1 00:00:07,682 --> 00:00:10,054 SHAWN, WHERE'S THAT NICE NEW SWEATER VEST 2 00:00:10,089 --> 00:00:13,460 YOUR MOM JUST PUT ON YOU FOR PICTURE DAY? 3 00:00:13,495 --> 00:00:16,834 OH, YEAH, THAT. 4 00:00:16,866 --> 00:00:19,640 IT WASN'T WORKING FOR US. 5 00:00:19,672 --> 00:00:20,842 WE CHOSE THE KNIGHT RIDER SHIRT INSTEAD. 6 00:00:20,874 --> 00:00:24,083 MOM LOVES K.I.T.T. 7 00:00:24,117 --> 00:00:25,451 DO YOU KNOW HOW A COP DISTINGUISHES 8 00:00:25,484 --> 00:00:26,587 WHEN SOMEBODY'S LYING? 9 00:00:26,621 --> 00:00:28,858 WHEN IT SOUNDS LIKE THAT. 10 00:00:28,890 --> 00:00:31,231 GO UPSTAIRS, PUT THE VEST BACK ON. 11 00:00:31,263 --> 00:00:32,666 PICTURES LAST FOREVER, SHAWN. 12 00:00:32,699 --> 00:00:34,170 I WANT YOU TO LOOK YOUR BEST. 13 00:00:40,314 --> 00:00:42,452 THERE'S A BODY IN A SERVICE ELEVATOR? 14 00:00:42,485 --> 00:00:43,655 NO BODIES. 15 00:00:43,688 --> 00:00:45,192 A DOGFIGHTING RING? NO. 16 00:00:45,225 --> 00:00:46,627 A MISSING SNOWMAN? 17 00:00:46,661 --> 00:00:48,497 YES, A SNOWMAN IS MISSING, BUT WE'RE NOT ON THAT CASE. 18 00:00:48,530 --> 00:00:50,269 RELAX. I AM NOT WORKING. 19 00:00:50,302 --> 00:00:52,273 I KNOW YOU AREN'T. I DO NOT WORK ON MY BIRTHDAY. 20 00:00:52,306 --> 00:00:53,775 I THINK YOU'VE MADE YOUR POSITION CLEAR ON THAT. 21 00:00:53,808 --> 00:00:55,179 THEN TELL ME WHERE WE'RE GOING. 22 00:00:55,212 --> 00:00:56,546 THAT'S NOT HOW A SURPRISE WORKS. 23 00:00:56,580 --> 00:00:59,320 (Shawn) HAPPY BIRTHDAY, DUDE. 24 00:00:59,352 --> 00:01:01,624 WELCOME TO THE FALL LINE LAUNCH PARTY 25 00:01:01,656 --> 00:01:03,894 FOR CIAO CLOTHING. 26 00:01:03,927 --> 00:01:06,566 GORGEOUS MODELS, FAKE CELEBRITIES. 27 00:01:06,600 --> 00:01:08,270 NO FOOD, THOUGH. 28 00:01:08,304 --> 00:01:09,772 THIS IS THE MOST EXCLUSIVE EVENT OF THE YEAR. 29 00:01:09,806 --> 00:01:10,808 WHAT'S THE RUB? 30 00:01:10,841 --> 00:01:13,180 [loud music inside] 31 00:01:13,215 --> 00:01:15,284 I THINK YOU'RE IN THE WRONG LINE THERE, GENTLEMEN. 32 00:01:15,318 --> 00:01:16,954 I THINK WE'RE ON THE V.I.P. LIST. 33 00:01:16,986 --> 00:01:19,926 NAMES? BLACK AND TAN. 34 00:01:19,960 --> 00:01:21,831 FIRST NAMES? NO FIRST NAMES. 35 00:01:21,863 --> 00:01:22,932 ONE OF US IS BLACK, AND ONE OF US IS TAN. 36 00:01:22,966 --> 00:01:24,802 WE'RE A MODELING TEAM. 37 00:01:24,837 --> 00:01:26,873 PERHAPS YOU'VE HEARD OF US. LET'S JUST GO. 38 00:01:26,907 --> 00:01:29,812 WE'RE RETIRED. JUST CHECK YOUR LIST. 39 00:01:35,892 --> 00:01:37,796 HOLY CRAP, IT IS HERE. 40 00:01:39,666 --> 00:01:40,634 SORRY FOR THE MIX-UP, TAN. 41 00:01:40,668 --> 00:01:41,436 I BEG YOUR PARDON? 42 00:01:41,471 --> 00:01:45,245 MY NAME IS BLACK. HIS NAME IS TAN. 43 00:01:45,279 --> 00:01:47,648 I CAN'T BELIEVE YOU JUST MADE THAT ASSUMPTION. [scoffs] 44 00:01:47,682 --> 00:01:50,422 YOU SHOULD BE ASHAMED OF YOURSELF AND YOUR FAMILY. 45 00:01:51,891 --> 00:01:53,527 [dance music] 46 00:01:53,560 --> 00:01:55,299 OKAY, HOW DID YOU PULL THAT OFF? 47 00:01:55,332 --> 00:01:57,602 WELL, CIAO'S NUMBER WAS IN THE PHONE BOOK. 48 00:01:57,635 --> 00:02:00,241 I DON'T EVER WANT TO HEAR AGAIN THAT MY FILIPINO ACCENT 49 00:02:00,241 --> 00:02:01,977 DOESN'T WORK MAGIC. 50 00:02:02,010 --> 00:02:03,280 (Gus) THIS IS ONE OF THE MOST THOUGHTFUL PRESENTS 51 00:02:03,315 --> 00:02:04,650 ANYONE'S EVER GIVEN ME. 52 00:02:08,325 --> 00:02:10,495 OH, MAN, THAT'S BERLINDA DESIDOVICZ! 53 00:02:10,528 --> 00:02:12,365 THE WAITRESS? 54 00:02:12,398 --> 00:02:13,668 (Gus) SHE'S NOT A WAITRESS, SHE'S THE MODEL. 55 00:02:13,700 --> 00:02:15,605 THE ONE FROM THE FLOPPYCAKES AD. 56 00:02:15,639 --> 00:02:16,774 THE THIRD GIRL ON THE LEFT 57 00:02:16,807 --> 00:02:18,042 ON THAT BILLBOARD I ALWAYS POINT OUT. 58 00:02:18,076 --> 00:02:19,347 YOU KNOW HER NAME? 59 00:02:19,380 --> 00:02:20,981 HER NAME? I KNOW HER LIFE STORY. 60 00:02:21,015 --> 00:02:22,084 SHE HAS A FAN CLUB. 61 00:02:22,116 --> 00:02:22,953 WELL, SHE'S PUTTING ONE TOGETHER. 62 00:02:22,985 --> 00:02:25,424 I'M NUMBER ONE ON THE INTEREST LIST. 63 00:02:25,459 --> 00:02:26,594 SHE'S ONE OF THE MOST POPULAR MODELS 64 00:02:26,626 --> 00:02:29,098 IN THE ENTIRE SANTA BARBARA DOWNTOWN AREA, SHAWN. 65 00:02:29,130 --> 00:02:31,837 I'VE BEEN IN LOVE WITH HER SINCE THE ICY POPS AD. 66 00:02:31,871 --> 00:02:33,707 SHE'S THE ONE THAT SAYS "GOOEY." 67 00:02:33,740 --> 00:02:35,512 YES, SHE'S THE "GOOEY" GIRL. 68 00:02:35,544 --> 00:02:37,483 THIS IS HUGE FOR YOU, MAN. 69 00:02:37,516 --> 00:02:38,885 I'LL HOOK IT UP. WHOA. 70 00:02:38,918 --> 00:02:40,922 I CAN TAKE CARE OF THIS MYSELF. 71 00:02:40,955 --> 00:02:44,095 WHAT YOU THINK? SHOULD I PULL OUT THE CHEETAH? 72 00:02:44,127 --> 00:02:46,131 THE CHEETAH IS THE WORST NAME FOR A PICKUP MOVE 73 00:02:46,164 --> 00:02:48,405 IN THE HISTORY OF MANKIND. 74 00:02:48,438 --> 00:02:51,074 REMEMBER THE RULE: TREAT A WOMAN LIKE A PERSON, 75 00:02:51,109 --> 00:02:51,977 THEN A PRINCESS, 76 00:02:52,011 --> 00:02:55,117 THEN A GREEK GODDESS, THEN A PERSON AGAIN. 77 00:02:55,149 --> 00:02:57,889 BESIDES, I THINK OPERATION: COLONEL SUGARLEMONS 78 00:02:57,923 --> 00:02:59,792 IS A MUCH BETTER MOVE FOR A PLACE LIKE THIS. 79 00:02:59,826 --> 00:03:02,398 COOL. GOOD LUCK. 80 00:03:13,688 --> 00:03:15,892 (woman) OH, EMILY! 81 00:03:15,924 --> 00:03:17,496 [man over p.a.] LADIES AND GENTLEMEN, 82 00:03:17,528 --> 00:03:22,538 OUR CHAIRMAN AND FOUNDER, GREGOR UWE STEEB. 83 00:03:22,573 --> 00:03:25,579 [cheers and applause] 84 00:03:33,126 --> 00:03:36,501 CIAO! CIAO! 85 00:03:36,534 --> 00:03:38,571 [cheers and applause] 86 00:03:43,548 --> 00:03:45,217 [thick eastern European accent] DO NOT WORRY. 87 00:03:45,250 --> 00:03:48,591 I WILL, UH, RAISE THIS MYSELF. 88 00:03:48,625 --> 00:03:49,859 I'M ONLY THE HEAD OF THE COMPANY, 89 00:03:49,892 --> 00:03:53,767 AND AFTER DOING ALL THE DESIGN WORK MYSELF, 90 00:03:53,800 --> 00:03:56,204 I WAS LOOKING FORWARD TO SOME MENIAL WORK. 91 00:03:56,240 --> 00:03:57,543 [electricity crackling] 92 00:03:57,576 --> 00:03:59,712 [alarmed cries and screams] 93 00:04:03,320 --> 00:04:06,527 (woman) GREGOR! GREGOR! 94 00:04:06,561 --> 00:04:10,233 [alarmed cries continue] 95 00:04:10,267 --> 00:04:11,603 GREGOR! GREGOR! 96 00:04:11,636 --> 00:04:12,806 YOU ABSOLUTELY SURE 97 00:04:12,839 --> 00:04:16,313 YOU DON'T WANT TO WORK TONIGHT? 98 00:04:16,346 --> 00:04:18,551 [The Friendly Indians' I Know You Know] 99 00:04:18,585 --> 00:04:19,887 * 100 00:04:19,919 --> 00:04:22,024 * I KNOW YOU KNOW 101 00:04:22,057 --> 00:04:23,327 * THAT I'M NOT TELLING THE TRUTH * 102 00:04:23,359 --> 00:04:25,263 * I KNOW YOU KNOW 103 00:04:25,297 --> 00:04:26,966 * THEY JUST DON'T HAVE ANY PROOF * 104 00:04:27,000 --> 00:04:29,205 * EMBRACE THE DECEPTION 105 00:04:29,237 --> 00:04:30,674 * LEARN HOW TO BEND 106 00:04:30,709 --> 00:04:31,911 * YOUR WORST INHIBITIONS 107 00:04:31,943 --> 00:04:34,583 * TEND TO PSYCH YOU OUT IN THE END * 108 00:04:34,617 --> 00:04:37,623 * I KNOW YOU KNOW * 109 00:04:46,172 --> 00:04:48,143 YOU EXPECT US TO BELIEVE THAT YOU MODEL? 110 00:04:48,176 --> 00:04:50,213 WHAT, THAT'S HARD TO BELIEVE? 111 00:04:50,247 --> 00:04:52,151 WHAT, ME AND MY BRO HERE AREN'T WORTHY 112 00:04:52,184 --> 00:04:54,155 OF LEERING INTO A LITTLE CAMERA LENS 113 00:04:54,188 --> 00:04:56,225 OR BLUE-STEELING IT UP OCCASIONALLY? 114 00:04:56,259 --> 00:04:57,928 [European accent] YOUR BRO, OF COURSE. 115 00:04:57,962 --> 00:04:59,298 HIS FEATURES ARE IMMACULATE. 116 00:04:59,331 --> 00:05:01,737 BUT YOU... NOT SO MUCH. 117 00:05:01,771 --> 00:05:03,272 WHAT? 118 00:05:03,307 --> 00:05:04,677 WHAT ARE YOU, INSANE?! 119 00:05:04,709 --> 00:05:06,913 HELP--HELP ME OUT HERE, TAN. 120 00:05:06,947 --> 00:05:07,949 HE'S A FOOT MODEL. 121 00:05:07,983 --> 00:05:09,687 OH, WELL, THAT MAKES SENSE. 122 00:05:09,719 --> 00:05:11,288 REALLY, THANKS FOR THAT. 123 00:05:11,322 --> 00:05:12,693 HE'S LYING. 124 00:05:12,725 --> 00:05:16,164 IT WAS FOOT AND... ANKLE. 125 00:05:16,199 --> 00:05:19,839 (Shawn) AND I DID SOME HAND WORK, OKAY? 126 00:05:19,873 --> 00:05:21,910 PERHAPS YOU RECOGNIZE THIS... 127 00:05:21,944 --> 00:05:24,982 FROM THE INSURANCE COMMERCIALS. 128 00:05:25,017 --> 00:05:27,021 I HAVE TO GO TO THE BATHROOM. WANT TO COME? 129 00:05:27,053 --> 00:05:29,893 OKAY. CIAO. 130 00:05:29,926 --> 00:05:31,262 SHE SEEMS SO BORED. 131 00:05:31,294 --> 00:05:32,465 SO LONELY. 