1
00:00:01,737 --> 00:00:04,476
(waitress)
HEY, CAN I GET YOU GUYS ANYTHING
ELSE BEFORE I CLOSE YOUR CHECK
OUT?

2
00:00:04,510 --> 00:00:05,779
AS A MATTER
OF FACT, YOU CAN.

3
00:00:05,811 --> 00:00:07,383
MY PARTNER,
TRAPEEZIUS MILKINGTON,

4
00:00:07,416 --> 00:00:09,587
WOULD LIKE TO SEE SOMETHING
IN A BELGIAN WAFFLE.

5
00:00:09,619 --> 00:00:11,190
SHAWN, IT'S 12:30.

6
00:00:11,223 --> 00:00:14,162
I DO NOT WANT WAFFLES,
OR EGGS, OR MALT-O-MEAL.

7
00:00:14,196 --> 00:00:15,298
ALL RIGHT.

8
00:00:15,332 --> 00:00:16,500
WHAT WOULD
YOU RECOMMEND?

9
00:00:16,534 --> 00:00:17,502
OH, MY GOSH.

10
00:00:17,536 --> 00:00:18,504
IF YOU'RE GOING
TO DO THIS,

11
00:00:18,538 --> 00:00:19,840
I'M GOING
TO THE BATHROOM.

12
00:00:19,872 --> 00:00:21,711
EXCUSE ME.

13
00:00:21,743 --> 00:00:22,646
DON'T MIND HIM.

14
00:00:22,678 --> 00:00:24,816
HIS BLADDER IS
PROBABLY SMALLER THAN YOURS.

15
00:00:24,850 --> 00:00:26,520
[giggles]
NOW, GO AHEAD.

16
00:00:26,554 --> 00:00:29,127
AND TAKE MY TASTE BUDS
ON A FANTASTICAL JOURNEY.

17
00:00:29,160 --> 00:00:29,860
I DON'T KNOW.

18
00:00:29,892 --> 00:00:31,196
UM, I LIKE THE BURGERS.

19
00:00:31,231 --> 00:00:32,199
UH-UH, I'M SORRY.

20
00:00:32,233 --> 00:00:33,300
I SHOULD HAVE TOLD YOU.

21
00:00:33,335 --> 00:00:35,205
ONLY RULE,
IT CAN'T BE SOMETHING

22
00:00:35,239 --> 00:00:36,207
THAT SOMEONE WOULD ORDER
FOR LUNCH.

23
00:00:36,241 --> 00:00:38,211
KEEP IN MIND,
WE WANT TO GO OFF SCRIPT HERE.

24
00:00:38,245 --> 00:00:39,213
OKAY, I SEE.

25
00:00:39,247 --> 00:00:40,782
WELL, IN THAT CASE,

26
00:00:40,814 --> 00:00:43,855
I WOULD RECOMMEND
THE PUMPKIN PANCAKES

27
00:00:43,887 --> 00:00:46,526
WITH A SIDE OF LINGCOD.

28
00:00:46,560 --> 00:00:47,596
DOES THAT WORK?

29
00:00:47,629 --> 00:00:48,631
LET'S GET MARRIED.
[giggles]

30
00:00:48,665 --> 00:00:50,135
YOU DON'T EVEN KNOW ME.

31
00:00:50,169 --> 00:00:51,737
OH, REALLY? ALLOW ME
TO INTRODUCE YOURSELF...

32
00:00:51,771 --> 00:00:53,407
JETTA GIRL.

33
00:00:53,440 --> 00:00:54,610
MAYBE GREEN,

34
00:00:54,643 --> 00:00:57,183
BACKSEAT LOADED
WITH EMPTY PINKBERRY CUPS.

35
00:00:57,216 --> 00:00:59,153
OH, MY GOD!
WRONG.

36
00:00:59,187 --> 00:01:01,523
I DRIVE A JEEP.
A BLACK JEEP.

37
00:01:01,557 --> 00:01:03,595
BUT YOU'RE DEAD ON
WITH THE PINKBERRY.

38
00:01:03,628 --> 00:01:05,199
SO WHAT DO YOU THINK, SHOULD
WE SAVE A DATE, OR WHAT?

39
00:01:05,231 --> 00:01:06,366
MM.

40
00:01:06,401 --> 00:01:07,435
I'LL THINK ABOUT IT.

41
00:01:07,469 --> 00:01:08,871
FAIR ENOUGH.
OKAY.

42
00:01:10,609 --> 00:01:11,810
[snickers]

43
00:01:11,843 --> 00:01:13,381
LET ME GUESS.

44
00:01:13,414 --> 00:01:15,784
SHE'S CONSIDERING
YOUR PROPOSAL OF MARRIAGE.

45
00:01:15,818 --> 00:01:17,256
HOW COULD YOU
POSSIBLY KNOW THAT?

46
00:01:17,288 --> 00:01:18,790
SHAWN, YOU USE
THAT SAME TIGHT-ASS ROUTINE

47
00:01:18,825 --> 00:01:20,762
ON EVERY OTHER WAITRESS
THAT SERVES US.

48
00:01:20,794 --> 00:01:22,298
THAT IS
CATEGORICALLY UNTRUE.

49
00:01:22,333 --> 00:01:23,634
YOU USED IT
ON A EIGHTY-YEAR-OLD

50
00:01:23,668 --> 00:01:24,936
"FIXINS" ATTENDANT
AT FUDDRUCKERS.

51
00:01:24,970 --> 00:01:25,938
WHAT'S YOUR POINT, MAN?

52
00:01:25,972 --> 00:01:27,642
MY POINT IS, YOU'RE GOING TO BE
EIGHTY-YEARS-OLD

53
00:01:27,676 --> 00:01:29,646
AND STILL SHAMELESSLY
HITTING ON WAITRESSES.

54
00:01:29,680 --> 00:01:30,614
IS THAT WHAT YOU WANT?

55
00:01:30,648 --> 00:01:32,953
IS THAT A TRICK QUESTION?
WHAT DO YOU THINK?

56
00:01:32,985 --> 00:01:34,589
ALL RIGHT, HITCH.

57
00:01:34,622 --> 00:01:35,959
YOU WANT ME
TO TAKE A CHANCE?

58
00:01:35,991 --> 00:01:39,833
HUH? YOU WANT TO SEE
SOME WILL HUNTING ACTION?

59
00:01:39,867 --> 00:01:41,237
HERE WE GO.

60
00:01:41,271 --> 00:01:41,971
WHO YOU CALLING?

61
00:01:42,003 --> 00:01:42,906
JULIET?

62
00:01:42,938 --> 00:01:45,279
THAT ROUTINE IS AS TIRED
AS THE WAITRESS BIT.

63
00:01:45,312 --> 00:01:46,414
WAIT FOR IT.

64
00:01:46,446 --> 00:01:49,686
(Shawn)
* WAIT FOR I-I-I-IT

65
00:01:49,720 --> 00:01:52,692
[phone vibrating]

66
00:01:56,666 --> 00:01:57,702
[whispered]
HELLO?

67
00:01:57,736 --> 00:02:00,241
ABIGAIL LYTAR?
JUDD NELSON.

68
00:02:00,241 --> 00:02:02,313
SHAWN, STOP PLAYING.

69
00:02:02,346 --> 00:02:03,045
IS THAT REALLY ABIGAIL?

70
00:02:03,079 --> 00:02:04,517
SHAWN, IS THAT YOU?

71
00:02:04,549 --> 00:02:06,887
OF COURSE IT IS.
DON'T BE RIDICULOUS.

72
00:02:06,920 --> 00:02:09,327
LOOK, CLEARLY WE LEFT SOME LOOSE
ENDS AT OUR HIGH SCHOOL REUNION.

73
00:02:09,359 --> 00:02:11,296
SO I WAS THINKING...

74
00:02:11,331 --> 00:02:12,698
THAT MAYBE
WE SHOULD GET TOGETHER.

75
00:02:12,733 --> 00:02:15,036
WHY ON EARTH WOULD YOU THINK
THAT'S A GOOD IDEA?

76
00:02:15,070 --> 00:02:16,173
OH, I DON'T KNOW.

77
00:02:16,205 --> 00:02:18,511
THE LAST TIME I SAW YOU,
WE KISSED FOR, LIKE, 27 SECONDS.

78
00:02:18,544 --> 00:02:19,546
GORD...

79
00:02:23,455 --> 00:02:24,756
SO JUST US?

80
00:02:24,790 --> 00:02:26,426
SITTING AT THE SAME TABLE?

81
00:02:26,461 --> 00:02:27,363
HOPEFULLY A CORNER BOOTH.

82
00:02:27,396 --> 00:02:29,333
ABIGAIL...

83
00:02:29,367 --> 00:02:30,602
WHAT'S HAPPENING HERE IS, UH...

84
00:02:30,634 --> 00:02:33,375
I'M ASKING YOU OUT
ON A PROPER DATE.

85
00:02:33,408 --> 00:02:34,776
SHAWN, ARE YOU SURE?

86
00:02:34,810 --> 00:02:36,581
ARE YOU SURE ABOUT THIS?

87
00:02:36,613 --> 00:02:39,353
YES, I BELIEVE I AM.

88
00:02:39,387 --> 00:02:40,721
SEVEN, IT IS.

89
00:02:40,754 --> 00:02:43,995
I'LL BE THE ONE FLARING
MY NOSTRILS UNCONTROLLABLY.

90
00:02:44,028 --> 00:02:46,333
[laughs]

91
00:02:59,090 --> 00:03:00,361
OH, GOD, NO.

92
00:03:04,503 --> 00:03:05,471
DONE.

93
00:03:05,505 --> 00:03:06,973
HOW DO YOU LIKE
THEM APPLES?

94
00:03:07,007 --> 00:03:08,810
I SINCERELY HOPE YOU DIDN'T
JUST DO THAT TO PROVE A POINT.

95
00:03:08,845 --> 00:03:10,146
SHE'S A REAL PERSON, SHAWN.
THAT'S NO JOKE.

96
00:03:10,180 --> 00:03:11,617
[phone ringing]

97
00:03:11,650 --> 00:03:13,487
SHE MISSES ME ALREADY.

98
00:03:13,520 --> 00:03:14,922
OH... CHIEF.

99
00:03:14,957 --> 00:03:16,826
GET DOWN HERE NOW.

100
00:03:16,860 --> 00:03:18,565
I'M NOT ASKING.

101
00:03:18,597 --> 00:03:20,534
THAT WAS WEIRD.

102
00:03:20,569 --> 00:03:22,872
(Vick)
WE RECEIVED THE FOLLOWING
LETTER ABOUT AN HOUR AGO.

103
00:03:22,906 --> 00:03:23,908
IT HAS BEEN AUTHENTICATED.

104
00:03:23,941 --> 00:03:25,712
IT'S FROM THE YIN YANG KILLER.

105
00:03:25,744 --> 00:03:27,783
PAY CLOSE ATTENTION.

106
00:03:27,815 --> 00:03:29,520
(Lassiter)
"HEY EVERYBODY, I'M BACK.

107
00:03:29,552 --> 00:03:30,854
"FOR ONE NIGHT ONLY.

108
00:03:30,888 --> 00:03:32,693
"I'M GOING TO KILL SOMEONE
TONIGHT.

109
00:03:32,725 --> 00:03:35,097
"GUESS WHO, GUESS WHERE,
GUESS HOW.

110
00:03:35,130 --> 00:03:36,467
THIS IS GOING
TO BE SO MUCH FUN."

111
00:03:36,501 --> 00:03:38,737
SIGNED, "MR. YANG."

112
00:03:38,770 --> 00:03:40,172
HE'S LOOKING
FOR A NEW CHALLENGER.

113
00:03:40,207 --> 00:03:41,009
THAT'S WHAT HE DOES.

114
00:03:41,042 --> 00:03:42,812
CHIEF, I BELIEVE
HE'S SPEAKING TO ME.

115
00:03:42,845 --> 00:03:44,517
TRUST ME.
I AM READY.

116
00:03:51,597 --> 00:03:53,099
[snorts]
OH, COME ON, PEOPLE.

117
00:03:53,133 --> 00:03:55,070
HE COULD BE TALKING
ABOUT ANYBODY.

118
00:03:55,103 --> 00:03:56,105
JUST LAST WEEK,

119
00:03:56,139 --> 00:03:58,244
OFFICER YANKOWITZ
GUESSED MY FAVORITE VARIETY

120
00:03:58,276 --> 00:04:00,481
OF SNACK CRACKER:
TUSCAN WHEAT.

121
00:04:00,481 --> 00:04:03,053
IT'S REALLY OBSCURE.

