1 00:00:01,000 --> 00:00:02,000 12 OZ. MOUSE [CAPTIONING MADE POSSIBLE BY 2 00:00:02,000 --> 00:00:05,000 TURNER ENTERTAINMENT GROUP] >> ♪ OUT OF MY WAY 3 00:00:05,000 --> 00:00:10,000 I'M DRUNK AS HELL I'LL BLOW YOUR ASS AWAY 4 00:00:10,000 --> 00:00:14,000 LIKE RINGING A BELL FOOT'S TO THE FLOOR 5 00:00:14,000 --> 00:00:16,000 AND THE WHISKEY'S FLOWING I GOT A PORN SHOOT 6 00:00:16,000 --> 00:00:20,000 I GOTTA GET GOING YOU DON'T UNDERSTAND 7 00:00:20,000 --> 00:00:27,000 HE DON'T GIVE A DAMN ♪ >> ♪ 12 OZ. MOUSE, 12 OZ. MOUSE 8 00:00:27,000 --> 00:00:30,000 12 OZ. MOUSE, 12 OZ. MOUSE ♪ >> ♪ JET CAR'S ROLLING 9 00:00:30,000 --> 00:00:32,000 ALL NIGHT LONG CRANKING UP THE JAMS 10 00:00:32,000 --> 00:00:34,000 AND SINGING ALONG CAR'S FULL OF BITCHES 11 00:00:34,000 --> 00:00:36,000 AND A BRAND NEW BONG ♪ [CAPTIONED BY THE NATIONAL 12 00:00:37,000 --> 00:00:40,000 CAPTIONING INSTITUTE --www.ncicap.org--] 13 00:00:40,000 --> 00:00:43,000 >> YOU SAY YOU'VE DONE THIS BEFORE AND IT'S GONNA WORK. 14 00:00:43,000 --> 00:00:45,000 >> IT'S LIKE ROCKETRY. 15 00:00:45,000 --> 00:00:48,000 [CHUCKLES] YOUR PEE IS LIKE ROCKETRY 16 00:00:48,000 --> 00:00:52,000 BECAUSE IT ROCKETS OUT, YOU KNOW, AND IF YOU HAVE TWO 17 00:00:53,000 --> 00:00:56,000 ROCKETS, STEP BACK. 18 00:00:56,000 --> 00:00:58,000 HERE GO THE ROCKETS. 19 00:00:58,000 --> 00:00:59,000 >> ALL RIGHT. 20 00:00:59,000 --> 00:01:01,000 JUST DO IT AND DON'T GET ANY ON ME. 21 00:01:01,000 --> 00:01:05,000 >> FEELS SO GOOD. 22 00:01:05,000 --> 00:01:07,000 OH, WAS THAT YOUR JOE? 23 00:01:07,000 --> 00:01:11,000 HA HA HA! 24 00:01:11,000 --> 00:01:14,000 >> HOLY CRAP, IT WORKED. 25 00:01:14,000 --> 00:01:16,000 OK, OK. IT WORKED. NOW STOP. 26 00:01:16,000 --> 00:01:18,000 >> YOU CAN'T TELL ME WHEN TO STOP, MAN. 27 00:01:18,000 --> 00:01:19,000 YOU CAN'T TELL MY JACK TO STOP. 28 00:01:20,000 --> 00:01:21,000 MAN, THAT'S MESSED UP. 29 00:01:21,000 --> 00:01:22,000 I CAN'T STOP. 30 00:01:23,000 --> 00:01:24,000 MAN... 31 00:01:24,000 --> 00:01:33,000 [CAR ALARM BEEPING] I GOT TO GO. 32 00:01:33,000 --> 00:01:34,000 >> NO, NO, NO, NO, NO. 33 00:01:34,000 --> 00:01:37,000 HA HA HA! 34 00:01:37,000 --> 00:01:39,000 >> THAT'S A TRICKY BOOKCASE, ISN'T IT? 35 00:01:39,000 --> 00:01:40,000 >> STOP YOUR STOP TALK. 36 00:01:40,000 --> 00:01:42,000 I'M TRYING TO-- >> I KNOW. 37 00:01:42,000 --> 00:01:44,000 YOU'RE READING, BUT YOU'RE NOT READING. 