132 00:05:32,497 --> 00:05:34,837 (Shawn) YEAH, BUT SO DOES EVERYBODY HERE, DUDE. 133 00:05:34,870 --> 00:05:37,140 DID YOU NOTICE THAT THE MIKE STAND WAS SET TOO LOW 134 00:05:37,174 --> 00:05:38,778 WHEN GREGOR CAME OUT ON THE STAGE? 135 00:05:38,811 --> 00:05:40,413 WHY WOULD THE MIKE STAND BE SET SO LOW 136 00:05:40,448 --> 00:05:42,083 WHEN HE'S THE ONLY ONE WHO WAS GONNA SPEAK TONIGHT? 137 00:05:42,116 --> 00:05:43,152 DO YOU SEE THE CLOCK? 138 00:05:43,186 --> 00:05:44,757 YEAH, BUT WHAT IF WE STUMBLE UPON SOMETHING HUGE? 139 00:05:44,790 --> 00:05:45,959 WHAT DOES THE CLOCK SAY, SHAWN? 140 00:05:45,991 --> 00:05:48,965 FINE. NEVER MIND. THANK YOU. 141 00:05:48,997 --> 00:05:51,269 IT'S YOUR BIRTHDAY. NO WORK, GOT IT. 142 00:05:51,302 --> 00:05:52,906 ALL RIGHT, YOU WILL EACH, ONE BY ONE, 143 00:05:52,938 --> 00:05:54,376 GO TO THE AREA I'VE SEQUESTERED, 144 00:05:54,409 --> 00:05:56,814 STATE THE NAME OF THE AGENCY YOU WORK FOR AND-- 145 00:05:56,847 --> 00:05:58,484 WHY AM I SURPRISED? 146 00:05:58,516 --> 00:06:00,721 USUALLY IT'S BECAUSE-- JUST TELL ME IF YOU'VE SEEN ANYTHING. 147 00:06:00,721 --> 00:06:02,091 MAYBE. 148 00:06:02,123 --> 00:06:04,160 DO YOU SUSPECT FOUL PLAY? NOT REALLY. 149 00:06:04,195 --> 00:06:05,964 THERE'S NO ONE HERE WITH AN IQ OVER 40. 150 00:06:05,999 --> 00:06:08,469 SO YOU'RE ASKING FOR OUR HELP. 151 00:06:08,504 --> 00:06:09,973 [loud stomp] 152 00:06:10,006 --> 00:06:11,910 [Shawn in pain] NEVER MIND. 153 00:06:11,943 --> 00:06:13,880 UH, WE'RE NOT AVAILABLE TONIGHT. 154 00:06:13,914 --> 00:06:16,821 [clears throat] WIDE OPEN TOMORROW, THOUGH. 155 00:06:16,854 --> 00:06:17,923 WHAT IS THIS ABOUT, SHAWN? 156 00:06:17,955 --> 00:06:19,892 LOOK, MY DAD INSISTED I RETURN THESE BY 8:00 A.M. 157 00:06:19,927 --> 00:06:20,862 I DON'T KNOW ABOUT YOU, 158 00:06:20,894 --> 00:06:22,999 I PLAN ON SLEEPING IN TILL AT LEAST NOON. 159 00:06:23,032 --> 00:06:24,268 ESPECIALLY AFTER WE HOWL ALL NIGHT. 160 00:06:24,301 --> 00:06:25,270 WHOA. [laughter] 161 00:06:25,303 --> 00:06:27,809 I THINK SOMEBODY'S IN THERE. 162 00:06:27,843 --> 00:06:29,947 NO, THAT CAN'T BE. 163 00:06:32,351 --> 00:06:34,288 DUDE, IT'S 10:43. 164 00:06:34,321 --> 00:06:36,091 HE'S EASILY BEEN ASLEEP FOR TWO HOURS. 165 00:06:36,124 --> 00:06:38,195 NO, I THINK IT'S A WOMAN. LISTEN. 166 00:06:38,228 --> 00:06:41,436 (woman) SEE THERE IS SOMEONE HERE. 167 00:06:41,470 --> 00:06:43,507 MR. SPENCER. 168 00:06:43,539 --> 00:06:45,879 UH, HOW UNEXPECTED. 169 00:06:45,912 --> 00:06:47,983 CHIEF? 170 00:06:48,016 --> 00:06:50,186 UH...I JUST CAME BY 171 00:06:50,219 --> 00:06:52,324 TO LEAVE THESE HALF BOOTS ON THE DOOR MAT. 172 00:06:52,357 --> 00:06:55,030 I--I DIDN'T SEE ANYTHING. 173 00:06:57,435 --> 00:07:00,441 OH, MR. SPENCER, PLEASE COME IN. 174 00:07:00,474 --> 00:07:02,645 COME IN. 175 00:07:02,678 --> 00:07:05,316 MR. GUSTER. 176 00:07:05,350 --> 00:07:09,290 I JUST THOUGHT I'D BRING MY DEAR FRIEND SUSAN OVER 177 00:07:09,325 --> 00:07:10,392 TO MEET YOUR FATHER. 178 00:07:10,427 --> 00:07:12,497 SHE'S A LOVELY, SINGLE WOMAN 179 00:07:12,531 --> 00:07:14,235 WHO WORKS AT CITY HALL. 180 00:07:14,268 --> 00:07:16,572 OH... 181 00:07:16,606 --> 00:07:18,043 [cell phone ringing] 182 00:07:18,075 --> 00:07:21,984 OH, EXCUSE ME. 183 00:07:22,016 --> 00:07:24,255 O'HARA, THIS BETTER BE BIG. 184 00:07:24,287 --> 00:07:26,259 YOU'RE STILL AT CIAO? 185 00:07:26,291 --> 00:07:28,396 THE ELECTRICAL CABLING'S BEEN TAMPERED WITH? 186 00:07:28,429 --> 00:07:29,398 OKAY. 187 00:07:29,431 --> 00:07:30,969 WELL, THIS CASE JUST CHANGED. 188 00:07:31,002 --> 00:07:31,971 [whispering] DUDE... 189 00:07:32,004 --> 00:07:33,639 I WILL KILL YOU, SHAWN. 190 00:07:33,674 --> 00:07:34,741 EWW. 191 00:07:34,775 --> 00:07:37,146 ALL RIGHT, GET ANY POTENTIALS DOWN TO THE STATION. 192 00:07:37,181 --> 00:07:38,382 I AM ON MY WAY. 193 00:07:38,416 --> 00:07:40,053 YOU BE OKAY? YES. 194 00:07:40,087 --> 00:07:41,556 OKAY. BYE. BYE. 195 00:07:41,590 --> 00:07:43,325 BYE, HENRY. THANK YOU. 196 00:07:43,358 --> 00:07:44,661 WHOA. 197 00:07:44,696 --> 00:07:46,398 WHAT ARE YOU DOING HERE? 198 00:07:46,432 --> 00:07:48,103 WELL, WE DIDN'T REALIZE IT WAS LADIES NIGHT 199 00:07:48,136 --> 00:07:49,071 AT CLUB HENRY. 200 00:07:49,105 --> 00:07:53,146 SO I DROPPED BY TO RETURN YOUR HALF BOOTS. 201 00:07:53,178 --> 00:07:55,551 WOW, HENRY, THAT'S SOME WILD-LOOKING FOOTWEAR. 202 00:07:55,584 --> 00:07:57,186 YEAH, UH... 203 00:07:57,221 --> 00:07:58,689 SUSAN, THIS IS MY SON SHAWN 204 00:07:58,724 --> 00:08:00,359 AND, UH, GUS. 205 00:08:00,392 --> 00:08:00,961 NICE TO MEET YOU. 206 00:08:00,961 --> 00:08:03,232 OH, YOU CAN CALL ME SUE. 207 00:08:03,265 --> 00:08:04,702 MOST PEOPLE CALL ME SUE B. 208 00:08:04,735 --> 00:08:08,176 BECAUSE THERE ARE TWO SUES AT THE OFFICE. 209 00:08:08,208 --> 00:08:12,083 BUT OBVIOUSLY THAT'S NOT REALLY A FACTOR HERE. 210 00:08:12,116 --> 00:08:14,355 UH...SHAWN, 211 00:08:14,388 --> 00:08:19,430 COULD YOU HELP ME IN THE KITCHEN WITH THESE? 212 00:08:19,464 --> 00:08:22,136 WE'LL BE RIGHT BACK. OKAY. 213 00:08:25,511 --> 00:08:27,213 SO... 214 00:08:27,247 --> 00:08:29,251 HEARD ABOUT PLUTO? 215 00:08:29,284 --> 00:08:30,521 THAT'S MESSED UP. 216 00:08:30,554 --> 00:08:32,290 YEAH. 217 00:08:32,324 --> 00:08:34,228 [nervous chuckles] 218 00:08:36,132 --> 00:08:37,767 REALLY, DAD? 219 00:08:37,802 --> 00:08:39,437 CHEESE CUBES AND WIENERS? 220 00:08:39,470 --> 00:08:40,472 WHAT'S HAPPENING HERE? 221 00:08:40,506 --> 00:08:42,777 IS THIS SOME SORT OF BLIND DATE? 222 00:08:42,812 --> 00:08:45,317 SORT OF. I DON'T KNOW. 223 00:08:45,349 --> 00:08:47,386 SHE'S JUST... 224 00:08:47,420 --> 00:08:50,093 WHAT DO YOU CALL IT? NONDESCRIPT. 225 00:08:50,127 --> 00:08:51,061 "NONDESCRIPT"? 226 00:08:51,095 --> 00:08:53,166 I'VE NEVER HEARD A WOMAN DESCRIBED LIKE THAT 227 00:08:53,199 --> 00:08:54,669 UNLESS SHE WAS A ROBBERY SUSPECT. 228 00:08:54,702 --> 00:08:56,239 I JUST DON'T KNOW. I MEAN, SHE'S PRETTY. 229 00:08:56,272 --> 00:08:58,276 SHE'S A LITTLE BORING AND PRIM. 230 00:08:58,308 --> 00:08:59,278 I CUBED THESE MYSELF. 231 00:08:59,310 --> 00:09:01,081 SHE DIDN'T EVEN TRY ONE. 232 00:09:01,081 --> 00:09:02,251 WHAT DO YOU THINK? WHAT'S YOUR OPINION? 233 00:09:02,283 --> 00:09:04,455 I HAVE NO OPINION OF ANY KIND WHATSOEVER. 234 00:09:04,487 --> 00:09:05,457 OH, SHAWN, COME ON. 235 00:09:05,490 --> 00:09:06,459 YOU HAVE AN OPINION ON EVERYTHING. 236 00:09:06,492 --> 00:09:07,361 ESPECIALLY WHEN IT COMES TO WOMEN. 237 00:09:07,393 --> 00:09:09,566 JUST GIVE ME YOUR FIRST IMPRESSION. NO. 238 00:09:09,599 --> 00:09:11,603 WHY NOT? 239 00:09:11,635 --> 00:09:12,871 YOU HAVE TO GET OVER THIS. 240 00:09:12,905 --> 00:09:14,708 NOBODY WANTS TO GROW OLD ALONE. 241 00:09:14,741 --> 00:09:16,479 MAYBE A NICE LADY WILL HELP HIM RELAX A LITTLE. 242 00:09:16,512 --> 00:09:18,583 NEW SUBJECT, GUS. 243 00:09:18,617 --> 00:09:20,452 DID YOU SEE THE CHIEF RUN OUT OF THERE? HUH? 244 00:09:20,487 --> 00:09:22,291 MUST BE SOMETHING BIG. 245 00:09:22,323 --> 00:09:23,258 YOU KNOW, I WAS THINKING, 246 00:09:23,293 --> 00:09:25,297 THERE'S ONLY 73 MINUTES LEFT IN YOUR BIRTHDAY. 247 00:09:25,329 --> 00:09:26,733 ACTUALLY, 72 MINUTES. 248 00:09:26,765 --> 00:09:28,203 NOT UNTIL MIDNIGHT, SHAWN. 249 00:09:28,236 --> 00:09:29,939 I'M CINDERELLA, AND THIS IS MY BALL. 250 00:09:29,971 --> 00:09:31,008 AND I'M NOT LIFTING A FINGER 251 00:09:31,040 --> 00:09:33,579 UNTIL MY CARRIAGE TURNS INTO A BIG-ASS PUMPKIN. 252 00:09:33,613 --> 00:09:35,250 GOT IT? GOT IT. GOOD. 253 00:09:35,283 --> 00:09:37,453 [video game noises] 254 00:09:40,627 --> 00:09:42,932 [slurping] 255 00:09:42,964 --> 00:09:44,736 [slurping] 256 00:09:44,769 --> 00:09:45,771 THANK YOU. 257 00:09:45,804 --> 00:09:49,946 [ticking loudly] 258 00:09:56,558 --> 00:09:59,398 (Juliet) OKAY, WHERE DO YOU WANT ALL THESE PEOPLE? 259 00:09:59,430 --> 00:10:00,901 JUST PUT 'EM IN BOTH INTERROGATION ROOMS 260 00:10:00,933 --> 00:10:01,201 AND WE'LL ROVE IT. 261 00:10:01,201 --> 00:10:04,341 LET'S GO, GO, GO! 262 00:10:09,551 --> 00:10:11,289 SO THE ELECTRICAL CABLE OFFSTAGE 263 00:10:11,321 --> 00:10:13,526 WAS DELIBERATELY SEVERED. 264 00:10:13,559 --> 00:10:14,928 THE CHIEF THINKS IT WAS DONE PRO. 265 00:10:14,962 --> 00:10:16,832 THAT MEANS... 266 00:10:16,865 --> 00:10:19,772 OH! 6-5. 267 00:10:19,806 --> 00:10:23,479 [ticking loudly] 268 00:10:23,512 --> 00:10:26,319 YOU DON'T REMEMBER WHERE YOU WERE THIS AFTERNOON? 269 00:10:26,352 --> 00:10:27,520 IT WAS YELLOW. 