1 00:00:02,103 --> 00:00:05,005 * 2 00:00:14,248 --> 00:00:16,917 - SPECIAL GIRL, HUH? 3 00:00:16,950 --> 00:00:18,486 - YEAH, KIND OF. 4 00:00:18,519 --> 00:00:20,521 - WELL, IT'S NICE TO SEE YOU APPLYING YOURSELF. 5 00:00:20,554 --> 00:00:22,556 IT LOOKS LIKE YOU PUT A LOT OF WORK INTO THAT. 6 00:00:22,590 --> 00:00:24,892 - THANKS, DAD, BUT I DON'T KNOW IF I'M GONNA SEND IT. 7 00:00:24,925 --> 00:00:27,328 - WHY? WHY, SHAWN? 8 00:00:27,361 --> 00:00:29,097 - THERE ARE OBSTACLES. - OBSTACLES? 9 00:00:29,130 --> 00:00:30,364 ALL COUPLES HAVE OBSTACLES. 10 00:00:30,398 --> 00:00:32,200 THE KEY TO IT IS, YOU'RE NEVER GONNA KNOW 11 00:00:32,233 --> 00:00:34,368 UNLESS YOU PUT YOURSELF OUT THERE. 12 00:00:34,402 --> 00:00:36,437 - GUS SAYS IT'LL NEVER WORK. 13 00:00:36,470 --> 00:00:37,871 - GUS? WHAT DOES GUS KNOW? GUS IS 12. 14 00:00:37,905 --> 00:00:39,273 YOU REMEMBER AT THAT SKATE PARTY 15 00:00:39,307 --> 00:00:42,076 HOW HE CRIED WHEN THAT GIRL TOUCHED HIS ARM? GUS. 16 00:00:42,110 --> 00:00:44,645 COME ON. - WHAT DO YOU THINK? 17 00:00:44,678 --> 00:00:46,580 - LET'S SEE. THE HEART IS GOOD. 18 00:00:46,614 --> 00:00:48,015 YOU TELL HER THAT YOU THINK SHE'S PRETTY, 19 00:00:48,048 --> 00:00:50,184 BUT NOT IN AN CREEPY, AGGRESSIVE KIND OF WAY. 20 00:00:50,218 --> 00:00:51,452 I LIKE THAT. 21 00:00:51,485 --> 00:00:53,087 YOU KNOW, DOWN HERE, I THINK WHAT YOU WANT TO DO IS, 22 00:00:53,121 --> 00:00:54,422 I THINK YOU WANT TO TELL HER 23 00:00:54,455 --> 00:00:56,624 THAT YOU'D LIKE TO CALL HER SOMETIME. 24 00:00:56,657 --> 00:00:58,659 DO THAT. 25 00:00:58,692 --> 00:01:00,594 IT LOOKS LIKE YOU FORGOT TO ADDRESS IT THERE. 26 00:01:00,628 --> 00:01:02,796 YOU WANT TO WRITE HER NAME BIG AND PRETTY, 27 00:01:02,830 --> 00:01:04,732 MAKE HER THINK SHE'S IMPORTANT. 28 00:01:04,765 --> 00:01:06,400 YOU KNOW HOW SOMETIMES I WRITE 29 00:01:06,434 --> 00:01:07,868 AND I DO THE CALLIGRAPHY WITH BIG LOOPS 30 00:01:07,901 --> 00:01:11,805 AND SWOOPING LETTERS? DO THAT, DO THAT UP THERE. 31 00:01:11,839 --> 00:01:15,042 - DAD, COULD YOU DO IT? 32 00:01:15,075 --> 00:01:18,779 - YEAH, SURE, I GUESS. 33 00:01:18,812 --> 00:01:21,415 ALL RIGHT, WHAT'S HER NAME? 34 00:01:21,449 --> 00:01:24,618 - UH, MRS. PHILLIPS. 35 00:01:32,092 --> 00:01:35,095 [upbeat dance music] 36 00:01:54,982 --> 00:01:56,717 - HEY, WHAT'S WRONG? 37 00:01:56,750 --> 00:01:58,952 - I HATE HAVING TO HIDE WHAT WE HAVE. 38 00:01:58,986 --> 00:02:02,423 YOU KNOW, WE CAN'T REALLY BE TOGETHER 39 00:02:02,456 --> 00:02:04,592 UNTIL YOU TELL HER. 40 00:02:04,625 --> 00:02:07,261 - I WILL. SOON. 41 00:02:09,263 --> 00:02:11,465 - MINA? 42 00:02:11,499 --> 00:02:13,734 YOU'RE BACK ON IN TWO MINUTES. 43 00:02:18,172 --> 00:02:20,441 - I'LL GO. - NO. 44 00:02:20,474 --> 00:02:22,643 - NO, I DON'T WANT TO DISTURB YOUR RITUAL. 45 00:02:22,676 --> 00:02:24,512 IT'S BAD LUCK. 46 00:02:28,649 --> 00:02:31,619 - [sighs] 47 00:02:46,867 --> 00:02:49,537 - [screams] 48 00:02:49,570 --> 00:02:52,773 - THIS IS MY "I TOLD YOU SO" ROOM, 49 00:02:52,806 --> 00:02:54,942 WHERE I LIKE TO GLOAT AFTER A COMPLETELY WILD ACCUSATION 50 00:02:54,975 --> 00:02:56,444 TURNS OUT TO BE SPOT ON. 51 00:02:56,477 --> 00:02:57,945 THAT'S MY "OOPS" CORNER, 52 00:02:57,978 --> 00:02:59,780 WHERE I APOLOGIZE TO PEOPLE FOR BEING ARRESTED 53 00:02:59,813 --> 00:03:01,282 AFTER A COMPLETELY WILD ACCUSATION 54 00:03:01,315 --> 00:03:02,916 TURNS OUT TO BE JUST THAT. 55 00:03:02,950 --> 00:03:05,586 OVER THERE IS WHERE YOU GET GUM. FREE, BY THE WAY. 56 00:03:05,619 --> 00:03:06,720 - WHAT? - YEAH. 57 00:03:06,754 --> 00:03:09,089 UM, THIS IS... 58 00:03:09,122 --> 00:03:12,560 - I KNOW YOU. I MET YOU AT OUR HIGH-SCHOOL REUNION. 59 00:03:12,593 --> 00:03:16,264 - YES. YES, YOU DID. SHAWN TELLS ME YOU'RE A TEACHER. 60 00:03:16,297 --> 00:03:17,565 - YEAH, KINDERGARTEN. 61 00:03:17,598 --> 00:03:19,433 - OH, THAT'S GREAT. I THINK THAT'S GREAT. 62 00:03:19,467 --> 00:03:21,068 I MEAN, KIDS, THEY'RE--THEY'RE SO GREAT. 63 00:03:21,101 --> 00:03:22,536 THAT MUST BE REALLY FUN. 64 00:03:22,570 --> 00:03:24,938 YOU KNOW, I LOVED MY KINDERGARTEN TEACHER. 65 00:03:24,972 --> 00:03:26,274 YEAH, BEFORE I WENT INTO LAW ENFORCEMENT, 66 00:03:26,307 --> 00:03:28,008 I ACTUALLY CONSIDERED TEACH-- 67 00:03:28,041 --> 00:03:31,011 - THIS IS DETECTIVE CARLTON LASSITER. 68 00:03:31,044 --> 00:03:33,414 I DO HIS JOB AND SOMETIMES HIS HAIR, 69 00:03:33,447 --> 00:03:34,948 THOUGH CLEARLY NOT TODAY. 70 00:03:34,982 --> 00:03:36,917 - I'M REALLY SORRY, SPENCER. I CAN'T PLAY WITH YOU TODAY. 71 00:03:36,950 --> 00:03:39,820 I'M ABOUT TO GO SOLVE ANOTHER CASE AND DO IT IN RECORD TIME. 72 00:03:39,853 --> 00:03:41,755 HELLO. 73 00:03:41,789 --> 00:03:43,123 - IT IS AT THIS POINT THAT I MUST DECIDE 74 00:03:43,156 --> 00:03:45,593 WHICH PART OF THAT VERY BOLD STATEMENT TO RIFF OFF OF. 75 00:03:45,626 --> 00:03:47,261 NOW, I CAN HONE IN ON "ANOTHER," 76 00:03:47,295 --> 00:03:49,062 WHICH IMPLIES THAT HE'S SOLVED MORE THAN ONE. 77 00:03:49,096 --> 00:03:50,431 - THAT'S PRETTY EASY, THOUGH. 78 00:03:50,464 --> 00:03:52,433 - OR I CRACK DOWN ON "RECORD TIME" 79 00:03:52,466 --> 00:03:55,068 AND POSIT THAT, FOR HIM, RECORD TIME IS, LIKE, 2 1/2 YEARS. 80 00:03:55,102 --> 00:03:56,236 - GOOD, NOT GREAT. 81 00:03:56,270 --> 00:03:57,705 - YOU DRIVE A HARD BARGAIN. - YOU LOVE IT. 82 00:03:57,738 --> 00:04:02,576 - I KNOW. WHY DON'T YOU GO HOME AND WAIT FOR ME NOT TO CALL YOU? 83 00:04:02,610 --> 00:04:03,711 - HE'S JUST SAYING THAT 84 00:04:03,744 --> 00:04:05,279 SO THAT IT'LL BE MORE DRAMATIC LATER ON 85 00:04:05,313 --> 00:04:06,514 WHEN HE HAS TO ASK FOR MY HELP. 86 00:04:06,547 --> 00:04:08,682 - MORE DRAMATIC FOR WHO? 87 00:04:08,716 --> 00:04:12,019 - I DON'T KNOW. THAT GUY, I GUESS. 88 00:04:13,153 --> 00:04:14,788 [door opens] 89 00:04:17,257 --> 00:04:20,628 - ALL RIGHT, SO WHAT EXACTLY IS THIS INFORMATION 90 00:04:20,661 --> 00:04:22,963 ABOUT THE ACCIDENT BEHIND THE THEATER EARLIER? 91 00:04:22,996 --> 00:04:24,732 - THIS WAS NO ACCIDENT. 92 00:04:24,765 --> 00:04:27,701 - REALLY? WELL, THAT'S HELPFUL. 93 00:04:27,735 --> 00:04:31,071 AND YOU, UM-- YOU KNOW THE VICTIM? 94 00:04:31,104 --> 00:04:34,274 - VICTIMS, PLURAL. MINA WASN'T THE ONLY ONE. 95 00:04:34,308 --> 00:04:37,144 FORTUNATELY, SHE IS THE ONLY ONE WHO DIDN'T GET HURT. 96 00:04:37,177 --> 00:04:40,981 - SIR, YOU ARE EXACTLY WHAT I NEEDED TODAY. 97 00:04:41,014 --> 00:04:42,450 OKAY, WE'RE GONNA HAVE TO DO THIS QUICK 98 00:04:42,483 --> 00:04:44,084 WHILE HIS GIRLFRIEND IS STILL WAITING. 99 00:04:44,117 --> 00:04:45,453 - I'M SORRY, WHOSE GIRLFRIEND? 100 00:04:45,486 --> 00:04:47,421 - OH, NEVER YOU MIND. I'M JUST THINKING OUT LOUD. 101 00:04:47,455 --> 00:04:48,922 DON'T WANT TO INTERRUPT YOUR FLOW. 102 00:04:48,956 --> 00:04:50,358 I LIKE WHAT YOU'RE SAYING, 103 00:04:50,391 --> 00:04:52,593 SO LET'S JUST GO STRAIGHT TO THE MILLION-DOLLAR QUESTION: 104 00:04:52,626 --> 00:04:54,462 WHO EXACTLY IS RESPONSIBLE? 105 00:04:56,296 --> 00:04:58,131 - I AM. I HURT THEM ALL. 106 00:04:58,165 --> 00:05:00,100 I'M A DANGER TO EVERYONE AROUND ME. 107 00:05:01,902 --> 00:05:05,138 - ALL RIGHT, MR. SINGH, THIS IS HOW IT'S GONNA WORK. 108 00:05:05,172 --> 00:05:07,908 SEE, SOMETIMES THERE ARE THESE BLEEDING-HEART ACTIVIST JUDGES 109 00:05:07,941 --> 00:05:09,777 WHO WON'T TAKE A DETECTIVE'S IRON-CLAD WORD FOR IT 110 00:05:09,810 --> 00:05:12,546 WHEN HE GETS A PERFECTLY UNCOERCED CONFESSION. 111 00:05:12,580 --> 00:05:15,716 SO JUST SO WE'RE CLEAR, 112 00:05:15,749 --> 00:05:17,551 I'D LIKE YOU TO WRITE EVERYTHING DOWN. 113 00:05:17,585 --> 00:05:19,286 WHEN YOU DID IT, WHERE YOU DID IT, 114 00:05:19,319 --> 00:05:20,554 WHY YOU DID IT. 115 00:05:20,588 --> 00:05:21,855 NOW, THE WHY IS VERY IMPORTANT. 116 00:05:21,889 --> 00:05:24,157 YOU'RE DONE? - YES. 117 00:05:24,191 --> 00:05:25,559 - YOU JUST WROTE, LIKE, THREE WORDS. 118 00:05:25,593 --> 00:05:27,528 - MM-HMM. 119 00:05:33,300 --> 00:05:35,068 - WOULD YOU EXCUSE ME? 120 00:05:38,706 --> 00:05:39,973 I'LL JUST BE A MINUTE. 121 00:05:41,008 --> 00:05:42,943 - THIS PLACE WAS ACTUALLY BUILT BY THE AMISH, 122 00:05:42,976 --> 00:05:45,413 WHICH EXPLAINS THE COMPLETE AND UTTER LACK OF ZIPPERS. 123 00:05:45,446 --> 00:05:47,681 - [laughs] - SPENCER? 124 00:05:47,715 --> 00:05:49,149 I WAS TOO HARSH. 125 00:05:49,182 --> 00:05:51,585 - WHEN? - JUST NOW. 126 00:05:51,619 --> 00:05:53,787 PERHAPS ALWAYS. 