38 00:01:44,000 --> 00:01:45,000 YOU'RE NOT READING. 39 00:01:45,000 --> 00:01:47,000 YOU'RE NOT DOING ANYTHING HERE BUT NOT DOING. 40 00:01:47,000 --> 00:01:48,000 >> HARDLY. 41 00:01:48,000 --> 00:01:53,000 >> WHAT'S-- UH, WHAT'S BACK THERE? 42 00:01:53,000 --> 00:01:57,000 WHAT'S BEHIND THE CASE? 43 00:01:57,000 --> 00:01:59,000 OR ARE YOU TOO SCARED TO TELL ME? 44 00:01:59,000 --> 00:02:09,000 >> MAKE ME. 45 00:02:09,000 --> 00:02:18,000 >> OH, MAN, WHERE'S THE, UH-- WHAT IS THIS? 46 00:02:18,000 --> 00:02:23,000 IS THIS MY-- [BEEP BEEP] 47 00:02:23,000 --> 00:02:26,000 WOW, WHAT IS ALL THIS? 48 00:02:26,000 --> 00:02:31,000 WHAT IS-- THIS IS MY OFFICE... 49 00:02:31,000 --> 00:02:36,000 OR IS IT? 50 00:02:36,000 --> 00:02:39,000 NECKTIE. 51 00:02:39,000 --> 00:02:40,000 WOW, THIS IS A GREAT NECKTIE. 52 00:02:40,000 --> 00:02:41,000 THANKS. 53 00:02:41,000 --> 00:02:42,000 >> YOU HAVE TO WEAR IT. 54 00:02:43,000 --> 00:02:43,000 >> I REALLY LIKE IT. 55 00:02:43,000 --> 00:02:45,000 >> YOU HAVE TO WEAR IT NOW. 56 00:02:45,000 --> 00:02:47,000 >> I'LL PUT IT ON IN THE MORNING. 57 00:02:47,000 --> 00:02:48,000 >> THE MORNING WAS TOO LATE. 58 00:02:48,000 --> 00:02:49,000 PUT IT ON NOW. 59 00:02:49,000 --> 00:02:50,000 >> WHAT? 60 00:02:50,000 --> 00:02:52,000 >> YOU HAVE TO PUT IT ON NOW. 61 00:02:52,000 --> 00:02:54,000 >> OK. HERE. HOW'S THIS? 62 00:02:54,000 --> 00:02:55,000 IS THAT GOOD? 63 00:02:55,000 --> 00:02:56,000 >> TIE IT AROUND YOUR NECK. 64 00:02:56,000 --> 00:02:59,000 IT HAS TO MAKE CONTACT WITH YOUR FLESH. 65 00:02:59,000 --> 00:03:00,000 >> IT'S LATE. 66 00:03:00,000 --> 00:03:00,000 I'LL TIE IT TOMORROW. 67 00:03:01,000 --> 00:03:02,000 >> TOMORROW IS TOO LATE. 68 00:03:02,000 --> 00:03:03,000 NOW IS TIME. 69 00:03:03,000 --> 00:03:05,000 >> WHY? WHAT'S THAT? 70 00:03:05,000 --> 00:03:08,000 THAT SOUNDS LIKE A BABY. 71 00:03:08,000 --> 00:03:09,000 >> IT'S OUR BABY. 72 00:03:09,000 --> 00:03:10,000 >> WE DON'T HAVE A BABY. 73 00:03:10,000 --> 00:03:13,000 >> WE HAD A BABY. 74 00:03:13,000 --> 00:03:16,000 WHEN WE HAD HER, THE TIME IS COMING THAT-- 75 00:03:16,000 --> 00:03:18,000 TO HER-- US-- 76 00:03:19,000 --> 00:03:32,000 PUT ON THE TIE. MM. 77 00:03:32,000 --> 00:03:42,000 [GUNSHOTS] [WHIRRING] 78 00:03:42,000 --> 00:03:47,000 [GUNSHOTS] [WHIRRING] 79 00:03:47,000 --> 00:03:58,000 [RAGTIME MUSIC PLAYING] [WHIRRING] 80 00:03:58,000 --> 00:04:05,000 [RAGTIME MUSIC PLAYING] >> FACADES OF THIS EXPENSE ARE 81 00:04:05,000 --> 00:04:07,000 BECOMING UNPOPULAR WITH MY INVESTORS. 