1 00:00:02,336 --> 00:00:05,339 [grunting and screaming on television] 2 00:00:15,483 --> 00:00:17,318 HON, I'M GONNA GRAB A DRINK. 3 00:00:17,351 --> 00:00:19,387 WANNA GET ME ONE TOO, SWEETIE? 4 00:00:19,420 --> 00:00:21,122 OKAY. 5 00:00:21,155 --> 00:00:24,292 [thunder booms] 6 00:00:24,325 --> 00:00:30,431 [grunting and screaming on television] 7 00:00:30,464 --> 00:00:32,733 [door creaks] 8 00:00:37,705 --> 00:00:39,707 (man on television) HOW IS HE? 9 00:00:42,210 --> 00:00:44,212 [thunder booming] 10 00:00:45,346 --> 00:00:47,215 SHAWN. 11 00:00:47,248 --> 00:00:49,183 WHAT ARE YOU DOING? 12 00:00:49,217 --> 00:00:51,119 YOU WERE SUPPOSED TO BE ASLEEP TWO HOURS AGO. 13 00:00:51,152 --> 00:00:52,486 I WAS WATCHING. 14 00:00:52,520 --> 00:00:54,822 AND THEN I KNOW I SHOULDN'T, BUT THEN... 15 00:00:54,855 --> 00:00:56,357 I DIDN'T WANT TO GO BACK UPSTAIRS. 16 00:00:56,390 --> 00:00:59,860 I WAS SCARED. 17 00:00:59,893 --> 00:01:02,830 ALL RIGHT. 18 00:01:02,863 --> 00:01:04,398 NOW LISTEN, 19 00:01:04,432 --> 00:01:06,267 NOW YOU KNOW THAT NONE OF THIS IS REAL, RIGHT? 20 00:01:06,300 --> 00:01:07,835 IT'S ALL MAKE-BELIEVE. 21 00:01:07,868 --> 00:01:09,870 PEOPLE DO NOT BECOME BLOODTHIRSTY MONSTERS 22 00:01:09,903 --> 00:01:12,273 AFTER THEY GET SHOT. 23 00:01:12,306 --> 00:01:14,208 IN FACT, I'VE HAD A LOT OF EXPERIENCE IN THE FIELD 24 00:01:14,242 --> 00:01:15,143 WITH PUNCTURE WOUNDS, 25 00:01:15,176 --> 00:01:17,145 AND THERE'S NO WAY A GIANT DART TO THE LUNGS 26 00:01:17,178 --> 00:01:19,713 CREATES A 6-INCH HOLE VISIBLE FROM THE OTHER SIDE. 27 00:01:19,747 --> 00:01:20,881 REALLY? 28 00:01:20,914 --> 00:01:23,151 NO WAY! 29 00:01:23,184 --> 00:01:24,385 I MEAN, MAYBE THE BLOOD-ENGORGED CAVITY 30 00:01:24,418 --> 00:01:25,653 WILL BECOME PURPLE AND EXPAND 31 00:01:25,686 --> 00:01:27,355 AND PERHAPS EVEN EXPLODE-- 32 00:01:27,388 --> 00:01:29,257 I'VE SEEN THAT. 33 00:01:30,691 --> 00:01:32,893 [whispering] REALLY? 34 00:01:32,926 --> 00:01:38,566 LOOK, DEAD BODIES DO NOT WALK, SON. 35 00:01:38,599 --> 00:01:40,168 SOMETIMES THEY SUDDENLY BLINK 36 00:01:40,201 --> 00:01:43,371 OR JOLT FOR A SECOND, BUT... 37 00:01:43,404 --> 00:01:45,739 MOSTLY THEY JUST WITHER AND SMELL... 38 00:01:45,773 --> 00:01:47,208 [thunder booms] 39 00:01:47,241 --> 00:01:50,278 AND DRIZZLE AND OOZE. 40 00:01:53,347 --> 00:01:54,615 [roaring] 41 00:01:54,648 --> 00:01:56,617 ALL RIGHT, NOW GO TO BED. 42 00:01:56,650 --> 00:01:57,718 SLEEP TIGHT. 43 00:01:57,751 --> 00:02:00,721 [swelling ominous music] 44 00:02:00,754 --> 00:02:04,892 * 45 00:02:04,925 --> 00:02:06,627 (Lassiter) A MUSEUM? 46 00:02:06,660 --> 00:02:07,895 4:00 IN THE MORNING FOR A MUSEUM 47 00:02:07,928 --> 00:02:09,230 AND NOT EVEN THE ONE DOWNTOWN? 48 00:02:09,263 --> 00:02:10,298 HEY, THE PAPER COME OUT YET? 49 00:02:10,331 --> 00:02:11,332 I DON'T KNOW. 50 00:02:11,365 --> 00:02:12,800 THEY RUNNING ANOTHER STORY ON THE WYLES DEATH? 51 00:02:12,833 --> 00:02:14,168 UH, I DON'T KNOW. 52 00:02:14,202 --> 00:02:15,503 UH, PERHAPS. 53 00:02:15,536 --> 00:02:17,305 GOSH, I HADN'T EVEN THOUGHT ABOUT THAT. 54 00:02:17,338 --> 00:02:18,806 CARLTON, YOU'RE NAME'S BEEN IN EVERY ARTICLE 55 00:02:18,839 --> 00:02:19,907 THEY'VE PRINTED SINCE YOU'VE REOPENED THE CASE. 56 00:02:19,940 --> 00:02:21,375 HAS IT? HUH. 57 00:02:21,409 --> 00:02:22,376 I TRY NOT TO READ THE PAPERS TOO MUCH-- 58 00:02:22,410 --> 00:02:23,444 VERY SKEWED. 59 00:02:23,477 --> 00:02:24,678 NO, I WAS JUST GONNA LOOK AT THE CLASSIFIED ADS. 60 00:02:24,712 --> 00:02:25,679 I MEAN, YOU KNOW I'VE BEEN LOOKING 61 00:02:25,713 --> 00:02:26,680 FOR A NEW BOB'S BIG BOY, RIGHT? 62 00:02:26,714 --> 00:02:27,748 I GOT IT, DETECTIVE. 63 00:02:27,781 --> 00:02:29,217 PRESS OPERATOR FROM THE MIRROR 64 00:02:29,250 --> 00:02:30,284 GAVE ME AN ADVANCED COPY. 65 00:02:30,318 --> 00:02:32,320 OH, BUT THERE'S NOTHING ABOUT YOU OR WYLES IN THERE. 66 00:02:32,353 --> 00:02:33,421 WHAT? 67 00:02:33,454 --> 00:02:34,922 IMPOSSIBLE--I LEAKED THAT STUFF 68 00:02:34,955 --> 00:02:36,290 ABOUT THE WILL GETTING CHANGED YESTERDAY. 69 00:02:36,324 --> 00:02:37,358 HEY, DID YOU SAY YOU WERE LOOKING 70 00:02:37,391 --> 00:02:39,460 FOR A BIG BOY, LIKE A FULL-SIZE? 71 00:02:39,493 --> 00:02:41,529 GO AWAY. 72 00:02:41,562 --> 00:02:44,498 THING'S A RAG ANYWAY. 73 00:02:44,532 --> 00:02:45,733 SECURITY TAPE, MS. BRIDGEWELL. 74 00:02:45,766 --> 00:02:47,201 HI, I'M DETECTIVE O'HARA. SOPHIE. 75 00:02:47,235 --> 00:02:47,935 WAIT, YOU'RE THE CURATOR? 76 00:02:47,968 --> 00:02:49,370 ASSISTANT CURATOR. 77 00:02:49,403 --> 00:02:50,471 I'D LIKE TO SPEAK TO SOMEONE IN CHARGE. 78 00:02:50,504 --> 00:02:51,472 I AM IN CHARGE. 79 00:02:51,505 --> 00:02:52,940 SHE SOUNDS IN CHARGE. 80 00:02:52,973 --> 00:02:54,208 THE MUMMY ROOM'S THIS WAY. 81 00:02:54,242 --> 00:02:55,209 PLEASE FOLLOW ME. 82 00:02:55,243 --> 00:02:56,644 WHERE'S THE CURATOR? 83 00:02:56,677 --> 00:02:58,512 HE'S IN EGYPT PROCURING THE REST OF THIS COLLECTION, 84 00:02:58,546 --> 00:02:59,580 BUT I ASSURE YOU-- 85 00:02:59,613 --> 00:03:00,581 OH, THERE'S NO NEED. 86 00:03:00,614 --> 00:03:01,682 HE'S BEEN WORKING ALL NIGHT. 87 00:03:01,715 --> 00:03:02,916 CAN YOU CATCH US UP? 88 00:03:02,950 --> 00:03:04,552 THIS EXHIBIT JUST OPENED YESTERDAY. 89 00:03:04,585 --> 00:03:06,320 I DON'T KNOW HOW THIS IS POSSIBLE. 90 00:03:06,354 --> 00:03:07,955 IT WAS A PRANK OR SOME SORT OF DARE. 91 00:03:07,988 --> 00:03:11,359 IT'S A 3,000-YEAR-OLD MUMMY THAT'S MISSING, OFFICER. 92 00:03:11,392 --> 00:03:13,461 IT'S DETECTIVE AND IT'S NOT LIKE IT WAS COVERED IN GOLD. 93 00:03:13,494 --> 00:03:14,528 I MEAN HE WASN'T A KING OR A PRINCE 94 00:03:14,562 --> 00:03:15,729 OR EVEN A ROYAL FOOD TASTER. 95 00:03:15,763 --> 00:03:17,231 HE WAS JUST SOME GUY WHO HAPPENED TO DIE, 96 00:03:17,265 --> 00:03:18,299 GOT HIMSELF WRAPPED UP, 97 00:03:18,332 --> 00:03:19,500 AND WAS FOUND IN A PRETTY, CRACKED BOX. 98 00:03:19,533 --> 00:03:20,734 HE PROBABLY MUMMIFIED HIMSELF. 99 00:03:20,768 --> 00:03:22,436 HE HASN'T HAD HIS COFFEE YET. 100 00:03:22,470 --> 00:03:23,637 HAS ANYONE FOUND THE NIGHT WATCHMAN? 101 00:03:23,671 --> 00:03:24,805 OH, I'M AFRAID NOT. 102 00:03:24,838 --> 00:03:26,540 NIGHT WATCHMAN: DOUGLAS F. HASTINGS, 103 00:03:26,574 --> 00:03:28,342 47, THREE COUNTS OF FELONY BURGLARY 104 00:03:28,376 --> 00:03:29,577 ON HIS RECORD. 105 00:03:29,610 --> 00:03:30,611 TECHNICALLY, BURGLARY IS A FELONY. 106 00:03:30,644 --> 00:03:31,779 TWO CHARGES DROPPED. 107 00:03:31,812 --> 00:03:33,381 DON'T YOU PEOPLE RUN BACKGROUND CHECKS? 108 00:03:33,414 --> 00:03:34,715 DOUG WAS A VERY GOOD EMPLOYEE 109 00:03:34,748 --> 00:03:36,384 WHO'S BEEN HERE SEVEN YEARS. 110 00:03:36,417 --> 00:03:37,985 AND WE HAVE A COMPLEX SECURITY SYSTEM. 111 00:03:38,018 --> 00:03:39,920 WHICH WAS DUE TO BE OVERHAULED LAST SPRING. 112 00:03:39,953 --> 00:03:40,888 WE PUSHED IT BACK. 113 00:03:40,921 --> 00:03:42,923 WE HAVE A VERY ABULIC BOARD OF DIRECTORS. 114 00:03:42,956 --> 00:03:43,991 GOOD, I'D LIKE TO SPEAK WITH EACH ONE OF THEM 115 00:03:44,024 --> 00:03:45,259 AS SOON AS THE SUN RISES. 116 00:03:45,293 --> 00:03:46,260 NOW IF YOU'LL FORGIVE US, 117 00:03:46,294 --> 00:03:47,495 WE HAVE SEVERAL HIGH-PROFILE CASES 118 00:03:47,528 --> 00:03:48,862 THAT DON'T INVOLVE ARCHAIC SECURITY SYSTEMS 119 00:03:48,896 --> 00:03:50,298 IN RUNDOWN BUILDINGS. 120 00:03:50,331 --> 00:03:52,533 O'HARA, PUT OUT AN APB ON THE GUARD'S VEHICLE, 121 00:03:52,566 --> 00:03:53,534 LOOK UP THE WORD "ABULIC" 122 00:03:53,567 --> 00:03:56,804 AND MEET US BACK AT THE STATION. 123 00:03:56,837 --> 00:03:58,472 (Sophie) JUST A MINUTE! 124 00:03:58,506 --> 00:04:00,374 I DON'T KNOW WHO YOU ARE, DETECTIVE, 125 00:04:00,408 --> 00:04:01,241 BUT THIS WAS NO PRANK. 126 00:04:01,275 --> 00:04:03,477 THE ALARM WAS TRIGGERED FROM THE INSIDE. 127 00:04:03,511 --> 00:04:05,679 AND ALTHOUGH OUR ARCHAIC SECURITY FOOTAGE 128 00:04:05,713 --> 00:04:07,581 WAS LIMITED TO ROTATING SHOTS 129 00:04:07,615 --> 00:04:08,449 OF THE FOUR MAIN ROOMS, 130 00:04:08,482 --> 00:04:10,017 NOT A SINGLE IMAGE SHOWS THE CULPRIT 131 00:04:10,050 --> 00:04:12,453 OR THE MUMMY BEING CARRIED FROM THE BUILDING. 132 00:04:12,486 --> 00:04:13,887 SHE'S RIGHT. 133 00:04:13,921 --> 00:04:14,822 IT'S ALL RIGHT HERE. 134 00:04:14,855 --> 00:04:17,591 THE MUMMY DISAPPEARED IN 15 SECONDS OR LESS 135 00:04:17,625 --> 00:04:19,660 AND OUR MAIN FEED PICKED UP NONE OF IT. 136 00:04:19,693 --> 00:04:22,696 THIS ALL CRACKS OF SOMETHING LARGER THAN PETTY CRIME. 137 00:04:22,730 --> 00:04:25,366 AND NOT TO SOUND TOO SHIRLEY MCCLAIN, 138 00:04:25,399 --> 00:04:27,468 SCREAMS OF SOMETHING POTENTIALLY... 139 00:04:27,501 --> 00:04:29,837 SUPERNATURAL. 140 00:04:29,870 --> 00:04:31,472 THIS REQUIRES SOMEONE WITH SKILLS 141 00:04:31,505 --> 00:04:33,507 BEYOND THE NORMAL PERSON. 142 00:04:33,541 --> 00:04:36,710 I WANT HIM. 143 00:04:36,744 --> 00:04:38,646 [dramatic music] 144 00:04:38,679 --> 00:04:44,017 * 145 00:04:44,051 --> 00:04:45,886 NO, YOU DON'T. 146 00:04:45,919 --> 00:04:48,088 YES, I DO. 147 00:04:48,121 --> 00:04:50,391 DO YOU THINK HE'S UP? 148 00:04:50,424 --> 00:04:52,059 [camera shutter clicks] 149 00:04:52,092 --> 00:04:53,727 [cell phone vibrating] 150 00:04:53,761 --> 00:04:55,629 [woman giggling] 151 00:04:55,663 --> 00:04:57,498 HELLO? 152 00:04:57,531 --> 00:04:59,667 JULES! 