122
00:04:08,898 --> 00:04:11,804
[The Friendly Indians'
I Know You Know]

123
00:04:11,837 --> 00:04:12,839
*

124
00:04:12,873 --> 00:04:14,577
* I KNOW YOU KNOW

125
00:04:14,609 --> 00:04:15,879
* THAT I'M NOT TELLING
THE TRUTH *

126
00:04:15,912 --> 00:04:17,848
* I KNOW YOU KNOW

127
00:04:17,883 --> 00:04:20,187
* THEY JUST DON'T HAVE
ANY PROOF *

128
00:04:20,219 --> 00:04:21,557
* EMBRACE THE DECEPTION

129
00:04:21,591 --> 00:04:22,858
* LEARN HOW TO BEND

130
00:04:22,893 --> 00:04:24,630
* YOUR WORST INHIBITIONS

131
00:04:24,662 --> 00:04:26,966
* TEND TO PSYCH YOU OUT
IN THE END *

132
00:04:27,000 --> 00:04:36,052
* I KNOW YOU KNOW *

133
00:04:36,085 --> 00:04:37,922
WHAT DO WE HAVE
ON HIS DESCRIPTION?
WE DON'T.

134
00:04:37,955 --> 00:04:39,792
WE'VE NEVER HAD
ANY AGE, ETHNICITY,

135
00:04:39,827 --> 00:04:41,162
OR PHYSICAL DESCRIPTION.

136
00:04:41,195 --> 00:04:42,197
THE HARSH TRUTH IS
IS THAT

137
00:04:42,231 --> 00:04:43,366
THIS IS HIS GAME.

138
00:04:43,399 --> 00:04:45,137
AND WE JUST HAVE TO PLAY ALONG
WITH HIM.

139
00:04:45,170 --> 00:04:46,205
THAT'S A TERRIFIC PLAN.

140
00:04:46,239 --> 00:04:47,975
ESPECIALLY SINCE IT'S WORKED OUT
SO WELL IN THE PAST.

141
00:04:48,008 --> 00:04:49,211
CHIEF...

142
00:04:49,245 --> 00:04:51,149
THE MAYOR'S ON THE PHONE.
OH, HERE WE GO.

143
00:04:51,182 --> 00:04:52,952
DETECTIVE LASSITER,
INTRODUCE SHAWN

144
00:04:52,985 --> 00:04:54,188
TO OUR POINT PERSON.

145
00:04:54,221 --> 00:04:56,058
SPENCER, LISTEN UP.
WHOA, WHOA, WHOA.

146
00:04:56,092 --> 00:04:57,327
I'M GETTING--
I'M GETTING SOMETHING ALREADY.

147
00:04:57,362 --> 00:04:58,163
WHAT?
WHAT IS IT?

148
00:04:58,196 --> 00:04:59,265
I CAN SEE THE KILLER.

149
00:04:59,298 --> 00:05:00,368
ALREADY?
YES.

150
00:05:00,400 --> 00:05:02,371
AND I KNOW EXACTLY WHERE HE IS.

151
00:05:02,405 --> 00:05:04,842
RIGHT THERE.
[clears throat]

152
00:05:04,877 --> 00:05:06,913
COME ON,
THAT'S OUR GUY.

153
00:05:06,947 --> 00:05:08,183
[whispers]
SHAWN.

154
00:05:08,215 --> 00:05:11,254
SHAWN,
THAT IS MARY LIGHTLY,

155
00:05:11,288 --> 00:05:12,290
OUR PROFILER
FROM THE SERIAL HOMICIDE

156
00:05:12,324 --> 00:05:13,894
AND ABDUCTION TASK FORCE.

157
00:05:13,928 --> 00:05:14,997
HE IS VERY FAMILIAR

158
00:05:15,030 --> 00:05:16,231
WITH THE PATTERNS
OF OUR KILLER.

159
00:05:16,264 --> 00:05:17,301
AND HOW
TO MAKE AN ATTRACTIVE LAMP

160
00:05:17,334 --> 00:05:18,738
OUT OF HUMAN SKIN.

161
00:05:18,770 --> 00:05:20,272
SHAWN, PLAY NICE.
HE'S A GENIUS.

162
00:05:20,307 --> 00:05:21,376
AND WE NEED HIM.

163
00:05:21,409 --> 00:05:23,980
MARY...

164
00:05:24,015 --> 00:05:25,719
THIS IS...
SHAWN SPENCER.

165
00:05:25,752 --> 00:05:27,021
IN THE FLESH.

166
00:05:27,053 --> 00:05:28,055
SEE?
HE SAID "FLESH."

167
00:05:29,425 --> 00:05:31,463
YOU KNOW HIM?
I'VE DONE MY RESEARCH, OKAY?

168
00:05:31,495 --> 00:05:32,833
YEAH, WELL,
I'VE GOOGLED MYSELF TOO,

169
00:05:32,866 --> 00:05:34,235
AND THERE'S A LOT
OF STUFF MISSING.

170
00:05:35,403 --> 00:05:37,073
THIS IS MY PARTNER,
STERLING COOPER.

171
00:05:42,184 --> 00:05:44,054
HELLO.

172
00:05:46,393 --> 00:05:48,429
SO WHAT'S MARY SHORT FOR?
MARIAN?

173
00:05:48,464 --> 00:05:49,498
NO.

174
00:05:49,531 --> 00:05:51,269
GREAT,
WE'RE ALL GOOD FRIENDS.

175
00:05:51,302 --> 00:05:52,773
CARE TO SHED A LITTLE LIGHT
ON THIS SUBJECT?

176
00:05:52,806 --> 00:05:56,111
MR. YANG IS
THE MOST NOTORIOUS KILLER

177
00:05:56,144 --> 00:05:57,347
THIS CITY HAS NEVER SEEN.

178
00:05:57,382 --> 00:06:00,453
HE CLAIMED SIX VICTIMS
IN THE SUMMER OF 1995,

179
00:06:00,488 --> 00:06:02,224
AND HAS RESURFACED TWICE,

180
00:06:02,256 --> 00:06:03,460
CLAIMING A SINGLE VICTIM
EACH INSTANCE.

181
00:06:03,493 --> 00:06:06,299
HE ONLY RESURFACES WHEN HE FEELS
THERE IS A WORTHY OPPONENT.

182
00:06:06,331 --> 00:06:07,467
NOW, HIS M.O.

183
00:06:07,502 --> 00:06:09,772
IS TO CHALLENGE US
WITH THE OPPORTUNITY

184
00:06:09,807 --> 00:06:12,444
TO SAVE THE VICTIMS
BY SOLVING HIS RIDDLES.

185
00:06:12,478 --> 00:06:13,815
(Shawn)
QUESTION.

186
00:06:13,847 --> 00:06:14,817
REGARDING
THE WHOLE MARY THING.

187
00:06:14,849 --> 00:06:16,119
MY FATHER'S NAME WAS MARY.

188
00:06:16,152 --> 00:06:17,488
HIS FATHER BEFORE HIM
WAS NAMED MARY.

189
00:06:17,521 --> 00:06:19,458
AND HIS FATHER BEFORE HIM
WAS NAMED CRAIG.

190
00:06:19,492 --> 00:06:21,129
FAIR ENOUGH.
PROCEED.

191
00:06:21,161 --> 00:06:23,466
YIN YANG.

192
00:06:23,500 --> 00:06:25,839
THE ORIGIN
OF THIS CHINESE SYMBOL

193
00:06:25,872 --> 00:06:27,274
IS THE UNITY OF OPPOSITES.

194
00:06:27,307 --> 00:06:28,811
TWO OPPOSING,
AND AT THE SAME TIME,

195
00:06:28,845 --> 00:06:30,212
COMPLEMENTARY ASPECTS.

196
00:06:30,246 --> 00:06:31,349
DARK VERSUS LIGHT,

197
00:06:31,382 --> 00:06:32,518
KILLER VERSUS COP,

198
00:06:32,551 --> 00:06:33,988
KRAMER VERSUS KRAMER.

199
00:06:34,020 --> 00:06:35,523
JUST SHOW HIM THE RIDDLE.

200
00:06:35,558 --> 00:06:37,896
"SHE SERVES THE GENERAL
WELL TODAY

201
00:06:37,929 --> 00:06:39,531
"WHOSE SOLDIERS WAIT TO DIE--

202
00:06:39,566 --> 00:06:41,436
"IN A WHITE RIVER
THEY SHALL PAY

203
00:06:41,470 --> 00:06:43,474
"FOR THEM SHE WILL NOT CRY--

204
00:06:43,507 --> 00:06:45,142
WHO IS SHE?"

205
00:06:45,176 --> 00:06:46,580
(Mary)
NOW, THIS RIDDLE CAME
WITH THIS STOPWATCH.

206
00:06:46,612 --> 00:06:48,549
ALREADY RUNNING.

207
00:06:48,584 --> 00:06:50,454
ONE OF HIS CLASSIC MOVES.

208
00:06:50,488 --> 00:06:53,158
YOU'VE GOT ONE HOUR
AND TEN MINUTES, PEOPLE.

209
00:06:53,192 --> 00:06:54,260
"GENERALS AND SOLDIERS"--

210
00:06:54,294 --> 00:06:55,531
SHE'D BE IN THE MILITARY.
MCNABB!

211
00:06:55,563 --> 00:06:57,266
YES, SIR!
DAMN IT.

212
00:06:57,300 --> 00:06:58,403
WANT YOU TO CONTACT
EVERY MILITARY BASE

213
00:06:58,437 --> 00:06:59,907
IN AN 80 MILE RADIUS.

214
00:06:59,940 --> 00:07:00,841
FIND OUT IF ANY FEMALE
PERSONNEL

215
00:07:00,841 --> 00:07:02,176
HAVE GONE AWOL
IN THE LAST 48 HOURS.

216
00:07:02,211 --> 00:07:03,447
(Mary)
NOW BEAR IN MIND,

217
00:07:03,480 --> 00:07:05,417
IT'S THE PSYCHIC
THAT HE WANTS TO PLAY WITH.

218
00:07:05,450 --> 00:07:08,322
EACH RIDDLE WILL RELATE
TO HIM PERSONALLY.

219
00:07:08,356 --> 00:07:09,558
DO YOU HAVE
ANY THOUGHTS, SHAWN?

220
00:07:09,592 --> 00:07:11,931
YES, JULES.
I DO.

221
00:07:11,963 --> 00:07:13,499
FIRST OF ALL,

222
00:07:13,533 --> 00:07:15,604
HIS RHYMING SKILLS
ARE RUDIMENTARY AT BEST.

223
00:07:15,637 --> 00:07:17,675
TODAY, PAY, DIE, AND CRY?

224
00:07:17,707 --> 00:07:19,411
COME ON.
THAT'S BUSH LEAGUE.

225
00:07:21,715 --> 00:07:22,953
YES.

226
00:07:22,986 --> 00:07:23,988
I UNDERSTAND.
KAREN.

227
00:07:24,020 --> 00:07:24,990
YES.
THANK YOU, SIR.

228
00:07:25,022 --> 00:07:25,925
KAREN...

229
00:07:25,959 --> 00:07:27,695
YOU ARE NOT GOING TO USE
MY SON AS A PAWN.

230
00:07:27,727 --> 00:07:30,032
OH, I'LL ADVISE YOU
TO PROCEED WITH CAUTION.

231
00:07:30,067 --> 00:07:31,703
NEED I REMIND YOU WHAT HAPPENED
TO THE LAST DETECTIVE

232
00:07:31,735 --> 00:07:33,540
WHO WENT HEAD-TO-HEAD
WITH THIS SICK BASTARD?

233
00:07:33,574 --> 00:07:35,578
HE LOST
AND AN INNOCENT GIRL DIED.

234
00:07:35,611 --> 00:07:37,081
NOW, I WILL THANK YOU
TO GO HOME

235
00:07:37,114 --> 00:07:37,949
AND LET US DO OUR WORK.

236
00:07:37,983 --> 00:07:40,219
NOT GOING TO HAPPEN.
NOT GOING TO HAPPEN.

237
00:07:40,252 --> 00:07:41,089
HENRY!

238
00:07:41,122 --> 00:07:43,659
YOUR SON IS THE ONLY SHOT
THAT WE HAVE.

239
00:07:43,694 --> 00:07:44,696
PERIOD.

240
00:07:44,728 --> 00:07:46,199
YEAH, WELL...

241
00:07:46,231 --> 00:07:47,434
NOT MY PROBLEM.

242
00:07:49,404 --> 00:07:50,440
SHAWN.

243
00:07:53,113 --> 00:07:54,582
EXCUSE ME.

244
00:07:56,384 --> 00:07:58,388
HEY, DID I MISS THE MEMO?

245
00:07:58,422 --> 00:07:59,659
I THOUGHT "BRING YOUR DADDY
TO WORK" DAY WAS NEXT WEEK.

246
00:07:59,691 --> 00:08:00,728
I FORBID YOU
TO BE A PART OF THIS, SHAWN.

247
00:08:00,760 --> 00:08:02,030
YOU'RE COMING WITH ME.

248
00:08:02,064 --> 00:08:03,733
WH--WH--WHOA.
FORBID ME?

249
00:08:03,766 --> 00:08:05,069
I'M FAMILIAR
WITH YOUR HANDS-ON APPROACH

250
00:08:05,103 --> 00:08:06,673
TO PARENTING,
BUT I'M NOT 27 ANYMORE.

251
00:08:06,705 --> 00:08:07,707
I CAN DO WHATEVER I WANT.