270 00:10:27,554 --> 00:10:29,524 AND BORING. 271 00:10:29,558 --> 00:10:32,029 ARE WE TALKING ABOUT A RESTAURANT? 272 00:10:32,063 --> 00:10:33,900 I DON'T KNOW, MAYBE. 273 00:10:33,934 --> 00:10:37,808 JUST WRITE DOWN THAT IT WAS LAME. 274 00:10:37,842 --> 00:10:40,547 I DO LIKE THAT JACKET. 275 00:10:40,579 --> 00:10:41,614 REALLY? 276 00:10:41,649 --> 00:10:44,388 SOMEWHERE A TRANSIENT IS SHIVERING IN THE NIGHT. 277 00:10:44,421 --> 00:10:46,759 DETECTIVE. 278 00:10:46,793 --> 00:10:49,765 [dance music] 279 00:10:49,799 --> 00:10:57,313 * 280 00:10:58,884 --> 00:10:59,886 [game over] 281 00:11:03,694 --> 00:11:05,597 [ticking loudly] 282 00:11:05,629 --> 00:11:06,966 [boom] 283 00:11:06,999 --> 00:11:09,437 FINE, TELL ME WHAT YOU GOT. 284 00:11:12,977 --> 00:11:15,115 (Shawn) HOW'S IT GOING, CRIME FIGHTERS? 285 00:11:15,149 --> 00:11:17,019 WELL, THEY'RE NOT VERY FORTHCOMING...OR BRIGHT. 286 00:11:17,052 --> 00:11:18,589 ONE OF THEM CANNOT CONFIRM THE CORRECT SPELLING 287 00:11:18,622 --> 00:11:20,092 OF HIS OWN NAME. 288 00:11:20,125 --> 00:11:21,695 DID YOU BY CHANCE INTERVIEW A MODEL NAMED BERLINDA? 289 00:11:21,730 --> 00:11:22,965 IS SHE STILL AROUND? 290 00:11:22,997 --> 00:11:24,034 GUS, WE DON'T HAVE TIME FOR THIS. 291 00:11:24,066 --> 00:11:25,470 I KNOW, AND THAT'S WHY I'M HERE 292 00:11:25,502 --> 00:11:26,539 TO OFFER OUR SERVICES. 293 00:11:26,571 --> 00:11:27,908 I'D RATHER SHOWER WITH A BEAR. 294 00:11:27,942 --> 00:11:30,112 LOOK, THEY'RE ONLY GONNA TALK TO THEIR OWN KIND. 295 00:11:30,145 --> 00:11:31,482 OKAY? 296 00:11:31,514 --> 00:11:33,719 SHALLOW, JUDGMENTAL, CRUEL, AND GORGEOUS. 297 00:11:33,753 --> 00:11:34,889 WE'RE ALREADY EMBEDDED. 298 00:11:34,922 --> 00:11:37,727 UH-HUH, WHAT DO YOU MEAN "EMBEDDED"? 299 00:11:37,761 --> 00:11:39,064 CHIEF, WE MAY OR MAY NOT HAVE USED DECEPTION 300 00:11:39,097 --> 00:11:40,131 TO GET INTO THE PARTY TONIGHT. 301 00:11:40,166 --> 00:11:41,701 SEE YOU AT SWIMWEAR WEDNESDAY. 302 00:11:41,735 --> 00:11:42,704 DON'T LET 'EM SCARE YOU, TAN. 303 00:11:42,737 --> 00:11:44,741 HE'S TAN. 304 00:11:44,775 --> 00:11:47,046 RIGHT. 305 00:11:47,080 --> 00:11:47,948 THEY THINK WE'RE MODELS. 306 00:11:47,982 --> 00:11:48,683 THEY THINK I'M A MODEL. ME TOO. 307 00:11:48,716 --> 00:11:51,455 A FOOT MODEL. AND ANKLE, GUS! 308 00:11:51,489 --> 00:11:53,092 DUDE, THAT'S JUST RIDICULOUS ANYWAY. 309 00:11:53,125 --> 00:11:55,062 EVERYBODY LOOK AT MY JAW. 310 00:11:56,499 --> 00:11:58,803 OH, WELL, I'VE SEEN ENOUGH. YOU'RE HIRED. 311 00:11:58,836 --> 00:11:59,972 WHAT?! HIRED. 312 00:12:00,006 --> 00:12:01,441 YOU CAN LOOK THE WORD UP. CHANGE THAT TIE, DETECTIVE. 313 00:12:01,441 --> 00:12:04,180 NOW, MR. SPENCER, 314 00:12:04,213 --> 00:12:05,951 IF YOU HAVE A MOMENT, I'D LIKE TO SEE YOU PRIVATELY. 315 00:12:05,984 --> 00:12:08,155 OF COURSE, CHIEF. 316 00:12:09,991 --> 00:12:12,129 CIAOBELLA AND GREGOR ARE HOMEGROWN CELEBRITIES. 317 00:12:12,162 --> 00:12:13,899 THE LOCAL MEDIA IS SHARPENING ITS PENCILS 318 00:12:13,934 --> 00:12:14,936 ON THIS ONE. 319 00:12:14,969 --> 00:12:15,938 AND THAT IS NOT THE KIND OF PRESS 320 00:12:15,971 --> 00:12:19,010 THAT THIS DEPARTMENT OR ITS INTERIM CHIEF NEEDS. 321 00:12:19,044 --> 00:12:20,012 DO I MAKE MYSELF CLEAR. 322 00:12:20,046 --> 00:12:21,681 CLEAR AS A CRYSTAL BALL. GOOD. 323 00:12:21,715 --> 00:12:23,819 SO TELL ME... 324 00:12:23,854 --> 00:12:26,091 DID YOUR FATHER SAY ANYTHING ABOUT MY FRIEND SUSAN? 325 00:12:31,301 --> 00:12:32,604 (Gus) THEY ALL LIVE HERE? 326 00:12:32,636 --> 00:12:34,541 WELL, GREGOR OWNS THE BUILDING. 327 00:12:34,575 --> 00:12:36,579 THE CIAO STUDIO'S ACROSS THE STREET. 328 00:12:36,612 --> 00:12:38,949 HE USES THIS LOFT FOR HIS PRIME MODELS. 329 00:12:38,983 --> 00:12:40,219 I WONDER IF IT LOOKS LIKE THE LOFT 330 00:12:40,251 --> 00:12:41,088 IN HEAD OVER HEELS. 331 00:12:41,121 --> 00:12:44,728 YOU, AND ONLY YOU, CAN CONFIRM THAT. 332 00:12:44,760 --> 00:12:46,899 MY HUSBAND'S FUNERAL IS TOMORROW AT 12:25. 333 00:12:46,932 --> 00:12:49,938 BE THERE NO LATER THAN...1:15. 334 00:12:49,971 --> 00:12:52,243 AND I'LL HAVE TO APPROVE WHATEVER YOU'RE WEARING. 335 00:12:52,275 --> 00:12:54,848 NOW, OBVIOUSLY, WE HAVE NO CHOICE 336 00:12:54,881 --> 00:12:56,752 BUT TO CONTINUE WITH THE FALL LINE UNVEILING 337 00:12:56,785 --> 00:12:57,787 ON WEDNESDAY. 338 00:12:57,822 --> 00:12:58,989 MA'AM, BEFORE WE MOVE ON, 339 00:12:59,023 --> 00:13:01,061 SHOULD I HIRE SOMEONE TO DO MAGNOLIAS 340 00:13:01,094 --> 00:13:02,964 TOMORROW FOR THE SERVICE? 341 00:13:02,998 --> 00:13:04,868 WELL, OF COURSE HIRE SOMEONE, EMILY! 342 00:13:04,902 --> 00:13:07,340 IT'S NOT LIKE THEY GROW ON TREES. 343 00:13:11,048 --> 00:13:12,783 THAT MARRIAGE ALWAYS SEEMED WEIRD TO ME. 344 00:13:12,818 --> 00:13:14,889 LIKE WHEN LIZA MINNELLI MARRIED DAVID GEST. 345 00:13:14,922 --> 00:13:15,857 YEAH, WELL, 346 00:13:15,891 --> 00:13:19,264 CIAOBELLA AND GREGOR LASTED EIGHT YEARS, GUS. 347 00:13:19,296 --> 00:13:23,105 I SUSPECT THAT SOME OF THOSE MARBLE-CHISELED SIMPLETONS 348 00:13:23,138 --> 00:13:24,407 ARE MORE DEVIOUS THAN THEY LET ON. 349 00:13:24,439 --> 00:13:26,043 WE'RE GONNA HAVE TO DIG DEEP AND BLEND IN 350 00:13:26,077 --> 00:13:27,245 IN ORDER TO GET REAL ANSWERS. 351 00:13:27,280 --> 00:13:30,286 DUDE, YOU THOUGHT I WAS GONNA HAVE TROUBLE BLENDING IN? 352 00:13:30,318 --> 00:13:34,160 I HAVE THIS SHIRT, THIS SHIRT. MOST OF THESE SHIRTS. 353 00:13:34,194 --> 00:13:37,133 AND THESE ARE MY EXACT KENNETH COLES. 354 00:13:37,166 --> 00:13:40,339 AND THAT PICTURE OF MY MOM PARASAILING IN MONTEGO BAY-- 355 00:13:40,371 --> 00:13:41,975 YOU MOVED ME IN? 356 00:13:42,009 --> 00:13:43,713 DUDE, WE GOT LUCKY. THEY JUST THREW SOME GUY OUT. 357 00:13:43,746 --> 00:13:46,151 NOW WE CAN LIVE IT UP CHIC WHILE WE CATCH A KILLER. 358 00:13:46,184 --> 00:13:46,952 NOW HELP ME SET UP MY CLAPPER. 359 00:13:46,985 --> 00:13:48,387 I'M NOT MOVING IN HERE, SHAWN. 360 00:13:48,422 --> 00:13:51,093 I DON'T CARE HOW MANY SECRETS WE UNCOVER. 361 00:13:51,127 --> 00:13:53,131 SHOWER'S FREE. 362 00:13:53,165 --> 00:13:56,171 I GOT THE WINDOW. 363 00:14:01,681 --> 00:14:02,985 (Shawn) OH, YOU MUST BE SIGRID. 364 00:14:03,017 --> 00:14:05,723 WHAT IS THAT, COSSACK? DIE. 365 00:14:07,359 --> 00:14:08,395 YOU CAN QUESTION HER. 366 00:14:08,427 --> 00:14:11,068 YOU KNOW WHO I'M QUESTIONING. 367 00:14:11,101 --> 00:14:12,469 WHAT'S UP, ROOMIES? 368 00:14:12,503 --> 00:14:14,406 INITIATION. 369 00:14:14,440 --> 00:14:16,343 THAT'S WHAT. PUT 'EM UP. 370 00:14:16,377 --> 00:14:17,948 I'M ALLERGIC TO PILLOWS. 371 00:14:17,981 --> 00:14:19,416 TOMMY JOHN, BOTH ELBOWS. 372 00:14:19,450 --> 00:14:21,153 [coughing] COME ON. 373 00:14:21,187 --> 00:14:23,157 GIVE ME YOUR BEST SHOT... BLACK. 374 00:14:28,268 --> 00:14:30,306 (Shawn) IT WOULD REALLY BEHOOVE YOU GUYS 375 00:14:30,339 --> 00:14:31,440 TO GET OUR NAMES RIGHT IN THE FUTURE. 376 00:14:33,278 --> 00:14:35,081 OH, GOOD. BERLINDA, YOU'RE HERE. 377 00:14:35,115 --> 00:14:37,020 LOOK, WE ARE SO OUT OF THE LOOP. 378 00:14:37,052 --> 00:14:38,890 YOU GOTTA CATCH US UP ON EVERYTHING, YOU KNOW. 379 00:14:38,924 --> 00:14:41,461 THE DEAD GREGOR THING, THAT AWFUL CIAOBELLA. 380 00:14:41,493 --> 00:14:42,831 THE AGENCY. 381 00:14:42,864 --> 00:14:45,101 MAYBE WE CAN PLAY TRUTH OR DARE. 382 00:14:45,135 --> 00:14:46,471 ACTUALLY, WE WERE THINKING ABOUT MAYBE GOING TO A BAR, 383 00:14:46,503 --> 00:14:48,408 DOING SOME O2. 384 00:14:48,442 --> 00:14:49,344 COULDN'T WE DO THAT AFTER WE TALK? 385 00:14:49,377 --> 00:14:51,580 BECAUSE I KNOW I HAVE SO MANY QUESTIONS. 386 00:14:51,613 --> 00:14:53,318 I COULD BE READY IN THREE MINUTES. 387 00:14:53,352 --> 00:14:54,922 [Gus racing up stairs] 388 00:14:58,562 --> 00:15:01,533 [1980s pop rock music] 389 00:15:01,568 --> 00:15:09,584 * 390 00:15:31,127 --> 00:15:32,495 SHAWN! DAD? 391 00:15:32,530 --> 00:15:34,969 [needle scratches record] 392 00:15:36,438 --> 00:15:37,540 HOW DID YOU FIND ME? 393 00:15:37,573 --> 00:15:39,044 SHAWN, I WAS A DETECTIVE FOR 15 YEARS. 394 00:15:39,077 --> 00:15:40,046 YOU'RE NOT HARD TO FIND. 395 00:15:40,079 --> 00:15:43,085 WAS THAT GUY WEARING A BRA? 396 00:15:43,117 --> 00:15:44,154 WHAT COULD POSSIBLY BE SO IMPORTANT 397 00:15:44,186 --> 00:15:45,156 THAT YOU'RE HERE RIGHT NOW? 398 00:15:45,188 --> 00:15:46,123 IT'S KAREN'S FRIEND SUSAN. 399 00:15:46,158 --> 00:15:49,263 SHE CALLED AGAIN. TWICE IN THE LAST TWO DAYS. 400 00:15:49,296 --> 00:15:50,968 DOESN'T THAT REEK OF DESPERATION? 