153 00:04:59,700 --> 00:05:01,769 ACTUALLY I'M WIDE AWAKE. WHY DO YOU ASK? 154 00:05:01,802 --> 00:05:02,870 YOU WANT TO WATCH A MOVIE TOGETHER 155 00:05:02,903 --> 00:05:04,071 OVER THE PHONE? 156 00:05:04,104 --> 00:05:05,072 PLEASE SAY IT'S FATHER OF THE BRIDE TWO. 157 00:05:05,105 --> 00:05:07,441 HOW ABOUT CAPTAIN RON? 158 00:05:07,475 --> 00:05:08,376 PURE LUCK? 159 00:05:08,409 --> 00:05:10,478 YOU DON'T HAVE ANYTHING WITH MARTIN SHORT? 160 00:05:10,511 --> 00:05:12,380 [woman laughing] 161 00:05:12,413 --> 00:05:14,415 HOLD ON A SECOND. 162 00:05:20,388 --> 00:05:21,855 WELL, YOU DON'T HAVE TO GET SNIPPY. 163 00:05:21,889 --> 00:05:24,358 YOU'RE THE ONE THAT DRUNK-DIALED ME. 164 00:05:24,392 --> 00:05:26,394 OH, REALLY? 165 00:05:26,427 --> 00:05:27,695 OH, I JUST ASSUMED-- 166 00:05:27,728 --> 00:05:29,096 I MEAN, IT'S 4:25, RIGHT? 167 00:05:29,129 --> 00:05:31,499 THE MUSEUM? 168 00:05:31,532 --> 00:05:33,100 ARE YOU KIDDING? THEY LOVE ME DOWN THERE. 169 00:05:33,133 --> 00:05:34,935 YOU SEE MY PLAQUE? 170 00:05:36,970 --> 00:05:39,373 UH-OH. WHAT'S WRONG? 171 00:05:39,407 --> 00:05:40,608 THEY ONLY PUT ONE NAME ON THERE. 172 00:05:40,641 --> 00:05:41,709 SO? 173 00:05:41,742 --> 00:05:42,943 SO GUS IS GONNA HAVE AN ANEURYSM, 174 00:05:42,976 --> 00:05:44,111 AND NOT THE GOOD KIND. 175 00:05:44,144 --> 00:05:45,579 SPENCER, WE CAN REHASH GOOD TIMES LATER. 176 00:05:45,613 --> 00:05:46,914 RIGHT NOW I REALLY NEED YOU TO CREATE 177 00:05:46,947 --> 00:05:48,916 SOME SEMBLANCE OF FOCUS. 178 00:05:48,949 --> 00:05:51,151 MISSING MUMMY, MISSING GUARD, 179 00:05:51,184 --> 00:05:52,653 OLD SECURITY SYSTEM. 180 00:05:52,686 --> 00:05:54,588 PLEASE TELL OUR FEISTY LITTLE ASSISTANT CURATOR 181 00:05:54,622 --> 00:05:55,889 THAT THIS WAS NOT SOME ELABORATE BREAK-IN 182 00:05:55,923 --> 00:05:57,458 SO WE CAN ALL GO HOME. 183 00:05:57,491 --> 00:05:59,493 OKAY, I'LL TRY. 184 00:05:59,527 --> 00:06:01,128 THAT A REAL BEAVER? 185 00:06:01,161 --> 00:06:04,131 [dramatic music] 186 00:06:04,164 --> 00:06:05,733 * 187 00:06:05,766 --> 00:06:06,900 SHAWN SPENCER. 188 00:06:06,934 --> 00:06:08,636 I KNOW. SOPHIE MORRIS BRIDGEWELL. 189 00:06:08,669 --> 00:06:09,503 I KNOW. 190 00:06:09,537 --> 00:06:11,104 EVERYONE CERTAINLY LOVES YOU DOWN HERE. 191 00:06:11,138 --> 00:06:12,873 AND I LOVE YOU... 192 00:06:12,906 --> 00:06:13,974 METAPHORICALLY. 193 00:06:14,007 --> 00:06:17,177 WHAT? YOU HAD YOUR SHOT. 194 00:06:17,210 --> 00:06:18,946 LET ME DO WHAT I DO. 195 00:06:21,081 --> 00:06:22,583 EXCUSE ME, I'LL NEED SOME SPACE. 196 00:06:22,616 --> 00:06:25,753 THANK YOU. 197 00:06:25,786 --> 00:06:28,756 [peculiar whimsical music] 198 00:06:28,789 --> 00:06:36,797 * 199 00:06:50,711 --> 00:06:53,447 HAVE IT. HAVE IT. 200 00:06:53,481 --> 00:06:54,615 WANT IT. 201 00:06:54,648 --> 00:06:55,616 HAVE IT. 202 00:06:55,649 --> 00:06:57,551 MINE'S BIGGER. 203 00:07:00,488 --> 00:07:01,555 I HAVE A PROBLEM. 204 00:07:01,589 --> 00:07:02,923 WHAT IS IT? 205 00:07:02,956 --> 00:07:04,658 THE LAYOUT OF THIS DISPLAY IS HORRIBLE. 206 00:07:04,692 --> 00:07:06,093 WHO DESIGNED THIS? 207 00:07:06,126 --> 00:07:07,227 IT'S RIDICULOUS. 208 00:07:07,260 --> 00:07:10,130 REALLY? WE NEED TWO OF THESE? 209 00:07:10,163 --> 00:07:11,231 QUEEN NURFURTITTIE. 210 00:07:11,264 --> 00:07:12,232 NEFERTITI. 211 00:07:12,265 --> 00:07:14,902 I'VE HEARD IT BOTH WAYS. 212 00:07:39,627 --> 00:07:41,562 HUH. 213 00:07:41,595 --> 00:07:42,730 WELL? 214 00:07:42,763 --> 00:07:44,197 I'M GONNA HAVE TO CONCUR 215 00:07:44,231 --> 00:07:46,767 WITH DETECTIVE CARLITO LASSITEROS ON THIS ONE. 216 00:07:46,800 --> 00:07:49,169 THAT MUMMY WAS NOT STOLEN, MS. BRIDGEWELL. 217 00:07:49,202 --> 00:07:50,237 GREAT. 218 00:07:50,270 --> 00:07:53,073 I'M AFRAID IT WALKED OUT... 219 00:07:53,106 --> 00:07:55,175 ...ALL ON ITS OWN. 220 00:08:01,882 --> 00:08:04,785 [The Friendly Indians' I Know You Know] 221 00:08:04,818 --> 00:08:05,819 * 222 00:08:05,853 --> 00:08:07,154 * I KNOW YOU KNOW 223 00:08:07,187 --> 00:08:09,189 * THAT I'M NOT TELLING THE TRUTH * 224 00:08:09,222 --> 00:08:10,591 * I KNOW YOU KNOW 225 00:08:10,624 --> 00:08:12,192 * THEY JUST DON'T HAVE ANY PROOF * 226 00:08:12,225 --> 00:08:13,727 * EMBRACE THE DECEPTION 227 00:08:13,761 --> 00:08:15,829 * LEARN HOW TO BEND 228 00:08:15,863 --> 00:08:17,565 * YOUR WORST INHIBITIONS 229 00:08:17,598 --> 00:08:19,900 * TEND TO PSYCH YOU OUT IN THE END * 230 00:08:19,933 --> 00:08:22,870 * I KNOW YOU KNOW * 231 00:08:25,305 --> 00:08:26,540 THE MUMMY WALKED OUT? 232 00:08:26,574 --> 00:08:27,708 COME ON, YOU'RE JUST TRYING TO IMPRESS 233 00:08:27,741 --> 00:08:28,909 THAT PRETTY LITTLE ASSISTANT CURATOR. 234 00:08:28,942 --> 00:08:30,678 WAS SHE PRETTY? I HADN'T NOTICED. 235 00:08:30,711 --> 00:08:31,912 REALLY? 236 00:08:31,945 --> 00:08:33,280 BROWN EYES, LANGUID SMILE, 237 00:08:33,313 --> 00:08:35,248 LONG SLENDER NECK OF A BALANCHINE DANCER. 238 00:08:35,282 --> 00:08:36,750 I HAD THREE DIFFERENT HAIRSTYLES LAST WEEK 239 00:08:36,784 --> 00:08:37,585 AND YOU DIDN'T COMMENT ON ONE. 240 00:08:37,618 --> 00:08:40,053 LOOK, I FELT THAT SOMETHING GOT UP 241 00:08:40,087 --> 00:08:42,055 OUT OF THAT COFFIN AND WALKED AWAY, 242 00:08:42,089 --> 00:08:43,691 NOT TO THE EXIT, 243 00:08:43,724 --> 00:08:44,958 BUT TO THE BODY OF THE MUSEUM. 244 00:08:44,992 --> 00:08:48,696 GOOD, YOU'RE HERE. ALL OF YOU IN MY OFFICE. 245 00:08:48,729 --> 00:08:51,298 SWEET, NOW YOU GOT US IN TROUBLE. 246 00:09:00,073 --> 00:09:03,911 WHAT I HAVE TO SAY IS VERY...DIFFICULT. 247 00:09:03,944 --> 00:09:05,012 IF THIS IN ANY WAY PERTAINS 248 00:09:05,045 --> 00:09:06,079 TO LASSITER'S THIRD TESTICLE, 249 00:09:06,113 --> 00:09:08,749 I'M AFRAID WE ALREADY KNOW. 250 00:09:08,782 --> 00:09:10,984 THIS IS NO TIME FOR JOKES, MR. SPENCER. 251 00:09:15,656 --> 00:09:18,626 WHEN I ACCEPTED THIS POSITION ON AN INTERIM BASIS, 252 00:09:18,659 --> 00:09:20,293 THE AGREEMENT BETWEEN MYSELF AND THE MAYOR 253 00:09:20,327 --> 00:09:21,929 WAS SHOULD THINGS WORK OUT 254 00:09:21,962 --> 00:09:23,296 AT AN APPROPRIATE TIME, 255 00:09:23,330 --> 00:09:25,599 THE INTERIM WOULD BE REMOVED FROM THE TITLE. 256 00:09:25,633 --> 00:09:27,968 AS YOU KNOW THAT HAS NOT YET HAPPENED. 257 00:09:28,001 --> 00:09:29,803 AND RECENTLY I GAVE THE MAYOR A DEADLINE, 258 00:09:29,837 --> 00:09:32,806 A DEADLINE THAT HAS PASSED WITHOUT ANY SORT OF RESPONSE. 259 00:09:35,375 --> 00:09:38,178 SO EFFECTIVE FRIDAY, I'M STEPPING DOWN AS CHIEF. 260 00:09:38,211 --> 00:09:39,747 WHAT? I'M LEAVING. 261 00:09:39,780 --> 00:09:41,214 (Juliet) YOU CAN'T DO THAT! DO THEY KNOW? 262 00:09:41,248 --> 00:09:42,783 OH, THEY KNOW. 263 00:09:42,816 --> 00:09:43,917 I'LL WRITE A LETTER. 264 00:09:43,951 --> 00:09:45,352 I'LL START A PETITION. 265 00:09:45,385 --> 00:09:46,353 I'LL LEAK IT TO THE REPORTER AT THE MIRROR. 266 00:09:46,386 --> 00:09:49,389 O'HARA, PLEASE. THANK YOU. 267 00:09:49,422 --> 00:09:50,791 I APPRECIATE THE SENTIMENT, 268 00:09:50,824 --> 00:09:52,125 BUT THE DIE IS CAST. 269 00:09:52,159 --> 00:09:53,661 CHIEF... 270 00:09:53,694 --> 00:09:54,895 ARE YOU SURE YOU DON'T WANT TO WAIT IT OUT 271 00:09:54,928 --> 00:09:55,896 JUST A LITTLE BIT LONGER? 272 00:09:55,929 --> 00:09:56,897 YOU NEVER-- 273 00:09:56,930 --> 00:09:58,732 NO, MR. SPENCER. 274 00:09:58,766 --> 00:10:00,668 SO YOU'RE SAYING THE JOB IS OPEN. 275 00:10:00,701 --> 00:10:01,735 WHAT? 276 00:10:01,769 --> 00:10:03,771 I MEAN, DID ANYONE MENTION MY NAME? 277 00:10:03,804 --> 00:10:05,706 I BELIEVE THEY HAVE SOMEONE IN MIND. 278 00:10:05,739 --> 00:10:07,240 BUT YOU DON'T KNOW IF IT'S ME. 279 00:10:07,274 --> 00:10:08,709 (Shawn) LOOK, CHIEF, 280 00:10:08,742 --> 00:10:10,210 LET ME JUST OFFER THAT I THINK 281 00:10:10,243 --> 00:10:11,812 YOU'RE A GREAT CHIEF. 282 00:10:11,845 --> 00:10:14,848 AND, UH, I'M SURE THINGS WILL ALL WORK OUT. 283 00:10:18,151 --> 00:10:19,152 THAT'S ALL FOR NOW. 284 00:10:28,896 --> 00:10:29,997 GO! 285 00:10:41,241 --> 00:10:43,176 WHAT ARE YOU WATCHING? 286 00:10:43,210 --> 00:10:45,245 SECURITY VIDEOS FROM THE MUSEUM. 287 00:10:45,278 --> 00:10:46,346 VIDEOS? 288 00:10:46,379 --> 00:10:48,081 AS IN ACTUAL VIDEO TAPES? 289 00:10:48,115 --> 00:10:51,719 WELL, THEIR SYSTEM COULD USE AN OVERHAUL. 290 00:10:51,752 --> 00:10:53,787 WHERE ARE THE TAPES FROM THE OTHER CAMERAS? 291 00:10:53,821 --> 00:10:54,788 THAT'S IT. 292 00:10:54,822 --> 00:10:55,989 ONE TAPE? 293 00:10:56,023 --> 00:10:57,891 YEAH, IT'S ON A ROTATION. 294 00:10:57,925 --> 00:10:59,359 IT'S ACTUALLY NOT A BAD SYSTEM, YOU KNOW? 295 00:10:59,392 --> 00:11:00,894 IT APPEARS YOU CAN'T LEAVE THE MUSEUM 296 00:11:00,928 --> 00:11:02,462 WITHOUT GETTING CAUGHT BY THE CAMERAS. 297 00:11:02,495 --> 00:11:03,731 SO IT'S EFFICIENT. 298 00:11:03,764 --> 00:11:05,098 MAYBE. 299 00:11:05,132 --> 00:11:06,099 WE SHOULD, UH, 300 00:11:06,133 --> 00:11:08,802 PROBABLY CHECK IT OUT FOR OURSELVES, THOUGH. 301 00:11:08,836 --> 00:11:09,937 WHAT SAY YOU? [claps] 302 00:11:09,970 --> 00:11:11,839 SURE. 303 00:11:11,872 --> 00:11:14,241 THERE'S ONE THING YOU SHOULD PROBABLY KNOW 304 00:11:14,274 --> 00:11:15,308 BEFORE WE GET THERE. 305 00:11:19,412 --> 00:11:21,148 "PALEO-SLEUTH SHAWN SPENCER." 306 00:11:21,181 --> 00:11:22,816 I KNOW. I DUG THAT THING UP TOO. 307 00:11:22,850 --> 00:11:24,151 GUS, BELIEVE ME, 308 00:11:24,184 --> 00:11:26,887 I WAS APPALLED MYSELF AT FIRST-- SICKENED, REALLY. 