:33,475 --> 00:30:37,345 BUT, YOU KNOW, I'M NOT 978 00:30:37,345 --> 00:30:38,480 COMPLAINING IT. 979 00:30:38,480 --> 00:30:39,915 >> Alfonso: BRUNO! 980 00:30:39,915 --> 00:30:41,716 SIT DOWN, BRUNO. 981 00:30:41,716 --> 00:30:42,450 BE SAFE. 982 00:30:42,450 --> 00:30:45,887 GO ON AND HEAD UP TO THE SKYBOX. 983 00:30:45,887 --> 00:30:46,655 THE OLYMPIC GYMNAST WHO LAUNCHED 984 00:30:46,655 --> 00:30:47,355 HIMSELF INTO THIRD PLACE LAST 985 00:30:47,355 --> 00:30:48,490 WEEK WILL SOON HEAD TO THE 986 00:30:48,490 --> 00:30:49,190 FLOOR. 987 00:30:49,190 --> 00:30:49,891 STEPHEN NEDOROSCIK AND 988 00:30:49,891 --> 00:30:50,558 RYLEE ARNOLD WILL PERFORM THE 989 00:30:50,558 --> 00:30:51,226 FIRST OF THEIR TWO DANCES IN 990 00:30:51,226 --> 00:30:52,193 JUST MINUTES. 991 00:30:52,193 --> 00:30:53,228 JULIANNE. 992 00:30:53,228 --> 00:30:56,097 >> Julianne: THANKS, ALFONSO. 993 00:30:56,097 --> 00:30:58,867 AND, YES, BRUNO WOULD POINT THAT 994 00:30:58,867 --> 00:30:59,200 OUT. 995 00:30:59,200 --> 00:31:00,402 ALL RIGHT. 996 00:31:00,402 --> 00:31:04,039 DANNY, YOU HAVE BECOME QUITE THE 997 00:31:04,039 --> 00:31:04,639 STORYTELLER. 998 00:31:04,639 --> 00:31:06,107 DO YOU THINK THAT THIS IS 999 00:31:06,107 --> 00:31:07,309 SOMETHING YOU HAD EVER THOUGHT 1000 00:31:07,309 --> 00:31:08,510 YOU WOULD BE DOING? 1001 00:31:08,510 --> 00:31:10,345 >> IT IS SO FUN, JUST THE FACT 1002 00:31:10,345 --> 00:31:12,247 YOU GET TO EMBRACE THE EMOTION 1003 00:31:12,247 --> 00:31:13,882 AND REALLY PORTRAY IT ON THE 1004 00:31:13,882 --> 00:31:15,550 DANCE FLOOR IS NEW TO ME, BUT IT 1005 00:31:15,550 --> 00:31:18,219 IS AN AMAZING QUEST FOR 1006 00:31:18,219 --> 00:31:19,688 ARTISTRY, BUT I REALLY 1007 00:31:19,688 --> 00:31:21,756 APPRECIATE WHAT THESE GUYS DO. 1008 00:31:21,756 --> 00:31:22,590 >> Julianne: AMAZING. 1009 00:31:22,590 --> 00:31:23,525 WE LOVE TO SEE IT. 1010 00:31:23,525 --> 00:31:24,693 ALL RIGHT. 1011 00:31:24,693 --> 00:31:25,860 LET'S GET YOUR SCORES. 1012 00:31:25,860 --> 00:31:30,398 >> Announcer: CARRIE ANNE? 1013 00:31:30,398 --> 00:31:31,700 >> 9. 1014 00:31:31,700 --> 00:31:33,702 >> Announcer: DEREK HOUGH? 1015 00:31:33,702 --> 00:31:34,536 >> 9. 1016 00:31:34,536 --> 00:31:35,604 >> Announcer: BRUNO TONIOLI. 1017 00:31:35,604 --> 00:31:36,171 >> 9. 1018 00:31:36,171 --> 00:31:36,972 >> Julianne: ALL RIGHT. 1019 00:31:36,972 --> 00:31:39,708 27 OUT OF 30 FOR DANNY AND 1020 00:31:39,708 --> 00:31:40,475 WHITNEY SO FAR. 1021 00:31:40,475 --> 00:31:42,410 HOW DO YOU FEEL ABOUT THOSE 1022 00:31:42,410 --> 00:31:43,612 SCORES? 1023 00:31:43,612 --> 00:31:45,547 >> WE'LL TAKE IT. 1024 00:31:45,547 --> 00:31:47,148 I'M SO PROUD OF DANNY. 1025 00:31:47,148 --> 00:31:48,883 THE DEDICATION AND THE HARD 1026 00:31:48,883 --> 00:31:50,352 WORK, HE WORKS NONSTOP FROM THE 1027 00:31:50,352 --> 00:31:52,087 MINUTE WE GET INTO THE STUDIO 1028 00:31:52,087 --> 00:31:52,954 UNTIL WE LEAVE. 1029 00:31:52,954 --> 00:31:53,788 I AM SO PROUD. 1030 00:31:53,788 --> 00:31:54,622 >> Julianne: 1031 00:31:54,622 --> 00:31:55,991 MORE JUDGES' SCORES ARE ON THE 1032 00:31:55,991 --> 00:31:56,691 WAY. 1033 00:31:56,691 --> 00:31:57,392 YOU CAN VOTE FOR ALL OF OUR 1034 00:31:57,392 --> 00:31:58,293 STARS RIGHT NOW. 1035 00:32:07,402 --> 00:32:08,903 ♪♪ 1036 00:32:08,903 --> 00:32:11,306 [ CHEERS AND APPLAUSE ] 1037 00:32:11,306 --> 00:32:13,508 >> Alfonso: WE'RE BACK WITH THE 1038 00:32:13,508 --> 00:32:16,177 SEMI-FINALS. 1039 00:32:16,177 --> 00:32:17,245 RIGHT NOW, WE WANT TO FEATURE 1040 00:32:17,245 --> 00:32:18,313 THE INCREDIBLY TALENTED PROS WHO 1041 00:32:18,313 --> 00:32:19,881 WE GET TO SEE LIVE IN THE 1042 00:32:19,881 --> 00:32:20,949 BALLROOM EVERY WEEK. 1043 00:32:20,949 --> 00:32:22,517 AND YOU CAN SEE THEM IN PERSON, 1044 00:32:22,517 --> 00:32:24,152 TOO, WHEN THE ALL-NEW "DANCING 1045 00:32:24,152 --> 00:32:25,220 WITH THE STARS" TOUR COMES TO A 1046 00:32:25,220 --> 00:32:27,889 TOWN NEAR YOU. 1047 00:32:27,889 --> 00:32:29,991 >> Julianne: FOR TICKETS AND 1048 00:32:29,991 --> 00:32:32,694 INFORMATION, GO TO DWTSTOUR.COM. 1049 00:32:32,694 --> 00:32:33,728 NOW, WITH AN EXCLUSIVE FIRST 1050 00:32:33,728 --> 00:32:35,864 LOOK AT ONE OF THE NUMBERS 1051 00:32:35,864 --> 00:32:37,465 FEATURED ON THE TOUR, 1052 00:32:37,465 --> 00:32:39,067 CHOREOGRAPHED BY THREE-TIME EMMY 1053 00:32:39,067 --> 00:32:40,135 WINNER MANDY MOORE, HERE ARE THE 1054 00:32:40,135 --> 00:32:45,173 PROS. 1055 00:32:45,173 --> 00:32:45,774 [ CHEERS AND APPLAUSE ] 1056 00:32:45,774 --> 00:32:49,411 ♪♪ 1057 00:32:49,411 --> 00:32:50,478 ♪ HE SAID ARE YOU SERIOUS 1058 00:32:50,478 --> 00:32:52,614 I'VE TRIED 1059 00:32:52,614 --> 00:32:54,182 BUT I CAN'T FIGURE OUT ♪ 1060 00:32:54,182 --> 00:32:54,816 ♪ I'VE BEEN NEXT TO YOU 1061 00:32:54,816 --> 00:32:55,383 ALL NIGHT ♪ 1062 00:32:55,383 --> 00:32:56,317 ♪ AND STILL DON'T KNOW 1063 00:32:56,317 --> 00:32:58,453 WHAT YOU'RE ABOUT ♪ 1064 00:32:58,453 --> 00:33:00,055 ♪ YOU KEEP T-T-T-TALKING 1065 00:33:00,055 --> 00:33:02,223 BUT NOT MUCH 1066 00:33:02,223 --> 00:33:02,857 COMING OUT YOUR MOUTH ♪ 1067 00:33:02,857 --> 00:33:05,927 ♪ CAN'T YOU TELL 1068 00:33:05,927 --> 00:33:06,961 THAT I WANT YOU ♪ 1069 00:33:06,961 --> 00:33:09,097 ♪ I WOULD WANT MYSELF 1070 00:33:09,097 --> 00:33:10,698 BABY PLEASE BELIEVE ME ♪ 1071 00:33:10,698 --> 00:33:14,936 ♪ I'LL PUT YOU THROUGH HELL 1072 00:33:14,936 --> 00:33:15,670 JUST TO KNOW ME YEAH, YEAH ♪ 1073 00:33:15,670 --> 00:33:17,539 ♪ SO SURE OF YOURSELF 1074 00:33:17,539 --> 00:33:19,674 BABY DON'T GET GREEDY ♪ 1075 00:33:19,674 --> 00:33:21,810 ♪ THAT JUST WON'T END WELL 1076 00:33:21,810 --> 00:33:24,979 OOH OOH ♪ 1077 00:33:24,979 --> 00:33:26,548 ♪ HE SAID I'M JUST CURIOUS 1078 00:33:26,548 --> 00:33:29,184 IS THIS FOR REAL 1079 00:33:29,184 --> 00:33:29,718 OR JUST AN ACT ♪ 1080 00:33:29,718 --> 00:33:30,785 ♪ TELL IF YOU 1081 00:33:30,785 --> 00:33:31,853 LOVE OR HATE ME ♪ 1082 00:33:31,853 --> 00:33:32,420 ♪ NEVER MET SOMEONE 1083 00:33:32,420 --> 00:33:35,056 LIKE THAT ♪ 1084 00:33:35,056 --> 00:33:36,658 ♪ DRIVE ME SO SO SO CRAZY 1085 00:33:36,658 --> 00:33:39,294 YOU KNOW YOU GOT THAT EFFECT 1086 00:33:39,294 --> 00:33:41,930 I SAID LEMME CHECK ♪ 1087 00:33:41,930 --> 00:33:43,531 ♪ I WOULD WANT MYSELF 1088 00:33:43,531 --> 00:33:45,667 BABY PLEASE BELIEVE ME ♪ 1089 00:33:45,667 --> 00:33:48,870 ♪ I'LL PUT YOU THROUGH HELL 1090 00:33:48,870 --> 00:33:50,405 JUST TO KNOW ME YEAH, YEAH ♪ 1091 00:33:50,405 --> 00:33:52,540 ♪ SO SURE OF YOURSELF 1092 00:33:52,540 --> 00:33:54,676 BABY DON'T GET GREEDY ♪ 1093 00:33:54,676 --> 00:34:01,916 ♪ THAT JUST WON'T END WELL 1094 00:34:01,916 --> 00:34:02,450 OH ♪ 1095 00:34:02,450 --> 00:34:04,552 ♪ I WOULD WANT MYSELF 1096 00:34:04,552 --> 00:34:14,629 OH OOH AH AHH ♪ 1097 00:34:14,629 --> 00:34:24,939 [ CHEERS AND APPLAUSE ] 1098 00:34:24,939 --> 00:34:26,040 >> Alfonso: WELL, THERE'S OUR 1099 00:34:26,040 --> 00:34:26,741 PROS. 1100 00:34:26,741 --> 00:34:27,575 AND NEXT WEEK, WE'LL HAVE SOME 1101 00:34:27,575 --> 00:34:28,309 EXCITING ANNOUNCEMENTS ABOUT THE 1102 00:34:28,309 --> 00:34:30,278 TOUR. 1103 00:34:30,278 --> 00:34:32,480 >> Julianne: NOW, CLOSING OUT 1104 00:34:32,480 --> 00:34:34,249 THE FIRST ROUND IS THE OLYMPIC 1105 00:34:34,249 --> 00:34:35,683 GYMNAST WHO, LAST WEEK, EARNED A 1106 00:34:35,683 --> 00:34:37,252 NEAR-PERFECT SCORE FOR HIS 1107 00:34:37,252 --> 00:34:38,253 FIRST-ROUND DANCE. 1108 00:34:38,253 --> 00:34:41,890 CAN HE REACH PERFECTION TONIGHT? 1109 00:34:41,890 --> 00:34:42,924 >> Alfonso: IT'S STEPHEN 1110 00:34:42,924 --> 00:34:48,129 NEDOROSCIK AND RYLEE ARNOLD. 1111 00:34:48,129 --> 00:34:50,598 >> WE MADE IT TO THE 1112 00:34:50,598 --> 00:34:50,999 SEMI-FINALS. 1113 00:34:50,999 --> 00:34:51,699 I'M SO HAPPY. 1114 00:34:51,699 --> 00:34:52,600 >> NEVER WOULD HAVE THOUGHT I 1115 00:34:52,600 --> 00:34:53,735 WOULD GET THIS FAR AND SCORE AS 1116 00:34:53,735 --> 00:34:58,239 WELL AS WE DID. 1117 00:34:58,239 --> 00:35:01,042 >> Derek: I CAN SEE THE PART YOU 1118 00:35:01,042 --> 00:35:02,443 PUT INTO THE TIMING. 1119 00:35:02,443 --> 00:35:06,014 YOU MADE ME FEEL SOMETHING 1120 00:35:06,014 --> 00:35:06,781 BEAUTIFUL TONIGHT. 1121 00:35:06,781 --> 00:35:07,515 >> Bruno: 9. 1122 00:35:07,515 --> 00:35:10,351 >> IN GYMNASTICS YOU DON'T HAVE 1123 00:35:10,351 --> 00:35:11,653 AN EMOTIONAL PERFORMANCE. 1124 00:35:11,653 --> 00:35:15,356 BEING VULNERABLE IN THAT DANCE 1125 00:35:15,356 --> 00:35:18,793 MAKES ME FEEL EMOTIONAL. 1126 00:35:18,793 --> 00:35:20,828 TO GET TO THIS POINT IT'S BEEN 1127 00:35:20,828 --> 00:35:22,764 AN UNBELIEVABLE AMOUNT OF WORK. 1128 00:35:22,764 --> 00:35:25,200 I WANT TO SEE THE JOURNEY 1129 00:35:25,200 --> 00:35:25,900 CONTINUE. 1130 00:35:25,900 --> 00:35:27,569 >> OUR LATIN DANCE IS A CHA-CHA. 1131 00:35:27,569 --> 00:35:30,505 WE HAVE TO EMBODY THE SPIRIT OF 1132 00:35:30,505 --> 00:35:31,206 THE DANCE. 1133 00:35:31,206 --> 00:35:34,642 I WANT YOU TO BE A SEXY STEVE. 1134 00:35:34,642 --> 00:35:37,145 >> BEING SEXY ISN'T MY THING. 1135 00:35:37,145 --> 00:35:39,113 >> THIS CHA-CHA WILL MAKE YOU 1136 00:35:39,113 --> 00:35:42,317 FEEL SEXY I PROMISE. 1137 00:35:42,317 --> 00:35:43,751 >> HELP. 1138 00:35:43,751 --> 00:35:44,452 I'M SORRY. 1139 00:35:44,452 --> 00:35:46,454 >> NOT ONLY IS IT TIME TO BRING 1140 00:35:46,454 --> 00:35:48,423 THE SEXY OUT OF STEPHEN I'M 1141 00:35:48,423 --> 00:35:51,426 GOING TO WORK ON HIS LEGS AND 1142 00:35:51,426 --> 00:35:56,698 HIP WORK SO HE EXECUTES A 1143 00:35:56,698 --> 00:35:57,465 PERFECT CHA-CHA. 1144 00:35:57,465 --> 00:36:01,970 >> I'LL GET USED TO THE FEELING. 1145 00:36:01,970 --> 00:36:04,072 >> WE'LL GET IT. 1146 00:36:04,072 --> 00:36:06,507 >> I THINK RYLEE IS IMPATIENT 1147 00:36:06,507 --> 00:36:07,442 WITH ME TODAY. 1148 00:36:07,442 --> 00:36:09,644 I'M NOT LEARNING AS FAST AS I 1149 00:36:09,644 --> 00:36:11,246 TYPICALLY DO. 1150 00:36:11,246 --> 00:36:12,513 THERE'S SO MANY STEPS HERE. 1151 00:36:12,513 --> 00:36:15,917 IT HURTS ME WHEN I MESS UP MY 1152 00:36:15,917 --> 00:36:16,618 STEPS. 1153 00:36:16,618 --> 00:36:18,419 I MIGHT NOT BE STRONG WITH THESE 1154 00:36:18,419 --> 00:36:19,854 DANCES RIGHT NOW, BUT I'M NOT 1155 00:36:19,854 --> 00:36:23,591 GOING TO LET THIS SHAKE MY 1156 00:36:23,591 --> 00:36:24,292 CONFIDENCE. 1157 00:36:24,292 --> 00:36:24,892 I'M DETERMINED TO BE READY FOR 1158 00:36:24,892 --> 00:36:26,394 THE SEMI-FINALS. 1159 00:36:26,394 --> 00:36:27,862 >> HERE WE GO! 1160 00:36:27,862 --> 00:36:28,496 >> Announcer: DANCING THE 1161 00:36:28,496 --> 00:36:29,130 CHA-CHA, WITH HIS PARTNER 1162 00:36:29,130 --> 00:36:29,964 RYLEE ARNOLD, IT'S STEPHEN 1163 00:36:29,964 --> 00:36:37,171 NEDOROSCIK. 1164 00:36:37,171 --> 00:36:37,805 [ SINGING IN A NON-ENGLISH 1165 00:36:37,805 --> 00:36:51,786 LANGUAGE ] 1166 00:36:51,786 --> 00:37:02,497 ♪♪ 1167 00:37:02,497 --> 00:37:11,506 ♪♪ 1168 00:37:11,506 --> 00:37:12,173 [ SINGING IN A NON-ENGLISH 1169 00:37:12,173 --> 00:37:27,121 LANGUAGE ] 1170 00:37:27,121 --> 00:37:36,497 LANGUAGE ] 1171 00:37:36,497 --> 00:37:37,165 [ SINGING IN A NON-ENGLISH 1172 00:37:37,165 --> 00:37:43,871 LANGUAGE ] 1173 00:37:43,871 --> 00:37:44,205 ♪♪ 1174 00:37:44,205 --> 00:37:59,153 ♪♪ 1175 00:37:59,153 --> 00:38:08,596 ♪♪ 1176 00:38:08,596 --> 00:38:09,297 [ CHEERS AND APPLAUSE ] 1177 00:38:09,297 --> 00:38:12,467 >> Alfonso: STEPHEN AND RYLEE 1178 00:38:12,467 --> 00:38:14,902 WITH A ROCKIN' CHA-CHA. 1179 00:38:14,902 --> 00:38:18,940 HERE YOU GO MY BROTHER. 1180 00:38:18,940 --> 00:38:20,675 THEY'RE LOVING YOU. 1181 00:38:20,675 --> 00:38:22,343 THEY'RE LOVING YOU IN THE 1182 00:38:22,343 --> 00:38:22,877 BALLROOM. 