127 00:05:53,821 --> 00:05:55,856 LOOK, THE TRUTH IS, THE GUY IN THE INTERROGATION ROOM "A" 128 00:05:55,889 --> 00:05:58,826 IS A SOLID LEAD, AND I JUST DON'T HAVE THE-- 129 00:05:58,859 --> 00:06:00,327 YOU KNOW, TO FOLLOW THROUGH. 130 00:06:00,360 --> 00:06:01,762 - WHAT EXACTLY ARE YOU TRYING TO SAY? 131 00:06:01,795 --> 00:06:04,632 - I'M SAYING I NEED YOUR HELP. 132 00:06:04,665 --> 00:06:07,100 - ALL RIGHT, BUT ONLY IF ABIGAIL CAN WATCH. 133 00:06:07,134 --> 00:06:09,603 - NO, NO. NO. - SHH. 134 00:06:09,637 --> 00:06:11,439 - I'LL PUT A CHAIR IN THE VIEWING ROOM. 135 00:06:11,472 --> 00:06:14,642 - PERFECT. - THANKS, BUDDY. 136 00:06:14,675 --> 00:06:17,545 - THIS SHOULD BE INTERESTING. 137 00:06:17,578 --> 00:06:19,346 [door opens] 138 00:06:23,851 --> 00:06:25,986 [sighs] 139 00:06:33,060 --> 00:06:37,498 FIRST, I WANT TO TELL YOU THAT I LOVE YOU. 140 00:06:40,133 --> 00:06:41,769 SECONDLY... [clears throat] 141 00:06:41,802 --> 00:06:43,937 WHAT CAN I DO FOR YOU...? 142 00:06:43,971 --> 00:06:45,172 - RAJ. 143 00:06:45,205 --> 00:06:46,406 - CAN I CALL YOU ROGER? 144 00:06:46,440 --> 00:06:48,241 - FIRST NAME'S RAJESH. 145 00:06:48,275 --> 00:06:50,744 - I'LL STICK WITH ROGER. 146 00:06:50,778 --> 00:06:53,080 I'M GOING TO TELL YOU WHAT I DO. 147 00:06:53,113 --> 00:06:56,750 I DON'T WANT YOU TO FREAK OUT BECAUSE IT'S SO COOL, OKAY? 148 00:06:56,784 --> 00:06:58,886 I'M A PSYCHIC, 149 00:06:58,919 --> 00:07:01,655 A GREAT AND POWERFUL PSYCHIC 150 00:07:01,689 --> 00:07:03,591 WHOSE POWERS INSPIRE FEAR AND AWE 151 00:07:03,624 --> 00:07:05,893 IN THOSE WHO FIRST EXPERIENCE THEM. 152 00:07:05,926 --> 00:07:07,928 I AM A CRIME-SOLVING MACHINE, 153 00:07:07,961 --> 00:07:11,499 AND I HAVE CLOSED OVER 50 CASES, 154 00:07:11,532 --> 00:07:13,901 MANY WITHOUT PANTS. 155 00:07:13,934 --> 00:07:16,169 - FINALLY, SOMEONE WHO WILL UNDERSTAND ME. 156 00:07:16,203 --> 00:07:18,338 - YES, ROGER, YOU CAN TALK TO ME. 157 00:07:18,371 --> 00:07:19,607 I AM YOUR FRIEND. 158 00:07:19,640 --> 00:07:23,043 - I HURT PEOPLE, LOTS OF PEOPLE, 159 00:07:23,076 --> 00:07:26,113 LOTS OF INNOCENT PEOPLE. 160 00:07:26,146 --> 00:07:28,949 - OH. [chuckles] 161 00:07:28,982 --> 00:07:30,383 - IT--IT'S FUNNY, 162 00:07:30,417 --> 00:07:32,285 'CAUSE YOU DON'T-- YOU DON'T REALLY STRIKE ME 163 00:07:32,319 --> 00:07:33,687 AS A VIOLENT GUY. 164 00:07:33,721 --> 00:07:35,523 HOW COULD YOU COMMIT THESE CRIMES? 165 00:07:35,556 --> 00:07:38,526 - I CAN'T HELP IT. THE ATTACKS, THEY JUST HAPPEN. 166 00:07:38,559 --> 00:07:41,194 - I SEE. 167 00:07:41,228 --> 00:07:45,398 AND, UH, WHAT, YOU USE SOME SORT OF WEAPON? 168 00:07:45,432 --> 00:07:48,135 - I AM THE WEAPON. 169 00:07:49,937 --> 00:07:51,238 - REALLY? 170 00:07:51,271 --> 00:07:54,007 - AND IT'S IMMEDIATE. EVEN I CAN'T PREDICT IT. 171 00:07:54,041 --> 00:07:59,379 I CAN JUST BE ALONE IN A ROOM WITH SOMEBODY. 172 00:07:59,412 --> 00:08:01,014 - GOT IT. 173 00:08:01,048 --> 00:08:03,851 WELL, IN THAT CASE, RAJ, 174 00:08:03,884 --> 00:08:06,153 I-I THINK ALL THAT'S LEFT HERE, 175 00:08:06,186 --> 00:08:09,857 QUESTION-WISE, IS "WHY?" 176 00:08:09,890 --> 00:08:12,826 I MEAN, WHY, WHY, WHY DO YOU HURT THESE PEOPLE? 177 00:08:12,860 --> 00:08:14,361 - WHY HAVE I HURT THESE PEOPLE? 178 00:08:14,394 --> 00:08:17,831 - YOU GOT TO SEE THIS. WAIT FOR IT. HERE IT COMES. 179 00:08:17,865 --> 00:08:20,601 - IT'S BECAUSE I-- 180 00:08:20,634 --> 00:08:22,135 IT'S BECAUSE I'M-- 181 00:08:22,169 --> 00:08:24,638 IT'S BECAUSE I'M CURSED. 182 00:08:24,672 --> 00:08:27,474 - YES! YES, I WIN. 183 00:08:27,507 --> 00:08:30,410 FINALLY! FINALLY I PUT ONE OVER ON HIM. 184 00:08:30,443 --> 00:08:35,148 OH, THIS IS--THIS IS COMPLETELY SATISFYING. 185 00:08:40,220 --> 00:08:42,823 - YOU'RE A PSYCHIC. YOU MUST BELIEVE ME. 186 00:08:42,856 --> 00:08:46,326 YOU MUST BE ABLE TO HELP ME. CAN YOU? 187 00:08:46,359 --> 00:08:49,229 - YES, I CAN, ROGER. - [sighs] 188 00:08:49,262 --> 00:08:51,264 - I WILL BREAK YOUR CURSE, 189 00:08:51,298 --> 00:08:53,667 AND I WILL SOLVE THIS CASE, 190 00:08:53,701 --> 00:08:55,502 MOSTLY... 191 00:08:55,535 --> 00:08:59,773 BECAUSE THE DETECTIVE WHO WAS IN HERE EARLIER CANNOT. 192 00:09:04,544 --> 00:09:06,880 - OH, THIS IS SO GOOD. 193 00:09:07,948 --> 00:09:11,251 [traditional Indian music] 194 00:09:11,284 --> 00:09:14,688 * 195 00:09:14,722 --> 00:09:17,357 [woman singing in native language] 196 00:09:17,390 --> 00:09:23,396 * 197 00:09:36,209 --> 00:09:38,345 - * I KNOW YOU KNOW 198 00:09:38,378 --> 00:09:40,213 [woman singing in native language] 199 00:09:40,247 --> 00:09:41,414 * I KNOW YOU KNOW 200 00:09:41,448 --> 00:09:43,183 [woman singing in native language] 201 00:09:43,216 --> 00:09:44,317 * EMBRACE THE DECEPTION 202 00:09:44,351 --> 00:09:45,986 * LEARN HOW TO BEND 203 00:09:46,019 --> 00:09:48,055 * YOUR WORST INHIBITIONS 204 00:09:48,088 --> 00:09:50,390 [woman singing in native language] 205 00:09:50,423 --> 00:09:52,893 * I KNOW YOU KNOW 206 00:10:03,837 --> 00:10:06,306 - WHERE ARE THE BUNNIES? - WHAT? 207 00:10:06,339 --> 00:10:08,642 - YOU SAID SOMEONE LEFT A DOZEN BUNNIES ON THE FRONT DOORSTEP, 208 00:10:08,676 --> 00:10:10,043 AND YOU DIDN'T KNOW HOW TO FEED THEM. 209 00:10:10,077 --> 00:10:13,013 - OH, YEAH, I MADE THAT UP. I JUST NEEDED YOU HERE, MAN. 210 00:10:13,046 --> 00:10:14,682 - THIS IS ABOUT A CASE, ISN'T IT? 211 00:10:14,715 --> 00:10:16,483 - WHAT DO YOU THINK? - I SHOULD HAVE KNOWN, 212 00:10:16,516 --> 00:10:17,985 ESPECIALLY WHEN YOU SAID THEY WERE FALLING ASLEEP 213 00:10:18,018 --> 00:10:19,386 IN THE PALM OF YOUR HAND. 214 00:10:19,419 --> 00:10:22,823 - LOOK, I WAS HUMILIATED BY LASSITER, CARLTON LASSITER. 215 00:10:22,856 --> 00:10:25,693 A CHALLENGE HAS BEEN ISSUED, AND I NEED EVERY TOOL WE'VE GOT. 216 00:10:25,726 --> 00:10:27,027 - ARE YOU CALLING ME A TOOL? 217 00:10:27,060 --> 00:10:28,195 - I'M CALLING YOU MY PARTNER. 218 00:10:28,228 --> 00:10:30,964 MY LOGIC BRAIN, MY MAGIC WISH MACHINE. 219 00:10:30,998 --> 00:10:32,465 - WHAT HAVE WE GOT? 220 00:10:32,499 --> 00:10:34,668 - [clears throat] 221 00:10:34,702 --> 00:10:38,071 - OH, MY NAME IS RAJ. I HAVE A CURSE. 222 00:10:38,105 --> 00:10:40,140 - OH. NO, NO, NO, NO, SHAWN. 223 00:10:40,173 --> 00:10:41,608 I DON'T DO CURSES. YOU KNOW THAT. 224 00:10:41,641 --> 00:10:42,743 - GUS, COME ON. 225 00:10:42,776 --> 00:10:44,177 - THAT MUMMY ALMOST SUCKED MY EYES OUT. 226 00:10:44,211 --> 00:10:45,913 - IT WASN'T A MUMMY. - YES, IT WAS. 227 00:10:45,946 --> 00:10:48,381 - IT WAS A SNOBBY GUY AND AN EFFEMINATE DUDE IN A WHEELCHAIR. 228 00:10:48,415 --> 00:10:49,950 - APPLES AND ORANGES. 229 00:10:49,983 --> 00:10:52,385 - THIS IS A LOVE CURSE. YEAH. 230 00:10:52,419 --> 00:10:53,987 THIS POOR GUY THINKS THERE'S SOME KIND OF HEX 231 00:10:54,021 --> 00:10:56,023 ON ALL THE GIRLS HE TRIES TO HOOK UP WITH. 232 00:10:56,056 --> 00:10:57,557 WE JUST NEED TO DO SOME INVESTIGATING, 233 00:10:57,590 --> 00:10:59,426 FIND SOME EVIDENCE, CONVINCE HIM HE'S NOT CURSED 234 00:10:59,459 --> 00:11:02,262 SO THAT HE CAN LIVE A FULL AND HAPPY LIFE WITH HIS LADY LOVE. 235 00:11:02,295 --> 00:11:05,265 MAN, THIS IS A MATTER OF THE HEART. 236 00:11:06,233 --> 00:11:07,334 - HE'S PAYING US, RIGHT? 237 00:11:07,367 --> 00:11:08,802 - YEAH, CASH. 238 00:11:13,140 --> 00:11:14,975 THE LAST FOUR WOMEN THAT I'VE DATED 239 00:11:15,008 --> 00:11:16,609 HAVE ALL HAD TERRIBLE ACCIDENTS. 240 00:11:16,643 --> 00:11:18,846 AND WITH EACH GIRL, IT GETS WORSE AND WORSE. 241 00:11:18,879 --> 00:11:20,413 THE FIRST ONE HAD A CAR ACCIDENT. 242 00:11:20,447 --> 00:11:21,715 ANOTHER'S APARTMENT BURNED DOWN. 243 00:11:21,749 --> 00:11:23,416 - WHAT DO YOU DO AFTER THESE THINGS HAPPEN? 244 00:11:23,450 --> 00:11:25,152 - I BREAK UP WITH THEM. 245 00:11:25,185 --> 00:11:27,620 I HAVE TRIED TO BE ALONE, BELIEVE ME, I HAVE, 246 00:11:27,654 --> 00:11:30,690 BUT THEN I MET MINA, AND MY HEART COULDN'T HELP ITSELF. 247 00:11:30,724 --> 00:11:32,826 I JUST KEEP THINKING THAT THE NEXT TIME WILL BE DIFFERENT, 248 00:11:32,860 --> 00:11:35,195 BUT EVERY WOMAN THAT I FALL IN LOVE WITH 249 00:11:35,228 --> 00:11:37,397 IS TARGETED BY FORCES I CAN'T FIGHT. 250 00:11:37,430 --> 00:11:39,767 - DO YOU HAVE ANY ENEMIES IN THIS WORLD? 251 00:11:39,800 --> 00:11:41,101 - I'M A NICE GUY. 252 00:11:41,134 --> 00:11:43,003 I DON'T KNOW WHY ANYBODY WOULD WANT TO CURSE ME. 253 00:11:43,036 --> 00:11:44,537 - YOU ARE A NICE GUY, ROGER. 