82 00:04:07,000 --> 00:04:11,000 >> YOUR INVESTORS ARE ONE. 83 00:04:11,000 --> 00:04:14,000 >> I DON'T KNOW IF YOU KNOW THIS, BUT THERE ARE MANY THAT 84 00:04:14,000 --> 00:04:15,000 MAKE ONE. 85 00:04:15,000 --> 00:04:20,000 >> ONE IS ENOUGH FOR TOO MUCH. 86 00:04:20,000 --> 00:04:23,000 >> YOUR JEALOUSY OVERWHELMS YOUR REPUTATION. 87 00:04:23,000 --> 00:04:29,000 >> MY REPUTATION IS BIG-TIME AND RECORDED. 88 00:04:29,000 --> 00:04:31,000 YOU ARE EYELESS AND SQUARED. 89 00:04:31,000 --> 00:04:36,000 >> 60 OF WHAT YOU THINK IS A REPUTATION FOR ONE IS YOUR 90 00:04:36,000 --> 00:04:38,000 DOWNFALL. 91 00:04:38,000 --> 00:04:45,000 >> WELL, WE'LL SEE ABOUT THAT IN DUE TIME, WON'T WE? 92 00:04:45,000 --> 00:04:46,000 >> TIME IS DUE, INDEED. 93 00:04:46,000 --> 00:04:50,000 >> [SCREECH] >> AND YOU-- 94 00:04:50,000 --> 00:04:52,000 YOU NEED A WHIFF OF MY FRIEND. 95 00:04:52,000 --> 00:04:58,000 >> [SCREECH SCREECH SCREECH] >> WHAT'S UP WITH THIS PARTY, 96 00:04:58,000 --> 00:04:58,000 MAN? 97 00:04:59,000 --> 00:04:59,000 THIS BLOWS. 98 00:04:59,000 --> 00:05:01,000 >> MAN, THIS PARTY IS STRAIGHT JACK. 99 00:05:01,000 --> 00:05:02,000 IT'S COMPLETELY WACK. 100 00:05:02,000 --> 00:05:04,000 I COULD'VE GOT WITH MONIQUE TONIGHT. 101 00:05:05,000 --> 00:05:06,000 >> WILL YOU SHUT UP? 102 00:05:06,000 --> 00:05:08,000 OH, DAMN, BOY, YOUR VOICE IS LIKE A HUMAN P.A., AND WHERE'S 103 00:05:08,000 --> 00:05:10,000 THAT BAKED COP AT? 104 00:05:10,000 --> 00:05:11,000 >> WHO ARE YOU? 105 00:05:11,000 --> 00:05:13,000 WHAT ARE YOU DOING AT THIS PARTY? 106 00:05:13,000 --> 00:05:14,000 WHO INVITED YOU? 107 00:05:14,000 --> 00:05:16,000 WHO DO YOU THINK YOU ARE? 108 00:05:16,000 --> 00:05:17,000 I KNOW WHO YOU ARE. 109 00:05:17,000 --> 00:05:18,000 I KNOW WHAT YOU'RE DOING HERE. 110 00:05:18,000 --> 00:05:21,000 YOU KNOW I KNOW. 111 00:05:22,000 --> 00:05:23,000 YOU'RE WEIRD-LOOKING. 112 00:05:23,000 --> 00:05:25,000 I'M NOT WEIRD-LOOKING, BUT YOU'RE WEIRD-LOOKING. 113 00:05:25,000 --> 00:05:27,000 >> HEY, ARE YOU ROOSTER? 