1183 00:38:22,877 --> 00:38:24,812 DEREK, TAKE IT AWAY. 1184 00:38:24,812 --> 00:38:26,514 >> Derek: STEPHEN, I LOVE YOU. 1185 00:38:26,514 --> 00:38:27,949 I LOVE YOU SO MUCH. 1186 00:38:27,949 --> 00:38:29,450 IT'S HARD NOT TO ROOT FOR 1187 00:38:29,450 --> 00:38:30,785 EVERYTHING THAT YOU DO. 1188 00:38:30,785 --> 00:38:32,086 HOWEVER, I FEEL LIKE THIS DANCE 1189 00:38:32,086 --> 00:38:33,354 GOT A LITTLE BIT OF THE BETTER 1190 00:38:33,354 --> 00:38:33,955 OF YOU. 1191 00:38:33,955 --> 00:38:34,555 IT DID. 1192 00:38:34,555 --> 00:38:35,556 IT'S OKAY. 1193 00:38:35,556 --> 00:38:38,059 THERE'S SOME BENT LEGS, YOU 1194 00:38:38,059 --> 00:38:40,328 KNOW, HEEL LEADS EVERYWHERE, 1195 00:38:40,328 --> 00:38:41,763 TURNING FEET. 1196 00:38:41,763 --> 00:38:42,597 IT'S OKAY. 1197 00:38:42,597 --> 00:38:44,799 THE SIDE LUNGES, STRONG MOMENTS 1198 00:38:44,799 --> 00:38:45,867 IN THERE AS WELL. 1199 00:38:45,867 --> 00:38:48,002 HERE'S THE BEST PART, YOU HAVE A 1200 00:38:48,002 --> 00:38:49,237 SECOND DANCE TONIGHT. 1201 00:38:49,237 --> 00:38:50,438 COME BACK TONIGHT IN THE SECOND 1202 00:38:50,438 --> 00:38:53,975 DANCE AND SHOW US YOU DESERVE TO 1203 00:38:53,975 --> 00:38:56,077 BE IN THE FINALS. 1204 00:38:56,077 --> 00:38:57,445 >> Alfonso: BRUNO? 1205 00:38:57,445 --> 00:38:59,614 >> Bruno: THE CHEEKY, THE FUNNY 1206 00:38:59,614 --> 00:39:01,649 SIDE WAS LIKE WATCHING A CHILD 1207 00:39:01,649 --> 00:39:02,750 IN A CANDY STORE. 1208 00:39:02,750 --> 00:39:04,886 NOT QUITE RICKY MARTIN YET, BUT 1209 00:39:04,886 --> 00:39:06,988 YOU CAPTURED THE FEEL OF THE 1210 00:39:06,988 --> 00:39:07,622 DANCE. 1211 00:39:07,622 --> 00:39:10,191 EVERYBODY WAS ENJOYING IT. 1212 00:39:10,191 --> 00:39:11,025 YOU GOT EVERYBODY TO MOVE. 1213 00:39:11,025 --> 00:39:12,860 YOU WORKED VERY, VERY HARD. 1214 00:39:12,860 --> 00:39:13,995 HE'S ABSOLUTELY RIGHT. 1215 00:39:13,995 --> 00:39:16,564 YOU HAVE TO WORK A BIT HARDER ON 1216 00:39:16,564 --> 00:39:19,534 YOUR FOOT PLACEMENT AND HIP 1217 00:39:19,534 --> 00:39:20,201 ACTION. 1218 00:39:20,201 --> 00:39:21,235 >> Alfonso: CARRIE ANN? 1219 00:39:21,235 --> 00:39:22,336 >> Carrie Ann: OKAY. 1220 00:39:22,336 --> 00:39:23,838 BEFORE YOU EVEN START DANCING, 1221 00:39:23,838 --> 00:39:25,173 ALL YOU DO IS TAKE OFF YOUR 1222 00:39:25,173 --> 00:39:26,974 GLASSES AND THE AUDIENCE GOES 1223 00:39:26,974 --> 00:39:27,675 CRAZY. 1224 00:39:27,675 --> 00:39:28,776 I HOPE YOU ALWAYS FEEL THAT WHEN 1225 00:39:28,776 --> 00:39:29,811 YOU DANCE. 1226 00:39:29,811 --> 00:39:30,411 OKAY. 1227 00:39:30,411 --> 00:39:31,913 NOW, I FEEL LIKE WE WENT 1228 00:39:31,913 --> 00:39:34,048 BACKWARDS A STEP WITH THE 1229 00:39:34,048 --> 00:39:35,450 MUSICALITY ESPECIALLY IN THIS 1230 00:39:35,450 --> 00:39:36,084 DANCE. 1231 00:39:36,084 --> 00:39:37,118 WE WANTED TO SEE IT FLOWING 1232 00:39:37,118 --> 00:39:37,985 THROUGH YOUR BODY. 1233 00:39:37,985 --> 00:39:39,821 THERE WERE A LOT OF MOMENTS YOU 1234 00:39:39,821 --> 00:39:41,622 WERE STILL AND FEW MISSED STEPS. 1235 00:39:41,622 --> 00:39:43,791 NOW, I KNOW YOU'RE GREAT UNDER 1236 00:39:43,791 --> 00:39:44,325 PRESSURE. 1237 00:39:44,325 --> 00:39:45,126 WE'VE SEEN IT BEFORE. 1238 00:39:45,126 --> 00:39:47,261 COME BACK ON THE NEXT ONE AND DO 1239 00:39:47,261 --> 00:39:47,895 YOUR THING. 1240 00:39:47,895 --> 00:39:48,863 >> Alfonso: HEAD UP TO THE 1241 00:39:48,863 --> 00:39:51,833 SKYBOX FOR YOUR SCORES. 1242 00:39:51,833 --> 00:39:54,602 CHECK OUT LAINEY WILSON, LUKE 1243 00:39:54,602 --> 00:39:56,537 BRYAN AND PEYTON MANNING AS THEY 1244 00:39:56,537 --> 00:40:00,475 HOST THE CMA AWARDS TOMORROW ON 1245 00:40:00,475 --> 00:40:04,078 ABC AT 8:00, 7:00 CENTRAL. 1246 00:40:04,078 --> 00:40:04,779 JULIANNE? 1247 00:40:04,779 --> 00:40:05,780 >> Julianne: STEPHEN, WHAT DO 1248 00:40:05,780 --> 00:40:07,048 YOU FEEL ABOUT THOSE COMMENTS 1249 00:40:07,048 --> 00:40:08,850 ABOUT BEING UNDER PRESSURE? 1250 00:40:08,850 --> 00:40:10,718 YOU GOT ANOTHER DANCE COMING UP. 1251 00:40:10,718 --> 00:40:13,221 WHAT TRIPPED YOU UP THIS WEEK? 1252 00:40:13,221 --> 00:40:14,822 >> IT WAS A ROUGH WEEK. 1253 00:40:14,822 --> 00:40:17,091 I'M AN OLYMPIAN. 1254 00:40:17,091 --> 00:40:18,092 I'LL BOUNCE BACK. 1255 00:40:18,092 --> 00:40:20,361 LET'S GET IT AND HAVE FUN. 1256 00:40:20,361 --> 00:40:21,529 >> Julianne: I LOVE IT. 1257 00:40:21,529 --> 00:40:23,397 LET'S GET YOUR SCORES. 1258 00:40:23,397 --> 00:40:27,101 >> Announcer: CARRIE ANN INABA? 1259 00:40:27,101 --> 00:40:27,735 >> Carrie Ann: 8. 1260 00:40:27,735 --> 00:40:29,937 >> Announcer: DEREK HOUGH? 1261 00:40:29,937 --> 00:40:30,538 >> Derek: 8. 1262 00:40:30,538 --> 00:40:33,407 >> Announcer: BRUNO TONIOLI? 1263 00:40:33,407 --> 00:40:34,108 >> Bruno: 9. 1264 00:40:34,108 --> 00:40:35,676 >> Julianne: THAT IS A 25 OUT OF 1265 00:40:35,676 --> 00:40:36,344 30. 1266 00:40:36,344 --> 00:40:39,981 WE'RE COMING INTO THE FINALE. 1267 00:40:39,981 --> 00:40:40,781 HOW DO THOSE SCORES FEEL GOING 1268 00:40:40,781 --> 00:40:41,782 INTO THE SECOND DANCE? 1269 00:40:41,782 --> 00:40:44,385 >> THIS WAS A REALLY HARD DANCE 1270 00:40:44,385 --> 00:40:45,186 STYLE FOR ME. 1271 00:40:45,186 --> 00:40:46,954 THE CRITIQUES WERE TRUE. 1272 00:40:46,954 --> 00:40:48,756 I'M HAPPY WITH 8, 8, 9. 1273 00:40:48,756 --> 00:40:52,560 >> I WANT TO DO BETTER ON THE 1274 00:40:52,560 --> 00:40:53,261 TANGO. 1275 00:40:53,261 --> 00:40:56,597 >> Julianne: WE HAVE THE TANGO 1276 00:40:56,597 --> 00:40:57,665 COMING. 1277 00:40:57,665 --> 00:41:01,736 THAT WAS THEIR LATIN ROUTINE. 1278 00:41:01,736 --> 00:41:03,404 THEY HAVE THEIR BALLROOM COMING 1279 00:41:03,404 --> 00:41:04,005 UP. 1280 00:41:04,005 --> 00:41:06,274 THEY NEED SCORES FROM YOU. 1281 00:41:06,274 --> 00:41:07,942 ALFONSO. 1282 00:41:07,942 --> 00:41:09,744 >> Alfonso: THANKS, JULIANNE. 1283 00:41:09,744 --> 00:41:10,511 IF YOU WANT TO SEE WHAT HAPPENS 1284 00:41:10,511 --> 00:41:11,212 BEHIND-THE-SCENES DURING THE 1285 00:41:11,212 --> 00:41:11,946 BREAKS, GRAB YOUR SECOND SCREEN 1286 00:41:11,946 --> 00:41:12,647 AND CHECK US OUT ON INSTAGRAM 1287 00:41:12,647 --> 00:41:13,548 LIVE @DANCINGWITHTHESTARS. 1288 00:41:13,548 --> 00:41:14,215 THE SECOND ROUND OF THE 1289 00:41:14,215 --> 00:41:14,849 SEMI-FINALS KICKS OFF WITH A 1290 00:41:14,849 --> 00:41:15,483 FOXTROT FROM CHANDLER AND 1291 00:41:15,483 --> 00:41:16,417 BRANDON NEXT, LIVE. 1292 00:41:25,394 --> 00:41:29,710 ♪♪ 1293 00:41:29,710 --> 00:41:31,846 >> Alfonso: WELCOME BACK TO THE 1294 00:41:31,846 --> 00:41:33,481 SEMI-FINALS. 1295 00:41:33,481 --> 00:41:34,615 NOW THAT ALL OF THE SCORES FROM 1296 00:41:34,615 --> 00:41:35,683 THIS FIRST ROUND ARE IN, LET'S 1297 00:41:35,683 --> 00:41:39,420 TAKE A LOOK AT THE LEADERBOARD. 1298 00:41:39,420 --> 00:41:41,755 CURRENTLY AT THE TOP ARE JENNA 1299 00:41:41,755 --> 00:41:43,858 AND JOEY WITH A PERFECT 30. 1300 00:41:43,858 --> 00:41:46,894 AND CURRENTLY AT THE BOTTOM ARE 1301 00:41:46,894 --> 00:41:50,464 STEPHEN AND RYLEE WITH 25. 1302 00:41:50,464 --> 00:41:53,200 >> Julianne: WE'LL START THE 1303 00:41:53,200 --> 00:41:54,869 SECOND ROUND. 1304 00:41:54,869 --> 00:41:55,469 TRAINING FOR THEIR 1305 00:41:55,469 --> 00:41:57,171 BALLROOM DANCE, HERE ARE 1306 00:41:57,171 --> 00:41:57,972 CHANDLER AND BRANDON. 1307 00:42:01,108 --> 00:42:02,943 >> SO OUR SECOND DANCE OF THE 1308 00:42:02,943 --> 00:42:05,079 NIGHT WILL BE A BALLROOM DANCE. 1309 00:42:05,079 --> 00:42:06,981 IT WILL BE A FOXTROT. 1310 00:42:06,981 --> 00:42:08,582 THIS IS THE FINAL DANCE THAT THE 1311 00:42:08,582 --> 00:42:10,918 JUDGES WILL SCORE BEFORE THE 1312 00:42:10,918 --> 00:42:11,585 FINALE. 1313 00:42:11,585 --> 00:42:12,486 >> IT WOULD BE INCREDIBLE TO 1314 00:42:12,486 --> 00:42:14,088 MAKE IT TO THE FINALE. 1315 00:42:14,088 --> 00:42:17,358 >> I GOT TO REIGNITE MY LOVE OF 1316 00:42:17,358 --> 00:42:18,559 DANCING FROM CHILDHOOD. 1317 00:42:18,559 --> 00:42:19,860 THAT MEANT THE WORLD TO ME 1318 00:42:19,860 --> 00:42:22,162 BECAUSE IT HELPED ME TO FIND A 1319 00:42:22,162 --> 00:42:23,430 HAPPINESS I HAVEN'T FELT IN A 1320 00:42:23,430 --> 00:42:24,131 LONG TIME. 1321 00:42:24,131 --> 00:42:26,700 >> I AM A VERY ANXIOUS PERSON. 1322 00:42:26,700 --> 00:42:27,935 I AM ALWAYS EITHER DWELLING 1323 00:42:27,935 --> 00:42:28,936 ABOUT SOMETHING THAT HAPPENED IN 1324 00:42:28,936 --> 00:42:30,504 THE PAST OR WORRIED ABOUT WHAT 1325 00:42:30,504 --> 00:42:31,839 WILL HAPPEN IN THE FUTURE. 1326 00:42:31,839 --> 00:42:33,574 WHEN I'M DANCING, I JUST GET TO 1327 00:42:33,574 --> 00:42:34,942 BE PRESENT IN THE MOMENT, AND 1328 00:42:34,942 --> 00:42:35,976 THAT'S AN AWESOME FEELING. 1329 00:42:35,976 --> 00:42:38,512 >> THIS EXPERIENCE IS SOMETHING 1330 00:42:38,512 --> 00:42:40,848 THAT YOU ARE GOING TO CHERISH 1331 00:42:40,848 --> 00:42:41,215 FOREVER. 1332 00:42:41,215 --> 00:42:41,916 >> YEAH. 1333 00:42:41,916 --> 00:42:44,118 OUR GOAL RIGHT NOW IS WINNING 1334 00:42:44,118 --> 00:42:45,219 THAT MIRROR BALL. 1335 00:42:45,219 --> 00:42:47,488 >> ALL THE WORK THAT HAS TO BE 1336 00:42:47,488 --> 00:42:51,358 DONE, I'M NOT AFRAID OF THAT. 1337 00:42:51,358 --> 00:42:53,460 LET'S DO IT. 1338 00:42:53,460 --> 00:42:54,828 LEFT ELBOW UP. 1339 00:42:54,828 --> 00:42:57,331 FOR THE FOXTROT, WE NEED TO SHOW 1340 00:42:57,331 --> 00:42:59,066 THE BEST FRAME THAT WE'VE SHOWN 1341 00:42:59,066 --> 00:42:59,934 ALL SEASON. 1342 00:42:59,934 --> 00:43:02,102 >> OH, MY BAD. 1343 00:43:02,102 --> 00:43:04,638 >> WE HAVE TO REALLY FOCUS ON 1344 00:43:04,638 --> 00:43:05,873 THE LEG ACTION. 1345 00:43:05,873 --> 00:43:11,445 HOLD THAT FRAME AROUND. 1346 00:43:11,445 --> 00:43:18,018 >> AND THE FOXTROT, YOU CHANGE 1347 00:43:18,018 --> 00:43:18,719 TEMPO. 1348 00:43:18,719 --> 00:43:20,721 >> YOU'RE IN AND OUT OF FRAME. 1349 00:43:20,721 --> 00:43:21,722 I DID THAT WRONG. 1350 00:43:21,722 --> 00:43:24,158 AND THERE ARE A MILLION STEPS, 1351 00:43:24,158 --> 00:43:27,094 WHICH IS A LOT TO ASK 1352 00:43:27,094 --> 00:43:27,494 PHYSICALLY. 1353 00:43:27,494 --> 00:43:27,962 >> WAIT. 1354 00:43:27,962 --> 00:43:28,762 WAIT, WAIT, WAIT. 1355 00:43:28,762 --> 00:43:29,663 THAT'S UGLY. 1356 00:43:29,663 --> 00:43:31,198 >> BUT ALSO MENTALLY. 1357 00:43:31,198 --> 00:43:32,967 >> I FORGET THE PART. 1358 00:43:32,967 --> 00:43:34,535 >> ANYTHING OUTSIDE OF A PERFECT 1359 00:43:34,535 --> 00:43:36,270 SCORE IS LESS THAN WHAT I'VE 1360 00:43:36,270 --> 00:43:39,406 DONE BEFORE, SO THAT IS A TALL 1361 00:43:39,406 --> 00:43:39,940 ORDER. 1362 00:43:39,940 --> 00:43:41,809 >> INTO THE CORKSCREW. 1363 00:43:41,809 --> 00:43:43,677 >> DANCE WAS MY FIRST LOVE AS A 1364 00:43:43,677 --> 00:43:44,378 KID. 1365 00:43:44,378 --> 00:43:46,914 NOW THAT I HAVE REIGNITED THAT 1366 00:43:46,914 --> 00:43:49,416 PASSION, I DON'T WANT TO STOP. 1367 00:43:49,416 --> 00:43:53,120 >> ONE LESS TURN. 1368 00:43:53,120 --> 00:43:53,721 >> Announcer: DANCING THE 1369 00:43:53,721 --> 00:43:55,723 FOXTROT, WITH HER PARTNER 1370 00:43:55,723 --> 00:43:57,191 BRANDON ARMSTRONG, IT'S 1371 00:43:57,191 --> 00:43:58,392 CHANDLER KINNEY. 