254 00:11:44,571 --> 00:11:46,373 AND I PRESUME YOU COULD TEACH US BOTH 255 00:11:46,406 --> 00:11:47,640 A THING OR TWO ABOUT CRICKET. 256 00:11:47,674 --> 00:11:49,342 BUT LET'S NOT JUMP TO CONCLUSIONS. 257 00:11:49,376 --> 00:11:52,712 JUST SHOW ME WHERE THIS ACCIDENT OCCURRED. 258 00:11:52,746 --> 00:11:55,282 - IT WAS JUST INAPPROPRIATE, CARLTON, 259 00:11:55,315 --> 00:11:56,817 WITH HIS GIRLFRIEND STANDING THERE. 260 00:11:56,850 --> 00:11:58,051 - WHEN HAS ANYTHING 261 00:11:58,085 --> 00:12:00,220 HE'S EVER DONE TO ME BEEN APPROPRIATE? 262 00:12:00,253 --> 00:12:02,722 HAVING HIS GIRLFRIEND THERE WAS JUST A GIFT FROM GOD 263 00:12:02,756 --> 00:12:04,792 FOR ALL MY GOOD DEEDS. 264 00:12:04,825 --> 00:12:06,559 OH, SPEAK OF THE DEVIL. 265 00:12:06,593 --> 00:12:10,230 SPENCER, I WANT YOU TO KNOW THAT I AM NOT GONNA GLOAT 266 00:12:10,263 --> 00:12:11,564 ABOUT WHAT HAPPENED YESTERDAY. 267 00:12:11,598 --> 00:12:14,501 - YESTERDAY, WHY? WHAT HAPPENED? WHAT DAY IS THIS? 268 00:12:14,534 --> 00:12:17,370 - THE TRUCK ENDED UP STRIKING THE DUMPSTER, FORTUNATELY, 269 00:12:17,404 --> 00:12:20,007 WHICH PINNED THE GIRL BETWEEN THE GRILL AND THE WALL, 270 00:12:20,040 --> 00:12:22,843 BUT LEFT HER ENOUGH ROOM TO ESCAPE WITHOUT SERIOUS INJURY. 271 00:12:22,876 --> 00:12:24,011 WE TALKED TO THE TRUCK DRIVER, 272 00:12:24,044 --> 00:12:26,113 WHO SWEARS THAT HE PUT BLOCKS UNDER THE TIRES 273 00:12:26,146 --> 00:12:27,781 TO PREVENT THE TRUCK FROM ROLLING DOWN THE ALLEY, 274 00:12:27,815 --> 00:12:29,016 WHICH IS ON AN INCLINE. 275 00:12:29,049 --> 00:12:30,183 - SO IT IS A CASE? 276 00:12:30,217 --> 00:12:32,920 - I CHECKED OUT THE DRIVER. HE'S BEEN WRITTEN UP TWICE 277 00:12:32,953 --> 00:12:35,088 FOR FAILING TO TAKE BASIC SAFETY PRECAUTIONS. 278 00:12:35,122 --> 00:12:37,190 - SO IT'S NOT A CASE? - WE DON'T KNOW YET. 279 00:12:37,224 --> 00:12:39,059 THE TRUCK'S BRAKES HAVEN'T BEEN CHECKED IN 15 YEARS. 280 00:12:39,092 --> 00:12:40,760 - BUT AT THIS POINT, IT LOOKS LIKE AN ACCIDENT. 281 00:12:40,794 --> 00:12:41,862 - LIKE YOUR HAIR. 282 00:12:41,895 --> 00:12:44,097 - REALLY? DOWN TO HAIR JOKES NOW? 283 00:12:47,434 --> 00:12:49,436 - THAT IS SO SWEET. 284 00:12:49,469 --> 00:12:51,839 LOOK HOW MUCH HE CARES FOR HER. 285 00:12:51,872 --> 00:12:56,076 HE'S REALLY TAKING THIS ACCIDENT PRETTY HARD. 286 00:12:58,645 --> 00:13:00,647 - MY BROTHER JAY IS A CHOREOGRAPHER, 287 00:13:00,680 --> 00:13:01,915 AND HE'S BEEN TRYING TO GET THIS PLAYHOUSE 288 00:13:01,949 --> 00:13:03,683 TO PUT ON A BOLLYWOOD-STYLE SHOW FOR YEARS. 289 00:13:03,716 --> 00:13:04,952 THERE HE IS. 290 00:13:04,985 --> 00:13:07,387 - COME ON, NOW. FIVE, SIX, SEVEN, EIGHT. 291 00:13:07,420 --> 00:13:09,089 FIVE, SIX, SEVEN, EIGHT. THAT'S GOOD. 292 00:13:09,122 --> 00:13:11,491 - MINA SAID SHE WAS COMING IN TO REHEARSALS TODAY. 293 00:13:11,524 --> 00:13:12,692 I'M JUST GONNA GO CHECK ON HER, 294 00:13:12,725 --> 00:13:14,928 MAKE SURE SHE'S OKAY AFTER THE ACCIDENT. 295 00:13:17,230 --> 00:13:19,066 - YOU DON'T THINK LASSITER MAY BE RIGHT? 296 00:13:19,099 --> 00:13:21,034 - GUS, PLEASE. DON'T BE HARRY POTTER 297 00:13:21,068 --> 00:13:22,970 AND THE PRISONER OF MARZIPAN. - AZKABAN. 298 00:13:23,003 --> 00:13:24,604 - I'VE READ IT BOTH WAYS. - NO, YOU HAVEN'T. 299 00:13:24,637 --> 00:13:26,673 - OF COURSE I DON'T THINK LASSITER'S RIGHT, 300 00:13:26,706 --> 00:13:27,941 BUT IT'S NOT LOOKING TOO GOOD 301 00:13:27,975 --> 00:13:30,743 FOR RAJ'S WHOLE CURSE IDEA EITHER. 302 00:13:31,979 --> 00:13:34,948 - HOW MANY OF YOU HAVE SEEN ALL THAT JAZZ? 303 00:13:34,982 --> 00:13:39,819 NO? WHITE NIGHTS? GREGORY HINES, BARYSHNIKOV? 304 00:13:39,853 --> 00:13:41,288 THAT EXPLAINS EVERYTHING. 305 00:13:41,321 --> 00:13:43,290 OKAY, WE'RE GONNA REDO THE WHOLE ROUTINE. 306 00:13:43,323 --> 00:13:45,325 GO WAIT IN MY DRESSING ROOM. GO, GO, GO. 307 00:13:47,560 --> 00:13:49,462 - HELLO. 308 00:13:49,496 --> 00:13:52,132 - LAKSHMI, SHE'S MINA'S UNDERSTUDY. 309 00:13:52,165 --> 00:13:53,300 EXCELLENT. 310 00:13:53,333 --> 00:13:55,035 - YES, SHE IS. 311 00:13:55,068 --> 00:13:59,206 - SO IT'S SAFE TO ASSUME THAT YOU DON'T BELIEVE IN THIS CURSE? 312 00:13:59,239 --> 00:14:00,974 - EVERYTHING THAT GOES WRONG IN HIS LIFE, 313 00:14:01,008 --> 00:14:02,475 HE BLAMES ON THE CURSE. 314 00:14:02,509 --> 00:14:04,477 I MEAN, IT'S A CRUTCH. 315 00:14:04,511 --> 00:14:06,947 DON'T GET ME WRONG, I LOVE HIM LIKE A BROTHER. 316 00:14:06,980 --> 00:14:08,448 - HE IS YOUR BROTHER. 317 00:14:08,481 --> 00:14:11,384 - YEAH, BY BLOOD, BUT HE DOESN'T LIVE 318 00:14:11,418 --> 00:14:13,120 IN THE SAME WORLD AS THE REST OF US. 319 00:14:13,153 --> 00:14:15,788 HE LIVES IN A WORLD OF MAGIC AND GOBLINS, 320 00:14:15,822 --> 00:14:19,426 AND WHAT HE NEEDS TO DO IS STEP INTO REALITY, OKAY? 321 00:14:19,459 --> 00:14:21,094 UP! 322 00:14:21,128 --> 00:14:22,429 TALK SOME SENSE INTO HIM. 323 00:14:22,462 --> 00:14:24,998 I'M GETTING MARRIED IN A MONTH, AND I WOULD LOVE TO HAVE 324 00:14:25,032 --> 00:14:27,400 A REASONABLE PERSON AS MY BEST MAN. 325 00:14:27,434 --> 00:14:32,539 HE BELIEVES IN YOU, PSYCHIC, FOR BETTER OR FOR WORSE. 326 00:14:32,572 --> 00:14:35,408 - THAT BUTTERFLY WAS RIGHT, GUS. 327 00:14:35,442 --> 00:14:38,045 RAJ IS A GUY THAT JUST NEEDS TO GET OUT OF HIS OWN HEAD. 328 00:14:38,078 --> 00:14:39,913 I MEAN, EVERYTHING BAD THAT HAPPENS TO HIM, 329 00:14:39,947 --> 00:14:42,515 HE INTERPRETS AS SOME SORT OF DIVINE INTERVENTION. 330 00:14:42,549 --> 00:14:44,051 IT'S A SELF-FULFILLING PROPHECY. 331 00:14:44,084 --> 00:14:45,953 - SO HOW DO WE BREAK HIM OUT OF THE PATTERN? 332 00:14:45,986 --> 00:14:48,922 - WELL, APPARENTLY HE BELIEVES IN ME, SO I WILL LIFT HIS CURSE, 333 00:14:48,956 --> 00:14:51,558 AND YOU WILL BE MY SPECIAL HELPER. 334 00:14:53,493 --> 00:14:57,430 - OH, CURSED GIRLFRIEND-RUINER, BE GONE. 335 00:14:57,464 --> 00:14:59,766 - THIS SEEMS DANGEROUS. 336 00:14:59,799 --> 00:15:02,002 - SHH. YOU'RE NOT LETTING THE CURSE LEAVE YOUR BODY. 337 00:15:02,035 --> 00:15:03,736 - HE'S RIGHT. YOU COULD ELECTROCUTE HIM. 338 00:15:03,770 --> 00:15:05,138 - REALLY? - HIS HAND IS IN WATER. 339 00:15:05,172 --> 00:15:07,107 - YOU TELL ME THAT NOW. YOU SAW WHAT I WAS DOING. 340 00:15:07,140 --> 00:15:09,476 - [hushed bickering] 341 00:15:09,509 --> 00:15:12,980 - ROGER, REPEAT AFTER ME. 342 00:15:13,013 --> 00:15:16,283 "I AM NOT CURSED. IT'S ALL IN MY HEAD." 343 00:15:16,316 --> 00:15:17,750 - BUT IT'S NOT ALL IN MY HEAD. 344 00:15:17,784 --> 00:15:19,586 - YOU HAVE TO SAY IT IN ORDER TO BELIEVE IT. 345 00:15:19,619 --> 00:15:20,620 LET ME DO THE REST. 346 00:15:20,653 --> 00:15:23,290 GUS, WHO IS THE PROFESSIONAL HERE? - YOU? 347 00:15:23,323 --> 00:15:25,658 - CLOSE YOUR EYES. 348 00:15:26,559 --> 00:15:29,096 - I AM NOT CURSED. IT'S ALL IN MY HEAD. 349 00:15:29,129 --> 00:15:31,864 - HMM, YES. I'M FEELING IT. 350 00:15:31,898 --> 00:15:32,966 - REALLY? 351 00:15:33,000 --> 00:15:35,102 - YES. GUS, GET ME THE HEDGE CLIPPERS. 352 00:15:35,135 --> 00:15:38,071 - I GUESS I AM FEELING SOMETHING. IT'S TINGLING. 353 00:15:38,105 --> 00:15:39,973 - THAT'S THE ELECTRICAL BREAKER SHORTING OUT. 354 00:15:40,007 --> 00:15:41,408 - WHAT? 355 00:15:41,441 --> 00:15:43,210 - IT'S SHORTING OUT, SHAWN. HIS HAND'S IN WATER. 356 00:15:43,243 --> 00:15:44,777 - SHAWN? ARE YOU HERE? 357 00:15:44,811 --> 00:15:47,347 GIVE ME A HAND, I GOT SOME GROCERIES HERE. 358 00:15:47,380 --> 00:15:49,049 - HALLELUJAH, THE CURSE IS BROKEN. 359 00:15:49,082 --> 00:15:50,450 - WHAT? - ALL GONE. GET YOUR COAT. 360 00:15:50,483 --> 00:15:52,452 - BROKEN? - ALL BROKEN. 361 00:15:52,485 --> 00:15:54,554 - OKAY, LET'S GET OUT THE HOUSE BEFORE IT FINDS YOU AGAIN. 362 00:15:54,587 --> 00:15:57,090 - ALL GONE. YOU'RE CURSE-FREE. 363 00:16:00,093 --> 00:16:01,194 - SHAWN. - WHOA. 364 00:16:01,228 --> 00:16:03,330 - SHAWN, WHAT--WHAT THE HELL? 365 00:16:03,363 --> 00:16:04,998 WHAT IS THIS, SMOKE IN MY LIVING ROOM? 366 00:16:05,032 --> 00:16:06,033 - SHH, DAD, IT'S NOT SMOKE. 367 00:16:06,066 --> 00:16:07,534 IT'S JUST A LITTLE DRY ICE, OKAY? 368 00:16:07,567 --> 00:16:08,868 WE'RE HELPING A VERY NICE CLIENT 369 00:16:08,901 --> 00:16:10,337 BY FREEING HIM OF THE FEELINGS THAT HE MIGHT BE CURSED. 370 00:16:10,370 --> 00:16:11,871 - WELL, IS THIS THE GUY THAT'S GOT THE GIRLFRIENDS 371 00:16:11,904 --> 00:16:13,240 THAT KEEP DROPPING LIKE FLIES? 