114 00:05:27,000 --> 00:05:29,000 >> SOMETIMES ALL IN CAPS, DEPENDING ON-- 115 00:05:29,000 --> 00:05:31,000 >> IF I'M YELLING AT YOU OR NOT, RIGHT? 116 00:05:31,000 --> 00:05:33,000 >> UH-HUH. 117 00:05:33,000 --> 00:05:35,000 >> DO YOU HAVE A SON, BY ANY CHANCE? 118 00:05:36,000 --> 00:05:36,000 >> NO. 119 00:05:37,000 --> 00:05:38,000 >> HE WENT TO CAMP. 120 00:05:38,000 --> 00:05:40,000 YOU WENT TO CAMP. 121 00:05:40,000 --> 00:05:43,000 >> HOW DID YOU-- >> THIS LETTER. 122 00:05:43,000 --> 00:05:44,000 >> I'LL BE. 123 00:05:44,000 --> 00:05:51,000 >> THERE'S SOMETHING I HAVE TO SHOW YOU RIGHT NOW. 124 00:05:51,000 --> 00:05:55,000 >> JUST WHEN I THINK I KNOW WHAT I'M THINKING, I'M IN THIS CLOUD. 125 00:05:55,000 --> 00:05:58,000 I KNOW THAT WHEN A MAN HAS MEMORIES, IT'S JUST ELECTRICAL 126 00:05:58,000 --> 00:06:02,000 IMPULSES THROUGH THE BRAIN THAT CREATE THE MEMORIES BECAUSE 127 00:06:02,000 --> 00:06:07,000 THOSE IMPULSES TRAVEL AT THE SPEED OF LIGHT. 128 00:06:07,000 --> 00:06:09,000 THEREFORE, THE BRAIN TIME-TRAVELS, AND THAT'S HOW HE 129 00:06:10,000 --> 00:06:13,000 REMEMBERS... 130 00:06:13,000 --> 00:06:16,000 BUT HOW DOES HE FEEL? 131 00:06:16,000 --> 00:06:19,000 HOW DOES HE FEEL THOSE MEMORIES? 132 00:06:19,000 --> 00:06:22,000 HOW DOES HE FEEL THOSE THOUGHTS? 133 00:06:22,000 --> 00:06:26,000 WHAT...TIME IS IT? 134 00:06:26,000 --> 00:06:40,000 [BABY CRYING] >> IN HERE. 135 00:06:40,000 --> 00:06:43,000 >> IN WHERE? 136 00:06:43,000 --> 00:06:44,000 >> SEE THIS? 137 00:06:44,000 --> 00:06:45,000 >> YEAH. I SEE IT. 138 00:06:45,000 --> 00:06:46,000 WHAT THE HELL HAPPENED IN HERE? 139 00:06:46,000 --> 00:06:47,000 >> YOUR LETTER. 140 00:06:47,000 --> 00:06:50,000 >> MY LETTER DID THIS? 141 00:06:50,000 --> 00:06:51,000 MAN, YOU GOT A BAR AROUND HERE? 142 00:06:51,000 --> 00:06:52,000 BECAUSE I'M TIRED AS HELL. 143 00:06:52,000 --> 00:06:54,000 >> COME DOWN HERE TO THE BASEMENT. 144 00:06:54,000 --> 00:06:56,000 >> WHAT'S A LIQUOR STORE DOING WITH A BASEMENT? 145 00:06:56,000 --> 00:06:59,000 >> IT'S, UH-- IT'S FOR, UH, TORNADOS AND SOME 146 00:06:59,000 --> 00:07:01,000 OTHER STUFF. 