1372 00:44:05,733 --> 00:44:08,402 ♪ IT CAN'T BE SAID 1373 00:44:08,402 --> 00:44:09,470 I'M AN EARLY BIRD ♪ 1374 00:44:09,470 --> 00:44:11,605 ♪ IT'S TEN O'CLOCK 1375 00:44:11,605 --> 00:44:15,876 BEFORE I SAY A WORD ♪ 1376 00:44:15,876 --> 00:44:16,510 ♪ BABY I CAN NEVER TELL 1377 00:44:16,510 --> 00:44:18,412 HOW DO YOU SLEEP SO WELL? ♪ 1378 00:44:18,412 --> 00:44:20,514 ♪ DON'T YOU JUST WANNA WAKE UP 1379 00:44:20,514 --> 00:44:23,250 DARK AS A LAKE ♪ 1380 00:44:23,250 --> 00:44:24,251 ♪ SMELLING LIKE A BONFIRE 1381 00:44:24,251 --> 00:44:27,388 LOST IN A HAZE ♪ 1382 00:44:27,388 --> 00:44:29,456 ♪ IF YOU'RE DRUNK ON LIFE BABE 1383 00:44:29,456 --> 00:44:31,025 I THINK IT'S GREAT ♪ 1384 00:44:31,025 --> 00:44:32,626 ♪ BUT WHILE IN THIS WORLD 1385 00:44:32,626 --> 00:44:34,728 I THINK I'LL TAKE 1386 00:44:34,728 --> 00:44:39,833 MY WHISKEY NEAT ♪ 1387 00:44:39,833 --> 00:44:41,001 ♪ MY COFFEE BLACK 1388 00:44:41,001 --> 00:44:42,603 AND MY BED AT THREE ♪ 1389 00:44:42,603 --> 00:44:46,340 ♪ YOU'RE TOO SWEET FOR ME 1390 00:44:46,340 --> 00:44:51,612 YOU'RE TOO SWEET FOR ME ♪ 1391 00:44:51,612 --> 00:44:57,184 ♪ OH OH OH OH OH 1392 00:44:57,184 --> 00:45:02,122 OH OH OH OH OH ♪ 1393 00:45:02,122 --> 00:45:06,026 ♪ OH OH OH OH OH 1394 00:45:06,026 --> 00:45:06,627 OH OH OH OH OH ♪ 1395 00:45:06,627 --> 00:45:09,997 ♪ I TAKE MY WHISKEY NEAT 1396 00:45:09,997 --> 00:45:12,633 MY COFFEE BLACK 1397 00:45:12,633 --> 00:45:15,836 AND MY BED AT THREE ♪ 1398 00:45:15,836 --> 00:45:19,039 ♪ YOU'RE TOO SWEET FOR ME ♪ 1399 00:45:19,039 --> 00:45:32,686 ♪ YOU'RE TOO SWEET FOR ME ♪ 1400 00:45:32,686 --> 00:45:37,691 >> Alfonso: CHANDLER AND BRANDON 1401 00:45:37,691 --> 00:45:41,962 BELTING IT OUT WITH AN INTENSE 1402 00:45:41,962 --> 00:45:44,064 FOXTROT. 1403 00:45:44,064 --> 00:45:46,433 SO BEAUTIFUL. 1404 00:45:46,433 --> 00:45:48,268 SO SMOOTH. 1405 00:45:48,268 --> 00:45:48,902 OKAY. 1406 00:45:48,902 --> 00:45:50,604 BRUNO, TELL THEM WHAT THEY 1407 00:45:50,604 --> 00:45:51,038 ALREADY KNOW. 1408 00:45:51,038 --> 00:45:53,207 >> OH, MY GOD. 1409 00:45:53,207 --> 00:45:57,945 VIVA LA VIVA. 1410 00:45:57,945 --> 00:46:00,114 THIS WAS THE MOST INTENSELY 1411 00:46:00,114 --> 00:46:01,982 SENSUAL FOXTROT I HAVE EVER 1412 00:46:01,982 --> 00:46:02,950 SEEN. 1413 00:46:02,950 --> 00:46:04,251 YOU WERE GOING AROUND, APART 1414 00:46:04,251 --> 00:46:06,920 FROM THAT, THE CONTENT AND THE 1415 00:46:06,920 --> 00:46:08,522 TECHNICALITY OF IT WAS DONE AT A 1416 00:46:08,522 --> 00:46:10,090 LEVEL THAT IS JUST INCREDIBLE. 1417 00:46:10,090 --> 00:46:13,660 YOU WENT SUPER NOVA TONIGHT. 1418 00:46:13,660 --> 00:46:16,130 IT'S JUST ONE OF THOSE DANCES 1419 00:46:16,130 --> 00:46:17,831 YOU'LL NEVER FORGET. 1420 00:46:17,831 --> 00:46:18,932 >> Alfonso: OKAY. 1421 00:46:18,932 --> 00:46:19,466 ALL RIGHT. 1422 00:46:19,466 --> 00:46:21,902 CARRIE ANNE? 1423 00:46:21,902 --> 00:46:23,904 >> WHAT I'M SO EXCITED ABOUT IS 1424 00:46:23,904 --> 00:46:26,507 THAT I'M SEEING PLUSES. 1425 00:46:26,507 --> 00:46:27,775 LIKE YOU ARE STILL GROWING. 1426 00:46:27,775 --> 00:46:29,109 YOU ARE STILL EVOLVING. 1427 00:46:29,109 --> 00:46:30,911 YOU ARE STILL FINDING NEW 1428 00:46:30,911 --> 00:46:32,179 NUANCES AND YOU'RE SHARING THAT 1429 00:46:32,179 --> 00:46:32,713 WITH US. 1430 00:46:32,713 --> 00:46:33,680 AND I LOVE THAT. 1431 00:46:33,680 --> 00:46:35,816 BUT, OKAY, BRACE YOURSELF. 1432 00:46:35,816 --> 00:46:38,252 YOUR FOOT CAME OFF THE GROUND 1433 00:46:38,252 --> 00:46:38,652 TWICE. 1434 00:46:38,652 --> 00:46:39,820 AND I'M SORRY. 1435 00:46:39,820 --> 00:46:40,854 THE FIRST ONE HERE AND THE 1436 00:46:40,854 --> 00:46:41,922 SECOND ONE THERE. 1437 00:46:41,922 --> 00:46:43,657 AND, LOOK, SEMIFINALS, A LOT IS 1438 00:46:43,657 --> 00:46:45,058 AT STAKE, GUYS. 1439 00:46:45,058 --> 00:46:46,627 I'VE GOT TO BE FAIR TO EVERYONE. 1440 00:46:46,627 --> 00:46:48,629 AND I'M GOING TO CALL IT -- I 1441 00:46:48,629 --> 00:46:49,663 WARNED YOU ABOUT IT EARLIER IN 1442 00:46:49,663 --> 00:46:51,398 THE SEASON, MY FRIEND. 1443 00:46:51,398 --> 00:46:52,633 THAT'S OKAY. 1444 00:46:52,633 --> 00:46:53,267 DO YOU REMEMBER? 1445 00:46:53,267 --> 00:46:54,501 A LONG TIME AGO. 1446 00:46:54,501 --> 00:46:56,703 I SAID BE CAREFUL. 1447 00:46:56,703 --> 00:46:58,105 >> Alfonso: OKAY. 1448 00:46:58,105 --> 00:46:58,705 ALL RIGHT. 1449 00:46:58,705 --> 00:47:00,674 >> YOU WERE STILL AMAZING. 1450 00:47:00,674 --> 00:47:01,275 WE LOVE YOU. 1451 00:47:01,275 --> 00:47:02,476 >> YOU KNOW WHAT IT IS. 1452 00:47:02,476 --> 00:47:04,344 SHE CALLS IT OUT ALL THE TIME. 1453 00:47:04,344 --> 00:47:06,613 YOU KNOW WHAT IT IS, SO THAT'S 1454 00:47:06,613 --> 00:47:07,114 GOOD. 1455 00:47:07,114 --> 00:47:07,815 >> APPRECIATE THAT. 1456 00:47:07,815 --> 00:47:10,050 >> I WANT TO SAY SOMETHING REAL 1457 00:47:10,050 --> 00:47:10,751 FAST. 1458 00:47:10,751 --> 00:47:12,152 AS A PRO ON THE SHOW, THERE WERE 1459 00:47:12,152 --> 00:47:14,054 PARTNERS I HAD THAT BROUGHT THE 1460 00:47:14,054 --> 00:47:15,856 BEST OUT IN ME AND MADE ME A 1461 00:47:15,856 --> 00:47:19,059 BETTER DANCER AND CHOREOGRAPHER. 1462 00:47:19,059 --> 00:47:22,296 I REALLY FEEL LIKE YOU HAVE 1463 00:47:22,296 --> 00:47:23,397 REALLY GROWN ON THIS SEASON. 1464 00:47:23,397 --> 00:47:25,632 I THINK THAT AS YOU HAVE BEEN 1465 00:47:25,632 --> 00:47:26,667 THERE FOR HER AND GUIDED HER 1466 00:47:26,667 --> 00:47:28,068 THROUGH THIS PROCESS, I FEEL 1467 00:47:28,068 --> 00:47:31,338 LIKE SHE'S BROUGHT OUT SOMETHING 1468 00:47:31,338 --> 00:47:32,673 IN BEAUTIFUL IN YOU, TOO. 1469 00:47:32,673 --> 00:47:34,541 I COMMEND BOTH OF YOU SO MUCH. 1470 00:47:34,541 --> 00:47:36,443 A PHENOMENAL, PHENOMENAL 1471 00:47:36,443 --> 00:47:36,843 PERFORMANCE. 1472 00:47:36,843 --> 00:47:38,345 I LOVED IT. 1473 00:47:38,345 --> 00:47:39,847 >> Alfonso: HEAD UP TO THE 1474 00:47:39,847 --> 00:47:41,915 SKYBOX FOR YOUR SCORES. 1475 00:47:49,823 --> 00:47:50,958 ♪ I'M THE GREATEST 1476 00:47:50,958 --> 00:47:52,559 COME ON SAY IT ♪ 1477 00:47:52,559 --> 00:47:54,094 ♪ YOU GONNA KNOW MY NAME 1478 00:47:54,094 --> 00:47:55,095 SO FAMOUS ♪ 1479 00:47:55,095 --> 00:47:57,231 ♪ I'M THE GREATEST 1480 00:47:57,231 --> 00:48:00,601 I'M THE GREATEST 1481 00:48:00,601 --> 00:48:01,168 YEAH YEAH YEAH ♪ 1482 00:48:01,168 --> 00:48:03,203 ♪ I'M THE GREATEST 1483 00:48:03,203 --> 00:48:03,904 I'M THE GREATEST ♪ 1484 00:48:03,904 --> 00:48:04,605 >> Julianne: STEPHANI AND ROMAN 1485 00:48:04,605 --> 00:48:05,672 FROM OUR TROUPE PERFORMING A 1486 00:48:05,672 --> 00:48:07,307 PASODOBLE. 1487 00:48:07,307 --> 00:48:07,941 JOEY AND JENNA WILL BE 1488 00:48:07,941 --> 00:48:09,409 PERFORMING A PASO FOR THEIR 1489 00:48:09,409 --> 00:48:12,779 LATIN DANCE COMING UP SOON. 1490 00:48:12,779 --> 00:48:13,480 ALL RIGHT. 1491 00:48:13,480 --> 00:48:15,849 YOU SAID IN YOUR PACKAGE THAT 1492 00:48:15,849 --> 00:48:17,517 THIS SHOW HAS REKINDLED YOUR 1493 00:48:17,517 --> 00:48:18,452 LOVE FOR DANCING. 1494 00:48:18,452 --> 00:48:19,953 ARE YOU GOING TO KEEP IT UP 1495 00:48:19,953 --> 00:48:21,588 AFTER THE SHOW IS DONE? 1496 00:48:21,588 --> 00:48:22,356 >> I HOPE SO. 1497 00:48:22,356 --> 00:48:23,523 I THINK WHAT I FOUND THROUGH 1498 00:48:23,523 --> 00:48:25,525 THIS COMPETITION IS A NEW ME AND 1499 00:48:25,525 --> 00:48:26,893 WHAT I'M CAPABLE OF THIS. 1500 00:48:26,893 --> 00:48:28,462 THIS COMPETITION CHALLENGES YOUR 1501 00:48:28,462 --> 00:48:30,764 OWN IDEAS OF YOUR LIMITATIONS, 1502 00:48:30,764 --> 00:48:32,833 AND I HAVE SURFACED THAT IN SO 1503 00:48:32,833 --> 00:48:33,934 MANY WAYS. 1504 00:48:33,934 --> 00:48:35,702 I'M REALLY PROUD OF MYSELF. 1505 00:48:35,702 --> 00:48:38,372 I HAVE TO SHOUT-OUT BRANDON 1506 00:48:38,372 --> 00:48:39,740 ARMSTRONG BECAUSE HE'S WORKING 1507 00:48:39,740 --> 00:48:45,545 HIS BOOTIE OFF AND HE'S 1508 00:48:45,545 --> 00:48:46,213 WONDERFUL. 1509 00:48:46,213 --> 00:48:46,880 >> Julianne: HOW DO YOU FEEL 1510 00:48:46,880 --> 00:48:47,748 ABOUT THOSE COMMENTS IN. 1511 00:48:47,748 --> 00:48:49,383 >> I ALSO WANT TO CLARIFY. 1512 00:48:49,383 --> 00:48:51,585 I'M NOT UPSET WITH CARRIE ANNE 1513 00:48:51,585 --> 00:48:52,119 AT ALL. 1514 00:48:52,119 --> 00:48:53,053 I TOTALLY UNDERSTAND. 1515 00:48:53,053 --> 00:48:54,855 I TOTALLY AGREE. 1516 00:48:54,855 --> 00:48:57,257 I WAS SURPRISED BECAUSE I DON'T 1517 00:48:57,257 --> 00:48:59,359 REMEMBER HER CALLING US FOR THE 1518 00:48:59,359 --> 00:49:00,327 LIFT SPECIFICALLY. 1519 00:49:00,327 --> 00:49:01,028 IT'S ALL GOOD. 1520 00:49:01,028 --> 00:49:02,162 >> Julianne: THE PRESSURE IS ON. 1521 00:49:02,162 --> 00:49:04,431 THE PRESSURE IS ON. 1522 00:49:04,431 --> 00:49:05,832 ALL RIGHT. 1523 00:49:05,832 --> 00:49:09,236 WELL, LET'S GET YOUR SCORES. 1524 00:49:09,236 --> 00:49:11,071 >> Announcer: CARRIE ANN INABA? 1525 00:49:11,071 --> 00:49:13,440 >> WELL, NOW, BRANDON. 1526 00:49:13,440 --> 00:49:18,645 NO, IT'S A 9. 1527 00:49:18,645 --> 00:49:19,680 IT WAS WONDERFUL! 1528 00:49:19,680 --> 00:49:21,281 >> Announcer: DEREK HOUGH? 1529 00:49:21,281 --> 00:49:22,649 >> 10. 1530 00:49:22,649 --> 00:49:23,483 >> BRUNO TONIOLI? 1531 00:49:23,483 --> 00:49:26,286 >> IT'S A 10. 1532 00:49:26,286 --> 00:49:27,120 >> Julianne: ALL RIGHT. 1533 00:49:27,120 --> 00:49:29,389 CONSIDERING THAT WAS ONE POINT 1534 00:49:29,389 --> 00:49:30,791 OFF, HOW DO YOU FEEL? 1535 00:49:30,791 --> 00:49:34,294 >> I'M SORRY FOR OUR ONE POINT. 1536 00:49:34,294 --> 00:49:36,563 >> NO, NO, NO. 1537 00:49:36,563 --> 00:49:37,030 YOU'RE THE BEST. 1538 00:49:37,030 --> 00:49:37,497 ALL RIGHT. 1539 00:49:37,497 --> 00:49:38,165 THEIR TOTAL IS 58. 1540 00:49:38,165 --> 00:49:40,167 THEY DON'T WANT TO RELY ON 1541 00:49:40,167 --> 00:49:42,402 JUDGES' SCORES ALONES, SO GET 1542 00:49:42,402 --> 00:49:44,938 YOUR NOTING IN NOW. 1543 00:49:44,938 --> 00:49:45,639 VOTING CLOSES DURING THE LAST 1544 00:49:45,639 --> 00:49:46,540 COMMERCIAL BREAK. 1545 00:49:46,540 --> 00:49:47,174 ALFONSO. 1546 00:49:47,174 --> 00:49:48,108 >> Alfonso: THANKS JULIANNE. 1547 00:49:48,108 --> 00:49:48,842 A LOT OF YOU HAVE BEEN CHECKING 1548 00:49:48,842 --> 00:49:49,876 OUT THE BEHIND-THE-SCENES ACTION 1549 00:49:49,876 --> 00:49:50,577 ON INSTAGRAM LIVE DURING THE 1550 00:49:50,577 --> 00:49:51,311 BREAKS. 1551 00:49:51,311 --> 00:49:52,045 GRAB YOUR SECOND SCREEN AND SEE 1552 00:49:52,045 --> 00:49:52,746 WHAT'S COMING UP. 1553 00:49:52,746 --> 00:49:53,246 JOEY AND JENNA'S PASODOBLE IS 1554 00:49:53,246 --> 00:49:54,381 NEXT. 1555 00:49:54,381 --> 00:49:55,415 AND IT'S LIVE. 1556 00:50:01,900 --> 00:50:04,936 ♪♪ 1557 00:50:04,936 --> 00:50:07,239 >> Alfonso: WE'RE BACK. 1558 00:50:07,239 --> 00:50:08,473 NEXT UP IN THE SECOND ROUND OF 1559 00:50:08,473 --> 00:50:10,842 THE SEMIFINALS, A COUPLE WHO 1560 00:50:10,842 --> 00:50:12,511 EARNED A PERFECT 30 FROM THE 1561 00:50:12,511 --> 00:50:14,846 JUDGES FOR THEIR BALLROOM 1562 00:50:14,846 --> 00:50:15,480 FOXTROT. 1563 00:50:15,480 --> 00:50:18,717 FOR THEIR LATIN STYLE DANCE, 1564 00:50:18,717 --> 00:50:19,417 THEY'LL PERFORM A PASO DOBLE. 1565 00:50:19,417 --> 00:50:20,485 HERE'S HOW TRAINING WENT FOR 1566 00:50:20,485 --> 00:50:20,919 JOEY AND JENNA. 1567 00:50:23,421 --> 00:50:25,056 >> FOR OUR SECOND DANCE, WE ARE 1568 00:50:25,056 --> 00:50:26,725 GOING TO BE DOING A LATIN DANCE. 1569 00:50:26,725 --> 00:50:30,629 IT IS A PASO DOBLE. 1570 00:50:30,629 --> 00:50:32,130 >> I'M EXCITED. 1571 00:50:32,130 --> 00:50:33,899 I REMEMBER TALKING TO YOU LIKE, 1572 00:50:33,899 --> 00:50:35,934 ARE WE GOING TO DO ONE? 1573 00:50:35,934 --> 00:50:37,169 YOU JUST SAID, IF THERE IS TIME. 1574 00:50:37,169 --> 00:50:38,036 >> THE TIME IS NOW. 1575 00:50:38,036 --> 00:50:39,437 >> THE TIME IS NOW. 1576 00:50:39,437 --> 00:50:42,507 >> OUR BEST PERFORMANCES HAVE 1577 00:50:42,507 --> 00:50:44,009 BEEN WHEN YOU ARE PLAYING A 1578 00:50:44,009 --> 00:50:44,609 CHARACTER. 1579 00:50:44,609 --> 00:50:46,177 DID YOU KNOW YOU HAD THIS 1580 00:50:46,177 --> 00:50:48,513 THEETRY CAL SIDE TO YOU? 1581 00:50:48,513 --> 00:50:51,783 >> I WAS VERY THEATRICAL AS A 1582 00:50:51,783 --> 00:50:52,417 KID. 1583 00:50:52,417 --> 00:50:54,252 YOU COULD ASK MY ASSISTANT. 1584 00:50:54,252 --> 00:50:55,820 THEY WOULD MAYBE PUSH ME, AND I 1585 00:50:55,820 --> 00:50:58,590 WOULD MAKE IT BIGGER. 