309 00:11:26,920 --> 00:11:28,355 BUT THEN I NOTICED, LOOK, 310 00:11:28,388 --> 00:11:29,823 THE DIDN'T FORGET YOU COMPLETELY. 311 00:11:29,857 --> 00:11:30,824 WHERE? 312 00:11:30,858 --> 00:11:31,825 THERE, RIGHT THERE! 313 00:11:31,859 --> 00:11:33,426 THE "PHOTO BY" SECTION. 314 00:11:33,460 --> 00:11:34,862 THAT SAYS "PHOTO BY BRUTON GASTER." 315 00:11:34,895 --> 00:11:35,729 WELL I GAVE 'EM THE INFO 316 00:11:35,763 --> 00:11:36,997 WHEN I WAS DRIVING THROUGH A TUNNEL, 317 00:11:37,030 --> 00:11:38,398 SO THAT PROBABLY PLAYED A ROLE. 318 00:11:38,431 --> 00:11:39,432 I WANT A NEW PLAQUE, SHAWN. 319 00:11:39,466 --> 00:11:40,433 I WANT IT TOMORROW. 320 00:11:40,467 --> 00:11:42,435 I WANT MY NAME IN BIG YELLOW LETTERS THAT BLINK. 321 00:11:42,469 --> 00:11:43,804 AND WHY WON'T YOU EVEN TELL ME 322 00:11:43,837 --> 00:11:44,872 WHAT THIS MUSEUM CASE IS ABOUT? 323 00:11:44,905 --> 00:11:46,106 IN TIME, IN TIME. 324 00:11:46,139 --> 00:11:47,841 GENTLEMEN, THANK YOU FOR COMING. 325 00:11:47,875 --> 00:11:49,910 MR. SPENCER, VERY GOOD TO SEE YOU AGAIN. 326 00:11:49,943 --> 00:11:51,311 AND YOU MUST BE MR. GASTOR. 327 00:11:51,344 --> 00:11:53,413 GUSTER, BURTON GUSTER. 328 00:11:53,446 --> 00:11:54,948 YOU PEOPLE EVER HEAR OF SPELLCHECKER? 329 00:11:54,982 --> 00:11:56,116 (Shawn) I WAS JUST GIVING GASTY HERE 330 00:11:56,149 --> 00:11:56,950 ALL THE SPECIFICS. 331 00:11:56,984 --> 00:11:58,952 YES, WELL THE EXHIBIT JUST OPENED 332 00:11:58,986 --> 00:12:00,788 YESTERDAY AFTERNOON WITHOUT A HITCH. 333 00:12:00,821 --> 00:12:01,822 THE ALARM WENT OFF AT 3:00 A.M. 334 00:12:01,855 --> 00:12:02,856 I WAS HERE AT 5:00. 335 00:12:02,890 --> 00:12:03,891 A.M.? YOU WERE NOT. 336 00:12:03,924 --> 00:12:04,958 I WAS, I WAS WORKING. DOING WHAT? 337 00:12:04,992 --> 00:12:06,326 IT WAS A PRIVATE CASE. 338 00:12:06,359 --> 00:12:07,961 LOOK, I DON'T THINK WE SHOULD BORE MS. BRIDGEWELL HERE 339 00:12:07,995 --> 00:12:10,063 WITH THE COMPLEXITIES OF OUR OTHER INVESTIGATIONS. 340 00:12:10,097 --> 00:12:11,932 YOU'RE NOT TAILING CHEATING BOYFRIENDS AGAIN, ARE YOU? 341 00:12:11,965 --> 00:12:13,266 GUS, COME ON. I'M TRYING TO LOOK COOL. 342 00:12:13,300 --> 00:12:14,935 I TOLD YOU BEFORE, SHAWN. WE ARE BIGGER THAN THAT. 343 00:12:14,968 --> 00:12:16,003 WE CLEARED, LIKE, 50 BUCKS ON THE LAST ONE. 344 00:12:16,036 --> 00:12:18,972 GUS--PSYCHIC/CLIENT PRIVILEGE AND WHATNOT, HUH? 345 00:12:19,006 --> 00:12:19,807 COME ON. 346 00:12:19,840 --> 00:12:20,808 SHALL WE CONTINUE? 347 00:12:20,841 --> 00:12:22,142 YES, THIS WAY. 348 00:12:22,175 --> 00:12:24,277 WHAT'S WRONG WITH YOU? YOU STOLE MY PICTURE! 349 00:12:24,311 --> 00:12:26,847 SO THE BULK OF THE ACTIVITY SEEMS TO HAVE OCCURRED IN HERE. 350 00:12:26,880 --> 00:12:28,849 YES, I CAN SEE IT. 351 00:12:28,882 --> 00:12:30,818 THE LID SLIDING OFF 352 00:12:30,851 --> 00:12:31,852 THE BEING RISING UP, 353 00:12:31,885 --> 00:12:32,853 WALKING ACROSS THE FLOOR 354 00:12:32,886 --> 00:12:34,321 NOT UNLIKE AN EGYPTIAN. 355 00:12:34,354 --> 00:12:36,957 GUS COULD SHOW YOU. 356 00:12:36,990 --> 00:12:38,258 GUS! 357 00:12:38,291 --> 00:12:39,793 NOPE. NO WHAT? 358 00:12:39,827 --> 00:12:41,261 YOU KNOW I'M NOT WALKING INTO THAT ROOM, SHAWN. 359 00:12:41,294 --> 00:12:42,195 OH, COME ON, DUDE. 360 00:12:42,229 --> 00:12:44,464 I THOUGHT THIS WAS OVER IN THE SIXTH GRADE. 361 00:12:44,497 --> 00:12:45,866 WHAT'S WRONG? 362 00:12:45,899 --> 00:12:47,868 HE WON'T BREAK THE PLANE OF THE MUMMY ROOM. 363 00:12:47,901 --> 00:12:49,102 WHY NOT? 364 00:12:49,136 --> 00:12:51,939 HE'S AFRAID OF BEING CURSED. 365 00:12:51,972 --> 00:12:54,241 HE'S NOT THAT FAR OFF BASE REALLY. 366 00:12:54,274 --> 00:12:55,976 PLEASE DON'T CODDLE HIM. 367 00:12:56,009 --> 00:12:57,044 FACT: EVERY ONE OF THOSE GUYS 368 00:12:57,077 --> 00:12:58,445 THAT UNEARTHED TUT'S TOMB-- CURSED. 369 00:12:58,478 --> 00:13:00,013 THEY'RE ALL DEAD NOW. 370 00:13:00,047 --> 00:13:02,015 OF COURSE THEY ARE. THAT WAS OVER 80 YEARS AGO. 371 00:13:02,049 --> 00:13:03,450 COME ON, MAN. THIS IS GONNA BE GOOD FOR YOU. 372 00:13:03,483 --> 00:13:04,885 WALK TO ME. 373 00:13:04,918 --> 00:13:05,886 FACE YOUR FEARS. 374 00:13:05,919 --> 00:13:07,120 YOU CAN TALK ALL YOU WANT, 375 00:13:07,154 --> 00:13:09,356 BUT FACTS AND LOGIC WILL WIN OUT THIS TIME. 376 00:13:09,389 --> 00:13:10,991 FACTS AND LOGIC ARE IN THE CORNER OF THE GUY 377 00:13:11,024 --> 00:13:13,126 WHO THINKS HE'S GONNA GET HIS FACE MELTED OFF? 378 00:13:13,160 --> 00:13:15,362 I'M NOT HEARING IT, SHAWN. 379 00:13:15,395 --> 00:13:18,031 WELL YOU WANTED TO CHECK THE CAMERAS, RIGHT? 380 00:13:18,065 --> 00:13:20,000 WILL YOU SET FOOT IN THE SECURITY CAMERA ROOM? 381 00:13:24,504 --> 00:13:26,406 THIS SYSTEM'S ACTUALLY BETTER THAN I THOUGHT. 382 00:13:26,439 --> 00:13:28,041 EVEN IF YOU MAKE IT OUT OF ONE ROOM, 383 00:13:28,075 --> 00:13:29,209 YOU GET PICKED UP IN THE NEXT ROOM IMMEDIATELY. 384 00:13:29,242 --> 00:13:30,343 YEAH. 385 00:13:30,377 --> 00:13:32,045 I'M GONNA TRY AND BEAT THE SYSTEM. 386 00:13:32,079 --> 00:13:33,981 WATCH ME, JUST ON THE CENTER SCREEN. 387 00:13:34,014 --> 00:13:35,082 SEE IF I CAN GET OUT. 388 00:13:35,115 --> 00:13:36,884 ALL I GOTTA DO IS SIT HERE--FINE. 389 00:13:36,917 --> 00:13:38,051 YEAH, WE'LL COMMUNICATE ON THE PHONE, 390 00:13:38,085 --> 00:13:39,052 SO GIVE ME A CALL. 391 00:13:39,086 --> 00:13:40,921 NO, YOU CALL ME. 392 00:13:40,954 --> 00:13:41,922 THIS IS MY WORK CELL. 393 00:13:41,955 --> 00:13:42,956 I'M NOT PAYING FOR THAT CALL. 394 00:13:42,990 --> 00:13:44,024 GUS, IT'S USAGE MINUTES. 395 00:13:44,057 --> 00:13:45,893 IT DOESN'T MATTER WHICH ONE OF US MAKES THE CALL. 396 00:13:45,926 --> 00:13:47,494 JUST CALL ME, SHAWN. 397 00:13:47,527 --> 00:13:49,930 FINE. 398 00:13:52,632 --> 00:13:54,434 I'M SORRY, I CAN'T LET THIS GO. 399 00:13:54,467 --> 00:13:56,369 IT'S A MONTHLY PLAN. IT'S A MINUTES PLAN. 400 00:13:56,403 --> 00:13:57,570 CAN WE GET STARTED WITH THIS THING NOW? 401 00:13:57,604 --> 00:13:58,972 EH. 402 00:14:11,118 --> 00:14:12,119 I SAW THAT. 403 00:14:12,152 --> 00:14:14,922 GOT IT ON TWO ANGLES. 404 00:14:14,955 --> 00:14:17,590 DO YOU WANT TO GIVE THIS UP ANY TIME SOON? 405 00:14:20,493 --> 00:14:21,962 YOU'RE CRAWLING. 406 00:14:23,430 --> 00:14:24,497 I SEE YOU, SHAWN. 407 00:14:24,531 --> 00:14:25,598 YOU'RE BEHIND THE PLANT. 408 00:14:27,134 --> 00:14:29,136 SEE YOU THERE. SEE YOU THERE. 409 00:14:29,169 --> 00:14:30,938 THE PLANT IS MOVING ACROSS THE ROOM, SHAWN. 410 00:14:35,275 --> 00:14:37,144 LEAVE THAT POOR LADY ALONE, SHAWN. 411 00:14:39,346 --> 00:14:40,480 YOU'RE USING THE CARPET? 412 00:14:40,513 --> 00:14:41,614 REALLY? 413 00:14:41,648 --> 00:14:42,449 WAIT A MINUTE-- 414 00:14:42,482 --> 00:14:44,617 I ALMOST BOUGHT THAT FOR A SECOND. 415 00:14:44,651 --> 00:14:47,320 YOU'RE USING THE WOLF PELT? 416 00:14:47,354 --> 00:14:49,156 THIS IS LIKE WATCHING ENTRAPMENT 417 00:14:49,189 --> 00:14:50,623 IF INSTEAD OF CATHERINE ZETA-JONES 418 00:14:50,657 --> 00:14:52,559 THEY HAD SOME GUY WITH PANCAKE BUTT. 419 00:14:52,592 --> 00:14:56,163 I DO NOT HAVE PANCAKE BUTT! 420 00:14:56,196 --> 00:14:57,364 (Shawn) WHATTAYA GOT? YOU GOT SOMETHING? 421 00:14:57,397 --> 00:14:58,431 (Gus on phone) YEP. 422 00:14:58,465 --> 00:14:59,432 REALLY? YEP. 423 00:14:59,466 --> 00:15:00,433 YOU CAN SEE ME RIGHT NOW? 424 00:15:00,467 --> 00:15:01,935 HORRID, SHAWNY BOY. 425 00:15:01,969 --> 00:15:02,936 HORRID. 426 00:15:02,970 --> 00:15:03,937 HI! 427 00:15:03,971 --> 00:15:05,205 HELLO! 428 00:15:05,238 --> 00:15:07,607 GREAT, NOW I GOTTA WATCH THIS? 429 00:15:07,640 --> 00:15:09,109 [phone beeps] 430 00:15:09,142 --> 00:15:10,710 YOU'RE MUTING ME? 431 00:15:10,743 --> 00:15:12,212 FOR THE FIRST INTERESTING THING THAT'S HAPPENED? 432 00:15:12,245 --> 00:15:14,547 [imitating Shawn] "LOOK AT ME, LOOK AT ME. 433 00:15:14,581 --> 00:15:15,983 "I LOVE MY HAIR. 434 00:15:16,016 --> 00:15:17,217 "I CAN MAKE OBSCURE '80S REFERENCES 435 00:15:17,250 --> 00:15:18,551 "THAT NOBODY UNDERSTANDS. 436 00:15:18,585 --> 00:15:19,953 "LAUGH AT ME. 437 00:15:19,987 --> 00:15:21,254 "HA HA HA. 438 00:15:21,288 --> 00:15:23,390 "HEY, KNOW SOMETHING ABOUT ME? 439 00:15:23,423 --> 00:15:25,058 "I HAVE A MOTORCYCLE, 440 00:15:25,092 --> 00:15:26,426 BUT I NEVER SEEM TO BE RIDING IT." 441 00:15:26,459 --> 00:15:28,161 HOW ABOUT THIS? ARE YOU SEEING THIS? 442 00:15:28,195 --> 00:15:28,895 YEP. 443 00:15:28,928 --> 00:15:31,098 HOW ABOUT NOW? YOU SEE THIS? 444 00:15:31,131 --> 00:15:32,265 TERRIBLE. 445 00:15:32,299 --> 00:15:33,700 HOW ABOUT THIS? YOU SEEING THIS? 446 00:15:33,733 --> 00:15:35,068 IF YOU'RE GONNA HIDE UNDER A BARREL, 447 00:15:35,102 --> 00:15:36,603 DON'T PUT THE PHONE NEXT TO YOUR EAR. 448 00:15:36,636 --> 00:15:37,971 YOU'RE GETTING ALL OF THIS? 449 00:15:38,005 --> 00:15:39,072 YOU CAN SEE ALL OF THIS? 450 00:15:39,106 --> 00:15:41,041 YEP. 451 00:15:41,074 --> 00:15:42,642 WHOA, I LOST YOU. 452 00:15:42,675 --> 00:15:44,477 OH-- 453 00:15:44,511 --> 00:15:46,146 THERE YOU ARE. 454 00:15:46,179 --> 00:15:48,115 HA! I GOT YOU. 455 00:15:48,148 --> 00:15:49,949 FOR ONE SECOND, SHAWN. 456 00:15:53,053 --> 00:15:54,154 TRYING THAT CORNER AGAIN? 457 00:15:54,187 --> 00:15:55,288 PLEASE. [chuckles] 458 00:15:55,322 --> 00:15:56,289 [dial tone on phone] 459 00:15:56,323 --> 00:15:58,125 SHAWN? 460 00:15:58,158 --> 00:15:59,993 EH...GREAT. 461 00:16:00,027 --> 00:16:02,095 NOW YOU WORE DOWN MY BATTERY. 