252
00:08:07,742 --> 00:08:09,077
THIS GUY KNOWS ABOUT YOU,

253
00:08:09,110 --> 00:08:11,315
HE KNOWS ABOUT EVERYBODY
YOU CARE ABOUT.

254
00:08:11,349 --> 00:08:12,484
THINK ABOUT THAT.

255
00:08:12,517 --> 00:08:13,787
YOU DON'T CATCH
THE SON-OF-A-BITCH, KID,

256
00:08:13,820 --> 00:08:15,357
YOU'RE NEVER GOING
TO SLEEP AGAIN.

257
00:08:15,390 --> 00:08:16,392
SPENCER.

258
00:08:16,424 --> 00:08:18,597
55 MINUTES.

259
00:08:22,371 --> 00:08:24,375
GO HOME, DAD.
I'VE GOT THIS.

260
00:08:25,710 --> 00:08:26,779
GO HOME.

261
00:08:30,352 --> 00:08:31,421
SORRY, GUYS.

262
00:08:31,454 --> 00:08:33,193
DAD WAS JUST DROPPING OFF
MY ZODIAC DVD.

263
00:08:33,226 --> 00:08:34,596
CAN WE FOCUS, PLEASE?

264
00:08:35,763 --> 00:08:37,101
"IN A WHITE RIVER
THEY SHALL PAY."

265
00:08:37,134 --> 00:08:38,236
HIS SEVENTH VICTIM WASHED UP

266
00:08:38,268 --> 00:08:39,337
ON SHORE, MAYBE THERE A--

267
00:08:39,370 --> 00:08:40,608
NO.

268
00:08:40,641 --> 00:08:41,743
THERE'S NEVER
A REPEAT PERFORMANCE.

269
00:08:41,775 --> 00:08:42,745
OKAY, EACH VICTIM

270
00:08:42,777 --> 00:08:43,647
IS A NEW MASTERPIECE,

271
00:08:43,680 --> 00:08:44,582
AND THE FIRST RIDDLE
IS ALWAYS A GIMME.

272
00:08:44,616 --> 00:08:47,286
NO, THIS GUY IS ITCHING
TO PLAY THE GAME.

273
00:08:47,321 --> 00:08:49,125
THINK ABOUT THE LAST 24 HOURS.

274
00:08:49,158 --> 00:08:51,461
GUS.
GUS, I GOT IT!

275
00:08:51,494 --> 00:08:52,496
I-I MEAN I KNOW
WHO THE GENERAL IS.

276
00:08:52,530 --> 00:08:53,767
HIS NAME IS MILLS.

277
00:08:53,799 --> 00:08:55,671
GENERAL MILLS?
THE CEREAL MANUFACTURER?

278
00:08:55,704 --> 00:08:56,773
EXACTLY!

279
00:08:56,805 --> 00:08:59,646
THE WHITE RIVER IS MILK,
AND THE SOLDIERS ARE CEREAL.

280
00:08:59,679 --> 00:09:00,714
SO WHO IS "SHE?"

281
00:09:02,718 --> 00:09:04,589
[sirens]

282
00:09:09,530 --> 00:09:11,502
HI, WELCOME TO CAPTAIN RON'S.
TABLE FOR FIVE?

283
00:09:11,534 --> 00:09:12,905
THERE WAS A WAITRESS
HERE EARLIER.

284
00:09:12,938 --> 00:09:14,207
LONG BROWN HAIR.

285
00:09:14,240 --> 00:09:15,443
I HAVEN'T SEEN HER
IN A WHILE,

286
00:09:15,477 --> 00:09:16,512
SHE MUST BE ON BREAK.

287
00:09:16,544 --> 00:09:17,881
WHERE?
IN THE BACK.
BY THE LOCKERS.

288
00:09:25,763 --> 00:09:27,834
HOW DO YOU KNOW THIS GIRL?
WE DON'T REALLY KNOW HER.

289
00:09:27,868 --> 00:09:30,507
SHE SERVED US OUR LUNCH.

290
00:09:32,410 --> 00:09:35,317
[beeping]

291
00:09:48,243 --> 00:09:49,946
"OH RATS, SHAWN.
SO CLOSE.

292
00:09:49,978 --> 00:09:51,282
"TOO BAD SHE HAS TO DIE.

293
00:09:51,315 --> 00:09:53,353
"BUT HOW?

294
00:09:53,386 --> 00:09:55,357
"AND WHEN
AND WHERE?

295
00:09:55,390 --> 00:09:57,526
DON'T BOTHER ASKING WHY."

296
00:09:57,560 --> 00:09:59,564
(Mary)
OH, HE STILL OWES US
A RIDDLE.

297
00:09:59,597 --> 00:10:00,968
THIS IS JUST THE AMUSE-BOUCHE.

298
00:10:01,000 --> 00:10:02,371
HE'S TAUNTING YOU.

299
00:10:02,403 --> 00:10:03,505
I BELIEVE HE'S
USING THE ALPHABITS

300
00:10:03,539 --> 00:10:04,741
TO SEND A MESSAGE.

301
00:10:04,776 --> 00:10:06,713
THAT HE, TOO,
BELIEVES THAT BREAKFAST

302
00:10:06,746 --> 00:10:08,416
FOR LUNCH
IS WAY UNDERRATED.

303
00:10:08,448 --> 00:10:09,651
WOULD ANYONE LIKE

304
00:10:09,686 --> 00:10:11,254
TO TRY TO WRITE THIS MESSAGE
WITH A BURRITO?

305
00:10:11,289 --> 00:10:12,991
OPEN CHALLENGE.
TAKE A SHOT.

306
00:10:13,025 --> 00:10:14,928
EXACTLY.
I REST MY CASE.

307
00:10:14,962 --> 00:10:16,398
AND NOW
I WANT A BURRITO.

308
00:10:16,431 --> 00:10:18,904
CAN I TALK TO YOU
FOR A SECOND, PLEASE?

309
00:10:18,936 --> 00:10:20,407
DUDE, WHAT ARE YOU DOING?

310
00:10:20,439 --> 00:10:22,376
(Shawn)
WHAT ARE YOU TALKING ABOUT?

311
00:10:22,411 --> 00:10:23,546
(Gus)
A GIRL'S LIFE IS AT STAKE,
AND YOU'RE ACTING LIKE AN ASS?

312
00:10:23,578 --> 00:10:25,015
MAKING JOKES?

313
00:10:25,049 --> 00:10:26,518
YOU HAVEN'T TAKEN THIS THING
SERIOUSLY FROM JUMP STREET.

314
00:10:26,552 --> 00:10:27,788
EXACTLY.
EXACTLY?!

315
00:10:27,822 --> 00:10:29,691
'CAUSE I HAVE TO WORK
LIKE THIS, OKAY?

316
00:10:29,725 --> 00:10:31,461
IF THAT GUY GETS
IN MY HEAD, WE LOSE.

317
00:10:31,495 --> 00:10:32,832
I HAVE TO DO MY THING.

318
00:10:32,865 --> 00:10:33,900
I CANNOT SHOW WEAKNESS.

319
00:10:33,934 --> 00:10:36,405
AND MY FANCIFUL RHETORIC
HELPS DIFFUSE A SITUATION

320
00:10:36,439 --> 00:10:38,575
THAT'S VERY TENSE
FOR THE GROUP.

321
00:10:38,608 --> 00:10:40,579
BUT, SHAWN,
NOBODY IS LAUGHING.

322
00:10:40,612 --> 00:10:42,583
TRUST ME, THEY'RE LAUGHING
ON THE INSIDE.

323
00:10:42,616 --> 00:10:44,488
THAT'S HOW IT WORKS,
BUDDY.

324
00:10:44,520 --> 00:10:45,991
I NEED YOU
TO HELP ME OUT HERE.

325
00:10:46,023 --> 00:10:47,361
DO YOU THINK
YOU CAN DO THAT?

326
00:10:47,394 --> 00:10:48,463
I'LL TRY.

327
00:10:48,496 --> 00:10:49,698
ALL RIGHT.

328
00:10:51,435 --> 00:10:52,437
"LITTLE LEAGUE IS OVER.

329
00:10:52,471 --> 00:10:53,638
"YOU JUST BECAME A PRO.

330
00:10:53,673 --> 00:10:55,410
"SCORE A RUN,
WE'LL HAVE MORE FUN.

331
00:10:55,443 --> 00:10:57,481
"MAKE SURE YOU BEAT
THE THROW."

332
00:10:57,514 --> 00:10:59,617
NEXT LOCATION.
HOW MUCH TIME DO WE HAVE?

333
00:10:59,650 --> 00:11:00,988
17 MINUTES.

334
00:11:01,021 --> 00:11:03,358
WOW.
[sighs heavily]

335
00:11:03,393 --> 00:11:05,530
I WANT PANCAKES.
WHO WANTS SOME PANCAKES?

336
00:11:05,562 --> 00:11:08,635
WHIPPED BUTTER, MAPLE SYRUP,
WHAT?

337
00:11:11,107 --> 00:11:12,577
"MAKE SURE YOU BEAT THE THROW"

338
00:11:12,610 --> 00:11:13,646
INSINUATES A CLOSE PLAY.

339
00:11:13,680 --> 00:11:15,751
YOU GOT TO TOUCH
HOME PLATE.

340
00:11:15,783 --> 00:11:17,687
YOU GOT TO TOUCH HOME PLATE
TO SCORE A RUN.

341
00:11:17,722 --> 00:11:19,123
THAT MEANS THE CLUE'S

342
00:11:19,157 --> 00:11:20,693
BACK
AT THE POLICE STATION.

343
00:11:22,697 --> 00:11:24,835
MAKE A HOLE.

344
00:11:26,805 --> 00:11:27,908
MOM?

345
00:11:27,942 --> 00:11:29,110
HEY, GOOSE.

346
00:11:30,579 --> 00:11:32,583
HI, MRS. SPENCER.
HEY.

347
00:11:32,617 --> 00:11:34,421
SPENCER?
LET'S GO.

348
00:11:34,455 --> 00:11:36,091
WE NEED TO TALK.
I'LL MAKE IT QUICK.

349
00:11:36,123 --> 00:11:37,661
SURE, NO PROBLEM.
FIND THE CLUE.

350
00:11:37,693 --> 00:11:38,695
I'LL BE RIGHT THERE!

351
00:11:38,729 --> 00:11:39,932
BYE.
BYE.

352
00:11:39,966 --> 00:11:41,701
I'M NOT GOING
TO MINCE WORDS.

353
00:11:41,735 --> 00:11:42,604
YOUR FATHER CALLED ME.

354
00:11:42,636 --> 00:11:43,839
HE'S WORRIED ABOUT YOU.

355
00:11:43,873 --> 00:11:45,843
HE WANTS ME TO CONVINCE YOU
NOT TO DO THIS.

356
00:11:45,877 --> 00:11:47,581
SO HE CALLS YOU,
YOU HOP ON A PLANE,

357
00:11:47,614 --> 00:11:48,749
THAT'S HOW IT WORKS, HUH?

358
00:11:48,783 --> 00:11:49,851
NO, SHAWN.
I DIDN'T FLY DOWN HERE.

359
00:11:49,885 --> 00:11:51,522
I WAS AT A CONFERENCE
IN VENTURA.

360
00:11:51,555 --> 00:11:53,593
YOU'RE IN TOWN?
WOULD'VE BEEN NICE TO KNOW.

361
00:11:53,626 --> 00:11:57,000
THE TRUTH IS, I'M WORRIED
ABOUT YOU TOO.

362
00:11:57,033 --> 00:11:58,703
I DID PSYCH EVALS
OF SEVERAL OFFICERS

363
00:11:58,736 --> 00:11:59,972
WHO WERE INVOLVED
IN THE FIRST ROUND

364
00:12:00,006 --> 00:12:01,240
OF THIS MANIAC'S GAME.

365
00:12:01,273 --> 00:12:02,745
IT WASN'T PRETTY.

366
00:12:02,777 --> 00:12:04,047
ALL RIGHT, LOOK.

367
00:12:04,080 --> 00:12:05,818
FIRST OF ALL, MOM...

368
00:12:05,851 --> 00:12:06,820
I HAVE A DATE TONIGHT.
ALL RIGHT?

369
00:12:06,853 --> 00:12:08,723
SO I HAVE TO WRAP THIS UP

370
00:12:08,756 --> 00:12:09,724
AT A REASONABLE HOUR.

371
00:12:09,759 --> 00:12:10,559
AND SECONDLY...

372
00:12:10,592 --> 00:12:13,565
THIS GUY HAS NEVER GONE UP
AGAINST ME.

373
00:12:13,598 --> 00:12:14,701
IF I CAN STAND HERE
AND TELL YOU

374
00:12:14,734 --> 00:12:16,571
THAT I WILL NAIL THIS GUY,
ARE YOU

375
00:12:16,604 --> 00:12:18,608
REALLY GOING TO TELL ME
TO WALK AWAY?

376
00:12:18,643 --> 00:12:19,745
SHAWN.
MOM.

377
00:12:19,779 --> 00:12:21,247
I CAN BEAT HIM.

378
00:12:22,785 --> 00:12:24,087
I WILL...

379
00:12:24,119 --> 00:12:25,188
BEAT HIM.