372 00:16:13,273 --> 00:16:14,707 - ONE GIRL THAT WE KNOW OF FOR SURE. 373 00:16:14,741 --> 00:16:16,876 SHE KIND OF, SORT OF, ALMOST GOT CRUSHED BY A RUNAWAY TRUCK, 374 00:16:16,909 --> 00:16:18,345 BUT SHE'S FINE, RELATIVELY. 375 00:16:18,378 --> 00:16:19,846 - DID YOU TALK TO HER? - I DIDN'T NEED TO. 376 00:16:19,879 --> 00:16:22,249 SHE'S NOT GONNA CRUSH HERSELF, NOW, IS SHE? 377 00:16:22,282 --> 00:16:23,716 [chuckles] - [chuckles] SMART-ASS. 378 00:16:23,750 --> 00:16:25,218 ALL RIGHT, JUST CLEAN UP THIS CRAP. 379 00:16:25,252 --> 00:16:26,886 - TEN-FOUR. 380 00:16:26,919 --> 00:16:30,223 THAT'S ME, CLEANING MACHINE. 381 00:16:39,066 --> 00:16:41,201 - [clicks tongue] RAJ. 382 00:16:41,234 --> 00:16:42,902 [sighs] 383 00:16:42,935 --> 00:16:44,871 WOW. 384 00:16:44,904 --> 00:16:47,707 [laughing] 385 00:16:47,740 --> 00:16:49,642 YOU SEEM DIFFERENT. 386 00:16:49,676 --> 00:16:52,679 [laughing] 387 00:16:57,016 --> 00:16:58,951 - OW! WHAT? 388 00:16:58,985 --> 00:17:01,721 - AREN'T YOU GONNA INTRODUCE ME TO YOUR, UM-- 389 00:17:01,754 --> 00:17:02,889 WHOEVER THEY ARE? 390 00:17:02,922 --> 00:17:05,392 - THAT'S, UH, SHAWN AND, UM, GREG. 391 00:17:05,425 --> 00:17:07,527 AND THEY HELPED ME OUT 392 00:17:07,560 --> 00:17:09,996 WITH A PROBLEM EARLIER, AND I OWE THEM. 393 00:17:10,029 --> 00:17:12,132 CAN YOU HOOK MY FRIENDS UP 394 00:17:12,165 --> 00:17:15,168 WITH TWO TICKETS FOR TONIGHT'S PERFORMANCE? 395 00:17:17,404 --> 00:17:19,306 [cheers and applause] 396 00:17:19,339 --> 00:17:22,409 [traditional Indian music] 397 00:17:22,442 --> 00:17:28,448 * 398 00:17:36,723 --> 00:17:38,725 - STANDING ROOM, BACK OF THE THEATER-- 399 00:17:38,758 --> 00:17:41,328 SOME REWARD. - COME ON, GREG. 400 00:17:41,361 --> 00:17:42,862 LET'S JUST CONGRATULATE EACH OTHER 401 00:17:42,895 --> 00:17:46,599 ON A JOB WELL DONE AND ENJOY THIS EXPLOSION OF CULTURE. 402 00:17:49,736 --> 00:17:51,371 WHAT ARE YOU DOING HERE? 403 00:17:51,404 --> 00:17:53,039 - WHAT ARE YOU DOING HERE? - [scoffs] 404 00:17:53,072 --> 00:17:55,775 - JUST CELEBRATING ANOTHER SUCCESSFUL CONCLUSION TO A CASE. 405 00:17:55,808 --> 00:17:56,776 - IN RECORD TIME. 406 00:17:56,809 --> 00:17:58,578 - WHAT? - REALLY? 407 00:17:58,611 --> 00:18:01,648 WELL, THEN YOU KNOW THAT THE BRAKE LINES 408 00:18:01,681 --> 00:18:02,882 ON THE TRUCK WERE SEVERED? 409 00:18:02,915 --> 00:18:04,784 - LOOK, LASSIE, THAT TRUCK WAS VERY OLD. 410 00:18:04,817 --> 00:18:07,287 PARTS CAN SNAP AT ANY TIME. 411 00:18:07,320 --> 00:18:09,088 - YOU ALSO KNOW, THEN, THAT THE SAFETY BLOCKS 412 00:18:09,122 --> 00:18:11,291 THAT SHOULD HAVE BEEN UNDER THE TIRES 413 00:18:11,324 --> 00:18:13,293 WERE FOUND IN THE DUMPSTER. 414 00:18:13,326 --> 00:18:15,128 - MAYBE WE SHOULD HAVE DONE SOME ACTUAL INVESTIGATING. 415 00:18:15,162 --> 00:18:16,129 - YOU THINK? 416 00:18:16,163 --> 00:18:17,597 - WHAT ARE YOU TWO TALKING ABOUT? 417 00:18:17,630 --> 00:18:19,766 - NOTHING. 418 00:18:19,799 --> 00:18:21,868 I JUST MIGHT NEED TO GO UP THERE. 419 00:18:21,901 --> 00:18:23,136 - WHAT? 420 00:18:23,170 --> 00:18:24,937 NO, SHAWN, YOU DO NOT GO UP UNDER ANY CIRCUMSTANCES. 421 00:18:24,971 --> 00:18:26,806 - I THINK WE MADE A HUGE MISTAKE. 422 00:18:26,839 --> 00:18:28,275 - I DON'T CARE. 423 00:18:28,308 --> 00:18:30,743 - NO! - SHAWN! SHAWN, STOP IT! 424 00:18:30,777 --> 00:18:33,546 - LET GO! - DON'T GO BONELESS ON ME, SHA-- 425 00:18:33,580 --> 00:18:34,647 OW, MY BACK! 426 00:18:34,681 --> 00:18:37,984 SHAWN! SHAWN! - AH! 427 00:18:48,561 --> 00:18:50,029 [cracking] 428 00:18:50,062 --> 00:18:51,063 - AAH! 429 00:18:58,305 --> 00:18:59,439 - I GOT YOU. 430 00:18:59,472 --> 00:19:01,674 [grunts] 431 00:19:03,142 --> 00:19:07,547 [exhales deeply, breathing heavily] 432 00:19:07,580 --> 00:19:09,716 - I TOLD YOU IT WAS A CURSE. 433 00:19:19,359 --> 00:19:20,793 - DID YOU NOTICE ANYTHING SUSPICIOUS 434 00:19:20,827 --> 00:19:22,795 AROUND THE STAGE TODAY? - NO. 435 00:19:22,829 --> 00:19:24,464 - AND YOU CAN'T THINK OF ANYONE THAT'S BEEN THREATENING YOU? 436 00:19:24,497 --> 00:19:26,966 - NO. NO ONE. - DON'T YOU WORRY, MISS. 437 00:19:26,999 --> 00:19:28,801 I'M GONNA FIND THE PERSON WHO DID THIS. 438 00:19:28,835 --> 00:19:31,137 I'M DONE. YOU CAN TAKE HER. 439 00:19:31,170 --> 00:19:33,906 - RAJ, WILL YOU MEET ME AT THE HOSPITAL? 440 00:19:33,940 --> 00:19:37,477 - NO, I CAN'T. I HAVE TO GO. 441 00:19:37,510 --> 00:19:39,646 - GO WHERE? I NEED YOU. 442 00:19:39,679 --> 00:19:42,315 - LOOK, THIS IS ALL MY FAULT. 443 00:19:42,349 --> 00:19:45,985 I AM SO SORRY... 444 00:19:46,018 --> 00:19:48,388 FOR EVERYTHING. 445 00:19:48,421 --> 00:19:51,424 - RAJ, COME BACK! RAJ! 446 00:19:53,693 --> 00:19:55,395 - THEY'RE TAKING MINA TO THE HOSPITAL FOR X-RAYS. 447 00:19:55,428 --> 00:19:56,629 I'M GONNA HAVE SOME UNIFORMS STAY WITH HER, 448 00:19:56,663 --> 00:19:58,030 THEN TAKE HER HOME. 449 00:19:58,064 --> 00:20:00,300 - WE SHOULD SEND A UNIT TO SECURE HER RESIDENCE AS WELL. 450 00:20:00,333 --> 00:20:01,634 UM, SHAWN? 451 00:20:01,668 --> 00:20:03,736 YOU KNOW, THIS LADDER IS REALLY BUILT FOR ONE. 452 00:20:03,770 --> 00:20:06,806 - OH, JULES, LOTS OF THINGS SAY THEY'RE BUILT FOR ONE, 453 00:20:06,839 --> 00:20:08,975 BUT CAN EASILY FIT TWO PEOPLE. 454 00:20:09,008 --> 00:20:12,579 TANNING BEDS, IRON LUNG-- THAT'S JUST TO NAME TWO. 455 00:20:12,612 --> 00:20:13,746 - SPENCER, WHY ARE YOU STILL HERE? 456 00:20:13,780 --> 00:20:16,583 I-I THOUGHT YOU SOLVED THIS CASE HOURS AGO. 457 00:20:18,885 --> 00:20:22,289 - WOW. LASSITER'S REALLY GOT YOUR GOAT, HUH? 458 00:20:22,322 --> 00:20:24,824 - YEAH, HE DOES, AND I WANT IT BACK. 459 00:20:24,857 --> 00:20:26,593 GOD KNOWS WHAT HE'S DOING TO THAT POOR THING. 460 00:20:26,626 --> 00:20:30,463 - YOU DON'T REALLY BELIEVE IN LOVE CURSES, DO YOU? 461 00:20:30,497 --> 00:20:31,798 - JULES, I'M A PSYCHIC. 462 00:20:31,831 --> 00:20:34,634 I HAVE TO REMAIN OPEN TO ANY NUMBER OF-- 463 00:20:34,667 --> 00:20:36,903 WHY, DO YOU? 464 00:20:36,936 --> 00:20:40,340 - WELL, I THINK THAT EVERYBODY WHO'S LOOKING FOR A SOUL MATE 465 00:20:40,373 --> 00:20:42,942 MAY, AT ONE TIME, FEEL THAT THERE ARE OUTSIDE FORCES 466 00:20:42,975 --> 00:20:45,077 CONSPIRING AGAINST THEM, 467 00:20:45,111 --> 00:20:47,314 BUT... 468 00:20:47,347 --> 00:20:49,248 SHAWN, WHAT ARE YOU DOING? 469 00:20:51,418 --> 00:20:54,220 - IT WASN'T A CURSE... 470 00:20:54,253 --> 00:20:56,122 NOT THIS TIME. 471 00:20:56,155 --> 00:20:57,490 PLASTIC. 472 00:20:57,524 --> 00:20:59,659 THAT WASN'T GONNA HOLD MINA FOR LONG, NOW, WAS IT? 473 00:20:59,692 --> 00:21:02,795 - SNAPPED IN TWO AND PAINTED TO LOOK LIKE METAL. 474 00:21:02,829 --> 00:21:03,996 - THIS MEANS WE'RE LOOKING 475 00:21:04,030 --> 00:21:06,165 FOR A REAL FLESH AND BLOOD HUMAN BEING 476 00:21:06,198 --> 00:21:08,167 OR A GENETICALLY ENHANCED MONKEY. 477 00:21:08,200 --> 00:21:10,303 EITHER WAY, SOMEONE WANTED TO HURT THIS GIRL. 478 00:21:10,337 --> 00:21:12,138 - I'LL HAVE FORENSICS SEE WHAT THEY CAN GET OFF OF THESE. 479 00:21:12,171 --> 00:21:13,806 - WHOA, WHOA, WHOA, WHOA. THIS DOESN'T MAKE SENSE. 480 00:21:13,840 --> 00:21:15,442 - WHY? - BECAUSE THERE WERE, LIKE, 481 00:21:15,475 --> 00:21:17,477 15 BACKUP DANCERS UP HERE, RIGHT? 482 00:21:17,510 --> 00:21:19,145 I MEAN, HOW WOULD THE PERPETRATOR KNOW 483 00:21:19,178 --> 00:21:20,480 THAT THIS TRAPDOOR WOULD GIVE WAY 484 00:21:20,513 --> 00:21:23,316 AT THE PRECISE MOMENT THAT MINA DANCED ACROSS IT? 485 00:21:27,387 --> 00:21:28,621 - WHAT ARE WE DOING HERE? 486 00:21:28,655 --> 00:21:30,022 I THOUGHT WE WERE GOING TO A MOVIE. 487 00:21:30,056 --> 00:21:31,157 - YES, MOVIE, LATER. 488 00:21:31,190 --> 00:21:32,925 BUT FIRST, GUS AND I NEED TO KNOCK OFF 489 00:21:32,959 --> 00:21:34,661 SOME QUICK CASE BUSINESS. 490 00:21:37,597 --> 00:21:41,033 HEY! - YOU! 491 00:21:41,067 --> 00:21:42,469 [door slams] 492 00:21:42,502 --> 00:21:45,171 - HE MUST'VE MISTAKEN US FOR SOMEONE ELSE. 493 00:21:47,540 --> 00:21:50,343 HEY! - GO AWAY, SHAWN! 494 00:21:50,377 --> 00:21:51,411 [door slams] 495 00:21:51,444 --> 00:21:52,945 - I WONDER HOW MANY SHAWNS HE KNOWS. 496 00:21:52,979 --> 00:21:54,246 I SHOULD DOUBLE-CHECK. 497 00:21:56,416 --> 00:21:58,985 - YOU ARE A FRAUD! 498 00:21:59,018 --> 00:22:00,520 - DUDE, IF YOU DON'T LET US IN, 499 00:22:00,553 --> 00:22:02,455 WE'RE GONNA BREAK THROUGH YOUR WINDOW. 