462 00:16:04,097 --> 00:16:07,034 WHERE ARE YOU? 463 00:16:10,670 --> 00:16:12,405 HOW ABOUT NOW? 464 00:16:14,707 --> 00:16:16,043 BINGO. 465 00:16:16,076 --> 00:16:17,677 I'M SURE YOU CAN UNDERSTAND, 466 00:16:17,710 --> 00:16:19,779 MR. WYLES, WHY I'VE BEEN SO MOTIVATED 467 00:16:19,812 --> 00:16:22,082 BY WHAT I'VE UNCOVERED IN THIS INVESTIGATION. 468 00:16:22,115 --> 00:16:23,716 WELL, ALL I KNOW, DETECTIVE, 469 00:16:23,750 --> 00:16:24,784 IS I CERTAINLY SEEM TO SEE 470 00:16:24,817 --> 00:16:26,119 YOUR NAME IN THE PAPER EVERY DAY. 471 00:16:26,153 --> 00:16:27,654 REALLY? 472 00:16:27,687 --> 00:16:29,122 WHICH PAPER WOULD THAT BE, 473 00:16:29,156 --> 00:16:30,257 BECAUSE YOU KNOW I'VE MISSED SOME OF THE COVERAGE. 474 00:16:30,290 --> 00:16:31,258 CAN WE JUST GET ON WITH WHAT YOU WANT? 475 00:16:31,291 --> 00:16:32,325 OF COURSE. 476 00:16:32,359 --> 00:16:35,062 IT'S REALLY JUST MORE OF A FORMALITY THAN ANYTHING. 477 00:16:35,095 --> 00:16:36,329 I WASN'T EVEN GOING TO CALL YOU IN TODAY. 478 00:16:36,363 --> 00:16:38,398 I JUST NEED TO GO OVER A FEW BANK RECORDS 479 00:16:38,431 --> 00:16:39,666 AND SEE SOME PAPERS 480 00:16:39,699 --> 00:16:40,767 AND EXHUME YOUR FATHER'S BODY. 481 00:16:40,800 --> 00:16:42,535 I'M SORRY. WHAT WAS THAT LAST ONE? 482 00:16:42,569 --> 00:16:45,105 OH, UH, IT'S JUST MORE OF A TECHNICAL DETAIL 483 00:16:45,138 --> 00:16:46,139 THAN ANYTHING-- 484 00:16:46,173 --> 00:16:48,075 EXHUMING YOUR FATHER'S BODY. 485 00:16:48,108 --> 00:16:49,209 I MEAN, YOU WOULDN'T EVEN HAVE TO BE THERE. 486 00:16:49,242 --> 00:16:51,244 I COULD HAVE HIM BACK IN ETERNAL SLUMBER BY NOON... 487 00:16:51,278 --> 00:16:53,213 1:45 AT THE LATEST. 488 00:16:53,246 --> 00:16:55,382 (Gus) THIS PLACE IS GONNA CLOSE SOON. 489 00:16:55,415 --> 00:16:56,449 NO, IT'S NOT. 490 00:16:56,483 --> 00:16:57,750 SHAWN, I WAS IN THERE FOREVER. 491 00:16:57,784 --> 00:16:59,086 SOMEBODY'S SHUTTING OFF THE LIGHTS 492 00:16:59,119 --> 00:17:00,153 WITH US IN HERE. 493 00:17:00,187 --> 00:17:02,055 PRETTY SURE THAT'S A TIMER. 494 00:17:02,089 --> 00:17:04,824 WHY WOULD THEY SET A TIMER WITH PEOPLE STILL IN HERE? 495 00:17:04,857 --> 00:17:07,394 'CAUSE THE MUSEUM CLOSED 20 MINUTES AGO? 496 00:17:11,464 --> 00:17:13,166 HOW DID THEY CLOSE IT WITH US INSIDE? 497 00:17:13,200 --> 00:17:16,536 WELL, REMEMBER I SAID I TALKED TO SOPHIE THE CURATOR? 498 00:17:16,569 --> 00:17:17,604 SHE'S VERY SWEET, BY THE WAY. 499 00:17:17,637 --> 00:17:19,139 SHE LOVES RED ROBIN. 500 00:17:19,172 --> 00:17:22,209 ISN'T THAT A STRANGE FAVORITE RESTAURANT. 501 00:17:22,242 --> 00:17:23,810 YOU'RE GOING BEHIND THE TARP? 502 00:17:23,843 --> 00:17:25,278 REALLY? 503 00:17:25,312 --> 00:17:27,214 THERE'S AN EXIT BEHIND THE TARP? 504 00:17:27,247 --> 00:17:29,349 YOU'RE PROBABLY GONNA BE EATEN BY CARPET BEETLES. 505 00:17:29,382 --> 00:17:32,152 LOOK, I DISCOVERED A NUMBER OF INTRIGUING THINGS 506 00:17:32,185 --> 00:17:33,653 WHEN I WAS FIGURING OUT HOW TO CRACK 507 00:17:33,686 --> 00:17:35,288 THE SECURITY CAMERAS, 508 00:17:35,322 --> 00:17:37,190 INCLUDING AN EXHIBIT THAT LOOKED LIKE 509 00:17:37,224 --> 00:17:38,125 IT HAD ALREADY BEEN BROKEN INTO, 510 00:17:38,158 --> 00:17:39,192 SO WHAT I'M THINKING IS 511 00:17:39,226 --> 00:17:40,393 WHOEVER DID IT MIGHT COME BACK 512 00:17:40,427 --> 00:17:41,728 BECAUSE ANYONE ON THE INSIDE KNOWS 513 00:17:41,761 --> 00:17:43,830 THAT THERE'S NO NIGHT GUARD ON DUTY 514 00:17:43,863 --> 00:17:45,132 AND... 515 00:17:45,165 --> 00:17:46,266 AND WHAT? 516 00:17:46,299 --> 00:17:47,800 SOPHIE SAID IT WAS COOL. 517 00:17:47,834 --> 00:17:48,801 WHAT WAS COOL? 518 00:17:48,835 --> 00:17:49,936 COME ON, MAN. 519 00:17:49,969 --> 00:17:51,138 HAVEN'T YOU EVER WANTED TO SPEND A NIGHT IN THE MUSEUM? 520 00:17:51,171 --> 00:17:52,239 YOU KNOW, DO IT UP 521 00:17:52,272 --> 00:17:53,240 WITH ALL THE STUFFED CREATURES 522 00:17:53,273 --> 00:17:55,108 AND THE BONES? 523 00:17:55,142 --> 00:17:56,609 NO, SHAWN, I HAVEN'T. 524 00:17:56,643 --> 00:17:58,211 I CAN'T SPEND THE NIGHT IN THE MUSEUM. 525 00:17:58,245 --> 00:18:00,280 I DON'T HAVE MY TOOTHBRUSH. 526 00:18:00,313 --> 00:18:01,481 I DON'T HAVE ANY OF MY MULTIVITAMINS. 527 00:18:01,514 --> 00:18:03,416 AND OH, YEAH, I DON'T WANT MY SOUL 528 00:18:03,450 --> 00:18:05,385 SUFFERING ETERNAL DAMNATION 529 00:18:05,418 --> 00:18:07,220 FOR DISRUPTING THE SLEEP OF AN EGYPTIAN CANAL DIGGER. 530 00:18:07,254 --> 00:18:08,555 COME ON, DUDE! 531 00:18:08,588 --> 00:18:09,689 WITH HASTINGS ON THE LAM, 532 00:18:09,722 --> 00:18:11,624 THEY'RE FRESH OUT OF NIGHT WATCHMEN. 533 00:18:11,658 --> 00:18:13,860 SOPHIE WAS ACTUALLY QUITE HAPPY THAT I OFFERED. 534 00:18:13,893 --> 00:18:16,396 SHE'S TAKING ME TO DINNER. 535 00:18:16,429 --> 00:18:19,232 WHAT DO THEY HAVE AT RED ROBIN? 536 00:18:22,369 --> 00:18:23,870 OH, COME ON, GUS. 537 00:18:23,903 --> 00:18:24,904 THEY DIDN'T GET WHAT THEY WERE LOOKING FOR THE FIRST TIME. 538 00:18:24,937 --> 00:18:26,506 MAYBE THEY'LL BREAK IN AGAIN. 539 00:18:26,539 --> 00:18:28,208 WE'LL BE HERE TO CATCH 'EM RED-HANDED. 540 00:18:28,241 --> 00:18:29,642 WON'T THAT BE COOL? 541 00:18:29,676 --> 00:18:31,911 DUDE, THERE'S PROBABLY A SENSOR OF SOME SORT. 542 00:18:31,944 --> 00:18:33,413 TAKE A STEP BACK. 543 00:18:35,282 --> 00:18:36,449 OKAY, NOW TRY IT. 544 00:18:36,483 --> 00:18:37,450 HUH! 545 00:18:37,484 --> 00:18:38,818 [Gus grunts] 546 00:18:40,887 --> 00:18:42,155 WHAT'S ON THE HILL? 547 00:18:42,189 --> 00:18:43,690 (Gus) THAT'S FREEDOM, SHAWN. 548 00:18:43,723 --> 00:18:44,891 (Shawn) DOES THAT LOOK LIKE A CAMERA? 549 00:18:44,924 --> 00:18:46,826 NO, NO ONE'S GONNA LEAVE THEIR CAMERA 550 00:18:46,859 --> 00:18:48,661 OUTSIDE IN THE MIST SO IT CAN GET RUINED. 551 00:18:48,695 --> 00:18:49,762 [cell phone rings] LOOKS LIKE A CAMERA TO ME. 552 00:18:49,796 --> 00:18:50,763 HELLO? 553 00:18:50,797 --> 00:18:51,764 WE CAUGHT A BREAK. 554 00:18:51,798 --> 00:18:53,233 WE CAUGHT A BREAK. 555 00:18:53,266 --> 00:18:54,467 HASTINGS, THAT SECURITY GUARD 556 00:18:54,501 --> 00:18:56,436 FROM THE MUSEUM WHO'S STILL MISSING, 557 00:18:56,469 --> 00:18:57,437 HAD A FEW ASSAULT CHARGES ON HIS RECORD 558 00:18:57,470 --> 00:18:58,438 THAT NEVER WENT TO TRIAL. 559 00:18:58,471 --> 00:18:59,372 OOH! 560 00:18:59,406 --> 00:19:01,241 HASTINGS IS WAY MORE VIOLENT THAN WE THOUGHT. 561 00:19:01,274 --> 00:19:02,842 OH, AND WE FOUND THE CAR FINALLY. 562 00:19:02,875 --> 00:19:04,411 THEY FOUND HIS CAR. 563 00:19:04,444 --> 00:19:05,412 YEAH, IT WAS IN THE SHOP ACTUALLY. 564 00:19:05,445 --> 00:19:06,679 BUT YOU DIDN'T FIND HIM? 565 00:19:06,713 --> 00:19:07,880 NO, THE SHOP GAVE HIM A LOANER. 566 00:19:07,914 --> 00:19:08,881 I JUST THOUGHT I WOULD LET YOU KNOW, 567 00:19:08,915 --> 00:19:09,749 GIVE YOU A HEADS UP, 568 00:19:09,782 --> 00:19:10,950 SEE IF YOU COME UP WITH ANYTHING. 569 00:19:10,983 --> 00:19:12,185 WHAT KIND OF CAR IS THE LOANER? 570 00:19:12,219 --> 00:19:15,222 GRAY GMC PICKUP. 571 00:19:38,578 --> 00:19:39,879 DON'T BE MAD. 572 00:19:39,912 --> 00:19:41,448 WHY WOULD I BE MAD? 573 00:19:41,481 --> 00:19:42,649 I'M LOCKED IN A MUSEUM 574 00:19:42,682 --> 00:19:44,451 WITH POSSIBLY A VIOLENT CRIMINAL 575 00:19:44,484 --> 00:19:45,952 AND PROBABLY AN ANGRY MUMMY SPIRIT. 576 00:19:45,985 --> 00:19:47,854 OH, AND HERE'S A BONUS: 577 00:19:47,887 --> 00:19:48,955 WE HAVE NO PHONES. 578 00:19:48,988 --> 00:19:50,590 I TOLD YOU TO CHARGE THAT PHONE. 579 00:19:50,623 --> 00:19:51,858 YOU DID NOT. 580 00:19:51,891 --> 00:19:53,526 I DIDN'T? 581 00:19:53,560 --> 00:19:55,495 DOES THINKING IT COUNT? 582 00:19:55,528 --> 00:19:56,696 [scoffs] 583 00:19:56,729 --> 00:19:58,398 (Shawn) THEY MIGHT HAVE A SNACK BAR. 584 00:19:58,431 --> 00:20:00,767 YOU KNOW, MAYBE THAT TRUCK WASN'T GRAY, DUDE. 585 00:20:00,800 --> 00:20:03,436 MAYBE IT WAS, LIKE, A DEEP MIDNIGHT BLUE 586 00:20:03,470 --> 00:20:05,605 OR A BLACK OR A NICE KELLY GREEN. 587 00:20:05,638 --> 00:20:06,873 IT'S HARD TO KNOW FOR SURE. 588 00:20:06,906 --> 00:20:07,974 YOU KNOW, THE CONES IN THE EYES 589 00:20:08,007 --> 00:20:09,576 MAKE IT POSSIBLE TO SEE AT NIGHT. 590 00:20:09,609 --> 00:20:10,543 I KNOW HOW THE EYES WORK, SHAWN. 591 00:20:10,577 --> 00:20:12,979 I JUST HOPE I STILL HAVE MINE IN THE MORNING. 592 00:20:13,012 --> 00:20:14,547 WHERE EXACTLY ARE WE? HE'S HERE. 593 00:20:14,581 --> 00:20:16,015 HE'S GONNA COME BACK. 594 00:20:16,048 --> 00:20:16,983 HE'S GONNA KILL US. 595 00:20:17,016 --> 00:20:19,486 DUDE, I NEVER SAID HASTINGS STOLE THE THING. 596 00:20:19,519 --> 00:20:21,688 NO, YOU THINK THE ACTUAL MUMMY WALKED OUT. 597 00:20:21,721 --> 00:20:23,022 THAT MAKES ME FEEL BETTER. 598 00:20:23,055 --> 00:20:25,458 DON'T GO ALL "GLASS HALF EMPTY" ON ME. 599 00:20:25,492 --> 00:20:26,993 LET ME SHOW YOU WHAT I FOUND. 600 00:20:27,026 --> 00:20:29,396 WHAT IS WRONG... 601 00:20:29,429 --> 00:20:30,463 WITH THIS FLAG? 602 00:20:30,497 --> 00:20:31,464 EVERYTHING. 603 00:20:31,498 --> 00:20:32,599 BESIDES THAT. 604 00:20:32,632 --> 00:20:34,501 I DON'T KNOW. IT'S UPSIDE-DOWN. 605 00:20:34,534 --> 00:20:35,902 AND BACKWARDS. WHAT'S YOUR POINT? 606 00:20:37,737 --> 00:20:38,738 IT'S DUST GATHERED 607 00:20:38,771 --> 00:20:40,607 ON THE BOTTOM OF THE FRAME. 608 00:20:40,640 --> 00:20:42,609 THAT MEANS SOMEBODY EITHER TURNED IT UPSIDE-DOWN 609 00:20:42,642 --> 00:20:44,243 OR KNOCKED IT OVER. 610 00:20:47,046 --> 00:20:48,881 WHOA, I LOST YOU FOR A SECOND. 