401 00:15:51,001 --> 00:15:51,970 OH, NO. NO, NO, NO. 402 00:15:52,003 --> 00:15:53,005 THIS IS NOT HAPPENING. 403 00:15:53,038 --> 00:15:55,176 SHAWN, THIS IS RIDICULOUS! 404 00:15:55,208 --> 00:15:57,113 YOU COME TO ME FOR ADVICE ON ONE OF YOUR STUPID CASES 405 00:15:57,145 --> 00:15:58,515 AT LEAST ONCE A WEEK. 406 00:15:58,548 --> 00:16:00,052 I ASK FOR A SIMPLE ASSIST ON DATING PROTOCOL, 407 00:16:00,086 --> 00:16:01,653 YOU CAN'T GIVE IT TO ME? 408 00:16:01,688 --> 00:16:01,921 CALL ME OLD-FASHIONED, SHAWN. 409 00:16:01,921 --> 00:16:04,427 I HAVEN'T BEEN PURSUED BY A WOMAN 410 00:16:04,459 --> 00:16:05,461 IN 33 YEARS. 411 00:16:05,496 --> 00:16:06,530 IT USED TO BE THE OTHER WAY AROUND, YOU KNOW. 412 00:16:06,564 --> 00:16:07,967 OKAY, FINE, DAD, LOOK. 413 00:16:08,002 --> 00:16:08,970 WOMEN YOUR AGE, 414 00:16:09,004 --> 00:16:09,804 THEY DON'T HAVE TIME TO PLAY GAMES. 415 00:16:09,837 --> 00:16:11,408 SHE WAS WEARING A CARDIGAN! 416 00:16:11,441 --> 00:16:13,245 BUT SHE SAW THE INSIDE OF YOUR HOUSE, 417 00:16:13,278 --> 00:16:15,081 AND DIDN'T RUN SCREAMING IN HORROR. 418 00:16:15,115 --> 00:16:16,318 RIDE THE UPSIDE. 419 00:16:16,351 --> 00:16:17,988 NOW, I CAN'T TALK ABOUT THIS FOR ONE MORE SECOND 420 00:16:18,022 --> 00:16:18,854 BECAUSE I'M PROUD OF THE FACT 421 00:16:18,887 --> 00:16:20,526 THAT I HAVE NEVER BEEN IN THERAPY, OKAY? 422 00:16:20,559 --> 00:16:23,198 GOOD-BYE. SHAWN! AH! 423 00:16:33,451 --> 00:16:36,658 [laughter] 424 00:16:36,691 --> 00:16:40,731 [cell phone ringing] 425 00:16:40,766 --> 00:16:42,536 HELLO. 426 00:16:42,570 --> 00:16:44,207 DUDE, WHAT THE HELL HAPPENED TO YOU GUYS? 427 00:16:44,239 --> 00:16:45,609 SOME OF THE MODELS GOT CREEPED OUT 428 00:16:45,642 --> 00:16:47,213 THAT YOU HANG WITH YOUR DAD ALL THE TIME. 429 00:16:47,245 --> 00:16:49,184 WHAT?! (Gus) ALL RIGHT, FINE! 430 00:16:49,217 --> 00:16:50,786 WE WERE AFRAID IF WE HUNG OUT WITH HIM ANY LONGER, 431 00:16:50,818 --> 00:16:52,723 WE MIGHT CATCH WRINKLES. 432 00:16:52,755 --> 00:16:54,727 JUST TELL ME WHERE YOU'RE GOING. 433 00:16:54,759 --> 00:16:56,698 SHAWN, I CAN'T TALK NOW. 434 00:16:56,731 --> 00:16:58,602 GUS, YOU'RE NOT BEING HELPFUL. AND WE HAVE A CASE TO... 435 00:16:58,635 --> 00:17:01,641 [beep] SOLVE. 436 00:17:13,664 --> 00:17:16,571 [suspenseful music] 437 00:17:16,603 --> 00:17:20,778 * 438 00:17:20,812 --> 00:17:21,780 MISS BLOOM. 439 00:17:21,814 --> 00:17:23,185 OH! I'M SORRY. 440 00:17:23,217 --> 00:17:25,355 I DIDN'T MEAN TO STARTLE YOU. 441 00:17:25,389 --> 00:17:27,425 I'M BLACK... 442 00:17:27,460 --> 00:17:28,527 I KNOW WHO YOU ARE. 443 00:17:28,561 --> 00:17:29,697 YOU'RE STAYING AT THE LOFT. 444 00:17:29,729 --> 00:17:30,832 YOU'RE THE ONE NO ONE BELIEVES 445 00:17:30,865 --> 00:17:31,834 USED TO BE A MODEL. 446 00:17:31,867 --> 00:17:34,406 WHO'S SAYING THESE THINGS? 447 00:17:34,439 --> 00:17:36,811 I BELIEVE YOU. 448 00:17:36,843 --> 00:17:37,613 THANK YOU. 449 00:17:37,646 --> 00:17:40,451 I THINK YOUR ANKLES ARE MAGNIFICENT. 450 00:17:40,485 --> 00:17:42,156 WELL, I PLAY A LOT OF PING-PONG. 451 00:17:51,507 --> 00:17:53,645 WOW, THESE ARE REALLY GOOD. 452 00:17:53,678 --> 00:17:54,680 OH, THANK YOU. 453 00:17:54,714 --> 00:17:57,786 UM, I'VE NEVER REALLY SHOWN THEM TO ANYONE BEFORE. 454 00:17:57,820 --> 00:17:59,190 WHY NOT? 455 00:17:59,224 --> 00:18:01,228 I'D TOTALLY WEAR THESE. 456 00:18:01,261 --> 00:18:02,162 THIS IF I WAS VERY CONFUSED. 457 00:18:02,162 --> 00:18:04,634 YES. 458 00:18:04,667 --> 00:18:06,871 YOU KNOW, I JUST LET GREGOR AND CIAOBELLA 459 00:18:06,903 --> 00:18:08,341 DO THE DESIGNS. 460 00:18:08,375 --> 00:18:10,345 IT'S CIAOBELLA'S COMPANY NOW. 461 00:18:10,378 --> 00:18:12,650 WELL, MY LUNCH BREAK IS OVER. 462 00:18:12,683 --> 00:18:14,920 IT'S AFTER 9:00. 463 00:18:14,953 --> 00:18:17,792 YEAH, I KINDA WORK LONG HOURS. 464 00:18:17,825 --> 00:18:19,264 [sighs] 465 00:18:19,297 --> 00:18:21,833 I'M JUST SO FAR BEHIND, CIAOBELLA'S GONNA FREAK. 466 00:18:21,868 --> 00:18:23,537 UHH... 467 00:18:23,572 --> 00:18:24,807 I'VE GOTTA GET BACK TO WORK. 468 00:18:24,839 --> 00:18:26,578 OKAY. 469 00:18:26,610 --> 00:18:28,782 WILL I SEE YOU TOMORROW AT THE FUNERAL? 470 00:18:28,815 --> 00:18:30,752 YES, DEFINITELY. 471 00:18:30,786 --> 00:18:32,689 I'M--YEAH. I THINK SO, YEAH. 472 00:18:32,723 --> 00:18:35,829 WELL...UM...GOOD. 473 00:18:37,565 --> 00:18:39,770 DON'T WORK TOO HARD. 474 00:18:39,804 --> 00:18:42,776 [bluesy music] 475 00:18:42,810 --> 00:18:49,790 * 476 00:18:49,824 --> 00:18:51,761 [Gus' voice on machine] HI, YOU'VE REACHED BURTON GUSTER 477 00:18:51,794 --> 00:18:53,532 WITH CENTRAL COAST PHARMACEUTICALS. 478 00:18:53,564 --> 00:18:55,601 LEAVE ME A MESSAGE AND I'LL GET BACK TO YOU. 479 00:18:55,635 --> 00:18:56,904 STRAIGHT TO VOICE MAIL, HUH? 480 00:18:56,938 --> 00:18:58,574 THAT'S HOW WE'RE DOING IT NOW? 481 00:18:58,607 --> 00:19:00,346 ONE MODERATELY HOT CHICK COMES BY, 482 00:19:00,379 --> 00:19:01,548 AND SUDDENLY I'M INVISIBLE? 483 00:19:01,580 --> 00:19:02,282 YOU KNOW WHAT, GUS? THAT'S FINE. 484 00:19:02,282 --> 00:19:04,719 I'M TAKING THE BUNK NEXT TO THE WINDOW. 485 00:19:04,754 --> 00:19:06,957 AND DON'T BE SURPRISED IF YOUR PILLOW SMELLS FAINTLY 486 00:19:06,991 --> 00:19:09,664 OF MY BUTT. 487 00:19:34,614 --> 00:19:35,748 WHAT IS THIS? 488 00:19:35,781 --> 00:19:37,083 DID YOU GUYS GET UP AT DAWN? 489 00:19:37,118 --> 00:19:38,787 DUDE, YOU COULDN'T GIVE ME A LITTLE SHAKE? 490 00:19:38,821 --> 00:19:40,124 WE GOT UP FIVE MINUTES AGO. 491 00:19:41,528 --> 00:19:44,065 SIGRID, WE CAN ALL GO TOGETHER. 492 00:19:44,097 --> 00:19:45,768 I WOULD RATHER EAT MY OWN EARLOBES 493 00:19:45,801 --> 00:19:49,944 THAN SPEND ANOTHER HOUR WITH YOU CALLOUS MONSTERS. 494 00:19:49,977 --> 00:19:51,581 THAT GIRL'S ACTING LIKE A FREAK. 495 00:19:53,652 --> 00:19:55,522 [Shawn clears his throat loudly] 496 00:20:02,402 --> 00:20:04,171 DID YOU ACCOMPLISH ANYTHING LAST NIGHT 497 00:20:04,206 --> 00:20:06,009 BESIDES SELLING ME OUT FOR VACANT HEAD? 498 00:20:06,042 --> 00:20:07,613 YES, I DID. 499 00:20:07,645 --> 00:20:09,817 I FOUND OUT THAT BERLINDA ALWAYS WANTED 500 00:20:09,849 --> 00:20:11,821 A PET DWARF BUNNY AS A CHILD. 501 00:20:11,853 --> 00:20:13,825 AND SHE LOVES ANYTHING THAT SMELLS AND LOOKS 502 00:20:13,857 --> 00:20:15,160 LIKE LAVENDER. SWEET. 503 00:20:15,193 --> 00:20:17,565 LET'S CALL THE CHIEF AND GET PAID. 504 00:20:17,599 --> 00:20:19,134 I ALSO FOUND OUT THAT CIAOBELLA WAS 505 00:20:19,168 --> 00:20:20,270 GRILLING ALL OF THE MODELS 506 00:20:20,305 --> 00:20:21,974 BECAUSE SHE WAS CONVINCED THAT ONE OF THEM WAS SLEEPING 507 00:20:22,008 --> 00:20:22,976 WITH GREGOR. 508 00:20:23,010 --> 00:20:25,482 REALLY? 509 00:20:25,516 --> 00:20:26,984 YUP. 510 00:20:27,018 --> 00:20:28,921 WELL THAT COUPLED WITH THE FACT THAT SHE'S DRUNK WITH POWER, 511 00:20:28,955 --> 00:20:30,626 TREATING HER SWEET LITTLE ASSISTANT LIKE DIRT, 512 00:20:30,658 --> 00:20:34,231 GIVE US A PRETTY GOOD SUSPECT, I'D SAY. 513 00:20:34,266 --> 00:20:35,935 LET'S CRASH A FUNERAL. 514 00:20:41,146 --> 00:20:43,884 OH, MY GOD. 515 00:20:43,917 --> 00:20:45,888 IS HE WEARING HUGO BOSS? 516 00:20:45,921 --> 00:20:47,693 WHAT A SELLOUT! 517 00:20:47,725 --> 00:20:50,064 SEE YOU NEVER. 518 00:20:50,097 --> 00:20:53,271 GOOD NIGHT FOREVER... YOU BALD BASTARD. 519 00:20:53,303 --> 00:20:57,111 UH-HUH. HOLD ON. 520 00:20:57,144 --> 00:21:01,953 IT WAS ME WHO PEED IN THE HOT TUB. 521 00:21:01,987 --> 00:21:04,727 OKAY... 522 00:21:04,760 --> 00:21:07,666 YOU REAP WHAT YOU SOW, UWE STEEB. 523 00:21:07,699 --> 00:21:08,802 REMEMBER THAT. 524 00:21:11,138 --> 00:21:12,876 YOU DON'T EVEN KNOW THAT DUDE. 525 00:21:12,910 --> 00:21:14,346 I'M IN CHARACTER, SHAWN. 526 00:21:14,379 --> 00:21:16,316 BESIDES, BERLINDA'S LISTENING. 527 00:21:16,350 --> 00:21:18,085 SHUT UP. [scoffs] 528 00:21:18,120 --> 00:21:19,289 YOU KNOW WHAT, MAN? 529 00:21:19,322 --> 00:21:21,191 I DIDN'T WANT TO TELL YOU THIS. 530 00:21:21,226 --> 00:21:23,932 BERLINDA'S THE ONE THAT COULDN'T SPELL HER OWN NAME. 531 00:21:23,964 --> 00:21:25,802 SO? 532 00:21:25,835 --> 00:21:28,774 YOU DON'T KNOW HER LIKE I DO, SHAWN. 533 00:21:30,177 --> 00:21:31,079 DUDE! 534 00:21:31,112 --> 00:21:33,215 WHAT? [whispering] THAT WAS A LOVE NOTE. 535 00:21:33,250 --> 00:21:35,254 THAT'S A LOVE NOTE. THAT'S A LOVE NOTE! 536 00:21:35,287 --> 00:21:36,791 SHE JUST HID A LOVE NOTE IN THE CASKET. 