500 00:22:02,489 --> 00:22:03,823 WE NEED TO TALK TO YOU. 501 00:22:03,856 --> 00:22:05,758 WE GOT TO FIGURE OUT WHO COULD'VE WANTED TO HURT MINA. 502 00:22:05,792 --> 00:22:07,560 - FINE. 503 00:22:07,594 --> 00:22:10,397 - IT'S OKAY. FINE. 504 00:22:10,430 --> 00:22:13,466 - CURSE BREAKER? YOU RIDICULE ME? 505 00:22:13,500 --> 00:22:16,102 MY HAND IN A BOWL OF WATER? YOU COULD'VE GOTTEN MINA KILLED. 506 00:22:16,135 --> 00:22:18,471 - THE REASON THE CEREMONY DIDN'T WORK, RAJ, 507 00:22:18,505 --> 00:22:19,739 IS BECAUSE YOU ARE NOT CURSED. 508 00:22:19,772 --> 00:22:22,041 IT WAS SABOTAGE, AND I KNOW THIS. 509 00:22:22,074 --> 00:22:23,410 - AND HOW CAN YOU BE SO SURE? 510 00:22:23,443 --> 00:22:25,144 - BECAUSE I HAPPEN TO TRAVEL 511 00:22:25,177 --> 00:22:27,313 IN THESE SORT OF METAPHYSICAL ARENAS, DUDE. 512 00:22:27,346 --> 00:22:28,581 AS SURE AS I AM 513 00:22:28,615 --> 00:22:30,583 THAT GUS WILL ACCIDENTALLY CAUSE HIS OWN DEATH... 514 00:22:30,617 --> 00:22:32,084 I KNOW THAT YOU ARE NOT CURSED. 515 00:22:32,118 --> 00:22:34,086 NOW, WE NEED TO TALK TO YOU AND MINA. 516 00:22:34,120 --> 00:22:35,422 IS SHE HERE OR WHAT? 517 00:22:35,455 --> 00:22:37,590 - RAJESH. WHO'S OUT THERE? 518 00:22:37,624 --> 00:22:39,726 - COME ON. 519 00:22:42,562 --> 00:22:45,765 - WONDERFUL. MORE MOUTHS TO FEED. 520 00:22:45,798 --> 00:22:47,967 THANK YOU FOR THE ADVANCE NOTICE. 521 00:22:48,000 --> 00:22:49,769 - NO, WE DIDN'T COME TO EAT. 522 00:22:52,338 --> 00:22:53,573 - YOU KNOW, GUYS, 523 00:22:53,606 --> 00:22:55,708 MY GRANDMOTHER TENDS TO MAKE HER FOOD A LITTLE SPICY. 524 00:22:55,742 --> 00:22:56,976 YOU MIGHT WANT TO TAKE IT EASY. 525 00:22:57,009 --> 00:22:59,746 - PLEASE. I'M ONE-QUARTER JAMAICAN. 526 00:22:59,779 --> 00:23:01,914 - I'M ALSO ONE-QUARTER JAMAICAN. - YOU ARE NOT! 527 00:23:01,948 --> 00:23:03,950 STOP TELLING PEOPLE THAT! - MMM. 528 00:23:10,289 --> 00:23:12,659 - SO HOW DO YOU KNOW MY GRANDSON JAY? 529 00:23:12,692 --> 00:23:15,127 - UH, WE'RE ACTUALLY FRIENDS OF RAJ. 530 00:23:15,161 --> 00:23:18,865 - YOU'RE NOT HERE FOR JAY AND SITA'S ENGAGEMENT DINNER? 531 00:23:18,898 --> 00:23:20,767 - UH, WE'RE HELPING RAJ WITH A PROBLEM. 532 00:23:20,800 --> 00:23:23,570 I'M SORRY, WAS THIS CHICKEN SEASONED WITH MOLTEN LAVA? 533 00:23:24,837 --> 00:23:28,374 - SORRY ABOUT THAT-- WEDDING STUFF. 534 00:23:28,407 --> 00:23:31,143 HI, I'M SITA. - HI. 535 00:23:31,177 --> 00:23:33,079 - DID YOU GET THE MANGO LEAVES? 536 00:23:34,113 --> 00:23:35,548 - NO, THEY'RE NOT IN SEASON. 537 00:23:35,582 --> 00:23:38,451 - HOW CAN WE HAVE A WEDDING WITHOUT MANGO LEAVES? 538 00:23:38,485 --> 00:23:40,820 VERY INAUSPICIOUS. 539 00:23:40,853 --> 00:23:42,221 - WELL, WE COULD PUSH THE WEDDING DATE, 540 00:23:42,254 --> 00:23:43,456 IF IT MEANS THAT MUCH TO YOU. 541 00:23:43,490 --> 00:23:47,627 - AGAIN? HOW MANY TIMES ARE WE GONNA DO THIS? 542 00:23:47,660 --> 00:23:49,829 - UNTIL IT'S RIGHT. 543 00:23:49,862 --> 00:23:51,631 - BUT I ALREADY BOOKED KAJAGOOGOO FOR THE PARTY. 544 00:23:51,664 --> 00:23:53,733 - WHAT DO YOU MEAN, LIKE A COVER BAND? 545 00:23:53,766 --> 00:23:56,603 - COME ON, KID. - DON'T WORRY, SITA. 546 00:23:56,636 --> 00:23:58,538 EVERYTHING'S GOING TO BE GREAT. IT'LL BE BEAUTIFUL. 547 00:23:58,571 --> 00:24:01,440 - THIS WEDDING BUSINESS IS MORE TROUBLE THAN IT'S WORTH. 548 00:24:01,474 --> 00:24:03,476 - BETTER THAN BEING ALONE FOREVER. 549 00:24:03,510 --> 00:24:06,178 - REALLY? YOU'RE JUST FINE? 550 00:24:06,212 --> 00:24:08,114 - I TAUGHT ENGLISH TO CHILDREN IN MUMBAI FOR A MONTH. 551 00:24:08,147 --> 00:24:09,448 THIS IS VERY AUTHENTIC. 552 00:24:09,482 --> 00:24:11,584 WHAT'S THE MATTER, SHAWN, YOU DON'T LIKE IT? 553 00:24:11,618 --> 00:24:13,953 - NO, NO, I THINK I LIKE IT TOO MUCH. 554 00:24:13,986 --> 00:24:15,287 - IT'S SO AUTHENTIC. 555 00:24:15,321 --> 00:24:17,857 - DUDE, I CAN'T SEE ANYTHING OUT OF MY LEFT EYE. 556 00:24:17,890 --> 00:24:19,859 - I SEE DEAD PEOPLE. 557 00:24:22,662 --> 00:24:24,296 - MY GOD, EVEN THE WATER'S SPICY. 558 00:24:24,330 --> 00:24:25,565 - WHO DOES THAT? 559 00:24:33,039 --> 00:24:35,708 [traditional Indian music] 560 00:24:37,243 --> 00:24:38,477 - WHAT ARE YOU WATCHING? 561 00:24:38,511 --> 00:24:40,647 - FOOTAGE FROM THE NIGHT THAT MINA WAS ALMOST KILLED. 562 00:24:40,680 --> 00:24:41,781 ON THE SCREEN ON THE RIGHT 563 00:24:41,814 --> 00:24:43,449 IS A PERFORMANCE FROM ABOUT A WEEK AGO. 564 00:24:43,482 --> 00:24:45,451 - WHAT ARE YOU WATCHING THIS FOR? WE WERE ALL THERE. 565 00:24:45,484 --> 00:24:46,853 WENT OVER THE STAGE WITH A FINE-TOOTHED COMB. 566 00:24:46,886 --> 00:24:50,890 - JUST SOMETHING THAT SHAWN SAID AT THE CRIME SCENE. 567 00:24:50,923 --> 00:24:54,360 WAIT. 568 00:24:54,393 --> 00:24:56,295 DO YOU SEE WHAT I SEE? 569 00:25:00,399 --> 00:25:03,235 - LOOKS LIKE I BETTER GET A WARRANT. 570 00:25:06,606 --> 00:25:07,740 - ALL RIGHT. 571 00:25:07,774 --> 00:25:10,643 I'M SORRY, NO OFFENSE, BUT IT'S STUPID 572 00:25:10,677 --> 00:25:12,444 THAT YOU PEOPLE EAT FOOD THIS HOT. 573 00:25:14,581 --> 00:25:16,783 I SAID "NO OFFENSE," RIGHT? 574 00:25:16,816 --> 00:25:21,954 - [speaking Hindi] - [speaking Hindi] 575 00:25:21,988 --> 00:25:24,523 YOU SHOULD MARRY HER. - DADI. 576 00:25:24,557 --> 00:25:27,694 - [chuckles] SHE, UH--SHE'S NOT ON TONIGHT'S MENU, SORRY. 577 00:25:27,727 --> 00:25:31,130 - SHE'S SO MUCH BETTER THAN YOUR OTHER LADY FRIENDS. 578 00:25:31,163 --> 00:25:33,465 THERE WERE SOME REAL GEMS AMONGST THOSE. 579 00:25:33,499 --> 00:25:35,935 - DADI, THOSE WERE ALL VERY NICE PEOPLE. 580 00:25:35,968 --> 00:25:39,639 AND YOU FOUND ALL OF THE THINGS THAT YOU SAID WERE STOLEN. 581 00:25:39,672 --> 00:25:41,540 [knock at door] 582 00:25:41,574 --> 00:25:44,376 - MORE UNINVITED GUESTS. THANK YOU ALL VERY MUCH. 583 00:25:44,410 --> 00:25:46,478 I'LL JUST GO TO MY GARDEN AND HARVEST SOME FOOD. 584 00:25:46,512 --> 00:25:50,149 - OKAY, I WILL GET THAT. 585 00:25:55,154 --> 00:25:56,656 [door closes] - SPENCER, EXCELLENT. 586 00:25:56,689 --> 00:25:59,859 I'M SO GLAD THAT YOU'RE HERE TO SEE ME CLOSE YOUR CASE. 587 00:25:59,892 --> 00:26:01,961 WOULD YOU LIKE A LITTLE INSIGHT INTO OUR PROCESS? 588 00:26:01,994 --> 00:26:05,364 YOU SEE, FIRST WE START BY ASKING A FEW SIMPLE QUESTIONS. 589 00:26:05,397 --> 00:26:07,700 JAY, WOULD YOU MIND TELLING ME 590 00:26:07,734 --> 00:26:09,802 WHO IS THE ONE THAT CHANGED THE CHOREOGRAPHY 591 00:26:09,836 --> 00:26:12,204 SO THAT ONLY MINA DANCED OVER THE TRAPDOOR? 592 00:26:12,238 --> 00:26:13,773 - WELL, OF COURSE, I CHANGED THE CHOREOGRAPHY, 593 00:26:13,806 --> 00:26:15,274 BUT I HAD NO IDEA-- - AND WHO'S THE ONE 594 00:26:15,307 --> 00:26:17,443 THAT ORIGINALLY WANTED MINA'S UNDERSTUDY FOR THE ROLE? 595 00:26:17,476 --> 00:26:18,811 - WELL, I ORIGINALLY RECOMMENDED LAKSHMI, 596 00:26:18,845 --> 00:26:20,312 BUT THEN I GREW TO APPRECIATE MINA, 597 00:26:20,346 --> 00:26:22,248 ESPECIALLY AFTER SHE AND RAJ STARTED-- 598 00:26:22,281 --> 00:26:24,016 - UH, SHAWN, YOU HAVE TO STOP HIM. 599 00:26:24,050 --> 00:26:25,952 - NO, I'M SORRY, I DON'T THINK THAT'S GONNA BE POSSIBLE. 600 00:26:25,985 --> 00:26:28,187 YOU SEE, MY PARTNER'S ALREADY SEARCHING HIS APARTMENT 601 00:26:28,220 --> 00:26:31,323 AS WE SPEAK, AND GUESS WHAT SHE ALREADY FOUND? 602 00:26:31,357 --> 00:26:33,325 TURNS OUT JAY'S THE ONE THAT RENTED 603 00:26:33,359 --> 00:26:35,795 AND HAD ACCESS TO THE TRUCK THAT ALMOST KILLED MINA. 604 00:26:37,797 --> 00:26:40,366 JAWAHARLAL SINGH, STAND UP, PUT YOUR HANDS BEHIND YOUR BACK. 605 00:26:40,399 --> 00:26:42,001 YOU'RE UNDER ARREST FOR ATTEMPTED MURDER. 606 00:26:42,034 --> 00:26:44,070 STAND UP. - WHAT? 607 00:26:45,337 --> 00:26:47,039 - LET'S GO, TOUGH GUY. 608 00:26:47,073 --> 00:26:48,708 - LASSIE, YOU CAN'T DO THIS. 609 00:26:48,741 --> 00:26:50,609 YOU'RE WAY, WAY OFF BASE. 610 00:26:50,643 --> 00:26:51,978 - SPENCER, WHAT ARE YOU TALKING ABOUT? 611 00:26:52,011 --> 00:26:54,013 YOU'RE THE ONE WHO GAVE US THE CHOREOGRAPHY LEAD. 612 00:26:54,046 --> 00:26:55,547 THANK YOU FOR THAT, BY THE WAY. 613 00:26:59,719 --> 00:27:01,587 - COME ON, COME ON! 614 00:27:01,620 --> 00:27:05,124 - BUT WE'RE SUPPOSED TO GET MARRIED IN A MONTH. 615 00:27:05,157 --> 00:27:07,426 - YOU'RE DESTROYING MY FAMILY. 616 00:27:11,664 --> 00:27:13,132 [door slams] 617 00:27:13,165 --> 00:27:15,634 - SO YOU CAME HERE TO HELP RAJ. - YES. 618 00:27:15,668 --> 00:27:17,069 - BUT INSTEAD YOU GOT HIS BROTHER ARRESTED 619 00:27:17,103 --> 00:27:19,371 FOR ATTEMPTED MURDER. - THAT'S CORRECT. 