380
00:12:28,596 --> 00:12:30,032
OKAY, GOOSE.

381
00:12:30,066 --> 00:12:31,769
NAIL THE SON-OF-A-BITCH.

382
00:12:31,803 --> 00:12:32,771
OKAY, I GOT TO GO, MOM.

383
00:12:37,312 --> 00:12:38,849
PLEASE BE RIGHT.

384
00:12:38,883 --> 00:12:40,019
SPENCER,
CONFERENCE ROOM.

385
00:12:40,052 --> 00:12:41,188
THANKS.

386
00:12:41,221 --> 00:12:42,857
WELL, SOMEONE MUST'VE SIGNED
FOR THIS.

387
00:12:42,891 --> 00:12:43,726
IT WASN'T DELIVERED.

388
00:12:43,758 --> 00:12:45,762
DOBSON FOUND IT
OUTSIDE THE FILE ROOM.

389
00:12:45,798 --> 00:12:47,766
HOW IN THE HELL CAN--

390
00:12:47,802 --> 00:12:49,003
OKAY, YOU KNOW WHAT,
PEOPLE?

391
00:12:49,037 --> 00:12:50,808
EYES OPEN.

392
00:12:50,840 --> 00:12:51,842
CHIEF, LOU SARDOCKI
FROM THE INDEPENDENT'S

393
00:12:51,875 --> 00:12:52,877
ON THE PHONE.

394
00:12:52,911 --> 00:12:53,913
SAYS YOU OWE HIM
A STATEMENT.

395
00:12:53,946 --> 00:12:56,919
AH, I'LL GIVE HIM
A STATEMENT.

396
00:13:05,803 --> 00:13:07,774
[squeaking]

397
00:13:07,807 --> 00:13:09,110
THAT'S VERY CLEVER.

398
00:13:12,985 --> 00:13:15,824
"MEET MY LITTLE BUDDY BEN.

399
00:13:15,857 --> 00:13:17,793
"PITTER PATTER IS YOUR HINT.

400
00:13:17,828 --> 00:13:19,765
"IF YOU CAN'T REMEMBER WHEN,

401
00:13:19,797 --> 00:13:21,334
JUST READ THE FINE PRINT."

402
00:13:21,367 --> 00:13:24,775
[beeping]

403
00:13:24,808 --> 00:13:27,012
WE HAVE
LESS THAN ONE HOUR.

404
00:13:27,045 --> 00:13:28,949
SHAWN, CAN YOU...

405
00:13:28,984 --> 00:13:30,119
SPEAK TO IT?

406
00:13:30,152 --> 00:13:31,789
NO, HE
CAN'T SPEAK TO IT.

407
00:13:31,822 --> 00:13:32,724
YES, HE CAN.

408
00:13:32,756 --> 00:13:34,829
JUST--JUST GIVE HIM
SOME ROOM, BACK UP.

409
00:13:34,861 --> 00:13:36,097
FINE, KNOCK YOURSELF OUT,
DOCTOR DOOLITTLE.

410
00:13:36,131 --> 00:13:37,333
DOCTOR DOOLITTLE?

411
00:13:37,365 --> 00:13:39,069
I KNOW YOU CAN DO
BETTER THAN THAT, LASSIE.

412
00:13:39,103 --> 00:13:40,371
I KNOW YOU CAN.

413
00:13:40,406 --> 00:13:42,877
[squeaking]

414
00:13:45,015 --> 00:13:47,922
[whisper]
I DON'T--I DON'T KNOW
WHAT I'M SUPPOSED TO REMEMBER.

415
00:13:50,359 --> 00:13:51,328
HEY, EVERYBODY,

416
00:13:51,361 --> 00:13:52,430
GUESS WHO I AM.

417
00:13:52,462 --> 00:13:54,801
HEE-HEE.

418
00:13:54,836 --> 00:13:57,005
[heavy breathing]

419
00:14:01,681 --> 00:14:04,020
I'M MICHAEL JACKSON.

420
00:14:04,054 --> 00:14:04,922
KING OF POP?

421
00:14:10,131 --> 00:14:12,938
SHAWN, I DON'T THINK
THIS IS WORKING.

422
00:14:12,971 --> 00:14:13,940
ARE YOU KIDDING ME?

423
00:14:13,973 --> 00:14:15,341
THAT WAS A HOME RUN.

424
00:14:15,375 --> 00:14:16,779
KEEP UP THE GOOD WORK.

425
00:14:16,811 --> 00:14:19,116
"PITTER PATTER"
IS THE HINT.

426
00:14:19,149 --> 00:14:21,221
NOW, I DON'T THINK
WE'RE SPEAKING TO THE MOUSE.

427
00:14:21,254 --> 00:14:24,260
I THINK THE MOUSE
IS SPEAKING TO YOU.

428
00:14:24,294 --> 00:14:25,529
WHAT D'YOU GOT, SHAWN?

429
00:14:25,561 --> 00:14:27,132
FINE PRINT.

430
00:14:29,938 --> 00:14:32,110
HELLO, MY FRIEND.

431
00:14:32,142 --> 00:14:33,947
IT'S THE FINE PRINT.

432
00:14:33,979 --> 00:14:35,016
HE WAS WALKING ON IT.

433
00:14:36,953 --> 00:14:38,957
DUDE, THIS IS CRAZY.

434
00:14:38,989 --> 00:14:41,093
"ADAM HORNSTOCK:
SELLING BLACK SNAKE.

435
00:14:41,127 --> 00:14:42,997
WILL GO FAST."

436
00:14:43,032 --> 00:14:45,501
"MIRA GAFFNEY:
SEEKS BRUTON GASTOR

437
00:14:45,536 --> 00:14:47,072
TO LOVE HER TENDER."

438
00:14:47,105 --> 00:14:49,410
ALL PEOPLE FROM PAST CASES.

439
00:14:49,444 --> 00:14:50,412
HOW DO YOU KNOW THAT?

440
00:14:50,446 --> 00:14:51,983
I TOLD YOU,
I DID MY RESEARCH.

441
00:14:52,015 --> 00:14:53,151
AND FINDING
BOUCHARD'S TREASURE

442
00:14:53,184 --> 00:14:54,554
WAS EXTREMELY IMPRESSIVE.

443
00:14:54,586 --> 00:14:56,523
THANK YOU, WILLARD.
MY PLEASURE.

444
00:14:57,525 --> 00:15:00,299
"SNARKY PSYCHIC:

445
00:15:00,332 --> 00:15:01,468
"SEEKS FERROEQUINOLOGIST

446
00:15:01,501 --> 00:15:04,007
TO HELP WITH KILLER SMILE."

447
00:15:04,040 --> 00:15:06,043
HE'S CALLING ME "SNARKY?"

448
00:15:06,078 --> 00:15:07,013
FERROEQUINOLOGIST?

449
00:15:07,045 --> 00:15:10,119
A FERROEQUINOLOGIST
IS A TRAIN ENTHUSIAST.

450
00:15:10,152 --> 00:15:11,020
HOW DO YOU KNOW THAT?

451
00:15:11,054 --> 00:15:13,024
BECAUSE I'M A FERROEQUINOLOGIST.

452
00:15:13,058 --> 00:15:14,860
I, TOO, AM A FERROEQUINOLOGIST.

453
00:15:14,895 --> 00:15:16,064
"LOVE HER TENDER."

454
00:15:16,097 --> 00:15:17,967
THE TENDER
IS A SMALL FUEL CAR

455
00:15:18,002 --> 00:15:19,070
RIGHT BEHIND THE LOCOMOTIVE.

456
00:15:19,103 --> 00:15:21,540
AND BLACK SNAKE IS SLANG
FOR COAL TRAIN.

457
00:15:21,574 --> 00:15:24,246
THERE'S ONLY ONE COAL TRAIN
THAT RUNS THROUGH SANTA BARBARA.

458
00:15:28,187 --> 00:15:30,592
[train whistle]

459
00:15:31,963 --> 00:15:33,398
(Lassiter)
TRAIN'S RIGHT ON TIME.

460
00:15:33,432 --> 00:15:34,434
THAT IS OUTSTANDING.

461
00:15:34,467 --> 00:15:36,670
IT'S NOT GOING
TO STOP.

462
00:15:36,703 --> 00:15:37,672
WHAT?

463
00:15:37,705 --> 00:15:39,109
IT'S NOT GOING TO STOP.

464
00:15:39,144 --> 00:15:40,678
THIS IS JUST
A PULL THROUGH STATION.

465
00:15:40,711 --> 00:15:42,083
WHAT THE HELL
ARE WE DOING HERE?

466
00:15:50,666 --> 00:15:52,369
WHERE THE HELL
ARE YOU GOING?

467
00:15:52,403 --> 00:15:54,474
COME ON, GUS.
THIS IS OUR FANTASY, MAN.

468
00:15:54,507 --> 00:15:55,576
IT'S LIKE WE'RE HOBOS.

469
00:15:55,609 --> 00:15:57,645
I DON'T HAVE
A HOBO FANTASY, SHAWN!

470
00:15:57,680 --> 00:16:00,151
[phone ringing]

471
00:16:00,186 --> 00:16:01,921
ABIGAIL,
YOU CALLED ME BACK.

472
00:16:01,921 --> 00:16:04,593
YES, YOU LEFT ME
VERY SPECIFIC INSTRUCTIONS

473
00:16:04,627 --> 00:16:05,963
IN YOUR MESSAGE TO DO SO.

474
00:16:05,998 --> 00:16:07,133
IS THIS A BAD TIME?

475
00:16:07,165 --> 00:16:08,101
NO, I CAN TALK.

476
00:16:08,135 --> 00:16:09,169
LOOK, WE'RE STILL
TOTALLY ON FOR TONIGHT.

477
00:16:09,204 --> 00:16:12,010
I MIGHT JUST HAVE TO PUSH
THE TIME A LITTLE BIT.

478
00:16:12,042 --> 00:16:13,245
UH-HUH.

479
00:16:13,278 --> 00:16:16,217
LET ME GUESS, YOU'RE CHASING
A SERIAL KILLER OR SOMETHING.

480
00:16:16,251 --> 00:16:18,122
HOLY CRAP, YES.

481
00:16:18,154 --> 00:16:19,257
YES, THAT'S EXACTLY
WHAT I'M DOING.

482
00:16:19,289 --> 00:16:20,326
HOW DID YOU--

483
00:16:20,358 --> 00:16:23,231
I CANNOT BELIEVE THAT YOU
ARE BAILING ON ME AGAIN.

484
00:16:23,265 --> 00:16:25,136
HOLD ON.

485
00:16:25,168 --> 00:16:26,971
TELL ABIGAIL
WHAT WE'RE DOING.

486
00:16:29,176 --> 00:16:31,781
HELLO, ABIGAIL.
IT'S GUS.

487
00:16:31,813 --> 00:16:34,319
WE'RE CHASING A TRAIN
LIKE HOBOS.

488
00:16:35,689 --> 00:16:37,359
WHAT?

489
00:16:38,562 --> 00:16:39,729
SHE WANTS
TO TALK WITH YOU.

490
00:16:41,233 --> 00:16:42,335
FIRST OF ALL,

491
00:16:42,369 --> 00:16:43,272
HIS "OUT-OF-BREATH VOICE"
IS TERRIBLE.

492
00:16:43,304 --> 00:16:44,739
HE WAS BAD IN OTHELLO
SENIOR YEAR,

493
00:16:44,774 --> 00:16:46,243
HE'S BAD NOW.

494
00:16:46,278 --> 00:16:48,314
LOOK, I'M JUST--I'M FLASHING
BACK TO HIGH SCHOOL.

495
00:16:48,347 --> 00:16:50,286
AND I HAVE THIS IMAGE
OF ME STANDING ALONE

496
00:16:50,318 --> 00:16:51,654
ON A PIER
LOOKING LIKE AN IDIOT.

497
00:16:51,688 --> 00:16:53,692
I SWEAR
I'M TELLING THE TRUTH.

498
00:16:53,725 --> 00:16:55,395
I'M GOING
TO HAVE TO CALL YOU BACK.

499
00:16:57,133 --> 00:16:59,237
BY THE WAY, YOU WERE BEAUTIFUL
ON THAT PIER.

500
00:17:05,249 --> 00:17:06,318
[groan]

501
00:17:09,824 --> 00:17:12,329
[beeping]

502
00:17:16,837 --> 00:17:18,341
AH.

503
00:17:19,610 --> 00:17:21,448
"A MOVING PICTURE
IS WORTH A THOUSAND WORDS.

504
00:17:21,480 --> 00:17:22,583
"SO READ THE STORY,

505
00:17:22,616 --> 00:17:23,818
"AND FOLLOW THE BIRDS.

506
00:17:23,851 --> 00:17:25,288
"YES.

507
00:17:25,322 --> 00:17:26,824
"ONCE YOU'RE THERE,
YOU'LL HEAR A PHONE.

508
00:17:26,857 --> 00:17:28,462
"YOU HAVE EIGHT RINGS
TO PICK UP.

509
00:17:28,494 --> 00:17:29,764
"OR THE GIRL IS DEAD.