1586 00:50:58,590 --> 00:50:59,424 COMING INTO THIS, I FELT 1587 00:50:59,424 --> 00:51:01,026 CONFIDENT I WAS ATHLETIC ENOUGH 1588 00:51:01,026 --> 00:51:02,627 TO BE ABLE TO BE LIGHT ON MY 1589 00:51:02,627 --> 00:51:03,261 FEET. 1590 00:51:03,261 --> 00:51:05,363 BUT THE PERFORMANCE SIDE, I 1591 00:51:05,363 --> 00:51:07,165 DIDN'T KNOW I WAS CAPABLE OF IT. 1592 00:51:07,165 --> 00:51:08,800 I KNOW HOW IMPORTANT THIS DANCE 1593 00:51:08,800 --> 00:51:10,468 IS, AND I JUST WANT TO PUT 1594 00:51:10,468 --> 00:51:11,369 EVERYTHING OUT THERE. 1595 00:51:11,369 --> 00:51:13,171 WHY AM I -- 1596 00:51:13,171 --> 00:51:15,073 >> IT IS A STEP, BUT I WANT TO 1597 00:51:15,073 --> 00:51:15,774 RUSH IT. 1598 00:51:15,774 --> 00:51:18,877 >> WITH THE PASO DOBLE, HE IS 1599 00:51:18,877 --> 00:51:24,316 GOING TO HAVE TO BE A MAMATADOR. 1600 00:51:24,316 --> 00:51:25,450 HE IS TEASING A BULL. 1601 00:51:25,450 --> 00:51:27,519 WHEN HE GETS A CHARACTER IN HIS 1602 00:51:27,519 --> 00:51:28,219 MIND. 1603 00:51:28,219 --> 00:51:31,623 >> JUST A LITTLE MORE COCKINESS. 1604 00:51:31,623 --> 00:51:35,126 >> HE HAS BLOW-AWAY PERFORMANCES 1605 00:51:35,126 --> 00:51:36,661 WHERE PEOPLE ARE LIKE O.M.G. 1606 00:51:36,661 --> 00:51:38,930 >> I KEEP THAT LOOK AND THEN I 1607 00:51:38,930 --> 00:51:39,664 GO LOW HERE. 1608 00:51:39,664 --> 00:51:41,299 >> PERFECT. 1609 00:51:41,299 --> 00:51:43,034 >> THE PRESSURE IS ON. 1610 00:51:43,034 --> 00:51:45,136 NOT A LOT OF TIME TO SMASH THESE 1611 00:51:45,136 --> 00:51:45,770 DANCES. 1612 00:51:45,770 --> 00:51:49,407 >> I FELT SO COOL FOR FIVE 1613 00:51:49,407 --> 00:51:50,108 SECONDS THERE. 1614 00:51:50,108 --> 00:51:54,379 >> THE COMPETITION IS VERY 1615 00:51:54,379 --> 00:51:54,980 TOUGH. 1616 00:51:54,980 --> 00:51:57,716 I KNOW HOW CLOSE IT IS. 1617 00:51:57,716 --> 00:52:01,219 I DON'T HAVE REALLY ANY ROOM FOR 1618 00:52:01,219 --> 00:52:01,686 ERROR. 1619 00:52:01,686 --> 00:52:02,053 >> SO DON'T RUSH. 1620 00:52:02,053 --> 00:52:02,787 >> I KNOW. 1621 00:52:02,787 --> 00:52:03,221 I KNOW. 1622 00:52:03,221 --> 00:52:05,624 >> OH, SO CLOSE. 1623 00:52:05,624 --> 00:52:07,025 I HAVE TO SOLIDIFY THAT. 1624 00:52:07,025 --> 00:52:10,061 I DESERVE A SPOT IN THE FINALE. 1625 00:52:10,061 --> 00:52:11,129 I'M GOING TO BRING IT. 1626 00:52:11,129 --> 00:52:11,696 >> THAT WAS BEAUTIFUL. 1627 00:52:11,696 --> 00:52:12,364 >> Announcer: DANCING THE 1628 00:52:12,364 --> 00:52:13,231 PASO DOBLE, WITH HIS PARTNER 1629 00:52:13,231 --> 00:52:14,833 JENNA JOHNSON, IT'S 1630 00:52:14,833 --> 00:52:16,868 JOEY GRAZIADEI. 1631 00:52:27,379 --> 00:52:27,846 ♪♪ 1632 00:52:27,846 --> 00:52:29,514 ♪ AH YEAH HEY UH 1633 00:52:29,514 --> 00:52:30,115 HERE COME OLD FLAT-TOP 1634 00:52:30,115 --> 00:52:33,518 HE COME GROOVING SLOWLY ♪ 1635 00:52:33,518 --> 00:52:34,252 ♪ HE GOT JU-JU EYEBALLS 1636 00:52:34,252 --> 00:52:35,787 HE'S ONE HOLY ROLLER ♪ 1637 00:52:35,787 --> 00:52:38,490 ♪ HE GOT HAIR 1638 00:52:38,490 --> 00:52:40,558 DOWN TO HIS KNEES ♪ 1639 00:52:40,558 --> 00:52:43,228 ♪ GOT TO BE A JOKER 1640 00:52:43,228 --> 00:52:45,463 HE JUST DO WHAT HE PLEASE ♪ 1641 00:52:45,463 --> 00:52:46,865 ♪ COME TOGETHER RIGHT NOWE OVER 1642 00:52:46,865 --> 00:52:58,009 ME 1643 00:52:58,009 --> 00:53:09,521 AH OOH-AHH ♪ 1644 00:53:09,521 --> 00:53:11,156 ♪ HE ROLLER-COASTER 1645 00:53:11,156 --> 00:53:13,191 HE GOT EARLY WARNING ♪ 1646 00:53:13,191 --> 00:53:15,860 ♪ HE GOT MUDDY WATER 1647 00:53:15,860 --> 00:53:16,895 HE ONE MOJO FILTER ♪ 1648 00:53:16,895 --> 00:53:18,963 ♪ HE SAY 1649 00:53:18,963 --> 00:53:21,466 ONE AND ONE AND ONE 1650 00:53:21,466 --> 00:53:22,100 IS THREE ♪ 1651 00:53:22,100 --> 00:53:24,269 ♪ GOT TO BE GOOD LOOKING 1652 00:53:24,269 --> 00:53:26,871 'CAUSE HE'S SO HARD TO SEE 1653 00:53:26,871 --> 00:53:27,939 YEAH YEAH ♪ 1654 00:53:27,939 --> 00:53:30,542 ♪ COME TOGETHER RIGHT NOW 1655 00:53:30,542 --> 00:53:34,846 OVER ME UH 1656 00:53:34,846 --> 00:53:41,486 UH MHM AH ♪ 1657 00:53:41,486 --> 00:53:45,490 ♪ COME TOGETHER RIGHT NOW 1658 00:53:45,490 --> 00:53:46,891 OVER ME ♪ 1659 00:53:46,891 --> 00:53:52,263 [ APPLAUSE ] 1660 00:53:52,263 --> 00:53:55,300 >> Alfonso: JOEY AND JENNA WITH 1661 00:53:55,300 --> 00:54:00,705 A PASO DOBLE. 1662 00:54:00,705 --> 00:54:02,807 OH, YEAH. 1663 00:54:02,807 --> 00:54:03,174 OKAY. 1664 00:54:03,174 --> 00:54:04,642 Y'ALL GOOD? 1665 00:54:04,642 --> 00:54:06,044 THE CROWD IS LOVING IT. 1666 00:54:06,044 --> 00:54:10,115 THEY'RE LOVING IT. 1667 00:54:10,115 --> 00:54:11,149 OKAY. 1668 00:54:11,149 --> 00:54:13,418 CARRIE ANN INABA? 1669 00:54:13,418 --> 00:54:16,521 >> JOEY, I LOVE, LOVED THE 1670 00:54:16,521 --> 00:54:17,655 ATTACK, THE PASSION. 1671 00:54:17,655 --> 00:54:19,657 THAT WAS FULL-OUT. 1672 00:54:19,657 --> 00:54:21,426 I HATE TO SAY THIS. 1673 00:54:21,426 --> 00:54:23,895 AT THE BEGINNING OF THIS 1674 00:54:23,895 --> 00:54:25,330 ROUTINE, YOU WERE JUST A HAIR 1675 00:54:25,330 --> 00:54:26,131 AHEAD OF THE MUSIC. 1676 00:54:26,131 --> 00:54:27,899 AND AT THE END, IT WAS JUST A 1677 00:54:27,899 --> 00:54:32,937 BIT OF A STUMBLE TO THE END. 1678 00:54:32,937 --> 00:54:34,539 LISTEN, THAT TAKES NOTHING AWAY 1679 00:54:34,539 --> 00:54:35,974 FROM HOW GOOD YOU ARE. 1680 00:54:35,974 --> 00:54:37,142 AND YOU ALL CAN VOTE. 1681 00:54:37,142 --> 00:54:38,610 SO YOU CAN ARGUE WITH ME, BUT 1682 00:54:38,610 --> 00:54:41,146 YOU BETTER BE VOTING. 1683 00:54:41,146 --> 00:54:42,013 >> Alfonso: OKAY. 1684 00:54:42,013 --> 00:54:44,582 YOU TELL THEM. 1685 00:54:44,582 --> 00:54:45,083 DEREK? 1686 00:54:45,083 --> 00:54:48,586 >> AWE, CARRIE ANN. 1687 00:54:48,586 --> 00:54:53,258 JOEY, YOU PASOED ALL OVER THAT 1688 00:54:53,258 --> 00:54:54,092 DOBLE. 1689 00:54:54,092 --> 00:54:55,160 YOU DID. 1690 00:54:55,160 --> 00:54:57,796 IT'S SO FUNNY, ACTUALLY, BECAUSE 1691 00:54:57,796 --> 00:54:59,697 FOR ME YOUR TIMING IS MY 1692 00:54:59,697 --> 00:55:01,166 FAVORITE PART BECAUSE I CAN JUST 1693 00:55:01,166 --> 00:55:02,901 ENJOY IT. 1694 00:55:02,901 --> 00:55:05,904 SO STRONG, PRECISE, DELIBERATE, 1695 00:55:05,904 --> 00:55:08,706 POWERFUL PERFORMANCE. 1696 00:55:08,706 --> 00:55:09,174 WELL DONE. 1697 00:55:09,174 --> 00:55:12,143 >> Alfonso: BRUNO? 1698 00:55:12,143 --> 00:55:14,979 >> FEROCIOUSLY INTENSE, 1699 00:55:14,979 --> 00:55:15,580 SMOLDERING. 1700 00:55:15,580 --> 00:55:17,782 YOU WERE LIKE A ROCK IDOL. 1701 00:55:17,782 --> 00:55:19,784 LOOK AT ME HOW STRONG I AM, 1702 00:55:19,784 --> 00:55:21,019 CLEAN, CRISP, CLEAR. 1703 00:55:21,019 --> 00:55:22,787 BUT YOU DID MESS IT UP A LITTLE 1704 00:55:22,787 --> 00:55:23,254 BIT. 1705 00:55:23,254 --> 00:55:24,022 AND YOU KNOW THAT. 1706 00:55:24,022 --> 00:55:25,757 NO, HE KNOWS THAT BECAUSE I WAS 1707 00:55:25,757 --> 00:55:26,391 COUNTING. 1708 00:55:26,391 --> 00:55:28,860 I KNOW, YOU KNOW -- I WATCH 1709 00:55:28,860 --> 00:55:30,161 VERY, VERY CLOSELY. 1710 00:55:30,161 --> 00:55:33,598 AND USUALLY YOU NEVER MISS A 1711 00:55:33,598 --> 00:55:34,165 BEAT. 1712 00:55:34,165 --> 00:55:34,799 TONIGHT IT WAS A SLIDE. 1713 00:55:34,799 --> 00:55:35,433 COME ON. 1714 00:55:35,433 --> 00:55:37,068 WE KNOW WHAT WE'RE TALKING 1715 00:55:37,068 --> 00:55:37,469 ABOUT. 1716 00:55:37,469 --> 00:55:39,404 BUT BRILLIANT. 1717 00:55:39,404 --> 00:55:41,406 >> ALL RIGHT. 1718 00:55:41,406 --> 00:55:44,843 >> Alfonso: SOMETIMES I COUNT 1719 00:55:44,843 --> 00:55:45,376 TOO. 1720 00:55:45,376 --> 00:55:48,746 ONE, TWO, THREE, FOUR. 1721 00:55:48,746 --> 00:55:51,115 HEAD UP TO THE SKYBOX. 1722 00:55:51,115 --> 00:55:51,783 LET'S KEEP IT GOING FOR THE 1723 00:55:51,783 --> 00:55:52,884 ARTISTS WHO ARE ABSOLUTELY 1724 00:55:52,884 --> 00:55:53,585 CRUSHING IT TONIGHT -- 1725 00:55:53,585 --> 00:55:54,352 OUR BAND, OUR SINGERS, AND OUR 1726 00:55:54,352 --> 00:55:54,853 MUSIC DIRECTOR. 1727 00:55:54,853 --> 00:55:56,020 IT'S RAY CHEW LIVE. 1728 00:55:56,020 --> 00:55:56,721 ANOTHER AMAZING SEMI-FINALS, 1729 00:55:56,721 --> 00:55:58,656 RAY. 1730 00:55:58,656 --> 00:55:59,858 YOU GOT IT. 1731 00:55:59,858 --> 00:56:01,526 JULIANNE, TAKE IT AWAY. 1732 00:56:01,526 --> 00:56:03,528 >> Julianne: THANKS, ALFONSO. 1733 00:56:03,528 --> 00:56:04,262 OKAY. 1734 00:56:04,262 --> 00:56:06,564 I GOT TO JUST SAY, YOU SEEMED TO 1735 00:56:06,564 --> 00:56:08,233 CAPTURE THE PERFORMANCE IN BOTH 1736 00:56:08,233 --> 00:56:10,101 STYLES OF THE DANCES THIS WEEK. 1737 00:56:10,101 --> 00:56:11,870 WITHOUT BACKGROUND AND 1738 00:56:11,870 --> 00:56:13,538 PERFORMANCE, DID YOU EVER THINK 1739 00:56:13,538 --> 00:56:17,108 YOU WOULD BE THIS VERSATILE? 1740 00:56:17,108 --> 00:56:17,809 >> NO. 1741 00:56:17,809 --> 00:56:18,676 BECAUSE WHEN DOES SOMEONE GET A 1742 00:56:18,676 --> 00:56:21,713 CHANCE TO DO THIS? 1743 00:56:21,713 --> 00:56:24,549 I JUST LISTEN TO JENN AND MAKE 1744 00:56:24,549 --> 00:56:25,250 HER PROUD. 1745 00:56:25,250 --> 00:56:26,784 >> Julianne: NOT TO POINT THIS 1746 00:56:26,784 --> 00:56:28,119 OUT, BUT YOU HAVEN'T GOTTEN A 1747 00:56:28,119 --> 00:56:30,355 TEN IN A LATIN DANCE TONIGHT. 1748 00:56:30,355 --> 00:56:32,056 DO YOU THINK YOU HAVE TONIGHT? 1749 00:56:32,056 --> 00:56:34,158 >> WE'LL SEE WHAT THEY PUT IN. 1750 00:56:34,158 --> 00:56:35,827 >> Julianne: POINTING OUT THE 1751 00:56:35,827 --> 00:56:36,628 OBVIOUS, ALL RIGHT. 1752 00:56:36,628 --> 00:56:39,230 LET'S GET YOUR SCORES. 1753 00:56:39,230 --> 00:56:40,965 >> Announcer: CARRIE ANN INABA? 1754 00:56:40,965 --> 00:56:43,968 >> 9. 1755 00:56:43,968 --> 00:56:49,474 >> Announcer: DEREK HOUGH? 1756 00:56:49,474 --> 00:56:51,476 >> JOEY! 1757 00:56:51,476 --> 00:56:53,244 >> Announcer: BRUNO TONIOLI? 1758 00:56:53,244 --> 00:56:54,112 >> 9. 1759 00:56:54,112 --> 00:56:55,446 >> Julianne: THERE YOU GO. 1760 00:56:55,446 --> 00:56:57,181 28 OUT OF 30 FOR THEIR LAST 1761 00:56:57,181 --> 00:56:58,283 DANCE OF THE SEMIFINALS. 1762 00:56:58,283 --> 00:57:00,318 THEIR TOTAL FOR THE NIGHT IS 58. 1763 00:57:00,318 --> 00:57:00,685 GREAT JOB. 1764 00:57:00,685 --> 00:57:01,319 ALL RIGHT. 1765 00:57:01,319 --> 00:57:02,587 NO ONE CAN GET THROUGH THIS 1766 00:57:02,587 --> 00:57:04,222 COMPETITION ON JUDGES' SCORES 1767 00:57:04,222 --> 00:57:04,923 ALONE. 1768 00:57:04,923 --> 00:57:05,890 HELP THEM OUT WITH THE POWER OF 1769 00:57:05,890 --> 00:57:07,492 YOUR VOTES. 1770 00:57:07,492 --> 00:57:14,499 YOU GET TEN VOTES PER COUPLE PER 1771 00:57:14,499 --> 00:57:18,169 VOTING METHOD. 1772 00:57:18,169 --> 00:57:22,273 >> Alfonso: THANKS, JULIANNE. 1773 00:57:22,273 --> 00:57:24,676 YOU ARE MISSING OUT ON THE 1774 00:57:24,676 --> 00:57:26,277 EXCITING BEHIND-THE-SCENES 1775 00:57:26,277 --> 00:57:26,878 ACTION, SO CHECK IT OUT. 1776 00:57:26,878 --> 00:57:27,445 YEAH. 1777 00:57:27,445 --> 00:57:28,146 THE SECOND ROUND OF THE 1778 00:57:28,146 --> 00:57:28,813 SEMI-FINALS WILL CONTINUE WITH 1779 00:57:28,813 --> 00:57:29,213 ILONA AND ALAN WHEN WE COME 1780 00:57:29,213 --> 00:57:32,580 BACK, LIVE. 1781 00:57:42,954 --> 00:57:43,388 ♪♪ 1782 00:57:43,388 --> 00:57:44,089 >>> WE'RE BACK. 1783 00:57:44,089 --> 00:57:45,924 AND SO FAR, THIS IS ONE OF THE 1784 00:57:45,924 --> 00:57:48,560 MOST COMPETITIVE SEMIFINALS 1785 00:57:48,560 --> 00:57:49,461 EVER! 1786 00:57:49,461 --> 00:57:51,830 NOW, UP NEXT, THE COUPLE WHO 1787 00:57:51,830 --> 00:57:52,664 EARLIER TONIGHT EARNED 28 FOR 1788 00:57:52,664 --> 00:57:57,035 THEIR PASO DOBLE, TRAINING FOR 1789 00:57:57,035 --> 00:57:59,671 THEIR LAST CHANCE TO GET INTO 1790 00:57:59,671 --> 00:58:02,074 THE FINALE, HERE ARE 1791 00:58:02,074 --> 00:58:02,574 ILONA AND ALAN. 1792 00:58:05,077 --> 00:58:09,381 >> WE'RE DOING A VERY ROMANTIC 1793 00:58:09,381 --> 00:58:10,415 AND SENSUAL DANCE. 1794 00:58:10,415 --> 00:58:12,451 >> I HAVE ENJOYED THE GRACEFUL 1795 00:58:12,451 --> 00:58:13,151 DANCES. 