611 00:20:48,915 --> 00:20:50,283 THERE YOU ARE. 612 00:20:50,317 --> 00:20:51,451 (Shawn) AND THIS LITTLE NOOK 613 00:20:51,484 --> 00:20:52,619 IS NOT IN CAMERA RANGE. 614 00:20:52,652 --> 00:20:53,486 IT'S NOT A NOOK. 615 00:20:53,520 --> 00:20:54,521 WHAT WOULD YOU CALL IT? 616 00:20:54,554 --> 00:20:55,722 IT'S CLEARLY NOT A CORNER. 617 00:20:55,755 --> 00:20:57,524 CRANNY? WILL YOU SIGN OFF ON CRANNY? 618 00:20:57,557 --> 00:20:58,525 WHY AM I HERE, SHAWN? 619 00:20:58,558 --> 00:21:01,328 BECAUSE SOMEBODY DIDN'T WANT 620 00:21:01,361 --> 00:21:03,363 THE CAMERA TO SEE WHATEVER HAPPENED IN THIS CRANNY. 621 00:21:03,396 --> 00:21:04,631 I NEVER SIGNED OFF ON CRANNY. 622 00:21:04,664 --> 00:21:05,465 THERE'S NOTHING HERE, GUS. 623 00:21:05,498 --> 00:21:07,634 IT'S JUST A BUNCH OF OLD GUNS. 624 00:21:10,603 --> 00:21:12,405 AND NOT EVEN NICE ONES AT THAT. 625 00:21:12,439 --> 00:21:13,506 THE LEXAN GLASS CASE THAT HOUSES IT 626 00:21:13,540 --> 00:21:15,041 IS WORTH MORE. 627 00:21:15,074 --> 00:21:16,876 LEXAN GLASS? YEAH, IT'S BULLETPROOF. 628 00:21:16,909 --> 00:21:18,511 WELL, IT WOULD HAVE TO BE 629 00:21:18,545 --> 00:21:19,646 IN CASE THE GUNS DECIDED 630 00:21:19,679 --> 00:21:20,880 TO FIRE THEMSELVES. 631 00:21:20,913 --> 00:21:21,948 [mutters] LEXAN GLASS. 632 00:21:21,981 --> 00:21:22,982 WHAT? 633 00:21:23,015 --> 00:21:24,617 THAT'S COMMON KNOWLEDGE, SHAWN. 634 00:21:24,651 --> 00:21:25,552 PEOPLE KNOW THAT. 635 00:21:25,585 --> 00:21:27,487 WHO, PEOPLE IN CHARLTON HESTON'S HOUSE? 636 00:21:27,520 --> 00:21:29,622 (Gus) YES, AND YOUR MAMA. 637 00:21:35,528 --> 00:21:36,496 DID YOU HEAR THAT? 638 00:21:36,529 --> 00:21:38,565 NOBODY'S HERE BUT US. 639 00:21:38,598 --> 00:21:41,100 I TRIED, SHAWN. I CAN'T DO THIS. 640 00:21:41,133 --> 00:21:43,002 GUS, DON'T BE A TRAVELING WILBURY. 641 00:21:43,035 --> 00:21:44,036 LOOK, CHRISTINE'S HERE. 642 00:21:44,070 --> 00:21:45,672 WILL YOU STOP IT, SHAWN? 643 00:21:45,705 --> 00:21:47,707 RELAX, IT'S NOT EVEN THE RIGHT COLOR. 644 00:21:47,740 --> 00:21:49,342 DUDE. 645 00:21:49,376 --> 00:21:51,578 WE HAVE GOT TO GET ONE OF THESE FOR THE OFFICE. 646 00:21:51,611 --> 00:21:53,613 HOW MUCH YOU THINK THESE THINGS RUN? 647 00:21:53,646 --> 00:21:55,482 (Gus) I DON'T KNOW. 648 00:21:55,515 --> 00:21:56,549 HOW HEAVY ARE THEY? 649 00:21:56,583 --> 00:21:58,017 [refrigerator motor starting] 650 00:21:58,050 --> 00:22:01,588 THAT WAS ACTUALLY KIND OF SCARY, GUS. 651 00:22:01,621 --> 00:22:02,655 OH, COME ON, DUDE! 652 00:22:02,689 --> 00:22:05,091 IT'S JUST THE MOTOR ON THE FRIDGE! 653 00:22:05,124 --> 00:22:10,663 OF COURSE, WHY WOULD AN EXHIBIT BE PLUGGED IN? 654 00:22:12,932 --> 00:22:14,634 THE SIGN SAYS DO NOT TOUCH, SHAWN. 655 00:22:14,667 --> 00:22:17,003 NOT ANYMORE. 656 00:22:17,036 --> 00:22:18,471 IT'S STUCK, THOUGH. 657 00:22:18,505 --> 00:22:19,839 IT'S SUPPOSED TO BE STUCK. 658 00:22:19,872 --> 00:22:21,374 TO KEEP PEOPLE LIKE YOU OUT. 659 00:22:21,408 --> 00:22:22,609 PEOPLE WHO WHAT? 660 00:22:22,642 --> 00:22:23,610 PEOPLE WHO SPEND THE NIGHT IN MUSEUMS 661 00:22:23,643 --> 00:22:25,011 TO INVESTIGATE MUMMIES THAT MAY HAVE WALKED OUT 662 00:22:25,044 --> 00:22:26,413 ON THEIR OWN? 663 00:22:27,780 --> 00:22:29,749 OH! 664 00:22:35,187 --> 00:22:39,992 [birds chirping, rooster crowing] 665 00:22:51,771 --> 00:22:54,741 [car engine starting] 666 00:22:54,774 --> 00:22:56,208 [tires screeching] 667 00:23:00,079 --> 00:23:01,614 YOU ARE HERE. 668 00:23:01,648 --> 00:23:03,015 WHAT ARE YOU DOING? 669 00:23:03,049 --> 00:23:04,016 BIDDING FOR TALISMANS. 670 00:23:04,050 --> 00:23:05,718 TALISMEN. 671 00:23:05,752 --> 00:23:06,819 I DON'T CARE WHAT THEY'RE CALLED, SHAWN. 672 00:23:06,853 --> 00:23:08,955 I'M ACQUIRING PROTECTION FOR THE SPIRITUAL INJUSTICE 673 00:23:08,988 --> 00:23:10,189 WE CAUSED IN THE MUSEUM. 674 00:23:10,222 --> 00:23:12,124 YOU CAN BUY WOLFSBANE ONLINE? 675 00:23:12,158 --> 00:23:13,426 IN BULK. 676 00:23:13,460 --> 00:23:15,027 NOW I JUST GOTTA FIND SOMEBODY 677 00:23:15,061 --> 00:23:16,463 TO LOAN ME A CAT. 678 00:23:16,496 --> 00:23:17,464 YOU GOT MCNABB'S NUMBER? 679 00:23:17,497 --> 00:23:18,631 OH, COME ON, GUS. 680 00:23:18,665 --> 00:23:19,766 I THOUGHT THAT, AT THE VERY LEAST, 681 00:23:19,799 --> 00:23:21,434 FINDING THE GUARD DEAD 682 00:23:21,468 --> 00:23:22,368 WOULD HELP YOU JUMP ON THE BANDWAGON THAT, 683 00:23:22,401 --> 00:23:24,003 HEY, THIS IS A REAL FLESH AND BLOOD KILLER. 684 00:23:24,036 --> 00:23:26,205 HE WAS KILLED BY THE MUMMY, SHAWN. 685 00:23:26,238 --> 00:23:27,206 YOU DON'T KNOW THAT. 686 00:23:27,239 --> 00:23:28,575 YOU HAVE NO PROOF. 687 00:23:28,608 --> 00:23:30,643 OKAY, FINE, I'M SORRY. 688 00:23:30,677 --> 00:23:31,578 I'M SORRY THAT I DIDN'T TELL YOU 689 00:23:31,611 --> 00:23:32,912 I SIGNED US UP FOR NIGHT GUARD DUTY. 690 00:23:32,945 --> 00:23:33,913 AND I'M SORRY I DIDN'T TELL YOU 691 00:23:33,946 --> 00:23:34,781 THERE WAS A MUMMY INVOLVED. 692 00:23:34,814 --> 00:23:36,949 BUT WE HAVE A LEGITIMATE TRAIL NOW. 693 00:23:36,983 --> 00:23:38,518 THE COPS ARE TAKING THIS SERIOUSLY. 694 00:23:38,551 --> 00:23:39,619 I NEED YOU! 695 00:23:39,652 --> 00:23:41,721 I NEED THE SWEET BLUE SHIRT, I NEED THE PANTS. 696 00:23:41,754 --> 00:23:42,855 I NEED THE WINSOME SMILE THAT HIDES THE SAD 697 00:23:42,889 --> 00:23:44,123 JAMAICAN CLOWN INSIDE. 698 00:23:44,156 --> 00:23:45,858 WE NEED TO CALL LASSITER 699 00:23:45,892 --> 00:23:47,594 AND WE ARE NOT GOING BACK TO THE MUSEUM. 700 00:23:47,627 --> 00:23:49,662 NO MORE MUMMY ROOM, NO MORE SPOOKY STUFF. 701 00:23:49,696 --> 00:23:52,665 I PROMISE. 702 00:23:52,699 --> 00:23:54,033 LET'S GO. BRING IT UP! 703 00:23:55,835 --> 00:23:57,570 HE'S EXHUMING A BODY? 704 00:23:57,604 --> 00:24:00,239 HE IS CASUALLY DISTURBING WHAT SHOULD BE THE PASSING 705 00:24:00,272 --> 00:24:01,741 OF A GREAT AND DIGNIFIED MAN. 706 00:24:01,774 --> 00:24:03,610 YEAH, HE DOES THAT. 707 00:24:05,645 --> 00:24:07,514 WHOA. WHITE SOCKS, BLACK SHOES. 708 00:24:07,547 --> 00:24:08,915 WHAT'S THE RULE ON THAT? 709 00:24:08,948 --> 00:24:10,182 DON'T YOU HAVE TO BE WEARING JEANS? 710 00:24:10,216 --> 00:24:11,684 WHAT'S THE RULE? 711 00:24:11,718 --> 00:24:13,219 OH, COME ON, DUDE. 712 00:24:13,252 --> 00:24:14,587 I HONESTLY HAD NO IDEA HE WAS GONNA BE 713 00:24:14,621 --> 00:24:15,888 PULLING A CORPSE FROM THE GROUND. 714 00:24:15,922 --> 00:24:17,223 DON'T WORRY ABOUT IT, SHAWN. 715 00:24:17,256 --> 00:24:18,925 I HONESTLY DIDN'T KNOW I WAS GONNA BE PUTTING 716 00:24:18,958 --> 00:24:20,493 MY FOOT IN YOUR ASS. 717 00:24:20,527 --> 00:24:22,762 LIFE'S FULL OF SURPRISES. 718 00:24:22,795 --> 00:24:24,731 I GOT THE CORONER'S REPORT ON THE GUARD HASTINGS. 719 00:24:24,764 --> 00:24:26,165 AT LEAST STAY FOR THIS, 720 00:24:26,198 --> 00:24:27,767 SEE HOW SILLY IT IS TO BE AFRAID OF MUMMIES. 721 00:24:27,800 --> 00:24:28,801 WHAT DO YOU GOT, JULES? 722 00:24:28,835 --> 00:24:30,703 YOU'RE NOT GONNA LIKE IT. 723 00:24:30,737 --> 00:24:32,004 WE'RE NOT GONNA LIKE IT. 724 00:24:32,038 --> 00:24:33,105 I'M SURE WE'LL BE ABLE TO MAKE SOMETHING OF IT. 725 00:24:33,139 --> 00:24:34,674 HASTINGS WAS STRANGLED TO DEATH. 726 00:24:34,707 --> 00:24:36,709 HA! NO MAGIC INVOLVED THERE. 727 00:24:36,743 --> 00:24:38,010 AND CORRECT ME IF I'M WRONG JULES, 728 00:24:38,044 --> 00:24:40,279 BUT YOU CAN ACTUALLY GET FINGERPRINTS 729 00:24:40,312 --> 00:24:41,581 OFF STRANGULATION VICTIMS. 730 00:24:41,614 --> 00:24:42,582 I'M AFRAID THAT'S NOT POSSIBLE. 731 00:24:42,615 --> 00:24:43,482 WHY IS THAT? 732 00:24:43,516 --> 00:24:45,585 THE HAND WAS WRAPPED IN SOME SORT OF CLOTH. 733 00:24:45,618 --> 00:24:46,586 CLOTH? 734 00:24:46,619 --> 00:24:47,587 THERE WERE LINEN FIBERS 735 00:24:47,620 --> 00:24:49,021 EMBEDDED INTO THE GUARD'S NECK. 736 00:24:49,055 --> 00:24:51,190 CLEARLY THAT WAS JUST TO COVER HIS PRINTS. 737 00:24:51,223 --> 00:24:54,293 WE ALSO FOUND DUST AND SPORES THAT WEREN'T FROM THIS AREA. 738 00:24:54,326 --> 00:24:56,829 WELL, MAYBE THE CLEANING CREW DIDN'T COME AROUND. 739 00:24:56,863 --> 00:24:58,998 ONLY IF THEY DIDN'T COME AROUND FOR OVER 3,000 YEARS. 740 00:24:59,031 --> 00:25:02,034 THE SPORES CAME FROM INSIDE THE COFFIN. 741 00:25:02,068 --> 00:25:05,004 THANKS, JULES. 742 00:25:13,780 --> 00:25:14,647 FINALLY! 743 00:25:14,681 --> 00:25:16,716 FINALLY WHAT? 744 00:25:16,749 --> 00:25:18,317 I'VE BEEN LEAVING MESSAGES ON YOUR PHONE. 745 00:25:18,350 --> 00:25:19,952 YEAH, I SORT OF DROPPED MY PHONE. 746 00:25:19,986 --> 00:25:21,821 YEAH, WHAT'D I TELL YOU ABOUT TAKING CARE OF YOUR STUFF? 747 00:25:21,854 --> 00:25:22,755 YOU KNOW WHAT? YOU'RE RIGHT. 748 00:25:22,789 --> 00:25:24,757 FIRST MY TRICYCLE OUT IN THE YARD, NOW THIS. 749 00:25:24,791 --> 00:25:26,025 I SEE A PATTERN DEVELOPING HERE. 750 00:25:26,058 --> 00:25:27,093 ALL RIGHT, LOOK, SHAWN, 751 00:25:27,126 --> 00:25:28,561 I WAS HOPING WE COULD TALK ALONE. 752 00:25:28,595 --> 00:25:29,629 NO OFFENSE, GUS. 753 00:25:29,662 --> 00:25:30,830 HEY. 754 00:25:30,863 --> 00:25:32,264 OH NO NO, DON'T YOU DARE. 755 00:25:32,298 --> 00:25:33,800 WE ARE HERE TO TALK TO YOU AND THIS IS URGENT. 756 00:25:33,833 --> 00:25:34,901 WELL, SO IS MINE. 757 00:25:34,934 --> 00:25:35,935 OURS INVOLVES A DEAD GUY. 758 00:25:36,836 --> 00:25:39,205 WHY DO YOU ALWAYS HAVE TO WIN, SHAWN? 759 00:25:39,238 --> 00:25:40,206 'CAUSE WE'RE WINNERS. 760 00:25:40,239 --> 00:25:41,908 FINE, WHAT IS IT? GO AHEAD. 