510
00:17:31,268 --> 00:17:33,405
"SHAME ON ME,
THAT DIDN'T EVEN RHYME."

511
00:17:33,437 --> 00:17:36,443
WE HAVE 27 MINUTES
TO SOLVE THIS.

512
00:17:41,221 --> 00:17:42,422
[mumbling]

513
00:17:44,394 --> 00:17:45,296
WHAT DO YOU SEE?

514
00:17:45,329 --> 00:17:46,530
NOTHING...

515
00:17:46,563 --> 00:17:48,567
I DON'T SEE ANYTHING.
NOT YET.

516
00:17:51,341 --> 00:17:52,442
OH, WAIT, I DO SEE SOMETHING.

517
00:17:52,475 --> 00:17:53,377
WHAT?
WHAT IS IT?

518
00:17:53,412 --> 00:17:54,513
I THINK YOU'RE GOING TO WANT
TO SEE THIS.

519
00:17:54,546 --> 00:17:55,581
IT'S PRETTY GOOD.

520
00:17:56,983 --> 00:17:58,722
[labored]
LET ME ON.

521
00:18:00,491 --> 00:18:01,493
[groans]

522
00:18:04,734 --> 00:18:06,403
MARY, I'M SURPRISED
IT TOOK YOU SO LONG.

523
00:18:06,438 --> 00:18:07,740
YOU SEEM SO SPRY.

524
00:18:07,772 --> 00:18:09,643
ANKLE WEIGHTS.

525
00:18:11,012 --> 00:18:12,516
I ALWAYS WEAR THEM,
EVEN WHEN I SLEEP.

526
00:18:13,585 --> 00:18:15,689
READ ABOUT IT IN MEN'S FITNESS.

527
00:18:15,721 --> 00:18:17,825
TOTALLY REINVIGORATED
RYAN REYNOLDS'S CAREER.

528
00:18:19,829 --> 00:18:21,333
SO WHAT'S THE RIDDLE?
HOW CAN I HELP?

529
00:18:21,368 --> 00:18:24,473
"A MOVING PICTURE--
A MOVING PICTURE

530
00:18:24,507 --> 00:18:26,278
IS WORTH A THOUSAND WORDS."

531
00:18:47,552 --> 00:18:48,522
YOU GOT TO BE KIDDING ME.

532
00:18:48,554 --> 00:18:49,524
I GOT IT.

533
00:18:49,556 --> 00:18:51,727
I-I SOLVED IT.
LET'S GO.

534
00:18:51,761 --> 00:18:52,963
[car tires screeching]

535
00:19:03,918 --> 00:19:06,658
[seagulls squawking]

536
00:19:06,691 --> 00:19:08,628
"CALLS OF THE BIRDS."

537
00:19:14,573 --> 00:19:15,809
[phone ringing]

538
00:19:31,673 --> 00:19:33,445
THERE.

539
00:19:39,457 --> 00:19:40,459
THAT'S FIVE RINGS, SHAWN.

540
00:19:40,492 --> 00:19:41,494
ANSWER IT!

541
00:19:42,496 --> 00:19:43,664
SHAWN, WHAT ARE YOU DOING?

542
00:19:43,697 --> 00:19:44,799
NO, DON'T YOU SEE?

543
00:19:44,833 --> 00:19:45,969
IT DIDN'T START RINGING
UNTIL WE WERE THREE FEET AWAY.

544
00:19:46,002 --> 00:19:47,573
ANSWER THE PHONE, SPENCER.

545
00:19:47,605 --> 00:19:49,609
HE'S WATCHING US,
RIGHT NOW, FROM SOMEWHERE.

546
00:19:49,644 --> 00:19:50,979
ANSWER THE PHONE, SHAWN.

547
00:19:51,012 --> 00:19:53,585
[rings]

548
00:20:00,999 --> 00:20:03,937
IF THAT GIRL DIES,
YOU'RE AN ACCESSORY TO MURDER.

549
00:20:11,921 --> 00:20:14,559
SHAWN, I HOPE TO GOD
YOU KNOW WHAT YOU'RE DOING.

550
00:20:21,172 --> 00:20:22,174
UNBELIEVABLE.

551
00:20:22,207 --> 00:20:23,444
HE'S IN OUR OFFICE.

552
00:20:46,691 --> 00:20:47,993
HE'S BEEN HERE.

553
00:20:48,026 --> 00:20:50,766
HE WAS HERE WATCHING US
THE WHOLE TIME!

554
00:20:50,798 --> 00:20:52,001
DON'T TOUCH ANYTHING.

555
00:20:52,034 --> 00:20:53,070
(Lassiter)
LET'S GET CSI DOWN HERE

556
00:20:53,103 --> 00:20:54,939
TO DUST FOR PRINTS.
NO NEED...

557
00:20:54,973 --> 00:20:56,544
I'M SURE HE TOUCHED THINGS.

558
00:20:56,578 --> 00:20:57,780
HE PROBABLY TOUCHED
EVERYTHING.

559
00:20:57,812 --> 00:20:59,215
BUT YOU'RE NOT GOING TO FIND
ANY PRINTS.

560
00:20:59,247 --> 00:21:00,818
HE'S TOO GOOD FOR THAT.

561
00:21:00,851 --> 00:21:02,522
WHAT IS THIS SICK,
TWISTED ADMIRATION YOU HAVE

562
00:21:02,522 --> 00:21:03,791
FOR THIS WHACK JOB?

563
00:21:03,825 --> 00:21:05,561
(Mary)
NOW DO YOU GET HOW GOOD HE IS?

564
00:21:05,596 --> 00:21:07,164
THIS PUPPY'S JUST WARMING UP.

565
00:21:07,197 --> 00:21:09,102
[pounding]

566
00:21:14,177 --> 00:21:15,882
HEY, EVERYBODY,
CHECK IT OUT.

567
00:21:16,884 --> 00:21:17,853
SEE HOW BIG I AM

568
00:21:17,886 --> 00:21:18,987
COMPARED TO THIS PLANE.

569
00:21:19,021 --> 00:21:20,659
[laughing]

570
00:21:22,161 --> 00:21:23,063
[whooshing]

571
00:21:25,167 --> 00:21:28,005
I'M KING KONG.

572
00:21:28,039 --> 00:21:29,309
GUSTER, WHAT THE HELL
IS GOING ON WITH YOU?

573
00:21:29,342 --> 00:21:30,778
SERIOUSLY, MAN,

574
00:21:30,812 --> 00:21:32,348
I NEED YOU
TO PULL YOURSELF TOGETHER.

575
00:21:41,833 --> 00:21:43,170
(Juliet)
OH, MY GOD.

576
00:21:50,150 --> 00:21:51,788
[beeping]

577
00:21:59,737 --> 00:22:01,172
(Lassiter)
GOT IT.

578
00:22:02,642 --> 00:22:04,112
(Mary)
IT'S A MESSAGE.

579
00:22:04,145 --> 00:22:05,114
HE SAYS...

580
00:22:05,147 --> 00:22:07,083
"YOU ARE A NAUGHTY, NAUGHTY BOY.

581
00:22:08,453 --> 00:22:09,423
BUT HE'S GIVING US
ANOTHER CHANCE.

582
00:22:09,455 --> 00:22:11,026
SHE'S STILL ALIVE.

583
00:22:11,059 --> 00:22:12,193
LET'S GO BACK TO THE STATION,
WAIT FOR INSTRUCTIONS.

584
00:22:12,228 --> 00:22:13,797
FORGET THAT, I'M NOT GOING.

585
00:22:13,831 --> 00:22:15,034
WHAT DO YOU MEAN?
I'M NOBODY'S PUPPET.

586
00:22:15,067 --> 00:22:16,770
OKAY?

587
00:22:16,803 --> 00:22:18,040
I'M DONE--I'M DONE PLAYING
HIS LITTLE GAMES.

588
00:22:18,073 --> 00:22:19,242
I SOLVED HIS PUZZLES,

589
00:22:19,275 --> 00:22:20,746
I TALKED TO A RAT,
I EVEN CHASED A TRAIN.

590
00:22:20,779 --> 00:22:22,147
I'M--I'M FINISHED.

591
00:22:22,181 --> 00:22:23,985
(Mary)
BUT NO ONE'S EVER GOTTEN
THIS FAR,

592
00:22:24,017 --> 00:22:25,488
THAT'S WHY HE'S STILL PLAYING.
IT'S A SIGN OF RESPECT.

593
00:22:25,520 --> 00:22:27,123
NO, IT ISN'T, MARY.

594
00:22:27,157 --> 00:22:28,260
YOU SAID IT, MAN,

595
00:22:28,293 --> 00:22:30,866
WITH YOUR FEY NAME AND
YOUR WEIRD KEN BURNS HAIRCUT.

596
00:22:30,898 --> 00:22:32,100
HE'S TOO GOOD.

597
00:22:32,133 --> 00:22:34,238
ISN'T THAT RIGHT?
HE'S BETTER THAN ME.

598
00:22:34,272 --> 00:22:35,173
WE NEVER HAD A CHANCE.

599
00:22:35,207 --> 00:22:37,244
HE'S GOING TO KILL
THAT GIRL EITHER WAY.

600
00:22:37,278 --> 00:22:38,112
MAYBE.
MAYBE NOT, SHAWN.

601
00:22:38,145 --> 00:22:40,250
BUT I KNOW THIS,
YOU DON'T JUST GIVE UP.

602
00:22:40,284 --> 00:22:41,953
TELL YOU WHAT, JULES.

603
00:22:41,988 --> 00:22:43,256
UH, THE NEXT TIME
A SERIAL KILLER

604
00:22:43,290 --> 00:22:44,292
CALLS YOU OUT, PERSONALLY,

605
00:22:44,325 --> 00:22:46,028
UH, YOU CAN PICK UP
YOUR LITTLE POM-POMS,

606
00:22:46,061 --> 00:22:48,165
AND YOU CAN RALLY THE TROOPS
TO NEVER SAY "DIE."

607
00:22:48,199 --> 00:22:49,268
I'M OUT.

608
00:22:50,237 --> 00:22:51,507
NOW GET OUT.

609
00:22:51,539 --> 00:22:53,243
ALL THREE OF YOU.

610
00:22:53,276 --> 00:22:54,312
I CAN'T BELIEVE
I'M HEARING THIS.

611
00:22:54,345 --> 00:22:55,213
SHOULD I SAY IT AGAIN?!

612
00:22:55,247 --> 00:22:57,083
SCREW YOU, SPENCER.
WE DON'T NEED YOU.

613
00:22:58,152 --> 00:22:59,488
WE DON'T NEED HIM, O'HARA.

614
00:22:59,523 --> 00:23:01,794
WE WILL FIND THIS SICKO
ON OUR OWN, COME ON.

615
00:23:01,828 --> 00:23:02,762
WE'RE RUNNING OUT OF TIME.

616
00:23:14,352 --> 00:23:15,420
LOOK... SHAWN.

617
00:23:15,454 --> 00:23:16,823
I KNOW YOU'RE UPSET.

618
00:23:16,858 --> 00:23:18,360
BUT IF WE GIVE UP NOW--
GUS.

619
00:23:18,392 --> 00:23:20,297
DON'T BE THE LAST OF THE
FAMOUS INTERNATIONAL PLAYBOYS.

620
00:23:20,330 --> 00:23:21,600
WE'RE NOT GIVING UP, OKAY.
FAR FROM IT.

621
00:23:21,632 --> 00:23:22,802
THE ONLY--
ONLY CHANCE WE HAVE

622
00:23:22,836 --> 00:23:25,139
TO WIN THE GAME AT THIS POINT
IS TO CHANGE THE RULES, OKAY?

623
00:23:25,174 --> 00:23:26,309
I TOOK A RISK OUT THERE

624
00:23:26,342 --> 00:23:27,378
BECAUSE I KNEW
HE WOULDN'T KILL HER.

625
00:23:27,412 --> 00:23:28,580
I KNEW HE WOULDN'T KILL HER

626
00:23:28,614 --> 00:23:30,117
BECAUSE HE LOVES THE GAME
TOO MUCH.

627
00:23:30,149 --> 00:23:31,420
BUT THAT BOUGHT US TIME--
IT BOUGHT US TIME

628
00:23:31,452 --> 00:23:33,123
TO WORK BY OURSELVES.

629
00:23:33,155 --> 00:23:34,592
OKAY, WE'RE GOING--WE'RE GOING
TO DROP OFF HIS RADAR,

630
00:23:34,626 --> 00:23:36,362
WE'RE STILL GOING TO FIND
THE GIRL.

631
00:23:36,396 --> 00:23:37,966
WE'RE GOING TO DO IT
ON OUR OWN.

632
00:23:38,000 --> 00:23:38,766
THAT'S OUR MOVE.

633
00:23:38,800 --> 00:23:41,138
ALL RIGHT,
BUT WHERE DO WE START?

634
00:23:41,171 --> 00:23:42,273
WE'RE GONNA GO
BACK TO THE BEGINNING.

635
00:23:42,307 --> 00:23:45,014
BACK TO THE BEGINNING, AND
RETRACE THE STEPS OF MR. YANG.