537 00:21:36,823 --> 00:21:38,795 THAT MEANS SIGRID WAS GREGOR'S MISTRESS. 538 00:21:38,827 --> 00:21:39,996 CIAOBELLA FOUND OUT ABOUT IT AND KILLED HIM. 539 00:21:40,029 --> 00:21:41,232 I GOT IT! 540 00:21:41,266 --> 00:21:43,270 YOU CAN'T DANCE AT A FUNERAL, SHAWN. 541 00:21:43,304 --> 00:21:44,874 ALL OF A SUDDEN YOU'RE THE ARBITER OF GOOD TASTE? 542 00:21:44,906 --> 00:21:45,676 WE WAIT UNTIL IT'S OVER, 543 00:21:45,709 --> 00:21:47,244 AND WE DO IT WITHOUT BLOWING MY COVER 544 00:21:47,278 --> 00:21:48,246 TO BERLINDA. 545 00:21:48,280 --> 00:21:49,684 SHE ONLY DATES MODELS. 546 00:21:49,717 --> 00:21:51,419 WOW. 547 00:21:51,452 --> 00:21:55,294 FINE, I'LL CALL JULES. 548 00:21:55,328 --> 00:21:58,401 [Ciaobella clears throat] 549 00:21:59,804 --> 00:22:02,073 WELL, THANK YOU ALL FOR COMING. 550 00:22:02,107 --> 00:22:05,948 WE GATHER TODAY NOT TO MOURN THE PASSING 551 00:22:05,982 --> 00:22:09,288 OF MY DEAD HUSBAND-- HASSENFEFFER! 552 00:22:09,321 --> 00:22:13,864 BUT RATHER TO CELEBRATE ALL THAT HE ONCE WAS. 553 00:22:13,898 --> 00:22:15,134 [sobbing loudly] 554 00:22:17,004 --> 00:22:22,313 WHILE I WILL ALWAYS MISS GREGOR UWE STEEB-- 555 00:22:22,349 --> 00:22:26,357 WHOSE REAL NAME WAS GREGORY LAPSPANKSI-- 556 00:22:26,389 --> 00:22:28,092 [loud sobs] 557 00:22:30,397 --> 00:22:32,435 I ENCOURAGE YOU ALL NOT TO CRY... 558 00:22:32,468 --> 00:22:36,943 BUT TO DRINK AND LAUGH AND DANCE 559 00:22:36,978 --> 00:22:40,183 AS WE REMEMBER A MAN WHO ONCE THOUGHT 560 00:22:40,217 --> 00:22:42,354 A BELT MADE OF DRIED BITS OF PANTHER 561 00:22:42,389 --> 00:22:43,356 WAS A GOOD IDEA. 562 00:22:43,391 --> 00:22:45,294 GOOD-BYE, MY LOVE. 563 00:22:45,327 --> 00:22:47,097 OH... 564 00:22:47,130 --> 00:22:50,939 GREGOR... 565 00:22:53,812 --> 00:22:57,183 SHE'S REALLY PLANTING ONE ON HIM, HUH? 566 00:22:59,255 --> 00:23:01,460 MISS MASTERSON? 567 00:23:01,492 --> 00:23:02,762 CIAOBELLA? 568 00:23:02,762 --> 00:23:06,503 CIAOBELLA? 569 00:23:06,536 --> 00:23:08,372 AAH! 570 00:23:09,876 --> 00:23:12,114 [snaps photo] 571 00:23:15,386 --> 00:23:18,160 I'VE CHANGED MY MIND. 572 00:23:18,193 --> 00:23:21,131 IT WASN'T THE WIFE. 573 00:23:24,874 --> 00:23:27,311 [loud honk] 574 00:23:27,344 --> 00:23:30,618 I LOVED GREGOR, AND HE LOVED ME. 575 00:23:30,650 --> 00:23:32,422 BUT HE WASN'T GONNA LEAVE HIS WIFE, 576 00:23:32,454 --> 00:23:34,257 AND YOU NEVER LEARNED TO SHARE AS A CHILD, 577 00:23:34,291 --> 00:23:35,929 SO YOU WENT AHEAD AND KILLED THEM BOTH. 578 00:23:35,962 --> 00:23:37,230 FOR SYMMETRY. 579 00:23:37,263 --> 00:23:38,501 SOUND ABOUT RIGHT? 580 00:23:38,534 --> 00:23:41,271 NO, IT WASN'T LIKE THAT. 581 00:23:41,305 --> 00:23:43,444 I MEAN, SURE, IT WAS FRUSTRATING. 582 00:23:43,477 --> 00:23:45,448 I COULDN'T SAY ANYTHING ABOUT HER 583 00:23:45,481 --> 00:23:46,716 WITHOUT HIM FLYING OFF THE HANDLE. 584 00:23:46,749 --> 00:23:49,924 HE WOULDN'T EVEN LET ME DRINK OUT OF THE SAME GLASS AS HER. 585 00:23:49,957 --> 00:23:52,061 HE SAID THAT COMPARING ME TO HER 586 00:23:52,093 --> 00:23:56,235 WAS LIKE COMPARING CLEOPATRA TO MISS CLEO. 587 00:23:56,268 --> 00:23:58,373 YOU THINK BERLINDA'S BACK AT THE LOFT? 588 00:23:58,406 --> 00:23:59,977 THAT ANALOGY DOESN'T MAKE ANY SENSE. 589 00:24:00,010 --> 00:24:01,211 IT WOULD IF YOU KNEW WHO EITHER OF THEM WERE. 590 00:24:01,245 --> 00:24:04,318 BUT I WAS SHARING. 591 00:24:04,352 --> 00:24:06,188 I ACCEPTED IT. 592 00:24:06,222 --> 00:24:07,960 A PIECE OF HIM WAS ENOUGH. 593 00:24:07,992 --> 00:24:09,495 I MEAN, IT WAS THAT OR NOTHING. 594 00:24:09,529 --> 00:24:14,939 I MISS HIM SO MUCH. 595 00:24:14,974 --> 00:24:17,144 HE WAS THE ONLY ONE THAT KNEW HOW 596 00:24:17,177 --> 00:24:18,580 TO ACCENTUATE MY SHOULDERS 597 00:24:18,613 --> 00:24:21,587 TO MAKE MY WAIST AND HIPS LOOK SMALLER. 598 00:24:21,619 --> 00:24:24,659 [sobbing] 599 00:24:24,692 --> 00:24:29,235 YOU...REALIZE YOU HAD MORE MOTIVE THAN ANYONE, SIGRID. 600 00:24:29,267 --> 00:24:30,505 NO. 601 00:24:30,538 --> 00:24:32,641 NOW EMILY BLOOM HAS TAKEN OVER 602 00:24:32,675 --> 00:24:34,578 SOLE CREATIVE CONTROL OF CIAO. 603 00:24:34,613 --> 00:24:36,483 I MEAN, SHE INHERITS EVERYTHING. 604 00:24:36,517 --> 00:24:39,055 EMILY BLOOM? WHO? 605 00:24:39,088 --> 00:24:40,057 THE MOUSY ASSISTANT? 606 00:24:40,090 --> 00:24:41,627 SHE STARTED AS AN ASSISTANT. 607 00:24:41,660 --> 00:24:43,429 THAT'S JUST HOW THEY TREATED HER. 608 00:24:43,463 --> 00:24:45,266 BUT SHE'S THIRD IN LINE. 609 00:24:45,299 --> 00:24:47,270 INTERESTING. 610 00:24:47,303 --> 00:24:49,242 SHE FAILED TO MENTION THAT LITTLE FACTOID. 611 00:24:49,274 --> 00:24:50,710 IS THAT THE SAME SUIT-- 612 00:24:50,745 --> 00:24:52,615 YES, OKAY? IT IS! 613 00:24:52,649 --> 00:24:54,085 I CAN GET MORE THAN ONE WEARING OUT OF A SUIT 614 00:24:54,118 --> 00:24:55,319 IN A WORK WEEK. 615 00:24:55,353 --> 00:24:56,722 IT'S THE SAME TIE. 616 00:24:56,757 --> 00:24:58,793 GET OUT OF HERE! 617 00:24:58,826 --> 00:25:00,698 (Lassiter) DON'T GO GETTING ANY IDEAS ABOUT HOPPING A PLANE 618 00:25:00,730 --> 00:25:02,134 TO TRINIDAD AND TOBAGO. 619 00:25:02,168 --> 00:25:04,538 YOU'RE NOT OUT OF THE WOODS YET, MISSY. 620 00:25:09,481 --> 00:25:11,587 WHAT'S THE PLAN, STAN? GO AWAY. 621 00:25:11,619 --> 00:25:13,455 THE REASON WE BROUGHT YOU IN ON THIS CASE 622 00:25:13,490 --> 00:25:14,593 WAS SO THAT PEOPLE WOULD STOP DYING. 623 00:25:14,625 --> 00:25:16,262 O'HARA, GET DOWN TO CIAO. 624 00:25:16,295 --> 00:25:17,264 I WANT YOU TO PUT THE CLAMPS ON MISS BLOOM, 625 00:25:17,297 --> 00:25:18,433 OUR LITTLE KIWI LADDER CLIMBER. 626 00:25:18,465 --> 00:25:21,438 CHECK. 627 00:25:23,577 --> 00:25:26,617 (Emily) THEN I WILL PAY THE PENALTY TO TERMINATE THE CONTRACT. 628 00:25:26,650 --> 00:25:28,787 OH, WILLIAM, WILL YOU PLEASE MAKE SURE 629 00:25:28,820 --> 00:25:30,290 THOSE PLEATHER SAMPLES MAKE IT TO ALICIA SILVERSTONE 630 00:25:30,323 --> 00:25:31,627 BEFORE 3:00. 631 00:25:31,660 --> 00:25:33,262 DON'T EVEN GIVE IT ANOTHER THOUGHT. MISS BLOOM... 632 00:25:33,296 --> 00:25:36,670 NO, A BUNNY DOES NOT NEED TO GO BLIND IN ORDER TO CONFIRM 633 00:25:36,703 --> 00:25:39,643 THAT OUR BUYERS SHOULD NOT EAT OUR CLOTHING. 634 00:25:39,676 --> 00:25:41,680 HOW WOULD YOU LIKE IT IF I DOUSED YOUR RETINA IN HENNA, 635 00:25:41,713 --> 00:25:43,816 YOU CRO-MAGNON PIECE OF-- MISS BLOOM! 636 00:25:43,851 --> 00:25:45,220 I'M DETECTIVE O'HARA FROM THE-- 637 00:25:45,254 --> 00:25:47,523 OH, SCREW YOU! 638 00:25:47,558 --> 00:25:49,729 LET'S ACKNOWLEDGE THE CURVE, SAMANTHA. 639 00:25:49,763 --> 00:25:51,465 YOU KNOW, REAL WOMEN, REAL FIGURES. 640 00:25:51,498 --> 00:25:54,238 JUST RAISE THE WAIST LINE. MAKE IT AN "A" CUT. 641 00:25:54,272 --> 00:25:55,708 AND DON'T THINK FOR ONE SECOND 642 00:25:55,741 --> 00:25:57,144 I DIDN'T NOTICE YOUR NEW BANGS. 643 00:25:57,178 --> 00:25:58,146 YOU LOOK 21 AGAIN. 644 00:25:58,180 --> 00:26:00,184 MISS BLOOM, I NEED TO ASK YOU A FEW QUESTIONS. 645 00:26:00,217 --> 00:26:01,820 OH, AND WE'RE WALKING. 646 00:26:01,852 --> 00:26:03,122 WE BELIEVE THAT BOTH YOUR PREDECESSORS 647 00:26:03,122 --> 00:26:04,726 WERE KILLED BY THE SAME PERSON. 648 00:26:04,759 --> 00:26:06,462 AND NO ONE STOOD TO GAIN MORE THAN I DID 649 00:26:06,496 --> 00:26:07,798 BY KILLING THEM BOTH? 650 00:26:07,832 --> 00:26:09,602 WELL, I'M GLAD YOU CAN SEE WHERE THIS IS HEADED. 651 00:26:09,636 --> 00:26:10,771 I'LL NEED YOU TO ACCOUNT FOR YOUR WHEREABOUTS-- 652 00:26:10,804 --> 00:26:11,772 NOW IT'S JUST THE PROTOTYPE, 653 00:26:11,806 --> 00:26:13,843 BUT I'VE NEVER WANTED TO BE A WOMAN THIS BADLY 654 00:26:13,877 --> 00:26:15,847 IN MY LIFE. 655 00:26:15,881 --> 00:26:17,518 OKAY. CAN YOU TRY THESE ON? 656 00:26:17,551 --> 00:26:20,658 OH, I DON'T THINK THAT'S APPROPRIATE. 657 00:26:20,691 --> 00:26:23,562 WAIT--EXCUSE ME! WHAT-- 658 00:26:23,596 --> 00:26:25,934 OH. 659 00:26:25,968 --> 00:26:27,338 OH, WOW. 660 00:26:27,370 --> 00:26:30,778 [chuckling] 661 00:26:30,810 --> 00:26:31,812 WOW. 662 00:26:33,784 --> 00:26:36,256 THESE ARE FABULOUS. 663 00:26:36,289 --> 00:26:37,692 [applause] 664 00:26:37,725 --> 00:26:41,266 NOW, ARE WE TALKING IN YOUR OFFICE OR MINE? 665 00:26:41,299 --> 00:26:43,370 OKAY, BACK TO WORK, EVERYBODY. 666 00:26:43,403 --> 00:26:45,674 WILLIAM, ORDER PIZZA FOR EVERYBODY. 667 00:26:45,708 --> 00:26:46,843 THAT YUMMY PLACE WITH THE SOY RICOTTA. 