147 00:07:01,000 --> 00:07:03,000 >> WHAT IN THE HELL IS THAT? 148 00:07:03,000 --> 00:07:05,000 >> I THINK YOU KNOW WHAT IT IS. 149 00:07:05,000 --> 00:07:07,000 >> FIRST OFF, I DON'T EVEN THINK YOU KNOW WHAT I KNOW, AND 150 00:07:07,000 --> 00:07:09,000 I'M TELLING YOU, I DON'T KNOW WHAT THAT IS. 151 00:07:09,000 --> 00:07:13,000 [CRASH] [CRASH] 152 00:07:13,000 --> 00:07:17,000 [SLAM] [CLANG] 153 00:07:17,000 --> 00:07:27,000 [CLOCK TICKING] [CLANG] 154 00:07:27,000 --> 00:07:45,000 [CLOCK TICKING] [CLANG] 155 00:07:45,000 --> 00:07:47,000 >> I DID IT. 156 00:07:47,000 --> 00:07:51,000 I DID IT, AND I WON, AND I BEAT THEM ALL... 157 00:07:51,000 --> 00:07:55,000 [SLURP] AND IT TASTES GOOD. 158 00:07:55,000 --> 00:07:58,000 [DOOR SLAMS] >> HEY, KIDS. 159 00:07:58,000 --> 00:08:03,000 NO ONE WINS UNTIL I WIN BECAUSE I WIN AT STUFF ALL THE TIME. 160 00:08:04,000 --> 00:08:06,000 HA HA! YOU GOT THAT? 161 00:08:06,000 --> 00:08:11,000 AAH! WHAT THE-- OH! WHAT'S WRONG, LITTLE MAN? 162 00:08:11,000 --> 00:08:17,000 HA HA! YOU GOT-- UH, YOU GOT SOME ARROWS STUCK 163 00:08:17,000 --> 00:08:18,000 THROUGH YOU. 164 00:08:18,000 --> 00:08:20,000 HA HA HA! ZINGER. 165 00:08:20,000 --> 00:08:22,000 BOING. HA HA HA! 166 00:08:22,000 --> 00:08:24,000 UP TOP. LET'S TOUR, RIGHT? 167 00:08:25,000 --> 00:08:26,000 AM I RIGHT? AM I RIGHT? 168 00:08:26,000 --> 00:08:28,000 >> WRONG, VERY, VERY WRONG. 169 00:08:28,000 --> 00:08:30,000 >> COME ON, SHARK. WE'RE A TEAM. 170 00:08:30,000 --> 00:08:33,000 IT'S ME AND YOU, AND WE GO TO THE ZOO, RIGHT? 171 00:08:33,000 --> 00:08:35,000 HA HA HA! COME ON. 172 00:08:35,000 --> 00:08:36,000 CHUG ALONG, BUDDY. 173 00:08:36,000 --> 00:08:37,000 >> IT'S OVER. 174 00:08:37,000 --> 00:08:38,000 >> CHUGGA CHUGGA CHUGGA CHUGGA CHUGGA BAAH! 175 00:08:39,000 --> 00:08:40,000 >> STOP IT. 176 00:08:40,000 --> 00:08:41,000 >> I DO IT AT MY RESTAURANT EVERY NIGHT, BUT SOMETIMES I 177 00:08:41,000 --> 00:08:43,000 FORGET, AND THEN THE BOSS MAN IS ALL, "DO YOUR SIDE WORK," 178 00:08:43,000 --> 00:08:45,000 AND I'M LIKE, "I'M MARRYING THESE KETCHUPS AS FAST AS I 179 00:08:45,000 --> 00:08:46,000 CAN." 180 00:08:47,000 --> 00:08:51,000 EEEH! HA HA HA! 181 00:08:51,000 --> 00:08:52,000 I GOT THESE T-SHIRTS MADE. 182 00:08:53,000 --> 00:08:54,000 >> LOOK. IT'S OVER. 183 00:08:54,000 --> 00:08:55,000 >> SHARK, IT AIN'T OVER. 184 00:08:55,000 --> 00:09:00,000 IT'S YOU AND ME AND YOU AND ME AND YOU AND ME AND YOU. 185 00:09:01,000 --> 00:09:03,000 BAP! DAMN IT. 186 00:09:04,000 --> 00:09:05,000 >> WHERE'S THE ZINGER? 