761 00:25:41,941 --> 00:25:47,914 OKAY, WHAT DO YOU DO WHEN YOUR BEST SUSPECT... 762 00:25:47,947 --> 00:25:49,215 UH, SORT OF, JUST... 763 00:25:49,248 --> 00:25:51,050 SAY IT, SHAWN. 764 00:25:51,083 --> 00:25:54,286 DOESN'T EXIST ANYMORE? 765 00:25:54,320 --> 00:25:55,655 PEOPLE DISAPPEAR ALL THE TIME, SHAWN. 766 00:25:55,688 --> 00:25:56,689 SOME ARE VERY GOOD AT IT. 767 00:25:56,723 --> 00:25:57,556 ESPECIALLY A CAREER CRIMINAL. 768 00:25:57,590 --> 00:25:59,659 YEAH, THIS IS A LITTLE MORE COMPLICATED. 769 00:25:59,692 --> 00:26:00,793 LOOK, IT DOESN'T MATTER 770 00:26:00,827 --> 00:26:01,794 WHO YOU'RE TALKING ABOUT HERE, SHAWN. 771 00:26:01,828 --> 00:26:02,995 BUT WHEN THE TRAIL GOES COLD, 772 00:26:03,029 --> 00:26:03,996 YOU DO WHAT EVERY GOOD COP DOES. 773 00:26:04,030 --> 00:26:05,031 YOU FOLLOW THE TIMELINE. 774 00:26:05,064 --> 00:26:05,898 YOU TRACE BACK THE STEPS 775 00:26:05,932 --> 00:26:07,700 THAT LED TO THE TRAIL GOING COLD. 776 00:26:07,734 --> 00:26:08,868 BACKGROUND CHECK. EXACTLY. 777 00:26:08,901 --> 00:26:10,637 PERFECT. PERFECT, DAD! 778 00:26:10,670 --> 00:26:11,938 BUT I WANNA SEE YOU LATER, WITHOUT GUS. 779 00:26:11,971 --> 00:26:13,806 I NEED TO TALK TO YOU. 780 00:26:13,840 --> 00:26:16,075 OKAY, WHAT IS THIS? 781 00:26:16,108 --> 00:26:17,243 WHAT IS ALL THIS "WITHOUT GUS" STUFF? 782 00:26:17,276 --> 00:26:18,611 I MEAN, IT'S GUS. JUST SAY IT. 783 00:26:18,645 --> 00:26:19,979 SAY WHAT IT IS. WHAT IS IT? 784 00:26:20,012 --> 00:26:20,980 OKAY. 785 00:26:21,013 --> 00:26:22,915 ALL RIGHT, UM... 786 00:26:22,949 --> 00:26:27,620 I GOT A PHONE CALL A COUPLE OF DAYS AGO AND, UM... 787 00:26:27,654 --> 00:26:29,622 I DON'T KNOW IF YOU HAVE ANY PLANS, 788 00:26:29,656 --> 00:26:32,258 BUT, UM... 789 00:26:32,291 --> 00:26:34,861 ARE YOU BUSY ON SATURDAY? 790 00:26:34,894 --> 00:26:36,362 YOU... 791 00:26:36,395 --> 00:26:38,998 YOU WANT ME TO COME WITH YOU TO AWKWARD CLASS? 792 00:26:39,031 --> 00:26:41,333 FORGET IT. 793 00:26:45,104 --> 00:26:46,105 SEE YA! 794 00:26:47,406 --> 00:26:49,008 DETECTIVES, THAT'S VERY THOUGHTFUL OF YOU, 795 00:26:49,041 --> 00:26:50,810 BUT I JUST DON'T WANT YOU TO MAKE A BIG FUSS. 796 00:26:50,843 --> 00:26:53,713 WE ARE NOT GOING TO MAKE A FUSS. 797 00:26:53,746 --> 00:26:54,747 DETECTIVE LASSITER AND I JUST WANT TO THROW YOU 798 00:26:54,781 --> 00:26:55,748 A GOING AWAY PARTY. 799 00:26:55,782 --> 00:26:57,116 IT'S GOING TO BE VERY... 800 00:26:57,149 --> 00:26:58,651 (newscaster) WILLIAM WYLES III. 801 00:26:58,685 --> 00:27:00,019 IT WAS FORMERLY BELIEVED 802 00:27:00,052 --> 00:27:02,188 THAT WYLES' DEATH WAS DUE TO AN ACCIDENTAL FALL 803 00:27:02,221 --> 00:27:03,956 DOWN THE STAIRS OF HIS MONTECITO HOME. 804 00:27:03,990 --> 00:27:06,058 BUT NOW A FORMER EMPLOYEE 805 00:27:06,092 --> 00:27:07,193 HAS COME FORWARD TO SAY... 806 00:27:07,226 --> 00:27:10,697 SHE HEARD LOUD ARGUING COMING FROM THE WYLES'S STUDY 807 00:27:10,730 --> 00:27:11,964 THE NIGHT OF HIS DEATH. 808 00:27:11,998 --> 00:27:14,100 CONTRARY TO THE BELIEF THAT WYLES WAS ALONE 809 00:27:14,133 --> 00:27:15,735 THE NIGHT HE DIED. 810 00:27:15,768 --> 00:27:17,369 SANTA BARBARA POLICE DETECTIVE CARLTON LASSITER, 811 00:27:17,403 --> 00:27:19,772 WHO'S BEEN LEADING THIS INVESTIGATION, 812 00:27:19,806 --> 00:27:21,273 WAS UNAVAILABLE FOR COMMENT... 813 00:27:21,307 --> 00:27:23,009 UNAVAILABLE FOR COMMENT? 814 00:27:23,042 --> 00:27:24,310 I'VE BEEN HERE ALL DAY. 815 00:27:24,343 --> 00:27:27,680 WHO'S NOT GIVING ME MY MESSAGES? 816 00:27:27,714 --> 00:27:33,720 UH, CUPCAKES. RIGHT, OF COURSE. 817 00:27:33,753 --> 00:27:35,321 WITH LITTLE CUFFS ON THEM. 818 00:27:35,354 --> 00:27:37,089 AND, UM, SPRINKLES. 819 00:27:37,123 --> 00:27:39,125 WE'RE REALLY GONNA MISS YOU. 820 00:27:39,158 --> 00:27:40,793 (newscaster) WYLES, WHO BECAME A PUBLISHING MAGNATE 821 00:27:40,827 --> 00:27:42,461 AT THE AGE OF 30, WAS ONE OF SANTA BARBARA'S 822 00:27:42,494 --> 00:27:45,364 LEADING PHILANTHROPISTS AND A MAJOR CONTRIBUTOR 823 00:27:45,397 --> 00:27:47,133 TO POLITICAL CAMPAIGNS. 824 00:27:47,166 --> 00:27:49,969 AS WELL AS A WELL-KNOWN COLLECTOR OF WAR MEMORABILIA. 825 00:27:50,002 --> 00:27:51,938 AT HIS HEIGHT, HE OWNED MORE THAN 30... 826 00:27:51,971 --> 00:27:53,272 HOW'S THE BACKGROUND CHECK COMING? 827 00:27:53,305 --> 00:27:54,406 (Gus) JUST FINISHED. 828 00:27:54,440 --> 00:27:57,309 RAHMENTOTTEM LIVED DURING THE 19TH DYNASTY OF EGYPT. 829 00:27:57,343 --> 00:27:58,978 PROBABLY NEAR GIZA. 830 00:27:59,011 --> 00:28:01,147 HE HAD 11 SONS, ALL OF WHOM SPENT 831 00:28:01,180 --> 00:28:02,448 THEIR DAYS SMELTING METAL 832 00:28:02,481 --> 00:28:03,983 FROM THE ORE ALONG THE BANKS OF THE NILE. 833 00:28:04,016 --> 00:28:06,052 SMELTERS, HUH? 834 00:28:06,085 --> 00:28:08,154 PERHAPS YOU MISUNDERSTOOD. 835 00:28:08,187 --> 00:28:10,823 WE DON'T CARE WHAT HE DID WHEN HE WAS LIVING. 836 00:28:10,857 --> 00:28:12,892 ONLY SINCE HE'S BEEN A MUMMY. 837 00:28:12,925 --> 00:28:15,127 LET'S DO THIS. 838 00:28:15,161 --> 00:28:16,262 FIRST, HE WAS ON DISPLAY FOR SIX MONTHS 839 00:28:16,295 --> 00:28:18,030 IN CINCINNATI. 840 00:28:18,064 --> 00:28:19,131 HE DIDN'T KILL ANYBODY THERE. 841 00:28:19,165 --> 00:28:22,168 THEN HE WAS ON LOAN, PLANO, TEXAS. 842 00:28:22,201 --> 00:28:25,805 NOBODY HAD THEIR EYES OR INTERNAL ORGANS STOLEN THERE. 843 00:28:25,838 --> 00:28:26,806 WHAT'S THAT? 844 00:28:26,839 --> 00:28:27,807 IT'S A BOWL OF CHILI. 845 00:28:27,840 --> 00:28:29,008 AND WHO'S THAT UP THERE? 846 00:28:29,041 --> 00:28:31,177 IT'S AUSTIN KERNS. WOULD YOU PAY ATTENTION? 847 00:28:31,210 --> 00:28:33,245 THEN HE WAS TRANSPORTED FOR TWO DAYS BY TRUCK, 848 00:28:33,279 --> 00:28:35,414 SPENT THE EVENING IN THE MUSEUM WAREHOUSE, 849 00:28:35,447 --> 00:28:38,184 AND BOOM, WAS ON DISPLAY FIRST THING THE NEXT MORNING. 850 00:28:38,217 --> 00:28:39,852 MINE'S BETTER. 851 00:28:39,886 --> 00:28:41,120 YEAH, BUT MINE'S SOMETHING SENSIBLE 852 00:28:41,153 --> 00:28:42,154 THAT PEOPLE MIGHT UTILIZE. 853 00:28:42,188 --> 00:28:44,023 OH, SO YOU'RE THE SENSIBLE ONE NOW? 854 00:28:44,056 --> 00:28:45,324 MORE AND MORE LATELY. 855 00:28:45,357 --> 00:28:46,458 OKAY. 856 00:28:46,492 --> 00:28:49,161 ALL RIGHT, LET'S WORK BACKWARDS. 857 00:28:49,195 --> 00:28:51,097 WE JUST DID. 858 00:28:52,498 --> 00:28:54,433 THIS IS AS CLOSE AS I GET TO THAT MUSEUM. 859 00:28:54,466 --> 00:28:55,501 I KNOW. QUICK, PUT THAT ON. 860 00:29:01,974 --> 00:29:03,142 MY NAME IS SHAWN SPENCER. 861 00:29:03,175 --> 00:29:05,077 I'M WORKING WITH SOPHIE AND THE MUSEUM. 862 00:29:05,111 --> 00:29:07,046 THIS IS MY PARTNER PADDY SIMCOX. 863 00:29:07,079 --> 00:29:08,180 WE'RE WONDERING IF THERE'S ANY DOCUMENTATION 864 00:29:08,214 --> 00:29:09,348 ON THE ARRIVAL 865 00:29:09,381 --> 00:29:10,349 OF THE ROCK 'EM SOCK 'EM MUMMY. 866 00:29:10,382 --> 00:29:11,818 RAHMENTOTTEM. 867 00:29:11,851 --> 00:29:13,219 OR HAS THERE BEEN ANY INSTANCES 868 00:29:13,252 --> 00:29:15,087 OF THINGS EXPLODING FOR NO APPARENT REASON? 869 00:29:15,121 --> 00:29:16,422 I DON'T KNOW NOTHING. 870 00:29:16,455 --> 00:29:18,390 AND I DON'T THINK YOU GUYS SHOULD BE IN HERE. 871 00:29:18,424 --> 00:29:19,258 RIGHT. 872 00:29:19,291 --> 00:29:20,526 PERHAPS I'LL CALL SOPHIE AND LET HER KNOW 873 00:29:20,559 --> 00:29:21,894 YOU'RE NOT BEING VERY HELPFUL. 874 00:29:21,928 --> 00:29:24,263 LISTEN, ALL I HAVE SECURITY ACCESS FOR 875 00:29:24,296 --> 00:29:25,264 IS THIS ROOM. 876 00:29:25,297 --> 00:29:27,166 WELL, THEN LET US KNOW WHAT HAPPENS HERE, MAN! 877 00:29:27,199 --> 00:29:28,534 HERE AT THE DOCKS! 878 00:29:28,567 --> 00:29:30,970 FINE, IT'S SIMPLE. 879 00:29:31,003 --> 00:29:32,104 THAT THING SHOWS UP, A MUSEUM REP COMES 880 00:29:32,138 --> 00:29:33,339 AND DOES AN INSPECTION. 881 00:29:33,372 --> 00:29:36,508 AND THEN WE PUT IT OUT ON THE FLOOR. 882 00:29:36,542 --> 00:29:38,845 I WISH THAT THERE WAS MORE THAT I COULD TELL YOU... 883 00:29:38,878 --> 00:29:41,113 DUDE, IT'S A TRIPOD. 884 00:29:41,147 --> 00:29:43,249 I TOLD YOU THAT WAS A TRIPOD. 885 00:29:43,282 --> 00:29:45,417 WITH A CAMERA. COMING BACK. 886 00:29:45,451 --> 00:29:47,019 HEY, WAIT UP! 887 00:29:47,053 --> 00:29:48,087 WHOA! WHOA WHOA WHOA! 888 00:29:49,922 --> 00:29:51,157 AGH! 889 00:30:00,532 --> 00:30:01,533 WHAT ARE YOU DOING? 890 00:30:01,567 --> 00:30:04,336 LEFT YOUR KEYS IN THE TRUNK LOCK. 891 00:30:04,370 --> 00:30:05,537 I'M SORRY. 892 00:30:05,571 --> 00:30:06,973 I KNOW I PROMISED NOT TO SHOOT THERE. 893 00:30:07,006 --> 00:30:08,440 I KNOW YOU GUYS SAID YOU'D CALL THE COPS, 894 00:30:08,474 --> 00:30:10,109 BUT I JUST NEED ONE MORE NIGHT FOR MY PROJECT TO BE DONE. 895 00:30:10,142 --> 00:30:11,110 YOUR PROJECT? 896 00:30:11,143 --> 00:30:12,544 WELL--MY FILM PROJECT. 897 00:30:12,578 --> 00:30:13,579 AREN'T YOU GUYS WITH THE... 898 00:30:13,612 --> 00:30:15,214 YES, WE ARE. WITH WHO? 899 00:30:15,247 --> 00:30:16,282 WHOEVER YOU THINK WE'RE WITH. THE MUSEUM? 900 00:30:16,315 --> 00:30:16,949 YES, EXACTLY. 901 00:30:16,983 --> 00:30:18,450 AND YOU ARE A FILM STUDENT? 902 00:30:18,484 --> 00:30:21,287 YES, WORKING ON NIGHT CYCLE. 903 00:30:21,320 --> 00:30:22,288 IT'S MY THESIS PROJECT. 904 00:30:22,321 --> 00:30:23,956 IT'S JUST THE LIFE CYCLE 905 00:30:23,990 --> 00:30:25,557 OF A WILDFLOWER AT THE TOP OF THE HILL. 906 00:30:25,591 --> 00:30:26,959 WHOA WHOA WHOA. 907 00:30:26,993 --> 00:30:27,960 THE NAME OF YOUR FILM IS NIGHT CYCLE? 