668 00:26:46,877 --> 00:26:49,248 THANK YOU. 669 00:26:49,282 --> 00:26:52,855 WELL, THIS IS MY OFFICE, SO FIRE AWAY. 670 00:26:52,889 --> 00:26:54,557 YOU'VE BEEN HEAD OF THIS COMPANY FOR SIX HOURS, 671 00:26:54,591 --> 00:26:57,732 AND YOU'VE CHANGED JUST ABOUT EVERYTHING. 672 00:26:57,765 --> 00:27:00,603 YOU'RE NOT EXACTLY PRESERVING THE CIAO LEGACY. 673 00:27:00,637 --> 00:27:01,605 YOU KNOW, I HAVE ALL THESE THINGS 674 00:27:01,639 --> 00:27:02,875 I'VE ALWAYS WANTED TO DO. 675 00:27:02,909 --> 00:27:04,511 AND I'M TURNING THE COMPANY GREEN. 676 00:27:04,545 --> 00:27:06,382 I'M ENDING ANIMAL TESTING. 677 00:27:06,415 --> 00:27:08,654 SUBSIDIZING PROCEEDS TO HELP FIND A CURE 678 00:27:08,686 --> 00:27:09,956 FOR BREAST CANCER. 679 00:27:09,988 --> 00:27:13,330 DO ANY OF THOSE SOUND LIKE BAD THINGS TO YOU? 680 00:27:13,362 --> 00:27:14,733 UNFORTUNATELY, THAT'S NOT AN ALIBI. 681 00:27:14,766 --> 00:27:16,034 NO, IT ISN'T. 682 00:27:16,068 --> 00:27:18,906 AND WHAT'S MORE, I DON'T THINK I HAVE ONE. 683 00:27:18,940 --> 00:27:21,545 I MEAN, I WAS WITH THEM ALL DAY EVERY DAY. 684 00:27:21,579 --> 00:27:23,383 I SEE. 685 00:27:23,415 --> 00:27:25,419 WELL, I'M SURE YOU WON'T MIND IF I HAVE A LOOK AROUND 686 00:27:25,454 --> 00:27:26,790 AND CHAT WITH A FEW OF YOUR EMPLOYEES? 687 00:27:26,823 --> 00:27:29,896 NO, OF COURSE NOT. 688 00:27:29,928 --> 00:27:33,837 THAT'S IT, MISS BLOOM. 689 00:27:33,871 --> 00:27:34,938 DETECTIVE... 690 00:27:34,973 --> 00:27:37,077 AREN'T YOU FORGETTING SOMETHING? 691 00:27:37,109 --> 00:27:42,087 OH. RIGHT. 692 00:27:42,119 --> 00:27:44,959 YOU KNOW, YOU HAVE SUCH GREAT LINES. 693 00:27:44,993 --> 00:27:47,097 THERE'S NO REASON WHY YOU CAN'T DRESS TO ARREST. 694 00:27:47,129 --> 00:27:49,066 IS THERE? 695 00:27:56,482 --> 00:27:59,153 ALL RIGHT, WHAT DO WE KNOW ABOUT EMILY BLOOM? 696 00:27:59,186 --> 00:28:00,656 WELL, SHE WROTE, 697 00:28:00,690 --> 00:28:02,394 ARE YOU THERE, GOD? IT'S ME MARGARET, 698 00:28:02,428 --> 00:28:03,362 AND FRECKLE JUICE. 699 00:28:03,362 --> 00:28:05,399 I THINK THAT WAS JUDY BLOOM. 700 00:28:05,434 --> 00:28:07,103 OH. THEN I GOT NOTHIN'. 701 00:28:07,136 --> 00:28:08,104 COULD YOU POSSIBLY BE BRINGING LESS 702 00:28:08,139 --> 00:28:10,108 TO THE TABLE RIGHT NOW? 703 00:28:10,143 --> 00:28:11,947 SHAWN, YOU'RE JUST UPSET BECAUSE I'M MORE 704 00:28:11,979 --> 00:28:12,981 THAN A PAIR OF ANKLES. 705 00:28:13,014 --> 00:28:14,083 I DON'T GET IT. 706 00:28:14,117 --> 00:28:15,152 EMILY BLOOM WAS THE VICE PRESIDENT OF THE COMPANY, 707 00:28:15,186 --> 00:28:17,959 YET SHE WAS RUNNING COFFEE AND BALANCING THE BOOKS? 708 00:28:17,991 --> 00:28:20,998 DUDE, ARE YOU OILING YOUR HEAD. 709 00:28:21,030 --> 00:28:23,971 LAVENDER. 710 00:28:24,004 --> 00:28:27,912 BERLINDA LIKES HER MEN TO SHINE. 711 00:28:27,945 --> 00:28:31,486 [telephone rings] 712 00:28:31,519 --> 00:28:32,488 CHIEF. 713 00:28:32,521 --> 00:28:34,056 MR. SPENCER, I'M GOING TO ASK YOU 714 00:28:34,091 --> 00:28:35,460 A VERY IMPORTANT QUESTION, 715 00:28:35,494 --> 00:28:36,896 AND I'D APPRECIATE SOME CANDOR. 716 00:28:36,930 --> 00:28:37,965 SHOOT. 717 00:28:37,999 --> 00:28:39,635 HAS YOUR FATHER LOST HIS MIND? 718 00:28:39,667 --> 00:28:41,539 I MEAN, WHY HASN'T HE CALLED MY FRIEND SUSAN BACK? 719 00:28:41,572 --> 00:28:43,075 HONESTLY, HE SHOULD BE SO LUCKY. 720 00:28:43,109 --> 00:28:44,677 CHIEF, I CANNOT GET INVOLVED 721 00:28:44,712 --> 00:28:47,182 IN SOME SORT OF SOAP OPERA STARRING MY FATHER. 722 00:28:47,217 --> 00:28:48,853 [telephone rings] FOR THE RECORD-- 723 00:28:48,886 --> 00:28:50,924 HOLD ON. THIS IS VICK. 724 00:28:50,958 --> 00:28:52,794 (Susan) HE ASKED ME OUT. 725 00:28:52,828 --> 00:28:55,033 (Vick) WONDERFUL! OH, MY GOSH. WHAT DID HE SAY? 726 00:28:55,066 --> 00:28:56,669 [phone ringing] (Susan) OH, WELL, HE LEFT A MESSAGE. 727 00:28:56,701 --> 00:28:58,906 (Vick) OH, YEAH, THAT SOUNDS LIKE HENRY. 728 00:28:58,940 --> 00:29:00,644 DAD? SHOULD I TAKE HER TO CRAB SHACK WILLIE'S 729 00:29:00,677 --> 00:29:01,444 OR THE THIRD WHARF? 730 00:29:01,478 --> 00:29:03,482 THOSE CAN'T POSSIBLY BE REAL PLACES. 731 00:29:03,482 --> 00:29:07,289 [all talking at once] 732 00:29:07,323 --> 00:29:09,061 LOOK, DAD, I'M REALLY BUSY, OKAY? 733 00:29:09,093 --> 00:29:10,930 DO NOT BRING YOUR PURSE INTO THE RESTAURANT. 734 00:29:10,964 --> 00:29:12,000 SHAWN, JUST PICK A RESTAURANT. 735 00:29:12,032 --> 00:29:13,201 LISTEN, I'M GONNA CALL HIM BACK. 736 00:29:13,235 --> 00:29:15,639 OKAY, CALL ME LATER, HONEY. OKAY. 737 00:29:15,673 --> 00:29:17,209 I DON'T KNOW WHERE YOU SHOULD TAKE HER TO DINNER! 738 00:29:17,243 --> 00:29:18,545 HOLD ON. 739 00:29:18,580 --> 00:29:20,649 THAT'S HER. GOTTA GO. 740 00:29:20,684 --> 00:29:22,120 HE CALLED HER. HE CALLED HER. 741 00:29:22,152 --> 00:29:24,156 NOW STOP MESSING AROUND AND GO FIND ME A KILLER. 742 00:29:24,191 --> 00:29:25,960 GOOD-BYE. 743 00:29:30,637 --> 00:29:31,872 AM I DREAMING? 744 00:29:31,907 --> 00:29:32,874 NOPE. 745 00:29:32,909 --> 00:29:35,113 I JUST LOOK THIS GOOD. 746 00:29:35,146 --> 00:29:38,119 HOW IS IT POSSIBLE THAT I AM THE ONLY SANE PERSON 747 00:29:38,152 --> 00:29:40,223 IN THE UNIVERSE RIGHT NOW? 748 00:29:40,256 --> 00:29:42,127 QUESTION... DO YOU THINK THIS SHIRT ENHANCES 749 00:29:42,160 --> 00:29:44,030 OR DETRACTS FROM MY TRAPS? 750 00:29:44,064 --> 00:29:47,904 BERLINDA'S GOING TO GET ME INTO THE FASHION SHOW. 751 00:29:47,938 --> 00:29:49,942 HAVE YOU WORN THAT BEFORE? NOPE. 752 00:29:49,975 --> 00:29:53,916 THIS SHIRT WAS DESIGNED BY GREGOR UWE STEEB, SHAWN. 753 00:29:53,950 --> 00:29:55,253 IT'S A PART OF THE NEW FALL LINE. 754 00:29:55,286 --> 00:29:56,756 (Gregor) I'M ONLY THE HEAD OF THE COMPANY, 755 00:29:56,789 --> 00:29:59,895 AND AFTER DOING ALL THE DESIGNS MYSELF... 756 00:29:59,928 --> 00:30:01,330 (Shawn) THESE ARE REALLY GOOD. 757 00:30:01,365 --> 00:30:02,432 (Emily) THANK YOU. 758 00:30:02,466 --> 00:30:05,707 I'VE NEVER REALLY SHOWN THEM TO ANYONE BEFORE. 759 00:30:05,740 --> 00:30:08,344 THAT IS NOT GREGOR'S DESIGN. 760 00:30:08,379 --> 00:30:09,848 WHAT ARE YOU TALKING ABOUT? 761 00:30:09,883 --> 00:30:11,118 THEY'RE STEALING HER DESIGNS. 762 00:30:11,151 --> 00:30:12,286 WHOSE? EMILY'S. 763 00:30:12,319 --> 00:30:14,290 GREGOR SAID HE PERSONALLY DESIGNED 764 00:30:14,323 --> 00:30:15,759 THE WHOLE NEW LINE. 765 00:30:15,793 --> 00:30:17,262 HE'S FULL OF IT. THAT'S EMILY'S. 766 00:30:17,296 --> 00:30:19,735 I'VE SEEN IT. THEY'RE ALL EMILY'S. 767 00:30:21,839 --> 00:30:24,311 WOULD YOU PLEASE PUT SOME PANTS ON? 768 00:30:28,185 --> 00:30:30,924 [easy piano music] 769 00:30:30,958 --> 00:30:35,399 THE FISH AND CHIPS IS ACTUALLY PRETTY GOOD. 770 00:30:35,432 --> 00:30:37,237 I'VE BEEN CRAVING MEAT LATELY. 771 00:30:37,270 --> 00:30:39,140 WELL, IN THAT CASE THE PRIME RIB IS EXCELLENT. 772 00:30:39,174 --> 00:30:41,245 B.Y.O.B. HELP YOURSELF. 773 00:30:41,278 --> 00:30:44,050 NO, NO, ACTUALLY, I DON'T THINK IT IS. 774 00:30:44,083 --> 00:30:45,319 IS IT HOT IN HERE? 775 00:30:45,353 --> 00:30:47,357 I DON'T THINK SO. IT'S PRETTY COMFORTABLE. 776 00:30:47,390 --> 00:30:49,728 WHEW, THAT'S BETTER. DON'T YOU THINK? 777 00:31:07,363 --> 00:31:10,335 [sexy music] 778 00:31:10,369 --> 00:31:19,087 * 779 00:31:27,971 --> 00:31:30,208 WHAT HAPPENED TO YOU? I AM A WOMAN, CHIEF. 780 00:31:30,242 --> 00:31:32,447 AND I AM CHOOSING TO DRESS LIKE ONE. 781 00:31:32,479 --> 00:31:34,517 YOU CAN'T DO THAT, O'HARA. 782 00:31:34,550 --> 00:31:36,388 I PAID FOR IT MYSELF. 783 00:31:36,421 --> 00:31:38,524 I WAS FEELING GOOD ABOUT MYSELF, 784 00:31:38,559 --> 00:31:40,528 IT WAS MY LUNCH BREAK AND-- 785 00:31:40,563 --> 00:31:41,866 CARLTON, IS THAT A NEW TIE? 786 00:31:41,899 --> 00:31:44,036 DON'T BE RIDICULOUS. 787 00:31:44,071 --> 00:31:46,375 I TRUST THIS IS ALL IN AID OF SOMETHING? 788 00:31:46,408 --> 00:31:47,510 YES, CHIEF. 789 00:31:47,542 --> 00:31:49,381 I SPENT THE ENTIRE AFTERNOON AT CIAO, 790 00:31:49,414 --> 00:31:51,085 AND I AM CERTAIN THAT EMILY BLOOM 791 00:31:51,117 --> 00:31:52,353 IS NOT OUR KILLER. 792 00:31:52,387 --> 00:31:54,491 I GRILLED HER, SHE DIDN'T BREAK. 793 00:31:54,524 --> 00:31:56,560 NOT TO MENTION SHE HAS OVER A DOZEN EMPLOYEES 794 00:31:56,595 --> 00:31:58,164 THAT WOULD TAKE A BULLET FOR HER. 795 00:31:58,198 --> 00:31:59,902 SHE SIMPLY DOESN'T HAVE IT IN HER 796 00:31:59,936 --> 00:32:00,938 TO KILL SOMEBODY, 797 00:32:00,971 --> 00:32:01,940 MUCH LESS TWO SOMEBODIES. 