1796 00:58:13,151 --> 00:58:14,653 I WOULD NEVER DESCRIBE MYSELF AS 1797 00:58:14,653 --> 00:58:16,688 A GRACEFUL PERSON, BUT FOR SOME 1798 00:58:16,688 --> 00:58:18,356 REASON I LIKE HOW IT MOVES AND 1799 00:58:18,356 --> 00:58:19,825 THE TEXTURES IN THE DANCE, SO 1800 00:58:19,825 --> 00:58:21,226 I'M EXCITED FOR THIS ONE. 1801 00:58:21,226 --> 00:58:23,829 >> WHAT I WANT TO DO IS REALLY 1802 00:58:23,829 --> 00:58:24,529 INVOKE FEELING. 1803 00:58:24,529 --> 00:58:26,665 >> THIS IS ALMOST LIKE AN ODE TO 1804 00:58:26,665 --> 00:58:28,300 WHAT WE BUILT THESE LAST FEW 1805 00:58:28,300 --> 00:58:28,967 WEEKS. 1806 00:58:28,967 --> 00:58:32,304 I WANT TO DEDICATE IT TO AAN 1807 00:58:32,304 --> 00:58:34,339 AND THE RELATIONSHIP AND 1808 00:58:34,339 --> 00:58:35,941 FRIENDSHIP WE'VE CREATED THESE 1809 00:58:35,941 --> 00:58:37,275 LAST TWO WEEKS. 1810 00:58:37,275 --> 00:58:38,643 HONESTLY, I THINK I HAVE FOUND A 1811 00:58:38,643 --> 00:58:39,411 FRIEND FOR LIFE. 1812 00:58:39,411 --> 00:58:41,012 WHO KNOWS IF IT IS THE LAST TIME 1813 00:58:41,012 --> 00:58:41,680 WE DANCE TOGETHER. 1814 00:58:41,680 --> 00:58:44,483 >> DON'T SAY THAT! 1815 00:58:44,483 --> 00:58:45,183 >> HOPEFULLY IT'S NOT. 1816 00:58:45,183 --> 00:58:46,852 BUT IF IT'S JUST US CELEBRATING 1817 00:58:46,852 --> 00:58:48,687 WHAT WE BUILT, AND I THINK 1818 00:58:48,687 --> 00:58:50,088 PEOPLE WILL REALLY LOVE TAKING A 1819 00:58:50,088 --> 00:58:51,156 PEEK INSIDE OF THAT. 1820 00:58:51,156 --> 00:58:52,124 >> I LOVE THAT. 1821 00:58:52,124 --> 00:58:53,959 THE MORE YOU LET YOUR BODY FLOW, 1822 00:58:53,959 --> 00:58:56,128 THE BETTER IT IS. 1823 00:58:56,128 --> 00:59:00,699 THE VENUS WALTZ IS A YOU FEEL 1824 00:59:00,699 --> 00:59:04,202 BOO, SENSUAL DANCE. 1825 00:59:04,202 --> 00:59:06,371 THERE IS CONTROL IN THE 1826 00:59:06,371 --> 00:59:06,738 SLOWNESS. 1827 00:59:06,738 --> 00:59:07,572 WRONG STEPS. 1828 00:59:07,572 --> 00:59:11,743 >> THE HARDEST THING IS THERE IS 1829 00:59:11,743 --> 00:59:12,677 NO STOP, START. 1830 00:59:12,677 --> 00:59:14,513 EVERY MOVE THAT NEEDS TO FLOW 1831 00:59:14,513 --> 00:59:16,348 TOGETHER, IT IS NOT NATURAL TO 1832 00:59:16,348 --> 00:59:17,048 ME. 1833 00:59:17,048 --> 00:59:18,116 >> YOU NEED TO JUST GO FOR IT. 1834 00:59:18,116 --> 00:59:20,785 >> I'M A TOUGH RUGBY PLAYER WHO 1835 00:59:20,785 --> 00:59:22,254 LOVES TO LIFT WEIGHTS AND RUN 1836 00:59:22,254 --> 00:59:24,089 THROUGH PEOPLE. 1837 00:59:24,089 --> 00:59:25,323 MAKING IT TO THE FINALE WOULD 1838 00:59:25,323 --> 00:59:26,858 ONLY REINFORCE THE MESSAGE THAT 1839 00:59:26,858 --> 00:59:28,827 YOU NEED TO BE ELEGANT AND 1840 00:59:28,827 --> 00:59:30,095 GRACEFUL AND NOT HOLD YOURSELF 1841 00:59:30,095 --> 00:59:31,730 BACK BECAUSE OF HOW YOU HOOK OR 1842 00:59:31,730 --> 00:59:33,298 HOW PEOPLE PERCEIVE YOU. 1843 00:59:33,298 --> 00:59:34,599 >> YOU ARE TRUSTING ME THERE. 1844 00:59:34,599 --> 00:59:36,334 >> IT IS MY JOB TONIGHT TO PROVE 1845 00:59:36,334 --> 00:59:38,036 HOW WE BELONG IN THE FINALE. 1846 00:59:38,036 --> 00:59:40,105 AND I WANT TO GIVE MY THANKS TO 1847 00:59:40,105 --> 00:59:42,107 ALAN FOR HELPING ME THROUGH THIS 1848 00:59:42,107 --> 00:59:42,641 JOURNEY. 1849 00:59:42,641 --> 00:59:43,275 >> REACH, THANK YOU. 1850 00:59:43,275 --> 00:59:45,610 >> SO IT HAS TO BE OUR BEST 1851 00:59:45,610 --> 00:59:46,344 DANCE YET. 1852 00:59:46,344 --> 00:59:49,881 >> GIVE ME A BACK HUG. 1853 00:59:49,881 --> 00:59:51,249 THAT'S ALL YOU CAN. 1854 00:59:51,249 --> 00:59:52,817 >> Announcer: DANCING THE 1855 00:59:52,817 --> 00:59:53,552 VIENNESE WALTZ, WITH HER PARTNER 1856 00:59:53,552 --> 00:59:56,254 ALAN BERSTEN, IT'S ILONA MAHER. 1857 01:00:05,831 --> 01:00:08,533 ♪ IT WAS JUST TWO LOVERS ♪ 1858 01:00:08,533 --> 01:00:09,501 ♪ SITTIN' IN THE CAR 1859 01:00:09,501 --> 01:00:10,502 LISTENING TO BLONDE 1860 01:00:10,502 --> 01:00:12,103 FALLIN' FOR EACH OTHER ♪ 1861 01:00:12,103 --> 01:00:13,839 ♪ PINK AND ORANGE SKIES 1862 01:00:13,839 --> 01:00:14,706 FEELIN' SUPER CHILDISH 1863 01:00:14,706 --> 01:00:16,408 NO DONALD GLOVER ♪ 1864 01:00:16,408 --> 01:00:18,476 ♪ MISSED CALL FROM MY MOTHER 1865 01:00:18,476 --> 01:00:19,477 LIKE WHERE YOU AT TONIGHT? ♪ 1866 01:00:19,477 --> 01:00:20,545 ♪ GOT NO ALIBI 1867 01:00:20,545 --> 01:00:22,147 I WAS ALL ALONE ♪ 1868 01:00:22,147 --> 01:00:27,953 WITH THE LOVE OF MY LIFE ♪ 1869 01:00:27,953 --> 01:00:30,055 ♪ SHE'S GOT GLITTER FOR SKIN 1870 01:00:30,055 --> 01:00:30,555 MY RADIANT BEAM 1871 01:00:30,555 --> 01:00:35,293 IN THE NIGHT ♪ 1872 01:00:35,293 --> 01:00:40,198 ♪ I DON'T NEED NO LIGHT 1873 01:00:40,198 --> 01:00:41,833 TO SEE YOU ♪ 1874 01:00:41,833 --> 01:00:46,905 ♪ SHINE 1875 01:00:46,905 --> 01:00:53,712 IT'S YOUR GOLDEN HOUR 1876 01:00:53,712 --> 01:00:57,415 OH OH OH OH ♪ 1877 01:00:57,415 --> 01:01:05,857 ♪ YOU SLOW DOWN TIME 1878 01:01:05,857 --> 01:01:10,562 IN YOUR GOLDEN HOUR 1879 01:01:10,562 --> 01:01:25,543 OH OH OH ♪ 1880 01:01:25,543 --> 01:01:26,378 OH OH OH ♪ 1881 01:01:26,378 --> 01:01:26,745 ♪♪ 1882 01:01:26,745 --> 01:01:29,581 [ APPLAUSE ] 1883 01:01:29,581 --> 01:01:33,218 >> Alfonso: ILONA AND ALAN WITH 1884 01:01:33,218 --> 01:01:39,891 A VIENNESE WALTZ. 1885 01:01:39,891 --> 01:01:43,395 SO BEAUTIFUL. 1886 01:01:43,395 --> 01:01:43,995 ELEGANT. 1887 01:01:43,995 --> 01:01:45,964 FLOATING ACROSS THE FLOOR. 1888 01:01:45,964 --> 01:01:47,499 ALL RIGHT. 1889 01:01:47,499 --> 01:01:48,133 DEREK? 1890 01:01:48,133 --> 01:01:50,302 >> I MEAN, WHAT A STUNNING 1891 01:01:50,302 --> 01:01:51,636 CONTRAST IN YOUR FIRST DANCE. 1892 01:01:51,636 --> 01:01:52,337 SO BEAUTIFUL. 1893 01:01:52,337 --> 01:01:54,372 I THINK I WROTE AROUND HERE 1894 01:01:54,372 --> 01:01:58,076 DELICATE, GRACEFUL, TEPIDER, 1895 01:01:58,076 --> 01:01:58,677 STUNNING. 1896 01:01:58,677 --> 01:02:01,279 AND THE SOFT PS, TOO. 1897 01:02:01,279 --> 01:02:02,681 THE FRAME WAS A SO MUCH BETTER. 1898 01:02:02,681 --> 01:02:04,115 COULD THERE HAVE BEEN MORE 1899 01:02:04,115 --> 01:02:04,649 STRIDE? 1900 01:02:04,649 --> 01:02:05,850 SURE, WHY NOT? 1901 01:02:05,850 --> 01:02:07,419 BUT THAT WAS SUCH A STUNNING, 1902 01:02:07,419 --> 01:02:08,853 STUNNING MOMENT. 1903 01:02:08,853 --> 01:02:09,387 WELL DONE. 1904 01:02:09,387 --> 01:02:10,488 >> Alfonso: ALL RIGHT. 1905 01:02:10,488 --> 01:02:11,189 BRUNO? 1906 01:02:11,189 --> 01:02:13,258 >> MY DARLING, YOU WERE RADIANT 1907 01:02:13,258 --> 01:02:14,459 TONIGHT IN THAT DANCE. 1908 01:02:14,459 --> 01:02:17,329 THE FLOW, THE MUSICALITY AND 1909 01:02:17,329 --> 01:02:18,496 WHAT YOU SHOWED. 1910 01:02:18,496 --> 01:02:19,864 YOU SHOWED VULNERABILITY. 1911 01:02:19,864 --> 01:02:22,067 I SAW THE REAL YOU, MY DARLING. 1912 01:02:22,067 --> 01:02:23,601 AND, REMEMBER, SOMETIMES A 1913 01:02:23,601 --> 01:02:25,003 CARESS IS MUCH MORE POWERFUL 1914 01:02:25,003 --> 01:02:27,505 THAN A PUNCH. 1915 01:02:27,505 --> 01:02:28,940 >> THAT'S WHAT THEY'RE SAYING. 1916 01:02:28,940 --> 01:02:30,108 >> Alfonso: OKAY, OKAY. 1917 01:02:30,108 --> 01:02:30,775 I AGREE. 1918 01:02:30,775 --> 01:02:32,310 I AGREE. 1919 01:02:32,310 --> 01:02:35,714 CARRIE ANNE? 1920 01:02:35,714 --> 01:02:37,415 >> WATCHING YOU COME FROM 1921 01:02:37,415 --> 01:02:40,118 LIKE -- YOU KNOW, EVERYBODY HAS 1922 01:02:40,118 --> 01:02:42,420 YIN AND YANG AND YOU CAME IN 1923 01:02:42,420 --> 01:02:45,924 THIS COMPETITION WITH A LOT OF 1924 01:02:45,924 --> 01:02:47,225 YANG ENERGY AND IT WAS SO 1925 01:02:47,225 --> 01:02:48,393 BEAUTIFUL TO SEE. 1926 01:02:48,393 --> 01:02:50,428 I FEEL HONORED TO HAVE WATCHED 1927 01:02:50,428 --> 01:02:53,198 THAT DANCE AND TO SEE YOU DANCE 1928 01:02:53,198 --> 01:02:56,801 FULLY IN YOUR YIN ENERGY AND BE 1929 01:02:56,801 --> 01:02:58,003 COMPLETELY PRESENT. 1930 01:02:58,003 --> 01:03:00,271 YOU ARE CHANGING PEOPLE'S LIVES. 1931 01:03:00,271 --> 01:03:02,040 YOU CHANGED MY LIFE. 1932 01:03:02,040 --> 01:03:04,009 THIS HAS BEEN COMPLETELY 1933 01:03:04,009 --> 01:03:04,709 AMAZING. 1934 01:03:04,709 --> 01:03:05,110 >> Alfonso: HEAD UP TO JULIANNE 1935 01:03:05,110 --> 01:03:05,744 IN THE SKYBOX. 1936 01:03:05,744 --> 01:03:06,611 EARLIER TONIGHT WE SAW OUR 1937 01:03:06,611 --> 01:03:07,345 OLYMPIC GYMNAST TAKE ON A LATIN 1938 01:03:07,345 --> 01:03:09,280 STYLE DANCE. 1939 01:03:09,280 --> 01:03:10,015 STEPHEN AND RYLEE WILL BE BACK 1940 01:03:10,015 --> 01:03:10,715 ON THE FLOOR SOON WITH THEIR 1941 01:03:10,715 --> 01:03:17,889 BALLROOM TANGO. 1942 01:03:17,889 --> 01:03:18,556 JULIANNE? 1943 01:03:18,556 --> 01:03:19,724 >> Julianne: THANKS, ALFONSO. 1944 01:03:19,724 --> 01:03:20,291 OKAY. 1945 01:03:20,291 --> 01:03:21,459 YOU ARE A SHAPE SHIFTER. 1946 01:03:21,459 --> 01:03:22,293 YOU'RE SO BEAUTIFUL. 1947 01:03:22,293 --> 01:03:23,628 AND YOU MIGHT NOT HAVE RUN 1948 01:03:23,628 --> 01:03:24,329 THROUGH PEOPLE. 1949 01:03:24,329 --> 01:03:26,064 BUT YOU DEFINITELY RAN THROUGH 1950 01:03:26,064 --> 01:03:28,566 OUR HEARTS. 1951 01:03:28,566 --> 01:03:30,502 AND, ALAN, I KNOW THIS 1952 01:03:30,502 --> 01:03:31,936 CONNECTION, THIS PARTNERSHIP HAS 1953 01:03:31,936 --> 01:03:34,239 MEANT SO MUCH TO YOU. 1954 01:03:34,239 --> 01:03:36,007 WHAT HAS IT MEANT DOING THAT 1955 01:03:36,007 --> 01:03:37,442 DANCE TONIGHT? 1956 01:03:37,442 --> 01:03:38,843 >> IT'S BEEN SO BEAUTIFUL. 1957 01:03:38,843 --> 01:03:40,445 I DON'T WANT IT TO END. 1958 01:03:40,445 --> 01:03:41,980 I'M ENJOYING EVERY SINGLE DAY, 1959 01:03:41,980 --> 01:03:46,451 AND I'M SO PROUD OF ILONA. 1960 01:03:46,451 --> 01:03:48,119 >> AND YOU HAVE A TEAM USUALLY 1961 01:03:48,119 --> 01:03:48,987 SUPPORTING YOU. 1962 01:03:48,987 --> 01:03:51,089 BUT IT IS JUST YOU TWO. 1963 01:03:51,089 --> 01:03:53,491 IS THAT MORE REVEALING NOT 1964 01:03:53,491 --> 01:03:55,126 HAVING AN ENTIRE TEAM, OR IS 1965 01:03:55,126 --> 01:03:56,294 THIS YOUR TEAM RIGHT HERE? 1966 01:03:56,294 --> 01:03:59,531 >> THIS IS MY TEAM, FOR REAL. 1967 01:03:59,531 --> 01:04:00,532 HONESTLY, THIS HAS BEEN 1968 01:04:00,532 --> 01:04:01,232 BEAUTIFUL. 1969 01:04:01,232 --> 01:04:04,836 I THINK IT IS SO GREAT THAT I 1970 01:04:04,836 --> 01:04:06,738 SEE HIM EVERY DAY. 1971 01:04:06,738 --> 01:04:08,073 I LOVE THIS GUY. 1972 01:04:08,073 --> 01:04:09,140 >> Julianne: WE FEEL IT. 1973 01:04:09,140 --> 01:04:09,874 WE SEE IT. 1974 01:04:09,874 --> 01:04:10,575 ALL RIGHT. 1975 01:04:10,575 --> 01:04:12,477 WELL, I'M SURE YOU'RE ANXIOUS 1976 01:04:12,477 --> 01:04:13,545 FOR YOUR SCORES. 1977 01:04:13,545 --> 01:04:14,312 SO ARE WE? 1978 01:04:14,312 --> 01:04:15,113 AND WE'LL SEE THEM WHEN WE COME 1979 01:04:15,113 --> 01:04:15,447 BACK. 1980 01:04:15,447 --> 01:04:15,747 I'M SORRY! 1981 01:04:28,777 --> 01:04:29,377 ♪♪ 1982 01:04:29,377 --> 01:04:30,078 >> Julianne: WELCOME BACK. 1983 01:04:30,078 --> 01:04:33,215 BEFORE THE BREAK, ILONA AND ALAN 1984 01:04:33,215 --> 01:04:36,117 PERFORMED A WALTZ THAT THEY SAID 1985 01:04:36,117 --> 01:04:37,652 WAS LIFE-CHANGING. 1986 01:04:37,652 --> 01:04:40,355 LET'S GET THEIR SCORES. 1987 01:04:40,355 --> 01:04:41,923 >> Announcer: CARRIE ANN INABA? 1988 01:04:41,923 --> 01:04:43,692 >> IT'S A 10. 1989 01:04:43,692 --> 01:04:44,392 >> DEREK HOUGH. 1990 01:04:44,392 --> 01:04:47,596 >> BEAUTIFUL TRANSFORMATION, 9. 1991 01:04:47,596 --> 01:04:49,197 >> BRUNO TONIOLI? 1992 01:04:49,197 --> 01:04:50,332 >> 10. 1993 01:04:50,332 --> 01:04:51,032 >> Julianne: ALL RIGHT. 1994 01:04:51,032 --> 01:04:56,004 THAT IS A 29 OUT OF 30 FOR ILONA 1995 01:04:56,004 --> 01:04:57,105 AND ALAN FOR THEIR LAST DANCE OF 1996 01:04:57,105 --> 01:04:58,540 THE SEMIFINALS. 1997 01:04:58,540 --> 01:05:00,475 THEIR TOTAL TONIGHT IS 57. 1998 01:05:00,475 --> 01:05:01,309 ALL RIGHT. 1999 01:05:01,309 --> 01:05:04,212 THIS CLOSE TO THE FINALE. 2000 01:05:04,212 --> 01:05:06,948 ALL OF OUR STARS WANT YOUR 2001 01:05:06,948 --> 01:05:07,449 VOTES. 