636
00:23:45,047 --> 00:23:46,984
ALL RIGHT.

637
00:23:47,018 --> 00:23:49,187
LIKE WHAT I DID
WITH THE KING KONG?
YOU'RE ON FIRE.

638
00:23:49,221 --> 00:23:50,357
YOU'RE EVEN USING PROPS.

639
00:23:50,390 --> 00:23:51,392
(McNab)
JUST GOT THIS FAX.

640
00:23:51,426 --> 00:23:53,130
TRACED IT
TO A BOGUS 800 NUMBER.

641
00:23:53,162 --> 00:23:54,432
"I'M NO DOUBTING THOMAS.

642
00:23:54,466 --> 00:23:56,002
"I PUCKER UP TO FIGHTS.

643
00:23:56,036 --> 00:23:57,237
"WERE YOU TO SHAKE MY HAND,

644
00:23:57,270 --> 00:23:58,373
"YOU'D HAVE TO USE YOUR RIGHT.

645
00:23:58,406 --> 00:23:59,408
WHO AM I?"

646
00:23:59,443 --> 00:24:00,545
WELL,
IF YANG WAS WATCHING,

647
00:24:00,578 --> 00:24:02,247
HE COULD KNOW SPENCER
FLEW THE COOP.

648
00:24:02,280 --> 00:24:02,882
THIS COULD BE DIRECTED
AT ANY ONE OF US.

649
00:24:05,087 --> 00:24:06,155
PROBABLY NOT THIS GUY.

650
00:24:06,188 --> 00:24:07,190
IT'S ME.

651
00:24:07,224 --> 00:24:09,262
IT'S DIRECTED AT ME.

652
00:24:09,295 --> 00:24:10,329
HE MUST KNOW
I'M A CIVIL WAR BUFF.

653
00:24:10,363 --> 00:24:11,633
1863.

654
00:24:11,666 --> 00:24:14,104
CONFEDERATE GENERAL,
THOMAS STONEWALL JACKSON,

655
00:24:14,138 --> 00:24:15,240
SHOT AND KILLED
BY HIS OWN TROOPS

656
00:24:15,274 --> 00:24:16,376
AT THE BATTLE
OF CHANCELLORSVILLE.

657
00:24:16,409 --> 00:24:18,045
HE WAS KNOWN
FOR SUCKING ON LEMONS,

658
00:24:18,079 --> 00:24:19,483
EVEN DURING COMBAT.

659
00:24:19,516 --> 00:24:21,185
AND WHILE HE IS BURIED
IN LEXINGTON, VIRGINIA,

660
00:24:21,219 --> 00:24:22,454
HIS LEFT ARM
IS BURIED SEPARATELY

661
00:24:22,489 --> 00:24:23,456
NEAR THE BATTLEFIELD.

662
00:24:23,491 --> 00:24:24,391
HEY, YOU GUYS REMEMBER

663
00:24:24,425 --> 00:24:27,098
THAT PAT SWAYZE MINISERIES,
NORTH AND SOUTH?

664
00:24:27,130 --> 00:24:29,503
TALK ABOUT CIVIL WAR BUFF,
HUH?

665
00:24:29,536 --> 00:24:30,538
OH, MY GOD...

666
00:24:30,570 --> 00:24:32,407
THE STONEWALL HOTEL
AND SUITES.

667
00:24:32,441 --> 00:24:34,245
PROBABLY ROOM 1863.

668
00:24:34,277 --> 00:24:35,413
WE'VE GOT TO GET
DOWN THERE.

669
00:24:35,447 --> 00:24:36,517
AND YOU CAN COUNT ME IN

670
00:24:36,550 --> 00:24:38,020
FOR NEXT YEAR'S
REENACTMENT, PARTNER.

671
00:24:38,053 --> 00:24:39,489
COPY THAT.
GET MY JACKET.

672
00:24:40,658 --> 00:24:41,727
LOOK,
CALL ME BACK, OKAY?

673
00:24:41,759 --> 00:24:42,761
WE'RE STILL ON
FOR TONIGHT.

674
00:24:42,794 --> 00:24:45,266
GUS AND I ARE MAKING
SOME SERIOUS PROGRESS HERE.

675
00:24:45,299 --> 00:24:46,301
CALL ME BACK.

676
00:24:46,335 --> 00:24:48,439
STRAIGHT TO VOICEMAIL.
THAT'S NOT A GOOD SIGN.

677
00:24:51,547 --> 00:24:53,415
UH, WRONG.
I DRIVE A JEEP.

678
00:24:53,449 --> 00:24:54,619
A BLACK JEEP.

679
00:24:54,653 --> 00:24:56,288
GUS, THERE'S NO JEEP.

680
00:24:56,321 --> 00:24:58,459
I THINK HE DROVE AWAY
IN HER CAR.

681
00:24:58,493 --> 00:24:59,596
WE FIND THE CAR,
WE MAY FIND THE GIRL.

682
00:25:01,633 --> 00:25:03,002
LASSIE, HOLD ON.

683
00:25:03,002 --> 00:25:07,078
FIND THE GIRL'S CAR.
IT'S A BLACK JEEP.

684
00:25:07,110 --> 00:25:08,547
WE ALREADY DID.
YOU GOT TO GET DOWN HERE.

685
00:25:08,581 --> 00:25:10,116
WHERE ARE YOU?

686
00:25:13,524 --> 00:25:14,558
NOW.

687
00:25:24,212 --> 00:25:25,313
SHE'S BREATHING.

688
00:25:25,347 --> 00:25:26,448
I'LL GET THE PARAMEDICS.

689
00:25:31,491 --> 00:25:33,296
"SHAWN NO LONGER
WANTS TO PLAY.

690
00:25:33,329 --> 00:25:35,568
"STAKES TOO LOW
TO MAKE YOU STAY."

691
00:25:51,600 --> 00:25:53,270
HE'S--HE'S GOT HER.

692
00:25:53,303 --> 00:25:54,471
GUS.

693
00:25:59,783 --> 00:26:01,219
HE'S GOT MY MOM.

694
00:26:12,474 --> 00:26:13,711
(Vick)
OKAY, I SENT A COUPLE
OF OFFICERS

695
00:26:13,743 --> 00:26:14,812
OVER TO ABIGAIL LYTAR'S
APARTMENT.

696
00:26:14,845 --> 00:26:16,181
NOW, SHE'S FINE.

697
00:26:16,216 --> 00:26:17,417
BUT I'M POSTING THEM
ON A WATCH

698
00:26:17,451 --> 00:26:20,556
UNTIL WE CAN FIGURE OUT
WHAT IS GOING ON.

699
00:26:20,590 --> 00:26:22,394
(Lassiter)
SPENCER, YOU NEED
TO GET IN HERE.

700
00:26:27,839 --> 00:26:30,477
"YOU SHOULD BE MOVING,
AS MOST PEOPLE DO.

701
00:26:30,509 --> 00:26:32,447
"BUT INSTEAD YOU SIT,

702
00:26:32,481 --> 00:26:33,616
"AND ENJOY THE VU.

703
00:26:33,650 --> 00:26:37,423
"P.S. MOMMY SAYS, "HI."
AND "BYE."

704
00:26:37,458 --> 00:26:38,761
JUST IN CASE."

705
00:26:38,794 --> 00:26:40,563
(Gus)
V.U.

706
00:26:40,596 --> 00:26:41,999
WHY'D HE SPELL IT THAT WAY?

707
00:26:42,032 --> 00:26:43,837
MAYBE THAT'S THE HINT.

708
00:26:43,871 --> 00:26:45,539
OR MAYBE HE RAN OUT
OF LIPSTICK.

709
00:26:45,573 --> 00:26:47,311
BRENDAN VU.

710
00:26:52,922 --> 00:26:53,891
FROM THE SPELLING BEE.

711
00:26:53,924 --> 00:26:55,660
GOOD GUESS.

712
00:26:55,694 --> 00:26:57,563
BUT IT'S A MISDIRECT.

713
00:26:57,597 --> 00:26:59,601
I KNOW EXACTLY
WHAT HE WANTS ME TO WATCH.

714
00:26:59,635 --> 00:27:01,639
YOU DO?

715
00:27:04,713 --> 00:27:06,817
(on screen)
MORNING, MR. MALONE.
MORNING.

716
00:27:06,850 --> 00:27:09,722
I WANT TEN POUNDS OF KUMQUATS,
HAVE 'EM DONE IN A HURRY.

717
00:27:09,756 --> 00:27:11,358
(Mary)
THIS IS LIKE A NEEDLE
IN A HAYSTACK...

718
00:27:11,391 --> 00:27:13,062
MADE COMPLETELY
OUT OF NEEDLES.

719
00:27:13,095 --> 00:27:14,598
LOOKS LIKE WE'RE
AT THE END GAME.

720
00:27:14,632 --> 00:27:16,802
ALL RIGHT, WE KNOW
HE USED THE WAITRESS' CAR.

721
00:27:16,837 --> 00:27:18,641
SO THERE'S
A GOOD CHANCE IT'S--
IT'S DEFINITELY A CHANCE

722
00:27:18,674 --> 00:27:19,375
WHAT KIND OF CAR
DOES YOUR WIFE DRIVE?

723
00:27:19,407 --> 00:27:21,346
SHE RENTS
WHEN SHE'S DOWN HERE.

724
00:27:21,379 --> 00:27:22,581
DO YOU KNOW
WHAT COMPANY SHE RENTS FROM?

725
00:27:22,613 --> 00:27:23,784
THAT CAN NARROW IT DOWN
TO A FEW MODELS.

726
00:27:28,092 --> 00:27:30,062
IT'S BLUE.
IT'S BLUE, GUS.

727
00:27:30,096 --> 00:27:31,064
WE'RE LOOKING FOR A BLUE CAR.

728
00:27:31,098 --> 00:27:32,433
IT'S A SEDAN.

729
00:27:32,468 --> 00:27:33,435
PEOPLE, WE'RE LOOKING
FOR A BLUE CAR.

730
00:27:33,470 --> 00:27:34,472
A SEDAN.

731
00:27:34,504 --> 00:27:36,709
ALL RIGHT, SPLIT UP.
S.W.A.T., COVER THE EXITS.

732
00:27:42,488 --> 00:27:45,760
OPEN THE DOOR!
OPEN THE DOOR!

733
00:27:45,794 --> 00:27:48,366
HEY, MAN,
WATCH WHERE YOU'RE GOING.

734
00:27:48,400 --> 00:27:49,869
WHAT'D YOU SAY?

735
00:28:15,820 --> 00:28:17,792
[whispers]
HEY, MA.

736
00:28:23,870 --> 00:28:26,608
[whispers]
SHHH-HH-HH.
DAD GET DOWN, GET DOWN.

737
00:28:34,157 --> 00:28:35,192
OH, JESUS.

738
00:28:48,553 --> 00:28:49,755
WAIT A--

739
00:28:52,027 --> 00:28:53,695
MOM, I'M GOING
TO TAKE THIS OFF, OKAY?

740
00:28:53,730 --> 00:28:55,767
MM.
IT'S OKAY.

741
00:28:55,800 --> 00:28:57,070
AH.
IT'S JUST A DECOY.

742
00:28:57,103 --> 00:28:58,741
I KNOW.
I SEE THAT.

743
00:29:06,823 --> 00:29:08,659
HE'S FINE.
HE'S BREATHING.

744
00:29:08,693 --> 00:29:09,795
YANG MUST'VE KNOCKED HIM OUT.

745
00:29:09,829 --> 00:29:11,732
S.W.A.T. CALL FOR A MEDIC.

746
00:29:11,766 --> 00:29:13,101
YES, MA'AM.

747
00:29:21,085 --> 00:29:22,889
OH, MY GOD.

748
00:29:26,862 --> 00:29:30,235
DAD, SHE'S STRAPPED.

749
00:29:30,269 --> 00:29:32,808
OH, GOD, NO!

750
00:29:32,842 --> 00:29:35,880
MOM...

751
00:29:35,914 --> 00:29:36,982
WHERE IS HE?

752
00:30:01,867 --> 00:30:03,602
MADDY...

753
00:30:03,602 --> 00:30:04,872
HENRY?

754
00:30:04,906 --> 00:30:06,007
YEAH, IT'S ME, SWEETHEART.

755
00:30:06,040 --> 00:30:07,879
I'M RIGHT HERE.
I'M NOT GOING ANYWHERE.

756
00:30:07,911 --> 00:30:09,983
ALL RIGHT.

757
00:30:10,016 --> 00:30:11,718
THEN I WON'T EITHER.

758
00:30:11,751 --> 00:30:13,890
BESIDES, I DON'T REALLY HAVE
ANYTHING BETTER

759
00:30:13,924 --> 00:30:15,093
TO DO RIGHT NOW.

760
00:30:15,126 --> 00:30:16,930
IT'S JUST A PEN.

761
00:30:16,963 --> 00:30:18,799
IT'S JUST A PEN.

762
00:30:18,833 --> 00:30:20,102
WHAT DOES THIS MEAN, MARY?

763
00:30:20,970 --> 00:30:22,007
TELL US!
I DON'T KNOW.