798 00:32:01,973 --> 00:32:03,208 I'D BET THE FARM ON IT. 799 00:32:03,241 --> 00:32:05,513 I'M SENSING SOMETHING. 800 00:32:05,546 --> 00:32:07,516 GREGOR AND CIAOBELLA WERE STEALING EMILY'S DESIGNS. 801 00:32:07,550 --> 00:32:09,320 STEALING THEM, 802 00:32:09,354 --> 00:32:10,189 PASSING THEM OFF AS THEIR OWN. 803 00:32:10,223 --> 00:32:11,524 ALL THE WHILE TREATING HER AS A PEON. 804 00:32:11,558 --> 00:32:13,195 THAT'S NOT A BAD START FOR MOTIVE. 805 00:32:13,229 --> 00:32:16,300 TOXICOLOGY REPORT: CIAOBELLA WAS POISONED. 806 00:32:16,335 --> 00:32:17,437 THE ONLY THING IN HER SYSTEM WERE TRACES 807 00:32:17,469 --> 00:32:18,605 OF ARSENIC, SOY MILK, 808 00:32:18,638 --> 00:32:20,609 AND GREEN SUPERFOOD POWDER. 809 00:32:22,712 --> 00:32:24,516 [slurping] 810 00:32:24,551 --> 00:32:26,654 BAD NEWS, JULES. 811 00:32:26,688 --> 00:32:28,961 I THINK YOU JUST LOST THE FARM. 812 00:32:30,396 --> 00:32:32,032 WOULD YOU LIKE ME TO BUTTER YOUR BISCUIT? 813 00:32:32,067 --> 00:32:33,668 EXCUSE ME? 814 00:32:39,983 --> 00:32:43,154 SO WHAT'S IT LIKE WORKING FOR THE MAYOR? 815 00:32:43,189 --> 00:32:44,457 IT'S OKAY. 816 00:32:44,491 --> 00:32:46,461 IT'D BE MORE FUN IF HE WASN'T MARRIED THOUGH. 817 00:32:46,495 --> 00:32:49,467 SO WHAT'S IT LIKE BEING RETIRED? 818 00:32:49,501 --> 00:32:51,605 I MEAN, YOU'RE NOT THAT OLD, SO WHAT'S THE STORY? 819 00:32:51,638 --> 00:32:52,707 YOU TAKE A SLUG? 820 00:32:52,739 --> 00:32:56,648 OR DID YOU JUST GET TIRED OF BEING GOOD ALL THE TIME? 821 00:32:56,680 --> 00:32:58,619 NOW BE HONEST... 822 00:32:58,652 --> 00:33:03,962 ISN'T THAT BETTER THAN SOME FLAKY PIECE OF FISH? 823 00:33:03,962 --> 00:33:06,468 THAT'S GOOD. 824 00:33:06,500 --> 00:33:08,071 VERY GOOD. 825 00:33:08,105 --> 00:33:10,442 YEAH? IT'S GOOD. 826 00:33:13,414 --> 00:33:15,752 OH, DAMN IT, DAMN IT. 827 00:33:15,786 --> 00:33:17,689 DAMN IT, I DROPPED MY FORK, I-- 828 00:33:17,723 --> 00:33:19,093 I'LL JUST GET ONE MYSELF. 829 00:33:21,731 --> 00:33:23,369 OKAY, FOR THE RECORD, 830 00:33:23,401 --> 00:33:25,338 I STILL DON'T FEEL RIGHT ABOUT THIS. 831 00:33:25,373 --> 00:33:30,183 [cell phone rings] 832 00:33:30,215 --> 00:33:32,053 DAD, I THOUGHT YOU WERE SUPPOSED TO BE-- 833 00:33:32,087 --> 00:33:33,154 SHAWN, I WAS WRONG. 834 00:33:33,189 --> 00:33:34,824 SHE'S LIKE THIS CARNIVOROUS MINK. 835 00:33:34,856 --> 00:33:37,530 SHE WANTS TO EAT ME RIGHT HERE-- 836 00:33:37,563 --> 00:33:40,669 UHH! 837 00:33:40,703 --> 00:33:43,175 THAT WAS WEIRD. 838 00:33:48,319 --> 00:33:51,625 [sewing machine whirring] 839 00:33:51,658 --> 00:33:53,195 [gun clicks] 840 00:33:53,229 --> 00:33:55,532 OH, COME ON! 841 00:34:15,839 --> 00:34:17,410 [machine off] 842 00:34:17,443 --> 00:34:18,579 SO, SHAWN, 843 00:34:18,612 --> 00:34:21,250 STILL FEEL LIKE SHE'S OUR KILLER? 844 00:34:21,285 --> 00:34:25,493 WHOA... THREE DEAD BODIES? 845 00:34:26,760 --> 00:34:27,829 [gasps] 846 00:34:27,863 --> 00:34:30,369 AAH! OH! 847 00:34:30,402 --> 00:34:31,705 DETECTIVES, GO CALL AN AMBULANCE. 848 00:34:31,738 --> 00:34:34,677 HOLY CRAP! 849 00:34:41,225 --> 00:34:42,392 SHE'S STABLE NOW. 850 00:34:42,427 --> 00:34:43,594 THEY'VE PUMPED HER STOMACH. 851 00:34:43,628 --> 00:34:45,366 I HAVE A SAMPLE ON THE WAY TO THE LAB. 852 00:34:50,309 --> 00:34:51,811 EMILY. 853 00:34:53,481 --> 00:34:54,817 BLACK. 854 00:34:54,851 --> 00:34:59,261 WH-WHAT ARE YOU DOING HERE? 855 00:34:59,294 --> 00:35:02,632 UH...IT'S A LONG STORY THAT YOU DON'T REALLY NEED TO HEAR. 856 00:35:02,666 --> 00:35:03,969 HOW DO YOU FEEL? 857 00:35:04,001 --> 00:35:06,474 NOT TERRIBLE. I JUST-- 858 00:35:06,507 --> 00:35:07,742 I CAN'T REMEMBER ANYTHING THAT HAPPENED 859 00:35:07,777 --> 00:35:09,481 AFTER I FINISHED, MY DINNER. 860 00:35:09,513 --> 00:35:10,815 DINNER. 861 00:35:10,849 --> 00:35:12,787 WHAT DID YOU HAVE? 862 00:35:12,819 --> 00:35:15,758 WELL, THE PIZZA WAS GONE, SO I JUST HAD 863 00:35:15,793 --> 00:35:17,463 A SUPERFOOD SMOOTHIE 864 00:35:17,496 --> 00:35:19,534 AND SOME TOFURKEY JERKY. 865 00:35:19,567 --> 00:35:20,702 OH, MY GOD. 866 00:35:20,736 --> 00:35:23,309 WHAT? I WAS REALLY HUNGRY, 867 00:35:23,342 --> 00:35:25,813 AND I JUST WANTED SOMETHING QUICKLY. 868 00:35:25,846 --> 00:35:27,850 NO, NO, NO, I'VE GOTTA GO SOLVE-- 869 00:35:27,882 --> 00:35:30,722 I'M--I-M--I'M REALLY GLAD, THOUGH, THAT YOU'RE FEELING-- 870 00:35:30,756 --> 00:35:32,360 THAT YOU'RE NOT, UM-- MY NAME IS-- 871 00:35:32,392 --> 00:35:34,364 HOW 'BOUT I COME BACK LATER? 872 00:35:34,396 --> 00:35:35,866 YEAH, I'D LIKE THAT. 873 00:35:35,898 --> 00:35:38,002 SWEET! 874 00:35:40,073 --> 00:35:42,813 [woman narrating on TV] GREGOR AND CIAOBELLA... 875 00:35:42,847 --> 00:35:44,616 (Shawn) I'M ALL OVER THE SECOND AND THIRD "HOWS" 876 00:35:44,650 --> 00:35:45,886 WITH THESE SMOOTHIES. 877 00:35:45,919 --> 00:35:47,423 ALL THE MODELS THAT WOULD HAVE BENEFITED 878 00:35:47,457 --> 00:35:48,758 FROM KILLING GREGOR AND CIAOBELLA 879 00:35:48,792 --> 00:35:49,794 HAVE NO REASON TO KILL EMILY TOO, 880 00:35:49,827 --> 00:35:50,796 I DON'T THINK. 881 00:35:50,829 --> 00:35:52,065 WHAT'S THE MISSING LINK? 882 00:35:52,097 --> 00:35:53,701 RIGHT, PUT A PIN IN IT, 883 00:35:53,734 --> 00:35:54,736 AND I'LL MAKE MY MOVE ON BERLINDA, 884 00:35:54,770 --> 00:35:56,138 AND WE'LL PICK IT UP IN THE MORNING. 885 00:35:56,173 --> 00:35:58,544 (narrator) ONLY A FEW KNOW THAT THEIR ACTUAL WEDDING TOOK PLACE 886 00:35:58,579 --> 00:35:59,746 IN A PRIVATE CEREMONY 887 00:35:59,780 --> 00:36:02,820 ON THE SMALL BAHAMIAN ISLAND OF ABACO 888 00:36:02,853 --> 00:36:04,054 TWO YEARS EARLIER. 889 00:36:04,089 --> 00:36:06,594 TODAY WOULD HAVE BEEN THEIR TENTH WEDDING ANNIVERSARY. 890 00:36:06,627 --> 00:36:07,797 WHOA, WHOA, WHOA, WHOA. 891 00:36:07,830 --> 00:36:09,500 DID YOU KNOW THAT? 892 00:36:09,534 --> 00:36:10,736 NO, SHAWN. 893 00:36:10,768 --> 00:36:11,804 I'M NOT INTERESTED IN LEARNING NEW TRIVIA 894 00:36:11,838 --> 00:36:12,606 ABOUT OUR MURDER VICTIMS. 895 00:36:12,640 --> 00:36:14,976 TEN YEARS IS A MILESTONE ANNIVERSARY 896 00:36:15,010 --> 00:36:15,978 IN THIS STATE, GUS. 897 00:36:16,012 --> 00:36:17,650 FINANCIALLY, IT'S A BENCHMARK. 898 00:36:17,683 --> 00:36:19,018 IT MEANS ALL THE ASSETS GET SPLIT RIGHT DOWN THE MIDDLE. 899 00:36:19,051 --> 00:36:20,822 WE'RE NOT GONNA SOLVE THIS THING TONIGHT, SHAWN. 900 00:36:20,856 --> 00:36:21,958 I KNOW PART OF IT. 901 00:36:21,990 --> 00:36:23,962 I MIGHT EVEN KNOW 2/3 OF IT. 902 00:36:23,994 --> 00:36:25,765 DUDE, I COULD TOTALLY GO UP THERE. BUT YOU WON'T. 903 00:36:25,798 --> 00:36:27,836 ALL RIGHT, SPENCER, WE DID A RUSH TOX SCREEN ON EMILY. 904 00:36:27,870 --> 00:36:29,474 YOU WERE RIGHT. 905 00:36:29,506 --> 00:36:30,976 SHE HAD THE SAME POISON IN HER SYSTEM AS CIAOBELLA, 906 00:36:31,008 --> 00:36:32,613 BUT IN A MUCH HIGHER DOSE. 907 00:36:32,646 --> 00:36:34,115 I DEFINITELY KNOW 2/3 OF IT! 908 00:36:34,148 --> 00:36:36,555 STOP IT, SHAWN. DON'T DO IT. 909 00:36:36,588 --> 00:36:37,689 DON'T JUST GET UP THERE AND START WINGING IT. 910 00:36:37,722 --> 00:36:38,724 THAT'S NOT HOW WE OPERATE. 911 00:36:38,758 --> 00:36:40,996 DUDE, WHERE HAVE YOU BEEN FOR THE LAST TWO YEARS? 912 00:36:41,029 --> 00:36:41,998 COME ON, SHAWN. 913 00:36:42,031 --> 00:36:44,471 I'M SO CLOSE. 914 00:36:48,010 --> 00:36:50,616 WOULD YOU TELL US WHY WE'RE HERE? 915 00:36:50,648 --> 00:36:52,487 (narrator) NEVER AFRAID TO TAKE RISKS, 916 00:36:52,520 --> 00:36:53,989 CIOBELLA'S DRESS OF ELECTRIC LIGHTS, 917 00:36:54,022 --> 00:36:56,894 SET THE PARIS FASHION WORLD ABLAZE... 918 00:36:56,928 --> 00:36:59,065 (Shawn) OH, MY GOD, THIS IS A DOOZY. 919 00:36:59,099 --> 00:37:00,969 I MEAN, WOW. 920 00:37:01,003 --> 00:37:01,971 (narrator) ESTABLISHING HER AS ONE OF THE TOP DESIGNERS 921 00:37:02,005 --> 00:37:03,172 WORKING TODAY. 922 00:37:08,083 --> 00:37:12,492 STOP THE PROJECTOR. 923 00:37:14,730 --> 00:37:15,732 OR--OR JUST KEEP IT GOING. 924 00:37:15,766 --> 00:37:16,835 THAT'S--THAT'S FINE. 925 00:37:16,868 --> 00:37:20,976 I KNOW THIS MAY BE HARD FOR SOME OF YOU TO BELIEVE, 926 00:37:21,009 --> 00:37:22,110 BUT I'M NOT REALLY BLACK. 927 00:37:22,145 --> 00:37:24,784 AND I'M NOT A MODEL. 928 00:37:24,816 --> 00:37:26,687 MY PARTNER GUS AND I ARE DETECTIVES. 929 00:37:26,721 --> 00:37:28,090 YOU'RE NOT A MODEL? 930 00:37:28,122 --> 00:37:29,760 I'M ONLY A DETECTIVE PART-TIME. 931 00:37:29,794 --> 00:37:32,031 AND MY FULL NAME IS TAN GUS. 932 00:37:32,065 --> 00:37:34,269 UHH! 933 00:37:34,303 --> 00:37:37,108 CIAOBELLA MASTERSON WAS MURDERED 934 00:37:37,141 --> 00:37:40,081 BY HER HUSBAND, GREGOR UWE STEEB. 