620 00:27:19,405 --> 00:27:21,140 - BUSINESS AS USUAL? 621 00:27:21,173 --> 00:27:23,776 - IT'S A PROCESS. 622 00:27:29,415 --> 00:27:31,918 - I'M SURE IT'S JUST A MISUNDERSTANDING, OKAY? 623 00:27:31,951 --> 00:27:33,753 DON'T CRY. WE'LL SORT IT OUT. 624 00:27:34,854 --> 00:27:35,822 - HERE'S THE GOOD NEWS. 625 00:27:35,855 --> 00:27:37,356 - YOU SEE WHAT YOU'VE DONE? 626 00:27:37,389 --> 00:27:39,358 YOU'VE RIDICULED MY CURSE AND MY BELIEFS, 627 00:27:39,391 --> 00:27:41,327 AND NOW IT'S AFFECTING EVERYONE I LOVE. 628 00:27:41,360 --> 00:27:43,362 FIRST IT WAS MINA, THEN MY BROTHER, 629 00:27:43,395 --> 00:27:46,165 AND NOW SITA, WHO'S LIKE A SISTER TO ME. 630 00:27:46,198 --> 00:27:47,599 - LOOK, RAJ, I CAN FIX THIS. 631 00:27:47,633 --> 00:27:49,501 - SHAWN, THE CASE THEY HAVE AGAINST JAY IS PRETTY STRONG. 632 00:27:49,535 --> 00:27:50,937 THEY HAVE MOTIVE, MEANS, OPPORTUNITY. 633 00:27:50,970 --> 00:27:52,171 THE ONLY THING THEY DON'T HAVE 634 00:27:52,204 --> 00:27:53,706 IS AN ACTUAL VIDEO OF HIM COMMITTING THE CRIME. 635 00:27:53,740 --> 00:27:56,175 - WELL, MAYBE YOU CAN FIND THAT FOR THE COPS TOO, SHAWN. 636 00:27:56,208 --> 00:27:57,977 - LEAVE US ALL ALONE. YOU'VE DONE ENOUGH. 637 00:27:58,010 --> 00:28:00,312 - OKAY, STOP IT, RAJ. 638 00:28:00,346 --> 00:28:03,015 JUST STOP. THERE IS NO CURSE. 639 00:28:03,049 --> 00:28:04,616 SOMEONE IS DOING THIS TO YOU. 640 00:28:04,650 --> 00:28:06,919 - REALLY? THEN HOW DO YOU EXPLAIN 641 00:28:06,953 --> 00:28:09,621 WHAT HAPPENED TO GITA, RAINI, DIPTI, AND VICTORIA, HUH? 642 00:28:09,655 --> 00:28:12,624 - HE'S LIKE A PUMA. - WE NEED TO GET OUT OF HERE. 643 00:28:12,658 --> 00:28:14,060 - HOW'D HE GET UP ON US SO FAST? 644 00:28:14,093 --> 00:28:15,895 - I DON'T KNOW. I BLINKED, AND HE WAS RIGHT THERE. 645 00:28:15,928 --> 00:28:17,329 - HE'S PROBABLY RIGHT. 646 00:28:17,363 --> 00:28:20,132 WE SHOULD TALK TO GILA, RAY JAY, AND DIPSTICK. 647 00:28:20,166 --> 00:28:22,668 - WOW, YOU KNOW THOSE NAMES WERE NOWHERE NEAR CLOSE, RIGHT? 648 00:28:22,701 --> 00:28:26,005 - IT ALL STARTED WITH THE BREAK-IN AT MY CONDO. 649 00:28:26,038 --> 00:28:28,307 - AND THEN A CAR ACCIDENT. 650 00:28:28,340 --> 00:28:30,642 - NEXT THING I KNEW, MY APARTMENT WAS ON FIRE. 651 00:28:30,676 --> 00:28:34,113 - WE TALKED ABOUT MOVING IN TOGETHER, RIGHT BEFORE IT ENDED. 652 00:28:34,146 --> 00:28:35,848 - I MET HIS FAMILY ON FRIDAY, 653 00:28:35,882 --> 00:28:38,985 AND BY THE NEXT WEEKEND, IT WAS OVER. 654 00:28:39,018 --> 00:28:42,154 HE SEEMED REALLY SAD TO CALL IT OFF. 655 00:28:42,188 --> 00:28:45,091 - RIGHT WHEN THINGS WERE BEST, I THOUGHT HE WAS THE ONE. 656 00:28:45,124 --> 00:28:46,325 I HAD THAT ACCIDENT. 657 00:28:46,358 --> 00:28:48,127 THEN HE SAID WE COULDN'T BE TOGETHER. 658 00:28:48,160 --> 00:28:50,830 - ARE YOU AS JEALOUS OF THIS GUY AS I AM? 659 00:28:50,863 --> 00:28:52,331 - MORE... 660 00:28:52,364 --> 00:28:54,700 EXCEPT FOR THE PARTS WHERE HIS GIRLFRIENDS ALMOST DIE. 661 00:28:54,733 --> 00:28:55,868 - RIGHT. 662 00:29:01,240 --> 00:29:04,343 - THEY'RE RELEASING MY BROTHER, NO THANKS TO YOU. 663 00:29:04,376 --> 00:29:05,912 - ACTUALLY, ALL THANKS TO ME. 664 00:29:05,945 --> 00:29:07,880 I'M THE ONE THAT LINED UP HIS ALIBI 665 00:29:07,914 --> 00:29:09,015 WITH THE TIMELINE OF THE CRIME. 666 00:29:09,048 --> 00:29:10,749 I'M THE ONE THAT FOUND TWO WITNESSES 667 00:29:10,783 --> 00:29:13,019 THAT PUT HIM SOMEPLACE ELSE WHEN THE SABOTAGE OCCURRED. 668 00:29:13,052 --> 00:29:15,721 AND I AM THE ONE THAT GOT HIM ARRESTED IN THE FIRST PLACE. 669 00:29:15,754 --> 00:29:17,689 - THAT LAST ONE DIDN'T PLAY. 670 00:29:17,723 --> 00:29:20,726 - YEAH, JUST SCRATCH THE LAST ONE, OKAY? 671 00:29:20,759 --> 00:29:22,461 WE SPOKE TO YOUR OTHER GIRLFRIENDS. 672 00:29:22,494 --> 00:29:25,197 - AND WE HAVE CONCLUDED THAT THEY WERE ALL KIND OF HOT. 673 00:29:25,231 --> 00:29:26,732 - THAT'S TRUE. 674 00:29:26,765 --> 00:29:28,835 BUT MORE IMPORTANTLY, THERE'S A PATTERN HERE. 675 00:29:28,868 --> 00:29:30,870 THIS PERSON, WHOEVER'S OUT TO GET YOU, 676 00:29:30,903 --> 00:29:33,005 ONLY STRIKES WHEN YOU GET SERIOUS WITH SOMEONE. 677 00:29:33,039 --> 00:29:34,473 - I DON'T UNDERSTAND. 678 00:29:34,506 --> 00:29:35,842 - FIRST OF ALL, IT MEANS IT'S SOMEONE YOU KNOW. 679 00:29:35,875 --> 00:29:37,076 - OR KNOWS YOU, AND THEY ONLY ATTACK 680 00:29:37,109 --> 00:29:38,410 WHEN YOU'VE COMMITTED TO SOMEONE. 681 00:29:38,444 --> 00:29:41,147 - I'VE DEVISED A PLAN TO DRAW OUT THE ATTACKER. 682 00:29:41,180 --> 00:29:42,348 WE JUST NEED MINA-- 683 00:29:42,381 --> 00:29:44,783 - I NEED TO STOP YOU RIGHT THERE. 684 00:29:44,817 --> 00:29:45,885 MINA'S GONE. 685 00:29:45,918 --> 00:29:48,320 - WHAT? YOU DIDN'T KILL HER, DID YOU? 686 00:29:48,354 --> 00:29:51,557 - GUS, PLEASE, SOME DECORUM. YOU DIDN'T, RIGHT? 687 00:29:51,590 --> 00:29:55,394 - NO! I PUT HER ON A PLANE. I BROKE IT OFF WITH HER. 688 00:29:55,427 --> 00:29:57,864 MAYBE I WAS JUST MEANT TO BE ALONE. 689 00:29:57,897 --> 00:30:00,199 - WOW. YOU WOULD RATHER LOSE HER 690 00:30:00,232 --> 00:30:01,968 THAN SEE THE POSSIBILITY OF HARM COME TO HER. 691 00:30:02,001 --> 00:30:03,369 YOU LOVE HER THAT MUCH? 692 00:30:03,402 --> 00:30:05,171 - I DON'T KNOW ANY OTHER WAY TO LOVE. 693 00:30:05,204 --> 00:30:07,339 - REALLY? HAVE YOU SEEN 9 1/2 WEEKS? 694 00:30:07,373 --> 00:30:08,507 - SHAWN. 695 00:30:08,540 --> 00:30:10,242 - OR ANY OF ZALMAN KING'S OTHER STUFF? 696 00:30:10,276 --> 00:30:12,244 - SHAWN. WHAT'S THE PLAN? 697 00:30:12,278 --> 00:30:14,580 - IT'S NOT IMPORTANT NOW. 698 00:30:14,613 --> 00:30:16,182 - WE WERE GOING TO DANGLE MINA OUT IN THE OPEN 699 00:30:16,215 --> 00:30:17,616 TO LURE THE KILLER TO ATTACK. 700 00:30:17,649 --> 00:30:19,351 - YOU WERE GONNA MAKE THE WOMAN I LOVE, 701 00:30:19,385 --> 00:30:21,053 THE WOMAN I WOULD GIVE MY LIFE FOR-- 702 00:30:21,087 --> 00:30:22,388 YOU WERE GONNA MAKE HER BAIT? 703 00:30:22,421 --> 00:30:26,225 - BAIT? THAT'S A STRONG FISHING TERM. 704 00:30:26,258 --> 00:30:29,328 NO, WE WERE GONNA MAKE HER AN INCENTIVE, 705 00:30:29,361 --> 00:30:31,497 SINCE THE ATTACKER'S ONLY PATTERN 706 00:30:31,530 --> 00:30:34,466 IS TO KEEP YOU FROM FINDING LOVE. 707 00:30:34,500 --> 00:30:36,035 - I HAVE AN IDEA. 708 00:30:42,208 --> 00:30:46,178 - MAN, I DON'T LIKE THIS. 709 00:30:46,212 --> 00:30:48,114 - YOU DON'T LIKE JULIA DATING SOMEBODY. 710 00:30:48,147 --> 00:30:51,217 - FAKE DATING, BUT THAT'S NOT IT. 711 00:30:51,250 --> 00:30:54,120 IT'S THIS WHOLE "USING HER AS BAIT" THING. 712 00:30:54,153 --> 00:30:55,221 - YOU HAD NO PROBLEM 713 00:30:55,254 --> 00:30:56,788 DANGLING HIS GIRLFRIEND OUT THERE AS BAIT. 714 00:30:56,822 --> 00:30:59,325 - WELL, NOW YOU'RE CHANGING THE RULES, AREN'T YOU? 715 00:30:59,358 --> 00:31:00,826 LOOK AT RAJ. 716 00:31:00,859 --> 00:31:03,495 HE'S GETTING AWFULLY "HANDSY" OVER THERE, 717 00:31:03,529 --> 00:31:06,332 TAKING ADVANTAGE OF THE SITUATION LIKE THAT. 718 00:31:06,365 --> 00:31:07,833 - [Lassiter on radio] NO, HE'S DEFINITELY BUGGED 719 00:31:07,866 --> 00:31:09,368 BY O'HARA DATING THIS GUY. 720 00:31:11,870 --> 00:31:15,874 - GUS, DON'T LEAVE THE TALK BUTTON ON. 721 00:31:19,611 --> 00:31:21,247 - THAT WAS SO GOOD. 722 00:31:21,280 --> 00:31:23,015 - I'VE NEVER HAD BROCCOLI IN A MILKSHAKE BEFORE. 723 00:31:23,049 --> 00:31:24,483 - [laughing] I KNOW. 724 00:31:24,516 --> 00:31:26,685 BUT JUST THINK HOW GOOD IT IS FOR YOU. 725 00:31:26,718 --> 00:31:29,888 - WELL, WELL, WELL. IT'S 11:20. 726 00:31:29,922 --> 00:31:32,758 LOOK WHO FINALLY DECIDED TO COME HOME. 727 00:31:32,791 --> 00:31:35,761 - I'M SORRY, SHAWN. ARE YOU UPSET ABOUT SOMETHING? 728 00:31:35,794 --> 00:31:38,830 - AS A MATTER OF FACT, I AM--RAJ. 729 00:31:38,864 --> 00:31:40,466 - WHAT DID I DO? 730 00:31:40,499 --> 00:31:41,833 - LOOK, I DIDN'T LIKE THIS IDEA TO BEGIN WITH. 731 00:31:41,867 --> 00:31:43,169 YOU'VE BEEN ON FOUR DATES NOW. 732 00:31:43,202 --> 00:31:45,071 IT'S BEEN A COMPLETE AND TOTAL FAILURE. 733 00:31:45,104 --> 00:31:47,206 - NO, SHAWN, WE'VE BEEN ON THREE DATES. 734 00:31:47,239 --> 00:31:48,507 - NO, THERE WAS THE CARNIVAL, 735 00:31:48,540 --> 00:31:50,209 WHERE RAJ WON YOU A BIG, FAT STUFFED OCTOPUS. 736 00:31:50,242 --> 00:31:51,710 THERE WAS A LONG WALK ON THE PIER, 737 00:31:51,743 --> 00:31:53,879 WHERE HE KEPT BRUSHING YOUR HAIR GENTLY OUT OF YOUR FACE. 738 00:31:53,912 --> 00:31:55,281 THEN THERE WAS DINNER TONIGHT, 739 00:31:55,314 --> 00:31:56,983 WHERE THERE WAS AN AWFUL LOT OF HAND-HOLDING. 