908 00:30:27,994 --> 00:30:29,028 WHAT'S WRONG WITH THAT? 909 00:30:29,061 --> 00:30:30,963 WELL, IT'S KIND OF BORING. 910 00:30:30,997 --> 00:30:33,365 UNLESS IT'S ABOUT A MOTORCYCLE THAT COMES TO LIFE AT NIGHT 911 00:30:33,399 --> 00:30:35,034 AND SOLVES CRIME AND DOES SWEET WHEELIES. 912 00:30:35,067 --> 00:30:38,237 LISTEN, I ALREADY TOLD THE GUY IN THE JUMPSUIT. 913 00:30:38,270 --> 00:30:39,571 I MEAN, YOU COULD BARELY SEE THE MUSEUM 914 00:30:39,605 --> 00:30:41,040 IN THE BACKGROUND. 915 00:30:41,073 --> 00:30:42,241 I JUST NEEDED TO FRAME IT UP THAT WAY. 916 00:30:42,274 --> 00:30:43,475 YOU HAVE FOOTAGE OF THE MUSEUM. 917 00:30:43,509 --> 00:30:44,911 YEAH, BUT IT WON'T INFRINGE 918 00:30:44,944 --> 00:30:46,545 ON ANYONE'S COPYRIGHT, I CAN GUARANTEE IT. 919 00:30:46,578 --> 00:30:48,447 DO YOU HAVE STUFF FROM TUESDAY NIGHT? 920 00:30:48,480 --> 00:30:50,282 YEAH, BUT NOT ON ME. 921 00:31:09,201 --> 00:31:10,302 HERE IT IS. 922 00:31:10,336 --> 00:31:13,139 A STANDARD VIDEO CAMERA RUNS AT 30 FRAMES PER SECOND. 923 00:31:13,172 --> 00:31:14,140 YEAH, WE KNOW THAT. 924 00:31:14,173 --> 00:31:15,241 HOW WOULD WE KNOW THAT? 925 00:31:15,274 --> 00:31:16,542 IT'S COMMON KNOWLEDGE, SHAWN. 926 00:31:16,575 --> 00:31:18,244 AND TECHNICALLY IT'S 29.97. 927 00:31:18,277 --> 00:31:20,079 UNLESS YOU'RE WORKING IN HD, 928 00:31:20,112 --> 00:31:23,049 THEN IT'S 23.98 PARTIALLY SEGMENTED FRAMES. 929 00:31:23,082 --> 00:31:25,551 REGARDLESS, FOR TIME LAPSE 930 00:31:25,584 --> 00:31:27,053 I SET IT FOR ONE FRAME PER MINUTE. 931 00:31:27,086 --> 00:31:28,187 SO EVERYTHING MOVES FASTER... 932 00:31:28,220 --> 00:31:29,956 30 TIMES FASTER. 933 00:31:29,989 --> 00:31:30,990 1,800 TIMES FASTER. 934 00:31:31,023 --> 00:31:32,358 I KNEW THAT. I WAS TESTING YOU. 935 00:31:32,391 --> 00:31:33,359 SURE YOU DID. 936 00:31:33,392 --> 00:31:35,995 GUYS, WHAT ARE WE LOOKING FOR HERE, EXACTLY? 937 00:31:36,028 --> 00:31:36,996 IT'S PRETTY SIMPLE. 938 00:31:37,029 --> 00:31:38,397 A CRIME OCCURRED AT THE MUSEUM 939 00:31:38,430 --> 00:31:39,431 ON THIS PARTICULAR EVENING. 940 00:31:39,465 --> 00:31:40,432 WE JUST WANNA KNOW IF YOUR CAMERA 941 00:31:40,466 --> 00:31:41,433 CAUGHT ANY FOOTAGE OF IT. 942 00:31:41,467 --> 00:31:42,601 IT'S NOTHING TOO CRAZY. 943 00:31:42,634 --> 00:31:44,370 AND MOST LIKELY THERE'S A CRAZED MUMMY 944 00:31:44,403 --> 00:31:45,437 OUT AND ABOUT STRANGLING PEOPLE 945 00:31:45,471 --> 00:31:46,438 WILLY-NILLY. 946 00:31:46,472 --> 00:31:47,706 YES. 947 00:31:47,739 --> 00:31:48,975 AND THAT. 948 00:31:49,008 --> 00:31:50,442 (Hannah) THIS IS 3:00 AM. 949 00:31:50,476 --> 00:31:53,112 OH, SLOW IT DOWN HERE. 950 00:31:53,145 --> 00:31:55,214 THIS IS KIND OF EXCITING. 951 00:32:06,725 --> 00:32:09,528 HOLY CRAP. GUS, CAN YOU BELIEVE IT? 952 00:32:09,561 --> 00:32:12,331 GUS? 953 00:32:14,433 --> 00:32:16,702 HE'S A LITTLE SCARED OF MUMMIES. 954 00:32:16,735 --> 00:32:18,270 DUDE, IT'S JUST A FILM! 955 00:32:18,304 --> 00:32:19,705 VIDEO. EVEN BETTER. 956 00:32:19,738 --> 00:32:22,741 NO ONE CAN REACH THROUGH THE SCREEN AND GRAB YOU. 957 00:32:22,774 --> 00:32:25,644 THAT'S SO WEIRD. 958 00:32:25,677 --> 00:32:27,146 WE ONLY SAW HIM FOR ONE FRAME 959 00:32:27,179 --> 00:32:29,281 AND THEN, YOU KNOW, HE WALKED OUT AND POOF. 960 00:32:29,315 --> 00:32:30,649 HE'S GONE. 961 00:32:34,186 --> 00:32:38,424 WAIT. THE LIGHTS ON THE VAN. 962 00:32:40,792 --> 00:32:42,428 DUDE, HE TOOK THAT VAN. 963 00:32:42,461 --> 00:32:43,429 THE MUMMY? 964 00:32:43,462 --> 00:32:44,430 GREAT. 965 00:32:44,463 --> 00:32:45,531 NOW WE GOT A MUMMY ON THE LOOSE 966 00:32:45,564 --> 00:32:47,266 AND THE SON OF A BITCH KNOWS HOW TO DRIVE A STICK? 967 00:32:47,299 --> 00:32:48,267 NOW WE KNOW HOW HE GOT AWAY. 968 00:32:48,300 --> 00:32:49,268 WE NEED TO CALL THE POLICE. 969 00:32:49,301 --> 00:32:50,669 NO, NOT YET. I'VE SEEN THAT VAN. 970 00:32:50,702 --> 00:32:52,204 YOU KNOW WHERE IT IS? 971 00:32:52,238 --> 00:32:54,473 UNLESS IT'S MOVED IN THE LAST TWO HOURS, I DO. 972 00:32:56,375 --> 00:32:57,709 (Gus) WHAT THE... 973 00:32:57,743 --> 00:33:01,147 (Shawn) DUDE, I TOLD YOU IT WAS HERE. 974 00:33:01,180 --> 00:33:03,082 [engine starting] 975 00:33:03,115 --> 00:33:04,516 WHOA. 976 00:33:06,618 --> 00:33:08,620 [tires screeching] 977 00:33:11,390 --> 00:33:14,360 I TOLD YOU I SAW IT! 978 00:33:16,228 --> 00:33:18,197 [engine starting] 979 00:33:26,505 --> 00:33:27,606 WHAT ARE YOU DOING? 980 00:33:27,639 --> 00:33:28,840 (Gus) TURNING THE CAR AROUND, SHAWN. 981 00:33:28,874 --> 00:33:31,443 (Shawn) DUDE, SHE'S NOT EVEN GONNA BE IN CALIFORNIA 982 00:33:31,477 --> 00:33:32,444 BY THE TIME WE GET OUT OF HERE. 983 00:33:32,478 --> 00:33:34,146 JUST KEEP TURNING THE WHEEL! 984 00:33:34,180 --> 00:33:35,447 (Gus) I DON'T WANNA HIT ANYTHING, SHAWN! 985 00:33:35,481 --> 00:33:36,748 THIS IS A COMPANY CAR. 986 00:33:36,782 --> 00:33:37,549 (Shawn) DUDE, YOU GOT IT. 987 00:33:37,583 --> 00:33:40,552 YOU CLEARLY HAD IT AFTER THE SE... 988 00:33:40,586 --> 00:33:42,321 REALLY? 989 00:33:42,354 --> 00:33:45,023 THE 11-POINT TURN, DUDE? 990 00:33:50,862 --> 00:33:52,531 THIS IS A PRIME EXAMPLE OF A SITUATION 991 00:33:52,564 --> 00:33:54,433 BEST HANDLED BY THE POLICE. 992 00:33:54,466 --> 00:33:55,534 OR A WITCH DOCTOR. 993 00:33:55,567 --> 00:33:56,668 IT'S NOT A MUMMY, GUS. 994 00:33:56,702 --> 00:34:00,106 YOU KEEP SAYING THAT, AND IT KEEPS COMING UP MUMMY. 995 00:34:00,139 --> 00:34:02,641 NO WAY HE MAKES THAT TURN. 996 00:34:04,710 --> 00:34:06,578 WHOA. 997 00:34:06,612 --> 00:34:07,613 SLOW DOWN. 998 00:34:14,286 --> 00:34:15,454 HE HIT A TREE. 999 00:34:15,487 --> 00:34:16,555 LET'S GO GET HIM. 1000 00:34:16,588 --> 00:34:17,789 I'M NOT GETTING OUT THERE. 1001 00:34:17,823 --> 00:34:19,558 DUDE, THEY HIT A TREE. 1002 00:34:19,591 --> 00:34:21,160 WHOEVER THEY ARE, THEY'RE NOT MOVING. 1003 00:34:21,193 --> 00:34:22,194 THEY'RE INCAPACITATED. 1004 00:34:22,228 --> 00:34:23,195 THEY COULD BE HURT, 1005 00:34:23,229 --> 00:34:24,263 MAYBE EVEN DEAD. 1006 00:34:24,296 --> 00:34:25,331 MAYBE UNDEAD. 1007 00:34:25,364 --> 00:34:26,398 THEY MIGHT NEED OUR HELP. 1008 00:34:26,432 --> 00:34:28,334 OR OUR INTERNAL ORGANS! 1009 00:34:28,367 --> 00:34:29,401 LET'S CALL THE POLICE. 1010 00:34:29,435 --> 00:34:31,737 WITH WHOSE PHONE? 1011 00:34:31,770 --> 00:34:32,771 ALL RIGHT, FINE. 1012 00:34:32,804 --> 00:34:34,306 I'M BRINGING MY BAT. 1013 00:34:34,340 --> 00:34:36,508 GRAB SOME FLASHLIGHTS. 1014 00:34:46,318 --> 00:34:48,620 [owl hooting] 1015 00:35:06,305 --> 00:35:13,679 SHAWN, I THINK... 1016 00:35:13,712 --> 00:35:15,714 I THINK THIS MAY BE THE MOST TERRIFYING MOMENT 1017 00:35:15,747 --> 00:35:17,616 OF MY LIFE. 1018 00:35:17,649 --> 00:35:18,784 YOU'RE CONFRONTING IT HEAD ON. 1019 00:35:18,817 --> 00:35:20,619 I'M SO PROUD OF YOU, BUDDY. 1020 00:35:20,652 --> 00:35:22,388 SHH. 1021 00:35:23,822 --> 00:35:25,924 I THINK I JUST SAW SOMEONE RUNNING AWAY IN THE WOODS. 1022 00:35:25,957 --> 00:35:29,428 LOOK! THAT DOOR'S CRACKED! 1023 00:35:29,461 --> 00:35:31,830 I DON'T THINK ANYBODY'S HERE. 1024 00:35:31,863 --> 00:35:33,199 HOW SURE ARE YOU? 1025 00:35:33,232 --> 00:35:34,700 FAIRLY TO PRETTY DAMN. 1026 00:35:34,733 --> 00:35:37,536 GOOD, BECAUSE I DON'T THINK I CAN TAKE ONE MORE... 1027 00:35:37,569 --> 00:35:39,805 [moaning] 1028 00:35:43,509 --> 00:35:46,445 SHAWN? 1029 00:35:52,951 --> 00:35:54,553 I AM TELLING YOU, CARLYTOWN, 1030 00:35:54,586 --> 00:35:55,721 YOU GOTTA COME WITH US ON THIS! 1031 00:35:55,754 --> 00:35:56,822 AND I'M TELLING YOU, I'M ABOUT TO SOLVE 1032 00:35:56,855 --> 00:35:57,923 THE BIGGEST CASE OF MY CAREER. 1033 00:35:57,956 --> 00:35:59,591 SO WHICH DO YOU THINK I'D RATHER DO? 1034 00:35:59,625 --> 00:36:01,960 THE OLD MAN DIDN'T DIE FROM A FALL DOWN THE STAIRS. 1035 00:36:01,993 --> 00:36:04,496 INITIAL FINDINGS INDICATE HE HAD BLUNT FORCE TRAUMA 1036 00:36:04,530 --> 00:36:05,731 TO HIS HEAD BEFORE HE FELL. 1037 00:36:05,764 --> 00:36:07,399 SO UNLESS YOU'VE GOT A PSYCHIC ANSWER FOR THAT, 1038 00:36:07,433 --> 00:36:08,934 YOU GUYS CAN RUN ALONG. 1039 00:36:08,967 --> 00:36:10,236 AH, CRUD. 1040 00:36:10,269 --> 00:36:11,737 NOW WYLES ISN'T ANSWERING HIS PHONE. 1041 00:36:11,770 --> 00:36:12,871 I HAVE THE FINAL CORONER'S REPORT 1042 00:36:12,904 --> 00:36:14,206 ON THAT EXHUMED BODY. 1043 00:36:14,240 --> 00:36:15,841 IT WAS DEFINITELY A HEAD TRAUMA. 1044 00:36:15,874 --> 00:36:17,476 OH, AND IT TURNS OUT THAT UNIDENTIFIED MATTER 1045 00:36:17,509 --> 00:36:19,778 FOUND IN HIS SKULL WAS A CHIP OF IVORY. 1046 00:36:19,811 --> 00:36:21,347 GREAT. 1047 00:36:21,380 --> 00:36:22,981 BUT I HAVE THE BEST REVEAL EVER. 1048 00:36:23,014 --> 00:36:24,250 SPENCER, WE'LL GET TO YOUR LITTLE MUMMY THING LATER. 1049 00:36:24,283 --> 00:36:26,318 QUITE HONESTLY, I ONLY TOOK THE CASE 1050 00:36:26,352 --> 00:36:28,354 BECAUSE WYLES IV IS ON THE BOARD OF TRUSTEES. 1051 00:36:28,387 --> 00:36:29,521 I THOUGHT I COULD DO A LITTLE SNOOPING, 1052 00:36:29,555 --> 00:36:32,558 BUT ALL I GOT WAS DEAD ENDS. 1053 00:36:32,591 --> 00:36:34,860 I CAN SOLVE BOTH CASES! 1054 00:36:34,893 --> 00:36:36,695 (Interim Chief Vick) YOU CAN WHAT? 1055 00:36:36,728 --> 00:36:38,564 LASSIE, CALL WYLES ON HIS CELL PHONE. 1056 00:36:38,597 --> 00:36:39,931 HE'LL PICK THAT UP BECAUSE HE'S NOT AT HOME. 1057 00:36:39,965 --> 00:36:40,866 DUDE, WE GOT IT. 1058 00:36:40,899 --> 00:36:42,468 OH, WE ARE GOOD! 1059 00:36:42,501 --> 00:36:43,935 THEN MEET US AT THE MUSEUM. 