187 00:09:05,000 --> 00:09:08,000 WE ALL LOVE TO LAUGH. 188 00:09:08,000 --> 00:09:11,000 >> HEY, LIQUOR, COME HERE FOR A SECOND. 189 00:09:11,000 --> 00:09:12,000 I NEED TO TALK TO YOU. 190 00:09:12,000 --> 00:09:15,000 THIS IS VERY IMPORTANT. 191 00:09:15,000 --> 00:09:18,000 I NEED TO FIND MY TEACHER, TELL HER I NEED TO GET BACK IN THE 192 00:09:18,000 --> 00:09:21,000 BOAT, AND I NEED TO GO HOME. 193 00:09:21,000 --> 00:09:23,000 >> YEAH. IT'S A WEB. GET IT? 194 00:09:23,000 --> 00:09:25,000 >> YEAH. I GET IT. 195 00:09:25,000 --> 00:09:26,000 NOW CAN YOU LET ME OUT OF HERE? 196 00:09:26,000 --> 00:09:28,000 >> LET YOU OUT? NO. 197 00:09:28,000 --> 00:09:29,000 >> WHY ME? 198 00:09:29,000 --> 00:09:30,000 I MEAN, WHAT DID I DO? 199 00:09:30,000 --> 00:09:32,000 >> YOU COME TOO CLOSE TO RESTARTING EVERYTHING. 200 00:09:32,000 --> 00:09:34,000 I KNOW YOU. 201 00:09:34,000 --> 00:09:36,000 YOU'LL SET THE ALARM. 202 00:09:37,000 --> 00:09:43,000 [DOOR SLAMS] >> I'LL SET THE ALARM? 203 00:09:43,000 --> 00:09:53,000 IS THERE A BEER DOWN THERE? 204 00:09:53,000 --> 00:10:27,000 IS THERE A BEER DOWN THERE? 205 00:10:27,000 --> 00:10:31,000 >> IS THIS FINALLY THE END? 206 00:10:31,000 --> 00:10:34,000 >> IT'S NEVER THE END. 207 00:10:34,000 --> 00:10:38,000 TAKE HIM OUT AND DO IT FOR REAL THIS TIME, OK? 208 00:10:38,000 --> 00:10:41,000 YOU'RE SUPPOSED TO BE GOOD AT THIS. 209 00:10:41,000 --> 00:10:46,000 >> [BEEPING] >> NO. YOU CAN'T GO WITH HIM 210 00:10:46,000 --> 00:10:49,000 BECAUSE YOU'LL JUST [BEEP] IT UP BECAUSE YOU'RE RETARDED. 211 00:10:49,000 --> 00:10:54,000 >> [BEEPING] >> I'M SO EXTREMELY BORED. 212 00:10:54,000 --> 00:10:55,000 WHAT ELSE IS ON? 213 00:10:55,000 --> 00:10:59,000 >> IT'S ONLY THIS DAY AFTER DAY AFTER DAY. 214 00:11:00,000 --> 00:11:08,000 >> ♪ 12 OZ. MOUSE, 12, OZ. MOUSE 12 OZ. MOUSE, 12, OZ. MOUSE 215 00:11:08,000 --> 00:11:15,000 12 OZ. MOUSE, 12, OZ. MOUSE 12 OZ. MOUSE, 12, OZ. MOUSE 216 00:11:15,000 --> 00:11:19,000 12 OZ. MOUSE, 12, OZ. MOUSE 12 OZ. MOUSE, 12, OZ. MOUSE 217 00:11:19,000 --> 00:11:24,000 12 OZ. MOUSE, 12, OZ. MOUSE 12 OZ. MOUSE ♪ 218 00:11:24,000 --> 00:11:29,000 >> HMM, I KIND OF WANT TO OPEN THE DOOR, BUT I'M SCARED. 219 00:11:29,000 --> 00:11:30,000 [CAPTIONING MADE POSSIBLE BY TURNER ENTERTAINMENT GROUP]