2002 01:05:07,449 --> 01:05:13,288 TEXT ONLINE ABC.COM. 2003 01:05:13,288 --> 01:05:13,955 ALFONSO? 2004 01:05:13,955 --> 01:05:15,557 >> Alfonso: THANKS, JULIANNE. 2005 01:05:15,557 --> 01:05:17,359 I LOVE THEIR EXCITE M. 2006 01:05:17,359 --> 01:05:20,528 THE COUPLE THAT JUST EARNED 25 2007 01:05:20,528 --> 01:05:24,666 FOR THEIR CHA-CHA. 2008 01:05:24,666 --> 01:05:25,400 BEFORE WE SEE THEIR LAST DANCE 2009 01:05:25,400 --> 01:05:26,134 HEADING INTO THE FINALE, LET'S 2010 01:05:26,134 --> 01:05:26,768 SEE STEPHEN AND RYLEE IN 2011 01:05:26,768 --> 01:05:29,437 TRAINING. 2012 01:05:29,437 --> 01:05:31,039 >> STEPHEN, YOU ARE SOMEBODY 2013 01:05:31,039 --> 01:05:32,874 THAT HAS LITERALLY NEVER DANCED 2014 01:05:32,874 --> 01:05:33,508 BEFORE. 2015 01:05:33,508 --> 01:05:34,976 I DON'T THINK YOU DANCE AT 2016 01:05:34,976 --> 01:05:35,343 PARTIES. 2017 01:05:35,343 --> 01:05:36,044 >> NO. 2018 01:05:36,044 --> 01:05:37,879 >> WHAT WOULD IT MEAN TO YOU TO 2019 01:05:37,879 --> 01:05:39,281 GET TO THE FINALS? 2020 01:05:39,281 --> 01:05:39,981 >>. 2021 01:05:39,981 --> 01:05:40,915 >> THIS IS SOMETHING I THOUGHT I 2022 01:05:40,915 --> 01:05:41,716 COULDN'T DO. 2023 01:05:41,716 --> 01:05:44,819 THE INNER ATHLETE IN ME IS 2024 01:05:44,819 --> 01:05:46,054 SCREAMING THAT I HAVE TO MAKE IT 2025 01:05:46,054 --> 01:05:48,156 TO THE FINALE. 2026 01:05:48,156 --> 01:05:49,624 NO HOLDING BACK NOW. 2027 01:05:49,624 --> 01:05:51,526 >> FOR OUR BALLROOM STYLE, WE 2028 01:05:51,526 --> 01:05:55,096 ARE GOING TO BE DANCING A TENGO. 2029 01:05:55,096 --> 01:05:56,731 SO WE WILL SHOW A COMPLETELY 2030 01:05:56,731 --> 01:05:57,565 DIFFERENT CHARACTER. 2031 01:05:57,565 --> 01:06:00,135 I WANT THIS ONE TO BE 2032 01:06:00,135 --> 01:06:00,669 TRIUMPHANT. 2033 01:06:00,669 --> 01:06:01,369 >> THAT SOUNDS GREAT. 2034 01:06:01,369 --> 01:06:04,072 >> IT IS A REFLECTION OF YOUR 2035 01:06:04,072 --> 01:06:05,440 JOURNEY ON "DANCING WITH THE 2036 01:06:05,440 --> 01:06:06,007 STARS." 2037 01:06:06,007 --> 01:06:08,143 >> DON'T BE EASY ON ME. 2038 01:06:08,143 --> 01:06:09,010 COME ON. 2039 01:06:09,010 --> 01:06:10,545 >> STEPHEN HAS AN ADVANTAGE WITH 2040 01:06:10,545 --> 01:06:15,583 THE TENGO OVER THE CHA-CHA 2041 01:06:15,583 --> 01:06:19,788 BECAUSE HE HAS INSANE UPPER BODY 2042 01:06:19,788 --> 01:06:20,488 STRENGTH. 2043 01:06:20,488 --> 01:06:23,825 I WANT TO MAKE SURE WE'RE USING 2044 01:06:23,825 --> 01:06:24,793 THAT TO OUR FULL CAPACITY. 2045 01:06:24,793 --> 01:06:26,494 >> OKAY. 2046 01:06:26,494 --> 01:06:27,262 STRONG FRAME. 2047 01:06:27,262 --> 01:06:28,229 OPEN UP THAT CHEST. 2048 01:06:28,229 --> 01:06:29,731 HE'S HOLDING ME STRONGLY AND 2049 01:06:29,731 --> 01:06:31,266 GETTING THROUGH THAT DANCE AS HE 2050 01:06:31,266 --> 01:06:32,701 WOULD A MALE DANCER. 2051 01:06:32,701 --> 01:06:35,070 >> >> SEVEN AND EIGHT. 2052 01:06:35,070 --> 01:06:35,670 >> YES. 2053 01:06:35,670 --> 01:06:37,872 >> I AM FEELING WAY MORE 2054 01:06:37,872 --> 01:06:40,141 CONFIDENT IN MY FRAME THIS WEEK. 2055 01:06:40,141 --> 01:06:40,775 YEAH, THIS WAY. 2056 01:06:40,775 --> 01:06:41,476 >> EIGHT. 2057 01:06:41,476 --> 01:06:43,545 >> WHEN I'M IN COMPETITION MODE, 2058 01:06:43,545 --> 01:06:45,413 I SPEND EVERY WAKING SECOND OF 2059 01:06:45,413 --> 01:06:48,183 THE DAY DEDICATED TO MAKING SURE 2060 01:06:48,183 --> 01:06:49,651 THAT PERFORMANCE IS THE BEST IT 2061 01:06:49,651 --> 01:06:50,418 CAN BE. 2062 01:06:50,418 --> 01:06:53,154 SO NOW IT IS TIME TO REALLY LOCK 2063 01:06:53,154 --> 01:06:53,555 IN. 2064 01:06:53,555 --> 01:06:55,056 >> LOOK, LOOK. 2065 01:06:55,056 --> 01:06:56,224 THERE WE GO. 2066 01:06:56,224 --> 01:06:56,925 GOOD. 2067 01:06:56,925 --> 01:06:58,093 >> THE LAST FEW MONTHS HAVE BEEN 2068 01:06:58,093 --> 01:06:59,361 NOTHING SHORT OF AMAZING. 2069 01:06:59,361 --> 01:07:00,095 >> I AM HERE. 2070 01:07:00,095 --> 01:07:01,996 >> I HAVE PUT MY MIND AND BODY 2071 01:07:01,996 --> 01:07:03,498 THROUGH IT TRYING TO MAKE SURE I 2072 01:07:03,498 --> 01:07:04,699 GET THESE DANCES PERFECT. 2073 01:07:04,699 --> 01:07:06,201 AND I'M NOT STOPPING. 2074 01:07:06,201 --> 01:07:09,571 I WON AN OLYMPIC MEDAL AND NOW 2075 01:07:09,571 --> 01:07:11,439 I'M COMING FOR THAT MIRROR BALL. 2076 01:07:11,439 --> 01:07:12,607 >> THAT WAS SICK. 2077 01:07:12,607 --> 01:07:16,444 THAT WAS REALLY GOOD. 2078 01:07:16,444 --> 01:07:17,679 >> Announcer: DANCING THE TANGO, 2079 01:07:17,679 --> 01:07:18,413 WITH HIS PARTNER RYLEE ARNOLD, 2080 01:07:18,413 --> 01:07:20,014 IT'S STEPHEN NEDOROSCIK. 2081 01:07:27,989 --> 01:07:39,601 ♪ SWEET DISPOSITION 2082 01:07:39,601 --> 01:07:53,815 NEVER TOO SOON ♪ 2083 01:07:53,815 --> 01:07:55,917 ♪ A MOMENT A LOVE 2084 01:07:55,917 --> 01:07:57,485 A DREAM ALOUD ♪ 2085 01:07:57,485 --> 01:07:59,554 ♪ A KISS A CRY 2086 01:07:59,554 --> 01:08:01,189 OUR RIGHTS OUR WRONGS ♪ 2087 01:08:01,189 --> 01:08:05,427 ♪ A MOMENT A LOVE 2088 01:08:05,427 --> 01:08:13,868 A MOMENT A LOVE 2089 01:08:13,868 --> 01:08:24,412 A DREAM ALOUD ♪ 2090 01:08:24,412 --> 01:08:27,682 ♪ A MOMENT A LOVE 2091 01:08:27,682 --> 01:08:28,416 A MOMENT A LOVE 2092 01:08:28,416 --> 01:08:29,617 A DREAM ALOUD ♪ 2093 01:08:29,617 --> 01:08:31,186 ♪ SO STAY THERE 2094 01:08:31,186 --> 01:08:33,254 'CAUSE I'LL BE COMING OVER ♪ 2095 01:08:33,254 --> 01:08:35,423 ♪ AND WHILE OUR BLOOD'S 2096 01:08:35,423 --> 01:08:36,524 STILL YOUNG 2097 01:08:36,524 --> 01:08:39,093 IT'S SO YOUNG IT RUNS ♪ 2098 01:08:39,093 --> 01:08:41,229 ♪ WON'T STOP 'TIL IT'S OVER 2099 01:08:41,229 --> 01:08:42,263 A MOMENT A LOVE 2100 01:08:42,263 --> 01:08:43,264 A DREAM ALOUD ♪ 2101 01:08:43,264 --> 01:08:44,966 ♪ A KISS A CRY 2102 01:08:44,966 --> 01:08:45,967 OUR RIGHTS OUR WRONGS ♪ 2103 01:08:45,967 --> 01:08:48,069 ♪ WON'T STOP 'TIL IT'S OVER 2104 01:08:48,069 --> 01:08:49,637 A MOMENT A LOVE 2105 01:08:49,637 --> 01:08:51,272 A DREAM ALOUD ♪ 2106 01:08:51,272 --> 01:08:52,240 ♪ A MOMENT A LOVE 2107 01:08:52,240 --> 01:08:52,841 A MOMENT A LOVE 2108 01:08:52,841 --> 01:08:53,408 WON'T STOP TO SURRENDER ♪ 2109 01:08:53,408 --> 01:08:54,309 [ APPLAUSE ] 2110 01:08:54,309 --> 01:08:58,112 >> Alfonso: STEPHEN AND RYLEE 2111 01:08:58,112 --> 01:09:00,748 COVERING THE FLOOR WITH THEIR 2112 01:09:00,748 --> 01:09:02,150 TRIUMPHANT TANGO. 2113 01:09:02,150 --> 01:09:03,384 THAT WAS INCREDIBLE. 2114 01:09:03,384 --> 01:09:04,853 YOU LOST YOUR GLASSES IN THE 2115 01:09:04,853 --> 01:09:07,822 MIDDLE OF IT, AND YOU CONTINUED 2116 01:09:07,822 --> 01:09:08,523 GOING. 2117 01:09:08,523 --> 01:09:09,457 THERE ARE GLASSES SOMEWHERE IN 2118 01:09:09,457 --> 01:09:10,491 THE BALLROOM. 2119 01:09:10,491 --> 01:09:12,293 WE ARE GOING TO FIND THOSE AND 2120 01:09:12,293 --> 01:09:14,562 GET THEM TO YOU IN A SECOND. 2121 01:09:14,562 --> 01:09:15,129 >> THANK YOU. 2122 01:09:15,129 --> 01:09:16,497 >> Alfonso: ALL RIGHT. 2123 01:09:16,497 --> 01:09:18,299 BRUNO, YOU GO AHEAD WHILE I GET 2124 01:09:18,299 --> 01:09:19,000 SOME GLASSES. 2125 01:09:19,000 --> 01:09:21,135 >> YOU CAN BREATHE NOW, 2126 01:09:21,135 --> 01:09:21,836 DARRELLS. 2127 01:09:21,836 --> 01:09:23,805 YOU CAN BREATHE. 2128 01:09:23,805 --> 01:09:27,942 MISSION TO TANGO ACCOMPLISHED, 2129 01:09:27,942 --> 01:09:28,676 MY DARLING. 2130 01:09:28,676 --> 01:09:30,612 YOU WERE SO ON IT. 2131 01:09:30,612 --> 01:09:31,546 STRONG. 2132 01:09:31,546 --> 01:09:32,247 >> THANK YOU. 2133 01:09:32,247 --> 01:09:34,115 >> YOU WERE TROYING YOUR BEST. 2134 01:09:34,115 --> 01:09:37,952 YOU WERE REALLY CONCENTRATING. 2135 01:09:37,952 --> 01:09:40,188 YOU WERE EVEN DOING THE 2136 01:09:40,188 --> 01:09:41,089 CRESCENDO SECTION. 2137 01:09:41,089 --> 01:09:43,091 HIS FACE WAS LIKE, I WANT TO DO 2138 01:09:43,091 --> 01:09:43,558 THIS. 2139 01:09:43,558 --> 01:09:44,726 I WANT TO DO THIS. 2140 01:09:44,726 --> 01:09:46,628 YOU DID IT, HONEY. 2141 01:09:46,628 --> 01:09:49,864 >> THANK YOU. 2142 01:09:49,864 --> 01:09:52,400 >> Alfonso: CARRIE ANNE? 2143 01:09:52,400 --> 01:09:54,669 >> LISTEN, I HAVE REALLY BAD 2144 01:09:54,669 --> 01:09:55,003 VISION. 2145 01:09:55,003 --> 01:09:55,870 NOT NOW. 2146 01:09:55,870 --> 01:09:57,071 I'M WEARING MY KT KAS. 2147 01:09:57,071 --> 01:09:58,907 BUT I HAVE REALLY BAD VISION. 2148 01:09:58,907 --> 01:10:00,842 THE WAY YOU WERE ABLE TO DO IT 2149 01:10:00,842 --> 01:10:02,844 WITH YOUR GLASSES LIKE THAT, 2150 01:10:02,844 --> 01:10:04,712 IT'S NOT EVEN FUNNY, LIKE THAT 2151 01:10:04,712 --> 01:10:06,581 THROWS OFF YOUR DEPTH PERCEPTION 2152 01:10:06,581 --> 01:10:07,882 WORSE THAN ALREADY YOU ARE GOING 2153 01:10:07,882 --> 01:10:08,583 THROUGH, RIGHT? 2154 01:10:08,583 --> 01:10:10,818 WHAT I'M SO IMPRESSED WITH, YOU 2155 01:10:10,818 --> 01:10:11,719 DIDN'T STOP. 2156 01:10:11,719 --> 01:10:13,087 YOU DID SOMETHING THAT NOT MANY 2157 01:10:13,087 --> 01:10:13,988 PEOPLE COULD DO. 2158 01:10:13,988 --> 01:10:16,724 YOU CONTINUED ON, AND YOU LET 2159 01:10:16,724 --> 01:10:18,593 HER DO THAT DANCE LIKE A PRO. 2160 01:10:18,593 --> 01:10:21,029 I WAS SO IMPRESSED. 2161 01:10:21,029 --> 01:10:24,966 I'M JUST GOING TO STOP THERE. 2162 01:10:24,966 --> 01:10:25,600 >> Alfonso: THERE YOU GO. 2163 01:10:25,600 --> 01:10:26,100 ALL RIGHT. 2164 01:10:26,100 --> 01:10:26,768 DEREK? 2165 01:10:26,768 --> 01:10:27,602 >> IT WAS UNFAIR BECAUSE THE 2166 01:10:27,602 --> 01:10:29,103 SONG WAS SO GOOD THAT I WAS 2167 01:10:29,103 --> 01:10:30,571 LIKE, OH, YEAH. 2168 01:10:30,571 --> 01:10:31,839 LOVE THIS SONG. 2169 01:10:31,839 --> 01:10:32,607 LISTEN, MY FRIEND. 2170 01:10:32,607 --> 01:10:47,555 I THINK THERE HAS BEEN MORE 2171 01:10:47,555 --> 01:10:48,723 I THINK THERE HAS BEEN MORE 2172 01:10:48,723 --> 01:10:50,124 GLASSES CHOREO. 2173 01:10:50,124 --> 01:10:50,591 CONGRATULATIONS. 2174 01:10:50,591 --> 01:10:51,059 WELL DONE, GUYS. 2175 01:10:51,059 --> 01:10:51,759 WELL DONE. 2176 01:10:51,759 --> 01:10:52,460 >> Alfonso: >> Alfonso: HEAD ON 2177 01:10:52,460 --> 01:10:56,931 UP TO JULIANNE FOR YOUR SCORES. 2178 01:10:56,931 --> 01:10:57,665 GETTING READY TO RETURN TO THE 2179 01:10:57,665 --> 01:10:58,533 FLOOR WITH THEIR LATIN STYLE 2180 01:10:58,533 --> 01:11:04,238 ROUTINE ARE DANNY AND WITNEY. 2181 01:11:04,238 --> 01:11:07,809 JEWEL YAP -- JULIANNE, TAKE IT 2182 01:11:07,809 --> 01:11:08,443 AWAY. 2183 01:11:08,443 --> 01:11:10,478 >> Julianne: HOW WAS THAT, 2184 01:11:10,478 --> 01:11:11,179 DANCING WITH NO GLASSES? 2185 01:11:11,179 --> 01:11:14,148 >> AT THIS POINT, IT IS JUST THE 2186 01:11:14,148 --> 01:11:14,849 USH. 2187 01:11:14,849 --> 01:11:16,184 >> Julianne: TALK ABOUT BEING AN 2188 01:11:16,184 --> 01:11:17,652 OLYMPIAN AND COMING BACK STRONG, 2189 01:11:17,652 --> 01:11:18,619 THAT WAS AMAZING. 2190 01:11:18,619 --> 01:11:19,120 ALL RIGHT. 2191 01:11:19,120 --> 01:11:20,188 SO THIS IS SO CLOSE. 2192 01:11:20,188 --> 01:11:22,790 WE ARE SO CLOSE TO FINALE. 2193 01:11:22,790 --> 01:11:24,525 HOW BAD DO YOU WANT THIS? 2194 01:11:24,525 --> 01:11:26,094 >> I WANT IT MORE THAN ANYTHING. 2195 01:11:26,094 --> 01:11:27,362 I LOVE IT SO MUCH. 2196 01:11:27,362 --> 01:11:36,304 I REALLY WANT TO MAKE IT TO THE 2197 01:11:36,304 --> 01:11:37,005 FINALE. 2198 01:11:37,005 --> 01:11:37,705 >> Announcer: CARRIE ANN INABA? 2199 01:11:37,705 --> 01:11:38,439 >> SOMETIMES IT IS JUST MAGIC 2200 01:11:38,439 --> 01:11:39,941 AND THAT'S ALL IT IS. 2201 01:11:39,941 --> 01:11:41,609 THAT'S A 10 FOR ME. 2202 01:11:41,609 --> 01:11:42,744 >> Announcer: DEREK HOUGH? 2203 01:11:42,744 --> 01:11:45,446 >> I THINK A DIME IS PRETTY 2204 01:11:45,446 --> 01:11:46,080 GOOD. 2205 01:11:46,080 --> 01:11:47,148 >> Announcer: >> Announcer: 2206 01:11:47,148 --> 01:11:48,816 BRUNO TONIOLI? 2207 01:11:48,816 --> 01:11:49,684 >> 9. 2208 01:11:49,684 --> 01:11:50,485 >> Julianne: ALL RIGHT. 