1060 00:36:43,969 --> 00:36:45,904 WHY CAN'T THEY JUST MEET US AT A WELL-LIT STARBUCKS? 1061 00:36:45,937 --> 00:36:49,575 ONE MORE TIME, BUDDY. FOR JUSTICE. 1062 00:36:49,608 --> 00:36:50,676 (Wyles) WHY AM I HERE? 1063 00:36:50,709 --> 00:36:51,777 YOU'LL FIND OUT SOON ENOUGH. 1064 00:36:51,810 --> 00:36:53,812 BUT WHATEVER IT IS, I'M TAKING FULL CREDIT FOR IT. 1065 00:36:53,845 --> 00:36:55,981 JUST COOPERATE WITH US, MR. WYLES. 1066 00:36:56,014 --> 00:36:57,416 THINGS DON'T LOOK VERY GOOD FOR YOU RIGHT NOW. 1067 00:36:57,449 --> 00:36:58,884 YEAH, WELL, I'LL HAVE YOUR JOB. 1068 00:36:58,917 --> 00:37:01,620 WELL, IT'S TOO LATE FOR THAT. SOMEONE ELSE ALREADY DOES. 1069 00:37:03,955 --> 00:37:05,991 [moaning] 1070 00:37:06,024 --> 00:37:08,460 SHAWN! 1071 00:37:08,494 --> 00:37:10,996 DON'T WORRY, SOPHIE. I'M BEING VERY GENTLE. 1072 00:37:11,029 --> 00:37:12,831 I LAID DOWN A BLANKET AND EVERYTHING. 1073 00:37:12,864 --> 00:37:14,933 NOT MY FIRST TIME ALONE IN A COFFIN. 1074 00:37:14,966 --> 00:37:16,568 BY THE WAY... 1075 00:37:16,602 --> 00:37:18,504 PLAYING DEAD, AWESOME. 1076 00:37:19,605 --> 00:37:20,939 WHAT IS THIS NONSENSE? 1077 00:37:20,972 --> 00:37:22,508 HE'S SOLVING A CASE. 1078 00:37:22,541 --> 00:37:24,042 ACTUALLY, I'M SOLVING TWO CASES. 1079 00:37:24,075 --> 00:37:26,345 BUT LET'S TAKE THEM ONE AT A TIME. 1080 00:37:26,378 --> 00:37:30,849 FIRST, A BEING DID RISE FROM THIS COFFIN... 1081 00:37:30,882 --> 00:37:33,852 AND WALK OUT OF THE MUSEUM ON TUESDAY NIGHT. 1082 00:37:33,885 --> 00:37:36,522 STRANGLED POOR HASTINGS, MAY HE REST IN PEACE, 1083 00:37:36,555 --> 00:37:38,824 WITH HIS BARE HANDS. 1084 00:37:38,857 --> 00:37:43,028 CORRECTION, LINEN-WRAPPED HANDS. 1085 00:37:43,061 --> 00:37:44,062 THANK YOU. 1086 00:37:44,095 --> 00:37:46,865 I WAS THE FIRST ONE TO SAY THAT IT WAS A MUMMY. 1087 00:37:46,898 --> 00:37:49,968 (Shawn) BUT THAT BEING WAS NOT THE MUMMY... 1088 00:37:50,001 --> 00:37:50,936 RUB-MY-BOTTOM. 1089 00:37:50,969 --> 00:37:52,037 RAHMENTOTTEM. 1090 00:37:52,070 --> 00:37:54,306 THAT MUMMY NEVER MADE IT INTO THE MUSEUM. 1091 00:37:54,340 --> 00:37:55,741 NO, THAT MUMMY NEVER MADE IT OUT OF THE WHITE VAN 1092 00:37:55,774 --> 00:37:56,808 IN THE PARKING LOT. 1093 00:37:56,842 --> 00:38:00,712 IT WAS SWAPPED OUT BY AN ANGRY WAREHOUSE FOREMAN 1094 00:38:00,746 --> 00:38:02,348 ON WHEELS. 1095 00:38:02,381 --> 00:38:03,882 IT WAS ALL PART OF AN ELABORATE BREAK-IN. 1096 00:38:03,915 --> 00:38:06,852 THIS IS ABSOLUTE INSANITY. 1097 00:38:06,885 --> 00:38:08,654 AN INTERESTING CHOICE OF WORDS. 1098 00:38:08,687 --> 00:38:10,889 I THOUGHT FOR SURE YOU'D SAY GENIUS. 1099 00:38:10,922 --> 00:38:13,559 WELL, WHY WOULD I SAY GENIUS? 1100 00:38:13,592 --> 00:38:14,560 BECAUSE IT WAS YOUR PLAN. 1101 00:38:14,593 --> 00:38:15,927 MY PLAN? 1102 00:38:15,961 --> 00:38:18,063 YOU'RE THE ONE THAT GOT INTO THE SNUFFALUPAGUS 1103 00:38:18,096 --> 00:38:21,099 WRAPPED IN JUST ENOUGH TEA-STAINED LINEN 1104 00:38:21,132 --> 00:38:22,968 TO LOOK LIKE A MUMMY THROUGH THE CRACKED LID. 1105 00:38:23,001 --> 00:38:25,904 YOU NEEDED TO GET THOSE PISTOLS BACK, DIDN'T YOU? 1106 00:38:25,937 --> 00:38:29,040 YEAH, THE ONES THAT USED TO BE AT THE TOP OF THE STAIRS 1107 00:38:29,074 --> 00:38:30,141 IN YOUR FATHER'S HOUSE. 1108 00:38:30,175 --> 00:38:34,045 ESPECIALLY THAT ONE WITH THE CHIPPED IVORY HANDLE. 1109 00:38:34,079 --> 00:38:35,781 WHICH... WHICH WAS THE MURDER WEAPON! 1110 00:38:35,814 --> 00:38:37,349 COME ON, LASS. 1111 00:38:37,383 --> 00:38:38,884 A LITTLE CONSIDERATION, PLEASE? 1112 00:38:38,917 --> 00:38:39,951 I MEAN, LOOK. 1113 00:38:39,985 --> 00:38:41,019 I'M GOING ALL OUT WITH THE CLOTH AND THING HERE. 1114 00:38:41,052 --> 00:38:42,020 I'M DOING MY THING. 1115 00:38:42,053 --> 00:38:43,689 DETECTIVES... 1116 00:38:43,722 --> 00:38:45,090 YOU KNOCKED YOUR FATHER ON THE HEAD WITH THAT PISTOL, 1117 00:38:45,123 --> 00:38:46,658 LET HIM FALL TO HIS DEATH, AND THEN RAN OUT 1118 00:38:46,692 --> 00:38:49,961 AND WAITED FOR SOMEBODY ELSE TO FIND HIM. 1119 00:38:49,995 --> 00:38:52,964 AND THE PISTOL GOT WILLED TO THE MUSEUM. 1120 00:38:52,998 --> 00:38:54,366 (Sophie) THAT'S WHY YOU WORKED SO HARD 1121 00:38:54,400 --> 00:38:55,801 TO GET THAT EXHIBIT CLOSED. 1122 00:38:55,834 --> 00:38:57,002 AND DELAYED THE INSTALLATION 1123 00:38:57,035 --> 00:38:58,770 OF THE NEW SECURITY SYSTEM. 1124 00:38:58,804 --> 00:38:59,871 WELL, HE COULDN'T GET HIS WAY INTO THE DISPLAY. 1125 00:38:59,905 --> 00:39:01,607 BUT HE NEEDED TO BE IN THE MUSEUM. 1126 00:39:01,640 --> 00:39:03,775 (Lassiter) YOU HAVE BEEN A BUSY LITTLE BOY, HAVEN'T YOU? 1127 00:39:03,809 --> 00:39:05,811 (Interim Chief Vick) I BELIEVE YOU WILL BE MY FINAL 1128 00:39:05,844 --> 00:39:07,846 SANTA BARBARA ARREST, MR. WYLES. 1129 00:39:07,879 --> 00:39:09,515 PUT YOUR HANDS BEHIND YOUR BACK, SIR. 1130 00:39:11,182 --> 00:39:12,150 NICE, NICE--BUT GUYS, CHECK IT OUT. 1131 00:39:12,183 --> 00:39:13,852 THERE'S MORE, RIGHT? 1132 00:39:13,885 --> 00:39:15,521 HE TILTED THE CAMERA SO THAT HE WOULDN'T BE VISIBLE. 1133 00:39:15,554 --> 00:39:17,122 HE-- 1134 00:39:17,155 --> 00:39:21,393 HE STRANGLED HASTINGS SO THERE WOULDN'T BE A WITNESS! 1135 00:39:21,427 --> 00:39:23,028 I SAW HIM RUN AWAY IN THE FOREST! 1136 00:39:27,098 --> 00:39:30,035 GUS? 1137 00:39:31,970 --> 00:39:35,140 IS THERE ANY CHANCE AT ALL YOU'LL STAY? 1138 00:39:35,173 --> 00:39:36,742 NO. 1139 00:39:36,775 --> 00:39:38,610 BUT I'M SURE WE'LL SEE EACH OTHER AROUND. 1140 00:39:38,644 --> 00:39:42,514 LOOK, I KNEW THE MAYOR WANTED RAYMOND SAUTER FOR THE JOB. 1141 00:39:42,548 --> 00:39:43,549 HE'S AN OLD FRIEND OF HIS. 1142 00:39:43,582 --> 00:39:45,551 BUT SAUTER DIDN'T BECOME AVAILABLE 1143 00:39:45,584 --> 00:39:46,752 UNTIL RECENTLY. 1144 00:39:46,785 --> 00:39:50,088 SO I DID WHAT I HAD TO DO. 1145 00:39:50,121 --> 00:39:52,591 LOOK, I'M SURE SAUTER WILL DO A FINE JOB. 1146 00:39:52,624 --> 00:39:56,161 ARE YOU SURE YOU'LL HAVE A USE FOR THIS? 1147 00:39:56,194 --> 00:39:58,096 DUDE, YOU'RE BEING KIND OF INSENSITIVE. 1148 00:39:58,129 --> 00:39:59,130 SHE'LL BE FINE. 1149 00:39:59,164 --> 00:40:00,131 PHONE. 1150 00:40:00,165 --> 00:40:01,967 IT'S THE MAYOR. 1151 00:40:04,570 --> 00:40:06,071 OH. 1152 00:40:07,939 --> 00:40:08,974 YES, SIR? 1153 00:40:09,007 --> 00:40:11,543 WELL, YES. 1154 00:40:11,577 --> 00:40:13,512 BUT... 1155 00:40:13,545 --> 00:40:15,881 OF COURSE. YES, THAT'S-- 1156 00:40:18,584 --> 00:40:19,618 SIR, YOU DON'T HAVE TO BEG. 1157 00:40:21,520 --> 00:40:23,121 OH, YOU ARE BEGGING. 1158 00:40:23,154 --> 00:40:25,791 AS OF NOW? 1159 00:40:25,824 --> 00:40:29,861 OKAY. 1160 00:40:33,999 --> 00:40:34,966 I'M THE NEW CHIEF. 1161 00:40:35,000 --> 00:40:35,967 [gasps] 1162 00:40:36,001 --> 00:40:37,068 NOT INTERIM? 1163 00:40:37,102 --> 00:40:38,236 DON'T YOU DARE CALL ME THAT AGAIN. 1164 00:40:38,269 --> 00:40:43,842 [all cheering] 1165 00:40:43,875 --> 00:40:45,243 (Julie) OH, MY GOD, WHAT HAPPENED? WHAT DID HE SAY? 1166 00:40:45,276 --> 00:40:46,812 I HONESTLY HAVE NO IDEA. 1167 00:40:46,845 --> 00:40:47,979 I THINK I DO. 1168 00:40:49,648 --> 00:40:51,082 WHAT'S THIS? 1169 00:40:51,116 --> 00:40:52,851 (Lassiter) BUMPED MY ARREST TO PAGE TWO. 1170 00:40:56,154 --> 00:40:57,689 CONGRATULATIONS, KAREN. 1171 00:40:57,723 --> 00:40:58,757 THANK YOU. 1172 00:40:58,790 --> 00:40:59,791 [whistling] 1173 00:41:04,530 --> 00:41:05,597 WE SHOULD HAVE A PARTY! 1174 00:41:05,631 --> 00:41:07,232 (Gus) WE SHOULD DEFINITELY HAVE A PARTY. 1175 00:41:07,265 --> 00:41:08,600 (Julie) WE HAVE ALL THE PARTY ACCOUTREMENTS! 1176 00:41:08,634 --> 00:41:10,602 OH, JUST GO GET SOME PARTY GEAR 1177 00:41:10,636 --> 00:41:13,739 AND JUST OPEN SOME CRACKERS AND A BOTTLE OF SOMETHING. 1178 00:41:16,141 --> 00:41:18,009 SHAWN, ARE YOU SURE YOU DIDN'T GET 1179 00:41:18,043 --> 00:41:20,011 SOME SORT OF SPECIAL MESSAGE THIS WEEK? 1180 00:41:20,045 --> 00:41:23,148 DAD, I TOLD YOU, I DROPPED MY PHONE. 1181 00:41:23,181 --> 00:41:24,950 NOW, I GOTTA GO. NO NO, SHAWN! 1182 00:41:24,983 --> 00:41:25,951 LOOK, THERE'S SOMETHING I GOTTA GET OFF MY CHEST 1183 00:41:25,984 --> 00:41:27,285 BEFORE YOU LEAVE HERE! 1184 00:41:27,318 --> 00:41:28,419 DAD, I DON'T KNOW IF YOU JUST READ THE SECRET, 1185 00:41:28,453 --> 00:41:30,689 OR WATCHED AN EMOTIONAL OPRAH OR WHAT. 1186 00:41:30,722 --> 00:41:31,857 BUT I DON'T THINK WE'RE READY TO OPEN OUR SOULS 1187 00:41:31,890 --> 00:41:32,858 TO EACH OTHER. 1188 00:41:32,891 --> 00:41:34,125 WELL, WE HAVE NO CHOICE, KID. 1189 00:41:34,159 --> 00:41:35,661 BUT WE DO, AND IT'S GOOD. 1190 00:41:35,694 --> 00:41:37,228 BECAUSE WHAT WE HAVE IS SIMPLE AND SHALLOW 1191 00:41:37,262 --> 00:41:38,263 AND UNOBTRUSIVE. 1192 00:41:38,296 --> 00:41:39,898 SO LET'S HAVE THIS CONVERSATION 1193 00:41:39,931 --> 00:41:42,534 WHEN YOU'RE 90 AND MAYBE ON AN OXYGEN TANK. 1194 00:41:42,568 --> 00:41:43,602 'CAUSE I HAVE A DATE WITH A WOMAN 1195 00:41:43,635 --> 00:41:44,603 WHO RUNS A MUSEUM. [doorbell rings] 1196 00:41:44,636 --> 00:41:45,671 AND THAT'S NEW FOR ME. 1197 00:41:45,704 --> 00:41:47,573 NO, SHAWN! PLEASE, NO! 1198 00:41:47,606 --> 00:41:48,707 IT JUST FEELS GOOD. 1199 00:41:48,740 --> 00:41:50,542 YOU KNOW WHAT, I'LL GRAB THE DOOR FOR YOU 1200 00:41:50,576 --> 00:41:52,143 ON MY WAY OUT! 1201 00:41:55,614 --> 00:41:58,550 MOM.