764
00:30:22,039 --> 00:30:24,076
THIS FEELS
MORE LIKE IMPROVISATION.

765
00:30:24,110 --> 00:30:24,912
THIS ISN'T HIS GAME.

766
00:30:24,946 --> 00:30:25,914
WE GOT HERE IN TIME,
MAYBE WE WON.

767
00:30:25,948 --> 00:30:28,084
NO, HE'S DEFINITELY GOING
TO KILL HER DEAD.

768
00:30:28,118 --> 00:30:29,254
I JUST DON'T KNOW HOW.

769
00:30:29,286 --> 00:30:30,757
HE'S BEEN ONE STEP AHEAD
THIS WHOLE TIME.

770
00:30:30,789 --> 00:30:31,859
WHERE'S SHAWN?

771
00:30:31,893 --> 00:30:33,897
HOPEFULLY ONE STEP AHEAD OF US.

772
00:30:43,114 --> 00:30:44,953
[scoffs]

773
00:30:44,985 --> 00:30:46,120
ALL RIGHT,
BE HONEST WITH ME.

774
00:30:46,154 --> 00:30:47,959
YOU'RE SURPRISED, RIGHT?

775
00:30:47,991 --> 00:30:49,762
I'M PRETTIER
THAN YOU'D THOUGHT I'D BE.

776
00:30:51,030 --> 00:30:52,432
IT'S THE BONE STRUCTURE.

777
00:30:52,467 --> 00:30:54,471
I WON.

778
00:30:54,503 --> 00:30:55,807
I BEAT YOU,
THAT WAS THE DEAL.

779
00:30:55,840 --> 00:30:56,910
LET MY MOM GO.

780
00:30:56,942 --> 00:30:59,113
YOU ARE JUST AMAZING.

781
00:30:59,146 --> 00:31:00,182
MY MOST--

782
00:31:00,216 --> 00:31:02,052
MOST ADMIRABLE FOE.

783
00:31:03,322 --> 00:31:05,093
BUT THEN, SEE,
I KNEW YOU WOULD BE.

784
00:31:05,125 --> 00:31:06,095
THAT'S WHY I CHOSE YOU.

785
00:31:06,127 --> 00:31:09,001
BECAUSE I'M--I'M YOUR YIN.

786
00:31:09,033 --> 00:31:11,337
OH, THAT'S SWEET.

787
00:31:11,371 --> 00:31:13,008
THANK YOU FOR THAT.

788
00:31:13,042 --> 00:31:15,213
BUT YOU'RE
COMPLETELY SURROUNDED.

789
00:31:15,246 --> 00:31:17,083
THERE'S NO WAY
OUT OF THIS FOR YOU.

790
00:31:23,594 --> 00:31:25,232
NOW YOU KNOW WHAT I LOVE
ABOUT THIS MOVIE, SHAWN?

791
00:31:25,266 --> 00:31:28,204
ITS GREAT RESOLUTION.

792
00:31:28,238 --> 00:31:29,240
OKAY, SO
CALL ME OLD-FASHIONED,

793
00:31:29,274 --> 00:31:30,408
BUT REALLY.

794
00:31:30,443 --> 00:31:33,548
IS THERE ANYTHING MORE
SATISFYING THAN A SOLID ENDING?

795
00:31:33,582 --> 00:31:35,019
YOU CALL ME A KILLER.

796
00:31:35,052 --> 00:31:37,189
BUT THE TRUTH IS...

797
00:31:37,222 --> 00:31:39,026
I COMPLETE THINGS.

798
00:31:39,061 --> 00:31:41,097
AND THAT IS
WHAT PEOPLE REALLY WANT.

799
00:31:41,130 --> 00:31:43,134
TO FEEL COMPLETE.

800
00:31:43,168 --> 00:31:45,373
THAT,
AND A CORNER BOOTH.

801
00:31:48,144 --> 00:31:50,148
AND NOW...

802
00:31:50,182 --> 00:31:54,290
OUR STORY THAT WE CREATED
SO BEAUTIFULLY TOGETHER

803
00:31:54,324 --> 00:31:56,595
IS GOING TO END.

804
00:31:56,627 --> 00:31:59,133
BUT HOW?

805
00:31:59,166 --> 00:32:01,538
DO YOU WANT TO KNOW
WHAT IT IS?

806
00:32:01,570 --> 00:32:03,842
OR DO YOU
WANT TO BE SURPRISED?

807
00:32:12,327 --> 00:32:14,063
STAND DOWN!
STAND DOWN!

808
00:32:18,605 --> 00:32:19,241
[sighs]

809
00:32:19,274 --> 00:32:21,178
LET ME GUESS.

810
00:32:21,210 --> 00:32:22,680
YOU WANT TO DIE.
RIGHT?

811
00:32:22,712 --> 00:32:25,419
THAT'S THE PERFECT
RESOLUTION.

812
00:32:25,453 --> 00:32:26,688
GEE, THAT'S ORIGINAL.

813
00:32:26,720 --> 00:32:28,291
YOU'RE A CLICHE.

814
00:32:29,394 --> 00:32:31,065
YOU'RE A KNOCK-OFF
OF A KNOCK-OFF.

815
00:32:31,097 --> 00:32:35,273
I COULD'VE KILLED YOUR MOM
HOURS AGO, SHAWN.

816
00:32:35,305 --> 00:32:36,977
THIS SWITCH
HAS SUCH A LIGHT TOUCH,

817
00:32:37,010 --> 00:32:38,545
LIKE PINCHING
A BABY'S CHEEK.

818
00:32:38,579 --> 00:32:40,583
AND THEN BOOM!

819
00:32:40,616 --> 00:32:42,087
SHE BLOWS UP.

820
00:32:42,120 --> 00:32:43,956
HOW MUCH FUN WOULD
THAT BE TO SEE?

821
00:32:43,991 --> 00:32:45,526
UGH, IT GIVES ME SHIVERS.
I WANT TO DO THAT SO BADLY!

822
00:32:45,559 --> 00:32:46,962
[sighs]

823
00:32:46,997 --> 00:32:50,003
BUT THEN YOU
WOULDN'T LIKE ME, SHAWN.

824
00:32:50,036 --> 00:32:51,237
AND I WANT YOU TO LIKE ME.

825
00:32:51,270 --> 00:32:52,372
OH, GOD, I'M SO TORN.

826
00:32:52,406 --> 00:32:55,479
I NEED YOU TO LIKE ME.

827
00:32:55,513 --> 00:32:57,650
BECAUSE WE'RE GOING TO BE
WORKING TOGETHER AGAIN.

828
00:32:57,682 --> 00:32:59,587
AH, NO, NO, NO, NO.

829
00:32:59,621 --> 00:33:01,390
YOU'RE GOING TO ROT IN A CELL
WITH FOUR PADDED WALLS.

830
00:33:01,424 --> 00:33:02,593
THE END.
NO.

831
00:33:02,627 --> 00:33:05,333
THE END OF THE BEGINNING.

832
00:33:05,365 --> 00:33:07,070
I'M GOING TO WRITE A BOOK.

833
00:33:07,103 --> 00:33:08,239
OUR STORY.

834
00:33:08,271 --> 00:33:09,640
IT'S GOING TO BE EPIC,
A BEST-SELLER.

835
00:33:09,674 --> 00:33:10,708
AND GUESS WHAT?

836
00:33:10,743 --> 00:33:12,313
I WANT YOU
TO WRITE THE FOREWORD.

837
00:33:12,347 --> 00:33:13,315
PASS.

838
00:33:13,349 --> 00:33:17,390
OKAY.

839
00:33:17,422 --> 00:33:19,426
BUT THINK ABOUT IT...

840
00:33:19,461 --> 00:33:20,428
ON YOUR DATE TONIGHT.

841
00:33:36,827 --> 00:33:38,699
CLEAR!

842
00:33:38,732 --> 00:33:41,270
[yelling and sirens]

843
00:33:41,305 --> 00:33:42,472
GO! GO!

844
00:33:49,121 --> 00:33:51,357
OKAY, ALL RIGHT.
YOU'RE OKAY.

845
00:34:02,879 --> 00:34:04,083
(Yang)
THINK ABOUT IT

846
00:34:04,083 --> 00:34:06,555
ON YOUR DATE TONIGHT.

847
00:34:20,548 --> 00:34:21,285
SHE WAS THERE.

848
00:34:21,317 --> 00:34:23,722
GUS, SHE WAS THERE
THE WHOLE TIME.

849
00:34:23,754 --> 00:34:24,857
YOU GOT HER, SHAWN.

850
00:34:24,890 --> 00:34:26,228
END OF STORY.

851
00:34:27,562 --> 00:34:29,201
CONGRATULATIONS, SPENCER.

852
00:34:29,234 --> 00:34:30,535
DON'T BE
TOO EXCITED THERE, MARY.

853
00:34:30,568 --> 00:34:31,705
IT'S NOT LIKE
WE JUST APPREHENDED

854
00:34:31,738 --> 00:34:32,906
SANTA BARBARA'S
MOST NOTORIOUS KILLER

855
00:34:32,940 --> 00:34:34,811
OR ANYTHING.

856
00:34:34,843 --> 00:34:36,614
YOU'RE RIGHT, GUS.
I'M SORRY TO FLY OFF THE HANDLE.

857
00:34:37,917 --> 00:34:41,457
I'VE SPENT THE LAST 13 YEARS
OF MY LIFE

858
00:34:41,490 --> 00:34:42,592
WITH THIS PERSON.

859
00:34:43,594 --> 00:34:45,299
GUESS I HAVE TO FIND
A NEW HOBBY.

860
00:34:45,333 --> 00:34:46,600
TWO WORDS:

861
00:34:46,634 --> 00:34:47,837
RACQUETBALL.

862
00:34:47,870 --> 00:34:49,374
THAT COULD WORK.

863
00:34:50,575 --> 00:34:51,610
THANKS FOR YOUR HELP, MAN.

864
00:34:51,644 --> 00:34:53,514
I NEEDED IT.

865
00:34:53,548 --> 00:34:54,583
GUS, YOU PLAY RACQUETBALL?

866
00:34:54,616 --> 00:34:55,652
GOOD-BYE, MARY.

867
00:34:59,794 --> 00:35:01,231
TILL NEXT TIME.

868
00:35:06,607 --> 00:35:09,247
THERE WE GO.

869
00:35:12,986 --> 00:35:14,557
HENRY.

870
00:35:14,591 --> 00:35:16,026
I TOLD HIM
TO GO FOR IT.

871
00:35:16,059 --> 00:35:17,396
THAT DOESN'T MATTER.

872
00:35:17,429 --> 00:35:20,435
WHAT MATTERS IS
THAT YOU'RE BOTH OKAY.

873
00:35:20,469 --> 00:35:22,473
YOU TWO
ARE THE MOST IMPORTANT PEOPLE

874
00:35:22,506 --> 00:35:24,643
IN THE WORLD TO ME,
YOU KNOW.

875
00:35:24,676 --> 00:35:25,746
I DO KNOW.

876
00:35:30,989 --> 00:35:32,058
MOM.

877
00:35:32,090 --> 00:35:33,661
LET'S GET YOU OUTTA HERE.

878
00:35:33,694 --> 00:35:35,030
WHAT DO YOU NEED?
WHAT CAN I DO?

879
00:35:35,064 --> 00:35:36,401
LET'S SEE, YOU ALREADY
GOT ME KIDNAPPED

880
00:35:36,435 --> 00:35:37,736
BY A RAGING SOCIOPATH.

881
00:35:40,708 --> 00:35:42,413
RIGHT, CHECK.
WHAT ELSE?

882
00:35:42,447 --> 00:35:43,514
NOTHING.
NOTHING, GOOSE.

883
00:35:43,549 --> 00:35:44,583
I'M--I'M REALLY FINE.

884
00:35:44,616 --> 00:35:46,587
YOUR FATHER'S BEEN TAKING
VERY GOOD CARE OF ME.

885
00:35:46,620 --> 00:35:48,057
HOW YOU DOING?
GOOD.

886
00:35:48,089 --> 00:35:49,394
IF I'M NOT MISTAKEN...

887
00:35:49,427 --> 00:35:50,728
YOU HAVE
A VERY IMPORTANT DATE TONIGHT.

888
00:35:50,762 --> 00:35:51,798
OH, MOM, PLEASE.

889
00:35:51,831 --> 00:35:53,000
I CAN RESCHEDULE.

890
00:35:53,032 --> 00:35:55,339
NO, YOU WON'T.

891
00:35:55,373 --> 00:35:57,377
I'M FINE.

892
00:35:57,410 --> 00:35:58,678
THAT CRAZY BITCH SNUCK UP
FROM BEHIND ME

893
00:35:58,711 --> 00:35:59,914
WITH CHLOROFORM.

894
00:36:03,721 --> 00:36:06,561
LIFE IS MORE
THAN CATCHING BAD GUYS.

895
00:36:06,594 --> 00:36:08,365
YOU DID
A GOOD DEED TODAY.

896
00:36:08,399 --> 00:36:11,637
NOW IT'S TIME
TO GO SEE ABOUT A GIRL.