2209 01:11:50,485 --> 01:11:53,588 THIS IS A 28 OUT OF 30 FOR 2210 01:11:53,588 --> 01:11:56,591 STEPHEN AND RYLEE FOR THEIR LAST 2211 01:11:56,591 --> 01:11:57,525 DANCE OF THE FINALS. 2212 01:11:57,525 --> 01:11:59,193 HOW DOES THAT FEEL? 2213 01:11:59,193 --> 01:12:00,661 >> IT FEELS AMAZING. 2214 01:12:00,661 --> 01:12:01,362 ALL RIGHT. 2215 01:12:01,362 --> 01:12:03,131 THEIR TOTAL FOR THE NIGHT IS 53. 2216 01:12:03,131 --> 01:12:04,432 IF YOU HAVE BEEN SUPPORTING THEM 2217 01:12:04,432 --> 01:12:06,968 ALL SEASON, NOW IS NOT THE TIME 2218 01:12:06,968 --> 01:12:08,236 TO LET THEM DOWN. 2219 01:12:08,236 --> 01:12:10,671 SEEING ALL THESE AMAZING DANCERS 2220 01:12:10,671 --> 01:12:12,140 AND DANCES OUT THERE REMINDS ME 2221 01:12:12,140 --> 01:12:13,875 OF WHEN I WAS A PRO BACK IN THE 2222 01:12:13,875 --> 01:12:14,242 DAY. 2223 01:12:14,242 --> 01:12:15,109 OH, MY GOSH. 2224 01:12:15,109 --> 01:12:16,677 SOMETIMES I WISH I COULD GET OUT 2225 01:12:16,677 --> 01:12:18,479 THERE AND DANCE SOMETIMES. 2226 01:12:18,479 --> 01:12:19,914 IN FACT, WHY DON'T WE DO THAT 2227 01:12:19,914 --> 01:12:20,848 RIGHT NOW. 2228 01:12:20,848 --> 01:12:22,750 STEPHEN, CAN YOU HOLD THIS? 2229 01:12:22,750 --> 01:12:26,354 >> YEAH. 2230 01:12:26,354 --> 01:12:30,925 ♪♪ 2231 01:12:30,925 --> 01:12:32,693 ♪♪ NOTE 2232 01:12:32,693 --> 01:12:33,761 ♪ FINANCE 2233 01:12:33,761 --> 01:12:34,529 ♪♪ TRUST FUND 2234 01:12:34,529 --> 01:12:35,730 ♪♪ 6'5" 2235 01:12:35,730 --> 01:12:41,202 ♪♪ I'M LOOKING FOR A MAN IN 2236 01:12:41,202 --> 01:12:43,071 FINANCE 2237 01:12:43,071 --> 01:12:43,638 ♪ I'M LOOKING 2238 01:12:43,638 --> 01:12:46,908 FOR A MAN IN FINANCE ♪ 2239 01:12:46,908 --> 01:12:47,442 6'5" BLUE EYES ♪ 2240 01:12:47,442 --> 01:12:48,042 ♪ FINANCE TRUST FUND 2241 01:12:48,042 --> 01:12:50,445 6'5" BLUE EYES ♪ 2242 01:12:50,445 --> 01:12:56,417 ♪ FINANCE TRUST FUND 6'5" ♪ 2243 01:12:56,417 --> 01:12:57,251 ♪ FINANCE TRUST FUND 6'5" ♪ 2244 01:12:57,251 --> 01:12:59,487 ♪ I'M LOOKING 2245 01:12:59,487 --> 01:13:03,124 FOR A MAN IN FINANCE ♪ 2246 01:13:03,124 --> 01:13:03,691 ♪ I'M LOOKING 2247 01:13:03,691 --> 01:13:12,066 FOR A MAN IN FINANCE ♪ 2248 01:13:12,066 --> 01:13:13,167 ♪ I'M LOOKING 2249 01:13:13,167 --> 01:13:16,204 FOR A MAN IN FINANCE ♪ 2250 01:13:29,489 --> 01:13:30,089 ♪♪ 2251 01:13:30,089 --> 01:13:31,424 >> Alfonso: WELCOME BACK. 2252 01:13:31,424 --> 01:13:32,492 THAT WAS A QUICK CHANGE. 2253 01:13:32,492 --> 01:13:36,329 GREAT TO SEE YOU OUT ON THE 2254 01:13:36,329 --> 01:13:38,364 FLOOR WITH THE GUYS. 2255 01:13:38,364 --> 01:13:39,933 >> Julianne: YEAH, THE GUYS. 2256 01:13:39,933 --> 01:13:43,069 WELL, YOU KNOW, I AM SINGLE, AND 2257 01:13:43,069 --> 01:13:45,638 I'M LOOKING FOR A GUY ANYWHERE I 2258 01:13:45,638 --> 01:13:46,573 CAN FIND ONE. 2259 01:13:46,573 --> 01:13:49,242 >> Alfonso: IF YOU'D LIKE A 2260 01:13:49,242 --> 01:13:53,313 DATE, TEXT JULIANNE'S FIRST 2261 01:13:53,313 --> 01:13:53,880 NAME. 2262 01:13:53,880 --> 01:13:55,915 DATA CHARGES MAY APPLY. 2263 01:13:55,915 --> 01:13:56,616 >> Julianne: THAT WON'T WORK. 2264 01:13:56,616 --> 01:13:59,519 >> Julianne: WE'LL SEE THEIR 2265 01:13:59,519 --> 01:14:01,688 LAST CRUCIAL DANCE TO GET INTO 2266 01:14:01,688 --> 01:14:03,223 THE FINALE, AFTER WE SEE DANNY 2267 01:14:03,223 --> 01:14:05,291 AND WITNEY IN TRAINING. 2268 01:14:09,062 --> 01:14:11,931 >> DANNY, THIS IS THE LAST DANCE 2269 01:14:11,931 --> 01:14:13,166 PEOPLE SEE BEFORE THEY VOTE TO 2270 01:14:13,166 --> 01:14:14,601 GET YOU INTO THE FINALE. 2271 01:14:14,601 --> 01:14:16,569 >> WHEN I THINK OF GOING INTO 2272 01:14:16,569 --> 01:14:18,104 THE CHAMPIONSHIP, I JUST GO BACK 2273 01:14:18,104 --> 01:14:20,373 TO THE WORK WE PUT IN AND EVERY 2274 01:14:20,373 --> 01:14:21,875 EXTRA HOUR WE STAY AT THE STUDIO 2275 01:14:21,875 --> 01:14:22,575 IS WORTH IT. 2276 01:14:22,575 --> 01:14:24,444 YOU KNOW, I HAVE BEEN A 2277 01:14:24,444 --> 01:14:26,179 COMPETITOR EVERY DAY OF MY LIFE. 2278 01:14:26,179 --> 01:14:27,747 AND TO GET THIS OPPORTUNITY HAS 2279 01:14:27,747 --> 01:14:29,649 MEANT THE WORLD TO ME. 2280 01:14:29,649 --> 01:14:32,285 I FEEL BLESSED TO BE IN THIS 2281 01:14:32,285 --> 01:14:32,986 POSITION. 2282 01:14:32,986 --> 01:14:34,187 BUT I STILL FEEL LIKE WE HAVEN'T 2283 01:14:34,187 --> 01:14:35,255 PUT OUR BEST DANCE OUT THERE. 2284 01:14:35,255 --> 01:14:38,691 >> WE HAVE NOT DONE A LINE DANCE 2285 01:14:38,691 --> 01:14:39,392 SINCE WEEK FOUR. 2286 01:14:39,392 --> 01:14:40,560 >> FOR OUR SECOND DANCE, WE HAVE 2287 01:14:40,560 --> 01:14:41,261 A SALSA. 2288 01:14:41,261 --> 01:14:43,196 THIS IS A GREAT OPPORTUNITY TO 2289 01:14:43,196 --> 01:14:44,564 SHOW EVERYBODY YOUR GROWTH. 2290 01:14:44,564 --> 01:14:46,199 >> OH MY GOD, YEAH. 2291 01:14:46,199 --> 01:14:48,201 OUR WORK IS CUT OUT FOR US THIS 2292 01:14:48,201 --> 01:14:48,868 WEEK. 2293 01:14:48,868 --> 01:14:52,438 I'M TRYING TO ADD THE MIRROR 2294 01:14:52,438 --> 01:14:54,474 BALL TO MY TROPHY CASE. 2295 01:14:54,474 --> 01:14:55,308 LET'S GO GET IT. 2296 01:14:55,308 --> 01:14:57,543 >> GET IT, BUD. 2297 01:14:57,543 --> 01:14:59,312 OH, MY GOODNESS! 2298 01:14:59,312 --> 01:15:00,546 THAT'S THE DEDICATION WE NEED. 2299 01:15:00,546 --> 01:15:03,016 >> I REALLY ABSORBED THE 2300 01:15:03,016 --> 01:15:03,683 CHARACTER. 2301 01:15:03,683 --> 01:15:06,252 I FEEL LIKE A NEON BIG BIRD. 2302 01:15:06,252 --> 01:15:09,088 >> LET'S SEE HOW IT HELPS YOU. 2303 01:15:09,088 --> 01:15:12,091 ONE OF DANNY'S STRENGTHS IS HIS 2304 01:15:12,091 --> 01:15:12,792 TRICKS. 2305 01:15:12,792 --> 01:15:14,093 SOME OF THEM EVEN GOING VIRAL. 2306 01:15:14,093 --> 01:15:16,729 SO I'M PUTTING TRICKS INTO THE 2307 01:15:16,729 --> 01:15:17,430 SALSA. 2308 01:15:17,430 --> 01:15:19,165 THEY ARE DEFINITELY RISKY, BUT 2309 01:15:19,165 --> 01:15:21,935 HIGH RISK COMES HIGH REWARD. 2310 01:15:21,935 --> 01:15:22,635 TOO MUCH JUICE. 2311 01:15:22,635 --> 01:15:24,804 >> THESE TRICKS ARE GOING TO BE 2312 01:15:24,804 --> 01:15:25,471 TOUGH. 2313 01:15:25,471 --> 01:15:27,206 BUT WE GOT TO MAKE THEM LOOK 2314 01:15:27,206 --> 01:15:27,640 EASY. 2315 01:15:27,640 --> 01:15:30,843 SO I'M SWEATING. 2316 01:15:30,843 --> 01:15:32,145 WITNEY IS SWEATING. 2317 01:15:32,145 --> 01:15:34,580 WE'RE WORKING OUR TAILS OFF FOR 2318 01:15:34,580 --> 01:15:35,848 HOURS, DOING WHATEVER IT TAKES. 2319 01:15:35,848 --> 01:15:36,549 >> AGAIN? 2320 01:15:36,549 --> 01:15:39,152 >> AGAIN, UNTIL ONE OF US PUKES. 2321 01:15:39,152 --> 01:15:41,621 WHEN I LOOK AROUND, EVERYBODY 2322 01:15:41,621 --> 01:15:43,289 LEFT IN THE COMPETITION, WE CAN 2323 01:15:43,289 --> 01:15:44,490 REALLY TASTE THE MIRROR BALL. 2324 01:15:44,490 --> 01:15:47,160 IF WE SLIP UP, IT COULD COST US. 2325 01:15:47,160 --> 01:15:49,295 BUT IF WE NAIL IT, WE WILL GET 2326 01:15:49,295 --> 01:15:50,229 TO THE FINALE. 2327 01:15:50,229 --> 01:15:51,230 >> THERE WE GO. 2328 01:15:51,230 --> 01:15:53,166 >> SEMIFINALS, BABY. 2329 01:15:53,166 --> 01:15:53,866 LET'S GO! 2330 01:15:53,866 --> 01:16:00,306 >> DANCING THE SALSA WITH HIS 2331 01:16:00,306 --> 01:16:03,843 PARTNER WITNEY CARSON, 2332 01:16:03,843 --> 01:16:04,310 IT'S DANNY AMENDOLA. 2333 01:16:05,411 --> 01:16:06,946 ♪ YEAH BABY 2334 01:16:06,946 --> 01:16:08,548 I LIKE IT LIKE THAT ♪ 2335 01:16:08,548 --> 01:16:09,682 ♪ YOU GOTTA BELIEVE ME 2336 01:16:09,682 --> 01:16:10,683 WHEN I TELL YOU 2337 01:16:10,683 --> 01:16:12,218 I SAID I LIKE IT LIKE THAT ♪ 2338 01:16:12,218 --> 01:16:13,252 ♪ YOU GOTTA BELIEVE ME 2339 01:16:13,252 --> 01:16:14,787 WHEN I TELL YOU 2340 01:16:14,787 --> 01:16:16,422 I SAID I LIKE IT LIKE THAT ♪ 2341 01:16:16,422 --> 01:16:17,056 ♪ YOU GOTTA BELIEVE ME 2342 01:16:17,056 --> 01:16:18,524 WHEN I TELL YOU 2343 01:16:18,524 --> 01:16:27,500 I SAID I LIKE IT LIKE THAT ♪ 2344 01:16:27,500 --> 01:16:34,374 [ SINGING IN SPANISH ] 2345 01:16:34,374 --> 01:16:35,475 ♪ I SPEND IN THE CLUB 2346 01:16:35,475 --> 01:16:36,442 WHAT YOU HAVE IN THE BANK ♪ 2347 01:16:36,442 --> 01:16:37,143 ♪ THIS IS THE NEW RELIGION 2348 01:16:37,143 --> 01:16:38,144 BANG EN LATINO GANG 2349 01:16:38,144 --> 01:16:39,078 GANG YEH ♪ 2350 01:16:39,078 --> 01:16:41,381 ♪ DIAMOND DISTRICT 2351 01:16:41,381 --> 01:16:41,848 IN THE JAG' ♪ 2352 01:16:41,848 --> 01:16:42,782 ♪ BAD BUNNY BABY 2353 01:16:42,782 --> 01:16:44,584 BE BE BE BE 2354 01:16:44,584 --> 01:16:45,318 I SAID I LIKE IT LIKE THAT ♪ 2355 01:16:45,318 --> 01:16:45,785 ♪ CERTIFIED 2356 01:16:45,785 --> 01:16:47,787 YOU KNOW I'M GANG 2357 01:16:47,787 --> 01:16:48,421 GANG GANG GANG ♪ 2358 01:16:48,421 --> 01:16:49,088 ♪ I SAID I LIKE IT LIKE ♪ 2359 01:16:49,088 --> 01:16:49,655 ♪ DROP THE TOP 2360 01:16:49,655 --> 01:16:50,723 AND BLOW THE BRAINS 2361 01:16:50,723 --> 01:16:51,724 I SAID I LIKE IT LIKE THAT M 2362 01:16:51,724 --> 01:16:52,792 ♪ OH HE'S SO HANDSOME 2363 01:16:52,792 --> 01:16:53,292 WHAT'S HIS NAME? 2364 01:16:53,292 --> 01:16:54,427 I SAID I LIKE IT ♪ 2365 01:16:54,427 --> 01:16:55,027 ♪ NOW I LIKE DOLLARS 2366 01:16:55,027 --> 01:16:55,995 I LIKE DIAMONDS ♪ 2367 01:16:55,995 --> 01:16:57,029 ♪ I LIKE STUNTING 2368 01:16:57,029 --> 01:16:58,865 I LIKE SHINING ♪ 2369 01:16:58,865 --> 01:16:59,432 ♪ I LIKE 2370 01:16:59,432 --> 01:17:00,366 MILLION DOLLAR DEALS ♪ 2371 01:17:00,366 --> 01:17:00,900 ♪ WHERE'S MY PEN 2372 01:17:00,900 --> 01:17:01,768 ITCH I'M SIGNIN' ♪ 2373 01:17:01,768 --> 01:17:02,802 ♪ I LIKE THOSE BALENCIAGAS 2374 01:17:02,802 --> 01:17:03,870 THE ONES THAT LOOK 2375 01:17:03,870 --> 01:17:04,904 LIKE SOCKS ♪ 2376 01:17:04,904 --> 01:17:05,938 ♪ I LIKE GOING 2377 01:17:05,938 --> 01:17:07,707 TO THE JEWELER ♪ 2378 01:17:07,707 --> 01:17:08,174 ♪ I PUT ROCKS 2379 01:17:08,174 --> 01:17:09,108 ALL IN MY WATCH ♪ 2380 01:17:09,108 --> 01:17:10,209 ♪♪ 2381 01:17:10,209 --> 01:17:13,880 [ SINGING IN SPANISH ] 2382 01:17:13,880 --> 01:17:14,847 ♪♪ 2383 01:17:14,847 --> 01:17:15,915 ♪ PA-PA-PAPARAZZI 2384 01:17:15,915 --> 01:17:17,049 LIKE I'M LADY GAGA ♪ 2385 01:17:17,049 --> 01:17:18,351 ♪ DIAMOND DISTRICT 2386 01:17:18,351 --> 01:17:19,852 IN THE CHAIN 2387 01:17:19,852 --> 01:17:20,586 I SAID I LIKE IT LIKE THAT ♪ 2388 01:17:20,586 --> 01:17:21,220 ♪ CERTIFIED 2389 01:17:21,220 --> 01:17:22,255 YOU KNOW I'M GANG 2390 01:17:22,255 --> 01:17:23,322 GANG GANG GANG GANG ♪ 2391 01:17:23,322 --> 01:17:24,390 ♪ I SAID I LIKE IT LIKE ♪ 2392 01:17:24,390 --> 01:17:25,458 ♪ DROP THE TOP 2393 01:17:25,458 --> 01:17:26,125 AND BLOW THE BRAINS 2394 01:17:26,125 --> 01:17:26,993 I SAID I LIKE IT LIKE THAT ♪ 2395 01:17:26,993 --> 01:17:28,061 ♪ OH HE'S SO HANDSOME 2396 01:17:28,061 --> 01:17:30,196 WHAT'S HIS NAME? 2397 01:17:30,196 --> 01:17:32,265 I SAID I LIKE IT LIKE THAT ♪ 2398 01:17:32,265 --> 01:17:33,332 [ APPLAUSE ] 2399 01:17:33,332 --> 01:17:38,805 >> Alfonso: DANNY AND WITNEY 2400 01:17:38,805 --> 01:17:42,141 WITH AN ATHLETIC SALSA. 2401 01:17:42,141 --> 01:17:43,342 OH, YEAH. 2402 01:17:43,342 --> 01:17:47,280 THOSE LIFTS WERE INSANE. 2403 01:17:47,280 --> 01:17:47,613 WOW! 2404 01:17:47,613 --> 01:17:48,214 MY MAN. 2405 01:17:48,214 --> 01:17:48,915 ALL RIGHT. 2406 01:17:48,915 --> 01:17:51,217 THAT WAS THE FINAL DANCE OF THE 2407 01:17:51,217 --> 01:17:51,851 NIGHT. 2408 01:17:51,851 --> 01:17:53,920 VOTING WILL BE CLOSING SOON. 2409 01:17:53,920 --> 01:17:58,524 VOTE, VOTE, VOTE. 2410 01:17:58,524 --> 01:18:00,827 OKAY, WOW. 2411 01:18:00,827 --> 01:18:02,995 CARRIE ANN, YOU'RE GOING TO BE 2412 01:18:02,995 --> 01:18:03,763 UP FIRST. 2413 01:18:03,763 --> 01:18:05,364 SHE'S FIGURING OUT WHAT TO DO. 2414 01:18:05,364 --> 01:18:06,999 >> OKAY, OKAY. 2415 01:18:06,999 --> 01:18:07,834 LISTEN, LISTEN -- 2416 01:18:07,834 --> 01:18:09,869 >> Alfonso: WE NEED YOU TO DO 2417 01:18:09,869 --> 01:18:10,536 IT, THOUGH. 