935 00:37:40,114 --> 00:37:41,817 (Lassiter) WAIT, WAIT, WAIT. 936 00:37:41,850 --> 00:37:43,288 THAT DOESN'T MAKE ANY SENSE. 937 00:37:43,320 --> 00:37:44,923 GREGOR WAS ALREADY DEAD. 938 00:37:44,956 --> 00:37:46,760 DO I COME DOWN TO YOUR OFFICE 939 00:37:46,795 --> 00:37:47,929 AND BOTHER YOU WHILE YOU'RE WORKING? 940 00:37:47,962 --> 00:37:49,232 ALL THE TIME. 941 00:37:49,264 --> 00:37:51,605 THAT'S FAIR. 942 00:37:54,744 --> 00:37:56,246 GREGOR WAS HAVING AN AFFAIR. 943 00:37:59,352 --> 00:38:01,056 HE COULDN'T CHANCE GETTING CAUGHT. 944 00:38:01,089 --> 00:38:02,992 NOT WITH HIS TENTH WEDDING ANNIVERSARY APPROACHING. 945 00:38:03,026 --> 00:38:04,563 HE WAS DESPERATE TO GET OUT OF THE MARRIAGE 946 00:38:04,563 --> 00:38:08,170 WITHOUT LOSING HALF OF HIS COMPANY. 947 00:38:08,203 --> 00:38:12,679 SO HE POISONED CIAOBELLA'S GREEN SUPERFOOD POWDER. 948 00:38:12,712 --> 00:38:15,250 ONLY SHE WOULDN'T DIE... 949 00:38:15,283 --> 00:38:18,189 BECAUSE SHE WAS BULIMIC. 950 00:38:18,222 --> 00:38:20,061 CIAOBELLA COULDN'T KEEP ANYTHING SHE ATE DOWN. 951 00:38:20,094 --> 00:38:23,200 THAT'S WHY IT TOOK FOREVER FOR THE POISON TO TAKE EFFECT. 952 00:38:23,232 --> 00:38:26,106 ALL GREGOR COULD DO WAS WAIT... 953 00:38:26,139 --> 00:38:29,379 HE WOULDN'T EVEN LET ME DRINK OUT OF THE SAME GLASS AS HER. 954 00:38:29,413 --> 00:38:31,149 AND KEEP HIS VAMPIRE MISTRESS AWAY 955 00:38:31,183 --> 00:38:32,318 FROM THE POISONOUS ELEMENTS. 956 00:38:32,352 --> 00:38:34,088 [sobbing] 957 00:38:35,693 --> 00:38:36,761 BUT...CIAOBELLA KNEW OF THE AFFAIR, 958 00:38:36,795 --> 00:38:41,337 AND HAD HERSELF A MIND FOR MURDER. 959 00:38:41,369 --> 00:38:43,974 USING HER OWN SKILLS WITH ELECTRICITY, 960 00:38:44,008 --> 00:38:46,112 SHE LAID A TRAP FOR GREGOR 961 00:38:46,146 --> 00:38:48,984 BEFORE HIS PLAN WAS COMPLETE. 962 00:38:49,018 --> 00:38:50,923 WHAT'S UP?! 963 00:38:54,996 --> 00:38:57,235 (Lassiter) WHAT ABOUT EMILY? 964 00:38:57,268 --> 00:38:59,104 EMILY WAS DRINKING A SUPERFOOD SMOOTHIE 965 00:38:59,138 --> 00:39:00,709 THE DAY SHE TOOK OVER. 966 00:39:00,743 --> 00:39:02,780 REALLY, JULES? YOU TOO? 967 00:39:02,813 --> 00:39:04,683 I'M SORRY. 968 00:39:04,683 --> 00:39:05,853 IS THIS JUST A FREE-FOR-ALL? 969 00:39:05,885 --> 00:39:07,255 ANYBODY CAN JUST BOUNCE IN ANYTIME THEY WANT? 970 00:39:07,288 --> 00:39:09,092 I'M SORRY. 971 00:39:09,124 --> 00:39:10,995 IN SUMMATION, 972 00:39:11,029 --> 00:39:13,400 CIAOBELLA KILLED GREGOR. 973 00:39:13,434 --> 00:39:15,438 GREGOR KILLED CIAOBELLA. 974 00:39:15,471 --> 00:39:18,242 EMILY GOT CAUGHT IN THE GREEN POWDERY CROSSFIRE. 975 00:39:18,277 --> 00:39:21,249 BUT NOT BEFORE SHE DESIGNED THE NEW FALL LINE. 976 00:39:21,283 --> 00:39:23,889 IT'S REVOLUTIONARY, BY THE WAY. 977 00:39:23,921 --> 00:39:26,192 WE ALL DESERVE TO FEEL BEAUTIFUL. 978 00:39:26,226 --> 00:39:28,196 W-WHAT AM I SUPPOSED TO DO WITH THESE? 979 00:39:28,230 --> 00:39:30,969 NOTHING. PUT 'EM AWAY. 980 00:39:31,002 --> 00:39:34,442 I GUESS WHAT I'M SAYING IS... 981 00:39:34,476 --> 00:39:36,246 YOU'RE ALL FREE TO GO. 982 00:39:41,155 --> 00:39:42,392 THAT WAS CRAZY, RIGHT? 983 00:39:42,426 --> 00:39:44,061 YOU COULD HAVE TOLD ME THAT OVER THE PHONE. 984 00:39:44,094 --> 00:39:46,065 HELL, YOU COULD'VE PUT IT IN AN EMAIL. 985 00:39:46,098 --> 00:39:48,002 COME ON. 986 00:39:48,037 --> 00:39:49,339 [scoffs] 987 00:39:49,372 --> 00:39:51,845 DUDE, DID YOU SEE THAT? 988 00:39:51,878 --> 00:39:53,012 THAT WAS, LIKE, THE MOST STYLISH WRAP-UP EVER. 989 00:39:53,047 --> 00:39:55,552 EXCEPT FOR THE PART WHERE THERE WAS NO ONE TO ACCUSE. 990 00:39:55,584 --> 00:39:58,156 BUT WHATEVER, RIGHT? IT WAS HOT. 991 00:39:58,189 --> 00:40:00,160 GUS. 992 00:40:00,193 --> 00:40:03,132 GUS? 993 00:40:07,976 --> 00:40:09,847 ALL RIGHT, HERE I AM. 994 00:40:09,881 --> 00:40:11,450 WHY ARE YOU DRESSED LIKE PERRY COMO? 995 00:40:11,483 --> 00:40:13,352 THANKS FOR COMING, SON. 996 00:40:13,387 --> 00:40:14,489 YOU SAID IT WAS IMPORTANT. 997 00:40:14,522 --> 00:40:16,258 CLEARLY, YOU'RE ABOUT TO SHOOT AN OLD SPICE COMMERCIAL. 998 00:40:16,293 --> 00:40:18,597 THAT'S FUNNY. 999 00:40:18,631 --> 00:40:20,635 LOOK, SHAWN, I JUST-- I NEEDED TO TALK TO YOU. 1000 00:40:20,668 --> 00:40:22,138 YOU KNOW, FACE TO FACE. I GOT IT. 1001 00:40:22,170 --> 00:40:23,106 YOU'VE BEEN INVITED 1002 00:40:23,140 --> 00:40:24,643 TO A VERY SPECIAL SCREENING OF BULLITT. 1003 00:40:24,675 --> 00:40:26,881 I'M GOING ON ANOTHER DATE WITH SUSAN. 1004 00:40:26,915 --> 00:40:30,120 WHAT, THE WOMAN YOU DESCRIBED 1005 00:40:30,154 --> 00:40:31,423 AS A CARNIVOROUS MINK? 1006 00:40:31,457 --> 00:40:32,659 I'LL ADMIT HER BEHAVIOR 1007 00:40:32,691 --> 00:40:34,261 THREW ME A LITTLE OFF BALANCE, 1008 00:40:34,294 --> 00:40:37,937 BUT THE NIGHT ENDED UP BEING A LOT OF FUN. 1009 00:40:37,970 --> 00:40:40,909 OH, MY GOD. 1010 00:40:40,943 --> 00:40:42,980 YOU HAVE A HICKEY! SH-SHAWN-- 1011 00:40:43,013 --> 00:40:44,015 YOU CALLED ME OVER HERE TO SHOW OFF YOUR HICKEY?! 1012 00:40:44,049 --> 00:40:45,216 THAT'S SICK! 1013 00:40:45,250 --> 00:40:46,955 SHAWN, NO! 1014 00:40:46,988 --> 00:40:50,226 NO, I CALLED YOU OVER HERE BECAUSE... 1015 00:40:50,260 --> 00:40:53,332 I DON'T WANT TO FEEL GUILTY ABOUT MOVING ON WITH MY LIFE. 1016 00:40:53,366 --> 00:40:54,702 YOUR MOTHER'S NOT A PART OF IT ANYMORE. 1017 00:40:54,735 --> 00:40:57,542 SHE HASN'T BEEN FOR A LONG TIME. SHE IS NOT COMING BACK. 1018 00:40:57,576 --> 00:40:58,643 AND I HOPE SHE'S HAPPY. 1019 00:40:58,678 --> 00:40:59,645 YEAH... I MEAN THAT. 1020 00:40:59,680 --> 00:41:00,647 SHE DESERVES IT. 1021 00:41:00,682 --> 00:41:02,486 BUT MY LIFE IS HERE, SHAWN. 1022 00:41:02,519 --> 00:41:04,923 AND I DON'T WANT TO HAVE TO SNEAK AROUND TRYING TO LIVE IT. 1023 00:41:04,923 --> 00:41:07,695 I CAN'T DEAL WITH THIS RIGHT NOW. WELL, SHAWN, YOU HAVE TO. 1024 00:41:07,728 --> 00:41:09,299 LOOK, I DON'T CARE WHAT YOU DO, OKAY? 1025 00:41:09,332 --> 00:41:10,568 I DON'T CARE. 1026 00:41:10,601 --> 00:41:12,370 I JUST DON'T WANT TO HEAR ABOUT IT. 1027 00:41:12,404 --> 00:41:14,609 SO DON'T CALL ME ON THE PHONE ASKING ME FOR ADVICE. 1028 00:41:14,642 --> 00:41:15,644 AND DON'T EXPECT ME TO MEET YOU 1029 00:41:15,678 --> 00:41:16,446 AND YOUR NEW DOMINATRIX GIRLFRIEND FOR DINNER. 1030 00:41:16,479 --> 00:41:19,986 KID, THIS IS NOT EASY FOR ME EITHER. 1031 00:41:20,021 --> 00:41:22,458 YEAH, IT NEVER WAS. 1032 00:41:22,492 --> 00:41:25,363 HAVE A NICE DATE. 1033 00:41:29,238 --> 00:41:32,045 [bangs on wall] 1034 00:41:32,078 --> 00:41:33,648 AND UNLESS YOU PLAN ON TAKING HER TO WAYNE MANOR, 1035 00:41:33,680 --> 00:41:35,552 LOSE THE TURTLENECK, OKAY? 1036 00:41:35,585 --> 00:41:37,021 LET HER ADMIRE HER WORK. 1037 00:41:37,055 --> 00:41:39,025 AND REMEMBER, YOU TREAT A WOMAN 1038 00:41:39,059 --> 00:41:40,393 LIKE A PERSON, AND THEN A PRINCESS, 1039 00:41:40,426 --> 00:41:42,364 AND THEN A GREEK GODDESS-- 1040 00:41:42,397 --> 00:41:44,636 AND THEN A PERSON AGAIN. 1041 00:41:47,374 --> 00:41:50,013 RIGHT. 1042 00:41:52,818 --> 00:41:55,658 OKAY. 1043 00:41:55,692 --> 00:41:58,698 Captioning CaptionMax www.captionmax.com 1044 00:42:01,203 --> 00:42:04,175 [The Friendly Indians' I Know You Know] 1045 00:42:04,209 --> 00:42:06,780 * 1046 00:42:06,813 --> 00:42:08,117 * IN BETWEEN THE LINES 1047 00:42:08,150 --> 00:42:10,454 * THERE'S A LOT OF OBSCURITY 1048 00:42:10,486 --> 00:42:13,861 * I'M NOT INCLINED TO RESIGN TO MATURITY * 1049 00:42:13,894 --> 00:42:15,397 * IF IT'S ALL RIGHT 1050 00:42:15,431 --> 00:42:17,100 * THEN YOU'RE ALL WRONG 1051 00:42:17,135 --> 00:42:21,877 * BUT WHY BOUNCE AROUND TO THE SAME DAMN SONG? * 1052 00:42:21,909 --> 00:42:26,153 * YOU'D RATHER RUN WHEN YOU CAN'T CRAWL * 1053 00:42:26,186 --> 00:42:27,721 * 1054 00:42:27,756 --> 00:42:29,826 * I KNOW YOU KNOW 1055 00:42:29,859 --> 00:42:31,697 * THAT I'M NOT TELLING THE TRUTH * 1056 00:42:31,729 --> 00:42:33,400 * I KNOW YOU KNOW 1057 00:42:33,432 --> 00:42:34,869 * THEY JUST DON'T HAVE ANY PROOF * 1058 00:42:34,903 --> 00:42:36,538 * EMBRACE THE DECEPTION 1059 00:42:36,573 --> 00:42:38,143 * LEARN HOW TO BEND 1060 00:42:38,177 --> 00:42:39,813 * YOUR WORST INHIBITIONS 1061 00:42:39,845 --> 00:42:42,285 * TEND TO PSYCH YOU OUT IN THE END * 1062 00:42:42,318 --> 00:42:44,189 * I KNOW YOU KNOW 1063 00:42:45,792 --> 00:42:47,796 * I KNOW YOU KNOW *