740 00:31:57,016 --> 00:31:58,917 AND WHO COULD FORGET COFFEE AT THE POLICE DEPARTMENT, 741 00:31:58,951 --> 00:32:01,320 WHERE YOU BLUSHED AND SQUEALED AND GIGGLED 742 00:32:01,353 --> 00:32:02,721 LIKE A SCHOOLGIRL? 743 00:32:02,754 --> 00:32:04,490 - THAT WAS NOT A DATE. HE WAS THERE TO SIGN SOME PAPERS. 744 00:32:04,523 --> 00:32:05,557 YOU WERE WATCHING US? 745 00:32:05,591 --> 00:32:07,493 - IT'S CALLED SURVEILLANCE. 746 00:32:07,526 --> 00:32:08,995 I "SURVEILLATE" THINGS. 747 00:32:09,028 --> 00:32:10,729 I'M A PURVEYOR OF "SURVEILLERISM." 748 00:32:10,762 --> 00:32:12,598 LET'S NOT GET CAUGHT UP IN WORDPLAY. 749 00:32:12,631 --> 00:32:13,899 THE POINT IS, 750 00:32:13,932 --> 00:32:15,667 WE'VE BEEN AT THIS LITTLE CHARADE FOR THREE WEEKS, 751 00:32:15,701 --> 00:32:17,469 AND IT'S YIELDED A GRAND TOTAL OF NADA. 752 00:32:17,503 --> 00:32:18,470 - YOU'RE RIGHT. 753 00:32:18,504 --> 00:32:20,406 - OF COURSE I AM. YOU SEE THAT? 754 00:32:20,439 --> 00:32:22,141 - LOOK, IT'S CLEAR THAT THE KILLER 755 00:32:22,174 --> 00:32:24,210 DOESN'T THINK DETECTIVE O'HARA IS MY GIRLFRIEND, 756 00:32:24,243 --> 00:32:26,145 OR MAYBE THEY KNOW I'M STILL IN LOVE WITH MINA. 757 00:32:26,178 --> 00:32:28,114 WE CAN KEEP AT THIS FOR SIX MONTHS, 758 00:32:28,147 --> 00:32:29,681 WE'RE STILL NOT GONNA GET ANYWHERE. 759 00:32:29,715 --> 00:32:33,119 UNLESS WE DID SOMETHING TO REMOVE ALL DOUBT, SOMETHING BIG. 760 00:32:33,152 --> 00:32:35,421 I MEAN, YOU SAID IT YOURSELF, THE ATTACKS ONLY HAPPEN 761 00:32:35,454 --> 00:32:37,889 WHEN RAJ GETS SERIOUS. - RIGHT. 762 00:32:37,923 --> 00:32:40,892 - YOUR ENTIRE FAMILY'S GOING TO THE HOLI FESTIVAL THIS WEEKEND? 763 00:32:40,926 --> 00:32:42,061 - YEAH. 764 00:32:42,661 --> 00:32:45,097 - I HAVE ANOTHER IDEA. 765 00:32:45,131 --> 00:32:48,800 RAJ, YOU WANT TO GET MARRIED? 766 00:32:57,309 --> 00:33:00,246 [upbeat music] 767 00:33:00,279 --> 00:33:01,647 * 768 00:33:03,282 --> 00:33:05,717 - SHAWN, THIS IS SO CONSIDERATE OF YOU. 769 00:33:05,751 --> 00:33:07,419 I ALWAYS WANTED TO GO TO THE HOLI FESTIVAL 770 00:33:07,453 --> 00:33:08,820 WHEN I WAS IN INDIA. 771 00:33:08,854 --> 00:33:10,089 - YES, I SENSED THAT. 772 00:33:10,122 --> 00:33:11,590 I'M AWARE OF YOUR IMMENSE LOVE 773 00:33:11,623 --> 00:33:14,426 FOR TRADITIONAL FESTIVALS OF COLORS. 774 00:33:14,460 --> 00:33:15,994 THERE ALSO MIGHT BE A KILLER HERE, 775 00:33:16,028 --> 00:33:17,763 AND I MAY NEED YOU TO BLOCK AN EXIT LATER. 776 00:33:17,796 --> 00:33:19,298 - WHAT? 777 00:33:19,331 --> 00:33:22,301 - OH, FRESH LADDU. - [gasps] 778 00:33:24,002 --> 00:33:25,971 - THERE'S MRS. SINGH. 779 00:33:26,004 --> 00:33:27,806 SHE HATES ME, AND PEOPLE DON'T HATE ME. 780 00:33:27,839 --> 00:33:29,541 I GET CHRISTMAS CARDS FROM PEOPLE I ARREST. 781 00:33:29,575 --> 00:33:31,543 - SHE DOESN'T HATE YOU, OKAY? 782 00:33:31,577 --> 00:33:33,345 - APPARENTLY I DON'T FIT THE PICTURE 783 00:33:33,379 --> 00:33:35,514 OF WHAT HER PERFECT RAJ DESERVES. 784 00:33:35,547 --> 00:33:37,383 I AM SMART, AND I AM FUN, 785 00:33:37,416 --> 00:33:39,285 AND I AM ALMOST ALWAYS IN A GOOD MOOD, DAMN IT. 786 00:33:39,318 --> 00:33:41,620 - YOU'RE NOT ACTUALLY MARRYING RAJ, REMEMBER? 787 00:33:41,653 --> 00:33:44,090 LET'S JUST GET THIS SHOW ON THE ROAD, OKAY? 788 00:33:44,123 --> 00:33:45,924 PLEASE. 789 00:33:47,093 --> 00:33:49,395 - HELLO, EVERYBODY. 790 00:33:49,428 --> 00:33:51,930 I SEE THAT A LOT OF MY FAMILY ARE HERE TODAY, 791 00:33:51,963 --> 00:33:54,900 AND, UH, I WANTED TO SHARE SOME GREAT NEWS WITH YOU. 792 00:33:54,933 --> 00:33:58,204 AS MANY OF YOU KNOW, I'VE HAD SOME TRYING TIMES LATELY. 793 00:33:58,237 --> 00:34:01,273 I LOST A LOVE THAT I THOUGHT WAS TRUE 794 00:34:01,307 --> 00:34:04,243 AND, UM, HAD SOME TROUBLE WITHIN MY FAMILY, 795 00:34:04,276 --> 00:34:06,778 BUT THIS WOMAN HERE, 796 00:34:06,812 --> 00:34:10,048 THIS BEAUTIFUL ANGEL HAS BEEN MY SAVIOR, 797 00:34:10,082 --> 00:34:13,585 AND I KNOW THAT A LOT OF YOU WILL THINK IT'S CRAZY, 798 00:34:13,619 --> 00:34:16,522 AND IT MAY BE IMPULSIVE, 799 00:34:16,555 --> 00:34:21,293 BUT I'VE ASKED MY BEAUTIFUL JULIET TO MARRY ME, 800 00:34:21,327 --> 00:34:23,095 AND SHE ACCEPTED. 801 00:34:23,129 --> 00:34:27,599 [cheers and applause] 802 00:34:27,633 --> 00:34:31,270 - ALL RIGHT. LOOKS LIKE THEY BOUGHT IT. 803 00:34:31,303 --> 00:34:33,205 - NOW WE JUST HAVE TO WAIT. 804 00:34:33,239 --> 00:34:35,174 - AND WATCH. 805 00:34:38,644 --> 00:34:40,612 - IS IT TOO EARLY FOR A SNACK? 806 00:34:40,646 --> 00:34:42,614 - WE'VE BEEN HERE FIVE MINUTES. - I KNOW. 807 00:34:42,648 --> 00:34:45,417 - SPENCER. ALL RIGHT, I ADMIT IT. 808 00:34:45,451 --> 00:34:47,085 I WAS WRONG ABOUT THE BROTHER. 809 00:34:47,119 --> 00:34:48,454 I THINK WE SHOULD CALL A TRUCE. 810 00:34:48,487 --> 00:34:50,656 - THAT'S AWFULLY BIG OF YOU, LASSIE. 811 00:34:50,689 --> 00:34:53,592 - DETECTIVE, MIGHT I HAVE A WORD WITH YOU? 812 00:34:53,625 --> 00:34:56,362 - WHAT CAN I DO FO-- WAIT A MINUTE. 813 00:34:56,395 --> 00:34:57,929 YOU'RE THE GUY FROM THE THEATER, RIGHT? 814 00:34:57,963 --> 00:34:59,431 - I'M AFRAID I DIDN'T TELL YOU EVERYTHING 815 00:34:59,465 --> 00:35:01,267 THE DAY YOU QUESTIONED ME. 816 00:35:01,300 --> 00:35:03,435 YOU KNOW ON THAT NIGHT JUST BEFORE THE ACCIDENT, 817 00:35:03,469 --> 00:35:06,672 I OVERHEARD MINA AND THE RAJ GUY TALKING... 818 00:35:06,705 --> 00:35:09,508 - I HATE HAVING TO HIDE WHAT WE HAVE. 819 00:35:09,541 --> 00:35:13,479 YOU KNOW WE CAN'T REALLY BE TOGETHER UNTIL YOU TELL HER. 820 00:35:13,512 --> 00:35:15,781 - I WILL. SOON. 821 00:35:15,814 --> 00:35:17,916 - HE WAS SEEING SOMEONE ELSE. 822 00:35:17,949 --> 00:35:19,751 MINA WAS GOING TO EXPOSE THE AFFAIR, 823 00:35:19,785 --> 00:35:21,587 GIVING RAJ MOTIVE FOR MURDER. 824 00:35:21,620 --> 00:35:24,423 HE WASN'T DISTRAUGHT BECAUSE HE ALMOST LOST HIS GIRLFRIEND. 825 00:35:24,456 --> 00:35:26,091 IT WAS GUILT OVER TRYING TO KILL HER. 826 00:35:26,124 --> 00:35:28,827 HIS FIRST CONFESSION WAS REAL. 827 00:35:28,860 --> 00:35:30,929 WHO, EXACTLY, IS RESPONSIBLE? 828 00:35:30,962 --> 00:35:32,931 - I AM. I HURT THEM ALL. 829 00:35:32,964 --> 00:35:34,900 I'M A DANGER TO EVERYONE AROUND ME. 830 00:35:34,933 --> 00:35:37,369 - I SOLVED IT. IT WAS RAJ. TRUCE OVER. 831 00:35:37,403 --> 00:35:39,037 - YOU CAN'T TAKE BACK A TRUCE, LASSIE. 832 00:35:39,070 --> 00:35:40,172 - YOU COMING WITH ME OR NOT? 833 00:35:40,206 --> 00:35:42,107 - NO! RAJ WOULDN'T CHEAT ON HIS TAXES, 834 00:35:42,140 --> 00:35:43,475 MUCH LESS HIS GIRLFRIEND. 835 00:35:43,509 --> 00:35:45,177 - I'LL TAKE THAT AS A NO. 836 00:35:47,446 --> 00:35:49,615 - GUS, TELL HIM, YOU CAN'T TAKE BACK A TRUCE. 837 00:35:49,648 --> 00:35:52,150 INDIAN GIVER! 838 00:35:53,819 --> 00:35:56,922 [laughs] NO. NO, NO, NO, NO. 839 00:35:56,955 --> 00:36:01,493 I-I MEANT TO INSULT AN ENTIRELY DIFFERENT GROUP OF INDIANS. 840 00:36:01,527 --> 00:36:02,528 SORRY. SORRY ABOUT THAT. 841 00:36:02,561 --> 00:36:04,830 - SHAWN, YOU CAN'T ENDANGER JULIET 842 00:36:04,863 --> 00:36:06,298 OVER A GRIPE WITH LASSITER. 843 00:36:06,332 --> 00:36:08,700 - I'M NOT. YOU HEARD THE DUDE FROM TEMPLE OF DOOM. 844 00:36:08,734 --> 00:36:11,470 RAJ WAS HIDING HIS RELATIONSHIP WITH MINA, BUT FROM WHO? 845 00:36:11,503 --> 00:36:13,972 THAT'S WHO WE'RE LOOKING FOR. OH, NO. 846 00:36:14,005 --> 00:36:15,941 AND LASSITER'S FOLLOWING RAJ, WHO DIDN'T DO IT. 847 00:36:15,974 --> 00:36:19,378 THEN WHO EXACTLY IS WATCHING JULES? 848 00:36:23,415 --> 00:36:24,983 THERE! 849 00:36:28,454 --> 00:36:30,222 WHAT HAPPENED? WHERE'S JULIET? 850 00:36:30,256 --> 00:36:33,859 - I GOT HIT FROM BEHIND. NEXT THING I KNEW, SHE WAS GONE. 851 00:36:33,892 --> 00:36:35,361 - DID YOU SEE WHO HIT YOU? 852 00:36:35,394 --> 00:36:36,995 - NO, IT ALL HAPPENED SO FAST. 853 00:36:37,028 --> 00:36:38,964 - ARE YOU OKAY? DO YOU WANT ME TO CALL AN AMBULANCE? 854 00:36:38,997 --> 00:36:40,966 - NO, I'M FINE, REALLY. - SPREAD OUT, EVERYBODY. 855 00:36:40,999 --> 00:36:42,934 I WANT EYES ON MY PARTNER IN FIVE MINUTES. 856 00:36:42,968 --> 00:36:45,504 - YOU, TAKE A BREAK. HAVE A SWEET BALL. 857 00:36:48,206 --> 00:36:49,775 JULIET! 858 00:36:49,808 --> 00:36:50,776 JULES! 859 00:36:50,809 --> 00:36:52,478 - EXCUSE ME. 860 00:36:54,045 --> 00:36:55,981 JULES! - JULIET! 861 00:36:56,014 --> 00:36:57,783 JULES! 