2418 01:18:10,536 --> 01:18:11,137 >> Alfonso: THERE IS A THING 2419 01:18:11,137 --> 01:18:13,239 CALLED NO GUTS, NO GLORY. 2420 01:18:13,239 --> 01:18:14,474 YOU BETTER GO FOR IT. 2421 01:18:14,474 --> 01:18:15,942 YOU WENT FOR IT. 2422 01:18:15,942 --> 01:18:18,211 THOSE LIFTS WERE EXECUTED. 2423 01:18:18,211 --> 01:18:20,046 I MEAN, WHAT IS GOING ON THIS 2424 01:18:20,046 --> 01:18:21,314 SEASON WITH THE LIFTS? 2425 01:18:21,314 --> 01:18:23,149 SOME OF THEM, THEY'RE NOT 2426 01:18:23,149 --> 01:18:23,616 ALLOWED. 2427 01:18:23,616 --> 01:18:25,151 THAT WAS ALLOWED. 2428 01:18:25,151 --> 01:18:25,551 WELCOME. 2429 01:18:25,551 --> 01:18:26,552 IT'S AMAZING. 2430 01:18:26,552 --> 01:18:27,153 >> Alfonso: OKAY. 2431 01:18:27,153 --> 01:18:28,421 YOU NEED TO LOCK IN. 2432 01:18:28,421 --> 01:18:30,823 YOU GOT TO LOCK IN. 2433 01:18:30,823 --> 01:18:33,059 OKAY, LOCK IT IN. 2434 01:18:33,059 --> 01:18:34,727 DEREK, WHILE SHE'S LOCKING IT 2435 01:18:34,727 --> 01:18:36,028 IN, YOU GO. 2436 01:18:36,028 --> 01:18:36,729 >> WOW! 2437 01:18:36,729 --> 01:18:42,935 MY MAN, YOU BLEW THE ROOF OFF, 2438 01:18:42,935 --> 01:18:43,836 HONESTLY. 2439 01:18:43,836 --> 01:18:46,239 LITERALLY WITH WITNEY, SHE 2440 01:18:46,239 --> 01:18:48,007 ALMOST WENT INTO THE 2441 01:18:48,007 --> 01:18:48,441 STRATOSPHERE. 2442 01:18:48,441 --> 01:18:49,442 SO IMPRESSIVE. 2443 01:18:49,442 --> 01:18:51,244 THE LIFTS ARE 10 OUT OF 10. 2444 01:18:51,244 --> 01:18:52,879 THE DANCING BETWEEN MOMENTS, OF 2445 01:18:52,879 --> 01:18:53,880 COURSE THERE IS SOME STUFF 2446 01:18:53,880 --> 01:18:54,580 THERE. 2447 01:18:54,580 --> 01:18:59,485 BUT, LISTEN, YOU SHOULD BE SO 2448 01:18:59,485 --> 01:19:00,419 PROUD OF WHAT YOU HAVE 2449 01:19:00,419 --> 01:19:02,388 ACCOMPLISHED ON THIS SHOW. 2450 01:19:02,388 --> 01:19:04,757 >> THE HUNK AND THE SHOWGIRL 2451 01:19:04,757 --> 01:19:06,292 BLOWING THE ROOF OFF THE HOUSE. 2452 01:19:06,292 --> 01:19:08,060 HE WAS THROWING HER AROUND LIKE 2453 01:19:08,060 --> 01:19:10,263 A TENNIS BALL. 2454 01:19:10,263 --> 01:19:13,399 I MEAN, WHERE IS SHE GOING TO 2455 01:19:13,399 --> 01:19:13,900 LAND? 2456 01:19:13,900 --> 01:19:14,600 NO IDEA. 2457 01:19:14,600 --> 01:19:17,703 IT WAS SPECTACULAR. 2458 01:19:17,703 --> 01:19:20,139 ALL OF YOU HAVE DONE AN 2459 01:19:20,139 --> 01:19:21,307 INCREDIBLE JOB. 2460 01:19:21,307 --> 01:19:23,476 I AM SO PROUD. 2461 01:19:23,476 --> 01:19:25,044 >> ABSOLUTELY. 2462 01:19:25,044 --> 01:19:25,878 >> Alfonso: ALL RIGHT. 2463 01:19:25,878 --> 01:19:27,980 HEAD ON OVER TO JULIANNE IN THE 2464 01:19:27,980 --> 01:19:29,415 SKYBOX TO GET YOUR SCORES. 2465 01:19:29,415 --> 01:19:30,516 THE MOST IMPORTANT DANCING OF 2466 01:19:30,516 --> 01:19:34,220 THE SEASON, THE FREE STYLES, 2467 01:19:34,220 --> 01:19:37,056 WHERE THE COUPLE HAVE COMPLETE 2468 01:19:37,056 --> 01:19:39,392 CREATIVE CONTROL WILL TAKE PLACE 2469 01:19:39,392 --> 01:19:40,626 ONE WEEK FROM TONIGHT. 2470 01:19:40,626 --> 01:19:42,295 IT IS YOUR LAST CHANCE TO SEE 2471 01:19:42,295 --> 01:19:44,497 THE STARS IN ACTION AND VOTE FOR 2472 01:19:44,497 --> 01:19:49,235 YOUR NEW CHAMPION. 2473 01:19:49,235 --> 01:19:49,869 JULIANNE? 2474 01:19:49,869 --> 01:19:50,570 >> Julianne: SO MANY MIRROR 2475 01:19:50,570 --> 01:19:51,237 BALLS HAVE BEEN WON, OR LOST, BY 2476 01:19:51,237 --> 01:19:53,940 THE FREESTYLES. 2477 01:19:53,940 --> 01:19:55,374 DANNY, YOU BLEW THE ROOF OFF. 2478 01:19:55,374 --> 01:19:58,678 THAT WAS THE LAST DANCE OF THE 2479 01:19:58,678 --> 01:19:59,078 SEMIFINALS. 2480 01:19:59,078 --> 01:20:00,680 HOW DO YOU FEEL? 2481 01:20:00,680 --> 01:20:03,249 >> EVERYBODY HAD A GREAT NIGHT. 2482 01:20:03,249 --> 01:20:05,284 THEY PUT FORTH THEIR BEST 2483 01:20:05,284 --> 01:20:05,651 EFFORTS. 2484 01:20:05,651 --> 01:20:07,153 >> LET'S GO. 2485 01:20:07,153 --> 01:20:07,587 AMAZING. 2486 01:20:07,587 --> 01:20:08,321 THAT WAS KILLER. 2487 01:20:08,321 --> 01:20:09,388 ALL RIGHT. 2488 01:20:09,388 --> 01:20:12,258 LET'S GET YOUR SCORES. 2489 01:20:12,258 --> 01:20:14,360 >> Announcer: CARRIE ANN INABA? 2490 01:20:14,360 --> 01:20:15,227 >> 9. 2491 01:20:15,227 --> 01:20:16,596 >> Announcer: DEREK HOUGH? 2492 01:20:16,596 --> 01:20:18,097 >> 9. 2493 01:20:18,097 --> 01:20:19,899 >> Announcer: BRUNO TONIOLI? 2494 01:20:19,899 --> 01:20:20,466 9. 2495 01:20:20,466 --> 01:20:21,300 >> Julianne: ALL RIGHT. 2496 01:20:21,300 --> 01:20:25,104 27 OUT OF 30 FOR DANNY AND 2497 01:20:25,104 --> 01:20:26,439 WITNEY FOR THEIR LAST DANCE. 2498 01:20:26,439 --> 01:20:28,708 THEIR TOTAL FOR THE NIGHT IS 54. 2499 01:20:28,708 --> 01:20:30,643 WE WILL SOON FIND OUT WHICH 2500 01:20:30,643 --> 01:20:32,311 COUPLES WILL BE BACK TO COMPETE 2501 01:20:32,311 --> 01:20:34,347 IN NEXT WEEK'S FINALE. 2502 01:20:34,347 --> 01:20:36,082 EVEN IF YOU HAVEN'T VOTED ALL 2503 01:20:36,082 --> 01:20:37,116 SEASON, NOW IS YOUR CHANCE 2504 01:20:37,116 --> 01:20:39,885 BECAUSE ALL OF OUR COUPLES WANT 2505 01:20:39,885 --> 01:20:40,553 VOTES FROM YOU. 2506 01:20:40,553 --> 01:20:42,822 >> Alfonso: THANKS, JULIANNE. 2507 01:20:42,822 --> 01:20:45,157 MY HEAD DID THE -- WITH THOSE 2508 01:20:45,157 --> 01:20:45,858 SCORES. 2509 01:20:45,858 --> 01:20:48,294 LET'S TAKE A LOOK AT THE FINAL 2510 01:20:48,294 --> 01:20:48,961 LEADERBOARD. 2511 01:20:48,961 --> 01:20:51,697 AT THE TOP ARE CHANDLER AND 2512 01:20:51,697 --> 01:20:52,398 BRANDON. 2513 01:20:52,398 --> 01:20:55,301 AT THE BOTTOM ARE STEPHEN AND 2514 01:20:55,301 --> 01:20:56,569 RYLEE WITH 53. 2515 01:20:56,569 --> 01:20:58,871 HERE ARE THE VOTING DETAILS FOR 2516 01:20:58,871 --> 01:21:00,906 ALL OF OUR COUPLES. 2517 01:21:00,906 --> 01:21:02,174 COMPLETE VOTING INFORMATION CAN 2518 01:21:02,174 --> 01:21:07,480 BE FOUND AT ABC.COM. 2519 01:21:07,480 --> 01:21:08,481 WE KNOW HOW MUCH YOU CARE ABOUT 2520 01:21:08,481 --> 01:21:09,582 THIS CAST BECAUSE YOU'VE BEEN 2521 01:21:09,582 --> 01:21:10,316 VOTING IN RECORD NUMBERS FOR OUR 2522 01:21:10,316 --> 01:21:11,150 STARS ALL SEASON. 2523 01:21:11,150 --> 01:21:11,851 DON'T LET UP NOW. 2524 01:21:11,851 --> 01:21:13,252 USE EVERY VOTE YOU HAVE, EVERY 2525 01:21:13,252 --> 01:21:14,820 WAY YOU CAN. 2526 01:21:14,820 --> 01:21:15,821 >> Julianne: WOW. THIS HAS BEEN 2527 01:21:15,821 --> 01:21:17,623 ONE OF THE MOST UNFORGETTABLE 2528 01:21:17,623 --> 01:21:20,893 SEMI-FINALS I HAVE EVER SEEN. 2529 01:21:20,893 --> 01:21:22,161 >> Alfonso: ABSOLUTELY. 2530 01:21:22,161 --> 01:21:22,862 >> Julianne: RIGHT? 2531 01:21:22,862 --> 01:21:24,430 >> Alfonso: IT'S BEEN AMAZING 2532 01:21:24,430 --> 01:21:27,500 SEASON FOR ALL OF US. 2533 01:21:27,500 --> 01:21:29,669 EACH OF OUR SEMIFINALISTS HAVE 2534 01:21:29,669 --> 01:21:30,436 BROUGHT SOMETHING DIFFERENT TO 2535 01:21:30,436 --> 01:21:32,538 THE COMPETITION. 2536 01:21:32,538 --> 01:21:34,040 >> Julianne: IT IS HARD TO 2537 01:21:34,040 --> 01:21:36,809 IMAGINE LOSING ANY ONE OF THEM 2538 01:21:36,809 --> 01:21:38,644 JUST ONE WEEK BEFORE THE FINALE. 2539 01:21:38,644 --> 01:21:39,845 WE DO HAVE TO CONTINUE. 2540 01:21:39,845 --> 01:21:40,880 WE WILL COMBINE THE JUDGES' 2541 01:21:40,880 --> 01:21:41,647 SCORES WITH YOUR VOTES AND 2542 01:21:41,647 --> 01:21:42,381 REVEAL THE RESULTS WHEN WE COME 2543 01:21:42,381 --> 01:21:43,349 BACK LIVE. 2544 01:21:53,768 --> 01:21:56,971 ♪♪ 2545 01:21:56,971 --> 01:21:58,973 >> Alfonso: WELCOME BACK. 2546 01:21:58,973 --> 01:22:01,643 YOU AT HOME HAVE GIVEN US EVEN 2547 01:22:01,643 --> 01:22:04,545 MORE TO CELEBRATE TONIGHT. ONCE 2548 01:22:04,545 --> 01:22:05,713 AGAIN, YOU HAVE SHOWN YOUR 2549 01:22:05,713 --> 01:22:07,115 ENTHUSIASM FOR THIS CAST BY 2550 01:22:07,115 --> 01:22:08,750 BREAKING THE RECORD FOR THE MOST 2551 01:22:08,750 --> 01:22:11,052 VOTES CAST DURING A SINGLE 2552 01:22:11,052 --> 01:22:11,686 EPISODE. 2553 01:22:11,686 --> 01:22:12,987 WE CANNOT THANK YOU ENOUGH. 2554 01:22:12,987 --> 01:22:14,656 NOW, VOTING IS NOW CLOSED. 2555 01:22:14,656 --> 01:22:16,858 AND HERE ARE THE RESULTS. 2556 01:22:16,858 --> 01:22:18,760 >> Julianne: GOOD LUCK TO ALL OF 2557 01:22:18,760 --> 01:22:19,427 YOU. 2558 01:22:19,427 --> 01:22:21,162 WE HAVE COMBINED THE JUDGES' 2559 01:22:21,162 --> 01:22:23,564 SCORES FROM TONIGHT WITH YOUR 2560 01:22:23,564 --> 01:22:24,732 LIVE VOTES. 2561 01:22:24,732 --> 01:22:25,933 >> Alfonso: NOW, IN NO 2562 01:22:25,933 --> 01:22:28,436 PARTICULAR ORDER, LET'S FIGURE 2563 01:22:28,436 --> 01:22:31,439 OUT WHICH COUPLES WILL DANCE FOR 2564 01:22:31,439 --> 01:22:32,573 THE TROPHY. 2565 01:22:32,573 --> 01:22:37,612 THE FIRST COUPLE DANCING IN THE 2566 01:22:37,612 --> 01:22:50,191 FINALE IS DANNY AND WITNEY! 2567 01:22:50,191 --> 01:22:51,793 >> Julianne: THE NEXT COUPLE WHO 2568 01:22:51,793 --> 01:23:00,668 HAS MADE IT TO THE FINALE IS 2569 01:23:00,668 --> 01:23:03,938 JOEY AND JENNA. 2570 01:23:03,938 --> 01:23:05,440 >> Alfonso: IN NO PARTICULAR 2571 01:23:05,440 --> 01:23:11,346 ORDER, THE NEXT FINALISTS ARE 2572 01:23:11,346 --> 01:23:15,817 CHANDLER AND BRANDON. 2573 01:23:15,817 --> 01:23:18,319 >> Julianne: THE TWO COUPLES WHO 2574 01:23:18,319 --> 01:23:21,055 ARE LEFT, THE QUESTION IS WHICH 2575 01:23:21,055 --> 01:23:23,891 ONE WILL COMPETE IN THE FINALE. 2576 01:23:23,891 --> 01:23:25,093 >> Alfonso: THE THOUGHT OF 2577 01:23:25,093 --> 01:23:26,494 SAYING GOOD-BYE AFTER ALL THE 2578 01:23:26,494 --> 01:23:27,862 HARD WORK THEY PUT IN DURING 2579 01:23:27,862 --> 01:23:30,932 THIS INCREDIBLE SEASON IS 2580 01:23:30,932 --> 01:23:31,566 HEARTBREAKING. 2581 01:23:31,566 --> 01:23:35,703 BUT IT'S TIME FOR THE FINAL 2582 01:23:35,703 --> 01:23:36,370 RESULTS. 2583 01:23:36,370 --> 01:23:40,575 >> Julianne: ILONA AND ALAN, 2584 01:23:40,575 --> 01:23:42,777 STEPHEN AND RYLEE. 2585 01:23:42,777 --> 01:23:44,011 >> Alfonso: BASED ON THE 2586 01:23:44,011 --> 01:23:45,046 COMBINATION OF THE JUDGES' 2587 01:23:45,046 --> 01:23:47,849 SCORES AND VIEWER VOTES, DANCING 2588 01:23:47,849 --> 01:23:53,755 IN THE FINALE ARE ALL OF YOU! 2589 01:23:53,755 --> 01:23:56,457 YOU ALL MADE IT TO THE FINALE! 2590 01:23:56,457 --> 01:23:57,492 >> Julianne: THAT'S RIGHT! 2591 01:23:57,492 --> 01:24:00,061 NO ONE IS GOING HOME TONIGHT. 2592 01:24:00,061 --> 01:24:02,497 EVERYONE IS DANCING IN THE 2593 01:24:02,497 --> 01:24:03,164 FINALE. 2594 01:24:03,164 --> 01:24:05,266 ALL OF THE JUDGES SCORES AND 2595 01:24:05,266 --> 01:24:07,402 VIEWER VOTES FROM TONIGHT WILL 2596 01:24:07,402 --> 01:24:09,036 CARRY OVER TO NEXT WEEK'S SCORES 2597 01:24:09,036 --> 01:24:11,873 AND VOTES TO HELP DETERMINE OUR 2598 01:24:11,873 --> 01:24:12,507 NEW CHAMPIONS. 2599 01:24:12,507 --> 01:24:14,976 >> Alfonso: WOW, THAT IS 2600 01:24:14,976 --> 01:24:15,676 INCREDIBLE. 2601 01:24:15,676 --> 01:24:16,744 WELL, EACH OF THESE STARS WILL 2602 01:24:16,744 --> 01:24:19,046 BE BACK TO TAKE ON THE FREE 2603 01:24:19,046 --> 01:24:19,614 STYLES. 2604 01:24:19,614 --> 01:24:21,282 JOIN US NEXT TUESDAY AT 2605 01:24:21,282 --> 01:24:22,784 8:00/7:00 CENTRAL WHEN WE TAKE 2606 01:24:22,784 --> 01:24:25,987 OVER ALL OF ABC IN PRIMETIME 2607 01:24:25,987 --> 01:24:30,158 WITH OUR MASSIVE THREE-HOUR 2608 01:24:30,158 --> 01:24:31,092 SEASON FINALE. 2609 01:24:31,092 --> 01:24:33,027 >> Julianne: WE HAVE AN AMAZING 2610 01:24:33,027 --> 01:24:33,661 PERFORMANCE. 2611 01:24:33,661 --> 01:24:34,428 PLUS, ALL THE STARS OF THE 2612 01:24:34,428 --> 01:24:35,963 SEASON WILL BE BACK AND MORE. 2613 01:24:35,963 --> 01:24:37,765 WE'LL SEE YOU NEXT TUESDAY ON 2614 01:24:37,765 --> 01:24:41,636 ABC AND DISNEY+ TO CROWN OUR NEW 2615 01:24:41,636 --> 01:24:42,203 CHAMPION. 2616 01:24:42,203 --> 01:24:42,770 >> Alfonso: GOOD NIGHT! 2617 01:24:42,770 --> 01:24:42,904 >> Julianne: GOOD NIGHT!