897
00:36:14,943 --> 00:36:16,547
IT'S TIME TO GO SEE
ABOUT A GIRL.

898
00:36:16,581 --> 00:36:17,850
[laughs]

899
00:36:17,882 --> 00:36:19,821
HOW DO YOU LIKE
THEM APPLES?

900
00:36:20,956 --> 00:36:22,427
MM.

901
00:36:23,761 --> 00:36:25,966
WELL PLAYED, MOM.

902
00:36:25,998 --> 00:36:27,000
ALL RIGHT.

903
00:36:40,563 --> 00:36:42,031
HEY.

904
00:36:42,065 --> 00:36:45,004
SHAWN, DID YOU REALLY JUST
CATCH MR. YANG?

905
00:36:45,037 --> 00:36:46,173
YES, I DID.

906
00:36:46,206 --> 00:36:47,477
AND HE TURNED OUT
TO BE A SHE.

907
00:36:47,510 --> 00:36:49,045
CURIOUS.
YEAH.

908
00:36:50,516 --> 00:36:52,487
HEY, I'M SORRY
I DIDN'T BELIEVE YOU EARLIER.

909
00:36:52,520 --> 00:36:55,091
I JUST...
REALLY DIDN'T.

910
00:36:55,124 --> 00:36:56,995
HALF APOLOGY ACCEPTED.

911
00:36:57,028 --> 00:36:58,864
MM.
UH...

912
00:36:58,898 --> 00:37:00,101
I CUT A DEAL
WITH THE THEATRE MANAGER.

913
00:37:00,134 --> 00:37:02,105
SO THIS
IS STILL HAPPENING

914
00:37:02,138 --> 00:37:04,443
IN A BIG, BIG WAY.

915
00:37:04,443 --> 00:37:06,815
HOW DO YOU FEEL
ABOUT POPPED CORN?

916
00:37:06,847 --> 00:37:07,817
I LIKE IT.

917
00:37:07,849 --> 00:37:09,587
I LIKE IT VERY MUCH.

918
00:37:13,929 --> 00:37:14,996
JULES.

919
00:37:15,031 --> 00:37:16,132
WHAT'RE YOU DOING HERE?

920
00:37:16,165 --> 00:37:17,703
WHAT I MEAN IS, YOU KNOW,

921
00:37:17,736 --> 00:37:19,004
WHO--WHO'S GOING TO FIT MR. YANG
WITH HER STRAIGHTJACKET

922
00:37:19,039 --> 00:37:20,543
AND IRON MASK WITH FACE GRILL?

923
00:37:20,576 --> 00:37:22,110
SOMETHING TELLS ME
THERE'S AN ENTIRE PRECINCT

924
00:37:22,145 --> 00:37:24,584
OF OFFICERS BIDDING
ON THAT JOB RIGHT NOW.

925
00:37:24,616 --> 00:37:26,185
UH...

926
00:37:26,219 --> 00:37:28,592
CAN I INTEREST YOU
IN A NECCO WAFER?

927
00:37:28,624 --> 00:37:30,628
SHAWN, CAN YOU JUST NOT TALK
FOR A FEW SECONDS?

928
00:37:30,663 --> 00:37:32,130
LOOK...

929
00:37:32,165 --> 00:37:35,673
I JUST WANTED TO TELL YOU
THAT WHAT YOU DID TODAY...

930
00:37:35,705 --> 00:37:36,807
I MEAN...

931
00:37:36,840 --> 00:37:39,714
I CAN'T IMAGINE BEING ABLE
TO FUNCTION AT THAT LEVEL

932
00:37:39,746 --> 00:37:40,915
WHILE YOUR MOM WAS...

933
00:37:40,948 --> 00:37:43,589
YOU KNOW--

934
00:37:43,622 --> 00:37:46,661
I AM, UH...CLEARLY

935
00:37:46,695 --> 00:37:49,264
NOT AS GOOD WITH WORDS
AS YOU ARE.

936
00:37:49,300 --> 00:37:51,036
AND, UM...

937
00:37:51,069 --> 00:37:55,679
I KNOW THAT THINGS BETWEEN US
HAVE BEEN

938
00:37:55,713 --> 00:37:57,081
A LITTLE COMPLICATED.

939
00:37:57,115 --> 00:37:59,621
AND THERE
HAVE PROBABLY BEEN

940
00:37:59,654 --> 00:38:00,689
SOME MIXED SIGNALS,

941
00:38:00,723 --> 00:38:02,258
MOSTLY FROM ME.

942
00:38:02,291 --> 00:38:04,563
WITH REGARDS TO THE TIME
THAT WE SPEND TOGETHER

943
00:38:04,563 --> 00:38:06,600
OUTSIDE OF THE LINE
OF DUTY...

944
00:38:06,635 --> 00:38:08,070
LOOK, JULES--
SHH!

945
00:38:08,102 --> 00:38:09,673
JUST PLEASE LET ME FINISH
STUMBLING THROUGH THIS.

946
00:38:09,707 --> 00:38:10,943
I'M ALMOST DONE,
I PROMISE.

947
00:38:10,976 --> 00:38:12,078
[exhales]

948
00:38:12,111 --> 00:38:14,651
WHAT I'M SAYING...

949
00:38:14,683 --> 00:38:16,854
IS THAT I THINK MAYBE

950
00:38:16,888 --> 00:38:20,293
THE BEST THINGS,
THE RICHEST THINGS,

951
00:38:20,328 --> 00:38:23,367
AREN'T SUPPOSED
TO COME EASILY.

952
00:38:23,401 --> 00:38:24,936
AND THAT SOMETIMES

953
00:38:24,971 --> 00:38:27,007
THE MOMENTS THAT MAKE
THE MOST SENSE

954
00:38:27,040 --> 00:38:28,811
HAPPEN WHEN
EVERYTHING ELSE DOESN'T.

955
00:38:28,845 --> 00:38:30,080
AND, WELL...

956
00:38:30,114 --> 00:38:33,888
I THINK YOU DESERVE
MORE THAN POPCORN TONIGHT.

957
00:38:39,098 --> 00:38:41,705
SO WHY DON'T YOU LET ME
TAKE YOU TO DINNER?

958
00:38:43,273 --> 00:38:45,878
DETECTIVE O'HARA, ARE YOU
ASKING ME OUT ON A DATE?

959
00:38:45,913 --> 00:38:47,817
I AM.

960
00:38:47,850 --> 00:38:48,884
A PROPER ONE.

961
00:38:48,919 --> 00:38:50,856
WOW.

962
00:38:50,888 --> 00:38:53,762
I CANNOT BELIEVE THIS.

963
00:38:55,197 --> 00:38:56,835
ALL THIS TIME, AND...

964
00:38:56,868 --> 00:38:59,239
YOUR TIMING IS JUST AWFUL.

965
00:38:59,272 --> 00:39:01,945
IT IS?
YEAH.

966
00:39:01,977 --> 00:39:03,348
IT'S JUST DREADFUL.

967
00:39:03,381 --> 00:39:04,415
WHAT?

968
00:39:04,450 --> 00:39:06,854
I CAN'T GO TO DINNER
WITH YOU, JULES.

969
00:39:06,888 --> 00:39:08,122
I'M ALREADY ON A DATE.

970
00:39:08,157 --> 00:39:09,225
YOU ARE?

971
00:39:09,259 --> 00:39:11,765
WHAT, HERE?
YEAH, RIGHT NOW.

972
00:39:11,797 --> 00:39:13,434
IT'S WEIRD--
IT'S A LITTLE WEIRD.

973
00:39:13,467 --> 00:39:14,836
BUT, UH...

974
00:39:14,870 --> 00:39:17,340
YEAH.

975
00:39:17,375 --> 00:39:18,410
WITH ABIGAIL.

976
00:39:18,444 --> 00:39:19,813
THE ONE THAT GOT AWAY.

977
00:39:19,846 --> 00:39:21,115
YEAH.

978
00:39:34,977 --> 00:39:36,747
GET OUT THERE.

979
00:39:38,082 --> 00:39:40,823
SHE'S NOT GOING TO WAIT
FOREVER.

980
00:39:46,132 --> 00:39:47,335
JULES.

981
00:39:48,839 --> 00:39:50,542
I'M SO SORRY...

982
00:39:51,609 --> 00:39:53,815
FOR SNAPPING AT YOU EARLIER.

983
00:39:53,849 --> 00:39:54,917
I KNOW.

984
00:40:13,086 --> 00:40:14,956
YOU ALL RIGHT?

985
00:40:14,990 --> 00:40:17,461
YEAH.
WHY WOULD YOU EVEN ASK THAT?

986
00:40:17,495 --> 00:40:19,199
MOSTLY BECAUSE YOU
LOOK LIKE YOU GOT PUNCHED

987
00:40:19,232 --> 00:40:20,635
IN THE STOMACH
AND STOPPED BREATHING

988
00:40:20,668 --> 00:40:22,037
FOR A FEW SECONDS.

989
00:40:22,071 --> 00:40:22,907
WOW.

990
00:40:22,940 --> 00:40:25,043
I DIDN'T REALIZE
I WAS THAT TRANSPARENT.

991
00:40:26,079 --> 00:40:27,481
[clears throat]

992
00:40:27,516 --> 00:40:28,550
THE TRUTH--
THE TRUTH IS, ABIGAIL,

993
00:40:28,584 --> 00:40:32,025
EVERYTHING'S NOT OKAY.

994
00:40:32,057 --> 00:40:34,261
I DON'T KNOW EXACTLY HOW TO--
HOW TO SAY THIS.

995
00:40:34,294 --> 00:40:36,332
TRY USING WORDS
TO FORM A SENTENCE.

996
00:40:36,366 --> 00:40:39,104
I'M SO, SO SORRY,
ABIGAIL.

997
00:40:40,674 --> 00:40:42,678
THEY'RE ALL OUT OF BUTTER.

998
00:40:42,711 --> 00:40:43,915
WAIT, WHAT?

999
00:40:43,949 --> 00:40:45,250
I KNOW, I'M SORRY.

1000
00:40:45,283 --> 00:40:47,155
I'M SORRY, I DON'T KNOW WHY
I'M APOLOGIZING,

1001
00:40:47,187 --> 00:40:48,591
'CAUSE IT'S NOT MY FAULT,
REALLY.

1002
00:40:48,623 --> 00:40:50,360
BUT, I MEAN,
IT'S OPENING NIGHT.

1003
00:40:50,394 --> 00:40:51,464
AND HOW DO YOU RUN
OUT OF BUTTER?

1004
00:40:51,497 --> 00:40:53,299
THAT'S CARDINAL.
THAT'S CARDINAL.

1005
00:40:53,332 --> 00:40:54,670
WHAT ARE WE GOING TO DO?
I DON'T KNOW, EXACTLY.

1006
00:40:54,702 --> 00:40:57,576
UH...

1007
00:40:57,609 --> 00:41:00,181
AS YOU CAN SEE,
THE KERNELS

1008
00:41:00,213 --> 00:41:03,152
ARE FLUFFY AND SALTED
QUITE NICELY.

1009
00:41:03,187 --> 00:41:04,455
I TRIED--I TRIED ONE.

1010
00:41:04,490 --> 00:41:06,960
BUT WE DO HAVE,
UH, NECCO WAFERS.

1011
00:41:06,995 --> 00:41:07,997
NECCO.

1012
00:41:08,030 --> 00:41:10,134
AND TOBLERONE.
I LOVE TOBLERONE.

1013
00:41:10,166 --> 00:41:12,438
YES, I SENSED
THAT YOU MIGHT.

1014
00:41:12,472 --> 00:41:14,575
IT'S LIKE A MORE
SOPHISTICATED CRACKLE.

1015
00:41:18,483 --> 00:41:20,989
HEY, YOU'RE SURE
ABOUT THIS?

1016
00:41:22,025 --> 00:41:24,161
ABSOLUTELY.

1017
00:41:24,195 --> 00:41:27,201
NOW, IN WITH YOU.

1018
00:41:27,234 --> 00:41:29,540
THIS CARRIAGE.

1019
00:41:33,648 --> 00:41:34,716
[gasps]
OH, GOD!

1020
00:41:34,749 --> 00:41:36,418
THAT'S
WHAT I'M TALKING ABOUT.

1021
00:41:36,452 --> 00:41:37,556
GUS.

1022
00:41:37,589 --> 00:41:38,991
HELLO, ABIGAIL.

1023
00:41:40,460 --> 00:41:41,664
THE THING IS,
IT'S--IT'S HIS CAR.

1024
00:41:41,697 --> 00:41:43,232
IT'S A COMPANY CAR.

1025
00:41:43,267 --> 00:41:45,137
AND HE'S
VERY PROTECTIVE OF IT.

1026
00:41:45,171 --> 00:41:47,208
SO JUST PRETEND
LIKE HE ISN'T HERE.

1027
00:41:58,163 --> 00:41:59,566
(Gus)
ARE THOSE NECCO WAFERS
UP THERE?

1028
00:41:59,600 --> 00:42:01,604
YES, THEY ARE.
PASS THEM BACK, PLEASE.