862 00:36:57,816 --> 00:37:00,218 JULIET! 863 00:37:01,853 --> 00:37:03,855 - JULES! 864 00:37:06,124 --> 00:37:07,459 - THERE! 865 00:37:11,897 --> 00:37:13,064 JULES! 866 00:37:15,901 --> 00:37:17,436 OKAY. 867 00:37:17,469 --> 00:37:19,037 IT'S--IT'S GONNA BE OKAY, SITA. 868 00:37:19,070 --> 00:37:20,238 JUST TAKE IT EASY. 869 00:37:20,272 --> 00:37:21,607 I KNOW WHAT'S GOING ON HERE. 870 00:37:21,640 --> 00:37:23,375 - YOU DO? - OF COURSE I DO, GUS. 871 00:37:23,409 --> 00:37:24,976 - SHUT UP! AND DON'T COME ANY CLOSER. 872 00:37:25,010 --> 00:37:27,446 - I CAN SEE--I CAN SEE IT ALL. 873 00:37:27,479 --> 00:37:28,947 YOU--YOU MET JAY. 874 00:37:28,980 --> 00:37:30,416 HE PROPOSED. YOU ACCEPTED. 875 00:37:30,449 --> 00:37:34,420 THEN YOU STARTING HANGING OUT WITH THE FAMILY, MOSTLY RAJ. 876 00:37:34,453 --> 00:37:36,755 THAT'S WHEN YOU REALIZED 877 00:37:36,788 --> 00:37:39,325 YOU WERE TRULY IN LOVE WITH RAJ, 878 00:37:39,358 --> 00:37:40,926 NOT YOUR FIANCE. 879 00:37:40,959 --> 00:37:42,461 BUT YOU WERE STUCK. 880 00:37:42,494 --> 00:37:43,995 IT'S NOT LIKE YOU COULD CALL OFF THE ENGAGEMENT, 881 00:37:44,029 --> 00:37:45,163 MAKE A PLAY FOR RAJ. 882 00:37:45,196 --> 00:37:46,632 HE WOULD NEVER DO THAT TO HIS BROTHER. 883 00:37:46,665 --> 00:37:49,935 SO WHAT DID YOU DO? 884 00:37:49,968 --> 00:37:51,770 [coughs] 885 00:37:51,803 --> 00:37:53,972 REALLY, DUDE? REALLY? 886 00:37:54,005 --> 00:37:55,807 WHERE WAS I? 887 00:37:55,841 --> 00:37:57,409 - SHE WAS STUCK. - RIGHT. 888 00:37:57,443 --> 00:37:58,677 YOU WERE STUCK, 889 00:37:58,710 --> 00:38:01,580 ENGAGED TO ONE MAN BUT IN LOVE WITH HIS BROTHER. 890 00:38:01,613 --> 00:38:03,415 SO YOU DECIDED TO TAKE ACTION. 891 00:38:03,449 --> 00:38:05,584 FIRST, YOU DID EVERYTHING YOU COULD 892 00:38:05,617 --> 00:38:07,052 TO DELAY YOUR WEDDING TO JAY. 893 00:38:07,085 --> 00:38:09,421 - WELL, WE COULD PUSH THE WEDDING DATE, 894 00:38:09,455 --> 00:38:11,189 IF IT MEANS THAT MUCH TO YOU. 895 00:38:11,222 --> 00:38:14,693 - THEN, YOU SABOTAGED ALL OF RAJ'S RELATIONSHIPS, 896 00:38:14,726 --> 00:38:17,095 WAITING FOR A TIME WHEN BOTH OF YOU WERE FREE, 897 00:38:17,128 --> 00:38:19,197 CONVINCING HIM THAT HE WOULD BE BY HIMSELF 898 00:38:19,230 --> 00:38:20,599 FOR THE REST OF TIME, 899 00:38:20,632 --> 00:38:22,668 MAKING IT EASIER FOR YOU TO SWOOP IN AT THE PERFECT MOMENT. 900 00:38:22,701 --> 00:38:26,137 POOR MINA, SHE WAS THE EASIEST ONE OF ALL. 901 00:38:26,171 --> 00:38:27,305 NOBODY WAS GONNA QUESTION 902 00:38:27,339 --> 00:38:28,974 WHY YOU WERE HANGING AROUND THE THEATER. 903 00:38:29,007 --> 00:38:31,176 AFTER ALL, YOU WERE ENGAGED TO THE CHOREOGRAPHER. 904 00:38:31,209 --> 00:38:33,545 YOU SWING BY, YOU SAY, "HI," 905 00:38:33,579 --> 00:38:36,482 AND THAT'S WHAT GRANTED YOU ACCESS TO THE CREW'S TRUCKS. 906 00:38:36,515 --> 00:38:39,851 PROBABLY EVEN HAD BLUEPRINTS AND KEYS TO THE THEATER. 907 00:38:39,885 --> 00:38:42,588 YOU EVEN WATCHED THE OCCASIONAL REHEARSAL 908 00:38:42,621 --> 00:38:44,756 TO SEE IF THE DANCE STEPS CHANGED. 909 00:38:44,790 --> 00:38:46,892 - GET BACK. 910 00:38:46,925 --> 00:38:48,760 I'M GONNA KILL HER. 911 00:38:48,794 --> 00:38:51,597 SHE CAN'T HAVE WHAT I WANT, 912 00:38:51,630 --> 00:38:52,931 BECAUSE HE'S MINE. 913 00:38:52,964 --> 00:38:55,801 ME AND RAJ, WE'RE MEANT TO BE TOGETHER. 914 00:38:55,834 --> 00:38:57,769 - LET HER GO. 915 00:38:57,803 --> 00:38:58,937 LET HER GO, 916 00:38:58,970 --> 00:39:01,873 AND ALL OF THIS WILL BE MUCH EASIER FOR YOU. 917 00:39:01,907 --> 00:39:06,144 I MEAN, YOU WERE-- YOU WERE CRAZY IN LOVE. 918 00:39:06,177 --> 00:39:10,181 ANY FOOL COULD SEE WHAT WOULD DRIVE YOU TO DO THIS. 919 00:39:13,819 --> 00:39:15,954 - [grunts] - AAH! 920 00:39:19,458 --> 00:39:20,792 - OW! 921 00:39:23,061 --> 00:39:24,496 - WORD OF ADVICE, 922 00:39:24,530 --> 00:39:25,897 WHEN YOU TAKE SOMEONE HOSTAGE, 923 00:39:25,931 --> 00:39:27,332 YOU MIGHT WANT TO CHECK THEM FOR WEAPONS. 924 00:39:27,365 --> 00:39:28,467 DROP THE KNIFE. 925 00:39:28,500 --> 00:39:31,169 DROP IT. 926 00:39:31,202 --> 00:39:32,938 - DID ABIGAIL SEE THAT? - I'M RIGHT HERE. 927 00:39:32,971 --> 00:39:35,273 - YES, YOU ARE. THE PAIN SURPRISED ME. 928 00:39:35,306 --> 00:39:37,609 AND I WASN'T SUPPOSED TO GET SLAPPED IN THE FACE BY A GIRL. 929 00:39:37,643 --> 00:39:39,445 - IT'S A PROCESS. 930 00:39:39,478 --> 00:39:42,414 - IT IS A PROCESS. 931 00:39:42,448 --> 00:39:43,482 - WHAT'D I MISS? 932 00:39:43,515 --> 00:39:44,816 - NOT ME GETTING SLAPPED IN THE FACE. 933 00:39:44,850 --> 00:39:47,152 - BY A GIRL. - 'CAUSE THAT DIDN'T HAPPEN. 934 00:39:47,185 --> 00:39:50,589 - YOU'RE CAUGHT--ASSAULTING A COP AND TONS OF WITNESSES. 935 00:39:50,622 --> 00:39:52,223 - WELL, YOU'RE NOT GONNA GET AWAY WITH THAT. 936 00:39:53,925 --> 00:39:55,494 [handcuffs snap] 937 00:39:55,527 --> 00:39:58,697 - HAVE FUN WITH SHOCK THERAPY. 938 00:40:06,071 --> 00:40:07,973 - I GOT A WEDDING INVITATION FROM RAJ AND MINA. 939 00:40:08,006 --> 00:40:09,207 - YEAH? - YEAH. 940 00:40:09,240 --> 00:40:11,276 IT FEELS GOOD--YOU KNOW, BRINGING PEOPLE TOGETHER, 941 00:40:11,309 --> 00:40:13,111 WATCHING THEM SAIL OFF INTO THE SUNSET, 942 00:40:13,144 --> 00:40:15,881 GIVING A GOOD GUY THE OLD HAPPILY-EVER-AFTER. 943 00:40:15,914 --> 00:40:17,048 I FELT FOR RAJ. 944 00:40:17,082 --> 00:40:19,217 END OF THE DAY, WE HAD A GREAT DEAL IN COMMON. 945 00:40:19,250 --> 00:40:21,887 - YOU GONNA GO? - NAH, I BARELY KNEW THAT DUDE. 946 00:40:21,920 --> 00:40:24,656 AND THIS, ABIGAIL, IS WHERE WE END OUR TOUR, 947 00:40:24,690 --> 00:40:26,391 BECAUSE RIGHT HERE 948 00:40:26,424 --> 00:40:28,393 IS WHERE I CONSCIOUSLY CHOOSE NOT TO GLOAT 949 00:40:28,426 --> 00:40:30,996 WHEN I'VE GOTTEN THE BEST OF LASSIE. - RIGHT HERE? 950 00:40:31,029 --> 00:40:35,233 - WELL, IT'S MORE ALL--ALL-- ALL-OVERISH, I GUESS. 951 00:40:35,266 --> 00:40:37,002 BUT I'VE NEVER ACTUALLY DONE THAT, 952 00:40:37,035 --> 00:40:38,904 THOUGH I SUPPOSE THERE'S A FIRST TIME FOR EVERYTHING. 953 00:40:38,937 --> 00:40:40,806 - WELL, COLOR ME IMPRESSED. 954 00:40:40,839 --> 00:40:43,041 - I'D RATHER COLOR YOU WITH A VARIETY OF EDIBLE BODY PAINTS. 955 00:40:43,074 --> 00:40:44,409 - DULY NOTED. 956 00:40:44,442 --> 00:40:46,077 - BESIDES, IT'S NOT THAT IMPRESSIVE. 957 00:40:46,111 --> 00:40:47,378 I SOLVE A CASE EVERY WEEK 958 00:40:47,412 --> 00:40:49,047 AND USUALLY ONE AROUND CHRISTMAS. 959 00:40:49,080 --> 00:40:51,049 - IT WAS SO IMPRESSIVE 960 00:40:51,082 --> 00:40:53,552 THE WAY YOU JUST ATTACKED THAT MADWOMAN WITH A KNIFE. 961 00:40:53,585 --> 00:40:55,587 IT SAYS SO MUCH ABOUT YOUR CHARACTER, 962 00:40:55,621 --> 00:40:57,455 ABOUT HOW YOU FEEL. 963 00:40:57,489 --> 00:40:58,957 - HOW I FEEL? 964 00:40:58,990 --> 00:41:03,328 - I MEAN, YOU RISKED YOUR LIFE FOR A RANDOM COWORKER. 965 00:41:06,598 --> 00:41:09,467 - SHE'S NOT RANDOM. 966 00:41:09,501 --> 00:41:13,071 I MEAN--WHAT I MEAN IS, IT'S PART OF THE JOB. 967 00:41:13,104 --> 00:41:14,573 I MEAN, I WOULD DO THAT FOR ANYBODY-- 968 00:41:14,606 --> 00:41:17,709 COLLEAGUE, COWORKER, COREY HAIM ONCE. 969 00:41:17,743 --> 00:41:19,210 WOULDN'T DO IT AGAIN, TO BE HONEST. 970 00:41:19,244 --> 00:41:20,546 NEVER GOT A THANK YOU, 971 00:41:20,579 --> 00:41:22,213 AND I'M PRETTY SURE HE STOLE MY MEDIC ALERT BRACELET. 972 00:41:22,247 --> 00:41:23,314 - YOU HAVE ONE OF THOSE? 973 00:41:23,348 --> 00:41:26,151 - IT'S GUS'. LONG STORY. 974 00:41:26,184 --> 00:41:28,119 SO AM I FINGERPRINTING YOU OR WHAT? 975 00:41:28,153 --> 00:41:31,156 IT'S FUN, BUT YOU'LL HAVE LITTLE, BABY BLACK FINGERS 976 00:41:31,189 --> 00:41:32,991 FOR, LIKE, A MONTH. - NO. 977 00:41:33,024 --> 00:41:34,560 - O'HARA! 978 00:41:34,593 --> 00:41:36,461 THREE LIQUOR STORES HAVE BEEN HIT IN THE LAST 15 MINUTES. 979 00:41:36,494 --> 00:41:37,663 UNITS ARE IN PURSUIT OF THE SUSPECTS. 980 00:41:37,696 --> 00:41:40,065 LET'S ROLL! 981 00:41:40,098 --> 00:41:42,568 - GO AHEAD. 982 00:41:42,601 --> 00:41:44,736 - NAH, I GOT THE LAST ONE. 983 00:41:44,770 --> 00:41:46,404 WE'LL LET LASSIE HAVE THIS ONE. 984 00:41:46,437 --> 00:41:47,573 - OKAY. 985 00:41:52,043 --> 00:41:54,512 WANT TO DO A FAKE MUG SHOT INSTEAD? 986 00:41:54,546 --> 00:41:56,715 - ARE YOU KIDDING ME RIGHT NOW? 987 00:41:56,748 --> 00:41:58,850 YES. WE'LL NEED COSTUMES. 988 00:41:58,884 --> 00:42:01,486 WHERE DID I PUT THE KEY TO THE EVIDENCE LOCKER? 989 00:42:01,519 --> 00:42:03,655 THE HOLDING CELLS.